Chiswick Auctions Jewellery Catalogue May 2018

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Jewellery 15 May 2018

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

Jewellery London 15th May 2018

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SPECIALISTS

SALE CALENDAR

MAY

16

WEDNESDAY

Designer Handbags & Fashion Old Master Paintings Sarah Duncan

Charlotte Peel G.G.

Head of Department Jewellery sarah.duncan@chiswickauctions.co.uk

Specialist Jewellery charlotte.peel@chiswickauctions.co.uk

22

TUESDAY

Interior & Design

24

THURSDAY

Fine Chinese Paintings Chinese Bronzes: Song to Qing

25

FRIDAY

Asian Art

29

TUESDAY

Printed Books & Manuscripts to include Modern First & Limited Editions

JUNE

05 BUYER’S PREMIUM The buyer shall pay Chiswick Auctions Ltd a premium on the hammer price of 25% plus VAT on that commission.

TELEPHONE BIDDING Please note that requests for telephone bids should be submitted no later than 5pm on the day prior to the sale.

LIVE BIDDING

the-saleroom.com Please note there is a 3% +VAT surcharge for using this service.

COLLECTION OF LOTS Buyers are asked to collect their lots on the day of the sale or between 10.00 and 18.00 up until close of business on Friday following the sale.

IMPORTANT INFORMATION CITES

Please be aware that all lots marked with the symbol ƀ are subject to CITES regulations.

Please see our Terms & Conditions for more information.

ARTIST’S RESALE RIGHT/DROIT DE SUITE

Lots marked with ARR indicates that an additional levy may apply for this lot.

Please see our Terms & Conditions for more information.

TUESDAY

Interiors & Design to include a selection of Fine Rugs & Carpets

06

WEDNESDAY

European Works of Art & Clocks

12

146

TUESDAY

British & European Fine Art with Portrait Miniatures Wine & Spirits

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Jewellery

Tuesday 15th May 2018, 11.00

CHISWICK LATES Thursday

03 May

18.00 - 20.30

You are kindly invited to Chiswick Lates: An Evening of Luxury at our South Kensington branch on Thursday 3rd of May. Join us for a complimentary glass of wine and explore a preview of forthcoming highlights. rsvp@chiswickauctions.co.uk VIEWING AT SOUTH KENSINGTON Thursday 03 May 12.00 - 16.00 Trade View By appointment only selected highlights only Saturday Sunday Monday Tuesday

05 May 06 May 07 May 08 May

12.00 - 17.30 12.00 - 16.30 11.00 - 17.30 11.00 - 17.30

VIEWING AT CHISWICK full sale Saturday Sunday Monday Tuesday

GENERAL ENQUIRIES +44(0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk 1 Colville Road, London W3 8BL 127 Fulham Road, London SW3 6RT

12 May 13 May 14 May 15 May

11.00 - 17.00 11.00 - 17.00 10.00 - 18.00 10.00 - 11.00 PHOTOGRAPHERS Steven McCauley Jordan Salzmann Darrell Russell Monika Olek

Front cover: Lot 258 Back cover: Lot 32

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Lots 3, 7 & 15

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*See inside front cover for information regarding fees

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Lots 241 & 243

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4 A diamond single-stone ring The brilliant-cut diamond, in an eight-claw setting, to a polished band, diamond approx. 1.50 carats, ring size I½ £3,200-£3,800 1 A diamond single-stone pendant necklace, by Tiffany & Co. The brilliant-cut diamond in a four-claw mount, to a platinum tracelink chain, diamond approx. 0.20 carat, signed Tiffany & Co., UK import mark, length 40.5cm, maker’s case and box £200-£300 2 A platinum and diamond cross pendant necklace, by Tiffany & Co. The Latin cross set with brilliant-cut diamonds, suspended from a platinum belcher-link chain, diamonds approx. 0.50 carat total, signed Tiffany & Co., maker’s mark T&Co, London hallmark, lengths: pendant 1.8cm, chain 40.9cm, maker’s case £500-£700 3 A diamond-set ‘Love’ bangle, by Cartier The polished band inset with ten brilliant-cut diamonds, signed Cartier, numbered, inner diameter 6.4cm £4,000-£6,000

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5 A diamond flower dress ring Designed as a flower in bloom, the pavé-set brilliant-cut diamond curled petals in bi-coloured mounts, centrally-set with a trio of briolette-cut diamonds, diamonds approx. 6.10 carats total, ring size M £3,000-£5,000 6 A pair of diamond earrings, by Gucci Each designed as an openwork cross set with a frame of brilliant-cut diamonds, post fittings, signed Gucci, length 1.1cm £300-£400 7 A ceramic and diamond ‘Love’ bangle, by Cartier The hinged bangle pavé-set with brilliant-cut diamonds and decorated with black ceramic screwhead motifs, signed Cartier, maker’s mark, numbered, French assay mark, inner diameter 5.2cm £6,000-£8,000

*See inside front cover for information regarding fees

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8 A pair of yellow sapphire and diamond pendent earrings Each cushion-shaped yellow sapphire, in a brilliant-cut diamond surround, suspended from a line of similarly and baguette-cut diamonds, mounted in 18 carat white gold, diamonds approx. 1.50 carats total, London hallmarks, length 4.2cm £1,500-£2,000 9 A cultured pearl and platinum necklace, by Boodle & Dunthorne The undulating platinum wire accented with three 10.1-10.2mm cultured pearls of various grey tints, and four bead spacers, maker’s mark, UK hallmark, length 43.0cm, maker’s case £800-£1,200

10 A diamond eternity ring, by Maskada Of octagonal outline, channel-set with a continuous row of baguettecut diamonds between brilliant-cut diamond borders, diamonds approx.

3.20 carats total, signed Maskada, ring size N £1,500-£2,500 11 A diamond ‘Comète’ ring, by Chanel The contoured circular openwork panel with central star motif, set throughout with brilliant-cut diamonds, diamonds approx. 0.55 carat total, signed Chanel, numbered, French assay mark, ring size R, maker’s case, box and certificate of authenticity £1,500-£2,000

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12 An emerald and diamond ‘Sixteen Stones’ ring, by Schlumberger for Tiffany & Co. Designed as an alternating series of circular-cut emerald and brilliant-cut diamond two-stone sections between X-shaped spacers, mounted in 18 carat gold, diamonds appox. 0.55 carat total, signed Tiffany Schlumberger, UK import mark, ring size M £1,800-£2,500 13 A fancy-link ring, by Angela Cummings Composed of three openwork links, with polished connectors, signed Cummings, ring size I £250-£350 14 A ‘Happy Diamond’ pendant necklace, by Chopard The heart-shaped pendant with glazed compartment containing a single ‘floating’ brilliant-cut diamond collet, suspended from an 18 carat gold cable-link chain, chain and pendant signed Chopard, numbered, European convention marks, length 42.0cm, maker’s case, box and Chopard certificate of origin £400-£600

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15 A diamond-set ‘Love’ ring, by Cartier The 18 carat gold band decorated with alternating screwhead motifs and brilliant-cut diamonds, diamonds approx. 0.20 carat total, signed Cartier, numbered, Swiss assay mark, European convention mark, ring size N £800-£1,200 16 An emerald and diamond cluster ring The oval-cut emerald, in an eight-claw setting, within a surround of brilliant-cut diamonds, diamonds approx. 0.90 carat total, ring size S £800-£1,200 17 An emerald necklace, by Georgina Smith Designed as an 18 carat gold trace-link chain spectacle-set with carved oval cabochon emeralds, to a t-bar clasp with emerald finials, maker’s mark, UK hallmark, length 46.0cm, maker’s pouch and box £300-£400

*See inside front cover for information regarding fees

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18 A gold signet ring, 1961 The 18 carat gold ring engraved with the crest of the Bond family, a winged demi horse and the motto ‘non sufficit orbis’, to a tapered hoop, UK hallmark, ring size X £250-£350 The Bond family patriarch was Sir Thomas Bond, 1st Baronet (ca.

1620-1685) whom the famous Bond Street in London is named after.

However the family is most famous for being the supposed ancestor of Ian Fleming’s fictional character James Bond. 1961 saw the publication of the ninth Bond novel Thunderball and the announcement that the much loved fictional series would become a film franchise.

19 An emerald and diamond cluster ring The cut-cornered step-cut emerald, within a brilliant-cut diamond surround, to trifurcated shoulders, diamonds approx. 1.80 carats total, ring size M £3,000-£5,000

20 A carved emerald, diamond and enamel brooch Centrally set with a carved emerald cameo depicting the bust of an Egyptian pharaoh, between two brilliant-cut diamond-set winged snakes applied with blue and green enamel, suspending a 7.8x12.6mm cultured pearl drop, diamonds approx. 0.30 carat total, length 6.0cm £800-£1,200 21 λ A gem-set brooch Designed as two opposing stylised birds’ heads with abalone shell-set crests and circular cabochon ruby eyes, centering on a heart-shaped plaque with winged head motif, beneath an oval cabochon treated opal drop and suspending a 9.5x13.7mm cultured pearl, length 7.3cm £700-£900 22 † An unmounted chrome tourmaline The triangular-cut chrome tourmaline, weighing 3.00 carats Accompanied by a report from GCS stating that the colour origin is undeterminable. Report number 78138-78, dated 22nd January 2018. ***Please note VAT will be chargeable on the hammer price as well as the buyer’s premium*** £800-£1,200

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23 λ A 19th century coral brooch and pendant The brooch designed as an oval coral cameo carved in high relief depicting Athena; the pendant designed as an oval tiered cluster of coral spheres, all corallium rubrum, lengths: brooch 3.2cm, pendant 5.3cm (2) £250-£350

26 Two pearl necklaces 1st: A graduated strand of 2.0-5.6mm seed pearls and pearls, to a pearl-set clasp; 2nd: A trace-link chain mounted with a bouton pearl, suspending a baroque pearl drop to a knife-edge bar connector, chain damaged, pearls untested, lengths: 45.5 and 44.0cm (2) £300-£400

24 A fancy-link longchain The continuous line of belcher-linking, length 180.5cm £500-£700

27 A turquoise-set brooch, late 19th century Designed as a whip, wrapped around a horseshoe, set with oval cabochon turquoise, later brooch fitting, length 5.2cm £200-£300

25 λ A coral bead necklace Designed as a graduated row of 10.2-15.4mm bouton-shaped coral corallium rubrum beads, length 44.0cm £400-£600

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*See inside front cover for information regarding fees

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28 λ A small group of coral jewellery Comprising: a ring set with an oval carved coral cameo plaque of a female profile facing left; a pair of carved coral pendent earrings, hook fittings; and stickpin set with a carved coral head in high relief, all coral corallium rubrum, ring size P, lengths: earring 3.3cm, stickpin 7.0cm (3) £250-£350 29 A turquoise-set belt buckle, by Thornhill, early 20th century Each openwork triangular panel of scroll design, accented with colletset circular cabochon turquoise, signed Thornhill London, width 11.0cm £200-£300

30 λ A pair of coral pendent earrings and two brooches, circa 1860-80 Each brooch designed as a tiered circular or oval cluster of boutonshaped coral, with smaller coral bead accents, suspending three coral drops, the earrings of similar design, hook fittings, all coral corallium rubrum, lengths: brooches 5.4 and 6.4cm, earring 5.1cm (3) £250-£350

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31 A fancy-link bracelet Designed as twin rows of square convex links of textured finish, Austrian marks, length 19.4cm £600-£800 32 A ruby and diamond flower brooch, by Tiffany & Co., circa 1950 The central brilliant-cut diamond and circular-cut ruby cluster within a textured petal surround, signed Tiffany & Co., length 3.6cm Provenance: Formerly of the collection of an English noble family. £800-£1,200 33 A pair of emerald and diamond earclips, circa 1945 Each designed as a circlet, mounted with a triple scroll set with calibré-cut emeralds and single-cut diamonds, clip fittings, length 1.8cm £300-£500

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34 An amethyst clip brooch, 1954-5 The carved oval amethyst, mounted on a shield-shaped 9 carat gold plaque with engraved decoration, UK import mark, sponsor’s mark W.Ld, length 2.7cm £250-£350 35 A sapphire and diamond ring The rectangular cushion-shaped sapphire, weighing 10.15 carats, between brilliant-cut diamond three-stone shoulders, ring size O Accompanied by a report from GCS stating that the sapphire is of Sri Lankan origin, with no indications of heating. Report number 7814290, dated 28th February 2018. £3,000-£5,000 36 A sapphire and diamond dress ring, circa 1940 Set with five rectangular-cut sapphires, between brilliant-cut diamond single-stone shoulders, framed by openwork tapered wirework bands, ring size K £500-£700

*See inside front cover for information regarding fees

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37 A citrine and diamond dress ring The rectangular scissor-cut citrine, between trifurcated shoulders accented with single-cut diamonds, ring size M £250-£350 38 A pair of gold cases, by Asprey, 1933 Including a 9 carat gold cigarette case and a book of matches vesta case, each of rectangular outline, with slide mechanism, each side with engine turned design, inscribed inside ‘To Percy with love from Helen, 1st June 1935.’ and ‘To P.L.H from G.B.G, 11-4-1934’ respectively, signed Asprey London, maker’s marks, UK hallmarks, lengths: 10.5cm and 6.0cm, fitted maker’s cases (2) £1,800-£2,500

39 A charm bracelet The curb-link bracelet suspending seventeen charms, including a white enamel diamond and sapphire-set openwork plaque with the number ‘1908’ beneath a laurel wreath, an airplane, a tambourine, a sailboat, a watering can, an enamel ladybird, and a George V Coronation medal, one charm numbered, length 18.0cm £700-£900

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40 A sapphire and diamond flower pendant The circular-cut violettish-blue sapphire, within a single-cut diamond-set petal surround, suspended from a fine trace-link chain, length 45.5cm £700-£900 41 A diamond single-stone ring The brilliant-cut diamond raised above twin single-cut diamond line shoulders, principal diamond approx. 0.70 carat, ring size L £800-£1,200 42 A turquoise and diamond pendant necklace The heart-shaped turquoise plaque within a brilliant-cut diamond surround, suspended from an 18 carat white gold filed trace-link chain, with a pavé-set diamond heart-shaped slide, diamonds approx.

