Chiswick-Auctions-Modern-British-Post-War-Art-22-April-2021

Modern & Post-War British Art 22 April 2021

An Update on our Services Our Chiswick Saleroom is now open to the public following the UK

Government’s Covid-19 Response – Spring 2021 Roadmap.

Once again, we can offer in-person Viewings and Valuations by appointment only adhering to strict social distancing. We will continue to offer these services virtually for clients who are unable to attend our Saleroom in person.

We are fully functional online and offer all our sales in a livestream format. Bidding is welcome through our online platform Chiswick Live, on the telephone and via absentee bids.

We continue to offer a Click and Collect Service for all purchased lots. The process is quick and easy and can be done personally or via your chosen courier. The service will be contactless, adhering to strict social distancing at our Chiswick Saleroom. To book a Click and Collect appointment or to provide authorisation for your chosen courier/representative to collect your goods, please email collections@chiswickauctions.co.uk quoting your invoice number. Our Collections Team will provide you with a designated collection slot and the required paperwork.

For general enquiries on our services, contact:

+44(0)20 8992 4442 info@chiswickauctions.co.uk These details are subject to change but we will continue to keep you updated via our newsletter, website and social media channels.

Meet the Specialists

Krassi Kuneva

Head of Sale Modern & Post-War British Art krassi.kuneva@chiswickauctions.co.uk

Madeleine White

Adrian Biddell

Luke Price

Ishabel Gray

Laetitia Masson

Suzanne Zack

Senior Department Cataloguer Modern British and Urban & Contemporary madeleine.white@chiswickauctions.co.uk

Head of Department Paintings & Fine Art adrian.biddell@chiswickauctions.co.uk

Specialist Paintings & Fine Art luke.price@chiswickauctions.co.uk

Head of Sale 19th & 20th Century Paintings ishbel.gray@chiswickauctions.co.uk Consultant British & European Fine Art & Portrait Minaitures suzanne.zack@chiswickauctions.co.uk

Head of Sale Old Master Paintings & Drawings laetitia.masson@chiswickauctions.co.uk

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1 Colville Road London, W3 8BL

+44 (0)20 8992 4442

Modern & Post-War British Art Tuesday 22 April 2021, 2pm Viewings at Chiswick

By Appointment Only Sat 17 - Sun 18 April, 11am - 5pm Mon 19 - Wed 21 April, 10am - 5pm Thu 22 April, 10am – 1pm

Buyer’s Premium

Cites

The buyer shall pay Chiswick Auctions Ltd. a premium on the hammer price of 25% +VAT on that commission.

Please be aware that all lots marked with the symbol λ are subject to CITES regulations. Please see our Terms & Conditions for more information.

Artist’s Resale Right/ Droit De Suite Lots marked with ARR indicates that an additional levy may apply for this lot. Please see our Terms & Conditions for more information.

Front Cover Lot 323 Back Cover Lot 310 Index 308 Inner spreads Lots 303, 316, 327, 405 Photography Steven McCauley

301 ARR

VICTOR PASMORE, R.A. (1908-1998) Stromboli signed with initials and dated VP/80 (lower right), inscribed AP (lower left) etching and aquatint in colours image: 72 x 142 cm (28 1/4 x 56 in) sheet: 86.5 x 165.5 cm (34 x 65 in) Published by Malborough Fine Art, London LITERATURE: Lynton G10 £1,000 - 2,000

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MODERN & POST-WAR BRITISH ART

302 ARR

TREVOR BELL (1930-2017) Small mask signed and dated 7.62 Bell (lower left), signed, titled and dated Trevor Bell 1962 (on the reverse) gouache 55 x 37 cm (21 1/2 x 14 1/2 in) PROVENANCE: Acquired directly from the artist’s estate by the present owner £800 - 1,200

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303 ARR

CALLUM INNES (B.1962) Untitled II signed and numbered 99/140 Innes (lower right) photopolymer etching image: 25 x 25 cm (10 x 10 in) sheet: 48 x 42 cm (19 x 16 1/2 in) Published in 2004 £400 - 600

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MODERN & POST-WAR BRITISH ART

304 ARR

ROBYN DENNY (1930-2014) Suite 66 VIII signed, dated and numbered Denny ‘66/ 60/75 (lower right) screenprint, unframed image: 41 x 35.5 cm (16 x 14 in) sheet: 76 x 49.5 cm (30 x 19 1/2 in) £300 - 500

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305 ARR

BET LOW (1924-2001)

By Night signed Low (lower right), titled (on the reverse of the backing board) gouache and watercolour 26 x 37 cm (10 1/4 x 14 1/2 in) PROVENANCE: Miss R Watson Private collection, UK EXHIBITED: Dublin, The Richie Henriks Gallery, August 1968, catalogue untraced £400 - 600

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MODERN & POST-WAR BRITISH ART

306 ARR

PROPERTY FROM THE COLLECTION OF ALLEN & BERYL FREER (LOTS 306 & 355) ROGER COLEMAN (B. 1930) Untitled signed, titled and dated ROGER COLEMAN: UNTITLED: 1954 (on the stretcher) oil on canvas 76 x 46 cm (30 x 18 1/4 in) PROVENANCE: Gift from the artist to Allen & Beryl Freer £700 - 1,000

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307 ARR

JOHN WELLS (1907 - 2000) Paysage signed, inscribed and dated John Wells 1958.

Paysage ML (on the reverse) oil on board 6 x 30 cm (2 1/2 x 11 3/4 in) £3,000 - 5,000

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MODERN & POST-WAR BRITISH ART

308 ARR

RALPH RUMNEY (1934-2000) Untitled oil on newsprint laid down on board 60 x 37.5 cm (23 1/2 x 14 3/4 in) Executed in 1956 EXHIBITED: London, England & Co, Ralph Rumney Constats: 1950-1988, March 1989, no. 4 £1,500 - 2,500

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309 ARR

PETER RANDALL-PAGE (B. 1954) Little secret signed with initial and numbered R 21 (underneath) iron 5 x 6 cm (2 x 2 1/4 in) PROVENANCE: with Pangolin Gallery, London by 2014 £200 - 400

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MODERN & POST-WAR BRITISH ART

310 ARR

ROBERT ADAMS, R.A. (1917–1984) Duplex signed, dated and numbered ADAMS 1/6 / ‘75 (underneath) bronze 37.5 x 30 x 10.5 cm (14 3/4 x 11 3/4 x 4 in) LITERATURE: A. Grieve, The Sculpture of Robert Adams, London, 1992, p. 627, no. 634, illustrated with a drawing £6,000 - 8,000

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311 ARR

JEREMY GARDINER (B. 1957) Seacombe, Jurassic Coast signed, titled and dated Seacombe, Jurassic CoastJeremy Gardiner/2005 (on the backboard) oil on paper 17 x 81 cm (6 3/4 x 32 in) £800 - 1,200

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MODERN & POST-WAR BRITISH ART

312 ARR

SIR TERRY FROST, R.A. (1915–2003) Long Bow signed and dated Terry Frost 98 (lower right), numbered 48/50 (lower left) screenprint and collage image: 30.5 x 89 cm (12 x 35 in) sheet: 48.5 x 106 cm (19 x 41 3/4 in) LITERATURE: Kemp, 176 £800 - 1,200

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313 ARR

BRIDGET RILEY (B. 1931) Wall Painting I (S.66) signed and dated Briget Riley ‘07 (lower right); titled and numbered 18/150 (lower left) screenprint sheet: 56 x 91.5 cm (22 x 36 in) Published by Artizan Editions, Hove on wove paper LITERATURE: Schubert, 66 £4,000 - 6,000

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MODERN & POST-WAR BRITISH ART

314 ARR

KENNETH MARTIN (1905–1984) Chance and order V signed, dated and numbered Kenneth Martin ‘72 52/70 (lower right), signed again and titled Martin (on the reverse) screenprint, unframed sheet: 68.5 x 68.5 cm (27 x 27 in) £300 - 500

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315 ARR

KENNETH MARTIN (1905–1984) Rotation Frankfurt III signed and dated Kenneth Martin ‘79 (lower right), inscribed and numbered A.P 10/10 (lower left), signed, titled and inscribed again Martin/AP (on the reverse) screenprint, unframed sheet: 74 x 74 cm (29 x 29 in) £300 - 500

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MODERN & POST-WAR BRITISH ART

316 ARR

DAVID LEVERETT (1938-2020) Green Fields acrylic on canvas 127 x 101.6 cm (50 x 40 in) PROVENANCE: with Whitford Fine Art, London Private collection, where purchased by the present owner EXHIBITION: London, Redfern Gallery, 1965, no. 19, n.p., illustrated on page 120 of the catalogue Concern for the environment was a recurring theme for David Leverett. The artist was born in Nottingham and then moved to London to study at the Royal College of Arts. His works were part of a number of significant exibitions, such as 1966 Young Contemporaries, 1968 Britain Painting and Sculpture at the Whitechapel Gallery, among others. He exhibited in numerous prominent galleries from Venice to New York and his works are part of the Tate Collection, V&A and the Arts Council of Great Britain. £3,000 - 5,000

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317 ARR

ALAN DAVIE, R.A. (1920-2014) Indicators of a distant island signed, titled and dated Alan Davie/2011 (on the reverse) oil on board 30 x 25 cm (11 3/4 x 9 3/4 in) PROVENANCE: with Gimple Fils, London, where purchased by the present owner £1,000 - 2,000

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MODERN & POST-WAR BRITISH ART

318 ARR

ADRIAN HEATH (1920-1992) Composition black and green gouache 35 x 25.5 cm (13 3/4 x 10 in) PROVENANCE: Acquired from the artist’s estate from the present owner £1,500 - 2,500

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319 ARR

TREVOR BELL (1930-2017) Abstract composition, blue red and yellow signed and dated Bell ‘84 (lower right) pastel 27.5 x 35 cm (10 3/4 x 13 3/4 in) PROVENANCE: Acquired directly from the artist’s estate from the present owner £400 - 600

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MODERN & POST-WAR BRITISH ART

320 ARR

WILLIAM GEAR, R.A. (1915-1997) Abstract composition, blue and yellow signed and dated Gear ‘84 (lower right) pastel and gouache 57.5 x 39 cm (22 1/2 x 19 1/4 in) £500 - 700

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321 ARR

ALAN DAVIE, R.A. (1920-2014) Opus O.2264 Blue Moon signed, titled and dated Alan Davie/2011 (on the reverse) oil on board, unframed 30.5 x 25.5 cm (12 x 10 in) PROVENANCE: Aquired directly from the artist by the present owner £1,000 - 2,000

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MODERN & POST-WAR BRITISH ART

322 ARR

JOHN EDWARDS (1938-2009) Abstract composition signed and dated John Edwards/2005 (on the reverse) acrylic on canvas, unframed 25.5 x 25.5 cm (10 x 10 in) £100 - 200

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323 ARR

HAROLD COHEN (1928-2016) Central signed, titled and dated CENTRAL. JAN 1965/H. COHEN (on the backboard) oil and collage on canvas 76 x 102 cm (30 x 40 1/4 in) PROVENANCE: with Robert Fraser Gallery, London Sale, Christie’s, South Kensington, 30 June 2005, lot 355 EXHIBITED: Venice, XXXIII Esposizione Biennale Internazionale D’Arte, June-November 1966, no.

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A pioneer of Computer-Generated Art, Cohen is famous for the creation of AARON, the computer program designed to produce art autonomously.

In the 1960s, he was already a celebrated and well established abstract artist.

In 1966, he was one of the five British artists selected to represent Great Britain at the prestigious Venice Biennale. Central was one of the exhibited works in the pavilion, which aimed to showcase a new spirit of British painting and sculpture. Titled Five Young British Artists, the exhibition included pieces by Bernard Cohen, Robyn Denny and Richard Smith and Antony Caro.

£5,000 - 7,000

‘art is primarily about ideas, not about objects. But ideas can’t truly be said to exist until they are expressed and what can be expressed is, to a large degree, a function of what can be made: whether in literature, or in music or in art. Technology, at the most basic level, means the logic of making. So the artist engaged in pushing back the boundaries of current ideas has always been on the lookout for new ways of making appropriate forms – new technologies -- and has always developed high levels of expertise with respect to those ways.’

