Ignatio Tenggara 'Architectural Stretching'

“Architectural Stretching� stretch . activates movement . by force . and mechanics Ignatio Bhaskara Putra Tenggara

Intermediate 9 // 2016-2017 Technical Studies 3 Christopher Pierce - Christopher Pierce - Amandine Kastler

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TS STATEMENT To investigate the addition of elastic material similar to elastic cartilage within the joinery of building elements.

Allowing the building to stretch and recover.

And introduce mechanism that allows for different movement.

PROJECT STATEMENT The project explore the idea of the picture above. It was taken when Edvard Munch was still alive and he loves to paint his painting outside in the nature. He believes that his painting has a connection the nature of Norway. However, the current munch museum that was built in 1963 and through a series of extension and additions that has happened, it is now become an institution and a piece of architecture that is completely block off its environment, seemingly no connection at all and isolated.

The project aim connects the existing museum with a new territory of botanical garden set at directly north of the museum through stretching the elements from within the museum space, which creates a new type of flexibility on museum exhibition and criticising the contemporary exhibition space that is too concern with idea of white cube spaces. This allows the artwork to be seen on the outside and the project explores the potential of stretching as part of the opportunity to accommodate the programs of the museum and the botanic garden.

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Table of Content

pg 04

Chapter I PRINCIPLES Expansion by stretching Expansion by movement

Chapter II

pg 06

SITE ANALYSIS 2.1 Current situation 2.2 Historical extension 2.3 Future expansion 2.4 Column structure of Munch Museet 2.5 Conclusion

Chapter III

pg 24

UNDERSTANDING ELASTICITY

3.1 Making elastic material: sugared pear Experiment I : Varying dipping time in sugar solution Experiment II : Varying sugar concentration Experiment III : Elasticity test, strength, stretch and recovery 3.2 Making elastic material: pear jelly Experiment I : Varying amount of pectin Experiment II : Creating the most elastic material by strength and maximum elongation Experiment III : Tensile strength test of the material 3.3 Conclusion: Elasticity measured by strength, stretch and recovery 3.4 Making devices to test elastic material Device for experimenting with sugared pear and pear jelly Device for testing elasticity Device to test tensile strength

pg 60

Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.1 Overview of experiments 4.2 Making Elastic Joints Experiment I : Jelly joints Experiment II : Silicon joints Conclusion 4.3 Translating stretch to linear and lateral movement Experiment I : lateral movement gain Experiment II : Area gain Experiment III : Volume gain Conclusion 4.4 Amplifying stretch with pantograph mechanism Experiment I : Amplifying stretch with increasing number of hinges connection Case study : Pantograph and Theo Jansen’s Strand Beest Case study : Chuck Hoberman’s Arch Conclusion 4.5 Understanding degree of freedom Experiment I : Degree of freedom without hinges Experiment II : Degree of freedom with two perpendicular hinges Different number of degree of freedom and how it can be translated mechanically Case study : Synovial joint in human body Using universal Joint to create multiple rotational freedom Using Piston to create linear stretch Inserting piston-joint between two solid structure similar to the previous experiment Case study : Santiago Calatrava’s Quadracci Pavilion Prototype of Piston and Joint connection to solid pieces, 3 Different Type of Mechanism Conclusion

4.6 1: 40 scale stretching experiment of Munch Museet Lobby to understand structural instability of a complete degree of freedom 4.7 Conclusion

pg 114

Chapter V PROJECT DESIGN

5.1 Introducing 3 different stretch based on time differences 5.2 Design story, Munch connection to nature 5.3 Site Plan 5.4 Stages of Design 5.5 Plan and section of the project 5.6 Model of the project 5.7 Design constructions steps

pg 142

Chapter VI

POSSIBILITY OF USING STEAM ENGINE AS SOURCE OF ENERGY 6.1 Steam engine, weight and pulleys 6.2 Energy of steam engine from the kitchen and weight to lift a column

pg 146

Chapter VII PROTOTYPE

7.1 Material Study: Column of Munch Museet 7.2 Material Study: Piston Universal Joint 7.3 Prototype 7.4 Process Making Video - Prototype Continuation of Design and Conclusion