0.40 carat total, UK hallmark, length 41.5cm £300-£500

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43 An aquamarine and diamond dress ring The rectangular step-cut aquamarine, between brilliant-cut diamond scrolling shoulders, diamonds approx. 0.25 carat total, ring size O £1,800-£2,500 44 An aquamarine and diamond dress ring The cut-cornered step-cut aquamarine, within a brilliant-cut diamond surround, between pierced tapered 18 carat white gold shoulders set with brilliant-cut diamond lines, diamonds approx. 0.45 carat total, UK hallmark, ring size N £500-£700 45 A cultured pearl and diamond cluster ring and earring suite Each set with a 7.2-8.2mm cultured pearl within a radiating surround set with single and brilliant-cut diamonds, earrings with post fittings, diamonds approx. 0.60 carat total, ring size O, earring length 1.4cm (2) £300-£400

*See inside front cover for information regarding fees

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46 An aquamarine and diamond ring The oval-cut aquamarine, between brilliant-cut diamond three-stone shoulders, to a 9 carat white gold hoop, diamonds approx. 0.45 carat total, UK hallmark, ring size N £400-£600

48 An aquamarine and sapphire dress ring The oval fancy-cut aquamarine, within a navette-shaped surround set with circular-cut sapphires, to similarly-cut sapphire three-stone shoulders, mounted in 18 carat white gold, UK hallmark, ring size N £1,200-£1,500

47 A diamond half-hoop ring The 18 carat white gold ring, set with an old brilliant-cut diamond, between brilliant-cut diamond three-stone shoulders, diamonds approx.

1.20 carats total, London hallmark, ring size S £500-£700

49 A cultured pearl and diamond necklace The single long strand of 7.9-8.4mm cultured pearls, to an old brilliant and baguette-cut diamond cluster clasp, diamonds approx. 2.20 carats total, length 120.0cm £1,200-£1,500

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*See inside front cover for information regarding fees

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50 50 A gem-set tassel necklace The long cable-link chain accented at intervals with ruby beads between spectacle-set circular-cut white topaz, centering on a cutcornered step-cut ruby within a brilliant-cut diamond and circular-cut ruby openwork surround, suspending a tassel of graduated ruby beads,with a brilliant-cut diamond openwork cap, diamonds approx. 0.25 carat total, lengths: pendant 8.3cm, chain 91.0cm £1,500-£2,000 51 A ruby and diamond cluster ring The oval-cut ruby, between a two-tier surround of single and brilliant-cut diamonds with baguette-cut diamond three-stone terminals, diamonds approx. 0.60 carat total, ring size J £2,000-£3,000 52 A ruby and diamond bracelet Designed as a line of oval-cut ruby and brilliant-cut diamond clusters, mounted in 18 carat white gold, diamonds approx. 3.30 carats total, London hallmark, length 18.2cm £3,800-£4,500

53 A ruby and diamond pendant necklace Designed as an openwork circlet with central scroll detail, set with two brilliant-cut diamonds and two circular-cut rubies, to a box-link chain, diamonds approx. 0.30 carat total, lengths: pendant 3.0cm, chain 46.0cm £400-£600 54 A diamond eternity ring Set with alternating brilliant and baguette-cut diamonds, mounted in 18 carat white gold, diamonds approx. 0.75 carat total, London hallmark, ring size O £250-£350 55 A pair of ruby and diamond earrings Each suspending a series of pear-shaped ruby drops, within a navette-shaped openwork drop surround of scrolling design and a similarly-designed surmount, set throughout with brilliant-cut diamonds, post fittings, diamonds approx. 2.50 carats total, length 6.9cm £1,200-£1,500 15

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56 An early 19th century amethyst and seed pearl pendant The cushion-shaped amethyst suspending a pear-shaped amethyst drop with seed pearl line surmount, between twin seed pearl-set lines centering on an oval-cut amethyst, terminating in a pear-shaped amethyst drop, all in foiled closed-back settings, to a later 9 carat gold barley corn-link chain, chain with UK hallmark, lengths: pendant 6.0cm, chain 40.5cm £250-£350 57 λ A rock crystal intaglio stick pin The circular cabochon rock crystal, reverse carved and painted to depict a partridge in flight, within a square frame with brilliantcut diamond-set corners, maker’s mark MxS, plaque length 1.7cm £350-£450

61 (various views)

58 An intaglio ring, 19th / early 20th century The oval hardstone intaglio, probably Classical, set horizontally and carved to depicted a hound, to an elaborate surround and band of interwoven reliefs, against a finely worked background highlighted with bitumen, ring size J £300-£400 59 An intaglio ring, 19th / early 20th century Horizontally set with a circular carved lapis lazuli plaque, to a gallery and shoulders modelled with leaping animal figures, ring size K (hoop offround) £250-£350 60 A gem-set giardinetto ring Of openwork foliate design, set with rose and rectangular-cut diamonds, and vari-cut ruby, sapphire and emerald buds, between scrolling shoulders, composite with 19th century elements, ring size O £600-£800 61 A memento mori posy ring, circa 1700-1750 The outer band chased with the form of a skeleton, engraved ‘My love by this presented is’, to the inner band, maker’s mark TB, ring size O £500-£700 A similar example can be found in the collections of The British Museum, Museum number: 1961,1202.166 donated by the eminent art historian and posy ring collector Dame Joan Evans (1893-1977).

The combination of the inscription and the decoration suggest the possibility that this ring was a declaration of love from a dying lover, willing their love to be remembered after death.

Literature: This posy is listed in Evans, Joan, “English Posies and Posy Rings”, 1931, Rpt. Wartski Limited, 2012, London, page 79.

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*See inside front cover for information regarding fees

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62 A peridot single-stone ring The cut-cornered rectangular peridot, to a tapered hoop, ring size N £250-£350 63 A group of amber necklaces Comprising six single strand necklaces of graduated 5.520.3mm oblong amber beads (6)

64 A gem-set moth brooch The body set with a 7.6x8.7mm pearl and a pear-shaped cabochon garnet, between wings pavé-set with circular-cut sapphires and green gems including peridots, with circular-cut ruby eyes, pearl untested, width 6.5cm £2,200-£2,800

Accompanied by a report from GCS stating that the amber, weighing 193.28 grams, is natural, of Baltic origin, with no indications of heating. Report number 78147-38, dated 21st March 2018. £800-£1,200

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65 A ‘Somerset’ ring and a ‘Bean’ necklace, by Tiffany & Co. 1st: The ring of mesh-link design; 2nd: The 18 carat rose gold tracelink chain suspending a bean-shaped pendant, ring signed T&Co., necklace signed Peretti and Tiffany & Co. with UK hallmark, ring size L, necklace length 40.5cm, 1st: maker’s pouch, 2nd: maker’s case, pouch and box (2) £300-£400

67 λ A gem-set and diamond pendant necklace The pear-shaped cabochon mother-of-pearl and rock crystal doublet, suspending a circular cabochon pink tourmaline, brilliant-cut diamond and pear-shaped cabochon aquamarine drop, suspended from a similarly-set front, to a twin trace-link chain with a cabochon aquamarine drop clasp, lengths: pendant 5.2cm, necklace 43.0cm £800-£1,200

66 A purple sapphire and diamond cluster ring The cushion-shaped purple sapphire, weighing 2.73 carats, within a brilliant-cut diamond surround, mounted in 18 carat rose gold, London hallmark, ring size L½

68 An amethyst and diamond ring The oval sugarloaf amethyst, between pear-shaped diamonds, all in collet settings, diamonds approx. 0.55 carat total, ring size Q £250-£350

Accompanied by a report from The Gem & Pearl Laboratory stating that the colour change sapphire appears purple in daylight and pink in incandescent light, is of Sri Lankan / Madagascan origin, with no evidence of heat treatment. Report number 15369, dated 2nd March 2018. £1,800-£2,500

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69 A ‘Happy Birthday’ ring, by Cartier The 18 carat rose gold band engraved with double-C motifs in oval frames, signed Cartier, numbered, European convention mark, ring size M, maker’s case, box and certificate of authenticity £250-£300

*See inside front cover for information regarding fees

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70 A ‘Luna’ ring and ‘Capri’ pendant necklace, by Pomellato The ring set with a cushion-shaped cabochon blue topaz to an 18 carat rose gold hoop; the necklace designed as a faceted cabochon turquoise with a pavé-set circular-cut ruby suspension loop, suspended from an 18 carat rose gold belcher-link chain, signed Pomellato, UK import marks, ring size K, lengths: pendant 1.5cm, chain 42.0cm, maker’s ring case (2) £300-£400 71 A ‘Trinity’ ring, by Cartier Composed of seven interlocking tri-coloured bands, signed Cartier Paris, maker’s marks, French assay marks, ring size K £250-£350 72 A gold fancy-link bracelet Composed of 18 carat rose gold circlet links on a cable-link chain, UK hallmark, length 19.5cm £200-£300

73 A small group of jewellery, by Tiffany & Co. Comprising two diamond-set and one plain 18 carat rose gold band rings, with an 18 carat rose gold bead-link chain, rings signed Peretti, all signed Tiffany & Co., UK hallmarks, ring sizes K, chain length 40.5cm, chain and one ring with maker’s case and box (4) (partially illustrated) £300-£400 74 A diamond dress ring Of crossover bi-coloured design, accented with a pavé-set brilliant-cut diamond line, diamonds approx. 0.45 carat total, ring size N½ £700-£900 75 A pair of gold and diamond-set earrings, by Boodle & Dunthorne Each 18 carat gold openwork heart, accented by a brilliant-cut diamond, maker’s mark B&D, London hallmarks, length 2.4cm £250-£300

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76 λ A mother of pearl, cultured pearl and diamond flower ring, by Catherine Prevost The 10.2mm cultured pearl centre within a surround of mother-ofpearl petals with brilliant-cut diamond edging, diamonds approx. 1.20 carats, unsigned, ring size L £500-£700

78 A pair of rock crystal and diamond ‘Gatsby’ earrings, by Catherine Prevost Each frosted rock crystal roundel suspended from a circular carved rock crystal surmount inset with a brilliant-cut diamond, to a connector pavé-set with similarly-cut diamonds, diamonds approx. 0.35 carat total, signed Prevost, length 5.6cm £350-£450

77 A gem-set and diamond flower ring, by Catherine Prevost The petals pavé-set with circular-cut rubies and pink sapphires, to a central cluster of brilliant-cut diamonds, the band set with graduated hues of circular-cut rubies, pink sapphires and brilliant-cut diamonds, diamonds approx. 0.60 carat total, unsigned, ring size N (sizing band) £700-£900

79 A rock crystal and diamond ‘Gatsby’ ring, by Catherine Prevost The carved rock crystal dome, highlighted by a polished band gypsyset with brilliant-cut diamonds, to a brushed tapered hoop, diamonds approx. 0.45 carat total, signed Prevost, ring size M £350-£450 80 A white resin and diamond dress ring, by Catherine Prevost The wide convex white resin plaque mounted with crossover bands of alternating pavé-set brilliant-cut diamond or blackened finish, diamonds approx. 0.90 carat, unsigned, ring size M £400-£600

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*See inside front cover for information regarding fees

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81 A pair of onyx pendent earrings, by Catherine Prevost Each onyx roundel, suspended from brushed links, signed Prevost, length 6.6cm £250-£350 82 A diamond dress ring, by Catherine Prevost Designed as four overlapping convex bands of blackened finish, one partially pavé-set with brilliant-cut diamonds, diamonds approx. 0.50 carat total, unsigned, ring size O £400-£600 83 A moonstone dress ring, by Catherine Prevost The central oval cabochon grey moonstone within a domed surround set with vari-coloured cabochon moonstones, unsigned, ring size O £400-£600

84

84 A gem-set dress ring, by Catherine Prevost The large oval cabochon grey foil-backed rock crystal, in a double four-claw setting, to a surround and shoulders set with faceted moonstones, unsigned, ring size L½ £300-£500 85 A diamond and gem-set ‘Jupiter’ ring, by Catherine Prevost The square sugarloaf grey foil-backed rock crystal, to a surround and shoulders pavé-set with brilliant-cut diamonds, highlighted by oval cabochon moonstones, diamonds approx. 2.55 carats total, unsigned, ring size L½ £500-£700

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86 A triple-strand amber necklace Composed of three graduated strands of 6.3-25.9mm oblong amber beads Accompanied by a report from GCS stating that the amber, weighing 216.13 grams, is natural, of Baltic origin, with no indications of heating. Report number 78147-36, dated 21st March 2018. £800-£1,200 87 A late 19th century blue enamel, half pearl and diamond pendant brooch The rose-cut diamond circlet with a royal blue enamel edge, with a graduated base of seven half-pearls in closed back mounts, to a blue enamel ribbon design surmount, suspended from a blue enamel and engraved ribbon design brooch, with old brilliant-cut diamond centre, composite, some enamel loss, length 6.7cm £200-£300

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88 A sapphire and diamond dress ring The rectangular plaque alternately-set with oval and circular-cut sapphires and rose-cut diamonds, ring size K £400-£600 89 A pair of diamond and sapphire pendent earrings, circa 1900 Each target cluster drop of alternating rose-cut diamond and calibrécut sapphire lines, to an old brilliant-cut diamond two-stone surmount with chain-link connections, hook fittings, length 4.7cm £250-£350 90 A seed pearl and half-pearl brooch/pendant necklace, circa 1900 Designed as a detachable floral openwork cluster pendant set with half-pearls and a seed pearl centre, suspended from a similarly-set necklace, with a ropetwist backchain, pearls untested, lengths: brooch/ pendant 2.7cm, necklace 39.0cm, fitted cased by J.J. Durrant & Son, 40 Cheapside London £250-£350 *See inside front cover for information regarding fees

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91 A sapphire and diamond cluster ring The oval cabochon sapphire within a rose-cut diamond surround, to bifurcated shoulders, ring size J £1,000-£1,500

93 A sapphire and ruby cluster ring The cushion-shaped sapphire, within a decorated collet setting, to a surround of oval-cut rubies, all in foiled closed-back settings, composite, ring size N £500-£700

92 λ A 19th century seed pearl and pearl necklace The front of scrolling foliate design, set with seed pearls and 3.104.50mm pearls, woven onto mother-of-pearl backs, to a woven seed pearl backchain, with a half-pearl and old mine-cut diamond cluster clasp, pearls untested, some damage, length 39.0cm, cased £250-£350

