Jewellery catalogue

Jewellery London 18th September 2018

SPECIALISTS

Sarah Duncan

Charlotte Peel G.G.

Head of Department Jewellery sarah.duncan@chiswickauctions.co.uk

Specialist Jewellery charlotte.peel@chiswickauctions.co.uk

BUYER’S PREMIUM The buyer shall pay Chiswick Auctions Ltd a premium on the hammer price of 25% plus VAT on that commission.

TELEPHONE BIDDING Please note that requests for telephone bids should be submitted no later than 5pm on the day prior to the sale.

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COLLECTION OF LOTS Buyers are asked to collect their lots on the day of the sale or between 10.00 and 18.00 up until close of business on Friday following the sale.

IMPORTANT INFORMATION CITES

Please be aware that all lots marked with the symbol ƀ are subject to CITES regulations.

Please see our Terms & Conditions for more information.

ARTIST’S RESALE RIGHT/DROIT DE SUITE

Lots marked with ARR indicates that an additional levy may apply for this lot.

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Jewellery

Tuesday 18th September 2018, 11.00

VIEWING AT SOUTH KENSINGTON selected highlights only Thursday Friday Saturday Sunday

6 September 7 September 8 September 9 September

11.00 - 17.30 11.00 - 17.30 12.00 - 17.30 12.00 - 16.30

VIEWING AT CHISWICK full sale Saturday Sunday Monday Tuesday

15 September 16 September 17 September 18 September

11.00 - 17.00 11.00 - 17.00 10.00 - 18.00 10.00 - 11.00

PHOTOGRAPHERS GENERAL ENQUIRIES +44(0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk 1 Colville Road, London W3 8BL 127 Fulham Road, London SW3 6RT

Steven McCauley Jordan Salzmann Darrell Russell Monika Olek

Basak Ulukose Front cover: Lot 127 Back cover: Lots 260, 261

IN CONVERSATION WITH JESSICA DIAMOND We were delighted to welcome Jessica Diamond, Jewellery editor for Conde Nast Traveller and contributor \W \PM <MTMOZIXP 4]`]Za \W W]Z +PQ[_QKS )]K\QWV[ ;W]\P 3MV[QVO\WV W‫ٻ‬ KM 2M[[QKI NW]VL UIVa NI^W]ZQ\M[ IUW]VO[\ \PM [ITM J]\ IN\MZ U]KP LMTQJZI\QWV VIZZW_ML \PMU LW_V \W I [MTMK\ NM_ “I spend most of my working life on Bond Street and Place Vendôme; and I’ve lost count of the number of extraordinary, JMI]\QN]T RM_MT[ \PI\ 1¼^M [M\ MaM[ WV *]\ \PMZM Q[ I [MXIZI\QWV between what I see and what I know I can have; on one level they NMMT ZMUW^ML *MKI][M I[ U]KP I[ 1 KIV I[[M[[ IVL IXXZMKQI\M 1 IU Ja UMIV[ LQ[KWVVMK\ML NZWU UIVa WN \PMU 1UIOQVM I XTIKM _PMZM \PQ[ Q[V¼\ \PM KI[M ?PMZM I [MTMK\QWV of jewels, from diamond cluster rings, to soft chunky chains, to exquisite Edwardian brooches are all within the realms of W_VMZ[PQX · _PMZM aW] KIV JMTQM^M \PI\ \PMa KIV JM aW]Z[ <PQ[ [\QZ[ I LQ‫ ٺ‬MZMV\ MUW\QWV \PI\ Q[ _PWTTa XMZ[WVIT IVL IT\WOM\PMZ more exciting – because jewellery should evoke exactly that – a ZMIK\QWV \PI\ Q[ \PZQTTQVO J]\ \PMV TMIL[ \W [WUM\PQVO \IVOQJTM I didn’t know what to expect when I viewed this sale’s selection, but I honestly felt I could have happily walked away right there and then _Q\P [M^MZIT WN \PM TW\[ 0MZM¼[ PWXQVO aW] NMMT \PM [IUM _Ia º

Lot 170 “A lovely weighty ring this snail’s shell is gorgeously engraved with a diamond swirl accent and realistic dimpled skin - the perfect slime-free zero UIQV\MVIVKM Å VOMZ XM\ Ja \PQ[ )UMZQKIV LM[QOVMZ º

Lot 110 ¹1 UILM IV QUUMLQI\M JMM TQVM NWZ \PQ[ NMTTW_ _PMV 1 [I_ \PM I[[MUJTML TW\[ NWZ \PQ[ [ITM 0Q[ PMIL Q[ JMI]\QN]TTa KIZ^ML# \PM ZM[\ WN PQ[ KWZIT JWLa Q[ NIQZTa VI|^M J]\ 1 [\QTT TW^M PQU IVL ITT PQ[ aMIZ WTL XI\QVI 1UIOQVM WV I \IVVML _ZQ[\ · [W KPQK º 2

Lot 259 “The pendant is so pretty, with its diamond scrolls at the top and diamonds encircling a 1.6 carat Colombian emerald.

Its design may not be as graphic or fashionable as Art Deco a few decades later, but a perfectly evocative and elegant jewel of the time”

Lot 166 “What a joy to own a piece of Chaumet, one of Place Vendome’s most storied maisons. It helps a lot that it’s an imminently wearable chunky chain, perfect for everyday adornment – a keep-for-ever-classic.”

Lot 127 “A sensational lot from Cartier, not only for its exemplary craftsmanship and perfect Art Deco stylistics, but because it’s a perfect snapshot of the Jazz Age, when women dared to apply lipstick and rouge in public – imagine that!”

Lot 118 “There aren’t many craftsmen left who can achieve XQMZKQVO I[ Å VM I[ \PQ[ *]KKMTTI\Q IZM WVM RM_MTTMZ[ _PW [\QTT practise the art, Moira are another, who created this extraordinary XMVLIV\ JZWWKP <PM M‫ ٺ‬MK\ Q[ TQSM I XQMKM WN XZMKQW][ VMMLTM XWQV\ with a diamond embroidered rose in the middle.”

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*See inside front cover for information regarding fees

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1 A pair of diamond earclips Each of elongated looping design, set throughout with brilliant-cut diamonds, clip fittings, diamonds approx. 2.40 carats total, length 5.3cm £700-£900 2 A yellow sapphire and diamond cluster ring The oval-cut yellow sapphire, within a brilliant-cut diamond surround, between tapered baguette-cut diamond shoulders, mounted in 18 carat white gold, diamonds approx. 0.75 carat total, London hallmark, ring size M £1,200-£1,500 3 A diamond rivière necklace Composed of a slightly graduated line of brilliant-cut diamonds in four-claw settings, diamonds approx. 11.45 carats total, length 42.5cm £6,000-£8,000

4 A diamond and coloured diamond bracelet Composed of a series of brilliant-cut yellow diamond flowerhead clusters, between similarly-cut diamond-set twin leaf connectors and line borders, diamonds approx. 5.05 carats total, diamonds untested for natural colour, length 18.2cm £2,500-£3,500 5 A yellow sapphire and diamond ring The cushion-shaped yellow sapphire, weighing 4.46 carats, to brilliant-cut diamond-set shoulders and gallery, mounted in 18 carat white gold, diamonds approx. 0.30 carat total, UK hallmark, ring size L £1,000-£1,500 6 A pair of diamond earstuds Each brilliant-cut diamond, weighing 1.55 and 1.59 carats, in a fourclaw setting Accompanied by a report from GIA stating that diamond weighing 1.55 carats is F colour, SI1 clarity. Report number 13156695, dated 13th February 2004.

Accompanied by a report from GIA stating that diamond weighing 1.59 carats is F colour, SI1 clarity. Report number 13156694, dated 12th February 2004. £8,000-£12,000 5

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7 An enamel and diamond dress ring, by Kutchinsky, 1969 Designed as a flowerhead, the brilliant-cut diamond and textured bead stamen, within a surround of light and dark blue enamel petals, to a bifurcated 18 carat gold hoop, maker’s mark Kld, partial London hallmark, ring size M £400-£600 8 A ‘Zodiac’ pendant, by Van Cleef & Arpels, circa 1970 The rectangular plaque engraved ‘Aries’, signed VCA, rubbed maker’s mark, numbered, French assay mark, length 4.2cm £350-£450 9 A diamond single-stone ring The princess-cut diamond, weighing 0.41 carat, in a four-claw mount, to an 18 carat gold hoop, UK hallmark, ring size L Accompanied by a printout of a GIA diamond dossier stating that the diamond is F colour, VS1 clarity. Report number 15895144, dated 17th April 2007. £500-£700

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10 A ‘Scorpion’ pendant necklace, by Elsa Peretti for Tiffany & Co. Designed as a scorpion, composed of vari-shaped articulated links, to a trace-link chain, signed Peretti and Tiffany & Co., lengths: pendant 9.2cm, chain 41.0cm £600-£800 11 A pair of diamond-set cufflinks, circa 1970 Each rectangular plaque of woven design, highlighted by brilliant-cut diamonds, to a baton terminal, diamonds approx. 0.30 carat total, plaque length 2.3cm £250-£350 12 A diamond dress ring, circa 1970 Of textured ridged design, set with graduated courses of brilliant-cut diamonds, diamonds approx. 2.45 carats total, three diamonds deficient, ring size H½ (sizing beads) £800-£1,200 13 A gem-set novelty brooch Designed as a stylised dog, the eyes set with circular-cut emeralds and single-cut diamonds, highlighted by a pink sapphire nose, length 3.5cm £400-£600 *See inside front cover for information regarding fees

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14 A fancy-link collar necklace, by Chaumet Each link of textured and polished abstract design, signed Chaumet Paris, French assay mark, length 37.5cm £3,300-£3,800 15 A pair of rock crystal pendent earrings, by Gucci Composed of two vari-shaped hoops of hammered finish, each suspending a rock crystal briolette, terminating in a spectacle-set oval double rose-cut rock crystal drop and circular disc pendant, hook fittings, signed Gucci, length 6.6cm £300-£500

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16 A pink tourmaline and diamond dress ring, circa 1975 The tumble-shaped pink tourmaline in a four-claw setting, between raised shoulders of textured spike design with brilliant-cut diamond terminals, to a triangular hoop, diamonds approx. 0.60 carat total, ring size L £700-£900 17 A pair of gold and emerald cufflinks, by Ben Rosenfeld, 1969 Each domed terminal of 18 carat gold textured design, centrally accented by a circular cabochon emerald, to t-bar connectors, maker’s marks BRLd., London hallmarks, terminal width 1.9cm £300-£500

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18 A ‘Baby Puffa Fish’ amethyst and diamond pendant necklace, by Stephen Webster Modelled as a fish, the body pavé-set with circular-cut amethyst and accented by collet-set brilliant-cut diamonds, to articulated fins of textured finish, suspended from an 18 carat white gold ball-link chain, maker’s marks, numbered, UK hallmark, lengths: pendant 3.9cm, chain 45.5cm £1,800-£2,200

20 A pair of amethyst and diamond ‘Midnight Haze’ earrings, by Stephen Webster Each pear-shaped faceted rose-cut rock crystal with amethyst backing within a brilliant-cut diamond-set shaped openwork 18 carat white gold frame, suspended from a similarly-cut diamond line surmount, post fittings, drops detachable, diamonds approx. 0.30 carat total, maker’s mark, numbered, UK hallmark, length 3.2cm, maker’s case £800-£1,200

19 A pink sapphire and diamond crossover ring Of saltire design, pavé-set with circular-cut pink sapphires, the galleries accented by brilliant-cut diamonds, diamonds approx. 0.70 carat total, one pink sapphire deficient, ring size K½ £250-£350

21 A diamond three-stone ring Set with a trio of brilliant-cut diamonds, the largest to the centre, diamonds approx. 0.70 carat total, ring size O £250-£350 22 Two gem-set silver ‘Superstud’ rings, by Stephen Webster Each faceted rock crystal with either a purple or red backing, within a square silver mount of stud design, to a tapered hoop, maker’s marks, partial UK hallmarks, ring size K and L, maker’s case (2) £200-£300

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*See inside front cover for information regarding fees

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23 A pair of garnet and diamond ‘Jewelvine’ earrings, by Stephen Webster Each pear-shaped fancy-cut garnet, to a brilliant-cut diamond-set 18 carat white gold mount and surmount, post fittings, diamonds approx.

0.35 carat total, maker’s mark, numbered, UK hallmark, length 4.0cm £500-£700 24 λ A ‘Fly By Night’ gem-set pendant necklace, by Stephen Webster Designed as a moth, the wings composed of faceted amethyst sections with mother-of-pearl backing, to a brilliant-cut diamond border and suspension loop, mounted in 18 carat white gold, suspended from a trace link chain, maker’s mark, numbered, UK hallmark, length 43.0cm £800-£1,200

26 λ A pair of amethyst, mother-of-pearl and diamond ‘Crystal Haze’ earrings, by Stephen Webster Each faceted amethyst with a mother-of-pearl backing within a shaped 18 carat white gold surround set with brilliant-cut diamonds, diamonds approx. 0.50 carat total, maker’s mark, numbered, UK hallmarks, length 2.2cm, maker’s case £1,200-£1,500 27 A diamond single-stone ring The marquise-cut diamond horizontally-set in a partial collet mount, to a platinum hoop, diamond approx. 0.20 carat, UK hallmark, ring size M £250-£350

25 A diamond-set head ornament The openwork plaque composed of a cluster of brilliant-cut diamond-set teardrop shaped links, to five cable-link chains designed to fit the crown of the head, diamonds approx. 1.60 carats total, plaque width 3.7cm, length adjustable £600-£800

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28 An enamel and garnet suite, circa 1860 Comprising a bangle, a larger brooch/pendant and two smaller brooches, each designed as a leaf decorated with white enamel, centrally-set with an oval cabochon garnet, all in closed-back settings, within a chased intertwined branch surround, enamel loss, bangle inner diameter 5.7cm, brooch lengths: 4.9cm, 3.1cm, 2.8cm (4) (partially illustrated) £600-£800

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29 A group of 19th century mourning jewellery Comprising three brooches, the first an oval black enamel plaque with half pearl star motif centre and glazed hairwork compartment to the reverse, the other two of rectangular form with glazed hairwork centres within black enamel or half pearl frames, one engraved to the reverse ‘M.A. Yorke Died 21 Dec 1852 Aged 28’; together with three gem-set rings in half pearl frames, one engraved ‘Philip Hollingworth Esq. Died 31 Jan.y 1828’; a hairwork buckle design band ring and a black and white enamel plaque ring inscribed ‘Mary Ann Kilner OB 25 Sep 1816 AE 41’, two rings with UK hallmarks for 18 carat gold, brooch length s: 5.3cm, 3.7cm and 2.3cm, ring sizes L, M, S, N and N (8) (partially illustrated) £250-£300 The etiquette surrounding death became more complex and rigid in the course of the 19th century, with strict periods of mourning observed following a bereavement. By the 1860s a widow was expected to dress in full black for a year and a day after her husband’s death, wearing minimal black ornament, usually made of jet. After that she was gradually allowed more elaborate mourning jewellery, then diamonds and pearls, and finally a return to coloured stones.

