Chiswick Auctions - British & European Fine Art including Portrait Miniature - 29 October 2019

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British & European Fine Art

British & European Fine Art 29 October 2019

including Portrait Miniatures and The Property of a Connoisseur London 29th October 2019

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Chiswick Fine Art and Miniatures 29th October pages.qxp_Layout 2 04/10/2019 14:32 Page 1

British & European Fine Art including Portrait Miniatures and The Property of a Connoisseur Tuesday 29th October 2019 2pm Selected Highlights at South Kensington XL XL 3GXSFIV EQ ¯ TQ WX RH 3GXSFIV EQ ¯ TQ VH 3GXSFIV EQ ¯ TQ Full Sale & Viewing at Chiswick 7EXYVHE] XL 3GXSFIV EQ ¯ TQ 7YRHE] XL 3GXSFIV EQ ¯ TQ 1SRHE] XL 3GXSFIV EQ ¯ TQ 8YIWHE] XL 3GXSFIV EQ ¯ TQ

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Front Cover 0SX Title Page 0SX Sale Calendar 0SX Back Cover 0SX

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Portrait Miniatures

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1 ENGLISH SCHOOL (17TH CENTURY) Portrait miniature traditionally held to be the young King Charles I (1625-1649), depicted wearing a satin red doublet with a white lace collar tied with a blue ribbon Oil on copper Rectangular, 7.5 x 7.2cm (3 x 2 3/4in) £300-£500

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2 ENGLISH SCHOOL (circa 1700) Portrait miniature of a Lady wearing a pink dress with white trim Oil on copper Set within an ebony frame Oval, 52mm high £200-£300

3 FOLLOWER OF SOFONISBA ANGUISSOLA Portrait miniature of a young Lady, bust-length, holding a book Oil on copper Oval, 51mm high The later inscription on the reverse refers to an article: C. J. Holmes, ‘Sofonisba Anguissola and Philip II’, The Burlington Magazine for Connoisseurs, vol.

26, no. 143, February 1915, pp. 181-183+187.

There is however no reference to the present lot. £400-£600

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*See page two for information regarding fees

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4λ ENGLISH SCHOOL (circa 1750) Portrait miniature of a Gentleman, wearing blue coat with silver buttons, white waistcoat, frilled white chemise, stock and powdered wig worn en queue Watercolour on ivory Gilt-metal frame with bright cut decoration Oval, 35mm high £100-£200

5 SWEDISH SCHOOL (18TH CENTURY) Portrait miniature of Frederika Charlotta Insenstierna (1757-1811), wearing the sash and order of the Vadstena adliga Jungfrustift, column background with draped fabric, c.1761 The reverse indistinctly inscribed with sitter’s details and collection label Watercolour on vellum Shaped and gilded frame Rectangular, 74mm high

6λ GERVASE SPENCER (BRITISH circa 1715-1763) Portrait miniature of a Lady, wearing blue dress trimmed with ermine, pink underslip and pearls in her upswept hair Watercolour on ivory Gilt-metal frame Oval, 37mm high £500-£700

£500-£700

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7λ ATTRIBUTED TO JOHN BOGLE (BRITISH 1746-1803) Portrait miniature of a Lady, wearing white dress with frilled trim and pale green ribbon and white fichu, a black ribbon choker, her dark hair curled and adorned with a white bandeau Watercolour on ivory Gilt-metal frame Oval, 38mm high £200-£300

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8λ CHARLES ROBERTSON (BRITISH 1760-1821) Portrait miniature of a Gentleman in a blue coat with white stock Watercolour on ivory Gilt-metal frame, the reverse glazed to reveal a gold monogram R L on plaited light brown hair Oval, 65mm high £150-£250 9λ ENGLISH SCHOOL (circa 1810) Portrait miniature of a Lady, wearing white dress with fichu and three strand gold necklace, her hair powdered and curled Watercolour on ivory Gilt-metal frame Oval, 60mm high £150-£250

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10 λ CHARLES SHIRREFF (SCOTTISH circa 1750-circa 1809) Portrait miniature of a Gentleman, wearing pale blue coat with silver buttons, white waistcoat and white frilled chemise, stock and cravat Watercolour on ivory Gilt-metal frame Oval, 53mm high £400-£600 11 λ ATTRIBUTED TO CHARLES ROBERTSON (IRISH circa 17601821) A fine double sided portrait miniature depicting an Officer and a Lady. He wearing scarlet uniform with blue facings, gold epaulettes and gold lace, white frilled chemise and black stock, his hair powdered.

She wearing white dress with pearl brooches at her shoulder and corsage, a white turban with pearl strand in her natural hair.

Watercolour on ivory Gilt metal frame Oval, 60mm high

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£500-£700

*See page two for information regarding fees

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12 λ CONTINENTAL SCHOOL (circa 1830) A pair of portrait miniatures of a Lady and Gentleman by the same hand: she wearing black dress with puff sleeves and buckled belt, a pearl necklace and hoop earrings with jewel drops, her brown hair upswept and curled; he wearing blue coat with gold buttons, yellow waistcoat, white chemise and tied white cravat a black ribbon around his neck Watercolour on ivory Gilt-metal mounted within later gilt-metal frames Oval, 75mm and 65mm high respectively (2) £200-£300

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13 λ CONTINENTAL SCHOOL (19TH CENTURY) A double sided marriage portrait miniature of a Lady, wearing a white dress with high frilled collar, a portrait miniature in a frame with seed pearl border around her neck and a frilled white bonnet, the reverse with a portrait of a Gentleman, wearing a black coat, black waistcoat and stock, his hair powdered and worn en queue Watercolour on ivory Gilt frame Oval, 72mm high £150-£250 14 λ CONTINENTAL SCHOOL (circa 1815) Portrait miniature of a Gentleman, wearing a black coat, white waistcoat, white chemise and tied white stock Watercolour on ivory Rectangular silver frame Rectangular, 50mm high

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£100-£200 15 λ FRENCH NAIVE SCHOOL (circa 1828) Portrait miniature of Madame GÿsCrepin avec ses enfants - she wearing a black dress, her curled black hair adorned with a gold headband and pearls, her son wearing a brown coat and holding sheet music in his hand and her little daughter wearing a blue dress with red shoes Watercolour on ivory Square gilt ormolu frame, the reverse inscribed with the sitter’s name and dated 1828, 10.3 x 10cm £200-£300

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*See page two for information regarding fees

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16 λ ENGLISH SCHOOL (circa 1800) Portrait miniature of an Officer, wearing the uniform of an Aide de Camp - red coatee with gold lace and gold epaulettes, dark blue standing collar, white frilled chemise and white stock, his hair powdered Watercolour on ivory Gold frame, the reverse glazed Oval, 71mm high

17 ENGLISH SCHOOL (19TH CENTURY) Portrait miniature of an Officer, profile facing left, wearing red coat with gold epaulettes and blue facings and collar, a white cross belt and a tall black hat decorated with white and red plumes Painted on the reverse of glass Gilt-metal frame Oval, 102mm high

£500-£700

£150-£250

18 λ AFTER SIR THOMAS LAWRENCE PRA Portrait miniature of H.R.H. Prince Frederick Augustus, Duke of York and Albany (1763-1827), bust-length, in a blue jacket, wearing the Order of the Garter Watercolour on ivory Rectangular gilt-bronze ormolu frame with continuous berry, leaf and ribbon border Rectangular, 60mm high £300-£500

19 λ ENGLISH SCHOOL (circa 1800) Portrait miniature of an Officer, wearing red coatee with blue facings and collar and gold buttons, gold epaulettes, white waistcoat and black stock, his hair powdered and worn en queue Watercolour on ivory Gilt-mounted oval hardwood frame Oval, 60mm high

20 FRENCH SCHOOL (circa 1820) A wax portrait relief of an Officer, profile facing left, wearing military uniform Mounted on black silk within a green silk mount Rectangular wood frame The wax - 13cm (5in) high £150-£250

£300-£500

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21 λ ATTRIBUTED TO THOMAS HARGREAVES (BRITISH, 1775-1846) Portrait miniature of a Lady, wearing white dress trimmed with lace, a blue belt, blue shawl, coral bead necklace and a gold chain with a monocle, her dark hair upswept and curled Watercolour on ivory Gold fausse-montre frame with decorative border, the reverse with blue glass border around a glazed aperture to reveal hair Oval, 60mm high £150-£250

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22 λ CIRCLE OF WILLIAM EGLEY (BRITISH 17981870) Portrait miniature of a Boy called Master William Bailey, seated on a grassy mound, his hands clasped around his right knee, wearing tan trousers and matching jacket, white chemise with frilled collar and black shoes Watercolour on ivory Rectangular gilt-wood frame Rectangular, 18 x 12.5cm (7 x 5in)

23 λ ANDREW ROBERTSON (BRITISH 1777-1845) Portrait miniature of a young Lady, wearing a white dress with frilled collar, blue shawl over her left and a multi-strand coral necklace Watercolour on ivory Chased foliate gilt-metal frame Oval, 90mm high £300-£500

£600-£800

*See page two for information regarding fees

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24 λ ATTRIBUTED TO JAMES LEAKEY (BRITISH 1775-1865) Portrait miniature of a Lady, wearing red velvet dress trimmed with lace, a jewelled brooch and gold necklaces, wearing a lace cap adorned with a blue and pearl brooch Watercolour on ivory Gilt-metal black lacquer frame Rectangular, 10.5 x 8cm (4 1/2 x 3 1/4in) £300-£500 25 λ ROBERT THORBURN AR.A (1818-1885).

Portrait miniature of a Lady, wearing a pink dress with white falling lace neckline and sleeves, and a small gold brooch set with a purple stone at her corsage, her dark hair worn in ringlets, watercolour on ivory, gilt-metal bow surmounted ormolu frame Oval, 115mm high £600-£800

26 VIOLET MURIEL BARBER MIMPRISS (BRITISH 1895-1987) A foolish virgin - miniature painting Signed with monogram and dated 1915 (lower right), further inscribed with title and details of the artist on original label attached verso Watercolour heightened with gold paint on ivorine Oval, 85 x 100mm Exhibited: Royal Academy, 1913, No 2 £400-£600 27 λ ENGLISH SCHOOL (1846) Portrait miniature of a Gentleman, wearing black coat, white shirt and tied checked cravat Watercolour on ivory Gold brooch mounted frame, the reverse engraved with initials and date HMS/ 1846 around a central glazed aperture containing locks of hair dated 1846 Oval, 50mm high £200-£300 9

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The Property of a Connoisseur, London 28 OZIAS HUMPHRY (BRITISH 1742-1810) Portrait of a Gentleman Pencil and crayon on wove paper Oval, 13.5 x 11.5cm (5 1/4 x 4 1/4in) £150-£250 29 DANIEL GARDNER (BRITISH 1750-1805) Portrait of a Gentleman, traditionally believed to be Jackson Mason (1752-1809), attorney and alderman of Lancaster Pastel Oval 23 x 18cm (9 x 6 3/4in) Provenance: Anne Eliza Dixon, granddaughter of Daniel Gardner.

Sold to Lord Carlingford, K.P. Lady Strachey, her sale Christie’s Leggatt, 1911 Private collection UK

30 GEORGE RICHMOND RA (BRITISH 1809-1896) Portrait of the Reverend John Watkins-Pitchford (1836-1912) as a boy Pencil and watercolour 21.5 x 17cm (8 1/4 x 6 3/4in) Oval Provenance: Estate of Denys Watkins-Pitchford £100-£150 31 HERBERT LUTHER SMITH (BRITISH 1811-1870) Portrait of Lady Wellesley Signed and dated 1853 (lower right) Coloured crayon on buff paper Oval, 30 x 24cm (11 3/4 x 9 1/2in) £200-£300

Lady Strachey had a large collection of pastel portraits by Daniel Gardner which were sold at Christie’s. The present portrait is possibly the portrait of Jackson Mason (1752-1809), a contemporary of Gardner’s. It was bought by Leggatt in 1911 for one guinea. Jackson Mason’s death was reported in The Monthly Magazine (vol 28, p. 538) At Lancaster, Jackson Mason esq. one of the aldermen of the borough, highly esteemed for his ability and integrity in his profession as a solicitor, 56. £500-£700

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Works on Paper including The Property of a Connoisseur, London Lots 32-184

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32 THOMAS SANDBY (BRITISH 1721-1798) Eton College seen from across the river Watercolour 27.5 x 46cm (11 x 18 1/4in) Provenance: Peter Stafford Hayden Lawrence (1913-2005).

Peter Lawrence was a master at Eton College and The Doon School, India. As well as collecting views of Eton, he was the author of two volumes of photography of An Eton Camera. He edited many others (including The Encouragement of Learning, an anthology of articles and extracts from many sources covering most aspects of Eton life to the end of the Victorian Age, and Grizel Hartley Remembered, a collection of letters and memories of a unique Eton character). He founded the Museum of Eton Life, and also wrote obituaries of Eton masters for the Daily Telegraph.

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£3,000-£5,000

33 SAWREY GILPIN (BRITISH 1733-1807) Swans nesting in a river landscape, circa 1790 Numbered 309 (lower right corner) Pen and brown ink, point of the brush and brown ink, watercolour, ruled black chalk border, on paper with watermark of the letters GR surmounted by a crown 19.5 x 32cm (7 3/4 x 12 1/2in) Provenance: Sir John Clement Witt Thence by descent

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Literature: Morris R. Brownell, William Gilpin’s ‘Unfinished Business’: The Thames Tour (1764), (London: The Walpole Society, 1993/94), vol. LVII, p. 78, note 61, illus. no. 45 The Yale Center for British Art, Paul Mellon Collection, hold two watercolours by Gilpin that appear to have a similar numbering system to the present work, presumably from an album or collection of works intended to have been engraved.

Morris Brownell’s article in The Walpole Society journal, op. cit., where the present work is illustrated, suggests that it depicts a ‘nesting female on an osier isle protected by her threatening mate’, and relates the scene to a humorous anecdote on swan behaviour from William Gilpin’s 1764 Thames Tour. £400-£600

The Property of a Connoisseur, London 34 FRANCIS WHEATLEY (BRITISH 1747-1801) Woman washing outside a cottage Pen and ink and watercolour Oval, 17.5 x 23cm (7 x 9in) 34

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£400-£600

*See page two for information regarding fees

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35 WILLIAM PAYNE (BRITISH 1754-1833) Figures on a track above a bay Watercolour with pencil 17.1 x 28cm (6 3/4 x 11in) Provenance: George Walter Vincent Smith Art Museum, Massachusetts, 1988 Harold and Nicolette Wrenick, Christie’s The Nicolette Wernick collection - British watercolours & paintings (1800-1950) 16 Jun 2010, lot 74 £400-£600 36 ANTHONY DEVIS (BRITISH 1729-1817) Field next to Mr Polhill’s, Surrey Pen and ink and wash 13.5 x 20cm (5 1/2 x 8in) Provenance: With Thos. Agnew & Sons Ltd.

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£300-£500 The Property of a Connoisseur, London 37 JOHN ‘WARWICK’ SMITH (BRITISH 1749-1831) Italianate landscape with figures and cattle, 1785 Signed J Smith and dated 1785 (lower left) Watercolour 21 x 35cm (8 1/4 x 13 3/4in) Smith went to Italy in 1780 with Francis Towne. He became a full member of the Old Watercolour Society in 1806, later becoming both treasurer and secretary. £300-£500 38 DR THOMAS MONRO (BRITISH 1759-1833) A woodland pond Black chalk, wash and brush and scratching out 14.6 x 20.4cm (5 3/4 x 8in) Provenance: W. Foxley Norris, Dean of York and (the artist’s greatgrandson) Abbott & Holder Private Collection UK.

