Chiswick-Auctions-Photographica-March-2019

Photographica

The Francis Bruguière Collection London 19th March 2019

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Photographica

The Francis Bruguière Collection

Tuesday 19th March 2019, 11.00

VIEWING AT CHISWICK full sale Saturday Sunday Monday Tuesday

16 March 17 March 18 March 19 March

11.00 - 17.00 11.00 - 17.00 10.00 - 18.00 10.00 - 11.00

Where catalogue lot descriptions states ‘negative image’ please be aware that any positive photographic reproductions in the catalogue and online are for reference and illustration purposes only.

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Steven McCauley Jordan Salzmann Darrell Russell

Basak Ulukose

Inner Page: Lot 60 Front cover: Lot 47 Back cover: Lot 128

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Francis Joseph Bruguière was born the youngest of four sons into a wealthy San Francisco family in 1879. He trained in Europe as a painter and upon his return in 1905 he visited New York and studied photography with Frank Eugene, one of the founding members of the Photo-Secession movement. Subsequently, Eugene introduced Bruguière to Alfred Stieglitz at the 291 Gallery in New York. This is where he began to share his ideas and practice photography in the Photo-Secessionist circle.

Bruguière exhibited four photographs with the Photo-Secessionist group in Buffalo New York in 1910 at the International Photo Secessionist Exhibition at Albright-Knox Art Gallery. This was the only time he formally exhibited with the Secessionist’s.

He preferred sharing his photography and ideas on an individual basis. He was persuaded by his circle to publish in Alfred Stieglitz’s seminal quarterly Photographic Journal – Camera Work. In October of 1916, Camera Work : Issue Number 48 an original photogravure by Bruguière was published, simply titled ‘A portrait’. It sat alongside eight other works by Eugene Smith, Paul Strand and Alfred Allen Lewis. A variation of ‘A Portrait’ is the first lot with which we begin this landmark sale of Bruguière’s photographs and negatives. See lot 1.

Although Bruguière was one of the most talented and individualist members of this group, he purposefully remained on the fringes. It was clear to him that the direct approach to structure and freedom of form that the spirit of avant-garde art movement exemplified with artists like Picasso, Rodin and Matisse, was moving further into the distance for many members of the Photo Secession. The primary aesthetic concerns for many of these practitioners were still deeply rooted in 19th century pictorialism1.

Only a few photographers from the movement such as Edward Steichen, Paul Strand and Alvin Langdon Colburn managed to continually develop their photographic practices and ideas alongside Bruguière2. However, for such a universally respected photographer, little was known about his life and he was not driven to be a part of history. He maintained an indifference towards public recognition and scorned the security of tradition and what he considered ‘bourgeois acceptance’.3 This reticence towards the establishment in both art and society was advocated by many painters and photographers publishing in Camera Work at the time. Marius De Zayas wrote: ‘Our epoch is chaotic, neurotic, inconsequent and out of equilibrium. Art is dead.’

Camera Work no.39 (July 1912) ‘The Sun Has Set’ p.17 The rejection of establishment approval exhibited by some Camera Work contributors, paved the way for the next decade of Avant-Garde ideas, however whilst affording artist’s who adopted this approach a new level of artistic freedom, it also came attached with a self imposed anonymity.

If it weren’t for the comprehensive work by James Enyeart in his book Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, from which much of the reference material for this catalogue has been drawn, we would not know very much about this pioneer of photography at all.

Bruguière’s career can be divided into three major stages. For the purpose of the order of this sale catalogue, we shall employ these stages as sub headings under which lots have been allocated.

1 2 3

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, p.3 James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, p.4 Observation based on taped interviews with Oswell Blakeston and Rosalind Fuller cited by James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, p.5

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Early Influences & New York After Bruguière’s visit to New York in 1905, he returned to San Francisco and opened up a studio on Franklin Street. There, in the words of Stieglitz, he became an ‘enthusiastic practitioner of photography1.’ In his first book, published in 1918 and titled San Francisco, he explored the juxtaposition of image and text and was working in a traditional Pictorialist style. In 1919 he moved to New York and opened a professional studio, where he began to rely on photography as his primary source of income. He began working for the New York Theatre Guild, Harper’s Bazaar, Vogue and Vanity Fair. See lots: 2-18 His highly advanced understanding of lighting and composition, when translating the visions of the great Broadway stage directors onto a photographic tableau, was clearly evident during this period and can be seen in his personal experiments. A short transcript from the article ‘The Camera and the Art Scene’ published in 1924 in the Theatre Arts Anthology, clearly describes his processes and understanding of the different wavelengths of light and how they can be manipulated to the advancement of his imagery. This understanding was fundamental in his photographic experiments and pioneering technical mastery of cut paper abstraction and light experiments during this time See lots: 53, 54.

It was during this time that he met his life partner Rosalinde Fuller. He photographed her break-through performance as Ophelia opposite John Barrymore in the 1922 Broadway production of Hamlet. He then met the German dancer Sebastian ‘The Baron’ Droste. Between 1923-1925 he began working on ‘The Way’, a surrealist film with Droste and Fuller as his principle actors. The concept behind this film was to show the different mind states of man. During the making of ‘The Way,’ Droste unexpectedly died from a Brain Haemorrhage2. As a result, the film was never made, leaving only the still images to tell the tale of what could have been. (See lots: 10, 2447, 126) Bruguière said of the work: “The main idea is that of a man who seeks happiness. From the beginning of his pilgrimage to the end, he lives in a world of dreams. He seeks his goal through the love of woman, the vice of drugs, as a clown in the circus, as an Egyptian dancer, through the power of empire, and the ideas of a religious. Things of a day, what we are and what not? Man is a dream of shadows.”3 In 1927, four years before surrealism made an official debut in America, Bruguière exhibited this work and other experiments in his first major one man show at the Arts Centre in New York. It took critics by surprise and the reviews eagerly lauded Bruguière, almost single handedly, as discovering photography as modern art.4 Today, the work is heralded as the first successful surrealist work accredited to an American photographer and has seen fantastic auction success in the past, only limited by the number of works available to the marketplace, see Christie’s New York 4th April 2013; the deLIGHTed eye: Modernist Masterworks from a Private Collection Lot 30.

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Ibid., no.33 (October 1916) ‘Our Illustrations’ p.62 James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, p.26 Quoted by John Mason Brown in the Boston Evening Transcript, April 9, 1927 James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, p.31

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1 Francis Joseph Bruguière (1879-1945) Camera Work Issue Number 48, 1916, Girl with flowers in her hair A variation of the first photograph of Bruguière’s that was published by Alfred Stieglitz and Paul Strand in Camera Work Issue Number 48, October 1916, together with three others portraits of a women, unmarked 7” x 5” approx., 178mm x 127mm negative images (4), gelatin on nitrocellulose sheet film James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 7, p. 17 £800-£1,000 10

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2 Francis Joseph Bruguière (1879-1945) Theatrical Portrait of Rosalinde Fuller, 1920 Vintage silver gelatin print, image sizes 341mm x 239mm, signed and dated recto by the photographer in pencil, and with inscription by Rosalinde Fuller in pencil and ‘V144’ to the verso, small bump to lower corner affecting the image £1,000-£1,500 3 Francis Joseph Bruguière (1879-1945) From “What’s in A Name” with Rosalinde Fuller, 1920 Silver gelatin print, 323mm x 226mm, with annotations in red crayon on the verso and with ‘V122’ in pencil, originally mounted in an album, light creases to corners Eastman Museum:1979.2884.0048 £300-£500 12

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3a Francis Joseph Bruguière (1879-1945) Theatrical Portrait of Rosalinde Fuller, c.1920 Vintage silver gelatin print, image size 295mm x 205mm, signed and dated in the lower margin, Bruguière’s Fifth Avenue New York Photography Studio stamp and pencil annotation ‘V113’ to the verso £1,000-£1,500 4 Francis Joseph Bruguière (1879-1945) Theatrical Portrait of Rosalinde Fuller, 1925 Vintage silver gelatin print, 299mm x 237mm, signed and dated recto in pencil, light signs of retouching in pencil annotation to the verso ‘V98’ £800-£1,200 13

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5 Francis Joseph Bruguière (1879-1945) Theatrical Portrait of Rosalinde Fuller as ‘La Goya’ c.1920s Vintage silver gelatin print, image size, 341mm x 221mm, verso titled and signed by the model in red crayon, and with pencil annotation, originally mounted in an album £300-£500 5a Francis Joseph Bruguière (1879-1945) Rosalinde Fuller in 15Th Century Ballad “The Twa Sisters O’binnorie” c.1930s Vintage gelatin silver print, 306mm x 235mm, with red crayon and pencil annotation to the verso £300-£500 14

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6 Francis Joseph Bruguière (1879-1945) Portrait of Rosalinde Fuller c.1920s, ‘Greenwich Village Frolics’ Vintage silver gelatin print, image size 235mm x 130mm, with photographer’s credit stamp, and inscription in ink on the verso, originally mounted in an album £500-£700 6a Francis Joseph Bruguière (1879-1945) Rosalinde Fuller in Scotch Folk Song ‘My Loves in Germany’, c.1922 Vintage silver gelatin print, image size, 292mm x 241mm, with red crayon and pencil annotations verso £400-£600 15

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6b Francis Joseph Bruguière (1879-1945) Theatrical Production Photographs of Rosalinde Fuller, 1919-1927, Theatre Guild Productions

7 Francis Joseph Bruguière (1879-1945) Rosalinde Fuller in Greenwich Village Frolics c.1920s

Vintage silver gelatin prints (8), image size, approx 363mm x 290mm, each one annotated in pencil on the verso ‘Vxx’

Vintage gelatin silver print, 312mm x 232mm, with pencil annotation to the verso and the photographers credit stamp, originally mounted in an album

£150-£200

£600-£800

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8 Francis Joseph Bruguière (1879-1945) Theatrical Portrait of Rosalinde Fuller, 1925 Vintage silver gelatin print, image size, 296mm x 234mm, signed by the photographer in pencil recto, and with pencil annotation to verso ‘V97’ £800-£1,000 9 Francis Joseph Bruguière (1879-1945) Theatrical Portrait of Rosalinde Fuller c.1920s Vintage silver gelatin print, image size, 320mm x 230mm, verso signed by the model in red crayon, and with pencil annotation, some minor creases and tears to edges £300-£500 17

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10 Francis Joseph Bruguière (1879-1945)