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97 96

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94 A pair of diamond earstuds Each brilliant-cut diamond of brown tint, in an 18 carat gold collet setting, post fittings, diamonds approx. 2.00 carats total, diamonds untested for natural colour, UK hallmarks £1,800-£2,500 95 A diamond single-stone ring The brilliant-cut diamond, in a six-claw setting, between reeded shoulders, to a 9 carat gold hoop, diamond approx. 1.00 carat, UK hallmark, ring size P £1,000-£1,500 96 A cultured pearl necklace The two graduated strands of 4.5-7.8mm cultured pearls, to a 9 carat gold half-pearl and aquamarine rectangular cluster clasp, UK hallmark, length 44.5cm £250-£300

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97 An opal ring, by C.G. Hallberg, 1952 and pair of opal earrings The ring collet-set with an oval cabochon opal, within an openwork frame, to a geometric gallery and hoop, accompanied by earrings of similar design, earrings with post fittings, ring with maker’s mark, Swedish assay marks, ring size L, earring length 1.2cm (2) £250-£300 98 A ‘Trinity’ ring, by Cartier Designed as tri-coloured 18 carat gold interlocking bands, signed Cartier, numbered, European convention mark, ring size L, maker’s case and box £300-£400 99 A fancy-link bracelet Composed of six rectangular panels pierced with cave painting style scenes, length 18.5cm £250-£350

*See inside front cover for information regarding fees

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100 A pair of peridot and diamond earrings Each cushion-shaped peridot surmount, suspending a rectangularcut peridot and brilliant-cut diamond cluster, post fittings, diamonds approx. 0.25 carat total, length 3.0cm £1,200-£1,500 101 A gold bracelet, by Asprey The 18 carat gold bracelet of openwork alternating fancy-link design, signed Asprey, UK hallmark, length 17.5cm, maker’s case and box £350-£500 102 A diamond dress ring Designed as a horizontal cluster of brilliant-cut diamonds, diamonds approx. 1.25 carats total, ring size L £400-£600

103 A diamond single-stone ring The brilliant-cut diamond, in a six claw mount, diamond approx. 1.10 carats, ring size N £1,200-£1,500 104 A diamond-set band ring Of bi-colour design, the twin ropetwist bands between polished edges, applied with two brilliant-cut diamond X-shaped motifs, diamonds approx. 0.40 carat total, ring size M £250-£350 105 A diamond-set tassel ring The wide band set to the front with a cable-link chain multi-strand tassel, to a single-cut diamond-set circlet and connector, maker’s mark, French assay mark, ring size N £600-£800

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106 A pair of sapphire and diamond tassel earrings Each tiered scalloped surmount set with brilliant-cut diamonds in similarly-cut diamond half surrounds, suspending a five row tassel of graduated oval-cut sapphires, post and clip fittings, diamonds approx.

1.60 carats total, length 8.0cm £5,000-£7,000 107 A diamond cluster ring Centrally-set with an old brilliant-cut diamond, within a tiered surround of marquise and brilliant-cut diamonds, principal diamond approx. 1.30 carats, remaining diamonds approx. 1.10 carats total, ring size N½ £1,500-£2,000

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108 A diamond eternity ring Set with a continuous row of brilliant-cut diamonds in claw mounts, diamonds approx. 1.50 carats total, ring size Q £350-£450 109 A purple sapphire and diamond ring The cushion-shaped purple sapphire, weighing 5.50 carats between baguette-cut diamond shoulders, ring size M Accompanied by a report from GCS. stating that the purple sapphire is of Madagascan origin, with no indications of heating. Report number 5776-5087, dated 24th March 2016. £3,000-£5,000

*See inside front cover for information regarding fees

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113 115

114

110 A sapphire and diamond cluster ring The oval-cut sapphire, to a brilliant-cut diamond surround and shoulders, mounted in 18 carat white gold, diamonds approx. 0.70 carat total, London hallmark, ring size M½ £1,500-£2,000

113 A sapphire line bracelet Composed of a graduated row of oval-cut and cushion-shaped sapphires, the largest to the centre, in box collet-settings, length 18.4cm £4,000-£6,000

111 A sapphire and diamond dress ring The oval-cut sapphire, to a tapered surround pavé-set with brilliantcut diamonds, diamonds approx. 0.70 carat total, ring size M £1,200-£1,500

114 A sapphire and diamond cluster ring The oval-cut sapphire, the largest to the centre, in a brilliant-cut diamond surround, mounted in 18 carat white gold, diamonds approx.

0.20 carat total, UK hallmark, ring size N £500-£700

112 A pair of sapphire pendent earrings Each triple curb-link drop pavé-set with circular-cut sapphires to a similarly-set oval circlet surmount, post fittings, length 3.9cm £250-£350

115 A sapphire and diamond cluster ring and earring suite Each set with a raised circular-cut sapphire within a tiered surround of alternating brilliant-cut diamonds and circular-cut sapphires, earrings with post fittings, diamonds approx. 0.60 carat total, ring size M, earring length 1.6cm (2) £600-£800

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*See inside front cover for information regarding fees

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121 118

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116 A gem-set charm bracelet The fancy-link bracelet suspending five charms, including a piglet, a cockerel, a fish, and a chick, all set with rose-cut diamonds, and one charm collet-set with an aquamarine to a single-cut diamond star surmount, most charms late 19th / early 20th century, length 17.5cm £400-£600 117 A collection of late 19th / early 20th century diamond-set charms Comprising fifteen rose-cut diamond-set animal charms, some with enamel detail, some with ruby eyes, a similarly-set sailboat, an encircled number ‘8’, a half-pearl and rose-cut diamond doubleheart, a diamond-set devil, an armorial and an arrow head (21) (partially illustrated) £400-£600 118 A pair of cultured pearl and diamond flower earrings Each 4.7mm cultured pearl within a tiered petal surround set with half-pearls, single and rose-cut diamonds, post fittings, singlecut diamonds approx. 0.20 carat total, Portuguese assay marks, one half-pearl deficient, length 2.0cm £200-£300

119 A sapphire and diamond ring The rectangular cushion-shaped sapphire, to a foliate mount accented with rose-cut diamonds, ring size O Accompanied by a report from Cisgem, stating that the sapphire is of Sri Lankan origin, with no indications of high temperature heating.

Report number 3059, dated 24th March 2016. £3,000-£5,000 120 A diamond three-stone ring The three graduated old brilliant-cut diamonds, between curved single-cut diamond shoulders of crossover design, diamonds approx.

0.70 carat total, ring size O £300-£500 121 An early 20th century sapphire and diamond brooch The oval-cut sapphire, within a domed openwork surround of scroll design set with old brilliant, single and rose-cut diamonds and circular-cut sapphires, old brilliant and single-cut diamonds approx. 0.80 carat total, length 4.5cm £700-£900 122 A pair of aquamarine and diamond pendent earrings Each pear-shaped aquamarine, within a rose-cut diamond surround, to a millegrain-set brilliant and single-cut diamond line surmount, post fittings, length 3.8cm £300-£500

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123 A fancy-link necklace The articulated line, of tubular brick-linking, length 44.5cm £300-£400 124 A pair of diamond-set earrings Each hoop of pierced chevron design, pavé-set throughout with brilliant-cut diamonds, diamonds approx. 1.35 carats total, length 1.7cm £300-£500 125 A diamond single-stone ring The old brilliant-cut diamond, weighing 1.95 carats, in a four-claw setting, ring size M½ £3,200-£3,800

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126 An enamel winged scarab pendant The scarab collet-set between curved wings decorated with blue, turquoise and red enamel, centering on imitation gemstone plaques, length 5.2cm £800-£1,200 127 A diamond bangle The 14 carat gold hinged bangle set to the front with alternating brilliant and baguette-cut diamond two-stone sections, diamonds approx. 1.40 carats total, UK hallmark, inner diameter 6.0cm £500-£700 128 A sapphire and diamond dress ring Designed as twin hinged 18 carat gold raised borders inset with brilliant-cut diamonds, opening to reveal a central graduated line of calibré-cut sapphires, partial UK hallmark, ring size P £400-£600

*See inside front cover for information regarding fees

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129 A pair of sapphire and moonstone earrings Of chandelier design, spectacle-set with oval-cut sapphires, to a circular cabochon moonstone surmount, post fittings, length 3.9cm £250-£350

132 A sapphire ‘Ellipse’ ring, by Cartier The oval-cut sapphire, horizontally-set to a polished band, signed Cartier, maker’s mark, numbered, French assay mark, ring size L £600-£800

130 A sapphire and diamond three-stone ring The oval-cut sapphire between old brilliant-cut diamonds, diamonds approx. 0.20 carat total, ring size N £250-£350

133 A set of enamel buttons, by Gucci, circa 1970 Each circular button decorated with a course of royal blue enamel, and central ropetwist threa detail, signed Gucci, plaque lengths 1.4cm to 2.0cm (10) £800-£1,200

131 A diamond line necklace Designed as a continuous row of collet-set brilliant-cut diamonds, mounted in 18 carat gold, diamonds approx. 1.60 carats total, UK hallmark, length 44.5cm £800-£1,200

By repute, these buttons were a one off creation and formed part of the Christmas window display at Gucci on Bond Street in the early 1970s.

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134 136 135

134 A diamond-set ‘Fusion’ ring, by Georg Jensen Composed of three interlocking 18 carat rose gold bands, the central band inset with brilliant-cut diamonds, signed Georg Jensen, maker’s mark, London hallmarks, ring size L½, maker’s case and box (3) £400-£600

136 A ‘Fusion’ ring and a band ring, by Georg Jensen 1st: Designed as a band with one flat border and one modelled as a puzzle piece, 2nd: The polished 18 carat gold band of triangular outline, 2nd with UK hallmark, ring size L and M, maker’s case (2) £150-£200

135 A silver necklace and bracelet suite, by Søren Georg Jensen for Georg Jensen, 1963 and 1967 Both designed as an articulated series of geometric interlocking links, signed Georg Jensen, pattern 114, sponsor’s mark G.J.L, UK import marks, lengths: necklace 42.5cm, bracelet 18.9cm, maker’s cases (2) £800-£1,200 Søren Georg Jensen (1917-1982) was the son of Georg Jensen and was most famous for his works in sculpture. From 1962-1974 he was Artistic Director for Georg Jensen and designed numerous hollowware patterns but his work in jewellery was limited. A theme throughout his artistic production was heavy, interlocking forms and this suite exemplifies that style.

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*See inside front cover for information regarding fees

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137 A necklace, by Bjorn Weckstrom for Lapponia, 1971 Designed as a continuous line of rectangular batons, maker’s marks for Lapponia and Bjorn Weckstrom, Finnish assay mark, length 76.7cm £180-£250 138 A pair of pendent earrings, by Nanna Ditzel for Georg Jensen Each contoured lobe, suspending an elongated pear-shaped polished drop, post fittings, signed Georg Jensen, pattern 128B, length 8.6cm, maker’s case £150-£200 Nanna Ditzel (Copenhagen, 1923-2005) was regarded as one of Denmark’s leading furniture designers but was also celebrated for her work in textiles and jewellery. She began designing jewellery as it was something she could do from home while her children slept. Her work was very well received, winning awards as early as 1950. In 1954, she became the first female designer for Georg Jensen, creating jewellery and hollowware designs.

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139 Two ‘Mobius’ rings, by Torun for Georg Jensen 1st: Of crossover double band design; 2nd: Of curved tapering design, signed Georg Jensen, pattern numbers 369 and 148, ring size L and K, maker’s case (2) £150-£200 140 A pair of silver pendent earrings, by Georg Jensen, 1987 Each openwork silver navette-shaped drop, suspended from a fancylink chain, signed Georg Jensen, pattern 339, sponsor’s mark GJLd, UK import mark, length 7.1cm £120-£150

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141 A multi-strand amber necklace Composed of four long strands of alternating graduated 6.2-25.5mm oblong amber beads Accompanied by a report from GCS stating that the amber, weighing 215.82 grams, is natural, of Baltic origin, with no indications of heating. Report number 78147-37, dated 21st March 2018. £800-£1,200 142 A geode dress ring The grey and white geode in a claw mount, centrally-set with a single circular-cut pink sapphire, to a bifurcated hoop, ring size N £500-£700 143 A gem-set dress ring, circa 1975 Designed as a flower with carved chalcedony petals and brilliant-cut diamond-set centre, within a stylised 18 carat gold mount with beadwork finials, maker’s mark EC, partial London hallmark, ring size N £400-£600 34

144 A diamond dress ring Designed as an undulating ribbon, centrally-set with a cluster of brilliant-cut diamonds, diamonds approx. 0.45 carat total, ring size M £500-£700 145 A ‘Zodiac’ pendant, by Van Cleef & Arpels, circa 1970 The rectangular plaque engraved “Aquarius”, signed VCA, maker’s mark, numbered, French assay mark, length 4.1cm £350-£450 146 A ruby-set bird brooch, 1970 The realistically designed 18 carat gold bird of paradise, with a circular cabochon ruby eye, perched on a branch of textured finish, sponsor’s mark IMS ld, London import mark, length 12.5cm £800-£1,200

*See inside front cover for information regarding fees

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147 147

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147 A diamond necklace and ring suite The herringbone-link chain of textured finish, accented with six brilliant-cut diamonds, with a central stylised feather terminal, set with a graduated line of brilliant-cut diamonds; the ring of similar stylised feather design, with a further line of graduated brilliant-cut diamonds, diamonds approx. 1.80 carats total, necklace with Dutch assay mark, length 41.0cm, ring size Q (2) £3,000-£4,000 148 A ‘Trinity’ ring, by Cartier Designed as tri-coloured interlocking bands, signed Cartier, maker’s mark, numbered, ring size J £300-£500

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149 An opal and diamond dress ring, circa 1970 The marquise-shaped cabochon opal within an openwork surround of abstract textured design, accented by brilliant-cut diamonds, diamonds approx. 0.50 carat total, ring size J £400-£600 150 A lapis lazuli and diamond dress ring, by Pablo, circa 1975 The carved oval lapis lazuli, with a v-shaped brilliant-cut diamond line centre, to a textured tapering hoop, signed Pablo, ring size R £250-£350

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151 A Jugendstil enamel and peridot bracelet, by Levinger & Bissinger, circa 1905 Each oval-cut peridot within a rectangular openwork frame, decorated with green, yellow and pink enamel, maker’s mark, French assay marks, length 18.5cm £400-£600 Heinrich Levinger first listed as a jewellery retailer in 1881. Following his death in 1899, the company is relaunched by his son Emil Levinger 1901. The jewellery designer Karl Bissinger joined the firm in 1903 as a partner and the following year the company was renamed Levinger & Bissinger. Upon Bissingers departure in 1908, the company reverted to its original name of Heinrich Levinger. The graduation from green to white and light rose was a trademark of the company.