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£200-£300

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39 NATHANIEL DANCE (BRITISH 1735-1811) Portrait of a Gentleman, head and shoulders, wearing a powdered wig worn en queue Pencil 21.2 x 16.5cm (6 1/2in) unframed £400-£600

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The Property of a Connoisseur, London 40 GEORGE DANCE THE YOUNGER (BRITISH 1741-1825) Dr Johnson and friends Pencil on laid paper 19.3 x 26.5cm (7 1/2 x 10 1/2in) Dr Johnson was an architect and profile portrait artist, who positioned himself within eighteenth-century London society. He created an exclusive ‘Club’ with great figures such as Sir Joshua Reynolds, David Garrick and James Boswell who revolutionised the capital’s cultural life by bringing together artistic, literary and political figures of the period.

Dance produced caricatures with subjects that exaggerated and mocked human vices, he saw this as a source of personal entertainment, relaxation, and artistic liberation. £200-£300

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41 ATTRIBUTED TO SIR DAVID WILKIE RA (SCOTTISH 1785-1841) A sheet of studies of figures in various poses most dressed in long hooded cloaks Pencil and sepia wash on laid paper 13.5 x 221.5cm (5 3/4 x 8 1/2in) unframed £200-£300

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*See page two for information regarding fees

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42 SIR DAVID WILKIE (SCOTTISH 1785-1841) Warriors in combat Pen and brown ink 6.7 x 9.9cm (2 1/2 x 4in) Provenance: With Spink, London Lady Barbara Noble and thence by descent Christie’s, London, British and Continental Watercolours, 28th September 2005 Private Collection UK This drawing is a fine example of what Wilkie’s fellow student in Edinburgh, John Burnet, meant when he said [He] surpassed, and that from the first, all his companions in comprehending the character of whatever he was set to draw...[he required to know] what was the action, what was the sentiment. £400-£600 42

43 RICHARD CORBOULD (BRITISH 1757-1831) Horse trainer Signed and dated Richard Corbould 1839 (lower left) Pencil and sepia wash 17 x 23.5cm (6 3/4 x 9 1/4in) unframed £150-£250

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The Property of a Connoisseur, London 44 CHARLES HAYTER (BRITISH 1761-1835) A picnic at the Layer Marney Signed inscribed and dated Sketch’d at Layer Marney / May 31 1821. by C. Hayter (lower right); numbered and inscribed with the names of the sitters, all members of the Gower family Pen and grey ink and grey wash 14 x 13.5cm (5 1/2 x 5 1/4in) Born in Twickenham, Hayter’s father was an architect. He was educated at the RA Schools in 1786. He taught perspective to Princess Charlotte, writing books on perspective and painting including, An Introduction to Perspective and A Practical Treatise on Three Primitive Colours. He Exhibited over 200 paintings at the RA. £80-£120

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The Property of a Connoisseur, London 45 JAMES MILLER (BRITISH d.1791) View of a mill by a Thames estuary Signed J Miller (lower left) Monochrome wash 21 x 33cm (8 1/4 x 13in) £300-£500

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The Property of a Connoisseur, London 46 GIDEON YATES (BRITISH fl.1790-1837) View of the Thames with the Houses of Parliament and Westminster Bridge Indistinctly inscribed upper edge Pencil 17.5 x 33cm (7 x 13in) £200-£300

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47 EDMUND DORRELL (BRITISH 17781857) The Thames at Putney Signed E Dorrell (lower left) Watercolour over pencil heightened with white 23.5 x 40.5cm (9 1/4 x 16in) £400-£600

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*See page two for information regarding fees

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The Property of a Connoisseur, London 48 WILLIAM BURGESS (ENGLISH 1749-1812) Country chapel with figures Pen and ink and watercolour 15 x 23.4cm (6 x 9 1/4in) Together with: A view of a chapel in the Briers.

Signed W. Burgess and inscribed Drawn on the spot, October 9th 1788; inscribed on the verso: A view of a Chapel in the Briers, one of the 12 chapels in the Halifax Vicarage Pen and ink on laid paper 12 x 22cm (4 3/4 x 8 3/4in) (2) William Burgess ran a Drawing Academy in London, and worked prolifically in the north of England and the Fens.

He Exhibited widely in the 18th century at the Society of Artists, the Free Society of Artists, and the Royal Academy. £250-£350 48

The Property of a Connoisseur, London 49 JOHN LAPORTE (BRITISH 1761-1839) Sunday Church Bodycolour 17 x 23.5cm (7 x 9in) Laporte was a pupil of John Melchior Barralet. He became drawing master at Addiscombe College, Military Academy in Surrey. He taught Dr Munro, and the influence of Paul Sandby can be detected in his work. He Exhibited at both the Royal Institution and the Royal Academy. £150-£200

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50 ENGLISH SCHOOL (EARLY 19TH CENTURY) St Pancras Church, 1830 Inscribed with title and dated 1830 (lower edge) Pen and brown ink and grey wash on laid paper 20.3 x 33cm (8 x 13in) unframed £400-£600

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52 The Property of a Connoisseur, London

The Property of a Connoisseur, London

51 JOHN VARLEY OWS (BRITISH 1778-1842) River scene with figures crossing a bridge Watercolour 26 x 36cm (10 1/4 x 14in)

53 JOHN VARLEY OWS (BRITISH 1778-1842) Wherries on the Thames Blue wash over sepia ink on laid paper with watermark 22 x 33.5cm (8 1/2 x 13 1/4in)

Provenance: Spink & Son Ltd., St. James’s London

£400-£600

£500-£700

54 ATTRIBUTED TO SAMUEL PROUT (BRITISH 1783-1852) Figures unloading a beached fishing vessel Sepia wash 7 x 14cm (2 3/4 x 5 1/2in)

52 SAMUEL PROUT (BRITISH 1783-1852) The breaking of a hulk Signed, S. Prout lower right Watercolour 29.5 x 42cm (11 1/2 x 16 1/2in)

Provenance: Galerie Leo Schidlof, Paris £200-£300

Provenance: With Abbot and Holder Ltd. Private collection U.K. £400-£600

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The Property of a Connoisseur, London 55 PETER DE WINT OWS (BRITISH 1784-1849) Shipping off Anglesea Watercolour 20.5 x 38cm (8 x 15in) The present work was identified by the Usher Gallery, Lincoln as a rare seascape by de Wint. It relates closely to View of three vessels in a breeze and rough sea just off shore purchased by the National Art Collections Fund in 1941, now in the gallery’s collection. £2,000-£3,000 55

The Property of a Connoisseur, London 56 ALFRED HERBERT (BRITISH d. 1861) Sailing vessels off Folkestone harbour Signed with initials and dated 1845 (lower left) Watercolour and bodycolour heightened with scratching out 39 x 73.5cm (15 1/2 x 29in) £300-£500

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The Property of a Connoisseur, London 57 WILLIAM ANDERSON (SCOTTISH 17571837) A Devon estuary scene with fishing boats Inscribed Devon (lower left) Watercolour over pencil, heightened with scratching out on Whatman paper dated 1795 28 x 42cm (11 x 16 1/2in) There is a comparable example by Anderson, signed and dated 1793, in Iolo Williams, Early English Watercolours pl.CLIII/No 311, 1952. £400-£600

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58 DAVID COX SNR. OWS (BRITISH 1783-1859) Figures on the road between Pont Aberglaslyn and Ffestiniog Watercolour 24 x 25.5cm (9 1/2 x 14in) Provenance: Heather Newman Literature: Iolo Williams Early English Watercolours, pl.272, 1952. £1,200-£1,500

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59 ATTRIBUTED TO DAVID COX SNR. OWS (BRITISH 1783-1859) Stormy sky over a moorland landscape Watercolour 38.4 x 54cm (15 x 21 1/4in) unframed £500-£700

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The Property of a Connoisseur, London 60 DAVID COX SNR OWS (BRITISH 1783-1859) Children by a bridge near a cottage, circa 1800 Watercolour 17.5 x 26cm (6 3/4 x 10 1/4in) £600-£800

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61 DAVID COX SNR OWS (BRITISH 1783-1859) On the parapet Sepia wash 8.9 x 13.5cm (3 1/2 x 5 1/4in) unframed £150-£250

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The Property of a Connoisseur, London 62 DAVID COX JNR (BRITISH 1808-1885) Harvesting near Betws-Y-Coed With the studio stamp (verso) Watercolour on Cox paper 34 x 50cm (13 1/2 x 19 3/4in) The present lot was probably painted at some point in the 1840s whilst Cox was on a visit to his father David Cox Snr. who lived in Betws-Y-Coed in north Wales. £500-£800

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64 The Property of a Connoisseur, London

The Property of a Connoisseur, London

63 CHARLES BENTLEY OWS (BRITISH 1806-1854) Fishing boats pulled up on the shingle near Hartlepool with windmill and figures Watercolour 15.5 x 23.5cm (6 1/4 x 9 1/4in)

65 JOHN LINNELL (BRITISH 1792-1882) Near Windsor Signed, titled and dated J. Linnell nr. Windsor 1815 (lower right) Black and white chalk on grey paper 26.6 x 27.2cm (10 1/2 x 10 3/4in)

Bentley was influenced by both Richard Parkes Bonington and his life-long friend William Callow and painted much of Britain’s coastline. The present work is an early example.

Provenance: Thomas Agnew & Sons Ltd, London

£400-£600

£300-£500

64 THOMAS BAKER OF LEAMINGTON (BRITISH 1809-1869) Eathorpe near Leamington Signed, inscribed and dated T Baker / Eathorpe June 5th 1856, lower right Watercolour over pencil 22 x 31.5cm (8 3/4 x 12 1/2in)

66 JOHN SKINNER PROUT NWS (BRITISH 1806-1876) Place St Sever, Rouen Titled and dated Feb/36 (lower right) Pencil heightened with white on grey paper 16.5 x 24.5cm (6 1/4 x 9 1/2in)

£200-£300

John Skinner Prout emigrated to Australia in 1840 and set up the JSP Australian Lithographic Establishment. He moved to Tasmania in 1844 and returned to England in 1848. On his return he worked in Bristol becoming a friend of William Muller's and a founder member of the Bristol Sketching Club. £200-£300

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67 67 THOMAS HARTLEY CROMEK (BRITISH 1809-1873) and other 19th Century hands An album of 52 watercolours and sketches belonging to Edward Law Durand An album of 52 drawings and watercolours by various hands compiled by Edward Law Durand (1st Barnonet 1845-1920). Including: three signed views

by Thomas Hartley Cromek (1809-1873) depicting Rome, Athens, and Mycenae; three signed sketches by Arthur John Strutt (1819-1888); four sketches of New Zealand dated 1847-8 and other subjects including: views of Haddon Hall, Chatsworth and Hardwick Hall; Dresden, Avignon, Corfu. The earliest dated sheet is 1807 but the majority of the works appear to date around the 1840’s. Most of the unsigned works are inscribed in English.

Album size 37.5 x 27.5cm (14 3/4 x 10 3/4in.)

(52) The album appears to have belonged to Sir Edward Law Durand (1845-1920).

He was one of three sons of Sir Henry Marion Durand (1812-1871), who had served with distinction in the First Afghan War and the Indian Mutiny. Edward was educated in Bath, Repton and Guildford. He entered the 96th Regiment of Foot in 1865 but transferred to the Indian Political Service in 1868 and in 1870 was selected as ADC and Private Secretary to the Lieutenant-Governor of the

Punjab. From 1871-77 he filled various posts in Rajputana and Central India, before briefly serving as Acting Political Agent in Manipur in 1877. In 1878 he was appointed Acting Assistant Resident in Bushire. During this posting Captain Durand was sent by the Resident in Bushire, Colonel E.C. Ross (q.v.), to survey Bahrain. It was on this occasion that he became the first European writer to comment on the Bronze Age burial-mounds there, and had the fortune to discover a cuneiform inscription which he brought back to his family home in Scotland but which was later moved to London where it is believed to have been destroyed during the Blitz. Durand’s report on the island was forwarded

by Ross to A.C. Lyall, then Secretary of the Government of India’s Foreign Department, and was later published in 1880 in the Journal of the Royal Asiatic Society (New Series) vol. XII (Part II), pp. 189-227, where it was entitled Extracts from Report on the Islands and Antiquities of Bahrain. In 1881 Durand was placed in charge of the former Amir of Kabul and from 1884-86 he was Assistant Commissioner for the Afghan Boundary Commission. In 1888 he was appointed Resident in Nepal , where he served from 1889 until his retirement in 1893. He was author of Cyrus the Great King (verse; London 1906), and Rifle, Rod, and Spear in the East (London 1911). He died in London in 1920. £1,200-£1,800

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68 SIR THOMAS LAWRENCE (BRITISH 1769-1830) Study from Nature: The Source of the Manifold at Ilam Park Oil on paper 11.1 x 17cm (4 1/4 x 6 3/4in) unframed The present oil sketch relates closely to the pair of rare landscape studies sold at Christie’s New York, April 13th 2016, Lot 15 Studies from Nature: The Source of the Manifold at Ilam Park; and A View of Dovedale looking towards Thorpe Cloud.

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They are the only known pure landscapes by Lawrence, painted early in his career around 1790. In particular, this sketch shows close similarities with the details in the study titled,The Source of the Manifold at Ilam Park. It is thought that the landscapes were painted at Ilam Hall, Derbyshire when Lawrence was painting the Watts Russell family in about 1790. £1,000-£1,500

69 EDWARD LEAR (BRITISH 1812-1888) Lake Lugano from Monte Generoso Signed with monogramme (lower left) and inscribed verso No I / Lake Lugano Watercolour over pencil heightened with white 12.4 x 18.7cm (4 3/4 x 7 1/4in) £2,000-£3,000

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70 JAMES SKENE OF RUBISLAW (BRITISH 17751864) Fortress of Neustadt opposite Peterwardin on the Danube Signed inscribed and dated Fortress of Neustadt opposite Peterwardin / on the Danube 26 May 1845 J. Skene (lower right) Watercolour over pencil 24.5 x 45.5cm (9 3/4 x 18in) According to Sir Walter Scott, some of whose works the artist illustrated, James Skene [was] “for a gentleman, the best draughtsman I ever saw.”

Skene House, the family home, is a few miles to the east of Aberdeen near Loch of Skene. The artist was educated in Edinburgh and Germany and subsequently lived and worked in Greece for many years, also visiting the Balkans and other parts of Europe before finally returning to England where he eventually resided at Oxford.

He is represented in the British Museum, Aberdeen Art Gallery and Edinburgh Central Library.

