i-Build March 2022

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FOCUS:

S ELF B U ILDS

R ENOVAT IONS

C ONVER S IONS

DIY

EXT ENS IONS COVER STORY

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INSPIRATION

PU TOFFBY OFF WHIT E S HA DES O This month’s of -white ac es ory picks may just change your mind

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ADVISORY

Top tips for inter al

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MATERIALS

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Servicing contracts are offered on all our installations.

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L LU UT TIIO ON NS S EDITORIAL: Rebecca Kemp

rebecca@redhutmedia.com

the the ool ool

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Cover story:

ins sewer ins sewer on. on.

chat. chat.

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Verity Lovelock of BBD Architects reveals the five key questions to ask when appointing your architect.

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s'rotiWelcome d I-BUILD MARCH 2022

F

or design professionals, the prospect of designing their very own homes must truly be a dream come true. Spending your working life designing properties that meet the requirements and stylistic tastes of other individuals must be the ultimate teaser – especially when you’re passionate about design and have a burning desire to create a space that reflects your own style. For the second month running, we cover a home that has been devised for an interior designer. Unlike last month’s kitchen renovation, however, this time, the designer is also the self-builder and, as anticipated, the inside of the property is exquisite.

maximum elegance for her blank canvas and offers top tips for planning your interiors, too.

On page 12 of this month’s issue, Interior Designer Caoimhe Connolly, known on Instagram as @houseontheborder, speaks to me about the voyage she and her husband, Charlie – who, interestingly, has six siblings who have all created their own self-build masterworks – took to build their home. Here, she runs through the trials and tribulations of her self-build experience – including a lastminute mortgage provider dropout, which surprisingly hasn’t put her off the idea of taking on another project, should the prospect of a fixer-upper business opportunity arise. Of course, Caoimhe also reveals her insider interior secrets to how she achieved

I hope you enjoy this issue. Don’t forget, if you’re coming to the end of your self-build and would like us to feature your home as inspiration for other budding housebuilders, then please do not hesitate to get in touch.

Alternatively, if you’re about to embark on your self-build journey and would be keen for us to document your progress, do get in contact.

E

s'r o t iPicks d

Elsewhere in this issue, Howdens offers advice on designing two of the most sought-after spaces for self-builders and home renovators – utility and boot rooms. Turn to page 30 to read the full article. And, Smart Architectural Aluminium – who you may remember from an inspirational Grand Designs programme that featured a crumbling Cumbrian mill project last year – runs through everything you need to consider when choosing windows and doors for your project. Turn to page 22 for expert advice.

Rebecca Rebecca Kemp Editor

@ibuildmagazine

@ibuildmagazine

ibuildmagazine

Download the i-Build app for iPhone, iPad and Android. Search 'i-build'.

See page 16.

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DESIRED DESIGNS

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n this month’s issue of our sister title, FC&A, Interior Designer Garry Cohn talks about the psychology of colour and explains how white shades invoke feelings of cleanliness and freshness within buildings.

Garry went on to explain that, due to the pandemic and our heightened sense of hygiene, these shades are here to stay for the foreseeable. So, you can opt for these colours with faith in their longevity. What’s more, before COVID-19 took over, off-whites and whites had been timeless for years, providing you I BUILDmMARCHm**

YOURS TO BUY

with further confidence to really indulge in this trend. If you’re somewhat valiant with your design choices, neutral shades, such as these, provide perfect base colours to build up a well-coordinated scheme. Pick complementary hues to use in small quantities as accent colours to lift your interiors and add dimension. Specifically for our selected shades, think of pastels like buttermilk yellow, pistachio and powder blue.

The true beauty of this trend lies in its versatility and ability to be easily updated with new colours and accessories.

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VIEWPOINT

J

Viewpoint ohn Ro d g m a n

is the Managing Director at Borehole Solutions, a leading provider of geotechnical drilling solutions across the United Kingdom, with over two decades’ worth of experience. Whatever the site investigation needs, Borehole Solutions will provide the bespoke and tailored service that you require. Borehole Solutions is a proud member of various prestigious industry bodies – the British Drilling Association, CHAS, RISQS and Construction Line, to name but a few.

Do I n e d a WAC o r c o n t a m i n a t i o n t e s t ?

Environmental damage is a topic of growing concern. All around the globe, people have, historically, and continue to, engage in unsustainable activities which have long-lasting impacts for future generations. With landfills becoming crowded with non-degradable materials, the planet shows obvious signs of damage. Without sufficient procedures, this could spell disaster for years to come. This prompts the question of what can be done to reduce its long-term impact?

F

ortunately, successive Governments have realised the importance of the issues of land contamination and waste disposal, and this is now one of the most heavily-legislated industry sectors in the UK. The geotechnical drilling firm, Borehole Solutions, is playing its part.

Land that is impacted by contamination needs contamination testing to ascertain the potential impacts of this land on its surroundings. If the ground is to be remediated, removal to landfill remains one of the main options. WAC testing takes place before waste material enters landfills.

Managing Director of Borehole Solutions, John Rodgman, has explored these two activities in more detail below.

W aQ I a WA C Qe IQ O

A WAC test is a Waste Acceptance Criteria test, to give it its full name. In the UK, waste soils are categorised into three types: Inert waste Non-hazardous waste Hazardous waste.

I BUILDmMARCHm**

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The need for WAC tests originates from the Landfill Directive framework, an EU-based framework outlining a strict set of standards that highlight which materials are allowed to be buried in landfills.

These are necessary processes completed before the disposal of organic materials into a landfill.

These processes determine whether particular materials and substances are suitable for disposal and ensure that any hazardous materials present would have as minimal impact on the environment as possible.

H)k I a WA C Qe IQ c )!B e Qe d O

Due to these restrictions, landfill operators will not allow waste materials to be buried in a landfill without first knowing the long-term impacts of burying that material.

They get the answer by carrying out a WAC test. The process begins with an initial assessment of the volume and standard of waste material that must be removed from a site and sent to a landfill. This involves classifying whether the materials mentioned above are inert, hazardous or non-hazardous through a ‘Waste

VIEWPOINT

Classification Report.’ Whilst this is part of the waste testing process, it is an entirely separate entity. This report cannot be replaced by the WAC test alone, as cutting corners in this way may result in misclassification.

Once the waste is classified, a WAC test can now be carried out. This will consist of two main parts: solids and leachates (liquids). Whilst the solid material itself may not be hazardous, there may be underlying leachates that drain from the material and are, in themselves, hazardous. The report that is compiled upon the process’ completion details the long-term effects the material will have on the landfill and the environment, determining the cause of action that should take place.

W aQ I c )"Qa! "aQ )" Qe IQ "g O

Contamination testing is the process in which soil material that is suspected of being contaminated is sent away for sampling. This procedure is vital to resolving any potential issues that may be lurking before the development of a project. At Borehole Solutions, and a wide range of similar

geotechnical drilling firms, a variety of suitable contamination testing services are available to identify any suspected contamination and advise on what to do following its discovery. These various suites of contamination testing range from heavy metals to PAH (polycyclic aromatic hydrocarbon) and TPH (total petroleum hydrocarbon) testing.

There are several tell-tale signs of contamination that could be present within the soil, such as a strange or unusual odour emanating from the ground, unique colours observed in the earth, barren patches on a lawn (known as die-back or stressing) could all be caused by soil contamination.

Most contamination we encounter results from our industrial heritage, so what is hidden in the soil under our feet is not always organic in nature.

Lead piping, gas works, asbestos, amongst others, were all prevalent in our history.

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The testing of land for contaminants could be necessary for several different reasons. Primarily, if a new

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development plan is intended to take place, those granting planning permission would usually require contamination testing as part of the planning approval process and contaminated land protocols. Other, less common occasions could involve remedying pollution incidents or identifying materials for the purpose of waste disposal.

W aQ c a" a ge )Qe c " c a d E "g f E! )ffe E O

At Borehole Solutions, our team of geo-environmental engineers can undertake a thorough site investigation to identify any potential sources or signs of contamination, providing a range of contamination and WAC testing services. For each sample collected, statistical data and further advice on what to do if traces of contamination are discovered can be provided. These kinds of testing services can highlight the presence of lead, cyanide, asbestos, carcinogens, oils, pesticides and many more contaminants, all of which may prompt the need for further action.

www.boreholesolutions.co.uk I BUILDmMARCHm**

RU R A L RET R EA T

T h e S e lf-B u ild D i aries:

Follow this self-build story on Instagram

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As an Interior Designer, it was always a dream of Caoimhe Connolly’s to build her very own home. Sharing that ambition with her husband, Charlie, the pair were recently able to make their homebuilding goals a reality.

RK: WaQ "IB Ee d q)V Q) e !b aE )" q)VE )k" BE) e c Q EaQ e E Q a" b Vq "g O CC: Building was always the dream for my

husband, Charlie. He is the youngest of eight siblings, six of whom have built on his family’s land. As an Interior Designer, it was always a dream of mine too. Luckily, both of us have been able to make our dreams a reality!

We met while living in New Zealand (we went out separately for a year and came home together after six!). I am from Dublin, and Charlie is from the countryside in County Tyrone, Northern Ireland. We knew when we moved home at the end of 2014 that we would have to weigh up our options when it came to deciding where to settle. We considered Dublin and, as much as I love a city lifestyle, the option of a countryside self-build made much more sense. We had a fabulous site gifted to us by Charlie’s family, with beautiful surrounding countryside and plenty of outdoor space. We would get a lot more value for our money and our budget going the selfbuild route as opposed to trying to get on the property market in Dublin.

RK: WaQ kaI Q e j I )" a"d "IB EaQ )" b e "d q)VE "e k )!e O CC: We both wanted a home that was

spacious, comfortable, liveable and welcoming. Living in the sticks, we wanted the home to complement our surroundings and maximise our views, so lots of windows were essential to allow for this – and plenty of natural light. We chose to build a futureproof home that would allow for flexibility and adapt with us as our family grew, and one that could accommodate friends and family to stay. It was important that they could feel at home and comfortable in our house.