Harold Cohen (Public lecture at Tate Gallery, London, 2004)

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MODERN & POST-WAR BRITISH ART

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324 ARR

SIR TERRY FROST, R.A. (1915 - 2003) Lace II signed and dated Terry Frost ‘71 (lower right), numbered 19/100 (lower left), titled (on the reverse, lower left) collage and screenprint, unframed 53 x 93. 5 cm (21 x 35 3/4 in) LITERATURE: Kemp 60 £600 - 800

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MODERN & POST-WAR BRITISH ART

325 ARR

ALAN DAVIE, R.A. (1920–2014) The Studio Series (Opus D.74-15, ) signed, inscribed and dated ‘74 15 alan davie (lower left) ink 19.5 x 26 cm (7 3/4 x 10 1/4 in) PROVENANCE: Acquired from the artist by the present owner £600 - 800

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326 ARR

DAME ELISABETH FRINK, R.A. (1930-1993) Head I signed and numbered (lower right) screenprint sheet: 108 x 73.5 cm (42 x 29 in) PROVENANCE: with Wiseman Originals, London, where purchased by the present owner in 1998 £1,200 - 1,800

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MODERN & POST-WAR BRITISH ART

327 ARR

KENNETH ARMITAGE (1916-2002) Two figures signed with initials KA (lower right) ink and wash on paper 50 x 40 cm (19 3/4 x 15 3/4 in) £2,000 - 3,000

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328 ARR

PROPERTY FROM AN ENGLISH COLLECTION JOHN SKEAPING, R.A. (1901-1980) Two camels signed JOHN SKEAPING (lower right) charcoal 28 x 41 cm (11 x 16 in) PROVENANCE: Sir John Witt and by descent £150 - 250

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MODERN & POST-WAR BRITISH ART

329

PROPERTY FROM THE ESTATE OF MARY DONOVAN-ROUGHSEDGE (LOTS 329,376,396) ERIC GILL (1882-1940) The Second Sower signed EricG (lower right) pencil 26.5 x 10.5 cm (10 1/2 x 4 1/4 in) This is a study for the statue in the main reception in Broadcasting House, London PROVENANCE: with Abbot & Holder, London £1,000 - 1,500

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330 ARR

SIR JACOB EPSTEIN (1880-1959) Sleeping nude signed Epstein. (lower right) pencil and watercolour 42 x 57 cm (16 1/2 x 22 1/2 in) PROVENANCE: with Brook Street Gallery, London, where purchased by the present owner £700 - 1,000

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MODERN & POST-WAR BRITISH ART

331 ARR

JOHN MELVILLE (1902-1986) Seated nude signed with initials J.M. (lower right) charcoal 31 x 17 cm (12 1/4 x 6 3/4 in) £200 - 400

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332

EUSTON ROAD SCHOOL, 20TH CENTURY Seated nude oil on board 57.4 x 56 cm (22 1/2 x 22 in) £800 - 1,200

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MODERN & POST-WAR BRITISH ART

333 ARR

BERNARD DUNSTAN, R.A. (1920-2017) Standing figure in the bedroom signed with initials BD (lower left) pencil and pastel 18.7 x 13 cm (7 1/4 x 5 in) £400 - 600

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334 ARR

OLIVER MESSELL (1904-1978) Portrait of an artist signed and dated Oliver Messel/1940 (on the canvas overlap) oil on canvas 87.7 x 72.5 cm (34 1/2 x 28 1/2 in) PROVENANCE: Sale, Christie’s, South Kensington, 26 November 2013, lot 842, where purchased by the present owner Private collection, UK During World War II Messel served as an officer alongside fellow artist Julian Trevelyan.

Messel went on to win international acclaim for his exquisite taste and mastery of period style in revues, plays, films, interiors, buildings, musicals, operas and ballets, becoming one of the most sought-after and highly-paid scenery and costume designers of his era. The namesake suite that he designed at the Dorchester Hotel is preserved as part of Britain’s national heritage. £2,500 - 3,500

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MODERN & POST-WAR BRITISH ART

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335 ARR

GRAHAM SUTHERLAND, O.M. (1903-2008) Study for a portrait of Dr Árpád Plesch signed and dated Sutherland./13.XII.61/20.

III.62 (lower right), signed again with initals and inscribed STUDY/FOR/A PORTRAIT/OF ARPAD PLESCH/G.S (on the reverse) oil on canvas 67.3 x 65.4 cm (26 1/2 x 25 3/4 in) Painted in December 1961-March 1962 PROVENANCE: Commissioned by the sitter, Dr Árpád Plesch, 1961 Bequeathed to his wife, Madame Árpád Plesch, and by descent Sale; Thierry de Maigret, Paris, 19 December 2018, lot 220, where purchased by the present owner EXHIBITED: F. Arcangeli, Graham Sutherland, New York, 1975, p. 41, pl. 229 J. Hayes, exhibition catalogue, Portraits by Graham Sutherland, London, National Portrait Gallery, 1977, p. 26, no. 73, pl. 3 K. Roberts, Current and forthcoming exhibitions, The Burlington Magazine, August 1977, no. 893, vol. 119, p. 583, pl. 65 £5,000 - 7,000 Dr Árpád Plesch (1889-1974) was an international financier, banker and a lawyer. Born in Hungary, he studied at the University of Edinburgh before living in Germany, France, Switzerland and Italy. He was famous for is collection of drawings and books on botany and also for being the adviser of Giovanni Agnelli, president of Fiat. Plesch was introduced to Sutherland on a visit to London in December 1960 by Lord Beaverbrook and later commissioned a portrait by the artist.

Sutherland spent part of August and the most of September of the following year studying the sitter’s features which resulted in the creation of two versions of the portrait: one with a bright

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red background, which the sitter integrated in the panelling of his library in Villa Leonina and Study for a portrait of Dr Árpád Plesch, which was presented by the artist to Plesch’s widow in 1974, who kept it and gave the red version to her daughter.

The sitter’s clear forehead, confident gaze and determined expression showcase his powerful personality. Following on European tradition in portraiture, Sutherland captured Plesch’s passion for books by painting a red volume in his right arm. A powerful rhythm of movement has been created by the lively abstracted background. A master in portraiture, Sutherland focuses on the sitter’s face, hands and posture to capture their character, humanity and psychology.

Sutherland painted fewer than fifty portraits in the course of thirty years and was very selective refusing numerous commissions, focusing only on the ones that provided stimulus to his painting. On the one side, the physical element was crucial for him, similarly to the ‘hidden forms; he would find in a landscape, on the other side, the personality was of great importance: ’I…find it immensely fascinating.. to deal with people who have had pressures put upon them or who have the character necessary to direct great enterprises. There are psychological overtones in such people which is absorbing to try and render’ (G.S. quoted in J. Hayes, The Art of Graham Sutherland, Oxford, 1980, p. 33.)

MODERN & POST-WAR BRITISH ART

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336 ARR

R.B. KITAJ, R.A. (1932-2007) Robert Duncan signed and numbered Kitaj 98/150 (lower right) etching, unframed image: 15.5 x 15.5 cm (6 x 6 in) sheet: 52 x 40 cm (20 1/2 x 15 3/4 in) £200 - 400

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MODERN & POST-WAR BRITISH ART

337 ARR

DERRICK GREAVES (1927-2002) Portrait of a lady signed and dated Derrick Greaves ‘59 (lower right) pencil on paper 75 x 49.5 cm (29 1/2 x 19 1/2 in) It has been suggested that the sitter is poddibly Margaret Greaves £600 - 800

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MODERN & POST-WAR BRITISH ART

Works from the estate of Alan Thornhill (1921-2020) The following 16 lots feature sculpture, paintings and works on paper by sculptor Alan Thornhill who worked from his studio in Putney from 1960 onwards.

Alan Thornhill first trained as a potter, but during the 1950s was attracted increasingly to sculpture. Over the following sixty years he developed a range of innovative sculptural approaches and techniques to explore his abiding interest in clay and his fascination with the articulation of mass in a wide range of subject matter, large and small.

Explaining his methodology he wrote: ‘Deliberately devoid of “initial idea” my work is propelled by the process of improvisation. It evolves as an act of faith from an abstract into a figurative or at least an organic statement in accord with my general aspiration: to arrive by an uncharted route at images which strike home.’

Of Thornhill’s working process, his daughter Anna Thornhill wrote: [he] ‘pioneered a radical and improvisatory approach to clay work that involved dispensing with an internal armature and allowing content to emerge from his unconscious. Abstract pieces of the 1960s developed into large groups of figures. Pacifism, Jungian psychology and world conflicts were themes that emerged organically in his work.’ (The Guardian, 1 May 2020).

His sculptural output ranged from portrait heads of leading figures from the arts, education and politics, to a series of monumental life-sized figurative compositions that evolved from his imagination during the 1970s and 1980s.

Subjects for his heads included playwright Tom Stoppard and concert pianist and neighbour, Kathron Sturrock (lots 344 & 345). Nine of his large-scale works form the Putney Sculpture Trail. Inaugurated in 2008, the trail is the largest permanent outdoor sculpture collection by one artist in London. Two of Thornhill’s larger-scale works are included in this sale (lots 339 & 340).

Thornhill grew up in Fittleworth, West Sussex and was educated at Radley and New College, Oxford where he read History. During the War he served as an officer in the Gloucestershire Regiment, and took part in the D-Day Landings, but after the bombing of Dresden by the Allies he became a conscientious objector.

After the War, following Reichian therapy in Norway, Thornhill enrolled at Camberwell School of Art where he specialised in ceramics, and then spent a year at Farnham School of Art, further honing his skills as a ceramicist. In 1951 he set up Hawkley Pottery near Stroud and taught at Stroud School of Art. He sold his pots in Heal’s, and was selected for the Council of Industrial Design’s Index of Good Design.

But, as he tired of the repetitive nature of potting, so he explored the purely sculptural possibilities that clay offered, encouraged by friends Lynn Chadwick and Jack Greaves. Then, on being offered a teaching post at Kingston School of Art in 1959 he moved to London, where he set up a new studio in Putney. He later went on to teach sculpture at Morley College and the Frink School of sculpture.

Thornhill had several one-man shows, including at the Drian Gallery, Marble Arch; The National Theatre, South Bank; the Orangery, Holland Park; Putney Exchange; St Catherine’s College, Oxford; Kingscote Park, Gloucestershire and Galerie Jean Camion, Paris. In 2012 there was a major retrospective of his work at the Museum in the Park, Stroud.

For more information on the works of Alan Thornhill visit www.alanthornhill.co.uk

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MODERN & POST-WAR BRITISH ART

338

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353) ALAN THORNHILL (1921-2020) Self portrait signed with monogram AT (lower right) charcoal, unframed 69.5 x 51 cm (27 1/2 x 20 1/4 in) PROVENANCE: Artist’s estate £150 - 250

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339

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353) ALAN THORNHILL (1921-2020) Exit patinated terracotta 125 cm (49 1/4 in) high PROVENANCE: Artist’s estate A bronze cast of this work is in the collection of Stroud Museum. It was first shown at Galerie Jean Camion, rue des Beaux Arts, Paris in 1985. £700 - 1,000

My sculptures are concerned with the ordinary but diverse human predicament and stand, I hope, as a reminder of our shared humanity. They are improvised rather than preconceived. They are built with randomly pre-formed non-representational shapes made in firmed-up coarsely textured clay, which is the material I have always loved to work with.

The process is one of interplay with material in which the intervention of the unconscious with its ambiguities and probabilities is obediently heeded. The work evolves as an act of faith from an abstract into a figurative or at least an organic statement in accord with my general aspiration: to arrive by an uncharted route at images which strike home.

Alan Thornhill

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MODERN & POST-WAR BRITISH ART

340

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353) ALAN THORNHILL (1921-2020) Sequence patinated terracotta (mixed fire clay and red clay) 92.5 cm (36 1/2 in) high PROVENANCE: Artist’s estate Executed in Putney in 1974. Thornhill recalled of the title of the present work: ‘The name suggested because of a hint of dance in the piece.’ £700 - 1,000

‘The process is one of interplay with the material in which the intervention of the unconscious with its ambiguities and improbabilities is obediently heeded.

Deliberately devoid of ‘initial idea’ my work is propelled by the process of improvisation. It evolves as an act of faith from an abstract into a figurative or at least an organic statement in accord with my general aspiration: to arrive by an uncharted route at images which strike home.’

Alan Thornhill

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341

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353) ALAN THORNHILL (1921-2020) Labyrinth patinated terracotta (fire clay) 74 x 51 cm (29 x 20 in) Conceived in Putney in 1972 PROVENANCE: Artist’s estate £600 - 800

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My aspiration has been to achieve in the round objects inviting scrutiny from many angles and removes, challenging and hopefully affecting the viewer. With practice over time the displacement of attention away from the subject adds the complexities sensed as ‘content’ to creep or flow into the work from which the viewer, including the sculptor himself, can obtain an unfathomable degree of mystified satisfaction.’

Alan Thornhill

MODERN & POST-WAR BRITISH ART

342

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353) ALAN THORNHILL (1921-2020) Improvisation patinated terracotta 14.5 x 19.5 cm (5 3/4 x 7 3/4 in) Executed in Putney in 1973 PROVENANCE: Artist’s estate The present work was one of a series inspired by dance improvisation classes at the London School of Contemporary Dance. Thornhill’s life classes at Morley College were notable for his use of moving models. He encouraged his students to move themselves too, to better understand the sculptural sense of mass and weight in their own bodies. £200 - 300

343

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353) ALAN THORNHILL (1921-2020) The rescue signed, inscribed and numbered Thornhill/1ed IX (underneath) bronze 18.5 x 32.5 cm (7 1/4 x 12 3/4 in) PROVENANCE: Artist’s estate Executed in Putney in 1974, the inspiration for the present work was Thornhill’s study of lifeguards training in Putney swimming pool. £600 - 800

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MODERN & POST-WAR BRITISH ART

344

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353) ALAN THORNHILL (1921-2020) Tom Stoppard numbered 220 in silver pen (underneath) patinated terracotta 35 cm (13 3/4 in) high Tom Stoppard sat for this bust at his home in Iver, Buckinghamshire in 1973, a year after his play Jumpers had won the Evening Standard Award for Best Play and London Theatre Critics Award for Best New Play.

