CTesta_Work Samples

WORK SAMPLES

CHRISTOPHER TESTA

PROFESSIONAL WORK 2015 to 2025

Masaar Memorial Serving as a monument celebrating the bond between a parent and child, this artwork reflects the intertwined nature of two forms with gravitydefying gesturing and a subtle play of curvature and balance.

The complexity of the design detailing surrounded efforts to not only consider the major cantilevering of the structural system, but also access considerations for bolt-ups and maintenance of the sculpture.

An intensive phase of feasibility studies was prioritized in order to meet an aggressive build schedule. This required heavy coordination between international design and engineering studios but resulted in a holistic solution that minimized expressed seams while considering material detailing and proximity and other lighting and site parameters.

Proximity to a future water feature dictated the material selection of stainless steel which also allowed for a custom paint finish application with enough contrast to have distinct legibility. Concealing of the connection pins required for stability was also a unique design constraint that led to ingenuity of surface manipulation for as little of the structure itself to be seen from principal views of the overall form.

Masaar Memorial

TECHNICAL DESIGN

UAP New York

MANUFACTURING

UAP Shanghai

ARTWORK TITLE

Masaar Memorial

LOCATION

Riyadh, UAE

YEAR

2023

Christopher Testa — Work Samples — 3 of 42

Masaar Memorial

Christopher Testa — Work Samples — 4 of 42

Masaar Memorial

Christopher Testa — Work Samples — 5 of 42

Masaar Memorial

Christopher Testa — Work Samples — 6 of 42

Tower of Ten Billion Stars Lindy Lee, IQHQ San Diego Lindy Lee, a Chinese-Australian artist, draws upon her Zen Buddhist practice to explore the cosmos and interconnectedness. San Diego’s cultural and geographical significance – as a major land border crossing situated by Mexico – influences her deeply. Tower of Ten Billion Stars stands as both a beacon and a way-finder, featuring a perforated design reminiscent of light shimmering on the ocean’s surface. Despite its size, the sculpture imbues the bustling cityscape with a sense of serenity.

Working over a span of time where in-person quality control visits were not possible, a fully remote digital dot application patterning review and translation was required for this artwork. A digitally carved maquette of the scaled work was created in order for the artist studio team to apply a perforation pattern scheme direct to the surface. Via a process of scanning and re-translation, the pattern was reviewed and shifted to paper templates applied at 1:1 to the physical skin of stainless steel for drilling. This analogue process matches the hand-manipulation of panel beating the outer surface, finding the perfect harmony between high precision digital procedures and checks over a skilled artisan hand.

Typical integration of structure was escalated further than previous editions always toward the effort to minimize contact with the outer surface allowing for light to pass through without shadowing or gaps.

The result is as uninterrupted a lantern as possible within the tight parameters of a stabilized form for a waterfront site in California.

Lindy Lee, Tower of Ten Billion Stars

ARTIST

Huntington Beach

PROJECT

Tower of Ten Billion Stars

LOCATION

San Diego, CA, USA

CLIENT

MIG Public Art

YEAR

2023

Christopher Testa — Work Samples — 7 of 42

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Pattern 2022/11/7 LIst-A LIst-B LIst-C LIst-D LIst-E LIst-F LIst-G LIst-H LIst-I

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Φ3.5mm

Φ7.5mm

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241

E5

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343

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356

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Φ15mm

STUDIO + FACTORY + SUPPLY Shanghai 2F,Building 11 Shanghai 200040 China

SHEET SIZE

DRAWING TITLE:

CLIENT:

A2

537 Haifang Lu, Jing'an

AP.1106_190940

UNLESS SPECIFIED

COPYRIGHT:Urban Art Projects all rights reserved.The work depicted on this document is

Xiao Long

DATE

or mechanical including photocopying without the written permission of URBAN ART PROJECTS

UAP APPROVAL:

LX

DATE

DO NOT SCALE FROM DRAWING. ALL DIMENSIONS SHOWN IN MILLIMETERS.

CLIENT APPROVAL:

-

DATE

DRAWN BY:

covered by copyright. It cannot be copied or reproduced in any form be it graphic,electronic

1400

B

3

4

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6 NO. 3 4 5 6

A

7 Bill of Material Description Φ32x3mm Internal support ring_1 Φ32x3mm Internal support ring_2 Φ32x3mm Internal support ring_3 Φ32x3mm Internal support ring_4

8

1 QTY 1 1 6 6

3 3mm

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A

7 Bill of Material Description M5 Torx Flat Blot_1 Φ480x30x3mm Annular Plate 3mm Gauge Access Hatch

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A

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TYP. 13

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7 Bill of Material NO. Description 15 Base plate planar 16 NT_20x2.5 Std_1 17 Base Stiffener plates_1 18 100x100x20mm Gasket_1 19 M16 Chemical bolt_1 (US Scope)

5mm

18 769

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A

535

Hole patterns refers to

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6 7 8 Bill of Material Description NO. Material 1 SS304 Φ159x10mm Central Core Structure 2 SS316 3mm Gauge 3 SS304 Φ32x3mm Internal support ring_1 4 SS304 Φ32x3mm Internal support ring_2 5 SS304 Φ32x3mm Internal support ring_3 6 SS304 Φ32x3mm Internal support ring_4 7 SS304 65x6.5mm Lateral stiffeners_1 8 SS304 65x6.5mm Lateral stiffeners_2 9 SS304 Lumenpulse Spots Baseplate 1 10 SS304 SS Plate 4mm THK 4 11 SS304 8mm Solid Rod 12 SS304 M5 Torx Flat Blot_1 13 SS304 Φ480x30x3mm Annular Plate 14 SS316 3mm Gauge Access Hatch 15 SS304 Base plate planar 16 SS304 NT_20x2.5 Std_1 17 SS304 Base Stiffener plates_1 18 SS304 100x100x20mm Gasket_1 19 ASTM A36 M16 Chemical bolt_1 (US Scope)

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545

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155

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139

545

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2022/11/9

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PROJECT:



TH:+86 021 6433 5773 E:shanghai@uapcompany.com

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13

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14

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11

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19

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G-G 1 : 10 F

B-B 1 : 20

SHANGHAI 尤艾普（上海）艺术咨询有限公司 2F, BUILDING 11,537 HAIFANG ROAD SHANGHAI CHINA

PH: +86 21 6433 5773 FAX: +86 6433 5995

SHEET SIZE

UNLESS SPECIFIED

COPYRIGHT: Urban Art Projects all rights reserved. The work depicted on this document is covered by copyright. It cannot be copied or reproduced in any form be it graphic, electronic or mechanical including photocopying without the written permission of URBAN ART PROJECTS.

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Lindy Lee, Tower of Ten Billion Stars

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DO NOT SCALE FROM DRAWING. ALL DIMENSIONS SHOWN IN MILLIMETERS.

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CLIENT:

AP.1106_190940 DRAWN BY:

F SHANGHAI 尤艾普（上海）艺术咨询有限公司

UAP APPROVAL: CLIENT APPROVAL:

PH: +86 21 6433 5773

Bill of Material

FAX: +86 6433 5995

2022/11/7

LX

DATE DATE

SHEET SIZE

UNLESS SPECIFIED

COPYRIGHT: Urban Art Projects all rights reserved. The work depicted on this document is UAP DRAWING NUMBER:

REV

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covered by copyright. It cannot be copied or reproduced in any form be it graphic, electronic or

A

mechanical including photocopying without the written permission of URBAN ART PROJECTS.

ACONEX NUMBER:

7 P:\AP.1106_190940\6. Documentation\CAD\Inventor\AP1106Ԇ֣ٗ.idw 8

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DO NOT SCALE FROM DRAWING. ALL DIMENSIONS SHOWN IN MILLIMETERS.

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CLIENT:

F SHANGHAI 尤艾普（上海）艺术咨询有限公司 2F, BUILDING 11,537 HAIFANG ROAD SHANGHAI CHINA

PROJECT:

AP.1106_190940 DRAWN BY: UAP APPROVAL: CLIENT APPROVAL:

PH: +86 21 6433 5773

Internal support ring

FAX: +86 6433 5995

2022/11/7

DATE DATE

SHEET SIZE

UNLESS SPECIFIED

COPYRIGHT: Urban Art Projects all rights reserved. The work depicted on this document is UAP DRAWING NUMBER:

REV

4/8

covered by copyright. It cannot be copied or reproduced in any form be it graphic, electronic or

A

mechanical including photocopying without the written permission of URBAN ART PROJECTS.