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In 1845 Neustadt was in the Austro-Hungarian Empire and had both German and Hungarian names. £200-£300

The Property of a Connoisseur, London 71 DAVID ROBERTS (SCOTTISH 1796-1864) Abbeville Titled and dated Sept. 31st 1825 (lower right) Pencil and blue wash 25 x 36cm (9 3/4 x 14in) £600-£800 71

72 SAMUEL JACKSON (BRITISH 1794-1869) Looking North from Cadbury Camp to the Mouth of the Avon, 1822 Watercolour 13.1 x 22cm (5 x 8 1/2in) Provenance: Andrew Wyld, Clifford St., London The present work is a sketch for the watercolour at the Somerset Archaeological and Natural History Society, Taunton. £400-£600

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The Property of a Connoisseur, London 73 JOHN THOMAS SERRES (BRITISH 1759-1825) A young sailor of Mediterranean origin Pen and ink and watercolour 29.5 x 23.5cm (11 1/2 x 9 1/4in) John Thomas Serres became Marine Painter to George III in 1793, succeeding his father. He was later appointed Marine Draughtsman to the Admiralty. £300-£500

The Property of a Connoisseur, London 74 ATTRIBUTED TO CONSTANTIN GUYS (FRENCH 1802-1892) Wounded French soldiers from the Crimean campaign Signed C Guys (lower right) Watercolour over pencil 19.5 x 14.1cm (7 3/4 x 5 1/2in) and a companion, Spanish Troubadours, by the same hand, a pair (2) £400-£600

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75 CONSTANTIN GUYS (FRENCH 1802-1892) Au Bal Pencil and grey wash 17.5 x 10.6cm (7 x 4 1/4in) One of a group of thirty drawings by Guys sold at auction in France, circa 1910 £300-£500

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76 CONSTANTIN GUYS (FRENCH 1802-1892) La Rencontre Pen and ink and wash on grey paper 19.5 x 27.3cm (7 1/4 x 10 1/4in) Provenance: Jos Hessel (1859-1942), Paris Exhibited: M. H. De Young Memorial Museum, San Francisco, The Horse Show, No. 4, Cavaliers Jos Hessel was the noted art dealer and close friend of Edouard Vuillard. His wife Lucy Hessel became Vuillard’s muse, friend and lover. £400-£600 76

77 EDWARD LEAR (BRITISH 1812-1888) Baths of Titus Pencil, pen and ink Titled Baths of Titus and dated, Feb. 4 ‘40 8.6 x 12.5cm (3 1/2 x 4 3/4in) Provenance: With Abbot and Holder Ltd., London Private Collection UK. £800-£1,200

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78 JOHANN MORITZ RUGENDAS (GERMAN 1802-1858) Wounded soldier Pen and ink and pencil 16.2 x 19cm (6 1/4 x 7 1/2in) unframed

80 SIR WILLIAM BLAKE RICHMOND R.A. (BRITISH 1842-1921) Study of a figure kneeling before a young man standing beside a figure of a young man bowing Pen and ink over pencil on wove paper 23.5 x 26.5cm (9 1/4 x 10 1/2in)

£200-£300

£300-£500

The Property of a Connoisseur, London

81 SIR FRANCIS GRANT (BRITISH circa 1803-1878) The Pointer Pen and ink wash 12.5 x 10.5cm (4 3/4 x 4in)

79 HABLOT KNIGHT BROWNE ‘PHIZ’ (BRITISH 1815-1882) Tinkers Signed with initials H.B. (lower left) Monochrome wash over pencil 13.7 x 17.8cm (5 1/2 x 7in) Hablot K. Browne, was best known for his illustrations for Punch where he used the pen name ‘Phiz’.

Provenance: Dickinson Fine Art, London £250-£350

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82 RICHARD BEAVIS (BRITISH 1824-1896) Study of Branches Signed with monogram and inscribed, ‘Cobham Park/ no 20/ 59’ with further indistinct annotations to the lower edge of the sheet Pencil and watercolour 19.5 x 32cm (7 1/2 x 12 3/4in) unframed £200-£300 83 ATTRIBUTED TO GAETANO PREVIATI (ITALIAN 1852-1920) The Continents Black and white chalk on grey paper 16.2 x 23.9cm (6 1/2 x 9 1/2in) Provenance: Jane Roberts Fine Arts Ltd (1991) Private Collection UK.

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84 HENRY GEORGE HEWITT RBA (BRITISH 1864-1911) Woman in flower garden Signed H.G.HEWITT (lower right) Watercolour and bodycolour 17 x 26cm (6 1/2 x 10 1/4in) £100-£150 85 JAMES ARCHER RSA (BRITISH 1823-1904) Young woman looking out to sea Inscribed Archer. For Viola. and dated Dec. 66 (lower left); signed J Archer RSA (on mount) Grisaille watercolour and pencil 17.75 x 24.5cm (6 3/4 x 9 3/4in) £200-£300

£400-£600

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86 JAMES STEPHANOFF (BRITISH 1789-1874) The death of Marmion Watercolour 6.5 x 10.5cm (2 3/4 x 4 1/4in) £100-£150 87 JOHN ABSOLON (BRITISH 1815-1895) Shakespeare introduced to Queen Elizabeth to read a play (The present work is a design for a backdrop for the Glasgow Theatre) Pencil and watercolour 17 x 19cm (6 3/4 x 7 3/4in) Provenance: Abbott and Holder, 1962 Private collection UK.

88 DAVID COX SNR. OWS (BRITISH 1783-1859) Figures in Van Dyck costume by the fireplace, Haddon Hall Signed D. Cox (lower left) Pencil, watercolour and bodycolour with scratching out 14.6 x 20.8cm (5 3/4 x 8 1/8in) £500-£700 89 SIR WILLIAM BLAKE RICHMOND RA (BRITISH 1842-1921) Pensioners Hall, Chelsea Hospital Signed W B Richmond, titled and dated 1868 (lower left) Pencil, watercolour and white heightening 16.75 x 24.5cm (6 3/4 x 9 1/2in) £150-£250

£300-£500

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The Property of a Connoisseur, London 90 GEORGE SIDNEY SHEPHERD (BRITISH 1784-1862) Covent Garden Market, 1829 Signed and dated Ge Sidney Shepherd 1829 (lower centre) Watercolour and bodycolour 54.5 x 86cm (21 1/2 x 34in) Provenance: Acquired by the family of the present owner circa 1880.

George Sidney Shepherd was the son of the topographical artist, George Shepherd. He practised watercolour painting in the style of his father, occasionally adding rustic scenes and still-lifes to his portfolio of topographical works. He painted many views of metropolitan buildings. He Exhibited at the Royal Academy between 1830 and 1837, at the Royal Society of British Artists and at the New Water-Colour Society, of which he was a member. ÂŁ20,000-ÂŁ30,000

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91 The Property of a Connoisseur, London 91 WILLIAM CALLOW OWS, RWS (BRITISH 1812-1908) Fishing at anchor; Fishing boat at anchor with shipping behind - a pair One signed W. Callow lower right; the other signed W. Callow lower left Each: watercolour Each: 17.3 x 25cm (6 3/4 x 9 3/4in) (2) £1,000-£1,500

The Property of a Connoisseur, London

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92 WILLIAM ROXBY BEVERLY (BRITISH 1811-1889) Western Isles Seascape Watercolour heightened with scratching out 22 x 33cm (8 3/4 x 13in) £300-£500

The Property of a Connoisseur, London 93 ATTRIBUTED TO SIR EDWARD JOHN POYNTER PRA (BRITISH 1836-1919) Boat in harbour, Malaga Inscribed and signed Malaga E.J.P. lower left Pencil heightened with sepia wash and white on grey paper 23.5 x 34cm (9 1/4 x 13 1/2in)

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Poynter was born in Paris and spent his winters in both Madeira and Rome due to his ill health. He met Frederic Leighton in 1853 and went on to study at Leigh’s Academy and at the Royal Academy Schools in London. He returned to Paris where he studied in the studio of Charles Gleyre alongside fellow students James McNeill Whistler and George Du Maurier. The present work is possibly an early book illustration. £200-£300

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94 THOMAS BUSH HARDY (BRITISH 1842-1897) Cologne; Shipping off the Harbour, (a pair) Each signed, inscribed and dated 1879 (lower left) Watercolour and bodycolour 11.8 x 16cm (4 3/4 x 6 1/2in) each (2) £400-£600

The Property of a Connoisseur, London 95 HENRY BURDEN RICHARDSON (BRITISH circa1811-1874) Uploading a schooner or windjammer, Newcastle Signed with monogram (lower left) Watercolour 33.5 x 52cm (13 x 20 1/2in)

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Richardson exhibited at the Royal Institution and the Royal Academy. £100-£150

96 HENRY SCOTT TUKE (BRITISH 1858-1929) A three-master and other shipping vessels Signed and dated 1914 (lower left) Watercolour 30.3 x 46.4cm (12 x 18 1/4in) £1,000-£1,500 96

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98 97 ARY SCHEFFER (DUTCH 1795-1858) Ecce Homo (after Guido Reni) Signed (lower right) Pencil and white chalk on buff paper 35cm x 27cm (13 3/4 x 10 1/2in) £300-£500 98 GEORGE RICHMOND RA (BRITISH 1809-1896) Study of processional figures - recto Study of a corpse on a bier - verso Sanguine/pencil 21 x 15cm (8 1/4 x 5 3/4in) The studies on the front and on the reverse of the sheet are for George Richmond’s painting The Funeral of the Blessed Virgin (Birmingham Museum and Art Gallery) £100-£150 99 RICHARD WESTALL RA (BRITISH 1765-1836) Study of an Altar and Stained Glass Window Pencil and watercolour 12.75 x 11cm (5 x 4 1/2in) Provenance: Abbott & Holder, London

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The design was used as the title plate for Sermons by Samuel Johnson L.L.D, vol II, published by John Sharpe in 1819 £80-£120

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100 CHARLES ALLAN COOKE (BRITISH 1878-1941) The Spinning Wheel Signed Charles A Cooke and dated c.1913 (on verso) Watercolour and pencil 36 x 26cm (14 1/4 x 10 1/4in) Exhibited: The London Sketch Club, Autumn Exhibition, 1913 £200-£300 101 ADELAIDE SOPHIA CLAXTON (1841-1927) Young woman in a green Tudor dress Signed with monogramme and dated 1869 (lower right) Pencil, watercolour and bodycolour 29 x 23cm (11 1/2 x 9in) £100-£150 102 WILLIAM SPENCER BAGDATOPOULOS (1888-1965) Young woman with a long stick Signed W.S.B. FRANCE and dated 1916 (lower right) Pencil 18.5 x 14.5cm (7 1/4 x 5 3/4in) Drawn by the artist whilst serving in the British Army in France during World War I £100-£150 102

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The Property of a Connoisseur, London

The Property of a Connoisseur, London

103 ATTRIBUTED TO GEORGE PRICE BOYCE (BRITISH 1826-1897) A northern fishing town on an estuary Watercolour and bodycolour over pencil 17 x 24.5cm (6 3/4 x 9 3/4in)

105 ALFRED WILLIAM HUNT RWS (BRITISH 1830-1896) View of Whitby Watercolour 23.5 x 35.5cm (9 1/2 x 14in)

£400-£600

Identified by The Pannett Art Gallery, Whitby

The Property of a Connoisseur

£800-£1,200

104 JOHN HAMILTON GLASS (BRITISH d. 1925) Scottish fishing village Signed (lower right) Watercolour heightened with white 34.5 x 50cm (13 3/4 x 19 1/2in)

106 JOHN CLARKSON UREN (BRITISH 1845-1932) Beached fishing vessels with figures Signed J C Uren, lower left Watercolour 21.5 x 36cm (8 1/2 x 14in)

Glass Exhibited at The Royal Society pf Arts and The Royal Hibernian Academy.

£150-£250

£80-£120

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107 THOMAS CHARLES LEESON ROWBOTHAM RI (BRITISH 1823-1875) Italian Lake scene Signed T.L Rowbotham, dated 1861 and numbered No 354 (lower left) Watercolour heightened with white 15 x 45.5cm (6 x 18in) £300-£500

108 WILLIAM JAMES FERGUSON (BRITISH 19TH CENTURY) Pozzuoli; Isola Pescatore (a pair) One signed and dated J W Ferguson 1876 (lower left) and inscribed Pozzuoli (lower right); one inscribed Isola Pescatore (lower left) Each: watercolour over pencil Each: 23 x 38.5cm (9 x 15 1/4in) (2) £400-£600

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109 A. MARRANI (ITALIAN LATE 19TH CENTURY) Campanile di Giotto, Florence Signed A Marrani (lower right) Watercolour, pen and ink 92 x 38cm (36 x 15in)

110 CHRISTIAN THOMPSON (BRITISH LATE 19TH CENTURY) A French Street scene Signed C Thompson, (C and T entwined) and dated 1859 Watercolour and bodycolour 56 x 39cm (22 x 15 1/2in)

£400-£600

£150-£250

111 EDITH MARTINEAU ARWS (BRITISH 1842-1909) The edge of the woods near Aviemore Signed Edith Martineau, lower left; inscribed with title and address of the artist on the artist’s label attached to the backboard Watercolour heightened with scratching out 44.8 x 35.9cm (17 3/4 x 14 1/4in)

112 HENRY GASTINEAU (BRITISH 1791-1876) Oystermouth bay, South Wales Signed H Gastineau (lower left) Watercolour 60 x 50cm (23 1/2 x 20in) arched top

£700-£900

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£300-£500

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113 113 HORACE VAN RUITH (BRITISH 1839-1923) Entrance to Holland House, Kensington, London Signed Horace Van Ruith (lower right) Watercolour 39.5 x 25.7cm (15 1/2 x 10in) Provenance: With Doig, Wilson & Wheatley, Edinburgh Captain HCP Hamilton, Moyne, Durrow Co. Laois. and thence by descent Van Ruith was born in Capri, probably of Russian origin. He specialised in portraiture, landscapes and genre scenes in oil and watercolour. Although subsequently based in England he spent several years working in Italy. He visited Bombay sometime between 1879 and 1884 and is known to have established a studio in the city. He painted a number of works portraying local people, especially those in various trades. On his return to London he took part in the Colonial and Indian Exhibition opened by Queen Victoria in 1886. ÂŁ3,000-ÂŁ4,000 39

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114 JOSEPH MURRAY INCE (BRITISH 1806-1859) A country village street with a Dutch Gabled Cottage; A Village Street with figures and a Church (a pair) Signed J M Ince and dated 1847 (lower left); signed J M Ince and dated 1846 (lower left) Each: watercolour heightened with bodycolour Each: 21.5 x 34.5cm (8 1/2 x 13 1/2in) (2) £300-£500

114 The Property of a Connoisseur, London 115 WILLIAM ROXBY BEVERLY (BRITISH 1811-1889) Half timbered farm house with figures Signed W R Beverly (lower right) and inscribed Presented to Mrs Eldridge (lower left) Watercolour heightened with white 28 x 46cm (11 x 18in) Provenance: Mrs Eldridge (acquired from the artist) Born in Richmond, Surrey into a theatrical family, Beverly was involved with the stage from an early age. From 1853 he was the scenic director at Covent Garden and also worked at Drury Lane. He was a friend and pupil of William Clarkson Stanfield and Exhibited marine watercolours at the RA from 1853.