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RK: H)k d d q)V aBBE)ac f "a I "g q)VE d e I g" b E e f O CC: This area of our build is slightly unusual in that planning permission was already granted on plans designed for our site before I met Charlie. So, when we came to begin the build, there were some changes that we wanted to make that hadn’t been considered when the plans were initially drawn. Still, we didn’t want to make any changes that would mean reapplying for planning and result in a massive delay.

Because I am an Interior Designer, I had a clear vision from the outset of how I wanted the interior to look and feel, so that part of the brief was always very clear. Thankfully, Charlie gave me free rein in this area of the build and trusted my judgement on the finishes. In terms of the spatial layout of the house, I did make some changes before we began the build to maximise our space and make sure the things we wanted from the interior areas would be possible. This included reconfiguring the kitchen, living and dining area to be more open-plan spaces. This meant that we could have a large, open kitchen with a big island – this was something we did not want to compromise on. The existing plans would not have allowed for this.

RURAL RETREAT

We also decided to add the apex window in the sunroom before the build began. This area was planned as patio doors originally, but the views from that side of the house are spectacular. It made more sense to maximise this by adding the window onto this gable, and we have never regretted this decision. It completely elevated that room from ordinary to extraordinary! The views from here are breathtaking; we can see as far as County Fermanagh and the Blue Stack Mountains in County Donegal. It also floods the sunroom with natural light, extending into the kitchen area.

We moved the patio doors to the sidewall of the house, which directly leads to our patio and is closer to the kitchen. This is ideal for when we we’re barbecuing or entertaining in the garden.

RK: H)k )"g d d Q Qae Q) ga " B a"" "g Be E! II )" O CC: Approximately 12 months.

RK: We Ee Q e Ee a"q c a e "g "g aIBe c QI Q) Q e BE) e c Q a"d b V d O CC: The biggest challenge was our

mortgage getting pulled when we had the house at roof level! We had started the build and brought it to that point by using our savings. We had mortgage approval in principle from a building society. When we began drawing our first payment, they withdrew our approval because we had a shared access lane to our property (the first half of our lane is shared with Charlie’s parents’ home).

Fortunately, we secured our mortgage with a different bank after a short delay. It could have been a lot worse.

RK: D d q)V BE) e c Q !a"age Q e b V d q)VEIe f O CC: Yes, we did. Self-building is a

considerable undertaking, but there is a vast amount of money to be saved by going down this route. We were fortunate to have the help and guidance of Charlie’s father, brother and brother-in-law, all of whom have experience in the construction industry.

They had all been closely involved in the other self-builds that Charlie’s siblings had undertaken. We were both working full time when we started the build and planning our wedding, and I was also studying on a postgraduate course part time, so it was very full on!

So, we were hugely grateful to have their support and guidance.

RK: H)k d d q)V aBBE)ac !aQe E a a"d BE)d Vc Q IBe c f c aQ )" O CC: Our builder guided us when it

came to the blocks and other building materials. We selected a high-spec

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RURAL RETREAT

slate for our roof for longevity. We also ensured the house’s insulation was high spec to guarantee that the house was as energy efficient as possible.

We really see the effects of this now as the house holds heat very well.

The stonework was very important to us. We wanted it to complement the surrounding countryside. The double porch and two sides of the sunroom are finished in a local Donegal sandstone that we selected so that it was close to the stone on the land.

RK: D d q)V "IQa a"q Ee "e kab e IqIQe !I O CC: Our heat source is a Panasonic

air-to-water heat pump. We find this extremely cost effective to run. We have underfloor heating throughout the house.

RK: H)k )"g d d Q e BE) e c Q Qa e O CC: We broke ground in September

2016 and moved in on 22nd December 2017. So, a 15-month build, which we are very proud of. We worked hard to ensure we were always organised and three or four steps ahead of the build in terms of ordering materials and lining up contractors and tradespeople. This provided the smooth running of the process and no big delays.

RK: D d q)V Ee !a " k Q " Q e )E g "a b Vd ge Q O CC: We did remain close to

our original budget. The highest unforeseen costs were a large payment at the start of the build to get connected to the electricity – we hadn’t expected this payment to be as big as it was. We also had to replace the septic tank at the end of the build so that building control would sign the house off – the tank that had been fitted was not what had been specified on our plans, and this had been missed by the builder. It was a bit of a headache, but we had to replace it to get the house signed off by building control to draw down our final mortgage payment.

RK: P e a Ie BE)j d e a" )je Ej e k )f Q e "Qe E )E a"d e pQe E )E f " I e d IBac e M CC: We completed the interior to

about 90% within a month or two of moving in, which is not always the case with self-builds. We moved in with one shower and one toilet working in separate bathrooms, no kitchen, just the utility room, a fridge and a George Foreman grill, two deck chairs and a spare room bed! But within two months, we had everything completed to a liveable standard – the kitchen, bathrooms, I BUILDmMARCHm**

living room and guest bedrooms. We made a massive push for this as it was essential for us to have friends and family to stay after so long of not being able to. The only room we left unfinished was the second living room. We didn’t need this space at the time, and it has since become the playroom for the foreseeable. We are so grateful to have this area now for our boys, so I would say to anyone self-building to only push to complete spaces you need and know you will use at that time. Close the door on anything surplus to requirements until you find a use for it.

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RURAL RETREAT

It was so important that it reflected how we are and our personalities. I believe this is a hugely important piece of advice to anyone renovating or selfbuilding – whether you are designing the interiors yourself or hiring a professional – make sure always to stay true to yourselves and how you want your home to be. It’s something I always say to people I offer advice to.

RK: II Q e f "a BE)Be EQq e je EqQ "g Q aQ q)V )Be d Q k)V d b e O CC: Yes, it is. There’s very little about

the structure or layout of the house that we would change – and that’s the bones of a successful design.

RK: W aQ I q)VE faj)VE Qe Q "g ab )VQ q)VE "e k )!e O CC: I love our stonework and how you

can see it from the road (our site is set quite a bit off the roadside, so it’s a nice distinguishing feature). The apex window is also an identifiable element as it faces the road. I couldn’t imagine our house without this now. Changing it was the best decision we made.

RK: W)V d q)V d ) Q e k ) e Q "g aga " O CC: I would! I don’t think I’d build to

move house, as this is very much our forever home, but I would love to build or flip houses for resale.

RK: W aQ ad j c e k)V d q)V )ffe E Q) a"q)"e )) "g Q) Ie f b V d O CC: Save, save, save! Be patient.

As an Interior Designer, I had a very clear vision from the outset of how I wanted our interiors to feel, and I think we have achieved that. The spaces flow seamlessly together and complement each other. Overall, it’s a modern interior that’s spacious yet warm, comfortable and inviting. A mix of textures and patterns helped to accomplish this. My personal style and taste is very simple and understated.

When people hear the title ‘Interior Designer’, I sometimes think they expect extravagance. This was not the brief for our own home – it’s just not our style and wouldn’t suit our lifestyle.

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Don’t compromise on things that will add value to your home – i.e. your kitchen, bathrooms, tiles, heating system etc. Be organised and stay well ahead of the build to avoid delays as much as possible. If possible, avoid a shared access lane.

Be mindful of your interior layout, think about how you will use each space day to day and make sure it is efficient as possible. Seek the advice of an interior/spatial designer early to move walls/windows/doors before you begin to build so that they don’t inhibit your dream kitchen, for example, or prevent you from using the space as you imagine. Make photocopies of your interior spaces, take a pen and draw the traffic routes you’ll walk every day within your home – make sure nothing is obstructing a free flow of people traffic. This is a straightforward but effective exercise.

Also, utilise Instagram and Pinterest etc.; they are huge sources of information and inspiration. But know your saturation point. It can become overwhelming. Keep your vision, your space, your budget in mind. Be realistic and when you find a style you like, stick with it and stop looking.

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LIGHTING & ELECTRICALS CONTRACTS & LEGALITIES

ÆS A S FI HOP E R OS S

Wh a t o c o n s i d er b e fo re a p o i n t i n g a n a r c h i t e c t fo r y u r p o j e c t eVr i t y Lo v e l o c k

is an Architect at BBD Architects

In this article, Verity Lovelock of BBD Architects, a renowned Hampshire practice that specialises in bespoke residential design, reveals the five key questions to ask when appointing an architect.

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he task of choosing an architect to design your new home can seem daunting, to say the least, but with a few key questions up your sleeve, interviewing architects will be a breeze.

1 M Ma e IVEe q)V aEe c )!BaE "g e f)E e

Did you know that architects in the UK have a protection of title but not of function? As a result, there are many people who provide ‘architectural services’ and are not fully-qualified architects. I would say that this is one of the most important areas to research.

If you are comparing a technician, who may be a sole practitioner, with a practice of registered architects, you are going to notice a huge disparity in price. A trained professional follows a strict code of conduct to give the best possible service to their client. A great place to find a registered architect in your area is the Architects Registration Board (ARB).

2 M Q Ve IQ )"I aEe Q e a"Ike EI

Be sure to ask them what value they can bring to your project. Will they provide options for you to discuss I BUILDmMARCHm**

when exploring design? Will you have a clear understanding of whether the design is meeting your budget? And how much involvement will you need?

Will your architect be liaising with the planning department, building control and other consultants on your behalf? What are their lead times like? And what does a typical project programme look like in terms of time and service? Lastly, it’s crucial to establish whether your architect provides services from design to completion. You may see this written as numbers when you are doing your research. Stages 0 to 3 take you from design to planning. Stages 4 to 7 take you from Building Regulations and working drawings through to completion and use.

past. Your architect should be happy to provide references upon request.

Some architects do have a distinct style, and others will vary their style according to their client’s brief. This is an important question to ask during your interviews. If the architect specialises in contemporary architecture, and you are looking for a traditionally-detailed build, they may not be the right choice for you.