ACONEX NUMBER:

7 P:\AP.1106_190940\6. Documentation\CAD\Inventor\AP1106Ԇ֣ٗ.idw 8

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1:2

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F SHANGHAI 尤艾普（上海）艺术咨询有限公司

DRAWING TITLE:

2F, BUILDING 11,537 HAIFANG ROAD SHANGHAI CHINA

A2 TOLERANCE

± 1 mm

WEB: uapcompany.com

Xiao Long DATE LX

100x100x20mm Gasket_1

545

450

F

DRAWING TITLE:

A2 TOLERANCE

± 1 mm

WEB: uapcompany.com

Xiao Long DATE

Base Stiffener plates_1

E

1:5

1:5

2F, BUILDING 11,537 HAIFANG ROAD SHANGHAI CHINA

PROJECT:

100

1:2

3mm Gauge Access Hatch

Φ480x30x3mm Annular Plate

F

DRAWING TITLE:

A2 TOLERANCE

± 1 mm

WEB: uapcompany.com

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60°

PROJECT:

AP.1106_190940 DRAWN BY: UAP APPROVAL: CLIENT APPROVAL:

PH: +86 21 6433 5773

Access Hatch

FAX: +86 6433 5995

2022/11/7

LX

DATE DATE

SHEET SIZE

UNLESS SPECIFIED

COPYRIGHT: Urban Art Projects all rights reserved. The work depicted on this document is UAP DRAWING NUMBER:

REV

6/8

covered by copyright. It cannot be copied or reproduced in any form be it graphic, electronic or

A

mechanical including photocopying without the written permission of URBAN ART PROJECTS.

ACONEX NUMBER:

7 P:\AP.1106_190940\6. Documentation\CAD\Inventor\AP1106Ԇ֣ٗ.idw 8

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A2 TOLERANCE

± 1 mm

WEB: uapcompany.com

Xiao Long DATE

PROJECT:

AP.1106_190940 DRAWN BY: UAP APPROVAL: CLIENT APPROVAL:

Column Base Plate

2022/11/7

Xiao Long DATE LX

DATE DATE

UAP DRAWING NUMBER:

REV

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ACONEX NUMBER:

7 P:\AP.1106_190940\6. Documentation\CAD\Inventor\AP1106Ԇ֣ٗ.idw 8

Christopher Testa — Work Samples — 8 of 42

Lindy Lee, Tower of Ten Billion Stars

Christopher Testa — Work Samples — 9 of 42

Lindy Lee, Tower of Ten Billion Stars

Christopher Testa — Work Samples — 10 of 42

Funktional Frequency, Liberation Station Xenobia Bailey, MLK Library Internationally recognized artist Xenobia Bailey creates intricate installations inspired by urban material culture and what she has termed “Funktional Design”—an aesthetic that has evolved from the creativity and resourcefulness of rural and urban African American homemakers since emancipation. The aesthetic is vibrant and complex: combining color, pattern, texture, and form into woven 3D installations.

At UAP, I had the privilege to work alongside the artist for a landmark commission in the Grand Reading Room of the newly renovated Martin Luther King Library in Washington, D.C. Preserving Xenobia’s craft aesthetic and technique was of the utmost importance to the artist and curators. Our team worked with the artist’s studio to develop a systems approach that allowed for the translation of her delicate designs into a permanent, colorful canopy composed of fine-metal crochet mobiles.

Funktional Frequency, Liberation Station transforms the third-floor reading room into a kaleidoscopic installation, composed of colorful concentric circles and repeating cosmic patterns. The connection to the cosmos as part of the artwork narrative hints at the vastness of accessible information within the library archives, and its function as a hub for innovation, research, and shared learning.

Individual mobiles hanging from strong points in the ceiling above are allowed to sway freely and spin independently for an ever-changing composition. Integrated within the bent pipes are hand-woven crochet surfaces in thin gauge copper wire necessary for the fire rating but also beneficial to the bouncing of light with inherent reflectivity. A heavily integrated stretched acoustical print is also stretched at the line of the reading room glass, disguising the seam of the inner soffit above while also creating a integral backdrop to the effect of these mobiles suspending from an infinite plane with integrated figues of pivotol marches in Washington DC history.

Xenobia Bailey, Funktional Frequency, Liberation Station

ARTIST

Xenobia Bailey

ARTWORK TITLE

Funktional Frequency, Liberation Station

LOCATION

Washington, DC

YEAR

2020

Christopher Testa — Work Samples — 11 of 42

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ELEVATION VIEW

BOTTOM OF FLOOR SLAB

1 Pg. 2

SCALE : 1:80

26'-0"

56'-0"

26'-0"

D

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01

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B

02

PLAN VIEW

SHEET SIZE

STUDIO + FACTORY + SUPPLY

SCALE : 1:80

236 WEST 26TH STREET UNIT 5NW, Flr 5 NEW YORK, NY 10001 Ph. +1 646 407 7908

UNLESS SPECIFIED COPYRIGHT: Urban Art Projects all rights reserved. The work depicted on this document is covered by copyright. It cannot be copied or reproduced in any form be it graphic, electronic or mechanical including photocopying without the written permission of URBAN ART PROJECTS.

A

CLIENT:

11x17" TOLERANCE

+/- 1/16 in

PROJECT:

Smoot Gilbane

REFLECTED CEILING PLAN SCALE : 1:80

B

B

DRAWN BY:

CT

UAP APPROVAL:

EJ

CLIENT APPROVAL:

SHEET SIZE

STUDIO + FACTORY + SUPPLY

DRAWING TITLE:

236 WEST 26TH STREET UNIT 5NW, Flr 5 NEW YORK, NY 10001 Ph. +1 646 407 7908

ATRIUM SPACE MLK Library Xenobia Bailey PLAN + SECTION DATE:

3-25-2020

DRAWING STATUS:

DATE:

3-25-2020

DRAWING NUMBER:

FOR REFERENCE

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UNLESS SPECIFIED COPYRIGHT: Urban Art Projects all rights reserved. The work depicted on this document is covered by copyright. It cannot be copied or reproduced in any form be it graphic, electronic or mechanical including photocopying without the written permission of URBAN ART PROJECTS.

A

D

Smoot Gilbane

CLIENT:

11x17" TOLERANCE

+/- 1/16 in

DRAWING TITLE:

REFLECTED CEILING PLAN

MLK Library Xenobia Bailey

PROJECT:

DRAWN BY:

CT

UAP APPROVAL:

EJ

CLIENT APPROVAL:

DATE:

3-25-2020

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3-25-2020

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LINE OF CLIPSO F

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Copper Wire Crochet D

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Xenobia Bailey, Funktional Frequency, Liberation Station

7

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CLIENT:

11x17" TOLERANCE

+/- 1/16 in

UNLESS SPECIFIED COPYRIGHT: Urban Art Projects all rights reserved. The work depicted on this document is covered by copyright. It cannot be copied or reproduced in any form be it graphic, electronic or mechanical including photocopying without the written permission of URBAN ART PROJECTS.

A

MOBILE 02

MOBILE 03

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SCALE : 1:15

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ELEVATION VIEW STUDIO + FACTORY + SUPPLY

01

ISOMETRIC VIEW

MOBILE 01

4

PROJECT:

Smoot Gilbane

DRAWN BY:

CT

UAP APPROVAL:

EJ

CLIENT APPROVAL:

DATE:

3-25-2020

DRAWING STATUS:

DATE:

3-25-2020

DRAWING NUMBER:

FOR REFERENCE

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236 WEST 26TH STREET UNIT 5NW, Flr 5 NEW YORK, NY 10001 Ph. +1 646 407 7908

MOBILE 03 OVERVIEW

MLK Library Xenobia Bailey

SHEET SIZE

STUDIO + FACTORY + SUPPLY

DRAWING TITLE:

2

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D

UNLESS SPECIFIED COPYRIGHT: Urban Art Projects all rights reserved. The work depicted on this document is covered by copyright. It cannot be copied or reproduced in any form be it graphic, electronic or mechanical including photocopying without the written permission of URBAN ART PROJECTS.

A

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CLIENT:

11x17" TOLERANCE

+/- 1/16 in

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PROJECT:

Smoot Gilbane

DRAWING TITLE:

MOBILE OVERVIEW

MLK Library Xenobia Bailey

DRAWN BY:

CT

UAP APPROVAL:

EJ

CLIENT APPROVAL:

DATE:

3-25-2020

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DATE:

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Christopher Testa — Work Samples — 12 of 42

Xenobia Bailey, Funktional Frequency, Liberation Station

Christopher Testa — Work Samples — 13 of 42

Copper crochet process and application by Artist

Xenobia Bailey, Funktional Frequency, Liberation Station

Final installation, Grand Reading Room level

Christopher Testa — Work Samples — 14 of 42

City in the Grass Leonardo Drew Leonardo Drew’s first public art project, City in the Grass, presents a topographical view of a cityscape atop a patterned panorama. The installation extends over 100 feet long with a richly textured, vibrantly colored surface. Drew’s goal is to bring people into and onto the work, to study its swells and folds, and locate a personal and physical place within purposeful voids. The artist offers the metaphor of an undulating torn carpet as a complicated reference to home, comfort, and sanctuary.

Viewers can look onto City in the Grass as if they are giants assessing a terrain and can embed themselves within the fabric of the sculpture.

Drew layers materials, drawing on his signature techniques of assemblage and additive collage. At various points, the sprawling work crescendos into three rising towers. These sculptures grow in and around a patterned surface made of colorful sand that mimics Persian carpet design and reflects the artist’s interest in East Asian decorative traditions.

Bringing together domestic and urban motifs, City in the Grass invites all visitors to walk on and rest on its surface, creating a community within a public oasis.

Stippling dot patterning and bump-roll forming the overall curvatures, the pieces stitched together at sections where panels met the ground with a system of rivets that allowed for easy installation and removal.