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Chapter I PRECEDENTS Movement and stretching

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Chapter I PRINCIPLE Expansion through movement Expansion through stretching

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Chapter II SITE ANALYSIS 2.1 Current situation 2.2 Historical extension 2.3 Future expansion 2.4 Column structure of Munch Museet 2.5 Conclusion

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Chapter II SITE ANALYSIS 2.1 Current situation

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Chapter II SITE ANALYSIS 2.1 Current situation

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Chapter II SITE ANALYSIS 2.1 Current situation

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Chapter II SITE ANALYSIS Historical analysis of site “stretching”

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Chapter II SITE ANALYSIS 2.3 Future expansion

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Chapter II SITE ANALYSIS 2.4 Column structure of Munch Museet

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Chapter II SITE ANALYSIS 2.5 Conclusion

Conclusion from Site Analysis Munch museum need to expand to continue its function however an ever expansion is not suitable as seen in future expansion where it consider a volume expansion but keeping the land area roughly similar.

Hence I proposed expansion through stretching which enables the museum to expand and recover to its original state depending on the needs.

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STRETCHING Need to understand the concept of elasticity

Chapter III

UNDERSTANDING ELASTICITY

3.1 Making elastic material: sugared pear Experiment I : Varying dipping time in sugar solution Experiment II : Varying sugar concentration Experiment III : Elasticity test, strength, stretch and recovery 3.2 Making elastic material: pear jelly Experiment I : Varying amount of pectin Experiment II : Creating the most elastic material by strength and maximum elongation Experiment III : Tensile strength test of the material 3.3 Conclusion: Elasticity measured by strength, stretch and recovery 3.4 Making devices to test elastic material Device for experimenting with sugared pear and pear jelly Device for testing elasticity Device to test tensile strength

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Chapter III UNDERSTANDING ELASTICITY 3.1 Making elastic material: sugared pear

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Chapter III UNDERSTANDING ELASTICITY 3.1 Making elastic material: sugared pear

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Chapter III UNDERSTANDING ELASTICITY 3.1 Making elastic material: sugared pear Experiment I : Varying dipping time in sugar solution

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Chapter III UNDERSTANDING ELASTICITY 3.1 Making elastic material: sugared pear Experiment I : Varying dipping time in sugar solution

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Chapter III UNDERSTANDING ELASTICITY 3.1 Making elastic material: sugared pear Experiment I : Varying dipping time in sugar solution

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Chapter III UNDERSTANDING ELASTICITY 3.1 Making elastic material: sugared pear Experiment I : Varying dipping time in sugar solution

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MAKING ELASTIC MATERIAL: SUGARED PEAR From experiment I to II Carrying out the best amount of dipping time of 120 minutes

Chapter III UNDERSTANDING ELASTICITY 3.1 Making elastic material: sugared pear Experiment II: Varying sugar concentration

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Chapter III UNDERSTANDING ELASTICITY 3.1 Making elastic material: sugared pear Experiment II : Varying sugar concentration

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Chapter III UNDERSTANDING ELASTICITY 3.1 Making elastic material: sugared pear Experiment II : Varying sugar concentration

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MAKING ELASTIC MATERIAL: SUGARED PEAR From experiment I, II to III Carrying out the best amount of dipping time and sugar (120 mins and 300 g of sugar) concentration to create the most elastic sugared pear slices

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Chapter III UNDERSTANDING ELASTICITY 3.1 Making elastic material: sugared pear Experiment III : Elasticity test, strength, stretch and recovery

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Chapter III UNDERSTANDING ELASTICITY 3.1 Making elastic material: sugared pear Experiment III : Elasticity test, strength, stretch and recovery

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MAKING ELASTIC MATERIAL alternative elastic material creation, Pear Jelly

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Chapter III UNDERSTANDING ELASTICITY 3.2 Making elastic material: pear jelly

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Chapter III UNDERSTANDING ELASTICITY 3.2 Making elastic material: pear jelly