*See inside front cover for information regarding fees

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30 An amethyst and pearl brooch, late 19th century The oval-cut amethyst, within a surround of half pearls, overlaid with a pearl forget-me-not, within a ropetwist and bead border, length 4.1cm £250-£350 31 A late 19th century rose-quartz necklace Composed of a graduated row of rectangular cabochon rose quartz, within pinched collet settings accented with beadwork decoration, some beadwork loss, length 37.5cm £300-£400

32 An early 20th century enamel and diamond pendant The cut-cornered rectangular-shaped plaque, decorated with purple guilloché enamel in a white enamel frame, centrally-set with an oval white enamel plaque inscribed ‘Amitié’ within a rose-cut diamond frame and anchor surround, length 3.7cm £200-£300 33 A late 19th century half-pearl locket pendant The oval locket applied with a star motif, set with half-pearls, to a scroll surmount and polished suspension loop, length 7.2cm £250-£300

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34 A cultured pearl torsade necklace, by Paloma Picasso for Tiffany & Co. The ten strands of white and pink freshwater cultured pearls, to a double circlet link clasp, signed Paloma Picasso and Tiffany & Co., length 42.3cm, maker’s pouch and case £2,000-£2,500 35 A diamond single-stone ring The old brilliant-cut diamond, in an eight-claw setting, diamond approx. 1.25 carats, ring size L½ £1,200-£1,500

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37 A pair of gold and diamond earstuds, by Mappin & Webb Each designed as a knot of 9 carat gold threads, centrally accented by a brilliant-cut diamond, post fittings, maker’s mark M.W, UK hallmarks, length 1.2cm, maker’s case £250-£350 38 A diamond ‘Thorn Stem’ ring, by Stephen Webster The 18 carat rose gold band sporadically accented by thorns, pavé-set throughout with brilliant-cut diamonds, diamonds approx. 0.30 carat total, maker’s mark, numbered, London hallmark, ring size M £400-£600

36 An opal, diamond and ruby flower brooch Set with carved opal leaves and flowerheads, accented with circularcut rubies and brilliant-cut diamonds, mounted in 18 carat gold, UK hallmark, length 5.4cm £500-£700

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39 λ A coral and diamond cluster ring The oval cabochon coral Corallium rubrum, within a surround of pearshaped rose-cut diamonds, to a pavé-set brilliant-cut diamond border, gallery and shoulders, brilliant-cut diamonds approx. 1.20 carats total, ring size N £2,000-£3,000

42 λ A coral, shell cameo and diamond necklace Composed of two strands of 7.6-8.0mm coral Corallium rubrum beads, to an oval shell cameo clasp, depicting a maiden in profile, within a surround of brilliant-cut diamonds, diamonds approx. 0.95 carat total, length of shortest strand 42.3cm £800-£1,200

40 A pair of diamond ‘Fly by Night’ earrings, by Stephen Webster Each designed as an 18 carat rose gold moth, seen from the side, one wing pavé-set with brilliant-cut diamonds, the other accented with a similarly-cut diamond line, post fittings, diamonds approx. 0.50 carat total, maker’s mark, UK hallmark, length 1.6cm £700-£900

43 A moonstone necklace, bracelet and earstud suite The necklace spectacle-set with a slightly graduated course of oval cabochon moonstones, accompanied by a bracelet and earstuds en suite, earstuds with post fittings, lengths: necklace 43.3cm, bracelet 20.1cm, earstud 1.2cm (3) (partially illustrated) £250-£350

41 A diamond three-stone ring Set with graduated old brilliant-cut diamonds, to a crossover hoop, principal diamond approx. 1.00 carat, remaining diamonds approx. 0.80 carat total, ring size O £2,000-£3,000

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44 A ruby and diamond spray brooch Designed as a stylised hazlenut branch, set with oval cabochon rubies, to baguette-cut diamond branches and pavé-set single-cut diamond leaves, with brilliant-cut diamond accents, diamonds approx. 1.75 carats total, signed Astor, length 6.0cm £1,200-£1,500 45 A star sapphire and diamond dress ring The oval cabochon sapphire, weighing 67.18 carats, between pavé-set brilliant-cut diamond scrolls accented with marquise-cut diamond trios and brilliant and baguette-cut diamond tapered shoulders, diamonds approx. 1.55 carats total, ring size K £3,000-£5,000

47 A sapphire and diamond brooch and earring suite The brooch designed as slightly articulated bunches of grapes, set with circular and oval cabochon sapphires within brilliant and singlecut diamond foliate surrounds, to a baguette, brilliant and single-cut diamond branch and leaf surmount, accompanied by a pair of earrings en suite, post and clip fittings, diamonds approx. 2.55 carats total, one earring signed Astor, lengths: brooch 7.2cm, earring 3.0cm (2) £2,000-£3,000 48 A diamond dress ring Of contoured form, set throughout with brilliant-cut diamonds, the largest to the centre, principal diamond approx. 0.95 carat, remaining diamonds approx. 2.55 carats total, ring size O £2,500-£3,500

46 A diamond double-clip brooch, circa 1950 Each clip of stylised leaf design, centrally-set with baguette-cut diamonds, within a brilliant-cut diamond pierced surround, diamonds approx. 7.10 carats total, length 6.5cm, fitted case by Heming & Co. £2,000-£3,000

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49 A pair of turquoise, quartz and diamond ‘Deco’ pendant earrings,

by Stephen Webster Set with two graduated octagonal faceted rock crystals with turquoise backing, to an 18 carat white gold hook fitting accented by brilliantcut diamonds, maker’s mark, numbered, UK hallmark, length 4.2cm £700-£900 50 A diamond necklace The trace-link chain suspending three pear-shaped diamond quatrefoil accents, diamonds approx. 0.75 carat total, length 43.0cm £1,000-£1,500

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51 A ruby single-stone ring The circular-cut ruby in a collet setting, to a curved hoop, ring size L £700-£900 52 A pair of turquoise, quartz and diamond ‘Deco’ earstuds, by Stephen Webster Each octagonal faceted rock crystal with turquoise backing, within a brilliant-cut diamond surround, mounted in 18 carat white gold, post fittings, diamonds approx. 0.45 carat total, maker’s mark, numbered, UK hallmark, length 1.1cm, maker’s case £500-£700

*See inside front cover for information regarding fees

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53 A ruby and diamond ring The oval-cut ruby, within a half surround of brilliant-cut diamonds, between shoulders tension-set with similarly-cut diamonds, diamonds approx. 0.20 carat total, ring size J £1,000-£1,500 54 A cultured pearl and platinum necklace, by Boodle & Dunthorne The undulating platinum wire accented with three 10.1-10.25mm cultured pearls of various grey tints, and four bead spacers, maker’s mark, UK hallmark, length 43.0cm, maker’s case £600-£800

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56 An opal and diamond dress ring Set with an openwork cluster of oval cabochon opals in brilliant-cut diamond surrounds, with baguette-cut diamond accents, between brilliant-cut diamond bifurcated shoulders, diamonds approx. 0.70 carat total, ring size N £1,200-£1,500 57 A diamond horse brooch Designed as a rampant horse, the body pavé-set with brilliant-cut diamonds, with a circular cabochon ruby eye, diamonds approx. 0.75 carat total, length 4.0cm £400-£600

55 A diamond single-stone ring The pear-shaped diamond, in a three-claw setting, mounted in platinum, diamond approx. 0.45 carat, maker's mark MLd, partial UK hallmark, ring size H £250-£350

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58 An amber necklace The graduated single-strand of oblong 13.2-33.1mm amber beads, length 90.0cm Accompanied by a report from GCS stating that the amber, weighing 111.25 grams, is natural, of Baltic origin, with no indications of heating. Report number 78170-43, dated 19th July 2018. £600-£800

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59 A diamond-set gold vanity case, by Asprey, 1929 The rectangular engine-turned 9 carat gold case with bevelled edges, decorated with an applied plaque with initials ‘YMcK’ and five rosecut diamond thumb pieces, opening to reveal a mirror, a card holder and two further lidded compartments, signed Asprey London, maker’s mark, UK hallmark, length 8.0cm £700-£900 60 A charm bracelet The fancy link chain set with a variety of charms including two sovereigns, dated 1889 and 1990, a kettle opening to reveal fish, a 9 carat gold swan opening to reveal a ballerina and a set of 9 carat gold monkeys, several charms with UK hallmarks, length 20.6cm £550-£650

*See inside front cover for information regarding fees

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61 A sapphire and diamond dress ring The oval-cut sapphire between brilliant-cut diamond single-stone shoulders, within ropetwist borders, ring size E £250-£350 62 An early 20th century enamel flag bracelet Set with six vari-coloured enamel nautical signal flags spelling the name ‘Glenda’, each in a white and black enamel octagonal surround, between chain-link connectors, length 20.2cm £250-£350

64 An early 20th century diamond and synthetic ruby pendant Designed as a Latin cross with heart-shaped terminals, the central rose-cut diamond and calibré-cut synthetic ruby target cluster, to rose-cut diamond-set arms and surmount, length 6.5cm £200-£300 65 An Art Nouveau diamond brooch, circa 1905 The oval openwork brooch of foliate design, centrally-set with a cushion-shaped diamond, diamond approx. 1.50 carat, length 3.9cm £1,200-£1,500

63 A diamond two-stone ring, 1908-9 Set with two old brilliant-cut diamonds to an 18 carat gold hoop of crossover design, diamonds approx. 0.45 carat total, UK hallmark, ring size E £250-£350

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70 A sapphire and ruby bracelet Set with three rows of oval and circular cabochon sapphires and rubies, to a tapered brick-link back chain, one gemstone deficient, length 18.0cm £600-£800

66 A diamond-set pendant necklace Designed as an openwork Hand of Fatima, set throughout with brilliant-cut diamonds, to a double trace-link chain with similarly-cut three-stone diamond accents, diamonds approx. 2.10 carats total, lengths: pendant 4.1cm, chain 46.8cm £1,000-£1,500

71 Three diamond bangles, by Damiani The tri-coloured hinged bangles, set to the front with a line of brilliant-cut diamonds, diamonds approx. 1.00 carat total, each signed Damiani, inner diameter 5.9cm (3) £2,500-£3,000

67 A diamond-set dress ring Of wide bifurcated design, each band pavé-set with a row of brilliantcut diamonds, connected by a trace-link chain with central brilliant-cut diamond plaque, diamonds approx. 0.45 carat total, ring size N £500-£700 68 A diamond ‘Magnipheasant’ bracelet, by Stephen Webster Composed of a continuous row of 18 carat rose gold stylised feather links, pavé-set with brilliant-cut diamonds, diamonds approx. 3.20 carats total, maker’s mark, London hallmark, length 17.3cm, maker’s case £3,000-£4,000

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69 A ruby and diamond pendant necklace The pendant set with a pear-shaped ruby to a circular-cut ruby surmount, each in a brilliant-cut diamond surround, suspended from an 18 carat gold barley corn-link chain, diamonds approx. 0.30 carat total, UK hallmarks, lengths: pendant 2.6cm, chain 46.0cm £800-£1,200

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*See inside front cover for information regarding fees

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72 A ruby and diamond pendant necklace The pendant designed as as a stylised feather, set with brilliant and baguette-cut diamonds, with a central oval-cut ruby, and suspending a pear-shaped ruby drop, to a bi-coloured fancy-link collar necklace of ropetwist design, diamonds approx. 1.70 carats total, lengths: pendant 8.2cm, necklace 41.0cm £800-£1,200 73 Three diamond eternity rings Each set with a continuous row of brilliant-cut diamonds, in tricoloured mounts, diamonds approx. 1.20 carats total, ring size M (3) £1,000-£1,500

75 A ruby bead necklace with diamond clasp The two strands of graduated ruby beads, to a bi-coloured flattened curb-link chain clasp alternately-set with single-cut diamonds, length 46.3cm £200-£300 76 A ruby and diamond brooch and earring suite The brooch of openwork design, composed of a series of circlets accented with circular-cut rubies and brilliant-cut diamonds, to single-cut diamond-set foliate accents, the earrings en suite, post fittings, diamonds approx. 0.70 carat total, lengths: brooch 4.8cm, earring 2.6cm (2) £350-£450

74 A ruby and diamond three-stone ring The oval-cut ruby between brilliant-cut diamonds, mounted in 18 carat gold, diamonds approx. 0.40 carat total, UK hallmark, ring size L½ £500-£700

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77 A lapis lazuli necklace and earring suite The necklace designed as a series of brushed navette-shaped links, flanked by lapis lazuli beads, to multi-strand fancy-link chain sections, accompanied by a pair of brushed domed earrings accented by an interchangeable accent of rock crystal or lapis lazuli beads, post fittings, lengths: necklace 85.7cm, earring 2.5cm (2) £1,000-£1,500 78 A tanzanite and diamond dress ring The oval-cut tanzanite, collet-set within a square plaque set with brilliant-cut diamonds, between similarly-cut diamond shoulders, diamonds approx. 0.70 carat total, ring size N £400-£600 79 A pair of sapphire and diamond pendent earrings Each oval drop of openwork design, set with oval-cut and pearshaped sapphires and accented with vari-shaped rose-cut diamonds and a brilliant-cut diamond line, to a similarly-set surmount, in blackened mounts, post and clip fittings, brilliant-cut diamonds approx.

