Chiswick-Auctions-Asian-Art-September-2018

Asian Art 4 September 2018

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

Asian Art London 04th September 2018

SPECIALISTS

SALE CALENDAR

SEPTEMBER

11

TUESDAY

Interiors & Design to include a selection of Fine Rugs & Carpets Lazarus Halstead

Yasuko Kido

Head of Department Asian Art lazarus@chiswickauctions.co.uk

Japanese Art Specialist Asian Art yasuko@chiswickauctions.co.uk

Decorative Silver

12

WEDNESDAY

European Works of Art & Clocks

17

MONDAY

Wine & Spirits

18

TUESDAY

Jewellery Veronica Li

Tricia Cui

Watches

Senior Department Coordinator Asian Art veronica@chiswickauctions.co.uk

Department Coordinator Asian Art tricia.cui@chiswickauctions.co.uk

19

WEDNESDAY

Designer Handbags & Fashion

22

SATURDAY

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25

TUESDAY

Antiquities & Tribal Art Interiors & Design

26

WEDNESDAY

Printed Books: Travel, Natural History, Sporting & Sciences Autographs & Memorabilia

Asian Art

Tuesday 4th September 2018, 11.00

VIEWING AT CHISWICK full sale Friday Saturday Sunday Monday

31 August 01 September 02 September 03 September

10.00 - 18.00 11.00 - 17.00 11.00 - 17.00 10.00 - 18.00

PHOTOGRAPHERS GENERAL ENQUIRIES +44(0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk 1 Colville Road, London W3 8BL 127 Fulham Road, London SW3 6RT

Steven McCauley Jordan Salzmann Darrell Russell Monika Olek

Basak Ulukose Front cover: Lot 153 Back cover: Lot 584

Japanese Prints

Page 4 - 26

Japanese Landscape Prints

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3 (part)

1 A WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858).

Oban yoko-e, from the series Koto Meisho (Famous places in Edo), Meguro Fudo mode (Visit to Fudo shrine at Meguro), signed Hiroshige ga, publisher’s seal Kikakudo, the censor’s seal Kiwame. £150 – 250 錦絵 広重 江都名所 2 A WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858).

Oban yoko-e, ‘Ochanomizu’ from the Toto Meisho series (The famous places in the Eastern Capital), signed Hiroshige ga, the publisher’s seal Kikakudo. £450 – 550 錦絵 広重 東都名所

4

3 FOUR WOODBLOCK PRINTS BY HIROSHIGE AND HIROSHIGE II. Oban yoko-e, from the Edo Misho series, Oji Inari shrine, and Kanda Myojin shrine by Hiroshige, and further two prints by Hiroshige II, A view of Hongo street, and Tea-houses at Atago, variously signed.

(4) £400 – 600 錦絵4枚、広重、二代広重 江戸名所

*See inside front cover for information regarding fees

4

4 A WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858).

An oban yoko-e, ‘Shono’, the sub-title, Haku-u (Sudden Summer Shower) from Hoeido’s Tokaido series, ‘The Fifty-three Stations on the Tokaido Road’, depicting travellers being caught by a sudden shower, and scurrying off a hill slope, signed Hiroshige ga. £3,500 – 4,500 錦絵 安藤広重 庄野 東海道五十三次 This is the most famous of all Hiroshige’s prints, not only for its innovative composition but also for the way it captures the essential sentiments of the Japanese people.

Unlike the landscape prints by Hokusai, in which nature dominates over humans, human figures hold a tangible balance with the landscape in Hiroshige’s prints, evoking memories of the viewer, in a way no other Japanese artist has yet achieved.

In this print, Hiroshige used a dynamic composition of a diagonal lines with the hill cutting through the pouring rain also emerging at an angle from the dark sky. The contrast of the triangle-shaped shadows of moving trees and thatched roofs adds a rhythmic touch to the human figures running in opposite directions from each other.

Hiroshige designed fifty-five prints based on his sketches along the Tokaido highway on the trip to Kyoto from Edo in 1832. However his prints are not a realistic depiction of the post stations, but the creation of his own views of human life enhanced by the natural phenomena such as rain, snow and fog.

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10 5 TWO WOODBLOCK PRINTS BY HIROSHIGE (1797 - 1858) AND HOKUSUI (C.1860).

An oban tete-e, ‘Junction of the side road to the shrine at Seki’ from the so-called Upright Tokaido series by Hiroshige, and a chuban tate-e, ‘Sudden shower at Matsubara, Kyoto’ from the series Miyako Hyakkei,

by Hokusui (Yoshitoyo). (2) £300 – 400 錦絵2枚 広重 五十三次名所図絵 関、北水 都百景 松原 6 A WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858).

Oban tate-e, ‘Okabe’ from the Upright Tokaido series, ‘Gojyu-san tsugi Meisho zue’, signed Hiroshige hitsu. £150 – 200 錦絵 安藤広重 岡部 五十三次名所図絵 7 A WOODBLOCK PRINT BY HIROSHIGE II. Oban tate-e, from the series Shokoku Meisho Hyakkei (One hundred famous places in various provinces), Sado Kinzan Okuana no zu (Deep cave of the gold mine, Sado), signed Hiroshige ga, the publisher seal Uoei. £300 – 400 錦絵 二代広重 諸国名所百景

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*See inside front cover for information regarding fees

8

9 8 A WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858).

Oban tate-e, from the series Rokuju-yoshu Meisho Zue, (Famous Views of Sixty-Odd Provinces), the subtitle, Shisa at Iki province, signed Hiroshige hitsu, the censor’s seal, Aratame. £1,000 – 1,200 錦絵 広重 六十余州名所図絵 9 A WOODBLOCK PRINT BY HIROSHIGE. Oban tate-e, from the series ‘Famous Places in the Sixty-Odd Provinces’, Hyuga Aburatsu Port, Obi Oshima island, signed Hiroshige hitsu. £400 – 500 錦絵 広重 六十余州名所図絵 10 THREE WOODBLOCK PRINTS BY HIROSHIGE. Half-block format, two prints from the so-called Kyoka Tokaido series, the post stations Akasaka and Shimada one from the ‘Thirty-six Views of Mt. Fuji’ series, Inume Pass at Kai. (3) £200 – 300 錦絵三枚、広重 狂歌東海道、富士三十六景

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11 (part)

11 (part)

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11 THREE WOODBLOCK PRINTS BY HIROSHIGE. Oban tate-e, from the series, ‘Meisho Edo Hyakkei’ (One Hundred Famous Places in Edo), Kiyomizu hall and Shinobazu Pond at Ueno, Kanasugi bridge at Shibaura, and Takata riding ground. (3) £300 – 400 錦絵三枚、広重、名所江戸百景 12 A WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858) Oban tate-e, from the series ‘Meisho Edo Hyakkei’ (One Hundred Famous Views of Edo), the subtitle, ‘Haneda no watashi, Benten no yashiro’ (Haneda ferry and Benten shrine), signed Hiroshige ga, the publisher’s seal, Uoei. £300 – 400 錦絵 広重 名所江戸百景

8

13 A WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858).

Oban tate-e, from the series ‘Meisho Edo Hyakkei’ (One Hundred Famous Views of Edo), the subtitle, ‘Haneda no watashi, Benten no yashiro’ (Haneda ferry and Benten shrine), signed Hiroshige ga, the publisher’s seal, Uoei. £300 – 400 錦絵 広重 名所江戸百景 14 A WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858).

Oban tate-e, from the series ‘Meisho Edo Hyakkei’ (One Hundred Famous Views of Edo), the subtitle, ‘Haneda no watashi, Benten no yashiro’ (Haneda ferry and Benten shrine), signed Hiroshige ga, the publisher’s seal, Uoei. £450 – 550 錦絵 広重 名所江戸百景

*See inside front cover for information regarding fees

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15 A WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858).

Oban tate-e, from the series Meisho Edo Hyakkei (One Hundred Famous Views of Edo), the subtitle, Mama no momiji, tekona no yashiro, (Maple trees at Mama, the shrine at Tekona), signed Hiroshige ga, the publisher’s seal Uoei, the censor’s seal Aratame. £500 – 700 錦絵 広重 名所江戸百景

17 A WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858).

Oban tate-e, from the series ‘Meisho Edo Hyakkei’ (One Hundred Famous Views of Edo), the ‘Sanno Festival Procession at Kojimachi’. £300 – 400 錦絵、広重、名所江戸百景

16 A WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858).

Oban tate-e, from the series Meisho Edo Hyakkei (One Hundred Famous Views of Edo), with a subtitle, Saruwakacho Yoru no kei, (The night view of Saruwaka theatre district), signed Hiroshige ga, the publisher’s seal, Uoei, the censor’s seal, Aratame. £500 – 700 錦絵 広重 名所江戸百景

18 A WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858).

Oban tate-e, from the series ‘Meisho Edo Hyakkei’ (One Hundred Famous Views of Edo), the ‘Sanno Festival Procession at Kojimachi’. £300 – 400 錦絵、広重、名所江戸百景

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19 A WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858).

Oban tate-e, from the so-called Up-right Tokaido Series, Futakawa, Tea houses at Monkey plain, signed Hiroshige hitsu. £300 – 400 錦絵 広重 五十三次名所図絵

21 A WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858).

Oban tate-e, the Sagami river, from the series Thirty-six views of Mt. Fuji, signed Hiroshige ga, the publisher’s seal, Tsutaya Kichizo. £300 – 400 錦絵 広重 富士三十六景

20 A WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858).

Oban tate-e, from the series ‘Fuji Sanju Rokkei’ (Thirty-six views of Mt. Fuji), with a subtitle ‘A distant view of Mt. Fuji from the lake Ashinoko’, signed Hiroshige ga. £400 – 600 錦絵 安藤広重 富士三十六景

22 A WOODBLOCK PRINT BY HIROSHIGE II (1826 - 1869).

Oban tate-e, from the series Shokoku Meisho Hyakkei (One Hundred Famous Places in the Various Provinces), the subtitle, True View of the Whirlpool of Naruto, Awa Province, signed Hiroshige ga. £350 – 450 錦絵 二代広重 諸国名所百景

10

*See inside front cover for information regarding fees

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24 (part)

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23 A WOODBLOCK PRINT BY HIROSHIGE II (1826 - 1869).

Oban tate-e, from the series Shokoku Meisho Huakkei (One Hundred Famous Places in the Various Provinces), a view of Maruyama, Nagasaki, the publisher’s mark Uoya Eikichi, the censor’s seal, Aratame. £300 – 400 錦絵、二代広重 諸国名所百景

25 TWO WOODBLOCK PRINTS BY HIROSHIGE II. Oban tate-e from the series ‘Shokoku Meisho Hyakkei’ (One Hundred Famous Places in Various Provinces), the garden of Narita yama shrine at Shimofusa province, and the sunrise at the Futamigaura cost, Ise province. (2) £250 – 350 錦絵2枚、二代広重 諸国名所百景

24 TWO WOODBLOCK PRINTS BY HIROSHIGE II. Oban tate-e from the series ‘Thirty-six Views of the Eastern Capital’, Hongo Street, A canal at Ochanomizu, both signed Hiroshige ga, the publisher’s mark, Ai-to. (2) £300 – 500 錦絵2枚、二代広重 東都三十六景

26 A WOODBLOCK PRINT BY HASUI KAWASE (1883 - 1957).

Oban yoko-e, Sakurada Gate of the Imperial Palace at Night, from the series ‘Tokyo nijukkei’ (Twenty views of Tokyo), dated Showa 3 (1928), signed Hasui with a red seal, the publisher’s seal, Hankenshoyu Watanabe Shozaburo. £400 – 500 木版画 川瀬巴水

11

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29 27 A WOODBLOCK PRINT BY HIROSHI YOSHIDA (1876 - 1950).

Oban yoko-e, with a title ‘Chion-in Temple Gate’ from the series ‘Sakura Hachidai’ (Eight Scenes of Cherry Blossoms), dated Showa 10 (1935), signed in pencil, Hiroshi Yoshida. £300 – 400 木版画 吉田博 28 A WOODBLOCK PRINT BY HASUI KAWASE (1883 - 1957).

Oban tate-e, ‘Bushu Nenoyama’ dated Showa 16 (1941), the publisher’s seal, Watanabe MoKuhan Bijutsugafukosaku, the printer’s name Kama Gintaro, signed in pencil, Hasui Kawase. £400 – 500 木版画 川瀬巴水

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30 29 A WOODBLOCK PRINT BY HIROSHI YOSHIDA (1876 - 1950).

Oban tate-e, ‘Himeji Castle - Evening’, dated Taisho 15 (1926), signed Hiroshi Yoshida in pencil, with jizuri (self-printed) seal. £300 – 400 木版画 吉田博 30 A WOODBLOCK PRINT BY HIROSHI YOSHIDA (1876 - 1950).

Oban tate-e, Himeji Castle - Morning, dated Taisho 15 (1926), signed Hiroshi Yoshida in pencil, with jizuri seal. £300 – 400 木版画 吉田博

*See inside front cover for information regarding fees

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31 A WOODBLOCK PRINT BY HIROSHI YOSHIDA (1876 - 1950).

Oban yoko-e, ‘Shokei Palace, Korea’, dated Showa 12 (1937), signed in pencil, Hiroshige Yoshida, with jizuri seal. £300 – 400 木版画 吉田博

33 A WOODBLOCK PRINT BY HIROSHI YOSHIDA (1876 - 1950).

Oban yoko-e, ‘Fuji san from Yamanaka’, dated Showa 12 (1937), signed in pencil, Hiroshi Yoshida, with jizuri seal. £450 – 550 木版画 吉田博

32 A WOODBLOCK PRINT BY HIROSHI YOSHIDA (1876 - 1950).

Oban yoko-e, ‘Small town in Chugoku’ dated Showa 8 (1933), signed in pencil, Hiroshi Yoshida, with jizuri seal. £250 – 350 木版画 吉田博

34 A WOODBLOCK PRINT BY HIROSHI YOSHIDA (1876 - 1950).

Oban yoko-e, ‘Camping, Kitadake, Ainodake’ from the Southern Japan Alps series, dated Showa 3 (1928), signed in pencil, Hiroshi Yoshida, with jizuri seal. £500 – 700 木版画 吉田博

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34a

35 34a A WOODBLOCK PRINT BY HIROSHI YOSHIDA (1876 - 1950).

A large format, with a title, Tairyo (a big catch), a return of fishing fleet, signed Yoshida with two seals, printed signature Hiroshi Yoshida at the bottom margin, date Showa 3 (1928), 55 x 40cm. £450 – 550 木版画 吉田博 大漁

14

35 A WOODBLOCK PRINT BY KIYOSHI SAITO (1907 - 1997).

A large format, ‘Katsura, Kyoto’ a stone lantern at Katsura Imperial villa in Kyoto, signed Kiyoshi Saito, edition no. 10/100, dated 1965, 45.5 x 60cm. £500 – 700 木版画 斎藤清

*See inside front cover for information regarding fees

Beauties, Warriors and Actors Prints

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36 TWO FRAMED PRINTS BY HIROSHIGE AND KUNISADA. 19th Century.

Oban tate-e from the series Sohitsu gojyu-san tsugi (Fifty-three stations on the Tokaido by two brushes), the post station Okitsu, the figures designed by Kunisada and the landscape by Hiroshige, and an oban diptych by Kunichika, kabuki actors on their roles, framed and glazed. (2) £150 – 200 錦絵2点 広重、国貞他 37 A FRAMED PRINT BY KUNISADA. Oban triptych, Azuma Bridge from Edo Meisho Hakku awase (A collection of poems matching with famous places in Edo), signed Kunisada aratame nidaime Toyokuni. (3) £200 – 300 錦絵三枚続 国貞

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39 (part)

38 THREE WOODBLOCK PRINTS BY YOSHITOSHI (1839 - 1892) AND GEKKO (1859 - 1920).

An oban tate-e, ‘The enlightenment of the hell courtesan’ from the new form of thirty-six ghosts series by Yoshitoshi, and two oban tate-e from the series ‘Genji fifty-four chapters’ by Gekko. (3) £250 – 350 錦絵2枚 芳年、月耕 39 ELEVEN WOODBLOCK PRINTS, BY KUNIYOSHI, SHUNTEI, EIZAN AND OTHERS. 19th Century.

Comprising, two prints by Kuniyoshi from the series ‘Sankai Medetai zue’ (Celebrated products of mountains and seas), one by Kunisada from the series ‘Gosho moyo Tosei nishiki’ (New brocade patterns for the palace), one by Eizan, depicting the courtesan at Tsuruya, from the series ‘Shin Yoshiwara dochu zu’, one by Eishi, depicting three courtesans on a boat, two by Eizan, a standing beauty, one by Katsukawa Shuntei, entitled ‘Denka Chatei Haru no Sumiyoshi’, a scene from the kabuki play ‘Vengeance at Denka tea-house’, and further three prints. (11) £350 – 450 錦絵11枚、国芳、国貞、春亭、英山他 15

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40 (part)

41 (part)

41 (part)

40 FIVE WOODBLOCK PRINTS BY CHIKANOBU (1838 - 1912) AND NOBUKAZU (1874 - 1944) Five oban tate-e, two by Chikanobu from the series ‘Setsugekka’ (Snow, Moon and Flowers) and three by Nobukazu from the ‘Imayo Jyunikagetsu no uchi’ (the Modern days of twelve months), depicting women and children engaged in seasonal observances. (5) £400 – 500 錦絵5枚、周延 雪月花、延一 現世十二か月の内

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41 (part)

41 THREE WOODBLOCK PRINTS BY KUNICHIKA (1835 - 1900) AND CHIKANOBU (1838 - 1912).

One narrow format print by Kunichika, depicting two ladies under a cherry tree, one is standing holding her tenugui on her head attempts to stop it being undone by the wind while the other bending to pick her kaishi papers, two oban tate-e, by Chikanobu from the Gento shashin kurabe series (The collection of magic lantern slides), a beauty standing in front of a projected image of Arashiyama, and the fireworks on the river, (Kawabiraki). (3) £300 – 400 錦絵3枚、国周、周延 幻燈写心競

*See inside front cover for information regarding fees

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43 (part)

43 (part)

44 (part)

42 A GROUP OF WOODBLOCK PRINTS BY KUNIYOSHI, KUNISADA AND EIZAN. 19th Century.

Oban tate-e, mainly bijin-ga (a picture of a beauty), including one by Eizan from the set, ‘Furyu Bijin zoroi’ (A collection of fashionable beauties), two by Kuniyoshi depicting beauties on a balcony, and two

by Kunisada from the lovers of Prince Genji series. (9) £250 – 300 錦絵9枚 国貞、国芳他

44 (part)

43 THREE WOODBLOCK PRINTS BY HIROSHIGE AND KUNISADA. Oban tate-e, from the series ‘Fifty-three Stations on Tokaido Road by Two Brushes’, the landscape designs by Hiroshige and the figures by Kunisada, the post stations, Hakone, Arai and Ishibe. (3) £200 – 300 錦絵3枚、広重、国貞、双筆 五十三次 44 FOUR WOODBLOCK PRINTS BY HIROSHIGE, KUNIYOSHI AND KUNISADA. Oban tate-e from the series ‘Ogura nazorae hyakunin ishhu’ (Comparison of the One Hundred Poems), signed variously. (4) £300 – 400 錦絵4枚、広重、国芳、国貞

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45 (part)

45 (part)

45 (part)

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47 45 FIVE WOODBLOCK PRINTS BY KUNIYOSHI (1798 - 1861).

Oban tate-e, from various musha-e series including ‘The one hundred and eight heroes of the popular Suikoden (Shuihu zhuan)’, ‘Heroes of the three kingdoms’, ‘Stories of the faithful hearts’ and one from ‘Ogura nazorae Hyakunin Ishhu’ (The comparison of the one hundred poems). (5) £500 – 600 錦絵5枚 国芳 通俗水滸伝豪傑百人一個、通俗三国志英雄之壱人、 誠忠義士伝、小倉擬百人一首

47 A WOODBLOCK PRINT BY YOSHITORA. (C. 1860s) Oban triptych, depicting the Shogun Yoritomo’s hunting party at a plain of Mt. Fuji, his retainer Nitta Shiro Tadatsune killing a giant boar, signed Kinchoro Yoshitora ga. (3) £200 – 300 錦絵 芳虎三枚続

46 A WOODBLOCK PRINT BY KUNIYOSHI (1798 - 1861).

Oban triptych, a scene from the play Chushingura, depicting the fortyseven samurai gathering in front of their master’s grave after the revenge, washing the head of their enemy, signed Ichiyusai Kuniyoshi ga. (3) £200 – 300 錦絵 国芳 三枚続 18

*See inside front cover for information regarding fees

48 A GROUP OF KABUKI PRINTS BY KUNISADA, YOSHITOSHI AND OTHERS. 19th Century.

Oban tate-e, diptychs/two sheets from a triptych, all depicting kabuki actors in their roles, variously signed. (7) £500 – 700 錦絵 国貞、芳年、国明

48 (part)

49 A GROUP OF NINE WOODBLOCK PRINTS BY KUNISADA AND OTHERS. 19th Century.

Including two triptychs by Kunisada, entitled ‘Amayadori Haruno Michizuki’ depicting a group of kabuki actors taking a shelter from the rain, one triptych by Kunisada, a scene from the revenge tale of Soga brothers, two sheets from a triptych showing the interior of the theatre Ichimuraza in Edo, variously signed. (9) £250 – 350 錦絵9点 国貞他

49 (part) 19

50 A GROUP OF WOODBLOCK PRINTS BY TOYOKUNI, KUNISADA AND OTHERS. 19th Century.

Fifteen oban prints, mainly kabuki-e including a diptych by Toyokuni, showing kabuki actors in their roles of Kintaro and Uba, two small Osaka-e prints, one by Kuniyoshi depicting the actor Osagawa Tsuneyo in his role, one Ryusai Shigeharu from the series ‘Nijyushiko’ (Twentyfour Paragons of Filial Piety), one triptych by Kunichika. (15) £400 – 500 錦絵15枚、豊国、国貞、国近、国芳、重春他 50 (part)

51 A GROUP OF WOODBLOCK PRINTS. 19th / 20th Century.

Including three kabuki prints by Kunisada and Kuniyoshi, a small tanzaku print by Hiroshige, two book-plates from an illustrated book by Hokusai, a reproduction surimono, and a small drawing by Shijo school artist. (10) £200 – 300 錦絵他10枚 国貞、国芳他

50 (part)

51 (part) 20

*See inside front cover for information regarding fees

52 A WOODBLOCK TRIPTYCH. 20th Century.

Oban triptych, a war propaganda print, depicting a battle off Port Arthur during the Russo-Japanese war, dated Meiji 37 (1904). £100 – 150 戦争絵 三枚続

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53 A WOODBLOCK PRINT BY UTAGAWA TOYONOBU (1859 - 1896).

Two oban diptychs, from the series Shinsen Taikoki (The New Biography of Toyotomi Hideyoshi), each depicting, a battle beside the Fuji river, and a battle ship in the rough sea, signed Toyonobu ga. (4) £200 – 300 錦絵 豊宣 二枚続

54 No lot

53 (part)

55 A WOODBLOCK PRINT BY OSAKA SCHOOL ARTISTS. 19th Century.

Oban diptych by Hokuei, a scene from the kabuki play ‘Himekurabe Futabaezoshi’, and a chuban diptych

by Muneshige, also depicting kabuki actors in combat on the stage. (2) £400 – 500 錦絵2枚続 上方歌舞伎絵 Another impression of the first print is illustrated in Hiroko Kitagawa, Kansai University library, Kamigata Yakushae gacho.

55 21

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57 56 A WOODBLOCK PRINT BY HIROSHIGE III (1842 - 1894).

Meiji Period.

Oban triptych, entitled ‘Omi Hakkei zenzu’ (Eight beautiful views in Omi from Ishiyamadera), the lady Murasaki standing on the veranda looking out over Lake Biwa, signed Hiroshige hitsu. £300 – 400 三代広重 近江八景全図 Another impression of this triptych with Murasaki Shikibu seated is at the British Museum no. 1985.0725.0.1.1-3.

57 A WOODBLOCK PRINT BY ITO SHINSUI (1898 - 1972).

Autumn Full Moon (Jyugoya) from the series Modern Beauties, a young girl in yukata, leaning against a pillar, signed Shinsui saku, dated Showa 6, with the publisher’s seal watanabe, no.8 from the limited edition of 350, 43.5 x 28cm. £600 – 800 木版画 伊藤深水

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59 (part) 58 TWO WOODBLOCK PRINTS BY KAORU KAWANO (1916 - 1965).

Two sleepy kittens, 28.5 x 42cm, an owl and the moon, 23 x 38cm (approx.) both with a seal, the owl, signed in pencil, Kaoru Kawano.

(2) £150 – 250 木版画2枚 河野薫 59 SEVEN WOODBLOCK PRINTS BY SADAO WATANABE (1913 1996).

All of a scene from the bible, each signed and dated in pencil, 22.5 x 32.5cm. (7) £600 – 700 木版画 渡辺貞夫

*See inside front cover for information regarding fees

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61 (part) 60 TWO KACHO-E WOODBLOCK PRINTS. 19th / 20th Century.

Tanzaku format, a cockerel and chick by Ohara Koson (1877 - 1945), 34 x 18cm, and a dragonfly on a lotus stalk signed Bunyu (Fumio), 35 x 58.5cm. (2) £200 – 300 花鳥絵木版画2枚、古邨、文雄

61 EIGHT SMALL WOODBLOCK PRINTS BY UTAGAWA SCHOOL ARTISTS. 19th Century.

Including a triptych by Yoshiume depicting Sakata Kintoki and five other samurai slaying the giant spider, four prints by Kuniharu, each showing a dancing girl on a stage and one by Kunisada. (8) £250 – 350 小判錦絵8枚 歌川派

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64 (part) 62 A WOODBLOCK PRINT BY HARUNOBU (1724 - 1770).

Chuban yoko-e, from the erotic prints series Furyu Zashiki Hakkei (Eight Views of the Fashionable Parlour), with the subtitle ‘Kotoji no rakugan’ (Descending geese on the koto bridge), depicting a young girl playing the koto whilst a man is kissing her and untying her obi, an European dog seated beside them with its head turning to the left, unsigned, 19.8 x 27.8cm. £500 – 700 錦絵 鈴木晴信 風流座敷八景

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63 A SHUNGA BOOK. 19th Century.

Six double-page, and two single-page illustrations of erotic scenes by Utagawa school artist, eight pages of text, 22 x 15.5cm. £200 – 300 春画絵本

64 FOUR ILLUSTRATED BOOKS BY HOKUSAI AND OTHERS. 19th Century.

Santai gafu (Three ways of drawing), 1vol. by Hokusai and his pupils, dated Bunka 13 (1815), 22.5 x 16cm, Ehon haya manabi (Picture book of short cut to lean drawings), 17.8 x 12 cm, Ranma zushiki (Designs for Ramna), dated Kyoho 19 ( ), 19 x 26.5cm and Chikuzan teizoden, (Designs of garden) 1 vol.

28 x 18cm (4) £300 – 500 絵本4冊 北斎他

*See inside front cover for information regarding fees

65 65 A RARE WOODBLOCK PRINTED BOOK BY HAYASHI SHIHEI (1783 - 1793).

Sangoku tsuran zusetsu (Illustrated survey of the three countries), 1 vol. printed in black and white, an embossed cream coloured cover with green printed title-slip, preface 3 pp. signed by Katsurakawa Hoshu Kuniakira, dated Temnei 6 (1786), text 51 pp. text including an introduction signed by Hayashi Shihei, dated Tenmei 5 (1785), 5 double-page, 22 single page illustrations of customs and costumes of the Ainu people, a colophon giving the publisher’s name, Suharaya Ichibei dated Temmei 6 (1786), 27 x 18.5cm.