152 A diamond eternity ring Set with a continuous row of brilliant-cut diamonds, diamonds approx.

0.65 carat total, ring size I½ £250-£350

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153 An opal and diamond ring The navette-shaped cabochon opal within a single-cut diamond surround, ring size M ½ £250-£350 154 A fancy-link longchain Of bi-coloured alternating fancy-link design, length 146.0cm £250-£350 155 An Art Deco emerald and diamond ring, circa 1925 The cut-cornered square-cut emerald, within a baguette, single and brilliant-cut diamond plaque surround, diamonds approx. 0.40 carat total, ring size Q Accompanied by a report from GCS stating that the emerald, weighing approximately 0.9 carat, is of Colombian origin, with indications of minor clarity enhancement. Report number 78138-57, dated 22nd January 2018. £800-£1,200

*See inside front cover for information regarding fees

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160 159

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156 An emerald and diamond dress ring The square step-cut emerald, within a pierced mount set with old brilliant, square and baguette-cut diamonds, diamonds approx. 0.40 carat total, ring size N £2,500-£3,500

159 An Art Deco aquamarine and diamond ring, circa 1930 The cut-cornered step-cut aquamarine, between shield-shaped shoulders set with baguette and single-cut diamonds, diamonds approx.

0.30 carat total, ring size P £1,200-£1,500

157 An aquamarine, sapphire and diamond dress ring The square step-cut aquamarine, to a French-cut sapphire surround and shoulders with brilliant-cut diamond points, mounted in 18 carat white gold, London hallmark, ring size L £500-£700

160 An Art Deco chalcedony pendant, by Jean Després, circa 1925 The shield-shaped silver plaque of tiered geometric design, centrallyset with a large oval cabochon blue chalcedony, signed Després, maker’s mark, numbered, French assay mark, length 7.5cm £1,500-£2,000

158 A sapphire and diamond eternity ring Set with an alternating series of circular-cut sapphire and brilliant-cut diamond two-stone sections, diamonds approx. 0.50 carat total, ring size N £300-£500

Jean Després (1889-1980) was born in Souvigny, France. His father owned a small jewellery shop and sent his son off to be apprenticed in Paris when he was 16. There he studied design at night and spent his free time in the artistic quarters of Monmartre, where he met Georges Braque, Pablo Picasso and Amedeo Modigliani amongst others. During World War I he became a draughtsman for the French Air Force, which was also to later influence his modernistic designs. After the war, Després took over the running of the family business, which was to mark the beginning of his design career.

Innovative with his use of materials, inspired by his artist friends in Paris, he embraced the dramatic contrasts of silver, enamel and semiprecious stones exhibiting at the 1925 Exposition Internationale in Paris. His work was well received and was collected by many important writers and artists including, Anatole France, Paul Signac and Andy Warhol.

Literature: Gabardi, Melissa, “Jean Després; Jeweler, Maker, and Designer of the Machine Age”, Thames & Hudson, New York, 2009.

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161 A cultured pearl and diamond pendant necklace The 10.3mm cultured pearl drop, with brilliant-cut diamond cap and suspension loop, suspended from a fine trace-link chain, lengths: pendant 2.7cm, chain 45.5cm £400-£600 162 A diamond single-stone ring The brilliant-cut diamond, between pear-shaped diamond shoulders, to a platinum hoop, principal diamond approx. 1.00 carat, UK hallmark, ring size I £1,500-£2,000

164 A diamond single-stone ring The cushion-shaped brilliant-cut diamond, between baguette-cut diamond shoulders, principal diamond approx. 1.50 carats, ring size M £1,200-£1,500 165 A garnet and diamond cluster ring The oval-cut garnet, in a four-claw 18 carat white gold setting, within a surround of brilliant-cut diamonds, accented at the shoulders with tapered baguette-cut diamonds, diamonds approx. 0.50 carat total, London hallmark, ring size L½ £800-£1,200

163 A pair of jade bangles Each polished jadeite jade circular bangle of mottled green hues, inner diameters 6.4cm (2) Accompanied by a report from The Gem & Pearl Laboratory stating that the jadeite jade was found to be natural, with no evidence of treatment observed. Report number 15427, date 13th March 2018. £600-£800

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*See inside front cover for information regarding fees

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168 170

166 A diamond single-stone ring The brilliant-cut diamond, in four-claw mount, diamond approx. 0.70 carat, ring size N £600-£800 167 A pair of emerald, ruby and diamond cluster earrings Each oval-cut emerald, within an alternating surround of brilliant-cut diamonds and oval-cut rubies, mounted in 18 carat white gold, post fittings, diamonds aprox. 0.45 carat total, UK hallmark, length 1.6cm £800-£1,200 168 A pair of jade, ruby and diamond earrings Each jadeite jade circlet with a brilliant-cut diamond band accent and circlet surmount, accented with a single cabochon ruby, to a brilliantcut diamond-set hook fitting, diamonds approx. 0.50 carat, length 4.4cm

169 A pair of diamond hoop earrings Each hinged 18 carat white gold hoop, set with brilliant-cut diamonds, diamonds approx. 3.00 carats total, London hallmarks, length 4.0cm £1,800-£2,500 170 A pink sapphire and diamond cluster ring The oval-cut pink sapphire, in a four-claw setting, within a tiered double surround of brilliant-cut diamonds, mounted in 18 carat white gold, diamonds approx. 0.80 carat total, London hallmark, ring size M £1,500-£2,000

Accompanied by a report from GCS stating that the jadeite jade is natural, with no indications of impregnation. Report number 7813829, dated 18th January 2018. £1,000-£1,500

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171 A gold ‘Nouvelle Vague’ ring, by Cartier The 18 carat gold ring of domed design, signed Cartier, numbered, European convention mark, Swiss assay mark, ring size O £300-£400 172 A pair of smoky quartz earrings, by Marina B Each removable square smoky quartz, with a polished hexagonal plaque centre, clip fittings, signed Marina B, maker’s mark, numbered, length 1.9cm, maker’s pouch £250-£300 173 A gold ring, by Tiffany & Co., 2005 The wide 18 carat gold band with rounded edges, signed Tiffany & Co., maker’s mark T&Co., London hallmark, ring size P½, maker’s pouch and box £300-£400

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174 A diamond dress ring, by Cartier The domed oval plaque, pavé-set with brilliant-cut diamonds, to a raised surround and tapered shoulders, diamonds approx. 0.80 carat total, signed Cartier, numbered, ring size N £1,200-£1,500 175 A fancy-link necklace and a turquoise pendant, by Tiffany & Co. The necklace designed as a series of 18 carat gold beads, the pendant a double cabochon turquoise in an 18 carat gold spectacle setting, necklace signed Tiffany & Co., pendant signed Paloma Picasso and T&Co., UK hallmarks, lengths: necklace 40.5cm, pendant 1.8cm, maker’s cases and boxes (2) £400-£600 176 An aquamarine ring, by H. Stern The circular cabochon aquamarine, to a wide tapered hoop with single star-shaped shoulder detail, inset with a single-cut diamond, maker’s mark, ring size K £300-£400

*See inside front cover for information regarding fees

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180

177 179

177 A diamond and enamel winged scarab brooch The scarab in a collet mount with beadwork decoration, between blue, turquoise and white enamel wings with brilliant-cut diamond line detail and surround, diamonds approx. 0.70 carat total, length 9.2cm £500-£700 178 An aquamarine and cultured pearl pendant necklace and earrings,

by Garrard Each 18 carat gold drop set with a heart-shaped cabochon aquamarine and suspending a single cultured pearl, to an articulated surmount, pendant on a belcher-link chain, earrings with post fittings, signed Garrard, maker’s mark, UK hallmarks, lengths: chain 45.0cm, pendant 3.0cm, earring 3.1cm (2) £800-£1,200

180 Two pairs of cufflinks 1st: Double-sided, each bi-colour circular plaque terminal to a twin bar connector; 2nd: Set with a George V sovereign, to a bar terminal, 1st with Austrian assay marks, terminal lengths 1.1cm and 1.9cm (2) £400-£600 The last British gold sovereign struck for circulation was in 1917. In World War II they needed to give the airmen some money to buy their freedom if they were caught. What better money than gold sovereigns, known and used all over the world. There was legislation in place to issue a sovereign in 1925, but they were never released into circulation. They sat in the gold vaults of the Bank of England and were most likely those used during the Second World War in the airmen’s survival kit.

179 A pair of baroque cultured pearl, aquamarine and diamond pendent earrings Each baroque cultured pearl, inset with a collet-set oval-cut aquamarine, suspended from a line of brilliant-cut diamonds, post fittings, length 3.7cm £300-£500

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181

182 184 183

181 λ A coral bead necklace Composed of three graduated strands of 4.4-11.2mm coral corallium rubrum beads, to a bouton-shaped coral three-stone clasp, one boutonshaped coral deficient, length 47.0cm £500-£700 182 An agate bracelet and earrings, second half of the 19th century The bracelet composed of graduated oval cabochon banded agate in pinched collet mounts; each earring similarly-set with an oval cabochon moss agate, hook fittings, lengths: bracelet 17.3cm, earring 3.1cm (2) £200-£300

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183 λ A group of coral studs and buttons, circa 1860-80 Comprising two carved coral studs encircled by a snake mount; six bouton-shaped coral studs; and three larger and three smaller bouton-shaped coral buttons, all corallium rubrum, lengths 1.0cm-1.3cm (14) (partially illustrated) £200-£300 184 An early 20th century Shakudo-style necklace Composed of seven graduated flowerhead-shaped plaques, suspending a butterfly pendant with navette-shaped drop, each plaque of dark coloured silver alloy inlaid with silver, gold and copper, to a base metal backchain, lengths: pendant 6.9cm, necklace 41.5cm £200-£300

*See inside front cover for information regarding fees

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185 189

188 186

190

185 A late 19th century pink sapphire, opal and diamond pendant necklace The heart-shaped locket set to the front with an old brilliant-cut diamond between oval cabochon opals and an oval-cut and a pearshaped pink sapphire above and below, the reverse with engraved decoration, to a later trace-link chain, locket with French maker’s mark and assay mark, lengths: pendant 3.4cm, chain 43.0cm £250-£350 186 A ruby, diamond and enamel brooch, first quarter of the 20th century The green guilloché enamel bar, applied with an old brilliant-cut diamond snake terminating in a ruby-set engraved head finial, composite, later pin with workmaster mark for Feodor Afanassiev and spurious Russian marks, snake tail with indistinct marks, length 5.0cm, fitted case £600-£800 187 Three late 19th / early 20th century enamel jewels 1st: The bluish green enamel heart-shaped brooch, with seed pearl surround and a circular-cut ruby centre; 2nd: The red enamel heartshaped pendant, with a central half-pearl and pink sapphire flowerhead cluster; 3rd: The green enamel heart-shaped pendant, within a half-pearl surround, one seed pearl deficient, lengths: 1.8cm, 3.0cm and 2.5cm (3) £200-£300

188 An opal and diamond ring The oval cabochon opal, between graduated old brilliant-cut diamond shoulders, diamonds approx. 0.70 carat total, ring size P £300-£500 189 Two amber necklaces 1st: A graduated strand of 6.8-13.4mm oblong amber beads, 2nd: A strand of 7.2-13.4mm off round amber beads, lengths 1st: 49.5cm, 2nd: 67.0cm (2) Accompanied by a report from GCS stating that the amber, weighing 68.38 grams, is natural, of Baltic origin, with no indications of heating. Report number 78140-05, dated 6th February 2018. £500-£700 190 An opal and diamond ring Set with graduated oval cabochon opals, spaced by old brilliant-cut diamonds, mounted in 18 carat gold, partial London hallmark, ring size N £250-£350

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194

195

196 193

191 192

191 A pair of emerald and diamond cluster earrings Each designed as a line of oval-cut emeralds within a brilliant-cut diamond surround, mounted in 18 carat white gold, diamonds approx.

2.30 carats total, London hallmarks, length 5.8cm £1,500-£2,000 192 A diamond band ring The wide pierced band of floral design, set with brilliant-cut diamonds, between similarly-cut diamond borders, diamonds approx.

1.10 carats total, ring size K (leading edge) £400-£600 193 A diamond line bracelet Composed of a continuous row of brilliant-cut diamonds, in 18 carat white gold four-claw settings, diamonds approx. 3.60 carats total, UK hallmark, length 18.4cm £2,500-£3,500

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194 An emerald and diamond ring The square step-cut emerald, in a four-claw setting, to a surround and shoulders set with brilliant-cut diamonds, mounted in 18 carat white gold, diamonds approx. 1.10 carats total, London hallmark, ring size Q £1,800-£2,200 195 A ‘Happy Diamond’ bracelet, by Chopard The 18 carat white gold belcher-link chain set with a glazed compartment in a heart-shaped frame, containing a single ‘floating’ diamond collet, signed Chopard, numbered, European convention mark, length 17.8cm, maker’s case, bag and certificate of authenticity £500-£700 196 An emerald and diamond pendant necklace The pear-shaped emerald, to a brilliant-cut diamond single-stone surmount, to an 18 carat white gold mount and flattened curb-link chain, diamond approx. 0.30 carat, UK hallmarks, lengths: pendant 2.6cm, chain 46.5cm £1,500-£2,000

*See inside front cover for information regarding fees

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197

200 199

201

198

197 An emerald and diamond dress ring Designed as two crossover bands, set with twin rows of circular-cut emeralds, between brilliant-cut diamond borders, diamonds approx.