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5 M Haje fV" e

It is vital to engage an architect who can fulfil your needs as a client. Take your time to look at their past work.

Browsing the projects page on their website is always an excellent way to do this. Ask them directly what experience they have and if they have worked on projects like yours in the

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A building project can take years from start to finish. It is important for both you and your architect to be able to listen to and respect each other. This makes for a great working relationship and will undoubtedly produce the best outcomes for you and your project.

It may seem like stepping into the unknown but remember, your architect is a trained professional, there to advise you and bring to the table all the ways in which your new project can come to life.

Engage with the process, be present and enjoy the journey!

www.bbd-architects.co.uk

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ÆMA R T IN GA R DNER

ÆS A S FI HOP E R OS S

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IMPRESSIVE INNOVATION

A LL IMAGESb ÆEDMU ND S U MNER

A Mid-Century Modern masterpiece Emma and Neil Jenkins, who work in contemporary design and wellbeing solutions respectively, commissioned John Wilson of Foundation Architects to create a family home full of environmentally-friendly features.

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he couple, who have two children, bought a run-down bungalow dating back to the 1970s, which they lived in for 18 months while they prepared to build their dream home on the plot, in a small village near Guildford in Surrey.

The site is in a conservation area in the green belt. It has Grade II Listed buildings for neighbours, so planning was complex, especially as the Jenkins wanted to build a different design than the dwelling the council had approved with the original permission. They worked closely with the architect on an alternative design that met all the couple’s needs, as well as the council’s stipulations.

One of the buildings nearby is a converted set of barns, meaning the precedent for this type of I BUILDmMARCHm**

development was already set.

Foundation Architects designed a T-shaped building with Western red cedar cladding on one element and Neolife on the other section. This ecofriendly composite cladding, made from 80% wood fibre, is just one of several sustainable design features Emma and Neil chose to incorporate into their home.

Here, i-Build’s Editor, Rebecca Kemp, talks to Emma about her and Neil’s beautifully-designed four-storey home.

RK:WaQ "IBEedq)VQ) e!baE)"q)VE)k" BE)ecQO EJ: We both wanted to build our forever home. We’d been looking for our next move for over a year after getting fed up with the busy road we used to back

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on to. But everything we saw in our budget had something we didn’t like.

You had to spend a crazy amount of money to buy the house and then still end up putting in a new kitchen and/or bathrooms or redesigning parts of it. So, we concluded that we should design and build from scratch.

RK: WaQkaIQejI)" a"d "IBEaQ)" be "dq)VE"ek)!eO EJ: We wanted it to be flooded with

light, to be both modern and timeless and to have easy access to the garden. We didn’t need it to be big, but we wanted it to feel spacious and use the space in the right areas. And I wanted it to be warm! Having mostly lived in period properties, I was fed up with constantly feeling cold.

I M P R ES S I V E I N O V A T I O N

RK: H)kq)V d aBBE)ac "aI"gq)VEdeIg"bEef O EJ: Our architect produced two

completely different designs based on our brief. Neil loved one with vast expanses of glass and a large flat roof, whereas I liked the other design that resembled two barn-shaped buildings joined together by a glass atrium. We didn’t really like each other’s designs at all. So, we worked with the architect to bring the favourite aspects of both designs together to create an entirely new design that we both loved. We also asked him to change the chimney block into a curve which we feel is a standout feature of the final design.

RK: D d q)VE BE) e c Q "e e d Q) c aQe E f)E a"q IBe c a Ee HV Ee !e "QI O EJ: We wanted to be able to both

work from home comfortably – which turned out to be more necessary than ever with the ongoing 2021 lockdowns.

We also wanted to see the river from our bedroom window (you can – just about!). Furthermore, we wanted a healthy home that would help improve eczema and hayfever, which we have in the family. And finally, we wanted to create a blank canvas for our MidCentury furniture collection from our retail business, Couch Potato Company.

RK: H)k )"g d d Q Qae Q) ga " B a"" "g Be E! II )" O EJ: We lived in the bungalow for 18

months whilst we found the right architect and building contractor and gained planning permission.

We bought the place with planning permission to demolish and replace it with a new build. But we didn’t like the building that had been designed; hence we had to go back to the drawing board and back for a new complete planning application. The whole planning process took about 10 months. The planning constraints meant that we couldn’t build a large, full-height house with a loft, even though the plot is big enough to take this. So, our bedrooms go up to roof level, and we don’t have an attic. But we designed ample storage cupboards, which means everything is easily accessible. I don’t miss the loft at all – you have to be quite ruthless about what you keep, which is good as I’m a bit of a hoarder!

RK: We Ee Q e Ee a"q c a e "g "g aIBe c QI Q) Q e BE) e c Q a"d b V d O EJ: Initially, the challenge was to

create a design that the planners would accept. Previously, it took nearly two years to get the original planning permission. We live in a conservation area, and several Grade II Listed buildings are nearby. But we didn’t want to imitate anything old or create ‘mock’.

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IMPRESSIVE INNOVATION

Once we started building, the main challenge was the global pandemic forcing shortages of materials and lockdowns, causing the site to close for a while.

RK: D d q)V "IQa a"q Ee "e kab e IqIQe !I O EJ: Yes, we installed a mechanical

ventilation with heat recovery (MVHR) system and an air source heat pump (ASHP). We also included several items for health and wellbeing from our Welltek business, including air purifiers, smart green walls, a soundproof phone booth and a relaxation pod.

RK: H)k )"g d d Q e BE) e c Q Qae O EJ: It took 14 months, which was

about five months longer than the builder had predicted, primarily due to COVID delays and lockdowns. It’s a timber frame build hence the shorter expected timeframe.

RK: D d q)V Ee !a " k Q " Q e )E g "a b Vd ge Q O EJ: We overspent the original

budget by about 25%. Partly due to higher material costs because of coronavirus, we also decided to spend more in certain areas (flooring, bathrooms and kitchen), and we hadn’t budgeted for external hard standing/tiling as carefully as the inside of the house.

RK: P e aIe BE)j d e a" )je Ej e k )f Q e f " I e d IBac e M EJ: The design is made up of two

buildings in a T-shape. We clad the top of the T-shape in Western red cedar, applied horizontally.

The bottom of the T is covered in a product called Neolife, a composite cladding we’d seen at a design show.

We like its modern, clean lines with a shadow gap and its eco-credentials as it’s made mostly from timber waste. We chose to use it vertically.

In black, it feels like a modern take on traditional black wooden cladding on some barns. We like the contrast between the two types of cladding. We chose to apply a UV filter to the cedar cladding to prevent it weathering as we feel this works well as a contrast to the black cladding and stops the whole building from being grey and black. The roof is zinc in dark grey.

I was conscious of not going too modern with the interior as I didn’t want it to date. I wanted to have a modern yet timeless scheme that would last the distance. I chose a consistent colour palette of white, oak/cedar and black throughout most of the house. This, combined with the wide expanse of glass and its spacious feel, is an excellent backdrop I BUILDmMARCHm**

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IMPRESSIVE INNOVATION

for our Mid-Century furniture, which we have collected over the years.

We chose to have some fun with the smaller rooms. For example, the snug and the downstairs loo have feature wallpapers that we imported from the US. The main living area is a 13m-long, open-plan space featuring two double-height regions at both ends that house the kitchen and lounge.

There is a lower section in the middle for dining. We clad the ceiling and back wall of the dining area with thin strips of cedarwood to help zone the space and make it more intimate.

RK: WaQ I q)VE faj)VE Qe Q "g ab )VQ q)VE "e k )!e O EJ: In general, it’s the feeling of space

and light, e.g. shapes cast from the round windows at different times of the day. We love the turret; it really adds interest to the house. Internally, it would have to be the ribbon of cedar cladding on the wall and ceiling in the dining area of the main room.

RK: WaQ kaI q)VE j I )" f)E Q e e pQe E )E m a"d Ic aB "g O EJ: We want to keep an ample,

open space to look out on and for the boys to kick a ball and be active outside.

Nearer the house, we have installed Millboard composite decking. This will be the base for a chillout area and for entertaining.

RK: WaQ ad j c e k)V d q)V )ffe E Q) a"q)"e )) "g Q) Ie f b V d O EJ: Do lots of research. Speak to

several different architects and builders. Before committing to either, ask to see their work and speak to their previous clients. As well as liking their designs, you need to understand how they approach their work and if you think you can get on with them. Online tools, like Instagram and Pinterest, are great sources of inspiration for design, suppliers, materials and finishes.

www.couchpotatocompany.com www.welltek.co

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:

A Neuron Activation POD (NAP) A Framery Silent phone booth A Naava Green wall An Air0 purifier Furniture, rugs and lighting from www.couchpotatocompany.com Wellbeing furniture from www.welltek.co

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LIGHTING DOORS & & WINDOWS ELECTRICALS

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When choosing the right windows and doors for your building project and comparing systems from different suppliers, there are some key things that need to be considered, says Smart Architectural Aluminium.

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hether it’s for a new-build project, an extension or a full or partial refurbishment, you’ll need to think carefully about the right style of windows and doors to suit your home, with a wide range of material, opening, performance and security options to consider. And then, once you’ve decided which systems are suitable for your home, you can go on to select the colours, glass and accessories that combine to make the overall system.

It’s worth remembering that up to a third of the building facade is made up of the doors and windows in a typical home, so it’s important from both an aesthetic and an energy performance perspective to make sure you make the right decisions.

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In terms of material, timber is the most traditional option. While it is an excellent natural insulator and provides good levels of security, it can be expensive to both buy and maintain and requires regular upkeep and repainting. Over the last 25 years, uPVC I BUILDmMARCHm**

©MARLINWINDOWS

took over from timber and became the common choice for most developers.

Its low maintenance is a key feature (although the colours of uPVC will fade and deteriorate over time), but the frames are bulkier than other materials and are not the strongest or most secure material.