0.70 carat total, length 7.7cm £3,000-£4,000 80 A sapphire and diamond dress ring Designed as two cabochon sapphires, within a frame of brilliant-cut diamonds, mounted in 18 carat white gold, diamonds approx. 0.50 carat total, London hallmark, ring size M½ £1,000-£1,500

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*See inside front cover for information regarding fees

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81 A ‘Couture Cross’ sapphire and black diamond pendant necklace,

by Stephen Webster The stylised openwork 18 carat white gold cross, centrally-set with a cluster of pear-shaped and square-cut sapphires, within a brilliant-cut black diamond surround, suspended from a double trace-link chain with similarly-cut black diamond accents, diamonds approx. 0.60 carat total, maker’s mark, UK hallmark, diamonds untested for natural colour, lengths: pendant 4.5cm, chain 43.0cm £800-£1,200 82 A sapphire and diamond cluster ring The cushion-shaped sapphire, weighing 3.50 carats, to a surround and shoulders set with brilliant-cut diamonds, mounted in 18 carat white gold, diamonds approx. 1.20 carats total, London hallmark, ring size N½

83 A pair of sapphire-set ‘Jewels Verne Hammerhead’ cufflinks, by Stephen Webster Each designed as a curved hammerhead shark, pavé-set throughout circular-cut sapphires, in a blackened mount, maker’s mark, numbered, length 2.5cm, maker’s case £300-£500 84 A sapphire and diamond spray brooch The baguette-cut diamond stem within a surround of marquise and brilliant-cut diamonds, accented by pear-shaped and oval-cut sapphires, diamonds approx. 3.55 carats total, length 7.2cm £2,000-£3,000

Accompanied by a report from GIA stating that the sapphire is natural, with no indications of heating. Report number 1157927716, dated 23rd September 2013. Sapphire is untested for origin. £3,000-£5,000

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85 A pair of cultured pearl and diamond pendent earrings Each brilliant-cut diamond flowerhead, suspending a belcher-link chain drop to a larger similarly-cut diamond flowerhead, terminating in a 10.7-10.9mm cultured pearl overlaid with brilliant-cut diamond circular accents, diamonds approx. 2.30 carats total, length 5.7cm £400-£600 86 A black ceramic and diamond ‘Forget Me Knot’ bracelet, by Stephen Webster The black ceramic flattened curb-link bracelet, to a detachable 18 carat white gold clasp of knotted barbed wire design, set with brilliant-cut diamonds, diamonds approx. 0.65 carat total, maker’s mark, numbered, UK hallmark, length 19.5cm £1,000-£1,500 87 A diamond dress ring Of crossover design, the double bands of channel-set baguette and tapered baguette-cut diamonds, overlaid by lines of graduated brilliant-cut diamonds, diamonds approx. 1.75 carats total, ring size M £450-£650 88 λ A gem-set ‘Supersize Twist’ pendant necklace, by Stephen Webster Of geometric double-sided design, set on each side with a faceted rock crystal with either a mother-of-pearl or a hematite backing, to an 18 carat white gold surmount pavé-set on one side with brilliantcut diamonds, suspended from a cable-link chain, diamonds approx.

0.90 carat total, maker’s mark, numbered, UK hallmark, lengths: pendant 74.0cm, chain 54.5cm, maker’s case £2,000-£3,000 24

89 † An unmounted diamond The cut-cornered step-cut diamond, weighing 3.27 carats £1,000-£1,500 Accompanied by a report from IGI stating that the diamond is J colour, I3 clarity. Report number 301761004, dated 26th February 2018. ***Please note VAT will be applicable on the full rate for both the hammer price and the buyer’s premium*** 90 A moonstone and diamond ring, by Frieden The oval cabochon grey moonstone, collet-set within a pavé-set brilliant-cut diamond tapered surround, diamonds approx. 1.80 carats total, maker’s mark, ring size M £1,500-£2,000 91 A diamond ‘Magnipheasant’ necklace, by Stephen Webster The stylised feather drop pavé-set with brilliant-cut diamonds to an 18 carat white gold tapered fancy-link necklace, set to the front with brilliant-cut diamonds, diamonds approx. 3.60 carats total, maker’s mark, numbered, UK hallmark, detachable extendable back chain, maximum length 45.0cm, maker’s case £4,000-£6,000

*See inside front cover for information regarding fees

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92 A Tudor coin and cultured pearl brooch, by Elizabeth Gage, circa 1990 Centrally set with a Henry VIII silver groat, within a circular surround impressed with details of armorials, to a 8.0x6.4mm cultured pearl finial and acorn design black paste drop, signed Gage, length 7.3cm, maker’s case and box £1,200-£1,500 93 A diamond pendant necklace The X-shaped pendant set with baguette and tapered baguette-cut diamonds, suspended from an 18 carat gold trace-link chain, diamonds approx. 0.25 carat total, chain with UK hallmark, lengths: pendant 1.7cm, chain 46.5cm £200-£300 94 A star ruby and diamond cluster ring The oval cabochon star ruby, displaying a six-ray star, within a surround of brilliant-cut diamonds, diamonds approx. 0.40 carat total, ring size O £700-£900

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95 A cultured pearl pendant necklace The 13.8mm cultured pearl of grey tint, to a large polished bale, suspended from a paper-link chain, lengths: pendant 3.6cm, chain 50.1cm £250-£350 96 A pair of onyx and gold flowerhead earrings, by Paloma Picasso for Tiffany & Co. Each openwork 18 carat gold flowerhead, centrally highlighted by an oval cabochon onyx, signed Paloma Picasso, maker’s mark T&Co., partial UK import mark, European convention mark, length 2.2cm, maker’s case and box £600-£800 97 A gold and amethyst pendant necklace, 1975 The mixed cushion-shaped amethyst, horizontally collet-set in a polished 18 carat gold frame, suspended from a gold foxtail-link chain, UK import marks, lengths: pendant 2.2cm, chain 63.6cm £500-£700

*See inside front cover for information regarding fees

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98 A charm bracelet The 9 carat gold curb-link chain, suspending five charms, including a crown, a lantern, a carriage, a heart-shaped ring box opening to reveal a paste three-stone ring, and a jug, to a heart-shaped padlock clasp, UK hallmarks, length 18.0cm £300-£500 99 A pair of diamond earstuds Each old brilliant-cut diamond, in a four-claw setting, post fittings, diamonds approx. 2.50 carats total £4,000-£6,000 100 A diamond dress ring The tapered band decorated with overlapping alternating pavé-set diamond and polished plaques, diamonds approx. 0.50 carat total, French assay mark, ring size N £800-£1,200

101 A pair of cultured pearl and diamond earrings Each 16.1mm grey cultured pearl drop, with a brilliant and baguettecut diamond cap, to a brilliant-cut diamond single-stone surmount, hook and clip fittings, diamonds approx. 2.55 carats total, length 5.5cm By repute, these earrings were purchased from Jacob & Co. £2,000-£3,000 102 λ A pendant necklace The pendant designed as a series of cable links, suspending ten circular discs, each engraved with one of the Ten Commandments, suspended from a fancy-link chain, together with a slightly shorter matching chain, pendant with French assay mark and maker’s marks, lengths: pendant 7.5cm, chains 135.0 and 110.0cm £600-£800

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103 λ A coral and carved jade necklace The single strand of barrel-shaped coral Corallium rubrum beads spaced by polished jadeite jade beads, terminating in an intricately carved jadeite jade pendant, jade untested, lengths: necklace 65.3cm, pendant 9.6cm £250-£350 104 A fancy-link bracelet Of articulated gate-link design, French assay marks, length 18.0cm £400-£600

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105 A sapphire and diamond three-stone ring The circular-cut sapphire, between brilliant-cut diamonds, diamonds approx. 0.55 carat total, ring size O £250-£350 106 A fire opal, diamond and seed pearl suite The necklace composed of a single row of seed pearls, to an oval-cut fire opal pendant, to a brilliant-cut diamond, fire opal and half pearl surmount, together with a pair of similarly-set earrings, post fittings, and a similarly-cut fire opal and single-cut diamond cluster ring, mounted in 9 carat gold, one diamond deficient, UK hallmarks, lengths: necklace 38.0cm, pendant 2.8cm, earring 2.1cm, ring size C (3) £400-£600

*See inside front cover for information regarding fees

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107 λ A carved coral ring and earrings, last quarter of the 19th century 1st: Each earring of Rococo design, centrally set with an oval coral Corallium rubrum cameo, hook fittings, 2nd: The oval carved coral cameo, to a seed pearl surround, earring length 6.5cm, ring size J (2) £250-£350

110 λ A coral dragon bangle, circa 1860 The sprung bangle of graduated carved coral Corallium rubrum scales, terminating in an elaborately carved coral dragon’s head, inner diameter 4.5cm (adjustable) £250-£350

108 A sapphire and diamond ring The oval-cut sapphire between old brilliant-cut diamonds, in pinched collet settings, diamonds approx. 0.35 carat total, ring size H £200-£300

111 A diamond and emerald brooch The brilliant-cut diamond in a pinched collet setting, within an early 20th century plaque, set with rose-cut diamonds and circular-cut emerald accents, between trifurcated knife-edge bar shoulders set with similarly-cut diamond and emerald trios, principal diamond approx. 1.90 carats, composite, length 6.4cm £3,000-£4,000

109 A fancy-link bracelet Of bi-colour design, composed of four strands of flattened curb linking, with flowerhead accents, length 18.5cm £700-£900

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112 A blue zircon and diamond brooch, circa 1900 The circular-cut blue zircon and old brilliant-cut diamond cluster, between similarly and rose-cut diamond scroll shoulders, mounted in silver and gold, diamonds approx. 0.60 carat total, one diamond deficient, length 3.9cm £300-£500 113 A pair of cultured pearl and diamond pendent earrings Each 10.2-10.5mm cultured pearl of grey tint, suspended from a line of milligrain collet-set brilliant-cut diamonds, diamonds approx. 0.55 carat total, length 3.8cm £250-£350 114 A diamond single-stone ring The brilliant-cut diamond within a pierced gallery accented by baguette-cut synthetic sapphires, diamond approx. 0.50 carat, ring size P £250-£350

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115 A sapphire and diamond ring, first quarter of the 20th century The oval cabochon sapphire in a claw mount, the pierced gallery accented with millegrain-set rose-cut diamonds, two diamonds deficient, ring size K ½ (sizing beads) £800-£1,200 116 A Belle Epoque diamond pendant necklace, circa 1910 The finely pierced circular plaque, centrally millegrain-set with an old brilliant-cut diamond, in a pierced surround decorated with a rose-cut diamond wreath, to a meander pattern border and old brilliant and rose-cut diamond scalloped edge, suspended from a fetter-link chain, old brilliant-cut diamonds approx. 0.60 carat total, pendant with partial brooch fitting, lengths: pendant 4.6cm, chain 44.5cm £400-£600

*See inside front cover for information regarding fees

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117 A diamond two-stone ring Set with two brilliant-cut diamonds within a figure-of-eight surround set with single-cut diamonds, diamonds approx. 0.70 carat total, ring size M £300-£400 118 A diamond-set pendant/brooch Of pierced lace design, the central rose motif within a circlet frame with old brilliant-cut diamond quarters, within a square frame with scalloped border, set throughout with brilliant-cut diamonds, to a similarly-set pendant loop, diamonds approx. 3.90 carats total, three diamonds deficient, length 8.1cm, fitted case by Moira, 10 New Bond Street, London W1 £1,800-£2,200

119 A pair of blue zircon earstuds and an early 20th century blue zircon and diamond ring 1st: Each circular-cut blue zircon in a four-claw setting, post fittings; 2nd: The circular-cut blue zircon, in a six-claw setting, between single-cut diamond shoulders, ring size J (2) £250-£350 120 A diamond three-stone ring Set with three brilliant-cut diamonds, in claw mounts, diamonds approx.1.00 carat total, ring size P £500-£700

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120A An Art Deco turquoise and enamel gilt vanity case, by Cartier, circa 1930 The rectangular case with chased Indo-Persian design throughout depicting exotic birds, monkeys and tigers among a scrolling floral and foliate ground, with polychrome enamel detailing to the cover and reverse, the turquoise thumbpiece carved with gilt floral motif, opening to reveal a bevelled mirror, a comb, a pouch, one covered powder compartment and three further open compartments, case unsigned, numbered, powder puff signed Cartier, width 15.3cm, maker's case £1,500-£2,000 For a similar example see Christie's 'Jewellery', London South Kensington, Lot 43, 16th April 2014.

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122 A diamond single-stone ring The old brilliant-cut diamond in a claw bezel-setting, between decorated shoulders, diamond approx. 0.50 carat, ring size M½ £300-£500 123 An Art Deco rock crystal, diamond and ruby brooch, circa 1925 The frosted rock crystal circlet, set with opposing finials of tiered pierced design, highlighted by old brilliant and rose-cut diamonds between calibré-cut ruby lines, three rubies deficient, length 4.8cm £400-£600

121 A pair of enamel and diamond cufflinks, first half of the 20th century Double-sided: Each circular disc decorated with white pékin mille raies enamel stripes, centrally accented by a brilliant-cut diamond, numbered, terminal length 1.4cm, Garrard & Co. Ltd case £400-£600

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124 An early 20th century emerald and diamond ring Centrally-set with two half moon-shaped emeralds, within a single-cut diamond surround, between calibré-cut emerald and single-cut diamond two-stone shoulders, ring size N £200-£300

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125 An Art Deco diamond brooch, circa 1925 Of geometric openwork design, centrally millegrain-set with three old brilliant-cut diamonds, within a surround of similarly-cut diamonds and a rose-cut diamond frame, old brilliant-cut diamonds approx. 1.80 carats total, maker’s mark MC, French assay mark, length 4.0cm £1,500-£2,000 126 A diamond brooch, circa 1905 Designed as an openwork buckle, set throughout with old brilliant, single and rose-cut diamonds, old brilliant and single-cut diamonds approx. 1.00 carat total, width 2.9cm £250-£350 127 An Art Deco jade, enamel and diamond vanity case, by Cartier, circa 1925 The rectangular case with black pékin mille raies enamel decoration, centrally-set with a carved jadeite jade, onyx and rose-cut diamond floral motif, to a rose-cut diamond thumb piece and hinged connectors, opening to reveal a mirror, a lipstick holder and a powder compartment, suspended from a twin black enamel link chain withjadeite jade bead accents, to an onyx circlet surmount with rose-cut diamond connector, signed Cartier Paris Londres New York, maker’s marks (indistinct), numbered 0248, French assay marks, case length 5.5cm, total length 15.2cm, later fitted case £4,000-£6,000 For similar examples by Cartier see the exhibition ‘Jeweled Splendors of the Art Deco Era: The Prince and Princess Sadruddin Aga Khan Collection’, Cooper Hewitt Museum, 2017, Christie’s ‘Important Jewels’, London, Lot 213, 4th June 2014 and Sarah Hue-Williams and Peter Edwards “A Kind of Magic; Art Deco Vanity Cases, The Kashmira Bulsara Collection”, Unicorn Press, Norwich, 2017, page 137-138.

