Chiswick-Auctions-British-and-European-Fine-Art-October-2018

British & European Fine Art including Portrait Miniatures 3 October 2018

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British & European Fine Art including Portrait Miniatures London 3rd October 2018

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British & European Fine Art including Portrait Miniatures

Wednesday 03rd October 2018, 13.00

VIEWING AT SOUTH KENSINGTON selected highlights only Thursday Friday Saturday Sunday Monday Tuesday Wednesday Thursday Friday Saturday Sunday Monday Tuesday

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VIEWING AT CHISWICK full sale Saturday Sunday Monday Tuesday Wednesday

GENERAL ENQUIRIES +44(0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk 1 Colville Road, London W3 8BL 127 Fulham Road, London SW3 6RT

29 September 30 September 1 October 2 October 3 October

11.00 - 17.00 11.00 - 17.00 10.00 - 18.00 10.00 - 11.00 10.00 - 13.00

PHOTOGRAPHERS Steven McCauley Jordan Salzmann Darrell Russell Monika Olek

Front cover: Lot 380 Back cover: Lot 148

Contents Portrait Miniatures

3 - 22

Watercolours & Drawings

23 - 59

Prints

60 - 66

Oil Paintings

67 - 121

PORTRAIT MINIATURES 1λ JAMES SCOULER (BRITISH c.1740-1812) Portrait miniature of a gentleman, wearing a brown coat, white waistcoat and tied cravat, his hair powdered Signed and dated 1784 Watercolour on ivory Gold frame Oval, 45mm high £300-£500 2λ ENGLISH SCHOOL (18TH CENTURY) Portrait miniature of a lady wearing a black dress, white cap and fichu Signed with initials, I N and indistinctly date (1)766 Watercolour on ivory Gold frame Oval, 34mm high £80-£120 3λ ATTRIBUTED TO JAMES SCOULER (BRITISH C.1740 - 1812) Portrait miniature of a Lady wearing a lilac dress with white lace underslip, pearl choker, her hair upswept and curled at the nape of her neck Watercolour on ivory Gilt metal frame, the reverse glazed Oval, 50mm high

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Together with another portrait miniature of a Gentleman, circa 1785, wearing a brown coat and tied cravat and powdered wig worn en queue gold bracelet clasp frame Oval, 48mm high (2) £300-£400 4λ MARY BYRNE (BRITISH 1776 - 1845) Portrait of Captain Henry John Peachey, 3rd Baron of Selsey (1787-1838) when a Midshipman, circa 1790 Signed on the obverse M. Byrne Watercolour on ivory Gilt-metal frame with paste diamond border and pierced ribbon cresting Oval, 69mm high

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Footnote: Henry was the second son of John Peachey (1749-1816) of West Dean Park, Sussex and Hester Elizabeth Jennings (d.1837). He married the Honorable Anne Maria Louisa Irby (1792-1870) on 21 October 1817; the marriage did not produce any children.

In 1811, Henry captained the HMS ‘Hecate’ during the British invasion of the Dutch colony of Java; his naval service during the Napolionic Wars was rewarded with a promotion to Post-Captain on 7 August 1812. He had previously been stationed as a Lieutenant on the ‘Cornwallis’ and later became the commanding officer of the ‘Malacca’.

Henry died on 10 March 1838 in Florence; his body was returned to England for burial at his family seat in Sussex. £300-£500 5λ SCOTTISH SCHOOL (CIRCA 1770) Portrait miniature of William or George, twin sons of Col. George Mure of Warriston, in red coat with white waistcoat with gold buttons and frilled cravat, powdered hair en queue Watercolour on ivory Gilt metal frame engraved around the edge with the details of the sitter Oval, 40mm high Provenance: By family descent £300-£500 4

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6λ FRANÇOIS FERRIÈRE (SWISS 1752 - 1839) Portrait miniature of James Robert Denniston (1798-1851) as a boy, in blue coat with black collar and gold buttons, striped mustard and white waistcoat, white cravat Signed with initials and dated lower right, F.F. 180 Watercolour on ivory Gold frame, the reverse engraved with the name and date of the sitter above a central glazed aperture revealing plaited brown hair Oval, 74mm high Provenance: By family descent £600-£800

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7λ FRANÇOIS FERRIÈRE (SWISS 1752 - 1839) Portrait miniature of Robert Deniston (1756-1815), in brown coat with black collar, gold buttons, white waistcoat and cravat, his hair powdered and worn en queue Signed and dated lower left, F. Ferriere 1799 Watercolour on ivory Gold frame, the reverse engraved with the name and dates of the sitter above a central glazed aperture Oval, 70mm high Provenace: By family descent £500-£700 8λ ATTRIBUTED TO EDWARD MILES (BRTISH 1752 - 1828) Portrait miniature of Thomas Mure of Warriston (175?-1806) in blue coat, white waistcoat and frilled cravat, his hair powdered and worn en queue Watercolour on ivory Gilt metal mount engraved with the name and dates of the sitter around the edge Oval, 48mm high Provenance: By family descent £200-£300

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9λ SCOTTISH SCHOOL (CIRCA 1780) Portrait miniature of the Hon. Patrick Boyle of Shewalton (1717-1798), in brown coat, striped waistcoat and knotted cravat and powdered wig watercolour on ivory gold mount set into an ivory box, the reverse engraved with the name and dates of the sitter Oval, 70mm high Provenance: By family descent £300-£500 10 λ EDWARD NASH (BRITISH 1778 - 1821) Portrait miniature of a young Gentleman circa 1800, wearing a blue jacket, red spotted white waistcoat, salmon coloured vest and tied white cravat Watercolour on ivory Original gold frame, the reverse with monogram GR on blue glass with plaited hair surround Oval, 69mm Provenance: Sotheby’s Geneva, 7 May, 1982, lot 253 £500-£700

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11 λ SCOTTISH SCHOOL (CIRCA 1805) Portrait miniature of a Gentleman in black coat, white waistcoat and tied white stock, powdered hair Watercolour on ivory set into half a fitted red leather case Oval, 78mm high Provenance: By family descent £150-£250

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*See page 2 for information regarding fees

12 λ SAMUEL ANDREWS (IRISH 1767-1807) Portrait miniature of a gentleman, possibly the artist John Smart, in moss-coloured coat, white waistcoat, frilled cravat, powdered hair, grey sky background Watercolour on ivory Gilt-metal frame, the reverse set with blue glass panel decorated with diamond-set monogram ‘ALC’ Oval, 60mm high Provenance: Christie’s, London, 10th June 2008, lot 56; Private collection UK. Samuel Andrews was a follower of John Smart and the latter’s influence is apparent in the present work with the dark sky background. This miniature may be a copy of John Smart’s celebrated self-portrait, now in the Victoria & Albert Museum (see K. Coombs, The Portrait Miniature in England, London, 1998, illustrated in colour, p.93, pl.62). £2,000-£3,000 12

13 JOHN SMART JNR (BRITISH 1776-1809) Portrait miniature of a Lady, wearing white dress, fichu, shawl and bonnet with blue and white striped ribbon Indistinctly signed and dated verso, 1802/ J S Jnr, Watercolour and pencil on card Rectangular gilded wood frame 73mm high Provenance: The Frederick Joachim Collection; Christie’s 2nd May 1995, lot 209; Private Collection, UK. £500-£700 14 λ SAMUEL ANDREWS (IRISH c.1767-1807) Portrait miniature of Colonel Sharpe, profile to the left, wearing coat, waistcoat, frilled shirt and tied cravat Painted on ivory en grisaille Gold plated frame Oval, 89mm high Provenance: Bonhams 24th May 2006; Private collection UK. £500-£700 15 λ SCOTTISH SCHOOL (CIRCA 1800) Portrait miniature of a Lady in a white lace cap Watercolour on ivory Oval, 70mm high

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Provenance: By family descent £200-£300 16 λ ATTRIBUTED TO HENRY EDRIDGE (BRITISH 1769 - 1821) Portrait miniature of William McCredie of Perceton (1730-1816), in blue coat, white waistcoat and cravat, his hair powdered and worn en queue Watercolour on ivory Gilt metal mount engraved with the name and dates of the sitter around the edge Oval, 69mm high Provenance: By family descent Footnote: William McCredie was a landowner near Irvine who built Perceton House in 1770. The House is still there and is graded B by Historic Scotland. £500-£700 15

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17 λ JAMES LEAKEY (BRITISH, 1775-1865) A pair of portrait miniatures of Charles and Margaret Baring Charles Baring (b. October 28 1748, married September 6 1767, d. January 13 1829), wearing black coat, white stock, his hair powdered and worn en queue Watercolour on ivory Gold frame, the reverse engraved with sitter’s dates Oval, 82mm high £1,500-£2,500 18 λ NATHANIEL PLIMER (BRITISH 1757-1822) Portrait miniature of a gentleman, wearing a blue coat with black collar and white waistcoat and cravat Watercolour on ivory Gilt mounted rectangular papier-mâché frame Oval, 64mm high Provenance: Bonhams, 21st March 1995; Private collection UK £300-£500

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19 HENRY BONE R.A. (BRITISH 1755-1834) Portrait miniature of Mrs Susan Farington, profile to the left, wearing white dress with frilled fichu and knotted neckerchief, white ribbon in her powdered hair Enamel, signed on the obverse and dated HBone 1804, inscribed on the counter-enamel in full Portrait of/ Susan Mary Farington / wife of / Joseph Farington R.A./ who posesses every virtue/ and quality that could/ endear her to her ever/ attached Husband and/ friends/ For this portrait/ she sat in the/ year 1792 Gilt-mounted rectangular papier-mâché frame Oval, 67mm high Provenance: The Duchess of Northumberland, 1930; Bonhams 24th May 2006, lot 181; Private collection UK. Literature: K. Garlick & A. Macintyre, The Diary of Joseph Farington, Yale, 1978-98 R. Walker, Henry Bone’s Pencil Drawings, Walpole Society, LXI, 1999, no.195 £1,000-£1,500 18

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20 λ WILLIAM WOOD (BRITISH 1769-1810) Portrait miniature of a lady in white dress with frilled neckline and coral bead necklace, her dark brown hair curled and upswept Watercolour on ivory Gilt metal mount Oval, 76mm high £600-£800 21 λ SAMUEL SHELLEY (BRITISH 1750/56 - 1808) Portrait miniature of a young lady perhaps of Oriental origin, circa 1805, wearing a white dress and a gold loupe suspended from a gold chain around her neck, red curtain background Signed on the reverse with the address, George Street, Hanover Square Watercolour on ivory Original gold frame with locks of hair tied with gold wire on silk ground on the reverse Oval, 68mm high £500-£700

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21 *See page 2 for information regarding fees

22 λ ATTRIBUTED TO WILLIAM EGLEY (17981870).

Portrait miniature of a young girl, possible of the Cornwallis family, wearing a white dress trimmed with lace, watercolour on ivory, gilt-metal mount set into a rectangular velvet frame decorated with gilt strapwork decoration, oval, 54mm, high £200-£300 23 λ SAMPSON TOWGOOD ROCH (BRITISH 17591847) Portrait miniature of an officer, facing left, in scarlet uniform with silver embroidered blue collar, white epaulettes, frilled cravat and black stock Watercolour on ivory Gilt metal mount Oval, 61mm high

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Provenance: Christie’s London, 17th October 1995, Lot 43 £1,200-£1,800 24 λ FREDERICK BUCK (IRISH, 1771-c.1839/40) Portrait miniature of a gentleman, facing right, wearing a black coat, striped waistcoat and white cravat watercolour on ivory gold frame circular, 51mm diam £300-£500 25 λ ATTRIBUTED TO HENRY EDRIDGE ARA (BRITISH 1768 - 1821) Portrait miniature of a gentleman, wearing a black coat and tied white stock Watercolour on ivory Gold frame, the reverse with glazed central aperture to reveal locks of hair Oval, 75mm high £300-£500

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26 λ THOMAS RICHMOND (BRITISH 1771-1837) Portrait miniature of The Revd. Robt Foote, wearing black coat and frilled cravat Inscribed with details of sitter on backing card verso Watercolour on ivory Gilt metal mount set into black lacquer frame Oval 72mm high £300-£500 27 λ CHARLES HAYTER (BRITISH 1761 - 1835) Portrait miniature of an unknown gentleman, circa 1810, wearing a blue coat with bold buttons, white shirt and tied cravat, sky background Watercolour on ivory Original gold frame, the reverse with plaited hair Oval, 65mm high Footnote: Charles Hayter taught perspective (on which he was an authority) to Princess Charlott, King George IV’s daughter, to whom he was later appointed Professor in Perspective and Drawing. £300-£500

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28 λ ALEXANDER GALLAWAY (BRITISH fl. c.

1794-1812) Portrait miniature of a lady, thought to be Bethia wife of John Russell of Roseburn, circa 1805, wearing a reddish-brown dress with a cream shawl, her brown hair worn in a bun Inscribed with details of the sitter verso Watercolour on ivory Gold frame Rectangular, 78mm high £300-£500 29 λ MISS FRANCES REYNOLDS (BRITISH 1729-1807) Sir Michael Place, facing right, wearing a black coat, white waistcoat and cravat, hair en queue Watercolour on ivory Gilt metal mount Oval 70mm high

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Provenance: Christie’s London, 25th October 1994; Private collection, UK. Footnote: Miss Frances Reynolds was the sister of Sir Joshua Reynolds. She painted miniature copies of paintings by her brother as well as some original oil portraits. £300-£500

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30 GEORGE ENGLEHEART (BRITISH 1750/3-1829) Portrait miniature of a gentleman, wearing a blue coat with gold coloured buttons and black collar, white waistcoat and tied cravat Signed on the reverse Gold frame, the reverse glazed to reveal signature Oval, 76mm high £600-£800 31 λ ATTRIBUTED TO MARY MATILDA BETHAM (BRITISH 1776-1852) Portrait miniature of Jane Eliza Sherwood (1798-1888), 2nd wife of Sir William Russell 1st Bt., circa 1815. Standing with her left arm resting on a table, wearing a white dress Signed M B B (possibly by Mary Matilda Betham 1776-1852) Watercolour on ivory (cracked) Gilt metal frame, fitted leather case Oval, 110m high £100-£200 32 λ JAMES LEAKEY (BRITISH, 1775-1865) Portrait miniature of a lady, circa 1805, wearing a taupe dress and white chemise and a white turban adorning her curled brown hair Watercolour on ivory Gold frame Oval, 85mm high

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Provenance: Sotheby’s, The Bayne-Powell Collection, 11th October 1994, New Bond St., London; Private collection, UK. £150-£250

*See page 2 for information regarding fees

33 λ GEORGE ENGLEHEART (BRITISH 1750/3-1811) Portrait miniature of a young lady of the Penfold family, wearing a white dress with frilled collar, strand of pearls about her shoulder and blue ribbon across her breast, a matching ribbon in her powdered hair Watercolour on ivory Gold frame Oval, 47mm high Provenance: By family descent; Bonhams 17th November 2004; Private collection, UK £1,200-£1,800 33

34 λ GEORGE ENGLEHEART (BRITISH 1750/3-1811) Portrait miniature of a Gentleman of the Penfold family, wearing brown coat, striped yellow and white waistcoat and frilled white cravat, his powdered wig worn en queue Watercolour on ivory Gold frame Oval, 47mm high Provenance: By family descent; Bonhams 17th November 2004; Private collection, UK £800-£1,200

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35 λ GEORGE ENGLEHEART (BRITISH 1750/3-1811) Portrait miniature of a Lady of the Penfold family, wearing grey-blue dress with large double layer white frilled collar tied with matching blue ribbon, pearl necklace and white bandeau in her powdered hair Watercolour on ivory Gold frame Oval, 47mm high Provenance: By family descent; Bonhams 17th November 2004; Private collection, UK £1,000-£1,500

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36 λ RICHARD COSWAY RA (BRITISH, 1742-1821) Portrait miniature of a Lady, wearing a white dress, black ribbon choker, black hat dressed with wide ribbons, her hair in the à la conseilleur style Watercolour on ivory Gilt-metal frame with white and blue enamel decoration Oval, 45mm high Provenance: Sotheby’s, 6th March 1997, lot 6; Private collection UK. £1,200-£1,800 36

37 λ ANDREW PLIMER (BRITISH 1763-1837) Portrait miniature of a Lady, wearing white dress with large frilled collar, her hair powdered watercolour on ivory Gold frame with filigree border, the reverse glazed to reveal locks of hair, split pearls and gold wire Oval, 43mm high Provenance: Bonhams 24th May 2006, lot 92; Private collection, UK. £1,000-£1,500

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38 λ ANDREW PLIMER (BRITISH 1763-1837) Portrait miniature of Sir Thomas Strachey, wearing brown coat, white waistcoat and tied white cravat, his hair powdered watercolour on ivory Gold frame, the reverse with feathered lock of hair held with gold wire and pearls, the whole on opalescent glass Oval, 65mm high Provenance: Bonham’s 24th May 2006, lot 120; Private collection UK. £1,500-£2,000

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*See page 2 for information regarding fees

39 λ PHILIP JEAN (BRITISH 1755 - 1802) Portrait miniature of Christopher Paul circa 1780, wearing a brown coat, yellow striped white waistcoat and tied white cravat and wearing a powdered wig en queue Watercolour on ivory Original gilt-metal mount with blue enamel border, the reverse with erroneous catalogue label describing this as the work of George Engleheart Oval, 54mm high £300-£500 40 λ MRS ANNE MEE (née FOLDSTONE) (BRITISH C.1770-1851) Portrait miniature of a Lady, called Lady Fairfax, wearing white dress with large frilled collar, loosely tied fichu, gold chain necklace and frilled white bonnet in her powdered hair Watercolour on ivory Gold frame with bright cut border Oval, 68mm high

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Provenance: Asprey and Birch & Gaydon Ltd.; Bonhams, 21st November 2007, lot 210; Private collection UK. £1,200-£1,800

41 λ SIR WILLIAM JOHN NEWTON (BRITISH 1785-1869) Portrait miniature of Mrs Goad, later Lady Bradford, facing left, wearing a white silk and gauze dress, ochre-lined plum cloak around her arms, her dark hair dressed in curls, landscape background Signed and dated , ‘W.J. Newton 1827’ and on the backing paper, ‘Mrs. Goad/ Wm.J. Newton/ pinxit/8, Argyle St/ 1827’ Watercolour on ivory Cast gilt-bronze frame with shell corners 114 x 87mm

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Exhibited: Vienna Albertina, Meisterwerke der Europaischen Miniaturmalerei von 1750 bis 1850, 1965, No. 291 Provenance: Christie’s London, 17th October 1995, Lot 111; Private collection UK. £500-£700

42 λ SIR WILLIAM CHARLES ROSS R.A. (BRITISH 1794/5-1860) Portrait miniature of George Augustus, 11th Earl of Pembroke and eighth Earl of Montgomery K.G. (1759-1827), facing left, wearing a brown coat, white shirt and wearing the Order of the Garter Watercolour on ivory In a carved and gilded wooden frame, inscribed on the back with details of the sitter Rectangular, 106mm high Provenance: Property of a Nobleman; Christie’s auction 25th October 1994; Private collection, UK £500-£700

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43 λ WILLIAM DERBY (BRITISH 1786-1847) Portrait miniature of Lucy Derby, the artist’s wife, circa 1820.

Depicted half length, wearing a white dress and pink shawl, pearl jewellery and plumed black hat, against a sky background Signed Watercolour on ivory Gilt metal frame Rectangular, 128mm high £600-£800 44 λ KENNETH MACLEAY RSA (SCOTTISH 1802 - 1878) A miniature portrait of a young boy wearing Highland dress with tartan sash over his left shoulder, circa 1830 Watercolour on ivory Gilt-metal brooch mount Oval, 50mm high Footnote: It is possible that the tartan depicted here belongs to the Campbell Caln. Macleay married the daughter of Sir A Campbell of Aldengkass. It is not known if they had children. £400-£600 45 λ ATTRIBUTED TO WILLIAM EGLEY (BRITISH 1798 - 1870) Portrait miniature of Mabel Elizabeth Ponsonby, as a child, circa 1885, half-length, in white dress with coral necklace, a laurel branch and sky background Watercolour on ivory Gilt metal frame, the reverse set with blue glass and engraved around the edge with the sitter’s name and dated Jan 1885 rectangular with canted angles 84 x 67mm £400-£600

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46 λ SIR WILLIAM JOHN NEWTON (BRITISH 1785 -1869) Portrait miniature of a gentleman, facing left, wearing a black coat and cravat, fair hair Watercolour on ivory Gold octagonal brooch mounted frame with dedication inscribed on the reverse to, ‘Fanny M. Carter’ 53mm high Provenance: Christie’s auction, 25th October 1994; Private collection, UK

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Footnote: Sir William John Newton became a very popular miniaturist and had a distinguished clientele which included many royal and titled persons, Members of Parliament and fellow artists.

He is considered to be one of the best British miniaturists of his time and equal to Sir William Charles Ross. There are examples of his work in many museums including the V&A and in the Royal Collection. £200-£300 47 λ REGINALD EASTON (BRITISH, 1807-1893) Portrait miniature of Mrs Gunning Sutton nee Mary D. Seymour, wearing a black lace mantilla over her hair and shoulders, black choker with locket and drop earrings Signed and dated R. Easton 1863 Watercolour on ivory Gilt metal frame Oval, 60mm high £400-£600

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47 *See page 2 for information regarding fees

48 CARL-CHRISTIAN KANZ (GERMAN 1758-1818) Portrait miniature of Marie Joseph Chalier (1747-1793), wearing moss green coat with velvet collar, white waistcoat striped with yellow satin, gold-edged red ribbon about his neck, white chemise held with stickpin and tied stock, his hair powdered Enamel, signed on the obverse Kanz Ormolu frame with blue enamel border and matted slip Circular, 61mm diam Provenance: Fischer Sale, Lucerne, 3-7 Sept 1935, no. 1785; Bonham’s 22nd November 2006, lot 162; Private collection UK. LIterature: Leo Schidlof, The Miniature in Europe, 1964, vol. 1, p.418 Chalier was a partner in a law firm in Lyon. While living in Paris in 1789, he became acquainted with Marat, Camille Desmoulins and Robespierre. After returning to Lyons, Chalier was the first person to be named as a member of the municipal bureau. While in this position he organised the national guard, applied the civil constitution of the clergy, and engineered the finances of the city so that the rich were heavily taxed and the poor relatively spared.