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£300-£500

The Property of a Connoisseur, London 116 ROBERT B. WALTERS (BRITISH EXHIB 1899-1924) View of Romiley Signed and dated R.B. Walters 1875 (lower right); titled on the back board Watercolour and bodycolour 23 x 45.5cm (9 1/4 x 18in) £100-£150 116

117 ARTHUR FOORD HUGHES (BRITISH 1856-1934) Landscape with shepherd, sheep and a windmill Signed A Foord Hughes (lower right) Watercolour 21.5 x 33cm (8 1/2 x 13in) £300-£500

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118 EDMUND GEORGE WARREN (BRITISH 1834-1909) In the New Forest Signed and dated 1861 (lower left) Watercolour and bodycolour heightened with gum arabic 25 x 33cm (9 3/4 x 13in) Warren was one of the first landscape artists of the time to be influenced by the Pre-Rapharelites ideas of truth to nature in his use of colour, meticulous observation of the subject, and attention to detail. His subjects were characterised by evocative and Idyllic depictions of the English countryside, woodlands and harvesting scenes. His work became very popular during the late 1850s to early 1860s. £1,200-£1,800

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119 HAWES CRAVEN (BRITISH 1837-1910) A Bout at Quarterstaff - A design for the proscenium arch at the Adelphi Theatre Signed Hawes Craven (lower right) Watercolour and bodycolour 44.5 x 70cm (17 1/2 x 27 1/2in) Provenance: The Executors of the late Sir Henry Irving sale: Christie’s 16th December 1905, lot 33 £1,000-£1,500 119

120 FREDERICK WILLIAMSON (BRITISH fl.1856-1900) Sheep grazing on a Welsh hillside Signed Frederick Williamson and dated 1875 (lower right) Watercolour 26.7 x 45cm (10 1/2 x 17 3/4in) £500-£700

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The Property of a Connoisseur, London 121 THOMAS WATSON ARWS (BRITISH 1847-1912) Winter & Summer - Land of the mangels Signed Thos J Watson (lower right); titled on the backboard Watercolour and bodycolour 30 x 44.5cm (11 3/4 x 17 1/2in) The title of the present work refers to mangle-wurzel, a beet crop that was commonly clamped after harvesting and used as winter feed for both sheep and cattle. Watson Exhibited at the Royal Watercolour Society and the Royal Academy from 1871-1903. £200-£300 121 41

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122 122 CHARLES EDWARD WILSON (BRITISH 1854-1941) Home sweet home Signed C.E. WILSON (lower right) Pencil and watercolour 37.5 x 28.75cm ( 14 3/4 x 11in) £10,000-£15,000

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123 123 EDWARD CLIFFORD (BRITISH 1844-1907) The Slave Signed and dated Edward Clifford 1877 (lower right) Tempera 64 x 52cm (25 1/4 x 20 1/2in) Clifford was born in Bristol, where he first studied, before moving to the Royal Academy Schools. He Exhibited at the Royal Academy, Society of British Artists, and Institute of Painters in Watercolours, the Grosvenor Gallery, the New Gallery and elsewhere from 1877-1892. His Royal Academy paintings are conventional Victorian portraits but at the Grosvenor Gallery and elsewhere he showed Biblical and allegorical scenes. The Biblical paintings show the influence of Holman Hunt. He was also associated with the Aesthetic Movement. ÂŁ5,000-ÂŁ7,000 43

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125

126 127

The Property of a Connoisseur, London 124 CHARLES ROWBOTHAM (BRITISH 1858-1921) Study of an Italian girl, head and shoulders Inscribed Ana Capri (lower left) Watercolour over pencil 17.5 x 12.5cm (7 x 5in) £80-£120 126 ALFRED DOWNING FRIPP (BRITISH 1822-1895) The Irish mother Signed and dated Alfred D Fripp Galway 45 (lower left); signed, titled and inscribed with the artist’s address on a label on the backboard watercolour 31.2 x 22.2cm (12 5/16 x 8 3/4in)

125 AUGUSTO MORIANI (ITALIAN circa 1900) Neapolitan Fisherman Signed (lower right) Watercolour heightened with white 53.5 x 38.5cm (21 x 15in) £300-£500 127 WILLIAM EDWARD FROST RA (BRITISH 1810-1877) Portrait study of a young woman Pencil and watercolour 16.5 x 10cm (6 1/2 x 4in) £80-£120

£400-£600 44

*See page two for information regarding fees

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128 GEORG KARL KOCH (GERMAN 1857-1930) The hunt riding out Signed G Koch (lower left) Gouache 62 x 93cm (24 x 36 1/2in) £1,200-£1,800

128

129 GILBERT JOSEPH HOLIDAY (BRITISH 1879-1937) Cavalry Charge Signed Gilbert Holiday (lower right) Watercolour, pencil and gouache 28 x 46cm (11 x 18in) Possibly depicting the Canadian Cavalry Brigade at the The Battle of Moreuil Wood (1918). The Cavalry attacked and forced the German 23rd Saxon Division to withdraw from Moreuil Wood, a commanding position on the river bank. This defeat at the hands of the Allies contributed to the halt of the German Spring Offensive of 1918. £800-£1,200

129 Property from the Uriarte y Piñeiro Collection 130 ENRICO COLEMAN (ITALIAN 1846-1911) In the Roman countryside Signed and inscribed E Coleman / Roma (lower right) Watercolour 37 x 55.5cm (14 1/2 x 21 3/4in) Provenance: Arturo Uriarte y Piñeiro, Buenos Aires Museo Nacional de Bellas Artes, Buenos Aires (bequeathed by the above in 1941) Returned to the descendants of the Uriarte y Piñeiro family in 1991 Thence by descent to the present owner Exhibited: Buenos Aires, Museo Nacional de Bellas Artes * Please see note on lot 205 £600-£800 130 45

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133

132

The Property of a Connoisseur, London

The Property of a Connoisseur, London

131 PHILLIP WILLIAM MAY RI alias ‘PHIL MAY’ (BRITISH 1864-1903) Two characters Signed and dated Phil May / 94 (top right) and inscribed on the mount, Snooks (to his pal just picked up a stump of a cigar) ‘I opes as yer won’t mind me smokin a pipe while you’re smokin yer cigar, Bill!’

Pen and black ink 25 x 18.5cm (9 3/4 x 7 1/2in)

133 CHARLES KEENE (BRITISH 1823-1891) Self-portrait as ‘The piper’ Black chalk 14 x 10cm (5 1/2 x 4in)

Provenance: The Leicester Galleries, London £200-£300 The Property of a Connoisseur, London 132 PHILLIP WILLIAM MAY RI alias ‘PHIL MAY’ (BRITISH 1864-1903) William Henry Crump alias ‘Harry Champion’ (1885-1942) Pencil 16.5 x 10cm (6 3/4 x 4in) Harry Champion was best known as a music hall singer, comedian and composer. His best known recordings include Boiled Beef and Carrots (Collins & Murray) 1909; Enery the Eighth, I am (Murray & Weston) 1910 and Any Old Iron (Collins, Terry and Shepherd) 1911. He was born in Bethnal Green and made his stage debut in 1880 at the Royal Victoria Music Hall in Old Ford Road. He also founded a carriage business hiring horse drawn broughams which evolved into North London Coaches (W H Crump & Son). He worked throughout the 30’s and appeared frequently on the radio. £200-£300

46

£250-£350 The Property of a Connoisseur, London 134 LEO HERSHFIELD (AMERICAN 1904-1979) Portrait of John L. Lewis Signed Leo (lower left) and variously inscribed in the artist’s hand to the present owner's father John L. Lewis was not as large physically as I had expected (lower centre) Black chalk and blue pencil with black ink 36.5 x 29cm (14 1/4 x 11 1/4in) Provenance: A gift from the artist to the father of the present owner John L. Lewis (1880-1969) was a powerful and charismatic American labour leader. He played an important role in Franklin D. Roosevelt’s election in 1936 and was instrumental in the unionisation of much of the USA. Leo Hershfield was a prominent American illustrator and courtroom artist. He worked closely with NBC news and was often referred to as the ‘Dean of Courtroom Artists’.

In the 1950’s he was the first artist to sketch trials for television. In his lifetime he covered 147 trials for the broadcasting company. £400-£600

*See page two for information regarding fees

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135

The Property of a Connoisseur, London 135 PHILLIP WILLIAM MAY RI alias ‘PHIL MAY’ (BRITISH 1864-1903) Sir Henry Matthews - PC QC (1826-1913), 1st Viscount Llandaff, Home Secretary (1886-92) Pencil 16.5 x 12.5cm (6 1/2 x 5in) Henry Matthews came from an old Herefordshire family and was born in Ceylon, where his father served as a High Court Judge. He was educated at the Sorbonne and London University and became a QC in 1868. In April 1886 Matthews cross examined, and totally discredited, Sir Charles Wentworth Dilke during the sensational Crawford divorce case in which he effectively put an end to Dilke’s Ministerial career and began his own. He became Home Secretary under Lord Salisbury in 1886. £150-£200 The Property of a Connoisseur, London 136 PHILLIP WILLIAM MAY RI alias ‘PHIL MAY’ (BRITISH 1864-1903) Cardinal Newman - poet Signed and dated Phil May/95 (lower right); inscribed, No snow falls lighter than the snow of age. Yet none falls heavier, - for it never melts. (upper left) Brown chalk 23.5 x 10cm (9 1/4 x 4in) £200-£300

136 47

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137

Property from the Uriarte y Piñeiro Collection

Property from the Uriarte y Piñeiro Collection

Property from the Uriarte y Piñeiro Collection

137 EUGENE GALIEN-LALOUE (FRENCH 18541941) Quai du Louvre Signed E. Galien-Laloue (lower left) Watercolour and bodycolour 26.5 x 45cm (10 1/2 x 18in)

138 EUGENE GALIEN-LALOUE (FRENCH 18541941) Pont de la Tournelle Signed E Galien-Laloue (lower left) Watercolour and bodycolour 26.5 x 46.5cm (10 1/2 x 18 1/4in)

139 EUGENE GALIEN-LALOUE (FRENCH 18541941) L’eglise de St Medard, Paris Signed E Galien-Laloue (lower left) Watercolour and bodycolour 26 x 34cm (10 1/4 x 13 1/2in)

Provenance: Arturo Uriarte y Piñeiro, Buenos Aires Museo Nacional de Bellas Artes, Buenos Aires (bequeathed by the above in 1941) Returned to the descendants of the Uriarte y Piñeiro family in 1991 Thence by descent to the present owner

Provenance: Arturo Uriarte y Piñeiro, Buenos Aires Museo Nacional de Bellas Artes, Buenos Aires (bequeathed by the above in 1941) Returned to the descendants of the Uriarte y Piñeiro family in 1991 Thence by descent to the present owner

Provenance: Arturo Uriarte y Piñeiro, Buenos Aires Museo Nacional de Bellas Artes, Buenos Aires (bequeathed by the above in 1941) Returned to the descendants of the Uriarte y Piñeiro family in 1991 Thence by descent to the present owner

Exhibited: Buenos Aires, Museo Nacional de Bellas Artes

Exhibited: Buenos Aires, Museo Nacional de Bellas Artes To be included in voleume II of the Galien-Laloue catalogue raisonné being prepared bu Noe Willer

Exhibited: Buenos Aires, Museo Nacional de Bellas Artes

To be included in volume II of the Galien Laloue Catalogue raisonné being prepared by Noe Willer

To be included in volume II of the Galien-Laloue Catalogue raisonné being prepared by Noe Willer

* Please see note on lot 205 * Please see note on lot 205 £5,000-£7,000

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£4,000-£6,000

* Please see note on lot 205 £3,000-£5,000

*See page two for information regarding fees

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138

139 49

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140 ARR JAROSLAV PANUŠKA (CZECH 1872-1958) Winter town scene Signed, titled and dated Panuška/1924, (lower left) Watercolour and bodycolour over traces of pencil 17 x 25cm (6 3/4 x 10in) £400-£600

140

The Property of a Connoisseur, London 141 JEAN DE LA FONTINELLE (FRENCH 1900-1974) Le Puy Signed, titled and dated 1934 (lower right) Charcoal 32 x 48cm (12 3/4 x 18 3/4in) Delouche, Danielle. “CUBISME ET CAMOUFLAGE.” Guerres Mondiales Et Conflits Contemporains, no. 171, 1993, pp. 123137. JSTOR, www.jstor.org/stable/25730967.

Daviet, Jean-Pierre. “Art Déco, Résonances De L’ancien Et Du Nouveau.” Vingtième Siècle. Revue D’histoire, no. 124, 2014, pp.

185-187., www.jstor.org/stable/24674853. £250-£350

141

142 ARR EDWARD WESSON (BRITISH 1910-1983) Westminster from The Thames Signed Edward Wesson (lower left) Watercolour 25 x 34.5cm (9 3/4 x 13 1/2in) £500-£700

142 50

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The Property of a Connoisseur, London 143 ARTHUR FOORD HUGHES (BRITISH 1856-1914) Hastings from the east hill Signed A.FOORD.HUGHES. (lower left) Watercolour 21 x 33.1cm (8 1/4 x 13 1/4in) Hughes studied at Heatherleys, the Slade and the RA Schools. He illustrated Windmills in Sussex by GM Fowell and Exhibited at the Royal Academy and New Gallery. £200-£300

143

144 WIGGS KINNAIRD (BRITISH 1875-1915) On the Colne near Rickmansworth Signed Wiggs Kinnaird (lower left) and titled (lower right) Watercolour 52 x 72cm (20 1/2 x 28 1/2in) £150-£250

144

145 WIGGS KINNAIRD (BRITISH 1875-1915) The Severn near Ronstone Rocks Signed Wiggs Kinnaird (lower right) and titled (lower left) Watercolour 35.5 x 52cm (14 x 20 1/2in) £150-£250

145 51

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146 HERCULES BRABAZON BRABAZON (1821-1906) Venetian canal scene Initialled HBB (lower left) Watercolour and black crayon 20 x 14cm (7¾ x 5½in) £250-£350

The Property of a Connoisseur, London 147 ALBERT GOODWIN (BRITISH 1845-1932) Rye Harbour Signed Albert Goodwin and dated ‘88 (lower right) Watercolour over pencil heightened with white 21.5 x 28.5cm (8 1/2 x 11 1/4in) £400-£600

148 ALFRED WILLIAM RICH (BRITISH 1856-1921) A landscape sketch at St Ives, 1919 Watercolour 19.5 x 26cm (7 3/4 x 10in) Inscribed on a note by Harold James Woods attached to the backboard: Painted by Alfred W Rich in my note book at St Ives 1919, no doubt under the influence of his friend, R W Steer - Harold J Woods £300-£500

146

147

52

148

*See page two for information regarding fees

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The Property of a Connoisseur, London 149 ARR HANS SCHWARZ (BRITISH 1922-2003) Woodland scene with a river Signed H Schwarz (lower left) Gouache and pen and black ink 44 x 28cm (17 1/2 x 11in) Together with a folder of eight drawings and lithographs by the same hand.

Born in Vienna, Schwarz was expelled from Austria by the Nazis in 1938 and settled in Birmingham. There he trained at the School of Arts and Crafts before being interned from 1940 to 1941. After the war he became a freelance illustrator with his work included in the Shell Guide. He published several books with Studio Vista and Pitman, and was a member of the New English Art Club, the Royal Watercolour Society, the Royal Society of Portrait Painters and the Royal Society of British Artists. Widely Exhibited, his work is in various public collections including the National Portrait Gallery. £200-£300 The Property of a Connoisseur, London 150 ARR FRENCH SCHOOL (19TH CENTURY) Hoeing in Spring, South of France Signed with initials GS and dated 1892 (lower left) Pastel 24 x 38cm (9 1/2 x 15in) £400-£600 The Property of a Connoisseur, London 151 WILLY ROBERT HUTH (GERMAN 1890-1977) Landscape in Thuringia Signed and dated W.R. Huth 23 (lower right) Watercolour and pencil 29 x 38.5cm (11 1/2 x 15 1/4in) Huth was a close friend of Max Pechstein and joined Die Bruke in 1919, other members being Georg Grosz, Karl Hofer and Karl Schmidt-Rottluff. He was associated with Jung-Erfurt and Exhibited with the Freie Secession in Berlin in 1920.

149

£1,500-£2,000

150 151

53

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152

154 152 WALTER JENKS MORGAN RBA RBSA (BRITISH 1847-1924) Study of a shepherdess Pencil 32 x 26cm (12 3/4 x 10 1/4in) £100-£150 153 HARRY JOHN PEARSON RBA (1872-1933) Study of a girl in a blue dress Coloured chalks 29 x 20cm (11 1/2 x 8in) Provenance: Thomas Roddick and Metcalfe, Carlisle, Studio sale, 2007 £100-£150 154 JEAN HIPPOLYTE MARCHAND (FRENCH 1883-1940) Figure resting against a tree Pencil on buff paper 31 x 24cm (12 1/4 x 9 1/2in) Provenance: Lacey Selmes Gallery, 1988 Private Collection UK. £250-£350

153 54

*See page two for information regarding fees

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155

156

The Property of a Connoisseur, London 155 GEORG EHRLICH (AUSTRIAN 1897-1966) Mother and Child Signed (lower right) Red chalk 60 x 38cm (23 3/4 x 15in) £200-£300 The Property of a Connoisseur, London 56 HARPER PENNINGTON (AMERICAN 1855-1920) The Idol Titled lower right Watercolour 19.5 x 13cm (7 1/2 x 5 1/2in) Born in Baltimore, Harper Pennington was from a prominent Maryland family. A portrait painter of some renown, from 1874 to 1886 Pennington was the pupil of Jean Léon Gérôme, Charles Auguste Emil Carolus-Duran and James MacNeil Whistler. Under Whistler’s tutelage in Venice Pennington’s artistic skills improved greatly and saw him adopt a monogram bearing a striking resemblance to his master’s butterfly. Previously thought to be by the hand of Whistler, Professor Margaret MacDonald has reattributed it to that of Harper Pennington.