More recently, composite door systems have become an option, offering a range of styles, low maintenance and good levels of security. These systems, though, can be prone to scratches, general wear and tear and swelling in hot weather, which can make them difficult to open and close.

Increasingly, aluminium is being selected for both large-scale developments and individual projects. With elegant, slim frames and a vast range of styles to suit all types of homes, aluminium combines lightweight with high strength to provide outstanding levels of security and excellent thermal performance. Virtually maintenance free, its colours won’t fade over time even in the harshest coastal environments and so gives a long-life, high-quality performance.

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When considering which window type to opt for, there are many styles to choose from. The oldest and most common form of openings are casement windows, which are attached to their frames by one or more hinges. Depending on the position of the hinge, the opening can be side-hung or top-hung. These windows are durable, easy to operate and offer a wide range of styles to suit virtually any property.

Sash, or vertical sliding windows, consist of one or more movable sashes that open on a sliding mechanism and are a popular option in Georgian- and Victorian-style properties. They combine a flush opening with easy operation and excellent natural ventilation.

Pivot windows enable the window to entirely revolve when open and are hung on one hinge on two opposite frames (either the top and bottom frames or the two sides). They allow a wide, versatile opening and easy maintenance access.

Tilt and turn windows offer even more opening options. They can be opened inwards either by tilting the window vertically (to provide a secure ventilation opening) or by turning the whole window inwards from hinges on a side frame to offer a complete opening, and easy access for cleaning.

Each system’s individual characteristics will help you identify the practicality you want from a window, but the style and appearance are equally as important. For example, Smart’s Alitherm range provides

DOORS & WINDOWS

©GRAND ESIGNS

©MARLINWINDOWS

high-quality designs for different window types, with styles to suit heritage, cottage and more traditional properties, right through to modern contemporary styling.

Once you’ve chosen your system and decided on the frame colour (for both the interior and exterior of the system), it’s essential to see a sample to make sure the tone and shade are precisely what you want. The choice of colours and finishes is enormous. Smart, for instance, has an extensive colour palette to choose from, including options from the company’s bespoke colour collections as well as any colour from the RAL range; so while it’s almost certain you will be able to find the colour you want, it might be worth checking several samples to make absolutely sure.

A wide range of glass options is also available for your window and door system, with double and triple glazing, self-cleaning, gas-filled, anti-glare, coated, decorative and energyefficient units just some of the options.

Your supplier will talk you through the characteristics of each of these and help with any questions.

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As with windows, there are many options for selecting your external doors. There is a wide range of styles and options available for entrance doors – for example, Smart’s Designer Door range features classic design styles to the ultra-chic. You can also decide whether to have open-in or open-out doors and single, double and French doors. All systems are

available with an extensive selection of colour, glazing and hardware options to provide the perfect finishing touches and virtually limitless design possibilities. Smart also provides door ranges to complement its window ranges, ensuring that you can maintain a consistent design and style across the property.

As well as entrance doors, there is a wide range of sliding and slide-folding doors to consider, which will open your home to the outdoors, effectively opening up an entire wall to create a relaxed feeling of light and space.

Accessories help provide those vital finishing touches for your new door system. From handles to hinges, the style and colour of the accessories you select will have a significant effect on the final aesthetic look of your door. Whether you want a modern, contemporary feel or prefer a more traditional look, there is a wide range of style and colour options to choose from. Your choice of hardware is an important one as it will have a significant effect on the overall look of your new door.

W aQ e Ie d ) q)V "e e d Q) c )"I d e E O Security

Most windows and doors will be certified to PAS 24. This means an accredited certification body has monitored the manufacturing. It’s worth noting that this is a minimum standard – it doesn’t include higher or lower grades for security.

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Weather

As part of a building’s ‘envelope’, windows and doors contribute to its overall weather performance, including water and wind resistance and airtightness.

Manufacturers test their window and door systems to make sure they meet the required performance standards.

Thermal performance

The U-value depends on several factors, including your system and glazing choice, the direction the window or door faces and the prevailing weather conditions.

When comparing systems, U-values will give you a good guide as they are simply a standard measure of how good a material is at insulating and retaining heat within a room. The lower the U-value, the better insulator it is.

www.smartsystems.co.uk I BUILDmMARCHm**

SL TI AG IH RT SI ,N G B A& L U S T E R L A E D CTRICALS ES & BALCONIES

Here, IQ Glass runs you through 10 elements that you should consider when specifying glass balustrades for a home-building project. Splitting its advice into five internal and five external tips, there’s bound to be invaluable knowledge in this article for every self-builder and home renovator.

Five tips for internal glass balustrades C )"I d e E a d e c )EaQ je g ay "g )BQ )"I

always to consult a professional to ensure the balustrade complies with all Building Regulations.

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Internal glass balustrades, like most internal glazing solutions, are a popular choice as they allow the flow of natural light to reach all areas of the home without obstruction. There’s a range of decorative glazing options that still allow light to flow through and can be utilised to create a design feature within the home, including (but not limited to) sandblasted glass and coloured interlayers. Think about the interior design of the house and which glazing solutions will enhance the overall design.

All glass balustrades should be made of at least two pieces of toughened and laminated glass. This type of safety glass ensures that, in the event of breakage (for example, someone falling into it), it can provide a protective barrier that will shatter without large, jagged pieces and be held together by the interlayer. This is essential for safety and if a company is trying to sell you single-glazed balustrades or those that use float glass, then be very wary!

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Internal glass balustrades are seen, used and touched almost every day in most homes, and as such, some people have concerns about keeping the glass clean and smear free. Glass is an extremely low-maintenance material and is easy to clean. One way to reduce cleaning time and frequency even further is to specify the

As with almost any aspect of building, there are regulations for glass balustrades that must be followed. For internal glass balustrades, this includes a height regulation of 900mm. There are also line loads, concentrated loads and UDL to consider. It is essential I BUILDmMARCHm**

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balustrade with a low-maintenance coating, which essentially creates an extremely smooth surface that dirt and debris find challenging to stick to.

This coating can be used to reduce cleaning time for both internal and external balustrades, which can be especially handy if they’re in hard-toreach places.

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There are many companies that sell pre-made, off-the-shelf glass balustrade systems. However, as with any type of glazing, going for bespoke systems is always best as this ensures that the system will meet any requirements, whether they’re design or performance based. People may think that glass balustrades won’t affect the interior design of their home, but they couldn’t be more wrong. With any project, each element should have careful consideration, including balustrades. Researching your options and carefully planning exactly what you want guarantees that the system will work with, and enhance, the surrounding space.

STAIRS, BALUSTRADES & BALCONIES

Five tips for specifying external glass balustrades W c f p "g )BQ )" I b e IQ O

When the balustrade is being used around an external balcony or roof terrace and will be fixed to the floor, the three most common fixing options are an over-slab fixing, a slab edge fixing and an offset over-slab fixing. Which of these is best depends on how you want it to look and also the placement and surrounding building structure. If the balustrade is being used in a modern Juliet balcony design, then pig-nose joints are often preferred as they are extremely stable and durable but also have the benefit of a minimal finish.

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Frameless glass balustrades look fantastic and don’t detract from the external design of the home, offering a completely clear view through and acting as a near-invisible protective barrier. However, frameless balustrades have the disadvantage of leaving the interlayer exposed around the edge, which can leave it vulnerable to water damage, hence most companies advising on a capping for external glass balconies.

Some companies, however, now offer a glass capping that protects the interlayer and results in a more durable system that still maintains a clear and minimal design.

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As mentioned for internal glass balustrades, there are also Building Regulations for external glass balustrades, and all of these are detailed in Building Regulations Part K. For external glass balustrades, the height must be 1100mm and, depending on which building occupancy class the building comes under, there are certain wind and concentrated loads that the system must meet.

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Frameless glass balustrades are an excellent choice for uninterrupted views and maximising light flow, but if they’re used for a bedroom balcony, some may be concerned about privacy. Here, sandblasted glass, also known as frosted glass, can be specified to allow the system to provide a safety barrier and level of privacy without having to compromise on the flow of natural light into the bedroom space.

Alternatively, translucent or opaque decorative interlayers can be used for this same purpose.

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Choosing the right glass specification is essential for any glass balustrade, whether it’s internal, external, frameless or capped.

Toughened and laminated glass should always be used, and for an ultra-clear, invisible balustrade system, low-iron glass can be specified. It always helps to know what to ask for, even when speaking to a professional, as you want to avoid any glaziers who recommend balustrades that are not up to spec.

www.iqglassuk.com

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LIGHTING PAINTS & COATINGS & ELECTRICALS

Over time, moisture, such as steam, vapour or water droplets, can begin to build up in our buildings. In this article, James Ayres, CoFounder and Operations Director at Lime Green Products, explains the importance of considering moisture build-up and explores the measures you can take to help your building dry out.

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Moisture can accumulate in our homes, workplaces or properties in various ways. The presence of moisture within a building is inevitable, with two active people in a home estimated to produce over 13 litres of moisture per day 1 through breathing, boiling a kettle, showering and drying clothes, for example. This is in addition to the additional moisture entering the building fabric in solid wall properties from driving rain and building defects.

What’s essential is that the moisture that enters the building fabric has a way to escape through vapour-permeable or breathable materials. If moisture accumulated in a property doesn’t have sufficient means to escape, it can cause damp, mould or condensation, leading to property damage and impacting occupant health. This is even more significant when properties are made airtight, using insulation to minimise air leakage and wasted energy without considering moisture and how it can escape.

This moisture build-up can be exacerbated by other factors, such as poor maintenance leading to leaking gutters or faulty plumbing, for example.

In these situations, understanding how to repair the issue, prevent repeat moisture build-up and dry out the building is critical.

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Moisture build-up can cause different aesthetics of your property to deteriorate, affecting carpets and furniture, creating spots on floors and wall and even causing the removal of plaster. However, these aesthetic issues only scratch the surface of potential issues.

Dampness caused by excess moisture can cause wood to rot.