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Chapter III UNDERSTANDING ELASTICITY 3.2 Making elastic material: pear jelly Experiment I : Varying amount of pectin

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THE MAKING OF ELASTIC MATERIAL PEAR JELLY Experiment I to II using pectin

Chapter III UNDERSTANDING ELASTICITY 3.2 Making elastic material: pear jelly Experiment II : Creating the most elastic material by strength and maximum elongation

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Chapter III UNDERSTANDING ELASTICITY 3.2 Making elastic material: pear jelly Experiment II : Creating the most elastic material by strength and maximum elongation

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Chapter III UNDERSTANDING ELASTICITY 3.2 Making elastic material: pear jelly Experiment II : Creating the most elastic material by strength and maximum elongation

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Chapter III UNDERSTANDING ELASTICITY 3.2 Making elastic material: pear jelly Experiment II : Creating the most elastic material by strength and maximum elongation

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Chapter III UNDERSTANDING ELASTICITY 3.2 Making elastic material: pear jelly Experiment II : Creating the most elastic material by strength and maximum elongation

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Chapter III UNDERSTANDING ELASTICITY 3.2 Making elastic material: pear jelly Experiment II : Creating the most elastic material by strength and maximum elongation

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Chapter III UNDERSTANDING ELASTICITY 3.2 Making elastic material: pear jelly Experiment III : Tensile strength test of the material

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Chapter III UNDERSTANDING ELASTICITY 3.2 Making elastic material: pear jelly Experiment III : Tensile strength test of the material

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BASED ON THE TEST ELASTICITY IS THEREFORE DETERMINED BY MATERIAL STRENGTH AND AMOUNT OF STRETCH AND RECOVERY

Chapter III UNDERSTANDING ELASTICITY 3.3 Conclusion: Elasticity measured by strength, stretch and recovery

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Chapter III

3.4 Making devices to test elastic material Device for experimenting with sugared pear and pear jelly

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Chapter III

3.4 Making devices to test elastic material Device for experimenting with sugared pear and pear jelly

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Chapter III

3.4 Making devices to test elastic material Device for testing elasticity

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Chapter III

3.4 Making devices to test elastic material Device for testing elasticity

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Chapter III

3.4 Making devices to test elastic material Device for testing elasticity

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Chapter III

3.4 Making devices to test elastic material Device to test tensile strength

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ELASTIC MATERIAL HAS LIMITATION DUE TO PLASTIC DEFORMATION UNDER GREAT FORCE

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.1 Overview of experiments 4.2 Making Elastic Joints Experiment I : Jelly joints Experiment II : Silicon joints Conclusion 4.3 Translating stretch to linear and lateral movement Experiment I : lateral movement gain Experiment II : Area gain Experiment III : Volume gain Conclusion 4.4 Amplifying stretch with pantograph mechanism Experiment I : Amplifying stretch with increasing number of hinges connection Case study : Pantograph and Theo Jansen’s Strand Beest Case study : Chuck Hoberman’s Arch Conclusion 4.5 Understanding degree of freedom Experiment I : Degree of freedom without hinges Experiment II : Degree of freedom with two perpendicular hinges Different number of degree of freedom and how it can be translated mechanically Case study : Synovial joint in human body Using universal Joint to create multiple rotational freedom Using Piston to create linear stretch Inserting piston-joint between two solid structure similar to the previous experiment Case study : Santiago Calatrava’s Quadracci Pavilion Prototype of Piston and Joint connection to solid pieces, 3 Different Type of Mechanism Conclusion 4.6 1: 40 scale stretching experiment of Munch Museet Lobby to understand structural instability of a complete degree of freedom 4.7 Conclusion

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.1 Overview of experiments

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.1 Overview of experiments

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FIRST IS TO IMAGINE THE ELASTIC MATERIAL BETWEEN THE CLAMPS ON DEVICE TESTER AS AN ELASTIC MATERIAL IN BETWEEN SOLID MATERIALS

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.2 Making Elastic Joints Experiment I : Jelly joints

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.2 Making Elastic Joints Experiment I : Jelly joints