The artist utilized the etching key that was first digitally translated to a vector pattern from paper sketches and then passed back to the studio to methodically apply colored pigmented sand in a “paint by number” operation. A thorough sampling round resulted in an order of operations from keying the metal surface to applying a sequential layer of paint, sand, and top coat sealant to ensure durability over multiple installations.

From integrated cap ends to panel seam analysis that worked with intended anomalies in the patterning, the final work is bold and diverse in color, texture, and distinct level of public engagemnt.

Lonardo Drew, City in the Grass

ARTIST

Leonardo Drew

ARTWORK TITLE

City in the Grass

LOCATION

Madison Square Park, New York, NY, USA

YEAR

2018

Christopher Testa — Work Samples — 15 of 42

Lonardo Drew, City in the Grass

Christopher Testa — Work Samples — 16 of 42

12

1

2

4'-0" [ 1216mm]

6'-10" [ 2087mm]

H

A

9

3

4'-0" [ 1216mm] 2'-0" [ 606mm]

4'-0" [ 1216mm]

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

2 A001

4'-0" [ 1216mm]

TAB-1

TAB-1

2

1

H

TAB-1 TAB-1

TAB-1

2 A001

TAB-1

TAB-1

TAB-1

TAB-2

TAB-2

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-2

TAB-2

TAB-1

6'-10" [ 2087mm]

4'-0" [ 1216mm] 2'-0" [ 606mm]

TAB-1

TAB-1

TAB-1

4'-0" [ 1216mm]

TAB-1

TAB-2

TAB-1

TAB-2 END CAP-1

TAB-1

TAB-1

TAB-1

TAB-1

4'-0" [ 1216mm]

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-2

TAB-2

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-2

TAB-2

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-2

TAB-2

2 A001

END CAP-2

SECTION VIEW - BATCH 01

E

SCALE 1:50

TAB-1

TAB-1

TAB-1

2

F

TAB-1

TAB-1

TAB-1

6'-0" [ 1826mm]

2 A001

TAB-1

TAB-1

6'-2" [ 1869mm]

END CAP-1

TAB-1

TAB-1

2 A001 TAB-1

TAB-1

4'-0" [ 1216mm]

TAB-1

D TAB-2

TAB-1

TAB-1

4'-0" [ 1216mm]

TAB-1

TAB-1

TAB-1

TAB-2 TAB-1

TAB-1

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C

G

TAB-1

TAB-1

TAB-1

F

6'-0" [ 1826mm]

3

4

5

4'-0" [ 1216mm]

TAB-1

E

TAB-1

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D

6'-2" [ 1869mm]

6

G

F

D

6

END CAP-2

TAB-1

E

5

TAB-1

TAB-1

C

7

TAB-1

TAB-1

B

8

4

2 A001

TAB-1

4'-0" [ 1216mm]

G

10

11

TAB-1

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TAB-2

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TAB-2 TAB-1

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2

TAB-1

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TAB-2

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C

TAB-1

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TAB-1

TAB-1 END CAP-2

TAB-1

TAB-2

TAB-1

TAB-2

TAB-1

TAB-2

TAB-2

TAB-1

B

H

TAB-1

4'-0" [ 1216mm]

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

TAB-1

END CAP-1

TAB-1 TAB-1

3

TAB-1 TAB-1

1

A

12

Lonardo Drew, City in the Grass

TOP VIEW - BATCH 01 10

STUDIO + FACTORY + SUPPLY 236 WEST 26TH STREET UNIT 5NW, Flr 5 NEW YORK, NY 10001 Ph. +1 646 407 7908

FOR REVIEW

SCALE 1:50

11

9

B

BATCH 01

8

7

6

5

PLAN KEY SCALE 1:500 SHEET SIZE

11x17

CLIENT:

DRAWING TITLE:

Mad Sq. Art

PROJECT: TOLERANCE C5720 LEONARDO DREW +/- 1/16" UNLESS SPECIFIED DRAWN BY: DATE: 10/24/2018 CT COPYRIGHT: Urban Art Projects all rights reserved. The work depicted on this document is covered by copyright. It cannot be copied or DATE: 10/24/2018 UAP APPROVAL: EJ reproduced in any form be it graphic, electronic or mechanical including DATE: photocopying without the written permission of URBAN ART PROJECTS. CLIENT APPROVAL:

4

3

2

BATCH 01 DRAWING STATUS:

A

FOR PRICING

DRAWING NUMBER:

C5720-01

REV:

1

A

Christopher Testa — Work Samples — 17 of 42

Lonardo Drew, City in the Grass

Christopher Testa — Work Samples — 18 of 42

Lonardo Drew, City in the Grass

Christopher Testa — Work Samples — 19 of 42

Big Button Sculpture Garment District Alliance + Local Projects The Garment District Alliance, a not-for-profit corporation established in 1993 to improve the quality of life and economic vitality of Manhattan’s Garment District, asked Local Projects and UAP to consider the future of the district’s beloved landmark, an oversize sculpture known as the Big Button. More than 20 years old and resting on a 70’s-era information kiosk that was on the verge of collapse, the original sculpture was in danger of disappearing.

We decided to honor the original design with a more dynamic approach that removed the sculpture’s static relationship with the outdated kiosk.

The design proposal created the illusion of the over-scaled button upheld by a single stainless-steel thread that supports a 32-foot stainless-steel needle, and a button that changed from a dark black to a bright and iconic taxi cab yellow. The new sculpture creates a dynamic experience for visitors, while improving sight lines and enhancing pedestrian flow for the roughly one million pedestrians who pass the corner of Seventh Avenue and 39th Street every day.

Informing the Concept Design massing evolution, a heavy focus on satisfying all requirements of accessibility and code compliance was critical to the approval process with the Public Design Commission.

Integrating the engineering approach with the aesthetic goals of the work resulted in a process of curve adjustment until a free-flowing gesture was perfectly blended with the resolution of natural forces resolving to the below grade assembly.

Garment District, Big Button Sculpture, Image Credit: Alexandre Ayer / @DiversityPics

ARTIST

Local Projects + UAP

PROJECT

Big Button Sculpture

LOCATION

Garment District, NYC, USA

CLIENT

Garment District Alliance (GDA)

YEAR

2022

Christopher Testa — Work Samples — 20 of 42

EXISTING STRUCTURE & PROPOSED DESIGN

EXISTING STRUCTURE

PROJECT BACKGROUND - REFERENCE

PROPOSED DESIGN (REVISED)

NEEDLE AND THREAD BEHAVIOR

GDA Iconic Sculpture Redesign

TYPE OF DRAWING Design Renderings

PDC MEETING DATE 7/15/19

SCALE NTS

12 of 25

6

GDA Iconic Sculpture Redesign

TYPE OF DRAWING Project Background

PDC MEETING DATE 7/15/19

SCALE NTS

5

4

13 of 25

3

2

1

CANE RAIL DESIGN D

D

in 13

4. PLAN ELEVATION

C

C

( SCALE - 1 : 75 )

Detail - H

6. TRUE PLAN ELEVATION ( SCALE - 1 : 75 )

83°

29'-51 8 "

29'-55 32 "

"

1 6

1 1 '-1 33

B

Detail - J

2689 16 in

Detail - G

39°

BELOW BUTTON SINGLE PIPE CONSTRUCTION

AB

AB

58 °

B

53 4 in

1161 2 in 1. FRONT ELEVATION VIEW

2. SIDE ELEVATION

3. TRUE SIDE VIEW

( SCALE - 1 : 75 )

PNo. C5109-0500-101

PNo. C5109-0500-101

(SCALE - 1 : 75 )

A

(SCALE - 1 : 75 )

A

STUDIO + FACTORY + SUPPLY

SHEET SIZE

A3

41 HOLLAND STREET, NORTHGATE, 4013, BRISBANE, QLD PH: +617 3630 6300

Garment District, Big Button Sculpture

GDA Iconic Sculpture Redesign

TYPE OF DRAWING Design Renderings

PDC MEETING DATE 7/15/19

SCALE NTS

21 of 25

6

5

GDA Iconic Sculpture Redesign

TYPE OF DRAWING Technical Drawing Spread

PDC MEETING DATE 7/15/19

SCALE NTS

4

TOLERANCE

± 1 mm

FAX: +617 3630 6346

WEB: uapcompany.com

ABN: 72 918 489 685

COPYRIGHT: Urban Art Projects all rights reserved. The work depicted on this document is

covered by copyright. It cannot be copied or reproduced in any form be it graphic, electronic or

3

CLIENT:

PROJECT:

UNLESS SPECIFIED

DRAWING TITLE:

GDA

GDA BUTTON MODEL

C5109A

DRAWN BY:

NS

DATE 12/06/2018

mechanical including photocopying without the written permission of URBAN ART PROJECTS.

UAP APPROVAL:

DATE

DO NOT SCALE FROM DRAWING. ALL DIMENSIONS SHOWN IN MILLIMETERS.