Thornhill was inspired by the immediacy of live theatre and was a great fan of Stoppard’s work.

He recalled of the present bust: ‘Dissatisfied with the first day’s attempt I did another in one day and felt I had made a breakthrough’.

Stoppard was born in Czechoslovakia in 1937.

When the Nazis invaded the country in 1939, his parents fled with their two sons to Singapore where his father was killed. His mother then took the chidren to India where she remarried, to a British army Major Kenneth Stoppard. After the War the family settled in the north of England, when Stoppard took his step-father’s name. After leaving Pocklington school at 17 he worked first as a journalist, and then as a theatre critic in Bristol whilst also developing his script writing. His first major break through as a playwright was with Rosencrantz and Guildernstern are Dead, first staged at the Edinburgh Fringe in the summer of 1966, and then in April 1967 by the National Theatre at the Old Vic. The NT production made Stoppard an overnight sensation. Many acclaimed plays have followed, amongst them The Real Inspector Hound (1968), Travesties (1975) and Arcadia (1993). His most recent play is Leopoldstadt (2020).

A bronze cast of the present work is in the Harry Ransom Center (in Austin, Texas), a humanities research centre, archive, library and museum at the University of Texas which has an extensive holding of Stoppard’s papers. £800 - 1,200

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57

345

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353) ALAN THORNHILL (1921-2020) Kathron Sturrock signed with monogram and numbered 282 (underneath) patinated terracotta 34 cm (13 1/4 in) high PROVENANCE: Artist’s estate Kathron Sturrock is a professional pianist and was a neighbour and friend of Thornhill’s when she lived in Lacy Road, Putney. She sat for the present work in the 1980s.

Sturrock has studied with a range of musicians, including Alfred Brendel and Mstislav Rostropovich. Twice winner of best pianist award at the Sofia International Opera Competition, she had her BBC Proms debut in 1994, and worked for several years with Elisabeth Schwarzkopf in her Master Classes throughout Europe. She is Piano Professor at the Royal College of Music, has an extensive discography, and is a founder member and Artistic Director of the eminent chamber ensemble The Fibonacci Sequence, now in its 24th year. £600 - 800

58

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MODERN & POST-WAR BRITISH ART

346

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353) ALAN THORNHILL (1921-2020) Jesse Martin numbered 255 (underneath) patinated terracotta 32.5 cm (12 3/4 in), high PROVENANCE: Artist’s estate Jesse Marin was friends with both Thornhill and his mother Bianca. Bianca and Jesse were members of the Order of the Cross, an organisation that promoted informal spiritual fellowship and compassion founded by John Todd Ferrier in 1904. £400 - 600

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59

347

60

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353)

PROVENANCE: Artist’s estate

ALAN THORNHILL (1921-2020) Equus signed with monogram AT (lower right) acrylic on canvas 88.5 x 98 cm (35 x 38 1/2 in) Painted in Stroud in 1997

Thornhill described his figurative paintings as ‘process paintings’, implying that they grew from his unconscious and were influenced by his dreams, which he recorded regularly.

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£500 - 700

MODERN & POST-WAR BRITISH ART

348

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353)

PROVENANCE: Artist’s estate

ALAN THORNHILL (1921-2020) Green man dust up signed with monogram (lower right) acrylic on canvas 101 x 91 cm (39 3/4 x 35 3/4 in) Painted in Stroud in 1997

See note to lot 347 £600 - 800

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61

349

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353) ALAN THORNHILL (1921-2020) Coming from behind signed with monogram AT (lower right), titled (on a label attached to the backboard) acrylic on canvas laid down on board 78 x 58 cm (30 3/4 x 22 3/4 in) Painted in Stroud in 1998 PROVENANCE: Artist’s estate See note to lot 347 £400 - 600

62

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MODERN & POST-WAR BRITISH ART

350

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353) ALAN THORNHILL (1921-2020) Recollection signed with monogram AT (lower right) acrylic on canvas laid down on board 37 x 54.5 cm (14 1/4 x 21 1/2 in) Painted in Stroud in 1999 PROVENANCE: Artist’s estate See note to lot 347 £200 - 300

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63

351

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353) ALAN THORNHILL (1921-2020) Female portrait head signed with monogram AT (lower right) charcoal, unframed 39 x 45 cm (15 1/2 x 17 1/2 in) £100 - 200

352

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353) ALAN THORNHILL (1921-2020) Landscape signed with monogram (lower right) charcoal, unframed PROVENANCE: Artist’s estate £100 - 200

64

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MODERN & POST-WAR BRITISH ART

353

PROPERTY FROM THE ESTATE OF ALAN THORNHILL (LOTS 338-353) ALAN THORNHILL (1921-2020) Still life signed with monogram AT (lower right) charcoal 54 x 74 cm (21 1/4 x 29 in) PROVENANCE: Artist’s estate £150 - 250

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65

354 ARR

PROPERTY FROM THE BEN URI GALLERY AND MUSEUM ALFRED WOLMARK (1877-1961) Tulips and daffodils signed and dated WOLMARK 1919 (lower right) oil on board 70.2 x 44.5 cm (28 x 18 in) PROVENANCE: Ben Uri Collection, London, purchased in 1930 EXHIBITED: London, Ben Uri Art Gallery, Exhibition of Paintings by A. A Wolmark (Konstam Collection), Dobrinsky Paris, and a selection of work from the Ben Uri Collection, 11 February – 4 March 1945, no. 9 London, Ben Uri Art Gallery, Ben Uri Collection of Paintings, Sculpture & Drawings, 25 March – 14 April 1946, no. 5 London, Ben Uri Art Gallery, Selections from the Permanent Collection, 1960, no. 74 London, Russell-Cotes Art Gallery and Museum, Paintings from the Ben Uri Art Gallery, 2-31 May 1970, exhibition unnumbered LITERATURE: W. Schwabe, J. Weiner (eds.), Jewish Artists: The Ben Uri Collection – Paintings, Drawings, Prints and Sculpture, London, 1994, p. 108 The funds realised from the sale of this lot will be reinvested in the Ben Uri Gallery and Museum collection mirroring the focus of the Ben Uri Research Unit recording the Jewish and immigrant contribution to British visual culture since 1900. For further information see benuri. org £3,000 - 5,000

66

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MODERN & POST-WAR BRITISH ART

355

PROPERTY FROM THE COLLECTION OF ALLEN & BERYL FREER (LOTS 306 & 355) ALLEN FREER (B.1926) Still life vase of flowers signed Freer (lower right) watercolour, gouache, charcoal and ink 66 x 44.5 cm (26 x 17 1/2 in) PROVENANCE: Allen & Beryl Freer An accomplished watercolourist, Allen’s work was published to illustrate both poetry and prose, and has been part of mixed shows at Agnew’s, the New Grafton Gallery, Spink and Sons, Robin Garton and with Austin/Desmond Fine Art. He also had solo shows at the Tib Lane Gallery in Manchester between 1970 and 1982. Allen Freer’s works are characterised by subtle colour. Their subject matter, composition and form are informed by his beloved artists.

Most painted places are experienced firsthand. Their compositions are full of movement, capturing the spirit of place of each landscape. £200 - 300

I have always loved painting and drawing. I have always loved paintings and drawings. I paint and I draw.

Allen Freer (From Allen Freer: manuscript about the earliest recollections of art in his life, written circa 1978.)

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67

356 ARR

ROWLAND HILDER (1905–1993) AND EDITH HILDER (B. AFTER 1904) Floral arrangement signed Rowland Hilder (lower right), signed Edith Hilder (lower left) gouache and ink 51.5 x 48 cm (20 1/4 x 19 in) £200 - 400

68

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MODERN & POST-WAR BRITISH ART

357 ARR

DOROTHY LARCHER (1882-1952) White pansies and auriculas oil on board 41 x 31 cm (16 x 12 1/4 in) PROVENANCE: Private collection, UK Famous for her work with textile designs in cooperation with Phyllic Barron, Larcher is known to have painted around fourty floral studies, twelve of which are in museum collections in the UK such as: The Wilson, Chelthenham, Manchester Art Gallery, Royal West of England Academy, Bristol Museum of Art, and Newport Museum and Art Gallery. £300 - 500

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69

358 ARR

DOROTHY LARCHER (1882-1952) Anemones and Hyacinthus signed and titled DOROTHY LARCHER (on a label attached to the reverse) oil on board 30.5 x 40.5 cm (12 x 16 in) Famous for her work with textile designs in cooperation with Phyllic Barron, Larcher is known to have painted around fourty floral studies, twelve of which are in museum collections in the UK such as: The Wilson, Chelthenham, Manchester Art Gallery, Royal West of England Academy, Bristol Museum of Art, and Newport Museum and Art Gallery. £300 - 500

70

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MODERN & POST-WAR BRITISH ART

359 ARR

DAPHNE CHARLTON (1909-1991) Still Life signed DAPHNE CHARLTON (on the reverse) oil on canvas 50.5 x 61 cm (20 1/4 x 24 in) PROVENANCE: Private collection, UK £200 - 300

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71

360 ARR

TESSA NEWCOMB (B.1955) Mackerel and Hyacinths titled Mackerel/and/Hyacinths (on the reverse) oil on board 30.5 x 61.4 cm (12 x 24 1/4 in) PROVENANCE: Acquired directly from the artist by the present owner £300 - 500

72

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MODERN & POST-WAR BRITISH ART

361 ARR

MARY FEDDEN, R.A. (1915-2012) Still life with a pumpkin and chillies in a window signed and dated Fedden 1969 (lower left) pencil, unframed 76 x 51 cm (30 x 20 in) PROVENANCE: Private collection, UK £800 - 1,200

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73

362 ARR

MARY POTTER (1900-1981) The black chair pencil and watercolour 22.8 x 13.4 cm (9 x 5 1/4 in) £500 - 700

74

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MODERN & POST-WAR BRITISH ART

363 ARR

MARY NEWCOMB, R.A. (1922–2008) The Ram signed with initials MN (lower right) watercolour and pencil 28.5 x 20 cm (11 x 8 in) £400 - 600

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75

364 ARR

CAREL WEIGHT, R.A. (1908–1997) The floods signed Carel Weight (lower left) oil on board 50.5 x 60.5 cm (20 x 23 3/4 in) PROVENANCE: Acquired directly from the artist by the present owner EXHIBITED: London, New Grafton Gallery, 25th September 1980, no. 31 £1,200 - 1,800

76

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MODERN & POST-WAR BRITISH ART

365 ARR

JEFFREY CAMP, R.A. (1923-2020) Landscape signed Jeffrey Camp (lower right) oil on board 46 x 76 cm (18 x 30 in) PROVENANCE: Private collection, UK £800 - 1,200

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77

366 ARR

JOSEF HERMAN, R.A. (1911-2000) Peasants with a donkey pencil, ink and watercolour 20 x 25.4 cm (8 x 10 in) £300 - 500

78

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MODERN & POST-WAR BRITISH ART

367 ARR

JOHN PIPER, C.H. (1903-1992) A rocky Welsh landscape ink 14 x 26.3 cm (5 1/2 x 10 1/4 in) PROVENANCE: with Berkley Square Gallery, London £1,200 - 1,800

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79

368 ARR

CAREL WEIGHT, R.A. (1908–1997) The conversation signed Carel Weight (lower left) oil on board 46 x 20.5 cm (18 x 8 in) PROVENANCE: Acquired directly from the artist by the present owner £1,000 - 2,000

80

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MODERN & POST-WAR BRITISH ART

369 ARR

KEITH VAUGHAN (1912-1977) Workmen ink 17.5 x 23 cm (6 3/4 x 9 in) PROVENANCE: Mrs W.Lipton with Nina Zborowska, Gloucester, where purchased by the present owner Private collection, UK £500 - 700

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81

370 ARR

TORY LAWRENCE (B.1945) Night fisherman signed with initials TL (lower right) oil on paper 57 x 41.4 cm (22 1/2 x 16 1/2 in) Executed in 2000 PROVENANCE: Private collection, UK £400 - 600

82

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MODERN & POST-WAR BRITISH ART

371 ARR

WILLIAM BOWYER (1926-2015) Sunset signed and dated William Bowyer 88 (lower right) oil on board 48 x 59 cm (19 x 23 1/4 in) PROVENANCE: Private collection, UK £500 - 700

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83

372 ARR

JOSEF HERMAN, R.A. (1911-2000) Man with a Donkey oil on panel 15 x 20 cm (6 x 8 in) £2,000 - 3,000

84

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MODERN & POST-WAR BRITISH ART

373 ARR

CAREL WEIGHT, R.A. (1908–1997) Gas works at Cambridge signed Carel Weight (upper left) oil on board 60.5 x 45.5 cm (23 3/4 x 18 in) PROVENANCE: Acquired directly from the artist by the present owner £1,500 - 2,500

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85

374 ARR

PROPERTY FROM THE ESTATE OF MARY DONOVAN-ROUGHSEDGE (LOTS329, 374, 396) MAURICE SHEPPARD (B. 1947) The Golden Valley, Symonds Yat signed MAURICE/SHEPPARD (lower right), titled (lower left) ink and watercolour 15 x 27 cm (6 x 10 1/4 in) £100 - 150