157 CONSTANT PERMEKE (BELGIAN 1886-1952) Nude Signed and dated Permeke ‘33 (lower right) Charcoal 20 x 30cm (8 x 11 3/4in) unframed

£400-£600

£200-£300 55

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158

160

159

161

158 ARR MICHAEL HARVEY (BRITISH 1921-2000) Two Figures (Girls’ Night Out) Signed Michael Harvey (lower right) Pen, pencil and watercolour 37.5 x 27.5cm (14 3/4 x 10 3/4in) Exhibited: Royal Institute of Painters in Watercolour £100-£150 159 ARR JAMES ARDERN GRANT (BRITISH 1887-1973) Portrait study of a woman Pencil 17.5 x 14.5cm (7 x 5 3/4in) Provenance: Chantry Fine Art, Northampton £100-£150

56

160 ARR VICTOR HUME MOODY RBSA (BRITISH 1896-1990) Female nude study Pencil, c1928 16.5 x 15.5cm (6 1/2 x 6in) (The model, Miss Killick, also modelled for Moody’s painting of The Annunciation) Provenance: Liss Llewellyn Fine Art £100-£150 161 ABATE GIUSEPPE BALLANTI (ITALIAN 1735-1824) Portrait of a young Lady playing a harp Pencil 21 x 16cm (8 1/4 x 6 1/4in) Abate Bellanti was the keeper of the Royal Library at Malta and brother of the artist Michele Bellanti (1801-1883) £150-£250

*See page two for information regarding fees

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162

163

162 ARR HAROLD SPEED RP (BRITISH 1872-1957) Study of the head of a young woman for The Annunciation Red chalk 24.25 x 21.5cm (9 1/2 x 8 1/2in) Provenance: Royal Academy, London, 1926 Abbott & Holder, 1999 £300-£500 163 THOMAS CAPEL WALTON SMITH (BRITISH exh. 1922-1938) Portrait of a girl, in profile, with red hair tied with green bows and wearing a string of green beads Signed twice with monogram and T. Capel Smith (lower right) Watercolour over pencil 35.2 x 25.4cm (13 3/4 x 10in) £300-£500 164 EDWARD TAYLER RMS (BRITISH 1828-1906) Portrait of a young woman Signed E Taylor (lower left) Coloured chalks and pencil 37 x 28.5cm (14 1/2 x 11 1/4in) £200-£300 164 57

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166 The Property of a Connoisseur, London 167 LUDWIG VON HOFMANN (GERMAN 1861-1945) Café scene, the end of the week Signed with initials LvH (lower left) Coloured chalks on grey paper 15.5 x 24.3cm (6 1/4 x 9 1/2in)

167 The Property of a Connoisseur, London

The Property of a Connoisseur, London

165 LEO RAUTH (GERMAN 1884-1913) Grinolinen Tanz - dress design Signed with monogramme and dated 1910 (lower right); titled (lower left) Ink, pencil and gouache 35 x 35cm (13 3/4 x 13 3/4in)

166 GEORGE BARBIER (FRENCH 1882-1932) Lady in costume with plumed hat Signed and dated George Barbier / 1920 (lower right) Pochoir-coloured plate 25 x 19.3cm (9 3/4 x 7 1/2in)

£300-£500 58

Ludwig von Hofman initially studied Law in Bonn, before studying art first in Dresden in 1883, and then in Paris at the Académie Julien in the following year. Influenced by such artists as Puvis de Chauvannes and Maurice Denis he was a founder member of the Berlin Secession in 1898, and illustrated the Odyssey and the Illiad, the work of Eduard Stucken and also that of Goethe. A founding member of the artistic and literary periodical Pan, he was friends with Edvard Munch, Arnold Böcklin and Max Klinger. He was appointed professor at the Archducal Art School in Weimar in 1903 and was director of the Dresden Academy from 1916 to 1931. £400-£600

£200-£300

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168

169 The Property of a Connoisseur, London 168 FRENCH SCHOOL (circa 1912) Un Lézard - Costume design Signed indistinctly, titled and dated 1912 (lower right) Pen and ink and watercolour over pencil 25.5 x 18.5cm (10 x 7 1/4in) Together with another costume design, signed indistinctly and dated 1918 (2)

169 ARR NIKOS ENGONOPOULOS (GREEK 1910-1985) Caesar and Cleopatra - two costume designs Each: signed and titled in Greek and dated 1962 (lower centre) Each: watercolour one: 19 x 12cm (7 1/2 x 4 3/4in); the other: 19.5 x 14cm (7 1/2 x 5 1/2in) (2) £700-£900

£300-£500 59

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170

The Property of a Connoisseur, London 172 ANDRÉ MARE (FRENCH 1887-1932) Self-portrait as a gunnery officer Signed and. Mare (lower left); dated Sept 1915 and inscribed Ravin en dent de scie devant Massiges (lower right) Pen and black ink and watercolour 26 x 17cm (10 1/4 x 6 3/4in)

171

170 HUGO UNGEWITTER (GERMAN 1869-1944) Tiger on the prowl Signed Ungewitter (lower left) Watercolour heightened with white 37 x 54.6cm (14 1/2 x 221 1/2in) £1,000-£1,500 The Property of a Connoisseur, London 171 SOUTH AFRICAN SCHOOL (19TH/20TH CENTURY) Colonial house and grounds in South Africa Signed H.A.H. (lower right) Oil on canvasboard 20.8 x 31.4cm (8 1/4 x 12 1/4in)

André Mare participated in the Camouflage unit during the First World War, applying Cubist theory to create trompe-l’oeil effects when disguising weapons and military materials from the Germans. He worked on the Somme Offensive of 1916, and assisted the Italians camoufleurs in 1917. Mare’s training in camouflage is evident in his cubist watercolours, with many reflecting his war experiences. A pioneering figure of the Art Deco movement, during the 1912 Salon d’Automne he Exhibited his controversial Maison Cubist alongside sculptor Raymond Duchamp-Villon and other artists. Mare later joined forces with Louis Süe and established a design practise specialising in Art Deco furniture and interiors. He died in 1932 of tuberculosis caused by being subject to multiple mustard gas attacks during the war.

Delouche, Danielle. “CUBISME ET CAMOUFLAGE.” Guerres Mondiales Et Conflits Contemporains, no. 171, 1993, pp. 123-137. JSTOR, www.jstor.org/stable/25730967.

Daviet, Jean-Pierre. “Art Déco, Résonances De L’ancien Et Du Nouveau.”

Vingtième Siècle. Revue D’histoire, no. 124, 2014, pp. 185-187., www.jstor.org/stable/24674853. £300-£500

£100-£200

60

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172

173

173 ARR MARCEL VERTÈS (FRENCH 1895-1961) Heart, Costume design Signed Vertes (upper left) Gouache and black crayon 42 x 32cm (16 1/2 x 12 1/2in) unframed £120-£180 174 ARR FELIX LABISSE (FRENCH 1905-1982) L’Annonciateur Signed Labisse (lower right) and titled (verso) Gouache 21.5 x 15.5cm (8 1/2 x 6in) £2,500-£3,500 175 No Lot

174 61

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176 ARR JOAN MIRO (SPANISH 1893-1983) Plate vii. ubu roi: les nobles à la trappe from the suites pour ubu roi c.1966 Signed and numbered Miro/23 from the edition of 75 (lower right and left, respectively) Lithograph printed in colours One plate from the complete set of 39 lithographs 49 x 70cm (19 1/4 x 27 1/2in) £300-£500

176

177 ARR MAN RAY (AMERICAN 1890-1975) Julie (Anselmino 9) Signed (lower right) and numbered 13/90 in pencil, (lower left) with full margins Aquatint printed in colours, 1970 on Arches 40 x 30cm (15 3/4 x 11 7/8in) The subject is the artist’s wife, Juliet Man (née Browner), depicted as a Spanish dancer.

Literature: Luciano A. (1973). Man Ray: Opera Grafica.

Poligrafico Roggero & Tortia, Beinasco. £300-£500

177 62

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178 ARR LE CORBUSIER (SWISS 1887-1965) Totum Signed Le Corbusier and dated 18/10/63 within the plate (lower left) Lithograph printed in colours 73 x 80cm (28 3/4 x 31 1/2in) Together with a book: Centre Le Corbusier, Oeuvre Lithographique: Le Corbusier, (Zuerich: Heidi Weber) £700-£1,000 179 ARR MAX ERNST (GERMAN 1891-1976) Forêt et soleil, Der Bretterwald (S. & L. A2) Signed and numbered ERNST/136 from the edition of 200 (lower right and left) Lithograph printed in colours 58 x 47cm (22 3/4 x 18 1/2in) Provenance: The Redfern Gallery, Cork Street, London Where acquired in 1969 £500-£700 180 ARR GINO SEVERINI (ITALIAN 18831966) Composizione Lithograph printed in colours Signed and numbered GINO SEVERINI/112 from the edition of 200 (lower left and lower right respectively) 62 x 39cm (24 1/2 x 15 1/2in)

178

£300-£500

179

180

63

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183

181

184 The Property of a Connoisseur, London

182 181 LEONARD TSUGUHARU FOUJITA (FRENCH/ JAPANESE 1886-1968) Girl with a rose Signed F (lower left) Drypoint 23.5 x 17cm (9 1/4 x 6 3/4in)

183 LUCIEN PISSARRO (FRENCH 1863-1944) Les Travaux des Champs Signed C.P. Lucien (lower left in the plate); dedicated For Marjory Sherlock/ from S.L. Pissarro/ June 6 1947/ 41 in pencil lower left, below the plate; with the studio monogramme L.P (lower right); inscribed on original label attached to the backboard Engraving 18.5 x 19.5cm (7 1/2 x 7 3/4in) Provenance: Marjory Sherlock, a gift from the artist (Sherlock was a model who also sat for Walter Richard Sickert and The Camden Town Group).

£500-£700

£200-£300

182 HENRI EDMOND CROSS (FRENCH 1856-1910) Les Champs-Élysées 1898 Lithograph on chine volant From the 1st edition of 100 20 x 25.5cm (8 x 10in) Provenance: William Western Gallery, London

184 MARCEL VERTÈS (FRENCH 1895-1961) Le cirque Signed Vertes (lower right) and numbered 15/30 (lower left) Etching Together with Two Acrobats, Signed Vertes in red crayon (lower right).

Lithograph.

21 x 24cm (12 1/4 x 9 1/2in); 38.5 x 29cm (15 1/4 x 11 1/2in) (2)

£400-£600

£100-£200

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Paintings Lots 185-297

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185 CIRCLE OF WILLIAM ETTY RA (BRITISH 1787-1849) Leda and the Swan Oil on canvas 75 x 62cm (29 1/2 x 24 1/2in) £800-£1,200

185

186 G.B. LANOW (19TH CENTURY FRENCH SCHOOL) AFTER AIME MOROT The temptation of St Anthony Signed GB Lanow, inscribed Aimé Morot and dated 1902 (upper left) Oil on canvas 133 x 98cm (52 1/4 x 38 1/2in) The original oil by Aimé Morot (French 1850-1913) was exhibited in the Paris Salon of 1881 and appeared as a photogravure in 1883. £600-£800

186 66

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187

187 HENRY LE JEUNE (BRITISH 1819-1904) The Poet Signed with monogram (lower left) Oil on panel 25.5 x 30cm (10 x 13in) £1,500-£2,500

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190

188

188 JAN ARNOLD HEYERMANS (BELGIAN 1837-1892) Strawberry girl Signed J A Heyermans (lower right) Oil on canvas 62 x 54cm (24 1/2 x 21 1/4in) £800-£1,200 189 EDWIN HARRIS (BRITISH 1855-1906) Waiting for the fishing boats Signed E. Harris (lower right) Oil on canvas 36.5 x 29.4cm (14 1/4 x 11 1/2in) £1,000-£1,500 Property from an English Private Collection 190 FRANCESCO BETTIO (ITALIAN 1855-1901) The young beggar Signed F Betto (lower right) Oil on canvas 36.2 x 27.3cm (14.3 x 10.7in) £1,000-£1,500

189 68

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192

191 ATTRIBUTED TO MICHAEL MULREADY (BRITISH circa 1808-1899) Portrait of a Lady, traditionally identified as Charlotte Brontë, holding a portrait miniature Oil on canvas 92 x 70cm (36 x 27 1/2in) £200-£300 The Property of a Connoisseur, London 192 GEORGE CHINNERY (BRITISH 1774-1852) Portrait of a farm girl Oil on canvas 52.5 x 43.5cm (20 1/2 x 16 3/4in) Born in London, Chinnery was the son and grandson of ‘penmen’ professional calligraphers. He enrolled in the Royal Academy Schools in 1792 some five months after the death of Sir Joshua Reynolds. His early paintings were miniatures, somewhat after the manner of Cosway. In 1797 he moved to Dublin and married Marianne Vigne. There he enjoyed some success as a portrait painter, his sitters including many of those involved in Irish politics. On the Union of England with Ireland in 1801, his clientele virtually disappeared, and he returned to England, briefly, before setting off to India, to Madras, where his second brother, John was in business. He did not see his wife again for sixteen years. £500-£800 The Property of a Connoisseur, London 193 ATTRIBUTED TO AUGUSTUS EGG (BRITISH 1816-1863) Portrait of a girl Oil on canvas laid on board 14.5 x 12cm (5 x 4in)

193

£200-£300 69

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194 194 HENRY SHAYER (BRITISH 1825-1894) AND CHARLES SHAYER (BRITISH 1826-1914) Visiting the harvesters Signed H & C Shayer (lower left) Oil on canvas 70 x 90cm (27 1/2 x 35 1/2in) £1,500-£2,500 195 LAURENT HERMAN REDIG (BELGIAN 1822-1861) Market day Signed and dated R 58 (lower left) Oil on canvas 22.5 x 32cm (8 3/4 x 12 1/2in) £150-£250 195

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197

198 196 CLAUDE CARDON (BRITISH ACTIVE circa 18921920) Cattle by a tranquil river Signed and dated CLAUDE CARDON/11 (lower right) Oil on canvas Together with Calf suckling Signed and dated 1913 (lower left) Charcoal on grey paper 29 x 50cm (11 1/2 x 19 1/2in); 29 x 44cm (11 1/2 x 17 1/4in) (respectively) And an accompanying letter from the artist, dated 1901 (3)

197 LOUIS PIERRE VERWEE (BELGIAN 1807-1877) The drover Signed L Verwee (lower left) Oil on canvas 59 x 75cm (23 x 29 1/2in)

198 HENDRICK SAVRY (DUTCH 1823-1907) Milking the herd Signed H Savry, f (lower left) Oil on canvas 60 x 106cm (23 3/4 x 41 3/4in)

£2,000-£3,000

£1,000-£1,500

£600-£800 71

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199 *** WALDHAUSER (CZECH, 19TH CENTURY SCHOOL) Troika in the snow Signed Waldhauser (Lower left) Oil on canvas 73 x100cm (28 3/4 x 39 1/2in) Provenance: Phillips, 27th November 2001 (Purchased by the present owner) £800-£1,200

199

200 ARR JERZY KOSSAK (POLISH 1886-1955) By the fire during the return from Moscow, 1934 Signed Jerzy Kossak and dated 1934 (lower right) Oil on panel (plywood) 30 x 40cm (11 3/4 x 15 3/4in) £1,000-£2,000

200

Property from an English Private Collection 201 JOHN CHARLES MAGGS (BRITISH 1819-1896) The Glasgow to London Royal Mail caught in deep snow, 1873 Signed and dated J C Maggs/1873 (lower right) Oil on canvas 32 x 63cm (12 1/2 x 24 3/4in) Provenance: John Scott-Adie, Perth £500-£700

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The Property of a Connoisseur, London 202 HENRY BRIGHT (BRITISH 1810-1873) Horse and rider resting in a winter landscape Coloured chalk on grey paper 30 x 59.5cm (11 3/4 x 23 1/2in) £600-£800

202

203 ARR LAMORNA BIRCH (BRITISH 1869-1955) Winter scene Signed S Lamorna Birch (lower right) Oil on board 23.5 x 33.6cm (9 1/4 x 13 1/4in) £1,000-£1,500

203

204 EUROPEAN SCHOOL (EARLY 20TH CENTURY) A knight on horseback carrying the shield of Saint George in the aftermath of battle Indistinctly signed F. RI**A and dated 1918 (upper right) Oil on board 40 x 46cm (15 3/4 x 18in) £400-£600

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Property from the Arturo and Leopoldo Uriarte y Piñeiro Collection (lots 130, 137-139, 205-207, 210, 222, 223)

Arturo Uriarte y Piñeiro

Leopoldo Uriarte y Piñeiro

Originally from the Basque country, the brothers, physicians and collectors Arturo and Leopoldo Uriarte y Piñeiro divided their time between Europe and South America. Leopoldo, a respected scientist, dedicated his life to research, studying in depth the bubonic plague. A professor at the University of Buenos Aires, he founded the Instituto Bacteriológico at Muñiz Hospital (now the Instituto Malbran). In acknowledgement of his outstanding contribution to research in his field a prize in his name was established that is still awarded to this day by the National Academy of Medecine. As well as art he was a great bibliophile, and his library was donated by his widow to the National Library, Buenos Aires. Arturo was a clinical doctor and an outstanding surgeon.