0.30 carat total, ring size K £300-£400 198 A pair of emerald and diamond pendent earrings Each oval-cut emerald and pear-shaped rose-cut diamond cluster within an openwork frame set with vari-cut emeralds and diamonds, to a twin marquise and brilliant-cut diamond and oval-cut emerald line suspension and vari-cut emerald and diamond surmount, post and clip fittings, brilliant-cut diamonds approx. 2.40 carats total, length 6.4cm £1,500-£2,500

200 A diamond ‘Comète’ pendant necklace, by Chanel The 18 carat white gold star set with brilliant-cut diamonds, suspended from a trace-link chain, diamonds approx. 0.25 carat total, pendant signed Chanel, numbered, UK hallmark and French assay mark, lengths: pendant 1.6cm, chain 51.3cm, maker’s case and certificate of authenticity £1,000-£1,500 201 A pair of green garnet and diamond earrings, by Pasquale Bruni Each brilliant-cut diamond and circular-cut green garnet flowerhead cluster, to a tapered brilliant-cut diamond surmount, hook and clip fittings, diamonds approx. 0.65 carat total, signed Pasquale Bruni, length 2.5cm £500-£700

199 A diamond single-stone ring The brilliant-cut diamond, in a four-claw setting, to a polished band, diamond approx. 0.45 carat, ring size N £300-£500

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*See inside front cover for information regarding fees

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206

205

204

203

202

202 A pair of diamond pendent earrings, circa 1880 Each pear-shaped diamond swing centre within a foliate surround set with old brilliant-cut diamonds, to a similarly-cut diamond line suspension, and trefoil surmount, screw back fittings, principal diamonds approx. 2.10 carats total, remaining diamonds approx. 4.00 carats total, composite, length 7.7cm £7,000-£9,000 203 A pair of pink sapphire and diamond earrings Each cushion-shaped pink sapphire and old brilliant-cut diamond cluster, to a similarly-cut diamond single-stone surmount, post and clip fittings, diamonds approx. 1.10 carats total, one brilliant-cut diamond replacement, length 1.7cm £1,500-£2,000 204 A rock crystal and diamond pendant, circa 1890 The rock crystal heart framed by rose-cut diamond points, with a glazed reverse, to a bow surmount set with rose-cut diamonds, mounted in silver and gold, length 6.4cm £200-£300

207

205 A mid 19th century diamond ring The curved plaque set with three rows of old mine-cut diamonds, in closed-back settings, diamonds very approx. 0.50 carat total, ring size L £250-£300 206 A pair of diamond earrings, circa 1890 Each old brilliant-cut diamond swing centre within a cartouche surround set throughout with old brilliant-cut diamonds, mounted in silver and gold, later post fittings, principal diamonds approx. 2.80 carats total, remaining diamonds approx. 4.00 carats total, length 2.5cm £10,000-£15,000 207 A 19th century diamond slide Of tiered openwork cluster design, set with rose-cut diamonds in foiled closed-back settings, Dutch assay mark, length 2.9cm £200-£300

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211

209

210 208 213

212

208 A ruby and diamond necklace The oval cabochon ruby within a hexagonal surround set with brilliant-cut diamonds, to a flattened curb-link chain, length 39.5cm £700-£900

211 A ruby half-hoop ring Channel-set with a series of square-cut rubies, partial UK hallmark, ring size O £400-£600

209 λ A pair of coral earrings and a ring Each earring suspending a coral drop to a chain connection and oval cabochon coral surmount, in 14 carat gold, post fittings; the ring of reeded design, collet-set with an oval cabochon coral, all coral corallium rubrum, earrings with UK import marks, earring length 5.5cm, ring size O (2) £250-£350

212 Three rings, by Gurhan The first designed as a spiral of hammered finish; the other two as bands of hammered finish, collet-set with a single circular-cut treated black diamond or ruby, each signed Gurhan, ring size M (3) £250-£300

210 A diamond line bracelet Composed of baguette-cut diamond three-stone sections, mounted in 18 carat gold, diamonds approx. 3.10 carats total, UK hallmark, length 18.2cm £300-£400

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213 A pink tourmaline and diamond dress ring The oval-cut pink tourmaline, in a four-claw setting, between wide shoulders pavé-set with brilliant-cut diamonds, diamonds approx.

0.55carat total, ring size S½ £250-£350

*See inside front cover for information regarding fees

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215

216

214

217 218

214 A set of three gem-set rings Each 18 carat gold tapered band inset with a single oval-cut emerald, ruby, or sapphire, UK import marks, ring size L (3) £300-£500 215 An emerald, ruby and sapphire bead necklace The front set with three lines of emerald, ruby and sapphire beads with rondelle spacers, to a bar-link necklace, length 41.0cm £400-£600

217 A fancy-link bracelet Of gate-link design, French assay marks, length 18.0cm £400-£600 218 A sapphire single-stone ring, by Cartier The circular-cut sapphire in a half-collet setting, to a tapered hoop, signed Cartier, maker’s mark, numbered, French assay mark, ring size O £400-£600

216 A ruby and diamond three-stone ring, by Tiffany & Co. The oval cushion-shaped ruby between brilliant-cut diamonds, to an 18 carat gold hoop, diamonds approx. 0.60 carat total, signed Tiffany &Co., UK hallmark, ring size K £2,000-£3,000

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220 221

222 219 223

219 A tanzanite and diamond dress ring The oval-cut tanzanite collet-set within a square plaque set with brilliant-cut diamonds, between similarly-cut diamond shoulders, diamonds approx. 0.70 carat total, ring size N £600-£800 220 A pair of tanzanite and diamond pendent earrings Each set with an oval-cut tanzanite five-stone cluster within a starshaped openwork drop set with circular-cut diamond points, to an oval-cut tanzanite and diamond cluster surmount, post fittings, one diamond deficient, length 5.8cm £300-£500 221 A pair of jade bangles Each polished circular jadeite jade bangle of mottled lavender and green hues, inner diameters 5.8cm and 6.0cm (2)

222 A colour-change sapphire and diamond ring The circular-cut sapphire, weighing 6.38 carats, in a double four-claw setting, between shoulders set with a trio of brilliant-cut diamonds, mounted in 18 carat white gold, diamonds approx. 0.25 carat total, London hallmark, ring size L½ Accompanied by a report from The Gem & Pearl Laboratory stating that the colour-change sapphire appears blue in daylight and purple in incandescent light, is of Madagascan origin, with no indications of heat treatment. Report number 15294, dated 9th February 2018. £3,000-£5,000 223 A pair of diamond and gem-set earrings Each openwork single-cut diamond navette-shaped surmount, suspending an articulated line of citrine, amethyst and peridot briolettes, one briolette deficient, length 5.2cm £250-£350

Accompanied by a report from The Gem & Pearl Laboratory stating that the jade was found to natural, with no evidence of treatment observed. Report number 15440, dated 16th March 2018. £600-£800

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*See inside front cover for information regarding fees

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225

224

227 228 226 224 † A group of unmounted gemstones Comprising four oval-cut sapphires, weighing 2.28, 3.38, 3.72 and 3.72 carats, one square cushion-shaped sapphire, weighing 2.69 carats, and four oval-cut amethysts, weighing 1.60, 2.26, 2.50, 2.68 carats (9) ***Please note VAT will be charged at the full rate on both the Hammer Price as well as the Buyer’s Premium*** £800-£1,200 225 An amethyst and diamond cluster ring The oval fancy-cut amethyst, within a surround of brilliant-cut diamonds, between bifurcated shoulders set with similarly-cut diamonds, in closed-back settings, diamonds approx. 0.40 carat total, ring size O½ £400-£600

227 A pair of amethyst and diamond pendent earrings Each pear-shaped amethyst, with a brilliant-cut diamond chevron cap, suspended from a line of baguette and brilliant-cut diamonds, mounted in 18 carat white gold, diamonds approx. 1.00 carat total, London hallmarks, length 5.7cm £1,000-£1,500 228 A violet sapphire and diamond ring The circular-cut violet sapphire, weighing 2.59 carats, within a brilliant-cut diamond surround, between similarly-set bifurcated shoulders, diamonds approx. 0.30 carat total, ring size S Accompanied by a report from GRS stating that the sapphire is of Sri Lankan origin, with no indication of thermal treatment. Report number GRS2007-050674, dated 10th May 2007. £1,200-£1,500

226 A cultured pearl and sapphire necklace The graduated row of 15.1-17.2mm cultured pearls, to a pavé-set circular-cut sapphire lobster clasp, length 48.5cm £2,500-£3,000 51

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233

232

229

231

230

229 λ A mother-of-pearl and diamond dress set Comprising a pair of double-sided cufflinks, four buttons and two studs, each square mother-of-pearl plaque centrally collet-set with a single-cut diamond, terminal lengths: cufflinks and buttons 1.0cm, studs 0.7cm, fitted case (7) £250-£350 230 A pair of diamond and gem-set earrings Each stylised cornucopia set with curved lines of brilliant-cut diamonds, to a cluster of carved ruby, sapphire and emerald leaves, with brilliant-cut diamond accents, articulated post and clip fittings, diamonds approx. 1.00 carat total, length 2.7cm £3,000-£4,000 231 An Art Deco onyx and diamond bow brooch, circa 1925 Set with opposing later carved onyx panels to single and old brilliant and single-cut diamond-set openwork terminals of floral and geometric design, French assay marks, length 6.0cm £1,500-£2,000

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232 A ruby and diamond ring The cut-cornered rectangular-cut ruby, weighing 1.01 carats, in a millegrain collet-setting, between single-cut diamond shoulders, ring size L Accompanied by a report from GCS stating that the ruby is of Burmese origin, with no indications of heating. Report number 78136-22, dated 2nd January 2018. £1,000-£1,500 233 A pair of diamond and cultured pearl earrings, circa 1950 Each designed as a scroll of old brilliant and rose-cut diamonds, centring around a 6.2mm cultured pearl, later post fittings, original screwback fittings provided, old brilliant-cut diamonds approx. 0.50 carat total, length 2.1cm, fitted case by Arthur Saunders & Co., 5 Southampton Row, London W.C.1 £500-£700

*See inside front cover for information regarding fees

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234

238

235

237 236

234 An Art Deco synthetic ruby and diamond spider web brooch, circa 1930 The circular plaque of pierced spider web design, with old brilliant and single-cut diamond accents, mounted with a similarly-cut diamond and oval-cut synthetic ruby spider, later brooch fitting, diamonds approx. 0.35 carat total, length 4.5cm £450-£650 235 A ruby and diamond ring The oval-cut ruby, in a four-claw setting, between baguette-cut diamonds, within a surround of brilliant-cut diamonds, mounted in 18 carat white gold, diamonds approx. 0.50 carat total, London hallmark, ring size N £1,200-£1,500

237 A diamond dress ring Designed as three bands, each centrally-set with a cushion-shaped diamond, between courses of similarly-cut diamonds in collet and navette-shaped settings, diamonds approx. 1.30 carats total, ring size Q £600-£800 238 λ A mother-of-pearl dress set, first half of the 20th century Comprising a pair of double-sided cufflinks and four buttons of rectangular outline accompanied by a pair of round studs, each terminal mounted with a mother-of-pearl plaque with central crossover detail, within a reeded frame, terminal lengths: cufflinks and buttons 1.2cm, studs 0.7cm, fitted case (7) £400-£600

236 A ruby and diamond eternity ring Set with an alternating series of square-cut ruby and brilliant-cut diamond three-stone sections, diamonds approx. 0.30 carat total, ring size N £250-£350

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*See inside front cover for information regarding fees

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240

239

241 244

243 242

239 A sapphire and diamond dress ring The circular-cut sapphire, to an old brilliant-cut diamond four stone half-surround, set opposite a single old brilliant-cut diamond, to a curved hoop with scroll shoulders, diamonds approx. 2.50 carats total, ring size P £1,800-£2,200 240 A pair of sapphire and diamond earrings Each cluster of brilliant-cut diamonds, surrounded by oval-cut sapphires, mounted in 18 carat white gold, UK hallmarks, length 0.9cm £250-£350 241 A diamond and sapphire necklace and bracelet suite The undulating line of brilliant-cut diamonds set with a series of ovalcut sapphires, diamonds approx. 15.00 carats total, lengths: necklace 38.5cm, bracelet 19.2cm (2) £5,000-£7,000

242 A pair of diamond pendent earrings Each pear-shaped drop, set with a cluster of marquise, square-cut and pear-shaped diamonds, to a brilliant-cut diamond surround and line surmount, post fittings, diamonds approx. 1.00 carat total, length 2.7cm £1,000-£1,500 243 A sapphire and diamond cluster ring The oval-cut sapphire, within a surround of brilliant and baguettecut diamonds, diamonds approx. 2.50 carats total, ring size P Accompanied by a report from GCS stating that the sapphire, weighing approximately 3.8 carats, is of Burmese origin, with no indications of heating. Report number 78146-05, dated 21st March 2018. £5,000-£8,000 244 A diamond single-stone ring The princess-cut diamond between banded shoulders, to an 18 carat white gold hoop, diamond approx. 1.00 carat, UK hallmark, ring size O £1,000-£1,500

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249 246

245

247

248

245 Two micromosaic and malachite jewels, circa 1870 Each with an oval micromosaic of a figure in traditional dress, mounted on a malachite plaque, within a scrolling openwork surround with filigree and beadwork decoration, one with detachable brooch fitting, the second without fittings, some damage to plaques, lengths 5.1cm and 4.1cm (2) £1,500-£2,000 246 A pair of late 19th century pendent earrings Each of openwork rhombus outline applied with overlapping bands set with cabochon turquoise and half-pearls, to a similarly-shaped surmount set with a single turquoise, suspending a torpedo-shaped drop, hook fittings, length 6.7cm £250-£350

248 A late 19th century Assyrian revival brooch The rectangular plaque with applied engraved figures, within a beadwork and ropetwist frame, to a surround of geometric design with beadwork detail, to a locket reverse, width 4.3cm £350-£450 249 A pair of pendent earrings, circa 1860 Of Etruscan revival design, each ovoid bead within a curved oval openwork surround with fine ropetwist detailing, to a bow suspension, hook fittings, maker’s mark, length 5.5cm £300-£500

247 A diamond five-stone ring Set with a graduated line of cushion-shaped diamonds, the largest to the centre, to a scrolling gallery, diamonds approx. 1.10 carats total, ring size N½ £400-£600

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*See inside front cover for information regarding fees

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250

254 251

253 253

252

250 A late 19th century half-pearl and diamond ring The quatrefoil cluster of half-pearls, accented with diamond points, between old single-cut diamond shoulders, ring size P £250-£350 251 Three hardstone cameo stickpins, 19th century 1st: The oval sardonyx plaque, depicting Jupiter in profile facing right, mid to late 19th century, 2nd: The oval agate plaque, depicting Triton in profile facing right, early 19th century, 3rd: The oval onyx plaque, depicting Plato in profile looking left, mid to late 19th century, 1st: later pin with French assay mark, cameo measurements 1st: 21.7x15.4mm, 2nd: 2.1x15.8mm and 2.2x1.7mm (3) £250-£350 252 λ A 19th century coral brooch Of Etruscan revival design, the tiered circular brooch with beadworkand ropetwist decoration, centrally-set with a coral corallium rubrum bead, to a glazed locket reverse, length 3.1cm £200-£300

253 Two pairs of late 19th century gold earrings 1st: Of Etruscan revival design, each tapered curved drop with a bead frame, suspending an elongated bead swing centre, to a bead surmount, hook fittings; 2nd: Each designed as an engraved oval circlet, to a similarly designed surmount, hook fittings, lengths: 4.4cm and 3.2cm (2) £250-£350 254 A hardstone cameo brooch / pendant, circa 1860 The oval hardstone cameo depicting Ceres in profile, within a beadwork surround and openwork frame with bead and wirework decoration, and pearl-set quarters, to a bifurcated detachable suspension loop accented with a pearl, pearls untested, length 6.9cm, fitted case £500-£700

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256

257

255

258 A nephrite and pearl ‘Japanese’ necklace, by René Boivin, 1911 Of stylised bib form, the fluted nephrite demi lune decorated with realistically modelled cherry blossoms, suspending a fringe of 4.54.7mm pearls and nephrite beads and drops, to a box and belcher-link backchain, the clasp suspending a similarly designed nephrite drop, maker’s mark RB between a snake, French assay marks, pearls untested, two drops deficient, necklace length 63.6cm £2,000-£3,000 Provenance: From a private London collection since the late 1950s / early 1960s. Thence by descent.