86

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MODERN & POST-WAR BRITISH ART

375 ARR

LAURENCE STEPHEN LOWRY, R.A. (1887-1976) Market scene in a Norther Town signed L.S. Lowry (in pencil, lower right) lithograph image: 45 x 60 cm (18 x 24 in) frame: 77 x 90.5 cm (30 1/2 x 35 3/4 in) Published by Patrick Seal Prints, London, edition of 750 £1,500 - 2,500

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87

376 ARR

SIMEON STAFFORD (B. 1956) Seaside fair oil on board 45.5 x 60.5 cm (18 x 32 3/4 in) £1,000 - 2,000

88

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MODERN & POST-WAR BRITISH ART

377 ARR

FRED YATES (1922-2008) The conversation signed Fred Yates (lower right) oil on canvas 46 x 38 cm (18 1/4 x 15 in) PROVENANCE: Fred Yates Studio Sale, Artcurial, Paris, 31 March 2014, lot 230, where purchased by the present owner Private collection, UK £800 - 1,200

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89

378 ARR

SIMEON STAFFORD (B.1956) The winner of the race signed Simeon (lower right) oil on board 19.5 x 24.5 cm (7 1/2 x 9 1/2 in) £300 - 400

90

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MODERN & POST-WAR BRITISH ART

379 ARR

DORA HOLZHANDLER (1928-2015) Female face signed and dated DORA HOLZHANDLER 1981 (lower right) ink and watercolour 30 x 25.5 cm (12 x 10 in) £150 - 250

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91

380 ARR

JOAN GILCREST (1918-2008) Having a gossip signed with initials JC (lower right) oil on paper 17.4 x 11 cm (6 3/4 x 4 1/2 in) £800 - 1,200

92

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MODERN & POST-WAR BRITISH ART

381 ARR

JOAN GILCREST (1918-2008) A windy day signed with initials JG (lower left), signed again and inscribed as title (on the reverse) oil on paper 21.7 x 15.4 cm (8 1/2 x 6 in) £800 - 1,200

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93

382 ARR

PATRICK HAYMAN (1915-1988) Still life, girl and ship signed HAYMAN (upper right), signed again, titled and dated 1984 (on the reverse) oil on canvas 41.5 x 51 cm (16 1/2 x 20 in) PROVENANCE: Sale, Chsirtie’s, South Kensington, 27 February 2008, lot 109, where purchased by the present owner Private collection, UK £1,000 - 2,000

94

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MODERN & POST-WAR BRITISH ART

383 ARR

ALAN DAVIE, R.A. (1920–2014) Fox watch VI (Series I) signed and dated Alan Davie ‘70 (lower right), inscribed and numbered 12/75 VI (lower left) lithograph, unframed image: 56.5 x 75.5 cm (22 1/4 x 29 3/4) sheet: 62.5 x 82 cm (24 3/4 x 32 1/4 in) £200 - 300

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95

384 ARR

PATRICK HAYMAN (1915-1988) Dearie signed, titled and dated DEARIE/Hayman/1972 (on the reverse) oil on canvas 50 x 25 cm (19 3/4 x 10 in) PROVENANCE: Sale, Christie’s, South Kensington, 12 October, 2010, lot. 110 Private collection, UK £800 - 1,200

96

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MODERN & POST-WAR BRITISH ART

385 ARR

PATRICK HAYMAN (1915-1988) Adam & Eve signed HAYMAN (lower left), signed again and titled (on the reverse) oil on board 35 x 25 cm (13 3/4 x 9 3/4 in) Painted in 1968 PROVENANCE: Sale, Lyon & Turnbull, Edinburgh, 29 August 2007, lot 22, where purchased by the present owner Private collection, UK EXHIBITED: London, Scottish Gallery of Modern Art, exhibition untraced £500 - 700

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97

386 ARR

JOHN MELVILLE (1902-1986) Reclining nude signed and dated John Melville 45 (lower left) ink, watercolour and gouache 25.5 x 24 cm (10 x 9 1/2 in) £500 - 700

98

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MODERN & POST-WAR BRITISH ART

387 ARR

JOHN MELVILLE (1902-1986) Girl on a swing signed J. Melville (lower right) pencil 23.5 x 21 cm (9 1/4 x 8 1/4 in) A study for a painting from the 1950s.

PROVENANCE: with Whitford Fine Art, London Private collection, UK £200 - 400

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99

388 ARR

JOSEF HERMAN, R.A. (1911-2000) Reclining nude pencil, ink and watercolour 19.4 x 24.5 cm (7 3/4 x 9 1/2 in) £300 - 500

100

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MODERN & POST-WAR BRITISH ART

389 ARR

PATRICK HAYMAN (1915-1988) Visionary person signed, titled and dated Patrick/Hayman/1972 (on the reverse) oil on canvas 19.2 x 24.2 cm (7 1/2 x 9 1/2 in) PROVENANCE: Barbara Hayman Sale, Christie’s, South Kensington, 15 July 2009, lot 9 Private collection, UK EXHIBITION: London, Hayward Gallery, Patrick Hayman, 1990, no. 98 £500 - 700

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101

390 ARR

JOHN EMMANUEL (B.1930) Standing nude with raised hands oil on paper laid down on board 151 x 54.5 cm (59 1/2 x 21 1/4 in) PROVENANCE: with Belgrave Gallery, St Ives, where purchased by the present owner in 2003 £500 - 700

102

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MODERN & POST-WAR BRITISH ART

391 ARR

JOHN EMMANUEL (B.1930) Standing nude signed John Emmanuel (lower right) oil on paper, laid down on board 86 x 42 cm (34 x 16 1/2 in) PROVENANCE: with Belgrave Gallery, St Ives, where purchased by the present owner in 2003 £400 - 600

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103

392 ARR

PATRICK HAYMAN (1915-1988) Moses and the burning bush signed, titled and dated PATRICK HAYMAN/1966 (on the reverse) oil on board 41 x 51 cm (16 x 20 in) PROVENANCE: with John Leech Gallery, Auckland £800 - 1,200

104

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MODERN & POST-WAR BRITISH ART

393 ARR

CHRISTOPHER CORR (B. 1955) Lions, Kruger Night Tour signed Christopher Corr (lower left) gouache 23.4 x 29.5 cm (9 1/4 x 11 3/4 in) Executed in 1997 PROVENANCE: with Berkley Square Gallery, London £300 - 500

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105

394 ARR

CAREL WEIGHT, R.A. (1908–1997) Lot and his daughters signed Carel Weight (lower right), signed again, inscribed and dated To John to celebrate/a wonderful film/from Carel/Jan 1982/ Lot and his daughters (on a label attached to the reverse) oil on board 28 x 16.2 cm (11 x 6 1/2 in) PROVENANCE: A gift from the artist to the present owner’s father, who in turn gifted the piece to the present owner Private collection, UK £600 - 800

106

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MODERN & POST-WAR BRITISH ART

395 ARR

DESMOND MORRIS (B.1928) Extinction Beckons signed and dated DM 58 (lower right) ink and gouache 21.5 x 26.5 cm (8 1/2 x 10 1/2 in) PROVENANCE: with The Mayor Gallery with Eric Franck Gallery, Geneva £500 - 700

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107

396 ARR

PROPERTY FROM THE ESTATE OF MARY DONOVAN-ROUGHSEDGE (LOTS 329, 374, 396) BRYAN ORGAN, R.A. (B. 1925) Study from plant form signed, titled and dated Sept 1965/Bryan Organ (lower left) charcoal and gouache 27 x 20 cm (11 x 8 in) £300 - 500

108

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MODERN & POST-WAR BRITISH ART

397 ARR

ALAN DAVIE, R.A. (1920–2014) Throne Launcher (Opus G.2472) signed and dated alan Davie ‘04 (lower right) gouache 17 x 20 cm (6 3/4 x 8 in) PROVENANCE: Acquired directly from the artist by the present owner £600 - 800

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109

398 ARR

ADRIAN HEATH (1920-1992) Abstract composition, orange pencil and gouache 35 x 25.5 cm (13 3/4 x 10 in) PROVENANCE: Acquired from the artist’s estate from the present owner £1,500 - 2,500

110

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MODERN & POST-WAR BRITISH ART

399 ARR

JOHN SELWAY (1938-2017) Head of a man signed and indistinctly inscribed Peasant... JH Selway (lower right) pencil, gouache and collage 27 x 21 cm (10 1/2 x 8 1/4 in) This lot is sold without a reserve £200 - 400

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111

400 ARR

WILLIAM GEAR, R.A. (1915-1997) Untitled signed and dated Gear ‘ 61 (lower right) gouache and acrylic on paper 71 x 51 cm (28 x 20 in) PROVENANCE: Acquired directly from the artist’s estate by the present owner £1,000 - 2,000

112

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MODERN & POST-WAR BRITISH ART

401 ARR

JOE TILSON, R.A. (B. 1928) Le Nove Muse: Epato signed and numbered Tilson/2005 (lower right), inscribed HC (lower left) screenprint and carborundum, unframed image: 38.25 x 28 cm (15. 1/4 x 11 in) sheet: 49.5 x 35 cm (19 3/4 x 14 in) £200 - 300

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113

402 ARR

JOE TILSON, R.A. (B. 1928) Le Nove Muse: Plyhymnia signed and numbered Tilson/2005 (lower right), inscribed HC (lower left) screenprint and carborundum, unframed image: 38.25 x 28 cm (15. 1/4 x 11 in) sheet: 49.5 x 35 cm (19 3/4 x 14 in) £200 - 400

114

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MODERN & POST-WAR BRITISH ART

403

PAUL NASH (1889–1946) Pattern paper designs wood engraving, unframed (i) 11.5 x 11.5 cm (4 1/2 in) (ii), (iii) 8 x 4 cm (3 x 1 1/2 in), mounted together Pattern designs from the original blocks, printed

by Curwen Press in 1928 for A Specimen Book of Pattern Papers.

PROVENANCE: with Modern British Gallery, London, where purchased by the present owner (3) £200 - 400

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115

404 ARR

BRIAN CHUGG (1926-2013) Evolving rock signed and dated Brian Chugg 1961 (lower right), signed again, inscribed and titled Evolving Rock 2a/16Gn/Brian Chugg (on a label attached to reverse) oil on canvas laid down on board 59 x 84 cm (24 x 34 in) £100 - 200

116

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MODERN & POST-WAR BRITISH ART

405 ARR

COLIN SELF (B. 1941) Plough signed and dated Colin Self 17th July 2006 (lower left) collage on paper 75 x 57.5 cm (29 1/2 x 22 1/2 in) £2,000 - 3,000

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117

406 ARR

JOHN PIPER, C.H. (1903-1992) Fortheringay, Northamptionshire signed John Piper (lower right) lithograph, unframed image: 48.5 x 68.5 cm (19 x 27 in) sheet: 60 x 82 cm (23 1/2 x 32 in) Published by the Curwen Studio, London in 1964, unumbered archive proof aside from the edition of 70 PROVENANCE: The Curwen Gallery Archive, where purchased by the present owner £400 - 600

118

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MODERN & POST-WAR BRITISH ART

407 ARR

JOHN PIPER, C.H. (1903-1992) Gedney, Lincolnshire signed John Piper (lower right) lithograph, unframed image: 77 x 51.5 cm (30 1/2 x 20 1/4 in) sheet: 82 x 59.5 cm (32 1/4 x 23 1/2 in) Published by the Curwen Studio, London in 1964, unumbered archive proof aside from the edition of 70 PROVENANCE: The Curwen Gallery Archive, where purchased by the present owner £400 - 600

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119

408 ARR

DENNIS CREFFIELD (1931-2018) Southwell, the East end at sunrise charcoal 93 x 101 cm (36 1/2 x 39 3/4 in) EXHIBITED: London, Hayward Gallery, English Cathedrals: Certified, no. 102, toured to Coventry, University of Warwick Arts Centre LITERATURE: D.Creffield, English Cathedrals, London, 1987, catalogue untraced £800 - 1,200

120

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MODERN & POST-WAR BRITISH ART

409 ARR

DENNIS CREFFIELD (1931-2018) Carlisle, from the South-West charcoal 101 x 92 cm (39 3/4 x 36 1/4 in) EXHIBITED: London, Hayward Gallery, English Cathedrals: Certified no. 74, toured to Coventry, University of Warwick Arts Centre LITERATURE: D.Creffield, English Cathedrals, London, 1987, catalgue untraced £800 - 1,200

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121

410 ARR

GEOFFREY CLARKE, R.A. (1924-2014) Birth of a flower signed Clarke (lower right), inscribed, dated and numbered 1/1951 31/50 (lower left) etching and aquatint, unframed image: 21.25 x 44.75 cm (8 1/2 x 17 3/4 in) sheet: 28.75 x 50 cm (11 1/2 x 19 3/4 in) £300 - 500

122

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MODERN & POST-WAR BRITISH ART

411 ARR

PERCY KELLY (1918–1993) Still life signed and dated Percy Kelly 1968 (lower right), numbered 1/75 (lower left) etching, unframed image: 25.5 x 32.5 cm (10 x 12 3/4 in) sheet: 39.5 x 50.5 cm (15 1/2 x 20 in) £600 - 800