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Chalier became the leader of the Jacobins of Lyons and with other revolutionary clubs and communes in the city, he led the arrest of a great number of Royalists during the nights of 5 and 6 February, 1793.

This brought him into direct conflict with the mayor of Lyons, who had the support of the National Guard. Undeterred, Chalier demanded of the Convention an establishment of a revolutionary tribunal and a revolutionary army stationed in Lyons. The Convention refused and the anti-revolutionary party took action. On 29 and 30 May, 1793, the different sections of the Convention rose against him. The Jacobins were dispossessed of the municipality and Chalier was arrested. On 15 July, he was brought before the criminal tribunal of the Rhône-et-Loire, which condemned him to death. He was guillotined the next day. £3,000-£5,000 49 λ CONTINENTAL SCHOOL (circa 1790) Portrait miniature of a Lady believed to be Maria Luisa di Borbone, daughter of Ferdinando IV (1773-1802), seated beside a column and red curtain background wearing a black striped grey satin dress with delicate lace collar and gold trimmed green bandeau in her curling blonde hair, mountains and lake in the background Watercolour on ivory Gilt-metal frame Oval, 130mm high £600-£800

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50 λ CONTINENTAL SCHOOL (18TH/19TH CENTURY) Portrait miniatue of a gentleman wearing pale blue coat and waistcoat trimmed with gold braid, frilled cravat, his hair powedered and worn en queue Watercolour on ivory Mounted in a later rectangular wood frame Oval, 50mm high Together with a portrait miniature of an idyllic beauty in diaphanous drapery with flowers in her hair, mounted within a silver frame with decorative border (2) £200-£300 51 λ FRENCH SCHOOL (18TH CENTURY) Portrait miniature of Madam d’Arbois, soeur du Marquis Duchange, wearing a blue dress with white fichu, blue ribbon and white veil in her powdered hair Watercolour on ivory Gilt metal mount set within hard wood frame Oval, 57mm high £200-£300

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52 CHARLES BALTHAZAR JULIEN FÉVRET DE SAINT-MÉMIN (FRENCH 1770-1852) A pair of portrait miniatures of a gentleman and a young girl. He, in profile to the left, in dark coat, white frilled waistcoat and frilled cravat, his hair en queue. She, in profile to the right, in blue dress with lace bordered white bodice, her dark hair upswept Pencil and wash on card Circular gilt-wood frames with inner bead borders Circular, 86mm diam (2) Provenance: Francis Wellesley Collection, Sotheby’s 28th June-2nd July 1920, lot 698; Private collection, UK. 52

Exhibited: V&A London, 1914-1918 Literature: Catalogue of Miniatures & Portraits in Plumbago or Pencil Belonging to Francis and Minnie Wellesley, Woking & London, page 104 Charles Balthazar Julien Févret de Saint-Mémin was a portraitist and museum director. He fled France during the revolution, and worked as a portrait engraver in the United States in the early 19th century. He created portraits from life of George Washington, Thomas Jefferson, and others. He later served as museum director in Dijon. £400-£600

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53 λ ATTRIBUTED TO CHARLES ANTOINE BERNY D’OUVILLE (FRENCH 1775 - 1842) A pair of Portrait miniatures of an Officer and a Lady, he wearing uniform with gold lace and epaulettes and wearing the medal of the Legion of Honour; she wearing a low cut blue dress, her dark hair upswept and dressed in curls Watercolour on ivory Gilt metal foliate mount set into a rectangular light oak frames Oval, 73mm high (2) Provenance: The present owner’s grandfather found the pair of miniatures in 1944 when he was in the British Army going through Caen after it had fallen in August 1944. He got down from his tank and noticed them lying in the road still intact, however two further miniatures had been run over by a tank. He carried the miniatures home on leave and later had them restored. £600-£800 54 JOHANNES NOTZ (SWISS 1802-1862) A pair of portrait miniatures of a young Lady and Gentleman; she wearing empire line dress with puffed sleeves, waist sash, fichu held with brooch and indoor lace bonnet adorned with flowers, her hair dressed in curls; he wearing coat, waistcoat, chemise and stock She signed on the obverse and dated, J. Notz; he signed on the obverse, J. Notz Silverpoint Mounted together in painted wood frame Rectangular, 106mm high (2)

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Provenance: Bonham’s, 23rd May 2007, lot 112; Private collection UK. £600-£800

*See page 2 for information regarding fees

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58 55 λ ATTRIBUTED TO ALFRED EDWARD CHALON R.A. (BRITISH 1780 - 1860) Portrait miniature of a young man, possibly Percy Bysshe Shelley, wearing a white chemise and black cloak Watercolour on ivory Fine gilt bronze ormolu frame by the firm of Alphonse Giroux, Paris Oval, 97mm high £300-£500

57 λ ATTRIBUTED TO ALFRED EDWARD CHALON R.A. (BRITISH 1780 - 1860) Portrait miniature, possibly of Lord Byron, after the oil painting by Thomas Phillips 1814, wearing white chemise and black cloak Watercolour on ivory Fine gilt bronze ormolu frame by the firm of Alphonse Giroux, Paris Oval, 96mm high £300-£500

56 λ ATTRIBUTED TO ALFRED EDWARD CHALON R.A. (BRITISH 1780 - 1860) Portrait miniature of a Lady, wearing white dress with a pink rose at her waist, embroidered shawl, blue drop earrings, her fair hair worn curled and upswept, seated before a curtain Watercolour on ivory Fine gilt bronze ormolu frame probably by the firm of Alphonse Giroux, Paris Oval, 102mm high £500-£700

58 λ C. PAGANINI (ITALIAN 19TH CENTURY) Portrait miniature of a Gentleman, wearing black coat, white waistcoat , white frilled shirt with gold shirt studs joined on a chain and black stock, seated holding a book and wearing a gold ring Signed and dated, ‘C. Paganini 1840’ Watercolour on ivory Fine gilt bronze ormolu frame probably by the firm of Alphonse Giroux, Paris Oval, 98mm high £400-£600

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59 59 λ ENGLISH SCHOOL 19TH CENTURY AFTER JOHAN ZOFFANY (GERMAN 1733-1810) A pair of portrait miniatures of George III and Queen Charlotte, after the portraits in the Royal Collection painted in 1771. He wearing scarlet coat, white waistcoat and breeches; she wearing red dress with white lace trim and black shawl, seated in interiors.

Both bearing signature H. Edridge Watercolour on ivory Wood frames with mother of pearl border, the inner gilt metal mount engraved and cut out to reveal panels of iridescent printed roses Circular, 86mm, diam (2) Provenance: Bonhams, 18th November 2003, lot 98 a pair; Private collection, UK. Zoffany painted the original oil portraits for the King and Queen in 1771 when they were exhibited at the Royal Academy. They are now in the Royal Collection, Windsor. £1,000-£1,500

60 60 λ JACQUES CHARLIER (FRENCH 1720 - 1790) A nymph reclining on the banks of a stream Watercolour and bodycolour on ivory Gilt wood frame 55 x 80mm Footnote: Jacques Charlier was miniature painter to Louis XV from 1753 and one of the best miniaturists of his time. He received orders from Louis XV and Madame de Pompadour and was also the protégé of Caylus and the Prince de Conti . He was a pupil of François Boucher whose influence is apparent, however he was not an academician and rarely signed his works. He made many miniatures on ivory after the works of his master as well as pastels, these are mainly mythological scenes, gallant or erotic scenes as well as portraits. £400-£600 18

61 61 λ JACQUES CHARLIER (FRENCH 1720 - 1790) A nymph gathering flowers in a basket on a mossy bank Watercolour and bodycolour on ivory Gilt wood frame 55 x 80mm £400-£600

*See page 2 for information regarding fees

62 λ ENGLISH SCHOOL (C.1910) Portrait miniature of a young girl wearing a white lace dress, her long brown hair worn loose in ringlets Watercolour on ivory Oval, 88mm high together with another portrait miniature of a lady, circa 1930, signed I.E.I, mounted on a stand (2) £200-£300

63 λ ENGLISH SCHOOL (CIRCA 1815) Portrait miniature of James Hook (1771-1828), bust length, in black coat with white stock, crimson curtain background Watercolour on ivory Shaped gilt metal frame engraved with floral scrolling Oval, 70mm high

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Provenance: By family descent Footnote: James Hook (1771-1828) was the son of James Hook (1746-1827) the English composer. He married Ann Farquhar who was the daughter of Sir Walter Farquhar, the physician to George IV Prince of Wales among other notable ranking figures. James Hook was educated at Westminster. He was the author of two novels, ‘Ben Owen’ and ‘Percy Mallory’, and a series of caricatures of contemporaries including Pitt, Fox, Bur, Boswell & Kemble for which he was highly praised by Reynolds. He was ordained Dean of Worcester in 1825. £200-£300

64 λ J. TURNER (BRITISH C.1901) Portrait miniature of an Edwardian lady wearing a white lace blouse Watercolour on ivory Rectangular gilt metal frame Oval, 67mm high £300-£500

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65 λ ENGLISH SCHOOL (CIRCA 1870) Portrait miniature of Lady Russell nee Margaret Wilson (1837-1900), in profile facing right, wearing a blue dress with lace underslip Inscribed verso, ‘Margaret Wilson born 1837 died 1900 married 12863 Lieut. Gen. Sir William Russell C.B., Mother of Margaret Jane Russell, married 1900 Herbert John Allcroft’ Watercolour on ivory Gold frame Oval, 40mm high together with another version of the same portrait, heart shaped, in a gilt metal locket (2) £200-£300 65 19

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*See page 2 for information regarding fees

66 λ SIR WILLIAM JOHN NEWTON (BRITISH 1785-1869) A fine pair of portrait miniatures of Henry Hake Seward (d.1848) and his wife Katharine (née Beachcroft 1779-1847). He wearing a blue coat, white waistcoat and frilled cravat with gold tie pin; she, wearing white dress and with lace trim and pale blue shawl The former, signed on the obverse and dated W.I.N. 1817 and on the verso Wm.J.Newton/ pinxit/ 33 Argyle St./ 1818; the latter signed on the obverse an dated W.I.N. 1818 Watercolour on ivory Both set in red travelling cases the lids with plaques engraved with sitters names He, oval, 73mm high; she, rectangular, 77mm high Provenance: By family descent; Bonhams 24th June 2004, lot 167; Private collection, UK. Footnote: There are three watercolours by Henry Hake Seward in the Sir John Soane’s Museum, London. Both Henry and Katherine are buried at West Wickham. £1,500-£2,500 67 λ CHARLES JENOUR (BRITISH fl.1825-1850) A pair of portrait miniatures of Mr & Mrs Burtchaell, circa 1825, she wearing a white dress with lace collar and he wearing black coat and waistcoat and tied white stock Set into separate square leather cases Watercolour on ivory 90mm high (2) £400-£600

68 λ B. DELACOUR (FRENCH 1818-1843) Portrait miniature of a lady wearing a black dress with large white lace collar and black lace demi gigot sleeves, white lace and gauze bonnet dressed with white roses and long wide ribbon ties. She holds a gold necklace about her neck Watercolour on ivory Ormolu frame with gilt slip, engraved on the reverse, ‘Painted by B. Delacour Nov. 1837’ Rectangular, 115mm, high

69 λ ROBERT RICHARD SCANLAN (BRITISH b.1801) Portrait miniature of Grandma Foot (née Eliza Durore), wife of Captain George Foot, wearing a white dress with puff sleeves, pink scarf and red lined cape Signed on the reverse and dated 1831, with the address ‘Plymouth’ Watercolour on ivory Rectangular fitted red leather case Rectangular, 80mm high £150-£250

Provenance: Bonhams 18th November 2003, Lot 132; Private collection, UK. £400-£600

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70 λ CONTINENTAL SCHOOL (circa 1895) Portrait miniature of a distinguished Lady wearing a brown dress with leg o’ mutton sleeves, with lace under slip and lace collar her grey hair upswept indistinctly signed above her left shoulder, ‘Aunfer’ Watercolour on ivory Chased foliate gilt metal frame oval, 70mm high £500-£700

71 λ FREDERICK HOWARD MICHAEL (BRITISH fl. 1892-1914) Portrait miniature of a Lady, wearing a pale blue dress with doublelayer gauze collar tied at her corsage, white bonnet with threaded blue ribbon tied in a bow signed on the obverse and dated F.H. Michael 99 Watercolour on ivory Silver frame, the reverse glazed to reveal cream silk Oval, 71mm high Provenance: Bonhams 22nd November 2006; Private collection UK. £400-£600

72 λ ARR ALYN WILLIAMS P.R.M.S. (BRITISH 1865 - 1955) Portrait miniature of The Hon. Mrs Stock, standing full length before a landscape wearing white dress with long black velvet cloak lined in pale blue satin and trimmed with ermine and a large black hat adorned with a black plume Signed and dated lower left Watercolour on ivory, (cracked) Mounted and framed in a modern gilt wood frame 16.5 x 8.8cm (61⁄2 x 31⁄2in) Footnote: Alyn Williams was born in Wrexham, Wales 1865 and became a pupil at the Slade School, London. His work was exhibited at the Royal Academy, the New Watercolour Society and the Royal Society of Miniature Painters (of which he was the founding President), the Paris Salon and in the USA, 1890-1914. Two of his miniatures are in the Smithsonian Institution, Washington. His portraits of Edward VII and Queen Alexandra are in the Guildhall Gallery, London. £300-£500

73 ATTRIBUTED TO THOMAS HEATHFIELD CARRICK (BRITISH 1802-1875) Portrait miniature of a Gentleman, with dark brown hair, wearing a brown coat, olive waistcoat, white shirt with black cravat and a flower in his buttonhole, streetscape background Watercolour on marble Oval, 124mm high Card mount, rectangular gilt-wood frame Footnote: Carrick received a medal from the Prince Consort in 1845 for inventing a method of painting on marble. He was friendly with several members of the literary world including Dickens, Wordsworth and Longfellow. £300-£500

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74 λ ARR ALYN WILLIAMS PRMS (BRITISH 1865 - 1955) Portrait miniature of a pretty young Lady circa 1890, wearing a diaphanous white dress with a hint of roses at her corsage, her auburn hair upswept in a bun, hint of a sky background Watercolour on ivory Original gold coloured frame Oval, 75mm high Footnote: Although not signed on the front this bears all the characteristics of William’s hand, particularly in the use of soft pastel colours for the background and scratched treatment of the sitter’s hair. The Welsh born artist, Alyn Williams, was one of the most successful miniature painters of his generation, famous for his portraits of King Edward VII and other members of the Royal family.

He was the founding President of the Royal Miniature Society, a post he held for almost 50 years. £400-£600

*See page 2 for information regarding fees

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75 75 A bespoke hand made natural oak display case made by Arcana Cabinet Makers: with four glass panels, revealing two blue lined shelves. At the back of the shelves are three removable blue felt covered panels, being velchro backed means that each panel can be removed with ease. Each glass panel is fully lockable, with internal led lights. Under the bottom shelf within the glazed section is a further pull out panel for extra storage. The cabinet splits into two, for ease of transportation, the base of the cabinet has one fully lockable door for storage. The cabinet sits on a sturdy plinth.

Measures 900x900x1880 Ideal for any collector/dealer of small portable objects. £1,500-£2,000

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76 76 A bespoke hand made natural oak display case made by Arcana Cabinet Makers: with four glass panels, revealing two blue lined shelves. At the back of the shelves are three removable blue felt covered panels, being velchro backed means that each panel can be removed with ease.

Each glass panel is fully lockable, with internal led lights. Under the bottom shelf within the glazed section is a further pull out panel for extra storage. The cabinet splits into two, for ease of transportation, the base of each cabinet has one fully lockable door for storage. The cabinet sits on a sturdy plinth.

Measures 900x900x1880 Ideal for any collector/dealer of small portable objects. £1,500-£2,000

*See page 2 for information regarding fees

WATERCOLOURS & DRAWINGS

77 H. WELTE (GERMAN 18TH CENTURY) An interior scene with a gentleman undressing a young lady, her maid clearing the table and retreating and a bird in a cage in the window Indistinctly signed, ‘H. Welte’ l.l.

Watercolour and bodycolour 17.5 x 15.5cm (7 x 6in) and three further similar intimate interior scenes, by the same hand (not signed), watercolours, all measuring 17.5 x 15.5cm (7 x 6in) (4) £300-£500

78 SAMUEL SHELLEY O.W.S. (BRITISH 1750 1808) A sketch of a man and woman walking arm in arm with another figure of a woman with her arms outstretched towards them, from an album of sketches by the same hand Numbered 20, top right Pen and brown ink over pencil 19 x 15.3cm (5 x 7in) Footnote: Samuel Shelley was a founder member of the Old Watercolour Society and its main figure painter. As was an accomplished artist who painted miniatures, watercolour figure subjects, oil paintings as well as drawing book illustrations and engraving some of his own works. £200-£300

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79 SAMUEL SHELLEY O.W.S. (BRITISH 17501808) Oedipus and Antigone From an album of sketches by the same hand, numbered 228, top right Pen and brown ink over pencil 19 x 15cm (5 x 7in) £200-£300

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80 SIR THOMAS LAWRENCE P.R.A. (BRITISH 1769-1830) The Langrave Sisters, as young girls with a pet bird in a cage Signed with initials lower right; inscribed in detail on original label attached to the backboard, ‘No 238/ A Study by Sir Thomas Lawrence P.R.A. of the Sisters Langrave. Given by the Duchess of Kent to the sale for the aid of the Blind at Malvern / Sept 10 1863 bought by / The Rev William Barnsby’ and inscribed further beneath the label, ‘Bought from the Rev Barnsby Sale / Nov 20th 1897 / Capt.

Pemberton’; bearing a crown wax seal Pencil 17.5cm (7in) diam £800-£1,200

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81 ENGLISH SCHOOL CIRCA 1815 A fine pair of portraits of young ladies dressed in Regency Black and red chalk One inscribed and dated indistinctly on the original backing paper attached to the back of the frame in period oval gilt moulded frames ovals, 20 x 15cm (8 x 6in) (2) £300-£500 82 HENRY EDRIDGE ARA (BRITISH 1768 - 1821) Portrait of a Gentleman, standing full length at a writing desk holding a volume, pen and ink and manuscripts on the desk, other volumes beneath. curtain pulled back to reveal landscape Pencil and watercolour on paper Unframed 35 x 24cm (133⁄4 x 91⁄2in) £400-£600 *See page 2 for information regarding fees

83 PAUL SANDBY RA (BRITISH 1731 - 1809) Mother and child Pencil and sepia wash on grey paper 16 x 8.3cm (61⁄4 x 31⁄4in) Together with a study of A Gentleman putting on a tricorn hat, by the same hand (2) £300-£500

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84 CIRCLE OF PAUL SANDBY (BRITISH C.1754) Study of a gentleman wearing a tricorn hat and blue coat, writing with a quill pen, 1754 Watercolour over pencil and red chalk on laid paper 10.2 x 9cm (4 x 31⁄2in) together with two further 18th Century studies of gentlemen in tricorn hats in pen and ink and in watercolour (3) £150-£200

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85 JAMES PARKER (BRITISH 1750-1805) Lady by a willow tree in a garden Watercolour 14.5 x 8cm (53⁄4 x 31⁄4in) Provenance: Ex G. Reitlinger Collection together with a watercolour by John Nixon (1760-1818) A Lady seated reading Oval (2) £250-£350

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86 GEORGE ROMNEY (BRITISH 1734-1802) John Howard visiting the Lazaretto Pencil, circa 1792 16.7 x 24.5cm (65⁄8 x 95⁄8in) Haas collection stamp

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Footnote: From 1773 onwards John Howard (1726-90) devoted himself to inspecting prisons and plague hospitals (lazarettos) throughout Britain and Europe. He campaigned tirelessly for the humane treatment of their inmates. His book ‘The State of the Prisons’ appeared in 1777, published by the radical Joseph Johnson who later on published Wollstonecraft (nos.20,23), and employed Blake (nos.23,25). Howard’s progressive views were one sign of the growing pressure for social reform which culminated in the French Revolution of 1789. Romney set out to celebrate Howard’s heroism in a large picture, but some of the reformer’s concerns and descriptions of gaol conditions find a distinct echo in Blake’s work. £500-£700

87 GEORGE ROMNEY (BRITISH, 1734-1802) John Howard Visiting a Lazaretto study in pencil on laid paper with a partial watermark of Britannia in a double circle with a bell suspended below, sheet numbered ‘69’ in upper right corner 15 x 19cm. (6 x 71⁄2in), hinged into mount with later annotations.

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One of many sketches and figure studies executed by Romney on the subject of the great social and penal reformer, John Howard (17261790), who spent years visiting prisons and plague hospitals (lazarettos), tirelessly campaigning for the more humane treatment of their inmates. The subject lent itself perfectly such mannerist depictions of the tortured human form.