CLIENT APPROVAL:

DATE

2

REV

DRAWING NUMBER:

C5109A-0500-SHP-(1)5

1

1

19 of 25

Christopher Testa — Work Samples — 21 of 42

5

6

4

3

2

1

D

D

33 Bond St New York, NY, 10012 +1 (212) 727 2819 www.uapcompany.com COPYRIGHT: Urban Art Projects all rights reserved.

The work depicted on this document is covered by copyright. It cannot be copied or reproduced in any form be it graphic, electronic or mechanical including photocopying without the written permission of URBAN ART PROJECTS.

SITE PLAN

NORTH

A 9

MATERIAL SCHEDULE

C

CODE

MATERIAL

FINISH PAINT

MT-01

C

PANTONE

ALUMINUM 5053-H24

C116 HIGH GLOSS NON

MT-02

DIRECTIONAL

STAINLESS STEEL 316L

(ORBITAL)

15'-0"

MT-03

STAINLESS STEEL 316L

MT-04

ALUIMINUM 6061-T6

MT-05

STAINLESS STEEL 316L

MIRROR POLISH #8 SELF PAINTED BLACK

ST-01

GREY SMOKE STONE

FLAMED

ST-02

JET MIST STONE

WATERJET

INDEX OF DESIGN SHEET No.

DRAWING NAME

1

FRONT SHEET

2

SITE PLAN

3

WIRING PLAN

4

WIRING PLAN (BASEMENT)

5

DEMO PLAN

6

PAVER REPLACEMENT PLAN

7

Existing Sculpture Conditions

SITE SAFETY PLAN

8

NORTH & EAST VIEWS

18'-0"

12'-8"

9

EAST VIEW CALL OUT

10

PLAN - FOOT POSITIONS

11

ELEVATIONS & DETAILS

12

BUTTON DISC DETAIL

13

CONNECTION DETAILS

14

TYPE A THREAD DETAILS

15

TYPE B THREAD DETAILS

16

NEEDLE DETAILS

17

DUNNAGE DETAILS

18

LIGHTING PLAN

19

STONE PLINTH ENGRAVING DETAILS

20

B

STONE PLINTH RENDERING

B

REVISION HISTORY REV

DESCRIPTION

DATE

BY

Q

COORDINATION UPDATES

07/31/2022

AB

COORDINATION UPDATES

03/15/2022

AB

P

DUNNAGE AND CELLAR WALL

O

12/17/2021

LOCATION NEW NEEDLE LOWER CONNECTION

N

DETAIL

4'-10"

AB

09/28/2021

AB

8/28/2021

AB

DEMO, INGRESS/EGRESS, SITE SAFETY, M

WATERPROOFING, PAVER CUSHION, MTA SECTION ADDDED MCLAREN CONCRETE PIER

L

08/03/2021

DESIGN Updated Thread A01 baseplate,

K

AB

5/28/2021

AB

UPDATED ANCHORS

5/12/2021

AB

NEW DUNNAGE DESIGN

4/27/2021

AB

4/5/2021

AB

27/02/2020

NS

27/02/2019

NS

DETAILS

I H

AB

6/2/2021

dunnage, pier ADDED MENDING PLATE AND WELDING

J

CHANGED TYPE A THREAD TO BE SINGLE PIECE WITH BINDING BARREL

G

ATTACHMENT, CHANGED NEEDLE TO SPLIT AT EYE FOR INSTALL ADDED DETAILS TO ALL PAGES ADDED CONNECTION PLATE TO NEEDLE UPDATED NEEDLE INTO 2 SECTIONS

F

ADDED WEEP HOLES TO BUTTON HOLES ADDED PIN TO NEEDLE BASE

E

INITIAL CONCEPT

PROJECT TITLE:

GDA - BUTTON SCULPTURE

A

A

1411 BROADWAY, NEW YORK NY DRAWING NUMBER:

C5109A-0210-SHP(O)-2

1. PLAN

(SCALE - 1/4" = 1'-0" )

FRONT SHEET STATUS:

FOR APPROVAL

PROJECT No.:

AB

CLIENT:

5

4

3

2

6

5

4

3

2

O

BY TBD TBD TBD

UAP MFG REV:

07/31/2022

TOLERANCE: 1/16in+SCALE: 1/4" = 1'-0" (UNLESS SPECIFIED)

1

1

FABRICATION PARTS LIST ITEM

QTY

DESCRIPTION

1

1

MAIN BUTTON ASSY

2

1

THREAD A 01 ASSY

3

1

THREAD A 02

4

1

THREAD A 03

5 6 7

D

APPROVALS: DATE

UAP DOC

GDA

ISSUED DATE:

6

TYPE CLIENT

C5109

DRAWN BY:

1

THREAD B 01 ASSY

1

THREAD B 02 ASSY

1

THREAD B 03

8

1

NEEDLE ASSY

12

25

5-8in-11 THREAD 2.5 in LONG

41

1

dunnage install template

D

33 Bond St New York, NY, 10012 +1 (212) 727 2819 www.uapcompany.com

DETAIL - AF NEEDLE TOP REMOVES FOR INSTALL

COPYRIGHT: Urban Art Projects all rights reserved.

The work depicted on this document is covered by copyright. It cannot be copied or reproduced in any form be it graphic, electronic or mechanical including photocopying without the written permission of URBAN ART PROJECTS.

DETAIL - AF

( SCALE - 1" = 1'-0" )

DETAIL - AH

8

DETAIL - AH ( SCALE - 1 / 6 )

4

8

MATERIAL SCHEDULE

C

CODE

MATERIAL

FINISH PAINT

MT-01

C

PANTONE

ALUMINUM 5053-H24

C116 HIGH GLOSS NON

7 MT-02

DIRECTIONAL

STAINLESS STEEL 316L

(ORBITAL)

7

12

MT-03

STAINLESS STEEL 316L

MT-04

ALUIMINUM 6061-T6

MT-05

STAINLESS STEEL 316L

INDEX OF DESIGN DRAWING NAME

1

FRONT SHEET SITE PLAN

3

WIRING PLAN

4

WIRING PLAN (BASEMENT)

5

BINDING BOLT CONNECTS THREAD TO NEEDLE AND NEEDLE TOP TO BOTTOM

PAINTED FLAMED WATERJET

SHEET No.

1

DEMO PLAN

6

PAVER REPLACEMENT PLAN

7

2. DETAIL - A

SELF BLACK

GREY SMOKE STONE JET MIST STONE

2

DETAIL - AG

MIRROR POLISH #8

ST-01 ST-02

21

SITE SAFETY PLAN

8

NORTH & EAST VIEWS

9

3

20

EAST VIEW CALL OUT

10

PLAN - FOOT POSITIONS

11

ELEVATIONS & DETAILS

12

BUTTON DISC DETAIL

13

CONNECTION DETAILS

14

TYPE A THREAD DETAILS

15

TYPE B THREAD DETAILS

16

NEEDLE DETAILS

17

B

DUNNAGE DETAILS

18

LIGHTING PLAN

19

STONE PLINTH ENGRAVING DETAILS

20

STONE PLINTH RENDERING

B

REVISION HISTORY REV

DESCRIPTION

DATE

BY

Q

COORDINATION UPDATES

07/31/2022

AB

COORDINATION UPDATES

03/15/2022

AB

P

2

O

6

M

DUNNAGE AND CELLAR WALL

12/17/2021

LOCATION NEW NEEDLE LOWER CONNECTION

N

DETAIL

AB

09/28/2021

AB

8/28/2021

AB

DEMO, INGRESS/EGRESS, SITE SAFETY, WATERPROOFING, PAVER CUSHION, MTA SECTION ADDDED MCLAREN CONCRETE PIER

L

5

DESIGN Updated Thread A01 baseplate,

K J

08/03/2021 6/2/2021

dunnage, pier ADDED MENDING PLATE AND WELDING

AB AB

5/28/2021

AB

I

UPDATED ANCHORS

5/12/2021

AB

H

NEW DUNNAGE DESIGN

4/27/2021

AB

DETAILS

CHANGED TYPE A THREAD TO BE SINGLE PIECE WITH BINDING BARREL

G

ATTACHMENT, CHANGED NEEDLE TO

4/5/2021

AB

27/02/2020

NS

27/02/2019

NS

SPLIT AT EYE FOR INSTALL

PARTING LINE OF NEEDLE TOP AND BOTTOM

SPACERS BETWEEN NEEDLE AND THREAD

ADDED DETAILS TO ALL PAGES

T.O. PAVER

ADDED CONNECTION PLATE TO NEEDLE

T.O. EXISTING PLAZA SLAB

UPDATED NEEDLE INTO 2 SECTIONS

F

ADDED WEEP HOLES TO BUTTON

B.O. EXISTING PLAZA SLAB

HOLES ADDED PIN TO NEEDLE BASE E

INITIAL CONCEPT

PROJECT TITLE:

1. EAST VIEW

GDA - BUTTON SCULPTURE

(SCALE - 1/2" = 1'-0" )

A

A

1411 BROADWAY, NEW YORK NY

2. DETAIL - A

( SCALE - 3" = 1'-0" )

DRAWING NUMBER:

C5109A-0210-SHP(O)-9 EAST VIEW - CALL OUT STATUS:

DETAIL - AG ( SCALE - 1 / 6 )

FOR APPROVAL

PROJECT No.:

C5109

DRAWN BY:

AB

CLIENT:

GDA

ISSUED DATE:

6

5

Garment District, Big Button Sculpture

4

3

2

07/31/2022

TYPE CLIENT

APPROVALS: DATE

TBD

UAP MFG

O

BY TBD TBD

UAP DOC REV:

TOLERANCE: 1/16in+SCALE: 1/2" = 1'-0" (UNLESS SPECIFIED)

1

Christopher Testa — Work Samples — 22 of 42

Garment District, Big Button Sculpture

Christopher Testa — Work Samples — 23 of 42

Image Credit: Alexandre Ayer / @DiversityPics

Garment District, Big Button Sculpture

Christopher Testa — Work Samples — 24 of 42

C-Wall Mark Hagen Mark Hagen brings his unique artistic vision to the newly renovated 17th floor at Houlihan Lokey’s NY headquarters. Hagen’s artwork goes beyond form alone and engages viewers in conversation and ignites curiosity.