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123

412 ARR

STANLEY WILLIAM HAYTER (1901-1988) Death of Hector, the full set of nine plates signed and numbered 246/300 (in the lower margin) etching, unframed sheet: 39.5 x 28.5 cm (15 1/2 x 11 1/4 in) Sold together with the book in the original set £500 - 700

124

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MODERN & POST-WAR BRITISH ART

413 ARR

JULIAN TREVELYAN, R.A. (1910-1988) Heathrow signed Julian Trevelyan (lower right), titled (lower centre), numbered 8/52 (lower left) etching with aquatint, unframed image: 35 x 48 cm (13 3/4 x 19 in) sheet: 46 x 58 cm (18 x 22 3/4 in) £400 - 600

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125

414 ARR

DAME ELISABETH FRINK, R.A. (1930-1993) Owl signed Frink (lower right), numbered 73/75 (lower left) etching with aquatint image: 53 x 45.5 cm (21 x 18 in) sheet: 89.5 x 61 cm (35 1/4 x 24 in) £1,000 - 1,500

126

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MODERN & POST-WAR BRITISH ART

415 ARR

PERCY KELLY (1918-1993) Thistles signed and dated Percy Kelly 1968 (lower right), numbered 1/75 (lower left) etching, unframed image: 35.5 x 26 cm (14 x 10 1/4 in) sheet: 51 x 40 cm (20 x 15 3/4 in) £400 - 600

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127

416 ARR

CRAIGIE AITCHISON, R.A. (1926–2009) Still life with Bird Vase signed dated and numbered Craigie Aitchison 278/300 2004 (on the reverse) screenprint, unframed 28 x 22 cm (11 x 8 1/2 in) Sold together with the book and original sleeve: F. Fleming & D. Barber, Craigie Aitchison: Pictures, Advanced Graphics, London, 2004 £500 - 700

128

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MODERN & POST-WAR BRITISH ART

417 ARR

ALAN DAVIE, R.A. (1920–2014) Mosque Dream (Opus O.1639) signed, titled and dated Alan Davie ‘03 (on the reverse) oil on board, unframed 36 x 41 cm (14 1/4 x 16 in) PROVENANCE: Acquired directly from the artist by the present owner £800 - 1,200

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129

418 ARR

DAVID AUSTEN (B.1960) Two red figures signed and dated David Austen 23.5.87 (lower left) gouache 32 x 24.5 cm (12 1/2 x 9 3/4 in) PROVENANCE: with Anthony Reynolds Gallery, London Sale, Bonhams, London, 15 June 2004, lot 222, where purchased by the present owner £600 - 800

130

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MODERN & POST-WAR BRITISH ART

419 ARR

SIR EDUARDO PAOLOZZI, R.A. (1924-1962) Study for Drummond House The Wealth of Nations signed, inscribed and dated Study for Drummond House/the wealth of nations/For Nancy/A/P/ Eduardo Paolozzi 1993 (alonhg the lower margin) lithograph image: 18.7 x 24 cm (7 1/4 x 9 1/2 in) PROVENANCE: A gift from the artist to the present owner £200 - 400

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131

420 ARR

JOHN SELWAY (1938-2017) Bathing Hut mixed media 24.5 x 34.7 cm (9 3/4 x 13 3/4 in) This lot is sold without a reserve £200 - 400

421 ARR

JOHN SELWAY (1938-2017) The beach signed, inscribed and dated The beach ... 02 J.H.Selway (lower right) pencil and waterclour 37.2 x 26.7 cm (14 1/2 x 10 1/4 in) This lot is sold without a reserve £150 - 250

132

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MODERN & POST-WAR BRITISH ART

422 ARR

JAMES FARRELLY (B. 1959) Beach scene signed and dated James Farrelly ‘96 (on the reverse) oil on canvas 100 x 129.5 cm (39 1/2 x 51 in) £400 - 600

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133

423 ARR

MIKE FRANCIS (B. 1938) Topped and Tailed signed FRANCIS (lower right), variously inscribed oil on canvas with cans and cigarettes, rotating centre 150 x 120 cm (60 x 46 cm) Executed in the 1970s.

PROVENANCE: Acquired directly from the artist by the present owner £2,000 - 3,000

134

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MODERN & POST-WAR BRITISH ART

424 ARR

SIR PETER BLAKE, R.A. (B. 1932) Series 83, French postcard signed and dated Peter Blake 1969 (lower right), inscribed Artist’s Proof No.1. (lower left), signed again, and inscribed Blake Series 83 / 2913 (on the reverse) silkscreen, unframed sheet: 43 x 27.5 cm (17 x 10 3/4 in) £200 - 300

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135

425 ARR

IVOR ABRAHAMS, R.A. (1935–2015) La Méditerranée, full set of sixteen all signed and dated Ivor Abrahams ‘94 (lower right), all inscribed AP (lower left) all lithographs with ceramic maquette, unframed each image: 11.75 x 17.75 cm (4 1/2 x 7 in) each sheet: 33.25 x 42.25 cm (13 x 16 1/2 in) (16) £400 - 600

136

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MODERN & POST-WAR BRITISH ART

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137

426 ARR

COLIN SELF (B. 1941) Golden landscape signed, inscribed and dated Colin Self Finished 16.12.2005 (lower left) collage on card 50 x 33 cm (19 1/2 x 13 in) £1,200 - 1,800

138

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MODERN & POST-WAR BRITISH ART

427 ARR

PATRICK CAULFIELD, R.A. (1936–2005) Ah! This life is so everyday screenprint image: 40.5 x 35.5 cm (16 x 14 in) sheet: 61.5 x 55 cm (24 1/4 x 21 3/4 in) edition of 100, published in 1973, from The Poems of Jules Laforgue, Edition C PROVENANCE: with Alan Cristea Gallery, London £200 - 300

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139

428

THEO MENDEZ (1934-1999) Yachts at Glen Cove USA signed and dated Theo Mendez 1989 (on the canvas overlap) acrylic on canvas, unframed 76 x 76 cm (30 x 30 in) PROVENANCE: Artist’s estate EXHIBITED: London, Jermyn Street Gallery, 1998, no. 136, catalogue untraced £400 - 600

140

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MODERN & POST-WAR BRITISH ART

429 ARR

JOHN HOYLAND, R.A. (1934–2011) Rivers of surprise from The Italian Etchings series signed and dated John Hoyland ‘89 (lower right), numbered 25/50 (lower left) etching and aquatint, unframed image: 64 x 49.5 cm (25 x 19 1/2) sheet: 89.5 x 69.5 cm (351/4 x 27 1/4 in) £400 - 600

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141

430 ARR

ALLEN JONES, R.A. (B. 1937) The Tree, from the Islands series signed and dated Allen Jones ‘88 (lower right), inscribed and numbered AP / 7/10 (lower left); lithograph in colours, unframed sheet: 75 x 106 cm (29 1/2 x 42 in) £350 - 550

142

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MODERN & POST-WAR BRITISH ART

431 ARR

ALLEN JONES, R.A. (B. 1937) Improvisation, from the Islands series signed and dated Allen Jones ‘88 (lower right), inscribed and numbered AP / 7/10 (lower left) lithograph in colours, unframed sheet: 75 x 106 cm (29 1/2 x 42 in) £300 - 500

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143

432 ARR

WILLIAM GEAR, R.A. (1915-1997) Untitled signed and dated Gear ‘67 (lower right) pastel and gouache 28 x 38 cm (11 x 15 in) PROVENANCE: Acquired directly from the artist’s estate by the present owner £600 - 800

144

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MODERN & POST-WAR BRITISH ART

433 ARR

JOHN HOYLAND, R.A. (1934-2011) Ekel from the English Etching Series signed and dated John Hoyland ‘86 (lower right), inscribed and numbered 9/10 AP (lower left) etching and aquatint, unframed image: 27 x 25 cm (10 3/4 x 10 in) sheet: 60 x 50.5 cm (23 1/2 x 20 in) £300 - 500

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145

434 ARR

JOHN HOYLAND, R.A. (1934-2011) Bouquet signed and dated John Hoyland ‘83 (lower right), inscribed and numbered AP 8/10 (lower left) etching and aquatint, unframed image: 98.25 x 79.25 cm (38 3/4 x 31 1/4 in) sheet: 121 x 91 cm (47 1/2 x 35 1/4 in) £300 - 500

146

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MODERN & POST-WAR BRITISH ART

435 ARR

JOHN MCLEAN (1939-2019) Two abstract forms from the mount of joy suite (i), (ii) signed with initials, dated and stamped ‘95 (lower right) (i) numbered 40/40 (lower right) (ii) numbered and stamped 27/40 (lower left) (i), (ii) lithograph, unframed (i), (ii) sheet: 75.25 x 56 cm (29 1/2 x 22 in) (2) £300 - 500

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147

436 ARR

JOHN HOYLAND, R.A. (1934–2011) King from the Italian Etchings series signed and dated John Hoyland ‘89 (lower right), numbered 46/50 (lower left) etching and aquatint, each unframed image: 63.5 x 50 cm (25 x 19 3/4) sheet: 90.5 x 69.5 cm (35 1/2 x 27 1/4 in) £400 - 600

148

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MODERN & POST-WAR BRITISH ART

437 ARR

JOHN HOYLAND, R.A. (1934–2011) Captive circle from the Italian Etchings series signed and dated John Hoyland ‘89 (lower right), numbered 63/65 (lower left) etching and aquatint, unframed image: 63.5 x 50 cm (25 x 19 3/4) sheet: 90.5 x 69.5 cm (35 1/2 x 27 1/4 in) £400 - 600

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149

438 ARR

ANTHONY HILL (1930-2020) Parity Study in Blue and Red signed and inscribed Anthony Hill AP (lower right) screenprint, unframed sheet: 71 x 83 cm (28 x 32 1/2 in) Published in 1971 £150 - 250

150

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MODERN & POST-WAR BRITISH ART

439

THEO MENDEZ (1934-1999) Red Abstract Homage to Kandinsky acrylic on canvas, unframed 122 x 122 cm (48 x 48 in) PROVENANCE: Artist’s estate EXHIBITED: London, Highgate Fine Art, 2001, no. 102, catalogue untraced £500 - 700

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151

440 ARR

PATRICK CAULFIELD, R.A. (1936–2005) Vessel signed and numbered Patrick Caulfield 26/35 (lower right), titled (lower left) screenprint, unframed image: 94 x 65.5 cm (37 x 25 3/4 in) sheet: 116 x 87 cm (45 3/4 x 34 1/4 in) Published in 1987 in Kelprea Studio £400 - 600

152

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MODERN & POST-WAR BRITISH ART

441 ARR

PATRICK CAULFIELD, R.A. (1936–2005) Lung Ch’uan Ware and Window from White Ware Prints signed and numbered Patrick Caulfield 43/45 (lower right) screenprint, unframed image: 79 x 53 cm (31 x 21 in) sheet: 107 x 81 cm (42 x 32 in) Published in 1990 £400 - 600

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153

442 ARR

PATRICK CAULFIELD, R.A. (1936–2005) Lamp and Kuan Ware from White Ware Prints signed and numbered Patrick Caulfield 41/45 (lower right) screenprint, unframed image: 79.4 x 53.3 cm (31 x 21 in) sheet: 107 x 81 cm (42 x 32 in) £400 - 600

154

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MODERN & POST-WAR BRITISH ART

443 ARR

PATRICK CAULFIELD, R.A. (1936–2005) Lamp and Lung Ch’uan Ware signed and numbered Patrick Caulfield 22/45 (lower right) screenprint, unframed image: 79 x 53 cm (31 x 21 in) sheet: 107 x 81 cm (42 x 32 in) £400 - 600

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155

444 ARR

SIR PETER BLAKE, R.A. (B.1932) To Her Majesty the Queen Elizabeth II signed Peter Blake (lower right), numbered 128/150 (lower left) image: 30 x 21 cm (11 x 8 1/4 in) Published in 2016 to coincide with the Art Car Boot Fair £500 - 700

156

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MODERN & POST-WAR BRITISH ART

445 ARR

R.B. KITAJ, R.A. (1932-2007) Chris Prater signed Kitaj (lower right), inscribed AP (lower left) screenprint, unframed image: 58.5 x 45.5 cm (23 x 18 in) sheet: 75 x 60 cm (29 1/2 x 23 1/2 in) In 1957, with his wife Rose Kelly, Chris Prater founded the Kelpra Studio (the name a combination of their two surnames) in Kentish Town; in the 1960s produced many prints for the leading artists of the day. 1970, Arts Council exhibition “Kelpra Prints” at the Hayward Gallery; 1980 exhibition at the Tate celebrating Prater’s gift of 1,500 prints £150 - 250

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157

446 ARR

VICTORIA RUSSELL (B. 1965) The Audience II signed and dated V. Russell ‘97 (on each canvas overlap) oil on canvas, triptych, unframed 210 x 226 cm (82 3/4 x 89 in), three panels together PROVENANCE: with Cassian de Vere Cole Fine Art, London EXHIBITED: London, Cassian de Vere Cole Fine Art, Victoria Russell: Paintings, November 1997 I like the moment of animation when everyone bursts into applause, a coming together of everybody... I like the way audiences dress up.