He founded the Juan Antonio Fernandez Hospital in Buenos Aires, supported a wide range of charitable causes, and on his travels in Europe acquired a wide range of art works. On the death of Leopoldo in in 1941 he donated part of his and his brother’s collection to the Museo Nacional de Bellas Artes, Buenos Aires, where the works remained until 1991, when they were retuned to the descendants of the family.

Property from the Uriarte y Piñeiro Collection

Property from the Uriarte y Piñeiro Collection

205 PAUL BESNARD (FRENCH 1849-1934) A cup of tea Signed Besnard, titled and dated London 1883 upper right Oil on canvas 80.5 x 61cm (31 3/4 x 24in)

206 MANUEL BENEDITO VIVES (SPANISH 1875-1963) Mercedes Signed M Benedito (lower right) Oil on board 82 x 65cm (32 1/4 x 25 1/2in)

Provenance: Arturo Uriarte y Piñeiro, Buenos Aires Museo Nacional de Bellas Artes, Buenos Aires (bequeathed by the above in 1941) Returned to the descendants of the Uriarte y Piñeiro family in 1991 Thence by descent to the present owner

Provenance: Arturo Uriarte y Piñeiro, Buenos Aires Museo Nacional de Bellas Artes, Buenos Aires (bequeathed by the above in 1941) Returned to the descendants of the Uriarte y Piñeiro family in 1991 Thence by descent to the present owner

Exhibited: Buenos Aires, Museo Nacional de Bellas Artes

Exhibited: Buenos Aires, Museo Nacional de Bellas Artes

£800-£1,200

* Please see note on lot 205 £1,200-£1,800

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205

206

Property from the Uriarte y Piñeiro Collection 207 ARR JULES ALEXANDRE GRUN (FRENCH 1868-1938) Roses in a vase Signed Grun (lower left) Oil on card 60 x 50cm (23 3/4 x 19 3/4in) Provenance: A. Witcomb & Cia., Buenos Aires Leopoldo Uriarte y Piñeiro, Buenos Aires (purchased from the above in 1938) Museo Nacional de Bellas Artes, Buenos Aires (bequeathed by the above in 1941) Returned to the descendants of the Uriarte y Piñeiro family in 1991 Thence by descent to the present owner Exhibited: Buenos Aires, Salon Witcomb, Exposicion Grun August 1920, no. 48 Buenos Aires, Museo Nacional de Bellas Artes * Please see note on lot 205 £1,000-£1,500

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208 Property from the Uriarte y Piñeiro Collection 210 MARIE AUGUSTE EMILE RENE MENARD (FRENCH 1862-1930) La baigneuse Signed E R Menard (lower right) Oil on canvas 62 x 85cm (24 1/2 x 33 1/2in) Provenance: A Witcomb & Cia., Buenos Aires Leopoldo Uriarte y Piñeiro, Buenos Aires (purchased from the above in 1928) Museo Nacional de Bellas Artes, Buenos Aires (bequeathed by the above in 1941) Returned to the descendants of the Uriarte y Piñeiro family in 1991 Thence by descent to the present owner Exhibited: Buenos Aires, Museo Nacional de Bellas Artes

209

* Please see note on lot 205 208 KAREL VAN LERBERGHE (BELGIAN 1893-1953) Winter scene Signed k van Lerberghe (lower left) Oil on board 35cm x 45cm (13 3/4 x 17 3/4in)

209 THEOPHILE DE BOCK (DUTCH 1851-1904) Figures on a rural track Signed Th.de Bock (lower left) Oil on canvas 36 x 60cm (14 x 23 3/4in)

£300-£500

Provenance: Kunsthandel Kruger & Cie Cooling Galleries, Albemarle Street, London

211 ALOIS KALVODA (CZECH 1875-1934) Wooded lake scene Signed AL. KALVODA (lower right) Oil on canvas 49 x 68cm (19 1/4 x 26 3/4in)

£300-£500

£2,000-£3,000

76

£3,000-£5,000

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210

211 77

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212 EVGENI FEDOROVICH ZHERDZITSKI (UKRAINIAN b.1928) The young builder Signed in Cyrillic and dated 64 (lower right) Oil on canvas 89 x 71cm (35 x 28in) Provenance: Studio of the artist, Kharkov, Ukraine Roy Miles Gallery, London Purchased from the above by the present owner circa 1990 Born in Egorlytskaya, Rostov-on-Dog, Zherdzitski studied locally before attending the Kharkov Art Institute in the late 1940s. He started exhibiting in 1954, and taught at the Kharkov Art Institute from the early 1970s. £600-£800

212

213 ALEXANDER GULYAEV (RUSSIAN 1917-1995) Head of a boy Oil on canvas 18 x 15.5cm (7 x 6in) Provenance: The artist’s studio, St. Petersburg Roy Miles Gallery, London £150-£250

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214

214 VSEVOLOD MIKHAILOVICH PETROV-MASLAKOV (RUSSIAN b.1930) In the ploughed fields Signed in Cyrillic and dated 1956 (lower right) Oil on canvas 137 x 203cm (54 x 80in) Provenance: The Artist’s Union, Leningrad Roy Miles Gallery, London (1989) Purchased from the above by the present owner Exhibited: Leningrad, The Artist’s Union, Winter 1989, no. 90 For a smaller related version of the present work painted in 1955 titled Lunch in the field in a private collection see: Matthew Cullerne Bown, A Dictionary of Twentieth Century Russian and Soviet Painters 1900-1980s, London, 1998, p.239, illustrated.

Born in Leningrad, Petrov-Maslakov studied at the children’s art school, the Intermediate Art School and the Repin Institute. He began exhibiting in 1956, participating in such shows as Soviet Russia in Moscow in 1960 and later taught at Leningrad Higher Arts and Crafts College. £3,000-£6,000

215 215 FILIP MALYAVIN (RUSSIAN 1869-1940) Around the samovar Signed Ph Maliavine (lower left) Watercolour 46 x 61cm (18 x 24in) Provenance Acquired by the family of the present owner in the 1920s £600-£800 79

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216 VALERI CHUIKOV (RUSSIAN b.1949) Sunday afternoon, Crimea Signed 4B (lower right) Oil on card 20 x 26cm (7 3/4 x 10 1/4in) Provenance: The artist's studio, Kiev Roy Miles Gallery, London Acquired from the above by the present owners £100-£150

216

217 YAKOV BESPERTOV (RUSSIAN b.1929) Dachas, Crimea Indistinctly signed (lower centre) Oil on card 25 x 31.5cm (9 3/4 x 12 1/2in) Provenance: The artist’s studio, Pushkin (near St. Petersburg) £200-£300

217

218 VALERI CHUIKOV (RUSSIAN b.1949) A street in Gusuph, Crimea Oil on card Signed 4B lower right 18 x 25cm (7 x 10in) Provenance: The artist's studio, Kiev Roy Miles Gallery, London Acquired from the above by the present owners £100-£150

218 80

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219 MAX BOUVET (FRENCH 1854-1943) Waiting for the catch Signed Max Bouvet (lower left) Oil on board 38.5 x 46.5cm (15 1/4 x 18 1/4in) £300-£500

219

220 ARR LOUIS AZEMA (FRENCH 1876-1963) Place de la Cathédrale Signed Louis Azema (lower left) Oil on board 35 x 53cm (14 x 20 3/4in) £200-£300

220

221 ARR FRIEDRICH BEDRICH FEIGL (CZECH 1884-1965) Montmartre Signed Feigl (lower left) Oil on canvas board 55.75 x 85.75cm (22 x 33 3/4in) £200-£300

221 81

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Property from the Uriarte y Piñeiro Collection 222 ARR GASTON BALANDE (FRENCH 18801971) Bords de rivière Signed G. Balande (lower left) Oil on canvas 59.5 x 73.5cm (23 1/2 x 29in) Provenance: A. Witcomb & Cia., Buenos Aires Leopoldo Uriarte y Piñeiro, Buenos Aires (purchased from the above in 1933) Museo Nacional de Bellas Artes, Buenos Aires (bequeathed by the above in 1941) Returned to the descendants of the Uriarte y Piñeiro family in 1991 Thence by descent to the present owner Exhibited: Buenos Aires, Museo Nacional de Bellas Artes, Esposicion de Arte Frances; Arte Moderno Escuelo Francesc, 1928, Buenos Aires, Museo Nacional de Bellas Artes * Please see note on lot 205 £800-£1,200

222

Property from the Uriarte y Piñeiro Collection 223 CHARLES JACQUE (FRENCH 18131894) Troupeau au crepuscule Signed Oil on canvas 37 x 50.5cm (14 1/2 x 20in) Provenance: Arturo Uriarte y Piñeiro, Buenos Aires Museo Nacional de Bellas Artes, Buenos Aires (bequeathed by the above in 1941) Returned to the descendants of the Uriarte y Piñeiro family in 1991 Thence by descent to the present owner Exhibited: Buenos Aires, Museo Nacional de Bellas Artes * Please see note on lot 205 £1,500-£2,500 224 No Lot

223

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225

226

225 RAFAEL BLANCO MERINO (SPANISH 1864-1899) In Granada Signed A Blanco M (lower right) Oil on panel 28.5 x 18.5cm (11 1/4 x 7 1/4in) £200-£300 226 ANTAL BERKES (HUNGARIAN 1874-1938) Street scene, Budapest Signed Berkes A (lower left) Oil on canvas 41 x 51cm (16 1/8 x 20 1/8in) Provenance: Bonhams, London, 21 May 2006, lot 159 £600-£800 227 SIMON KOZHIN (RUSSIAN b.1979) A summer landscape Oil on canvas 59 x 79cm (23 1/4 x 31in) £600-£800

227

83

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228 228 ATTRIBUTED TO HAROLD SPEED (BRITISH 1872–1957) Three ladies in white Signed with initials HS (lower right) Oil on panel 29.5 x 21.5cm (11 1/2 x 8 1/2in) Provenance: The Maas Gallery Ltd, London £300-£500 84

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229 229 REGINALD HENRY CAMPBELL (BRITISH b.1877) The dreamer Signed R.H.CAMPBELL (upper right) Oil on canvas 36 x 31cm (14 x 16in) £300-£500 230 No Lot The Property of a Connoisseur, London 231 EDWARD LE BAS (BRITISH 1904-1966) Lady seated in a bonnet Oil on board 12.5 x 10cm (4 3/4 x 4in) £150-£250

231 85

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232

234 232 ARR WOLFRAM ONSLOW-FORD (BRITISH 1879-1956) Portrait of a young gentleman Signed and dated W Onslow Ford 1926 (lower left) Oil on board 37.5 x 27.5cm (14 3/4 x 10 3/4in) The present work was probably painted in Shimla, Himachal Pradesh, India, where Onslow-Ford lived in the 1920s. The son of the sculptor Edward Onlsow Ford and the uncle of California Surrealist Gordon Onslow-Ford, he studied at the Royal Academy Schools, London and specialised in portraiture.

His work shows the influence of Whistler, who was a family friend. He Exhibited at the Baillie Gallery, the Glasgow Institute of Fine Arts; the Walker Art Gallery, Liverpool, Manchester City Art Gallery and the Royal Academy. £400-£600 The Property of a Connoisseur, London 233 AMERICAN SCHOOL (circa 1910) Portrait of an academic, wearing green velvet robes trimmed with fur, holding a paper printed with the title Education, a Masonic engraving hanging on the wall Oil on canvas 91 x 73.5cm (36 x 29in) £400-£600

233

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The Property of a Connoisseur, London 234 ALEXANDER BROOK (AMERICAN 1898-1980) Portrait of Mrs Charlotte Chrestien (née Kaufmann) aged 22 Signed and dated A. Brook '30 (lower right) Oil on canvas 50.5 x 41cm (20 x 16in) * Please see note on lot 235 £600-£800 The Property of a Connoisseur, London 235 ALEXANDER BROOK (AMERICAN 1898-1980) Portrait of Peggy Signed a. Brook (lower right) Oil on canvas 20 x 15.5cm (8 x 6 1/4in) Provenance: Downton Gallery, New York Charlotte Kaufmann, New York (acquired from the above on 7th January 1936) Thence by descent to the present owner Alexander Brook, an American artist and critic, began painting when recovering from a serious illness as a child. He joined the New York Art Students League in 1915, and was taught primarily by Kenneth Hayes Miller during his four year studies. After leaving the League he married Margaret Frances ‘Peggy’ Bacon, a fellow artist with whom he had two children. Peggy Bacon was an American print maker, illustrator, painter and writer. She was best known for her humorous and ironic etchings and drawings and her satirical caricatures of prominent personalities in the late 1920's and 30's. She studied under Brook’s tutelage at the Art Students League. Here she met and became friends with Charlotte Kaufmann, mother of the present owner, who was also an artist.

Brook painted many family portraits of Charlotte Kaufmann's family. In her diary, Kauffmann records acquiring the portrait of Peggy Bacon on 7th January 1936. At about the same time there is an entry about Alexander Brook concerning his tutelage and criticism of her painting technique.

235

Brook remarried twice and painted until he retired in 1966. He won many awards throughout his career including the Logan Medal of the Arts at the Art Institute of Chicago in 1929. £800-£1,200 The Property of a Connoisseur, London 236 ALEXANDER BROOK (AMERICAN 1898-1980) The Staten Island Trolley Signed A. Brook (lower right); dated 1936 (verso); titled (on the stretcher) Oil on canvas 15.5 x 20.5cm (6 x 8in) Provenance: The Downton Gallery, New York Charlotte Kaufmann, mother of the present owner, a gift from the artist Thence by descent * Please see note on lot 235

236

£500-£800

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237 The Property of a Connoisseur, London 237 ERNEST PROCTER ARA (BRITISH 1886-1935) Landscape with horse and cart on a lane Signed and dated Ernest Procter. 09. (lower left) Oil on canvas board 19.5 x 25.5cm (7 3/4 x 10in) Together with a companion by the same hand, a pair (2) Delouche, Danielle. “CUBISME ET CAMOUFLAGE.” Guerres Mondiales Et Conflits Contemporains, no. 171, 1993, pp. 123-137. JSTOR, www.jstor.org/stable/25730967.