Provenance: S Oliver collection. £400 – 600 林子平 三国通覧図説 版本

During his life time, Hayashi’s work was considered controversial as it was opposed to the opinion of the government. He criticised the shogunate’s sakoku (national isolation) policy and pointed to a need for Japan’s coastal defence against the Russian and other countries in his self-printed book ‘Kaikoku Heiden’. This led to his books being seized and the printing blocks were destroyed, however, the work circulated secretly in manuscript form. Sangoku tsuran zusetus is the first book to define the Japanese borders with the neighbouring countries, Ezo (Hokkaido), Ryukyu (Okinawa) and Chosen (Korea), and was accompanied by five maps. A copy of this book was eventually brought to Europe by Issac Titsingh, a senior official of the Dutch East India Company, in 1796 and later translated into French. Hayashi died under the house arrest two years after his books were banned.

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66 (part)

66 A GROUP OF SEVEN ILLUSTRATED BOOKS. Circa 1910.

Bijutsu Kai, vol.19,34,41,43,44,45 and 46. each with twenty illustrations of various designs for kimono patterns and other craft, published by Yamada Unisodo, Kyoto, 24.2 x 16.5cm each. (7) £700 – 900 美術海 7冊

66 (part)

67 ILLUSTRATED BOOKS BY KWABATA GYOKUSHO AND OTHERS. Including four volumes of ‘Shuga Hyakudai’ by Kawabata Gyokusho, one volume of ‘Ehon Uguisuyado, Ume’ by Tachibana Morikuni, one volume of Joryuri songs. (8) £200 – 250 版本８冊 川端玉章他

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*See inside front cover for information regarding fees

68 A PAINTING OF A CHINESE SCHOLAR. Attributed to Kano Tan’en (1805 - 1853).

Painted in ink and colour on silk, a portrait of a Chinese scholar at his desk in a circle shape panel, signed Tan’ensai Hogan Fujiwara Morizane hitsu, with two seals, mounted on a board, 70 x 98cm (painting), 112 x 151cm (board). £200 – 300 唐人学者図 狩野 探淵 Kano Tan’en is the eight generation of the Kajibashi branch of the Kano school, he was employed by the Tokugawa shogunate as Goyo eshi.

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69 A PAINTING OF A CHINESE LADY. Attributed to Yanagizawa Kien (1705 - 1758).

In ink, colour and gofun on silk, elegantly painted with a Chinese lady and her attendant standing beside a peach tree, each holding a peach and a turtle in their hands, signed Kien Shujin with two seals, framed and glazed, 114 x 40cm (painting), 127 x 47cm (frame). £200 – 300 中国婦人図 銘柳沢淇園

70 A HANGING SCROLL. 19th Century.

Painted in ink and colour on paper, depicting sparrows under dandelions and violets, flying butterflies amongst peonies, signed Hisanobu with a red seal, with wooden fitted box, 111 x 47.5cm. (2) £150 – 200 花鳥絵掛軸 19世紀

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71 A PAINTING OF A FOX WEDDING. 19th / 20th Century.

In ink and colour on silk, depicting a procession of foxes dressed in kimono walking through torii gate in a forest at night, signed Kiyoteru (Seiki) hitsu with a red seal, mounted, 44.5 x 36cm. £200 – 300 狐の嫁入り 清輝

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73 (part) 72 A PAIR OF PAULOWNIA WOOD HIBACHI. 19th / 20th Century.

Each of a thick circular body decorated in iroe takamaki lacquer, gilt and mother-of pearl inlay with a fox wedding procession under a maple tree, with fitted boxes, 20cm H. (2) £400 – 600 桐製火鉢 狐の嫁入り図

73 (part) 73 A SMALL LACQUER PHOTOGRAPH ALBUM. Meiji Period.

Mounted with twenty-two hand-coloured albumen prints of various subjects including men and women in the traditional costumes, famous sightseeing places, a curio shop and samurai in armour, the covers decorated with a crane and bamboo in gold hiramaki-e on a black lacquer ground, 12 x 18cm. £300 – 400 写真アルバム

*See inside front cover for information regarding fees

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74 A BRONZE MODEL OF A STAG. 20th Century.

Stylistically cast bearing seal mark, Shounsai, 54cm H. £300 – 500 銅製置物 鹿 銘松雲斎

76 A BRONZE INCENSE BURNER. 19th Century.

In the form of an immortal riding a duck, 25cm H. (2) £400 – 500 銅器製香炉置物 １９世紀

75 A BRONZE MODEL OF HAWKS. Meiji Period.

The mother perched on a tree trunk clutching her chick between her left claws, 45cm H. £2,000 – 3,000 銅製置物 鷲親子 明治時代

77 A BRONZE MODEL OF A LION DOG AND A BALL. 19th Century.

Separately cast model a shishi dog seated with his front paw pushing a ball, biting a rope between his teeth, patinated in dark brown with speckle of gilt 15cm H, 25cm long, with a wood base. (3) £600 – 800 銅製置物 獅子

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78 A BRONZE BUDDHIST LION DOG CENSER. 19th Century.

Standing with one of his paws resting on a ball, turning his head towards left, 24cm H. (2) £300 – 500 銅製獅子香炉置物

80 A BRONZE MODEL OF AN ELEPHANT. Meiji period.

Naturalistically cast with ivory tusks, walking forwards with its trunk raised, signed Seiya chu, approx. 37cm width. £600 – 800 銅製置物 象、銘 誠谷鋳

79 A BRONZE MODEL OF A TIGER BY ATSUYOSHI. Meiji period.

Finely cast crouching tiger with its mouth wide open in a roar, signed Toku Atsuyoshi, Maruki sei, 36cm long, 18cm H. £600 – 800 銅製置物 虎 篤良 まるき製

81 A BRONZE STUDY OF GUANYIN. 19th / 20th Century.

Seated with her eyes gently closed, holding a scroll on one hand, the other hand resting on the raised knee, with a wood stand,16cm H. (2) £200 – 300 銅製置物 観音

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81 *See inside front cover for information regarding fees

82 84 82 A PAIR OF TETSUBIN (IRON TEAPOT) 19th Century.

Each boldly cast in high and low relief, with the bird and flower motif, the inside of the lid with an incised signature Bunryudo, 16cm H. (2) £300 – 400 鉄瓶一対 銘亀龍堂

84 A SENTOKU VASE BY INOUE. Meiji period.

A small global form, chiselled and inlaid in silver, gilt and soft metal with Mt. Fuji and a lake, signed Inoue, and two other signatures, 7cm H. £200 – 300 宣徳銅壺、銘 井上

83 A PAIR OF BRONZE VASES. Meiji period.

Chiselled and inlaid with chrysanthemums and flying birds, 15.2cm H. £200 – 300 銅器壺一対、明治時代

85 85 A SILVER AND BAMBOO PIPE. 19th / 20th Century.

A bamboo kiseru pipe fitted with silver ends engraved and gilded with stylized cherry blossoms, in a pale blue deer skin case, 22cm long. £200 – 300 煙管 19 20世紀

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86 A GOTO SCHOOL KOGAI. Edo period.

Bearing nanako ground decorated in takabori and inlaid with a horse saddle and a whip, a wood fitted box, unsigned, 22cm long. (2) £150 – 250 笄 江戸時代

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87 SIX VARIOUS SATSUMA PIECES. 19th / 20th Century.

Including three ovoid vases, one hexagonal brush stand, one incense burner, one miniature teapot, and a long hat pin, decorated in typical enamels and gilt with floral/beauty designs, variously signed, the tallest 18cm H. £250 – 350 薩摩焼 六点

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88 THREE SATSUMA EARTHENWARE BOXES AND COVERS. 19th Century.

Of circular, square, and mokko shape repectively, richly decorated in enamels and gilt with various ‘Birds and Flowers’ designs, the largest 8.5 x 11.5cm. (3) £400 – 500 薩摩焼小箱３点

89 THREE SATSUMA TEA BOWLS. 19th / 20th Century.

Decorated in enamels and gilt, each with a ‘Hundred Butterflies’ design, a procession of samurai, and a Chinese scholar at his study, the first signed Satsuma yaki, the third signed Koshida, 13cm, 16cm and 12cm diameter respectively. (3) £300 – 400 薩摩焼 茶碗３点

*See inside front cover for information regarding fees

90 (two views)

90a 90 AN ARITA JAR. Late 17th Century.

Of ovoid form decorated in underglaze-blue with a pair of ho-o birds amongst rocks peonies and camelias, the shoulder with peonies and karakusa pattern, 28cm H. £300 – 500 有田焼染付壺 90a A PAIR OF IMARI DISHES. 17th / 18th Century.

Each of octagonal form, decorated in underglaze-blue, iron-red and gilding with a vase of peonies bordered by foliage designs, the reverse with bird and flower roundels, 19.8cm diameter. (2) £200 – 300 伊万里色絵皿一対

91 A QUANTITY OF REFERENCE BOOKS ON JAPANESE ART. Including Bowes, Japanese Marks and Seals, Bently, Manners and Custums of the Japanese, Closhois, Shunga, Hillier, The Uninhibited brush, Japanese prints collected by Vincent van Gogh, Weidefield & Nicolson, Japan A History in Art, Iilling, Japanese Erotic Art, Stein, Master Prints of Japan. (qty) £150 – 250 美術参考書 91a A QUANTITY OF REFERENCE BOOKS ON JAPANESE PRINTS. Including Mitchener, Japanese prints, Juzo Suszuki, Hiroshige, Tsuneo Tamba, The Art of Hiroshige, Illing, Later Japanese Prints, Strange, The Colour prints of Hiroshige, Lane, Image from the Floating World, Smith The Japanese Print Since 1900, Jacob Pins, The Japanese Pillar Prints, Ukiyoe Taikei, 11 vols. (qty) £150 – 200

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Chinese & other Asian Art Page 36 - 150

Blanc De Chine Figures from an English Private Collection (lots 92 - 96)

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92 A BLANC DE CHINE FIGURE OF BUDDHA. Late Qing Dynasty.

Standing in flowing robes, the chest bare, on a base of waves, impressed tongde seal mark to back, boxed, 21cm H. (2) £400 – 600 清晚期 德化窯佛立像，「同德」款 93 A BLANC DE CHINE FIGURE OF GUANYIN. Late Qing Dynasty.

Standing in flowing robes, a ruyi sceptre held in the left hand, a double gourd impressed He Chaozong mark to the back, fitted box, 26cm H. (2) £400 – 600 清晚期 德化窯觀音立像，「何朝宗」款

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94 A BLANC DE CHINE FIGURE OF GUANYIN. Late Qing Dynasty.

Standing in flowing robes with a jewelled necklace, a fly wisp held in the left hand, a basket of fish beside the right foot, impressed Tongde mark to back, fitted box, 27cm H. (2) £400 – 600 清晚期 德化窯觀音立像，「同德」款 95 A BLANC DE CHINE FIGURE OF BUDDHA. Late Qing Dynasty.

Standing on a rocky base in long flowing robes, the chest bare, a rosemary in the right hand, an open book in the left, 35cm H. £300 – 500 清晚期 德化窯彌勒佛立像

*See inside front cover for information regarding fees

96 A BLANC DE CHINE FIGURE OF GUANYIN. Late Qing Dynasty.

Seated in flowing robes, a fly wisp held in the left hand, a dragon crouching below the raised right foot, impressed Chen Wei zhi yin seal mark to back, fitted box, 23cm H. (2) £400 – 600 清晚期 德化窯觀音坐像，「陳偉之印」款

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97 A PAIR OF SPINACH JADE VASES AND COVERS. 20th Century.

Of elongated form the compressed globular body resting on spreading feet with scrolling handles to the shoulders and a domed cover supporting a globe finial, finely incised with a rocky and pine-filled landscape scene to the body and neck, fitted boxes, 25cm H. (6) £1,000 – 2,000 二十世紀 碧玉雕人物古松山水圖蓋瓶一對

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98 A SPINACH JADE TRIPOD CENSER WITH COVER. Late Qing Dynasty.

The globular body supported on three feet emerging from lion heads, the shoulders set with loop handles emerging from dragon heads and suspending rings, the high domed cover surmounted by a Buddhist lion dog whose left front paw rests on a ribboned ball, 16cm H. (2) £6,000 – 8,000 清晚期 碧玉雕三足雙活環耳佛獅蓋爐

99 A PAIR OF SPINACH JADE WASHERS. Late Qing Dynasty.

Each incised to the exterior with blossoming flowers and scrolling foliage, flanked on either side by bat handles suspending loose rings, wood stands, 32cm diameter. (4) £2,000 – 3,000 清晚期 碧玉雕筆洗一對

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*See inside front cover for information regarding fees

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100 A CARVED SOAPSTONE FIGURE. Qing Dynasty, Kangxi era.

Seated in long flowing robes, the left hand holding a small ball and supported on the raised left knee, the right leg tucked beneath, the head turned slightly to the left, the robes incised with lingzhi spray and floral patterns to the hems, heightened in gilt, traces of pigment, carved soapstone stand, 9.5cm H. (2) £1,000 – 2,000 清康熙 壽山石雕人像連座

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101 A CARVED BOXWOOD FIGURE OF GUANYIN. Qing Dynasty, 18th Century.

Finely carved in long flowing robes, the left hand holding a scroll, the face in a meditative expression, 12.5cm H. (2) £800 – 1,200 清十八世紀 木雕觀音立像

102 AN EIGHT-PANEL HARDSTONE-INLAID WOODEN TABLE SCREEN. Late Qing Dynasty.

Each panel inlaid in soapstone and motherof-pearl to depict boys and scholars at rest, set into a wood screen with carved and pierced wood panels, set into a stepped base, 36cm H, 67cm wide. (11) £1,000 – 2,000 清晚期 嵌石雕八開插屏

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103 A JADE-INSET WOOD BOX AND COVER. The cover of the rectangular box set with a central square panel of Garuda squatting with hands together in front of scrolling clouds, set between a pair of pendants each carved and pierced to depict a phoenix among flowers, the box 24 x 16 x 6cm. (2) £2,000 – 3,000 嵌玉木雕蓋盒

106 A SILVER-INLAID IRON SQUARE BRUSH POT. Qing Dynasty.

Each of the four faces inlaid with a fish among waves, above a band of lappets, six character silver inlaid Qianlong mark to base, 5.5cm H. £800 – 1,000 清 鐵嵌銀四方筆筒

104 TWO HARDWOOD LIBATION CUPS. Qing Dynasty.

One carved as a peach fruit with attendant branch, the other with attendant plum branches, 9-11cm diameter. (3) £500 – 800 清 木雕供盃兩隻 105 A PAIR OF RHINOCEROS HORN HEXAGONAL BOXES AND COVERS. Late Qing Dynasty.

Of hexagonal form the sides and cover incised with Chinese characters, 5cm. (4) £800 – 1,000 清晚期 犀角雕六方蓋盒一對 高樓夜氣清，仲夏月詠為 似醉非關海，仲夏月詠為

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107 A CRACKLE-WARE WASHER. Qing Dynasty, 18th Century.

Of compressed circular form, supported on a shallow tapered foot, the rounded sides rising to an incurved rim, covered overall with an irregular crackle glaze, the foot unglazed, 7.5cm H. £600 – 800 清十八世紀 冰裂紋筆洗 108 A PUDDINGSTONE ‘MOUNTAIN PEAK’ BRUSHREST. Qing Dynasty.

Carved with four peaks, the stone of mottled black red and green, 4.7cm H, 8cm long. £150 – 200 清 圓礫岩雕山形筆搁

*See inside front cover for information regarding fees

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109 A STONE CARVING OF AN ELEPHANT. Probably Yuan Dynasty.

Carved standing four square with a wrinkled body and face, two circular shou characters on the body, 19cm long, 12.5cm H. £500 – 800 約元 石雕象

112 A FAMILLE ROSE BELT HOOK. Qing Dynasty.

A mythical beast head forming the hook, the body decorated with bats, peaches and foliage, on a pink ground, 8cm long. £300 – 500 清 粉彩帶扣

110 A PALE CELADON ‘GOAT’ CENSER AND COVER. Qing Dynasty, 19th Century.

Seated with the head slightly raised, the legs tucked beneath, the mouth open for the release of smoke and with a pierced cover forming part of the saddle on the back, 12cm H. (2) Provenance: John Sparks [label] £600 – 800 清十九世紀 青釉山羊形蓋爐

113 A JADE AND HARDSTONE NECKLACE. 55cm. £600 – 800 玉及硬石項鍊

111 TWO JADE PENDANTS AND A CIRCULAR DREAMSTONE PANEL. Qing Dynasty.

Wood stands, 11.5cm diameter. (6) £300 – 500 清 玉雕吊墜兩件及云石牌 山亭有仙趣，石林 ， 「□□」「□」

114 A PIERCED IVORY NECKLACE. 19th Century.

Comprised of pierced and hollow circular ivory beads, some with red staining. £100 – 200 十九世紀 象牙雕項鍊 115 A RHINOCEROS HORN AND IVORY HANDLED FLY WHIP. Late Qing Dynasty.

47cm long. £800 – 1,200 清晚期 鑲犀牛角及象牙雕把手拂塵 41

116 A JADE CARVING OF A SEATED BEAR. Han dynasty, or later.

The animal seated with the ams bent and resting on the top of the legs, with large bulbous eyes and the mouth open, 4.5cm H. Provenance: Spink, by repute. £6,000 – 8,000 漢或更晚 玉雕熊

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*See inside front cover for information regarding fees

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117 TWO JADE CARVINGS. Ming Dynasty, and later.

Comprising a metal mounted carved jade dragon belt section, together with a handled baluster vase and cover incised to the faces with taotie masks, 9.5cm H, 4.5cm diameter. (3) £300 – 500 明或更晚 玉雕兩件

119 A WHITE JADE CARVING OF A BIRD. 18th / 19th Century.

The bird seated with the legs tucked beneath the head dramatically turned backward with a spray of lingzhi fungus in the mouth, 7cm long. £5,000 – 8,000 十八 / 十九世紀 白玉雕鳥

118 AN AGATE CARVING OF A BOY AND A JADE CARVING OF A BOY. Qing Dynasty.

The jade carving of a standing boy, the agate carving carved through two colours to depict Liu Hai holding a cash coin in one hand and a lotus bud in the other, above a three-legged toad, 4.5 / 6cm H. (2) £1,000 – 2,000 清 瑪瑙雕童子及玉雕童子

120 A JADE CARVING OF A SEATED DOG. 17th Century, or later.

Seated with the legs tucked beneath and the head turned to the right, the large bulbous eyes raised, 6.5cm long. £2,000 – 3,000 十七世紀或更晚 玉雕狗

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121 A COLLECTION OF JADE AND HARDSTONE CARVINGS. 19th / 20th Century.

Comprising a carved jade three-peak mountain brush rest with integral stand raised on four short stepped feet, a jade archer’s ring, a carved jade ling guang, and an amethyst carving, 2.5 - 7cm H. (4) £1,200 – 1,800 十九 / 二十世紀 玉雕及硬石雕一組，「翎管」款

124 THREE JADEITE ITEMS. 19th / 20th Century.

Comprising a seated figure of Guandi in long flowing robes with leads spread apart, a rectangular uncut seal surmounted by a seated lion, and a bell-form pendant, 3-7.5cm H. (3) £500 – 800 十九 / 二十世紀 玉雕三件

122 A COLLECTION OF JADE CARVINGS. Comprising a double gourd carving, a pebble carving, a robe twist bangle, and a jade bi, 4-8.5cm H. (4) £300 – 500 玉雕一組

125 A COLLECTION OF FIVE JADE CARVINGS OF ANIMALS. Qing Dynasty, and later.

Comprising a cat-form seal, a dog, a horse and two three-legged toads, 3 - 4cm long. (5) £400 – 600 清或更晚 玉雕動物五件

123 FIVE JADE CARVINGS OF BOYS. 19th / 20th Century.

Four standing holding a lotus spray, another kneeling holding a lingzhi fungus spray, four wood stands, 5cm long. (9) £600 – 800 十九 / 二十世紀 玉雕童子五件

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126 A COLLECTION OF JADE CARVINGS. 6.5-9cm. (6) £400 – 600 玉雕一组

*See inside front cover for information regarding fees

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131 127 A WHITE JADE CARVING OF A DEER TOGETHER WITH JADE ‘ANIMAL GROUP’ CARVING. 6-6.5cm H. (2) £300 – 500 白玉雕鹿及玉雕動物 128 TWO JADE CARVINGS. 19th / 20th Century.

Comprising a sitting duck with a lotus flower spray in the mouth, together with a butterfly with wings open carved and pierced below floral spray, 5-8cm long. (2) £400 – 600 十九 / 二十世紀 玉雕鴨及玉雕蝴蝶 129 TWO CARVED JADE ‘CHILONG’ BELT HOOKS. Qing Dynasty.

Each is carved on top in openwork with a chilong crawling towards the dragon-head terminal, an oblong stud on the underside, 8.5cm long. (2) £400 – 600 清 玉雕螭龍帶扣兩件

132 130 A CARVED JADE ‘LINGZHI FUNGUS’ BELT HOOK. Qing Dynasty.

Carved to depict a branch of lingzhi fungus entwined with melon fruit, with an attendant butterfly, 8cm long. £400 – 600 清 玉雕靈芝帶扣 131 A JADE ‘DRAGON FISH’ CARVING. 19th / 20th Century.

Seated with the head turned back over the body and the tail curled upwards, 5.5cm long. £500 – 800 十九 / 二十世紀 龍紋玉雕 132 A CARVED JADEITE BELT HOOK. Qing Dynasty.

With a double-horned dragon head terminal, 10cm long. £200 – 300 清 翡翠帶扣

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133 A SCHOLAR’S ROCK. Of tall irregular form, wood base, 45cm. £200 – 300 文房山石 134 A JADEITE ‘BATS AND PEACHES’ PENDANT. Early 20th Century.

Of rectangular form carved and pierced to depict a bat among fruit on leafy branches, 5 x 3.5cm. £400 – 600 二十世紀早期 翡翠雕‘福壽雙全’吊墜

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135 A CARVED LAPIS LAZULI VASE AND COVER. 20th Century.

Of rectangular baluster form, carved and pierced in high relief with Buddhist lion dogs clambering over the vase and cover chasing ribboned balls, 25.5cm H. (2) £100 – 200 二十世紀 青金石雕蓋瓶 136 A CORAL CARVING OF A LADY. Late Qing Dynasty.

The elegant lady standing in flowing robes a lotus leaf held in the right hand, carved wood stand, 6cm H. (2) £800 – 1,200 清晚期 珊瑚雕仕女像連座

*See inside front cover for information regarding fees

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137 A CELADON JADE ‘HANGING BASKET’ INCENSE BURNER AND COVER. Qing Dynasty.

The hanging basket with a chair handle and pierced domed cover, wood stand, boxed, 15cm H. (4) £800 – 1,200 清 青玉雕‘吊籃‘ 蓋爐連座 138 A JADE CARVING OF ZHOU TANZI. Qing Dynasty, 18th Century.

The figure standing with a bucket raised to his right, covered in a deer hide, the hide carved to contain a russet inclusion in the stone, 7.5cm H. £800 – 1,200 清十八世紀 巧色玉雕郯子

139

138

139 A CARVED JADE SCROLL-FORM REST. Qing Dynasty.

Of S-shaped form with ribs running along the length, carved from a pale celadon stone, 8cm long. £200 – 300 清 玉雕筆擱 140 A JADE WASHER. Qing Dynasty.

The thick walled shallow oval washer incised to the sides and base with rockwork, a spray of lingzhi fungus naturalistically carved in relief issuing from the centre of the interior, carved and pierced wood stand, 14cm long. (2) £1,500 – 2,000 清 玉雕靈芝紋筆洗

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Fans from an English Private Collection (lots 141 – 146)

141

142

143 (part)

144

141 A PAINTED FEATHER RIGID FAN. 19th Century.

Painted with flowers and birds, with an ivory handle suspending a silk tassel, framed and glazed, 39cm wide, 42cm long. £500 – 800 十九世紀 象牙鏤雕繪蝴蝶花鳥紋羽毛扇 142 A PAINTED CANTON FAN WITH TORTOISESHELL LEAVES. 19th Century.

Painted with a landscape scene, framed and glazed, 24m wide, 36cm long. £500 – 800 十九世紀 廣東玳瑁鏤雕繪人物折扇

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143 TWO FANS WITH BONE LEAVES. 19th Century.

Framed and glazed, 24cm wide, 40cm long. 25cm wide, 38cm long.

Provenance: Formerly in the collection of the Duchess of Richmond, by repute. £200 – 300 十九世紀 骨雕羽毛扇兩件 144 A PAINTED CANTON FAN WITH GILT BLACK LACQUER LEAVES. 19th Century.

The fan and leaves each decorated with an exterior garden scene, framed and glazed, 27cm wide, 53cm long. £400 – 600 十九世紀 黑漆描金繪人物圖折扇

*See inside front cover for information regarding fees

145

146

147 (part)

148

145 A PAINTED FEATHER FAN WITH IVORY LEAVES. 19th Century.

Painted in blue and gilt with sprays of flowers and fruit, framed and glazed, 26cm wide, 49cm long. £300 – 500 十九世紀 象牙鏤雕羽毛扇 146 A FEATHER AND IVORY FAN. 19th Century.

Carved to form a continuous garden scene across the ivory leaves, framed and glazed, 27cm wide, 38cm long. £300 – 500 十九世紀 象牙鏤雕羽毛扇

147 A CANTON PAINTED GILT-DECORATED BLACK LACQUER FAN. Qing Dynasty.

Both sides brightly painted with a garden scene, the black lacquer sticks painted with a further garden scene, the box decorated with figures to the cover and plants and animals to the sides, with Volong Canton trade label pasted inside the cover, 27cm H, 49cm long. (2) £400 – 600 清 廣東黑漆描金折扇 148 A MOTHER-OF-PEARL FOLDING FAN. Qing Dynasty, 19th Century.

Originally incised across the sticks to depict a figurative garden scene, below animals of the zodiac, 31cm diameter. £300 – 500 清十九世紀 嵌螺鈿人物園景圖折扇

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150

149

151

149 A PAIR OF FAMILLE ROSE HEXAGONAL DISHES. Qing Dynasty, Yongzheng era.

Finely enamelled with a central roundel of peonies bamboo and other flowers, enclosed within a circular diaper band en grisaille and heightened in gilt with four panels of auspicious symbols enclosed by four sprays of pink peony flowers, 19cm diameter. (2) £1,000 – 2,000 清雍正 粉彩描金繪牡丹紋六方碟一對 150 A FAMILLE ROSE BOWL. Qing Dynasty, Yongzheng era.

The exterior finely enamelled with leaf-shaped panels enclosing peony and chrysanthemum sprays beside fruit, against a pink diaper ground, with a green diaper band to the rim, the interior enamelled with a central roundel depicting a cockerel on a rock beside peonies, 6cm H, 14cm diameter. £1,000 – 2,000 清雍正 粉彩開光繪花紋盌

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151 A FAMILLE ROSE SLEEVE VASE. Qing Dynasty, Yongzheng era.

Of cylindrical form rising to a short wide neck with everted rim, painted around the body with an aristocratic lady sitting reading at a marble-top writing table filled with books, 26cm H, 10cm diameter. £2,000 – 3,000 清雍正 粉彩繪人物筒瓶 152 A WHITE-METAL-MOUNTED FAMILLE ROSE KENDI. Qing Dynasty, Yongzheng era.

The globular body decorated with a figurative scene of a lady and gentleman beside a desk, 34cm H. £2,000 – 3,000 清雍正 鑲白鐵粉彩蓋壺

*See inside front cover for information regarding fees

153 A FAMILLE ROSE YELLOW-GROUND BOWL. Qing Dynasty, Jiaqing mark and of the period.

The exterior decorated with four circular medallions, each containing one of the four characters wan shou wu jiang (‘boundless longevity’), surrounded by stylized lotus scroll, the interior with a shou character roundel surrounded by five bats, 6cm H, 13cm diameter. £3,000 – 5,000 清 黃地繪粉彩纏枝蓮紋‘萬壽無疆’盌

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155

154 154 A PAIR OF CANTON ENAMEL TRAYS. Qing Dynasty.

19th Century.

Each of rectangular form with cut corners painted to the interior with scrolling floral spray on a yellow ground, within a leiwen border, a butterfly in each of the four corners, 19 x 30cm. (2) £200 – 300 清十九世紀 廣東銅胎繪琺瑯長方盤一對

156

155 A PAIR OF CANTON ENAMEL ‘PHOENIXES’ SAUCER DISHES. Qing Dynasty, 18th Century.

Each dramatically painted in black and heightened in gilt with a pair of phoenixes among scrolling foliage on a white ground, 10cm diameter. (2) £200 – 300 清十八世紀 廣東銅胎琺瑯鳳紋碟一對 156 A CANTON ENAMEL ‘FISHERMEN’ DISH Qing Dynasty, 18th Century.

Of rectangular form, the central panel decorated with two fishermen wading in a river, within a decorative border, 13 x 13cm. £800 – 1,200 清十八世紀 廣東銅胎琺瑯繪漁樵圖碟 157 A THREE-TIERED CANTON CIRCULAR BOX WITH COVER. Qing Dynasty, 18th Century.

The sides set with rectangular floral panels against a ground of scrolling foliage, the cover with a circular panel enclosing a bird seated on a rock, 11.5cm H, 9cm diameter. (4) £3,000 – 5,000 清十八世紀 廣東銅胎琺瑯三層蓋盒 52

157 *See inside front cover for information regarding fees

158

158 A CANTON ENAMEL TRAY. Qing Dynasty, 18th Century.

Of rectangular form with cut corners, the central panel depicting a garden with a lady with attendant beside a lotus pond, within a floral border, the reverse painted with a bouquet of peaches and peonies with an attendant bat, with a border of kui dragons, 19 x 30cm. £400 – 600 清十八世紀 廣東銅胎琺瑯托盤

159 THREE TOBACCO LEAF DISHES. Qing Dynasty, 18th Century.

15.5cm - 22.5cm diameter. (3) £300 – 500 清十八世紀 繪煙草葉碟三隻

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160 (part)

161 160 A FAMILLE ROSE MANDARIN PATTERN PART DINNER SERVICE. Qing Dynasty, Qianlong era.

Comprising six matching dishes and a tureen stand, each of hexagonal form, with a central roundel enclosing figures on a veranda, the stand 44cm long. (7) £400 – 600 清乾隆 粉彩繪童子圖餐具

162 A FAMILLE ROSE ‘HUNTING SCENE’ PUNCH BOWL. Qing Dynasty, Qianlong era.

Decorated with shaped panels of European gentlemen on horseback, surrounded by packs of hounds, 29cm diameter. £1,200 – 1,500 清乾隆 粉彩繪狩獵圖大盌

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161 THREE FAMILLE ROSE DISHES. Qing Dynasty, Qianlong era.

Comprising a pair of octagonal Mandarin pattern dishes, with a figurative scene within a floral border, together with a famille rose enamelled dish depicting a European flutist beside flowers and rocks, within a border divided into panels enclosing a European boy beside a bouquet of flowers, 20 / 23cm diameter. (3) £500 – 800 清乾隆 粉彩八方碟一對及繪外國人像碟一隻

163 A FAMILLE ROSE TUREEN AND COVER. Qing Dynasty, 18th Century.

Of quatrefoil form, the body decorated with peonies, pine and bamboo, surmounted by a decorative finial, 24 x 40cm. (2) £400 – 600 清十八世紀 粉彩繪牡丹松竹紋大蓋盌

164 A FAMILLE ROSE ENAMELLED BLUE AND WHITE PUNCH BOWL. Qing Dynasty, Qianlong era.

Decorated with Meissen-style landscape scenes, within floral borders in underglaze blue against an iron red diaper border, 29cm diameter. £500 – 800 清乾隆 青花描金加彩潘趣盌

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164 *See inside front cover for information regarding fees

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166

167 168 (part)

165 A LARGE FAMILLE ROSE ‘PEONIES’ DISH. Qing Dynasty, 19th Century.

Decorated with a central roundel of peonies emerging from behind a rock among butterflies and birds, with a green diaper border set with six panels each enclosing a scrolling chi dragon, 36.5cm diameter. £400 – 600 清十九世紀 粉彩繪牡丹紋碟 166 A BLUE AND WHITE CHARGER. Qing Dynasty, 18th Century.

The central roundel depicting a scholar and two ladies in a garden encircled by two phoenixes, within floral and diaper border, 31cm diameter. £300 – 500 清十八世紀 青花繪人物園景圖大盤

167 TWO MEISSEN-STYLE FAMILLE ROSE DISHES. Qing Dynasty, Qianlong era.

Decorated with an idealized European harbour scene with a church and a small boat docking in the foreground, within an iron-red, pink and scrollwork shaped-cartouche, the rim with four further cartouches enclosing similar scenes, 23cm diameter. (2) £500 – 800 清乾隆 仿梅森瓷粉彩碟兩隻 168 A PAIR OF IMARI-STYLE BOY AND DEER SAUCERS, AND A GRISAILLE AND GILT DECORATED DISH. Qing Dynasty, 18th Century.

The hexagonal foliate rim saucer dishes decorated in iron red and gilt to depict a goat herd with three goats beneath plum blossom emerging from a rock, the dish decorated in gilt and en grisaille to depict a fisherman standing in river presenting a fish to a young lady, 12cm diameter. (3) £200 – 300 清十八世紀 描金伊萬里童子碟一對及墨彩繪仕女漁夫圖碟一隻

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169 169 A LARGE FAMILLE ROSE PUNCH BOWL Qing Dynasty, early 19th Century.

Finely enamelled to the exterior with a continuous garden scene of figures, below a border of fruit and foliage set with panels of pines, the interior with a central ro`ur further figurative panels all bordered by flowers on a speckle ground, wood stand, 15cm H, 36cm diameter. (2) £3,000 – 5,000 清十九世紀早期 粉彩繪潘趣盌連座 170 A PAIR OF ARMORIAL DISHES WITH THE CREST OF ALBERT DE LUYNES DE BRANTES. Qing Dynasty, Qianlong era.

24cm diameter. (2) £600 – 800 清乾隆 徽章碟一對

170 (part) 56

171 AN EN-GRISAILLE DISH WITH ‘CIMON AND IPHIGENIA’ AFTER AN ORIGINAL PAINTING BY RUBENS. Qing Dynasty, Qianlong era.

Together with another dish with grisaille border, 24cm diameter. (2) £600 – 800 清乾隆 臨魯本斯《客蒙與伊斐姬妮雅》畫作墨彩碟 172 THREE ARMORIAL DISHES. Qing Dynasty, Qianlong era.

Comprising one dish with the crests of Newland and Hutchinson, another with the crest of Count Teissen and another French armorial dish, 24cm diameter. (3) £800 – 1,200 清 粉彩描金徽章碟三隻

171 (part)

172 (part) *See inside front cover for information regarding fees

170 173 A PAIR OF MINIATURE PAINTINGS ATTRIBUTED TO YEE CHEONG. Qing Dynasty, 19th Century.

Finely painted on ivory, one depicting Ada Ellen Bayly (1857 - 1903), the other a gentleman, boxed, 13 x 9cm. (3) £2,000 – 3,000 清十九世紀 象牙彩繪人物像一對

174

174 A SET OF SIX EXPORT PAINTINGS. Qing Dynasty.

Each finely painted to depict an official or a lady, framed and glazed, 21 x 15cm. (6) £200 – 300 清 人物外銷畫六幅

175 SIX ‘WU SHUANG PU’ PAINTINGS. Qing Dynasty.

Each finely painted to depict a single figure from the group, framed and glazed, 28.5 x 29.8cm. (6) £800 – 1,200 清 ‘無雙譜’繪畫六幅

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177

180

176 A CANTON FAMILLE ROSE VASE. Qing Dynasty, 18th Century.

Of hexagonal baluster form, the body decorated with large panels enclosing figures in a garden, with further smaller panels to the neck, foot, and shoulders enclosing sepia landscape scenes, reserved on a scrolling gilt ground, 45.5cm H. £1,500 – 2,000 清十八世紀 廣東粉彩描金六方罐 177 A CANTON FAMILLE ROSE JUG AND COVER. Qing Dynasty.

Decorated with circular and rectangular panels of figurative scenes within key scroll borders, against a ground of butterflies and flowers, gilt decorated lion finial to the top of the cover, 26cm H. (2) £400 – 600 清 廣東描金粉彩繪人物圖壺連蓋 178 A FAMILLE ROSE LANTERN VASE. 18th century.

The globular body supported on a waisted foot, the body decorated with a figurative scene of Europeans drinking and playing cards, 16cm H. (2) £800 – 1,200 十八世紀 粉彩繪外國人像燈籠瓶

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181 179 A FAMILLE ROSE TRAY. Qing Dynasty.

Separated into four compartments by raised enamelled leiwen bands, with two panels of plum blossom enclosing two further figurative panels, 25 x 18cm. £300 – 500 清 粉彩繪梅紋托盤 180 A BLUE AND WHITE OCTAGONAL ‘LANDSCAPE’ GUGLET. Qing Dynasty, 18th Century.

Decorated to the body with a continuous watery landscape scene, 26.5cm H. £800 – 1,000 清十八世紀 青花繪人物樓台山水圖八方瓶 181 TWO FAMILLE ROSE FOLIATE-RIM JARDINIÈRES. Qing Dynasty, Qianlong era.

The similarly decorated jardinières with deeply rounded ribbed sides rising to an everted foliate rim, the sides decorated with birds and flowers above a rock and trellis filled garden, 25cm H, 41cm diameter; 22.5cm H; 36cm diameter. (2) £400 – 600 清乾隆 粉彩繪孔雀花卉紋花盆兩隻

*See inside front cover for information regarding fees

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183

185 182 A ‘SHEN SHAO’AN’ LACQUERED WOOD VASE. Early 20th Century.

Of slender baluster form, on a fixed wood stand, the exterior painted with a landscape scene of figures beneath pines, the interior gilt, selected Foochow lacquerware, Shanghai, China mark to base, 28cm H. £100 – 200 二十世紀早期 胜绍安黑漆描金瓶 183 A PAIR OF ‘SHEN SHAO’AN’ LACQUERED WOOD VASES. Early 20th Century.

Of pear-shaped form with a flaring rim painted on one side with birds and flowers, the interior gilt, the integral stand marked Sheng Shao’an to base, 17cm H. (2) £100 – 200 二十世紀早期 胜绍安黑漆描金瓶 184 A PEACH-BLOOM GLAZED VASE. Qing Dynasty, Kangxi mark and of the period.

With a slender tapering body rising to high shoulders and a tall slender neck and everted mouth, with three raised bands at the base of the neck, covered overall with a peachbloom glaze with characteristic mushroom-coloured mottling, 19.8cm H. £400 – 600 清康熙 豇豆紅釉瓶，「大清康熙年製」款

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187

185 A MONOCHROME RED GLAZED VASE. Qing Dynasty, 18th Century.

Of pear shaped form raised on a spreading foot, 29cm H. £600 – 800 清十八世紀 紅釉膽瓶 186 A MONOCHROME BLUE PEAR-SHAPED VASE. Qing Dynasty.

The compressed spherical body sweeping up to a tall slender neck with a cupped mouth, the glaze of a purplish-blue colour, 25cm H. £600 – 800 清 霽藍釉膽瓶 187 A MONOCHROME GLAZED VASE, HU. Qing Dynasty, 19th Century.

Of standard hu form, the shoulders set with elephant head handles, 15cm. £300 – 500 清十九世紀 黑釉雙象耳尊

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189

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191

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188 A MONOCHROME RED VASE, MEIPING. Qing Dynasty.

With a tapering body rising to a round shoulder beneath a waisted neck and a slightly flared lipped rim, the exterior applied overall with a lustrous red glaze, four character Xuande mark to base, wood stand, 12cm H. (2) £1,500 – 2,000 清 紅釉梅瓶 189 A MONOCHROME BLUE VASE, GANLANPING. Qing Dynasty.

With an elegant rounded body tapering towards the slightly spreading foot and towards the waisted neck that rises to a flared rim, the exterior covered with a rich blue glaze, 25cm H. £600 – 800 清 霽藍釉橄欖瓶 190 A MONOCHROME RED BOTTLE VASE. Qing Dynasty.

With a compressed globular body sloping elegantly to a tall slightly waisted neck, the streaked dark red glaze thinning to the mouth rim, 19.5cm H. £1,000 – 2,000 清 霽紅釉瓶 60

191 A FLAMBÉ GLAZED VASE. Qing Dynasty.

Of baluster form with a flared neck raised on a spreading foot, covered in a lustrous purple glaze white streaks, 38cm H. £700 – 900 清 窯變釉瓶 192 A ‘LANGYAO’ BALUSTER VASE. Qing Dynasty.

The slender baluster body rising from a spreading foot to a waisted neck flaring at the rim, the exterior covered in a red glaze with purple and white streaks, 28cm. £500 – 800 清 郎窯紅釉觀音尊 193 A LARGE FLAMBÉ GLAZED VASE. Qing Dynasty.

Of elongated baluster form, with a trumpet neck, covered with a deep red glaze with cloudy blue streaks, 58cm H. £800 – 1,000 清 窯變釉瓶

*See inside front cover for information regarding fees

194 A TEA DUST GLAZED VASE. Qing dynasty, Tongzhi mark and of the period.

The compressed globular body supported on a splayed foot, sweeping up to a broad cylindrical neck and a rounded mouthrim, covered overall with an olive-coloured glaze flecked with a fine yellow mist, six character Tongzhi mark to base, 33cm H. £5,000 – 8,000 清同治 茶葉末釉賞瓶，「大清同治年製」款

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195

195 A MONOCHROME VASE, FANGHU. Qing Dynasty.

Of archaistic fanghu form, the highshouldered body with curved sides supported on a splayed foot, rising to a slightly waisted neck and lipped rim, flanked by a pair of chi dragon loop handles, wood stand, 33cm H. (2) £1,200 – 1,500 清 醬釉雙耳方壺

196

196 AN INCISED CELADON JARDINIÈRE. 19th Century.

With steeply rounded sides and a jutting rim, the body incised with scrolling foliage below a ruyi head border, with a lappet border around the foot, 16cm H, 21cm diameter. £180 – 200 十九世紀 青釉暗刻花盆

197

197 A CORAL RED GLAZED DISH WITH STAND. Qing Dynasty.

18cm. (2) £300 – 500 清 珊瑚紅釉碟

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*See inside front cover for information regarding fees

200

201 (part) 199

198 A COLLECTION OF SEVEN BLUE PEKING GLASS DISHES. 19th / 20th Century.

19.5/30cm diameter. (7) £150 – 200 十九 / 二十世紀 藍料碟一組七隻

200 A ‘DRAGON’ CARPET. Early 20th Century.

Of rectangular form and vertically orientated, woven with central panel of five five-clawed dragons contesting flaming pearls amidst cloud scrolls, framed at either end by a lishui polychrome border, 156 x 79cm. £200 – 300 二十世紀早期 龍紋地毯

199 A BLUE GROUND EMBROIDERED SILK ‘DRAGON’ HANGING. Late Qing Dynasty.

Embroidered to depict a central dragon roundel enclosed by four further five clawed dragons at the corners among flames waves and bats, 142 x 142cm. £400 – 600 清晚期 藍地繡龍紋掛件

201 A PAIR OF EMBROIDERED ‘DRAGON’ PANELS. Late Qing Dynasty.

Each embroidered to depict a five clawed dragon among flames and clouds and above waves, glazed, 28 x 35cm. (2) £300 – 500 清晚期 雲龍紋繡品一對

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203

202 A PAIR EXPORT CRANES. Qing Dynasty, 19th Century.

Standing in mirror image with the head turned back, on a rocky base, 25cm H. (2) £600 – 800 清十九世纪 粉彩外銷鶴一對

204 A PAIR OF FAMILLE ROSE PHEASANTS. Qing Dynasty, 19th Century.

Each with shaded iron-red breast and polychrome plumage, perched on a pierced rock base, 51.5cm H. (2) £2,000 – 3,000 清十九世紀 陶瓷雉雞一對

203 A PAIR OF FAMILLE ROSE COCKERELS. Qing Dynasty, Qianlong.

Brightly enamelled standing in mirror image with the head raised on a rocky base, 22cm H. (2) £500 – 800 清乾隆 粉彩錦雞一對

205 A PAIR OF FAMILLE ROSE ‘ELEPHANT’ CANDLESTICKS. Qing Dynasty.

Each standing four-square in mirror image with the head turned slightly, wearing an enamelled yellow ground long saddle cloth and howdah, 23cm H. (2) £200 – 300 清 粉彩「太平有象」燭臺一對

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205 *See inside front cover for information regarding fees

206

207

206 A PAIR OF TURQUOISE GLAZED HOUNDS. Qing Dynasty, 19th Century.

Each seated in mirror image on a rectangular base, the head raised and mouth open to reveal a fierce array of teeth, 15cm H. (2) £400 – 600 清十九世紀 松石綠地獵犬一對

208 A PAIR OF BLACK-GLAZED ELEPHANTS. Qing Dynasty, 19th Century.

Standing four-square in mirror image, with heads turned and the trunk looped, saddled and carrying a vase, 22.5cm H. (2) £200 – 300 清十九世紀 黒釉「太平有象」擺件一對

207 A PAIR OF TURQUOISE AND AUBERGINE GLAZED HORSES. Qing Dynasty, 19th Century.

Each standing four square with the head tilted to one side, 16cm H. (2) £300 – 500 清十九世紀 茄皮紫及松石綠釉馬一對

209 A PAIR OF MARBLE DRUM DOOR STONES. Qing Dynasty Supported on a double lotus base the drum on its side supporting a seated Buddhist lion dog, 55cm H. (2) £2,000 – 3,000 清 云石雕佛獅紋門墩一對

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210

212

213 210 AN EXPORT FIGURE OF A CRANE. 19th Century.

Standing on a rocky base, the head slightly lowered, 45cm H. £700 – 900 十九世紀 仙鶴立像 211 A SANCAI-GLAZED ‘DUCK ON LOTUS LEAF’ EWER AND COVER. Qing Dynasty, 19th Century.

The bird seated on a lotus leaf with an attendant stem curved over the duck’s back, the open mouth forming a spout, 17cm long. (2) £400 – 600 清十九世紀 三彩鴨形酒壺連蓋 212 TWO JADE ‘QILIN’ CARVINGS. Second half of 20th Century.

Each seated with the legs tucked beneath and the heads raised, wood stands, boxed, 17cm long. (6) £200 – 300 二十世紀後半葉 玉雕麒麟兩件 66

214 213 A SLIP-DECORATED SEATED QILIN. Qing Dynasty, Jiaqing era.

Seated with the legs tucked beneath the head turned to the left and the eyes raised, 15cm H, 20cm long. £200 – 300 清嘉慶 堆白麒麟像 214 A LARGE BRONZE ‘BUFFALO GROUP’ SCULPTURE. Naturalistically modelled as a seated cow the head resting on a calf whose own head is nested into the head of the larger animal, 52cm long. £2,000 – 3,000 銅臥牛像 215 A BROWN-GLAZED SEATED BUFFALO. 37cm long. £300 – 500 醬釉水牛臥像

*See inside front cover for information regarding fees

216

216 A BLUE SILK ROBE. Yuan to early Ming Dynasty.

The wide sleeved gown with a rank badge to the centre woven with a pair of phoenixes, framed and glazed, 80 x 40cm. £15,000 – 20,000 元至早明 藍地絲織長袍

216 (detail)

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218

220

221 (part)

217 AN EMBROIDERED ‘PHOENIXES’ COLLAR. Qing Dynasty.

The central hole encircled by embroidered phoenixes in flight within a border of ruyi heads, each enclosing an embroidered fruit, 45cm diameter. £200 – 300 清 繡鳳紋衣領 218 A TIBETAN LAMA’S SILK BROCADE COLLAR. Qing Dynasty.

Of rectangular form, the four corners formed as ruyi heads, 88 x 88cm. £500 – 800 清 刺繡西藏喇嘛祭服衣領

219

220 AN EMBROIDERED ‘HUNDRED BIRDS’ PANEL. Qing Dynasty.

Embroidered to depict various birds seated and in flight within a rocky and pine filled setting, 56 x 44cm. £800 – 1,200 清 繡百鳥圖織物 221 THREE EMBROIDERED PANELS. 19th / 20th Century.

Woven to depict five-clawed coiled dragons among clouds and flames, chasing flaming pearls against a purple ground, 55 x 35cm, 41.5 x 31.5cm, 57.5 x 27.5cm. (3) £150 – 200 十九 / 二十世紀 繡品三件

219 A KESI WOVEN TEXTILE WITH GOLD THREAD. Qing Dynasty.

Woven to depict figures in a landscape setting, 156 x 31cm. £200 – 300 清 金線緙絲織物 68

*See inside front cover for information regarding fees

222 222 AN EMBROIDERED ‘DRAGON’ PANEL. Qing Dynasty.

230 x 152cm. £600 – 800 清 繡龍織物

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224

223 A BLUE-GROUND EMBROIDERED SILK LADY’S ROBE. Late Qing Dynasty.

Embroidered in shades of blue and white with floral bouquets and bats, on a dark blue ground, 110 x 150cm. £500 – 700 清晚期 藍地刺繡女服

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226

224 A LARGE EMBROIDERY OF BIRDS. Qing Dynasty.

Depicting a range of birds in flight and sitting in the branches of a flowering tree among further flowers, 230 x 232cm. £500 – 800 清 繡鳥織物

225 AN EMBROIDERED SKIRT. Late 19th / early 20th Century.

94cm wide, 86cm long. £400 – 600 十九世紀晚期 / 二十世紀早期 刺繡女裙

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226 AN EMBROIDERED SKIRT. Late 19th / early 20th Century.

90cm wide, 78cm long. £400 – 600 十九世紀晚期 / 二十世紀早期 刺繡女裙

*See inside front cover for information regarding fees

227 AN EMBROIDERED SKIRT. Late 19th / early 20th Century.

110cm wide, 94cm long. £400 – 600 十九世紀晚期 / 二十世紀早期 刺繡女裙

228 AN EMBROIDERED SKIRT. Late 19th / early 20th Century.

106cm wide, 90cm long. £400 – 600 十九世紀晚期 / 二十世紀早期 刺繡女裙

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229 AN EMBROIDERED SKIRT. Late 19th / early 20th Century.

124cm wide, 97cm long. £400 – 600 十九世紀晚期 / 二十世紀早期 刺繡女裙

230 AN IRON BUDDHIST LION DOG. Ming Dynasty.

Seated with the head raised and turned to the left, 10cm H. £200 – 300 明 鐵鑄佛獅

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231 A BRONZE ‘BUDDHIST LION DOG’ INCENSE BURNER. Ming Dynasty.

Seated with the left front paw raised on a ball trailing a ribbon caught in the beast’s mouth, the tail raised, 31cm H. (2) £300 – 500 明 銅佛獅熏爐

232 A BRONZE ‘BUDDHIST LION DOG’ INCENSE BURNER. Ming Dynasty.

Standing four-square, its head removable to grant access to the interior, the mouth open and the mane pierced through to ventilate the interior, the breast of the beast scaled, 24cm H. (2) £300 – 500 明 銅佛獅熏爐

233 A LARGE BRONZE ‘BUDDHIST LION DOG’ INCENSE BURNER. Ming Dynasty.

Standing four square with the head and tail raised, the eyes bulging and mouth open for the release of smoke, 45cm H. (3) £2,000 – 3,000 明 銅佛獅熏爐

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238 234 A CLOISONNÉ ENAMEL ‘LOTUS SCROLL’ INCENSE BURNER AND COVER. Qing Dynasty.

The globular body supported on tripod feet emerging from lion head masks, decorated with lotus scroll on a turquoise blue ground, the domed cover pierced and surmounted by a Buddhist lion dog, 14cm H. (2) £1,200 – 1,500 清 銅胎掐絲琺瑯雙耳三足爐 235 A CLOISONNÉ ENAMEL CENSER WITH COVER. 19th / 20th Century.

The globular body on short conical feet decorated with Buddhist lion dogs on a turquoise ground, loop handles and a domed cover, 10.5cm H. (2) £300 – 500 十九 / 二十世紀 銅胎掐絲琺瑯三足雙耳蓋爐 236 A CLOISONNÉ ENAMEL ‘LOTUS PLANT’ WATER POT. 19th / 20th Century.

Formed as a leaf with attendant flower and pod, 12cm long. £500 – 800 十九 / 二十世紀 銅胎掐絲琺瑯蓮藕形水滴 237 A CLOISONNÉ ENAMEL LOBED JARDINIÈRE. Late Qing Dynasty.

Of quatrefoil form, set on four short feet, decorated with lotus scroll on a turquoise ground, 10cm wide, 20cm H, 26cm long. £100 – 200 清晚期 銅胎掐絲琺瑯四葉形花盆

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238 A CLOISONNÉ ENAMEL VASE. Qing Dynasty.

Of baluster form decorated with flowering prunus branches and flowers on a lapis ground, 35cm H. £500 – 800 清 銅胎掐絲琺瑯花瓶 *See inside front cover for information regarding fees

240 239 A LARGE CLOISONNÉ ENAMEL ‘DRAGON’ BASIN. The bottom of the interior with a coiled front-facing five-clawed dragon, within a border of phoenixes, the flat, everted rim is decorated with five shaped cartouches of flowers, four character Qianlong mark to base, 56cm diameter. £1,000 – 2,000 銅胎掐絲琺瑯龍紋盤,

240 A SMALL CLOISONNÉ ENAMEL CENSER AND COVER, FANG DING. Qing Dynasty, 18th / 19th Century.

Of tapering rectangular section, raised on four blade-shaped legs emerging from dragon-heads, each side is decorated with a taotie mask below a band of confronted dragons, separated by gilt vertical flanges on four sides and corners, the mouth rim is set with a pair of upright loop handles, the domed cover with pierced lotus scroll panels, and surmounted by a finial decorated with scrolling clouds, 14cm H, 10cm long. (2) £1,500 – 2,000 清十八 / 十九世紀 銅胎掐絲琺瑯方鼎式蓋爐

241 A PAIR OF CLOISONNÉ ENAMEL VASES, FANGHU. Qing Dynasty, 19th Century.

Of rectangular pear-shaped form, set on a spreading foot, decorated with lotus scroll on a lapis blue ground, incised four character Qianlong mark to base, 18cm H. (2) £5,000 – 8,000 清十九世紀 銅胎掐絲琺瑯方壺一對

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242 A BRONZE FIGURE OF A BOY. Ming Dynasty.

Standing in long flowing robes, a staff held in the left hand, later display base, 16cm H. (2) £350 – 400 明 銅人物立像 243 A PAIR OF BRONZE ‘FOREIGNERS’ CANDLESTICKS. The bearded figures standing on hexagonal stands, in mirror image with one hand raised, 21cm H. (2) £300 – 500 銅外國人像式燭台

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244 A BRONZE FIGURE OF GUANDI. Ming Dynasty.

Seated in full armour the legs wide and hands resting on the thighs, the eyes downcast, 29cm.

Provenance: From the collection of Feliks Topolski (1907 - 1989). £500 – 800 明 銅關帝像 245 A BRONZE ‘PLUM TREE’ VASE. Early Qing Dynasty.

Formed as a gnarled hollow tree trunk with attendant flowering branches, 17cm. £200 – 300 清早期 銅梅花紋花插

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246 A GILT BRONZE MYTHICAL BEAST WEIGHT. Standing on all fours, the head turned slightly to the left, 13cm long. £300 – 500 銅鎏金神獸鎮紙 247 A GARLIC NECK BRONZE VASE. 19th Century.

Of pear-shaped form with a garlic neck, the body with a band of studs, the neck set with a rope twist band, 23cm H. £600 – 800 十九世紀 銅蒜頭口瓶

*See inside front cover for information regarding fees

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248 A BRONZE INCENSE BURNER. Qing Dynasty, 18th Century.

Of cylindrical form, on a short cylindrical foot, set with elephant head handles, six character Xuande mark to base, 87cm H, 11cm diameter, 759g. £1,200 – 1,500 清十八世紀 銅象耳筒式爐,「大明宣德年製」款

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249 A BRONZE ‘SHOU CHARACTER’ INCENSE BURNER. Qing Dynasty, and later The cylindrical body set on three short cylindrical feet with loop handles to the rim, the body decorated with a band of stylised shou character, offered together with another tripod incense burner, 8cm H, 11cm diameter; 9cm H, 11cm diameter. (2) £400 – 600 清或更晚 銅‘壽’紋香爐及三足爐 250 A PAIR OF PARCEL-GILT BRONZE FIGURES OF OFFICIALS. Ming Dynasty.

Each figure standing in long flowing robes on a square base, holding a ritual hu, the faces heightened in gilt, 35 / 36cm. (2) £3,000 – 5,000 明 銅局部鎏金士大夫立像一對 251 A GILT BRONZE FIGURE OF GUANYIN. Ming Dynasty.

Seated in long flowing robes, a serene expression on the face, a ruyi sceptre in the hands, 24cm H. £2,000 – 3,000 明 銅鎏金觀音像

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252 A GILT BRONZE CENSER STAND. Qing Dynasty.

Formed as a mallow flower with overlapping petals, supported on three ruyi head feet, 4.5cm H, 20cm diameter, 900g.

Provenance: French private collection. £100 – 200 清 銅鎏金花瓣紋香爐底座

255 TWO BRONZE TOOL VASES. Qing Dynasty.

One of pear-shaped form with integral stand, the shoulders set handles formed as plum flowers, 7.5cm H; 15cm H, 328g; 394g. (2) Provenance: French private collection. £300 – 500 清 銅瓶兩隻

253 A BRONZE STEM BOWL. Qing Dynasty.

Of octagonal section the rounded bowl supported on a tall stepped foot, 15 x 10 x 4.5cm £200 – 300 清 銅八方高足盌

256 A MINIATURE BRONZE GARLIC HEAD ‘DOUBLE CHILONG’ VASE. Ming Dynasty, 16th to 17th Century.

The pear-shaped bottle-form vase with waisted neck, the faceted and lobed ‘garlic-head’ below a waisted mouth with straight everted lip, all on a cylindrical foot, the neck and body encircled by two coiled chilong, 12.5cm H, 281g.

Provenance: French private collection. £200 – 300 明十六至十七世紀 銅盤龍長頸蒜頭口瓶

254 A SILVER-INLAID BRONZE HAND WARMER, AND COVER. 19th Century.

The globular body set with a loop handle inlaid in silver with cranes among clouds, 19cm across. (2) £200 – 300 十九世紀 銅錯銀手爐 76

*See inside front cover for information regarding fees

257 A GILT-BRONZE SPHERICAL INCENSE BURNER AND COVER. 17th Century.

Delicately cast with a spherical body comprising of two hemispheres, each reticulated with a pattern of scrolling foliage bearing flower heads, the interior fitted with three ring gimbals and a central bowl, 9cm diameter. £6,000 – 8,000 十七世紀 銅鎏金鏤空球形香薰

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258 258 A LARGE BRONZE VASE. Ming Dynasty, 16th Century.

The globular body supported on a spreading foot and a tall trumpet neck, the shoulders set with taotie mask handles suspending rings, the body with bands of archaic decoration, wood stand, 46cm H. (2) £800 – 1,200 明十六世紀 銅雙耳爐連座

259 A PAIR OF GILT BRONZE VASES. 19th Century.

Of bottle form with S-shaped handles sweeping from the rim, the body and waisted neck decorated with taotie masks, 36cm H, 45cm diameter. (2) £3,000 – 5,000 十九世紀 銅鎏金瓶一對

260 A PAIR OF RECTANGULAR BRONZE JARDINÈRES. Qing Dynasty, 18th Century.

Each of rectangular section, the sides with quatrefoil panels with raised outlines enclosing lotus scroll, against a chaised lotus scroll ground, everted rim incised with lotus and key fret, all supported on four short feet, 9.5cm H, 20.1cm long, 450g. (2) £400 – 600 清十八世紀 銅長方花盆一對

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*See inside front cover for information regarding fees

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264

261 A LARGE BLUE AND WHITE ‘KRAAK PORSELEIN’ DISH. Ming Dynasty, Wanli era.

Decorated with a central roundel depicting a Buddhist lion dog beneath a pine tree looking out across waves, surrounded by panels of peach and precious objects on the rim, 49cm diameter. £300 – 500 明萬曆 青花繪佛獅花卉紋克拉克大盤

263 A BLUE AND WHITE CHARGER. Ming Dynasty.

The central roundel depicting two birds swimming on a lotus pond, within a border of chi dragons among foliage below the foliate rim, 30cm diameter. £300 – 500 明 青花繪鴛鴦戲水圖盤

262 A BLUE AND WHITE ‘KRAAK PORSELEIN’ DISH. Ming Dynasty.

Decorated with a central roundel depicting a scholar and boy on a garden veranda, within a floral band, enclosed within panels alternating between figures and floral spray, 31.5cm diameter. £300 – 500 明 青花繪人物圖克拉克碟

264 A LONGQUAN CELADON ‘ DRAGON AND PHOENIXES’ CHARGER. Ming Dynasty.

The interior with a central roundel depicting two phoenixes in flight, within a band of dragons in flight among clouds, 46cm diameter. £800 – 1,200 明 龍泉青釉暗刻龍鳳紋盤

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265 A BLUE AND WHITE JAR AND COVER. Ming Dynasty.

Of hexagonal pear-shaped form, the body divided by vertical bands into six panels each enclosing a floral spray, 17cm H. (2) Provenance: Formerly English Private Collection. £1,000 – 2,000 明 青花八方蓋瓶

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266 A BLUE AND WHITE ‘BUDDHIST LION DOGS’ VASE. Qing Dynasty, Kangxi era.

Of baluster form the exterior decorated with cavorting lions among ribboned balls, a band of shou characters encircling the neck, 36cm. £2,500 – 3,000 清康熙 青花繪佛獅紋賞瓶

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267 A BLANC DE CHINE SLEEVE VASE. 17th / 18th Century.

Of cylindrical form rising to a short wide neck with everted rim, the shoulders set with twn lion head handles, 29.5cm H. £3,000 – 5,000 十七 / 十八世紀 德化窯獅耳瓶

267 *See inside front cover for information regarding fees

268 A PAIR OF BLUE AND WHITE ‘PHOENIX’ VASES. Qing Dynasty, 18th Century.

Of baluster form, painted with phoenixes among peonies and scrolling foliage beneath a pendant ruyi head band at the neck, 25cm H. (2) £2,000 – 3,000 清十八世紀 青花鳳紋瓶兩隻

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269 A PAIR OF POWDER BLUE JARS AND COVERS. Qing Dynasty, Kangxi era.

Decorated with quatrefoil panels alternately depicting landscape scenes and antique treasures, 26.5cm H. (4) £3,000 – 5,000 清康熙 灑藍地開光繪白寶文圖紋蓋罐一對

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272 270 A FAMILLE VERTE FIGURE OF GUANYIN. Qing Dynasty, Kangxi era.

Seated holding a ruyi sceptre in one hand and a vase in the other, 20cm H. £200 – 300 清康熙 三彩觀音像 271 A FAMILLE VERTE FIGURE OF GUANYIN. Qing Dynasty, Kangxi era.

The goddess seated holding a ruyi sceptre, 20.5cm H. £300 – 500 清康熙 三彩觀音像

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273 272 A FAMILLE VERTE JAR, AND TWO BLUE AND WHITE JARS AND COVERS. 17th Century, Transitional to Kangxi era.

The jar decorated with phoenixes among peonies on scrolling foliage, the jars with lotus scroll, 12-17cm H. (5) £600 – 800 十七世紀明末清初至康熙 五彩罐及青花蓋罐兩件 273 TWO PORCELAIN VASES. Qing Dynasty, Kangxi era and later.

Comprising of a blue and white faceted gu vase decorated with flowering branches within floral borders, wood base, together with a rectangular vase, moulded and pierced to depict Immortals, six character Kangxi mark to base, 52 / 34.5cm H. (3) £400 – 600 清 青花瓶及五彩四方瓶各一隻 *See inside front cover for information regarding fees

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274 A LARGE BLUE AND WHITE ‘LOTUS SCROLL’ DISH. Qing Dynasty.

The interior painted with large lotus flowers among scrolling foliage on a blue ground, 39cm diameter. £300 – 500 清 青花蓮紋碟

276 A FAMILLE VERTE CHARGER. Qing Dynasty, Kangxi era.

Decorated with butterflies, flowering chrysanthemums, prunus, peonies and lotus flowers, 37.5cm diameter. £600 – 800 清康熙 五彩繪花蝶紋大盤

275 A FAMILLE VERTE BARBER’S BOWL. Qing Dynasty, Kangxi era.

The central roundel with a pair of birds above a lotus pond, within a cell pattern rim set with three floral panels and chrysanthemum heads, 27 x 35cm. £600 – 800 清康熙 五彩刮臉盆

277 A BLUE AND WHITE DISH Qing Dynasty, Kangxi era.

The central roundel depicting an interior figurative scene, within a diaper border with four panels enclosing peaches, six character Chenghua mark to base, 29cm. £300 – 500 清康熙 青花繪人物圖碟

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278 A COLLECTION OF CERAMIC WARES. Qing Dynasty.

Comprising a blanc de chine vase of pear-shaped form with twin lion head handles, a stem bowl, with six character Guangxu mark to base, an octagonal jardiniere, and a blue and white square tile, the stem bowl 28.5cm diameter. (4) £800 – 1,200 清 瓷器一組 279 A BLACK GROUND GREEN-GLAZED WASHER, TOGETHER WITH A SQUARE CENSER. Qing Dynasty, and later.

The washer with rounded sides, wide shoulders and an inverted rim, painted with prunus, six character Tongzhi mark to base, the censer painted to the sides with figures and flowers, the top with a pierced cash-form opening, on a short stand, 4.5-8cm. (2) £300 – 500 清或更晚 黑底綠彩筆洗及粉彩四方蓋爐，「大清同治年製」款

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280 A FAMILLE VERTE BISCUIT FIGURATIVE GROUP, TOGETHER WITH A BISCUIT STANDING LION. Mid Qing Dynasty.

3cm H. (2) £200 – 300 明 三彩人像及獅像 281 A BLUE AND WHITE ‘COCKEREL’ BIRD FEEDER. 19th / 20th Century.

Four character Kangxi mark to base, together with two further bird feeders, wood stands, 2-6cm H. (6) £500 – 800 十九 / 二十世紀 青花繪錦雞紋鳥食罐及另兩隻鳥食罐，「康熙年製」 款 282 FIVE ‘DRAGON’ BIRD FEEDERS. 20th Century.

Finely painted with coiled dragons among flames and clouds, 2.54cm diameter. (5) £200 – 300 二十世紀 鳥食罐五隻

*See inside front cover for information regarding fees

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283 A COLLECTION OF FOUR PORCELAIN ‘FRUIT’ BOXES AND COVERS. Qing Dynasty, 18th / 19th Century.

Naturalistically modelled and brightly painted with leafy stems, the largest 15cm wide. (8) £1,000 – 2,000 清十八 / 十九世紀 粉彩仿生瓷水果形蓋盒四隻 284 THREE SOAPSTONE LIBATION CUPS AND A HARDSTONE ‘BATS’ CUP. Qing Dynasty.

The two smaller soapstone libation cups carved and pierced in relief with plum blossom, one with an attendant monkey, the larger with flowering chrysanthemum branches, the hardstone cup of conical form with three bats carved in relief on the rim, with wood stands, 815cm diameter. (6) £200 – 300 清 壽山石雕供盃三隻及石雕蝠紋盃一隻

286 A TEA CADDY AND COVER, TEAPOT AND COVER AND A CANTON ENAMEL BOX. Qing Dynasty.

9-14cm H, 19 x 6 x 9cm. (6) £300 – 500 清 粉彩蓋壺，茶葉蓋罐茶葉罐及廣東銅胎琺瑯蓋盒 287 TWO SOAPSTONE SEALS AND A SANCAI TILE. 21 / 26cm H. (3) £200 – 300 壽山石雕印兩方及三彩方磚一塊

285 A FAMILLE ROSE ‘LADIES’ TRAY, TOGETHER WITH TWO BOXES AND COVERS. Qing Dynasty.

The tray with cut corners the interior decorated with ladies at a desk, the two rectangular boxes decorated in famille rose with birds and flowers, 25 x 18cm; 18 x 10 x 7cm; 19 x 9 x 6cm. (5) £300 – 500 清 粉彩繪仕女圖托盤及粉彩長方蓋盒兩件 287

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288 A FAMILLE ROSE FIGURE. Qing Dynasty.

Seated with in long flowing robes on a throne the hands clasped together, wood stand, box, 26cm H. (3) £800 – 1,200 清 粉彩僧人像

291 A GLAZED SHIWAN FIGURE OF A LOHAN. Qing Dynasty, 19th Century.

Seated on a rocky base, in trailing robes the chest bare, a staff clasped in both hands, 19cm. £100 – 200 清十九世紀 石灣窯羅漢像

289 THREE FAMILLE ROSE FIGURES. 20th Century.

Each standing wearing brightly enamelled clothes, 26 - 32cm. (3) £600 – 800 二十世紀 粉彩人像三尊

292 TWO FAMILLE ROSE IMMORTAL FIGURES. Republican era.

Each seated in long flowing robes, the chests bare, riding on the back of a mythical animal, 22 x 32cm, 20 x 31cm. (2) £400 – 600 民國 粉彩繪神仙像兩尊

290 A TURQUOISE AND AUBERGINE GLAZED FIGURE. Qing Dynasty.

Seated on an elaborate dragon throne with a spray of coral in the right hand, stepped wood stand, box, 23cm H. (3) £800 – 1,200 清 茄皮紫及綠松釉官員像

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293 A FAMILLE VERTE FIGURE OF WENCHANG WANG. Qing Dynasty, 19th Century.

Seated in flowing robes decorated in dragons, the right hand raised to support the trailing beard, the left holding a book, 25cm H. £800 – 1,200 清十九世紀 粉彩文昌帝像 *See inside front cover for information regarding fees

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294 A CARVED GILT-LACQUER WOOD FIGURE. Qing Dynasty, 19th Century.

Standing on one foot on a rocky base in flowing robes concealing armour, the left arm raised to hold a spear, 13cm. £150 – 200 清十九世紀 木雕描金人立像

296 A LARGE ROOT CARVING OF SHOU LAO. 19th / early 20th Century.

Standing in flowing robes, the hands clasped around a long staff, the eyes downcast, 58cm H. (2) £400 – 800 十九 / 二十世紀早期 根雕壽老像

295 A CELADON GLAZED ‘SHOULAO AND DEER’ GROUP. Qing Dynasty, 19th Century.

Seated on a deer with a crane standing in front of the right leg, and raised on a stepped base, 28cm H. £300 – 500 清十九世紀 青釉仙鹿壽老像

297 A ROOT WOOD CARVING OF LIU HAI. Qing Dynasty.

Standing with a cash in the left hand a three-legged toad in the right, supported on a rocky base, 46cm H. (2) £800 – 1,200 清 根雕瀏海像

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298 A SOAPSTONE CARVING OF A FIGURE. Seated in long flowing robes, the legs spread, the left hand resting on the thigh, and the right supporting the trailing beard, seated on a chair with arms terminating in dragon heads, 13.5cm H. (2) £800 – 1,200 壽山石雕人像

301 A SOAPSTONE CARVING OF A SEATED FIGURE. Qing Dynasty, 19th Century.

Seated on a rocky base in long flowing robes, the chest bare and the head raised, 6.5cm H. £300 – 500 清十九世紀 壽山石雕人物坐像

299 A PAIR OF SOAPSTONE ‘SHOULAO AND DEER GROUP’ CARVINGS. Early Qing Dynasty.

Each figure modelled in mirror image riding a deer with a peach supported in one hand, 10.5cm H. (2) £200 – 300 清早期 壽山石雕壽佬騎鹿像一對 For a single carving of Shoulao riding a deer, see Martin Eberle, Götter aus Stein: Die Sammlung chinesischer Specksteinfiguren auf Schloss Friedenstein Gotha, 2015, cat no 128, p 79.

302 A SOAPSTONE CARVING OF LOHAN. Qing Dynasty.

Seated in long flowing robes the right arm raised, 13cm H. £500 – 800 清 壽山石雕羅漢

300 A SOAPSTONE CARVING OF SIDDHARTHA. Qing Dynasty, 19th Century.

The emaciated figure seated with bare chest, among rockworks, 18cm H. (4) £200 – 300 清十九世紀 壽山石雕釋迦牟尼像

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303 A SMALL SOAPSTONE CARVING OF A LOHAN. 9cm H. £400 – 600 壽山石雕長眉羅漢坐像 304 A SEATED SOAPSTONE FIGURE. Qing Dynasty, or later.

Seated with the eyes downcast in meditation, the right knee raised, wood stand, 7.5cm H. (2) £800 – 1,200 清或更晚 壽山石雕人物坐像

*See inside front cover for information regarding fees

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305 A PORCELAIN ‘SCHOLAR AND LADY GROUP’.

Qing Dynasty, Qianlong era.

Standing and glazed in blue and celadon glazes, 16cm H. £200 – 300 清乾隆 人物立像 306 A GLAZED PORCELAIN FIGURE OF LI TIEGUAI. Qing Dynasty, 18th Century.

The bearded figure standing resting the right hand on a cane, the left hand holding a double gourd jar, 22cm H. £600 – 800 清十八世紀 李鐵拐像

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307 A COLLECTION OF SIX FAMILLE ROSE IMMORTALS. Qing Dynasty, 19th Century.

Each figure brightly enamelled standing on a rectangular base, 19 24cm H. (6) £600 – 800 清十九世紀 粉彩六仙人立像 308 AN IVORY DOCTOR’S MODEL CARVING OF A LADY. Qing Dynasty.

Realistically modelled as a naked woman lying in a recumbent position with her right hand supporting her head, the other arm resting on her breast, later carved wooden stand, 19cm long.

Provenance: Brian Pearson (1926 - 2003) Collection, acquired in China between 1945 and 1946. £600 – 800 清 象牙雕仕女像

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309 A GILT-LACQUER FIGURE OF THE INFANT BUDDHA. Qing Dynasty.

Standing in a loincloth, his right arm pointing at the heavens and his left arm at the earth, raised on a lotus flower above a hexagonal base, 59cm H. £500 – 800 清 漆金佛立像 310 A HARDWOOD AND GLASS DISPLAY CASE. 19th / 20th Century.

23cm H x 35cm wide. £200 – 300 十九 / 二十世紀 硬木及玻璃展示箱 311 A GILT-DECORATED BLACK LACQUER TEA CADDY. Qing Dynasty, 19th Century.

Of octagonal form, decorated overall with cartouches depicting Chinese landscapes and figures in interiors, with borders of scrolling foliage, the concave-sided canted rectangular hinged top enclosing two engraved pewter tea-canisters, on gilt dragon’s-head feet, 15 x 20 x 15cm. £600 – 800 清十九世紀 黑漆描金繪人物園景圖八方茶葉罐 312 A BRONZE MOUNTED HARDWOOD CABINET. Late Qing Dynasty.

The double-fronted cabinet inset with bronze dragon panels, supported on four short feet, with bronze handles to the sides, 29cm H. £500 – 800 清晚期 嵌雲龍紋銅板木箱

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311

312 *See inside front cover for information regarding fees

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313 THREE HARDWOOD STANDS. 20-25cm. (3) £400 – 600 木雕底座三隻

316 A COLLECTION OF WOOD STANDS. 2-6.5cm. (27) £50 – 100 木雕底座一組

314 A BRONZE ‘LINGZHI FUNGUS’ STAND. Qing Dynasty.

Comprised of a naturalistic spray of lingzhi fungus, 3cm H. £400 – 600 清 銅靈芝形底座

317 A COLLECTION OF WOOD STANDS. 7-22cm. (16) £50 – 100 木雕底座一組 318 A JADE-INSET WOOD RUYI SCEPTRE. Qing Dynasty, 19th Century.

Inset with three jade panels, variously carved and incised with lingzhi fungus, a stylised shou character and fruiting branches, 50cm. £2,500 – 3,000 清十九世紀 嵌玉雕如意

315 A COLLECTION OF WOOD STANDS. 10-21cm diameter. (12) £80 – 120 木雕底座一組

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319 A WOODEN BOX AND COVER WITH INSET JADE PANEL, TOGETHER WITH A WOODEN PANEL. 19th / early 20th Century.

The box of oval form, the rounded cover inset with an oval jade panel inset with a laughing boy, the panel depicting a pair of quails beneath rushes, within a silver inlaid frame, 9 x 12cm, 14 x 18cm. (3) £200 – 300 十九 / 二十世紀早期 木雕嵌玉蓋盒及木雕鑲板 320 A GILT-DECORATED BLACK LACQUERED WOODEN STAND. Late Qing Dynasty.

The carved and pierced stand with figurative friezes, standing upon a hexagonal box delicately painted with a figurative garden scene, mounted as a lamp, 60cm H. £200 – 300 清晚期 黑漆鎏金木雕底座

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321 A PAIR OF MARBLE-INSET WOODEN STANDS. Early 20th Century.

Of symmetrical scroll-form, the feet formed as the coiled ends, the top inset with a rectangular marble panel, each inscribed to the upper right with a poetic inscription, 16 x 29cm. (2) £800 – 1,200 二十世紀早期 嵌云石木托一對 322 A CARVED WOOD ‘SCROLL’ STAND. Qing Dynasty.

Carved from a large single section, the ends curling under to form openwork scroll-form terminals supported on four short feet, 23 x 35cm. £300 – 500 清 木雕長方底座

*See inside front cover for information regarding fees

323

323 A PAIR OF BURL-INSET ROSEWOOD RECTANGULAR STANDS. 20th Century.

26 x 30 x 46cm. (2) £400 – 600 二十世紀 木雕底座一對 324 A RECTANGULAR ROSEWOOD STAND. 19th / early 20th Century.

52cm H. £300 – 500 十九 / 二十世紀早期 木雕底座

325 (part)

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325 A PAIR OF ELM WOOD ALTAR TABLES. Qing Dynasty.

The top rectangular panel with cusped spandrels, raised on cylindrical legs, 85 x 52 x 104cm. (2) £300 – 500 清 榆木雕條案一對 325a A LARGE JICHIMU ALTAR TABLE. Qing Dynasty.

The rectangular top set within a frame with ‘ice-plate’ edge above an apron shallowly incised with confronting dragons separated by a flaming pearl, above a deeply carved and pierced group of lingzhi fungus, all supported on square legs terminating in animal mask feet, 107 x 170 x 37.5cm. £1,000 – 2,000 清 雕靈芝龍紋硬木矮桌

325a

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326 TWO YINGQING FUNERARY VASES. Song to Yuan Dynasty.

Each with a globular body with tall tapering cylindrical neck applied with various figures and animals, the globular section beneath the rim with a pie-crust frill, 62-66cm. (2) £400 – 600 宋到元 影青釉瓶兩隻

328 A PAIR OF FAMILLE VERTE DECORATED POWDER BLUE VASES. Qing Dynasty.

Of rouleau-form, painted in mirror image to depict four dancing acrobats, with landscape panels to the necks, 47cm. (2) £2,000 – 3,000 清 灑藍地繪猛士瓶一對

327 A PAIR OF FAMILLE ROSE VASES. Qing Dynasty.

Of reduced baluster form, decorated in bright enamels with a figurative tribute scene, with gilt metal mounts, the vases 55cm H. (4) £3,000 – 4,000 清 粉彩繪人物故事圖瓶一對

329 A PAIR OF FAMILLE VERTE ROULEAU VASES. Qing Dynasty, 19th Century.

Each decorated to the body with a continuous figurative scene, the neck decorated with a landscape scene, 46cm H. (2) £3,500 – 4,000 清十九世紀 五彩棒槌瓶一對

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329 *See inside front cover for information regarding fees

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330 A PAIR OF FAMILLE VERTE VASES. Qing Dynasty, 19th Century.

The waisted body rising to wide shoulders and an onion mouth, decorated to the body with a figurative scene, 19cm H. (2) £600 – 800 清十九世紀 五彩繪人物駿馬山水圖瓶一對

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333 A PAIR OF CLOISONNÉ ENAMEL VASES AND COVERS. Late Qing Dynasty.

Of baluster form decorated to the body and domed cover with lotus scroll, within borders of pendant ruyi heads and lappets, 29.5cm H. (4) £300 – 500 晚清 銅胎掐絲琺瑯蓋瓶一對

331 A PAIR OF POWDER BLUE VASES. Qing Dynasty, 19th Century.

Decorated with panels of peonies and chrysanthemums emerging from rocks, 31cm H. (2) £200 – 300 清十九世紀 灑藍地開光繪花蝶紋瓶一對

334 A PAIR OF CINNABAR LACQUERED VASES. Late Qing Dynasty.

Decorated with panels depicting figures in a landscape, 24cm H. £300 – 500 清晚期 剔紅人物山水圖紋瓶一對

332 A PAIR OF FAMILLE VERTE VASES AND COVERS. Late Qing Dynasty.

Of baluster form, decorated with panels of boys against a ground of scrolling foliage, wood stands, 35cm H. (6) £600 – 800 清晚期 五彩纏枝蓮紋開光繪童子圖蓋罐連座一對

335 A PAIR OF GILT-DECORATED MIRROR BLACK VASES. Qing Dynasty.

Of baluster form, decorated with prunus and chrysanthemums on an ice crackle ground, 29cm H. (2) £800 – 1,200 清 黑釉描金瓶一對

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336 A PAIR OF FAMILLE ROSE CANTON VASES. Qing Dynasty, 19th Century.

Of baluster form with trumpet necks, the body and neck with figurative panels decorated against a ground of flowers and butterflies, 35.5cm H. (2) £800 – 1,000 清十九世紀 廣彩瓶 337 A PAIR OF FAMILLE ROSE VASES. 20th Century.

Of rouleau form, decorated with ladies in a garden setting, 44cm H. (2) £500 – 800 二十世紀 粉彩繪仕女園景圖瓶一對 338 A PAIR OF TURQUOISE GLAZED VASES. Qing Dynasty, 19th Century.

Of octagonal baluster form, the shoulders set with ring handles emerging from mythical beast heads, one side with a panel enclosing a poetic inscription within a ruyi head border, 19cm H. (2) £600 – 800 清十九世紀 松石綠釉雙耳瓶一對 見經兩□，太□□眼見四朝全誠時

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339 A PAIR OF CANTON FAMILLE ROSE CANDLESTICKS. Qing Dynasty, Jiaqing era.

The cylindrical shaft painted with five-clawed dragons among scrolling clouds, connecting a square pedestal base set with two bands of studs and painted with birds and butterflies to a similarly modelled nozzle, 22cm. (2) £1,000 – 2,000 清嘉慶 廣東粉彩繪燭臺一對 340 A PAIR OF FAMILLE VERTE BISCUIT VASES. Qing Dynasty.

Of rectangular pear-shaped form, on a spreading foot, with the body and high neck decorated with shaped panels of lotus flowers, chrysanthemums and peonies against a stipple ground with plum blossoms and butterflies, 35cm H. (2) £600 – 800 清 素胎施綠彩蓮紋云耳瓶一對 341 A PAIR OF FAMILLE NOIRE JARS. Qing Dynasty, 19th Century.

Of globular form, decorated by flowering prunus branches on a black ground, four character Kangxi mark to base, 15cm H. (2) £800 – 1,000 清十九 黑地彩罐，「康熙年製」款

*See inside front cover for information regarding fees

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342 A PAIR OF FAMILLE VERTE BOWLS. The rounded sides rising to an everted rim, each similarly decorated with a figurative scene on a garden veranda, 20.5cm diameter. (2) £800 – 1,200 五彩繪人物園景圖盌一對

345 A PAIR OF FAMILLE ROSE JARDINIÈRES. Qing Dynasty.

With tall rounded sides and an everted rim, enamelled with panels of birds on branches among flowers, with further floral spray, 32cm H, 37cm diameter. (2) £1,200 – 1,500 清 粉彩繪花鳥紋折沿花盆一對

343 A PAIR OF YELLOW GROUND ‘BUTTERFLY’ BOWLS. 20th Century.

The rounded sides rising to an everted rim, painted in thick enamels with butterflies in flight, four character Tongzhi mark to base, wood stands, 11cm diameter. (4) £500 – 800 二十世紀 黃地粉彩繪蝶紋盌一對 344 A PAIR OF ENAMELED WINE CUPS. The deeply rounded sides of the body decorated with flower heads below a gilt rim, four character Tongzhi mark to base. 6.5 x 4.5cm. (2) £500 – 800 繪花紋酒盃一對，「同治年製」款

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346 A PAIR OF DOUBLE-LOZENGE-SHAPED IRON RED GROUND JARDINIÈRES. Decorated to the exterior with a bird among foliage, inscribed with three characters, Dayazhai, beside the Tian Di Yi Jia Chun sealmark, 25 x 17 x 5cm. (2) £1,000 – 1,500 外珊瑚紅地内松石綠地方勝式花盆一對

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347 A PAINTING OF LADIES IN A GARDEN. Ink and colour on silk, framed and glazed, 79 x 40cm. £200 – 300 設色絹本仕女園景圖 348 SU HANCHEN (follower of, 1131 – 1170).

Ink and colour on paper, framed, 108 x 41cm. £400 – 600 苏汉臣(传 ) 人物故事图 款识： 苏汉臣写于罗汉阁 钤印：「苏汉臣印」 349 A PAINTING OF IMMORTALS. Ink and colour on paper, framed and glazed, 105 x 30cm. £100 – 200 設色絹本繪仙人像 350 A PAINTING OF FIGURES IN A LANDSCAPE. Ink and colour on silk, framed and glazed, 41 x 90cm. £300 – 500 設色絹本繪人物像

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351 NANG HIEN. Female nude Charcoal on paper, glazed, 64 x 57cm.

Provenance: Sotheby’s, May 16 1998, lot 105. £400 – 600 紙本素描 裸體女人 352 A PAIR OF DRAWINGS OF GUARDIAN FIGURES. Hanging scrolls, ink on paper, 130 x 66cm H, 133 x 67cm. (2) £400 – 600 立軸 設色紙本 四大天王像兩張 353 WU CHANGSHUO (attributed to, 1909 – 2003) Calligraphy, ink on paper, two hanging scrolls, 182 x 37cm. (2) £2,000 – 3,000 吴昌硕（傳） 書法兩幅 <一> 款識：黃華隔手窺畫燈 己卯秋抄安吉吳後卿 鈐印：「□□後書」「棄官光彭釋今五十三」 <二> 款識：清檀積冷蘊書味 適固尘人 雅屬

*See inside front cover for information regarding fees

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354 NI YUN (? – 1864) Bird and Flowers, ink and colour on paper, a pair of hanging scrolls, signed Jiesun, with two seals of the artist, 96.5 x 39cm. (2) £300 – 500 芥孫 石榴花鳥圖 設色紙本 立軸 <一> 簽條：絹花鳥 款識：花開白萼與紫菊 石榴花茇種宜男 春宵伇有千年永 一對白斯飛翠 蘭 仿王忘庵老人筆意 芥孫倪耘 鈐印：「倪耘之印」「芥孫」 <二> 簽條：絹花鳥 款識：芳事蹉跎瞥眼空 藥闌無已墮擂紅 頗聞南郭春遲去 不禁穠芳野寺 中 累臨王武設色寫生法 芥孫畫 鈐印：「倪耘之印」「芥孫」

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355 LI NIANCI (follower of, 1628 – ?)

Bird and Flowers, ink and colour on blue silk, hanging scroll, signed Qu’an, dated xinchou (1661), with one seal of the artist, 68.5 x 32.5cm £300 – 500 李念慈（傳） 花鳥圖 設色絹本 立軸 款識：秋叢繞舍似陶家 啼鳥依籬日漸斜 豈迷花中偏愛菊 霜紅燦爛出天 霞 辛丑秋日 劬庵畫菊錦秋捕鳥 鈐印：「劬庵畫」 卷軸：藍綢花鳥單條 356 FOUR INK RUBBINGS. 132 x 32cm. (4) £200 – 300 拓片四張

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357 357 CHINESE CERAMICS IN THE CARL KEMPE COLLECTION. [1965].

Stockholm: Almqvist & Wiksell, by Gyllensvard, Bo. 268 pages.

Illustrated catalogue of 900 ceramics from the Tang through to the Ming Dynasty, 24 x 16cm. Sold together with CHINESE GOLD AND SILVER IN THE KARL KEMPE COLLECTION. 1953. Stockholm: Nordisk Rotogravyr, 255 pages, numerus monochrome illustrations.

LIMITED EDITION, number 213 of 1000 copies. Catalogue of 175 works of art, 22.5 x 18.5cm. (2) £150 – 200 一九六五 《卡尔·坎普藏中国瓷器图录》共两册 358 A COLLECTION OF CHINESE ART REFERENCE BOOKS, DEALERS AND AUCTION CATALOGUES. Including Sotheby’s, Christie’s and Bonham’s catalogues including the Ellsworth and Cunliffe collections and catalogues from Gerard Hawthorn, Roger Keverne, Kaikado, Ben Janssens and others. (qty) £100 – 200 藝術品圖錄一組 359 A HAND SCROLL PAINTING. Landscape, ink and colour on silk, handscroll, 23-92cm. £200 – 300 設色絹本 手卷 山水圖 杜曲小景 當關杜曲 左跡為秦都 名勝香中 臺謝林廊向 異崖俗花 木竹石結構 參 差頗得 天然佳趣也 邁因 介之大兄囑 繪張□詢反 大概雖心領 神會意 在 渺茫惜呼咫尺 之間未能徒步 往遊余即qie 盡 枯膓隨筆應 之可謂寫西施 而圖魅魅之 形未免 方家家貽笑之 渝江亭 生 王國梅並識 360 A LARGE FAMILLE ROSE PANEL. Second half of 20th Century.

Depicting a large group of ladies at leisure in a garden, framed, 25 x 98cm. £400 – 600 二十世紀後半葉 粉彩繪紅樓夢圖瓷盤畫

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358 361 WANG DAO Squirrels and Berries, ink on paper, hanging scroll, 130 x 21.8cm. £300 – 500 王燾 松樹葡萄圖 水墨紙本 立軸 款識：雲谷指畫 鈐印：「雲谷」 362 REN YU (attributed to, 1853 – 1901) Landscape, ink and colour on paper, two hanging scrolls, signed by Ren Yu, dated 1940, with one seal of the artist, 163 x 46cm.

Provenance: London Private Collection. £200 – 300 任預（傳） 山水圖 款識：打夕易鐘，祿朱破樓句,立以任預 鈴印：「任預印倍」 簽條：任立凡山水 363 Tianyang Liu ZHOU QIANQIU (1910 - 2006) LIANG CANYING (1921 - 2005) Bird and Flowers ink on paper, hanging scroll Signed Qianqiu, dated wuxu (1958), with one seal of the artist 81.5 x 39.5cm £300 – 500 周千秋 竹雀圖 梁粲纓 水墨紙本 立軸 款識：鄺永光先生囑畫幸貽 毛勤先生清賞 戊戌喜暮 千秋 鈐印：「周千秋」「桃李滿天下」 卷軸：This picture was painted by Mr. Chow Chien Chiu and Mrs. Chow-Leung Chen Ying, in Hong Kong.

*See inside front cover for information regarding fees

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363a CHEN HONGSHOU (attributed to, 1598 – 1653) Figures, ink and colour on silk, framed, all signed Hongshou, with four seals of the artist, each 89 x 41cm. (4) Provenance: Scottish private collection. £300 – 500 陳洪绶（傳） 人物圖四幅 設色絹本 鏡框 款識： 〈一〉洪绶 〈二〉山高月小水落石出，老遲洪绶畫于静者居 〈三〉洪绶画 〈四〉癸卯冬十一月老遲洪绶 鈴印：「陳洪绶印」（四鈴）

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363a (part)

364 TWO FAN LEAVES, A WOOD BLOCK PRINT PAGE AND A TEXTILE EMBROIDERY OF BIRDS. The fan 49cm across. (6) £200 – 300 扇面兩張，版畫一張及繡鳥織物一件

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365 A COLLECTION OF VARIOUS JADE ITEMS. 19th / 20th Century.

Comprising a scholar’s rock, a belt hook, archer’s ring and other items. (10) £100 – 200 十九 / 二十世紀 玉雕若干件

367 A COLLECTION OF VARIOUS ITEMS. Comprising an enamelled white metal circular box and cover, a jadeite pendant carved as lotus leaves, and various other necklaces and bangles. (9) £200 – 300 雜件一組

366 A COLLECTION OF CARVED ITEMS. Qing Dynasty, and later.

Comprising a jade monkey and finger citron carving and various other carvings in jade, coral, amethyst and other materials. (30) £300 – 500 清或更晚 雕件一組

368 A COLLECTION OF JADE AND HARDSTONE CARVINGS. 19th / 20th Century.

Comprising of three bowls, a pair of birds, a frog and a standing figure of Liu Hai, 8-11.5cm. (8) £200 – 300 十九 / 二十世紀 玉雕及石雕一組

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*See inside front cover for information regarding fees

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369 A LARGE COLLECTION OF BLUE AND WHITE PORCELAIN. Qing Dynasty, or later.

Comprising a blue and white dragon teabowl and cover together with various other cups and bowls, various wood stands, 4-20cm diameter.

(23) £800 – 1,200 清或更晚 青花瓷器一組連座，「司德年造」款

371 A COLLECTION OF VARIOUS ITEMS. Han Dynasty, or later.

Comprising a blanc de chine cockerel, a blanc de chine Buddhist lion dog, a bronze horse and rider incense burner, two gilt wood dogs, a pair of handled cups, eleven nut carvings and seven nail covers. (26) £200 – 300 漢代或更晚 雜件一組

370 A COLLECTION OF HARDSTONE CARVINGS. 20th Century.

Comprising an incense burner and cover, a carved seated duck, a coiled dragon, a nut carving and two vases and covers, wood stands, 4.5 - 20cm. (16) £300 – 500 二十世紀 硬石雕一組連座

372 A LARGE COLLECTION OF BLUE AND WHITE TEA WARE. Qing Dynasty.

5.5-14cm diameter. (55) £500 – 800 青花茶具一組 373 A SANCAI PILLOW, JUN STYLE VASE, TWO DISHES. The vase 16cm H. (4) £500 – 800 三彩釉枕，仿鈞窯瓶及碟兩隻

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374 A JICHIMU WOOD BRUSH POT. Of waisted cylindrical form, 14cm H, 11cm diameter. £500 – 800 雞翅木雕筆筒 375 A GNARLED TRUNK BRUSH POT. Qing Dynasty.

17cm. £400 – 600 清 瘤雕筆筒

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376 A CLOISONNÉ ENAMEL BRUSH POT. Late Qing dynasty.

Decorated with butterflies and floral roundels against a black ground, 12.5cm H, 10cm diameter. £300 – 500 清晚期 銅胎掐絲琺瑯筆筒 377 A FINELY CARVED CHINESE BAMBOO BRUSH POT. Qing Dynasty, 18th / 19th Century.

Of cylindrical form, finely carved on the exterior with a continuous scene depicting a fisherman in a rural landscape set with large bamboo shoots, overhanging wutong trees and rock, incised with a three column poem and signed Zhu Zhiyou with a seal, 14.5cm H. £2,000 – 3,000 清十八 / 十九世紀 竹雕‘山溪獨釣’筆筒 款識：其於古之 乃為相臣 朱之友，「大里山人」款

*See inside front cover for information regarding fees

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378 A CARVED ‘ROOT’ BRUSH POT. Qing Dynasty.

The gnarled root section rising from a flat foot to a flat rim, the interior hollowed out, 14cm H. £300 – 500 清 木雕筆筒

380 A LARGE ‘ROOT’ BRUSH POT. Qing Dynasty.

The gnarled root section of uneven conical form rising from a flat foot to a flat rim, the interior hollowed out, 23cm H. £400 – 600 清 木雕筆筒

379 A HARDWOOD ‘DRAGON’ BRUSH POT. Qing Dynasty.

Deeply carved with coiled dragons among waves each encircling a flaming pearl, 25cm H, 25cm diameter. £1,500 – 2,000 清 木雕龍紋筆筒

381 A BLUE AND WHITE ‘CALLIGRAPHY’ BRUSH POT. Qing Dynasty, or later.

16cm H, 20cm diameter. £1,000 – 2,000 清 青花釉里紅筆筒

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382 AN OVERLAY BLUE ‘LOHANS’ SNUFF BOTTLE. Qing Dynasty, Tongzhi mark and of the period.

The rounded circular body applied in blue glass with a wave pattern with a panel on each face, one enclosing a lohan cleaning his ear, the other stretching, four character Tongzhi mark to base, 7.5cm H. (2) Provenance: From a London private collection, of which many pieces were acquired from Robert Kleiner. £100 – 200 清 套料‘罗汉’紋鼻煙壺

384 A FAMILLE ROSE RECTANGULAR SNUFF BOTTLE. Qing Dynasty.

Decorated on either side with an Immortal, a calligraphic inscription running down the two sides, stopper, 9cm H. (2) £200 – 300 清 粉彩繪羅漢鼻煙壺 百年三萬六千日，不及僧家半日閑！來時糊塗 去時迷，空在人間走一回， 未曾生我誰是我？生我之時我是誰？ 長大成人方是我，合眼朦朧又是誰，不如不來 亦不去，來是歡喜去時悲， 悲歡離合多勞意，何日清閑誰得知？

386 A SILHOUETTE AGATE ‘MONKEYS AND BUTTERFLY’ SNUFF BOTTLE. Qing Dynasty.

Of flatterned upright ovoid form, carved on one side using brown inclusions to depict two monkeys seated below a butterfly in flight, 8cm H. (2) Provenance: From a London private collection, of which many pieces were acquired from Robert Kleiner. £300 – 500 清 瑪瑙雕‘蝴蝶靈猴’紋鼻煙壺

383 A WHITE JADE SNUFF BOTTLE. 19th / early 20th Century.

Of flattened rounded form, incised on each face with a plum tree and pine tree, stopper, 6.5cm H. (2) £400 – 600 十九 / 二十世紀早期 白玉雕松梅紋鼻煙壺

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385 AN INSIDE-PAINTED ‘EIGHT HORSES’ SNUFF BOTTLE. 20th Century.

Of double gourd form, stopper, 7cm H. (2) £100 – 200 二十世紀 玻璃内畫八馬圖鼻煙壺 八駿圖，辛已雲秋月拾京門作 「□」

387 AN AMBER SNUFF BOX. 19th / 20th Century.

Of rounded pebble form, incised to one side with a qilin, 7cm H. £750 – 1,000 二十世紀 蜜蠟雕鼻煙壺 388 TWO SKIN-CARVED AGATE SNUFF BOTTLES. 19th / 20th Century.

Each carved to one side, one depictint a figurative scene, the other depicting a scholar beneath pines, the other with two boys, 6-8 cm H. (4) £300 – 500 十九 / 二十世紀 瑪瑙雕鼻煙壺兩件

*See inside front cover for information regarding fees

389 A PAIR OF MOULDED FAMILLE ROSE SNUFF BOTTLES. Late Qing Dynasty.

Moulded and painted with figures and animals in a landscape setting, four character Qianlong mark to base, 7cm H. (2) £400 – 600 清晚期 粉彩繪人物動物圖浮雕鼻煙壺一對，「乾隆年製」款 390 AN INCISED WHITE ‘LOTUS FLOWER’ SNUFF BOTTLE AND YELLOW-GLAZED BISCUIT ‘LANDSCAPE’ BOTTLE. 19th / 20th Century.

Stoppers, 8cm H. (4) £200 – 300 十九 / 二十世紀 白釉暗刻纏枝蓮紋鼻煙壺及素燒浮雕山水圖 鼻煙壺

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391 TWO OVERLAY GLASS SNUFF BOTTLES. Qing Dynasty.

One carved through blue glass to depict a landscape scene, the other depicting a dragon chasing a flaming pearl, stoppers, 8/9cm H. (4) £400 – 600 清 套料鼻煙壺兩件 392 TWO JADE SNUFF BOTTLES. 19th / 20th Century.

One of rounded rectangular form with a chi dragon clambering over the body, the other carved with a wrapping covering the body and one shoulder of the bottle, 6cm H. (2) £500 – 800 十九 / 二十世紀 玉雕鼻煙壺兩件 393 TWO GLASS SNUFF BOTTLES. Qing Dynasty.

Comprising a five-colour overlay glass bottle of flattened form, set with figures beneath plum blossom, the sides set with lion head ring handles, stopper, 6cm H, together with a blue ground white overlay bottle, of cylindrical form, set with a band of taotie masks enclosed by leiwen bands, a lapped band to the foot, and pendent ruyi head band below the shoulders, against the blue incised leiwan pattern ground, 7.2cm H. (3) Provenance: From a London private collection, of which many pieces were acquired from Robert Kleiner. £200 – 300 清 套料鼻煙壺及套料‘饕餮’紋鼻煙壺 394 TWO CRYSTAL SNUFF BOTTLES. Qing Dynasty.

One formed as a hair crystal bottle with black streaks, the other a crystal bottle incised with horses beneath trees, 6cm H. (2) £200 – 300 清 水晶雕鼻煙壺兩件 395 A SMALL JADEITE SNUFF SAUCER. Early 20th Century.

Sold together with two hardstone carvings, 8cm diameter. (3) £300 – 500 二十世紀早期 翡翠雕鼻煙碟

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400 396 TWO LAC BURGAUTE SNUFF BOTTLES AND A JET BOTTLE. 19th / 20th Century.

5.5 / 9cm H. (6) £100 – 200 十九 / 二十世紀 黑漆嵌螺鈿鼻煙壺及煤玉鼻煙壺 397 TWO OVERLAY RED GLASS SNUFF BOTTLES, AN AMETHYST SNUFF BOTTLE AND A ROCK CRYSTAL SNUFF BOTTLE One carved through the red glass as a clambering chi dragon on a translucent ground, the other of flattened olive shape carved to depict lotus plants on a transparent ground, stoppers, 7.5cm H, 7.2cm H. (8) £200 – 300 清 套料鼻煙壺兩件及水晶鼻烟壶两件 398 FOUR FAMILLE ROSE SNUFF BOTTLES AND A SAUCER. 19th / 20th Century.

4-8cm H. (9) £300 – 500 十九 / 二十世紀 粉彩繪鼻煙壺四隻及小碟一隻 399 THREE SNUFF BOTTLES AND STOPPERS. 19th / 20th Century.

Comprising a gild metal bottle with a dragon roundel on each side, an overlay green glass snuff bottle and an inlaid mother-of-pearl bottle decorated with a lady, 7-8cm H. (6) £200 – 300 十九 / 二十世紀 鼻煙壺三隻

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401 400 THREE HARDSTONE SNUFF BOTTLES. 19th / 20th Century.

One of pear shaped form modelled as a net with two crabs on the surface, another of plane pear-shaped form, and a third of rounded rectangular form with incised floral decoration, 5-7cm H. (4) £300 – 500 十九 / 二十世紀 硬石雕鼻煙壺三件 401 A COLLECTION OF SNUFF BOTTLES. Qing Dynasty.

Comprising a Yangzhou school sepia overlay bottle, of upright rounded rectangular form, carved through sepia overlay to the milkwhite ground with birds and flowers, cicada ring handles, stopper, 7.5cm H, together with a slip-decorated yixing stoneware bottle of hexagonal form, the six faceted panels supported by a hexagonal foot rim, decorated to the body in white slip with a watery landscape scene on one side and plum blossom on the reverse, ring handles to the shoulders, impressed seal mark to base, 6cm H, a hair crystal bottle of almost globular form, the clear stone suffused with brown tourmaline crystals, stopper, 7.5cm H, and two further glass snuff bottles of flattened circular form the foot encircled by layers of flower petals, stoppers, 6cm H. (8) Provenance: From a London private collection, of which many pieces were acquired from Robert Kleiner. £300 – 500 清 揚州工套料鼻煙壺一件，宜興紫砂鼻煙壺一件，髮晶鼻煙壺一件及 料鼻煙壺兩件

*See inside front cover for information regarding fees

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406 402 FOUR HARD STONE SNUFF BOTTLES AND A TORTOISESHELL SAUCER. 19th / 20th Century.

5.5-7cm H. (9) £200 – 300 十九 / 二十世紀 硬石雕鼻煙壺四件及玳瑁雕 小碟一隻 403 FIVE JADE SNUFF BOTTLES. Qing Dynasty, and later.

Stoppers, 6-8.5cm H. (10) £400 – 600 清或更晚 玉雕鼻煙壺五件

404 THIRTEEN SNUFF BOTTLES. Qing Dynasty, and later 5-8cm H. (27) £200 – 300 清或更晚 鼻煙壺十三件

406 SIX BLUE AND WHITE SNUFF BOTTLES. Qing Dynasty, and later.

7-9.5cm H. (12) £400 – 600 清或更晚 青花鼻煙壺六件

405 FIVE RED OVERLAY SNUFF BOTTLES. 6.5 - 7.5cm H. (10) £500 – 800 套料鼻煙壺五件

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407 A COLLECTION OF JADEITE JEWELLERY. 19th / 20th Century.

Comprising of two pendants, one carved as a lingzhi fungus, the other as a melon, a bangle and a pair of earrings, 2-5cm long. £500 – 800 十九 / 二十世紀 翡翠飾品一組 408 A PAIR OF JADEITE BANGLES. Qing Dynasty.

Smoothly worked, the colour ranging from apple green to caramel and lavender blue, 8.5cm diameter. (2) £1,000 – 2,000 清 翡翠手鐲 409 TWO CARVED HARDSTONE PENDANTS. Early 20th Century.

Comprising a jadeite squirrels and gourd carved pendant together with an agate bird and berries carved pendant, 5 / 6cm long. (2) £200 – 300 二十世紀早期 硬石雕吊墜兩件

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409a TWO JADEITE PENDANTS. 20th Century.

One carved as a squirrel clambering over fruits borne on vines of an apple green colour, the other carved as a phoenix, the colour ranging from apple green to caramel, 5cm, 5.5cm long. (2) £400 – 600 二十世紀 翡翠吊墜兩件 410 TWO JADEITE NECKLACES. 43cm, 72cm long. (2) £300 – 500 翡翠項鏈兩條 411 A CARVED JADE RUYI PANEL AND BELT HOOK MOUNTED AS A MIRROR. Qing Dynasty.

The belt hook forming the handle and the panel forming the back, 23cm long. £3,000 – 5,000 清 嵌玉雕如意嵌板與帶扣手持鏡

*See inside front cover for information regarding fees

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412 TWO JADE CARVINGS. Comprising of an oval pendant incised with a figure fishing beneath pines with a poetic inscription on the reverse, and a carving of a mythical beast clambering over a sprig of lingzhi fungus, 4 / 7cm. (2) £200 – 300 玉雕兩件

415 A JADE ‘SHOULAO AND BOYS’ CARVING. Qing Dynasty. 19th Century.

The bearded figure standing in long flowing robes with a benign expression, a small boy on either side, 12cm. £800 – 1,000 清十九世紀 玉雕壽老童子擺件

413 A CARVED JADE PENDANT. Of rectangular form incised with attendant chi dragon, S-scroll patterns, 6cm long. £200 – 300 玉雕螭龍紋吊墜

416 A GROUP OF FOUR JADE CARVINGS. 19th / 20th Century.

5-7cm. (4) £200 – 300 十九 / 二十世紀 玉雕一組四件

414 AN AGATE WATER WASHER. Qing Dynasty, Jiaqing mark and of the period.

Of reduced cylindrical form, the base with an incised four character Jiaqing mark, 3.5cm H. £300 – 500 清嘉慶 瑪瑙雕筆洗，「嘉慶年製」款

417 A JADE CARVING OF A SHELL TOGETHER WITH A JADE LING GUANG. 19th / 20th Century.

The double clam shell with attendant toads, the cylindrical lingguan tube hollowed at one end, 7 x 9.5cm H. (2) £800 – 1,200 十九 / 二十世紀 玉雕貝克及

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418 AN IRON-RUST-GLAZED TRIPOD INCENSE BURNER. Qing Dynasty, Qianlong era.

The globular body rising to an everted rim supported on splayed tripod feet, 11cm H, 12cm diameter. £500 – 800 清乾隆 鐵鏽釉三足爐

419 A BROWN-GLAZED TRIPOD INCENSE BURNER. Indistinct mark to base, 8cm diameter. £1,000 – 1,500 醬釉三足爐

420 A CELADON GLAZED TRIPOD CENSER. Raised on short cylindrical feet, the shoulders set with scrolling handles, 8cm H. £300 – 500 青釉三足爐

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*See inside front cover for information regarding fees

421 A LARGE AUBERGINE-GLAZED CENSER. Qing Dynasty, early Kangxi era.

Of bombé form set with lion head handles, 13cm H x 20cm diameter.

Provenance: Parisian private collection, purchased from CT Loo, Paris, 1996. £3,000 – 5,000 康熙早年 茄皮紫釉雙獅耳爐

422 A ‘GUAN’ TYPE CELADON ‘TRIGRAM’ CENSER. Ming Dynasty.

Of globular form with short conical feet and loop handles to the rim, moulded tangrams around the body, 11cm diameter. £1,200 – 1,500 明 仿官窯八卦紋爐

423 A BLANC DE CHINE TRIPOD INCENSE BURNER. 17th Century.

Of cylindrical form supported by three short stepped feet, 9cm H, 11cm diameter. £4,000 – 6,000 十七世紀 德化窯三足筒爐

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424 A BLANC DE CHINE FIGURE OF BUDDHA. Qing Dynasty.

Seated in flowing robes the chest bare, the mouth open with a wide smile on the face, four character seal mark on base, 11cm H. £300 – 500 清 德化窯佛像

427 A BLANC DE CHINE FIGURE OF GUANYIN. 20th Century.

Seated in flowing robes with a ribbon trailing down the high lotus base above waves, 42cm H. £200 – 300 二十世紀 德化窯觀音像

425 A BLANC DE CHINE FIGURE OF LI TIEGUAI Qing Dynasty.

Seated in flowing robes with the left knee raised, a rosemary in the right hand and begging bowl in the left, Fujian Dehua seal mark to back, 21cm H. £200 – 300 清 德化窯李鐵拐像，「福建德化」款

428 A BLANC DE CHINE FIGURE OF A BODHISATTVA RIDING A LUDUAN. 20th century.

Impressed He Chaozong zhi seal mark to the reserse, 30cm. £2,000 – 3,000 二十世紀 德化窯菩薩騎甪端像，「何朝宗印」款

426 TWO BLANC DE CHINE FIGURES OF SCHOLARS. 17th / 18th Century.

One depicting Guandi seated on a raised platform draped with a tiger skin, wearing armour under his long flowing robes belted at his chest, his face with a stern expression and surmounted by an official cap with two tassels falling on his shoulders, the other depicting a scholar seated in flowing robes on a rocky base, with an attendant standing to his left. (2) £300 – 500 十七 / 十八世紀 德化窯士大夫像兩尊

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429 A BLANC DE CHINE FIGURE OF GUANYIN. 20th Century.

Seated on a rocky base, the left hand raised, the face in a serene expression, 28cm H. £100 – 200 二十世紀 德化窯觀音像

*See inside front cover for information regarding fees

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430 A LARGE BLANC DE CHINE FIGURE OF XI WANG MU. 20th Century.

Standing in long flowing robes, a long trailing scarf around her shoulders down to the rockwork base, the left hand holding a lingzhi fungus sprig, her hair tied in a high chignon dressed with flowers, accompanied by a deer covered with a blanket and saddle supporting a flower basket, 66cm H. £600 – 800 二十世紀 德化窯西王母立像 431 A BLANC DE CHINE FIGURE OF LIU HAI. 20th Century.

Standing with the chest base, a hat strung over the back, looking down at a three legged toad, a ring of cash coins suspended by the left hand, 37cm H. £1,000 – 2,000 二十世紀 德化窯瀏海像

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432 THREE BLANC DE CHINE LIBATION CUPS. Qing Dynasty.

Each with moulded decoration, the smallest with plum blossom, the larger two with animals beneath overhanging rocks, one with wood stand, 8-16cm across. (4) £300 – 500 清 德化窯供盃三隻 433 A SOFT PASTE PORCELAIN PLANTER AND STAND. Qing Dynasty.

Of quatralobed form, moulded with antique treasures, 6.5cm diameter. (7) £300 – 500 清 白釉花盆連拖

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434 A GILT BRONZE FIGURE OF BUDDHA. Qing Dynasty.

Cast seated in dhyanasana on a double lotus base, the right hand extended in bhumisparshamudra and the left in dhyanamudra, wearing a shawl draped over the left shoulder, the serene face with downcast eyes and meditative expression, 16cm H. £400 – 600 清 銅鎏金佛像

435 A GILT-BRONZE FIGURE OF AMITAYUS. Qing Dynasty, 18th Century.

Cast seated in dhyanasana on a high double-lotus pedestal base, with hands folded in dhyanamudra, wearing a shawl and dhoti, 18cm H. £4,000 – 6,000 清十八世紀 銅鎏金阿彌陀佛像

436 A GILT BRONZE FIGURE OF BUDDHA. Qing Dynasty, 18th Century.

Cast seated in dhyanasana on a double lotus base, the right hand extended in bhumisparshamudra and the left in dhyanamudra, wearing a shawl draped over the left shoulder, the serene face with downcast eyes and meditative expression, 17cm H. £4,000 – 6,000 清十八世紀 銅鎏金佛像

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*See inside front cover for information regarding fees

437 A GILT BRONZE FIGURE OF WHITE TARA. Cast seated in dhyanasana on a double lotus base, the right hand lowered in varadamudra, the left hand raised, 11cm H. £400 – 600 銅鎏金白度母像

437 438 A GILT BRONZE FIGURE OF GUANYU. Qing Dynasty.

Seated in flowing robes concealing his armour, the right hand raised, the face with a severe expression, incised four character fu mo dadi mark to front of base, 17cm. £1,200 – 1,500 清 銅鎏金關羽像，「伏魔大帝」款

439 A GILT BRONZE SEATED BUDDHA. 18th / 19th Century.

16cm H. £2,000 – 3,000 十八 / 十九世紀 銅鎏金佛坐像

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439a A GILT-LACQUER FIGURE OF ANANDA. Ming Dynasty.

Standing upright on a circular lotus petal base with hands joined in anjalimudra, dressed in wide longsleeved monk’s robes, the full face with downcast eyes and reverent expression, 21.5cm H, 929g. £400 – 600 明 銅鎏金加彩阿難陀立像

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440 A WHITE GROUND SGRAFFITO ‘DRAGON’ VASE. 19th / 20th Century.

Decorated with coiled dragons to the body, shoulders and neck with dragons among flames, four character Qianlong mark to base, 21.5cm H. £300 – 500 十九 / 二十世紀 白釉軋道龍紋瓶，「乾隆年製」款 441 A WHITE GLAZED VASE ‘DRAGON’ VASE. 19th / 20th Century.

Incised and colourfully glazed with dragons chasing a pearl among flames against a white ground, 23.5cm H. £300 – 500 十九 / 二十世紀 白釉龍紋瓶 442 A YELLOW AND BROWN GLAZED ‘DRAGON’ VASE. Qing Dynasty.

Of pear-shaped form, painted to depict a coiled five-clawed dragon chasing a flaming pearl, six character Qianlong mark to base, 38cm H. £1,000 – 2,000 清 黃釉醬釉龍紋瓶，「大清乾隆年製」

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443 AN ENAMELLED CELADON-GLAZED MOON FLASK. Late Qing Dynasty.

The flattened circular body rising from a short spreading foot to a garlic-shaped neck and mouth flanked by a pair of ruyi-shaped handles, the body painted with large flowering peonies below a butterfly in flight, the sides decorated with bats, 39cm H. £4,000 – 6,000 清 青釉描金粉彩繪花蝶紋如意耳瓶 444 A BLUE AND WHITE MOON FLASK. Of oval section, the neck flanked by two scroll handles, the two sides painted with different flower-and-bird compositions, both depicting a bird perched on a flowering branch entwined with a small stem of bamboo, bordered above and below by fanciful curly foliage motifs, the neck also with bamboo, six character Xuande mark across the shoulders, 28cm H. £300 - 500 青花雙耳扁瓶，「大明宣德年製」款

*See inside front cover for information regarding fees

445 A FAMILLE ROSE FIGURATIVE VASE. Qing Dynasty.

Of baluster form with a trumpet neck, finely enamelled to the exterior with a figurative scene, 40cm. £3,000 – 5,000 清 粉彩繪人物圖瓶

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446 A FAMILLE ROSE VASE. 19th / 20th Century.

Of mallet shaped form, decorated with peonies emerging from behind rocks among other flowers, six character Qianlong mark to base, 43cm H. £3,000 – 5,000 十九 / 二十世紀 粉彩繪花紋瓶，「大清乾隆年製」款

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447 A CORAL-GROUND GILT-DECORATED FAMILLE-ROSE VASE. Of pear-shaped form decorated with two circular famille rose panels of landscape scenes, against a coral-red ground gilt with scrolling lotus flowers, four character Qianlong mark to base, 33cm H. £1,500 – 2,000 珊瑚紅地描金開光繪山水圖瓶，「大清乾隆年製」款 448 A MILLEFLEUR VASE. 19th / 20th Century.

The rounded body with a waisted neck and everted rim, set with coral glazed dragon handles, enamelled overall with a dense array of flowers, six character Qianlong mark to base, 39cm H. £300 – 500 十九 / 二十世紀 百花紋雙龍耳瓶， 「大清乾隆年製」款 449 A BLUE AND WHITE ‘WARRIORS’ VASE WITH COVER. Qing Dynasty, 19th Century.

Of baluster form decorated with a landscape scene of figures on horseback, four character Chenghua mark to base, 43cm H. (2) £400 – 600 清十九世紀 青花繪猛士蓋瓶， 「成化年製」款

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450 A LARGE FAMILLE ROSE ‘IMMORTALS’ VASE. Qing Dynasty With wide shoulders, waisted at the foot, rising to a tall cylindrical neck, set on either side with elephant handles, the body decorated with a scene of immortals on waves, below lotus scroll on a red ground to the neck and a band of butterflies and flowers around the foot, 58cm H. £1,500 – 2,000 清 粉彩繪人物故事圖象耳瓶 451 A FAMILLE ROSE HEXAGONAL VASE. Qing Dynasty, 19th Century.

Of baluster form, the shoulders set with moulded Buddhist lion dog handles, the sides and neck decorated with figurative scenes, 60cm H. £600 – 800 清十九世紀 粉彩六方瓶 452 A SANCAI ‘TREASURES’ VASE. Transitional era.

Of baluster form, decorated to the exterior with various antiques and auspicious symbols, 30cm H. £300 – 500 明末清初 三彩繪博古紋瓶

*See inside front cover for information regarding fees

454 453 A GE STYLE OCTAGONAL PEAR-SHAPED VASE. 19cm H. £300 – 500 仿哥窯八方瓶 454 A FAMILLE ROSE VASE, FANGGU. 20th Century.

Of octagonal section with a flaring foot and spreading with everted rim, decorated with scrolling foliage on a yellow ground, the midsection with lotus scroll on a turquoise ground, 44cm H. £1,500 – 2,000 二十世紀 粉彩繪纏枝蓮紋八方瓶

455 455 A FAMILLE ROSE ‘HORSES’ VASE. 20th Century.

Decorated with a continuous scene of horses grazing beneath pines, four character Jingdezhen zhi mark to base, 36cm H. £600 – 800 二十世紀 粉彩繪駿馬圖瓶，「景德鎮製」款 456 A JADE ‘DRUNKEN SCHOLAR’ CARVING. Qing Dynasty.

Carved to depict a rocky landscape with a seated scholar raising a glass of wine beneath a gnarled pine tree beside a deer holding a spray of lingzhi fungus in the mouth, carved wood stand, 10cm H. (2) £3,000 – 5,000 清 玉雕士大夫醉酒擺件

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457 A BLUE AND WHITE ‘HUNDRED TREASURES’ TEAPOT. Qing Dynasty, Kangxi era.

Of barrel-form with S-shaped spout and loop handle, the body decorated with antiques and auspicious symbols between two bands of rounded studs, 9cm H, 9.5cm diameter. £200 – 300 清康熙 青花繪博古圖紋茶壺 458 A BLUE AND WHITE EWER AND COVER. Qing Dynasty, Kangxi era.

Of pear-shaped form, with bod shaped panels on each side enclosing scrolling foliage against a diaper ground, 19cm H. (2) £600 – 800 清康熙 青花執壺 459 A BRASS-INLAID PEWTER WINE POT AND COVER. Qing Dynasty, Kangxi era.

Of quatrefoil form, with an S-shaped handle and wicker-covered overhead handle, supported on four short feet, inlaid to the faces with fruiting and flowering branches, 12cm H. (2) £1,500 – 1,800 清康熙 錫嵌黃銅酒壺連蓋

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460 A FAMILLE VERTE ‘HORSES’ WINE POT AND COVER. Qing Dynasty, Kangxi era.

Of quatrefoil section rising to wide shoulders and a vertical mouth, supported on three short feet, with panels on either side enclosing two horses beneath pines, reserved on a repeating wan pattern ground, with overhead handle in simulation of wicker, 14.5cm H. (2) £4,000 – 6,000 清康熙 五彩繪松馬圖酒壺連蓋 461 A BRASS-INLAID PEWTER TEA CADDY FOR THE RUSSIAN MARKET. Qing Dynasty, 18th Century.

Of rectangular form, the front centred with Imperial Arms for Peter the Great, 25cm H. £300 – 500 清十八世紀 外銷俄羅斯黃銅錯錫茶葉罐

*See inside front cover for information regarding fees

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462 A BRONZE WINE EWER AND COVER. 17th to 18th Century.

Of rectangular form, with the pear-shaped body rising from a high everted foot to a slender waisted neck, the spout emerging from a dragon’s mouth and the tubular handle fixed to the neck with a dragon ornament, the neck decorated with bats above a trailing ribbon and the body with a medallion enclosing figures, 25cm H, 550g. (2) £400 – 600 十七至十八世紀 銅人物園景圖紋執壺 The present ewer relates closely to examples in precious metals including a Ming silver ewer published in Bo Gyllensvard, Chinese Gold & Silver in the Carl Kempe Collection, 1953, cat no 151, and a gold ewer dating to the Qianlong era.

463 A YIXING STONEWARE TEA CUP AND SAUCER Qing Dynasty, Kangxi era.

Of hexagonal form, the exterior finely moulded with scrolling flowers, the interior of the saucer similarly decorated around an octagonal floral roundel, within in leiwen band to the rim, 5-12cm. (2) £2,500 – 3,000 清康熙 宜興紫砂盃碟一套

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464 A COLLECTION OF TEAWARE ITEMS. Qing Dynasty, 18th Century.

Comprising a rectangular tea caddie decorated in sancai enamels with antiques, with pewter cover, a famille rose armorial jug and cover, and a famille rose tea bowl and saucer. 9-15cm. (6) £300 – 500 清十八世紀 茶具一組若干件 465 A THREE PIECE EXPORT SILVER TEA SET. Circa 1920.

Decorated in repoussé with a coiled dragon on a stipple ground, fitted box, 8-16cm H. (5) £3,000 – 5,000 約一九二零年 銀制茶具三件套

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466 A ROBIN’S EGG-GLAZED YIXING STONEWARE TEAPOT AND COVER. The square body of the teapot tapering to the mouth rim supporting a domed square cover with loop handle, the exterior and base covered with a finely mottled turquoise and blue glaze that covers a faint seal mark on the base, 25cm H. (2) £400 – 600 爐鈞釉宜興紫砂蓋壺

468 A YIXING STONEWARE TEAPOT AND COVER. Signed Wu Aizhen.

The quatrefoil lobed body supported on a short spreading foot, the loop handle opposite a short spout emerging from a mythical animal head, Qi Ma Lin, and Wu Aizhen Zhi impressed marks, boxed, 8cm H, 15cm diameter. (2) £500 – 800 宜興紫砂蓋壺，「吳愛珍製」款

467 A YIXING STONEWARE TEAPOT AND COVER. The cover modelled with a buffalo finial, 9cm H. (2) £200 – 300 宜興紫砂蓋壺，「保凤」款

469 A YIXING STONEWARE TEAPOT AND COVER. Signed Wu Aizhen.

The body lobed into eight sections with a foliate rim cover with a finial, the loop handle inlaid to the top with three yellow metal flower heads, 12cm H, 14cm diameter. (2) £800 – 1,200 宜興紫砂蓋壺，「契碼琳」款

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*See inside front cover for information regarding fees

470

471

470 FOUR YIXING STONEWARE TEAPOTS AND COVERS. 7.5 - 9.5cm. (8) £200 – 300 宜興紫砂蓋壺四隻 471 A COLLECTION OF VARIOUS CUPS AND SAUCERS. Qing Dynasty.

Comprising four famille rose handled cups and three saucers, Yongzheng era, a gilt decorated figurative handled cup and a green and yellow ‘dragon’ bowl. (9) £400 – 600 清 杯碟一組 472 A CIRCULAR PEWTER TEA CADDY AND COVER. Early 20th Century.

Comprising of four shaped compartments fitting beneath a cylindrical cover, the exterior incised with floral patterns, 13cm H, 13.5cm diameter. (9) £100 – 200 二十世紀早期 錫製茶葉罐 473 A FAMILLE ROSE ‘LANDSCAPE’ TEA BOWL, SAUCER AND STAND. Jiangxi ciye gongsi mark to base, 9cm H. (3) £500 – 800 粉彩繪園景圖茶杯碟連座，「江西瓷業公司」款

473

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474 A DOUCAI BOWL. Qing dynasty, Guangxu era.

Decorated to the exterior with floral sprays, six character Guangxu mark to base, 5cm H, 12.5cm diameter. £1,500 – 2,000 清光緒 闘彩盌，「大清光绪年製」款

475 A FAMILLE ROSE BOWL. Qing Dynasty, Jiaqing mark and period.

With deeply rounded sides and an everted rim, decorated to the exterior with a figurative scene, six character Jiaqing mark to base, 13cm diameter. £800 – 1,200 清嘉慶 青花描金加彩吉紋盌，「大清嘉慶年製」款

476 A ‘BATS AND SHOU CHARACTER’ BOWL. Qing Dynasty, Daoguang era.

The exterior decorated in iron red enamels, the interior in underglaze cobalt blue, six character Daoguang mark to base, 6cm H, 15cm diameter. £2,500 – 3,000 清道光 青花描金加彩繪‘蝠壽’紋盌，「大清道光 年製」

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*See inside front cover for information regarding fees

477

478

479

480

477 A FAMILLE ROSE FIGURATIVE BOWL. 20th Century.

Decorated to the exterior with a group of figures and animals, six character Da Qing Qianzheng nian zhi mark on base, 21cm diameter. £300 – 500 二十世紀 粉彩繪人物盌

479 A FAMILLE ROSE LANDSCAPE BOWL. Painted with scenery of mountains, with calligraphy of the poem Lu Shan Pu Bu on the opposite of the body, gilded foliate rim, six character Jiaqing mark to base, 7.7cm H, 18.2cm diameter. £500 – 800 繪山水圖描金花口盌

478 A PAIR OF MILLEFLEUR-GROUND ‘BOYS’ BOWLS. 20th Century.

Decorated with circular panels of boys at play against a ground of overlapping flowers, 8.2cm H, 19.2cm diameter. (2) £250 – 300 二十世紀 粉彩百花開光繪童子圖盌一對

480 A BLUE AND WHITE ‘DRAGON’ BOWL. Qing Dynasty, 19th Century.

Decorated with coiled dragons among waves chasing flaming pearls, four character Kangxi mark to base, 20cm. £400 – 600 清十九世紀 青花龍紋盌，「康熙年製」款

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482

484

483

485

481 A BLUE AND WHITE ‘LOTUS POND’ VASE. Qing Dynasty, 19th Century.

Decorated around the body with birds swimming beneath lotus leaves and flowers, below a neck of leaf lappets, 24cm H. £300 – 500 清十九世紀 青花繪蓮紋瓶

484 A FAMILLE ROSE FIGURATIVE VASE AND DISH. 20th Century.

Each decorated with figurative scenes, four character Qianlong mark on the back of the dish, 24-28cm. (2) £150 – 200 二十世紀 粉彩繪人物圖碟及瓶「乾隆年製」

482 TWO FAMILLE ROSE ‘DRAGON’ VASES. 19th / 20th Century.

One formed as a moon-flask the other of pear-shaped form, each decorated with painted and moulded coiled dragons, 15-23cm. (2) £250 – 300 十九世紀 龍紋瓶兩隻

485 A GREEN-GROUND ‘DRAGON’ VASE. Qing Dynasty.

Of pear-shaped form, decorated with dragons above waves on a green ground among flowers, a blue glazed dragon moulded around the shoulders, 18.5cm H. £150 – 200 清 綠地龍紋瓶

483 A BLUE AND WHITE PEAR SHAPED VASE. The globular body rising to a tall neck narrowing to the rim, the body painted with a qilin among flames and above waves, inscription to the reverse, mounted to the base and rim in white metal, 23cm H. £800 – 1,200 青花長頸瓶

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*See inside front cover for information regarding fees

486

487

486 A FAMILLE ROSE VASE AND COVER AND TWO CELADON VASES. Ming Dynasty, and later.

Comprising of a celadon meiping vase with incised floral decoration, a famille rose baluster-form vase and cover, brightly enamelled with birds on rocks, and a celadon bottle vase with incised decoration and an apocryphal six character Qianlong mark to base, 23 - 28cm. (4) £300 – 500 明或更晚 粉彩花鳥紋蓋瓶及青釉瓶兩隻 487 A MINIATURE ‘COCKERELS’ VASE, HU. 19th / 20th Century Painted on one side with cockerels on a rock beside flowering branches, a landscape scene on the reverse, twin handles on the shoulders, four character Da Qing nianzhi mark to base, wood stand, 10.5cm H. (2) £500 – 800 十九 / 二十世紀 粉彩繪錦雞圖雙耳尊

488

489

488 A BLUE AND WHITE AND COPPER RED VASE. 20th Century.

The globular body on a stepped splayed foot, rising to a spreading rim, the exterior painted with grapes on scrolling vines, wood stand, 14.5cm H. (2) £800 – 1,200 二十世紀 青花釉裡紅葡萄紋瓶 489 A FAMILLE NOIRE VASE TOGETHER WITH A FAMILLE ROSE INCENSE HOLDER. Qing Dynasty, 19th Century.

The vase decorated with flowering plum blossom, peonies and bamboo, the incense holder moulded in the form of a piece of bamboo stem, set with two moulded and pierced panels depicting scholars in a garden, 11 / 16cm. (2) £400 – 600 清十九世紀 黑地彩瓶及粉彩香插

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490

491

492

493

494

495

490 A FAMILLE ROSE JARDINIÈRE AND STAND. 20th Century.

21cm H, 27cm diameter, the stand 25cm diameter. (2) £200 – 300 二十世紀 粉彩花盆連座 491 A FAMILLE ROSE ‘DRAGON AND PHOENIX’ JAR. Late Qing Dynasty.

Brightly enamelled with dragons and phoenixes in flight among peonies above a colourful lappet band, wood cover, 27cm H. (2) £300 – 500 清晚期 粉彩繪龍鳳紋罐 492 AN OCTAGONAL ‘TRIGRAM’ PORCELAIN PLAQUE. Qing Dynasty.

Of octagonal form, decorated with moulded raised eight trigrams encircling a central yingyang roundel, 26cm diameter. £500 – 800 清 八卦紋瓷牌

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493 A FAMILLE ROSE DRUM STOOL. 20th Century.

Decorated with rectangular panels of peonies with studs to the top and base, 46.5cm H. £800 – 1,200 二十世紀 粉彩繪牡丹紋鼓凳 494 AN IRON-RED DECORATED JARDINIÈRE. 19th / 20th Century.

Of rounded sides with an everted rim, decorated with stylised kui dragons, below a band of ruyi heads, above a band of floral lapets, six character Qianlong mark to base, 19cm H, 25cm diameter. £100 – 200 十九 / 二十世紀 樊紅描金繪雷紋花盆 495 TWO FAMILLE ROSE WARES. 20th Century.

Comprising a vase decorated with a landscape scene, and a square stem bowl, 26cm diameter. 30.5cm H. £600 – 800 二十世紀 粉彩瓷器兩件

*See inside front cover for information regarding fees

496

497

498

499

500

501

502

496 A FAMILLE ROSE ‘LOTUS LEAF’ STEM BOWL. Qing Dynasty, Tongzhi mark and of the period.

With rounded sides rising to a foliate rim in simulation of a lotus leaf, painted to the interior with veins and attendant flowers and insects, six character Tongzhi mark to base, 24cm diameter. £400 – 600 清同治 青釉繪粉彩荷葉紋高足盌，「大清同治年製」款

500 AN ENAMELLED BLUE AND WHITE CIRCULAR BOX AND COVER. 19th / 20th Century.

Decorated to the exterior and cover with confronting boys separated by pendant decorations, 9cm H, 18cm diameter. (2) £500 – 800 十九 / 二十世紀 青花加彩蓋盒

497 A BLUE AND WHITE BOWL Qing Dynasty.

Finely painted around the exterior with a continuous landscape scene, two character Si Yu mark on the bottom, 22cm diameter. £200 – 300 清 青花繪山水紋盌，「似玉」款

501 A BLUE AND WHITE ‘DRAGON’ VASE. Of double gourd form, painted to the exterior with dragons among clouds chasing flaming pearls, four character Tongzhi mark to base, 24cm H. £400 – 600 青花龍紋瓶「同治年製」

498 AN IRON RED ‘DRAGON’ DISH. Shang Yong mark on the base, 20.5cm diameter. £1,800 – 2,000 紅釉龍紋碟，「上用」款

502 A BAG WITH JADEITE-INSET PANELS. 20th Century.

27 x 24cm. £100 – 200 二十世紀 鑲翡翠手拎包

499 THREE BOWLS AND A SAUCER DISH. Qing Dynasty and later.

12 - 15.5cm. (4) £200 – 300 清或更晚 盌三件及小碟一件

503 A FAMILLE VERTE BISCUIT ‘DRAGON’ WATER POT, PINGGUOZUN. Qing Dynasty.

Decorated with two dragons chasing flaming pearls among flames and clouds, against a green ground, 11cm diameter. £600 – 800 清 素胎三彩龍紋苹果尊 131

504

505

506

507

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509

504 TWO FAMILLE ROSE JARDINIÈRES. 19th / 20th Century.

Each of rectangular form, one decorated with dragons chasing pearls among clouds, the other with figurative scenes against a green and yellow diaper ground, 9 x 14cm, 21 x 21cm. (2) £600 – 800 十九 / 二十世紀 粉彩描金花盆兩隻 505 A LOBED STEM BOWL TOGETHER WITH A CELADON BOWL. The stem bowl decorated with figures and inscriptions above a band of waves to the foot, the bowl of conical form with an everted rim, covered in a crackle glaze, four character Chenghua mark to base, 24cm long, 28cm diameter. (2) £500 – 800 高足盌及青釉盌各一隻，「成化年造」款 506 A BLUE AND WHITE JAR AND COVER. Qing Dynasty, and later.

Of globular form with a domed cover, together with a gilt-decorated monochrome blue square brush pot, 9-13cm (3) £600 – 800 清或更晚 青花蓋罐及藍釉描金筆筒

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507 A PAIR OF ‘AUSPICIOUS SYMBOLS’ BOWLS. Six character Daoguang mark to base, 7cm H, 15cm diameter. (2) £1,000 – 2,000 八吉祥紋盌一對， 「大清道光年製」款 508 FOUR FAMILLE VERTE BISCUIT GLAZED PIECES. Comprising two Buddhist lion dogs, a bird and bamboo form joss stick holder and an egg-and-spinach glazed leaf-form washer. (4) £200 – 300 素胎施彩瓷器四件 509 A HEXAGONAL VASE, CIZHOU STYLE FIGURATIVE WATER DROPPER AND A MODEL OF A MIRROR AND STAND..

The water dropper formed as two standing figures with a cream glaze covered in brown slip, the vase of hexagonal form with moulded decoration and the mirror and stand modelled as a seated ox, covered in orange and green glazes, 13.5 - 17cm. (3) £100 – 200 仿磁州窯六方瓶，人形水滴及

*See inside front cover for information regarding fees

510

511

512

513

514

515

510 A FAMILLE VERTE BRUSH POT. Qing Dynasty, 19th Century.

Painted in enamels to depict figures in a rocky garden, 15cm H, 11cm diameter. £1,500 – 2,000 清十九世紀 五彩繪人物故事圖筆筒

513 A BLUE AND WHITE AND COPPER RED VASE Dated 1994.

Of globular form with a narrow neck decorated around the body with ducks on a lotus pond, 19cm H. £200 – 300 荷花鴛鴦甲戌年秋月丽

511 A BLUE AND WHITE ‘PRUNUS’ GINGER JAR AND COVER. Qing Dynasty.

10cm H. (2) £300 – 500 清 青花冰梅紋蓋罐

514 A RED GLAZED ‘CHILONG’ CENSER AND COVER. 20th Century.

Of baluster form with a domed pierced cover, with moulded dragons clambering over the shoulders and cover, 20cm H. (2) £500 – 800 二十世紀 紅釉螭龍熏爐

512 AN INK CAKE VASE. Of baluster form, moulded with a Buddhist scene surrounded by seals, with detail heightened in colour, 22cm H. £800 – 1,200 花瓶形墨塊

515 A CARVED XIANGMU ‘LOTUS LEAF’ LIBATION CUP Of conical form, carved in the form of a lotus leaf with attendant stems, 11cm H. £500 – 800 橡木雕荷葉形供杯

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516 A BLUE AND WHITE FIGURATIVE BOWL. Six character Kangxi mark to base, 17cm diameter. £4,000 – 6,000 青花繪人物圖盌，「大清康熙年製」款 516

517

517 AN INCISED STONE TEA BOWL. Daoguang mark, 11cm diameter. £300 – 500 暗刻石盌，「道光」款 518 No lot

519

521

520

522

519 A BRONZE TWIN HANDLED CENSER WITH STAND. Of bombé form with elephant head handles, supported on a tripod stand with ruyi head feet, 23cm diameter. £800 – 1,200 銅雙象耳簋式爐連座 520 A NEAR PAIR OF BLUE AND WHITE ‘LOHAN’ VASES. 20-21cm H. (2) £500 – 800 青花繪羅漢長頸瓶兩隻 521 A FAMILLE ROSE VASE. Six character Qianlong mark to base. 24cm H. £400 – 600 粉彩描金繪纏枝蓮紋瓶，「大清乾隆年製」款

523

524

523a

525

522 A DUOCAI VASE. Of baluster form, painted with a figurative scene around the body, 45cm H. £1,500 – 2,000 鬥彩繪人物圖觀音尊 523 A GILT BRONZE AND CLOISONNÉ ENAMEL PRAYER WHEEL. The cylindrical outer case decorated with lotus scroll on a lapis ground, an inner cylinder visible through quatrefoil windows decorated with bija character, 27cm H. £1,000 – 1,000 銅胎掐絲琺瑯轉經筒 523a TWO GILT-DECORATED DOUCAI BOXES AND COVERS. Qing Dynasty, 19th Century.

The cylindrical body and domed cover decorated with circular egret, the cover surmounted to a peach finial, 10.5cm H. (2) £400 – 600 清十九世紀 繪鎏金闘彩蓋盒

526 134

527 *See inside front cover for information regarding fees

529

528

530 524 A QINGBAI ‘BOYS’ BOWL. Of rounded conical form, the interior incised with three boys dressed in loose robes, among scrolling peonies, 21cm diameter. £200 – 300 青白釉暗刻童子圖紋盌 525 THREE TANG-STYLE MUSICIAN FIGURES. 16cm H. (3) £300 – 500 仿唐代陶俑樂女三尊 526 A BLUE AND WHITE ‘HORSES’ BOWL. Six character Chenghua mark to base, 16cm diameter. £300 – 500 青花繪駿馬圖盌，「大明成化年製」款 527 A LIME GREEN GLAZED ‘WUFU’ WASHER. Six character Qianlong mark to base. £300 – 500 綠松釉‘五福’紋筆洗，「大清乾隆年製」款

528 A WHITE GLAZED JAR. Song Dynasty, or later.

Of globular form with rounded shoulders and an everted rim, the shoulders with three incised concentric rings, 17cm H. £2,000 – 3,000 宋或更晚 白釉罐 529 A PEAR-SHAPED VASE Song to Jin. 16.5cm H. £200 – 300 宋至金 530 A COLLECTION THREE CIZHOU TEA BOWLS. 12cm diameter. (3) £400 – 600 磁州窯茶碗三隻

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536

531 A PURPLE SPLASHED JUN-WARE VASE, MEIPING. The tapering body rising to rounded shoulders, surmounted by a short waisted neck with galleried rim, covered overall in a milky lavender-blue glaze with a bold violet-purple splash, 26.5cm H. £400 – 600 均窯梅瓶

534 AN INCISED YELLOW-GLAZED ‘PHOENIX’ WASHER. Of globular form, rising from a high cylindrical and slightly splayed foot, incised with phoenixes in flight around the body, four character Xuande mark to base, 9.5cm diameter. £200 – 300 黃地暗刻鳳紋洗

532 AN INCISED CELADON VASE, TOGETHER WITH TWO BOWLS. Ming Dynasty, or later.

Variously incised with lotus scroll and floral patterns, 22 cm H, 16cm diameter, 18 diameter. (3) £500 – 800 明或更晚 青釉暗刻花紋高足瓶及盌兩隻

535 A WHITE GLAZED BOWL TOGETHER WITH A FOLIATE RIM CELADON BOWL. 19cm diameter, 11.5cm diameter. (2) £500 – 800 白釉盌及青釉花口盌

533 A SMALL CHINESE BLUE AND WHITE ‘PHOENIX’ MEIPING VASE. Possibly 15th Century.

The bird encircling the body with trailing tail feathers below a ruyi head band, 13.5cm H. £200 – 300 約十五世紀 青花鳳紋梅瓶

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536 A SET OF 12 GILT BRONZE BELT HOOKS 6.4 x 5.9cm, 9.5 x 6cm. (12) £300 – 500 銅鎏金代扣十二件 537 A PAINTED POTTERY HORSE AND LADY RIDER. Northern Wei Dynasty.

24 x 29cm. (2) £1,000 – 1,500 北魏 彩繪陶俑仕女騎馬像，附檢測證書 Sold together with a copy of an Oxford Test certificate.

*See inside front cover for information regarding fees

537 538 A SANCAI-GLAZED POTTERY FIGURE OF A LOKOPALA. Tang Dynasty.

Standing triumphantly on the back of a recumbent bull, his right arm raised and fist clenched, the other with open palm resting on his waist, 43cm. (2) £2,000 – 3,000 唐 三彩守護天王俑 Sold together with a copy of a Oxford Test certificate.

539

538 539 A GREEN-GLAZED VASE, HU. Han Dynasty.

The body and shoulder encircled by triple bow-string bands that enclose a pair of taotie masks and fixed-ring handles, and covered with an olive-green glaze that is partially degraded to a silvery iridescence. 42cm H. £300 – 800 汗 鉛釉雙耳壺

540 A NEAR PAIR OF TRIPOD JARS AND COVERS. Han Dynasty.

Of cylindrical form with a domed top, the body decorated with ribbed bands, one jar with bear-form feet, 41-42cm high (4) £100 – 200

540 137

541

542

543

541 THREE WALKING STICKS WITH RHINOCEROS HORN HANDLES. Circa 1920.

88 - 89cm long. (3) £500 – 800 約一九二零年 鑲犀角拐杖三隻

544 THREE WALKING STICKS WITH RHINOCEROS HORN HANDLES. Circa 1920.

87cm, 87cm, 90cm. £500 – 800 約一九二零年 鑲犀角拐杖三隻

542 THREE WALKING STICKS WITH RHINOCEROS HORN HANDLES. Circa 1920.

92cm, 90cm, 89cm. (3) £400 – 600 約一九二零年 鑲犀角拐杖三隻

545 TWO WALKING STICKS WITH RHINOCEROS HORN HANDLES. Circa 1920.

92cm, 94cm. (2) £400 – 600 約一九二零年 鑲犀角拐杖兩隻

543 THREE WALKING STICKS WITH RHINOCEROS HORN HANDLES. Circa 1920.

85 - 94cm. (3) £400 – 600 約一九二零年 鑲犀角拐杖三隻

546 FOUR WALKING CANES WITH RHINOCEROS HORN HANDLES. Circa 1920.

(4) £300 – 500 約一九二零年 鑲犀角拐杖四隻

544

545

546 (part)

547

547 A RHINOCEROS HORN ‘BIRD OF PREY’ CANE END. First quarter of 20th Century.

Carved to depict a bird seated on a gnarled branch, 16cm. £200 – 300 二十世紀早期 犀角雕拐杖把手 548 A RHINOCEROS HORN AND PORCELAIN PIPE. 19th Century.

14-46cm. (4) £800 – 1,200 十九世紀 犀角及瓷煙管 549 A SECTIONAL RHINOCEROS HORN WALKING CANE. Circa 1920.

With dragon head handle, 92cm long. £800 – 1,200 約一九二零年 犀角分節拐杖 550 A SECTIONAL RHINOCEROS HORN WALKING STICK. Circa 1920.

76cm. £1,000 – 2,000 約一九二零年 犀角分節拐杖

552

548

551 A CARVED RHINOCEROS HORN CLUB. Qing Dynasty, dated 1886.

With a tapering cylindrical shaft terminating in a hexagonal end, 59cm. 76cm £2,000 – 3,000 清一八八六 犀牛角雕警棍 552 TWO WALKING STICKS WITH RHINOCEROS HORN HANDLES. Circa 1920.

85cm, 93cm. £500 – 800 約一九二零年 鑲犀角拐杖兩隻 553 TWO WALKING STICKS WITH RHINOCEROS HORN HANDLES. Circa 1920.

81cm, 82cm. £500 – 800 約一九二零年 鑲犀角拐杖兩隻 554 A SWAGGER STICK WITH CARVED RHINOCEROS HORN DOG HEAD HANDLE. 19th Century.

79cm H. £300 – 500 十九世紀 鑲犀牛角雕狗教鞭

553

549

550

551

554

555

555 A RHINOCEROS HORN WALKING STICK WITH GOLD COLLAR. Circa 1900.

96cm long. £1,000 – 2,000 約一九零零 鑲金把手犀角雕拐杖

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556

556 A SWORD WITH RHINOCEROS HORN HANDLE. Indonesia, early 20th Century.

73cm long. £500 – 800 印度尼西亞二十世紀早期 鑲犀牛角把手劍

*See inside front cover for information regarding fees

557 A CIZHOU SGRAFFIATO VASE. Jin Dynasty.

Well potted with a pear-shaped form and flared mouth rim, carved to the body through a rich brown glaze with a broad band of floral spray, 29cm H. £600 – 800 金 磁州窰白地褐彩剔花梅瓶

557

558 A ‘CIZHOU’ VASE, MEIPING. Song Dynasty.

Of tall ovoid form surmounted by a short constricted neck and conical mouth, the body with horizontal bands in brown slip, 37.7cm H. £1,500 – 2,000 宋 磁州窯梅瓶

558

559 A STRAW-GLAZED AMPHORA. Tang Dynasty.

The body of ovoid form surmounted by a narrow waisted neck with cup-shaped mouth, set on the domed shoulders with a pair of double strap handles, the dragonhead terminals biting the lipped rim, covered with a finely crackled glaze with olive tint, falling irregularly down the sides, 35cm H. £1,200 – 1,600 唐 米白釉雙龍尊

559 141

560

561

562

563

564

565

560 A QINGBAI BOWL. The rounded body incised with floral patterns and shoulders surmounted by a cylindrical neck bordered with a band enclosing evenly spaced rounded studs, 17cm diameter. £200 – 300 青白釉暗刻花紋盌

563 A CIZHOU GLAZED JAR. Song Dynasty.

With a globular body below a cylindrical neck and everted rim with four lug handles to the shoulders, two floral patterns reserved in biscuit against a dark-brown glaze, 10cm H, 10cm diameter. £600 – 800 宋 磁州窯罐

561 A QINGBAI DOUBLE GOURD EWER. Ming Dynasty.

The body formed in two sections set with a curved spout and an Sshaped handle moulded in the form of a chi-dragon, covered overall in a transparent glaze of pale blue colour with iron brown spots of irregular shape, 10.5cm H. £1,000 – 1,500 明 青白釉葫蘆形酒壺連蓋

564 A QINGBAI CIRCULAR BOX AND COVER. Song Dynasty.

Of circular form, the domed cover moulded with a series of flower heads, covered overall with a light blue glaze, 3cm H, 7cm diameter.

(2) £200 – 300 宋 青白釉圓形蓋盒

562 A DINGYAO ‘LOTUS’ JAR AND COVER. Song Dynasty.

The globular body supported on a tapering foot, set with lotus leaves modelled in high relief, the cover formed as a lotus leaf, the finial forming the stem, 9cm H. (2) £200 – 300 宋 定窯蓮花蓋罐

565 A CIZHOU-TYPE RUSSET-PAINTED BLACK GLAZED JAR. Song Dynasty.

The broad-shouldered, tapering body covered with a lustrous black glaze, painted in russet slip with flower petals flight on the shoulders below a small, double-ringed mouth, 24.2cm H. £1,000 – 2,000 宋 磁州窯黒釉罐

142

*See inside front cover for information regarding fees

566

567 568 A COPPER GAU WITH A PAINTING OF BUDDHA. Tibet, 19th Century.

12.5 x 5cm. £1,200 – 1,500 西藏十九世紀 銅嘎嗚及佛像繪畫

566 A THANGKA PAINTING. 74cm x 96cm. £1,000 – 2,000 唐卡 567 A THANGKA DEPICTING SHAKYAMUNI BUDDHA. 19th Century.

62 x 45cm. £400 – 600 十九世紀 繪釋迦牟尼唐卡

568 (two views)

569 A PAINTING OF HAYAGRIVA. Mongolia, 19th Century.

10 x 15cm. £500 – 800 十九世紀蒙古 繪馬頭明王像

569 143

570

571

572

573

570 A POLISHED BRONZE BOWL AND COVER. 16cm diameter. (2) £800 – 1,200 銅蓋碗 571 A WHITE METAL MANDALA DEPICTING MOUNT SUMERU. Tibet, 19th Century.

9.8cm diameter. £800 – 1,200 西藏十九世紀 白鐵壇城

144

572 A CARVED AND PAINTED ‘SEVEN GEMS’ TORMA PLAQUE. Mongolia, 19th Century.

The circular panel carved and pierced with polychromed depictions of the seven gems, 12.5cm H. (2) £1,200 – 1,500 蒙古十九世紀 木雕描彩七寶朵瑪牌 573 A COPPER ALLOY CIRCULAR BOX AND COVER 19th Century.

The waisted body surmounted by a domed cover with a bud-form finial, decorated in repoussé with bands of Buddhist emblems and other patterns, 19cm. (2) £200 – 300 十九世紀 銅合金圓形蓋盒

*See inside front cover for information regarding fees

574

575

576

577 574 A BAMBOO CARVING OF MILAREPA. Tibet, 18th / 19th Century.

Seated with the left arm by his side, the other arm raised to his ear, and resting on the raised right knee, 10cm H. £600 – 800 西藏十八 / 十九世紀 木雕密勒日巴 575 A CAST BRASS KAPALA. 19th Century.

10cm (2) Provenance: Spink and Son Ltd. £800 – 1,200 十九世紀 黃銅鑄嘎巴拉

578 576 A GILT COPPER PLAQUE DEPICTING KIRTIMUKHA. Tibet, 18th / 19th Century.

8.5cm long. (2) £500 – 800 西藏十八 / 十九世紀 銅鎏金饕餮牌 577 A BUDDHIST ROSARY. Eastern Tibet, circa 19th Century.

Comprising 116 bone beads, with further turquoise and agate beads and silver vajra and ghanta attachments, 31cm long. £400 – 600 西藏東部約十九世紀 佛教念珠 578 A GILT-DECORATED COPPER KENDI. 19th / 20th Century.

32cm H. £400 – 600 十九 / 二十世紀 描金銅軍持 145

579

580

581

582

583

579 A WHITE GLAZED PORCELAIN BOTTLE. Korea, 19th Century.

The globular body rising to a tall flared rim, 30cm H. £800 – 1,200 高麗十九世紀 白釉瓷罐

582 TWO CELADON BOWLS. Korea, Joseon Period.

19cm diameter. (2) £400 – 600 高麗 青釉盌兩隻

580 A BLUE AND WHITE JAR. Korea, 19th Century.

Decorated with fern leaves, 18cm H. £800 – 1,200 高麗十九世紀 青花罐

583 A BLUE AND WHITE SAUCER. Korea, 18th Century.

11cm diameter. £600 – 800 高麗十八世紀 青花碟

581 A BLUE AND WHITE KENDI. Korea, Joseon Period The globular body rising from a short foot to a slightly flaring tall neck, set to the shoulder with mamiform spout, decorated to the body with a flowering stem, 23cm H. £200 – 300 朝鮮王朝 青花瓶

584 A WHITE-GLAZED MOON JAR. Korea, Choson Period.

Of globular form with tall circular foot and everted neck, 34cm H. Provenance: Acquired in February 2000 from Bonhams, Lots Road. £15,000 – 20,000 朝鮮王朝 白釉罐

146

*See inside front cover for information regarding fees

584 147

585 A CREAM GLAZED ‘OX’ JAR. Korea.

The globular body supported on a short foot and rising to a lipped rim, the body painted in brown slip with a seated ox, 22cm H. £1,000 – 2,000

585 148

586 A PAIR OF CELADON JARS AND COVERS. Korea.

Rising to wide shoulders with a cover pierced and carved with floral patterns, 33cm H. (4) £1,500 – 2,000 高麗 青釉蓋罐一對

586 *See inside front cover for information regarding fees

587

588

589

590

591

592

587 A BLUE AND WHITE ‘BOYS’ JAR. Qing Dynasty, Kangxi era.

Decorated with quatrefoil panels enclosing boys holding lotus stems, separated by lotus spray, wood cover and stand, 22cm H. (3) £500 – 800 清康熙 青花繪蓮紋童子圖罐連木蓋及底座 588 A BLUE AND WHITE ‘BIRD AND FLOWERS’ SQUARE VASE. Qing Dynasty, Kangxi era.

Of square section, the tapering body rising to angled shoulders surmounted by a reduced neck, painted to each face with birds insects and butterflies amongst leafy floral blooms, 24.5cm H. (2) £600 – 800 清康熙 青花繪‘四季花卉’圖方瓶連蓋 589 A BLUE AND WHITE LANTERN VASE. Qing Dynasty.

The domed body decorated with flower heads among scrolling foliage, wood stand, 24cm H. (2) £600 – 800 清 青花繪纏枝蓮紋燈籠瓶

590 A GILT-DECORATED POWDER BLUE ‘DRAGONS’ VASE. Qing dynasty, Guangxu period.

Gilt-decorated on the blue-glazed body with two five-clawed dragons in pursuit of a flaming pearl, amidst flames and stylised clouds, above a decorative band, the waisted neck similarly decorated with another dragon below a band of ruyi borders, six character Qianlong mark to base, 38.5cm H. £200 – 300 清光緒 灑藍地描金龍紋瓶 591 A SLIP-DECORATED CELADON LANTERN VASE. Qing Dynasty, Qianlong mark and of the period.

Decorated around the exterior with birds and butterflies among flowers, six character Qianlong mark to base, 49cm H. £2,000 – 3,000 清乾隆 青釉堆白燈籠瓶，「大清乾隆年製」款 592 A PAIR OF INCISED CELADON DISHES. Qing Dynasty, 18th Century.

The interior of each with a central stylised shou character roundel encircled by a ruyi-head band and a further band of bats and clouds, six character Chenghua mark to base, 26.5cm diameter. (2) £800 – 1,200 清十八世紀 青釉暗刻雲蝠紋碟一對

149

593

595

593 A FAMILLE ROSE ‘EIGHTEEN LOHAN’ SNUFF BOTTLE. Qing Dynasty Qianlong mark and of the period.

Crisply moulded with the Eighteen Lohan, each with his attribute, standing on clouds, four character Qianlong mark to base, 6.5cm H. £200 – 300 清乾隆 粉彩‘十八羅漢’浮雕鼻煙壺，「乾隆年制」款 For a closely related Jiaqing reign-marked ‘eighteen lohan’ snuff bottle in the Mary and George Bloch collection, see Moss, Graham and Tsang, A Treasury of Chinese Snuff Bottles: The Mary and George Bloch Collection, Vol.6, Arts of the Fire, Hong Kong, 2008, p.452, no.1202.

594 TWO SKIN-CARVED AGATE SNUFF BOTTLES. 19th / 20th Century.

The first of upright form on an oval foot, carved to include the brown inclusions to depict monkeys clambering over a fruiting peach tree, the other of flattened rectangular form carved to depict a scholar beneath a pine tree, one with stopper, 5.5cm; 9cm H. (3) £200 – 300 十九 / 二十世紀 瑪瑙鼻煙壺兩件

150

594

596

597

595 A BLUE-GROUND WHITE-SLIP DECORATED DRUM STOOL. Qing Dynasty.

Of barrel form with two rows of applied bosses, a ‘cash’ openwork panel to the top and two further openwork panels to the body, the exterior decorated with floral sprays of the four seasons, bats over peach boughs and further auspicious emblems in white slip on a blue ground, 30cm H, 22cm diameter. £200 – 300 清 藍地繪花鳥紋鼓凳 596 A GILT METAL REPOUSSÉ SEATED BUDDHA. Qing Dynasty, 18th Century.

Seated with hands together on a double lotus base, 22cm H. £1,000 – 2,000 清十八世紀 描金金屬佛像 597 A SEATED BRONZE FOUR-ARMED DEITY. 9.5cm H. £300 – 500 銅四臂神坐像

*See inside front cover for information regarding fees

Jewellery

An Art Deco jade, enamel and diamond vanity case, by Cartier, circa 1925 Estimate £4,000-6,000

18 SEPTEMBER 2018 FOR ENQUIRIES CONTACT Sarah Duncan, Head of Department sarah.duncan@chiswickauctions.co.uk

Designer Handbags & Fashion

Three Hermes Crocodile Birkins Estimates ranging £17,000 - 22,000

19 SEPTEMBER 2018 FOR ENQUIRIES CONTACT Meg Randell, Head of Department meg@chiswickauctions.co.uk

AN INVITATION TO CONSIGN FOR

Fine Chinese Paintings

Huang Binhong (1864 - 1955) ink and colour on paper, hanging scroll, 69 x 32cm. Realised £51,250 incl. premium

12 NOVEMBER 2018 FOR A COMPLIMENTARY VALUATION CONTACT Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk

AN INVITATION TO CONSIGN FOR

Kangxi

) [MTMK\QWV WN TW\[ \W JM W‫ٺ‬MZML QV \PM [ITM

FOR A COMPLIMENTARY VALUATION CONTACT Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk ALSO CONSIGNING FOR ASIAN ART 12 - 13 NOVEMBER

12 NOVEMBER 2018

<MZU[ IVL +WVLQ\QWV[ NWZ *]aMZ[ I\ +PQ[_QKS )]K\QWV[

1. BEFORE THE SALE 1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer. ,MĂ&#x2026;VQ\QWV[ For the purposes of the current Terms and Conditions, the Seller shall JM LMĂ&#x2026;VML I[ \PM W_VMZ WN \PM /WWL[ 1\ Q[ QUXTQML \PI\ \PM ;MTTMZ Q[ \PM legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply. +I\ITWO]M LM[KZQX\QWV[ Any representation in any catalogue or otherwise as to the origin, date, age, attribution, genuineness or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description.

The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof.

Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good.

1V[XMK\QWV Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them. +WVLQ\QWV ZMXWZ\ CA Ltd may issue a Condition Report on request prior to the sale. <PQ[ +WVLQ\QWV :MXWZ\ Q[ NWZ QLMV\QĂ&#x2026;KI\QWV X]ZXW[M[ WVTa IVL KIVVW\ JM considered as giving a precise account of the Lotâ&#x20AC;&#x2122;s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report.

As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyerâ&#x20AC;&#x2122;s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto.

-TMK\ZQKIT[ )TT MTMK\ZQKIT Q\MU[ IZM [WTL I[ [MMV IVL +) 4\L Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZ[ VW O]IZIV\MM I[ \W the working condition of such items or their safety.

1\ Q[ \PM *]aMZÂź[ L]\a \W \ISM VMKM[[IZa [\MX[ \W JM I[[]ZML \PI\ \PM 4W\ is safe for normal use.

-[\QUI\M[ Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the

condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates.

1.8 Reserves 5IVa 4W\[ IZM Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZML []JRMK\ \W I ZM[MZ^M _PQKP Q[ \PM KWVĂ&#x2026;LMV\QIT minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids. ! :MOQ[\ZI\QWV \W \PM [ITM 6M_ JQLLMZ[ _QTT VMML \W ZMOQ[\MZ XZQWZ \W \PM [ITM 1\ Q[ [\ZWVOTa advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneerâ&#x20AC;&#x2122;s entire discretion.

1V\MZVI\QWVIT JQLLMZ[ UIa JM ZMY]QZML \W ZMOQ[\MZ PW]Z[ JMNWZM \PM sale and to submit bank details.

A deposit may be requested prior to each sale.

Failure to register shall result in the impossibility for the bidder to purchase a Lot. 8ZWWN WN QLMV\Q\a Bidders not previously known to CA Ltd will be required to provide: Â&#x152; 7â&#x20AC;ŤŮťâ&#x20AC;ŹKQIT XZWWN WN QLMV\Q\a QV \PM NWZU WN I XI[[XWZ\ WZ XPW\WKIZL LZQ^QVO TQKMVKM 6W W\PMZ NWZU[ WN 1, IZM IKKMX\IJTM Â&#x152; 8ZWWN WN ILLZM[[ WN UIQV ZM[QLMVKM 7VTa Wâ&#x20AC;ŤŮťâ&#x20AC;ŹKQIT LWK]UMV\[ showing name and address will be accepted. â&#x20AC;˘ Both landline and mobile telephone numbers â&#x20AC;˘ A bank reference for foreign bidders may be requested Â&#x152; +WZXWZI\M KTQMV\[ _QTT PI^M \W XZW^QLM I KMZ\QĂ&#x2026;KI\M WN QVKWZXWZI\QWV XZQWZ \W \PM I]K\QWV ITWVO _Q\P \PM ZMXZM[MV\I\Q^MÂź[ 1, QV IKKWZLIVKM with the abovementioned requirements for proof of identity.

Any Bidder that does not match the provided identity for registration may not purchase during the sale.

2. DURING THE SALE )\\MVLIVKM I\ I]K\QWV Attending the auction in person is recommended.

CA Ltd has the right in their absolute discretion to refuse participation QV IVa I]K\QWV \W ZMRMK\ IVa JQL IVL \W ZMN][M ILUQ[[QWV \W \PM XZMUQ[M[ Bidders are not obliged to be present in person at the auction.

Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale.

8MZ[WVIT JQLLQVO Bidders attending the auction in person shall be required to collect a number plate prior to the sale.

155

+WUUQ[[QWV JQL[ +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KIZZa W]\ +WUUQ[[QWV JQL[ received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it. +WUUQ[[QWV JQL[ [PITT JM M`MK]\ML I\ \PM TW_M[\ XW[[QJTM XZQKM []JRMK\ to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyerâ&#x20AC;&#x2122;s responsibility to check if they have been successful in purchasing a Lot. 1V \PM M^MV\ WN U]T\QXTM KWUUQ[[QWV[ I\ \PM [IUM XZQKM \PM KWUUQ[[QWV set at the older date shall be taken into account.

<ZIV[NMZ WN ZQ[S[ Purchased Lots shall be at the Buyerâ&#x20AC;&#x2122;s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

<MTMXPWVM JQL[ 1N I JQLLMZ Q[ VW\ IJTM \W I\\MVL QV XMZ[WV IV I]K\QWV +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KWV\IK\ XZW[XMK\Q^M *]aMZ[ _PW UISM IZZIVOMUMV\[ prior to commencement of the sale to bid by telephone. +) 4\L KIVVW\ JM PMTL ZM[XWV[QJTM QV \PM M^MV\ WN Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\Q^Q\a resulting in the loss of a chance of purchasing the Lot for the Bidder.

/ZW]VL[ NWZ KIVKMTTI\QWV ]VLMZ \PM XZM[MV\ [MK\QWV [PITT QVKT]LM J]\ VW\ be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences WZ KMZ\QÃ&#x2026;KI\M[ IVa []J[MY]MV\ KPIVOM[ QV LWUM[\QK WZ QV\MZVI\QWVIT legislations restricting the sale of export of goods etc.

1V \PM M^MV\ WN QV\MZVM\ WVTa I]K\QWV[ \PM *]aMZ [PITT PI^M I LIa right to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

1V\MZVM\ JQL[ Some sales may be available to internet bidding, as well as personal I\\MVLIVKM 1V \PQ[ M^MV\ +) 4\L [PITT VW\ JM PMTL ZM[XWV[QJTM NWZ Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\QWV *QLLQVO WV JMPITN WN [WUMWVM ) *]aMZ UIa JQL Ja XZW`a 1V \PQ[ M^MV\ XZWWN WN QLMV\Q\a WN JW\P \PM Buyer and the proxy must be communicated to CA Ltd prior to the sale.

A copy of the mandate shall also be required. *QLLQVO WV IV Q\MU Bid incrementing is at the auctioneerâ&#x20AC;&#x2122;s entire discretion. >QLMW \ZIV[UQ[[QWV For the purpose of the sale, Lots may be displayed on video during the I]K\QWV 1V \PM M^MV\ WN \ZIV[UQ[[QWV Q[[]M[ +) 4\L [PITT VW\ JM PMTL responsible for any subsequent outcome. ! 7VTQVM WVTa I]K\QWV[ Some auctions may be available to bidders only through an online XTI\NWZU 1V \PQ[ M^MV\ *]aMZ[ PI^M I LIa XMZQWL I\ ZMKMX\QWV WN \PM Lot to withdraw from the sale, in accordance with EU Consumer Law. ,Q[X]\M ZM[WT]\QWV L]ZQVO \PM I]K\QWV Any dispute shall be settled at the auctioneerâ&#x20AC;&#x2122;s absolute discretion.

Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneerâ&#x20AC;&#x2122;s entire discretion.

3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller.

The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. ?PMV I *]aMZ X]ZKPI[M[ U]T\QXTM 4W\[ MIKP 4W\ Q[ \PM []JRMK\ WN I separate contract of sale. <ZIV[NMZ WN XZWXMZ\a Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyerâ&#x20AC;&#x2122;s premium, relevant taxes, and costs in relation to shipping.

156

+IVKMTTI\QWV WN \PM [ITM At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter.

Under no circumstances can the Buyer cancel the sale.

CA Ltd may at its entire discretion, during or after the auction, cancel \PM [ITM WN \PM 4W\ WZ ZMWâ&#x20AC;«Ùºâ&#x20AC;¬MZ IVL ZM[MTT \PM 4W\ QN Q\ JMKWUM[ I_IZM WN any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

3.5 Returns and refunds CA Ltd will only issue a refund using the same method of payment originally used by the Buyer to pay for the purchase, or by bank transfer.

The Buyerâ&#x20AC;&#x2122;s refund will be processed without undue delay and in any M^MV\ _Q\PQV VW UWZM \PIV LIa[ WN \PM LIa \PM *]aMZ OI^M +) 4\L notice of cancellation.

1N \PM *]aMZ M`MZKQ[M[ \PMQZ ZQOP\ WN ZM\ZIK\QWV _PMV I]\PWZQ[ML \W LW [W

by Law, CA Ltd shall proceed to issue a complete refund, comprising the hammer price of the Lot, buyerâ&#x20AC;&#x2122;s premium and shipping fees. However return fees shall remain at the expense of the Buyer.

4. AFTER THE SALE 8IaUMV\ All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted. +I[P XIaUMV\[ [PITT VW\ JM ZMKMQ^IJTM NWZ IUW]V\[ W^MZ Ã&#x201A; ZMOIZLTM[[ of the payment being for one or multiple Lots.

Payments made by someone other than the registered Buyer shall not be accepted.

Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer. *]aMZ¼[ 8ZMUQ]U The Buyer will pay CA Ltd a premium of 25% on the hammer price XT][ >)< WV \PI\ KWUUQ[[QWV WV \PM Ã&#x2026;Z[\ Â&#x160; IVL XT][ >)< WV \PM JITIVKM \PMZMIN\MZ ) *]aMZ¼[ 8ZMUQ]U WN ! XT][ >)< Q[ charged on Wine & Spirits Lots.

The standard rate of VAT is charged on the premium except on Lots marked â&#x20AC;&#x2DC;â&#x20AC; â&#x20AC;&#x2122; where normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium.

1V WZLMZ \W ZMKMQ^M I ZMN]VL WN >)< IUW]V\[ 1UXWZ\ >)< I[ applicable) non-EU buyers must: (a) have registered to bid with an address outside of the EU; and J M`XWZ\ \PM TW\ NZWU \PM -= _Q\PQV LIa[ WN KWTTMK\QWV NWZ TW\[ IVL 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show *See inside front cover for information regarding fees

[I\Q[NIK\WZa XZWWN WN M`XWZ\ [PQXXQVO IZM I^IQTIJTM NZWU W]Z .QVIVKM \MIU ) XZWKM[[QVO NMM WN Â&#x160; XMZ QV^WQKM Q[ KPIZOML \W KPMKS [PQXXQVO M`XWZ\ LWK] UMV\[ L 6W >)< IUW]V\[ WZ 1UXWZ\ >)< _QTT JM ZMN]VLML _PMZM \PM \W\IT ZMN]VL IN\MZ LML]K\QVO \PM XZWKM[[QVO NMM Q[ ]VLMZ Â&#x160;

+WTTMK\QWV Purchased Lots can be collected from the auction room after the sale PI[ MVLML WZ JM\_MMV IU IVL XU ]X ]V\QT KTW[M WN J][QVM[[ WV the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltdâ&#x20AC;&#x2122;s discretion.

4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyerâ&#x20AC;&#x2122;s premium. The rate applicable shall be the legal rate at the date of the sale. /WWL[ []KP I[ JWWS[ IVL IV\QY]M JWWS[ U][QK UIX[ IVL KPIZ\[ M\K IZM []JRMK\ \W bMZW ZI\ML >)< 1V ILLQ\QWV IVa QUXWZ\ \I`M[ \PI\ UIa JM QVK]ZZML [PITT JM XIQL Ja \PM Buyer above hammer price, VAT and Buyerâ&#x20AC;&#x2122;s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.

4.7 Storage Purchased Lots not collected before 6pm on the day after the sale shall QVK]Z [\WZIOM KPIZOM[ WN Â&#x160; XMZ 4W\ XMZ LIa WZ XIZ\ \PMZMWN +) 4\L shall be entitled to retain purchased Lots sold until all sums due have been XIQL \W +) 4\L 1N IVa X]ZKPI[ML TW\ ZMUIQV[ ]VKWTTMK\ML LIa[ IN\MZ \PM [ITM [\WZIOM KPIZOM[ [PITT \PMZMIN\MZ JM Â&#x160; XMZ LIa IVL +) 4\L [PITT in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding.

Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

)Z\Q[\ :M[ITM :QOP\[ ,ZWQ\ LM ;]Q\M 4W\[ UIZSML _Q\P »)::¼ UIa JM []JRMK\ \W I TM^a Droit de Suite is a royalty payable to a qualifying artist or to the artistâ&#x20AC;&#x2122;s heir each time a work is resold during the artistâ&#x20AC;&#x2122;s lifetime and up to I XMZQWL WN aMIZ[ IN\MZ \PM IZ\Q[\¼[ LMI\P :WaIT\QM[ IZM KITK]TI\ML on a cumulative sliding percentage scale based on the hammer price excluding the buyerâ&#x20AC;&#x2122;s premium. The royalty does not apply to Lots [MTTQVO JMTW_ \PM [\MZTQVO MY]Q^ITMV\ WN Ã&#x201A; IVL \PM UI`QU]U ZWaIT\a XIaIJTM WV IVa [QVOTM 4W\ Q[ \PM [\MZTQVO MY]Q^ITMV\ WN Ã&#x201A; Royalties for Droit de Suite are as follows:

;PQXXQVO Any shipping costs that may arise subsequently to the sale shall be at the Buyerâ&#x20AC;&#x2122;s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. +) 4\L LWM[ VW\ Wâ&#x20AC;«Ùºâ&#x20AC;¬MZ QV[]ZIVKM NWZ [PQXXQVO 0W_M^MZ +) 4\L UIa arrange insurance upon the Buyerâ&#x20AC;&#x2122;s request and at the Buyerâ&#x20AC;&#x2122;s expense.

CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

Â&#x152; .ZWU \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; -`KMMLQVO Ã&#x201A; :MUMLQM[ NWZ VWV XIaUMV\ 1N \PM *]aMZ NIQT[ \W UISM N]TT XIaUMV\ QV KTMIZML N]VL[ _Q\PQV \PM \QUM required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: â&#x20AC;¢ To cancel the sale â&#x20AC;¢ To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. â&#x20AC;¢ To resell the Lot on such terms by auction or otherwise entirely at CA Ltdâ&#x20AC;&#x2122;s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale. Â&#x152; <W Wâ&#x20AC;«[Ùºâ&#x20AC;¬M\ IOIQV[\ IVa []U[ _PQKP +) 4\L UIa W_M \PM *]aMZ \PM outstanding sums unpaid by the said Buyer Â&#x152; ?PMZM \PM *]aMZ W_M[ []U[ \W +) 4\L QV ZM[XMK\ WN LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums. Â&#x152; <W ZMN][M MV\Za \W \PM *]aMZ I\ IVa N]\]ZM I]K\QWV IVL WZ ZMRMK\ IVa N]\]ZM JQL[ Ja \PM *]aMZ IVL WZ [MMS I LMXW[Q\ NZWU \PM *]aMZ entirely in the discretion of CA Ltd. â&#x20AC;¢ To exercise a lien over the Buyerâ&#x20AC;&#x2122;s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. â&#x20AC;¢ To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs. â&#x20AC;¢ To take such other action as is permissible by Law and in the discretion of CA Ltd.

! 4W[[ WZ ,IUIOM CA Ltd does not accept liability for loss or damage occurring to Lots after \PM [ITM +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ _PMV PIVLTQVO XIKSQVO IVL shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third partyâ&#x20AC;&#x2122;s care. +]T\]ZIT /WWL[ QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +]T\]ZIT OWWL[ UIa JM []JRMK\ \W QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ =VLMZ EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the itemâ&#x20AC;&#x2122;s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade.

Licenses are issued by Arts Council England and it is the Buyerâ&#x20AC;&#x2122;s duty to WJ\IQV \PMU ;WUM KW]V\ZQM[ ZM[\ZQK\ \PM QUXWZ\ WN [XMKQÃ&#x2026;K K]T\]ZIT OWWL[ For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural OWWL[ QV XZW^MVIVKM NZWU [WUM KW]V\ZQM[ []JRMK\ \W IZUML KWVÃ&#x2020;QK\[ The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible. +1<-; QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +MZ\IQV MVLIVOMZML [XMKQM[ IZM TQ[\ML QV \PM +1<-; +WV^MV\QWV 4Q[\ML [XMKQUMV[ IVL IVa XIZ\[ WZ XZWL]K\[ \PMZMWN IZM []JRMK\ \W Q[[]IVKM WN IV export permit when leaving the European Union. )XXMVLQ` 1 [XMKQM[ IZM IT[W []JRMK\ \W Q[[]IVKM WN I XZQWZ QUXWZ\ XMZUQ\ from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyerâ&#x20AC;&#x2122;s duty to initiate the proceedings with the relevant authority.

The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter. ?WZSML Q\MU[ \PI\ IZM LI\ML JMNWZM ! IZM M`MUX\ NZWU QUXWZ\ restrictions for intra-EU trade and shall not require export licences.

Please be aware that all Lots marked with the symbol Æ&#x20AC; IZM []JRMK\ \W +1<-; ZMO]TI\QWV[ 157

4QUQ\I\QWV WN TQIJQTQ\a ZMOIZLQVO +1<-; M`XWZ\ TQKMV[M[ Where licences are required for importing or exporting outside of the European Union, it is the Buyerâ&#x20AC;&#x2122;s duty to obtain them.

CA Ltd cannot be held responsible if the Buyerâ&#x20AC;&#x2122;s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale. ?IZZIV\QM[ CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. )]\PMV\QKQ\a _IZZIV\a 1V \PM M^MV\ WN I 4W\ JMQVO [WTL I[ I]\PMV\QK ]VLMZ \PM KI\ITWO]M description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price. <PM *]aMZ [PITT OQ^M VW\QKM \W +) 4\L _Q\PQV LIa[ NZWU SVW_TMLOM or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall JM LMÃ&#x2026;VML I[ \PM [\I\M WN I 4W\ \PI\ Q[ OMV]QVM IVL VW\ I NWZOMZa WZ I KWXa 5. ANTIQUITIES AND TRIBAL ART 1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ IVL ZMO]TI\QWV[ )ZKPIMWTWOQKIT OWWL[ W^MZ aMIZ[ WN IOM ]VTM[[ KW^MZML Ja M`MUX\QWV WN TQUQ\ML [KQMV\QÃ&#x2026;K QV\MZM[\ _QTT ZMY]QZM IV -= 4QKMVKM NWZ M`XWZ\ \W I third country, regardless of their value.

1\ Q[ ZMKWUUMVLML \PI\ \PM *]aMZ KWV\IK\ \PM -`XWZ\ 4QKMV[QVO =VQ\ at Arts Council England in order to be assured the good is or not of TQUQ\ML IZKPIMWTWOQKIT WZ [KQMV\QÃ&#x2026;K QV\MZM[\ Archaeological goods found on United-Kingdom soil or in UK \MZZQ\WZQIT _I\MZ[ W^MZ aMIZ[ WN IOM [PITT ZMY]QZM I =3 4QKMVKM regardless of their value and regardless of the export destination.

7\PMZ IZKPIMWTWOQKIT WJRMK\[ ZMOIZLTM[[ WN \PMQZ WZQOQV _QTT ZMY]QZM IV 1VLQ^QL]IT 4QKMVKM WZ 7/-4 LMXMVLQVO WV \PMQZ ^IT]M Both European-Union and UK Licences may be required simultaneously NWZ [WUM Q\MU[ 1\ Q[ \PM *]aMZ¼[ L]\a \W ]VLMZ\ISM \PM VMKM[[IZa [\MX[ CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences.

6. JEWELLERY /MU[\WVM \ZMI\UMV\ IVL M[\QUI\M[ Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: â&#x20AC;¢ Heat treatment to enhance sapphires and rubiesâ&#x20AC;&#x2122; clarity and colour Â&#x152; 7QT IVL ZM[QV \ZMI\UMV\[ NWZ MUMZITL[ IXXTQML QV LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ _Ia[ \W enhance clarity of the stone â&#x20AC;¢ Staining Â&#x152; 1ZZILQI\QWV â&#x20AC;¢ Coating Estimates provided by CA Ltd are deemed to be based on the fact that the OMU[\WVM UIa PI^M JMMV []JRMK\ \W IVa \aXM WN \ZMI\UMV\ QV \PM XI[\ +) Ltd shall not be responsible in the absence of mention thereof. ) KMZ\QÃ&#x2026;KI\M UIa JM Q[[]ML Ja I TIJWZI\WZa XZW^QLQVO _Q\P LM\IQTML information on the condition of the gemstone and any treatment applied \PMZM\W <PM *]aMZ U][\ JM I_IZM \PI\ LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ TIJWZI\WZQM[ PI^M LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ approaches as to the degree or type of treatment for a particular gemstone.

1N I KMZ\QÃ&#x2026;KI\M IKKWUXIVQM[ \PM 4W\ \PM *]aMZ U][\ JM I_IZM \PI\ Q\ Q[ merely a statement of the laboratoryâ&#x20AC;&#x2122;s opinion and in no way can CA Ltd 158

JM PMTL ZM[XWV[QJTM NWZ IVa UMV\QWV[ \PMZMQV ;]KP KMZ\QÃ&#x2026;KI\M[ IZM LMMUML to be delivered with the Lot for informative purposes only.

-[\QUI\ML _MQOP\[ 1N I [\WVM¼[ M`IK\ _MQOP\ IXXMIZ[ _Q\PQV \PM JWLa WN \PM LM[KZQX\QWV \PM [\WVM PI[ JMMV ]V UW]V\ML IVL _MQOPML Ja +) 4\L 1N \PM _MQOP\ WN a stone is stated to be approximate, the stone has been assessed by CA 4\L _Q\PQV Q\[ [M\\QVO IVL \PM LMÃ&#x2026;VML _MQOP\ Q[ I [\I\MUMV\ WN WXQVQWV only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy. ;QOVI\]ZM[ â&#x20AC;&#x2DC;) LQIUWVL ZQVO Ja @â&#x20AC;&#x2122;: When the makerâ&#x20AC;&#x2122;s name appears in the title, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion the piece is by that maker. â&#x20AC;&#x2DC;) LQIUWVL ZQVO [QOVML @â&#x20AC;&#x2122;: Has a signature that, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered. â&#x20AC;&#x2DC;) LQIUWVL ZQVO UW]V\ML Ja @â&#x20AC;&#x2122;: Has been created by the RM_MTTMZ QV +PQ[_QKS )]K\QWV[¼ WXQVQWV J]\ ][QVO [\WVM[ WZ LM[QOV[ supplied by the client. â&#x20AC;&#x2DC;5ISMZ¼[ UIZS NWZ @â&#x20AC;&#x2122;: Has a makerâ&#x20AC;&#x2122;s mark which in Chiswick Auctionsâ&#x20AC;&#x2122; opinion is authentic.

Some items may include parts or products derived from endangered [XMKQM[ []KP I[ Q^WZa WZ KWZIT ;]KP Q\MU[ UIa JM []JRMK\ \W QUXWZ\ WZ M`XWZ\ ZM[\ZQK\QWV[ ;MM [MK\QWV WV +1<-; ZMO]TI\QWV[ NWZ UWZM LM\IQT[ 7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and _Q\PW]\ LMNMK\[ WZ PI[ JMMV []JRMK\ \W ZMXIQZ WZ ZM[\WZI\QWV CA Ltd makes no representation or warranty that any clock or watch Q[ QV _WZSQVO WZLMZ )[ KTWKS[ IVL _I\KPM[ WN\MV KWV\IQV Ã&#x2026;VM IVL complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto.

The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof.

Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for QUXWZ\ WZ M`XWZ\ X]ZXW[M[ QV IKKWZLIVKM _Q\P +1<-; ZMO]TI\QWV[ CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps.

8. FURNITURE =XPWT[\MZML N]ZVQ\]ZM IN\MZ !

According to The Furniture and Furnishings (Fire Safety) Regulations ! N]ZVQ\]ZM \PI\ _I[ ]XPWT[\MZML IN\MZ \PM [\ WN 2IV]IZa ! Q[ []JRMK\ \W ZM[\ZQK\QWV[ QV \PM =VQ\ML 3QVOLWU Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes.CA Ltd shall not be ZM[XWV[QJTM NWZ TI\MZ IT\MZI\QWV[ \W \PM N]ZVQ\]ZM UISQVO Q\ ]VÃ&#x2026;\ NWZ [ITM 9. FINE ART .QVM )Z\ XIQV\QVO[ I[ QVKT]LML QV \PM KI\ITWO]M LM[KZQX\QWV »@ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ IV I]\PMV\QK work by the artist. *See inside front cover for information regarding fees

»)\\ZQJ]\ML \W @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ probably a work by the artist. »+QZKTM WN @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM IVL L]ZQVO \PM period of the artist’s life. ».WTTW_MZ WN @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM KWV\MUXWZIZa or near contemporary. »;KPWWT WN @ \P KMV\]Za¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS executed in that period and in the style associated with that artist. ».ZMVKP ;KPWWT \P KMV\]Za¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS executed in that period and in the style associated with a particular location. »5IVVMZ WN @¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM J]\ I\ I TI\MZ LI\M IT\PW]OP not of recent execution. »;\aTM WN @¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM IVL WN ZMKMV\ M`MK]\QWV »)N\MZ @ " 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I KWXa Ja IV ]VQLMV\QÅML IZ\Q[\ WN I VIUML _WZS Ja \PM IZ\Q[\ Lots sold ‘as seen’ or ‘as found’ are deemed to be sold in their present condition, with their faults and defects. The Bidder must be aware that purchase of such Lots is at there own risk.

CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.

10. ASIAN ARTS

15. SEVERABILITY

1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ ?PMV LMITQVO _Q\P )[QIV )Z\[ IVL UWZM [XMKQÅKITTa _Q\P Q\MU[ UILM WN exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must JM I_IZM WN QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ QV IKKWZLIVKM _Q\P +1<-; Regulations. As aforementioned in the Section relating to such matters, QUXWZ\ IVL M`XWZ\ XMZUQ\[ WZ ZM M`XWZ\ KMZ\QÅKI\M[ UIa JM ZMY]QZML >MZQÅKI\QWV TM\\MZ[ _QTT JM ZMY]QZML NWZ ZM M`XWZ\ WN _WZSML ZPQVWKMZW[ Q\MU[

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, []KP XZW^Q[QWV Q[ \W \ISM M‫ٺ‬MK\ WVTa QV [W NIZ I[ Q\ UIa LW [W without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way \W JM I‫ٺ‬MK\ML WZ QUXIQZML I[ I ZM[]T\

13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the abovementioned materials without the prior written consent of CA Ltd. ;WUM 4W\[ UIa JM []JRMK\ \W KWXaZQOP\ XZW\MK\QWV +) 4\L LWM[ VW\ guarantee said Lots are free thereof.

14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent.

CA Ltd never sell, lend or trade in personal data provided by any Bidder.

16. AMENDMENTS .QVM +PQVM[M 8IQV\QVO[ +]ZZMV\ [KPWTIZ[PQX QV \PM ÅMTL WN +PQVM[M 8IQV\QVO[ IVL +ITTQOZIXPa LWM[ VW\ XMZUQ\ ]VY]ITQÅML [\I\MUMV\[ I[ \W \PM I]\PWZ[PQX WZ LI\M WN execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings.

6W\_Q\P[\IVLQVO QN _Q\PQV LIa[ WN \PM [ITM WN IVa []KP 4W\ \PM original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, I »NWZOMZa¼ Q[ LMÅVML I[ I _WZS KZMI\ML _Q\P \PM QV\MV\ \W LMKMQ^M 11. BOOKS AND MANUSCRIPTS *WWS[ IVL UIV][KZQX\[ [WTL I[ QVKWUXTM\M IZM VW\ []JRMK\ \W ZM\]ZV[ Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’.

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale.

17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales. .WZ \PM JMVMÅ\ WN +) 4\L ITT JQLLMZ[ IVL [MTTMZ[ IOZMM \PI\ \PM +W]Z\[ WN -VOTIVL IZM \W PI^M M`KT][Q^M R]ZQ[LQK\QWV \W [M\\TM ITT LQ[X]\M[ IZQ[QVO in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply. All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

12. WINES AND SPIRITS 1V IKKWZLIVKM _Q\P IOZMML [\IVLIZL[ QV \PM \ZILM M[\QUI\M[ [PITT JM LMMUML \W PI^M \ISMV QV\W IKKW]V\ \PM ÅTT TM^MT For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit.

Lack of mention thereof in the description is not a representation of IV »IKKMX\IJTM¼ ÅTT TM^MT NZWU +) 4\L 159

SPECIALISTS

20th CENTURY DECORATIVE ARTS & DESIGN James Nurse, Head of Department james@chiswickauctions.co.uk

JEWELLERY Sarah Duncan, Head of Department sarah@chiswickauctions.co.uk

ANTIQUITIES & TRIBAL ART Alice King, Head of Department alice.king@chiswickauctions.co.uk

Charlotte Peel, Specialist charlotte.peel@chiswickauctions.co.uk

ASIAN ART Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk

Clive Moss, Head of Department

Yasuko Kido, Japanese Art Specialist yasuko@chiswickauctions.co.uk CERAMICS & GLASS Dr. Jim Peake, Head of Department jim@chiswickauctions.co.uk CONTEMPORARY & URBAN ART Harry Parkinson, Sales Coordinator harry@chiswickauctions.co.uk DESIGNER HANDBAGS & FASHION Meg Randell, Head of Department meg@chiswickauctions.co.uk Winnie McGee, Specialist winnie.mcgee@chiswickauctions.co.uk EUROPEAN WORKS OF ART & CLOCKS Rachael Osborn-Howard, Head of Department rachael@chiswickauctions.co.uk FINE ART Suzanne Zack, Head of Department suzanne@chiswickaucions.co.uk Rohan McCulloch, Specialist rohan@chiswickauctions.co.uk Krassi Kuneva, Head of Sales - Modern & Post-War British Art kkuneva@chiswickauctions.co.uk Melissa Van Vliet, Head of Sales - Old Masters melissa.vanvliet@chiswickauctions.co.uk GUITARS & MUSICAL INSTRUMENTS Dr. David MacGregor, Specialist david@chiswickauctions.co.uk ISLAMIC & INDIAN ART Beatrice Campi, Head of Sales beatrice.campi@chiswickaucions.co.uk

PRINTED BOOKS & MANUSCRIPTS clive.moss@chiswickauctions.co.uk

Andrew Kerr, Specialist andrew.kerr@chiswickauctions.co.uk

Dr. Carmen Donia, Specialist carmen.donia@chiswickauctions.co.uk

Nicholas Worskett, Specialist nicholas@chiswickauctions.co.uk

Valentina Borghi, Head of Sales - Autographs & Memorabilia valentina.borghi@chiswickauctions.co.uk RUGS & CARPETS Mark Henry Lampé, Head of Department mark.lampe@chiswickauctions.co.uk Chris Vin, Consultant chris@chiswickauctions.co.uk SILVER & OBJECTS OF VERTU John Rogers, Head of Department john.rogers@chiswickauctions.co.uk Amicie de Villenfagne, Specialist amicie@chiswickauctions.co.uk WATCHES Matthew Caddick, Head of Department matt@chiswickauctions.co.uk Tomas Aznar watches@chiswickauctions.co.uk WINE & SPIRITS Peter Mansell, Head of Department peter.mansell@chiswickauctions.co.uk

SPECIALISTS

SALE CALENDAR

SEPTEMBER

11

TUESDAY

Interiors & Design to include a selection of Fine Rugs & Carpets Lazarus Halstead

Yasuko Kido

Head of Department Asian Art lazarus@chiswickauctions.co.uk

Japanese Art Specialist Asian Art yasuko@chiswickauctions.co.uk

Decorative Silver

12

WEDNESDAY

European Works of Art & Clocks

17

MONDAY

Wine & Spirits

18

TUESDAY

Jewellery Veronica Li

Tricia Cui

Watches

Senior Department Coordinator Asian Art veronica@chiswickauctions.co.uk

Department Coordinator Asian Art tricia.cui@chiswickauctions.co.uk

19

WEDNESDAY

Designer Handbags & Fashion

22

SATURDAY

Urban Art Contemporary Art BUYER’S PREMIUM The buyer shall pay Chiswick Auctions Ltd a premium on the hammer price of 25% plus VAT on that commission.

TELEPHONE BIDDING Please note that requests for telephone bids should be submitted no later than 5pm on the day prior to the sale.

LIVE BIDDING

the-saleroom.com Please note there is a 3% +VAT surcharge for using this service.

invaluable.co.uk Please note there is a 5% +VAT surcharge for using this service.

COLLECTION OF LOTS Buyers are asked to collect their lots on the day of the sale or between 10.00 and 18.00 up until close of business on Friday following the sale.

IMPORTANT INFORMATION

CITES

Please be aware that all lots marked with the symbol ƀ are subject to CITES regulations.

Please see our Terms & Conditions for more information.

ARTIST’S RESALE RIGHT/DROIT DE SUITE

Lots marked with ARR indicates that an additional levy may apply for this lot.

Please see our Terms & Conditions for more information.

25

TUESDAY

Antiquities & Tribal Art Interiors & Design

26

WEDNESDAY

Printed Books: Travel, Natural History, Sporting & Sciences Autographs & Memorabilia

Asian Art 4 September 2018

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

Asian Art London 04th September 2018