There is a sort of theatre about the way people look, the sparkling earrings, the costumes.

Victoria Russell, The Times A figurative painter from Hackney, in 2000 Russell won one of the most prestigious awards, the National Portrait Gallery’s BP Portrait Award. The Audience II is an ambitious, confident large-scale work. The fine amount of controlled detail imbues the piece with particular energy and makes the excitement of the audience palpable to the viewer. The central figure is possibly based on Zoe Ball, famous for being the first female host of The Radio 1 & 2 Breakfast Show for the BBC and presenting Live and Kicking at the BBC. In 2005 she reached third place as a contestant in the TV show Strictly Come Dancing partnered with Ian Waite. £1,500 - 2,500

158

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MODERN & POST-WAR BRITISH ART

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159

447 ARR

MIKE FRANCIS (B. 1938) I will let you down signed Francis (lower right), titled (lower left) oil on canvas 34 x 47 cm (13 1/2 x 18 1/2 in) £1,000 - 2,000

160

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MODERN & POST-WAR BRITISH ART

448 ARR

SIR PETER BLAKE, R.A. (B. 1932) I is for Idols signed Peter Blake (lower right), titled (lower centre), numbered 44/85 (lower left) lithograph image: 72 x 50.5 (28 1/4 x 20 in) £500 - 700

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161

449 ARR

CLIVE BARKER (B. 1940) Superman signed, titled, dated and numbered Superman/ Clive Barker/2000/5/10 (on a metal label underneath) aluminium, stainless steel 43.2 cm (17 in), high LITERATURE: A.J. Fermon and M. Livingstone, Clive Barker Sculpture: Catalogue Raisonné 1958-2000, Milan, 2002,no. 380, another cast illustrated £1,200 - 1,800

162

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MODERN & POST-WAR BRITISH ART

450 ARR

CLIVE BARKER (B. 1940) London Bus Study signed, inscribed and dated LONDON BUS STUDY/CLIVE BARKER/2003 (underneath) polished aluminium 21.2 cm (8 1/4 in), long PROVENANCE: Acquired directly from the artist by the present owner LITERATURE: A.J. Fermon and M. Livingstone, Clive Barker Sculpture: Catalogue Raisonné 1958-2000, Milan, 2002, catalogue untraced £700 - 1,000

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163

451 ARR

SIR EDUARDO PAOLOZZI, R.A. (1924-2005) Nettleton signed and dated Eduardo Paolozzi 1977 (lower right), numbered 51/200 (lower left) screenprint image: 85 x 53.5 cm (33 1/2 x 21 in) From Calcium Light Night 1974-6 £300 -500

164

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MODERN & POST-WAR BRITISH ART

452 ARR

SIR EDUARDO PAOLOZZI, R.A. (1924-2005) Allegro Moderato Fireman’s Parade signed and dated Eduardo Paolozzi 1974 (lower right), numbered 51/200 (lower left) screenprint image: 85 x 53.5 cm (33 1/2 x 21 in) From Calcium Light Night 1974-6 £300 - 500

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165

453 ARR

CRAIGIE AITCHISON, R.A. (1926-2009) Pink crucifixion signed Cragie Aitchison (lower right), numbered 45/50 (lower left) etching, aquatint and carborundum in colours, unframed sheet: 76.25 x 65 cm (30 x 25 1/2 in) £1,500 - 2,000

166

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MODERN & POST-WAR BRITISH ART

454 ARR

PAUL RUDALL (1921-2012) White shades signed P.Rudall (lower right) oil on hand-made khadi paper 72 x 72 cm (28 1/4 x 28 1/4 in) PROVENANCE: Artist’s estate £350 - 550

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167

455 ARR

ALAN DAVIE, R.A. (1920-2014) Sumo (Opus O.2259) signed, inscribed and dated O.2259/Alan Davie/ SUMO/2011 (on the reverse) oil on board, unframed 30.5 x 25.4 cm (12 x10 in) PROVENANCE: Acquired directly from the artist by the present owner £1,000 - 2,000

168

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MODERN & POST-WAR BRITISH ART

456 ARR

ALAN DAVIE, R.A. (1920-2014) A Flower For Good Fortune (Opus O.1559) signed, inscribed and dated Alan Davie/2002/A FLOWER FOR GOOD FORTUNE/OPUS O.1559 (on the reverse) oil on board 24.7 x 25.4 cm (9 3/4 x 10 in) PROVENANCE: Acquired directly from the artist by the present owner £2,000 - 3,000

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169

457 ARR

KENNETH ARMITAGE R.A. (1916–2002) Two figures signed and dated Kenneth Armitage ‘53 (lower left), numbered 26/50 (lower right) lithograph, unframed image: 41.5 x 26.5 cm (16 1/4 x 10 1/2 in) sheet: 50.5 x 32 cm (20 x 12 1/2 in) £500 - 700

170

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MODERN & POST-WAR BRITISH ART

458

KRISTIN BERGE (20TH CENTURY, BRITISH) Composition II signed with initials and dated KB/1961 (lower right), signed again and titled (on a label attached to the reverse) oil on canvas 40.5 x 50.5 cm (16 x 19 3/4 in) £300 - 500

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171

459 ARR

R.B. KITAJ, R.A. (1932-2007) The Jewish question; Belgian letters; Hours with men and books (i) signed with initials R.K (lower right) (ii) signed and dated Kitaj 66/70 (lower right) (iii) signed and dated Kitaj 59/70 (lower right) screenprint, unframed (i) image: 50. 5 x 33. 5 cm (20 x 13 1/4 in) (i) sheet: 77. 5 x 57 cm (30 1/2 x 22 1/2 in) (ii) image: 53.25 x 42.5 cm (21 x 16 3/4 in) (ii) sheet: 75 x 55.25 cm (29 1/2 x 21 3/4 in) (iii) two images: each 34 x 51 cm (13 1/4 x 20 in) (iii) sheet: 75.25 x 55 cm (29 1/2 x 21 1/2 in) (3) £200 - 300

172

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MODERN & POST-WAR BRITISH ART

460 ARR

SIR PETER BLAKE, R.A. (B. 1932) O is for Ornithology signed Peter Blake (lower right), titled (lower centre), numbered 45/95 (lower left) screenprint, unframed image: 72.5 x 51 cm (28 1/2 x 20 in) sheet: 102.5 x 78.5 cm (40 1/4 x 30 3/4 in) £400 - 600

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173

461 ARR

R.B. KITAJ, R.A. (1932-2007) Michael Hamburger signed and numbered Kitaj 29/70 (upper right) screenprint, unframed sheet: 55 x 52 cm (21 1/2 x 20 1/2 in) £100 - 200

174

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MODERN & POST-WAR BRITISH ART

462 ARR

SIR EDUARDO PAOLOZZI, R.A. (1924-2005) Death’s head signed and dated Eduardo Paolozzi 1995 (lower right), numbered 9/30 (lower left) screenprint, unframed image: 18 x 25.5 cm (7 x 10 in) sheet: 37 x 46 cm (14 1/2 x 18 in) £100 - 200

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175

463 ARR

PATRICK CAULFIELD, R.A. (1936–2005) Arita Flask signed and numbered Patrick Caulfield 18/45 (lower right) screenprint, unframed image: 79 x 53 cm (31 x 21 in) sheet: 107 x 81 cm (42 x 32 in) From the White Ware suite published in 1990 £400 - 600

176

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MODERN & POST-WAR BRITISH ART

464 ARR

PATRICK CAULFIELD, R.A. (1936-2005) Lung Ch’uan Ware and black lamp screenprint image: 79 x 53 cm (31 x 20 3/4 in) £600 - 800

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177

465 ARR

WILLIAM CROZIER, R.A. (1930-2011) Verona Garden signed and dated William Crozier 2007 (lower right), titled (lower centre), numbered 72/80 (lower left) lithograph in colours, unframed image: 48 x 59 cm (19 x 23 1/4 in) sheet: 69.5 x 90 cm (27 1/4 x 35 1/2 in) £500 - 700

178

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MODERN & POST-WAR BRITISH ART

466 ARR

WILLIAM CROZIER, R.A. (1930-2011) Labyrinth signed and dated William Crozier 2007 (lower right), titled (lower centre), inscribed A/P (lower left) lithograph in colours, unframed image: 47.5 x 59 cm (18 3/4 x 23 1/4 in) sheet: 61 x 81 cm (24 x 31 3/4 in) £500 - 700

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179

467 ARR

ALAN DAVIE, R.A. (1920-2014) Fox watch III (Series I) signed and dated Alan Davie ‘70 (lower right), inscribed and numbered 55/75 III (lower left), inscribed again Fox Hunt #3 Davie N543 (on the reverse) lithograph, unframed image: 56.5 x 75.5 cm (22 1/4 x 29 3/4) sheet: 62.5 x 82 cm (24 3/4 x 32 1/4 in) £200 - 300

180

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MODERN & POST-WAR BRITISH ART

468

PAUL RUDALL (1921-2012) Out of the blue signed P.Rudall (lower left) oil on paper 65 x 65 cm (25 1/2 x 25 1/2 in) PROVENANCE: Artist’s estate £250 - 450

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181

469 ARR

JULIAN TREVELYAN, R.A. (1910-1988) Holland signed Julian Trevelyan (lower right), titled (lower centre), numbered 8/52 (lower left) etching and aquatint, unframed image: 48 x 35 cm (19 x 13 3/4 in) sheet: 59 x 46 cm (23 1/4 x 18 in) £300 - 500

182

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MODERN & POST-WAR BRITISH ART

470 ARR

PATRICK CAULFIELD, R.A. (1936–2005) Arita Flask, Black signed and numbered Patrick Caulfield 24/45 (lower right) screenprint, unframed image: 79 x 53 cm (31 x 21 in) sheet: 107 x 81 cm (42 x 32 in) From the Wite Ware suite published in 1990 £400 - 600

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183

471 ARR

TREVOR BELL (1930-2017) Abstract composition green and black signed and dated T Bell 8.84 (lower right) pastel and gouache 27 x 34.5 cm (10 1/2 x 13 1/2 in) £400 - 600

184

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MODERN & POST-WAR BRITISH ART

472 ARR

SIR EDUARDO PAOLOZZI, R.A. (1924-2005) Largo to Presto signed and dated Eduardo Paolozzi 1974 (lower right), numbered 51/200 (lower left) screenprint image: 85 x 53.5 cm (33 1/2 x 21 in) From Calcium Light Night 1974-7 £300 - 500

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185

473 ARR

SIR EDUARDO PAOLOZZI, R.A. (1924–2005) Three cogs, two small feet, one large foot and a hand plaster 12 cm (5 in), and similar PROVENANCE: with Marcus Campbell, where purchased by the present owner in 2006 (7) £250 - 350

186

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MODERN & POST-WAR BRITISH ART

474 ARR

JOHN EMMANUEL (B.1930) Standing nude facing away signed John Emmanuel (lower right) oil on board 97.6 x 66 cm (38 1/2 x 26 in) PROVENANCE: with Belgrave Gallery, St Ives, where purchased by the present owner in 2003 £400 - 600

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187

475 ARR

SIR EDUARDO PAOLOZZI, R.A. (1924-2005) The Children’s Hour signed and numbered Eduardo Paolozzi 51/200 (lower left) screenprint image: 85 x 53.5 cm (33 1/2 x 21 in) From Calcium Light Night 1974-7 £300 - 500

188

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MODERN & POST-WAR BRITISH ART

476 ARR

477 ARR

CLIVE BARKER (B. 1940) Noddy and his car signed, titled and dated NODDY AND HIS CAR/ CLIVE BARKER/2000/ 6/25 (on the reverse) polished aluminium 13.5 cm (5 1/4 in), high

CLIVE BARKER (B. 1940) What’s up doc signed, inscribed, dated and numbered What’s up Doc/CLIVE BARKER/2001/ 2 1/3 (on the reverse) polished aluminium 16.5 cm (6 1/2 in), high

PROVENANCE: Acquired directly from the artist by the present owner LITERATURE: A.J. Fermon and M. Livingstone, Clive Barker Sculpture: Catalogue Raisonné 1958-2000, Milan, 2002, catalogue untraced £600 - 800

PROVENANCE: Acquired directly from the artist by the present owner LITERATURE: A.J. Fermon and M. Livingstone, Clive Barker Sculpture: Catalogue Raisonné 1958-2000, Milan, 2002, catalogue untraced £700 - 1,000

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189

478 ARR

CLIVE BARKER (B. 1940) Basil Brush signed, titled and dated CLIVE BARKER/2001/ BASIL BRUSH (on the reverse) polished aluminium 22.3 cm (8 3/4 in), high PROVENANCE: Acquired directly from the artist by the present owner LITERATURE: A.J. Fermon and M. Livingstone, Clive Barker Sculpture: Catalogue Raisonné 1958-2000, Milan, 2002, catalogue untraced £700 - 1,000

190

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MODERN & POST-WAR BRITISH ART

479 ARR

CLIVE BARKER (B. 1940) Andy Capp signed, titled, dated and numbered ANDY CAPP/ CLIVE BARKER/1978/5/6 (on the reverse) polished aluminium 24.5 cm (9 1/2 in), high PROVENANCE: Acquired directly from the artist by the present owner LITERATURE: A.J. Fermon and M. Livingstone, Clive Barker Sculpture: Catalogue Raisonné 1958-2000, Milan, 2002, catalogue untraced £600 - 800