255 A nephrite cross pendant The polished nephrite cross, mounted on a detachable fleur-de-lys and beadwork frame, suspended from an associated aventurine quartz bead suspension, length 9.0cm £200-£300 256 A diamond three-stone ring Set with three graduated old brilliant-cut diamonds, to a crossover hoop, principal diamond approx. 1.00 carat, remaining diamonds approx.

0.80 carat total, ring size O £2,500-£3,000 257 A late 19th century green beryl and diamond pendant/brooch The cushion-shaped cabochon green beryl, to an openwork foliate frame and trefoil surmount set with old brilliant-cut diamonds, suspending a large cushion-shaped cabochon green beryl and old brilliant-cut diamond cluster drop, between twin circular cabochon green beryl and similarly-cut diamond two-stone drops, diamonds approx. 2.20 carats total, length 7.5cm £2,500-£3,000

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Literature: A version of this necklace is illustrated in Cailles, Francoise, “René Boivin Jeweller”, Quartet Books, London, 1994, page 48.

This necklace had been verbally authenticated from images by Francoise Cailles, April 2018.

René Boivin (1864-1917) established one of the most original and respected jewellery houses of the 20th century.

Boivin was considered “the jeweller of the intelligentsia”. He was particularly drawn to naturalistic themes, including flowers and animals. He also had a preference for using unusual materials and semi-precious stones such as wood and moonstones. “For his more daring clients, he would design bold, unconventional models that prefigured future trends.” (Cailles, page 29.) Around the year 1910 Boivin developed an interest in the Iron Age, Mesopotamian, Assyrian and Japanese themes in his jewellery. The collections met with mixed reception and some of the more unusual pieces are now highly prized as collectors’ pieces.

Following Boivin’s premature death in 1917, his wife took the unusual move to continue the company. Her strong design Image courtesy of ethic was complemented by her assistants, Francoise Cailles and including Suzanne Belperron, and brought Quartet Books the house global acclaim.

259 A collection of jewellery boxes (18) £80-£120 *See inside front cover for information regarding fees

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Index of Makers Maker

Lot Number

Angela Cummings ......................................................13 Asprey ..................................................................38, 101 Bjorn Weckstrom ......................................................137 Boodle & Dunthorne ..............................................9, 75 Catherine Prevost ..76, 77, 78, 79, 80, 81, 82, 83, 84, 85 Cartier ........3, 7, 15, 69, 71, 98, 132, 148, 171, 174, 218 C.G. Hallberg ..............................................................97 Chanel ..................................................................11, 200 Chopard ..............................................................14, 195 Garrard ......................................................................178 Georg Jensen ....................134, 135, 136, 138, 139, 140 Georgina Smith ............................................................17 Gucci ......................................................................6, 133 Gurhan ......................................................................212 H. Stern ....................................................................176 Jean Després ..............................................................160

Maker

Lot Number

Lapponia ....................................................................137 Levinger & Bissinger ................................................151 Marina B ....................................................................172 Maskada ......................................................................10 Nana Ditzel ................................................................138 Pablo ..........................................................................150 Pasquale Bruni ..........................................................201 Pomellato ....................................................................70 René Boivin ..............................................................258 Schlumberger ..............................................................12 Søren Georg Jensen ..................................................135 Tiffany & Co. ............1, 2, 12, 32, 65, 73, 173, 175, 216 Thornhill ....................................................................29 Torun ........................................................................139 Van Cleef & Arpels ....................................................145

Diamond Grading GIA Colour Grade Colourless

D E F

Diamond appears colourless both table-down and face-up.

Near Colourless

G H I J

Diamond displays a slight tint of colour when viewed table-down and appears colourless when viewed face-up.

Faint

K L M

Diamond displays obvious colour when viewed table-down and a slight tint of colour when viewed face-up.

Very Light

N O P Q R

Diamond displays obvious colour in both the table-down and face-up position.

Light

S T U V W X Y Z

Diamond displays obvious colour in both the table-down and face-up position.

Fancy Colours

Z+

Diamond displays darker tone or more colour saturation than a Z masterstone.

IF

Internally Flawless

No inclusions or blemishes visible at 10x magnification.

VVS1 - VVS2

Very Very Slightly Included

No inclusions and only insignificant blemishes visible at 10x magnification.

VS1 - VS2

Very Slightly Included

Minute inclusions that range from extremely difficult to very difficult to see at 10x magnification.

SI1 - SI2

Slightly Included

Noticeable inclusions that are easy or very easy to see at 10x magnification.

I1 – 13

Included

Obvious inclusions visible at 10x magnification.

GIA Clarity Grading

Chiswick 15th May Jewellery pages.qxp_Layout 2 18/04/2018 14:36 Page 61

An invitation to consign for

Jewellery

A 48.95 carat Colombian emerald, estimate £25,000 - £30,000

Already Consigned

FOR ENQUIRIES CONTACT Head of Department, Sarah Duncan sarah@chiswickauctions.co.uk

A 10.98 carat Zambian emerald, estimate £5,000 - £7,000

26 JUNE 18 SEPTEMBER Summer Jewels Jewellery

Chiswick 15th May Jewellery pages.qxp_Layout 2 18/04/2018 14:36 Page 62

Luxury Week with Chiswick Auctions

15 MAY Watches

SELECTED HIGHLIGHTS

Chopard. An 18K white gold quartz calendar chronograph wristwatch £1,000 - £1,500

Piaget. An 18K white gold and diamond set quartz bracelet watch £5,000 - £6,000

Chiswick 15th May Jewellery pages.qxp_Layout 2 18/04/2018 14:36 Page 63

Matthew Caddick Head of Department matt@chiswickauctions.co.uk

.IJMZOu ) ÅVM ZIZM IVL ]V_WZV XTI\QV]U hand wound wristwatch £70,000 - £100,000

Rolex. A mid sized stainless steel/gold automatic calendar bracelet watch £1,200 - £1,800

Chiswick 15th May Jewellery pages.qxp_Layout 2 18/04/2018 14:36 Page 64

Luxury Week with Chiswick Auctions

16 MAY Designer Handbags & Fashion

SELECTED HIGHLIGHTS

Louis Vuitton Epi Noir Electric Alma GM £700 - £1,000

Hermes Brighton Blue Clemence Birkin 35 £4,000 - £6,000

Chiswick 15th May Jewellery pages.qxp_Layout 2 18/04/2018 14:36 Page 65

Meg Randell Head of Department meg@chiswickauctions.co.uk

Hermes Black Crocodile Kelly 32 £5,000 - £8,000

Christian Dior Blue Lady Dior Large Tote £800 - £1,200

Chiswick 15th May Jewellery pages.qxp_Layout 2 18/04/2018 14:36 Page 66

<MZU[ IVL +WVLQ\QWV[ NWZ *]aMZ[ I\ +PQ[_QKS )]K\QWV[

1. BEFORE THE SALE 1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer. ,MĂ&#x2026;VQ\QWV[ For the purposes of the current Terms and Conditions, the Seller shall JM LMĂ&#x2026;VML I[ \PM W_VMZ WN \PM /WWL[ 1\ Q[ QUXTQML \PI\ \PM ;MTTMZ Q[ \PM legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply. +I\ITWO]M LM[KZQX\QWV[ Any representation in any catalogue or otherwise as to the origin, date, age, attribution, genuineness or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description.

The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof.

Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good.

1V[XMK\QWV Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them. +WVLQ\QWV ZMXWZ\ CA Ltd may issue a Condition Report on request prior to the sale. <PQ[ +WVLQ\QWV :MXWZ\ Q[ NWZ QLMV\QĂ&#x2026;KI\QWV X]ZXW[M[ WVTa IVL KIVVW\ JM considered as giving a precise account of the Lotâ&#x20AC;&#x2122;s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report.

As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyerâ&#x20AC;&#x2122;s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto.

-TMK\ZQKIT[ )TT MTMK\ZQKIT Q\MU[ IZM [WTL I[ [MMV IVL +) 4\L Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZ[ VW O]IZIV\MM I[ \W the working condition of such items or their safety.

1\ Q[ \PM *]aMZÂź[ L]\a \W \ISM VMKM[[IZa [\MX[ \W JM I[[]ZML \PI\ \PM 4W\ is safe for normal use.

-[\QUI\M[ Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the 66

condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates.

1.8 Reserves 5IVa 4W\[ IZM Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZML []JRMK\ \W I ZM[MZ^M _PQKP Q[ \PM KWVĂ&#x2026;LMV\QIT minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids. ! :MOQ[\ZI\QWV \W \PM [ITM 6M_ JQLLMZ[ _QTT VMML \W ZMOQ[\MZ XZQWZ \W \PM [ITM 1\ Q[ [\ZWVOTa advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneerâ&#x20AC;&#x2122;s entire discretion.

1V\MZVI\QWVIT JQLLMZ[ UIa JM ZMY]QZML \W ZMOQ[\MZ PW]Z[ JMNWZM \PM sale and to submit bank details.

A deposit may be requested prior to each sale.

Failure to register shall result in the impossibility for the bidder to purchase a Lot. 8ZWWN WN QLMV\Q\a Bidders not previously known to CA Ltd will be required to provide: Â&#x152; 7â&#x20AC;ŤŮťâ&#x20AC;ŹKQIT XZWWN WN QLMV\Q\a QV \PM NWZU WN I XI[[XWZ\ WZ XPW\WKIZL LZQ^QVO TQKMVKM 6W W\PMZ NWZU[ WN 1, IZM IKKMX\IJTM Â&#x152; 8ZWWN WN ILLZM[[ WN UIQV ZM[QLMVKM 7VTa Wâ&#x20AC;ŤŮťâ&#x20AC;ŹKQIT LWK]UMV\[ showing name and address will be accepted. â&#x20AC;˘ Both landline and mobile telephone numbers â&#x20AC;˘ A bank reference for foreign bidders may be requested Â&#x152; +WZXWZI\M KTQMV\[ _QTT PI^M \W XZW^QLM I KMZ\QĂ&#x2026;KI\M WN QVKWZXWZI\QWV XZQWZ \W \PM I]K\QWV ITWVO _Q\P \PM ZMXZM[MV\I\Q^MÂź[ 1, QV IKKWZLIVKM with the abovementioned requirements for proof of identity.

Any Bidder that does not match the provided identity for registration may not purchase during the sale.

2. DURING THE SALE )\\MVLIVKM I\ I]K\QWV Attending the auction in person is recommended.

CA Ltd has the right in their absolute discretion to refuse participation QV IVa I]K\QWV \W ZMRMK\ IVa JQL IVL \W ZMN][M ILUQ[[QWV \W \PM XZMUQ[M[ Bidders are not obliged to be present in person at the auction.

Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale.

8MZ[WVIT JQLLQVO Bidders attending the auction in person shall be required to collect a number plate prior to the sale.

*See inside front cover for information regarding fees

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+WUUQ[[QWV JQL[ +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KIZZa W]\ +WUUQ[[QWV JQL[ received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it. +WUUQ[[QWV JQL[ [PITT JM M`MK]\ML I\ \PM TW_M[\ XW[[QJTM XZQKM []JRMK\ to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyerâ&#x20AC;&#x2122;s responsibility to check if they have been successful in purchasing a Lot. 1V \PM M^MV\ WN U]T\QXTM KWUUQ[[QWV[ I\ \PM [IUM XZQKM \PM KWUUQ[[QWV set at the older date shall be taken into account.

<ZIV[NMZ WN ZQ[S[ Purchased Lots shall be at the Buyerâ&#x20AC;&#x2122;s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

<MTMXPWVM JQL[ 1N I JQLLMZ Q[ VW\ IJTM \W I\\MVL QV XMZ[WV IV I]K\QWV +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KWV\IK\ XZW[XMK\Q^M *]aMZ[ _PW UISM IZZIVOMUMV\[ prior to commencement of the sale to bid by telephone. +) 4\L KIVVW\ JM PMTL ZM[XWV[QJTM QV \PM M^MV\ WN Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\Q^Q\a resulting in the loss of a chance of purchasing the Lot for the Bidder.

/ZW]VL[ NWZ KIVKMTTI\QWV ]VLMZ \PM XZM[MV\ [MK\QWV [PITT QVKT]LM J]\ VW\ be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences WZ KMZ\QÃ&#x2026;KI\M[ IVa []J[MY]MV\ KPIVOM[ QV LWUM[\QK WZ QV\MZVI\QWVIT legislations restricting the sale of export of goods etc.