His sculptures, installations, and paintings perfectly combine control and chance, blending practicality with beauty, often evoking references to geological times and ancient civilizations. ’C-Wall’ is the centerpiece behind the main reception desk on the 17thfloor conference center. Inspired by Japanese wave-dissipating concrete blocks, the artwork symbolizes stability amidst the chaos, echoing the core values of the client team’s brand: strength, fortitude, and innovation.

Composed of modular units arranged vertically onto an aluminum frame, the screen disrupts visual continuity, inviting viewers to engage their imaginations as they navigate the interplay between concealment and revelation. This sculpture seamlessly integrates with its surroundings, becoming both seen and seen-through.

Beginning with a curatorial-led artist selection process and visioning, the screen spans approximately 17 feet wide by 8 feet 5 inches tall, creating a high impact first impression of the overall assembly. The work embodies strength, trust, and innovation, establishing a lasting legacy within the newly transformed headquarters.

Repetitive detailing was developed at the base and ceiling conditions with unique modules that account for the sequencing needs of concealing an inner structural rod. Half-modules in an alternating pattern cap the upper and lower bands with a delicate procedure of lifting and setting that allowed for as minimal a gap possible and an appearance of the work continuing past the confides of the floor-to-ceiling space.

Mark Hagen, C-Wall

ARTIST

Mark Hagen

PROJECT

C-Wall

LOCATION

New York, NY, USA

CLIENT

Gensler, New York

YEAR

2023

Christopher Testa — Work Samples — 25 of 42

7

8

6

5

4

3

2

7

8

1

6

5

4

3

2

1

D

2'-0" [24.0"]

19'-0 83 " [228.4"] Minimum blocking widht (1ft tol per side) 1 2'-0 16 " [24.1"]

17'-0 41 " [204.3"] Width of anchoring locations

D

3/4" plywood blocking

D

TYP

1/4"-20 x 1" Wood Screws x 3 per plate

CL Aligned with brackets, not modules

FINISHING NOTES 1 Ø1 16 " [1.1"]

18'-0" [216.0"]

C Desk DETAIL A

3 4 " [0.8"]

X? Finished Ceiling Thickness of material? [0.3"]

Bottom modules on columns with Bottom Half Module Assy have a pin on top and bottom. The bottom pin locks into the half module and stops the sculpture from rotating around rod.

1" [1.0"] Spacing between plywood and bracket plate (Excludes material thickness of ceiling)

16 columns

TOP

3 8 " [0.4"] Thickness of Bracket Plate

PIN PLACEMENT EXCEPTION

TYP Finished Ceiling Delimitation

C

C

TOP

2 58 " [ 9 11 16 " [11.6"]

1 1 16 " [1.1"]

2 87 " [2.9"]

PERSPECTIVE

A

A DESCRIPTION xxxxx

NAME R0

5 8'-4 16 " [100.3"] Height of artwork with 5/8" tolerance TBD is tolerance must increase or decrease

8'-3" [99.0"]

B

TYP

B Pickpoint

QUANTITY BREAK DOWN

PROJECT:

Blocking Coordination Drawing

7

-

SHEET SIZE

Ansi B -

SCALE

Blocking Aluminum ALUM Coordination

6

- Clearance holes on either side for 1/4" diameter pins - Central clearance hole for potential protrusion of allen socket bolt - Welded Locking Gusset 1 Quantity: 8x

RIGHT

A

FRONT

LEFT

REV COLOR A

Assembly

BO

Bottom

BOM

Bill of Materials

PN

Part Number

BRZ

Bronze

POI

Point of Intersection

CBORE

Counterbore

5

- Threaded holes on either side for 1/4" diameter pins - Central tapped hole for allen socket bolt that loks through central rod and keeps assy from rotating - Notch on bottom to accomodate alignment pin and stop rotation - Welded Locking Gusset 2 Quantity: 8x

C-C

Center to Center

CHAM

Chamfer

CHNL

Channel

Total: 272 X

Mark Hagen, C-Wall

P.F.

Press Fit

PJP

Partial Joint Penetration

QTY

Quantity

Radius

Module Type 2

Required

- 2 Pins on top - 1 Pin on bottom

Centerline

REV

Revision

Countersink

RH

Right Hand

CU

Copper

RO

Rough Opening

DIA

Diameter

SC

Sharp Corners

DIM

Dimension

SHN

Shown

DWG

Drawing

SPEC

specification

SS

Stainless Steel

STD

Standard

STL

Steel

EA

Each Edge Distance

STK

Stock

SYM

Symmetrical

Exterior

TAP

Tapped Hole

TBD

To Be Determined

FL

Floor Level

THRD

Threaded

FO

Face of

THK

Thickness

ELEV

Elevation

EQ

Equal, Equally

EXIST.

Existing

EXT

GA

Gauge

GN

General Note(s)

THRU

Through

THRU ALL

Through All

TO

Top of

TOL

Tolerance

Horziontal

TY

Type

HSS

Hollow Structural Section

TYP

Typical

IAW

In accordance with

UNO

Unless Noted Otherwise

ID

Inner Diameter

UON

Unless Otherwise Noted

UOS

Unless Otherwise Specified

LH

Left Hand

LM

List of Materials

0.250" [1/4 "] Bottom Plate

HORIZ

VERT VIF

Quantity: XX8X

REVISION

-

8

7

QUANTITY

-

SHEET SIZE

Ansi B -

SCALE

2023-09-13

APPROVED

XX

2023-09-13

4

5

xxxxx B NOTES: xxxxx C MATERIAL: Aluminumxxxxx D PROCESS: Cast THIRD ANGLE PROJECTION xxxxx E UNITS: WALL THICKNESS: 1/4" xxxxx PRIMARY DIMENSIONSFIN INCHES [SECONDARY DIMENSIONS IN MM] xxxxx G xxxxx 3 H UNLESS OTHERWISE SPECIFIED

THE INFORMATION CONTAINED IN THIS DRAWING IS THE SOLE PROPERTY OF UAP PRODUCTION LLC. ANY REPRODUCTION OR USE AS A BASIS FOR MANUFACTURE OR SALE WITHOUT WRITTEN PERMISSION IS PROHIBITED.

Main Modules R1

6

DATE

RM

2

DATE ####

R0 R0 R0 R0 R0 R0 R0

#### #### #### #### #### #### 1 ####

ISOMETRIC VIEW

2T 2T

PART 1T

FRONT VIEW Scale:

FRONT VIEW Scale: ISOMETRIC VIEW AXON VIEW REFERENCE VIEW PERSPECTIVE VIEW ELEVATION VIEW FRONT VIEW PART 1B BACK VIEW TOP VIEW - Clearance holes on either side for 1/4" diameter pins - Central clearance hole for potential protrusion of allen socket PLAN VIEW bolt BOTTOM VIEW - Welded Locking Gusset 1 SIDE VIEW Quantity: 8x RIGHT VIEW LEFT VIEW SECTION VIEW CROSS SECTION x_x SECTION x_x DETAIL X

TOP ASSY VIEW

TAKEOFF NOTES: 2T 1T Pickpoint

TOP ASSY VIEW

RIGHT VIEW

1T

1T

- SURFACE AREA (SQ FT): xxxx - CASTING VOLUME (@ 1/4" THK) (CU IN): xxxx - MATERIAL: xxxx - QTY: xxxx

2T

2T

Pickpoint

PART 2B - Threaded holes on either side for 1/4" diameter pins - Central tapped hole for allen socket bolt that loks through central rod and keeps assy from rotating - Notch on top to accomodate alignment pin and stop rotation - Welded Locking Gusset 2 Quantity: 8x

Locking gusset 2

TOP ASSY VIEW

NOTE BLOCKS TEXT GROUP: SMALL NOTES: - wajhjfklwesjllghghsdfjsfjksflhag

Vertical Verify In Field ROCK TAVERN 453 State Route 17K Rock Tavern, NY 12575

UAP

General dimensions of individual modules

453 STATE ROUTE 17K ROCK TAVERN, NY 12575 T 845.567.9464 F 845.567.9327 www.uapcompany.com

INITIALS DRAWN BY:

PART 2T

R

CL

US1345 GENSLER Screen Wall by Mark Hagen

DESCRIPTION:

NAME R0

US1345_GENSLER_MH_R7.3dm

REQ'D

CSK

UAP Production LLC

DESCRIPTION xxxxx

TOP VIEW

Cast Iron

- 1/4" diameter pins with 1/4"-20 thread Quantity per Module 1: 2 Quantity per Module 2: 4

Parts List

Complete Joint Penetration

Quantity: 120X

ALIGNMENT PINS

pieces

PL

CI

Module Type 1 - 2 Pins on top - Clearance holes on bottom

PCS

CJP

ED

PROJECT:

UNLESS OTHERWISE SPECIFIED

As required

99.000" [99 "] Floor to ceiling

PART 2T

2023-09-15

AR

US1345_GENSLER_MH_R7.3dm

PART 1T

DATE

RM

ASSY

0.063" [1/16 "] Tol Between Ceiling

-

8

QUANTITY

INITIALS

98.688" [98 11/16 "] Height of Column Without bottom plate HEIGHT TO USE

453 STATE ROUTE 17K ROCK TAVERN, NY 12575 T 845.567.9464 F 845.567.9327 www.uapcompany.com

REVISION

DRAWN BY:

L

TYP

1 Main Module contains 3 Single Linear Member 5'-9 58 " [69.7"] Quantity of main modules in final assembly: 128

DATE ####

#### xxxxx R0 B NOTES: xxxxx R0 #### C Current strategy is 3/4" plywood (spec'd by Matt Hintze JTM on 09/07/2023) as blocking #### xxxxx R0 D APPROVED XX 2023-09-15 covering footprint of top brackets with sufficient tolerance for adjustments on site.

THIRD ANGLE PROJECTION xxxxx R0 #### E THE INFORMATION CONTAINED IN THIS DRAWING IS THE SOLE UNITS: PROPERTY OF UAP PRODUCTION LLC. ANY REPRODUCTION OR JTM must confirm accuracy of drawing R0 #### xxxxx F PRIMARY DIMENSIONS IN INCHES USE AS A BASIS FOR MANUFACTURE OR SALE WITHOUT Notes List NL WRITTEN PERMISSION IS PROHIBITED. [SECONDARY DIMENSIONS IN MM] #### R0 xxxxx G Not to Scale NTS xxxxx R0 4 3 2 1 #### H

US1345 GENSLER Screen Wall by Mark Hagen

DESCRIPTION:

9 2 16 " [2.6"]

3" [3.0"]

TYP

RIGHT

UAP Production LLC

3" [3.0"]

TYP

B

REV COLOR A

3" [3.0"]

11 5 16 " [5.7"]

DETAIL A Sculpture Conditions Existing

FRONT

1. Holes on horizontal linear members must be plugge welded (Only holes on vertical linear member) 2. Vertical member maintains the 1 1/16" holes to be inserted onto a 1" rod.

3. Alphacast to sandblast each module 4. Weld type on main modules TBD between Mark and Alphacast

TYP

NEW YORK CITY 33 Bond St New York, NY 10012

MACH

Machine; Machined

MAX

Maximum

W/

With

McM

McMaster Carr

W/I

Within THE INFORMATION CONTAINED IN THIS DRAWING IS THE

MIN

Minimum

W/O

MS

Mild Steel

FONT SIZE: .100" BY: DRAWING TITLE:- hjgsdgshagsdgjrtjdfjkigwnvhaildoha DRAWN BY: CHECKED

- augghsfsdhkdghdhtuoapdlmwd Visual BOM

Tolerance: ± 1/16" Unless Specified

+1 845 567 9464 newyork@uapcompany.com www.uapcompany.com

SOLE PROPERTY OF UAP PRODUCTION LLC. ANY REPRODUCTION OR USE AS A BASIS FOR MANUFACTURE Without OR SALE WITHOUT WRITTEN PERMISSION IS PROHIBITED.

RM

SCALE:

PROJECT NO:

US1345

SHEET SIZE:

AS NOTED

ANSI B

NOTES: DATE: 11/01/23 CLIENT: - wajhjfklwesjllghghsdfjsfjksflhag GENSLER NO:SIZE: 2 of.12" 33 FONT - hjgsdgshagsdgjrtjdfjkigwnvhaildohaSHEET - augghsfsdhkdghdhtuoapdlmwd

NOTES: Tolerance: ± .001" Unless Specified - wajhjfklwesjllghghsdfjsfjksflhag Tolerance: ± 1.0 mm - hjgsdgshagsdgjrtjdfjkigwnvhaildoha Unless Specified - augghsfsdhkdghdhtuoapdlmwd

ISOMETRIC VIEW LEFT

FINAL TOP ASSY VIEW

ISOMETRIC VIEW RIGHT

FOR TOP HALF MODULE ASSY

UAP

ROCK TAVERN 453 State Route 17K Rock Tavern, NY 12575

NEW YORK CITY 33 Bond St New York, NY 10012

+1 845 567 9464 newyork@uapcompany.com www.uapcompany.com THE INFORMATION CONTAINED IN THIS DRAWING IS THE SOLE PROPERTY OF UAP PRODUCTION LLC. ANY REPRODUCTION OR USE AS A BASIS FOR MANUFACTURE OR SALE WITHOUT WRITTEN PERMISSION IS PROHIBITED.

DRAWING TITLE: Tolerance: ± 1/16" Unless Specified

PROJECT NO:

US1345 CLIENT:

GENSLER

Tolerance: ± .001" Unless Specified

FONT SIZE: .15"

DRAWN BY:

Top Half Module Assy

CHECKED BY:

RM SCALE:

AS NOTED

SHEET SIZE:

ANSI B

DATE: 11/01/23 SHEET NO: 3 of 33

Christopher Testa — Work Samples — 26 of 42 Tolerance: ± 1.0 mm Unless Specified

Mark Hagen, C-Wall

Christopher Testa — Work Samples — 27 of 42

Mark Hagen, C-Wall

Christopher Testa — Work Samples — 28 of 42

To See Yourself in Nature Huntington Beach Central Park Sited along a walking path next to the park’s Secret Garden, this installation of etched brass and stainless steel responds to the strong character of the architecture of the nearby library and its integrated fountains. The element is scaled and sited in careful relationship to pathways, sightlines, and an adjacent Secret Garden.

“The installation invites park visitors to explore and reflect upon the natural wonders of the cherished 300-acre Central Park and its anchor, the Huntington Beach Central Library designed by renowned architect Dion Neutra and Associates. The installation is “… art as mirror held up to nature… to see yourself in nature…” inviting visitors to connect with empathy to the energy of the natural world in the park and each other.”

—Artist/designer, Matt Niebuhr The crescent shapes, made of stainless steel and etched brass are mounted to a single foundation beneath an organic oval shaped surface with stone selected and placed to invite a place for contemplation.

Scope on this project began at stages of technical design development where a model from the architecture team was translated to a buildable system with consideration of drainate, panel seaming, transport, and installation. The work had to be carefully hoisted from strong points above integrated at moments of internal continuous structure.

Huntington Beach, To See Yourself in Nature

ARTIST

Huntington Beach

PROJECT

To See Yourself in Nature

LOCATION

Huntington Beach, CA, USA

CLIENT

RDG Planning • Design

YEAR

2023

Christopher Testa — Work Samples — 29 of 42

5.63 NG

NG 6.32 NG

6.22 NG

"R 6'-6

6.92 CL MOW

6.92 CL MOW

6.99 NG

2

SITE PLAZA LAYOUT PLAN 1/4" = 1'-0"

COMPACTED GRANULAR SURFACE APPROXIMATELY 450 SQFT

0"

7.53 7.43 ACFS ACFS

WV

6.80 ACFS

7.15 ACFS

6.92 ACFS

7.24 NG

7.51 DRIP 3

3

8.46 NG 8.18 NG

7.88 NG

12" 8.15 12IN TREE

4

4

7.88 NG

3

8.81 DRIP 1 NG

PERMIT SET LIGHTING DESIGN FABRICATIONS

UAP 453 State Route 17K Rock Tavern, New York 12575 Phone: (845) 567-9464

RDG Planning & Design 301 Grand Avenue Des Moines, Iowa 50309 Phone: (515) 288-3141

RDG Planning & Design 301 Grand Avenue Des Moines, Iowa 50309 Phone: (515) 288-3141

LANDSCAPE

ART

Rbhu 1329A Hopkins Street Berkley, California 94702 Phone: (415) 967-2525

STRUCTURAL

8.13 NG

GRANULAR SURFACE / EDGE DETAIL 1 1/2" = 1'-0"

City of Huntington Beach

Huntington Central Park 7111 Talbert Ave. Huntington Beach, CA 92648 ISSUANCE PROJECT NO:

DATE

3004.462.00

© 2022

RDG Planning & Design

THESE DOCUMENTS HAVE BEEN PREPARED

BY RDG IA Inc. SPECIFICALLY FOR THE

5

LOCATIONS WITHOUT THE EXPRESS WRITTEN APPROVAL AND PARTICIPATION OF RDG Planning & Design . REPRODUCTION IS PROHIBITED. THIS DRAWING MAY NOT REPRESENT ALL CHANGES THAT HAVE OCCURRED DURING BID OR CONSTRUCTION PHASES. CONSTRUCTION DOCUMENTS, ADDENDA AND CHANGE DOCUMENTS REMAIN THE OFFICIAL CONSTRUCTION DOCUMENTS.