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191

480 ARR

SIR PETER BLAKE, R.A. (B. 1932) Penny Black signed Peter Blake (lower right), inscribed A/P (lower left) screenprint, unframed image: 23 x 11.5 cm (9 x 4 1/2 in) sheet: 46 x 30 cm (18 x 11 3/4 in) £500 - 700

192

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MODERN & POST-WAR BRITISH ART

481 ARR

482 ARR

SIR PETER BLAKE, R.A. (B. 1932) B is for boxer signed Peter Blake (lower right), titled (lower centre), numbered 45/95 (lower left) screenprint, unframed image: 72.5 x 52 cm (28 1/2 x 20 1/2 in) sheet: 102.5 x 77.5 cm (40 1/4 x 30 1/2 in)

SIR PETER BLAKE, R.A. (B. 1932) Everly brothers signed Peter Blake (lower right), numbered 45/95 (lower left) screenprint, unframed image: 72.5 x 51 cm (28 1/2 x 20 in) sheet: 102.5 x 78.5 cm (40 1/4 x 31 in)

£400 - 600

£200 - 300

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483 ARR

PETER PHILLIPS (B. 1939) Nude in an interior; Seated lady with a dog; Woman overlooked (i), (ii), (iii) signed and dated Phillips ‘89 (lower right) (i) numbered 7/20 (lower left) (ii), (iii) numbered 5/20 (lower left) etching, unframed (i), (ii), (iii) sheet: 76 x 56 cm (30 x 22 in) (3) £200 - 300

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MODERN & POST-WAR BRITISH ART

484 ARR

GERALD LAING (1936-2016) Anna Karina signed and inscribed Anna Karina AP Gerald Laing 1963-2004 (in the lower margin) screenprint image: 87.5 x 52.3 cm (34 1/2 x 20 1/2 in) Published in 2004 This piece is based on a newspaper photograph of the head of French film star Anna Karina in the leading role of the film Vivre sa Vi. £400 - 600

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485 ARR

ALLEN JONES, R.A. (B. 1937) Greasepaint signed and dated Allen Jones ‘88 (lower right), inscribed and numbered AP 6/8 (lower left) six panel lithograph, unframed 51.5 x 190 cm (20 1/4 x 74 3/4 in) The work comes in a folder, housed in a rigid sleeve LITERATURE: Lloyd, 106 £500 - 700

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MODERN & POST-WAR BRITISH ART

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486 ARR

DAVID HOCKNEY, O.M., C.H., R.A. (B. 1937) In an old book signed and dated David Hockney ‘66 (lower right), numbered 27/75 (lower left) etching image: 35 x 22 cm (13 3/4 x 8 1/2 in) From Illustration sofr Fourteen Poems from C.P. Cavafy, published by Alecto Editions, London/ LITERATURE: S.A.C. 52; MCA TOKYO 52 £3,000 - 5,000

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MODERN & POST-WAR BRITISH ART

487 ARR

488 ARR

CLIVE BARKER (B. 1940) Marvyn Bragg signed and dated Clive Barker ‘86 (lower right); titled (lower left) pencil and pastel 55 x 37 cm (21 3/4 x 14 1/2 in)

CLIVE BARKER (B. 1940) Christoper Gibbs signed and dated Clive Barker ‘85 (lower right); titled (lower left) pencil and pastel 56 x 38 cm (22 x 15 in)

EXHIBITED: London, National Portrait Gallery, Clive Barker Portraits, 24 July - 18 October 1987, no. 27

EXHIBITED: London, National Portrait Gallery, Clive Barker Portraits, 24 July - 18 October 1987, no. 27

Melvyn Bragg is an English broadcaster, author and parliamentarian. He is best known for his work with ITV as editor and presenter of The South Bank Show (1978–2010), and for the BBC Radio 4 documentary series In Our Time

Christopher Henry Gibbs was a British antiques dealer and collector who was also an influential figure in men’s fashion and interior design in 1960s London. £600 - 800

£600 - 800

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489 ARR

ALLEN JONES, R.A. (B. 1937) After hours from the Para Adultos series signed and dated Allen Jones ‘85 (lower right), inscribed and numbered AP / 5/7 (lower left) lithograph in colours, unframed sheet: 109 x 87.5 cm (43 x 34.5 in) LITERATURE: Lloyd, 96 d £400 - 600

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MODERN & POST-WAR BRITISH ART

490 ARR

491 ARR

ALLEN JONES, R.A. (B. 1937) Para Adultos signed and dated Allen Jones ‘85 (lower right), inscribed and numbered AP / 5/7 (lower left) lithograph in colours, unframed sheet: 109 x 87.5 cm (43 x 34.5 in)

ALLEN JONES, R.A. (B. 1937) Apparition, from the Para Adultos series signed and dated Allen Jones ‘85 (lower right); inscribed and numbered AP / 5/7 (lower left) lithograph in colours, unframed sheet: 109 x 87.5 cm (43 x 34.5 in)

LITERATURE: Lloyd 96 f

LITERATURE: Lloyd, 96 g

£400 - 600

£400 - 600

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492 ARR

PATRICK HUGHES (B.1939) Robotic hand-painted multiple with archival inkjet 51 x 53.5 x 16 cm (20 x 21 x 6 1/4 in) From the edition of 60 + 10 AP PROVENANCE: Acquired directly from the artist by the present owner £2,000 - 4,000

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MODERN & POST-WAR BRITISH ART

493 ARR

SIR PETER BLAKE, R.A. (B. 1932) Q is for quarters signed Peter Blake (lower right); titled (lower centre), numbered 44/95 (lower left) screenprint, unframed image: 72.5 x 51 cm (28 1/2 x 20 in) sheet: 102.5 x 78.5 cm (40 1/4 x 30 1/4 in) £300 - 500

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Index A ABRAHAMS, V. 425 ADAMS, R. 310 AITCHISON, C. 416, 453 ARMITAGE, K. 327, 457 AUSTEN, D. 418 B BARKER, C. 449, 450, 476, 477, 478, 479, 487, 488 BELL, T. 302, 319, 471 BERGE, K. 458 BLAKE, SIR P. 424, 448, 460, 480, 481, 482, 493, 444 BOWYER, W. 371 C CAMP, J. 365 CAULFIELD, P. 427, 464,440-443, 463, 470 CHARLTON, D. 359 CHUGG, B. 404 CLARKE, G. 410 COHEN, H. 323 COLEMAN, R. 306 CORR, C. 393 CREFFIELD, D. 408, 409 CROZIER, C. 465, 466 D DAVIE, A. 317, 321, 325, 383, 397, 417, 455, 456, 467, DENNY, R. 304 DUNSTAN, B. 333 E EDWARDS, J. 322 EMMANUEL, J. 390, 391, 474 EPSTEIN, SIR J. 330 EUSTON ROAD SCHOOL, 20th Century 332 F FARRELLY, J. 422 FEDDEN, M. 361 FRANCIS, M. 423, 447 FREER, A. 355 FRINK, DAME E. 326, 414 FROST, SIR T 312, 324 G GARDINER, J. 311 GEAR, W. 320, 400, 432 GILCREST, J. 380, 381 GILL, E. 329 GREAVES, D. (1927-2002) 337 H HAYMAN, P. 382, 384, 385, 389, 392 HAYTER, S. W. 412 HEATH, A. 318, 398 HERMAN, J. 366, 372, 388 HILDER, R., HILDER, E. 356 HILL, A. 438 HOCKNEY, D. 486 HOLZHANDLER, D. 379 HOYLAND, J. 429, 433, 434, 436, 437 HUGHES, P. 492

I INNES, C. 303 J JONES, A. 430, 431, 485, 489-491 K KELLY, P. 411, 415 KITAJ, R.B. 336, 445, 459, 461 L LAING, G. 484 LARCHER, D. 357, 358 LAWRENCE, T. 370 LEVERETT, D. 316 LOW, B. 305 LOWRY, L.S. 375 M MARTIN, K. 314, 315 MCLEAN, J. 435 MELVILLE, J. 331, 386, 387 MENDEZ, T. 428, 439 MESSELL, O. 334 MORRIS, D. 395 N NASH, P. 403 NEWCOMB, M. 363 NEWCOMB, T. 360 O ORGAN, B. 396 P PAOLOZZI, SIR E. 419, 451, 452, 462, 472, 473, 475 PASMORE, V. 301 PHILLIPS, P. 483 PIPER, J. 367, 406,407 POTTER, M. 362 R RANDALL-PAG, P. 309 RILEY, B. 313 RUDALL, P. 454, 468 RUMNEY, R. 308 RUSSELL, V. 446 S SELF, C. 405, 426 SELWAY, J. 399, 420, 421 SHEPPARD, M. 374 SKEAPING, J. 328 STAFFORD, S. 376, 378 SUTHERLAND, G. 335 T THORNHILL, A. 338-353 TILSON, J. 401, 402 TREVELYAN, J. 413, 469 V VAUGHAN, K. 369 W WEIGHT, C. 364, 368, 373, 394 WELLS, J. 307 WOLMARK, A. 354 Y YATES, F. 377 Weigall, Henry Jr 388 Weingarten, Elisabeth 471 Zadkine, Ossip 310

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Terms and Conditions for Buyers at Chiswick Auctions 1. BEFORE THE SALE

1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer.

1.2 Definitions For the purposes of the current Terms and Conditions, the Seller shall be defined as the owner of the Goods. It is implied that the Seller is the legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply.

1.3 Catalogue descriptions Any representation in any catalogue or otherwise as to the origin, date, age, attribution, authenticity or estimated selling price of any lot is a statement of opinion only.

Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description.

The absence of mention related to prior restorations in the catalogue descriptions does not imply that the good is exempt thereof.

Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representation of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good.

1.4 Inspection Prior to auction, prospective purchasers are strongly advised to personally examine any property in which they are interested to satisfy themselves in relation to matters which may concern them.

1.5 Condition report CA Ltd may issue a Condition Report on request prior to the sale.

This Condition Report is for identification purposes only and cannot be considered as giving a precise account of the Lot’s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report.

As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyer’s sole duty to inspect in person the Lot in order to be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto.

1.6 Electricals All electrical items are sold as seen and CA Ltd offers no guarantee as to the working condition of such items or their safety.

It is the Buyer’s duty to take necessary steps to be assured that the Lot is safe for normal use.

1.7 Estimates Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the condition, rarity, or quality of the item etc.

Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates.

1.8 Reserves Many Lots are offered subject to a reserve, which is the confidential minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids.

1.9 Registration to the sale New bidders will need to register prior to the sale. It is strongly advised bidders register

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at least 24 hours before the sale. Registration thereafter shall be at the auctioneer’s entire discretion.

International bidders may be required to register 48 hours before the sale and to submit bank details.

A deposit may be requested prior to each sale.

Failure to register shall result in the impossibility for the bidder to purchase a Lot.

1.10 Proof of identity Bidders not previously known to CA Ltd will be required to provide:

• Official proof of identity in the form of a passport or photocard driving licence. No other forms of ID are acceptable.

• Proof of address of main residence. Only official documents showing name and address will be accepted.

• Both landline and mobile telephone numbers • A bank reference for foreign bidders may be requested • Corporate clients will have to provide a certificate of incorporation prior to the auction, along with the representative’s ID in accordance with the above-mentioned requirements for proof of identity.

Any Bidder that does not match the provided identity for registration may not purchase during the sale.

2. DURING THE SALE

2.1 Attendance at auction Attending the auction in person is recommended.

CA Ltd has the right at their absolute discretion to refuse participation in any auction, to reject any bid, and to refuse admission to the premises.

Bidders are not obliged to be present in person at the auction.

Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale.

2.2 Personal bidding Bidders attending the auction in person shall be required to collect a unique bidding paddle prior to bidding in the sale.

2.3 Commission bids CA Ltd will use reasonable efforts to carry out Commission bids received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it.

Commission bids shall be executed at the lowest possible price, subject to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyer’s responsibility to check if they have been successful in purchasing a Lot. In the event of multiple commission bids set at the same price, the first registered commission bid will take priority.

2.4 Telephone bids If a bidder is not able to attend in person an auction, CA Ltd will use reasonable efforts to contact prospective Buyers who make arrangements prior to commencement of the sale to bid by telephone.

CA Ltd cannot be held responsible in the event of issues affecting connectivity, resulting in the loss of a chance of purchasing the Lot for the Bidder.

2.5 Internet bids Some sales may be available to internet bidding, as well as personal attendance. In this event, CA Ltd shall not be held responsible for issues affecting connection. In addition to having our own in-house online bidding platform, some sales are also offered with online live bidding by third party platforms, CA Ltd is not responsible for any issues that may arise during registration or utilising said platforms. CA ltd encourages prospective bidders to bid directly with Chiswick Live or via traditional direct in-house means wherever possible.

2.6 Bidding on behalf of someone

Terms and Conditions for Buyers at Chiswick Auctions A Buyer may bid by proxy. In this event, proof of identity of both the Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required.