11 Francis Joseph Bruguière (1879-1945) Portrait of Rosalinde Fuller, c.1920s

12 Francis Joseph Bruguière (1879-1945) Portraits of A Ballerina, c.1920s

Vintage silver gelatin print, in an outfit she wore in ‘The Way’ image size 330mm x 263mm, flush mounted on board and with the photographer’s signature in ink to the verso

Vintage silver gelatin print, image sizes 255mm X 207mm, with annotations to the verso in pen and pencil, minor creases and bumps to peripheries

Vintage silver gelatin print (2), one example toned, image sizes 335mm x 230mm, 335mm x 263mm, flush mounted on board, signature to the verso in ink of the toned print and with ‘Vxx’ numbers”

Portrait of Rosalinde Fuller, c.1923-1925

£700-£900 18

£300-£500

£700-£900

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13 Francis Joseph Bruguière (1879-1945) Self Portrait, c.1920

14 Francis Joseph Bruguière (1879-1945) Theatrical Portrait of Rosalinde Fuller c.1920s

15 Francis Joseph Bruguière (1879-1945) Portrait of Rosalinde Fuller c.1920s

Side profile portrait, against a theatrical fabric backdrop, 7” x 5” approx, 178mm x 127mm gelatin glass plate, negative image, some oxidization and minor chips affecting the peripheries of the image

Vintage silver gelatin print, image size, 344mm x 230mm, some surface marks, originally mounted and with red crayon and pencil annotations visible to the verso

Vintage silver gelatin print, image sizes 345mm x 242mm, Rosalinde Fullers’ signature in red crayon on the verso, lightly bumped to the corners

£120-£180

£200-£300

£200-£300

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16 Francis Joseph Bruguière (1879-1945) Theatrical Portraits of Rosalinde Fuller, c.1920s Vintage silver gelatin prints (4), image size, 377mm x 264mm (1), with a fragment of photographers signature in pencil recto, 100mm tear, peripheries slightly bumped and creased, together with other similar examples (3), image size, 331mm x 226mm with pencil annotation to verso ‘vxx’ £150-£250 18

17 Francis Joseph Bruguière (1879-1945) Portraits of Rosalinde Fuller, c.1920s, various poses and outfits, some theatrical 7” x 5” approx. 178 x 127mm, plate glass negative images (5), gelatin on plate glass, one silver gelatin later print of one of the plates, annotated to the verso in pencil ‘V111’, together with various other large and medium format negatives and transparencies approx. 12 of Rosalinde from other stages in her career, some for reproduction use in her autobiography £150-£250 18 Francis Joseph Bruguière (1879-1945) Theatrical Stage Portraits of Rosalinde Fuller c.1920s Vintage silver gelatin prints (5), image sizes approx.

331mm x 227mm (4), 234mm x 174mm (1), pencil annotation to the verso ‘Vxx’ £80-£120

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19 Francis Joseph Bruguière (1879-1945) Rosalind Fuller as Ophelia In Hamlet with John Barrymore, 1922

20 Francis Joseph Bruguière (1879-1945) Rosalind Fuller as Ophelia In Hamlet With John Barrymore, 1922, ‘The Mad Scene’

Vintage silver gelatin print, 244mm x 202mm, with annotations in pencil and ink to verso, and with photographer’s credit stamp, some creasing and minor cracks to gelatin.

Vintage silver gelatin print, 320mm x 220mm, some creasing and a small tear to upper margin, with annotations to the verso in red crayon and pencil

Eastman Museum: 1979.2884.0048

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 10, p. 28

£600-£800

£400-£600 21

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21 Francis Joseph Bruguière (1879-1945) Rosalind Fuller as Ophelia in Hamlet With John Barrymore, 1922 Vintage toned silver gelatin print, image size 336mm x 220mm, flush mounted on board, with photographer’s signature to the verso in ink and ‘V93’

22 Francis Joseph Bruguière (1879-1945) Rosalinde Fuller as Ophelia in Hamlet, 1922

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 10, p. 28”

Negative images (2), 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film, numbered in negative, for Harpers Magazine, together with two further 10” x 8” negative images of Rosalinde fuller with unknown male actor, John Barrymore (?) some surface marks to negatives

£700-£900

£300-£500

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23 Francis Joseph Bruguière (1879-1945) Experiment, Nude Study of Rosalinde Fuller, 1926 Multiple exposure, vintage silver gelatin print, 240mm x 185mm, pencil annotation to verso ‘V8’ James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl.28, p.48” £1,000-£1,500 23

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24 Francis Joseph Bruguière (1879-1945) Scene From “The Way” With Rosalinde Fuller c.19231925

25 Francis Joseph Bruguière (1879-1945) Scene From “The Way” With Rosalinde Fuller And Sebastian Droste, c.1923-1925

25a Francis Joseph Bruguière (1879-1945) From “The Way” With Rosalinde Fuller And Sebastian Droste, c.1923-1925

Vintage silver gelatin print, 240mm x 189mm, with photographers credit stamp and ‘V18’ in pencil on verso, very light crease affecting the image and with a small crease to upper corner

Vintage silver gelatin print, image size, 231mm x 183mm, with annotations to the verso in red crayon and pencil

Vintage toned silver gelatin print, image size, 237mm x 189mm, with annotations to the verso in red crayon and pencil, small tear to lower corner

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 1227, p. 30-47.

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 1227, p. 30-47.

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 12-27, p. 30-47.

Eastman Museum:1986.0905.0116 £800-£1,200 24

Eastman Museum: 1986.0905.0063 £800-£1,200

Eastman Museum: 1986.0905.0094 (negative) £800-£1,200

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26 Francis Joseph Bruguière (1879-1945) Scene From “The Way” With Rosalinde Fuller and Sebastian Droste, c.1923-1925 Vintage silver gelatin print, image size, 333mm x 236mm, with annotations to the verso in red crayon and pencil James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 12-27, p. 30-47.

Eastman Museum: 1986.0905.0085

27 Francis Joseph Bruguière (1879-1945) From ‘The Way’ c.1923-1927

28 Francis Joseph Bruguière (1879-1945) From ‘The Way’ c.1923-1925

Crop variation or enlargement, of original negative, image size, 343mm x 269mm, flush mounted onto board, ‘V90’ in pencil verso Eastman Museum: 1986.0905.0116

Silver gelatin print, printed later, image size, 242mm x 191mm, annotation to the verso in pencil, ‘From ‘The Way’’ ‘V15’ in pencil, copy print presumably made when the original negative was donated to the Eastman museum.

£300-£500

Eastman Museum: 1986.0905.0067 (negative) £100-£150

£800-£1,200 25

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29 Francis Joseph Bruguière (1879-1945) From ‘The Way’ c.1923-1925

30 Francis Joseph Bruguière (1879-1945) From ‘The Way’ c.1923-1925

Silver gelatin print, printed later, image size, 243mm x 191mm, annotation to the verso in pencil, ‘V20’ in pencil, , copy print presumably made when the original negative was donated to the Eastman museum

Silver gelatin print, printed later, image size, 238mm x 191mm, number visible in negative and with the annotation to the verso in pencil, ‘V19’ presumably a copy print made when the original negative was donated to the Eastman museum

Eastman Museum: 1986.0905.0061 (negative)

Eastman museum: 1986.0905.0062

£100-£150

£100-£150

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31 Francis Joseph Bruguière (1879-1945) From ‘The Way’ c.1923-1925, Rosalinde Fuller, and Sebastian Droste Multiple Exposure, 10” x 8” approx. 254mm x 203mm negative image, gelatin on nitrocellulose sheet film, light corner oxidization £600-£800

32 Francis Joseph Bruguière (1879-1945) From ‘The Way’, c.1923-1925 Rosalinde Fuller, and Sebastian Droste dancing Negative image, 10" x 8" approx. 254mm x 203mm, gelatin on nitrocellulose sheet film £400-£500

33 Francis Joseph Bruguière (1879-1945) From ‘The Way’, Sebastian Droste, c.1923-1925

34 Francis Joseph Bruguière (1879-1945) From ‘The Way’, c.1923-1925, Sebastian Droste

Negative image, 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film

Numbered negative image, 10" x 8" approx 254mm x 203mm, gelatin on nitrocellulose sheet film

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 102, p.

132 (Bas-relief Solarized variation)

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 12-27, p. 30-47

Eastman museum:1986.0905.0035

Eastman Museum collection: 1986.0905.0062 (variation)

£600-£800

£600-£800 27

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35 Francis Joseph Bruguière (1879-1945) From ‘The Way’, c.1923-1925, Rosalinde Fuller, and Sebastian Droste

36 Francis Joseph Bruguière (1879-1945) From ‘The Way’, c.1923-1925, Rosalinde Fuller, and Sebastian Droste

37 Francis Joseph Bruguière (1879-1945) From ‘The Way’, c.1923-1925, Sebastian Droste

Negative image, 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film

Negative image, 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film

Numbered negative image, 10” x 8” approx.

254mm x 203mm, gelatin on nitrocellulose sheet film, numbered in negative

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 12-27, p. 30-47

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 12-27, p. 30-47

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 12-27, p. 30-47

£600-£800

£600-£800

Eastman Museum item: 1986.0905.0062 (variation) £600-£800

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38 Francis Joseph Bruguière (1879-1945) From ‘The Way’, c.1923-1925, Sebastian Droste

39 Francis Joseph Bruguière (1879-1945) From ‘The Way’, c.1923-1925, Sebastian Droste

Negative image, 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film, numbered in negative

Negative image, 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film, small scratch affecting film emulsion

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 12-27, p. 30-47

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 12-27, p. 30-47

£600-£800

Eastman Museum: 1986.0905.0095 (variation) £600-£800

40 Francis Joseph Bruguière (1879-1945) From ‘The Way’, c.1923-1925, Sebastian Droste and Rosalinde Fuller Multiple exposure, negative image, 10” x 8” approx.