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.2 Making Elastic Joints Experiment I : Jelly joints

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.2 Making Elastic Joints Experiment I : Jelly joints

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.2 Making Elastic Joints Experiment I : Jelly joints

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.2 Making Elastic Joints Experiment I : Jelly joints

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.2 Making Elastic Joints Experiment II: Silicon joints

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.2 Making Elastic Joints Experiment II: Silicon joints

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.2 Making Elastic Joints Conclusion

CONCLUSION ELASTIC MATERIAL FOLLOWS THE APPROXIMATION OF HOOKE’S LAW, THE MORE ELASTIC IT IS THE MORE IT FOLLOWS. HOWEVER THIS TREND DISAPPEAR AS ELASTIC MATERIAL IS SUBJECTED TO GREATER FORCE HENCE IN BUILDING SCALE ELASTIC MATERIAL MAY FAIL TO PERFORM ITS STRETCH AND RECOVERY FUNCTION. HENCE THE NEED TO TRANSLATE ELASTIC MATERIAL TO A MECHANISM

INTRODUCING MECHANISM OF HINGES TO STRETCHING ACTION

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.3 Translating stretch to linear and lateral movement Experiment I: lateral movement gain

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.3 Translating stretch to linear and lateral movement Experiment I: lateral movement gain

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.3 Translating stretch to linear and lateral movement Experiment II : Area gain

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.3 Translating stretch to linear and lateral movement Experiment II: Area gain

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.3 Translating stretch to linear and lateral movement Experiment II : Area gain

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.3 Translating stretch to linear and lateral movement Experiment II: Area gain

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.3 Translating stretch to linear and lateral movement Experiment III : Volume gain

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.3 Translating stretch to linear and lateral movement Experiment III: Volume gain

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.3 Translating stretch to linear and lateral movement Experiment III : Volume gain

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.3 Translating stretch to linear and lateral movement Experiment III: Volume gain

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.3 Translating stretch to linear and lateral movement Conclusion

CONCLUSION STRETCHING MOTION COULD BE TRANSLATED INTO ARCHITECTURE SPACE BY USING VOLUME AND AREA GAIN THROUGH STRETCHING

FURTHER STUDY OF HINGES MECHANISM TO INTRODUCE VARIETY OF STRETCH using pantograph as a way to leverage or amplify different level of movement from a single stretch

Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.4 Amplifying stretch with pantograph mechanism Experiment Case study : IPantograph : Amplifyingand stretch Theo with Jansen’s increasing Strandnumber Beest of hinges connection

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.4 Amplifying stretch with pantograph mechanism Case study : Pantograph and Theo Jansen’s Strand Beest

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.4 Amplifying stretch with pantograph mechanism Case study : Pantograph and Theo Jansen’s Strand Beest

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.4 Amplifying stretch with pantograph mechanism Case study : Chuck Hoberman’s Arch

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.4 Amplifying stretch with pantograph mechanism Conclusion

CONCLUSION MULTIPLE HINGES IN PANTOGRAPH AND THE CASE STUDY CAN BE TRANSLATED TO FOLDABLE ELASTIC SURFACE THAT CAN BE USED AS SURFACE MATERIAL FOR WALLS

UNDERSTANDING DEGREE OF FREEDOM IN ORDER TO REPLACE ELASTIC MATERIAL WITH ELASTIC MECHANISM A BETTER UNDERSTANDING OF MECHANICS OF DEGREE OF FREEDOM IS NEEDED TO REPLACE THE MOTION OF ELASTIC STRETCHES

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Experiment I: Degree of freedom without hinges

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Experiment I: Degree of freedom without hinges

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Experiment II : Degree of freedom with two perpendicular hinges

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Experiment II : Degree of freedom with two perpendicular hinges

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UNDERSTANDING DEGREE OF FREEDOM Connection to case study of human cartilage as elastic material between solid bones and how to devise a piston - universal joint system inserted between solid building materials to introduce architectural stretching

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Different number of degree of freedom and how it can be translated mechanically

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Different number of degree of freedom and how it can be translated mechanically