The moist environment created by dampness is particularly prone to wet or dry rot, which, if left untreated, can eat through your timbers, weakening the structural integrity of your building. Dry rot is also often excluded by insurers on building policies, so understanding how to prevent it from occurring is key to saving costs further down the line.

Moisture balance is also crucial for occupant health. Mould has the potential to occur above 80% humidity, and once established, this can cause adverse health effects. The NHS states2 that damp and mould in properties can cause allergic reactions and trigger asthma attacks. For babies, children, the elderly and those with respiratory ailments, living in an environment where you’re exposed to mould spores can be even more dangerous.

However, it’s not just our physical health that can be affected by living in these moist environments. A study from

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Brown University3 found a strong link between damp homes and depression in Europe. It reports a direct correlation between healthy homes and healthy lives, highlighting the importance of building a property that can achieve the correct moisture balance.

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The first step to controlling moisture in your building is looking at how to reduce it, for example: Repairing leaking gutters or burst pipes to cut off the source of excess moisture Ensuring effective ventilation Drying clothes outdoors where possible.

However, considering moisture in the construction phase of a building is crucial, ensuring the building is healthy from the outset and able to stand the test of time.

That’s all about breathability.

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To encourage breathability, older buildings, without cavity walls and damp-proof courses, should use breathable materials. Some popular products, such as gypsum plaster, hang onto the water, making it difficult for moisture to pass through.

Until relatively recently, impenetrable vapour barriers were thought to control condensation

PAINTS & COATINGS

in properties. However, it’s now recognised that retrofitting them onto old, solid walls can cause further problems, as much of the moisture in walls comes from driving rain and leaks. The resulting moisture can be driven inwards against the vapour barrier in sunny weather, causing build-up and, eventually, rot in joist ends and lintels.

British Standard BS 5250:2021 4 for the Management of Moisture in Buildings has recognised these risks and now bans the use of dew point calculations for solid wall properties and suggests breathability is required on both sides of the wall. This provides a new regulatory approach to moisture, based on how solid wall buildings were intended to work, that considers problems as one interactive issue rather than individual problems within a building.

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Research from Lime Green, in association with the Society for the Protection of Ancient Building (SPAB) and Archimetrics, provides real-world data 5 across a six-year period to understand how moisture behaves within insulated walls with an internal coating of breathable plaster. This is based on hydraulic lime and recycled aggregates to promote breathability whilst supporting insulation.

Sensors within the breathable walls were monitored, logging data every five minutes for over six years. Findings uncovered that the wall was able to get steadily drier, and no condensation occurred. Breathability allowed vapour from inside the wall to escape, preventing moisture build-up.

The study shows how lime promotes drying out in buildings, as it deals with water differently from other plasters. Its pore structure specifically allows moisture to pass through harmlessly. Additionally, if water does build up, for example, due to a leak or during periods of high rainfall, lime can buffer and store the higher moisture levels until better drying conditions occur without being affected. The highalkaline properties of lime also mean it’s antibacterial, allowing your building to dry out naturally with less chance of mould or rot.

Due to its porous properties, lime allows water to pass through, releasing water rather than trapping it to prevent moisture build-up, ensuring your building remains healthy and stands the test of time.

www.lime-green.co.uk

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1

https://www.solihullcommunityhousing.org.uk/

images/stories/fleximedia/condensation-leaflet.pdf 2

https://www.nhs.uk/common-health-questions/

lifestyle/can-damp-and-mould-affect-my-health/ 3

https://www.sciencedaily.com/

releases/2007/08/070829162815.htm 4

https://www.bsigroup.com/en-GB/blog/Built-

Environment-Blog/bs-5250-2021-management-ofmoisture-in-buildings--code-of-practice/ 5

https://www.lime-green.co.uk/knowledgebase/

the_importance_of_breathability

All sources included in the above text were

accurate as last accessed on 10th January 2022.

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LIGHTING & ELECTRICALS

Lighting t heway : how to best illuminate your home Lighting plays a massive part in the home.

Not just functionally but also aesthetically and biologically. Ensuring your property is well lit is a vital part of interior design that affects the look of a space, your mood and even the appearance of room size.

Cradle 5 light bar pendant in matt with opal glass

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ounded in 1971, där lighting is one of the UK’s best-known designers and distributors of lighting. Here, Peter Legg, Lead Designer at där lighting, shares his best-practice tips for internal lighting schemes and explains how you can introduce some of the latest trends.

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Ultimately, lighting schemes should always be built up in ‘layers’, with a combination of ceiling, wall, floor-level and ambient lighting (table lamps).

The key to producing the right balance is to layer your lighting correctly to provide a mixture of task, ambient and accent points, which are crucial in creating a calming living space.

In living rooms, you should try to create as many sources of warm light as possible. Place lights at different levels to ensure the room is illuminated vertically and horizontally. Table and floor lamps are ideal for any shady corners, and wall lights can help frame the main area or highlight the edges of the space when placed at either end.

Flush and semi-flush lights are designed for limited heights and are often the go-to for low-level living room ceilings, but they aren’t the only option.

Pendant lights and chandeliers shouldn’t be ruled out, but it’s vital to get the measurements right. If opting for either I BUILDmMARCHm**

of these, draw out the diameter of the design with a piece of paper and attach it to some string so that you can mimic the drop and get a better idea of what your chosen light will look like in situ.

Minimalistic designs will be unobtrusive and create the illusion of more space. If the room is dark or north-facing, choose an armed pendant or one made from glass to help light bounce across the area. Team this combination with a mirror placed by natural light, and you’ll achieve a soft glow from morning to night.

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In the kitchen, it’s best to give a good amount of light. Opt for LED lamps that provide a sharp light for food preparation. Complement this with a low hanging bar pendant over a breakfast counter or dining area that you can fit to a dimmer to produce mood lighting for entertaining in open-plan kitchens.

Odd numbers create a balanced look over an island which is why you’ll often see bar pendants coming in three- and five-bulb designs. Another way to even out the appearance is to choose a pair of oversized pendants that stretch across the space. Chandeliers and draped cluster designs will create a visual curtain and add a lavish touch.

Alternatively, try an understated finish with clear or caged arrangements.

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Bar pendants have become a staple in most kitchens, but this year we’ll see more playful designs come to the forefront. Moving away from the traditional downward-facing arrangements, the trend is evolving, with bulbs being placed on the top of the bar rather than underneath, or even in alternating directions, creating a dynamic yet warm effect that’s sure to be a talking point.

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The rise of the staycation has meant more of us are looking to add a sense of luxury and finesse to our bedrooms.

Nothing says boutique feel more than crystal designs and velvet pendants, so these will be making more of an appearance throughout 2022 as we seek to create a sanctuary from the busy everyday.

Bedrooms are the perfect place to introduce a little luxury. These rooms aren’t as bound by practicality and ceiling height as hallways or living rooms, where there’s often a lot of movement, so chandeliers or low-hanging pendants over bedsides are indulgent touches that you can add with confidence.

Choose designs with textured elements and combine them with an upholstered headboard and quilted throw for a sumptuous scheme.

LIGHTING & ELECTRICALS

Kinsley easy-fit metal shade shown in olive, cream and umber

Alrik 1 Light Flush (IP44) and Alrik 1 Light Wall (IP44)

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A bathroom is split into zones where ingress protection (IP)-rated lighting must be used. Zone 0 is inside the bath, sink or shower. It’s very rare to have a light here due to the technicalities of getting a cable there without causing a leak. Most bathroom lighting is suitable for Zone 1, which is the area in the immediate vicinity of the bath, shower or sink; 60cm around the sink, 60cm on either side of the bath or shower and 2.25m above the bath. If there is a danger of direct spray from a showerhead, we recommend using a light that meets IP65 standards.

Generally speaking, we suggest IP44 for lighting in the bathroom.

Warm brass tones and statement blacks will add colour, depth and interest, especially when paired with authentic zellige handmade tiles. Used in small areas, black can sometimes be overpowering. Combinations contrasting the tint with ribbed and opal glass shades are rising in prominence as they introduce softness, creating a harmonious blend. This softer light is ideal for encouraging a relaxed, spa-inspired feel in the bathroom. For those keen to embrace a more industrial luxe style in the bathroom, there’s nothing to stop you from using outdoor lighting.

Myka 6 light pendant in brushed bronze

“Draw out the diameter of the design with a piece of paper and attach it to some string so that you can mimic the drop and get a better idea of what your chosen light will look like in situ” Try not to rely on a single light source. Adding wall lights will help the space feel brighter and larger.

Positioning is vital; placing wall lights on either side of a mirror will cast light back into the room and give it a more spacious feeling. Those designing a particularly compact space, such

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as a cloakroom, could consider an illuminated mirror as an alternative.

You can discover the full range of collections from där lighting via the below website, where you’ll also be able to find your nearest local retailer.

www.darlighting.co.uk I BUILDmMARCHm**

I-NTERIOR HOWDENS

mo r t b dna ytil U emoh ru y ro f saedi Ask any homeowner to name their wish list of must-have rooms and features in their dream home, and the vast majority will feature a utility room. For such a humble room, why does it remain eternally popular? Tori Summers, Director of Design, Product & Innovation at Howdens, investigates.

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he utility room is an important space and can easily be considered the engine room of any home that is lucky enough to have one. A space where practical household tasks happen, and an area for storing day-to-day items like small appliances – design your utility room well, and it can be a game changer.

Another room that is fast gaining popularity is the boot room. Slightly different to a utility room, but both are now much-coveted spaces, especially after the last two years of spending more time in our homes.

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People can often confuse the two and think they are the same thing but by a different name.

This isn’t the case; both have distinct functions that, if space allows, are kept separate. A boot room (or mudroom) is precisely what it says on the tin. Think of it as an airlock space that keeps the outside and the rest of your home separate I B U I L D m A MU GA R C m Hm * (* *

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and is a space where boots, coats and muddy paws are hosted. A utility room is usually free of all this and instead is a space where laundry takes place, along with the storage of household items, such as the vacuum and ironing board.