254mm x 203mm, gelatin on nitrocellulose sheet film James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 12-27, p. 30-47 Getty Museum: 84.XM.469.37 £600-£800 29

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42 Francis Joseph Bruguière (1879-1945) From ‘The Way’ c. 1923-1925, Multiple exposure, Sebastian Droste, Rosalinde Fuller

43 Francis Joseph Bruguière (1879-1945) On The Set of ‘The Way’ c.1923-1925, portrait of Francis Bruguière, Rosalinde Fuller & Sebastian Droste

Negative image, 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film

Negative image, 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl.13, p. 32 (variation)

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 12-27, p. 30-47

Eastman Museum: 1986.0905.0058 (variation)

£600-£800

Eastman Museum: 1986.0905.0088 (variation)

41 Francis Joseph Bruguière (1879-1945) From ‘The Way’, c.1923-1925, Sebastian Droste Negative image, 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film, numbered in negative

£600-£800 30

£600-£800

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44 Francis Joseph Bruguière (1879-1945) From ‘The Way’ c.1923-1925, Sebastian Droste

45 Francis Joseph Bruguière (1879-1945) From ‘The Way’ c.1923-1925, Sebastian Droste

Multiple exposure, negative image, 10” x 8” approx 254mm x 203mm, gelatin on nitrocellulose sheet film

Multiple exposure, negative images, 10" x 8" approx 254mm x 203mm, gelatin on nitrocellulose sheet film

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 12-27, p. 30-47

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 12-27, p. 30-47

£600-£800

£600-£800 31

32

46

46 Francis Joseph Bruguière (1879-1945) From ‘The Way’, 1936-1940

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Vintage solarized gelatin silver print, image size, 252mm x 202mm, with pencil ‘V14’ to the verso James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl.

100, p. 131 Eastman museum: 1986.0905.0033 £3,000-£5,000 47 Francis Joseph Bruguière (1879-1945) Experiment From ‘The Way’ c.1923-1925, Sebastian Droste Multiple exposure, vintage silver gelatin print, image size, 242mm x 192mm, inscribed in ink and with pencil annotation to the verso, complete with 10” x 8” approx 254mm x 208mm negative, gelatin on nitrocellulose sheet film James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl.

100, p. 131 (later solarization) Eastman museum print: 1981.1089.0025 £4,000-£6,000 33

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48 Francis Joseph Bruguière (1879-1945) Portrait of Rosalinde Fuller, c.1923-1925

49 Francis Joseph Bruguière (1879-1945) Rosalinde Fuller, c.1925, Kodak Eastman

50 Francis Joseph Bruguière (1879-1945) Rosalinde Fuller, c.1925

Negative image, 196mm x 120mm, gelatin on nitrocellulose sheet film, unusual format

Multiple exposure experiment, negative image, 10” x 8” approx 254mm x 203mm, gelatin on nitrocellulose sheet film

Multiple exposure experiment, Kodak Eastman negative image, 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 30-31, p.

50-51

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 30-31 p.

50-51

£600-£800

£600-£800

£200-£250

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51 Francis Joseph Bruguière (1879-1945) Rosalinde Fuller, c.1936-1940 Multiple exposure experiment, Kodak Eastman negative image, 10” x 8” approx 254mm x 203mm, gelatin on nitrocellulose sheet film

52 Francis Joseph Bruguière (1879-1945) Theatre Guild Portraits of Rosalinde Fuller, c. 1919-1927

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 30-31, p. 50-51

Numbered negative images (7), 10" x 8" approx.

254mm x 203mm, gelatin on nitrocellulose sheet film, numbered in negative, various productions

£600-£800

£400-£600 35

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53 Francis Joseph Bruguière (1879-1945) Light Abstraction, c.1925-1927 Vintage gelatin silver print, image size, 120mm x 121mm, window mounted on board, with ‘V13’ and other annotations in pencil to the verso, some oxidization affecting print James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 39, p. 61 £1,000-£1,500 54 Francis Joseph Bruguière (1879-1945) ‘Cut Paper Abstraction’ c.1929 Figural experimentation in cut paper with two silhouettes, negative image, 10” x 8” approx 254mm x 203mm, gelatin on nitrocellulose sheet film James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 57-58, p. 82-83 £800-£1,200 36

55

56

55 Francis Joseph Bruguière (1879-1945) Rosalinde Fuller and Maurice Browne in 'The Unknown Warrior', 1928 Vintage silver gelatin print, image size, 350mm x 280mm, flush mounted on board, pencil annotation to verso 'V140', small crack affecting the lower right of print James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 52, p.74 £500-£700 56 Francis Joseph Bruguière (1879-1945) Rosalinde Fuller And Maurice Browne in 'The Unknown Warrior', 1928 Vintage toned silver gelatin print, image size, 239mm x 186mm, pencil annotation to verso 'V1' James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 52, p.74.

National Portrait Gallery: NPG x20445 £400-£600 37

57

58

57 Francis Joseph Bruguière (1879-1945) The Unknown Warrior c.1929, Rosalinde Fuller & Maurice Browne Multiple exposure, Eastman Kodak negative image, 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 52, p. 74 National Portrait Gallery: NPG x20445 £400-£600 58 Francis Joseph Bruguière (1879-1945) From ‘The Unknown Warrior’ c.1929, Rosalinde Fuller & Maurice Brown Multiple exposure experiment, negative image, 174mm x 151mm, gelatin on nitrocellulose sheet film, appears to have been cropped down from a 10” x 8” James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 52, p. 74 National Portrait Gallery: NPG x20445 £300-£500 38

London 1928-1940 In 1928 Bruguière sold his studio and moved with Rosalinde Fuller to London. He did not re-establish a commercial studio and for the first time in his career, devoted all of his efforts to artistic experimentation. He worked on new ways to expand the ideas that he had been developing in New York. In 1929 he produced multiple exposure imagery for ‘The Unknown Warrior’, a stage production directed by Ellen Van Volkenburg starring Rosalinde Fuller alongside Maurice Browne. See lots: 55-58 He also produced his second book, with text by Lance Sieveking, titled ‘Beyond this Point’ See lots: 119, 158. This was a clear development from the format Bruguière was exploring in his first book ‘San Francisco.’ During this time he also met Oswell Blakeston (see lot 172) and produced Britain’s first abstract film ‘Light Rhythms’ 1931.

Bruguière’s multiple exposure work now became more complex in style; the result was an array of novel images alternating between light as form and abstracted forms defined by light.1 see lot: 60. Many images in the following lots are previously unseen views that Bruguière has taken of London. These predated his published multiple exposure work and the negatives were a form of visual research that built up an image library that he later repurposed into other published works. These works are now only believed to be available to view at the John Paul Getty Museum and George Eastman House in New York. Many images taken at this time in London are reminiscent of his earlier pictorialist style and perhaps this is why Bruguière, in a tireless quest to redefine his visual language, chose to further develop these works into photomontages. Never before have they been offered as stand-alone works.

1

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, p.76

39

59

60

59 Francis Joseph Bruguière (1879-1945) London, The Mall, toward Admiralty Arch, with motor cars in the mid-ground, c.1930 Unmarked negative image, approx. 110mm x 85mm, gelatin on nitrocellulose sheet film, in glassine sleeve marked ‘Bruguière Neg’ £120-£180 60 Francis Joseph Bruguière (1879-1945) London, Child and prams, c.1929 Multiple Exposure, uncropped negative image, 113mm x 84mm, gelatin on nitrocellulose sheet film James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 54 p. 79 (cropped image) Getty Museum: 84.XM.205.12 (toned silver print, cropped) £500-£800 40

62

61

63

61 Francis Joseph Bruguière (1879-1945) Trafalgar Square, London, Night Study, c.1930

62 Francis Joseph Bruguière (1879-1945) Public House Scene, c.1930

Long exposure, negative images (2), 5” x 4” (126mm x 101mm), gelatin on nitrocellulose sheet film

A quarter plate negative depicting a group of gentlemen gathered around a table in a public house in London, and portrait 5” x 4” negative image of two young children in an American street, (2), gelatin on nitrocellulose sheet film

£300-£500

63 Francis Joseph Bruguière (1879-1945) Londoners, Policeman directing traffic in market place and shoppers peering into a bookshop window, c.1930 Numbered negative images (2), approx. 111mm x 79mm £250-£350

£200-£300 41

65

64

66

64 Francis Joseph Bruguière (1879-1945) London Market Street Scenes, c.1930

65 Francis Joseph Bruguière (1879-1945) London, c.1930, Langham Place

66 Francis Joseph Bruguière (1879-1945) London, c.1930, The Strand, St Mary Le Strand Church

Beer wagon and a fruit stall, quarter plate, approx.

108mm x 83mm negative images (2), gelatin on nitrocellulose sheet film

Quarter plate, approx. 108mm x 83mm negative images (3), gelatin on nitrocellulose sheet film

Quarter plate, approx. 108mm x 83mm negative images (2), gelatin on nitrocellulose sheet film

£250-£350

£250-£350

£250-£350 42

68 67

67 Francis Joseph Bruguière (1879-1945) London, c.1929, portrait of a young girl sat down with a doll on her lap

69

Unmarked quarter plate approx 108mm x 83mm negative image, gelatin on nitrocellulose sheet film £150-£200 68 Francis Joseph Bruguière (1879-1945) London, c.1930 Horse guards Parade at night 5” x 4” approx 102mm x 127mm unmarked negative image (1), together with quarter plate, approx. 108mm x 83mm negative images (2), Horse guards Parade during the day and The Duke of York Column, Waterloo place, gelatin on nitrocellulose sheet film, imagery used in Photo Montage series Eastman Museum: 1981.1087.0003 £250-£350 69 Francis Joseph Bruguière (1879-1945) London, c.1929, Victoria Embankment with Cleopatra’s Needle monument in the foreground looking across the River Thames Vintage toned silver gelatin print, image size, approx 236mm x 184mm, V29 in pencil on the verso, with quarter plate, approx 108mm x 83mm negative image (1) and variations (2) gelatin on nitrocellulose cut roll film £200-£300 43

70 Francis Joseph Bruguière (1879-1945) London, c.1930, The National Gallery and Trafalgar Square Fountain Unmarked quarter plate negative images (2), approx. 110mm x 85mm, gelatin on nitrocellulose sheet film £200-£300 44

71 Francis Joseph Bruguière (1879-1945) London c.1930, Street scenes Unmarked negatives (2), image approx. 111mm x 86mm, gelatin on nitrocellulose sheet film £200-£300

72 Francis Joseph Bruguière (1879-1945) London, c.1930, Street scenes including London Double Decker buses used in montage series Unmarked negatives (2), image approx. 111mm x 86mm, gelatin on nitrocellulose sheet film Eastman Museum:1986.1028.0001 £200-£300

73 Francis Joseph Bruguière (1879-1945) London, c.1930, The monument to the Great Fire of London

74 Francis Joseph Bruguière (1879-1945) London, c.1930, Street vendors

75 Francis Joseph Bruguière (1879-1945) Londoners, c.1930, market traders’ portraits

Unmarked negatives (2), image approx. 111mm x 86mm, gelatin on nitrocellulose sheet film.