SITE LAYOUT PLAN

LA2.01

30"

8.82 NG

7.51 ACFS

7.30 ACFS

A

COMPACTED SUBGRADE

7.51 ACFS

7.74 DRIP 3 2

7.72 ACFS

Matt Niebuhr RDG Art Studio

8.02 Public Art - Huntington Central Park PROJECT. THEY ARE NOT SUITABLE FOR ACFS USE ON OTHER PROJECTS OR IN OTHER

MIN. OVER COMPACTED SUBGRADE

7.88 DRIP 1 NG

ICV

7.33 3 ACFS

6.99 ACFS

12.30 DRIP 1 NG

7.81 DRIP 1

3/8" X 10" SPIRAL STEEL SPIKE AT 12" O.C. TYP

7.60 ACFS

7.40 ACFS

COMPACTED GRADE ADJACENT TO RESTRAINT

COMPACTED BASE COURSE EXTENDING 6" BEYOND RESTRAINT

7.06 ACFS CL MOW CONC

7.12 ACFS

6.86 ACFS CL MOW CONC

6.71 ACFS

D

8' -

7.74 ACFS

3"

4' - 10 1/8"

+/-

2 NG

1

6.46 NG

7.04 7.02 CL MOW CL MOW

16' - 3 5/8"

6.88 NG

6.84 CL MOW 6.50 NG 6.52 NG

/8"

7.86 DRIP 2

7.77 DRIP 2

PERMALOCK ASPHALT EDGE ALUMINUM RESTRAINT BLACK

7.46 ACFS

KEY PLAN

Drawing sheet prepared by the Artist

7.62 ACFS

10.26 DRIP 1 NG 7.52 CONC BASE

COMPACTED GRANULAR 1/4" MINUS KAFKA - STARLIGHT BLACK GRANITE (OR SIMILAR) TO BE SELECTED BY THE ARTIST

7.15 ACFS

57

9' - 4"

6.94

6.52 1 CL MOW

10

6.42 NG 6.57 NG

7.20 DRIP 4

7.34 ACFS

7.80 B DRIP 2 NG

7.52 NG 7.35 CONC BASE

7.55 CONC BASE

7.30 NG

7.75 ACFS

7.58 TREE 18IN

MIN

15' - 1"

6.88 CL MOW

7.27 DRIP 4

7.72 DRIP 2 NG

6"

R /4" '-6 3

3/4"

6.60 CL MOW

7.09 DRIP 4 7.09 2" R +/- 7'NG

7.03 8IN TREE

9.62 TREE 30IN

7.56 DRIP 2 NG

8.01 UNK VLT "GB4" 7.30 CONC BASE

LAYOUT WORKPOINT INTERSECTION OF GRIDS

'-

6.33 CL MOW

1' - 6"

10°

2' - 9 5/8"

7/8"

OUTLINE OF FOOTING BELOW

'-10

6.66 CL MOW

6.44 NG

6.64

NATURAL STONE BOULDER NG TO BE SELECTED APPROXIMATE SEAT HEIGHT 18"

7.47 NG

30" 18"

9.40 NG

8.70 DRIP 3

9.62 TREE 30IN 5

PERMIT SET

SHEET SIZE: 24" X 36" PDFs PRINTED: 5/4/2022 5:07:31 PM

6.18 CL MOW

6.32 NG

6.06 NG

9.50 DRIP 3

R

NATURAL STONE BOULDER TO BE SELECTED APPOXIMATE SEAT HEIGHT 18"

"

5.73 5IN TREE

5.93 6.26 CONC CL MOW

8.15 12IN TREE +/- 7'-5 3/8" R

7.21 DRIP 4

2 1/8

5.87 5IN TREE

5/8"

ELECTRICAL HAND HOLE PULL BOX (APPROXIMATE LOCATION)

8.70 DRIP 3

11' -

5" 5"

1/4" R

6'-1

7.20 NG

7.55 NG

9.40 NG

8.81 DRIP 1 NG

8.18 NG

/2" 31

5.99 CONC

6.14 NG 6.25 CL MOW

6.10 NG

6.10 NG

5.97 CL MOW

"R

5.91 NG

1/4

5.87 CL MOW

5.86 CONC

+/-

8.46 NG

13' - 1"

12"

'-9

10.26 DRIP 1 NG

8.11 DRIP 3

D

LIGHTING DESIGN FABRICATIONS

UAP 453 State Route 17K Rock Tavern, New York 12575 Phone: (845) 567-9464

STRUCTURAL

Rbhu 1329A Hopkins Street Berkley, California 94702 Phone: (415) 967-2525

ART

12.30 DRIP 1 NG

RDG Planning & Design 301 Grand Avenue Des Moines, Iowa 50309 Phone: (515) 288-3141

RDG Planning & Design 301 Grand Avenue Des Moines, Iowa 50309 Phone: (515) 288-3141

LANDSCAPE

6.84 ACFS

RDG Art Studio 301 Grand Avenue Des Moines, Iowa 50309 Phone: (515) 284-1675

9.50 DRIP 3

C

CONCEPT - VIEW LOOKING EAST / SOUTHEAST

B

City of Huntington Beach

B

MAKE CORRECTIONS NOTED REVISE AND RESUBMIT

Checking is only for general conformance with the design concept of the project and general compliance with the information given in the contract document.

Any action shown is subject to the requirements of the plans and specifications and does not authorize any changes involving additional cost unless stated in a separate letter or change order. Contractor is responsible for dimensions which shall be coordinated and corrected at the job site, fabrication processes and technique of construction, quantities, coordination of his/her work with that of all other trades, and the satisfactory performance of his/her work.

Huntington Central Park 7111 Talbert Ave. Huntington Beach, CA 92648

CONCEPT - VIEW LOOKING NORTH / NORTHWEST

NO EXCEPTIONS

REJECTED

REVIEWED ONLY FOR LOADS TO STRUCTURE

C

Date

2022/6/10

By

RBHU

ENGINEERING IMAGINATION

KEY PLAN

Drawing sheet prepared by the Artist

A

A

SHEET SIZE: 24" X 36" PDFs PRINTED: 5/4/2022 5:07:25 PM

CONCEPT - EVENING VIEW LOOKING NORTH

1

2

Huntington Beach, To See Yourself in Nature

CONCEPT - VIEW LOOKING SOUTH

3

4

5

Public Art - Huntington Central Park

5.62 CL MOW

7.88 NG

7.51 NG 8.82 NG

7.51 ACFS

10' - 1"

7.51 DRIP 3

8.11 DRIP 3

11"

5.42 BIKE RACK

6.07 NG

6.09 CL MOW

A 5.92 CONC

+/- 4'-11

6.03 TREE 3IN

6.84 ACFS

1/4"

7.30 ACFS

7.88 NG

C

7.73 DRIP 2 NG

8.13 NG 7.48 DRIP 2 NG

7.06 NG

7.74 DRIP 3

3' -

5.83 CL MOW

6.33 NG

GRIDLINE ALIGNS TRUE EAST / WEST

5.50 CL MOW

5.50 NG

5.46 CL MOW

6.92 ACFS

-2

7.24 NG

16

5.94 NG

1

5.96 CL MOW 6.02 CL MOW

16'

7.15 ACFS

5.81 NG

5.71 CL MOW

13' - 5"

7.51 ACFS

5'

6.80 ACFS

6.46 NG

5.08 NG

4' - 3 4 3/4"

5.38 CL MOW 4.86 NG

L)

5.82 NG

6.71 ACFS

6.78 NG

6.55 NG

+/7

5.61 NG

7.72 ACFS

7.55 NG

7.35 NG

7.88 DRIP 1 NG

WV ICV

A 6.04 NG

8.02 ACFS

7.81 DRIP 1

6.90 NG 7.60 7.53

R

NG

7.18 NG

7.13 7.74 NG ACFS

6.38 NG

7.86 DRIP 2

SITE WORK POINT REFERENCE CENTER POINT OF UTILITY

7.46 ACFS

7.43 ACFS ACFS

7.33 ACFS

6.99 ACFS

1/4" = 1'-0"

6.86 ACFS CL MOW 5.48 CONC

5.48 NG

B

SITE ART LAYOUT PLAN

1

6.92 CL MOW

6.92 CL MOW

6.50 NG 6.52 NG

5.26 CL MOW

4.98 OPEN EAST

6.94 NG

6.84 CL MOW

7.75 ACFS

D 7.80 DRIP 2 NG

6.58 NG

7.77 DRIP 2

7.52 CONC BASE

ACFS

7.40 ACFS

7.12 ACFS

14'-6 1/4"