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When it comes to essential features of either room, storage is easily up there. It is necessary to have a range of different options and styles, so there is always a place for essential items.

Choose a blend of open shelving with big baskets, paired with wall-hung and belowcounter cupboards that you can use to store lesser-used kitchen equipment and cleaning products. Tall cabinets are important for longer items, including mops, brooms and ironing boards. Boot rooms need plenty of wall hooks for coats and shoe storage, including a muddy boot rack and seating to make putting on shoes easier.

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A clever trick to maximise space is to stack your washing machine and tumbler dryer in a tall cabinet unit. This frees up low-level storage or uses what can often be dead space if your utility room is small. If you are going to take advantage of this option, be sure to put your washing machine on the bottom as it is heavier and contains a concrete block to prevent movement when running a spin cycle.

If you have a tall enough ceiling, a Sheila Maid is a great tool that is useful for drying clothes without a clothes rack getting in the way and taking up valuable floor space.

I-NTERIOR - U T I L I T Y & B O T RO O M S HOWDENS

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An approach many homeowners take to designing both rooms is to mirror the design of their kitchen. Choosing the same flooring, cabinetry and work surfaces make either room feel like a natural extension of the existing space. However, if you want to have some fun, these rooms make great spaces in which to experiment with colour.

Perhaps you have a favourite shade or feel like trying something bold but don’t want to do it in your main kitchen area; then these are the rooms to try it in.

If you choose to use the same or very similar cabinetry to your kitchen, this will help to give continuity to the space. Still, if your budget is already spent, then you can think about more cost-effective worktops and simple cupboards with no special interiors to keep costs down.

When it comes to on-trend colours, we’re seeing a range of off-white and creams in more traditional styles through to inky and jewel tones with dark green and blue an ever-growing popular choice.

It is also important to consider your flooring choice. Both rooms need hardwearing flooring, especially boot rooms, as they will get a lot of foot traffic from muddy boots and paws, meaning the flooring also needs to be practical and easy to clean. Tiles can be a great choice, and there are so many options when it comes to patterns. You can also replicate natural materials, such as wood or stone, on a tile with luxury vinyl tiles (LVTs) or engineered vinyl.

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While a boot room and utility room should be about two separate functions, one item should be considered for both. A large and deep sink is essential in both rooms as it will have a multitude of uses, from handwashing clothes to cleaning muddy paws and rinsing boots.

At the height of luxury is a separate dog washing sink/ shower that is much lower than countertops so that your pooch can easily get in and out. As a nation of pet lovers, it is a trend that we’re seeing grow at a significant rate.

We’re also seeing homeowners be clever and repurpose other areas for their pets to hide away from the hustle and bustle of the house. Another idea is to use integrated bins to store food and treats for your pup so that it is neatly stowed away and out of sight.

www.howdens.com Sources: Mintel, September 2020, UK Kitchens and Kitchen Furniture: Inc Impact Of Covid-19

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I-SCAPE - B I O D I V E RS I T Y GA R D E N B UILID N G S D I RE C T . C O . U K

of their favourite snacks, it’s like giving them a welcome invitation to your garden.”

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All animals love food, even more so when they don’t have to go through the effort of finding it.

Nuts and seeds are the best bet for birds, or you could push the boat out and opt for some mealworms for the foxes.

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A place to drink or somewhere to clean and wash are great ways of getting animals to enjoy your garden space. If you offer them all their basic necessities, they’ll never want to leave!

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With London’s Mayor, Sadiq Khan, announcing a £ 6 00,000 investment into revamping the capital’s green areas, gardening experts are encouraging people across the UK to attract wildlife to their gardens this year.

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he team at GardenBuilidngsDirect.co.uk are urging green-fingered homeowners to adopt simple changes to their green spaces in order to help wildlife thrive.

From birds and butterflies to badgers and bees, there is a place for every animal in the garden, and they can really make the difference between a space that survives and a place that thrives.

Offering water, food and shelter in various ways throughout your space will entice a wide range of beings, and you can do this with little effort and cost.

A spokesperson for GardenBuilidngsDirect.co.uk said: “With spring on the horizon, now is the perfect time to get busy in the garden and bring the wildlife back.

“Whether you have a small patch of lawn, a concrete yard or a balcony, there are plenty of small changes you can make to encourage the wild to return and have a thriving green space.

“Animals are much like humans in the fact that they love food, especially when it’s free! By giving them a small offering

To increase your chances of slightly bigger animals coming into the garden – like hedgehogs – providing a cosy habitat can tempt them to stay the night. This can be anything from a small rock garden to a fully-formed birdhouse.

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Not only do trees and shrubs provide animals and insects with an optimal habitat to live in, but there are many health benefits for humans too. The fruits and leaves are perfect food for a range of insects and animals, and there are plenty of options for gardens of any size.

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Now, this may not attract the most extravagant wildlife, but composting provides an ideal home for smaller creatures and fungi. The organic compost produced can help take care of the plants and trees in the garden by provoking them with healthy, nutrient-dense soil.

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Sometimes keeping the clutter in a green space is a good idea; it doesn’t mean the place has to be a mess, though. Hollow tree trunks, dry stems and piles of leaves make the perfect habitat for creepy crawlies.

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This doesn’t mean growing a wild forest in the back garden but simply allowing for slightly longer grass to provide a hiding place for mice, voles and shrews. You can keep this grass longer in places that aren’t often utilised or are away from paved areas.

www.gardenbuildingsdirect.co.uk I BUILDmMARCHm**

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The new Ultimate 2

In hindsight we wouldn’t have called it the Ultimate.

Because we just made it better.

High Heat Output ‘Screed heat diffuser’ improves contact with the pipe, which has a higher heat output and faster warm up than typical low build-up castellated screed systems, as well as minimising thermal striping.

Ultimate 2 High Performance Panel

Impressively thin 18mm highcompressive strength insulation provides an excellent substrate for the 9mm thin levelling screed, giving an overall system height of just 27mm – including insulation.

One panel Unique pattern minimises hand-routing and eliminates the need for separate ‘straight’ and ‘loop’ panels.

Generic Low Build Up Screeded Panel

Peel & Stick 50% faster to install with our self adhesive panel. Simply peel and stick to the subfloor and pour the levelling screed over.

Pre-Primed Pre-primed at the factory to save you time and cost.

Got a project in mind?

Call 01392 36 36 05 or visit omnie.co.uk

MADE IN GREAT BRITAIN

© OMNIE Limited 2021. All information correct at time of publication. Product information and performance characteristics are subject to change without notice. Please see omnie.co.uk for the latest information or contact your local representative.

OMNIE Limited, Unit 18, Apple Lane, Exeter, EX2 5GL 01392 36 36 05 customer.service@omnie.co.uk www.omnie.co.uk LowBoard®, TorFloor® and OMNIE® and the OMNIE logo are registered trademarks.

I-BUILD THE ROOFLIGHT COMPANY

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:y e k si no tar pe P a g nil ts fo cits g l eh Deciding on and purchasing a new rooflight can be such an exciting prospect as you begin to imagine it in your home. This can all change though, if it arrives and you have not considered how it’s going to be installed.

Peter Daniel, Product Innovation Director at The Rooflight Company, explains how to plan for rooflight installation, making the process as smooth as possible.

hether your new rooflight is being installed in a loft conversion, a single-storey bungalow, an extension or a multi-storey home or apartment building, the same question will arise – how do you get it up there?

Like any individual elements delivered to a construction site, rooflights will be provided on the back of a lorry and left at ground level. The process of installation is up to you to decide. There are some things you must consider ahead of this point.

The absolute first thing to take into consideration is access. This ultimately boils down to whether the lorry can enter the site. It is very common at The Rooflight Company that multiple products will be delivered to different customers using just one vehicle. Our standard vehicles are large, so we can reduce our mileage and, therefore, carbon emissions. If a large HGV can enter the site, you don’t have to worry, but this is not always the case.

If space is tight, just let the manufacturer know as soon as possible and always ahead of time. They might be able to recommend alternative arrangements. As standard,

I-BUILD - L O F T CO N V E RS I O N S THE ROOFLIGHT COMPANY

The Rooflight Company will always deliver kerbside, but we will do everything we can to accommodate special requests, as long as we are given enough notice.

The next point to consider is how to move the rooflight once it arrives. Never underestimate how big and heavy these products can be, especially if they are designed in the style of a cast-iron Victorian window.

While our products are not made of cast iron – but steel and aluminium instead – once the glass has been added to the frames, they are often too heavy to be offloaded by hand.

Even products such as our small neo Advance Skywalk, which is under 1m 2, could still weigh more than 100kg as it has been designed to be walked on.

It’s a good idea to have some form of mechanical assistance ready to offload the product.

Delivery can be refused on the grounds of health and safety if you are not adequately prepared to accept the goods.

That said, the weight of each of our products is published in the corresponding manual, so always check this to ensure that you are well prepared.

In terms of installation, some larger glazed units may require the use of a crane, so make sure you’re prepared for this.

You might be able to avoid this if you link multiple smaller units rather than installing a single, enormous glazed unit. This is also better long term should you ever need to replace the unit in 10 or 20 years. The Rooflight Company has various bespoke options available to solve this very issue.

The main point to remember is that preparation is vital when it comes to the logistics of installing a rooflight. If you

are unsure at any point, the manufacturer will always be able to provide advice and assistance, ensuring that your project runs smoothly.