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Case study : Synovial joint in human body

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Case study : Synovial joint in human body

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Using universal Joint to create multiple rotational freedom

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Using Piston to create linear stretch

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Inserting piston-joint between two solid structure similar to the previous experiment

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Inserting piston-joint between two solid structure similar to the previous experiment

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Case study : Santiago Calatrava’s Quadracci Pavilion

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Conclusion

CONCLUSION MECHANICALLY A BUILDING COULD STRETCH SIMILAR TO ELASTIC JOINTS BY INTRODUCING A SERIES OF PISTON AND JOINTS TO CREATE MOVEMENT

INTRODUCING DIFFERENT AMOUNT OR TYPE OF STRETCH Different design on the architectural stretching then can be applied depending on the architectural program based on time of stretch

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Prototype of Piston and Joint connection to solid pieces, 3 Different Type of Mechanism

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Prototype of Piston and Joint connection to solid pieces, 3 Different Type of Mechanism

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.5 Understanding degree of freedom Prototype of Piston and Joint connection to solid pieces

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UNDERSTANDING WHY THE DIFFERENT TYPE OF MECHANISM IS INTRODUCED IN DESIGN DIFFERENTLY, KNOWING THAT THE STRUCTURAL COLUMN OF THE BUILDING HAVE TO BE LATERALLY STABLE HENCE RESTRICTED TO 1 DEGREE OF FREEDOM LOOK AT THE EXPERIMENT IN THE NEXT PAGE

Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.6 1: 40 scale stretching experiment of Munch Museet Lobby to understand structural instability of a complete degree of freedom

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.6 1: 40 scale stretching experiment of Munch Museet Lobby to understand structural instability of a complete degree of freedom

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.6 1: 40 scale stretching experiment of Munch Museet Lobby to understand structural instability of a complete degree of freedom

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Chapter IV

TRANSLATING ELASTIC STRETCHING MATERIAL TO MECHANICAL STRETCHING 4.7 Conclusion

CONCLUSION IN DESIGNING FOR THE PROJECT, EACH TYPE OF ARCHITECTURAL STRETCHES STRATEGY DESIGN DEPENDING ON THE TYPE HAS TO BE INFORMED WITH DIFFERENT TYPE OF MECHANISM FOR EXAMPLE THE STRETCH IN THE BUILDING TO ENSURE LATERAL STABILITY, TYPE ONE MECHANISM WITH 1 DEGREE OF FREEDOM IS USED, WHERE AS THE MORE FLEXIBLE FORM USES 6 DEGREE OF FREEDOM INTRODUCING DIFFERENT AMOUNT OR TYPE OF STRETCH FOR THE PROJECT Using the idea of long slow stretch and short active stretch to test two level of stretching on existing lobby of Munch museet where the vertical stretching is applied as active stretch and lateral stretch as slow stretch

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Chapter V PROJECT DESIGN

5.1 Introducing 3 different stretch based on time differences 5.2 Design story, Munch connection to nature 5.3 Site Plan 5.4 Stages of Design 5.5 Plan and section of the project 5.6 Model of the project 5.7 Design constructions steps

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Chapter V

PROJECT DESIGN 5.1 Introducing 3 different stretch based on time differences

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Chapter V

PROJECT DESIGN 5.1 Introducing 3 different stretch based on time differences

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THREE DIFFERENT STRETCH ON THE DESIGN PROJECT active short stretch : 1st daily stretch (clear story height window during the day) periodic medium stretch : 2nd seasonal stretch (Opening exhibition space in summer) long stretch: 3rd botanic garden stretch (event based program space yearly bases)

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STORY OF THE PROJECT Munch connection towards the nature accomodated in the project through the stretches of Munch Museum

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Chapter V

PROJECT DESIGN 5.2 Design story, Munch connection to nature

Conclusion In my design proposal, the stretches will be a series of extension that allows the connection between the painting exhibition and Munch’s building to the nature and environment of surrounding area

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Chapter V PROJECT DESIGN 5.3 Site Plan

