2001 AD514 CHONG YONG HWEI

DESIGN STUDIO 02 (AD514)

DIPLOMA IN ARCHITECTURAL STUDIES SEM 05/2020

NAME : CHONG YONG HWEI ID NUMBER : 1001954460 LECTURERS : MS. ECHA, MR. MUNZIR, MR. NAJMI

ASSIGNMENT 01 1.1 THE HOUSE 1.2 THE CLIENT

ASSIGNMENT 02 2.1 ANTHROMETRIC 2.2 SITE

ASSIGNMENT 03 3.1 THE ARTIST RESIDENT

ASSIGNMENT 01 1.1 THE HOUSE - TELEGRAPH POLE HOUSE 1.2 THE CLIENT - RED HONG YI

THE HOUSE GROUP 7 | KU YI FUN, PRICILLIA CHIN AN QI, YAP CHOOI HOONG SABRINA, CHONG YONG HWEI

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ARCHITECT: WHBC ARCHITECTS CLIENT: A RETIRED BRITISH COUPLE LOCATION: LANGKAWI, MALAYSIA SITE: ON A SMALL HILLLOCK IN THE MIDST OF PADDY FIELDS AREA: 580.6 SQM YEAR BUILT: 1973 Â

Pricillia

Chin

"The architects for this house really understood the essence of Malay timber long house. They delivered more than what the clients asked for and managed to make this house where users can lead their contemporary lifestyle."

Concept : CONTEMPORARY VERNACULAR ARCHITECTURE Building and designing a contemporary residential home while still maintaining significant features of vernacular Malay house.

Climate

- A Malay vernacular timber house

Environment

Availability of resources

Local Technology

CONTEMPORARY DESIGN CAN BE SHOWN IN: - Maximum cross ventilation

Local Culture

Economic conditions

Historical Context

- PROMOTES SUSTAINABILITY - STYLE AND APPEARANCE Minimalistic Raw and exposed Materials used (Contrasts betw.

Materials creates modern look - CONSTRUCTION METHOD

"Telegraph Pole house demonstrates the widely use of reclaimed materials, yet to produce an amazing structure that represents the beauty and architectural style of Malaysia's culture, and also allows people who stay there to connect to the nature which I think most people in this technology era would yearn to"

The columns of Telegraph Pole house are arranged in grid

The arrangement of space for ground floor is in axis and also symmetrical.

GRID ORGANISATION

AXIS, SYMMETRY

Kitchen

Circulation

Bathroom

Principles

n u F i Y

Pool

Deck

Organisation

Ku

Lounge

Stairs

Pool

Deck

Ground floor plan of Telegraph Pole House

Pool

Deck

Kitchen

Lounge

Kitchen

Bathroom

Lounge

Bathroom

- The layout of the house is simple, very much similar to traditional Malay house on stilts with the rooms on the upper floor.

- On ground floor, minimal interior partitions as design elements to offer a larger public area. :Â Private

Pool

Deck

:Â Publie

Space Planning

Stairs

Ground floor plan of Telegraph Pole House

Stairs

Ground floor plan of Telegraph Pole House

Lounge

Kitchen

Stairs

Bathroom

: Semi Public

First floor plan of Telegraph Pole House

Ground floor plan of Telegraph Pole House

- Spaces within the upper floor that meet the maximum level of privacy, individuals need and whose accessibility is determined by small groups or individual agreement.

- Categorised as private spaces that can be isolated and guarded at night by locking the staircase gate.

Yong Hwei

Chong Element studies

"The telegraph pole house maximises the open area which let people to feel relax and refreshing when staying in the house. The house also remains the elements of a traditional Malay house which can perfectly represent Malaysia. The using of recycled material made the building itself more meaningful as it promote and encourage environmental protection."

Materials RECLAIMED TIMBER / HARDWOOD - LIGHTWEIGHT - LOW THERMAL CAPACITY (COOL DOWN FAST) - FLOOR AND WALL BOARDS FROM JETTY IN PENANG - BERLIN ROOF SHINGLES FROM OLD AIRPORT HOTEL IN PENANG

OPEN GROUND PLINTH

SUSPENDING STAIRCASE

LARGE WINDOWS

RECLAIMED TELEGRAPH POLE - COLUMN THAT HOLDS THE BUILDING - PATINA ON SURFACE OF OLD TELEGRAPH POLE GIVES EACH POLE A UNIQUE CHARACTERISTIC