2.7 Bidding on an item Bid incrementation is at the auctioneer’s entire discretion.

2.8 Video transmission For the purpose of the sale, Lots may be displayed on video during the auction. In the event of transmission issues, CA Ltd shall not be held responsible for any subsequent outcome.

2.9 Online-only auctions Some auctions may only be available to bidders via an online platform sale. In this event, Buyers have a 14 day period from the receipt of goods to withdraw from the sale, in accordance with EU Consumer Law. This returns policy relates only to lots where physical viewing of lots prior to sale is not offered by CA Ltd.

2.10 Dispute resolution during the auction Any dispute shall be settled at the auctioneer’s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneer’s entire discretion.

3. CONTRACT FORMATION AND EFFECTS

3.1 Contract of sale The contract of sale is between the Buyer and the Seller.

The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. When a Buyer purchases multiple Lots, each Lot is the subject of a separate contract of sale.

3.2 Transfer of property Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyer’s premium, relevant taxes, and costs in relation to shipping.

3.3 Transfer of risks Purchased Lots shall be at the Buyer’s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

3.4 Cancellation of the sale At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter.

Under no circumstances can the Buyer cancel the sale.

CA Ltd may at its entire discretion, during or after the auction, cancel the sale of the Lot or reoffer and resell the Lot if it becomes aware of any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

Grounds for cancellation under the present section shall include but not be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences or certificates, any subsequent changes in domestic or international legislations restricting the sale of export of goods etc.

In the event of internet-only auctions (where are no offered advanced physical viewing times), the Buyer shall have a 14 day right to retract, after receipt of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

4. AFTER THE SALE

4.1 Payment All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be made by cash, debit, credit card or bank transfer. We do not accept cheques. We do not currently accept American Express.

CA ltd adheres strictly to current anti-money laundering regulations and reserves the right

to refuse payment or cancel the sale of any lot, should suspicion or evidence of regulation infringement arise. The 2020 guidelines reference ‘Art Works’, but are as yet to be fully defined. As such, CA Ltd reserves the right to adapt buying/selling rules at any time, in order to maintain compliance.

Cash payments shall not be receivable for amounts over €10,000, regardless of the payment being for one or multiple Lots. As of 2020, new directives also extend to other forms of payment where the amount is in excess of €10,000 and this may require further information sharing covering both buyers and sellers.

Should it encounter contravention of said regulations, or is unable to bring buyers/sellers into line with said regulations through advice and support, CA ltd reserves the right to cancel any lot transaction and offer said lots to underbidders and where applicable will notify the relevant authority of the suspected contravention if deemed intentional.

Payments made by someone other than the registered Buyer shall not be accepted.

Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer.

4.2 Buyer’s Premium The Buyer will pay CA Ltd a premium of 25% on the hammer price plus VAT on that commission on the first £500,000 and 12% plus VAT on the balance thereafter. A Buyer’s Premium of 21% plus VAT is charged on Wine & Spirits Lots.

The VAT payable varies by symbol as below: No Symbol: The standard rate of VAT is charged on the premium under the Auctioneers Margin Scheme in accordance with Art. 333 of 2006/112/EC. Standard UK VAT will be charged on the buyers’ premium and invoiced on an inclusive basis. †: Normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium. *: These lots have been imported from outside the EU for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on the invoice.

4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyer’s premium. The rate applicable shall be the legal rate at the date of the sale.

Goods such as books and antique books, music, maps and charts etc. are subject to zerorated VAT. In addition, any import taxes that may be incurred shall be paid by the Buyer above hammer price, VAT and Buyer’s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.

4.4 Artist Resale Rights / Droit de Suite Lots marked with ‘ARR’ may be subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or to the artist’s heir each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a cumulative sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to Lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single Lot is the sterling equivalent of €12,500.

Royalties for Droit de Suite are as follows:

• From 0 to €50,000 4% • From €50,000.01 to €200,000 3% • From €200,000.01 to €350,000 1% • From €350,000.01 to €500,000 0.5% • Exceeding €500,000 0.25%

4.5 Remedies for non-payment If the Buyer fails to make full payment in cleared funds within the time required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available:

• To cancel the sale • To charge interest at 4% per annum above the base rate of Lloyds Bank Plc.

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Terms and Conditions for Buyers at Chiswick Auctions • To resell the Lot on such terms by auction or otherwise entirely at CA Ltd’s discretion.

The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale.

• To offset against any sums which CA Ltd may owe the Buyer the outstanding sums unpaid by the said Buyer • Where the Buyer owes sums to CA Ltd in respect of different transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums.

• To refuse entry to the Buyer at any future auction and/or reject any future bids by the Buyer and/or seek a deposit from the Buyer entirely in the discretion of CA Ltd. • To exercise a lien over the Buyer’s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. • To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs.

• To take such other action as is permissible by Law and in the discretion of CA Ltd. 4.6 Collection Purchased Lots can be collected from the auction room after the sale has ended or between 10am and 6pm up until close of business on the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltd’s discretion. Any delay in collection must be communicated clearly to CA Ltd in advance of the collection deadline and CA Ltd reserves the right to impose charges thereafter at its utter discretion (see 4.7).

4.7 Storage CA Ltd offers a discretionary 14 days free storage on purchased and unsold Lots from the date of the sale. Thereafter Lots not collected shall incur storage charges of £5.00 per lot, per day or part thereof for smalls and pictures (defined as anything that can be handled by one person) and £10.00 per lot, per day for furniture and other larger lots. CA Ltd shall be entitled to retain said Lots until all sums due have been paid to CA Ltd. If any lot remains uncollected 21 days after the sale, storage charges shall thereafter be £10/£20 (smalls/larger items) per day and CA Ltd shall, in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

4.8 Shipping Any shipping costs that may arise subsequent to the sale shall be at the Buyer’s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union.

CA Ltd does not offer insurance for shipping. However, CA Ltd may arrange insurance upon the Buyer’s request and at the Buyer’s expense.

CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

4.9 Loss or Damage CA Ltd does not accept liability for loss or damage occurring to Lots after the sale. CA Ltd will use reasonable efforts when handling Lots, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third party’s care.

4.10 Cultural Goods import and export restrictions Cultural goods may be subject to import and export restrictions. Under EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the item’s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade.

Licenses are issued by Arts Council England and it is the Buyer’s duty to obtain them. Some countries restrict the import of specific cultural goods. For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural goods in provenance from some countries subject to armed conflicts.

The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible.

4.11 CITES Import and export restrictions Certain endangered species are listed in the CITES Convention. Listed specimens and any

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parts or products thereof are subject to issuance of an export permit when leaving the European Union.

Appendix I species, are also subject to issuance of a prior import permit from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyer’s duty to initiate the proceedings with the relevant authority.

The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter.

Worked items that are dated before 1947 are exempt from import restrictions for intra-EU trade and shall not require export licences.

Please be aware that all Lots marked with the symbol λ are subject to CITES regulations.

4.12 Limitation of liability regarding CITES export licenses Where licences are required for importing or exporting outside of the European Union, it is the Buyer’s duty to obtain them.

CA Ltd cannot be held responsible if the Buyer’s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale.

4.13 Warranties CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law.

4.14 Authenticity warranty In the event of a Lot being sold as authentic under the catalogue description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not authentic, CA Ltd will refund the purchase price.

The Buyer shall give notice to CA Ltd within 28 days from knowledge or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale.

Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall be defined as the state of a Lot that is genuine and not a forgery or a copy.

5. ANTIQUITIES AND TRIBAL ART

5.1 Import and export restrictions and regulations Archaeological goods over 100 years of age, unless covered by exemption of limited scientific interest, will require an EU Licence for export to a third country, regardless of their value.

It is recommended that the Buyer contact the Export Licensing Unit at Arts Council England in order to be assured the good is or not of limited archaeological or scientific interest.

Archaeological goods found on United-Kingdom soil or in UK territorial waters over 50 years of age shall require a UK Licence regardless of their value and regardless of the export destination. Other archaeological objects regardless of their origin will require an Individual Licence or OGEL depending on their value.

Both European-Union and UK Licences may be required simultaneously for some items. It is the Buyer’s duty to undertake the necessary steps. CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences.

6. JEWELLERY

6.1 Gemstone treatment and estimates Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to:

• Heat treatment to enhance sapphires and rubies’ clarity and colour • Oil and resin treatments for emeralds applied in different ways, to enhance clarity of the stone • Staining • Irradiation • Coating

Estimates provided by CA Ltd are deemed to be based on the fact that the gemstone may have been subject to any type of treatment in the past. CA Ltd shall not be responsible in the

Terms and Conditions for Buyers at Chiswick Auctions absence of mention thereof.

A certificate may be issued by a laboratory, providing with detailed information on the condition of the gemstone and any treatment applied thereto. The Buyer must be aware that different laboratories have different approaches as to the degree or type of treatment for a particular gemstone.

If a certificate accompanies the Lot, the Buyer must be aware that it is merely a statement of the laboratory’s opinion and in no way can CA Ltd be held responsible for any mentions therein. Such certificates are deemed to be delivered with the Lot for informative purposes only.

6.2 Estimated weights If a stone’s exact weight appears within the body of the description, the stone has been unmounted and weighed by CA Ltd. If the weight of a stone is stated to be approximate, the stone has been assessed by CA Ltd within its setting, and the defined weight is a statement of opinion only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy.

6.3 Signatures ‘A diamond ring, by X’: When the maker’s name appears in the title, in Chiswick Auctions’ opinion the piece is by that maker.

‘A diamond ring, signed X’: Has a signature that, in Chiswick Auctions’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered.

‘A diamond ring, mounted by X’: Has been created by the jeweller, in Chiswick Auctions’ opinion, but using stones or designs supplied by the client.

‘Maker’s mark for X’: Has a maker’s mark which in Chiswick Auctions’ opinion is authentic.

Some items may include parts or products derived from endangered species, such as ivory or coral. Such items may be subject to import or export restrictions. See section on CITES regulations for more details.

7. CLOCKS AND WATCHES

All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and without defects, or has been subject to repair or restoration.

CA Ltd makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto.

The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum.

Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof.

Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for import or export purposes in accordance with CITES regulations.

CA Ltd acts in compliance with such legislations and shall take necessary steps where required.

Subsequently, watches may be deemed sold without their straps.

8. FURNITURE

8.1 Upholstered furniture after 1950 According to The Furniture and Furnishings (Fire Safety) Regulations 1988, furniture that was upholstered after the 1st of January 1950 is subject to restrictions in the United-Kingdom.

Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes. CA Ltd shall not be responsible for later alterations to the furniture, making it unfit for sale.

9. GLOSSARY OF PICTURE CATALOGUING TERMS

Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

1 JMW Turner: In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

2 Attributed to JMW Turner: In our opinion probably a work by the artist, but less certainly as to the authorship expressed than in the preceding category.

3 Studio of JMW Turner: In our opinion probably a work by an unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction.

4 Circle of JMW Turner: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil.

5 Style of; Follower of JMW Turner: In our opinion a work by a painter working in the artist’s style, but not necessarily his pupil.

6 Manner of JMW Turner: In our opinion a work in the style of the artist and of a later date.

7 After JMW Turner: In our opinion a copy (of any date) of a known work of the artist.

8 The term ‘signed’ and/or ‘dated’ and/or ‘inscribed’ means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

9 The term ‘with signature’ and/or ‘with date’ and/or ‘with inscription’ means that in our opinion the signature and/or date and/or inscription have been added by another hand than that of the artist.

10 Pictures are framed unless otherwise stated.

10. ASIAN ARTS

10.1 Import and export restrictions When dealing with Asian Arts and more specifically with items made of exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must be aware of import and export restrictions in accordance with CITES Regulations. As aforementioned in the Section relating to such matters, import and export permits or re-export certificates may be required.

Verification letters will be required for re-export of worked Rhinoceros items.

10.2 Fine Chinese Paintings Current scholarship in the field of Chinese Paintings and Calligraphy does not permit unqualified statements as to the authorship or date of execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings.

Notwithstanding, if within 28 days of the sale of any such Lot, the original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, a ‘forgery’ is defined as a work created with the intent to deceive.

11. BOOKS AND MANUSCRIPTS

Books and manuscripts sold as incomplete are not subject to returns.

Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to unnamed books or to books sold under the heading of ‘binding’ or ‘bindings’.

12. WINES AND SPIRITS

In accordance with agreed standards in the trade, estimates shall be deemed to have taken into account the fill level.

For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit.

Lack of mention thereof in the description is not a representation of an ‘acceptable’ fill level from CA Ltd. CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.

13. COPYRIGHT

CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at

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Terms and Conditions for Buyers at Chiswick Auctions all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the abovementioned materials without the prior written consent of CA Ltd. Some Lots may be subject to copyright protection, CA Ltd does not guarantee said Lots are free thereof.

14. DATA PROTECTION

The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent.

CA Ltd never sell, lend or trade in personal data provided by any Bidder.

15. SEVERABILITY

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, such provision is to take effect only in so far as it may do so without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way to be affected or impaired as a result.

16. AMENDMENTS

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale.

17. LAW AND JURISDICTION

The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales.

For the benefit of CA Ltd all bidders and sellers agree that the Courts of England are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply.

All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

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