Conclusion The site located in Toyen Park and the design aim to stretches between the north and south of the museum connecting also the metro station with the entrance from the hill side

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Chapter V

PROJECT DESIGN 5.5 Plan and section of the project

S1

S2 01

B A

Section Architectural Stretchi

section A

section A

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Chapter V

PROJECT DESIGN 5.5 Plan and section of the project

02

03

C

n 1:800 ing of Munch Museet

Notations 1st stretch: Daily stretch following sun path 2nd stretch: Seasonal stretch in summer 3rd stretch: Event based stretch Tunnel to the metro Ramp going to the museum from basement Trenches under the rails connecting to 3rd stretch Sun path during Summer Sun path during winter

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01 02 03 A B C S1 S2

Chapter V

PROJECT DESIGN 5.5 Plan and section of the project

S2

S1

01

A B

Plan 1 Architectural Stretchin

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Chapter V

PROJECT DESIGN 5.5 Plan and section of the project

02

03 B

Notations 1st stretch: Daily stretch following sun path 2nd stretch: Seasonal stretch in summer 3rd stretch: Event based stretch Tunnel to the metro Ramp going to the museum from basement Trenches under the rails connecting to 3rd stretch Sun path during Summer Sun path during winter

1:800 ng of Munch Museet

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01 02 03 A B C S1 S2

Chapter Chapter V V

PROJECT DESIGN PROJECT DESIGN 5.6 Model 5.6 of the Model project of the project

01

02

B

02

01

C

B

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Chapter V

PROJECT DESIGN 5.6 Model of the project

03

C

03

Notations 1st stretch: Daily stretch following sun path 2nd stretch: Seasonal stretch in summer 3rd stretch: Event based stretch Ramp going to the museum from basement Trenches under the rails connecting to 3rd stretch

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01 02 03 B C

Chapter V

PROJECT DESIGN 5.7 Design constructions steps

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Chapter V

PROJECT DESIGN 5.7 Design constructions steps

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Chapter VI

POSSIBILITY OF USING STEAM ENGINE AS SOURCE OF ENERGY 6.1 Steam engine, weight and pulleys 6.2 Energy of steam engine from the kitchen and weight to lift a column

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Chapter VI

POSSIBILITY OF USING STEAM ENGINE AS SOURCE OF ENERGY 6.1 Steam engine, weight and pulleys

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Chapter VI

POSSIBILITY OF USING STEAM ENGINE AS SOURCE OF ENERGY 6.1 Steam engine, weight and pulleys

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Chapter VI

POSSIBILITY OF USING STEAM ENGINE AS SOURCE OF ENERGY 6.2 Energy of steam engine from the kitchen and weight to lift a column

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Chapter VII PROTOTYPE

7.1 Material Study: Column of Munch Museet 7.2 Material Study: Piston Universal Joint 7.3 Prototype 7.4 Process Making Video - Prototype

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Chapter VII

PROTOTYPE 7.1 Material Study: Column of Munch Museet

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Chapter VII

PROTOTYPE 7.1 Material Study: Column of Munch Museet

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Chapter VII

PROTOTYPE 7.2 Material Study: Piston Universal Joint

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Chapter VII

PROTOTYPE 7.2 Material Study: Piston Universal Joint

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Chapter VII PROTOTYPE 7.3 Prototype

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Chapter VII PROTOTYPE 7.3 Prototype

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Chapter VII PROTOTYPE 7.3 Prototype

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BEHIND THE SCENE The process of making this prototype is documented in the next pages where it start from the process of creating the concrete, the metal piston mechanism to the process of creating the spring

Chapter VII

PROTOTYPE 7.4 Process Making Video - Prototype

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Chapter VII

PROTOTYPE 7.4 Process Making Video - Prototype

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Continuation of Design and Conclusion

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Continuation of Design and Conclusion

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Closure Technical Study is an ongoing process that is deeply connected the process of design in the project itself This is the current stage of Architectural Stretching Technical Study, and it will surely continue to evolve with the project

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Special Thanks To all Tutors both from the studio of Inter 9 and Technical study Tutors as well as others who have helped me learn in the process

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