Daviet, Jean-Pierre. “Art Déco, Résonances De L’ancien Et Du Nouveau.”

Vingtième Siècle. Revue D’histoire, no. 124, 2014, pp. 185-187., www.jstor.org/stable/24674853. £300-£500 238 BLANDFORD FLETCHER (BRITISH 1866-1936) Ford in Gloucestershire Signed Blandford Fletcher (lower left) Oil on canvas 59.5 x 49cm (23 1/2 x 19 1/4in) £2,000-£3,000

238

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239

240

239 ALVARO GUEVARA (FRENCH 1894-1951) Dozing Oil on canvas 59.7 x 8.9cm (23 1/2 x 9 1/4in) Painted circa 1923 Provenance: P & D Colnaghi & Co, London Exhibited: The Leicester Galleries, London, November 1926, no. 64 Colnaghi & Co, London, Alvaro Guevara, a Chilean painter in London and Paris, 3 December 1974 - Jan 1975, no. 9 Literature: Truth, 3 November 1926 The New Age, 9 December 1926 £400-£600 240 RALPH TODD (BRITISH 1856-1932) Washing day Signed Ralph Todd and indistinctly dated (lower right) Oil on canvas 59.5 x 44.5cm (23 1/2 x 17 1/2in) £2,000-£3,000

241

241 WILLIAM LEE-HANKEY (BRITISH 1869-1952) A quiet moment Signed with monogramme and dated 1914 (lower right) Oil on board 20.3 x 20cm (8 x 8in) £400-£600 242 WILLIAM LEE-HANKEY (BRITISH 1869-1952) Woman seated on a bench in dappled shade Signed indistinctly (lower right) Oil on board 16 x 23.6cm (6 1/2 x 9 1/4in)

242

£400-£600 89

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243

245

244

246

The Property of a Connoisseur, London

The Property of a Connoisseur, London

243 EDITH WORDEN DAY (AMERICAN 1916-1986) The lone pedestrian, New Canaan, Conn., USA Signed and dated E Worden Day 15/12/42 (lower right) Oil on canvas 63.5 x 76.5cm (25 x 30 1/4in) Exhibited: Annual Regional Exhibition: Virginia Intermont College, Bristol, Virginia

245 NAIVE SCHOOL (BRITISH SCHOOL MID-19TH CENTURY) View of a village church; Country cottage, Sussex (a pair) Each: Oil on canvas Each: 39 x 48cm (15 1/2 x 19in) (2)

£400-£600

£600-£800

244 ARR BERTRAM NICHOLLS (BRITISH 1883-1974) A castle by the river Oil on board 24 x 40cm (9 1/2 x 16in)

246 ARR BERTRAM NICHOLLS (BRITISH 1883-1974) A church by the sea Signed Nicholls and dated 1925 (lower left) Oil on canvas 33 x 43cm (13 x 17in)

£300-£500

£300-£500

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247

248 The Property of a Connoisseur, London 247 MANNER OF DOROTHEA SHARP Children playing on a beach Oil on board 60.5 x 50.5cm (23 3/4 x 19 3/4in) £400-£600 248 PIETRO DE FRANCISCO (ITALIAN 1873-1969) The country dance Signed De Francisco (lower right) Oil on canvas 46 x 55.5cm (18 1/2 x 21 3/4in) £400-£600

250 249 ARR PAUL LUCIEN DESSAU (BRITISH 1909-1999) Horse guards Signed P.Dessau (lower right) Oil on canvas laid on board 22 x 36cm (83/4 x 14in) £300-£500 250 ARR PAUL LUCIEN DESSAU (BRITISH 1909-1999) Harlequin and swan Signed P.Dessau (lower left) Oil on canvas 36 x 25cm (14 x 9 3/4in) £400-£600

91

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254 251 ARR AKOS BIRO (HUNGARIAN 1911-2002) Still life of fruit and a wine glass Signed Biro (lower right) Oil on canvas 27 x 35cm (10 1/2 x 13 3/4in) £400-£600

252

252 ARR PETER HÄRING (GERMAN 1953-2011) Barns in a wooded landscape Signed with initials and dated P H, 78 (lower right) Oil on canvas 50 x 60cm (19 1/2 x 23 1/2in) £300-£500 253 ARR PETER HÄRING (GERMAN 1953-2011) Still life of fruit Signed and dated P Häring, 79 (lower right) Oil on canvas 50 x 60cm (19 1/2 x 23 1/2in) £300-£500 254 RUSSIAN SCHOOL (20TH CENTURY) Three figures Oil on canvas 45 x 52cm (17 1/2 x 20 1/2in) £400-£600 255 No Lot

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256 256 ARR YVES BRAYER (FRENCH 1907-1990) Nu aux draps blanc Signed Yves Brayer (lower right) Painted in 1974 Oil on canvas 129.5 x 96.5cm (51 x 38in) * Please note that this lot is subject to import VAT at a preferential rate of 5% on the hammer price and the prevailing rate on the buyer's premium ÂŁ3,000-ÂŁ5,000 93

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257 GEORGY GEORGEVICH TOTIBADZE (GEORGIAN b.1967) Parkland Signed G Totibadze (lower left) Oil on canvas 81.5 x 100cm (32 x 39 1/2in) £5,000-£7,000

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258 KONSTANTIN GEORGEVICH TOTIBADZE (GEORGIAN b.1969) Still life Signed K Totibadze (lower left); signed in Cyrillic K Totibadze, titled and dated 1996 (on the reverse) Oil on canvas 90 x 130cm (35 1/2 x 51in) £5,000-£7,000

259 KONSTANTIN GEORGEVICH TOTIBADZE (GEORGIAN b.1969) Still life Signed K Totibadze (lower left) and dated 1996 (lower right); signed and titled in Cyrillic Totibadze K, and dated 1996 (on the reverse) Oil on canvas 102 x 150cm (40 x 59in) £5,000-£7,000

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258

259 95

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Six works by Harald Mahrenholz (lots 260-265)

260

261

Harald Mahrenholz was from a cultured Jewish family. His maternal grandfather had been a cellist, his mother was a concert pianist, and his brother established himself as a portrait and fashion photographer. In his home city of Berlin Mahrenholz studied in the studio of the Expressionist painter Ludwig Meidner, and subsequently worked for the stage and film director Max Reinhardt. From Berlin he moved to Paris, where he came under the influence of the Fauve painter and society portraitist Kees Van Dongen, was introduced to Matisse and Picasso, and met Christian Dior.

Dior, then a young co-director of the newly established Galerie Jacques Bonjean on rue de la Boétie, took up Mahrenholz’s work, exhibiting his paintings alongside others that he championed, from Leonor Fini, Salvador Dali and Joan Miró to neo-Romantics Eugène and Léonide Berman and Pavel Tchelitchew. Through Dior the painter was introduced to the Parisian intelligentsia and beau-monde amongst them Gertrude Stein and Coco Chanel.

Mahrenholz moved to London in the late 1930s where he continued to paint, but also set up a haute couture salon on Curzon Street in Mayfair. His clients included Princess Margaret, Margot Fonteyn, Barbara Hutton, the Duchess of Argyll and Vivien Leigh. He was introduced to Daniel Wildenstein by fellow designers Elizabeth Arden and Coco Chanel. Wildenstein held a one-man show of Mahrenholz’s paintings at his New Bond Street gallery in 1947.

260 HARALD MAHRENHOLZ (GERMAN 1904-1994) The school mistress Oil on board 43 x 36cm (17 x 14.25in) £200-£300

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261 HARALD MAHRENHOLZ (GERMAN 1904-1994) Portrait of a man in profile Oil on canvas laid to board 54 x 46cm (21.25 x 18in) £300-£500

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263

262 HARALD MAHRENHOLZ (GERMAN 1904-1994) Lord Cunard, 1979 Oil on board 47 x 43cm (18 1/2 x 17in) £300-£500 263 HARALD MAHRENHOLZ (GERMAN 1904-1994) Studio interior, France Oil on canvas 72 x 91cm (28.5 x 36in) £400-£500 264 HARALD MAHRENHOLZ (GERMAN 1904-1994) Thaithy Beach, 1964 Oil on board 36 x 49cm (14.25 x 19.5in) £300-£500 264 265 HARALD MAHRENHOLZ (GERMAN 1904-1994) Landscape at dusk Oil on canvas 28 x 48cm (11 x 19in) £300-£500

265 97

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Property from an English Collection 266 GEORGE A READ (BRITISH 1818-1878) Still life of fruit on a table Signed and inscribed with the artist’s address on a label on the reverse Oil on canvas 50 x 40cm (19 3/4 x 16in) Provenance: Cambridge Fine Art Ltd Purchased from the above by the father of the present owner in 1990 £1,200-£1,800

266

267 FRANK OWEN SALISBURY (BRITISH 1874-1962) Study of Lilies Titled, inscribed design for a stained glass window for St Michael's, Southampton, and Com. A. L. Nicholson and dated 29-9-02 (lower right) Oil on canvas 30.5 x 45.5cm (12 x 18in) unframed Provenance: Estate of the Artist, by descent until 2012 Private Collection, UK The present work is a study for a stained glass window for St Michael's and All Angels, Bassett, Southampton. Featuring Christ accompanied by Knights with a stem of lilies incorporated into the design, it was Salisbury's earliest stained glass project. A.L.Nicholson was either the patron of the window or the person to whom it was to be dedicated.

267

£500-£800

268 CIRCLE OF BENJAMIN ROBERT HAYDON (BRITISH 1786-1846) Portrait of three boys (possibly the artist’s sons) Oil on board 16.5 x 14.5cm (6 1/2 x 5 3/4in) Provenance: Agnew’s Gallery, London £150-£250

268 98

*See page two for information regarding fees

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269 VICTOR JOSEPH CHAVET (FRENCH 1822-1908) The conversation Oil on panel 18 x 23cm (18 x 9in) £600-£800

269

270 ANTONIO PAOLETTI (ITALIAN 1834-1912) Playing to her heart's content Signed Antontio Paoletti di Giovn. and inscribed Venezia (upper right) Oil on panel 22.8 x 34.3cm (9 x 13 1/2in) Provenance: Clerkenwell Fine Art, London £5,000-£7,000

270

271 RODOLFO AGRESTI (ITALIAN, LATE 19TH CENTURY) A sacred moment Signed AGRESTI (top right) Oil on canvas 30.5 x 40cm (12 x 16in) £600-£800

271 99

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272

273

100

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Property from an English Collection 272 SIDNEY YATES JOHNSON (BRITISH, ACTIVE 1901-1910) Sunset on the river Usk; Early morning on the river Usk (a pair) Both: Signed and dated S Y Johnson 1909 respectively lower right and lower left Each: Oil on canvas Each: 30 x 62cm (12 x 23 1/2in) (2) Provenance: Corfield, Lymington Purchased from the above by the father of the present owner in 1984 £250-£350 Property from an English Collection 273 ROBERT BURROWS (BRITISH 1819-1883) Figures on a bridge by a cottage; Figures strolling in a wooded lane (a pair) One signed R Burrows (lower centre) Each: Oil on panel Each: 18 x 18cm (7 x 7in) tondo (2)

274

Provenance: Guildhall Gallery, Bury St Edmunds Purchased from the above by the father of the present owner in 1984 £150-£250 Property from an English Collection 274 ROBERT BURROWS (BRITISH, 1819-1883) Lovers by a lake in an Italianate landscape Oil on canvas 46 x 63cm (18 x 24 3/4in) Guildhall Gallery, Bury St Edmunds Purchased from the above by the father of the present owner in 1984 £1,000-£2,000

275

Property from an English Collection 275 ROBERT BURROWS (BRITISH 1819-1883) Lovers boating on an Italianate landscape Signed and dated Robert Burrows 1863 (lower left) Oil on canvas 41 x 56cm (16 x 22in) Provenance: Guildhall Gallery, Bury St Edmunds Purchased from the above by the father of the present owner in 1984 £300-£500 276 EUROPEAN SCHOOL (LATE 19TH CENTURY) The Baptism of Christ Oil on canvas 86 x 121cm (34 x 47 1/2in) £400-£600 276 101

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280

277 PERCY LESLIE-LARA (BRITISH b.1870) Harvest time Signed P Leslie Lara (lower left) Oil on canvas 60.5 x 91.5 (23 3/4 x 36in) £150-£250 278

278 ETIENNE-CHARLES POINTURIER (FRENCH 1809-1853) A River landscape with figures by a weir Oil on tin 62 x 82cm (24 1/2 x 32 1/4in) £400-£500 279 THOMAS R. COLMAN DIBDIN (1810-1893) Mittens house at Taplow Signed, titled and dated T C Dibdin/1853 (lower left) Oil on panel 23 x 27cm (9 x 10 1/2in) £500-£700 280 CHARLES PETTIT (FRENCH 1831-1885) A cottage home, Bettws-y-coed Signed and dated Charles Pettit/1859-60 (lower left) Oil on canvas 49 x 39cm (19 x 15 1/2in) £500-£700

279

102

*See page two for information regarding fees

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281 WILLIAM OLIVER (BRITISH 1804-1853) Mill on the Tiber Signed William Oliver and titled (lower left) Oil on canvas 47 x 82cm (18 x 32 1/4in) £2,000-£3,000

281

282 CHARLES LESLIE (BRITISH 1835-1890) Glencoe Signed indistinctly Cha Leslie (lower left) Oil on canvas 45 x 79.5cm (17 3/4 x 31 1/4in) £400-£600

282

Property from an English Collection 283 HENRY BRIGHT (BRITISH 1810-1873) A boat builders cottage by a highland loch at sunset Oil on panel 28 x 46cm (11 x 18in) £200-£300

283

103

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284

287 284 FRANTISEK STRAYBL (CZECH 1853-1935) Bay Hunter in a stable Signed and dated F Straybl 1899 (lower right) Oil on canvas 50 x 67cm (19 3/4 x 26 1/2in) £300-£500 285 JOHN EMMS (BRITISH 1844-1912) On the scent Signed JN EMMS lower right Oil on canvas 34.5 x 55cm (13 1/2 x 21 1/2in) £2,000-£3,000

285 286 FANNY MOODY (BRITISH 1861-1948) The triumphant march Oil on canvas 45 x 55cm (17 3/4 x 21 1/2in) £1,500-£2,500 287 ADRIENNE LESTER (BRITISH 1870-1950) The rat catcher Signed Adrienne Lester (lower right) Oil on canvas 50 x 67cm (19 1/2 x 26 1/2in) £300-£500

286

104

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288

289

288 HARRY HALL (BRITISH 1814-1882) A Grey Hunter Signed Harry Hall and dated Newmarket 1844 (lower left) Oil on canvas 43 x 53.5cm (17 x 21in) £700-£1,000 289 F A ROGERS (BRITISH MID-LATE 19TH CENTURY) Grey Hunter in a stable Signed F A Rogers (lower right) Oil on canvas 51 x 61cm (20 x 23 1/2in) £250-£350

290

The Property of a Connoisseur, London 290 CIRCLE OF THOMAS WEAVER (BRITISH 1774-1843) A prize bull with the owner and groom c.1820 Oil on canvas 51.5 x 84.5cm (20 1/4 x 33 1/4in) £1,500-£2,500 The Property of a Connoisseur, London 291 ATTRIBUTED TO WILLIAM HENRY DAVIS (BRITISH 1786/95-1865) Milking shorthorn in a stable Oil on canvas 56 x 73.5cm (22 1/4 x 28 3/4in) £1,000-£1,500