1V \PM M^MV\ WN QV\MZVM\ WVTa I]K\QWV[ \PM *]aMZ [PITT PI^M I LIa right to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

1V\MZVM\ JQL[ Some sales may be available to internet bidding, as well as personal I\\MVLIVKM 1V \PQ[ M^MV\ +) 4\L [PITT VW\ JM PMTL ZM[XWV[QJTM NWZ Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\QWV *QLLQVO WV JMPITN WN [WUMWVM ) *]aMZ UIa JQL Ja XZW`a 1V \PQ[ M^MV\ XZWWN WN QLMV\Q\a WN JW\P \PM Buyer and the proxy must be communicated to CA Ltd prior to the sale.

A copy of the mandate shall also be required. *QLLQVO WV IV Q\MU Bid incrementing is at the auctioneerâ&#x20AC;&#x2122;s entire discretion. >QLMW \ZIV[UQ[[QWV For the purpose of the sale, Lots may be displayed on video during the I]K\QWV 1V \PM M^MV\ WN \ZIV[UQ[[QWV Q[[]M[ +) 4\L [PITT VW\ JM PMTL responsible for any subsequent outcome. ! 7VTQVM WVTa I]K\QWV[ Some auctions may be available to bidders only through an online XTI\NWZU 1V \PQ[ M^MV\ *]aMZ[ PI^M I LIa XMZQWL I\ ZMKMX\QWV WN \PM Lot to withdraw from the sale, in accordance with EU Consumer Law. ,Q[X]\M ZM[WT]\QWV L]ZQVO \PM I]K\QWV Any dispute shall be settled at the auctioneerâ&#x20AC;&#x2122;s absolute discretion.

Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneerâ&#x20AC;&#x2122;s entire discretion.

3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller.

The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. ?PMV I *]aMZ X]ZKPI[M[ U]T\QXTM 4W\[ MIKP 4W\ Q[ \PM []JRMK\ WN I separate contract of sale. <ZIV[NMZ WN XZWXMZ\a Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyerâ&#x20AC;&#x2122;s premium, relevant taxes, and costs in relation to shipping.

+IVKMTTI\QWV WN \PM [ITM At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter.

Under no circumstances can the Buyer cancel the sale.

CA Ltd may at its entire discretion, during or after the auction, cancel \PM [ITM WN \PM 4W\ WZ ZMWâ&#x20AC;«Ùºâ&#x20AC;¬MZ IVL ZM[MTT \PM 4W\ QN Q\ JMKWUM[ I_IZM WN any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

3.5 Returns and refunds CA Ltd will only issue a refund using the same method of payment originally used by the Buyer to pay for the purchase, or by bank transfer.

The Buyerâ&#x20AC;&#x2122;s refund will be processed without undue delay and in any M^MV\ _Q\PQV VW UWZM \PIV LIa[ WN \PM LIa \PM *]aMZ OI^M +) 4\L notice of cancellation.

1N \PM *]aMZ M`MZKQ[M[ \PMQZ ZQOP\ WN ZM\ZIK\QWV _PMV I]\PWZQ[ML \W LW [W

by Law, CA Ltd shall proceed to issue a complete refund, comprising the hammer price of the Lot, buyerâ&#x20AC;&#x2122;s premium and shipping fees. However return fees shall remain at the expense of the Buyer.

4. AFTER THE SALE 8IaUMV\ All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted. +I[P XIaUMV\[ [PITT VW\ JM ZMKMQ^IJTM NWZ IUW]V\[ W^MZ Ã&#x201A; ZMOIZLTM[[ of the payment being for one or multiple Lots.

Payments made by someone other than the registered Buyer shall not be accepted.

Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer. *]aMZ¼[ 8ZMUQ]U The Buyer will pay CA Ltd a premium of 25% on the hammer price XT][ >)< WV \PI\ KWUUQ[[QWV WV \PM Ã&#x2026;Z[\ Â&#x160; IVL XT][ >)< WV \PM JITIVKM \PMZMIN\MZ ) *]aMZ¼[ 8ZMUQ]U WN ! XT][ >)< Q[ charged on Wine & Spirits Lots.

The standard rate of VAT is charged on the premium except on Lots marked â&#x20AC;&#x2DC;â&#x20AC; â&#x20AC;&#x2122; where normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium.

1V WZLMZ \W ZMKMQ^M I ZMN]VL WN >)< IUW]V\[ 1UXWZ\ >)< I[ applicable) non-EU buyers must: (a) have registered to bid with an address outside of the EU; and J M`XWZ\ \PM TW\ NZWU \PM -= _Q\PQV LIa[ WN KWTTMK\QWV NWZ TW\[ IVL 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show

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[I\Q[NIK\WZa XZWWN WN M`XWZ\ [PQXXQVO IZM I^IQTIJTM NZWU W]Z .QVIVKM \MIU ) XZWKM[[QVO NMM WN Â&#x160; XMZ QV^WQKM Q[ KPIZOML \W KPMKS [PQXXQVO M`XWZ\ LWK] UMV\[ L 6W >)< IUW]V\[ WZ 1UXWZ\ >)< _QTT JM ZMN]VLML _PMZM \PM \W\IT ZMN]VL IN\MZ LML]K\QVO \PM XZWKM[[QVO NMM Q[ ]VLMZ Â&#x160;

+WTTMK\QWV Purchased Lots can be collected from the auction room after the sale PI[ MVLML WZ JM\_MMV IU IVL XU ]X ]V\QT KTW[M WN J][QVM[[ WV the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltdâ&#x20AC;&#x2122;s discretion.

4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyerâ&#x20AC;&#x2122;s premium. The rate applicable shall be the legal rate at the date of the sale. /WWL[ []KP I[ JWWS[ IVL IV\QY]M JWWS[ U][QK UIX[ IVL KPIZ\[ M\K IZM []JRMK\ \W bMZW ZI\ML >)< 1V ILLQ\QWV IVa QUXWZ\ \I`M[ \PI\ UIa JM QVK]ZZML [PITT JM XIQL Ja \PM Buyer above hammer price, VAT and Buyerâ&#x20AC;&#x2122;s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.

4.7 Storage Purchased Lots not collected before 6pm on the day after the sale shall QVK]Z [\WZIOM KPIZOM[ WN Â&#x160; XMZ 4W\ XMZ LIa WZ XIZ\ \PMZMWN +) 4\L shall be entitled to retain purchased Lots sold until all sums due have been XIQL \W +) 4\L 1N IVa X]ZKPI[ML TW\ ZMUIQV[ ]VKWTTMK\ML LIa[ IN\MZ \PM [ITM [\WZIOM KPIZOM[ [PITT \PMZMIN\MZ JM Â&#x160; XMZ LIa IVL +) 4\L [PITT in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding.

Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

)Z\Q[\ :M[ITM :QOP\[ ,ZWQ\ LM ;]Q\M 4W\[ UIZSML _Q\P »)::¼ UIa JM []JRMK\ \W I TM^a Droit de Suite is a royalty payable to a qualifying artist or to the artistâ&#x20AC;&#x2122;s heir each time a work is resold during the artistâ&#x20AC;&#x2122;s lifetime and up to I XMZQWL WN aMIZ[ IN\MZ \PM IZ\Q[\¼[ LMI\P :WaIT\QM[ IZM KITK]TI\ML on a cumulative sliding percentage scale based on the hammer price excluding the buyerâ&#x20AC;&#x2122;s premium. The royalty does not apply to Lots [MTTQVO JMTW_ \PM [\MZTQVO MY]Q^ITMV\ WN Ã&#x201A; IVL \PM UI`QU]U ZWaIT\a XIaIJTM WV IVa [QVOTM 4W\ Q[ \PM [\MZTQVO MY]Q^ITMV\ WN Ã&#x201A; Royalties for Droit de Suite are as follows:

;PQXXQVO Any shipping costs that may arise subsequently to the sale shall be at the Buyerâ&#x20AC;&#x2122;s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. +) 4\L LWM[ VW\ Wâ&#x20AC;«Ùºâ&#x20AC;¬MZ QV[]ZIVKM NWZ [PQXXQVO 0W_M^MZ +) 4\L UIa arrange insurance upon the Buyerâ&#x20AC;&#x2122;s request and at the Buyerâ&#x20AC;&#x2122;s expense.

CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

Â&#x152; .ZWU \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; -`KMMLQVO Ã&#x201A; :MUMLQM[ NWZ VWV XIaUMV\ 1N \PM *]aMZ NIQT[ \W UISM N]TT XIaUMV\ QV KTMIZML N]VL[ _Q\PQV \PM \QUM required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: â&#x20AC;¢ To cancel the sale â&#x20AC;¢ To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. â&#x20AC;¢ To resell the Lot on such terms by auction or otherwise entirely at CA Ltdâ&#x20AC;&#x2122;s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale. Â&#x152; <W Wâ&#x20AC;«[Ùºâ&#x20AC;¬M\ IOIQV[\ IVa []U[ _PQKP +) 4\L UIa W_M \PM *]aMZ \PM outstanding sums unpaid by the said Buyer Â&#x152; ?PMZM \PM *]aMZ W_M[ []U[ \W +) 4\L QV ZM[XMK\ WN LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums. Â&#x152; <W ZMN][M MV\Za \W \PM *]aMZ I\ IVa N]\]ZM I]K\QWV IVL WZ ZMRMK\ IVa N]\]ZM JQL[ Ja \PM *]aMZ IVL WZ [MMS I LMXW[Q\ NZWU \PM *]aMZ entirely in the discretion of CA Ltd. â&#x20AC;¢ To exercise a lien over the Buyerâ&#x20AC;&#x2122;s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. â&#x20AC;¢ To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs. â&#x20AC;¢ To take such other action as is permissible by Law and in the discretion of CA Ltd. 68

! 4W[[ WZ ,IUIOM CA Ltd does not accept liability for loss or damage occurring to Lots after \PM [ITM +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ _PMV PIVLTQVO XIKSQVO IVL shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third partyâ&#x20AC;&#x2122;s care. +]T\]ZIT /WWL[ QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +]T\]ZIT OWWL[ UIa JM []JRMK\ \W QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ =VLMZ EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the itemâ&#x20AC;&#x2122;s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade.

Licenses are issued by Arts Council England and it is the Buyerâ&#x20AC;&#x2122;s duty to WJ\IQV \PMU ;WUM KW]V\ZQM[ ZM[\ZQK\ \PM QUXWZ\ WN [XMKQÃ&#x2026;K K]T\]ZIT OWWL[ For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural OWWL[ QV XZW^MVIVKM NZWU [WUM KW]V\ZQM[ []JRMK\ \W IZUML KWVÃ&#x2020;QK\[ The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible. +1<-; QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +MZ\IQV MVLIVOMZML [XMKQM[ IZM TQ[\ML QV \PM +1<-; +WV^MV\QWV 4Q[\ML [XMKQUMV[ IVL IVa XIZ\[ WZ XZWL]K\[ \PMZMWN IZM []JRMK\ \W Q[[]IVKM WN IV export permit when leaving the European Union. )XXMVLQ` 1 [XMKQM[ IZM IT[W []JRMK\ \W Q[[]IVKM WN I XZQWZ QUXWZ\ XMZUQ\ from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyerâ&#x20AC;&#x2122;s duty to initiate the proceedings with the relevant authority.

The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter. ?WZSML Q\MU[ \PI\ IZM LI\ML JMNWZM ! IZM M`MUX\ NZWU QUXWZ\ restrictions for intra-EU trade and shall not require export licences.

Please be aware that all Lots marked with the symbol Æ&#x20AC; IZM []JRMK\ \W +1<-; ZMO]TI\QWV[ *See inside front cover for information regarding fees

Chiswick 15th May Jewellery pages.qxp_Layout 2 18/04/2018 14:36 Page 69

4QUQ\I\QWV WN TQIJQTQ\a ZMOIZLQVO +1<-; M`XWZ\ TQKMV[M[ Where licences are required for importing or exporting outside of the European Union, it is the Buyerâ&#x20AC;&#x2122;s duty to obtain them.

CA Ltd cannot be held responsible if the Buyerâ&#x20AC;&#x2122;s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale. ?IZZIV\QM[ CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. )]\PMV\QKQ\a _IZZIV\a 1V \PM M^MV\ WN I 4W\ JMQVO [WTL I[ I]\PMV\QK ]VLMZ \PM KI\ITWO]M description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price. <PM *]aMZ [PITT OQ^M VW\QKM \W +) 4\L _Q\PQV LIa[ NZWU SVW_TMLOM or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall JM LMÃ&#x2026;VML I[ \PM [\I\M WN I 4W\ \PI\ Q[ OMV]QVM IVL VW\ I NWZOMZa WZ I KWXa 5. ANTIQUITIES AND TRIBAL ART 1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ IVL ZMO]TI\QWV[ )ZKPIMWTWOQKIT OWWL[ W^MZ aMIZ[ WN IOM ]VTM[[ KW^MZML Ja M`MUX\QWV WN TQUQ\ML [KQMV\QÃ&#x2026;K QV\MZM[\ _QTT ZMY]QZM IV -= 4QKMVKM NWZ M`XWZ\ \W I third country, regardless of their value.

1\ Q[ ZMKWUUMVLML \PI\ \PM *]aMZ KWV\IK\ \PM -`XWZ\ 4QKMV[QVO =VQ\ at Arts Council England in order to be assured the good is or not of TQUQ\ML IZKPIMWTWOQKIT WZ [KQMV\QÃ&#x2026;K QV\MZM[\ Archaeological goods found on United-Kingdom soil or in UK \MZZQ\WZQIT _I\MZ[ W^MZ aMIZ[ WN IOM [PITT ZMY]QZM I =3 4QKMVKM regardless of their value and regardless of the export destination.

7\PMZ IZKPIMWTWOQKIT WJRMK\[ ZMOIZLTM[[ WN \PMQZ WZQOQV _QTT ZMY]QZM IV 1VLQ^QL]IT 4QKMVKM WZ 7/-4 LMXMVLQVO WV \PMQZ ^IT]M Both European-Union and UK Licences may be required simultaneously NWZ [WUM Q\MU[ 1\ Q[ \PM *]aMZ¼[ L]\a \W ]VLMZ\ISM \PM VMKM[[IZa [\MX[ CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences.