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128 A sapphire and diamond dress ring The oval-cut sapphire between brilliant-cut diamonds, collet-set within a reeded hoop, ring size N £300-£400 129 A sapphire and emerald necklace, by Frieden The 18 carat gold flattened curb-link chain, collet-set with oval cabochon sapphires and emeralds, maker’s mark, UK hallmark, 42.0cm £1,500-£2,500

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130 An emerald and diamond dress ring The square step-cut emerald, in a four-claw setting, within a surround of brilliant and baguette-cut diamonds, mounted in 18 carat gold, diamonds approx. 0.80 carat total, London hallmark, ring size L½ £2,000-£3,000 131 A pair of blue topaz and sapphire earrings Each spectacle set pear-shaped blue topaz, suspended from a circular cabochon sapphire, length 2.7cm £250-£350

*See inside front cover for information regarding fees

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132 Two pairs of blue topaz earrings, by Percossi Papi 1st: Each circular-cut blue topaz within a surround of circular-cut citrines and blue enamel ropetwist sections, hook fittings; 2nd: Each oval-cut blue topaz within a surround set with oval and circular-cut sapphires, highlighted with seed pearls and blue enamel accents, suspending a heart-shaped blue topaz drop, post fittings, signed Percossi Papi, lengths: 2.7cm and 3.9cm (2) £250-£350

134 A sapphire and diamond cultured pearl necklace and bracelet The necklace composed of a graduated row of 5.9-8.5mm cultured pearls to a collet-set oval-cut sapphire clasp with brilliant-cut diamond shoulders, the bracelet composed of four strands of seed pearls to an oval-cut sapphire clasp with brilliant-cut diamond twostone shoulders, diamonds approx. 0.50 carats total, lengths: necklace 63.0cm, bracelet 19.0cm (2) £250-£300

133 An emerald and diamond pendant The cut-cornered rectangular-cut emerald, to a brilliant-cut diamond surround and surmount, mounted in 18 carat gold, diamonds approx.

0.55 carat total, UK hallmark, length 2.5cm £1,200-£1,500

135 A malachite, rock crystal and diamond dress ring The fancy-shaped rock crystal with a malachite backing, angled between graduated brilliant-cut diamond line shoulders, to an 18 carat gold hoop, maker’s mark PVG for Ponte Vecchio Gioielli, sponsor’s mark, partial UK hallmark, ring size O £500-£700 136 A sapphire and diamond ring The triangular-cut sapphire, in a three-claw setting, to a heartshaped surround and shoulders pavé-set with brilliant-cut diamonds, diamonds approx. 0.70 carat total, ring size L½ £700-£900

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137 A pair of cultured pearl and diamond earrings Each 12.1mm freshwater cultured pearl with a partially pavé-set brilliant-cut diamond cap, to a rose-cut diamond line suspension, hook fittings, length 4.8cm £800-£1,200 138 An emerald and diamond ring The cushion-shaped emerald, in a four-claw setting, between stepped shoulders set with brilliant and baguette-cut diamonds, ring size O½ £1,800-£2,500 139 A silver and jade ‘Superstone’ bracelet, by Stephen Webster Designed as five rows of polished jadeite jade scales, mounted in blacken silver, to a concealed clasp, maker’s marks, UK hallmark, jade untested, length 18.0cm £500-£700

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140 An emerald and diamond ring The square step-cut emerald, within a surround of brilliant-cut diamonds, between bifurcated shoulders set with similarly-cut diamonds, mounted in 18 carat yellow gold, diamonds approx. 1.20 carats total, London hallmark, ring size M½ £1,200-£1,500 141 λ A mother-of-pearl and diamond ‘Crystal Haze’ ring, by Stephen Webster The faceted rock crystal with mother-of-pearl backing, within a brilliant-cut diamond surround, to tapered 18 carat white gold openwork shoulders, diamonds approx. 0.30 carat total, maker’s mark, numbered, UK hallmark, ring size M £800-£1,200

*See inside front cover for information regarding fees

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142 A diamond single-stone pendant necklace The princess-cut diamond in a collet mount, to an 18 carat white gold trace-link chain, diamond approx. 0.45 carat, chain with partial London hallmark, lengths: pendant 1.4cm, chain 40.5cm £400-£600 143 A pair of peridot and diamond pendent earrings Each pear-shaped peridot, in a brilliant-cut diamond surround, suspended from an articulated line of similarly-cut diamonds, mounted in 18 carat white gold, post fittings, diamonds approx. 0.70 carat total, London hallmarks, length 4.7cm £1,000-£1,500 144 A cultured pearl ring and earring suite Each 8.7-9.2mm cultured pearl within a brilliant-cut diamond surround, earrings with post fittings, diamonds approx. 3.00 carats total, ring size L, earring length 1.7cm (2) £400-£600

145 A diamond single-stone ring The brilliant-cut diamond, weighing 0.81 carat, within a six-claw mount, to a platinum hoop, UK hallmark, ring size M Accompanied by a printout of a GIA diamond dossier stating that the diamond is G colour, VS1 clarity. Report number 15508409, dated 5th of February 2007. £1,200-£1,500 146 † An unmounted diamond The cut-cornered step-cut diamond, weighing 1.20 carats Accompanied by an IGI report stating that the diamond is E colour, I1 clarity. Report number 301760671, dated 15th February 2018. ***Please note VAT will be applicable on the full rate for both the hammer price and the buyer’s premium*** £1,000-£1,500 147 A jade and diamond pendant and pair of earrings The pendant designed as a carved jadeite jade urn with lotus flower and pendent circlet decoration, to a circlet-link chain and brilliant and baguette-cut diamond surmount and suspension, each earring design as a carved jadeite jade urn to a brilliant-cut diamond-set surmount, post and clip fittings, jade untested, lengths: pendant 7.5cm, earring 4.5cm (2) £250-£350

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148 A hardstone cross pendant necklace, second half of the 19th century Designed as a Latin cross, the arms carved of agate in the Gothic style, suspended from a belcher-link chain, lengths: pendant 9.1cm, chain 46.5cm £250-£350 149 A topaz and pearl ring, early 19th century The cushion-shaped topaz, within a half pearl surround, all in closedback settings, to a later shank, ring size L½ £350-£450

150 A cornelian bracelet, circa 1870 Composed of five circular banded cornelian plaques in collet settings, the largest to the centre accented with a stylised knot motif, length 19.0cm £250-£300 Since the 1840s and the later purchase of Balmoral Castle by Prince Albert for Queen Victoria, there was a noticeable surge of popularity for Scottish fashion and jewellery. Commonly referred to as Scotch pebble jewellery it was traditionally set with local stones such as agates, jaspers, granites and smoky quartz (cairngorms). Due to the increased demand the local sources were eventually supplemented with stones from Brazil and cut by lapidaries in Germany’s IdarOberstein.

Clean geometric lines usually define Scottish agate jewellery and motifs include the endless knot, the thistle, shield shapes and kiltsecuring brooches that resemble miniature dirks in their own ornate sheaths. Large sculptural brooches featuring the vari-coloured agates secured tartans, plaids and paisley draped over the shoulder.

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*See inside front cover for information regarding fees

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151 A fob seal and chain The 18 carat gold swivel seal set on one side with a vacant bloodstone matrix, on the other with a banded carnelian matrix with engraved initials, suspended from a 9 carat gold cable-link chain, UK hallmarks, lengths: fob 4.0cm, chain 159.0cm £400-£600 152 A late 19th century brooch, circa 1870 The domed tiered cluster with central half-bead motif, within an alternating beadwork and ropetwist design surround, to a glazed hairwork reverse, length 3.6cm £150-£200

153 An amber bead necklace The graduated strand of oblong 12.8-23.1mm amber beads, to a carved amber clasp, clasp broken, length 62.2cm Accompanied by a report from GCS stating that the amber, weighing 53.83 grams, is natural, of Baltic origin, with no indications of heating. Report number 78153-84, dated 30th April 2018. £400-£600 154 Two 19th century brooches 1st: The oval plaque inlaid with a pietra dura floral spray, within a frame decorated with vines and scroll motifs, 2nd: The micromosaic depiction of the Pantheon, in an onyx frame, lengths: 1st 5.5cm, 2nd 2.6cm (2) £150-£200

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155 A diamond ring, by Cedric Jones Designed as three angled bands accented by brilliant-cut diamonds, mounted in 18 carat white gold, maker’s mark CPJ, London hallmark, ring size N £300-£500

157 A citrine and diamond turtle brooch The domed cluster of circular-cut citrines, to a surround, feet and head pavé-set with brilliant-cut diamonds, with circular-cut ruby eyes, diamonds approx. 3.45 carats total, length 4.3cm £1,500-£2,000

156 A diamond ‘Magnipheasant’ bracelet, by Stephen Webster Composed of a continuous row of 18 carat white gold stylised feather links, pavé-set with brilliant-cut diamonds, diamonds approx. 3.20 carats total, maker’s mark, UK hallmark, maker’s case £3,000-£4,000

158 A citrine and diamond ring The pear-shaped citrine, collet-set within a brilliant-cut diamond surround, to a tapered hoop, diamonds approx. 0.40 carat total, ring size L £300-£400

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*See inside front cover for information regarding fees

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159 A citrine and diamond pendant necklace Designed as a flowerhead, suspending a kite-shaped citrine with single-cut diamond surmount, issuing a spray of collet-set brilliantcut diamonds, to a box-link chain, diamonds approx. 0.35 carat total, lengths: pendant 4.0cm, chain 41.5cm £500-£700 160 A diamond single-stone ring The cut-cornered step-cut diamond, weighing 1.13 carats, horizontally-set in a four-claw mount, ring size L Accompanied by a report from GCS stating that the diamond is G colour, VVS2 clarity. Report number 78167-32, dated 12th July 2018. £2,000-£3,000 161 A diamond dress ring, by Frieden The tapered openwork front designed as two layers of brilliant-cut diamond scrolling lines, diamonds approx. 2.50 carats total, ring size N £1,200-£1,500

162 A diamond-set pendant necklace, by Frieden The pear-shaped 18 carat white gold pendant of openwork design, composed of two layers of brilliant-cut diamond scrolling lines, to a similarly-cut diamond suspension and fine trace-link chain, diamonds approx. 2.05 carats total, maker’s mark, UK hallmarks, lengths: pendant 4.4cm, chain 39.5cm £1,200-£1,500 163 A pair of diamond earrings Each heart-shaped plaque set with a trio of brilliant-cut diamonds in a tiered brilliant-cut diamond surround, post fittings, diamonds approx.

0.95 carat total, length 1.0cm £1,000-£1,500 164 A diamond pendant The brilliant-cut diamond, in a four-claw setting, diamond approx. 1.70 carat, length 1.5cm £4,000-£6,000

Frieden, meaning peace in German, is a Swiss jewellery company founded in 1898. Originally creating silver folk jewellery the company had expanded into fine jewellery by the 1930s. In 1954, Frieden were amongst the founding members of the jewellery pavilion at the Basel Jewellery Show.

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168 165 A pair of diamond pendent earrings Each elongated pear-shaped drop accented with brilliant-cut diamonds, diamonds approx. 0.45 carat total, length 5.3cm £250-£350

169 A ‘Power’ ring, by Diane von Furstenberg for H. Stern The ring modelled as a rectangular-cut faceted motif, maker’s marks, French assay mark, ring size N £800-£1,200

166 A fancy-link necklace, by Chaumet Composed of alternating oval and circular openwork links with polished connectors, signed Chaumet Paris, maker’s mark, numbered, French assay mark, length 41.0cm £4,000-£5,000

170 A diamond snail ring, by Alex Soldier Realistically designed as a snail, the textured shell and antennae accented by brilliant-cut diamonds, diamonds approx. 0.35 carat total, signed A. Soldier, ring size M £1,000-£1,500

167 A diamond brooch Of bi-coloured baton form, centrally set with a row of square step-cut diamonds, between reeded terminals, diamonds approx. 0.40 carat total, length 4.8cm £250-£300

171 A wood and diamond bangle The wooden bangle accented with brilliant-cut diamonds in tiered collet mounts, diamonds apoprox. 0.70 carat total, inner diameter 7.1cm £2,000-£3,000

168 A citrine ring, by Marina B The oval-cut citrine half collet-set in a raised bi-coloured mount, signed Marina B, maker’s mark, numbered, ring size M, maker’s case and box £700-£900

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Although unsigned, this bangle closely resembles examples by Christian Dior.

*See inside front cover for information regarding fees

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172 A diamond-set watch necklace The oval metallic dial, with baton hour markers, within a brushed ropetwist bezel, between brilliant-cut diamond lugs, suspended from a double-foxtail link chain, diamonds approx. 0.60 carat total, dial signed Ebel, composite, lengths: pendant 6.6cm, chain 60.0cm £600-£800 173 An aquamarine and diamond cluster ring The step-cut aquamarine, within a surround of brilliant-cut diamonds, between similarly-cut diamond shoulders, mounted in 18 carat white gold, diamonds approx. 0.30 carat total, London hallmark, ring size N £700-£900 174 A pair of sapphire hoop earrings Each elongated hoop pavé-set with circular-cut sapphires, post fittings, length 2.5cm £250-£350

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175 A diamond band ring The wide pierced band of floral design, set with brilliant-cut diamonds, between similarly-cut diamond borders, diamonds approx.

1.10 carats total, ring size K (leading edge) £400-£600 176 An aquamarine and diamond ring The step-cut aquamarine, in a four-claw setting, between bifurcated baguette-cut diamond shoulders with single-cut diamond accents, diamonds approx. 0.25 carat total, ring size Q½ £500-£700 177 A diamond pendant necklace Designed as a bow, set throughout with brilliant-cut diamonds, to a trace-link chain, diamonds approx. 0.35 carat total, length 42.5cm £300-£500

*See inside front cover for information regarding fees

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181 178 180

178 A pair of sapphire pendent earrings Each set with two clusters of marquise and square-cut sapphires, suspended from twin trace-link chains, length 4.1cm £400-£600 179 A diamond-set necklace, retailed by Mappin & Webb Composed of multiple strands of 18 carat white gold ropetwist wires, one accented with a brilliant-cut diamond in a wide collet setting of brushed finish, UK hallmark, length 40.5cm, Mappin & Webb case and box £400-£600

180 A sapphire and diamond cluster ring The cushion-shaped sapphire, within a brilliant and tapered baguette-cut diamond surround, mounted in 18 carat white gold, diamonds approx. 0.60 carat total, London hallmark, ring size M £1,200-£1,500 181 An aquamarine and diamond dress ring The heart-shaped aquamarine within a double openwork surround of brilliant-cut diamonds, diamonds approx. 0.45 carat, ring size N £1,000-£1,500

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185

183

184

187 182 186

184 A diamond single-stone ring The old brilliant-cut diamond, in an eight-claw setting, diamond approx. 1.45 carats, ring size P £2,200-£2,500

182 A group of amber necklaces Comprising ten strands of 5.8-23.4mm oblong amber beads (10) Accompanied by a report from GCS stating that the amber, weighing 319.87 grams, is natural, of Baltic origin, with no indications of heating. Report number 78152-06, dated 24th April 2018. £800-£1,200 183 An opal and diamond pendant necklace The pear-shaped cabochon black opal, within a brilliant-cut diamond surround, mounted in 18 carat gold, to an 18 carat gold palmier-link chain, diamonds approx. 0.60 carat total, UK hallmarks, lengths: pendant 3.3cm, chain 45.0cm £1,500-£2,000

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185 A pendant necklace, by Tiffany & Co. The heart-shaped pendant wrapped with an arrow motif, suspended from a ball-link chain, signed Tiffany & Co., length 46.0cm, maker’s case £700-£900 186 A pair of ‘Veleno’ citrine earrings, by Pomellato Each polished citrine drop, in an elongated four-claw setting, hook fittings, signed Pomellato, numbered, Italian assay marks, length 3.0cm £300-£400 187 A diamond-set flower brooch Designed as a polished tulip, the stamen collet-set with brilliant-cut diamond accents, length 11.5cm £500-£700

*See inside front cover for information regarding fees

190

188

191

192

189

188 A diamond-set pendant necklace and earring suite The heart-shaped plaque set with brilliant-cut diamonds, accompanied by a pair of earrings en suite, post and clip fittings, diamonds approx. 1.25 carats total, lengths: pendant 1.6cm, chain 41.3cm, earring 1.7cm (2) £250-£350

191 An aquamarine, ruby and diamond cluster ring The step-cut aquamarine, in a double four-claw setting, within a surround of brilliant-cut diamonds and circular-cut rubies, mounted in 18 carat gold, maker’s mark EFLtd, UK hallmark, diamonds approx.