Our rooflights are designed for easy installation, with comprehensive installation manuals provided, but the team at The Rooflight Company is always on hand.

www.therooflight company.co.uk

oN r d i c Co p e r o f e r s a n e x t e n s i v e r a n g e o f n a t u r a l s u r f a c e s a n d a l o y s t h a t c a n b e a p l i e d i n n u m e ro u s w a y s t o c l a d a w i d e v a r i e t y o f b u i l d i n g t y p e s , f ro m m a j o r p u b l i c b u i l d i n g s t o d i s t i n c t i v e i n d i v i d u a l h o m e s . A g ro w i n g s e r i e s o f b u i l d i n g s t u d i e s – a v a i l a b l e t o v i e w o n t h e w e b s i t e – e x e m p l i f y t h e b e s t i n c o n t e m p o ra y a rc h i t e c t u re a n d showcase the diversity of surfaces, forms and ap lications available w i t h oN r d i c Co p e r t o d a y .

C

opper’s unique architectural qualities are defined by its naturally-developing patina – which cannot be replicated successfully using other materials with surface coatings. Within a few days of exposure to the atmosphere, a copper surface begins to oxidise, changing from the ‘bright’ mill finish to a chestnut brown, which gradually darkens over several years to a chocolate brown. Continued weathering can eventually result in the distinctive green or blue patina seen on older roofs.

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The Aurubis ‘Nordic Copper’ range provides all these surfaces straightaway.

The processes involved are generally similar to those taking place over time in the environment, utilising copper mineral compounds, not alien chemical processes.

All these surfaces form an integral part of the copper, generally continuing to change over time outside, and are not lifeless coatings or paint. The material is

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easily bent and formed, and there are no limitations on the length of copper sheet or strip because whole coils are treated on the production line, not just limitedsize sheets.

The Nordic Copper range includes Nordic Standard ‘mill finish’ and Nordic Brown pre-oxidised copper, offering lighter or darker shades of brown determined by the thickness of the oxide layer. The extensive Nordic Blue, Nordic Green and new Nordic Turquoise ranges have been developed with properties and colours based on the same brochantite mineralogy found in natural patinas all over the world. As well as the solid patina colours, ‘Living’ surfaces are available for each with other intensities of patina flecks revealing some of the dark oxidised background material.

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Copper alloys are growing in popularity as well, including Nordic Bronze and

PRODUCT GUIDE

For one New Zealand family,‘forever home’ meant just that when they chose Nordic Copper for a new house on Cass Bay, near Christchurch

Nordic Brass – which can also be supplied pre-weathered. The innovative Nordic Royal is an alloy of copper with aluminium and zinc, giving it a rich golden through-colour and making it very stable. It has a thin protective oxide layer containing all three alloy elements when produced. As a result, the surface retains its golden colour and simply loses some of its sheen over time, as the oxide layer thickens with exposure to the atmosphere to give a matt finish. A wide choice of Nordic Decor mechanically-applied surface treatments is also available for various surfaces and alloys, particularly suited to interior applications.

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Apart from traditionally-jointed, rolled material supported by a substrate, various other forms of copper for architecture are increasingly being explored by designers.

For example, copper can be supplied in profiled sheets or extremely flat honeycomb panels, pressed to provide surface textures and modulation, or perforated, expanded or woven as mesh for transparency.

But there is more to architectural copper than meets the eye, with an unrivalled lifespan, no maintenance and full recyclability. Its ‘A1 (noncombustible material)’ fire classification to EN 13501-1 is also suitable for

cladding tall buildings, using appropriate constructions. Low thermal movement makes it appropriate for any climates and locations, and it is non-toxic and safe to handle, as well as non-brittle and safe to work. And, importantly today, its inherent antimicrobial qualities make it ideal for touch surfaces internally as well.

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The lifespan of copper roofing and cladding can be regarded conservatively as 200 years, subject to substrate and structure, and this is endorsed by experience. Naturally, this longevity has a significant beneficial effect upon comparative whole-of-life cost assessments. Copper’s longevity is due to a complex patination process.

It ensures extreme durability with no maintenance and resistance to corrosion in virtually any atmospheric conditions.

In addition, copper requires no maintenance or decoration. As a lightweight and flexible covering, structural support demands are reduced, resulting in lower carbon and ‘whole-of-life’ costs. Copper is also fully recyclable utilising longestablished practices – 97% of copper in construction comes from recycling – and has other impressive sustainability and environmental credentials. And, of course, copper retains a high scrap value at eventual demolition.

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www.nordiccopper.com/copper-stories 01875 812144 g.bell@aurubis.com

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LEGAL & BUSINESS PRODUCT GUIDE ADVERTORIAL: OSMO UK

Osmo provides finishing touch to family heirloom in the making B a s e d i n S t a f o rd s h i re , Mo r t i m e r ’s Wo r k s h o p s p e c i a l i s e s i n p ro v i d i n g a ra n g e o f h a n d c ra f t e d , d u ra b l e a n d u n i q u e p ro d u c t s f ro m s u s t a i n a b l y s o u rc e d o a k ; a l f i n i s h e d t o t h e h i g h e s t p o s i b l e s t a n d a rd s .

O

ne recent commission was for an eight-seater resin river table that will be the centrepiece of the family dining room and can be passed down to future generations.

Crafted from British-grown waney edge oak, it features an epoxy resin river between the two slabs of wood, combining both natural, untouched oak with a modern design element. The table was finished in satin Osmo TopOil. Jordan Peters, who runs Mortimer’s Workshop, has been using Osmo for some years and continues to be impressed with the results it offers. He says: “After using Osmo Polyx-Oil a few years ago, I was sold completely. The way Osmo finishes my products is second to none. The first couple of layers seem to seep into the oak, and when I start building up the layers, I can achieve a very hard-wearing and natural finish, leaving behind a slight shine.

It’s perfect for my work.”

This piece required four layers of TopOil; each was applied thinly in circular motions using a cotton cloth.

The other side of the cloth was then used to remove any excess. Jordan completed the look by pulling the cloth along the piece with the grain to leave a very natural finish. The piece was left to dry for 12 to 24 hours at room temperature, and the whole process was repeated until an even finish was achieved.

Key to the success of this process is temperature, something that is particularly challenging when working with resin. If the resin is stored in the cold, it can crystallise.

Whereas, if too much heat is applied when pouring resin, the reaction can happen too fast. Similarly, when using Osmo oil, maintaining room temperature is key.

The whole project took around two months, but the result is a unique piece of furniture that will be used for generations to come.

For Jordan, Osmo will continue to be a key part of his future projects. He says: “I am always pleased with Osmo’s results – I have now been using it every day for three years. I also produce liveedge chopping boards and resin and oak chopping boards. I am at ease with Osmo to know that the TopOil is natural and a food-safe product. I love Osmo oil and happily suggest it to customers who ask me on a weekly basis what I use.” www.osmouk.com 01296 481220 info@osmouk.​com

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PRODUCT GUIDE ADVERTORIAL: ELECTRICALDIRECT | LEDVANCE | ROOFING SUPERSTORE | CORKSOL

SprayCork scoops gold at Build It Awards for Innovation in Insulation

Y

orkshirebased CorkSol

is delighted to announce an exciting new win, with its unique SprayCork coating coming out top in the ‘Innovation in Insulation’ category at the Build It awards. This category is all about pioneering products which insulate buildings through new solutions. Judges voted SprayCork as the category champion based on its unrivalled environmental, acoustic and insulation credentials. It was noted that the product would be particularly useful to owners of period properties, where it can be used to better performance without compromising the

www.corksoluk.com 01484 442420 info@corksoluk.com

breathable fabric of a heritage home.

ElectricalDirect launches new ‘Always Switched On’ campaign

New SUN@ HOME range makes lighting feel good

T

E l e c t r i c a l D i re c t i s p o w e r i n g i n t o 2 0 2 w i t h a n e w b ra n d c a m p a i g n . U n d e r t h e h e a d l i n e , A ‘ lways S w i t c h e d On, ’t h e c o m p a n y w i l b e s u p e rc h a r g i n g its activ ty with a multi-chan el advertis ng c a m p a i g n t h a t w i l i n c l u d e ra d i o , P R , s o c i a l m e d i a a n d m o re t h a t h i g h l i g h t h e s p e c i a l i s t s u p l i e r ’s f a n t a s t i c re a s o n s t o s h o p a n d i t s ‘ t r u s t e d - t o d e l i v e r ’ c o m p a n y p ro m i s e .

he new smart SUN@HOME

range from LEDVANCE uses unique sunlike full-spectrum, dimmable LEDs that

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s a retailer unconstrained by store opening times and ‘always switched on’, ElectricalDirect is launching a schedule of exciting activities that raise awareness of the benefits trade professionals experience when shopping with the online specialist.

Backed with engaging, creative adverts and playful straplines, the campaign will highlight how tradespeople can enjoy around-the-clock browsing of ElectricalDirect’s huge range of over 12,000 stocked electrical products, as well as its wide choice of flexible delivery options, exceptional customer service and easy free returns policy.

On the campaign, Dominick Sandford, Managing Director at ElectricalDirect, said: “We are really excited to launch our new brand campaign that emphasises all the things that set us apart; 24-7 access to thousands of electrical goods to ‘pick and fuse from’, competitive prices and delivery any ‘switch’ way you like! Including next-day and Sunday deliveries, as well as click and collect to 6500 local shops and same-day delivery to postcodes in selected areas of London and the east of England.”

Dominick continued: “Our ‘Always Switched On’ campaign tagline encapsulates our business strategy and offering as an online retailer. Our easyto-use website is packed with information, including product specification sheets, technical documents, buyer’s guides and helpful blogs – all backed by our fantastic and dedicated customer service team who are on hand seven days a week to assist with orders or delivery enquiries.”

provide the highest quality of light (CRI >95), similar to natural daylight, with colour that can be adjusted across a wide spectrum of 2200 to 5000K. Counteracting the listlessness caused by working indoors through their bright, white light during the day, the range improves concentration and performance. In contrast, the low blue light component improves sleep intensity at night. Control is easy with the free LEDVANCE SMART+ WIFI APP or voice command and smoothly integrates into the home network.

www.ledvance.co.uk 01925 465000 csc.uk@ledvance.com

Make roof ventilation a breeze with Roofing Superstore

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oofing Superstore is reminding everyone to make sure their

roof space has the right level of ventilation to cope with the addition of energy-saving improvements.