Provenance: the collection of Alfred de Pass, presented to the Royal Institution of Cornwall, Truro, 1914-1935; Christie’s sale, London, 22nd February, 1966, lot 22. A note on the mount states this numbered sheet was extracted from an album of sketches and notes, the cover of which had been inscribed ‘March 1790’. £500-£700

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88 ITALIAN SCHOOL (18TH CENTURY) Bird Catcher Monochrome wash 21.5 x 26cm (81⁄2 x 101⁄4in) £200-£300

89 THOMAS ROWLANDSON (BRITISH 1757 - 1827) Darby and Joan Inscribed lower left, Darby & Joan and further inscribed in the artist’s hand, verso, with some calculations and the inscription, Take off 9d. in the Pd. Ground Landlord Rent Pen and ink and grey wash 13 x 18.5cm (5 x 71⁄4in)

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Provenance: Dr. Morris Saffron, New York, who gave it to Dr. John Hayes in 1960 who bequeathed it to the present owner £500-£700

*See page 2 for information regarding fees

90 BERNARD LENS III (BRITISH 1682 - 1740) Molessey, Hampton Court Pen and brown ink and grey wash on two sheets of joined laid paper 14 x 33cm (51⁄2 x 13in) Footnote: Bernard Lens III was an English artist known primarily for his portrait miniatures. Lens was the miniature painter at the courts of kings George I and George II, instructor in miniature painting (then called limning) to prince William and princesses Mary and Louise and consultant in fine arts to upper-class families. £300-£500

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91 DR THOMAS MONRO (BRITISH 1759-1833) A country landscape Indian ink stick, brush and wash 15 x 20cm (6 x 8in) £150-£250

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92 JOSHUA CRISTALL (BRITISH 1767-1847) Woman in a landscape Brown wash heightened with white on buff paper 15.5 x 25cm (6 x 10in) £200-£300

92 93 JOHN CONEY (BRITISH 1786-1833) The Cloth Hall in Rouen, 1822 Signed, dated and inscribed, ‘A view of La Halle aux Toiles in Rouen / 1822’ Pencil 32 x 42cm 121⁄2 x 161⁄2in) Footnote: John Coney, artist, engraver and architectural draughtsman, born in London in 1786. Another example of his work: ‘A view of the Hotel Bourg-Theroulde in Rouen’ a design for Architectural Beauties of Continental Europe 1831 was sold at Chiswick Auctions, 13th June 2017. in major collections include: Durham Cathedral and Palace from the North West (Royal Academy), Rouen Cathedral (Harvard Art Museums), Cloth Hall Bruges (Harvard Art Museums), View of Westminster Abbey (V&A), Priory Church at Boxgrove (V&A), Ely Cathedral South West View (National Gallery of Art, Washington). £200-£300

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94 94 GEORGE DANCE THE YOUNGER (BRITISH 1741-1825) ‘Wilkes and Liberty’ Judges drinking Inscribed u.r. ‘WILKES & LIBERTY / No 45’ Pencil 23 x 18.5cm (9 x 71⁄4in) £300-£500

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95 WILLIAM HOARE OF BATH R.A (BRITISH 1707 -1792) Study for Madonna from St Michaels Church, Bath Black and red chalk and pencil on laid paper 27.5 x 20cm (11 x 8in)

96 SIR DAVID WILKIE (BRITISH 1785-1841) A Study for the oil portrait of his brother William Wilkie Study for the oil painting Pencil 22 x 17.2cm (81⁄2 x 63⁄4in) £400-£600

Footnote: Verified by keeper of Mellon collection, according to previous owner. £300-£500

97 97 JOHN LINNELL (BRITISH 1792-1882) The artist’s sister, E. A. Linnell Signed, dated and inscribed (top right), ‘My sister E. A. Linnell / J. Linnell 1812’ Pen and ink 11.5 x 19cm (41⁄2 x 71⁄2in) together with three further portrait drawings in pencil by John Linnell, ‘Mr Upton’, ‘Mr Hogg’ and ‘Mrs Boyles’, all variously inscribed and signed (4) Provenance: With Abbott & Hoder, London £300-£500

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98 PAUL SANDBY (BRITISH 1730-1809) A musical interlude with peasants and animals in a wooded landscape Watercolour and pen and brown ink 23.8 x 30.3cm (93⁄8 x 12in) Provenance: with Heather Newman £1,500-£2,500 99 NICHOLAS POCOCK OWS (BRITISH 1740 - 1821) Figures in front of a barn with pigs and cattle grazing, Tan-y-Bwlch Watercolour over pencil 36 x 49cm (141⁄4 x 191⁄4in) Provenance: Arlington Galleries Cardiff £200-£300 100 WILLIAM PAYNE (BRITISH C.1760 C.1830) Travellers on a riverbank by a waterfall, town in the distance Signed Watercolour Unframed 12.5 x 17cm (5 x 61⁄2in) £200-£300

101 ROBERT HILLS (BRITISH 1769-1844) Four horned mountain sheep Grey wash 26.5 x 38cm (101⁄4 x 143⁄4in) £300-£500 102 GEORGE BARRETT JUNIOR (BRITISH 1767 1842) Figures near a classical temple Signed and dated 1831 lower left Watercolour 25.5 x 21.5cm (101⁄4 x 81⁄2in) Provenance: With Heather Newman Gallery £300-£500

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103 JOHN CLEVELEY JUNIOR (BRITISH 1747 - 1786) Dutch boats at anchor Pen and ink and watercolour 13.5 x 17.5cm (51⁄4 x 7in) Provenance: With Heather Newman Gallery £200-£300

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104 WILLIAM PAYNE (BRITISH C.1760 - C.1830) Fisher Folk and boats on a rocky coast at sunset Near Swansea Pen and ink and watercolour 12.5 x 16.5cm (5 x 61⁄2in) Provenance: Sotheby’s London, 17th October 1968 Lot 124 £400-£600 105 SAMUEL OWEN (BRITISH 1769 - 1857) Shipping in a harbour Watercolour 14 x 21.5cm (51⁄4 x 81⁄4in) £150-£250

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106 DAVID COX O.W.S. (BRITISH 1783-1859) Fishing boats at sea Watercolour 13.5 x 20cm (53⁄8 x 8in) Provenance: With Abbott & Holder, London £200-£300 107 EDWARD WILLIAM COOKE RA (BRITISH 1811-1880) Shipping at the mouth of the Thames Watercolour 15 x 22cm (6 x 83⁄4in) Provenance: with The Fine Art Society Ltd, New Bond St, London £400-£600

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*See page 2 for information regarding fees

108 108 WILLIAM COLLINS (BRITISH 1788-1847) Boys on the sea shore playing with toy sailboats Watercolour heightened with scratching out 13.8 x 17.7cm (53⁄8 x 7in) £400-£600

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109 JOHN VARLEY OWS (BRITISH 1778-1842) Coastal scene Watercolour 19 x 23cm (71⁄2 x 9in) Provenance: with Appleby Bros. Ltd, Ryder St, London - Spring Exhibition 1964 £500-£700

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110 ATTRIBUTED TO PETER DE WINT (BRITISH 1784 - 1849) Haymaking Watercolour Unframed 24 x 48cm (91⁄2 x 19in) £400-£600 111 CORNELIUS VARLEY (BRITISH 1781-1873) Dolgelly, N. Wales Signed and inscribed, ‘Dolgelly N. Wales C.Varley’ lower right Pencil and grey wash 10 x 17.7cm (4 x 7in) Footnote: Cornelius Varley was the brother of John Varley and William Fleetwood Varley. He was both a scientist and an artist. In 1802 and 1803 he visited North Wales, firstly with John and then with William Havell. In 1973 The Morgan Library, New York, acquired an important sketchbook by Cornelius Varley. The sketchbook, on 17 leaves measuring 23 x 36cm dates from his early tour of North Wales when he was just twenty two. It includes panoramic views of Dolgelly and Cader Idris, mainly in pencil and some watercolours, some signed, inscribed and dated 1803. These impressive panoramic views were among the finest drawings exhibited in the 1973 ‘Exhibition of Drawings & Watercolours by Cornelius Varley’ held at P & D Colnaghi & Co., London. £200-£300

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112 GEORGE JONES RA (BRITISH 1786-1869) The Death of Sir John Moore Signed Watercolour 21.6 x 36.5cm (81⁄2 x 141⁄8in) Provenance: With Thomas Agnew & Sons Ltd. £300-£400

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113 WILLIAM HENRY HUNT OWS (BRITISH 1790-1864) The Road Sweeper Watercolour 27 x 19.5cm (103⁄4 x 71⁄2in) £300-£500 114 ATTRIBUTED TO PETER DE WINT (BRITISH 1784-1849) Standing man Watercolour over pencil 22.5 x 17.5cm (83⁄4 x 7in) £500-£700

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114 115 HIPPOLYTE JEAN BAPTISTE GARNERAY (FRENCH 17871858) Figures gathering before a gothic church in a French town Signed l.l Watercolour over pencil 12.5 x 9.5cm (5 x 4in) £200-£300

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116 ATTRIBUTED TO DAVID COX Jnr. ARWS (BRITISH 1809-1885) An Italianate scene with figure resting in the shade of trees, a hilltop town with a castle beyond Watercolour over pencil, bears signature, lower right 28 x 23cm (11 x 91⁄4in) £200-£300

117 JAMES HOLLAND (BRITISH 1800-1870) Interior of St Mark’s Venice Watercolour 46 x 33.3cm (18 x 13in) £300-£500 118 JAMES HOLLAND (BRITISH 1800-1870) Interior of Notre Dame, Paris Inscribed l.l.

Watercolour over pencil 48 x 35cm (183⁄4 x 133⁄4in) £300-£500

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118 *See page 2 for information regarding fees

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119 FRANCIS OLIVER FINCH (BRITISH 1802-1862) Italian ruins with peasants and goats Watercolour 22 x 29cm (83⁄4 x 111⁄2in) Provenance: with The Fine Art Society, New Bond St, London, September 1969 £200-£300 120 HENRY JUTSUM (BRITISH 1816-1869) Landscape in Devon Dated 1850 Watercolour 20.5 x 30cm (8 x 113⁄4in) Provenance: with The Fine Art Society, New Bond St, London, May 1969 £300-£500

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121 ARTHUR JOHN STRUTT (BRITISH 1819-1888) The Roman Bridge at Narni, 1848 Signed, dated and inscribed Pen and ink and watercolour on joined sheets 10.5 x 30.5cm (47⁄10 x 12in) Together with another work by the same hand, Two Women, Rome 1842 (2) Provenance: With Abbott and Holder, 1982 £250-£350 122 ATTRIBUTED TO JOHN MIDDLETON (BRITISH 1828-1856) A summer landscape with fallen tree across a path Watercolour 12.5 x 28cm (5 x 103⁄4in) £400-£600

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123 JAMES STARK (BRITISH 1794-1859) Study of a boat Watercolour over pencil 5 x 13cm (11⁄2 x 5in) Provenance: With Appleby Bros Ltd, exhibited 1962 £100-£150

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124 CHARLES EDMUND ROWBOTHAM (BRITISH 1856-1921) At Crowboro, Sussex signed and dated 1891 watercolour 17.5 x 30cm (7 x 113⁄4in) £200-£300 125 THOMAS CLARK (BRITISH fl.1825-1885) The Basingstoke Canal Inscribed verso and dated 1839 grey wash and watercolour on blue paper 11.7 x 16.9cm (45⁄8 x 65⁄8in) 126

Provenance: With Thomas Agnew & Sons Ltd. together with three further watercolours by WILLIAM LINTON RBA (BRITISH 1791-1876), Figures on a road by a river leading towards a castle in the distance 23 x 31.5cm (9 x 121⁄2in); and two ENGLISH SCHOOL watercolours (4) £200-£300 126 WILLIAM ROXBY BEVERLEY (BRITISH c.1811-1889) Whitby, Yorkshire - pool on the moors Watercolour 23.2 x 34.2cm (91⁄4 x 133⁄8in) Provenance: Walker Galleries Ltd, London £300-£500

127 127 RICHARD THOMAS UNDERWOOD (BRITISH 1765 - 1836) Dolbadarn Castle, Llanberis Pass Watercolour Unframed 15 x 21.4cm (53⁄4 x 81⁄2in) Footnote: Inscribed on mount taken from back of the original frame: Exhibited: Walker Art Gallery, Liverpool: Grand Loan Exhibition of Pictures 1886 £200-£300

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128 JOHN LINNELL (BRITISH 1792-1882) Cows grazing in a meadow Oil on paper 12 x 17cm (43⁄4 x 61⁄2in) £200-£300

*See page 2 for information regarding fees

129 THOMAS MILES RICHARDSON JNR, RWS (BRITISH 1813-1890) Alhambra, Granada Signed and dated 1856 Watercolour and bodycolour 32 x 47.5cm (121⁄2 x 181⁄2in) £2,000-£3,000 130 THOMAS MILES RICHARDSON JNR (BRTISH 1813-1890) Wagon being pulled alongside a river in a mountain gorge Watercolour 15.5 x 23cm (61⁄8 x 9in) Provenance: with Heather Newman, Cranham, Gloucestershire £400-£600 129

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131 JOHN FULLEYLOVE (BRITISH 18451908) Nice, Cote d’Azur Signed lower left Watercolour over pencil 23 x 34cm (9 x 131⁄2in) £400-£600

132 JOHN HENRY MOLE VPRI (BRITISH 1814-1886) On the cliffs, Nr Seaford Signed and dated 1874, lower right Watercolour heightened with white 21 x 32cm (81⁄4 x 121⁄2in) £300-£500

133 JOHN ABSOLON (BRITISH 1815 - 1895) Cornfield Signed lower left Watercolour 27.5 x 47cm (103⁄4 x 181⁄2in) £300-£500

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134 GEORGE PYNE ARWS (BRITISH 1800-1868) View in the High, Oxford with All Souls and St Mary’s church Signed and dated G.,Pyne 1830 lower right Watercolour 23 29.5cm (9 x 111⁄2in) Provenance: Albany Gallery,London £400-£600

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135 MR MARGETTS (BRITISH C.1880) A View from Top Back no. 17 St Paul’s Place, Canonbury Watercolour 9 x 13cm (35⁄8 x 51⁄8in) £150-£250

136 JAMES ABBOTT PASQUIER (BRITISH fl.1851-1865) Enjoying a smoke, Bakewell Watercolour over pencil 24.5 x 34cm (93⁄4 x 131⁄4in) £150-£250

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137 CHARLES LORAINE-SMITH (BRITISH 1751-1835) Monkeys Signed with initials and dated 1818 l.r.

Pen and brown ink and watercolour 27.5 x 39cm (11 x 151⁄4in) £200-£300

138 GIUSEPPE PALIZZI (ITALIAN 1812-1888) Sheet of studies of figures and horses Pen and brown ink 26 x 36cm (101⁄4 x 14in) £200-£300

136

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138 *See page 2 for information regarding fees

139 H L STANLEY (BRITISH C.1840’s-1850’s) Two sketchbooks of drawings including studies of heads, draperies, figures studies and genre scenes and copies of paintings Pencil and charcoal Variously inscribed and annotated 40 leaves and 50 leaves respectively Album sizes 23 x 3.5cm (9 x 12in) (2) £300-£500 139

140 BRYAN EDWARD DUPPA (IRISH 1804-1866) A Victorian scene with a gentleman and three ladies and a dog seated in an interior Charcoal 26.5 x 33.3cm (101⁄4 x 13in) £200-£300

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141 142 CHARLES GREEN RI (BRITISH 1840-1898) Two gentlemen engaged in a fight, possibly an illustration from Dickens Signed with initials, lower left Watercolour over pencil 11 x 14cm (41⁄4 x 51⁄2in) £150-£250 143 JORGEN VALENTIN SONNE (DANISH 1801-1890) Danish cavalryman in uniform of the Second Schleswig War, Battle at Dybbøl,1864 Watercolour over pencil 18 x 15.4cm (71⁄8 x 6in) £300-£500

142 141 SAMUEL WOODFORDE R.A. (BRITISH 1763-1817) Two theatrical scenes from Shakespeare, possibly Titus Andronicus Oil sketches on paper 14 x 17cm (51⁄2 x 63⁄4in) (2) £300-£500

144 ALFRED THOMPSON (BRITISH fl.1863-1876) Two gentlemen in mid-seventeenth century costume on horseback greeting a lady on a road Signed with monogram, lower right Watercolour heightened with white 17 x 14 cm (63⁄4 x 51⁄2in) £200-£300 145 WILLIAM POWELL FRITH (BRITISH 1819-1909) Girl in a large hat and shawl reading Charcoal on buff paper 32.5 x 22.3cm (123⁄4 x 83⁄4in) Provenance: With Browse & Darby Ltd., Cork St., London £200-£300

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146

146 SIR LAWRENCE ALMA-TADEMA OM RA (BRITISH 1836 - 1912) A Generous Smile Signed l.l.

Watercolour 20 x 20cm (8 x 8in) Provenance: Gifted by the painter himself to Maria (Marie) Catharina Leytens, the sister of Philomena Leytens, whose hand he had once sought in marriage as a young unknown artist in Antwerp, but was rejected by her father for his lack of prospects! The present owners are the great great grandchildren of Marie Leytens to whom the painting was presented.

Footnote: Sir Lawrence Alma-Tadema, (born Lourens Alma Tadema) was a Dutch painter of special British denizenship. Born in Dronrijp, the Netherlands, and trained at the Royal Academy of Antwerp, Belgium, he settled in England in 1870 and spent the rest of his life there. A classical-subject painter, he became famous for his depictions of the luxury and decadence of the Roman Empire, with languorous figures set in fabulous marbled interiors or against a backdrop of dazzling blue Mediterranean Sea and sky. Though admired during his lifetime for his draftsmanship and depictions of Classical antiquity, his work fell into disrepute after his death, and only since the 1960s has it been re-evaluated for its importance within nineteenth-century British art. £2,000-£3,000

147 147 WILLIAM HENRY HUNT OWS (BRITISH 1790 - 1864) Reading by lamplight, lady seated by the window in the evening Signed Watercolour and bodycolour 22 x 18cm (81⁄2 x 7in) Provenance: Private Collection, UK £400-£600

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148 HERBERT JAMES DRAPER (BRITISH 1863-1920) Study for Apollo for The Day of The Dawnstar Black and white chalk 54 x 42.8cm (211⁄4 x 163⁄4in) Provenance: Hartnoll, St James’s, London The final version of Day and the Dawnstar was exhibited at the Royal Academy in 1906. Draper had initially drafted the distinctive contrapposto composition for the Wagnerian subject The Meads of Asphodel; he then switched to Aurora and Tithonus, before settling on Day and the dawnstar when he discovered that George Spenser Watson was working on an Aurora.

Two oil studies and 14 pencil drawings are recorded. £2,000-£3,000

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149 HERBERT JAMES DRAPER (BRITISH 1863-1920) Hilda Edgell, Study for Dryad in Reveil, circa 1918 Coloured chalks on grey paper 38 x 30.5cm (15 x 12in) Exhibited: Hartnoll, 2001, no 32 £1,000-£1,500

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150 SIMEON SOLOMON (BRITISH 1840-1905) Head of Christ Signed with monogram and dated 1886 Pencil 25.8 x 22cm (101⁄4 x 85⁄8in) Provenance: Private collection London Born to a wealthy Orthodox Jewish family, Simeon Solomon attended the Royal Academy and was inspired and later feted by the PreRaphaelite Brotherhood. He achieved considerable artistic status but his reputation was destroyed when Solomon was arrested in London in 1873 and subsequently arrested and tried in Paris for sodomy.

He suffered persecution for both his homosexuality and semitism, although he did not present himself as a champion for either. He might have heralded a change in attitudes and re-asserted his visionary art as a refutation to Victorian morality, but was tainted by his ‘disgrace’, not least from the artistic community, and sank into obscurity. His reputation was only revived in the late 1960’s and more recently in the Tate’s Queer British Art exhibition.

Christ has been depicted by Simeon Solomon in the wilderness in his introspection, and also in dialogue with St Peter or St John; here, the tight composition of head and shoulders shows the haloed Christ now looking up and at the moment of his post-temptation awakening. The delicate rendering of hair and unrequited expression are typical characteristics of Solomon’ s androgynous subjects. £1,500-£2,500

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151 ATTRIBUTED TO SIMEON SOLOMON (BRITISH 1840-1905) Head of a young girl Pencil 26 x 19.5cm (101⁄4 x 71⁄2in) Provenance: Private collection, London £800-£1,200

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153

152 PAUL JACOB NAFTEL (BRITISH 1817 - 1891) Near Amalfi, the Valley de Moulins Signed Pencil, watercolour and bodycolour, on paper laid down on board Oval, 77.5 x 57.2cm (301⁄2 x 22in) £1,800-£2,500 153 JOSEPH CONTINI (ITALIAN 1827 - 1892) Landscape Signed lower left Watercolour 47.5 x 36cm (183⁄4 x 141⁄4in) £300-£500 154 H CLARK (BRITISH 19TH CENTURY) Florence Courtyard Signed Watercolour 62 x 42.5cm (241⁄2 x 163⁄4in) £400-£600

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155 FLORENCE CLAXTON (BRITISH C.1839-1879) A girl with long flowing hair wearing a wreath Signed, 'F. Claxton', lower right Watercolour and bodycolour 24.5 x 19cm (93⁄4 x 71⁄2in) £300-£500

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156

157 156 CÉLESTIN DESHAYES (FRENCH, 1817-1884) Designs for day dresses, circa 1850 Watercolour heightened with white 25 x 19.5cm (93⁄4 x 73⁄4in) Provenance: With Abbott & Holder, 30 Museum Street, London £150-£250 157 ENGLISH SCHOOL (C.1880) Gorbio above Roquebrune, near Monaco and Ceriana, near Genoa, Italy Sepia wash 12.5 x 19.5cm (5 x 73⁄4in) a pair together with a watercolour Corsica from S.Remo, Sunrise, Jan 1878, by a different hand (3) £200-£300 158 GERTRUDE JEKYLL (BRITISH 1843-1932) An elaborate cup Pencil heightened with white chalk on buff paper 24.5 x 21cm (93⁄4 x 81⁄4in) £150-£250

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159 (part)

159 ANTONIO SENAPE (ITALIAN 1788-1850) Set of Five Neopolitan Views including ‘Veduta di Sorrento’; ‘Lago di Averno’; ‘Napoli da Posilip’’; ‘Veduat di Casamiaila nel Siola,L’Ischia’ and ‘Muolo di Napoli’ Signed and inscribed Pen and ink Various sizes (5) £700-£900

160 FEDERICO DEL CAMPO (PERUVIAN 1837-1927) Views of Naples and Capri Set of seven studies Pen and ink Various sizes (7) £500-£700

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161 NEAPOLITAN SCHOOL (19TH CENTURY) Riviera di Chiaia, Napoli Gouache 63.5 x 46cm (25 x 18in) £800-£1,200

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162 ITALIAN SCHOOL (LATE 19TH CENTURY) Castellammare Di Stabia Gouache 43 x 62cm (17 x 241⁄2in) £500-£700

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163 NEAPOLITAN SCHOOL (19TH CENTURY) A view of Naples Gouache 41 x 64.7cm (16 x 251⁄2in) £300-£500

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164

165

166 164 NEAPOLITAN SCHOOL (19TH CENTURY) A fishing scene off Ischia Gouache 29 x 42.5cm (111⁄2 x 163⁄4in) £300-£500

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165 NEAPOLITAN SCHOOL (19TH CENTURY) Eruption of Vesuvius, set of six views in one mount Gouache Each measuring 7.7 x 10cm (3 x 4in) 6 framed as one £400-£600

167 166 ACHILLE VIANELLI (ITALIAN 1803-1894) A cloister Signed and dated 1834 Pen and brown ink 22.3 x 15.2cm (83⁄4 x 6in) £300-£500

167 NEAPOLITAN SCHOOL (19TH CENTURY) A view of the Gulf of Naples Gouache 21.5 x 28cm (81⁄2 x 11in) £250-£350

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168

168

168 ANGELOS GIALLINAS (GREEK 1857-1939) A Pair of country landscapes Both signed lower left Watercolour 33 x 47cm (13 x 181⁄2in) (2) £1,200-£1,600 169 JOHN MILLER ADYE (BRITISH 1819-1900) Catalan Bay, Gibraltar Signed lower left Watercolour 27 x 37cm (103⁄4 x 141⁄2in) Unframed £300-£500 169

170 170 JAN ANGELO ZEYER (CZECH 1878-1945) A View of Prague Signed lower left Watercolour on paper laid to board 50 x 68cm (193⁄4 x 27in) Unframed £250-£450

171 171 JAMES HERVE D’EGVILLE (BRITISH 1806 - 1880) Venice Signed with monogram Watercolour 28.5 x 46cm (111⁄4 x 18in) £200-£300

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172 FILIPPO INDONI (ITALIAN 1800 - 1884) The Proposition Signed lower left Watercolour 75 x 54cm (291⁄2 x 211⁄2in) £1,000-£1,500

173 JOHN TERRICK WILLIAMS RA (BRITISH 1860-1936) Middle eastern market Signed lower right Watercolour 24.5 x 33cm (93⁄4 x 13in) £400-£600

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173 174 EDWARD PERCY MORAN (AMERICAN 1862-1935) A Regency Beauty Watercolour 32.5 x 30cm (123⁄4 x 113⁄4in) Known as ‘Percy’, he was recognized for his scenes of American history. He was born in Philadelphia to Edward Moran, a notable artist who emigrated from England to the United States. He studied under his father and at the Pennsylvania Academy of Fine Arts and the National Academy of Design. He was a painter of historical American subjects, and examples of his work are found in many prominent collections. He died in New York City in 1935. His brother Leon Moran (born 1864), his uncles Peter Moran (born 1842) and Thomas Moran, and his cousin Jean Leon Gerome Ferris were also prominent American artists. £400-£600

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174 *See page 2 for information regarding fees

175 CHARLES BRANWHITE A.O.W.S. (BRITISH 1817 1880) A winter river scene with cattle Watercolour 43 x 74.5cm (17 x 291⁄4in) £800-£1,200 176 HECTOR CAFFIERI (BRITISH 1847-1932) Figures on a city river bank Signed lower right Watercolour 26 x 36cm (101⁄4 x 141⁄4in) £400-£600 177 WILFRID WILLIAMS BALL (BRTISH 1853-1917) The town clock, Steyning Signed, inscribed, dated 1904 Watercolour 24 x 18.5cm (91⁄2 x 71⁄2in)

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Illustrated “Sussex” - A&C Black 1906 £200-£300 178 JAMES HEWLETT (BRITISH 1789 - 1836) Still life with flowers and insects on a marble ledge Watercolour 43 x 36.5cm (17 x 141⁄4in) Footnote: An old inscription attached to the backboard reads, James Hewlett was an English flower painter in watercolours, who practised at Bath and Exhibited at the Royal Academy and elsewhere from 1799 to 1828. His works were esteemed in his day for colour and botanical accuracy. There are some groups of flowers by him in the South Kensington Museum. £600-£800 179 ARR BEATRICE EMMA PARSONS (BRITISH 1870 - 1955) Blue Borders, Abbotswood, Buxted Signed lower right Watercolour 28 x 21cm (11 x 81⁄4in) £400-£600

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178

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180 19TH CENTURY Set of five designs for playing cards Pen and ink and grey wash heightened with red ink 9.5 x 6.5cm (31⁄2 x 25⁄8in) each (5) £100-£150 181 RICHARD HURST (BRITISH LATE 19TH CENTURY) Study of an Eastern Rosella parrot Signed and dated l.r., ‘RICHD HURST 1883’ Watercolour over pencil 33.5 x 23.5cm (13 x 91⁄4in) £300-£500 182 ARR OLIVER MESSEL (BRITISH 1904-1978) The Countess in Furs, for Queen of Spades, performed in 1950 Signed, lower left Charcoal, grey wash, gouache 50 x 38cm (193⁄4 x 15in) Exhibited: Leicester Galleries, Novemeber 1948 Provenance: Miss O. Edwardes; private collection U.K. £200-£300 183 BRITISH SCHOOL (C.1870) Two Scottish Soldiers in Camp Watercolour 17.8 x 13.4cm (51⁄4 x 51⁄8in) inscribed, ‘Camp at Chobham’, a standing soldier addresses his companion who is taking a bath, ‘Heh Colin! dinna ye ken, the Watters for drink & na’ for Bathin?’

180 (part)

Provenance: From the collection ‘Mary Christine N. Shaw of Leamington Spa 1868 £150-£250

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183 *See page 2 for information regarding fees

184 PETER ARNO (AMERICAN 1904-1968) ‘Would you boys like a little fun?’

Signed l.r., with original Exhibition label from the Leicester Galleries attached to the backboard Black ink and grey wash 33.5 x 26.5cm (131⁄4 x 101⁄2in) Exhibited: The Leicester Galleries,London, December 1922, No. 89 Footnote: Peter Arno was the illustrator/cartoonist to The New Yorker Magazine and exhibited at the Leicester Galleries, London. £2,000-£3,000

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185 WILLIAM HEATH ROBINSON (BRITISH 1872-1944) Consequences - How all telephonic and telegraphic communication between the suburbs and the City of London was suddenly cut off through the wayward playfulness of a mere child.

Signed l.r., further numbered 1567 inscribed with title and artist’s name on original label of A E Johnson, artists’ Agent, Covent Garden, London verso Pen and ink and grey wash 40.5 x 28.5cm (16 x 111⁄4in) Unframed £800-£1,200

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186 REGINALD EDWARD HIGGINS (BRITISH 1877 - 1933) A pair of illustrations Both signed Watercolour and pencil 31 x 22cm (121⁄4 x 83⁄4in) (2) £300-£500

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187

188

187 LOUIS WAIN (BRITISH 1860-1939) Cat Signed and inscribed in mirror writing, ‘They say I am not a cat because I try to be human and laugh and joke, why is a cat like itself! Because you cannot Cow it or Dog its footsteps or rat it without being found out.’

Watercolour 23 x 17.5cm (9 x 7in) £300-£500

188 LOUIS WAIN (BRITISH 1860 - 1939) Fooled Signed Watercolour 22.9 x 43.2cm (9 x 17in) £800-£1,200

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189 189 ARR NOEL LAURA NISBET (BRITISH 1887 - 1956) Baccanalian Reveries Watercolour 12.8 x 19cm (5 x 71⁄2in) Noel Laura Nisbet came from an artistic Scottish family. She was the youngest daughter of Hume Nisbet, an artist, author and traveller. Her sister Margaret also became a painter. The family moved to London in 1887 and she won numerous awards while studying at the Clapham School of Art. In 1910 she married Harry Bush, a fellow student. Four years later her father set up his artistic daughters in two houses, with purpose-built attic studios, on an estate then being built in Merton Park, south west London. They were to live there for the rest of their lives; Harry Bush was to immortalise their world in his pictures of suburban London. Nisbet illustrated five books of fairy tales and legends and the majority of her Royal Academy exhibits (1914-1938) are of such subjects. £400-£600

190 ARR ALAN WADDINGTON BELLIS ARCA (BRITISH 1883-1960) A wheelwright’s workshop, Damants of Ipswich Signed and dated 1943 and inscribed Watercolour over pencil 23 x 33.5cm (91⁄8 x 131⁄8in) Exhibited: Royal Academy, 1944, no. 776 £300-£500

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191 ARR CECIL ARTHUR HUNT (BRITISH 1873–1965) Castel Buono, Calabria Signed Gouache 36.5 x 48.5cm (133⁄4 x 19in) Exhibited: Royal Academy, 1958, no. 1 £200-£300

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192 ARR JAMES MCBEY (SCOTTISH 1883-1959) Oropesa and Candaleda, Spain, 1954 Dated 1954 and inscribed Pen and ink and Watercolour 24 x 37cm (91⁄2 x 141⁄2in) Provenance: Artists wife Marguerite Mcbey £200-£300

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193 ARR CHARLES KNIGHT VPRWS, ROI (BRITISH 1901-1990) Stoke Gabriel Signed Watercolour over pencil 35.5 x 55cm (14 x 211⁄2in) £200-£300

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194 WILLIAM WALCOTT (BRITISH 1874-1943) View of Westminster Watercolour 60 x 46cm (231⁄2 x 18in) £400-£600

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195 ARR SIR HENRY RUSHBURY RA (BRITISH 1889-1968) Chepston Castle Signed Watercolour over pencil 33 x 36cm (13 x 14in) Exhibited: Royal Academy Exhibition, 1965, no 975 together with another watercolour by the same hand, Cumberland Signed and inscribed, 24 x 42cm (91⁄2 x 161⁄4in) (2) £300-£500

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196 ARR SIR HENRY RUSHBURY RA (BRITISH 1889-1968) Across the Seine, Paris Signed and inscribed Watercolour over pencil 31.5 x 32cm (121⁄4 x 121⁄2in) £400-£600

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197 JOSEPH EDWARD SOUTHALL RWS (BRITISH 1861-1944) Ponte Vecchio Florence Signed with monogram and dated 1944, further inscribed on the backboard, Joseph Southall/ 13 Charlotte Rd / Edgbaston / Birmingham and bearing title on label attached to the backboard and further label or The Royal Society of Painters in Watercolours Watercolour 16 x 31cm (61⁄2 x 121⁄4in) Exhibited: Royal Society of Painters in Watercolours

197

Joseph Edward Southall RWS NEAC RBSA (23 August 1861 – 6 November 1944) was an English painter associated with the Arts and Crafts movement.A leading figure in the nineteenth and early twentieth-century revival of painting in tempera, Southall was the leader of the Birmingham Group of ArtistCraftsmen—one of the last outposts of Romanticism in the visual arts, and an important link between the later PreRaphaelites and the turn of the century Slade Symbolists.A lifelong Quaker, Southall was an active socialist and pacifist, initially as a radical member of the Liberal Party and later of the Independent Labour Party.

Southall was elected an Associate of the Royal Birmingham Society of Artists (RBSA) in 1898 and Member in 1902. He became President of the Society in 1939 and stayed in this post until his death in 1944. In 1937 Southall underwent an operation from which he never really recovered. After several years of ill health, during which he doggedly continued to paint, he died of heart failure at his home in Edgbaston in 1944.

The present work was painted in the year he died at his home in Edgbaston and may have been one of his last works. £500-£700

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198 ARR AVERIL MARY BURLEIGH RWS (BRITISH 1885 - 1949) L’Abbey de Montmajour, Nr. Arles Signed Watercolour 36.5 x 51cm (141⁄4 x 20in) £300-£500

199 WILLIAM HOLT YATES TITCOMB (BRITISH 1858 1930) Palazzos on the grand canal, Venice Signed Watercolour over pencil 35 x 21cm (131⁄2 x 81⁄4in) (2) £400-£600 199 58

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200

200 FRANCIS NEWTON SOUZA (INDIAN 1924 - 2002) Secretary Bird and Cobra Signed top left, Souza 59 Ink 23.5 x 15.5cm (91⁄4 x 61⁄4in) Footnote: The cobra appears to be female in form, a Nagin, but is here perhaps an object of prey poised to retaliate rather than one of veneration. In its more dangerous posture, the power of the snake in Indian art is expressed in an erect form with hood open. The drawing was produced during his time in London, at the height of his success there at Gallery One. 1959 was also the year of publication of his autobiographical book, Words and Lines. “I do not unwrap myself when I paint. I unwrap myself when I write. When I press a tube, I coil.

Every brush stroke makes me recoil like a snake struck with a stick. I hate the smell of paint. Painting for me is not beautiful. It is as ugly as a reptile. I attack it. It coils and recoils making fascinating patterns. I am not, however, interested in patterns. Otherwise I’d spend my days watching clouds or women’s fabrics. It is the serpent in the grass that is really fascinating.

Glistening, jewelled, writhing in the green grass. Poisoned fangs and coldblooded. Slimy as squeezed paint. Green hood, white belly from chin to tail, yellow eyes, red forked tongue, slimy; careful not to put your foot on it; treacherous like Satan yet beautiful like Him”. (Words and Lines, Villiers, London, 1959; p. 10/11) £1,500-£2,000

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201 SHAKEEL MOMIN (INDIAN 1970 - ) Tanpura player, from the Musicians series Signed lower right, dated 2006 Watercolour 35 x 25cm (133⁄4 x 93⁄4in) £400-£600

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202 ATTRIBUTED TO ROGER DE. LA FRESNAYE (FRENCH 1885 1925) Three sketches on one sheet of figurative subjects in landscapes Pencil 20 x 12cm (73⁄4 x 43⁄4in) Footnote: Roger de la Fresnaye is most commonly considered a disciple of Cubism, even though his subjects remained representational and never fully abstracted. Fresnaye studied at the Académie Julian, the École des Beaux-Arts, and Academie Ranson where he worked under Maurice Denis and Paul Sérusier, both of whom were hugely influential in Fresnaye’s work. He was also attracted to both Symbolist and Expressionist styles before finally adopting Cubism’s geometric deconstructions of form. Fresnaye also became involved with the Puteaux group, which assembled in the studio of Jacques Villon, and the Section d’Or. He drew inspiration from Paul Cézanne’s abstractions and Robert Delunay’s Orphism.

Towards the end of his career, he abandoned avant-garde forms and became a champion of traditional realism. £800-£1,200

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203 SUZANNE VALADON (FRENCH 1865 - 1938) La Terrasse du Chateau de St Bernard Signed with initials I.R Pencil study 20 x 16.5cm (8 x 61⁄2in) Footnote: Suzanne Valadon was a French painter and artists’ model who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo. The subjects of her drawings and paintings included mostly female nudes, female portraits, still lifes, and landscapes. She never attended the academy and was never confined within a tradition. Valadon spent nearly 40 years of her life as an artist. £800-£1,200

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204 204 ARR SIR FRANK WILLIAM BRANGWYN RA RWS RBA (ANGLOWELSH 1867-1956) A soldier Signed with monogram top right Red chalk 30 x 25cm (12 x 93⁄4) £200-£300 205 ARR BARNETT FREEDMAN CBE, RDI (BRITISH 1901-1958) A male nude Signed lower left Pencil 35.5 x 16cm (14 x 61⁄4in) £200-£300

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205 206 ARR KARL FELKEL (AUSTRIAN 1896-1980) Boy with large papier mache carnival head and The accordionist Signed lower right/ lower left Gouache on paper 153 x 76.5cm (601⁄4 x 30in) £400-£600 207 E SANCHEZ CASTELLANOS (ARGENTINIAN 20TH CENTURY) Estudio para Martin Fierro Signed and dated lower left Mixed media 39.5 x 57cm (151⁄2 x 221⁄2in) Unframed £160-£260

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PRINTS

208 ROBERT SAYER (BRITISH c. 1770) Publisher.

Spring, Summer, Autumn, Winter Set of four reverse glass prints, original hand-coloured mezzotints each c.355 x 250mm. (14 x 93⁄4in), in uniform antique ebonised frames, c.1770 (4) £700-£900

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209 ANTOINE TROUVAIN (FRENCH 17TH CENTURY) Publisher.

Set of the four elements, air, earth, water and fire represented by elegantly dressed female allegorical figures etchings with engraving Each c.175 x 120mm. (7 x 43⁄4in), Paris, c.1690 (4) £300-£400

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211 211 THEODORE GERICAULT (FRENCH, 1791-1824) The Death of William the Conqueror Published illustration, second state Unframed £100-£200

210 REMBRANDT HARMENSZOON VAN RIJN (DUTCH 1606-1669) Nude man seated on the ground with one leg extended, 1646 Signed and dated within the plate Etching on laid paper (negative foxing and toning) Plate size, 10 x 17cm (41⁄8 X 63⁄4in) £400-£600 212 JOHN FREDERICK LEWIS (BRITISH 1805-1876) Picador, 1835 Hand coloured lithograph 39 x 28.5cm (151⁄2 x 11in) Published by: Moon, Francis Graham (Sir) (1796-1871) One of 26 prints from Lewis’s ‘Sketches of Spain & Spanish Character’ made during his Tour in that Country, in the years 1833-34, printed, 1835, published in London 1836.

Lewis visited Spain and Morocco between 1832 and 1834. The drawings produced on these trips were reproduced as lithographs for ‘Sketches and Drawings of the Alhambra’ (1835), and ‘Sketches of Spain and Spanish Character’ (1836). £200-£300

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213 ALEXANDER RUNCIMAN (SCOTTISH 1736-1785) Fingal Encounters Carbon Carglass, 1st printed c. 1773 Signed in the plate lower left Etching 14.5 x 8.9cm (51⁄2 x 31⁄2in) Unframed £150-£200

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214 GEORGES FRANCOIS BLONDEL (FRENCH 1730-c.1791) A view of the inside of the New Prison at Rome, 1765 Mezzotint 52 x 40cm (201⁄2 x 153⁄4in) £800-£1,200

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215 MORTIMER MENPES ( AUSTRALIAN 1855 - 1938 ) Watching the Play, Kyoto Signed lower left Artist proof etching.

Plate size 21 x 29cm (81⁄4 x 111⁄2in) Mounted and framed Footnote: Menpes visited Japan in 1887, the exhibition held in London on his return received great acclaim. £400-£600 216 MORTIMER MENPES (AUSTRALIAN 1855-1938) The White Hart Inn, Witley, Surrey Signed lower right Etching Plate size: 28.5 x 31.5cm ( 111⁄2 x 121⁄4in) Mounted and framed.

215

Together with St Mary’s Church, Oxford Signed lower right Etching Plate size:29.5 x 19.5cm ( 113⁄4 x 73⁄4in) Mounted and framed (2) £250-£350 217 ARR SIR FRANK BRANGWYN RA (ANGLO-WELSH 1867 - 1956) Buttress of the Pont Neuf, Paris, 1921 Signed bottom right below plate mark 35.5 x 22cm (14 x 81⁄2in) plate size Footnote: The etching Pont Neuf, Paris, No.1 was exhibited in 1922; by this date the plate had been cut down to make the first of five new etchings. the right-hand portion of the plate was titled Buttress of the Pont Neuf, from which only ten impressions were taken. This was then reduced further to produce this print. £200-£300

216 (part) 218 HENRI DE TOULOUSE LAUTREC (FRENCH 1864-1901) The Arton Trial, (Procès Arton - Deposition Dupas), 1896 Signed and dedicated by Lautrec in pencil to Frantz Jourdain, architect, writer and close friend of Lautrec, lower right Lithograph 43 x 50cm (17 x 20in) £400-£600

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219

220

219 MAN RAY (AMERICAN 1890-1976) Antologia del Surrealismo - 2 planches Signed lower right; inscribed E.A. (Épreuve d’Artiste - Artist’s Proof) lower left Lithograph 34.5 x 32cm (131⁄2 x 121⁄2in) £600-£800

220 ARR RENÉ MAGRITTE (BELGIAN 1898 - 1967) La Sourire du Diable Signed Georgette Magritte bottom left Lithograph 39.5 x 30cm (151⁄2 x 113⁄4in) Edition 46/50 £600-£800

221 221 ARR KAREL APPEL (DUTCH 1921 - 2006) Abstract Composition Signed lower right Lithograph 31.5 x 48cm (121⁄2 x 19in) £700-£900 65

222 PABLO PICASSO (SPANISH 1881-1973) Trois Acteurs From the Vollard Suite (Suite Vollard), 1933, edition of 250, published by Vollard, Paris 1939 Etching on Montval laid paper with Vollard watermark lower margin 445 x 340mm, sheet size Unframed £4,000-£6,000

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223 ARR Pablo Picasso (Spanish, 1881-1973) Jeune Homme From the Vollard Suite (Suite Vollard), 1933, edition of 250, published by Vollard, Paris 1939 Etching on Montval laid paper with Vollard watermark lower margin 445 x 340mm, sheet size Unframed £4,000-£6,000

223 66

*See page 2 for information regarding fees

224

224 ARR PABLO PICASSO (SPANISH 1881-1973) Sculpteur et son modèle avec un groupe sculpté représentant un Centaure embrassant une femme From the Vollard Suite (Suite Vollard),1933, edition of 250, published by Vollard, Paris 1939 Etching on Montval laid paper with Vollard watermark lower margin 445 x 340mm, sheet size Unframed £4,000-£6,000

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225 ARR JEAN COCTEAU (FRENCH 1889 - 1963) Arlequin à la guitare Signed lower right Colour lithograph 64.5 x 48.5cm (251⁄2 x 19in)

226 ARR MARIE LAURENCIN (FRENCH 1883 - 1956) Esther, 1936 Signed in pencil lower right Lithograph in colours 61 x 50cm (24 x 193⁄4in) with blind stamp

67 x 49cm. (262⁄5 x 193⁄10 in.)

Provenance: With John Magee gallery, Belfast £600-£800

67 x 49cm. (262⁄5 x 193⁄10 in.)

67 x 49cm. (262⁄5 x 193⁄10 in.) £600-£800

227 ARR RUDOLF BAUER (POLISH 1889 - 1953) Bauhaus art of dancing couple, c.1915 Signed on lower left Lithograph, numbered 27 39 x 28cm (151⁄2 x 11in) £200-£300 228 ARR PETER RANDALL-PAGE (BRITISH 1954 -) Untitled, A, 1992 Signed and numbered7⁄50 Etching 17.5 x 12.5cm (7 x 5in)

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228

Peter Randall-Page RA (born 1954) is a British artist and sculptor. He studied sculpture at Bath Academy of Art from 1973–77. He is best known for his stone sculpture work, inspired by geometric patterns in nature. In his words “geometry is the theme on which nature plays her infinite variations, fundamental mathematical principle become a kind of pattern book from which nature constructs the most complex and sophisticated structures”. £200-£300 *See page 2 for information regarding fees

OIL PAINTINGS

229 CHARLES LANDSEER R.A (BRITISH 1799-1879) Mother’s Darling Signed and dated lower left 1856 Oil on canvas 60 x 50cm (23.5 x 193⁄4in) £1,500-£2,000

230 ARR FRANK MOSS BENNETT (BRITISH 1874-1953) Cavaliers making music in an interior Signed lower left Oil on canvas 34 x 49cm (131⁄2 x 191⁄2in) £1,000-£2,000

230a GIACOMO MANTEGAZA (1853-1920 ITALIAN) The New Fan Signed lower left Oil on panel Fashionable woman in front of an ornate mantel mirror in a neoclassical interior 27 x 18cm (101⁄2 x 71⁄4in) £2,000-£3,000

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231 BRITISH SCHOOL (18TH EARLY 19TH CENTURY) A country landscape with figures Oil on board 23 x 18cm (9 x 7in) £300-£500

233 CIRCLE OF GEORGE MORLAND (BRITISH 1763-1804) Figure driving cattle in extensive landscape Oil on canvas 45 x 53cm (173⁄4 x 21in) £500-£700

232 CIRCLE OF GEORGE MORLAND (BRITISH 1763-1804) The favourite pony Indistinctly signed and inscribed verso Oil on board 10 x 12.5cm (4 x 5in) £400-£600

234 GEORGE JONES (BRITISH 1786-1869) Fetching water before a cottage Signed and dated 1810 verso Oil on panel 66 x 49.5cm (26 x 191⁄2in)

70

British painter, and Keeper of the Royal Academy, most famous for his paintings of military subjects. Work in The Royal Collection, Royal Academy, Tate and National Portrait Gallery £600-£800 *See page 2 for information regarding fees

235 FOLLOWER OF JAMES POLLARD (BRITISH 1792 1867) Elephant and Castle Oil on panel 44.5 x 61cm (171⁄2 x 24in) £1,500-£2,000

235

236 ROBERT LADBROOKE (BRITISH 1768 - 1842) Stoke Bridge at Norwich Oil on canvas 51 x 74cm (20 x 29in) £800-£1,200

236

237 HENRY JOHN BODDINGTON (BRITISH 1811 - 1865) The Ferry, Durham Signed and dated lower right Oil on panel 55 x 73cm (213⁄4 x 283⁄4in) Provenance: With M Newman Ltd, Duke Street, London £2,000-£3,000

237 71

238 238 WILLIAM COLLINS RA (BRITISH 1788-1847) Sorting the Catch Signed lower right Oil on canvas 45 x 60cm (173⁄4 x 231⁄2in) £800-£1,200

240 240 EDMUND JOHN NIEMANN (BRITISH 1813 - 1876) Fishing in Yorkshire Signed and dated centre right 56 Oil on canvas 40 x 60cm (153⁄4 x 231⁄2in) £600-£800

72

239 239 BRITISH SCHOOL (19TH CENTURY) Fisher folk on the beach Oil on canvas 26.5 x 25cm (101⁄2 x 10in) £300-£500

241 241 CIRCLE OF JOHN CONSTABLE (BRITISH 19TH CENTURY) Country landscape sketch Oil study on paper laid to canvas 15 x 28cm (6 x 11in) £400-£600

*See page 2 for information regarding fees

242

243 242 WILHELM HUBER (GERMAN C.1787-1871) A View of Naples Signed lower left Oil on canvas 69 x 106cm (271⁄4 x 413⁄4in) Unframed £6,000-£8,000

243 GEORGE EDWARD HERRING (BRITISH 1805-1879) Gulf of Spezzia, Italy, looking to the mountains Signed lower left Oil on canvas 72 x 109cm (281⁄2 x 43in) Exhibited: Royal Academy 1847 Various labels verso including Aitkin Dott & Son, Edinburgh; and C W Mackillor, Bath £3,000-£5,000 73

244 BARTHOLOMEUS JOHANNES VAN HOVE (DUTCH 1790-1880) Dutch canal scene Oil on canvas 66 x 92cm (26 x 36in) £1,500-£2,000

244

245 DUTCH SCHOOL (19TH CENTURY).

Riverside view with ships and a town. oil on panel, possibly signed to boat lower right.

48cm x 65cm. framed. £2,000-£3,000

246 CONTINENTAL SCHOOL (19TH CENTURY) Moutons en Prairie 1882 Signed lower right, Steens Edmond Oil on panel 22 x 26cm (81⁄2 x 101⁄4in) £400-£600

247 FRENCH SCHOOL (19TH CENTURY) Extensive country landscape with washer women Indistinctly signed lower right Oil on canvas 53 x 80cm (21 x 311⁄2in) £400-£600

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246 74

247 *See page 2 for information regarding fees

248 248 ARR FRANK MOSS BENNETT (BRITISH 1874-1953) The Hunt Breakfast Signed and dated centre right Oil on canvas 37 x 50cm (141⁄2 x 191⁄2in) Provenance: with Aldridge Bros.,The Little Gallery, Worthing £1,000-£2,000

249 249 RONZALY (FRENCH 19TH CENTURY) La balade courtisane Signed lower left Oil on panel 20.5 x 32.5cm (8 x 123⁄4in) £400-£600

250 250 EUGENE DAMAS (FRENCH 1848-1917) Elegant figure on a swing Signed lower right Oil on board 28 x 28cm (11 x 11in) £500-£700

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251 251 ALESSANDRO SANI (ITALIAN 1856-1927) A monk reading Signed on book centre right Oil on canvas 65 x 45.5cm (251⁄2 x 18in) £600-£800

252 252 ITALIAN SCHOOL (19TH CENTURY) A seated Monk Oil on canvas 74 x 61cm (29 x 24in) Unframed £400-£600

253 253 ATTRIBUTED TO GIUSEPPE MAZZOLINI (ITALIAN 1806-1876) Shepherd boy with turkey Later added signature lower right Oil on canvas 44 x 34cm (171⁄2 x 131⁄2in) Carved gilt frame £400-£600

254 254 F LAMO (ITALIAN 19TH CENTURY) A pair of interior views with figures in a cottage Signed and dated lower right 1846 Oil on copper 19 x 15.5cm (71⁄2 x 6in) (2) £300-£500

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*See page 2 for information regarding fees

255 ENGLISH SCHOOL (19TH CENTURY) The last visit Oil on panel 36.5 x 42cm (141⁄2 x 161⁄2in) £400-£600 256 ARR ERCOLE MAGROTTI (ITALIAN 1890-1967) River landscape leading to a lake Signed lower right Oil on canvas board 68 x 98cm (27 x 381⁄2in) £300-£500 257 BURNETT (BRITISH 19TH CENTURY) The Birds nest Oil on panel 16 x 13cm (61⁄2 x 5in) Provenance: Collection of Sir David Wilkie £200-£300

255

258 DUTCH SCHOOL (19TH CENTURY) The Egg Seller Oil on panel 31 x 25.5cm (121⁄4 x 10in) £300-£500 259 JOHANNES ANTOINE BALTHASAR STROEBEL (DUTCH 1821-1905) Family in an interior Signed lower left Oil on panel 24 x 19cm (91⁄2 x 71⁄2in) £800-£1,000

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259 77

260 MEITRE (FRENCH 19TH - EARLY 20TH CENTURY) Cattle and sheep grazing near a river Signed and dated lower left 1901 Oil on canvas 42 x 80cm (161⁄2 x 311⁄2in) £500-£700

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264

262 CIRCLE OF JOHN FREDERICK HERRING (19TH CENTURY) Horses in a field Indistinctly signed lower right Oil on canvas 30 x 45cm (12 x 173⁄4in) £300-£500

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261 CAMILLE GEORGES SAUPHAR (FRENCH 1848-1932) Cattle tended at a well Signed lower right Oil on canvas 27 X 41cm (113⁄4 X 16in) £400-£600

263 CIRCLE OF JOHN FREDERICK HERRING SNR (BRITISH 1795 - 1865) Out on the hunt, a sketch Oil on panel 13.5 x 18cm (51⁄2 x 7in) £200-£400

264 BRITISH SCHOOL (19TH CENTURY) Portrait of a horse and jockey Oil on canvas 25.5 x 35.5cm (10 x 14in) Footnote: Old label verso attributing painting to F Herring £300-£500

*See page 2 for information regarding fees

265

265 EDMOND VAN DER MEULEN (BELGIAN 1841-1905) Bulldog Marriage Signed lower left Oil on canvas 81 x 130cm (32 x 51in) £3,000-£5,000

266 HENRIETTE RONNER-KNIP (DUTCH 1821-1909) A portrait of a dog Monogramed lower right Oil on canvas 33 x 25.5cm (13 x 10in) £1,500-£2,000

266 79

267

268 267 J BONNY (BRITISH 19TH/20TH CENTURY) A pair of summer landscape views Signed lower left Oil on board 24 x 34cm (91⁄2 x 131⁄2in) (2) £1,500-£2,000 268 WILHELM BRANDENBURG (GERMAN 1824-1901) A pair of Landscape views, deer in winter and summer Signed lower left Oil on panel 20 x 28cm (8 x 11in) (2) £200-£300 269 O.R.CARVIS (CONTINENTAL SCHOOL 19TH CENTURY) Moonlit Landscape Signed lower right Oil on canvas 83 x 33cm (323⁄4 x 13in) £300-£500 269 80

*See page 2 for information regarding fees

270

270 THORVOLD S NISS (DANISH 1842-1905) Olive Grove on Hymettus Hills Signed lower right Oil on canvas 56 x 95cm (22 x 371⁄2in) £2,000-£3,000

271 BERNARDUS JOHANNES BLOMMERS (DUTCH 1845-1914) Portrait of a boy with cattle Signed lower left Oil on panel 63 x 48cm (25 x 19in) £4,000-£6,000

271 81

272 JULIUS O MONTALANT (FRENCH ACTIVE 1851-1864) An Italian view Signed lower left Oil on canvas 25.5 x 39.5cm (10 x 151⁄2in) £500-£700

272

273 M.DONAT (FRENCH fl.1840-180) Harvest Scene Signed lower right Oil on panel 16 x 23cm (61⁄4 x 9in) £400-£600 274 FRANCISCO VILLAR (SPANISH 20TH CENTURY) Under the Bridge Signed twice lower left Oil on board 19 x 24cm (71⁄2 x 91⁄2in) Unframed £250-£450 275 ATTRIBUTED TO PHILIP WILSON STEER (BRITISH 18601942) Homeward Bound Oil on board Oval 21 x 25.5cm (81⁄2 x 10in) £400-£600

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274 82

275 *See page 2 for information regarding fees

276 GEORGE LANDSEER (BRITISH 1829 - 1878) Rewah Horsemen Signed and inscribed on verso Oil on canvas 57 x 45cm (221⁄2 x 173⁄4in) Provenance: With Richard L. Feigen and Co £4,000-£6,000

277 MARIO LENCI (ITALIAN 1874-1939) Animals in a grotto Signed lower right Oil on board 24 x 24cm (91⁄2 x 91⁄2in) £300-£500

278 GEORGE ARMFIELD (BRITISH 1810-1893) Portrait of a hound Signed bottom centre Oil on canvas 31 x 31cm (121⁄4 x 121⁄4in) £500-£700 276

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280

279 FRENCH SCHOOL (19TH CENTURY) Portrait of a lady, seated in an interior Oil on canvas Fine gilt frame, re-lined 42 x 52cm (161⁄2 x 201⁄2in) £750-£1,250 280 JOHN HANSON WALKER (BRITISH 1844 - 1933) Portrait of a girl Signed lower right Oil on canvas 30.5 x 25.5cm (12 x 10in) £400-£600

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282

281 HENRI PIERRE HIPPOLYTE DUBOIS (FRENCH 1837-1909) Portrait of a lady Signed lower right Oil on canvas 35 x 35cm (14 x 14in) Unframed £500-£700 282 CESAR PATTEIN (FRENCH 1850 - 1931) Portrait of Arthur Fauqueux Signed upper right Oil on canvas 27 x 24.5cm (103⁄4 x 93⁄4in) £300-£500

*See page 2 for information regarding fees

283 CAMILLE-CARLIER VIGNAL (FRENCH LATE 19TH-EARLY 20TH CENTURY) Portrait de Madame de Rothschild Signed top right Oil on canvas 105 x 72cm (411⁄2 x 281⁄2in) £2,500-£3,500

284 ARR GEORGES VAN ZEVENBERGHEN (BELGIAN 1877-1968) Nudes in the studio Signed lower right Oil on panel 17 x 13cm (63⁄4 x 51⁄4in) £800-£1,200

285 HENRY KOKKEN (BELGIAN 1860 - 1941) Self portrait Signed and dated 1910 lower right Oil on Panel 29.4 x 45.4cm (113⁄4 x 18in) £500-£700

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284

285 85

286 VAN HIEM (DUTCH 19TH EARLY 20TH CENTURY) The carriage trip Signed lower left Oil on canvas 26.5 x 37cm (101⁄2 x 141⁄2in) £300-£400

286

287 JEAN DAVID (FRENCH 19TH CENTURY) A man reading in his garden Signed and dated 1877 lower right Oil on panel 15 x 21cm (6 x 81⁄4in) £600-£800

287

288 ANTON MANGOLD (GERMAN, 1863-1907) Mother and baby in an interior by lamplight Signed and dated 1890, lower left Oil on panel 34 x 47cm (131⁄2 x 181⁄2in) £600-£800

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*See page 2 for information regarding fees

289 EDWARD CHARLES BARNES (BRITISH 1830 - 1882) Thoughts of Home Oil on canvas 63 x 80cm (25 x 311⁄2in) £400-£600

290 ALEXANDER JOHNSON (BRITISH 1815 1891) Portrait of a country gentleman Oil on canvas laid to board 52 x 41.5cm (201⁄2 x 16in)) £800-£1,200 289

291 SPANISH SCHOOL (LATE 18TH - EARLY 19TH CENTURY) Portrait of a girl Oil on canvas 52 x 43cm (201⁄2 x 17in) £600-£800

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290

292 VINCENZO MIGLIARO (ITALIAN 18581938) A sketch of a peasant girl Signed lower right Oil on panel 21.5 x 12cm (81⁄4 x 43⁄4in) £600-£800

292

293 GIUSEPPE DE SANCTIS (ITALIAN 18581924) Portrait of a young woman Signed top left Oil on canvas 44 x 28cm (171⁄2 x 11in) Unframed £700-£1,000

293 87

294 294 THOMAS BUTTERSWORTH (BRITISH 1768 - 1842) Ships off the coast at Dover Oil on canvas 49.5 x 60cm (191⁄2 x 233⁄4in) Provenance: Purchased by the present owner in the late 1940s. £4,000-£6,000

295 295 ENGLISH SCHOOL (19TH CENTURY) Ship in stormy sea Oil on canvas Gilt frame 22 x 32cm (81⁄2 x 121⁄2in) £300-£500

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296 296 T HINKS (BRITISH 19TH CENTURY) Dutch boats off the coast Signed lower left Oil on panel 13 x 18cm (51⁄4 x 71⁄4in) Provenance: The Michael Ellison Sale, Ellison was the Duke of Norfolk’s agent according to label on verso £400-£600 *See page 2 for information regarding fees

297 FRENCH SCHOOL (19TH CENTURY) View of Bilbao Oil on canvas laid to board 17 x 23.5cm (63⁄4 x 91⁄4in) £500-£700

298 ENGLISH SCHOOL (19TH CENTURY) A coastal landscape Oil on canvas 29 x 39cm (111⁄2 x 151⁄2in) £300-£500 297

299 H MAGERER (AUSTRIAN 19TH - 20TH CENTURY) Dutch flower sellers at the harbour Signed lower left Oil on canvas 63 x 91cm (25 x 36in) £700-£1,000

300 VALERI CHUIKOV (UKRANIAN 1949-) Bay in Gursuph Signed lower right Oil on card 20 x 26cm (8 x 10in) Provenence: With Roy Miles Gallery Artists studio, Kiev £300-£400

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298

300 89

301 301 EUGENE GALIEN LALOUE (FRENCH 1845-1941) A pair of coastal views of ships on the beach Both signed lower right and left L DUPUY Oil on board 21 x 15cm (81⁄4 x 6in) (2) £2,000-£3,000

302 E RESUT (FRENCH 19TH EARLY 20TH CENTURY) The Coal ship Jean and cutter in a harbour Signed lower right Oil on canvas 58 x 98cm (23 x 381⁄2in) £600-£800

302 90

*See page 2 for information regarding fees

303 EUGENE GALIEN LALOUE (FRENCH 1845-1941) Village by the river Signed lower left L Dupuy Oil on canvas 36.5 x 54cm (141⁄2 x 211⁄4in) £1,000-£1,500 304 BRITISH IMPRESSIONIST SCHOOL (CIRCA 1920) Landscape with gorse Oil on board 38 x 46cm (15 x 18in) £300-£500 305 THOMAS EDWIN MOSTYN (BRITISH 1864–1930) Landscape Oil on canvas-board 32 x 46cm (121⁄2 x 18in) £300-£500

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306 FEDOR PAVLOVICH ZVONAREV (RUSSIAN 1929-) Lake Bailkel Signed lower right Oil on board 24.5 x 38.5cm (10 x 15in) £400-£600

307 ARR MONTAGUE LEDER (BRITISH C.1900 - 1972) A Pastoral Landscape with mountains beyond Signed lower right Oil on canvas 44 x 59cm (171⁄2 x 231⁄2in) £300-£500

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308 OTTO VON RUPPERT (GERMAN 1841 - 1923) Fair at Munich Signed lower right Oil on board 45 x 62cm (173⁄4 x 241⁄2in) Provenance: With M Newman Ltd, Duke Street, London £1,500-£2,000

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309 GERMAN SCHOOL (CIRCA 1930) Open air market scene in the rain Indistinctly signed and dated, ‘Jagst ‘27’ Oil on canvas 58 x 79cm (223⁄4 x 31in) £800-£1,200

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310 FRENCH SCHOOL (20TH CENTURY) Street scene Oil on board 38 x 51cm (15 x 20in) £400-£600

310 92

*See page 2 for information regarding fees

311 311 WALTER LANGLEY (BRITISH 1852-1922) Flemish Kitchen Signed lower left Oil on canvas 52 x 67cm (201⁄2 x 261⁄2in) £4,000-£6,000

312 FRIEDRICH AUGUST HERKENDELL (GERMAN 1876-1940) Apachenhall Dance Signed lower left and indistinctly inscribed (possibly Paris 1928) Oil on canvas 76 x 95cm (30 x 371⁄2in) Various labels verso including Wilhelm Suhr & Son £1,500-£2,000

312 93

313 ANTONIETTA BRANDEIS (CZECH/ITALIAN 1848 - 1926) Italian coastal view Signed lower right Oil on board 23 x 14cm (9 x 51⁄2in) £3,000-£5,000

314 LUIGI CRISCONIO (ITALIAN 1893-1946) Street scenes, a pair Both signed Oil on board 15 x 20cm (6 x 8in) (2) £500-£700

313

314 94

*See page 2 for information regarding fees

315 ARNOLD LAKHOVSKY (UKRAINIAN 1880-1937) Cottages in the Snow Signed lower left Oil on board 181⁄4 x24cm (7 x 91⁄2in) £1,000-£2,000

315

316 STANLEY PENN (BRITISH 20TH CENTURY) December sunset at Chamonix-L’Arve and Mont Blanc Signed lower left Oil on canvas 51 x 76cm (20 x 30in) £400-£600

316

317 WERNER GEEL (SWISS 1889-1937) Vantage Point Across Lake Biel, Switzerland Dated 1920; bears inscription, verso: Mont Racine.

Aussichtpunst uber dem Bicler See/ Schweiz Oil on canvas 77 x 98cm (301⁄4 x 381⁄2in) £400-£600

317 95

318 ARR JACQUES MAES (BELGIAN 1905-1968) Recolte d’Automne oil on canvas 81.5 x 66cm (32 x 26in) Maes studied at the Royal Academy of Fine Arts in Brussels under Delville, Richir, Montald and Combaz first in the early 1920s then again a decade later. He came second in the Prix de Rome in 1930 and in 1935 he was commissioned to produce decorative panels for the Universal Exhibition in Brussels. He taught at the Academy of the fine arts of Saint-Josse-ten-Noode of which he was director, at the Royal Academy of fine arts of Brussels and the School of Fine Arts of Lima. £700-£900

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319

319 BRITISH SCHOOL (19TH CENTURY) Rabbits in a glade amongst silver birch Oil on canvas 51 x 38cm (20 x 15in) £300-£500

321 GUSTAV KAMPMAN (GERMAN 1859 - 1917) Himmelreich bei Freiburg Signed lower left, Germany, 1902 Oil on canvas 30 x 54cm (12 x 211⁄4in) £500-£700

320 MARIO LENCI (ITALIAN 18741939) A study of a woodland glade Oil on board 19.5 x 20cm (73⁄4 x 8in) £300-£500

322 PERCY C BOVILL (BRITISH fl.

1883 - 1907) Pleasant Pastures Signed lower right Oil on canvas 64 x 90cm (251⁄4 x 351⁄2in) Exhibited: Royal Academy 1896 £400-£600

320

321 96

322 *See page 2 for information regarding fees

323

324

323 ITALIAN SCHOOL (20TH CENTURY) View of the church of Maria Del Salute from the Cloisters Oil on board 52 x 66cm (201⁄2 x 26in) £400-£600

325 ARR LUCIEN ADRION (FRENCH 1889-1953) Paris view of the Seine Signed lower right Oil on canvas 92 x 73cm (36 x 29in) Unframed £2,000-£3,000

325

324 T FERJAS (SPANISH 20TH CENTURY) View of Barcelona Signed and dated lower right 1942 Oil on canvas 31.5 x 48cm (121⁄4 x 19in) £400-£600

326 JULIEN BROSIUS (FRENCH 20TH CENTURY) The Bouquinistes, Paris Signed lower right Oil on canvas 33 x 24cm (13 x 91⁄2in) Unframed £300-£500

326

327 ONDINE MAGNARD-VLACH (FRENCH, 1904) Notre Dame Signed ‘Ondine Magnard-Vlach’ (lower left) Oil on canvas 81.5 x 60cm (32 x 231⁄2in) £500-£700

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328

329 328 BRITISH SCHOOL (CIRCA 1930s) The Regatta Oil on canvas laid to board 38.5 x 59cm (151⁄4 x 191⁄2in) £400-£600 329 MARTEN VAN DER LOO (BELGIAN, 1880–1920) Richmond Bridge, Surrey Signed, inscribed and dated ‘Marten van der Loo/ .. Richmond 1917’ (lower left) Oil on canvas 60 x 68cm (231⁄2 x 27in) £600-£800

330

331 331 FRENCH SCHOOL (EARLY 20TH CENTURY) On the terrace Indistinctly signed lower left Oil on canvas board 39 x 55cm (151⁄2 x 213⁄4in) £300-£500 98

330 BRITISH IMPRESSIONIST SCHOOL (19TH - EARLY 20th CENTURY) Children in a bluebell wood Oil on board 24.5 x 30.5cm (93⁄4 x 12in) £400-£600

332 332 VINCENZO CAMERLINEO (ITALIAN 20TH CENTURY) A street scene Signed lower left Oil on board 17 x 23cm (63⁄4 x 9in) £300-£500 *See page 2 for information regarding fees

333 ARR ALPHONSE LEON QUIZET (FRENCH 1885-1955) Impressionist street view circa 1939 Signed lower right Oil on board 45.5 x 54cm (18 x 211⁄4in) Footnote: Quizet was an important member of the Monmartre School and trained under Maurice Utrillo £2,000-£3,000

333

334 LUIGI CRISCONIO (ITALIAN 1893-1946) A courtyard Signed lower right Oil on board 34 x 39.5cm (131⁄2 x 151⁄2in) £300-£500

334

335 EUROPEAN SCHOOL (19TH CENTURY) The Royal Cathusian Monastery, Valdemossa, Majorca Signed lower left Oil on canvas, laid to board 32 x 40cm (121⁄2 x 153⁄4in) Footnote: The Monastery was originally a Royal residence but fell into disrepair.

Chopin and George Sands spent the winter of 1838/9 there. £700-£1,000

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339

336 FRENCH IMPRESSIONIST SCHOOL (19TH CENTURY) Studies of a baby Oil on canvas 43 x 35.5cm (17 x 14in) Footnote: Before relining a stamp for DEFORGE CARPENTIER, 6 RUE HALEVY, PARIS was visible on verso.

The present painting is reminiscent of Mary Cassatt, Renoir and Cezanne’s child studies. £500-£700 337 ARR VINCENTE PUIG (SPANISH-URUGUAYAN 1882 - 1965) Making music Signed and dated lower left 31 Oil on canvas laid to board 38 x 44cm (15 x 171⁄2in) £500-£700

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338 VASILIOS GOUTAS (GREEK BORN 1920-) Coastal Landscape with church Signed lower right Oil on board 19.5 x 28cm (73⁄4 x 11in) £600-£800 339 SIR JAMES JEBUSA SHANNON RA (BRITISH 1862-1923) Study of a Cherub Monogram upper right Oil on canvas laid to panel 39 x 26cm (151⁄2 x 101⁄2in) £800-£1,200

*See page 2 for information regarding fees

340

341

342

343

340 ARR ANDRÉ CIVET (FRENCH 1911 - 1984) French townhouse Signed lower right Oil on canvas 70 x 91cm (271⁄2 x 36in) Provenance: With Leicester Galleries 1950 where purchased by the present owners father £400-£600 341 ARR ELISEE MACLET (FRENCH 1881-1962) The roofs Signed lower left Oil on canvas 55.5 x 46cm (22 x 18in) Unframed £600-£800

342 HUGH B BROWN (BRITISH 20TH CENTURY) Mykonos Monogramed lower left Oil on board 40 x 31cm (153⁄4 x 121⁄4in) £300-£500 343 ARR BUENAVENTURA PUIG Y PERUCHO (SPANISH 1884-1977) Spanish landscape Signed lower right Oil on canvas 50 x 61cm (193⁄4 x 24in) £300-£500

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344 ARR ENDRE KOMÁROMI-KACZ (HUNGARIAN 1880-1969) The Cellist Oil on canvas 80 x 60cm (311⁄2 x 231⁄2in) £600-£800

344

346 D K SHAW (BRITISH 20TH CENTURY) Portrait of a Lady in Furs Signed and dated lower left 1918 Oil on canvas 55 x 44cm (213⁄4 x 171⁄2in) Footnote: Exhibited at The New English Art Club. £700-£1,000

346 102

345

347 ARR HUGO VILFRED PEDERSEN (DANISH 1870-1959) Portrait of an Indian man Signed and dated Delhi 07 upper left Oil on board 52.5 x 37cm (203⁄4 x 141⁄2in) £800-£1,200

347

345 WILLIAM WOOD (BRITISH 19TH/20TH CENTURY) Portrait of a Lady Signed and dated lower left W WOOD 1886 Oil on canvas 45 x 35cm (173⁄4 x 133⁄4in) £600-£800

348 EDUARDO SORIA (SPANISH 1890-1945) Portrait of a lady Signed lower right Oil on canvas 44 x 34cm (171⁄4 x 131⁄2in) £300-£500

348 *See page 2 for information regarding fees

349 ARR FEDERICO BELTRAN MASSES (SPANISH 1885 - 1949) Portrait of Elvira Quer Signed and dated lower right 1916 Oil on canvas 99 x 80cm (39 x 311⁄2in) Footnote: Elvira Quer was a good friend of the Masses family and she kept in touch with Federico her whole life.

Exhibited in the Prado, original frame.

Literature: Jose Frances, ‘Federico Beltrán Massés’, Madrid, Tipografía Artística, 1923, p. 20 £800-£1,200 350 CYPRIEN-EUGENE BOULET (FRENCH 1877-1927) Girl in a straw hat Oil on canvas 72.4 x 53.3cm (281⁄2 x 21in) £800-£1,200

349

350

351

352

353

354

351 ARR ATTRIBUTED TO GEORGE HERBERT BUCKINGHAM HOLLAND (BRITISH 1901 - 1987) Portrait of the Artist’s Wife Oil on canvas 80x 60cm (11⁄2 x 231⁄2in) Footnote: with nude study verso £800-£1,200 352 BRITISH SCHOOL (20TH CENTURY) Portrait of a lady Oil on board 40.5 x 30.5cm (16 x 12in) £300-£400 353 AMERICAN SCHOOL (CIRCA 1920 - 25) Portrait of a lady in a renaissance setting Monogramed lower right MP Oil on board 45 x 35cm (173⁄4 x 14in) £500-£700 354 ARR JOHN BRACKENREG (AUSTRALIAN 1905 - 1986) Portrait of Mick Blundell Oil on canvas laid to board 50 x 40cm (193⁄4 x 153⁄4in) Footnote: Brackenreg trained at the Julian Ashton School, Sydney. His friendships with older artists led him to being the conduit directing major Australian works into public collections. Brackenreg acquired Albert Namatjira’s copyright. He was an art dealer from 1955 to circa 1986 at Artarmon Galleries in New South Wales. £400-£600

103

355 ARR FELICJAN SZCZESNY KOWARSKI (POLISH 1890-1948) Portrait of Deborah Kerr CBE, in the dress from The King and I Signed lower right Oil on canvas 142 x 112cm (56 x 44in) Footnote: Deborah Kerr, born Deborah Jane Kerr-Trimmer was a hugely successful theatre, film and television actress. Nominated for six Oscars between 1949 and 1960 she eventually received an Academy Honorary Award for her career in 1994. Kerr is depicted here as the character of Anna Leonowens from musical film ‘The King and I’, a role she won a Golden Globe Award for in 1956. £4,000-£6,000 356 ARR ALFRED KINGSLEY LAWRENCE (BRITISH 1893 - 1975) Family portrait study of Jane, Jennifer and Susan Clarke, Wife and daughters of Sir Andrew Clarke Bt Oil on paper laid to board 55.5 x 65cm (22 x 251⁄2in) Footnote: The finished portrait which this is a study for was exhibited at the RA in 1951. £500-£700 357 GILLERY (BRITISH 20TH CENTURY) Portrait of society beauty Vera Jackson Signed and dated lower right 1957 Oil on canvas 80 x 65cm (311⁄2 x 251⁄2in) £400-£600 355

356

104

357

*See page 2 for information regarding fees

358 358 PIERRE LAPRADE (FRENCH 1875 - 1931) Interior Study of Father and Daughter Signed lower right Oil on panel 58 x 68cm (23 x 27in) £1,000-£1,500

359 359 JEAN ALEXANDER (BRITISH 20TH CENTURY) The Student, Slade School of Art Oil on board 34.5 x 26cm (131⁄2 x 101⁄2in) Footnote: Label verso dated the work to 1932 £250-£350

360 360 GEORGES KOSMADOPOLOUS (GREEK 20TH CENTURY) Standing Female Signed and dated lower right 1958 Oil on board 25.5 x 20.5cm (10 x 8in) £1,200-£1,800

361 361 ARR CHARLES GARRY (FRENCH 1891-1973) Portrait of a lady Signed and dated 1925 lower left Oil on canvas 32 x 23cm (121⁄2 x 9in) £400-£600

105

362 362 CIRCLE OF HENRI FANTIN LATOUR (FRENCH 1836 - 1904) Symbolist oil of Daphne and Apollo Oil on canvas Early relining, possibly the original frame 63 x 76cm (25 x 30in) £2,000-£4,000

363 363 CONTINENTAL SCHOOL (19TH CENTURY) Bathing Nudes Oil on board 22.5 x 27cm (83⁄4 x 101⁄2in) £400-£600

106

364 364 GERMAIN THEODULE CLEMENT RIBOT (FRENCH 1845-1893) Still life of flowers Signed lower right Oil on canvas 52 x 61cm (201⁄2 x 24in) £800-£1,200 *See page 2 for information regarding fees

365

366

368

367 365 ARR ROBERT CHAILLOUX (FRENCH 1913-2006) Still life with cherries Signed lower left Oil on board 26 x 33.5cm (101⁄4 x 131⁄4in) £600-£800

366 JOHN LA FARGE (AMERICAN 1835-1910) Roses in a blue vase Monogrammed lower left Oil on canvas 21.5 x 14.5cm (81⁄2 x 53⁄4in) £3,000-£5,000

367 FRANS DEUTMAN (DUTCH 1867 - 1915) Still Life of Nasturtium Flowers Signed lower right Oil on panel Unframed 19.9cm x 27.7cm £300-£500

368 JARDAS (ITALIAN 20TH CENTURY) Still life Signed lower left Oil on board 12 x 17cm (63⁄4 x 43⁄4in) £200-£300

107

369 EDWARD GOERITZ (GERMAN 20TH CENTURY) Still life on a table Signed and dated upper left 1945 Oil on canvas 55 x 65cm (211⁄2 x 251⁄2in) £600-£800 370 JACQUES DRESA (FRENCH 1869-1929) Pois de Senteur Signed lower left, inscribed and titled verso Oil on board 33 x 42cm (13 x 161⁄2in) Unframed £250-£450

369

371 EUROPEAN SCHOOL (LATE 19TH CENTURY) Impressionist still life Possibly signed lower left Oil on canvas 43 x 32cm (17 x 121⁄2in) £300-£500 372 ARR BERNARD LORJOU (FRENCH 1908 - 1986) Still life with apples in a jug Signed lower right Oil on canvas 80 x 64cm (311⁄2 x 251⁄4in) £800-£1,200 373 ARR MARGERY NOEL SLANEY RSW (SCOTTISH 1915-2000) Still life Oil on board 53.3cm x 28cm (21 x 11in)

370

371 108

Margery Noel Slaney was born in Glasgow. Studied at the Glasgow School of Art under Hugh Adam Crawford, gaining her diploma in 1937 and post diploma in 1939, both with distinction. Was at various times a member of RSW, Royal Glasgow Institute of the Fine Arts, SSA and SSWA, also showed at the Royal Academy. Lillie Art Gallery in Milngavie and galleries in Glasgow, Aberdeen and Dundee hold her work. £300-£500

372

373 *See page 2 for information regarding fees

374 ARR OTAKAR KUBIN - (OTHON COUBINE) (CZECH 1883 - 1969) Flowerpiece Signed lower right Oil on canvas 81 x 65cm (32 x 251⁄2in) Provenance: With Crane Kalman Gallery sold to Mrs Piskov July 1972 £2,000-£4,000

374

375 375 ARR HANS FRIEDRICH WACHA (GERMAN 1885-1964) Pastorale Signed lower left Oil on canvas 81.5 x 109cm (32 x 43in) Footnote: Wacha received the Order by the Austrian Government to work for them as war correspondent between 1914-18. A number of paintings of the “isonzo front” (Italy) are registered at the Heeresmuseum Wien. This painting bears the inscription WIEN XIX on the stretcher. Wacha fled the Russian military at the end of the 2nd World War and left many of his paintings behind. £1,000-£2,000

376 376 ARR ANSELMO MIGUEL NIETO (SPANISH 1881-1964) On the Terrace Signed and dated A Miguel Nieto,1914 Oil on canvas 73 x 88cm (283⁄4 x 341⁄2in) £600-£800

109

377 ARR OTAKAR KUBIN - (OTHON COUBINE) (CZECH 1883 - 1969) Nu couche, 1925 Signed lower right Oil on canvas 59 x 72cm (231⁄4 x 281⁄4in) Provenance: Collection of Adolphe Baslar, With Crane Kalman Gallery sold to Mrs J Piskov April 1974 £800-£1,200

377

378 378 ARR OTAKAR KUBIN - (OTHON COUBINE) (CZECH 1883 - 1969) Astres à l’Automne, 1921 Signed lower right Oil on canvas 50 x 61cm (191⁄4 x 24in) Provenance: With Crane Kalman Gallery sold to Mrs Piskov December 1974 £4,000-£6,000 110

*See page 2 for information regarding fees

379 ARR OTAKAR KUBIN - (OTHON COUBINE) (CZECH 1883 - 1969) Paysage La Haute Loire Signed lower right Oil on canvas 60 x 83cm (231⁄2 x 321⁄2in) Provenance: With Crane Kalman Gallery sold to Mrs J Piskov May 1974 £4,000-£6,000

379

380 ARR OTAKAR KUBIN - (OTHON COUBINE) (CZECH 1883 - 1969) Paysage Printemps Signed lower right Oil on canvas 54.5 x 65cm (211⁄2 x 251⁄2in) Provenance: With Crane Kalman Gallery sold to Mrs J Piskov April 1974 £4,000-£6,000

380

111

381 381 ARR ROGER PARENT (FRENCH 1881-1963) A pair of Fauvist landscapes with figures Signed and dated lower left 1923 and on verso Brush and black ink on board Each 69.5 x 89.5cm (272⁄5 x 371⁄5in) (2) Provenance: Collection de Feu M P C Vente No 237 Galerie Georges Groux 43 Boulevard de Regent Bruxelles. The gallery was founded in 1912 and continued to trade until 1960. Many important artists were shown such as the Italian Futurists and the Fauvistes Brabancons. Other artists shown at the gallery included Kees van Dongen, Kandinsky, Ensor, Matisse, Redon, Signac and Vlaminck. £2,000-£3,000 112

*See page 2 for information regarding fees

382 IMPRESSIONIST SCHOOL (FRENCH EARLY 20TH CENTURY) The Judgement of Paris Oil on canvas laid to board Unframed 34 x 48cm (131⁄2 x 19in) Provenance: With E E Leggatt according to label on verso £600-£800 383 ARR PAOLO RICCI (ITALIAN 1908-1986) A view of Nerano Signed and dated 1946 upper left Oil on board 10 x 14cm (4 x 51⁄2in) £300-£500 384 SCOTTISH COLOURIST SCHOOL (EARLY 20TH CENTURY) Possibly a village near Kirkcudbright, Dumfries and Galloway Oil on board 42 x 49cm (161⁄2 x 191⁄2in) £400-£600

382

385 STANISLAS VICTOR EDWARD LEPINE (1835-1892) River Scene. signed lower right, c.1880 oil on linen laid to panel 14cm x 21.5cm Framed, mounted with linen slip Provenance: Collection of Sir John and Lady Marriott.

Footnote: The present work is possibly a preparatory study for a larger work. See also ‘Bords de la Marne a Preteil’ [1878-82] £800-£1.200 383

384

385 113

386

387 386 ALBERT HUIE (JAMAICAN 1920-2010) St Elizabeth Lover’s Leap Signed lower right Oil on board 44 x 55cm (171⁄2 x 211⁄2in) £1,500-£2,000

114

387 ALBERT HUIE (JAMAICAN 1920-2010) View of the Royal Jamaica Yacht Club Signed lower right Oil on board 39 x 51cm (151⁄2 x 20in) £1,500-£2,000

*See page 2 for information regarding fees

388

389

388 ARR ADAM STYKA (POLISH 1890-1959) North African scene with man and donkey Signed lower right Oil on board 17 x 27cm (63⁄4 x 101⁄2in) Unframed £2,500-£4,500

389 ALEXIEI KOROVINE (RUSSIAN 1897-1950) La Café la Nuit Signed and dated lower left 1935 Oil on board 16 x 21cm (61⁄4 x 8in) £2,000-£3,000

115

390

391

390 FRENCH SCHOOL (19TH CENTURY) A still life of a terracotta head Oil on canvas laid to board 15 x 20.5cm (6 x 8in) £300-£500

391 ALVIN CARL HOLLINGSWORTH (AMERICAN 1928 - 2000) Landscape Signed and dated Tempera on board 76 x 63cm (30 x 25in) £600-£800

392 ARR KRISTYNA BZECHWA (POLISH B 1928) The trumpet player Signed lower right Oil on canvas 130 x 89cm (511⁄4 x 35in) £300-£500

392 116

*See page 2 for information regarding fees

393

394

393 ARR ALDO PAELIACCI (ITALIAN 1913-1991) Harlequin Signed and dated 1963 lower right Oil on canvas 29 x 23cm (111⁄2 x 9in) £600-£800

394 ARR PAGLIACCI (ITALIAN 1913-1991) The bird seller Signed and dated 1963 lower left Oil on canvas 29 x 23cm (111⁄2 x 9in) £600-£800

395 ARR PAGLIACCI (ITALIAN 1913-1991) Two nudes observed Signed and dated lower right Oil on canvas 77 x 40cm (303⁄4 x 153⁄4in) £600-£800

395 117

396

397

398 396 FRENCH SCHOOL (EARLY 20TH CENTURY) Newspaper seller Oil on board 91.5 x 46cm (36 x 18in) in a Watts frame £700-£900

118

397 ARR COUNT REGIS DE BOUVIER DE CACHARD (FRENCH b.1929) VenVenice Signed upper left Oil on paper laid to board 31 x 46cm (121⁄4 x 18in) £400-£600

399 398 AILEEN LIPKIN (SOUTH AFRICAN 1933 - 1994) On the building site Signed and dated lower right 1962 Oil on board 79 x 81cm (31 x 32in) £400-£600

399 AILEEN LIPKIN (SOUTH AFRICAN 1933 - 1994) Two figures Signed and dated lower right 1962 Oil on board 91 x 65cm (35 x 24in) £400-£600

*See page 2 for information regarding fees

400 ARR PANOS G GHIKAS (GREEK 1917-2012) Abstract Signed lower right and dated 1965 Oil on canvas 36 x 66.5cm (141⁄4 x 261⁄4in) £400-£600

400

401 MATTHEW WHIPPMAN (SOUTH AFRICAN 1901 - 1973) Coastal landscape Signed and dated lower right 64 Oil on canvas 60 x 75cm (231⁄2 x 291⁄2in) £300-£500

401

402 WILLIAM JOHN BERTRAM NEWCOMBE (CANADIAN 1907 - 1969) Double Cresent Signed Newcomber lower right Acrylic on canvas 66 x 81cm (26 x 32in) £300-£500

402 119

403 ARR RUNE ANMAN (SWEDISH 1924 - ) Abstract in red signed and dated lower right 1968 Oil on canvas 45 x 54cm (173⁄4 x 211⁄4in) £250-£350

403

404 ARR RUNE ANMAN (SWEDISH 1924 - ) Abstract in grey Signed and dated lower right 1968 Mixed media on canvas 83 x 54cm (323⁄4 x 211⁄4in) £300-£500

404

405 ARR RUNE ANMAN (SWEDISH 1924 - ) Abstract in green Signed and dated lower right 1968 Oil on canvas 90 x 72cm (351⁄2 x 281⁄2in) £300-£500

405 120

*See page 2 for information regarding fees

406 ARR RUNE ANMAN (SWEDISH 1924 - ) Abstract in black with shirt sleeve Signed and dated lower right 1968 Oil on canvas 60 x 47cm (231⁄2 x 181⁄2in) £250-£350

407 ARR RUNE ANMAN (SWEDISH 1924 - ) Abstract in blue Signed and dated lower right 1966 Oil on canvas 44 x 59cm (171⁄2 x 231⁄4in) £250-£350

408 ARR RUNE ANMAN (SWEDISH 1924 - ) Abstract Signed and dated lower right 1971 Oil on canvas 57 x 66cm (221⁄2 x 26in) £300-£500

406

407

408

121

409 ARR ANDRE LANSKOY (FRENCH/ RUSSIAN 1902 - 1976) Abstract Composition Oil on canvas 31 x 78cm (303⁄4 x 151⁄2in) £3,000-£5,000 410 ARR OSKAR DALVIT (SWISS 1911-1975) Head in Winter Signed and dated 47 lower right Tempera on paper 34 x 26cm (131⁄2 x 101⁄4in) Provenance: Miss Barley Allison The London Gallery, Brook Street John Bonham, Murray Feely Fine Art £700-£1,000 411 CYRIL FRADAN (SOUTH AFRICAN 1928 - 1997) Abstract Oil on canvas 76 x 61cm (30 x 24in) Exhibited: Cyril Fradan Exhibition July/August 1964. The Mercury Gallery Cork Street £300-£500

409

410 122

411 *See page 2 for information regarding fees

412 CUI QIANG (CHINESE b.1962) Children of the river Signed, inscribed and dated 1986 verso Oil on board 70 x 102cm (271⁄2 x 401⁄2in) £800-£1,200

412

413 ARR RUDOLF VALENTA (CZECH 1929 - 2015) Zykhus Signed and dated lower right Mixed media collage 70 x 100cm (271⁄2 x 391⁄2in) Provenance: With Zellermayer Galerie £300-£500

413

414 TEKTAŞ AĞAOĞLU (TURKISH 1934 - 2018) Abstract Composition in Red Signed and inscribed verso Oil on board 26.5 x 32cm (101⁄2 x 121⁄2in) Provenance: Drian Galleries, London; Julian Hartnoll collection.

Footnote: Tektaş Ağaoğlu, born in Istanbul and the son of politician and writer Samet Ağaoğlu, was a Turkish Socialist Politician, writer, sculptor, and painter but also renowned for his translations of Dickens and Dostoevsky into Turkish. £300-£400

414 123

Index To Artists Numbers 19th Century

180

A Absolon, John 133 Adrion, Lucien 325 Adye, John Miller 169 A ao lu, Tekta 414 Alexander, Jean 359 Alma-Tadema, Sir Lawrence 146 American School 353 Andrews, Samuel 12, 14 Anman, Rune 403, 404, 405, 406, 407, 408 Appel, Karel 221 Arcana Cabinet Makers 76 Armfield, George 278 Arno, Peter 184 B Ball, Wilfrid Williams 177 Barnes, Edward Charles 289 Barrett, George, Junior 102 Bauer, Rudolf 227 Bellis, Alan Waddington 190 Bennett, Frank Moss 230, 248 Betham, Mary Matilda, Attributed to 31 Beverley, William Roxby 126 Blommers, Bernardus Johannes 271 Blondel, Georges Francois 214 Boddington, Henry John 237 Bone, Henry 19 Bonny, J 267 Boulet, Cyprien-Eugene 350 Bovill, Percy C 322 Brackenreg, John 354 Brandeis, Antonietta 313 Brandenburg, Wilhelm 268 Brangwyn, Sir Frank 217 Brangwyn, Sir Frank William 204 Branwhite, Charles 175 British Impressionist School 304, 330 British School183, 231, 239, 264, 319, 328, 352 Brosius, Julien 326 Brown, Hugh B 342 Buck, Frederick 24 Burleigh, Averil Mary 198 Burnett 257 Buttersworth, Thomas 294 Byrne, Mary 4 Bzechwa, Kristyna 392 C Caffieri, Hector Camerlineo, Vincenzo Carrick, Thomas Heathfield, Attributed to Carvis, O.R. Castellanos, E Sanchez Chailloux, Robert Chalon, Alfred Edward, Attributed to Charlier, Jacques Chuikov, Valeri Civet, André Clark, H 124

176 332 73 269 207 365 55, 56, 57 60, 61 300 340 154

Clark, Thomas 125 Claxton, Florence 155 Cleveley, John, Junior 103 Cocteau, Jean 225 Collins, William 108, 238 Coney, John 93 Constable, John, Circle of 241 Continental School 49, 50, 70, 363, 246 Contini, Joseph 153 Cooke, Edward William 107 Cosway, Richard 36 Cox, David 106 Cox, David Jnr. Attributed to 116 Crisconio, Luigi 314, 334 Cristall, Joshua 92

Fulleylove, John

131

G Gallaway, Alexander Garneray, Hippolyte Jean Baptiste Garry, Charles Geel, Werner Gericault, Theodore German School Ghikas, Panos G Giallinas, Angelos Gillery Goeritz, Edward Goutas, Vasilios Green, Charles

28 115 361 317 211 309 400 168 357 369 338 142

D D’Egville, James Herve 171 D’Ouville, Charles Antoine Berny, Attributed to 53 Dalvit, Oskar 410 Damas, Eugene 250 Dance, George The Younger 94 David, Jean 287 De Cachard, Count Regis De Bouvier 397 De La Fresnaye, Roger, Attributed to 202 De Saint-Mémin, Charles Balthazar Julien Févret 52 de Sanctis, Giuseppe 293 De Wint, Peter, Attributed to 110 De Wint, Peter, Attributed to 114 Del Campo, Federico 160 Delacour, B. 68 Derby, William 43 Deshayes, Célestin 156 Deutman, Frans 367 Donat, M. 273 Draper, Herbert James 148, 149 Dresa, Jacques 370 Dubois, Henri Pierre Hippolyte 281 Duppa, Bryan Edward 140 Dutch School 245, 258

H Hayter, Charles 27 Heriot, George 124 Herkendell, Friedrich August 312 Herring, George Edward 243 Herring, John Frederick, Circle of 262 Herring, John Frederick, Snr, Circle of 263 Hewlett, James 178 Higgins, Reginald Edward 186 Hills, Robert 101 Hinks, T 296 Hoare of Bath, William 95 Holland, George Herbert Buckingham, Attributed to 351 Holland, James 117, 118 Hollingsworth, Alvin Carl 391 Huber, Wilhelm 242 Huie, Albert 386, 387 Hunt, Cecil Arthur 191 Hunt, William Henry 113, 147 Hurst, Richard 181

E Easton, Reginald 47 Edridge, Henry 82 Edridge, Henry, Attributed to 16, 25 Egley, William, Attributed to 22, 45 Engleheart, George 30, 33, 34, 35 English School 2, 62, 63, 65, 81, 125, 157, 255, 295, 298 English School, After Johan Zoffany 59 European School 335, 371

J Jardas Jean, Philip Jekyll, Gertrude Jenour, Charles Johnson, Alexander Jones, George Jutsum, Henry

F Felkel, Karl 206 Ferjas, T 324 Ferrière, François 6 Ferrière, François 7 Finch, Francis Oliver 119 Fradan, Cyril 411 Freedman, Barnett 205 French Impressionist School 336 French School 51, 247, 279, 297, 310, 331, 390, 396 Frith, William Powell 145

I Impressionist School Indoni, Filippo Italian School

382 172 88, 162, 252, 323

368 39 158 67 290 112, 234 120

K Kampman, Gustav 321 Kanz, Carl-Christian 48 Knight, Charles, 193 Kokken, Henry 285 Komáromi-Kacz, Endre 344 Korovine, Alexiei 389 Kosmadopolous, Georges 360 Kowarski, Felicjan Szczesny 355 Kubin, Otakar - Othon Coubine 374, 377, 378, 379, 380 L La Farge, John

366

*See page 2 for information regarding fees

Index To Artists Ladbrooke, Robert Lakhovsky, Arnold Laloue, Eugene Galien Lamo, F Landseer, Charles Landseer, George Langley, Walter Lanskoy, Andre Laprade, Pierre Latour, Henri Fantin, Circle of Laurencin, Marie Lautrec, Henri De Toulouse Lawrence, Alfred Kingsley Lawrence, Sir Thomas Leakey, James Leder, Montague Lenci, Mario Lens III, Bernard Lepine, Stanislas Victor Edward Lewis, John Frederick Linnell, John Linton, William Lipkin, Aileen Loraine-Smith, Charles Lorjou, Bernard

236 315 301, 303 254 229 276 311 409 358 362 226 218 356 80 17, 32 307 277, 320 90 385 212 97, 128 125 398, 399 137 372

M Macleay, Kenneth 44 Maclet, Elisee 341 Maes, Jacques 318 Magerer, H 299 Magnard-Vlach, Ondine 327 Magritte, RenĂŠ 220 Magrotti, Ercole 256 Mangold, Anton 288 Mantegaza, Giacomo 230A Margetts, Mr 135 Masses, Federico Beltran 349 Mazzolini, Giuseppe, Attributed to 253 McBey, James 192 Mee, Mrs Anne 40 Meitre 260 Menpes, Mortimer 215, 216 Messel, Oliver 182 Meulen, Edmond Van Der 265 Michael, Frederick Howard 71 Middleton, John, Attributed to 122 Migliaro, Vincenzo 292 Miles, Edward, Attributed to 8 Mole, John Henry 132 Momin, Shakeel 201 Monro, Dr Thomas 91 Montalant, Julius O 272 Moran, Edward Percy 174 Morland, George, Circle of 232 Morland, George, Circle of 233 Mostyn, Thomas Edwin 305 N Naftel, Paul Jacob 152 Nash, Edward 10 Neapolitan School 161, 163, 164, 165, 167 Newcombe, William John Bertram 402 Newton, Sir William John 41, 46, 66

Niemann, Edmund John Nieto, Anselmo Miguel Nisbet, Noel Laura Niss, Thorvold S Notz, Johannes

240 376 189 270 54

O Owen, Samuel

105

P Paeliacci, Aldo 393 Paganini, C. 58 Pagliacci 394, 395 Palizzi, Giuseppe 138 Parent, Roger 381 Parker, James 85 Parsons, Beatrice Emma 179 Pasquier, James Abbott 136 Pattein, Cesar 282 Paul Sandby 98 Payne, William 100, 104 Pedersen, Hugo Vilfred 347 Penn, Stanley 316 Perucho, Buenaventura Puig Y 343 Picasso, Pablo 223, 222, 224 Plimer, Andrew 37, 38 Plimer, Nathaniel 18 Pocock, Nicholas 99 Pollard, James, Follower of 235 Puig, Vincente 337 Pyne, George 134 Q Qiang, Cui Quizet, Alphonse Leon

412 333

R Randall-Page, Peter 228 Ray, Man 219 Resut, E 302 Reynolds, Miss Frances 29 Ribot, Germain Theodule Clement 364 Ricci, Paolo 383 Richardson, Thomas Miles, Jnr 129, 130 Richmond, Thomas 26 Robinson, William Heath 185 Romney, George 86, 87 Ronner-Knip, Henriette 266 Ronzaly 249 Ross, Sir William Charles 42 Rowlandson, Thomas 89 Runciman, Alexander 213 Rushbury, Sir Henry 195, 196 S Sandby, Paul Sandby, Paul, Circle of Sani, Alessandro Sauphar, Camille Georges Sayer, Robert, Publisher Scanlan, Robert Richard Scottish Colourist School Scottish School Scouler, James

83 84 251 261 208 69 384 5, 9, 11, 15 1

Scouler, James, Attributed to 3 Senape, Antonio 159 Shannon, Sir James Jebusa 339 Shaw, D K 346 Shelley, Samuel 21, 78, 79 Slaney, Margery Noel 373 Smart, John, Jnr 13 Solomon, Simeon 150 Solomon, Simeon, Attributed to 151 Sonne, Jorgen Valentin 143 Soria, Eduardo 348 Southall, Joseph Edward 197 Souza, Francis Newton 200 Spanish School 291 Stanley, H L 139 Stark, James 123 Steer, Philip Wilson, Attributed to 275 Stroebel, Johannes Antoine Balthasar 259 Strutt, Arthur John 121 Styka, Adam 388 T Thompson, Alfred Titcomb, William Holt Yates Towgood Roch, Sampson Trouvain, Antoine, Publisher Turner, J.

144 199 23 209 64

U Underwood, Richard Thomas

127

V Valadon, Suzanne Valenta, Rudolf Van Der Loo, Marten Van Hiem van Hove, Bartholomeus Johannes Van Rijn, Rembrandt Harmenszoon Van Zevenberghen, Georges Varley, Cornelius Varley, John Vianelli, Achille Vignal, Camille-Carlier Villar, Francisco Von Ruppert, Otto

203 413 329 286 244 210 284 111 109 166 283 274 308

W Wacha, Hans Friedrich Wain, Louis Walcott, William Walker, John Hanson Welte, H. Whippman, Matthew Wilkie, Sir David Williams, Alyn Williams, John Terrick Wood, William Woodforde, Samuel Z Zeyer, Jan Angelo Zvonarev, Fedor Pavlovich

375 187, 188 194 280 77 401 96 72, 74 173 20, 345 141

170 306

125

Glossary of Picture Cataloguing Terms Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

1.

JMW Turner: In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

2.

Attributed to JMW Turner: In our opinion probably a work by the artist, but less certainly as to the authorship expressed than in the preceding category.

3.

Studio of JMW Turner: In our opinion probably a work by an unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction.

4.

Circle of JMW <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja IV I[ aM\ ]VQLMV\QÅML J]\ LQ[\QVK\ PIVL KTW[MTa I[[WKQI\ML with the named artist and of the period, but not necessarily his pupil.

5.

Style of…; Follower of JMW Turner: In our opinion a work by a painter working in the artist’s style, but not necessarily his pupil.

6.

Manner of JMW Turner: In our opinion a work in the style of the artist and of a later date.

7.

After JMW Turner: In our opinion a copy (of any date) of a known work of the artist.

8.

The term ‘signed’ and/or ‘dated’ and/or ‘inscribed’ means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

9.

The term ‘with signature’ and/or ‘with date’ and/or ‘with inscription’ means that in our opinion the signature and/or date and/or inscription have been added by another hand than that of the artist.

10. Dimensions are given height before width.

11. Pictures are framed unless otherwise stated.

<MZU[ IVL +WVLQ\QWV[ NWZ *]aMZ[ I\ +PQ[_QKS )]K\QWV[

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The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof.

Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good.

1V[XMK\QWV Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them. +WVLQ\QWV ZMXWZ\ CA Ltd may issue a Condition Report on request prior to the sale. <PQ[ +WVLQ\QWV :MXWZ\ Q[ NWZ QLMV\QĂ&#x2026;KI\QWV X]ZXW[M[ WVTa IVL KIVVW\ JM considered as giving a precise account of the Lotâ&#x20AC;&#x2122;s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report.

As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyerâ&#x20AC;&#x2122;s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto.

-TMK\ZQKIT[ )TT MTMK\ZQKIT Q\MU[ IZM [WTL I[ [MMV IVL +) 4\L Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZ[ VW O]IZIV\MM I[ \W the working condition of such items or their safety.

1\ Q[ \PM *]aMZÂź[ L]\a \W \ISM VMKM[[IZa [\MX[ \W JM I[[]ZML \PI\ \PM 4W\ is safe for normal use.

-[\QUI\M[ Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the

condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates.

1.8 Reserves 5IVa 4W\[ IZM Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZML []JRMK\ \W I ZM[MZ^M _PQKP Q[ \PM KWVĂ&#x2026;LMV\QIT minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids. ! :MOQ[\ZI\QWV \W \PM [ITM 6M_ JQLLMZ[ _QTT VMML \W ZMOQ[\MZ XZQWZ \W \PM [ITM 1\ Q[ [\ZWVOTa advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneerâ&#x20AC;&#x2122;s entire discretion.

1V\MZVI\QWVIT JQLLMZ[ UIa JM ZMY]QZML \W ZMOQ[\MZ PW]Z[ JMNWZM \PM sale and to submit bank details.

A deposit may be requested prior to each sale.

Failure to register shall result in the impossibility for the bidder to purchase a Lot. 8ZWWN WN QLMV\Q\a Bidders not previously known to CA Ltd will be required to provide: Â&#x152; 7â&#x20AC;ŤŮťâ&#x20AC;ŹKQIT XZWWN WN QLMV\Q\a QV \PM NWZU WN I XI[[XWZ\ WZ XPW\WKIZL LZQ^QVO TQKMVKM 6W W\PMZ NWZU[ WN 1, IZM IKKMX\IJTM Â&#x152; 8ZWWN WN ILLZM[[ WN UIQV ZM[QLMVKM 7VTa Wâ&#x20AC;ŤŮťâ&#x20AC;ŹKQIT LWK]UMV\[ showing name and address will be accepted. â&#x20AC;˘ Both landline and mobile telephone numbers â&#x20AC;˘ A bank reference for foreign bidders may be requested Â&#x152; +WZXWZI\M KTQMV\[ _QTT PI^M \W XZW^QLM I KMZ\QĂ&#x2026;KI\M WN QVKWZXWZI\QWV XZQWZ \W \PM I]K\QWV ITWVO _Q\P \PM ZMXZM[MV\I\Q^MÂź[ 1, QV IKKWZLIVKM with the abovementioned requirements for proof of identity.

Any Bidder that does not match the provided identity for registration may not purchase during the sale.

2. DURING THE SALE )\\MVLIVKM I\ I]K\QWV Attending the auction in person is recommended.

CA Ltd has the right in their absolute discretion to refuse participation QV IVa I]K\QWV \W ZMRMK\ IVa JQL IVL \W ZMN][M ILUQ[[QWV \W \PM XZMUQ[M[ Bidders are not obliged to be present in person at the auction.

Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale.

8MZ[WVIT JQLLQVO Bidders attending the auction in person shall be required to collect a number plate prior to the sale.

+WUUQ[[QWV JQL[ +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KIZZa W]\ +WUUQ[[QWV JQL[ received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it. +WUUQ[[QWV JQL[ [PITT JM M`MK]\ML I\ \PM TW_M[\ XW[[QJTM XZQKM []JRMK\ to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyerâ&#x20AC;&#x2122;s responsibility to check if they have been successful in purchasing a Lot. 1V \PM M^MV\ WN U]T\QXTM KWUUQ[[QWV[ I\ \PM [IUM XZQKM \PM KWUUQ[[QWV set at the older date shall be taken into account.

<ZIV[NMZ WN ZQ[S[ Purchased Lots shall be at the Buyerâ&#x20AC;&#x2122;s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

<MTMXPWVM JQL[ 1N I JQLLMZ Q[ VW\ IJTM \W I\\MVL QV XMZ[WV IV I]K\QWV +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KWV\IK\ XZW[XMK\Q^M *]aMZ[ _PW UISM IZZIVOMUMV\[ prior to commencement of the sale to bid by telephone. +) 4\L KIVVW\ JM PMTL ZM[XWV[QJTM QV \PM M^MV\ WN Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\Q^Q\a resulting in the loss of a chance of purchasing the Lot for the Bidder.

/ZW]VL[ NWZ KIVKMTTI\QWV ]VLMZ \PM XZM[MV\ [MK\QWV [PITT QVKT]LM J]\ VW\ be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences WZ KMZ\QÃ&#x2026;KI\M[ IVa []J[MY]MV\ KPIVOM[ QV LWUM[\QK WZ QV\MZVI\QWVIT legislations restricting the sale of export of goods etc.

1V \PM M^MV\ WN QV\MZVM\ WVTa I]K\QWV[ \PM *]aMZ [PITT PI^M I LIa right to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

1V\MZVM\ JQL[ Some sales may be available to internet bidding, as well as personal I\\MVLIVKM 1V \PQ[ M^MV\ +) 4\L [PITT VW\ JM PMTL ZM[XWV[QJTM NWZ Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\QWV *QLLQVO WV JMPITN WN [WUMWVM ) *]aMZ UIa JQL Ja XZW`a 1V \PQ[ M^MV\ XZWWN WN QLMV\Q\a WN JW\P \PM Buyer and the proxy must be communicated to CA Ltd prior to the sale.

A copy of the mandate shall also be required. *QLLQVO WV IV Q\MU Bid incrementing is at the auctioneerâ&#x20AC;&#x2122;s entire discretion. >QLMW \ZIV[UQ[[QWV For the purpose of the sale, Lots may be displayed on video during the I]K\QWV 1V \PM M^MV\ WN \ZIV[UQ[[QWV Q[[]M[ +) 4\L [PITT VW\ JM PMTL responsible for any subsequent outcome. ! 7VTQVM WVTa I]K\QWV[ Some auctions may be available to bidders only through an online XTI\NWZU 1V \PQ[ M^MV\ *]aMZ[ PI^M I LIa XMZQWL I\ ZMKMX\QWV WN \PM Lot to withdraw from the sale, in accordance with EU Consumer Law. ,Q[X]\M ZM[WT]\QWV L]ZQVO \PM I]K\QWV Any dispute shall be settled at the auctioneerâ&#x20AC;&#x2122;s absolute discretion.

Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneerâ&#x20AC;&#x2122;s entire discretion.

3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller.

The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. ?PMV I *]aMZ X]ZKPI[M[ U]T\QXTM 4W\[ MIKP 4W\ Q[ \PM []JRMK\ WN I separate contract of sale. <ZIV[NMZ WN XZWXMZ\a Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyerâ&#x20AC;&#x2122;s premium, relevant taxes, and costs in relation to shipping.

+IVKMTTI\QWV WN \PM [ITM At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter.

Under no circumstances can the Buyer cancel the sale.

CA Ltd may at its entire discretion, during or after the auction, cancel \PM [ITM WN \PM 4W\ WZ ZMWâ&#x20AC;«Ùºâ&#x20AC;¬MZ IVL ZM[MTT \PM 4W\ QN Q\ JMKWUM[ I_IZM WN any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

3.5 Returns and refunds CA Ltd will only issue a refund using the same method of payment originally used by the Buyer to pay for the purchase, or by bank transfer.

The Buyerâ&#x20AC;&#x2122;s refund will be processed without undue delay and in any M^MV\ _Q\PQV VW UWZM \PIV LIa[ WN \PM LIa \PM *]aMZ OI^M +) 4\L notice of cancellation.

1N \PM *]aMZ M`MZKQ[M[ \PMQZ ZQOP\ WN ZM\ZIK\QWV _PMV I]\PWZQ[ML \W LW [W

by Law, CA Ltd shall proceed to issue a complete refund, comprising the hammer price of the Lot, buyerâ&#x20AC;&#x2122;s premium and shipping fees. However return fees shall remain at the expense of the Buyer.

4. AFTER THE SALE 8IaUMV\ All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted. +I[P XIaUMV\[ [PITT VW\ JM ZMKMQ^IJTM NWZ IUW]V\[ W^MZ Ã&#x201A; ZMOIZLTM[[ of the payment being for one or multiple Lots.

Payments made by someone other than the registered Buyer shall not be accepted.

Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer. *]aMZ¼[ 8ZMUQ]U The Buyer will pay CA Ltd a premium of 25% on the hammer price XT][ >)< WV \PI\ KWUUQ[[QWV WV \PM Ã&#x2026;Z[\ Â&#x160; IVL XT][ >)< WV \PM JITIVKM \PMZMIN\MZ ) *]aMZ¼[ 8ZMUQ]U WN ! XT][ >)< Q[ charged on Wine & Spirits Lots.

The standard rate of VAT is charged on the premium except on Lots marked â&#x20AC;&#x2DC;â&#x20AC; â&#x20AC;&#x2122; where normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium.

1V WZLMZ \W ZMKMQ^M I ZMN]VL WN >)< IUW]V\[ 1UXWZ\ >)< I[ applicable) non-EU buyers must: (a) have registered to bid with an address outside of the EU; and J M`XWZ\ \PM TW\ NZWU \PM -= _Q\PQV LIa[ WN KWTTMK\QWV NWZ TW\[ IVL 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show

[I\Q[NIK\WZa XZWWN WN M`XWZ\ [PQXXQVO IZM I^IQTIJTM NZWU W]Z .QVIVKM \MIU ) XZWKM[[QVO NMM WN Â&#x160; XMZ QV^WQKM Q[ KPIZOML \W KPMKS [PQXXQVO M`XWZ\ LWK] UMV\[ L 6W >)< IUW]V\[ WZ 1UXWZ\ >)< _QTT JM ZMN]VLML _PMZM \PM \W\IT ZMN]VL IN\MZ LML]K\QVO \PM XZWKM[[QVO NMM Q[ ]VLMZ Â&#x160;

+WTTMK\QWV Purchased Lots can be collected from the auction room after the sale PI[ MVLML WZ JM\_MMV IU IVL XU ]X ]V\QT KTW[M WN J][QVM[[ WV the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltdâ&#x20AC;&#x2122;s discretion.

4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyerâ&#x20AC;&#x2122;s premium. The rate applicable shall be the legal rate at the date of the sale. /WWL[ []KP I[ JWWS[ IVL IV\QY]M JWWS[ U][QK UIX[ IVL KPIZ\[ M\K IZM []JRMK\ \W bMZW ZI\ML >)< 1V ILLQ\QWV IVa QUXWZ\ \I`M[ \PI\ UIa JM QVK]ZZML [PITT JM XIQL Ja \PM Buyer above hammer price, VAT and Buyerâ&#x20AC;&#x2122;s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.

4.7 Storage Purchased Lots not collected before 6pm on the day after the sale shall QVK]Z [\WZIOM KPIZOM[ WN Â&#x160; XMZ 4W\ XMZ LIa WZ XIZ\ \PMZMWN +) 4\L shall be entitled to retain purchased Lots sold until all sums due have been XIQL \W +) 4\L 1N IVa X]ZKPI[ML TW\ ZMUIQV[ ]VKWTTMK\ML LIa[ IN\MZ \PM [ITM [\WZIOM KPIZOM[ [PITT \PMZMIN\MZ JM Â&#x160; XMZ LIa IVL +) 4\L [PITT in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding.

Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

)Z\Q[\ :M[ITM :QOP\[ ,ZWQ\ LM ;]Q\M 4W\[ UIZSML _Q\P »)::¼ UIa JM []JRMK\ \W I TM^a Droit de Suite is a royalty payable to a qualifying artist or to the artistâ&#x20AC;&#x2122;s heir each time a work is resold during the artistâ&#x20AC;&#x2122;s lifetime and up to I XMZQWL WN aMIZ[ IN\MZ \PM IZ\Q[\¼[ LMI\P :WaIT\QM[ IZM KITK]TI\ML on a cumulative sliding percentage scale based on the hammer price excluding the buyerâ&#x20AC;&#x2122;s premium. The royalty does not apply to Lots [MTTQVO JMTW_ \PM [\MZTQVO MY]Q^ITMV\ WN Ã&#x201A; IVL \PM UI`QU]U ZWaIT\a XIaIJTM WV IVa [QVOTM 4W\ Q[ \PM [\MZTQVO MY]Q^ITMV\ WN Ã&#x201A; Royalties for Droit de Suite are as follows:

;PQXXQVO Any shipping costs that may arise subsequently to the sale shall be at the Buyerâ&#x20AC;&#x2122;s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. +) 4\L LWM[ VW\ Wâ&#x20AC;«Ùºâ&#x20AC;¬MZ QV[]ZIVKM NWZ [PQXXQVO 0W_M^MZ +) 4\L UIa arrange insurance upon the Buyerâ&#x20AC;&#x2122;s request and at the Buyerâ&#x20AC;&#x2122;s expense.

CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

Â&#x152; .ZWU \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; -`KMMLQVO Ã&#x201A; :MUMLQM[ NWZ VWV XIaUMV\ 1N \PM *]aMZ NIQT[ \W UISM N]TT XIaUMV\ QV KTMIZML N]VL[ _Q\PQV \PM \QUM required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: â&#x20AC;¢ To cancel the sale â&#x20AC;¢ To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. â&#x20AC;¢ To resell the Lot on such terms by auction or otherwise entirely at CA Ltdâ&#x20AC;&#x2122;s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale. Â&#x152; <W Wâ&#x20AC;«[Ùºâ&#x20AC;¬M\ IOIQV[\ IVa []U[ _PQKP +) 4\L UIa W_M \PM *]aMZ \PM outstanding sums unpaid by the said Buyer Â&#x152; ?PMZM \PM *]aMZ W_M[ []U[ \W +) 4\L QV ZM[XMK\ WN LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums. Â&#x152; <W ZMN][M MV\Za \W \PM *]aMZ I\ IVa N]\]ZM I]K\QWV IVL WZ ZMRMK\ IVa N]\]ZM JQL[ Ja \PM *]aMZ IVL WZ [MMS I LMXW[Q\ NZWU \PM *]aMZ entirely in the discretion of CA Ltd. â&#x20AC;¢ To exercise a lien over the Buyerâ&#x20AC;&#x2122;s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. â&#x20AC;¢ To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs. â&#x20AC;¢ To take such other action as is permissible by Law and in the discretion of CA Ltd.

! 4W[[ WZ ,IUIOM CA Ltd does not accept liability for loss or damage occurring to Lots after \PM [ITM +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ _PMV PIVLTQVO XIKSQVO IVL shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third partyâ&#x20AC;&#x2122;s care. +]T\]ZIT /WWL[ QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +]T\]ZIT OWWL[ UIa JM []JRMK\ \W QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ =VLMZ EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the itemâ&#x20AC;&#x2122;s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade.

Licenses are issued by Arts Council England and it is the Buyerâ&#x20AC;&#x2122;s duty to WJ\IQV \PMU ;WUM KW]V\ZQM[ ZM[\ZQK\ \PM QUXWZ\ WN [XMKQÃ&#x2026;K K]T\]ZIT OWWL[ For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural OWWL[ QV XZW^MVIVKM NZWU [WUM KW]V\ZQM[ []JRMK\ \W IZUML KWVÃ&#x2020;QK\[ The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible. +1<-; QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +MZ\IQV MVLIVOMZML [XMKQM[ IZM TQ[\ML QV \PM +1<-; +WV^MV\QWV 4Q[\ML [XMKQUMV[ IVL IVa XIZ\[ WZ XZWL]K\[ \PMZMWN IZM []JRMK\ \W Q[[]IVKM WN IV export permit when leaving the European Union. )XXMVLQ` 1 [XMKQM[ IZM IT[W []JRMK\ \W Q[[]IVKM WN I XZQWZ QUXWZ\ XMZUQ\ from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyerâ&#x20AC;&#x2122;s duty to initiate the proceedings with the relevant authority.

The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter. ?WZSML Q\MU[ \PI\ IZM LI\ML JMNWZM ! IZM M`MUX\ NZWU QUXWZ\ restrictions for intra-EU trade and shall not require export licences.

Please be aware that all Lots marked with the symbol Æ&#x20AC; IZM []JRMK\ \W +1<-; ZMO]TI\QWV[

4QUQ\I\QWV WN TQIJQTQ\a ZMOIZLQVO +1<-; M`XWZ\ TQKMV[M[ Where licences are required for importing or exporting outside of the European Union, it is the Buyerâ&#x20AC;&#x2122;s duty to obtain them.

CA Ltd cannot be held responsible if the Buyerâ&#x20AC;&#x2122;s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale. ?IZZIV\QM[ CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. )]\PMV\QKQ\a _IZZIV\a 1V \PM M^MV\ WN I 4W\ JMQVO [WTL I[ I]\PMV\QK ]VLMZ \PM KI\ITWO]M description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price. <PM *]aMZ [PITT OQ^M VW\QKM \W +) 4\L _Q\PQV LIa[ NZWU SVW_TMLOM or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall JM LMÃ&#x2026;VML I[ \PM [\I\M WN I 4W\ \PI\ Q[ OMV]QVM IVL VW\ I NWZOMZa WZ I KWXa 5. ANTIQUITIES AND TRIBAL ART 1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ IVL ZMO]TI\QWV[ )ZKPIMWTWOQKIT OWWL[ W^MZ aMIZ[ WN IOM ]VTM[[ KW^MZML Ja M`MUX\QWV WN TQUQ\ML [KQMV\QÃ&#x2026;K QV\MZM[\ _QTT ZMY]QZM IV -= 4QKMVKM NWZ M`XWZ\ \W I third country, regardless of their value.

1\ Q[ ZMKWUUMVLML \PI\ \PM *]aMZ KWV\IK\ \PM -`XWZ\ 4QKMV[QVO =VQ\ at Arts Council England in order to be assured the good is or not of TQUQ\ML IZKPIMWTWOQKIT WZ [KQMV\QÃ&#x2026;K QV\MZM[\ Archaeological goods found on United-Kingdom soil or in UK \MZZQ\WZQIT _I\MZ[ W^MZ aMIZ[ WN IOM [PITT ZMY]QZM I =3 4QKMVKM regardless of their value and regardless of the export destination.

7\PMZ IZKPIMWTWOQKIT WJRMK\[ ZMOIZLTM[[ WN \PMQZ WZQOQV _QTT ZMY]QZM IV 1VLQ^QL]IT 4QKMVKM WZ 7/-4 LMXMVLQVO WV \PMQZ ^IT]M Both European-Union and UK Licences may be required simultaneously NWZ [WUM Q\MU[ 1\ Q[ \PM *]aMZ¼[ L]\a \W ]VLMZ\ISM \PM VMKM[[IZa [\MX[ CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences.

6. JEWELLERY /MU[\WVM \ZMI\UMV\ IVL M[\QUI\M[ Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: â&#x20AC;¢ Heat treatment to enhance sapphires and rubiesâ&#x20AC;&#x2122; clarity and colour Â&#x152; 7QT IVL ZM[QV \ZMI\UMV\[ NWZ MUMZITL[ IXXTQML QV LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ _Ia[ \W enhance clarity of the stone â&#x20AC;¢ Staining Â&#x152; 1ZZILQI\QWV â&#x20AC;¢ Coating Estimates provided by CA Ltd are deemed to be based on the fact that the OMU[\WVM UIa PI^M JMMV []JRMK\ \W IVa \aXM WN \ZMI\UMV\ QV \PM XI[\ +) Ltd shall not be responsible in the absence of mention thereof. ) KMZ\QÃ&#x2026;KI\M UIa JM Q[[]ML Ja I TIJWZI\WZa XZW^QLQVO _Q\P LM\IQTML information on the condition of the gemstone and any treatment applied \PMZM\W <PM *]aMZ U][\ JM I_IZM \PI\ LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ TIJWZI\WZQM[ PI^M LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ approaches as to the degree or type of treatment for a particular gemstone.

1N I KMZ\QÃ&#x2026;KI\M IKKWUXIVQM[ \PM 4W\ \PM *]aMZ U][\ JM I_IZM \PI\ Q\ Q[ merely a statement of the laboratoryâ&#x20AC;&#x2122;s opinion and in no way can CA Ltd

JM PMTL ZM[XWV[QJTM NWZ IVa UMV\QWV[ \PMZMQV ;]KP KMZ\QÃ&#x2026;KI\M[ IZM LMMUML to be delivered with the Lot for informative purposes only.

-[\QUI\ML _MQOP\[ 1N I [\WVM¼[ M`IK\ _MQOP\ IXXMIZ[ _Q\PQV \PM JWLa WN \PM LM[KZQX\QWV \PM [\WVM PI[ JMMV ]V UW]V\ML IVL _MQOPML Ja +) 4\L 1N \PM _MQOP\ WN a stone is stated to be approximate, the stone has been assessed by CA 4\L _Q\PQV Q\[ [M\\QVO IVL \PM LMÃ&#x2026;VML _MQOP\ Q[ I [\I\MUMV\ WN WXQVQWV only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy. ;QOVI\]ZM[ â&#x20AC;&#x2DC;) LQIUWVL ZQVO Ja @â&#x20AC;&#x2122;: When the makerâ&#x20AC;&#x2122;s name appears in the title, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion the piece is by that maker. â&#x20AC;&#x2DC;) LQIUWVL ZQVO [QOVML @â&#x20AC;&#x2122;: Has a signature that, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered. â&#x20AC;&#x2DC;) LQIUWVL ZQVO UW]V\ML Ja @â&#x20AC;&#x2122;: Has been created by the RM_MTTMZ QV +PQ[_QKS )]K\QWV[¼ WXQVQWV J]\ ][QVO [\WVM[ WZ LM[QOV[ supplied by the client. â&#x20AC;&#x2DC;5ISMZ¼[ UIZS NWZ @â&#x20AC;&#x2122;: Has a makerâ&#x20AC;&#x2122;s mark which in Chiswick Auctionsâ&#x20AC;&#x2122; opinion is authentic.

Some items may include parts or products derived from endangered [XMKQM[ []KP I[ Q^WZa WZ KWZIT ;]KP Q\MU[ UIa JM []JRMK\ \W QUXWZ\ WZ M`XWZ\ ZM[\ZQK\QWV[ ;MM [MK\QWV WV +1<-; ZMO]TI\QWV[ NWZ UWZM LM\IQT[ 7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and _Q\PW]\ LMNMK\[ WZ PI[ JMMV []JRMK\ \W ZMXIQZ WZ ZM[\WZI\QWV CA Ltd makes no representation or warranty that any clock or watch Q[ QV _WZSQVO WZLMZ )[ KTWKS[ IVL _I\KPM[ WN\MV KWV\IQV Ã&#x2026;VM IVL complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto.

The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof.

Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for QUXWZ\ WZ M`XWZ\ X]ZXW[M[ QV IKKWZLIVKM _Q\P +1<-; ZMO]TI\QWV[ CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps.

8. FURNITURE =XPWT[\MZML N]ZVQ\]ZM IN\MZ !

According to The Furniture and Furnishings (Fire Safety) Regulations ! N]ZVQ\]ZM \PI\ _I[ ]XPWT[\MZML IN\MZ \PM [\ WN 2IV]IZa ! Q[ []JRMK\ \W ZM[\ZQK\QWV[ QV \PM =VQ\ML 3QVOLWU Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes.CA Ltd shall not be ZM[XWV[QJTM NWZ TI\MZ IT\MZI\QWV[ \W \PM N]ZVQ\]ZM UISQVO Q\ ]VÃ&#x2026;\ NWZ [ITM 9. FINE ART .QVM )Z\ XIQV\QVO[ I[ QVKT]LML QV \PM KI\ITWO]M LM[KZQX\QWV »@ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ IV I]\PMV\QK work by the artist.

»)\\ZQJ]\ML \W @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ probably a work by the artist. »+QZKTM WN @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM IVL L]ZQVO \PM period of the artist’s life. ».WTTW_MZ WN @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM KWV\MUXWZIZa or near contemporary. »;KPWWT WN @ \P KMV\]Za¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS executed in that period and in the style associated with that artist. ».ZMVKP ;KPWWT \P KMV\]Za¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS executed in that period and in the style associated with a particular location. »5IVVMZ WN @¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM J]\ I\ I TI\MZ LI\M IT\PW]OP not of recent execution. »;\aTM WN @¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM IVL WN ZMKMV\ M`MK]\QWV »)N\MZ @ " 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I KWXa Ja IV ]VQLMV\QÅML IZ\Q[\ WN I VIUML _WZS Ja \PM IZ\Q[\ Lots sold ‘as seen’ or ‘as found’ are deemed to be sold in their present condition, with their faults and defects. The Bidder must be aware that purchase of such Lots is at there own risk.

CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.

10. ASIAN ARTS

15. SEVERABILITY

1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ ?PMV LMITQVO _Q\P )[QIV )Z\[ IVL UWZM [XMKQÅKITTa _Q\P Q\MU[ UILM WN exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must JM I_IZM WN QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ QV IKKWZLIVKM _Q\P +1<-; Regulations. As aforementioned in the Section relating to such matters, QUXWZ\ IVL M`XWZ\ XMZUQ\[ WZ ZM M`XWZ\ KMZ\QÅKI\M[ UIa JM ZMY]QZML >MZQÅKI\QWV TM\\MZ[ _QTT JM ZMY]QZML NWZ ZM M`XWZ\ WN _WZSML ZPQVWKMZW[ Q\MU[

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, []KP XZW^Q[QWV Q[ \W \ISM M‫ٺ‬MK\ WVTa QV [W NIZ I[ Q\ UIa LW [W without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way \W JM I‫ٺ‬MK\ML WZ QUXIQZML I[ I ZM[]T\

13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the abovementioned materials without the prior written consent of CA Ltd. ;WUM 4W\[ UIa JM []JRMK\ \W KWXaZQOP\ XZW\MK\QWV +) 4\L LWM[ VW\ guarantee said Lots are free thereof.

14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent.

CA Ltd never sell, lend or trade in personal data provided by any Bidder.

16. AMENDMENTS .QVM +PQVM[M 8IQV\QVO[ +]ZZMV\ [KPWTIZ[PQX QV \PM ÅMTL WN +PQVM[M 8IQV\QVO[ IVL +ITTQOZIXPa LWM[ VW\ XMZUQ\ ]VY]ITQÅML [\I\MUMV\[ I[ \W \PM I]\PWZ[PQX WZ LI\M WN execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings.

6W\_Q\P[\IVLQVO QN _Q\PQV LIa[ WN \PM [ITM WN IVa []KP 4W\ \PM original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, I »NWZOMZa¼ Q[ LMÅVML I[ I _WZS KZMI\ML _Q\P \PM QV\MV\ \W LMKMQ^M 11. BOOKS AND MANUSCRIPTS *WWS[ IVL UIV][KZQX\[ [WTL I[ QVKWUXTM\M IZM VW\ []JRMK\ \W ZM\]ZV[ Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’.

12. WINES AND SPIRITS 1V IKKWZLIVKM _Q\P IOZMML [\IVLIZL[ QV \PM \ZILM M[\QUI\M[ [PITT JM LMMUML \W PI^M \ISMV QV\W IKKW]V\ \PM ÅTT TM^MT For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit.

Lack of mention thereof in the description is not a representation of IV »IKKMX\IJTM¼ ÅTT TM^MT NZWU +) 4\L

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale.

17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales. .WZ \PM JMVMÅ\ WN +) 4\L ITT JQLLMZ[ IVL [MTTMZ[ IOZMM \PI\ \PM +W]Z\[ WN -VOTIVL IZM \W PI^M M`KT][Q^M R]ZQ[LQK\QWV \W [M\\TM ITT LQ[X]\M[ IZQ[QVO in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply. All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

SPECIALISTS

20th CENTURY DECORATIVE ARTS & DESIGN James Nurse, Head of Department james@chiswickauctions.co.uk

JEWELLERY Sarah Duncan, Head of Department sarah@chiswickauctions.co.uk

ANTIQUITIES & TRIBAL ART Alice King, Head of Department alice.king@chiswickauctions.co.uk

Charlotte Peel, Specialist charlotte.peel@chiswickauctions.co.uk

ASIAN ART Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk

PHOTOGRAPHICA Austin Farahar, Specialist austin.farahar@chiswickauctions.co.uk PRINTED BOOKS & MANUSCRIPTS

Yasuko Kido, Japanese Art Specialist yasuko@chiswickauctions.co.uk

Clive Moss, Head of Department

CERAMICS & GLASS Dr. Jim Peake, Head of Department jim@chiswickauctions.co.uk

Andrew Kerr, Specialist

CONTEMPORARY & URBAN ART Harry Parkinson, Sales Coordinator harry@chiswickauctions.co.uk DESIGNER HANDBAGS & FASHION Meg Randell, Head of Department meg@chiswickauctions.co.uk Winnie McGee, Specialist winnie.mcgee@chiswickauctions.co.uk EUROPEAN WORKS OF ART & CLOCKS Rachael Osborn-Howard, Head of Department rachael@chiswickauctions.co.uk FINE ART Suzanne Zack, Head of Department suzanne@chiswickaucions.co.uk Rohan McCulloch, Specialist rohan@chiswickauctions.co.uk Krassi Kuneva, Head of Sales - Modern & Post-War British Art kkuneva@chiswickauctions.co.uk Melissa Van Vliet, Head of Sales - Old Masters melissa.vanvliet@chiswickauctions.co.uk GUITARS & MUSICAL INSTRUMENTS Dr. David MacGregor, Specialist david@chiswickauctions.co.uk ISLAMIC & INDIAN ART Beatrice Campi, Head of Sales beatrice.campi@chiswickaucions.co.uk

clive.moss@chiswickauctions.co.uk

andrew.kerr@chiswickauctions.co.uk

Dr. Carmen Donia, Specialist carmen.donia@chiswickauctions.co.uk

Nicholas Worskett, Specialist nicholas@chiswickauctions.co.uk

Valentina Borghi, Head of Sales - Autographs & Memorabilia valentina.borghi@chiswickauctions.co.uk RUGS & CARPETS Mark Henry Lampé, Head of Department mark.lampe@chiswickauctions.co.uk Chris Vin, Consultant chris@chiswickauctions.co.uk SILVER & OBJECTS OF VERTU John Rogers, Head of Department john.rogers@chiswickauctions.co.uk Amicie de Villenfagne, Specialist amicie@chiswickauctions.co.uk WATCHES Matthew Caddick, Head of Department matt@chiswickauctions.co.uk Tomas Aznar watches@chiswickauctions.co.uk WINE & SPIRITS Peter Mansell, Head of Department peter.mansell@chiswickauctions.co.uk

SALE CALENDAR

SEPTEMBER

19

WEDNESDAY

Designer Handbags & Fashion

21

FRIDAY

Urban Art Contemporary Art

25

TUESDAY

Antiquities & Tribal Art Interiors & Design

OCTOBER

02

TUESDAY

Ceramics & Glass Vintage & Rare Guitars with Fretted Instruments

03

WEDNESDAY

British & European Fine Art to include Portrait Miniatures

09

TUESDAY

Interiors & Design 20th Century Design

10

WEDNESDAY

Autographs & Memorabilia

17

WEDNESDAY

Printed Books: Travel, Natural History, Sporting & Sciences

British & European Fine Art including Portrait Miniatures 3 October 2018

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

British & European Fine Art including Portrait Miniatures London 3rd October 2018