0.25 carat total, ring size O £300-£500

189 A ruby and diamond three-stone ring The oval-cut ruby between brilliant-cut diamonds, mounted in 18 carat gold, diamonds approx. 0.45 carat total, ring size K½ £500-£700

192 A pair of jasper and garnet earclips, by Deakin & Francis Each triangular jasper plaque, collet-set with an oval-cut garnet in a closed-back setting, post fittings, maker’s mark D&F, length 2.1cm £250-£350

190 λ A coral necklace The single strand of graduated 9.1-10.8mm coral Corallium rubrum beads, to a rectangular clasp inset with an oval cabochon coral, length 46.8cm £600-£800

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193 A ‘Forget me Knot’ hematite, quartz and diamond bangle, by Stephen Webster Designed as a bow composed of faceted rock crystal sections with hematite backing, tied with pavé-set brilliant-cut diamond and black diamond lines of barbed wire design, to an 18 carat white gold hinged back, diamonds approx. 1.75 carats total, maker’s mark, numbered, UK hallmark, diamonds untested for natural colour, inner diameter 6.0cm £2,000-£3,000

195 A pair of cultured pearl and diamond pendent earrings Each 9.1mm grey cultured pearl, suspended from a collet-set squarecut diamond three-stone surmount and similarly-cut diamond chain connector, mounted in 18 carat white gold, diamonds approx. 0.50 carat total, UK hallmark, length 2.6cm £300-£500

194 A silver ‘Forget Me Knot’ bangle and two rings, by Stephen Webster Each of torc design, with one terminal looped and decorated with a barbed wire knot, the other pointed, bangle and one ring of blackened finish, maker’s marks, numbered, UK hallmarks, bangle inner diameter 5.8cm, ring sizes L and R (3) £250-£350

195 193

194

194

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*See inside front cover for information regarding fees

196

199

197 198 200

196 A diamond ‘Jewels Verne Jaws’ ring, by Stephen Webster Of 18 carat white and blackened gold torc design, each openwork lobe pavé-set with brilliant-cut diamond and set with a row of similarly-cut diamond ‘teeth’, diamonds approx. 1.20 carats total, maker’s mark, numbered, UK hallmark, ring size N £1,000-£1,500

199 A ‘Lace’ cuff bracelet and two rings, by Muriel Grateau Each of blackened openwork cartouche design, the cuff and one ring accented with black diamonds, diamonds approx. 0.45 carat total, diamonds untested for natural colour, rings signed Muriel Grateau, cuff unsigned, cuff inner diameter 5.1cm, ring sizes O and P (3) £400-£600

197 A diamond band ring The bevelled platinum band inset with eight brilliant-cut diamonds, UK hallmark, ring size M £250-£350

200 A diamond single-stone ring The princess-cut diamond, to an 18 carat white gold hoop, diamond approx. 1.00 carat, UK hallmark, ring size N £1,800-£2,200

198 A pair of diamond-set cufflinks, by Stephen Webster Each modelled as a curved fish with brilliant-cut diamond-set fins, to a bar fitting with similarly-cut diamond finial, maker’s mark, numbered, length 2.8cm, maker’s case £250-£350

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202

201

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206

205

204 201 A pair of diamond ‘Thorn’ drop earrings, by Stephen Webster Designed as two overlapping 18 carat gold branches, set with brilliant-cut diamonds, post fittings, diamonds approx. 0.60 carat total, maker’s mark, numbered, UK hallmark, length 4.7cm, maker’s case £700-£900 202 A pair of lemon quartz and diamond earrings, by Kiki McDonough Each cushion-shaped lemon quartz drop, suspended from an oval-cut diamond surmount, both in brilliant-cut diamond surrounds, post fittings, diamonds approx. 1.05 carats total, signed Kiki, length 3.0cm, maker’s case £1,000-£1,500 203 A diamond-set fancy-link bracelet, by Cedric Jones Composed of bi-coloured 18 carat gold three row links, inset with brilliant-cut diamonds, between circlet connectors, diamonds approx.

0.35 carat total, maker’s mark, UK hallmark, length 18.0cm £1,500-£2,000

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204 A green topaz, cultured pearl and diamond ‘Magic triangle piercing’ ring, by Delfina Delettrez The hoop of open form, one terminal featuring a circular-cut green topaz, in a three-claw brilliant-cut diamond setting, the other terminal accented by a 4.5mm cultured pearl, signed Delfina Delettrez, ring size L, maker’s case £400-£600 205 A coloured diamond ‘Lace’ full finger ring, by Jacob & Co. The elongated oval plaque of openwork scrolling design, composed of three articulated sections, set throughout with brilliant-cut yellow diamonds, to twin bands with similarly-set shoulders, diamonds approx.

4.45 carats total, diamonds untested for natural colour, signed J&Co., ring size M ½ £1,800-£2,200 206 A gold and emerald novelty brooch, 1968 Designed as an 18 carat gold bumble bee, the wirework body between reeded wings, set with circular cabochon emerald eyes, UK import mark, length 3.0cm £300-£400

*See inside front cover for information regarding fees

211

208

210 209 207

207 A diamond flower dress ring Designed as a flower in bloom, the pavé-set brilliant-cut diamond curled petals in bi-coloured mounts, centrally-set with a trio of briolette-cut diamonds, diamonds approx. 6.10 carats total, ring size M £2,000-£3,000

210 A diamond bracelet Of articulated bi-coloured lattice design, collet-set with alternating brilliant and princess-cut diamonds, with brilliant-cut diamond twostone connectors, diamonds approx. 19.50 carats total, length 19.5cm £4,000-£6,000

208 A gold ‘Mirror’ three-stone diamond ring, by Georg Jensen The 18 carat gold shaped band inset with three brilliant-cut diamonds, signed Georg Jensen, pattern number 1261, European convention mark, ring size M £300-£400

211 A pair of ‘C de Cartier’ earclips, by Cartier Each loop composed of a series of stylised ‘C’-shaped links, clip fittings, signed Cartier, numbered, French assay mark, length 2.8cm £3,000-£4,000

209 A pair of gold ‘Bean’ earstuds, by Elsa Peretti for Tiffany & Co. Each modelled as an 18 carat yellow gold bean, post fittings, signed Peretti, maker’s mark T&Co., London hallmarks, length 0.9cm £180-£220

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214

213

212

215

212 A pearl and diamond brooch / pendant, circa 1895 and cultured pearl necklace The detachable pendant of old brilliant and rose-cut diamond scrolling design, centrally-set with a 6.3mm bouton pearl, suspending a similarly-set square openwork pendant with a 4.8mm bouton pearl centre, to a rose-cut diamond link connector, suspended from a later 3.4-4.6mm cultured pearl necklace, old brilliant-cut diamonds approx.

0.60 carat total, brooch fitting detachable, bouton pearls untested, lengths: brooch 5.7cm, necklace 38.0cm £400-£600 213 A sapphire and diamond crescent brooch, circa 1900 The inner line of old brilliant and rose-cut diamonds, flanked by a graduated line of circular-cut sapphires, old brilliant-cut diamonds approx. 0.20 carat total, length 2.5cm £250-£350

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214 A pair of aquamarine and diamond earrings Each pear-shaped aquamarine within a rose-cut diamond surround, to an old brilliant-cut diamond three-stone surmount, post fittings, old brilliant-cut diamonds approx.1.00 carat total, Russian assay marks, length 4.9cm £1,500-£2,000 215 A diamond star brooch, circa 1880 The twelve rayed star set throughout with cushion-shaped diamonds, the tips accented by rose-cut diamonds, cushion-shaped diamonds approx. 4.30 carats total, detachable brooch fitting, length 4.2cm £1,000-£1,500

*See inside front cover for information regarding fees

217 218

219

216

220

216 An aquamarine and diamond brooch and earrings The brooch set with an oval-cut aquamarine in a single-cut diamond surround, mounted on a bar brooch; each earring set with a cutcornered rectangular-cut aquamarine, to a brilliant-cut diamond two-stone surmount and chain connection, post fittings, diamonds approx. 0.55 carat total, lengths: brooch 4.6cm, earring 2.7cm (2) £300-£500 217 A late 19th century diamond flower brooch The floral spray set throughout with old brilliant and rose-cut diamonds, mounted in silver and gold, old brilliant-cut diamonds approx. 0.90 carat total, length 5.8cm £250-£350 218 A pair of amethyst and diamond earrings Each oval-cut amethyst in a rose-cut diamond surround, hook back fittings, Russian assay marks, length 3.0cm £800-£1,200

219 A pair of natural pearl and diamond pendent earrings Each button-shaped 9.1-10.2mm and 8.1-9.9mm pearl, suspended from an articulated line collet-set at intervals with old brilliant-cut diamonds, post fittings, length 3.7cm Accompanied by a report from The Gem & Pearl Laboratory stating that the pearls are natural, saltwater. Report number 15793, dated 1st June 2018. £400-£600 220 A ruby and diamond dress ring The oval-cut ruby, in a closed-back setting, within a surround of cushion-shaped and old brilliant-cut diamonds, between bifurcated shoulders set with single-cut diamonds, diamonds approx. 0.60 carat total, ring size M £800-£1,200

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226

223

222

221

224 225

221 A green agate, rock crystal and diamond ‘Lady Stardust’ pendant necklace, by Stephen Webster The kite-shaped fancy-cut rock crystal with green agate backing accented with brilliant-cut diamond zigzag lines, to a similarly-cut diamond surmount, suspended from a palmier-link two-row chain with brilliant-cut diamond slides, diamonds approx. 0.80 carat total, maker’s marks, numbered, UK hallmarks, lengths: pendant 7.3cm, chain 43.0cm £1,800-£2,200 222 An amethyst, rock crystal and diamond ‘Lady Stardust’ pendant necklace, by Stephen Webster The kite-shaped fancy-cut rock crystal with amethyst backing accented with brilliant-cut diamond zigzag lines, to a similarly-cut diamond surmount, suspended from a palmier-link two-row chain with brilliant-cut diamond slides, diamonds approx. 0.80 carat total, maker’s marks, numbered, UK hallmarks, lengths: pendant 7.3cm, chain 43.0cm £1,800-£2,200 223 A diamond-set dress ring Of wide bifurcated design, each band set with a row of brilliant-cut diamonds, connected by a similarly-cut diamond star-shaped plaque, diamonds approx. 0.55 carat total, ring size N £500-£700

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227

224 A diamond cross bracelet The belcher-link chain, accented at regular intervals with brilliant-cut diamond Latin crosses, diamonds approx. 0.30 carat total, length 18.7cm £400-£600 225 A diamond line bracelet Composed of a series of box links, alternately-set with brilliant-cut diamonds, diamonds approx. 0.50 carats total, length 17.7cm £250-£350 226 λ A ‘Lady Stardust’ amethyst, purple sapphire and diamond ring, by Stephen Webster The faceted amethyst with a mother-of-pearl backing, to an openwork 18 carat white gold surround of geometric design, set with brilliant-cut diamonds and circular-cut purple sapphires, diamonds approx. 0.90 carat total, maker’s mark, numbered, UK hallmark, ring size L £1,200-£1,500 227 A ‘Lady Stardust’ green agate and diamond ring, by Stephen Webster The faceted rock crystal with green agate backing, to an openwork 18 carat white gold surround of geometric design, set with brilliant-cut diamonds, diamonds approx. 0.90 carat total, maker’s mark, numbered, UK hallmark, ring size L £1,200-£1,500 *See inside front cover for information regarding fees

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231

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230 229

228 An emerald and diamond ring Set with a cut-cornered rectangular-cut emerald and two similarly-cut diamonds, to a tapered hoop, diamonds approx. 0.60 carat total, ring size N £800-£1,200 229 A sapphire and diamond ring, by Gubelin The square hoop channel-set to the front with square step-cut sapphires and brilliant-cut diamonds, diamonds approx. 0.25 carat total, maker’s mark, ring size I (hoop off round) £250-£350 230 A fancy-link necklace, by Robert Crerar Composed of an alternating series of circlet and cylindrical 18 carat gold links of textured banded design, maker’s mark, UK hallmark, length 46.0cm £2,500-£3,500

231 A mabé cultured pearl ring The mabé cultured pearl collet-set on a square textured plaque, to a tapered hoop, ring size K (leading edge) £400-£600 232 A sodalite cross pendant The carved sodalite cross, with polished terminals and X-shaped centre detail, length 7.4cm £250-£300 233 A sapphire and diamond dress ring The step-cut sapphire, between triangular-cut diamonds, all in colletsettings to a wide bi-coloured band, diamonds approx. 0.25 carat total, ring size L £250-£350

Robert Crerar is a Scottish silversmith and goldsmith born in Fife. He was active during the late 20th century and held a Warrant of Appointment to The Prince of Wales. Examples of his work can also be found in the Royal Collection Trust.