LONG SWIMMING POOL

TELEGRAPH POLE COLUMNS

RECYCLED ROOF SHINGLES KITCHEN GLAZED SLIDING DOOR

MODERN CONSTRUCTION MATERIALS ( STEEL, CONCRETE, GLASS ) - STEEL: FRAME OF DOOR AND WINDOWS, ESTABLISHED THE STAIRCASE - CONCRETE: ENHANCE THE ARTISTIC FEEL - GLASS: WINDOW AND DOOR

Construction

- COLUMN AS MAIN STRUCTURE ON GROUND LEVEL - COLUMN AS MAIN SUPPORT - OMITS THE NEED OF LOAD BEARING WALL - THUS IT CREATED AN OPEN GROUND FLOOR WITH UNOBSTRUCTED VIEWS OF SURROUNDINGS - MAIN BODY IS ELEVATES FROM GROUND

COLUMN CONSTRUCTION: 4 telegraph pole bolted as 1 column

BEAM CONSTRUCTION: . traditional timber construction method, Scarf joint . connect timber column and timber beam . bolted in session to create correct length for framework to support roof

"It is admirable how the architects have made the house compatible for the unique site while acknowledging local vernacular architecture for a suitable model, with putting so much care in to making the house sustainable and providing thermal comfort to the its occupants using many passive strategies, as well as using materials that are recycled with contemporary detail."

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Sabrina

1) GLAZED GLASS, OVERHANGS: Reduces heat entering building, results in cooler interior, provides shade for the interior

Site Response

2) VEGETATION: Cools surrounding by photosynthesis and evapotranspiration 3) POOL: Evaporation cooling TOPOGRAPHY -Site is on a small hillock, must hike/ drive to reach site -Uses steep path instead of original proposed zigzag path to retain vegetation and topography VIEWS -vacant paddy fields, peaceful countryside -surrounded by lush tropical greenery SUN -almost 12 hrs of sunlight daily, located on the equator WIND -gentle breezes that pick up during November -flows usually from Northeast, East, and West BUILDING ORIENTATION -facing Northwest, prevents extreme direct sun exposure on faรงade, with respect to the wind flow for enhanced ventilation

4A) CROSS VENTILATION: Encouraged by open floor plan, large windows, and sea breezes 4B) STILTS: Helps catch wind under the upper level, cools the house and reduce surface temperature of floor 5) MATERIALS: Recycled timber (from jetty and telegraph pole), roof shingles (from old airport) 6) WOOD: Sustainable material, recycled, high thermal capacity, good thermal comfort

Sustainability (THERMAL COMFORT)

GROUND FLOOR PLAN

DECK

LOUNGE

KITCHEN

STAIRS

BATHROOM

POOL

FIRST FLOOR PLAN

LONG SECTION

CROSS SECTION

FRONT ELEVATION

SITEÂ PLAN

THE CLIENT YAP CHOOI HOONG SABRINA, CHONG YONG HWEI

RED HONG YI - ARTIST NAME: HONG YI MONIKER: RED AGE: 34 (BORN 1986) HERITAGE: MALAYSIAN- CHINESE (PATERNALSHANGHAI; MATERNAL-GUANGXI) FROM: SABAH , MALAYSIA

STUDIED ARCHITECTURE LEARNT ABOUT MATERIALS, TEXTURES, STRUCTURES, DESIGNING 3D SPACES, CAD, AND CONTEXTUAL STUDIES LEARNT TO EXPLORE SCALES AND USE RAW MATERIALS

ARTIST WHO PAINTS WITHOUT A PAINTBRUSH DID NOT USE PAINTBRUSHES AFTER FINDING OUT HER GRANDFATHER WAS A SCARRED PROPAGANDA ARTIST DURING COMMUNIST REVOLUTION USED RAW MATERIALS INSTEAD EXPRESSES CULTURE, HISTORY, WOMEN, RACE ETC.

CHARACTERISTICS OXYMORONIC SHY YET VOCAL RED CLAIMS SHE IS SHY DESPITE SPEAKING AT CONFERENCES BUT HER WORKS ARE ALSO VERY VOCAL ABOUT SOCIAL, HUMANITARIAN AND ENVIRONMENTALISSUES, TRIBUTES AND HERITAGE

SCARED YET BRAVE AS AN ARTIST RED DOUBT HER WORK BUT SHE REALIZED SHE HAD TO BE BRAVE AND SHOW HER WORK DESPITE FEARS, THUS LEAVING HER JOB AS AN ARCHITECT TO BE A FULL TIME ARTIST

ANALYTIC YET ARTISTIC RED STUDIED ARCHITECTURE BECAUSE SHE TOOK LIFE AS A STRAIGHT PATH, AS A MIDDLE GROUND BETWEEN HER LIKING OF ARTS AND MATHS