6.52 CL MOW

6.06 NG

5.73 5IN TREE

5.14 CL MOW CLF

16' - 0" (SEE STR UCTURA

20°

5.93 6.26 CONC CL MOW

5.87 5IN TREE

7.34 ACFS

7.62 ACFS

7.35 6.69 CONC BASE NG

7.55 CONC BASE

6.04 NG

6.63 NG

7.06 ACFS CL MOW CONC

6.99 NG

7.30 NG

5.95 NG 7.20 DRIP 4

6.32 NG

6.22 NG

5.95 NG

5.97 NG 6.88 NG

7.72 DRIP 2 NG

7.52 NG

7.56 DRIP 2 NG

7.15 ACFS

GRIDLINE ALIGNS TRUE NORTH / SOUTH

5" 5"

6.42 6.66 NG CL MOW5.65 6.57 NG NG

6.44 NG

6.32 NG

7.04 7.02 CL MOW CL MOW

6.88 CL MOW

7.03 8IN TREE

7.47 NG

8.01 6.28 UNK VLT "GB4" NG 6.37 7.30 CONC BASE NG

7.27 DRIP 4

7.09 DRIP 4 7.09 NG

OUTINE OF FOOTING BELOW SEE STRUCTURAL

6.60 CL MOW

R

5.97 CL MOW

5.99 CONC

6.18 CL MOW 6.10 NG

LIGHT FIXTURE NG SEE SHEET L01.01

5.87 NG

+/- 15

5.91 NG

5.92 NG

5.98 NG

5.85

1/2"

5.79 NG

5.55 NG

9' - 2 1/2"

C

3' - 2

6.64 NG

6.14 NG 5.42 6.25 NG CL MOW 5.63 6.33 CL MOW NG

6.10 NG

18" 7.58 TREE 18IN

IN GROUND ELECTRICAL HAND HOLE PULL BOX (APPROXIMATE LOCATION - FIELD VERIFY)

5.76 NG

LAYOUT WORKPOINT INTERSECTION OF GRIDS

3' - 3 7/8"

5.46 CL MOW

6.07 NG

7.20 NG

3' - 6 5/8"

SCULPTURE ANCHOR BASE PLATES

3' - 7"

6.09 CL MOW

5.87 CL MOW

5.86 CONC

5.62 CL MOW

6.03 5.66 TREE 3IN NG

7.55 NG

43' - 4"

6.09 NG

5.92 NG

90°

5.96 CL MOW 6.02 CL MOW

5.50 NG 5.92 CONC

GRIDLINE ALIGNS TRUE EAST / WEST

5.31 NG 5.71 CL MOW

5.08 NG

5.83 CL MOW

L)

° 90

1 5.50 CL MOW

5.42 BIKE RACK

UCTURA

7.21 DRIP 4

6.33 NG

5.94 NG

5.38 CL MOW 4.86 NG

(SEE STR

4' - 0 7/8"

5.81 NG

5

7.51 NG

10' - 4"

10°

5.26 CL MOW

4.98 OPEN EAST

7' FOOTING 6" LOCATE

5.61 NG

5.48 NG

D

GRIDLINE ALIGNS TRUE NORTH / SOUTH

5' - 2 FOOTING 3/4" LOCATE

6.04 NG

5.82 NG

4

7.06 NG

6.78 NG

6.55 NG

RDG Art Studio 301 Grand Avenue Des Moines, Iowa 50309 Phone: (515) 284-1675

3

Public Art - Huntington Central Park

2

A

5.14 CL MOW CLF

7.73 DRIP 2 NG 7.48 DRIP 2 NG

1

5.48 NG

7.55 NG

7.35 NG

6.90 NG

5.95 NG

5.97 NG

5.65 NG

6.63 NG

Matt Niebuhr RDG Art Studio

ISSUANCE PROJECT NO:

DATE

3004.462.00

© 2022

RDG Planning & Design

THESE DOCUMENTS HAVE BEEN PREPARED

BY RDG IA Inc. SPECIFICALLY FOR THE

Public Art - Huntington Central Park

PROJECT. THEY ARE NOT SUITABLE FOR USE ON OTHER PROJECTS OR IN OTHER LOCATIONS WITHOUT THE EXPRESS WRITTEN APPROVAL AND PARTICIPATION OF RDG Planning & Design . REPRODUCTION IS PROHIBITED. THIS DRAWING MAY NOT REPRESENT ALL CHANGES THAT HAVE OCCURRED DURING BID OR CONSTRUCTION PHASES. CONSTRUCTION DOCUMENTS, ADDENDA AND CHANGE DOCUMENTS REMAIN THE OFFICIAL CONSTRUCTION DOCUMENTS.

CONCEPT RENDERINGS

ART 000

Christopher Testa — Work Samples — 30 of 42

Huntington Beach, To See Yourself in Nature

Christopher Testa — Work Samples — 31 of 42

Huntington Beach, To See Yourself in Nature

Christopher Testa — Work Samples — 32 of 42

Luci ICRAVE In a collaboration with award-winning design and innovation studio ICRAVE, this project developed a 2-story digital art sculpture for a residential lobby interior in New York. With concept design by the Manhattan-based design studio, this large-scale artwork titled Luci, is comprised of two curved stainless-steel rails, each rail supporting 600 sq ft of custom designed projection fabric, capturing 3D mapped projection content curated by Brooklyn based digital artists Optical Animal.

As manufacturing partner and design-build delivery team for the project, UAP worked closely with ICRAVE to explore the complex fabrication methods and material solutions for this unique application. The resulting ‘ribbon’ model emerges from a sub-cellar pit and extends up into the second story atrium, wrapping a staircase before laminating itself along the focal wall at the building entry level. The work is fluid and undulating, offering a new visual experience through its expressive form and engaging animations.

Sampling studies that began with available stock materials that are able to catch dual sided projections resolved into a highly custom parametrically driven unit infill creating a continuous surface from many parts that morphs to the unique geometry.

21 West End Avenue, Luci

DESIGNER

ICRAVE + UAP

PROJECTION

Optical Animal

ARTWORK TITLE

Luci

PROJECT

21 West End Avenue Lobby

LOCATION

New York, NY, USA

CLIENT

Dermot Company

YEAR

2018

Christopher Testa — Work Samples — 33 of 42

21 West End Avenue, Luci

Christopher Testa — Work Samples — 34 of 42

21 West End Avenue, Luci

Christopher Testa — Work Samples — 35 of 42

ACADEMIC + COMPETITION WORK

DESIGN STUDIO III URBAN MIX SOCIAL HOUSING — Astoria, Queens The arrangement of living units aim to maximize communal living space outside of the private interior of the apartment blocks. The narrowness of the circulation corridor allows for natural light and ventilation to exist on both sides of each unit.

Splitting entrances along the edge of the inner courtyard and facing balconies toward this inner court, the experience from within these apartment units is one of heightened activity due to the visual adjacency to these public core spaces.

Overlapping and cantilevering volumes of the apartment blocks allows for full use of the ground floor of the site and stacking allows for a terracing of roof occupancy

Christopher Testa — Work Samples — 37 of 42

FIXED METAL PANEL

FIXED METAL PANEL

INT FINISH GRADE PAINTED ALUM CLOSURE SMOKE SEAL FIRESAFING INSULATION STEEL DL ANGLE CONT STEEL TUBE PTD STEEL CLOSURE PANEL INSULATION WL CONNECTION TO SLAB PTD STEEL CLOSURE PANEL

INT FINISH GRADE PAINTED ALUM CLOSURE SMOKE SEAL FIRESAFING INSULATION STEEL DL ANGLE CONT STEEL TUBE PTD STEEL CLOSURE PANEL INSULATION WL CONNECTION TO SLAB

ROUGH FINISHED CONCRETE

PTD STEEL CLOSURE PANEL

4" CMU STRUCTURAL WALL

ROUGH FINISHED CONCRETE

4" CMU STRUCTURAL WALL

Christopher Testa — Work Samples — 38 of 42

Christopher Testa — Work Samples — 39 of 42

OFFICE OF THE FUTURE COMPETITION The NAIOP Office of the Future competition is a national competition that challenges teams to design the office building of the future. Teams of professionals from a variety of disciplines are challenged to design an office building for the year 2030 considering trends, advances, and opportunities to incorporate into their designs and the latest building science data to create innovation.

The team assembled at Hickock Cole worked together to envision a building with as many integrated passive strategies possible, creating a functional and comfortable space that responds to its environmental impacts while serving the needs of the building’s user group.

Competitors were asked to provide site plan views and perspective sketches that highlighted future building features, materials, technology and trends, and hard cost budget estimates. Selected as one of four winners nationally, Hickok Cole Architects presented its vision of the Office Building of the Future at NAIOP’s 2012 Development Conference.

The design features a double skin where the inner, weathertight surface wraps the conditioned tenant spaces, while the outer dynamic shading layer uses an electroactive polymer activated by the sun. The building embraces technological advances including a prefabricated modular structural system, a buoyancy HVAC system, and on-site power generation technologies. Other features include generous natural light, a dedicated amenities floor, and an automated parking system.

Christopher Testa — Work Samples — 40 of 42

LEE

N

SBU RG PIK

SUMMER SUN

E WINTER SUN

ENTRANCE PLAZA

C IR C U L A

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Christopher Testa — Work Samples — 41 of 42

CHRISTOPHER TESTA christopher.testa1@gmail.com 860.280.6206 New York, NY