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*See inside front cover for information regarding fees

234 235

236

237

237

234 A pair of gold and turquoise earclips Each set with a cluster of circular cabochon turquoise, within an 18 carat gold openwork surround of stylised flowerhead design, clip fittings and one post fitting, UK import mark, length 2.1cm £250-£350

236 A diamond leaf brooch The cluster of textured leaves accented by brilliant-cut diamonds, overlaying a trio of polished wire highlights, diamonds approx. 0.55 carat total, maker’s mark, length 5.2cm £250-£350

235 A pair of earclips and a brooch, by George L’Enfant Each designed as a braided ropetwist oval circlet, earrings with clip fittings, maker’s marks, French assay marks, lengths: brooch 3.5cm, earring 2.3cm (2) £3,500-£4,500

237 A turquoise and ruby ring and a pair of turquoise earrings, circa 1960 The ring set with an oval cabochon turquoise in a ropetwist latticework surround, accented by square step-cut rubies; together with a pair of similarly designed turquoise earrings in ropetwist latticework mounts, post and clip fittings, one ruby deficient, ring size K (leading edge), earring length 1.8cm (2) £400-£600

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241

240

239

238

238

238 A group of 19th century mourning jewellery Comprising three rings, each glazed hairwork compartment in a halfpearl frame; five brooches, each glazed hairwork compartment in a chased frame, one engraved to the reverse ‘Paul Starbuck. Obt. 3 Mo. 14. 1843’ and a painted hairwork brooch depicting an urn beneath a willow, within a half-pearl surround, ring sizes O, O, and O½, brooch lengths 1.7cm, 1.9cm, 2.2cm, 2.2cm, 3.0cm, and 1.8cm (9) £250-£300 239 A mid 19th century turquoise and chrysoberyl bow brooch, circa 1865 The bow of engraved and textured design, set with circular cabochon turquoise and circular-cut chrysoberyl, suspending a similarly-set drop, length 4.5cm £300-£400

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240 A diamond three-stone ring Set with three graduated old brilliant-cut diamonds, to a scroll design gallery and shoulders, principal diamond approx. 1.20 carats, remaining diamonds approx. 1.10 carats total, ring size S £2,200-£2,800 241 λ A tortoiseshell necklace, circa 1865 Each pierced cartouche decorated with carved tiered flowerheads, to a hook clasp, a few petals deficient, length 55.2cm £300-£400

*See inside front cover for information regarding fees

244

243

242

242 λ Two piqué posé tortoiseshell pins, circa 1860 Each designed as a domed tortoiseshell plaque, the first inlaid with a bi-colured stylised flowerhead, the second with a bird among flowers, within a geometric design frame, length 3.1cm and 3.2cm (2) £150-£200 243 λ An early 19th century tortoiseshell Maltese cross, circa 1930 The cross-shaped tortoiseshell plaque, applied with scrolling canetille decoration, accented by half-pearls, length 5.2cm £250-£350 A similar example can be found in the collections of the Victoria and Albert Museum, London, collection number M.25-1996.

244 A mid 19th century turquoise and rock crystal pendant, circa 185560 The faceted rock crystal inset with a star-shaped centre, set with a cabochon turquoise and diamond points, within a surround of square cabochon turquoise, between ropetwist borders, the reverse engraved ‘22nd November 1859’ and with the initials D and LJD beneath coronets and glazed hairwork compartments, one compartment deficient, length 3.6cm £250-£300 The initials likely refer to William H.W. Montagu Douglas Scott, 6th Duke of Buccleuch, 8th Duke of Queensberry, the Earl of Dalkeith.

On Tuesday 22 November 1859 in London, he married Lady Louisa Jane Hamilton , the third daughter of Sir James Hamilton, 1st Duke of Abercorn and Lady Louisa Jane Russell, daughter of Sir John Russell, 6th Duke of Bedford.

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245

248

247

249

246

245 λ An ebony and diamond ‘Rigate’ cuff, by Seaman Schepps Composed of tapered fluted ebony sections, connected by slightly articulated joints set with three tiered rows of brilliant-cut diamonds, diamonds approx. 3.80 carats total, maker’s mark for Seaman Schepps, numbered, also signed Czarina, inner diameter 5.4cm £2,000-£3,000 246 A ruby and diamond clip brooch, circa 1935 Of scrolling openwork form, set throughout with old brilliant, rose and cushion-shaped diamonds, accented by circular-cut and cushionshaped rubies, old brilliant-cut and cushion-shaped diamonds approx. 1.80 carats total, French import marks, length 3.3cm £2,200-£2,800

247 A diamond spray brooch Set with an openwork cluster of marquise-cut diamonds, to brilliant, single and baguette-cut diamond curved lines, diamonds approx. 2.75 carats total, signed Astor, length 6.6cm £800-£1,200 248 A diamond pendant necklace, by Graff Designed as a cross, each arm set with a kite-shaped diamond, to a fine trace-link chain, diamonds approx. 2.25 carats total, signed Graff, numbered, lengths: pendant 1.7cm, chain 40.0cm, maker’s case, box, travel pouch and bag £2,500-£3,500 249 A ‘Possession’ ring, by Piaget Designed as a rotating ring, on a wider recessed band with raised shoulders, signed Piaget, numbered, ring size J½ £650-£750

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*See inside front cover for information regarding fees

254 251

250

252

253

255

250 A diamond dress ring Designed as a butterfly with articulated wings, pavé-set throughout with brilliant and rose-cut diamonds, to a multi-band hoop of scrolling design, the front band moving the wings and set with brilliant-cut diamonds, diamonds approx. 7.10 carats, ring size M £4,500-£5,500

253 A diamond and coloured diamond bracelet Of curb-link design, pavé-set with brilliant-cut diamonds and black diamonds, to a similarly-set lobster clasp, diamonds approx. 9.80 carats total, diamonds untested for natural colour, two diamonds deficient, length 20.5cm £2,000-£3,000

251 A ‘Happy Diamond’ pendant, by Chopard The annular pendant with glazed compartment containing five brilliant-cut ‘floating’ diamonds, within a similarly-cut diamond surround, to a fancy-link chain, diamonds approx. 0.80 carats total, signed Chopard, numbered, lengths: chain 42.0cm, pendant 2.3cm, maker’s case £1,200-£1,500

254 A diamond single-stone ring The brilliant-cut diamond, between pear-shaped diamond shoulders, to a platinum hoop, principal diamond approx. 1.00 carat, partial UK hallmark, ring size I £800-£1,200

252 A star ruby and diamond cluster ring The oval cabochon star ruby within a rose-cut diamond surround, ring size J £3,000-£4,000

255 A pair of diamond pendent earrings Each tapered articulated drop of geometric design set throughout with brilliant and baguette-cut diamonds, to a central cut-cornered rectangular-cut diamond, post and clip fittings, diamonds approx. 4.80 carats total, length 6.2cm £1,500-£2,500

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256 257

258

256 An early 20th century diamond bar brooch The central old brilliant-cut diamond in a six-claw mount, to similarly-set terminals, principal diamond approx. 1.80 carats, remaining diamonds approx. 1.90 carats total, length 5.5cm £6,000-£8,000 257 An emerald and diamond pendant The rectangular cushion-shaped emerald, within an old brilliant-cut diamond surround, diamonds approx. 1.65 carats total, length 2.6cm £2,500-£3,000 258 A diamond five-stone ring The graduated line of old brilliant and cushion-shaped diamonds, principal diamond approx. 0.90 carat, remaining diamonds approx. 2.50 carats total, ring size O £2,000-£3,000

259 An early 20th century emerald and diamond pendant necklace The rectangular-cut emerald and old brilliant-cut diamond cluster, within an openwork articulated surround set with a graduated old brilliant-cut diamond swag and similarly-cut diamond scroll surmount, suspending a later pear-shaped emerald and old brilliantcut diamond cluster drop, to a trace-link chain, diamonds approx. 5.25 carats total, lengths: pendant 6.0cm, chain 40.0cm Accompanied by a report from GCS stating that the emerald weighing approx. 1.6 carats is of Colombian origin, with indications of minor clarity enhancement and that the emerald weighing approx.

0.7 carat is of Colombian origin, with indications of moderate clarity enhancement. Report number 78161-51, dated 11th June 2018. £7,000-£9,000 260 An emerald ring The cut-cornered rectangular-cut emerald, weighing 10.98 carats, in an eight-claw setting, ring size N (illustrated unmounted) £5,000-£7,000 261 An emerald pendant necklace The square-cut emerald, weighing 48.95 carats, within a claw-mount, to a trace-link chain, length 70.0cm (illustrated unmounted) Accompanied by a report from GCS stating that the emerald is of Colombian origin, with indications of moderate clarity enhancement.

Report number 78146-09, dated 21st March 2018. £25,000-£30,000

261 (various angles)

260 (various angles)

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*See inside front cover for information regarding fees

259

261

260

63

Index of Makers Maker Lot Number Alex Soldier ................................................................................170 Asprey ..........................................................................................59 Ben Rosenfeld ..............................................................................17 Boodle & Dunthorne....................................................................54 Cartier ................................................................................127, 211 Cedric Jones........................................................................155, 203 Chaumet ..............................................................................14, 166 Chopard......................................................................................251 Damiani ........................................................................................71 Deakin & Francis ..........................................................................92 Delfina Delettrez ........................................................................204 Diane von Furstenberg ..............................................................169 Elizabeth Gage ..............................................................................92 Frieden..................................................................90, 129, 161, 162 Georg Jensen ..............................................................................208 George Lâ&#x20AC;&#x2122;Enfant..........................................................................235 Graff ............................................................................................248 Gubelin ......................................................................................229 Gucci ............................................................................................15 H. Stern ......................................................................................169 Jacob & Co. ................................................................................205 Kiki McDonough ........................................................................202 Kutchinsky ......................................................................................7 Mappin & Webb............................................................................37 Marina B ......................................................................................68 Muriel Grateau ..........................................................................199 Percossi Papi ..............................................................................132 Piaget ............................................................................................49 Pomellato ......................................................................................86 Robert Crerar ............................................................................230 Seaman Schepps ........................................................................245 Stephen Webster....................18, 20, 22, 23, 24, 26, 38, 40, 49, 52, 68, 81, 83, 86, 88, 91, 139, 141, 156, 193, 194, 196,198, 201, 221, 222, 226, 227 Tiffany & Co ....................................................10, 34, 96, 185, 209 Van Cleef & Arpels ........................................................................8

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*See inside front cover for information regarding fees

Diamond Grading GIA Colour Grade Colourless

D E F

Diamond appears colourless both table-down and face-up.

Near Colourless

G H I J

Diamond displays a slight tint of colour when viewed table-down and appears colourless when viewed face-up.

Faint

K L M

Diamond displays obvious colour when viewed table-down and a slight tint of colour when viewed face-up.

Very Light

N O P Q R

Diamond displays obvious colour in both the table-down and face-up position.

Light

S T U V W X Y Z

Diamond displays obvious colour in both the table-down and face-up position.

Fancy Colours

Z+

Diamond displays darker tone or more colour saturation than a Z masterstone.

IF

Internally Flawless

No inclusions or blemishes visible at 10x magnification.

VVS1 - VVS2

Very Very Slightly Included

No inclusions and only insignificant blemishes visible at 10x magnification.

VS1 - VS2

Very Slightly Included

Minute inclusions that range from extremely difficult to very difficult to see at 10x magnification.

SI1 - SI2

Slightly Included

Noticeable inclusions that are easy or very easy to see at 10x magnification.

I1 â&#x20AC;&#x201C; 13

Included

Obvious inclusions visible at 10x magnification.

GIA Clarity Grading

Lot 157

65

<MZU[ IVL +WVLQ\QWV[ NWZ *]aMZ[ I\ +PQ[_QKS )]K\QWV[

1. BEFORE THE SALE 1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer. ,MĂ&#x2026;VQ\QWV[ For the purposes of the current Terms and Conditions, the Seller shall JM LMĂ&#x2026;VML I[ \PM W_VMZ WN \PM /WWL[ 1\ Q[ QUXTQML \PI\ \PM ;MTTMZ Q[ \PM legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply. +I\ITWO]M LM[KZQX\QWV[ Any representation in any catalogue or otherwise as to the origin, date, age, attribution, genuineness or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description.

The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof.

Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good.

1V[XMK\QWV Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them. +WVLQ\QWV ZMXWZ\ CA Ltd may issue a Condition Report on request prior to the sale. <PQ[ +WVLQ\QWV :MXWZ\ Q[ NWZ QLMV\QĂ&#x2026;KI\QWV X]ZXW[M[ WVTa IVL KIVVW\ JM considered as giving a precise account of the Lotâ&#x20AC;&#x2122;s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report.

As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyerâ&#x20AC;&#x2122;s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto.

-TMK\ZQKIT[ )TT MTMK\ZQKIT Q\MU[ IZM [WTL I[ [MMV IVL +) 4\L Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZ[ VW O]IZIV\MM I[ \W the working condition of such items or their safety.

1\ Q[ \PM *]aMZÂź[ L]\a \W \ISM VMKM[[IZa [\MX[ \W JM I[[]ZML \PI\ \PM 4W\ is safe for normal use.

-[\QUI\M[ Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the 66

condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates.

1.8 Reserves 5IVa 4W\[ IZM Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZML []JRMK\ \W I ZM[MZ^M _PQKP Q[ \PM KWVĂ&#x2026;LMV\QIT minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids. ! :MOQ[\ZI\QWV \W \PM [ITM 6M_ JQLLMZ[ _QTT VMML \W ZMOQ[\MZ XZQWZ \W \PM [ITM 1\ Q[ [\ZWVOTa advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneerâ&#x20AC;&#x2122;s entire discretion.

1V\MZVI\QWVIT JQLLMZ[ UIa JM ZMY]QZML \W ZMOQ[\MZ PW]Z[ JMNWZM \PM sale and to submit bank details.

A deposit may be requested prior to each sale.

Failure to register shall result in the impossibility for the bidder to purchase a Lot. 8ZWWN WN QLMV\Q\a Bidders not previously known to CA Ltd will be required to provide: Â&#x152; 7â&#x20AC;ŤŮťâ&#x20AC;ŹKQIT XZWWN WN QLMV\Q\a QV \PM NWZU WN I XI[[XWZ\ WZ XPW\WKIZL LZQ^QVO TQKMVKM 6W W\PMZ NWZU[ WN 1, IZM IKKMX\IJTM Â&#x152; 8ZWWN WN ILLZM[[ WN UIQV ZM[QLMVKM 7VTa Wâ&#x20AC;ŤŮťâ&#x20AC;ŹKQIT LWK]UMV\[ showing name and address will be accepted. â&#x20AC;˘ Both landline and mobile telephone numbers â&#x20AC;˘ A bank reference for foreign bidders may be requested Â&#x152; +WZXWZI\M KTQMV\[ _QTT PI^M \W XZW^QLM I KMZ\QĂ&#x2026;KI\M WN QVKWZXWZI\QWV XZQWZ \W \PM I]K\QWV ITWVO _Q\P \PM ZMXZM[MV\I\Q^MÂź[ 1, QV IKKWZLIVKM with the abovementioned requirements for proof of identity.