Eastman Museum:1986.1028.0001

Negative image 5” x 4” approx. 130mm x 100mm, gelatin on nitrocellulose sheet film

Numbered quarter plate negative images (2), approx. 111mm x 80mm, gelatin on nitrocellulose sheet film, early signs of nitrate degradation affecting images

£200-£300

£200-£300

£150-£250 45

76 77

78

76 Francis Joseph Bruguière (1879-1945) London, c.1930, street scenes, Fleet Street (?)

77 Francis Joseph Bruguière (1879-1945) London, c.1930, Big Ben and the Houses of Parliament

78 Francis Joseph Bruguière (1879-1945) London, c.1930, Trafalgar Square, families feeding pigeons

Numbered negative images (2), quarter plate, approx. 111mm x 79mm

Quarter plate, approx 108mm x 83mm negative images (2), gelatin on nitrocellulose sheet film

Quarter plate, approx 108mm x 83mm negative images (2), gelatin on nitrocellulose sheet film

£200-£300

£200-£300

£200-£300

46

79 Francis Joseph Bruguière (1879-1945) London, c.1930, Trafalgar Square, variant views of St.Martin-in-the-Field

80 Francis Joseph Bruguière (1879-1945) London, c.1930, a Policeman directing traffic outside of the Cannon Hotel, and portraits of a Horse guard

Quarter plate, approx. 108mm x 83mm negative images (3), gelatin on nitrocellulose sheet film, small portion of one negative missing

Quarter plate, approx. 108mm x 83mm negative images (4), gelatin on nitrocellulose sheet film

£200-£300

£200-£300

81 Francis Joseph Bruguière (1879-1945) London, c.1930 St. Paul’s Cathedral, view from the Southbank across the river, construction taking place in the foreground Quarter plate, approx. 108mm x 83mm negative image, gelatin on nitrocellulose sheet film £200-£300 47

83 82

84

82 Francis Joseph Bruguière (1879-1945) London, c.1930 Various unidentified London views Quarter plate, approx. 108mm x 83mm negative images (4), gelatin on nitrocellulose sheet film, some imagery used in photo montage series

83 Francis Joseph Bruguière (1879-1945) London, c.1930 St. James Palace, Motor cars in the Park, and various other view

Eastman museum: 1981.1087.0003

Quarter plate, approx. 108mm x 83mm negative images (5), gelatin on nitrocellulose sheet film, housed in a paper envelope annotated in pencil, ‘London Snaps’

£150-£250

£200-£300

48

84 Francis Joseph Bruguière (1879-1945) London, c.1930, St-Martin-in-the-Fields Quarter plate, approx. 108mm x 83mm negative images (2), gelatin on nitrocellulose sheet film £150-£250

85 Francis Joseph Bruguière (1879-1945) London, c.1930 The Tower of London taken from across the Thames together with another view

86 Francis Joseph Bruguière (1879-1945) London, c.1929, a portrait of a joyful street beggar and an impressive architectural scene, Somerset House

87 Francis Joseph Bruguière (1879-1945) London, c.1930, Nelson’s Column and the Duke of York’s column, Waterloo Place

Unmarked quarter plate, approx. 108mm x 83mm negative images (2), gelatin on nitrocellulose sheet film

Quarter plate, approx 108mm x 83mm negative images (2), gelatin on nitrocellulose roll film

Unmarked quarter plate negative image, approx.

127mm x 102mm, gelatin on nitrocellulose sheet film.

Eastman Museum: 1986.1028.0001

£150-£250

£150-£250

£150-£200 49

89

88

90

88 Francis Joseph Bruguière (1879-1945) London, c.1930, St. Martin’s in the Field and The Equestrian Statue of Charles I

89 Francis Joseph Bruguière (1879-1945) London, c.1930, Admiralty Arch, taken from the Mall

90 Francis Joseph Bruguière (1879-1945) London, c.1930, The National Gallery at night

Eastman Museum: 1986.1028.0001

Unmarked negative images (2), approx. 111mm x 85mm, one slightly cropped, gelatin on nitrocellulose sheet film

Long exposure, unmarked negative image, 5” x 4” approx 127mm x 102mm, gelatin on nitrocellulose sheet film

£100-£200

£150-£200

£200-£300

Unmarked negative image, approx. 111mm x 85mm, gelatin on nitrocellulose sheet film, preparatory negatives for architectural photo montage series.

50

91

92

93

91 Francis Joseph Bruguière (1879-1945) London, c.1930 Big Ben at night from a bridge

92 Francis Joseph Bruguière (1879-1945) London, c.1930, Trafalgar Square Lions

Photo montage experiment, negative image, 5”x4” (126mm x 101mm), gelatin on nitrocellulose sheet film, preparatory photograph leading to ‘photo montage of English building and monuments’.

Quarter plate, approx. 108mm x 83mm negative images (3), gelatin on nitrocellulose sheet film, one of these images was used in Photo Montage of English Architecture and Monuments

Eastman Museum: 1981.1087.0003

Eastman Museum:1986.1028.0001

Approx. 110mm x 85mm, one slightly cropped, gelatin on nitrocellulose sheet film

£100-£150

£100-£150

£100-£150

93 Francis Joseph Bruguière (1879-1945) London, c.1930, Eleanor Cross, Charing Cross Station

51

94

96

95

94 Francis Joseph Bruguière (1879-1945) London, c.1930, Horse Guards Parade Unmarked negative image, approx. 110mm x 85mm, gelatin on nitrocellulose sheet film £100-£150

95 Francis Joseph Bruguière (1879-1945) Francis & Rosalinde's London Home, c.1930 Rosalinde in the doorway, Two gentlemen in conversation

96 Francis Joseph Bruguière (1879-1945) London, c.1930, Multiple exposure including motor cars, and a building facade

Unmarked quarter plate, approx. 108mm x 83mm negative images (2), gelatin on nitrocellulose sheet film, together with a toned silver gelatin print of the first negative, annotated 'V44' to the verso

unmarked negative image, 5” x 4” approx. 127mm x 102mm, gelatin on nitrocellulose sheet film

£100-£150 52

£400-£600

97 Francis Joseph Bruguière (1879-1945) London, c.1929, Monument street scene with railings Multiple exposure, unmarked negative image, 113mm x 84mm, gelatin on nitrocellulose sheet film £300-£500

98 Francis Joseph Bruguière (1879-1945) London Market Scenes, c.1930, a female florist market trader portrait, together with a portrait of two gentlemen

99 Francis Joseph Bruguière (1879-1945) London, Zeppelin, c.1930, Cranes, construction works and a zeppelin in the air

Unmarked negative images (2), approx. 110mm x 85mm, gelatin on nitrocellulose sheet film

Unmarked negative image 5” x 4”, approx. 127mm x 102mm, gelatin on nitrocellulose sheet film

£250-£350

£300-£500 53

100

101

102

100 Francis Joseph Bruguière (1879-1945) London, Landmark Street Scenes, c.1930, Big Ben from Little George St and the Cenotaph

101 Francis Joseph Bruguière (1879-1945) London, c.1930, Somerset House

102 Francis Joseph Bruguière (1879-1945) London Night Study, c.1930, Big Ben

Unmarked negatives (2), image approx. 111mm x 86mm, gelatin on nitrocellulose sheet film

Negative images (3), approx. 111mm x 87mm (2), with a 5” x 4” example taken at night (1), gelatin on nitrocellulose sheet film

Unmarked negative images (2), 5” x 4” approx.

127mm x 102mm, gelatin on nitrocellulose sheet film

£300-£500

£300-£500

£300-£500

54

103 Francis Joseph Bruguière (1879-1945) London, c.1930, Street Scenes, Whitehall, Great Scotland Yard and Nelson’s column Unmarked quarter plate negative images (2), approx. 108mm x 84mm, gelatin on nitrocellulose sheet film £300-£500

104 Francis Joseph Bruguière (1879-1945) London, c.1930, St Martin-in-the-Fields, Trafalgar Square Unmarked quarter plate, approx 108mm x 83mm negative images (2), day street scene with market wagons, together with an impressive 5” x 4” 127mm x 102mm night scene taken from inside the square, gelatin on nitrocellulose sheet film £300-£500

105 Francis Joseph Bruguière (1879-1945) London, c.1929, a variety of views and landmarks including, St Paul’s, Trafalgar Square, and other monuments Unmarked quarter plate, approx. 108mm x 83mm negative images (13), gelatin on nitrocellulose roll film, together with one 5” x 4” 127mm x 102mm example, housed in enveloped annotated in various hands.

Eastman Museum:1981.1087.0003 £300-£500 55

107

106

108

106 Francis Joseph Bruguière (1879-1945) London, c.1930, Self-Portrait, Bruguière is visible on two separate planes of view Multiple Exposure, numbered negative image, 121mm x 86mm, gelatin on nitrocellulose sheet film, a rare glimpse of Bruguière boundless experimentation using himself as subject £500-£800 56

107 Francis Joseph Bruguière (1879-1945) London, Geese and lily-pads, c.1929 Multiple Exposure, numbered negative image, 113mm x 80mm, gelatin on nitrocellulose sheet film, in glassine envelope annotated 'Bruguière neg' £300-£500

108 Francis Joseph Bruguière (1879-1945) London, c.1930 Various views of Hyde Park, including Hyde Park Corner, The Albert Memorial, birds, lakes and more Quarter plate, approx. 108mm x 83mm negative images (12), gelatin on nitrocellulose sheet film, some imagery used in Photo Montage series Eastman Museum: 1986.1028.0001 £400-£600

Other Experiments including English Cathedral Abstractions 1929-1944 In 1931 Bruguiere produced his English Cathedral studies, visiting London, Salisbury and Oxford. (see lots 109-116). This work employed Bruguiere’s straight photography talents and was a study in pure design. Upon viewing the interior negatives particularly, there is a strong sense of nostalgia for his earlier work on the Panama Pacific International Exposition. See Bonham’s San Francisco, Photographs 21st May 2008 lot. 21.

Bruguiere’s experimentation before 1930 was devoted exclusively to probing the realm of psychologically relevant imagery. Each experiment was an end in itself and was rarely a glorification of form for visual pleasure alone.1 During these years, Bruguière experimented heavily with photographic methods, including Solarization, Sabbatier effect, Straight and Relief-printing, again breaking new ground for some of his contemporaries.. At this stage of his career, he was primarily concerned with the control of shape, tone and the graphic character of shadow. He abstracted real world objects through various effects, using carefully arranged still life compositions and the people closest to him as his models. In these experimentations, any additional meaning became a secondary objective of his work.