6. JEWELLERY /MU[\WVM \ZMI\UMV\ IVL M[\QUI\M[ Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: â&#x20AC;¢ Heat treatment to enhance sapphires and rubiesâ&#x20AC;&#x2122; clarity and colour Â&#x152; 7QT IVL ZM[QV \ZMI\UMV\[ NWZ MUMZITL[ IXXTQML QV LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ _Ia[ \W enhance clarity of the stone â&#x20AC;¢ Staining Â&#x152; 1ZZILQI\QWV â&#x20AC;¢ Coating Estimates provided by CA Ltd are deemed to be based on the fact that the OMU[\WVM UIa PI^M JMMV []JRMK\ \W IVa \aXM WN \ZMI\UMV\ QV \PM XI[\ +) Ltd shall not be responsible in the absence of mention thereof. ) KMZ\QÃ&#x2026;KI\M UIa JM Q[[]ML Ja I TIJWZI\WZa XZW^QLQVO _Q\P LM\IQTML information on the condition of the gemstone and any treatment applied \PMZM\W <PM *]aMZ U][\ JM I_IZM \PI\ LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ TIJWZI\WZQM[ PI^M LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ approaches as to the degree or type of treatment for a particular gemstone.

1N I KMZ\QÃ&#x2026;KI\M IKKWUXIVQM[ \PM 4W\ \PM *]aMZ U][\ JM I_IZM \PI\ Q\ Q[ merely a statement of the laboratoryâ&#x20AC;&#x2122;s opinion and in no way can CA Ltd

JM PMTL ZM[XWV[QJTM NWZ IVa UMV\QWV[ \PMZMQV ;]KP KMZ\QÃ&#x2026;KI\M[ IZM LMMUML to be delivered with the Lot for informative purposes only.

-[\QUI\ML _MQOP\[ 1N I [\WVM¼[ M`IK\ _MQOP\ IXXMIZ[ _Q\PQV \PM JWLa WN \PM LM[KZQX\QWV \PM [\WVM PI[ JMMV ]V UW]V\ML IVL _MQOPML Ja +) 4\L 1N \PM _MQOP\ WN a stone is stated to be approximate, the stone has been assessed by CA 4\L _Q\PQV Q\[ [M\\QVO IVL \PM LMÃ&#x2026;VML _MQOP\ Q[ I [\I\MUMV\ WN WXQVQWV only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy. ;QOVI\]ZM[ â&#x20AC;&#x2DC;) LQIUWVL ZQVO Ja @â&#x20AC;&#x2122;: When the makerâ&#x20AC;&#x2122;s name appears in the title, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion the piece is by that maker. â&#x20AC;&#x2DC;) LQIUWVL ZQVO [QOVML @â&#x20AC;&#x2122;: Has a signature that, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered. â&#x20AC;&#x2DC;) LQIUWVL ZQVO UW]V\ML Ja @â&#x20AC;&#x2122;: Has been created by the RM_MTTMZ QV +PQ[_QKS )]K\QWV[¼ WXQVQWV J]\ ][QVO [\WVM[ WZ LM[QOV[ supplied by the client. â&#x20AC;&#x2DC;5ISMZ¼[ UIZS NWZ @â&#x20AC;&#x2122;: Has a makerâ&#x20AC;&#x2122;s mark which in Chiswick Auctionsâ&#x20AC;&#x2122; opinion is authentic.

Some items may include parts or products derived from endangered [XMKQM[ []KP I[ Q^WZa WZ KWZIT ;]KP Q\MU[ UIa JM []JRMK\ \W QUXWZ\ WZ M`XWZ\ ZM[\ZQK\QWV[ ;MM [MK\QWV WV +1<-; ZMO]TI\QWV[ NWZ UWZM LM\IQT[ 7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and _Q\PW]\ LMNMK\[ WZ PI[ JMMV []JRMK\ \W ZMXIQZ WZ ZM[\WZI\QWV CA Ltd makes no representation or warranty that any clock or watch Q[ QV _WZSQVO WZLMZ )[ KTWKS[ IVL _I\KPM[ WN\MV KWV\IQV Ã&#x2026;VM IVL complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto.

The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof.

Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for QUXWZ\ WZ M`XWZ\ X]ZXW[M[ QV IKKWZLIVKM _Q\P +1<-; ZMO]TI\QWV[ CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps.

8. FURNITURE =XPWT[\MZML N]ZVQ\]ZM IN\MZ !

According to The Furniture and Furnishings (Fire Safety) Regulations ! N]ZVQ\]ZM \PI\ _I[ ]XPWT[\MZML IN\MZ \PM [\ WN 2IV]IZa ! Q[ []JRMK\ \W ZM[\ZQK\QWV[ QV \PM =VQ\ML 3QVOLWU Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes.CA Ltd shall not be ZM[XWV[QJTM NWZ TI\MZ IT\MZI\QWV[ \W \PM N]ZVQ\]ZM UISQVO Q\ ]VÃ&#x2026;\ NWZ [ITM 9. FINE ART .QVM )Z\ XIQV\QVO[ I[ QVKT]LML QV \PM KI\ITWO]M LM[KZQX\QWV »@ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ IV I]\PMV\QK work by the artist.

Chiswick 15th May Jewellery pages.qxp_Layout 2 18/04/2018 14:36 Page 70

»)\\ZQJ]\ML \W @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ probably a work by the artist. »+QZKTM WN @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM IVL L]ZQVO \PM period of the artist’s life. ».WTTW_MZ WN @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM KWV\MUXWZIZa or near contemporary. »;KPWWT WN @ \P KMV\]Za¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS executed in that period and in the style associated with that artist. ».ZMVKP ;KPWWT \P KMV\]Za¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS executed in that period and in the style associated with a particular location. »5IVVMZ WN @¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM J]\ I\ I TI\MZ LI\M IT\PW]OP not of recent execution. »;\aTM WN @¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM IVL WN ZMKMV\ M`MK]\QWV »)N\MZ @ " 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I KWXa Ja IV ]VQLMV\QÅML IZ\Q[\ WN I VIUML _WZS Ja \PM IZ\Q[\ Lots sold ‘as seen’ or ‘as found’ are deemed to be sold in their present condition, with their faults and defects. The Bidder must be aware that purchase of such Lots is at there own risk.

CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.

10. ASIAN ARTS

15. SEVERABILITY

1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ ?PMV LMITQVO _Q\P )[QIV )Z\[ IVL UWZM [XMKQÅKITTa _Q\P Q\MU[ UILM WN exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must JM I_IZM WN QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ QV IKKWZLIVKM _Q\P +1<-; Regulations. As aforementioned in the Section relating to such matters, QUXWZ\ IVL M`XWZ\ XMZUQ\[ WZ ZM M`XWZ\ KMZ\QÅKI\M[ UIa JM ZMY]QZML >MZQÅKI\QWV TM\\MZ[ _QTT JM ZMY]QZML NWZ ZM M`XWZ\ WN _WZSML ZPQVWKMZW[ Q\MU[

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, []KP XZW^Q[QWV Q[ \W \ISM M‫ٺ‬MK\ WVTa QV [W NIZ I[ Q\ UIa LW [W without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way \W JM I‫ٺ‬MK\ML WZ QUXIQZML I[ I ZM[]T\

13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the abovementioned materials without the prior written consent of CA Ltd. ;WUM 4W\[ UIa JM []JRMK\ \W KWXaZQOP\ XZW\MK\QWV +) 4\L LWM[ VW\ guarantee said Lots are free thereof.

14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent.

CA Ltd never sell, lend or trade in personal data provided by any Bidder.

16. AMENDMENTS .QVM +PQVM[M 8IQV\QVO[ +]ZZMV\ [KPWTIZ[PQX QV \PM ÅMTL WN +PQVM[M 8IQV\QVO[ IVL +ITTQOZIXPa LWM[ VW\ XMZUQ\ ]VY]ITQÅML [\I\MUMV\[ I[ \W \PM I]\PWZ[PQX WZ LI\M WN execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings.

6W\_Q\P[\IVLQVO QN _Q\PQV LIa[ WN \PM [ITM WN IVa []KP 4W\ \PM original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, I »NWZOMZa¼ Q[ LMÅVML I[ I _WZS KZMI\ML _Q\P \PM QV\MV\ \W LMKMQ^M 11. BOOKS AND MANUSCRIPTS *WWS[ IVL UIV][KZQX\[ [WTL I[ QVKWUXTM\M IZM VW\ []JRMK\ \W ZM\]ZV[ Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’.

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale.

17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales. .WZ \PM JMVMÅ\ WN +) 4\L ITT JQLLMZ[ IVL [MTTMZ[ IOZMM \PI\ \PM +W]Z\[ WN -VOTIVL IZM \W PI^M M`KT][Q^M R]ZQ[LQK\QWV \W [M\\TM ITT LQ[X]\M[ IZQ[QVO in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply. All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

12. WINES AND SPIRITS 1V IKKWZLIVKM _Q\P IOZMML [\IVLIZL[ QV \PM \ZILM M[\QUI\M[ [PITT JM LMMUML \W PI^M \ISMV QV\W IKKW]V\ \PM ÅTT TM^MT For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit.

Lack of mention thereof in the description is not a representation of IV »IKKMX\IJTM¼ ÅTT TM^MT NZWU +) 4\L 70

*See inside front cover for information regarding fees

Chiswick 15th May Jewellery pages.qxp_Layout 2 18/04/2018 14:36 Page 71

Old Master Paintings followed by Old Master Drawings

CIRCLE OF POMPEO GIROLAMO BATONI (LUCCA 1708-1787 ROME). The Madonna. oil on canvas 19 1/4 x 14 1/4 in. (48.9 x 36.2 cm) Estimate: £7,000 - £10,000

16 MAY 2018 FOR ENQUIRIES CONTACT Head of Sales, Melissa van Vliet melissa.vanvliet@chiswickauctions.co.uk

Chiswick 15th May Jewellery pages.qxp_Layout 2 18/04/2018 14:36 Page 72

SPECIALISTS

20th CENTURY & CONTEMPORARY ART & DESIGN James Nurse, Head of Department james@chiswickauctions.co.uk

PRINTED BOOKS & MANUSCRIPTS Clive Moss, Head of Department clive.moss@chiswickauctions.co.uk

ANTIQUITIES & TRIBAL ART Alice King, Head of Department alice.king@chiswickauctions.co.uk

Dr. Carmen Donia, Specialist carmen.donia@chiswickauctions.co.uk

ASIAN ART Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk Yasuko Kido, Japanese Art Specialist yasuko@chiswickauctions.co.uk CERAMICS & GLASS Dr. Jim Peake, Head of Department jim@chiswickauctions.co.uk DESIGNER HANDBAGS & FASHION Meg Randell, Head of Department meg@chiswickauctions.co.uk EUROPEAN WORKS OF ART & CLOCKS Rachael Osborn-Howard , Head of Department rachael@chiswickauctions.co.uk

Nicholas Worskett, Specialist nicholas@chiswickauctions.co.uk Valentina Borghi, Head of Sales - Autographs & Memorabilia valentina.borghi@chiswickauctions.co.uk RUGS & CARPETS Mark Henry Lampe, Head of Department mark.lampe@chiswickauctions.co.uk Chris Vin, Specialist chris@chiswickauctions.co.uk SILVER & OBJECTS OF VERTU John Rogers , Head of Department john.rogers@chiswickauctions.co.uk Amicie de Villenfagne, Specialist amicie@chiswickauctions.co.uk

FINE ART Suzanne Zack, Head of Department suzanne@chiswickaucions.co.uk

WATCHES Matthew Caddick, Head of Department matt@chiswickauctions.co.uk

Jan Leman, Specialist jan@chiswickauctions.co.uk

WINE & SPIRITS Peter Mansell, Head of Department peter.mansell@chiswickauctions.co.uk

Rohan McCulloch, Specialist rohan@chiswickauctions.co.uk Krassi Kuneva, Head of Sales - Modern & Post-War British Art kkuneva@chiswickauctions.co.uk Melissa Van Vliet, Head of Sales - Old Masters melissa.vanvliet@chiswickauctions.co.uk ISLAMIC & INDIAN ART Beatrice Campi, Specialist beatrice.campi@chiswickaucions.co.uk JEWELLERY Sarah Duncan, Head of Department sarah@chiswickauctions.co.uk Charlotte Peel, Specialist charlotte.peel@chiswickauctions.co.uk MUSICAL INSTRUMENTS Dr. David MacGregor, Guitars & Fretted Instruments Specialist david@chiswickauctions.co.uk

72

*See inside front cover for information regarding fees

Chiswick 15th May Jewellery covers.qxp_Layout 1 18/04/2018 14:29 Page 2

SPECIALISTS

SALE CALENDAR

MAY

16

WEDNESDAY

Designer Handbags & Fashion Old Master Paintings Sarah Duncan

Charlotte Peel G.G.

Head of Department Jewellery sarah.duncan@chiswickauctions.co.uk

Specialist Jewellery charlotte.peel@chiswickauctions.co.uk

22

TUESDAY

Interior & Design

24

THURSDAY

Fine Chinese Paintings Chinese Bronzes: Song to Qing

25

FRIDAY

Asian Art

29

TUESDAY

Printed Books & Manuscripts to include Modern First & Limited Editions

JUNE

05 BUYER’S PREMIUM The buyer shall pay Chiswick Auctions Ltd a premium on the hammer price of 25% plus VAT on that commission.

TELEPHONE BIDDING Please note that requests for telephone bids should be submitted no later than 5pm on the day prior to the sale.

LIVE BIDDING

the-saleroom.com Please note there is a 3% +VAT surcharge for using this service.

COLLECTION OF LOTS Buyers are asked to collect their lots on the day of the sale or between 10.00 and 18.00 up until close of business on Friday following the sale.

IMPORTANT INFORMATION CITES

Please be aware that all lots marked with the symbol ƀ are subject to CITES regulations.

Please see our Terms & Conditions for more information.

ARTIST’S RESALE RIGHT/DROIT DE SUITE

Lots marked with ARR indicates that an additional levy may apply for this lot.

Please see our Terms & Conditions for more information.

TUESDAY

Interiors & Design to include a selection of Fine Rugs & Carpets

06

WEDNESDAY

European Works of Art & Clocks

12

146

TUESDAY

British & European Fine Art with Portrait Miniatures Wine & Spirits

Chiswick 15th May Jewellery covers.qxp_Layout 1 18/04/2018 14:29 Page 1

Jewellery 15 May 2018

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

Jewellery London 15th May 2018