Any Bidder that does not match the provided identity for registration may not purchase during the sale.

2. DURING THE SALE )\\MVLIVKM I\ I]K\QWV Attending the auction in person is recommended.

CA Ltd has the right in their absolute discretion to refuse participation QV IVa I]K\QWV \W ZMRMK\ IVa JQL IVL \W ZMN][M ILUQ[[QWV \W \PM XZMUQ[M[ Bidders are not obliged to be present in person at the auction.

Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale.

8MZ[WVIT JQLLQVO Bidders attending the auction in person shall be required to collect a number plate prior to the sale.

*See inside front cover for information regarding fees

+WUUQ[[QWV JQL[ +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KIZZa W]\ +WUUQ[[QWV JQL[ received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it. +WUUQ[[QWV JQL[ [PITT JM M`MK]\ML I\ \PM TW_M[\ XW[[QJTM XZQKM []JRMK\ to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyerâ&#x20AC;&#x2122;s responsibility to check if they have been successful in purchasing a Lot. 1V \PM M^MV\ WN U]T\QXTM KWUUQ[[QWV[ I\ \PM [IUM XZQKM \PM KWUUQ[[QWV set at the older date shall be taken into account.

<ZIV[NMZ WN ZQ[S[ Purchased Lots shall be at the Buyerâ&#x20AC;&#x2122;s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

<MTMXPWVM JQL[ 1N I JQLLMZ Q[ VW\ IJTM \W I\\MVL QV XMZ[WV IV I]K\QWV +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KWV\IK\ XZW[XMK\Q^M *]aMZ[ _PW UISM IZZIVOMUMV\[ prior to commencement of the sale to bid by telephone. +) 4\L KIVVW\ JM PMTL ZM[XWV[QJTM QV \PM M^MV\ WN Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\Q^Q\a resulting in the loss of a chance of purchasing the Lot for the Bidder.

/ZW]VL[ NWZ KIVKMTTI\QWV ]VLMZ \PM XZM[MV\ [MK\QWV [PITT QVKT]LM J]\ VW\ be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences WZ KMZ\QÃ&#x2026;KI\M[ IVa []J[MY]MV\ KPIVOM[ QV LWUM[\QK WZ QV\MZVI\QWVIT legislations restricting the sale of export of goods etc.

1V \PM M^MV\ WN QV\MZVM\ WVTa I]K\QWV[ \PM *]aMZ [PITT PI^M I LIa right to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

1V\MZVM\ JQL[ Some sales may be available to internet bidding, as well as personal I\\MVLIVKM 1V \PQ[ M^MV\ +) 4\L [PITT VW\ JM PMTL ZM[XWV[QJTM NWZ Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\QWV *QLLQVO WV JMPITN WN [WUMWVM ) *]aMZ UIa JQL Ja XZW`a 1V \PQ[ M^MV\ XZWWN WN QLMV\Q\a WN JW\P \PM Buyer and the proxy must be communicated to CA Ltd prior to the sale.

A copy of the mandate shall also be required. *QLLQVO WV IV Q\MU Bid incrementing is at the auctioneerâ&#x20AC;&#x2122;s entire discretion. >QLMW \ZIV[UQ[[QWV For the purpose of the sale, Lots may be displayed on video during the I]K\QWV 1V \PM M^MV\ WN \ZIV[UQ[[QWV Q[[]M[ +) 4\L [PITT VW\ JM PMTL responsible for any subsequent outcome. ! 7VTQVM WVTa I]K\QWV[ Some auctions may be available to bidders only through an online XTI\NWZU 1V \PQ[ M^MV\ *]aMZ[ PI^M I LIa XMZQWL I\ ZMKMX\QWV WN \PM Lot to withdraw from the sale, in accordance with EU Consumer Law. ,Q[X]\M ZM[WT]\QWV L]ZQVO \PM I]K\QWV Any dispute shall be settled at the auctioneerâ&#x20AC;&#x2122;s absolute discretion.

Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneerâ&#x20AC;&#x2122;s entire discretion.

3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller.

The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. ?PMV I *]aMZ X]ZKPI[M[ U]T\QXTM 4W\[ MIKP 4W\ Q[ \PM []JRMK\ WN I separate contract of sale. <ZIV[NMZ WN XZWXMZ\a Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyerâ&#x20AC;&#x2122;s premium, relevant taxes, and costs in relation to shipping.

+IVKMTTI\QWV WN \PM [ITM At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter.

Under no circumstances can the Buyer cancel the sale.

CA Ltd may at its entire discretion, during or after the auction, cancel \PM [ITM WN \PM 4W\ WZ ZMWâ&#x20AC;«Ùºâ&#x20AC;¬MZ IVL ZM[MTT \PM 4W\ QN Q\ JMKWUM[ I_IZM WN any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

3.5 Returns and refunds CA Ltd will only issue a refund using the same method of payment originally used by the Buyer to pay for the purchase, or by bank transfer.

The Buyerâ&#x20AC;&#x2122;s refund will be processed without undue delay and in any M^MV\ _Q\PQV VW UWZM \PIV LIa[ WN \PM LIa \PM *]aMZ OI^M +) 4\L notice of cancellation.

1N \PM *]aMZ M`MZKQ[M[ \PMQZ ZQOP\ WN ZM\ZIK\QWV _PMV I]\PWZQ[ML \W LW [W

by Law, CA Ltd shall proceed to issue a complete refund, comprising the hammer price of the Lot, buyerâ&#x20AC;&#x2122;s premium and shipping fees. However return fees shall remain at the expense of the Buyer.

4. AFTER THE SALE 8IaUMV\ All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted. +I[P XIaUMV\[ [PITT VW\ JM ZMKMQ^IJTM NWZ IUW]V\[ W^MZ Ã&#x201A; ZMOIZLTM[[ of the payment being for one or multiple Lots.

Payments made by someone other than the registered Buyer shall not be accepted.

Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer. *]aMZ¼[ 8ZMUQ]U The Buyer will pay CA Ltd a premium of 25% on the hammer price XT][ >)< WV \PI\ KWUUQ[[QWV WV \PM Ã&#x2026;Z[\ Â&#x160; IVL XT][ >)< WV \PM JITIVKM \PMZMIN\MZ ) *]aMZ¼[ 8ZMUQ]U WN ! XT][ >)< Q[ charged on Wine & Spirits Lots.

The standard rate of VAT is charged on the premium except on Lots marked â&#x20AC;&#x2DC;â&#x20AC; â&#x20AC;&#x2122; where normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium.

1V WZLMZ \W ZMKMQ^M I ZMN]VL WN >)< IUW]V\[ 1UXWZ\ >)< I[ applicable) non-EU buyers must: (a) have registered to bid with an address outside of the EU; and J M`XWZ\ \PM TW\ NZWU \PM -= _Q\PQV LIa[ WN KWTTMK\QWV NWZ TW\[ IVL 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show 67

[I\Q[NIK\WZa XZWWN WN M`XWZ\ [PQXXQVO IZM I^IQTIJTM NZWU W]Z .QVIVKM \MIU ) XZWKM[[QVO NMM WN Â&#x160; XMZ QV^WQKM Q[ KPIZOML \W KPMKS [PQXXQVO M`XWZ\ LWK] UMV\[ L 6W >)< IUW]V\[ WZ 1UXWZ\ >)< _QTT JM ZMN]VLML _PMZM \PM \W\IT ZMN]VL IN\MZ LML]K\QVO \PM XZWKM[[QVO NMM Q[ ]VLMZ Â&#x160;

+WTTMK\QWV Purchased Lots can be collected from the auction room after the sale PI[ MVLML WZ JM\_MMV IU IVL XU ]X ]V\QT KTW[M WN J][QVM[[ WV the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltdâ&#x20AC;&#x2122;s discretion.

4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyerâ&#x20AC;&#x2122;s premium. The rate applicable shall be the legal rate at the date of the sale. /WWL[ []KP I[ JWWS[ IVL IV\QY]M JWWS[ U][QK UIX[ IVL KPIZ\[ M\K IZM []JRMK\ \W bMZW ZI\ML >)< 1V ILLQ\QWV IVa QUXWZ\ \I`M[ \PI\ UIa JM QVK]ZZML [PITT JM XIQL Ja \PM Buyer above hammer price, VAT and Buyerâ&#x20AC;&#x2122;s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.

4.7 Storage Purchased Lots not collected before 6pm on the day after the sale shall QVK]Z [\WZIOM KPIZOM[ WN Â&#x160; XMZ 4W\ XMZ LIa WZ XIZ\ \PMZMWN +) 4\L shall be entitled to retain purchased Lots sold until all sums due have been XIQL \W +) 4\L 1N IVa X]ZKPI[ML TW\ ZMUIQV[ ]VKWTTMK\ML LIa[ IN\MZ \PM [ITM [\WZIOM KPIZOM[ [PITT \PMZMIN\MZ JM Â&#x160; XMZ LIa IVL +) 4\L [PITT in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding.

Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

)Z\Q[\ :M[ITM :QOP\[ ,ZWQ\ LM ;]Q\M 4W\[ UIZSML _Q\P »)::¼ UIa JM []JRMK\ \W I TM^a Droit de Suite is a royalty payable to a qualifying artist or to the artistâ&#x20AC;&#x2122;s heir each time a work is resold during the artistâ&#x20AC;&#x2122;s lifetime and up to I XMZQWL WN aMIZ[ IN\MZ \PM IZ\Q[\¼[ LMI\P :WaIT\QM[ IZM KITK]TI\ML on a cumulative sliding percentage scale based on the hammer price excluding the buyerâ&#x20AC;&#x2122;s premium. The royalty does not apply to Lots [MTTQVO JMTW_ \PM [\MZTQVO MY]Q^ITMV\ WN Ã&#x201A; IVL \PM UI`QU]U ZWaIT\a XIaIJTM WV IVa [QVOTM 4W\ Q[ \PM [\MZTQVO MY]Q^ITMV\ WN Ã&#x201A; Royalties for Droit de Suite are as follows:

;PQXXQVO Any shipping costs that may arise subsequently to the sale shall be at the Buyerâ&#x20AC;&#x2122;s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. +) 4\L LWM[ VW\ Wâ&#x20AC;«Ùºâ&#x20AC;¬MZ QV[]ZIVKM NWZ [PQXXQVO 0W_M^MZ +) 4\L UIa arrange insurance upon the Buyerâ&#x20AC;&#x2122;s request and at the Buyerâ&#x20AC;&#x2122;s expense.

CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

Â&#x152; .ZWU \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; -`KMMLQVO Ã&#x201A; :MUMLQM[ NWZ VWV XIaUMV\ 1N \PM *]aMZ NIQT[ \W UISM N]TT XIaUMV\ QV KTMIZML N]VL[ _Q\PQV \PM \QUM required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: â&#x20AC;¢ To cancel the sale â&#x20AC;¢ To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. â&#x20AC;¢ To resell the Lot on such terms by auction or otherwise entirely at CA Ltdâ&#x20AC;&#x2122;s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale. Â&#x152; <W Wâ&#x20AC;«[Ùºâ&#x20AC;¬M\ IOIQV[\ IVa []U[ _PQKP +) 4\L UIa W_M \PM *]aMZ \PM outstanding sums unpaid by the said Buyer Â&#x152; ?PMZM \PM *]aMZ W_M[ []U[ \W +) 4\L QV ZM[XMK\ WN LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums. Â&#x152; <W ZMN][M MV\Za \W \PM *]aMZ I\ IVa N]\]ZM I]K\QWV IVL WZ ZMRMK\ IVa N]\]ZM JQL[ Ja \PM *]aMZ IVL WZ [MMS I LMXW[Q\ NZWU \PM *]aMZ entirely in the discretion of CA Ltd. â&#x20AC;¢ To exercise a lien over the Buyerâ&#x20AC;&#x2122;s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. â&#x20AC;¢ To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs. â&#x20AC;¢ To take such other action as is permissible by Law and in the discretion of CA Ltd. 68

! 4W[[ WZ ,IUIOM CA Ltd does not accept liability for loss or damage occurring to Lots after \PM [ITM +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ _PMV PIVLTQVO XIKSQVO IVL shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third partyâ&#x20AC;&#x2122;s care. +]T\]ZIT /WWL[ QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +]T\]ZIT OWWL[ UIa JM []JRMK\ \W QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ =VLMZ EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the itemâ&#x20AC;&#x2122;s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade.

Licenses are issued by Arts Council England and it is the Buyerâ&#x20AC;&#x2122;s duty to WJ\IQV \PMU ;WUM KW]V\ZQM[ ZM[\ZQK\ \PM QUXWZ\ WN [XMKQÃ&#x2026;K K]T\]ZIT OWWL[ For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural OWWL[ QV XZW^MVIVKM NZWU [WUM KW]V\ZQM[ []JRMK\ \W IZUML KWVÃ&#x2020;QK\[ The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible. +1<-; QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +MZ\IQV MVLIVOMZML [XMKQM[ IZM TQ[\ML QV \PM +1<-; +WV^MV\QWV 4Q[\ML [XMKQUMV[ IVL IVa XIZ\[ WZ XZWL]K\[ \PMZMWN IZM []JRMK\ \W Q[[]IVKM WN IV export permit when leaving the European Union. )XXMVLQ` 1 [XMKQM[ IZM IT[W []JRMK\ \W Q[[]IVKM WN I XZQWZ QUXWZ\ XMZUQ\ from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyerâ&#x20AC;&#x2122;s duty to initiate the proceedings with the relevant authority.

The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter. ?WZSML Q\MU[ \PI\ IZM LI\ML JMNWZM ! IZM M`MUX\ NZWU QUXWZ\ restrictions for intra-EU trade and shall not require export licences.

Please be aware that all Lots marked with the symbol Æ&#x20AC; IZM []JRMK\ \W +1<-; ZMO]TI\QWV[ *See inside front cover for information regarding fees

4QUQ\I\QWV WN TQIJQTQ\a ZMOIZLQVO +1<-; M`XWZ\ TQKMV[M[ Where licences are required for importing or exporting outside of the European Union, it is the Buyerâ&#x20AC;&#x2122;s duty to obtain them.