It’s vital to create well-insulated and watertight homes, but without adequate ventilation, installing insulation and upgrading to double- or triple-glazed doors and windows can all lead to a build-up of condensation in roofs. As well as being linked to health problems and long-term damage to the fabric of a building, condensation can also make a property harder and more costly to heat. That’s why Roofing Superstore is encouraging homeowners to check in with a professional roofing contractor to make sure that their roof vents are still up to the job.

www.roofingsuperstore.co.uk 01752 692760 sales@roofingsuperstore.co.uk

0300 303 8826

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www.electricaldirect.co.uk sales@electricaldirect.com

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LEGAL & BUSINESS PRODUCT GUIDE ADVERTORIAL: REYNAERS ALUMINIUM

Why choose curtain walling?

As the face of a b u ilding , facades are one of the m o st im p ortant desig n elem e nts – and curtain walling can play a critical role. W h ile it is easy to see the aesthetic b e nefits of selecting curtain walling ov e r alternativ e m a terials, the b e nefits of this m a terial can b e ex t rem e ly far- reaching .

L

et’s explore five key reasons to include curtain walling in the design of modern buildings.

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Curtain walling equips architects with the ability to create striking glazed facades through the use of off-the-shelf and bespoke systems. In practice, architects experience complete design freedom, safe in the knowledge that suitable curtain walling systems will be able to accommodate design considerations while still delivering the desired performance and functionality required of modern buildings.

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Sustainability is a primary consideration at every stage of a building’s design, from initial planning through to construction and even once occupied. Through its design, curtain walling can contribute towards the overall sustainability of a building thanks to the individual performance characteristics of specific systems, supporting functions such as cooling and ventilation through to energy efficiency.

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To be successful, a building has to do more than look good – it needs to perform well and be functional for occupants. Comfort is a key consideration here, ensuring that interior spaces cater for the needs of those who use them.

There are several layers to optimising comfort, including noise control, safety and security and daylighting. It is in these areas where curtain walling can help buildings to excel.

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Often centre to the design of a building facade, aesthetics are integral. The trend to incorporate significant volumes of glazing into the building envelope is facilitated by curtain walling, delivering on a number of requirements, such as helping a building to fit into its surroundings, equipping it with a unique character and maximising views outwards.

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As the most basic function of the building envelope, facades need to provide a barrier against external elements.

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To this end, systems are expertly engineered and rigorously tested to meet the demands of modern building requirements. This includes everything from air, wind and watertightness through to thermal efficiency and building movement.

As a specialist in the development of sustainable architectural glazing systems, Reynaers Aluminium offers a range of market-leading curtain walling solutions. To support architects in selecting the most suitable system for their design, Reynaers has also built a dedicated consult team to collaborate with architects from the outset of a project. www.reynaers.co.uk

PRODUCT GUIDE ADVERTORIAL: EARTHBORN | BLANCO | DRAKS | GAINSBOROUGH

BLANCO launches popular EVOL-S Pro 4-in-1 tap in sleek matt black

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s the popular trend for black fixtures, fittings,

furniture and surfaces in the kitchen grows ever-stronger, BLANCO UK has launched the drink.hot EVOL-S Pro 4-in-1 in matt black. Building on the success of the striking PVD steel version, the new finish takes the EVOL-S Pro to a new level of sophistication. Black in interior design can be used to harmonise with dark themes, to frame and ground bold colour choices or to add moments of impact in lighter, brighter spaces. The new matt black EVOL-S Pro is an easy-to-use, four-in-one water-saving boiling water tap that joins the EVOL-S family alongside the drink.filter 3-in-1 Pro and the original EVOL-S Volume mixer with pull-out spray.

www.blanco.co.uk

01923 635200

Draks partners with Parkinsons.Me

D

raks, an Oxfordshirebased design-led

Silicate masonry paint for all surfaces

manufacturer of high-quality wardrobe and room dividers, is proud to partner with a respected charity close to its heart. Louise Sellar, Sales and

Fo r y e a r s , c u s t o m e r s h a v e a s k e d i f t h e y c a n u s e E a r t h b o r ’ sn S i l c a t e M a s o n r y P a i n t o n p r e v i o u s l y p a i n t e d m a s o n r y . We l , n o w t h e y c a n .

Marketing Director of Draks (pictured), says: “We chose Parkinsons.Me for several reasons. Our MD’s father lived with Parkinson’s, so we had an instant connection with the charity. We

T

he newly-formulated Bonding Primer can be used alongside Silicate Masonry Paint for exterior masonry surfaces that do not need to breathe. This means that the 48 beautiful shades can be used on all buildings. Bonding Primer provides a mechanical bond between a ‘sealed’ wall and the paint, allowing Silicate Masonry Paint to ‘stick’ to the pre-painted surface.

And in places where there is a mix of painted and unpainted masonry, you can now spot prime the patches where the previous paint cannot be removed with Bonding Primer and prime the rest of the unpainted area with Silicate Primer.

The updated Earthborn product range means that Silicate Primer used on uncoated masonry with Silicate Masonry Paint will create a highlybreathable and permanent chemical bond. On existing, sound, previously-painted surfaces (that don’t need to breathe), Bonding Primer used with Silicate Masonry Paint will create a strong mechanical bond.

Earthborn’s Silicate Masonry Paint has been used on a wide variety of buildings, including windmills, historic halls, new builds, seafront cottages and farmhouses. This new primer means it can be used on an even wider range of buildings, including those with a mix of previously-painted and bare masonry, as requested by customers keen to achieve the best protection for exterior masonry.

are supporting the charity with sponsorship as well as planning to help them with getting their Moveme Parkinson exercise programme into other NHS trusts and offering up some of our time to help them in the Parkinsons.Me community garden, in Wantage. I have personally already spent time volunteering down there, and it was very rewarding.”

www.draks.co.uk 01869 232989 info@draks.co.uk

Gainsborough is back with new lineup of mixer showers

G

ainsborough is celebrating its 50th anniversary with

the launch of a range of mixer showers to suit every budget and complement any bathroom.

With five decades of experience in delivering high-quality showers at competitive prices, Gainsborough has developed a reputation for exceptional value, with products that are safe, reliable and powerful in performance. The new Gainsborough Mixer Shower range includes three premium models incorporating thermostatic temperature control with Cool Touch technology, ensuring safe family showering and added peace of mind. Also available is a dual outlet shower with a round- or square-head design and thermostatic temperature control, as well as a space-saving manual mixer shower, ideal for smaller bathrooms or over-bath use.

www.gainsboroughshowers.co.uk 01959 560760

01928 734171

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www.earthbornpaints.co.uk sales@earthbornpaints.co.uk

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LEGAL & BUSINESS PRODUCT GUIDE ADVERTORIAL: H.D. SERVICES

One-stop shop for boreholes, sewage treatment systems and open-loop ground source heat pump installations Founded in 1 9 8 4 , H . D . S e rv i ces aim s to prov i de the hig h est quality percussion drilled b o reholes, sewag e treatm e nt sy s tem s and open- l oop g r ound source heat pum p installations in the south east.

The feasib i lity of any proj e ct can g e nerally b e confirm e d upon receipt of a site postcode. I n this article, the trusted, fam i ly - r un com p any runs throug h som e of its ty p ical offering s that are popular am o ng s t its self- b u ild clientele.

W

e offer a one-stop shop for self-builders, developers, contractors, consultants and architects, providing waste and drainage solutions, independent water supplies and renewable heating options – all specifically tailored to meet individual needs and suited to the geology of the south east.

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We have been involved in the design, supply and installation of sewage treatment systems for over 30 years. We can either provide package solutions or design bespoke systems to meet individual client needs.

Projects undertaken throughout the south east range from small solutions for single households to largerscale solutions for estates, business parks, farms, schools, caravan sites, hotels and public houses.

We also offer a support service for consent to discharge applications to the Environment Agency – a requirement when installing sewage treatment systems. All our boreholes are constructed using the cable tool percussion method – preferred by the Environment Agency (EA) when drilling the chalk aquifer – and are logged with the BGS. Our underpinning ethic is that we want to protect the aquifers from which we make our living.

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We are award-winning installers of open-loop GSHP installations. These systems utilise groundwater as a heat source. Groundwater is pumped from a water supply borehole directly to the heat pump, where temperature is extracted.

The water is then returned to the aquifer, normally via a buried harvesting tank, where it can start to regain this temperature. As groundwater is utilised, there is the option of a potable water supply (subject to analysis and suitable filtration) or irrigation.

The heat pumps we install are manufactured by a British company and are MCS accredited. All our heat pump installations are designed to be Renewable Heat Incentive eligible, for which we provide application support and advice.

We achieved regional success in 2015, 2016, 2017, 2018 and 2019 at industry awards. In 2020, we won the REA Pioneer Awards and, this year, we have achieved recognition at the East of England Energy Efficiency Awards, winning two categories as well as receiving a special commendation for one of our renewable heat installations at the 20/21 National Energy Efficiency Awards, which were held on 18th February 2022.

Having never entered the national awards before, we are incredibly proud to have been recognised for our involvement in this project.

The company is proud to employ land drillers, electricians, plumbers,

01494 792000

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civil engineers, heat pump engineers, graduates and fellows of the British Geological Survey. What’s more, we are members of the WDA, GSHPA, REA, EEA, NaCSBA and are ISO 9001, 14001 and MCS accredited. www.hdservicesltd.co.uk enquiries@thehdgroup.co.uk

OAK FRAMED BUILDINGS

QUALITY CLADDING & DECKING

HOME & GARDEN FEATURES

OAK FLOORING

ÖÖD HOUSES

www.roundwood.com Tel: 01435 867 072 Round Wood | Newick Lane | Mayfield | East Sussex | TN20 6RG

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AVANTI ELECTRIC fires beyond imagination onyxfires.com I BUILDmMARCHm**

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