In this section, there are examples of his personal experimentations and candid portraiture work, giving us an insight into Rosalinde and Francis’ life and relationship together. (see lot137-139, 154 -155a, 163). He moved out of London in 1940 to the small Northamptonshire village of Middleton Cheney to concentrate on his painting however due to failing health he returned to London during this time where he died on Armistice day 1945.

1

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, p.117

57

58

109 Francis Joseph Bruguière (1879-1945) English Cathedral Abstractions, 1931

110 Francis Joseph Bruguière (1879-1945) English Cathedral Abstractions, 1931

111 Francis Joseph Bruguière (1879-1945) English Cathedral Abstractions, 1931

Unmarked quarter plate approx 108mm x 83mm, negative images (4), gelatin on nitrocellulose sheet film

Unmarked 5” X 4” approx 127mm x 108mm, negative images (2), gelatin on nitrocellulose sheet film

Two exposures on quarter plate roll film, approx 108mm x 83mm negative images, (2), one example double exposed, gelatin on nitrocellulose roll film

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 78, p. 108

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 78, p. 108

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 78-83, p.

108-113

£300-£500

£200-£300

£300-£500 59

112

114

113

112 Francis Joseph Bruguière (1879-1945) English Cathedral Abstractions, 1931, St. Paul’s Cathedral London

113 Francis Joseph Bruguière (1879-1945) English Cathedral Abstraction, 1931, multiple exposure cathedral interior

Unmarked quarter plate, approx 108mm x 83mm negative images (2), gelatin on nitrocellulose roll film

Quarter plate, approx 108mm x 83mm negative image, gelatin on nitrocellulose roll film

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 78-83, p. 108-113 £200-£300 60

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 78-83, p.

108-113. Getty Museum: 84.XM.469.23 (variation) £400-£600

114 Francis Joseph Bruguière (1879-1945) Greek Travel Interest, c.1912-13, Greek soldiers Vintage silver gelatin print, image size 365mm x 270mm, together with a pictorialist style photograph of Greek monuments, predating the Panama-Pacific Exposition works, vintage silver gelatin print, image size 240mm x 178mm mounted on board, both images with ‘Vxx’ numbers to the verso in pencil James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 2, p. 10 £150-£250

116 115

117

115 Francis Joseph Bruguière (1879-1945) English Cathedral Abstractions, 1931

116 Francis Joseph Bruguière (1879-1945) English Cathedrals Interiors, 1931

117 Francis Joseph Bruguière (1879-1945) London, Self Portrait, c.1930

Unmarked quarter plate, approx 108mm x 83mm, negative images (6), gelatin on nitrocellulose sheet film

Unmarked quarter plate approx 108mm x 83mm, negative images (11), gelatin on nitrocellulose sheet film

Multiple exposure, unmarked negative image, 5” x 4” approx. 127mm x 102mm, gelatin on nitrocellulose sheet film

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 78, p. 108

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 82-83, p. 112-113

£800-£1,200

£450-£650

£600-£800

61

118

119

120

118 Francis Joseph Bruguière (1879-1945) Rosalinde Fuller, c.1930s, from the same photo shoot as the previous lot

119 Francis Joseph Bruguière (1879-1945) Beyond This Point, 1929, Multiple Exposure, Cynthia Fuller

Quarter plate, approx. 108mm x 83mm negative images (3), a fascinating set of images showing a rare behind the scenes glimpse of the photographer experimenting with light with his muse, something that was a primary consideration in all of his work during this time

Vintage silver gelatin print, image size, 238mm x 186mm, originally mounted in an album, with pen and pencil annotations verso

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 92-106, p. 118

Getty Museum: 84.XM.205.8

£500-£800 62

Lance Sieveking and Francis Bruguière, Beyond This Point, Duckworth, London, 1929, p.79

£400-£600

120 Francis Joseph Bruguière (1879-1945)

Rosalinde Fuller Portrait, 1944, multiple exposure experiment

Vintage silver gelatin print, untrimmed, image size, 257mm x 200mm, signed and dated by the model in ink on the verso, and with 'V3' in pencil £400-£600

121

122

123

121 Francis Joseph Bruguière (1879-1945) Rosalinde & Cynthia Fuller, 1944 Multiple exposure experiment, vintage toned silver gelatin print, trimmed, image size, 237mm x 186mm, and with pen and pencil annotations verso £600-£800 122 Francis Joseph Bruguière (1879-1945) Rosalinde & Cynthia Fuller, 1944 Multiple exposure experiment, vintage silver gelatin print, untrimmed, image size, 243mm x 191mm, and with pen and pencil annotations verso £600-£800 123 Francis Joseph Bruguière (1879-1945) Portrait of Cynthia Fuller 1937 Vintage silver gelatin prints (2), image size, 260mm x 187mm, both signed and dated in pencil upper left margin and one with dated inscription to the verso in green ink, the 5” x 4” Eastman Kodak Nitrate negative also included, gelatin on nitrocellulose sheet film £800-£1,200 63

124

125a

125

124 Francis Joseph Bruguière (1879-1945) Portrait of Rosalinde Fuller, c.1935

125 Francis Joseph Bruguière (1879-1945) Solarized Portrait of Cynthia Fuller c.1936-1940

Vintage partially solarized silver gelatin print, image size, 215mm x 171mm, with pencil annotation to verso ‘V10’

Vintage solarized silver gelatin print, image size, 257mm x 202mm, signed by the model and with pencil annotation ‘V11’ to the verso

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 92-93, p. 125

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 99, p. 129

£400-£600

£400-£600

125a Francis Joseph Bruguière (1879-1945) Solarized Portrait Of Rosalinde Fuller And Her Sister, c.1936-1940 Vintage solarized silver gelatin print, image sizes 231mm x 174mm, pencil annotation to the verso ‘V9’, with Kodak Eastman Nitrate 5” x 4” negative, gelatin on nitrocellulose sheet film James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 99, p. 129 £800-£1,200

64

126

127

128

126 Francis Joseph Bruguière (1879-1945) From ‘The Way’ c.1923-1925, Sebastian Droste

127 Francis Joseph Bruguière (1879-1945) Rosalinde Fuller, c.1936-1940

Negative image, 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film, numbered in negative

Eastman Kodak negative, 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film, this image was developed into a solarized abstraction, a print which can be found in the Eastman Museum collection

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl.12, p. 30 (variation) £600-£800

Eastman Museum: 1981.1089.0024 £400-£600

128 Francis Joseph Bruguière (1879-1945) Solarization (Still Life), 1936-1940, Cactus and painting, with long shadow unmarked solarized negative image, 5” X 4” approx.

127mm x 102mm, gelatin on nitrocellulose sheet film, with glassine sleeve annotated 'Bruguière neg' James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 89-90, p.

121-123 (variations) £400-£600 65

131

130

132

130 Francis Joseph Bruguière (1879-1945) Solarization (Hands with Rose), 1936-1940

131 Francis Joseph Bruguière (1879-1945) Solarization (Clasped Hands), c.1936-1940

132 Francis Joseph Bruguière (1879-1945) Solarization (Cat with Hand), c. 1936-1940

Eastman Nitrate Kodak solarized negative image, 5” X 4” approx. 127mm x 102mm, gelatin on nitrocellulose sheet film

Unmarked solarized negative image, 5” X 4” approx. 127mm x 102mm, gelatin on nitrocellulose sheet film

Unmarked solarized negative image, 5” X 4” approx. 127mm x 102mm, gelatin on nitrocellulose sheet film

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 104 p. 134

Eastman Museum: 1981.1089.0061 (variation)

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 105, p.

135 (variation)

Christie’s New York: Thursday, April 29th, 1999, Lot: 00190 (print) £500-£800 66

£300-£500

£300-£500

134 133

135

133 Francis Joseph Bruguière (1879-1945) Solarization Experiment (Cat With Still Life Props), c.1936-1940, Unmarked partially solarized negative images (2), 5” X 4” (121mm x 97mm), gelatin on nitrocellulose sheet film James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 105, p.

135 (variation) £200-£300

134 Francis Joseph Bruguière (1879-1945) Solarized Portraits Of Rosalinde Fuller, c.1936-1940 Eastman Kodak Nitrate solarized negative images (2), 5”x4” (123mm x 97mm), gelatin on nitrocellulose sheet film James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 92-93 p.

124-125 £600-£800

135 Francis Joseph Bruguière (1879-1945) Cats, c.1930s, Experimentation and portraiture, one image showing Bruguières’ studio camera Kodak Eastman Nitrate or unmarked 5” x 4” approx. 127mm x 102mm negative images, (5), gelatin on nitrocellulose sheet film, one example partially solarized James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 105, p. 135 £200-£300 67

136

137

138

136 Francis Joseph Bruguière (1879-1945) Rosalinde Fuller And Other Models (Solarization), c.19361940 Eastman Nitrate Kodak negative image, 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film, some light spotting

137 Francis Joseph Bruguière (1879-1945) Unknown Male Nude Study, c.1930

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 94-97, p. 126-127.

Eastman Nitrate Kodak negative images (2), 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film, minor oxidization to peripheries

Eastman Museum: 1981.1089.0043 £600-£800 68

£300-£500

138 Francis Joseph Bruguière (1879-1945) Rosalinde & Cynthia Fuller And Other Female Model, Nude Study, c.1936-1940 Eastman nitrate Kodak negative image, 127mm x 102mm, gelatin on nitrocellulose sheet film, glassine sleeve annotated 'Bruguière Negative' £300-£400

139

138a

140

138a Francis Joseph Bruguière (1879-1945) Multiple exposure, Rosalinde Fuller, Nude Study, c.19361940 Unmarked negative image, 5” x 4” approx. 127mm x 102mm, cropped from a larger sheet, gelatin on nitrocellulose sheet film, with glassine sleeve marked 'Bruguière Neg' £300-£500

139 Francis Joseph Bruguière (1879-1945) Francis Bruguière, Rosalinde & Cynthia Fuller and Other Male Model, Nude Study, c.1936-1940, With Bed, Cello And Arc Light In View, Taken In London Apartment

140 Francis Joseph Bruguière (1879-1945) Sculpture Studies, c.1936-1940

An unmarked negative image, 5” x 4” approx.