WORK STYLE, BEHAVIOR FOCUSED KEEPS WORKING LOVES TO CREATE WITH OTHERS LOVES ME TIME WORKS ACCORDING TO SCHEDULE ( 9-TO- 5, MON-FRI) EXPERIMENTAL 1. WORK ON COMPUTER 2. MIX MODERN AND TRADITIONAL PROCESSES, AND METHODS 3. SMALL SCALE MODEL 4. FINAL PIECE

FAMOUS ARTWORK:

TEH TARIK MAN 2015

THE 3D PAINTING FROM THE WORLD ECONOMIC FORUM REMINDS MALAYSIANS OF HOME

SOURCE OF PERSONAL AND CULTURAL IMPORTANCE NOSTALGIA THROUGH VISUALS AND SCENTS TEA BAGS STEEPED TO PRODUCE 10 SHADES, WITH DARKER TONES STAINED WITH FOOD DYE

THIS PIECE USED 20, 000 TEA BAGS, STAPLER, WIRE MESH TILE GRID, AND WOODEN FRAME

" SOME GAMES ARE UNDER THE IMPRESSION THAT IT TAKES LUCK TO WIN, BUT BETWEEN THE LINES ITS A SERIES OF CHOICES, SIMILAR TO LIFE. LIFE ALSO REQUIRES COLOR TO ENSURE THAT THERE IS NEVER A DULL MOMENT. TO THE NAKED EYE, EVERYTHING NEEDS STRICT ORDER, HOWEVER, THERE IS MORE THAT MEETS THE EYE. " YAP CHOOI HOONG SABRINA

HER ART VOICE OUT FOR DIFFERENT GROUPS OF PEOPLE IN THE WORLD WHO ARE NOT HEARD BY THE MAJORITY.

BY USING HER ART, SHE SPOKE FOR FEMINISM, RACISM, AND MANY MORE SOCIAL ISSUES. SHE ALSO SPREAD MALAYSIAN AND CHINESE CULTURE TROUGH HER ART TO THE WORLD.

COLLAGE

PEOPLE GET TO LEARN ABOUT EACH OTHER THROUGH HER ART, WHICH INDIRECTLY MADE A STEP CLOSER TO A PEACHFUL WORLD. CHONG YONG HWEI

ASSIGNMENT 02 2.1 ANTHROPOMETRIC 2.2 SITE ANALYSIS/RESPOND

TOILET

KITCHEN

LIVING ROOM

ANTHROPOMETRIC BEDROOM

CLIENT'S SPECIAL ROOM

big space for client to produce her artwork that is usually in a large scale

working on computer and small scale model

High ceiling and wide wall for client to display her artwork

Site Analysis / Responds Natural condition | Access/Approach | Sun path | Wind path | Rain fall | View | Smell | Zoning

SITE CONDITION Natural condition

Access/Approach

SITEÂ RESPONDS

Sun path

Wind path

Rain fall

View

Smell

Zoning

ASSIGNMENT 03 2.1 ANTHROPOMETRIC 2.2 SITE ANALYSIS/RESPOND

RED HONG YI

The courtyard is a type of traditional Chinese building. The courtyard have an open air lobby which connected to separated zone of the building.

The concept come from the artist's heritage of Chinese. The concept also suites her preference where she likes a separated space for living and working.

The artist (Red Hong Yi) is a person who likes to emphasis chinese elements in some of her art because of her heritage where her father and mother is from China.

Her inspirations for her art come from the surrounding and from issue that is happening around the world . Her art work often speaks for the world, we can see a social microcosm in her art work.

The Chinese Courtyard Separated zone for different functions Maximum sunlight Catch maximum breeze Environmental

ancient chinese flower pot made by coloured egg shells

Ideation and Concept THE PROJECT IS ABOUT DESIGNING A RESIDENTIAL BUILDING THAT SUITES THE ARTIST

Site study

(breeze, light, view)

sun path

wind views

. near to the main

road/entrance which is the most public space of the building

. far from the main road which is in a more private space

living area facing the relaxing view of the lake

working area gets maximum sunlight in the morning

Strength Weakness

near to nature

disadvantages of site condition

Opportunities client gets to experience the site with different senses Threat

maximum possible satisfaction of combining concept and site

Space planning

views

Total area : 122 m²

Sunlight Breeze

BACK FRONT

Models

Key Plan Location Plan

DRAWINGS

ROOF PLAN 1:200 N

FLOOR PLAN 1:100 N

THANK

YOU by chong yong hwei