291

105

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292 ARR DEREK G. M. GARDNER (BRITISH 1914-2007) A three masted square rigger off the coast Signed and dated D.G.M. GARDNER/1964 (lower right) Oil on canvas 51 x 77cm (20 x 30 1/2in) £800-£1,200

292

The Property of a Connoisseur, London 293 STANLEY H. OKE (AMERICAN circa 1940) The Sea - View near Cape Cod Signed (lower left) Oil on canvas 47.5 x 95cm (18 1/2 x 37 1/2in) Provenance: The G Place Gallery, Washington DC Private collection USA and by descent to the present owner £400-£600

293

294 GERADUS JOHANNES DELFGAAUW (1882-1947) Boats at sea Signed G.J. DELFGAAUW (lower right) Oil on canvas 30 x 40cm (12 x 15 3/4in) £300-£500

294

106

*See page two for information regarding fees

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295 GIUSEPPE CARELLI (ITALIAN 1858-1921) Naples; View of Mount Vesuvius (a pair) Each: signed G. Carelli; one titled Naples (lower left) Both: Oil on panel Both: 24 x 47cm (9 1/2 x 18in) (2)

295

£800-£1,200

295

296 EUROPEAN SCHOOL (LATE 19TH CENTURY) Funchal, Madeira Oil on canvas 32x46cm (18.5 x 13in) £300-£500

296

297 EDWARD CLARK CHURCHILL MACE (BRITISH/SOUTH AFRICAN 18631929) Table Mountain from the slopes of Signal Hill Signed Churchill Mace (lower right); inscribed from the slopes of Signal Hill (on the reverse) Oil on canvas 34 x 70cm (13 1/2 x 27 1/2in) £300-£500 297

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Index To Artists A Absolon, John Agresti, Rodolfo American School Anderson, William Anguissola, Sofonisba, Follower of Archer, James Azema, Louis

87 271 233 57 3 85 220

B Bagdatopoulos, William Spencer 102 Baker, Thomas, of Leamington 64 Balande, Gaston 222 Ballanti, Abate Giuseppe 161 Barbier, George 166 Beavis, Richard 82 Bentley, Charles 63 Berkes, Antal 226 Besnard, Paul 205 Bespertov, Yakov 217 Bettio, Francesco 190 Beverly, William Roxby 92, 115 Birch, Lamorna 203 Biro, Akos 251 Bogle, John, Attributed to 7 Bouvet, Max 219 Boyce, George Price, Attributed to 103 Brabazon, Hercules Brabazon 146 Brayer, Yves 256 Bright, Henry 202 Bright, Henry 283 Brook, Alexander 234, 235, 236 Browne, Hablot Knight, ‘Phiz’ 79 Burgess, William 48 Burrows, Robert 273, 274, 275 C Callow, William 91 Campbell, Reginald Henry 229 Cardon, Claude 196 Carelli, Giuseppe 295 Chavet, Victor Joseph 269 Chinnery, George 192 Chuikov, Valeri 216, 218 Claxton, Adelaide Sophia 101 Clifford, Edward 123 Coleman, Enrico 130 Continental School 12, 13, 14 Cooke, Charles Allan 100 Corbould, Richard 43 Corbusier, Le 178 Cox, David Jnr, 62 Cox, David Snr. 61, 58, 60, 88

108

Cox, David Snr., Attributed to 59 Craven, Hawes 119 Cromek, Thomas Hartley, and Other 19th Century Hands 67 Cross, Henri Edmond 182

Grun, Jules Alexandre Guevara, Alvaro Gulyaev, Alexander Guys, Constantin Guys, Constantin, Attributed to

D Dance, George the Younger 40 Dance, Nathaniel 39 Davis, William Henry, Attributed to 291 Day, Edith Worden 243 de Bock, Theophile 209 de Francisco, Pietro 248 de Wint, Peter 55 Delfgaauw, Geradus Johannes 294 Dessau, Paul Lucien 249, 250 Devis, Anthony 36 Dibdin, Thomas R. Colman 279 Dorrell, Edmund 47

H Hall, Harry 288 Hardy, Thomas Bush 94 Hargreaves, Thomas, Attributed to 21 Häring, Peter 252, 253 Harris, Edwin 189 Harvey, Michael 158 Haydon, Benjamin Robert, Circle of 268 Hayter, Charles 44 Herbert, Alfred 56 Hershfield, Leo 134 Hewitt, Henry George 84 Heyermans, Jan Arnold 188 Hughes, Arthur Foord 117, 143 Humphry, Ozias 28 Hunt, Alfred William 105 Huth, Willy Robert 151

E Egg, Augustus, Attributed to 193 Egley, William, Circle of 22 Ehrlich, Georg 155 Emms, John 285 English School 1, 2, 4, 9, 16, 17, 19, 27, 50 Engonopoulos, Nikos 169 Ernst, Max 179 Etty, William, Circle of 185 European School 204, 276, 296 F Feigl, Friedrich Bedrich 221 Ferguson, William James 108 Fletcher, Blandford 238 Fontinelle, Jean De La 141 Foujita, Leonard Tsuguharu 181 French Naive School 15 French School 20, 150, 168 Fripp, Alfred Downing 126 Frost, William Edward 127 G Galien-Laloue, Eugene Gardner, Daniel Gardner, Derek G. M. Gastineau, Henry Gilpin, Sawrey Glass, John Hamilton Goodwin, Albert Grant, James Ardern Grant, Sir Francis

137, 138, 139 29 292 112 33 104 147 159 81

207 239 213 75, 76 74

I Ince, Joseph Murray

114

J Jackson, Samuel Jacque, Charles Johnson, Sidney Yates Joseph, Gilbert

72 223 272 129

K Kalvoda, Alois Keene, Charles Kinnaird, Wiggs Koch, Georg Karl Kossak, Jerzy Kozhin, Simon

211 133 144, 145 128 200 225

L Labisse, Felix 174 Lanow, G.B., After Aime Morot 186 Laporte, John 49 Lawrence, Sir Thomas 68 Lawrence, Sir Thomas, After 18 le Bas, Edward 231 le Jeune, Henry 187 Leakey, James, Attributed to 24 Lear, Edward 69, 77 Lee-Hankey, William 241, 242

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Lerberghe, Karel Van Leslie-Lara, Percy Leslie, Charles Lester, Adrienne Linnell, John

208 277 282 287 65

M Mace, Edward Clark Churchill 297 Maggs, John Charles 201 Mahrenholz, Harald 260, 263, 261, 262, 264, 265 Malyavin, Filip 215 Marchand, Jean Hippolyte 154 Mare, André 172 Marrani, A. 109 Martineau, Edith 111 May, Phillip William, Alias ‘Phil May’ 131, 132, 135, 136 Menard, Marie Auguste Emile Rene 210 Merino, Rafael Blanco 227 Miller, James 45 Mimpriss, Violet Muriel Barber 26 Miro, Joan 176 Monro, Dr Thomas 38 Moody, Fanny 286 Moody, Victor Hume 160 Morgan, Walter Jenks 152 Moriani, Augusto 125 Mulready, Michael, Attributed to 191 N Naive School Nicholls, Bertram O Oke, Stanley H. Oliver, William Onslow-Ford, Wolfram P Panuška, Jaroslav Paoletti, Antonio Payne, William Pearson, Harry John Pennington, Harper Permeke, Constant Petrov-Maslakov, Vsevolod Mikhailovich

245 244, 246

293 281 232

140 270 35 153 156 157 214

Pettit, Charles Pissarro, Lucien Pointurier, Etienne-Charles Poynter, Sir Edward John, Attributed to Previati, Gaetano, Attributed to Procter, Ernest Prout, John Skinner Prout, Samuel Prout, Samuel, Attributed to

280 183 278 93 83 237 66 52 54

R Rauth, Leo 165 Ray, Man 177 Read, George A 266 Redig, Laurent Herman 195 Rich, Alfred William 148 Richardson, Henry Burden 95 Richmond, George 30, 98 Richmond, Sir William Blake 80, 89 Roberts, David 71 Robertson, Andrew 23 Robertson, Charles 8 Robertson, Charles, Attributed to 11 Rogers, F A 289 Rowbotham, Charles 124 Rowbotham, Thomas Charles Leeson 107 Rugendas, Johann Moritz 78 Russian School 254 S Salisbury, Frank Owen Sandby, Thomas Savry, Hendrick Scheffer, Ary Schwarz, Hans Serres, John Thomas Severini, Gino Sharp, Dorothea, Manner of Shayer, Henry and Charles Shepherd, George Sidney Shirreff, Charles Skene, James, of Rubislaw Smith, Herbert Luther Smith, John ‘Warwick’ Smith, Thomas Capel Walton South African School

267 32 198 97 149 73 180 247 194 90 10 70 31 37 163 171

Speed, Harold Speed, Harold, Attributed to Spencer, Gervase Stephanoff, James Straybl, Frantisek Swedish School

162 228 6 86 284 5

T Tayler, Edward 164 Thompson, Christian 110 Thorburn, Robert 25 Todd, Ralph 240 Totibadze, Georgy Georgevich 257, 258, 259 Tuke, Henry Scott 96 U Ungewitter, Hugo Uren, John Clarkson V van Ruith, Horace Varley, John Vertès, Marcel Verwee, Louis Pierre Vives, Manuel Benedito von Hofmann, Ludwig W Waldhauser, *** Walters, Robert B. Warren, Edmund George Watson, Thomas Weaver, Thomas, Circle of Wesson, Edward Westall, Richard Wheatley, Francis Wilkie, Sir David Wilkie, Sir David, Attributed to Williamson, Frederick Wilson, Charles Edward Y Yates, Gideon Z Zherdzitski, Evgeni Fedorovich

170 106

113 51, 53 173, 184 197 206 167

199 116 118 121 290 142 99 34 42 41 120 122

46

212

109

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Glossary of Picture Cataloguing Terms Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

1.

JMW Turner: In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

2.

Attributed to JMW Turner: In our opinion probably a work by the artist, but less certainly as to the authorship expressed than in the preceding category.

3.

Studio of JMW Turner: In our opinion probably a work by an unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction.

4.

Circle of JMW <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja IV I[ aM\ ]VQLMV\QÅML J]\ LQ[\QVK\ PIVL KTW[MTa I[[WKQI\ML with the named artist and of the period, but not necessarily his pupil.

5.

Style of…; Follower of JMW Turner: In our opinion a work by a painter working in the artist’s style, but not necessarily his pupil.

6.

Manner of JMW Turner: In our opinion a work in the style of the artist and of a later date.

7.

After JMW Turner: In our opinion a copy (of any date) of a known work of the artist.

8.

The term ‘signed’ and/or ‘dated’ and/or ‘inscribed’ means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

9.

The term ‘with signature’ and/or ‘with date’ and/or ‘with inscription’ means that in our opinion the signature and/or date and/or inscription have been added by another hand than that of the artist.

10. Dimensions are given height before width.

11. Pictures are framed unless otherwise stated.

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Terms and Conditions for Buyers at Chiswick Auctions 1. BEFORE THE SALE 1.1 Agent for the seller 9RPIWW SXLIV[MWI EKVIIH 'LMW[MGO %YGXMSRW 0XH LIVIEJXIV VIJIVVIH XS EW '% 08( EGXW EW EKIRX JSV XLI WIPPIV 8LI GSRXVEGX JSV WEPI SJ XLI TVSTIVX] MW XLIVIJSVI QEHI FIX[IIR XLI 7IPPIV ERH XLI &Y]IV 'H¼QLWLRQV *SV XLI TYVTSWIW SJ XLI GYVVIRX 8IVQW ERH 'SRHMXMSRW XLI 7IPPIV WLEPP FI HI½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½GEXMSR TYVTSWIW SRP] ERH GERRSX FI GSRWMHIVIH EW KMZMRK E TVIGMWI EGGSYRX SJ XLI 0SX´W XVYI WXEXI 8LYW WSQI MQTIVJIGXMSRW ERH JEYPXW QE] RSX FI EGGSYRXIH JSV MR XLI 'SRHMXMSR 6ITSVX %W EJSVIQIRXMSRIH ERH MR XLI EFWIRGI SJ ER] GSRXVEGXYEP ZEPYI SJ XLI 'SRHMXMSR VITSVX MX MW XLI &Y]IV´W WSPI HYX] XS MRWTIGX MR TIVWSR XLI 0SX MR SVHIV FI EWWYVIH SJ MXW XVYI GSRHMXMSR ERH '% 0XH WLEPP RSX FI VIWTSRWMFPI JSV EWWIVXMSRW [MXLMR XLI 'SRHMXMSR 6ITSVX LIVIXS (OHFWULFDOV %PP IPIGXVMGEP MXIQW EVI WSPH EW WIIR ERH '% 0XH SJJIVW RS KYEVERXII EW XS XLI [SVOMRK GSRHMXMSR SJ WYGL MXIQW SV XLIMV WEJIX] -X MW XLI &Y]IV´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eserves 1ER] 0SXW EVI SJJIVIH WYFNIGX XS E VIWIVZI [LMGL MW XLI GSR½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´W IRXMVI HMWGVIXMSR -RXIVREXMSREP FMHHIVW QE] FI VIUYMVIH XS VIKMWXIV LSYVW FIJSVI XLI WEPI ERH XS WYFQMX FERO HIXEMPW % HITSWMX QE] FI VIUYIWXIH TVMSV XS IEGL WEPI *EMPYVI XS VIKMWXIV WLEPP VIWYPX MR XLI MQTSWWMFMPMX] JSV XLI FMHHIV XS TYVGLEWI E 0SX 3URRI RI LGHQWLW\ &MHHIVW RSX TVIZMSYWP] ORS[R XS '% 0XH [MPP FI VIUYMVIH XS TVSZMHI Â&#x2C6; 3J½GMEP TVSSJ SJ MHIRXMX] MR XLI JSVQ SJ E TEWWTSVX SV TLSXSGEVH HVMZMRK PMGIRGI 2S SXLIV JSVQW SJ -( EVI EGGITXEFPI Â&#x2C6; 4VSSJ SJ EHHVIWW SJ QEMR VIWMHIRGI 3RP] SJ½GMEP HSGYQIRXW WLS[MRK REQI ERH EHHVIWW [MPP FI EGGITXIH Â&#x2C6; &SXL PERHPMRI ERH QSFMPI XIPITLSRI RYQFIVW Â&#x2C6; % FERO VIJIVIRGI JSV JSVIMKR FMHHIVW QE] FI VIUYIWXIH Â&#x2C6; 'SVTSVEXI GPMIRXW [MPP LEZI XS TVSZMHI E GIVXM½GEXI SJ MRGSVTSVEXMSR TVMSV XS XLI EYGXMSR EPSRK [MXL XLI VITVIWIRXEXMZI´W -( MR EGGSVHERGI [MXL XLI EFSZI QIRXMSRIH VIUYMVIQIRXW JSV TVSSJ SJ MHIRXMX]

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Chiswick Fine Art and Miniatures 29th October pages.qxp_Layout 2 04/10/2019 14:51 Page 114

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Chiswick Fine Art and Miniatures 29th October pages.qxp_Layout 2 04/10/2019 14:51 Page 115

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Chiswick Fine Art and Miniatures 29th October pages.qxp_Layout 2 04/10/2019 14:51 Page 116

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Chiswick Fine Art and Miniatures 29th October Cover.qxp_Layout 1 04/10/2019 15:13 Page 1

British & European Fine Art

British & European Fine Art 29 October 2019

including Portrait Miniatures and The Property of a Connoisseur London 29th October 2019