127mm x 102mm gelatin on nitrocellulose sheet film

Kodak Eastman negative images (4), 10” x 8” 254mm x 203mm, gelatin on nitrocellulose sheet film, together with one silver gelatin print, image size, 150mm x 115mm, 'v61' on the verso

£250-£350

£300-£500 69

141

142

143

141 Francis Joseph Bruguière (1879-1945) Rosalinde’s Life Mark, 1928-1940 Vintage toned silver gelatin print, image size, approx. 239mm x 187mm, titled in ink and with V39 in pencil verso £60-£80

70

142 Francis Joseph Bruguière (1879-1945) Still Life,1934-1935, Sculptural head, teapot, plaster cast foot and lamp variations

143 Francis Joseph Bruguière (1879-1945) Still Life,1934-1935, Sculpture and fruit variations

Unmarked negative images (2), 5”x4” (126mm x 101mm), gelatin on nitrocellulose sheet film

Eastman Nitrate Kodak negative images (2), 5”x4” (126mm x 101mm), gelatin on nitrocellulose sheet film

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 72 p. 99 (variation) Eastman Museum: 1981.1089.0055 (variation)

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 73 p. p 100 (variation) Eastman Museum: 1981.1089.0055 (variation)

£400-£600

£400-£600

144

146

145

144 Francis Joseph Bruguière (1879-1945) Still Life,1934-1935, Daffodils Eastman Nitrate negative image, 5”x4” approx.

127mm x 102mm, gelatin on nitrocellulose sheet film, proprietary study for flower abstraction and multiple exposure (lot 286), c.1936-1940 James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 86 p.

116 - 117" £200-£300

145 146 Francis Joseph Bruguière (1879-1945) Francis Joseph Bruguière (1879-1945) Photographs Of Paintings, c.1935, a good selection of images Venice, c.1930s, taken from the water of Bruguières’' paintings and sculpture taken in the London apartment Numbered in ink '14' in the negative, image approx.

111mm x 87mm, gelatin on nitrocellulose sheet film Unmarked 5” x 4” approx. 127mm x 102mm negative images (10) together with cropped negatives £100-£200 (2), housed in an envelope annotated in pen 'Bruguière’s Paintings' James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 75, p. 102" £250-£250 71

147

149 148

147 Francis Joseph Bruguière (1879-1945) Montacute House, Somerset, c.1930s

148 Francis Joseph Bruguière (1879-1945) New York, Pseudomorphic,1932

149 Francis Joseph Bruguière (1879-1945) European Pictorialist Style Views, c.1912-1913

unmarked negative, image approx. 111mm x 78mm, gelatin on nitrocellulose sheet film, in glassine sleeve marked ‘Montacute Ho. Bruguière neg’”

Unmarked negative image, 108mm x 83mm, gelatin on nitrocellulose sheet film, film sleeve annotated 'Bruguière neg'

Vintage prints (5), various scenes, one with negative, approx image size, 240mm x 187mm, annotation to the verso in pencil 'Vxx'

£100-£150

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 77 p. 107"

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, p. 157" £400-£600

£500-£800 72

150 151

152

150 Francis Joseph Bruguière (1879-1945) European Views, c.1912-1913

151 Francis Joseph Bruguière (1879-1945) Statues And Iconography, c.1912-1913

Vintage silver gelatin prints (5), The Trevi Fountain in Rome, Notre Dame at Night, Italian landscape and architectural views, image sizes, approx. 235mm x 185mm, mounted on board (4), unmounted(1), annotated in pencil to the verso 'Vxx'

Vintage silver gelatin prints (7), image sizes, largest, 378mm x 301mm, smallest, 255mm x 200mm including Moses by Michelangelo Buonarroti, Roman Catholic Altars, Narrita Aphrodite basrelief, Rome Terme National, annotated in pencil on the verso ‘Vxx’ Eastman Museum: 1981.1089.0088 (multiple exposure experiment)

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, p. 157 £200-£300

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, p. 157 £300-£500

152 Francis Joseph Bruguière (1879-1945) Travels In Europe, c.1912-1913, a selection of church interiors and Altars, landscapes in a Pictorialist style, and photographs of towns, and personal holiday photos Quarter plate, approx 108mm x 83mm negative images (21), gelatin on nitrocellulose roll film, some negs cropped, some prints from these negatives can be seen at lot 149 James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, p. 157 £150-£250 73

154 153

155

153 Francis Joseph Bruguière (1879-1945) Travels in Europe, c.1912-1913 Multiple exposure experiment, silver gelatin print, printed later, image size, 235mm x 183mm, annotated in pencil on the verso 'V22' James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, p. 157 £400-£600 74

154 Francis Joseph Bruguière (1879-1945) Self Portraits, 1930-1940, Francis and Rosalinde embracing in the mirror in their apartment, the taking camera visible between them

155 Francis Joseph Bruguière (1879-1945) Portraits of The Photographer, 1930s, taken by Rosalinde Fuller in a variety of locations and poses, 5” x 4” approx 127mm x 102mm negative images (2)

Numbered 5" x 4" approx 127mm x 102mm negative images (2), gelatin on nitrocellulose sheet film

Quarter plate, approx 108mm x 83mm negative images (1) transparency (1), and 120 approx 60mm x 60mm negative images (8), housed in annotated envelope, marked in pencil ‘Me by Ros’

£300-£500

£300-£500

155a

157

156

155A Francis Joseph Bruguière (1879-1945) Portraits of The Photographer, 1930S, Presumably Taken

By Rosalinde Fuller in The Couple's Apartment

156 Francis Joseph Bruguière (1879-1945) Multiple Exposure of Cynthia And Rosalinde Fuller c.

1936-1940

Numbered quarter plate, approx 108mm x 83mm negative images, gelatin on nitrocellulose sheet film

Vintage silver print, image size, 188mm x 120mm, pencil annotation to the verso, torn down the longside, presumably a test print

£150-£250

157 Francis Joseph Bruguière (1879-1945) Multiple Exposure of Rosalinde Fuller C. Late1930s Toned silver gelatin print, image size, 233mm x 178mm, pencil annotation to the verso 'V2' £300-£500

£100-£150 75

159 158

160

158 Francis Joseph Bruguière (1879-1945) Beyond This Point, c.1936-1940, Rosalinde & Cynthia Fuller Multiple exposure, Eastman Kodak negative, 10” x 8” approx. 254mm x 203mm, gelatin on nitrocellulose sheet film

159 Francis Joseph Bruguière (1879-1945) Multiple Exposure of Rosalinde Fuller c. 1929 Silver gelatin print, image size, 233mm x 187mm, pencil annotation 'V6' to the verso £400-£600

160 Francis Joseph Bruguière (1879-1945) Beyond This Point, c.1936-1940, Rosalinde & Cynthia Fuller Eastman Kodak negative image, 10” x 8” approx.

254mm x 203mm, gelatin on nitrocellulose sheet film

Lance Sieveking and Francis Bruguière, Beyond This Point, Duckworth, London, 1929, p.79

Lance Sieveking and Francis Bruguière, Beyond This Point, Duckworth, London, 1929, p.79

£400-£600

£400-£600

76

161

162

161 Francis Joseph Bruguière (1879-1945) Rosalinde & Cynthia Fuller, Still life objects, c.1936-1940 Multiple exposure experiment, Eastman Kodak negative image, 5” x 4” approx. 127mm x102mm, gelatin on nitrocellulose sheet film

162 Francis Joseph Bruguière (1879-1945) London, c.1936-1940, Rosalinde Fuller

James Enyeart, Bruguière: His Photographs and His Life, Alfred A. Knopf, New York, 1977, pl. 89-90, p.

121-123 (variations)

Multiple exposure, Eastman Kodak Nitrate negative image, 5” x 4” approx. 127mm x 102mm, gelatin on nitrocellulose sheet film

£300-£500

£250-£350 77

163 164

165

163 Francis Joseph Bruguière (1879-1945) Portraits Of Rosalinde Fuller, c.1935-1940, at home in their London Apartment, various poses, Bruguière’s experimentation with light and shadow clearly evident

164 Francis Joseph Bruguière (1879-1945) Portraits Of Rosalinde Fuller, c.1930s, at home in their London Apartment and in various theatrical poses, with her cats

Quarter plate, approx. 108mm x 83mm unmarked negative images (5), together with a 5” x 4” 127mm x 102mm Eastman Kodak Nitrate Negative (1), housed an annotated paper envelope

Kodak Eastman Nitrate 5” x 4” approx. 127mm x 102mm negative images (approx. 38), together with a two silver gelatin prints, both annotated verso, and a large format negative image of her and a cat, gelatin on nitrocellulose sheet film, housed in two annotated paper envelopes

£200-£300

£150-£250

165 Francis Joseph Bruguière (1879-1945) Portraits of Rosalinde & Cynthia Fuller, c.1935-1948, headshot of Rosalinde Silver gelatin print, 1948, image size, 214mm x 157mm, signed, dated and with various annotations in pen and ink; ‘Photo Repro Co. Bear St. London’ stamp to the verso together with a portrait of Rosalinde with her sister.c.1935, toned silver print, image size, 205mm x 165mm, pen and pencil annotation to the verso and a vintage silver gelatin print, image size, 176mm x 116mm, pencil and pen annotations to the verso (3) £60-£80

78

166

167

168

166 Francis Joseph Bruguière (1879-1945) Portraits Of Gentlemen, c.1920-1930s An unmarked 7” x 5” approx, 178mm x 127mm negative image of a gentleman sitting in a kitchen with a small dog, possibly Eugene Smith (?) and 5” x 4” approx 127mm x 102mm Kodak Eastman Nitrate negatives (4) of a gentlemen in different poses, possibly Edward Mcknight Kauffer (?), gelatin on nitrocellulose sheet film

167 Francis Joseph Bruguière (1879-1945) Portraits of Cynthia Fuller, c.1936-1940, In Various Prepared Poses Eastman Kodak Nitrate and unmarked 5” x 4” approx 102mm x 127mm negative images (12), gelatin on nitrocellulose sheet film £100-£200

168 Francis Joseph Bruguière (1879-1945) Miscellaneous Photographs of Rosalinde Fuller, 1919-1940 Silver gelatin prints (16), various image sizes, largest 360mm x 280mm, smallest, 145mm x 120mm, together with a photo of Caroll Odell (1), and one signed and mounted print from 1929, with pencil annotations to the verso 'Vxx' £50-£100

£200-£300 79

169

170

169 Francis Joseph Bruguière (1879-1945) Various Photographic Items, c.1940 Printed photographs of Bruguière in a Cartes Des Visite style (8), presumably for the purpose of writing notes to people, one example signed, with Rosalinde (1), together with a silver gelatin photograph of Bruguière, 140mm x 90mm, signed in ink on the verso, a 120 film transparencies portrait, signed in the mount and 35mm frames (2), portrait of Bruguière, and an unidentified gentleman smoking a pipe £150-£250 80

170 Francis Joseph Bruguière (1879-1945) Headshot Portraits of Rosalinde Fuller, 1919-1940 Vintage silver gelatin prints (10), various image sizes, largest 395mm x 346mm, smallest, 155mm x 105mm, with pencil annotation to the verso ‘Vxx’ £120-£180

171 Miscellaneous Photographic Items including a sixth plate, hand coloured, swiveling ambrotype mourning brooch, a portrait of the eldest of the Fuller sisters, image size, 226mm x 176mm, with Moffett gallery Chicago blind stamp recto, Eva Watson-Schütze (?), a photomechanical portrait of Bruguière’s father, together with an unusual group of microscopy photographs, toned silver gelatin prints (11), image sizes approx. 96mm x 78mm, showing various microscopic animals and organic growths, presumably test prints at different filter and exposures, annotated in an unknown hand and with ‘Vxx’ numbers to the verso Eastman Museum: 1981.1786.0031 £200-£300 81

82

172 Francis Joseph Bruguière (1879-1945) 35mm Negatives c.1930-1940 subjects include friends and holiday companions, Oswell Blakeston, European landscapes, architectural studies and Rosalinde and her sister, Multiple exposure preparatory frames, all negatives in annotated folded paper, and housed in an annotated box £400-£600 83

Photographica

A Ross London Xpres 2" f/1.9 Lens Serial No: 131859 Barrel: VG/E Optics: VG/E Mount: expertly converted to a range-finder coupled LTM Notes: an exceptionally rare and sought after lens £8,000-£12,000

16 MAY 2019 FOR ENQUIRIES CONTACT Head of Photographica, Austin Farahar austin.farahar@chiswickauctions.co.uk 84

Terms and Conditions for Buyers at Chiswick Auctions 1. BEFORE THE SALE 1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer.

1.2 Definitions For the purposes of the current Terms and Conditions, the Seller shall be defined as the owner of the Goods. It is implied that the Seller is the legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply.

1.3 Catalogue descriptions Any representation in any catalogue or otherwise as to the origin, date, age, attribution, genuineness or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description.

The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof.

Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good.

1.4 Inspection Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them.

1.5 Condition report CA Ltd may issue a Condition Report on request prior to the sale.

This Condition Report is for identification purposes only and cannot be considered as giving a precise account of the Lot’s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report.

As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyer’s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto.

1.6 Electricals All electrical items are sold as seen and CA Ltd offers no guarantee as to the working condition of such items or their safety.

It is the Buyer’s duty to take necessary steps to be assured that the Lot is safe for normal use.

1.7 Estimates Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the

condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates.

1.8 Reserves Many Lots are offered subject to a reserve, which is the confidential minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids.

1.9 Registration to the sale New bidders will need to register prior to the sale. It is strongly advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneer’s entire discretion.

International bidders may be required to register 48 hours before the sale and to submit bank details.

A deposit may be requested prior to each sale.

Failure to register shall result in the impossibility for the bidder to purchase a Lot. 1.10 Proof of identity Bidders not previously known to CA Ltd will be required to provide: • official proof of identity in the form of a passport or photocard driving licence. No other forms of ID are acceptable.

• Proof of address of main residence. Only official documents showing name and address will be accepted.

• Both landline and mobile telephone numbers • A bank reference for foreign bidders may be requested • Corporate clients will have to provide a certificate of incorporation prior to the auction, along with the representative’s ID in accordance with the abovementioned requirements for proof of identity.

Any Bidder that does not match the provided identity for registration may not purchase during the sale.

2. DURING THE SALE 2.1 Attendance at auction Attending the auction in person is recommended.

CA Ltd has the right in their absolute discretion to refuse participation in any auction, to reject any bid, and to refuse admission to the premises.

Bidders are not obliged to be present in person at the auction.

Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale.

2.2 Personal bidding Bidders attending the auction in person shall be required to collect a number plate prior to the sale.

85

2.3 Commission bids CA Ltd will use reasonable efforts to carry out Commission bids received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it.

Commission bids shall be executed at the lowest possible price, subject to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyer’s responsibility to check if they have been successful in purchasing a Lot. In the event of multiple commissions at the same price, the commission set at the older date shall be taken into account.

3.3 Transfer of risks Purchased Lots shall be at the Buyer’s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

2.4 Telephone bids If a bidder is not able to attend in person an auction, CA Ltd will use reasonable efforts to contact prospective Buyers who make arrangements prior to commencement of the sale to bid by telephone.

CA Ltd cannot be held responsible in the event of issues affecting connectivity, resulting in the loss of a chance of purchasing the Lot for the Bidder.

Grounds for cancellation under the present section shall include but not be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences or certificates, any subsequent changes in domestic or international legislations restricting the sale of export of goods etc.

In the event of internet-only auctions, the Buyer shall have a 14 day right to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

2.5 Internet bids Some sales may be available to internet bidding, as well as personal attendance. In this event, CA Ltd shall not be held responsible for issues affecting connection.

2.6 Bidding on behalf of someone A Buyer may bid by proxy. In this event, proof of identity of both the Buyer and the proxy must be communicated to CA Ltd prior to the sale.

A copy of the mandate shall also be required.

2.7 Bidding on an item Bid incrementing is at the auctioneer’s entire discretion.

2.8 Video transmission For the purpose of the sale, Lots may be displayed on video during the auction. In the event of transmission issues, CA Ltd shall not be held responsible for any subsequent outcome.

2.9 Online-only auctions Some auctions may be available to bidders only through an online platform. In this event, Buyers have a 14 day period at reception of the Lot to withdraw from the sale, in accordance with EU Consumer Law. 2.10 Dispute resolution during the auction Any dispute shall be settled at the auctioneer’s absolute discretion.

Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneer’s entire discretion.

3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller.

The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. When a Buyer purchases multiple Lots, each Lot is the subject of a separate contract of sale.

3.2 Transfer of property Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyer’s premium, relevant taxes, and costs in relation to shipping.

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3.4 Cancellation of the sale At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter.

Under no circumstances can the Buyer cancel the sale.

CA Ltd may at its entire discretion, during or after the auction, cancel the sale of the Lot or reoffer and resell the Lot if it becomes aware of any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

3.5 Returns and refunds CA Ltd will only issue a refund using the same method of payment originally used by the Buyer to pay for the purchase, or by bank transfer.

The Buyer’s refund will be processed without undue delay and in any event within no more than 28 days of the day the Buyer gave CA Ltd notice of cancellation.

If the Buyer exercises their right of retraction when authorised to do so

by Law, CA Ltd shall proceed to issue a complete refund, comprising the hammer price of the Lot, buyer’s premium and shipping fees. However return fees shall remain at the expense of the Buyer.

4. AFTER THE SALE 4.1 Payment All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted.

Cash payments shall not be receivable for amounts over €10,000, regardless of the payment being for one or multiple Lots.

Payments made by someone other than the registered Buyer shall not be accepted.

Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer.

4.2 Buyer’s Premium The Buyer will pay CA Ltd a premium of 25% on the hammer price plus VAT on that commission on the first £500,000 and 12% plus VAT on the balance thereafter. A Buyer’s Premium of 19.5% plus VAT is charged on Wine & Spirits Lots.

The VAT payable varies by symbol as below: No Symbol: The standard rate of VAT is charged on the premium under the Auctioneers Margin Scheme in accordance with Art. 333 of 2006/112/EC. Standard UK VAT will be charged on the buyers’ premium and invoiced on an inclusive basis. †: Normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium. *: These lots have been imported from outside the EU for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on the invoice.

In order to receive a refund of VAT amounts/Import VAT (as applicable) non-EU buyers must: (a) have registered to bid with an address outside of the EU; and (b) export the lot from the EU within 30 days of collection for * lots and 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show satisfactory proof of export/shipping are available from our Finance team. A processing fee of £35.00 per invoice is charged to check shipping/export documents. (d) No VAT amounts or Import VAT will be refunded where the total refund (after deducting the processing fee) is under £35.

CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. • To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs.

• To take such other action as is permissible by Law and in the discretion of CA Ltd. 4.6 Collection Purchased Lots can be collected from the auction room after the sale has ended or between 10am and 6pm up until close of business on the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltd’s discretion.

4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyer’s premium. The rate applicable shall be the legal rate at the date of the sale.

Goods such as books and antique books, music, maps and charts etc. are subject to zero-rated VAT. In addition, any import taxes that may be incurred shall be paid by the Buyer above hammer price, VAT and Buyer’s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.

4.7 Storage Purchased Lots not collected before 6pm on the day after the sale shall incur storage charges of £5.00 per Lot, per day or part thereof. CA Ltd shall be entitled to retain purchased Lots sold until all sums due have been paid to CA Ltd. If any purchased lot remains uncollected 21 days after the sale, storage charges shall thereafter be £10 per day and CA Ltd shall, in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding.

Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

4.4 Artist Resale Rights / Droit de Suite Lots marked with ‘ARR’ may be subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or to the artist’s heir each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a cumulative sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to Lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single Lot is the sterling equivalent of €12,500.

Royalties for Droit de Suite are as follows:

4.8 Shipping Any shipping costs that may arise subsequently to the sale shall be at the Buyer’s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union.

CA Ltd does not offer insurance for shipping. However, CA Ltd may arrange insurance upon the Buyer’s request and at the Buyer’s expense.

CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

• From 0 to €50,000 4% • From €50,000.01 to €200,000 3% • From €200,000.01 to €350,000 1% • From €350,000.01 to €500,000 0.5% • Exceeding €500,000 0.25% 4.5 Remedies for non-payment If the Buyer fails to make full payment in cleared funds within the time required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: • To cancel the sale • To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. • To resell the Lot on such terms by auction or otherwise entirely at CA Ltd’s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale.

• To offset against any sums which CA Ltd may owe the Buyer the outstanding sums unpaid by the said Buyer • Where the Buyer owes sums to CA Ltd in respect of different transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums.