CA Ltd cannot be held responsible if the Buyerâ&#x20AC;&#x2122;s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale. ?IZZIV\QM[ CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. )]\PMV\QKQ\a _IZZIV\a 1V \PM M^MV\ WN I 4W\ JMQVO [WTL I[ I]\PMV\QK ]VLMZ \PM KI\ITWO]M description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price. <PM *]aMZ [PITT OQ^M VW\QKM \W +) 4\L _Q\PQV LIa[ NZWU SVW_TMLOM or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall JM LMÃ&#x2026;VML I[ \PM [\I\M WN I 4W\ \PI\ Q[ OMV]QVM IVL VW\ I NWZOMZa WZ I KWXa 5. ANTIQUITIES AND TRIBAL ART 1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ IVL ZMO]TI\QWV[ )ZKPIMWTWOQKIT OWWL[ W^MZ aMIZ[ WN IOM ]VTM[[ KW^MZML Ja M`MUX\QWV WN TQUQ\ML [KQMV\QÃ&#x2026;K QV\MZM[\ _QTT ZMY]QZM IV -= 4QKMVKM NWZ M`XWZ\ \W I third country, regardless of their value.

1\ Q[ ZMKWUUMVLML \PI\ \PM *]aMZ KWV\IK\ \PM -`XWZ\ 4QKMV[QVO =VQ\ at Arts Council England in order to be assured the good is or not of TQUQ\ML IZKPIMWTWOQKIT WZ [KQMV\QÃ&#x2026;K QV\MZM[\ Archaeological goods found on United-Kingdom soil or in UK \MZZQ\WZQIT _I\MZ[ W^MZ aMIZ[ WN IOM [PITT ZMY]QZM I =3 4QKMVKM regardless of their value and regardless of the export destination.

7\PMZ IZKPIMWTWOQKIT WJRMK\[ ZMOIZLTM[[ WN \PMQZ WZQOQV _QTT ZMY]QZM IV 1VLQ^QL]IT 4QKMVKM WZ 7/-4 LMXMVLQVO WV \PMQZ ^IT]M Both European-Union and UK Licences may be required simultaneously NWZ [WUM Q\MU[ 1\ Q[ \PM *]aMZ¼[ L]\a \W ]VLMZ\ISM \PM VMKM[[IZa [\MX[ CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences.

6. JEWELLERY /MU[\WVM \ZMI\UMV\ IVL M[\QUI\M[ Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: â&#x20AC;¢ Heat treatment to enhance sapphires and rubiesâ&#x20AC;&#x2122; clarity and colour Â&#x152; 7QT IVL ZM[QV \ZMI\UMV\[ NWZ MUMZITL[ IXXTQML QV LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ _Ia[ \W enhance clarity of the stone â&#x20AC;¢ Staining Â&#x152; 1ZZILQI\QWV â&#x20AC;¢ Coating Estimates provided by CA Ltd are deemed to be based on the fact that the OMU[\WVM UIa PI^M JMMV []JRMK\ \W IVa \aXM WN \ZMI\UMV\ QV \PM XI[\ +) Ltd shall not be responsible in the absence of mention thereof. ) KMZ\QÃ&#x2026;KI\M UIa JM Q[[]ML Ja I TIJWZI\WZa XZW^QLQVO _Q\P LM\IQTML information on the condition of the gemstone and any treatment applied \PMZM\W <PM *]aMZ U][\ JM I_IZM \PI\ LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ TIJWZI\WZQM[ PI^M LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ approaches as to the degree or type of treatment for a particular gemstone.

1N I KMZ\QÃ&#x2026;KI\M IKKWUXIVQM[ \PM 4W\ \PM *]aMZ U][\ JM I_IZM \PI\ Q\ Q[ merely a statement of the laboratoryâ&#x20AC;&#x2122;s opinion and in no way can CA Ltd

JM PMTL ZM[XWV[QJTM NWZ IVa UMV\QWV[ \PMZMQV ;]KP KMZ\QÃ&#x2026;KI\M[ IZM LMMUML to be delivered with the Lot for informative purposes only.

-[\QUI\ML _MQOP\[ 1N I [\WVM¼[ M`IK\ _MQOP\ IXXMIZ[ _Q\PQV \PM JWLa WN \PM LM[KZQX\QWV \PM [\WVM PI[ JMMV ]V UW]V\ML IVL _MQOPML Ja +) 4\L 1N \PM _MQOP\ WN a stone is stated to be approximate, the stone has been assessed by CA 4\L _Q\PQV Q\[ [M\\QVO IVL \PM LMÃ&#x2026;VML _MQOP\ Q[ I [\I\MUMV\ WN WXQVQWV only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy. ;QOVI\]ZM[ â&#x20AC;&#x2DC;) LQIUWVL ZQVO Ja @â&#x20AC;&#x2122;: When the makerâ&#x20AC;&#x2122;s name appears in the title, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion the piece is by that maker. â&#x20AC;&#x2DC;) LQIUWVL ZQVO [QOVML @â&#x20AC;&#x2122;: Has a signature that, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered. â&#x20AC;&#x2DC;) LQIUWVL ZQVO UW]V\ML Ja @â&#x20AC;&#x2122;: Has been created by the RM_MTTMZ QV +PQ[_QKS )]K\QWV[¼ WXQVQWV J]\ ][QVO [\WVM[ WZ LM[QOV[ supplied by the client. â&#x20AC;&#x2DC;5ISMZ¼[ UIZS NWZ @â&#x20AC;&#x2122;: Has a makerâ&#x20AC;&#x2122;s mark which in Chiswick Auctionsâ&#x20AC;&#x2122; opinion is authentic.

Some items may include parts or products derived from endangered [XMKQM[ []KP I[ Q^WZa WZ KWZIT ;]KP Q\MU[ UIa JM []JRMK\ \W QUXWZ\ WZ M`XWZ\ ZM[\ZQK\QWV[ ;MM [MK\QWV WV +1<-; ZMO]TI\QWV[ NWZ UWZM LM\IQT[ 7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and _Q\PW]\ LMNMK\[ WZ PI[ JMMV []JRMK\ \W ZMXIQZ WZ ZM[\WZI\QWV CA Ltd makes no representation or warranty that any clock or watch Q[ QV _WZSQVO WZLMZ )[ KTWKS[ IVL _I\KPM[ WN\MV KWV\IQV Ã&#x2026;VM IVL complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto.

The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof.

Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for QUXWZ\ WZ M`XWZ\ X]ZXW[M[ QV IKKWZLIVKM _Q\P +1<-; ZMO]TI\QWV[ CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps.

8. FURNITURE =XPWT[\MZML N]ZVQ\]ZM IN\MZ !

According to The Furniture and Furnishings (Fire Safety) Regulations ! N]ZVQ\]ZM \PI\ _I[ ]XPWT[\MZML IN\MZ \PM [\ WN 2IV]IZa ! Q[ []JRMK\ \W ZM[\ZQK\QWV[ QV \PM =VQ\ML 3QVOLWU Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes.CA Ltd shall not be ZM[XWV[QJTM NWZ TI\MZ IT\MZI\QWV[ \W \PM N]ZVQ\]ZM UISQVO Q\ ]VÃ&#x2026;\ NWZ [ITM 9. FINE ART .QVM )Z\ XIQV\QVO[ I[ QVKT]LML QV \PM KI\ITWO]M LM[KZQX\QWV »@ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ IV I]\PMV\QK work by the artist.

69

»)\\ZQJ]\ML \W @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ probably a work by the artist. »+QZKTM WN @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM IVL L]ZQVO \PM period of the artist’s life. ».WTTW_MZ WN @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM KWV\MUXWZIZa or near contemporary. »;KPWWT WN @ \P KMV\]Za¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS executed in that period and in the style associated with that artist. ».ZMVKP ;KPWWT \P KMV\]Za¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS executed in that period and in the style associated with a particular location. »5IVVMZ WN @¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM J]\ I\ I TI\MZ LI\M IT\PW]OP not of recent execution. »;\aTM WN @¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM IVL WN ZMKMV\ M`MK]\QWV »)N\MZ @ " 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I KWXa Ja IV ]VQLMV\QÅML IZ\Q[\ WN I VIUML _WZS Ja \PM IZ\Q[\ Lots sold ‘as seen’ or ‘as found’ are deemed to be sold in their present condition, with their faults and defects. The Bidder must be aware that purchase of such Lots is at there own risk.

CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.

10. ASIAN ARTS

15. SEVERABILITY

1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ ?PMV LMITQVO _Q\P )[QIV )Z\[ IVL UWZM [XMKQÅKITTa _Q\P Q\MU[ UILM WN exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must JM I_IZM WN QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ QV IKKWZLIVKM _Q\P +1<-; Regulations. As aforementioned in the Section relating to such matters, QUXWZ\ IVL M`XWZ\ XMZUQ\[ WZ ZM M`XWZ\ KMZ\QÅKI\M[ UIa JM ZMY]QZML >MZQÅKI\QWV TM\\MZ[ _QTT JM ZMY]QZML NWZ ZM M`XWZ\ WN _WZSML ZPQVWKMZW[ Q\MU[

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, []KP XZW^Q[QWV Q[ \W \ISM M‫ٺ‬MK\ WVTa QV [W NIZ I[ Q\ UIa LW [W without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way \W JM I‫ٺ‬MK\ML WZ QUXIQZML I[ I ZM[]T\

13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the abovementioned materials without the prior written consent of CA Ltd. ;WUM 4W\[ UIa JM []JRMK\ \W KWXaZQOP\ XZW\MK\QWV +) 4\L LWM[ VW\ guarantee said Lots are free thereof.

14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent.

CA Ltd never sell, lend or trade in personal data provided by any Bidder.

16. AMENDMENTS .QVM +PQVM[M 8IQV\QVO[ +]ZZMV\ [KPWTIZ[PQX QV \PM ÅMTL WN +PQVM[M 8IQV\QVO[ IVL +ITTQOZIXPa LWM[ VW\ XMZUQ\ ]VY]ITQÅML [\I\MUMV\[ I[ \W \PM I]\PWZ[PQX WZ LI\M WN execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings.

6W\_Q\P[\IVLQVO QN _Q\PQV LIa[ WN \PM [ITM WN IVa []KP 4W\ \PM original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, I »NWZOMZa¼ Q[ LMÅVML I[ I _WZS KZMI\ML _Q\P \PM QV\MV\ \W LMKMQ^M 11. BOOKS AND MANUSCRIPTS *WWS[ IVL UIV][KZQX\[ [WTL I[ QVKWUXTM\M IZM VW\ []JRMK\ \W ZM\]ZV[ Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’.

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale.

17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales. .WZ \PM JMVMÅ\ WN +) 4\L ITT JQLLMZ[ IVL [MTTMZ[ IOZMM \PI\ \PM +W]Z\[ WN -VOTIVL IZM \W PI^M M`KT][Q^M R]ZQ[LQK\QWV \W [M\\TM ITT LQ[X]\M[ IZQ[QVO in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply. All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

12. WINES AND SPIRITS 1V IKKWZLIVKM _Q\P IOZMML [\IVLIZL[ QV \PM \ZILM M[\QUI\M[ [PITT JM LMMUML \W PI^M \ISMV QV\W IKKW]V\ \PM ÅTT TM^MT For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit.

Lack of mention thereof in the description is not a representation of IV »IKKMX\IJTM¼ ÅTT TM^MT NZWU +) 4\L 70

*See inside front cover for information regarding fees

Designer Handbags & Fashion

Three Hermes Crocodile Birkins Estimates ranging £17,000 - 22,000

19 SEPTEMBER 2018 FOR ENQUIRIES CONTACT Head of Department, Meg Randell meg@chiswickauctions.co.uk

SPECIALISTS

20th CENTURY DECORATIVE ARTS & DESIGN James Nurse, Head of Department james@chiswickauctions.co.uk

JEWELLERY Sarah Duncan, Head of Department sarah@chiswickauctions.co.uk

ANTIQUITIES & TRIBAL ART Alice King, Head of Department alice.king@chiswickauctions.co.uk

Charlotte Peel, Specialist charlotte.peel@chiswickauctions.co.uk

ASIAN ART Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk

Clive Moss, Head of Department

Yasuko Kido, Japanese Art Specialist yasuko@chiswickauctions.co.uk CERAMICS & GLASS Dr. Jim Peake, Head of Department jim@chiswickauctions.co.uk CONTEMPORARY & URBAN ART Harry Parkinson, Sales Coordinator harry@chiswickauctions.co.uk DESIGNER HANDBAGS & FASHION Meg Randell, Head of Department meg@chiswickauctions.co.uk Winnie McGee, Specialist winnie.mcgee@chiswickauctions.co.uk EUROPEAN WORKS OF ART & CLOCKS Rachael Osborn-Howard, Head of Department rachael@chiswickauctions.co.uk FINE ART Suzanne Zack, Head of Department suzanne@chiswickaucions.co.uk Rohan McCulloch, Specialist rohan@chiswickauctions.co.uk Krassi Kuneva, Head of Sales - Modern & Post-War British Art kkuneva@chiswickauctions.co.uk Melissa Van Vliet, Head of Sales - Old Masters melissa.vanvliet@chiswickauctions.co.uk GUITARS & MUSICAL INSTRUMENTS Dr. David MacGregor, Specialist david@chiswickauctions.co.uk

PRINTED BOOKS & MANUSCRIPTS clive.moss@chiswickauctions.co.uk

Andrew Kerr, Specialist andrew.kerr@chiswickauctions.co.uk

Dr. Carmen Donia, Specialist carmen.donia@chiswickauctions.co.uk

Nicholas Worskett, Specialist nicholas@chiswickauctions.co.uk

Valentina Borghi, Head of Sales - Autographs & Memorabilia valentina.borghi@chiswickauctions.co.uk RUGS & CARPETS Mark Henry Lampé, Head of Department mark.lampe@chiswickauctions.co.uk Chris Vin, Consultant chris@chiswickauctions.co.uk SILVER & OBJECTS OF VERTU John Rogers, Head of Department john.rogers@chiswickauctions.co.uk Amicie de Villenfagne, Specialist amicie@chiswickauctions.co.uk WATCHES Matthew Caddick, Head of Department matt@chiswickauctions.co.uk Tomas Aznar watches@chiswickauctions.co.uk WINE & SPIRITS Peter Mansell, Head of Department peter.mansell@chiswickauctions.co.uk

ISLAMIC & INDIAN ART Beatrice Campi, Head of Sales beatrice.campi@chiswickaucions.co.uk

72

*See inside front cover for information regarding fees

SALE CALENDAR

SEPTEMBER

19

WEDNESDAY

Designer Handbags & Fashion Wine & Spirits

22

SATURDAY

Urban Art Contemporary Art

25

TUESDAY

Antiquities & Tribal Art Interiors & Design

26

WEDNESDAY

Printed Books: Travel, Natural History & Sport

OCTOBER

02

TUESDAY

Lot 245

Ceramics & Glass Vintage & Rare Guitars with Fretted Instruments

03

WEDNESDAY

British & European Fine Art to include Portrait Miniatures

09

TUESDAY

Interiors & Design

10

WEDNESDAY

Autographs & Memorabilia

The next Jewellery auction will take place on the 20th of November.

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk