THE PARAMETRIC SIMULATION

By simulating the movement of algae in the ocean vortex, we were able to design pipes that allow the algae to flow in one direction within the building, allowing the luminous algae to remain active while providing light and bioenergy to the people inside the building.

Fixing Anchor Points Determining Influence

Place multiple building blocks in the bay, and with these blocks as the center, create anchor points in grasshopper and the surrounding models will be pulled by the anchor points and start rotating.

Increase Vertical Impact Determine the Location of the Tower Optimize the Curves of Building Forms

After determining the location of the tower, I applied a stronger force to it than I would have otherwise, simulating water falling from a height, and the greater water pressure would also result in a stronger bioluminescence.

Sweeping Architectural Forms Optimizing the Building Shell

Integrating the discrete lines, then sweeping the lines and then patching the shell in some way, makes the interior space more usable.

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The biocommunity will be a giant structure spanning from typhoons within The large marine platform provides ample area landscaped park, and provides spanning the bay, and people will be protected within the community. sdjaabbniukkssbhduiaiusduihasouiidhoasdasd area for algae culture ponds, serves as part of a provides quick access to the shipyards.

Site: Hangzhou, Exploration of Architactural

7th Semester 2021

Individual

The factory was built in 1960 and which form follows function, but the long time as the heavy industrial trend closed. I wanted to be able to use the space lines of the The Winged Victory of Samothrace, three-dimensional aesthetic prototype Explore the boundaries of architecture integration of architectural aesthetics

Architactural Space Based on Aesthetics

Zhejiang, China

2021 \ 2021.09-2021.12

Individual Work is a typical example of a building the building has been abandoned for a trend in China faded and the company space again. I extracted the aesthetic Samothrace, assembled the lines into a prototype and translated it into architecture. architecture and the possibility of further aesthetics with architecture.

I have used the most regular lines of the chest of The Winged Victory of Samothrace as the main reference for this design. The distinguishing lines of the geometric surfaces are listed as the thickest first group, the lines of the pleated sections as the moderate second group, and the light and shadow dividing lines as the thinnest third group. I recorded the control points of the lines and the angles between them. The three groups of lines were also reassembled into a three-view, distinguishing between tangent lines and look lines according to the thickness of the lines, and the aesthetic prototype was created according to this three-view.

As the structure of the aesthetic prototype many more aesthetic lines to the interior of each other and enrich the structure of the interspersed and can be felt