• To refuse entry to the Buyer at any future auction and/or reject any future bids by the Buyer and/or seek a deposit from the Buyer entirely in the discretion of CA Ltd. • To exercise a lien over the Buyer’s property in the possession of

4.9 Loss or Damage CA Ltd does not accept liability for loss or damage occurring to Lots after the sale. CA Ltd will use reasonable efforts when handling packing and shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third party’s care.

4.10 Cultural Goods import and export restrictions Cultural goods may be subject to import and export restrictions. Under EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the item’s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade.

Licenses are issued by Arts Council England and it is the Buyer’s duty to obtain them. Some countries restrict the import of specific cultural goods.

For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural goods in provenance from some countries subject to armed conflicts.

The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible.

4.11 CITES import and export restrictions Certain endangered species are listed in the CITES Convention. Listed specimens and any parts or products thereof are subject to issuance of an export permit when leaving the European Union.

Appendix I species, are also subject to issuance of a prior import permit from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyer’s duty to initiate the proceedings with the relevant authority.

The Buyer must be aware that certain countries prohibit the import of 87

some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter.

Worked items that are dated before 1947 are exempt from import restrictions for intra-EU trade and shall not require export licences.

Please be aware that all Lots marked with the symbol λ are subject to CITES regulations.

4.12 Limitation of liability regarding CITES export licenses Where licences are required for importing or exporting outside of the European Union, it is the Buyer’s duty to obtain them.

CA Ltd cannot be held responsible if the Buyer’s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale.

4.13 Warranties CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. 4.14 Authenticity warranty In the event of a Lot being sold as authentic under the catalogue description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price.

The Buyer shall give notice to CA Ltd within 28 days from knowledge or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall be defined as the state of a Lot that is genuine and not a forgery or a copy.

5. ANTIQUITIES AND TRIBAL ART 5.1 Import and export restrictions and regulations Archaeological goods over 100 years of age, unless covered by exemption of limited scientific interest, will require an EU Licence for export to a third country, regardless of their value.

It is recommended that the Buyer contact the Export Licensing Unit at Arts Council England in order to be assured the good is or not of limited archaeological or scientific interest.

Archaeological goods found on United-Kingdom soil or in UK territorial waters over 50 years of age shall require a UK Licence regardless of their value and regardless of the export destination.

Other archaeological objects regardless of their origin will require an Individual Licence or OGEL depending on their value.

Both European-Union and UK Licences may be required simultaneously for some items. It is the Buyer’s duty to undertake the necessary steps.

CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences.

6. JEWELLERY 6.1 Gemstone treatment and estimates Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: • Heat treatment to enhance sapphires and rubies’ clarity and colour • Oil and resin treatments for emeralds applied in different ways, to enhance clarity of the stone • Staining • Irradiation • Coating Estimates provided by CA Ltd are deemed to be based on the fact that the 88

gemstone may have been subject to any type of treatment in the past. CA Ltd shall not be responsible in the absence of mention thereof.

A certificate may be issued by a laboratory, providing with detailed information on the condition of the gemstone and any treatment applied thereto. The Buyer must be aware that different laboratories have different approaches as to the degree or type of treatment for a particular gemstone.

If a certificate accompanies the Lot, the Buyer must be aware that it is merely a statement of the laboratory’s opinion and in no way can CA Ltd be held responsible for any mentions therein. Such certificates are deemed to be delivered with the Lot for informative purposes only.

6.2 Estimated weights If a stone’s exact weight appears within the body of the description, the stone has been un-mounted and weighed by CA Ltd. If the weight of a stone is stated to be approximate, the stone has been assessed by CA Ltd within its setting, and the defined weight is a statement of opinion only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy.

6.3 Signatures ‘A diamond ring, by X’: When the maker’s name appears in the title, in Chiswick Auctions’ opinion the piece is by that maker.

‘A diamond ring, signed X’: Has a signature that, in Chiswick Auctions’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered.

‘A diamond ring, mounted by X’: Has been created by the jeweller, in Chiswick Auctions’ opinion, but using stones or designs supplied by the client.

‘Maker’s mark for X’: Has a maker’s mark which in Chiswick Auctions’ opinion is authentic.

Some items may include parts or products derived from endangered species, such as ivory or coral. Such items may be subject to import or export restrictions. See section on CITES regulations for more details.

7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and without defects, or has been subject to repair or restoration.

CA Ltd makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto.

The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof.

Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for import or export purposes in accordance with CITES regulations.

CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps.

8. FURNITURE 8.1 Upholstered furniture after 1950 According to The Furniture and Furnishings (Fire Safety) Regulations 1988, furniture that was upholstered after the 1st of January 1950 is subject to restrictions in the United-Kingdom.

Exempt upholstered furniture that does not meet such requirements

is deemed sold for purely aesthetic purposes.CA Ltd shall not be responsible for later alterations to the furniture, making it unfit for sale.

9. GLOSSARY OF PICTURE CATALOGUING TERMS Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

1 JMW Turner: In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

2 Attributed to JMW Turner: In our opinion probably a work by the artist, but less certainly as to the authorship expressed than in the preceding category.

3 Studio of JMW Turner: In our opinion probably a work by an unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction.

4 Circle of JMW Turner: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil.

5 Style of…; Follower of JMW Turner: In our opinion a work by a painter working in the artist’s style, but not necessarily his pupil.

6 Manner of JMW Turner: In our opinion a work in the style of the artist and of a later date.

7 After JMW Turner: In our opinion a copy (of any date) of a known work of the artist.

8 The term ‘signed’ and/or ‘dated’ and/or ‘inscribed’ means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

9 The term ‘with signature’ and/or ‘with date’ and/or ‘with inscription’ means that in our opinion the signature and/or date and/or inscription have been added by another hand than that of the artist.

10 Pictures are framed unless otherwise stated.

Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’.

12. WINES AND SPIRITS In accordance with agreed standards in the trade, estimates shall be deemed to have taken into account the fill level.

For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit.

Lack of mention thereof in the description is not a representation of an ‘acceptable’ fill level from CA Ltd. CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.

13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the abovementioned materials without the prior written consent of CA Ltd. Some Lots may be subject to copyright protection, CA Ltd does not guarantee said Lots are free thereof.

14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent.

CA Ltd never sell, lend or trade in personal data provided by any Bidder.

10. ASIAN ARTS

15. SEVERABILITY

10.1 Import and export restrictions When dealing with Asian Arts and more specifically with items made of exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must be aware of import and export restrictions in accordance with CITES Regulations. As aforementioned in the Section relating to such matters, import and export permits or re-export certificates may be required.

Verification letters will be required for re-export of worked rhinoceros items.

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, such provision is to take effect only in so far as it may do so without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way to be affected or impaired as a result.

10.2 Fine Chinese Paintings Current scholarship in the field of Chinese Paintings and Calligraphy does not permit unqualified statements as to the authorship or date of execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings.

Notwithstanding, if within 28 days of the sale of any such Lot, the original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, a ‘forgery’ is defined as a work created with the intent to deceive.

11. BOOKS AND MANUSCRIPTS Books and manuscripts sold as incomplete are not subject to returns.

16. AMENDMENTS The current Terms and Conditions may be amended, verbally or in writing, prior to the sale.

17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales.

For the benefit of CA Ltd all bidders and sellers agree that the Courts of England are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply.

All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

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SPECIALISTS

ANTIQUITIES & TRIBAL ART Alice King, Head of Department alice.king@chiswickauctions.co.uk

JEWELLERY Sarah Duncan, Head of Department sarah@chiswickauctions.co.uk

ARMS, ARMOUR & MILITARIA Matt Easton, Specialist matt.easton@chiswickauctions.co.uk

Inez Flynn, Specialist inez.flynn@chiswickauctions.co.uk

ASIAN ART Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk Yasuko Kido, Japanese Art Specialist yasuko@chiswickauctions.co.uk CERAMICS & GLASS Dr. Jim Peake, Head of Department jim@chiswickauctions.co.uk DESIGN & INTERIORS Liz Winnicott, Head of Department liz.winnicott@chiswickauctions.co.uk Toby Roberts, General Valuer toby.roberts@chiswickauctions.co.uk DESIGNER HANDBAGS & FASHION Meg Randell, Head of Department meg@chiswickauctions.co.uk EUROPEAN WORKS OF ART & CLOCKS Rachael Osborn-Howard, Head of Department rachael@chiswickauctions.co.uk FINE ART Adrian Biddell, Head of Department adrian.biddell@chiswickaucions.co.uk Suzanne Zack, Head of Sale - British and European Fine Art suzanne@chiswickaucions.co.uk Krassi Kuneva, Head of Sale - Modern & Post-War British Art kkuneva@chiswickauctions.co.uk Melissa Van Vliet, Head of Sale - Old Masters melissa.vanvliet@chiswickauctions.co.uk ISLAMIC & INDIAN ART Beatrice Campi, Head of Department beatrice.campi@chiswickauctions.co.uk

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Lissa Holmes, Specialist lissa.holmes@chiswickauctions.co.uk MODERN DESIGN Bruce Addison, Head of Department bruce.addison@chiswickauctions.co.uk PHOTOGRAPHICA

Austin Farahar, Specialist

austin.farahar@chiswickauctions.co.uk RARE BOOKS & WORKS ON PAPER

Clive Moss, Head of Department

clive.moss@chiswickauctions.co.uk

Dr. Carmen Donia, Specialist

carmen.donia@chiswickauctions.co.uk

Valentina Borghi, Head of Sales - Autographs & Memorabilia valentina.borghi@chiswickauctions.co.uk RUGS & CARPETS Mark Henry Lampé, Head of Department mark.lampe@chiswickauctions.co.uk SILVER & OBJECTS OF VERTU John Rogers, Head of Department john.rogers@chiswickauctions.co.uk WATCHES Tomas Aznar, Specialist tomas.aznar@chiswickauctions.co.uk

SALE CALENDAR

MARCH

20

WEDNESDAY Old Master Paintings

26

TUESDAY Fine Oriental Rugs & Carpets

27

WEDNESDAY Fine European Works of Art & Clocks

28

THURSDAY Books & Works on Paper

APRIL

02

TUESDAY Design & Interiors including Affordable Luxury

09

TUESDAY Antiquities & Tribal Art

16

TUESDAY Modern & Post-War British Art

17

WEDNESDAY Books & Works on Paper

30

TUESDAY Ceramics & Glass

Chris Smith (b.1937) Ali Versus The Beattles, 1964 £3,000-£5,000 Auctions dates subject to change.

To be included in Photographica, 16th May 2019 91

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk