Chiswick-Auctions-Asian-Art-May 2020

Asian Art including Chinese Paintings

London, Sunday 10 May 2020

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Coronavirus (COVID-19) Update In these unprecedented times, the health and wellbeing of our staff and customers is of paramount importance to us and so in line with the UK Government’s COVID-19 guidance, our physical premises are now closed to the public. The good news is we are full functional online and continue to run sales in an ‘online only’ format.

These details are subject to change but we will continue to keep you updated via our newsletter, website and social media channels.

Sale Date The sale date has been moved to a one-day sale on Sunday 10 May 2020, starting at 9am GMT+1.

Can I still view the sale?

While we would love to display this sale ready for a public view it may not possible during the UK Government’s lockdown measures in response to the COVID-19 pandemic but this will be reviewed closer to the sale.

Condition Reports and additional information Condition reports of Lot(s) in the sale can easily be requested via our website but may be subject to delays or limited availability.

Telephone bidding There will be no room bidding, and the telephone bidding function may be extremely limited so it is recommended that where possible potential buyers place their bids online, or through commission bids.

For queries about lots or the sale generally please contact: asianartrequest@chiswickauctions.co.uk For bidding please contact: bid@chiswickauctions.co.uk What will happen on the day of the Auction?

We will be delivering the sale via Livestream, which you can watch from the comfort of your own home through our website. At this time we cannot facilitate bidding in the Saleroom but you will be able to place bids via our online bidding platform Chiswick Live, telephone bidding and absentee bidding.

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Asian Art Department

Lazarus Halstead Head of Department lazarus@chiswickauctions.co.uk

Marta Olszewska Specialist, Cataloguer marta@chiswickauctions.co.uk

Yasuko Kido Japanese Art Specialist yasuko@chiswickauctions.co.uk

Veronica Li Senior Department Coordinator veronica@chiswickauctions.co.uk

Online Bidding

Chiswick Saleroom, Viewings & Valuations 1 Colville Road, London W3 8BL +44 (0)20 8992 4442

Bid online with Chiswick Live to benefit from Chiswick Auctions’ standard buyer’s premium terms with no additional surcharges.

General Enquiries info@chiswickauctions.co.uk +44 (0)20 8992 4442 chiswickauctions.co.uk

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Telephone Bidding +44 (0)20 8992 4442 Please note that requests for telephone bids should be submitted 12 hours before the start time of the auction.

Bidding bids@chiswickauctions.co.uk 4

Current scholarship in the field of Chinese Paintings and Calligraphy does not permit unqualified statements as to the authorship or date of execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings.

Notwithstanding, if within 28 days of the sale of any such Lot, the original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, a ‘forgery’ is defined as a work created with the intent to deceive.

Asian Art including Chinese Paintings Sunday 10 May 2020, 9am Buyer’s Premium The buyer shall pay Chiswick Auctions Ltd. a premium on the hammer price of 25% +VAT on that commission.

Cites Please be aware that all lots marked with the symbol Îť are subject to CITES regulations. Please see our Terms & Conditions for more information.

Photography Steven McCauley Darrell Russell Basak Ulukose Jordan Salzmann

Front Cover Lot164 Inside Front Cover Lot 137 Inside Back Cover Lot 163 Back Cover Lot 63

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1 LIU DELIU (1806 – 1875).

Butterflies and Melons, Chinese album leaf painting, framed, ink and colour on paper, 26.5 x 38.5cm.

Provenance: an English private collection. 劉德六 瓜蝶圖 設色紙本 冊頁 鏡框 來源：英國私人收藏。 £300 – 500

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2 XIAO ZHAO (follower of); LI DONG (follower of).

Landscapes, two Chinese circular fan leaf paintings mounted as hanging scrolls, ink on silk, 26 x 26cm. (2) Provenance: a European private collection. 蕭照（傳）、李東（傳） 山水 扇頁兩幅 水墨絹本 扇頁 來源：歐洲私人收藏。 £400 – 600

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3 ZHU YIZUN (attributed to, 1629 – 1709); CUI ZHAOZHI; CHENG ZANQING; QI ZHAOLIN; XIANG WENQIAO; LU GUANQING; SHEN WENYA, and others.

Various subjects, a series of fan paintings, album leaves, a banknote, a woodblock print of bird and flowers, four woodblock prints of Beijing Opera performances and a small Japanese painting of courtiers on a veranda, various sizes. (15) Provenance: a London private collection. 朱彝尊（傳）、崔兆芝、程贊清、祁肇麟、相問樵、陸冠卿、沈文雅 冊頁、扇頁、版畫等 來源：倫敦私人收藏。 £200 – 300 7

Snuff Bottles from an English Private Collection (lots 4-6)

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4 A CHINESE PALE CELADON JADE ‘TAOTIE MASK’ SNUFF BOTTLE. Qing Dynasty.

The rectangular-section body carved with a thick band of archaistic dragon masks to the principal sides and studs, raised on a rectangular foot, 7.5cm H. Provenance: an English private collection. 清 青玉雕饕餮紋鼻煙壺 來源：英國私人收藏。 £800 – 1,200

5λ A CHINESE AGATE ‘PRUNUS AND PINE’ SNUFF BOTTLE. Qing Dynasty.

The flattened ovoid body carved with a tree to each side in shallow relief, the pine tree trunk picked out in a brown vein in the stone, together with a coral stopper, 6.5cm H. (2) Provenance: an English private collection. 清 瑪瑙雕松竹紋鼻煙壺 來源：英國私人收藏。 £300 – 500

7 TWO CHINESE AMBER SNUFF BOTTLES. Qing Dynasty.

The first with a tapered body carved with a phoenix amongst large flower heads, the second with a plain flattened rectangular body, 6 - 6.7cm H. Provenance: an English private collection. 清 琥珀雕鼻煙壺兩件 來源：英國私人收藏。 £500 – 800

8 A CHINESE PURPLE GLASS ‘HAND’ SNUFF BOTTLE. Qing Dynasty.

The ovoid body carved with five fingers to the lower part, the glass of deep purple colour imitating amethyst, 7.5cm H. 清 料手指紋鼻煙壺 £300 – 500

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6 A CHINESE GLASS INSIDE-PAINTED ‘LANDSCAPE’ SNUFF BOTTLE, BY ZHOU LEYUAN. Qing Dynasty, dated Wuzi in accordance with 1888.

The ovoid body painted in sepia and grey with a continuous view of a village, a boy driving an ox to one side and figures in a raft on a river to the reverse, signed Leyuan, 7cm H. Provenance: an English private collection. 清一八八八 玻璃內畫山水圖紋鼻煙壺，「 樂元」、「戊子」款 來源：英國私人收藏。 £800 – 1,200 Zhou Leyuan was active between 1879 and 1893 and was founder of a popular school of painting in Beijing. This gave him an influence over the development of the styles of his students and he is considered one of the most famous painters of inside-decorated snuff bottles.

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9 A CHINESE FAMILLE ROSE ‘LANDSCAPE’ SNUFF BOTTLE. Qing Dynasty.

The rectangular rounded body with two lion head handles and a seal moulded to each side, painted with three figures by a gate leading to a city in a mountain valley, the reverse with calligraphy, the rim picked out with gilt, a four character Qianlong mark to the base, 5.5cm H. (2) 清 粉彩‘白鹿古洞’圖紋題詩鼻煙壺，礬紅「乾隆年 製」篆書款 £500 – 800

10λ A PAIR OF CHINESE CORAL AND HARDSTONE -INSET WHITE METAL ‘QUAIL’ SNUFF BOTTLES. Qing Dynasty.

Each formed as a bird looking up, the eyes and wings inlaid with coral, malachite, turquoise and spinach green jade, the stopper formed as a detachable head with an integral spoon, all raised on oval stands incised with floral scrolls, 8.5cm H, 39g. (4) 清 白鐵嵌珊瑚及硬石鵪鶉鼻煙壺一對 £1,500 – 2,000

11 TWO CHINESE BLUE AND WHITE MINIATURE ‘DRAGON’ VASES. Qing Dynasty, 19th Century.

The bottle painted with a dragon lurking among peony blossoms and foliage, with a four-character Yongzheng mark to the base, the ovoid jar with two dragons above waves, a fourcharacter Chenghua mark to the underside, 6cm H. (2) 清十九世紀 青花繪龍紋小瓶兩隻，青花「成化年製」、 「雍正年製」楷書款 £600 – 800

12 A CHINESE RUSSET AGATE ‘BUDDHIST LION DOG’ SNUFF BOTTLE. Qing Dynasty.

The ovoid body carved with a lion dog and his pup playing with a brocade ball entangled in a ribbon, a butterfly in flight above, the reverse with a peony bush, 6.5cm H. 清 瑪瑙雕佛獅圖紋鼻煙壺 £300 – 500

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13λ TWO CHINESE BLUE AND WHITE AND ONE UNDERGLAZE RED ‘DRAGON’ SNUFF BOTTLE. Qing Dynasty.

Each of cylindrical form, the blue and white bottles painted with a single beast, one with an ivory stopper, the red bottle with two dragons fighting above crushing waves, 8cm H. (4) 清 青花繪龍紋鼻煙壺兩件及釉里紅繪雙龍 戲珠紋鼻煙壺另一件 £800 – 1,200

14 THREE CHINESE BLUE AND WHITE MINIATURE ‘DRAGON’ VASES. Late Qing Dynasty.

One of cylindrical shape with a Tongzhi mark, the two other meiping, each painted with dragons pursuing flaming pearls, 7.5cm H. (3) 清晚期 青花繪龍紋瓶三隻，其中一隻「同 治年製」款 £600 – 800

15 THREE CHINESE SNUFF BOTTLES. Qing Dynasty.

Comprising a robin’s egg-glazed snuff bottle of flattened ovoid body with a short cylindrical neck, two smoky crystal snuff bottles, one carved with an Immortal holding a peach under a pine tree, picked out in grey stone, the reverse with a pine tree in relief, the second bottle decorated with squirrels and vine and with lion head handles, 6.5 - 8cm H. (3) 清 爐鈞釉鼻煙壺及水晶雕鼻煙壺兩件 £200 – 300

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16 THREE CHINESE SNUFF BOTTLES. Qing Dynasty.

Comprising: two ovoid glass bottles, one with overlay red decoration, the other imitating agate, and a tapered amethyst bottle carved with pine trees, 7 - 7.5cm H. Provenance: an English private collection. 清 料鼻煙壺三件 來源：英國私人收藏。 £300 – 500

17 THREE CHINESE SNUFF BOTTLES. Qing Dynasty.

Comprising: a red overlay glass bottle, a rectangular agate 'prunus' bottle and a applegreen jadeite bottle with a jadeite stopper and a wood stand, 6.5cm H. (7) 清 鼻煙壺三件 £100 – 200

18 A CHINESE WOOD SNUFF BOTTLE DISPLAY CABINET. With a full back and glass door opening to an arrangement of shelves, the cresting rail and the front apron with ornamental scrolls, 81.5 x 51.5 x 9cm.

Provenance: an English private collection. 木雕櫃 來源：英國私人收藏。 £150 – 200

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Property of a European Noble Family (lots 19-21)

19 A CHINESE FAMILLE VERTE 'IMMORTALS' EWER. Qing Dynasty, Kangxi period.

The pear-shaped body terminating in hexagonal foot and rim moulded with a ruyi head-shaped panel with an Immortal maiden and a crane to one side and Shoulao and a deer to the other side, all on a ground of chilong amongst blossoms and foliage, the handle and spout formed as dragon heads, 27cm H. Provenance: property of a European noble family. 清康熙 五彩繪仕女仙鶴圖紋執壺 來源：歐洲貴族收藏。 £1,500 – 2,000

20 A CHINESE BLUE AND WHITE ENAMELLED VASE AND COVER. Late Ming Dynasty.

The tapered ovoid body painted with blossoms, the foot with a mythical horse galloping among fire wisps above waves, the shoulder with a ruyi head band, the waisted neck and domed cover with panels of blossoms on a geometric ground, all raised on a wood stand, 35cm H. (3) Provenance: property of a European noble family. 明晚期 青花加彩花卉圖紋蓋罐連木座 來源：歐洲貴族收藏。 £800 – 1,200

21 A CHINESE ROCK CRYSTAL 'LANDSCAPE' VASE. Qing Dynasty.

The rectangular-section body carved with a hut beneath a tree on a lakeshore, with other dwellings and mountains in the distance, a skein of geese in the sky, the rim with a key fret border, together with a wood stand, 14cm H. (2) Provenance: property of a European noble family. 清 水晶雕山水圖紋瓶 來源：歐洲貴族收藏。 £500 – 800

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22 A CHINESE FAMILLE ROSE ‘EQUESTRIAN OFFICIAL’ BOWL. Qing Dynasty, Daoguang period.

With a flared body painted with a dignitary on a horse fanned by his assistant amongst rocks beneath trees, the reverse with four lines of calligraphy and two seals, the base with a five character mark reading xie zhu zhuren zao, 8.2cm diameter.

清道光 粉彩繪官員騎馬像盌，樊紅「嶰竹主人造」 篆書款 £1,000 – 2,000

23 A CHINESE FAMILLE ROSE COVER. Qing Dynasty.

Painted in colourful enamels with large flower heads and stylised foliage, the flared finial with a six-character Qianlong mark in underglaze blue, 10.2cm diameter. 清 粉彩纏枝蓮紋蓋 £500 – 800

24 A CHINESE FAMILLE ROSE ‘IMMORTALS’ BOWL. Qing Dynasty, Jiaqing period.

The rounded body with a lobed rim finely painted with a group of female musicians with various instruments near a temple shaded by leafy trees, with three new arrivals making their way on a cluster of clouds and in a raft across a vast sea, the rim and foot highlighted with gilt, the base with four character Jiang Zhenglong mark, 11cm diameter. 清嘉慶 粉彩繪仙女圖紋花口盌，礬紅「江正隆製」 篆書款 £3,000 – 4,000

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25λ A CHINESE MINIATURE PORTRAIT OF A MANDARIN DIGNITARY. Qing Dynasty, 19th Century.

The oval painting depicting a man wearing an official dark blue robe embroidered with gilt dragons and a Mandarin hat, painted on ivory, contained in a wood frame, 5cm H. 清十九世紀 象牙彩繪官員肖像袖珍畫 £500 – 600

26 FOUR CHINESE KINGFISHER FEATHER BROOCHES. Qing Dynasty.

Comprising two brooches formed as butterflies, one as a square rosette and one almond-shaped with a blossom motif, 4cm long. (4) 清 點翠髮飾四件 £100 – 200

27 A CHINESE GILT-BRONZE SQUARE SEAL. Ming Dynasty, or later.

The face case with four characters in seal script, the sides with stylised flowerheads and foliage, the finial shaped as a qilin, 7cm H, 569g. 明或更晚 銅鎏金麒麟形鈕印 £400 – 600

28 A CHINESE BLUE STONE SEAL. Of conical shape, the face carved with six characters in seal script, the stone with white and black striations, 7.5cm H. 硬石雕印章 £100 – 200

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29λ A CHINESE CORAL CARVING OF MAGU. Early 20th Century.

Standing, wearing flowing robes with long sleeves, her hair arranged in an elaborate style, a basket of blossoms beneath her feet, holding a bunch of flowers and lingzhi, together with a wood stand and a silk box, 13cm H, 58g. (2) 二十世紀早期 珊瑚雕麻姑立像 £800 – 1200

30 A SMALL CHINESE STAINED SOAPSTONE FIGURE TOGETHER WITH A DEER BONE ARCHER’S RING. Qing Dynasty.

The figure standing, wearing long robes, with right hand raised to her head, together with a black soapstone stand and a deer bone archer's ring, 12cm H. (3) 清 壽山石雕士大夫像及鹿角雕扳指 £200 – 300

31 A CHINESE JADE CONG. The low body carved with rounded edges and a circular aperture, the stone of russet colour with brown inclusions, 6.5cm across. 玉琮 £300 – 500

32 A CHINESE MALACHITE 'LYCHEE' INKSTONE. Early 20th Century.

Carved as a large fruit with a flattened top issuing from a knotty stem with leaves and four smaller fruit, one with a cavity for water, 12cm long. 二十世紀早期 孔雀石雕荔枝形硯 £500 – 800

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33 A CHINESE RUBY-GLAZED DISH. Qing Dynasty, six character Jiaqing mark and of the period.

Decorated with an even rich dark ruby glaze, the reverse with the mark in underglaze blue, 25.5cm diameter. 清嘉慶 胭脂紅地盤，青花「大清嘉慶年 製」篆書款 £1,000 – 1,500

34 A CHINESE COPPER RED-GLAZED DISH. Qing Dynasty, six character Daoguang mark and of the period.

Coated with an even dark red glaze, the reverse similarly decorated, the underside white with an underglaze blue mark, 21cm diameter. 清道光 紅釉盤，青花「大清道光年製」篆 書款 £2,000 – 3000

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35 A CHINESE BLUE AND WHITE ‘PRUNUS’ BOTTLE VASE. Qing Dynasty, six character Daoguang mark and of the period.

The ovoid body painted with sprays of bamboo and prunus blossoms against a dark blue icecrackle ground, all between a band of ruyi heads to the shoulder and lappets to the foot, the neck similarly decorated, the foot rim with a key fret border, 24.5cm H. 清道光 藍釉繪梅竹紋瓶，樊紅「大清道光 年製」篆書款 £300 – 500

36 A SMALL CHINESE BLUE-GROUND 'PRUNUS AND BAMBOO' CUP. Qing Dynasty, Daoguang period.

The rounded body painted with white prunus blossoms and sprays of bamboo on a dark blue cracked-ice ground, a four character Jing si tang zhi mark to the base, 3.7cm H, 7.7cm diameter. 清道光 藍地梅竹紋盃，樊紅「經笥堂製」 楷書款 £600 – 800

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A Jiaqing Imperial Vase from a European Private Collection (lot 37) 37 A CHINESE FAMILLE ROSE 'HUNDRED BOYS' JAR AND COVER. Qing Dynasty, six character Jiaqing mark and of the period.

The ovoid body painted with a continuous scene of a colourful procession of children carrying puppets, banners and musical instruments, the crowd crossing a bridge beneath trees, with a band of ruyi heads to the shoulder and lappets around the foot decorated with key fret band, the neck with floral scrolls on a green ground, the domed cover with a bud finial similarly decorated, 25cm H. (2) Provenance: a European private collection.

清嘉慶 粉彩繪童子舞龍圖紋蓋罐，樊紅「大清嘉慶年製」篆書款 來源：歐洲私人收藏。 £6,000 – 8,000

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The theme of a 'hundred boys' was very popular in the Qing dynasty, representing the desire for many sons to continue the family line and ensure prosperity and stability. It appears in the Song Dynasty and was popular in the Ming period, however, its present form was an innovation of the Qianlong Emperor’s reign, see for example a lantern-shape vase illustrated in Qing Imperial Porcelain of the Kangxi, Yongzheng and Qianlong Reigns, 1995, pl 87. The 'hundred boys' refers to King Wen of the Zhou dynasty who had ninety-nine sons and adopted one more to make one hundred. The motif indicates the wish for prosperity and recurring themes such as the image of children imitating adults reveals the ambitions of the literati class for their sons to achieve high intellectual status and future success. Various examples of the decoration can be found dating to the Jiaqing period, however, the present example is rare for retaining the original cover.

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38 A CHINESE FAMILLE ROSE ‘HIDDEN LOVER' VASE. Qing Dynasty, Yongzheng period.

The tall ovoid body painted with a scene in an interior with a husband and wife saying their goodbyes, her lover hiding beneath the table waiting for the man's departure, the waisted neck with two figures in a landscape, 41cm H. 清雍正 粉彩繪人物故事圖紋瓶 £200 – 300 According to an old folk tale a merchant's wife had an affair with their neighbour. In order to signal to her lover that the master of the house is leaving for a long business trip, she makes him wear a green hat and thus sends a message it is safe for the suitor to pay her a visit.

39 A PAIR OF CHINESE EN GRISAILLE ‘LANDSCAPE’ PLAQUES. Qing Dynasty.

Each painted in grey enamels with dwellings and figures in sampans and on the shores of a river in a mountainous village landscape, mounted as lamps, 20 x 13cm. (2) 清 墨彩繪人物山水圖紋瓷板一對 £300 – 500

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40 A CHINESE BLUE AND WHITE 'DRAGON' DISH. The dish with shallow rounded sides, a central roundel enclosing a confronting five-clawed dragon amidst flames and clouds, writhing around a flaming pearl, 28.5cm diameter. 青花雲龍紋盤

£1,500 – 2,000

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Yao Yuan works from a European Private Collection (lots 41-44)

41 YAO YUAN (1971 –).

Flowers, Chinese fan leaf, ink and colour on gold paper, 21.5cm diameter.

Provenance: European private collection.

Exhibition: Hanart TZ Gallery, 2004. 姚媛 工筆花卉 設色金箋 扇頁 來源：歐洲私人收藏。 展覽：Hanart TZ 畫廊2004年姚媛特別個 展。 £800 – 1,200

42 YAO YUAN (1971 –).

Mountains, Chinese fan leaf, ink and colour on gold paper, 21.5cm diameter.

Provenance: European private collection.

Exhibition: Hanart TZ Gallery, 2004. 姚媛 工筆花卉 設色金箋 扇頁 來源：歐洲私人收藏。 展覽：Hanart TZ 畫廊2004年姚媛特別個 展。 £800 – 1,200

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43 YAO YUAN (1971 –).

Rocks, Chinese fan leaf, ink and colour on gold paper, 21.5cm diameter.

Provenance: European private collection.

Exhibition: Hanart TZ Gallery, 2004. 姚媛 工筆花卉 設色金箋 扇頁 來源：歐洲私人收藏。 展覽：Hanart TZ 畫廊2004年姚媛特別個 展。 £800 – 1,200

44 YAO YUAN (1971 –).

Flowers, Chinese fan leaf, ink and colour on gold paper, 21.5cm diameter.

Provenance: European private collection.

Exhibition: Hanart TZ Gallery, 2004. 姚媛 工筆花卉 設色金箋 扇頁 來源：歐洲私人收藏。 展覽：Hanart TZ 畫廊2004年姚媛特別個 展。 £800 – 1,200

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A CHINESE PALE CELADON JADE 'THREE BOYS' GROUP.

A CHINESE WHITE JADE 'LONGEVITY' BOLDER.

Qing Dynasty.

Qing Dynasty.

Carved as three children during an acrobatic performance, one holding a fan, the other two a ball each, the smallest piggybacking his friend, the stone with brown striations, 10cm H.

Carved with deer climbing a porous rock with shrubs and lingzhi sprays, a crane to the reverse, the stone with minor russet inclusions, 6cm H.

清 青玉雕嬰戲擺件

清 白玉雕靈芝與鹿紋擺件 £600 – 800

£500 – 800

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A CHINESE PALE CELADON JADE CARVING OF BUDAI HESHANG.

A CHINESE YELLOW JADE 'CAT' GROUP.

The laughing Immortal carved in a relaxed pose, holding a large sack in his left hand, the stone with russet striations, 11cm long.

Qing Dynasty.

青玉雕布袋和尚 £600 – 800

Carved as a mother with a lingzhi fungus in her mouth turning her head towards two small kittens clinging to her back, the stone with russet inclusions, 6cm long. 清 黃玉雕貓擺件 £800 – 1,200

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A CHINESE WHITE JADE 'DRAGON' BELT HOOK.

A CHINESE PALE CELADON JADE 'CATS AND BUTTERFLY' CARVING.

Qing Dynasty.

Carved with a stylised dragon head forming a hook, the body with a smaller chilong in high relief, 13cm long. 清 白玉雕‘望子成龍’紋帶扣 £600 – 800

Qing Dynasty.

Formed as two felines hunting for a large butterfly entwined in scrolling tendrils, the stone with brown striations, together with a wood stand, 4cm long. (2) 清 青玉雕貓戲蝶擺件連木座 £800 – 1,200

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A CHINESE APPLE-GREEN JADEITE 'CHILONG' PLAQUE.

A CHINESE WHITE JADE 'CHILONG' CUP.

Carved with a sinuous chi dragon gnawing on a stem of a lingzhi, the stone with minor russet inclusion, 7.5cm long.

Ming Dynasty.

£400 – 600

明 白玉雕螭龍紋盃

翡翠雕螭龍紋牌

Carved with three beasts clambering over the rim of a plain cup, the stone with russet mottling, 11cm long. £2,000 – 3,000

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53 A CHINESE WHITE JADE DOUBLE ‘QILIN’ SEAL. Qing Dynasty.

Carved as two separate blocks with vacant faces, joined by the mythical beast finial resting its front paws on the first seal and the hind legs on the second, turning its head back, 5cm H. 清 玉雕麒麟形鈕印 £2,000 – 3,000

54 A CHINESE PALE CELADON JADE RETICULATED ‘BAT’ PLAQUE. Qing Dynasty.

The oval body carved with a bat in flight above lingzhi and foliage, all surrounded by a band of beads, 5cm long. 清 青玉鏤雕蝠紋牌 £100 – 200

55 THREE CHINESE PALE CELADON JADE SEALS. Comprising: one circular-section and one rectangular, each with an animal finial, and one circular-section with lingzhi in shallow relief carved to the top, 2 - 3.5cm H. (3) 玉雕動物 £300 – 500

56 A CHINESE WHITE JADE ‘MOUNTAIN’ BRUSH REST. Qing Dynasty.

Carved as a triangular rocky outcrop with a small spray of lingzhi to the side, the stone with minor russet tint to the side, together with a wood stand, 7cm long. 清 白玉雕山形筆擱 £3,000 – 5,000

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58

59

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57 A CHINESE PALE CELADON JADE CARVING OF ZHOU TANZI. Qing Dynasty.

The boy carved wearing a deer hide over his shoulders and carrying a tall bucket, the stone with russet inclusions, 6cm long. 清 青玉雕’鹿乳奉親’把件 £500 – 800

58 A CHINESE WHITE JADE ‘BOY AND RAM’ CARVING. Qing Dynasty.

Formed as a large recumbent animal turning his head towards a small child seated on his back and holding a large lingzhi, the stone with some white mottling, 4.5cm H. 清 白玉雕童子與羊把件 £500 – 800

59 A CHINESE WHITE JADE CUP. The plain flared body raised on a splayed foot, the stone with minor russet inclusions and veins, together with a wood stand, 6.5cm diameter. (2) 白玉雕盃連木座 £500 – 800

60 A CHINESE WHITE JADE-INSET WOOD RUYI SCEPTRE. The panels Ming Dynasty.

The head with a rectangular plaque carved with a dragon on a pierced diaper ground, the terminal with rectangular panel enclosing a bird, the middle section with an oval plaque with a bird among foliage, two further small circular lingzhi plaques equally spaced between the midsection and terminals, each surrounded by an inlaid silver wire key-scroll border, 44cm long. 明（玉牌） 嵌玉鏤雕龍紋牌如意 £5,000 – 6,000 27

61 UNKNOWN ARTIST. Landscape, Chinese handscroll painting, ink and colour on silk, 122 x 33cm. 佚名 山水

設色絹本 手卷 £1,500 – 2,000

28

62 NIU JIAYIN (1857 – 1915).

Landscape, Chinese hand scroll painting, with one colophon by Ni Xun and a title slip by Wen Shu, 27 x 305cm.

Provenance: a European private collection. 鈕嘉蔭 山水 手卷 <一>. (倪口) 來源：歐洲私人收藏。 £1,500 – 2,000

29

Two Zhang Daqian works from the Collection of Brian Morgan (lot 63)

63 ZHANG DAQIAN (Chang Dai-chien, 1899 – 1983).

Landscape; Calligraphy, two Chinese fan leaf paintings, ink and colour on paper, 52cm across. (2) Provenance: from the personal collection of Brian Morgan (1930 – 2018), formerly a director of Bluetts. 張大千 山水、書法 設色紙本 扇頁兩幅 來源： Brian Morgan （ 1930-2018 ）個人收藏，前 Bluett & Sons 總監 。 £10,000 – 15,000

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31

Soapstone Carvings from an English Private Collection (lots 64-68)

64 A CHINESE SOAPSTONE CARVING OF XUANWU. Ming Dynasty.

The God of the North carved in a full armour, seated on a rocky base, a snake wrapped around a tortoise beneath his feet, the stone of brown colour with yellow inclusions, 15cm H. Provenance: an English private collection. 明 壽山石雕玄武大帝像 來源：英國私人收藏。 £500 – 800

65 A CHINESE GREEN SOAPSTONE FIGURE OF GUANYIN. Late Qing Dynasty.

Seated cross-legged, meditating, wearing a long robe with celestial ribbons flowing from her arms, her hands folded on her lap holding a dish with offerings, all raised on a double lotus base with a flaming mandorla behind her, 25.5cm H. Provenance: an English private collection. 清晚期 壽山石雕觀音像 來源：英國私人收藏。 £600 – 800

66 A CHINESE SOAPSTONE 'MAGNOLIA' TEAPOT AND COVER AND A SOAPSTONE 'GRAPEVINE' CUP AND COVER. Early Qing Dynasty.

The teapot with an ovoid body carved with large flower heads and foliage, the spout, handle and finial formed as branches, the stone of ironred colour with white inclusions, the cup and cover decorated with clusters of grapes, foliage and tendrils against a dense pattern of waves, the stone of buff colour with yellow and russet mottling, 12.5cm H. (4) Provenance: an English private collection. 清早期 壽山石雕玉蘭花紋蓋壺及葡萄藤紋 蓋盌 來源：英國私人收藏。 £2,000 – 3,000

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67 A CHINESE SOAPSTONE FIGURE OF GUANYIN. Qing Dynasty.

Seated, wrapped in a long flowing cloak, resting her right hand holding a scroll on her right knee, a two character Shi Sheng mark to the base, the stone of buff colour with russet spotting, 15cm H. Provenance: an English private collection, with Michael Goedhuis. 清 壽山石雕觀音像，「石生」款

來源：英國私人收藏，曾購於Michael Goedhuis。 £800 – 1,200

68 A CHINESE SOAPSTONE ARCHAISTIC 'DRAGON' POURING VESSEL. Ming Dynasty.

The square-section body carved with dragons in low relief, the pointy spout with a flaming pearl above crushing waves, the back with a dragon head handle, all raised on a straight foot with a Xi Niao Shan mark to the base, 8cm H, 14cm long.

Provenance: an English private collection.

明 壽山石雕龍紋炳觚，「西鳥單」款 £2,000 – 3,000

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Works by Liu Yuanshou from an English Private Collection (lots 69-70)

69 LIU YUANSHOU (1967 –).

Portrait of a Girl, Chinese painting, framed, oil on canvas, 66 x 48cm.

Provenance: an English private collection, acquired from the artist in Beijing in the 1990s. 劉元壽 少女

布面油畫 木框 來源：英國私人收藏，1990年代于北京購於藝術家處。 £1,000 – 2,000

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70 LIU YUANSHOU (1967 –).

Still life, Chinese painting, framed, dated 1992.9.21. oil on canvas, 78.5 x 99.5cm.

Provenance: an English private collection, acquired from the artist in Beijing in the 1990s. 劉元壽 寫生

布面油畫 木框 創作日期：1992年9月21日 來源：英國私人收藏，1990年代于北京購於藝術家處。 £1,000 – 2,000

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71 A CHINESE BRONZE ‘RAMS’ INCENSE BURNER. Ming Dynasty.

The compressed circular body with a flared rim set to the shoulder with two ram head handles, all raised on a flared foot and with a six-character Xuande mark to the base, 13cm across, 652g. 明 銅雙羊耳爐，「大明宣德年製」楷書款 £4,000 – 6,000 The unusual slender form of this censer complemented by the presence of the rare two-by-three format of the Xuande base mark which diverges from the standard three-by-two format so familiar to collectors of Chinese bronze incense burners. The search for mark-and-period Xuande bronze censers is the holy grail of Chinese bronze connoisseurs made all the remote by the fact that no definitively Xuande period bronze exists.

However, cloisonné enamel censers mark and period of Xuande are extant in the Imperial collection in Beijing and there are various formats for these marks. The two by three format is familiar from Xuande mark and period porcelain.

72 A CHINESE PARCEL-GILT BRONZE 'BLOSSOMS' INCENSE BURNER. Early Qing Dynasty.

The compressed pear-shaped body cast with two fish head C-shaped handles and decorated with blossoming prunus and butterflies accentuated in gilt on a beaded ground, the underside with a single gilt blossom, 7cm H, 11cm diameter, 225g. 清早期 銅鎏金雙耳爐 £800 – 1,200

73 A CHINESE BRONZE INCENSE BURNER. Qing Dynasty.

The bombe-shaped body cast with lion head handles and a six-character Xuande mark to the base, the surface with a warm patina, 14.5cm across, 518g. 清 銅爐，「大明宣德年製」楷書款 £600 – 800

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74 A CHINESE RECTANGULAR-SECTION BRONZE INCENSE BURNER. Yuan Dynasty.

The body with a flared rim cast with archaistic scrolls in shallow relief and set with two ring handles with taotie masks, all raised on four lion head legs, together with a reticulated wood cover and stand, 7.5cm H, 714g. (3) 元 銅四方蓋爐連木座及蓋 £1,000 – 1,500

75 A CHINESE BRONZE 'CHILONG' INCENSE BURNER AND COVER. Qing Dynasty.

The compressed circular body with a waisted neck raised on three paw feet and cast to the shoulder with two dragon handles, the reticulated domed cover with a key fret band to the rim, pierced with scaly dragons among cloud scrolls, with a finial formed as a plume of smoke, a six-character Xuande mark to the underside, 15cm H, 11.5cm diameter, 1.39k 清 銅螭龍紋三足蓋爐，「大明宣德年製」 楷書款 £3,000 – 5,000

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76 A CHINESE BRONZE INCENSE BURNER. Qing Dynasty.

The gently tapered body cast to the rounded shoulder with two lion head handles, the surface with an even warm patina, the base with a six-character Xuande mark, together with a wood stand, 23.5cm diameter, 2.1kg. (2) 清 銅雙獅耳爐連木座 £4,000 – 6,000

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77 A CHINESE GOLD-SPLASH BRONZE RECTANGULAR INCENSE BURNER. Ming Dynasty.

The rectangular-section body cast with four short feet and two F-shaped handles, the surface decorated with irregular gilt splashes, the underside with a four-character zisun bao zao mark in seal script, 18cm long, 1.6kg. 明 銅灑金四方雙耳爐，「子孫保之」篆書款 £10,000 – 15,000

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79

80

81

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79

A CHINESE GREEN HARDSTONE INCENSE BURNER AND COVER.

A CHINESE PALE CELADON JADE INCENSE BURNER AND COVER.

The ovoid body with a waisted neck raised on three paws, carved with two phoenix-shaped handles and decorated with taotie masks in low relief, the cover with three bird flanges and a dragon finial, all raised on a wood stand with three ruyi head feet, 15cm across. (3)

With a compressed circular body carved with taotie masks and set with two S-shaped handles, all supported on three legs carved as seated bears, the cover with four ram heads and a flared finial decorated with further taotie in low relief, the stone with brown striations, together with a wood stand, 18.5cm across. (3)

硬石雕三足蓋爐連木座 £800 – 1,200

青玉雕朝冠耳蓋爐連木座 £600 – 800

80 A CHINESE PALE CELADON HARDSTONE INCENSE BURNER AND COVER. The ovoid body with a wide rim carved with a band of floral scrolls and raised on three short feet issuing from blossoms, the handles formed as flower heads suspending loose rings from the stems, the cover pierced with stylised lotus and panels of mythical creatures, the large reticulated finial with four loop handles with loose rings, together with a wood stand, 14cm H. (3) 青玉雕三足雙活環耳爐連木座 £800 – 1,200 40

81 A CHINESE SPINACH JADE ‘BLOSSOMS’ INCENSE BURNER AND COVER. The straight flared body carved with a stylised lotus scroll and two flowershaped handles suspending rings, all supported on four bracket feet, the cover with a bud finial and four scrolls with loose rings, 14cm across. (2) 碧玉雕花紋雙活環耳蓋爐 £1,000 – 2,000

82 GAO CHENGZHI. Magu with a Monkey, Chinese painting, framed, ink and colour on paper, 129 x 65cm.

Provenance: a European private collection. 高承志 麻姑斗猴圖 設色紙本 立軸 來源：歐洲私人收藏。 £1,000 – 2,000

83 ANONYMOUS. Magu on a Raft, Chinese painting, framed, ink and colour on paper, 64.5 x 32cm. 清 麻姑泛舟圖 設色紙本 鏡框 £300 – 500

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84 GU LUO (1763 – 1837).

Ladies Reading, Chinese hanging scroll painting, ink and colour on paper, 103.5 x 32cm. 顧洛 讀書圖 設色紙本 立軸 £500 – 800

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85 ANONYMOUS. Ladies Playing Football, Chinese painting, ink and colour on silk, framed, 132 x 45cm. 佚名 仕女蹴鞠圖 設色絹本 立軸 £500 – 800

86 QIAN HUIAN (1833 – 1911).

Ladies with Antiques, Chinese hanging scroll painting, ink and colour on paper, 95.5 x 21.5cm. 錢慧安 梁孟齊眉 設色紙本 立軸 £200 – 300

87 ANONYMOUS. Lady Tutoring Boys, Chinese hanging scroll painting, ink and colour on paper, 158.5 x 46cm. 佚名 教子圖 設色紙本 立軸 £200 – 300

88 YI JUN. Celestial Lady, Chinese hanging scroll painting, ink and colour on paper, 66 x 44cm. 益鈞 仕女圖 設色紙本 立軸 £100 – 200

89 NAN YA. Lady, Chinese hanging scroll painting, ink and colour on paper, 94 x 37cm. 南雅 仕女 設色紙本 立軸 £100 – 200

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90 A LARGE CHINESE FAMILLE ROSE CANTON ENAMEL VASE, GU. Qing Dynasty, 18th Century.

The quatrefoil-section body with a tapered middle section finely painted with shaped panels of birds and flowers and mountainous landscapes on a yellow ground with colourful clouds and bats, divided from the flared foot and neck with bands of banana leaves, the neck decorated with panels of flowers, fruit, butterflies and bats on a bright yellow ground with lotus blossoms, red bats and scrolling dragons, the foot mirroring the design, 41.5cm H. 清十八世紀 廣東銅胎畫琺瑯開光繪花鳥圖紋觚式瓶 £1,000 – 2,000

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91 A CHINESE CANTON ENAMEL FAMILLE ROSE 'GO PLAYERS' DISH. Qing Dynasty, early 19th Century.

Painted with an elegant young couple and a small boy gathered around a table on a terrace beneath a tree, enjoying a game of go, surrounded by large vases and precious objects, with misty mountains in the distance, the rim divided in five lobes decorated with panels of blossoms on a foliate scrolls ground, the reverse with a spray of lingzhi to the centre and green crackled-ice to the rim, 23cm diameter. 清十九世紀早期 廣東銅胎畫琺瑯繪人物圖紋花口碟 £3,000 – 5,000

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92 A CHINESE FAMILLE ROSE CANTON ENAMEL 'DRAGON' DISH. Qing Dynasty, 18th Century.

The centre painted with a gold and a blue dragon wriggling among colourful clouds, the rim with a lavish border of blossoms and foliage on a blue ground, the reverse with a spray of melons and blossoms, the rim with grape vines, 15.8cm diameter. 清十八世紀 廣東銅胎畫琺瑯龍紋盤 £2,000 – 3,000

93 A CHINESE CANTON ENAMEL FAMILLE ROSE 'COCKERELS' CUP AND SAUCER. Qing Dynasty, 18th Century.

Each finely painted with a yellow cockerel on a blue rockery, surrounded by roses, wild lilies and other blossoms, the rims with bands of pink and green diaper and panels enclosing fruit and blossoms, 12.3cm diameter. (2) 清十八世紀 廣東銅胎畫琺瑯錦雞圖紋盃碟 £4,000 – 6,000

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94 A CHINESE CANTON ENAMEL FAMILLE ROSE 'CHERRY PICKERS' CHOCOLATE CUP AND TREMBLEUSE STAND. Qing Dynasty, 18th Century.

The cup with a tall body painted with two cartouches depicting an European couple, the man up a ladder, picking fruit and passing it to his companion, all on a white ground with floral sprays, the saucer formed as a large lobed shell with decorative rocaille borders to the rim and around the centre, 23cm across. (2)

The design on the exterior of the bowl is taken from a painting called "The Cherry Pickers" by the French painter Antoine Baudouin (17231769). The painting was popularised through an engraving by Nicolas Ponce (1746-1831), which inspired European porcelain manufacturers to copy the scene. The same scene occurs on Chinese famille rose porcelain made for export to European markets. Painted enamel on copper is significantly more complex to make than porcelain and the present piece is exceptionally rare.

清十八世紀 廣東銅胎畫琺瑯繪外國人像 盃碟 £3,000 – 5,000

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95 A CHINESE CANTON ENAMEL FAMILLE ROSE 'LADIES AND BOY' BOX AND COVER. Qing Dynasty, 18th / 19th Century.

The square body painted with blossoms and berries on a blue spotted ground, the cover with a shaped cartouche containing a young lady, her handmaid and a small boy with a fishing rod and a basket, 9 x 9cm. (2) 清十八 / 十九世紀 廣東銅胎畫琺瑯繪人物 圖紋蓋盒 £200 – 300

96 A CHINESE FAMILLE ROSE CANTON ENAMEL JARDINIÈRE. Qing Dynasty, Yongzheng period.

The flared rectangular body painted with panels of blossoms against a green cell pattern ground, the rim with a blue key fret band, 14.3cm long. 清雍正 廣東銅胎畫琺瑯開光繪花蝶圖紋 花盆 £800 – 1,200

97 A PAIR OF CHINESE FAMILLE ROSE CANTON ENAMEL INGOT-SHAPED OFFERING BOWLS. Qing Dynasty, 19th Century.

Each decorated with circular panels containing Eight Buddhist Symbols to the exterior and stylised shou characters to the interior, all on a dark blue ground, 13cm long. (2) 清十九世紀 廣東銅胎畫琺瑯繪八吉祥紋 盌一對 £500 – 800

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98 A CHINESE BLUE AND WHITE YEN YEN VASE. Qing Dynasty, Kangxi period.

Painted with a scene of a meeting on a terrace, the arrivals heading towards an official seated on a chair shielded by tall screens, the flared neck with figures in a landscape, the rim, shoulder and foot with bands of chevron, the base with a leaf mark, 45cm H. 清康熙 青花繪人物故事圖紋鳳尾尊 £100 – 200

99 A CHINESE BLUE AND WHITE 'LUOHAN' INCENSE BURNER. Qing Dynasty, Kangxi period.

The compressed ovoid body supported on three short feet painted with six luohans in a rocky landscape burning incense, enjoying books and engaging in conversations, 22cm diameter. 清康熙 青花繪羅漢像三足爐 £1,500 – 2,000

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100 A PAIR OF CHINESE SANCAI BUDDHIST 'LION DOG' JOSS STICK HOLDERS. Qing Dynasty, Kangxi period.

Each lying on his back in a playful pose, holding a reticulated ball in his paws, raised on integral rectangular stands, 12.5cm H. (2) 清康熙 素燒三彩佛獅形香插 £600 – 800

101 A PAIR OF CHINESE FAMILLE VERTE FIGURES OF IMMORTALS. Qing Dynasty, Kangxi period.

The first a sage with a long beard and a scroll in his right hand, the second a court official holding a peach in the left hand, each wearing a long green robe and supported on an integral hexagonal stand, 15.5cm H. (2) 清康熙 五彩繪仙人像兩尊 £1,500 – 2,000

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103

A CHINESE FAMILLE VERTE TILE.

A CHINESE FAMILLE VERTE 'PHEASANTS' FOUNTAIN.

Qing Dynasty, Kangxi period.

Qing Dynasty, Kangxi period.

Painted with a scene of a visitation on a terrace enclosed in a border of cash pattern and precious objects panels, framed, 15 x 25cm.

The pear-shaped body moulded with ribs and painted with a pair of birds among blooming prunus branches, the rim and foot with cash and diaper pattern, a metal spout fixed in the lower section, all raised on a short flared foot, 30cm H.

清康熙 五彩繪人物故事圖紋瓷板 £800 – 1,200

清康熙 五彩繪錦雞紋水罐 £1,000 – 1,500

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105

106

103

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105

TWO CHINESE FAMILLE ROSE SAUCER DISHES.

A CHINESE RUBY-GROUND 'LADY AND BOY' BOWL AND COVER.

Qing Dynasty, Yongzheng period.

Qing Dynasty, Yongzheng period.

Each painted in enamels and gilt with a shaped cartouche, the first with a shepherdess and two sheep in a landscape, the second with two birds amidst pink chrysanthemum and rose blossoms, the rims with decorative bands of foliage and geometric patterns, 11.5cm diameter.

The gently flared body with two fish-shaped handles painted with quatrefoil cartouches of figures in a landscape, all on a vivid ruby ground, the interior with a ripe pomegranate, the cover with fan-shaped panels of blossoms and a lion dog finial, 17cm across. (2)

£300 – 500

£1,000 – 1,500

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107

A PAIR OF CHINESE FAMILLE ROSE 'BLOSSOMS' TEAPOTS AND COVERS.

A PAIR OF CHINESE FAMILLE ROSE CUPS AND SAUCERS.

Qing Dynasty, Yongzheng period.

The saucers painted to the centre with a roundel containing a young woman and a small boy in a landscape, surrounded by large flower heads and shaped cartouches of birds and blossoms on a pink ground of scaly pattern, the conical cups similarly decorated, saucer: 10cm diameter. (4)

清雍正 粉彩繪人物及花鳥紋碟各一隻

Each with a pear-shaped body painted with pink blossoms, the lower section moulded with two rows of pink petals, the handle and spout applied with foliage, the covers moulded with a fruit finial and leaves and painted with a band of petals, 11.5cm H. (4) 清雍正 粉彩繪花卉紋蓋壺一對

清雍正 胭脂紅地開光繪仕女童子圖紋蓋盌

Qing Dynasty, Yongzheng period.

清雍正 粉彩繪花卉仕女童子圖紋盃碟一對 £300 – 500

£1,500 – 2,500 51

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109

111

110

108 A PAIR OF CHINESE BLUE AND WHITE 'KIDNEY' DISHES. Qing Dynasty, Qianlong period.

Each with a body moulded in trefoil shape and painted with the Fitzhugh pattern, 28 x 21cm. (2) 清乾隆 青花繪花卉紋碟一對 £200 – 300

109 A CHINESE BLUE AND WHITE RECTANGULAR TRAY. Qing Dynasty, Qianlong period.

Painted with a floral spray to the centre, the rim with further blossoms between bands of diaper pattern, 23cm long. 清乾隆 青花繪花卉紋長方盤 £300 – 500

110 A CHINESE BLUE AND WHITE OVAL MEAT DISH. Qing Dynasty, 18th Century.

Painted to the centre with a figure and a small dog in a sampan, in the far distance a pagoda on the shore and a skein of geese in the sky, the scalloped rim with floral border, 36cm long. 清十八世紀 青花繪仕女泛舟圖紋肉食盤 £150 – 250

111 A PAIR OF CHINESE BLUE AND WHITE OCTAGONAL DISHES. Qing Dynasty, Qianlong period.

Decorated with a fortified riverside city encircled by crenelated walls, with houses on stilts above the water surface with sampans in the foreground and conical mountains in the distance, all within a band of diaper patterns, the rims with a thick border of ruyi heads, butterflies and brocade patterns, 24cm diameter. 清乾隆 青花繪山水圖紋八方碟一對 £200 – 300 For a similarly decorated soup tureen with stand see W.R. Sargent, Treasures of Chinese Export Ceramics from the Peabody Essex Museum, fig. 51, pp.

144-145.

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113

114

115

112 A CHINESE FAMILLE VERTE CIRCULAR BOX AND COVER. Qing Dynasty, Kangxi period.

The straight body painted with a band of undulating lotus blossoms and foliage and an iron-red band of stylised flower heads and scrolls, the same pattern painted to the rim of the cover, further decorated with a gilt bud finial surrounded by blossoms in colourful enamels, all raised on three mask legs, 17cm diameter. (3) 清康熙 五彩繪花紋三足蓋盌 £800 – 1,200

114 A CHINESE FAMILLE ROSE ARMORIAL MUG. Qing Dynasty, Qianlong period.

The cylindrical body decorated with the arms of Peake, 13.5cm H. 清乾隆 粉彩描金繪徽章紋馬克杯 £300 – 500 For a similar example see D.S. Howard, Chinese Armorial Porcelain, vol. II, 1978, pp. 329 and 501.

113 A CHINESE FAMILLE ROSE ‘TOBACCO LEAF’ SAUCE BOAT. Qing Dynasty, 18th / 19th Century.

Typically formed after a silver shape and painted with lavish foliage and flower heads, 20.5cm long. 清十八 / 十九世紀 粉彩繪煙草葉紋花口醬汁斗 £800 – 1,200

115 A CHINESE FAMILLE ROSE ARMORIAL TEA BOWL AND SAUCER. Qing Dynasty, Jiaqing period.

Decorated with the arms of Count of Barca embellished by Francesco Bartolozzi (1725/1815) below a gilt crown supported by plump putti, with cloud-shaped panels of bucolic scenes painted in sepia to the rims, the saucer 14.6cm diameter. (2) Provenance: the Elinor Gordon collection, USA, Sotheby’s New York 2011. 清嘉慶 粉彩繪徽章圖紋盌碟 來源：埃利諾·戈登收藏專場拍賣，2011年於美國紐約蘇富比。 £800 – 1,200 This is a rare example of a coat of arms embellished by an artist. António de Araújo e Azevedo, 1st and only Count of Barca (Portugal 1754-Brazil 1817), Foreign Office Minister, War Minister, State Councillor, Prime Minister, Navy Minister in Brazil in 1814, founder of Beau-Arts Academy in Brazil, scientist and writer.

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118

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116 A PAIR OF CHINESE FAMILLE ROSE MOULDED ‘MANDARIN DUCKS’ DISHES. Qing Dynasty, Yongzheng period.

Each moulded as a chrysanthemum blossom with two rows of radial petals, the centre painted with a mandarin duck on a pond beneath a large spray of lotus, her mate in flight above, the base formed as lotus blossoms and stems, 11cm diameter. (2) 清雍正 菊瓣紋印模粉彩繪蓮池鴛鴦紋碟一對 £150 – 250

117 A PAIR OF CHINESE FAMILLE ROSE ‘MELON’ TUREENS, STANDS AND COVERS. Qing Dynasty, 18th Century.

Each piece of quatrefoil-section, moulded with melon foliage and tendrils and painted in enamels and gilt with blossoms, the covers applied with fruit-shaped finials, stands 21cm long. (6) 清十八世紀 浮雕粉彩繪瓜果紋蓋盌一對 £2,000 – 3,000

118 A SET OF FOUR CHINESE FAMILLE ROSE SHELL-SHAPED SALTS. Qing Dynasty, 18th Century.

Each formed as a scallop shell raised on three C-shaped feet and painted with sprays of blossoms, the rims with gilt bands. (4) 清十八世紀 粉彩繪貝殼形鹽碟四隻 £1,500 – 2,000 For a similar salt see R. Krahl, J. Harrison, Ancient Chinese Porcelain from The British Museum, p.242-243, cat. 107.1

119 A CHINESE FAMILLE ROSE BUTTER TUB, STAND AND COVER. Qing Dynasty, Jiaqing period.

With an oval body decorated with panels containing pairs of pheasants, the rims with ornamental geometric bands in gilt and cobalt, the cover with a gilt raspberry finial, stand: 13cm long. (3) 清嘉慶 粉彩描金繪黃油碟 £200 – 300

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120

121

122

120 A CHINESE FAMILLE ROSE PUNCH BOWL. Qing Dynasty, Yongzheng period.

Painted with two panels depicting a family in an interior between smaller cartouches of monochrome landscapes and blossoms on a gilt ground of feathery scrolls, the interior with a blossom spray to the centre and a floral border around the rim, 32cm diameter. 清雍正 粉彩繪人物故事圖紋潘翠盌 £800 – 1,200

121 A CHINESE CANTON FAMILLE ROSE PUNCH BOWL. Qing Dynasty, 19th Century.

The flared body with a broad rim decorated with panels of figures and birds, insects and various blossoms on a rich ground painted with enamel and gilt with flowers and butterflies, the exterior white with three rose sprays, 5cm H, 40.5cm diameter. 清十九世紀 廣彩繪人物園景圖紋折沿潘翠盌 £100 – 200

122 TWO CHINESE CANTON FAMILLE ROSE PUNCH BOWLS. Qing Dynasty, 19th Century.

Typically painted with panels of figures, flowers and butterflies divided by dense foliate gilt borders, the rim with a band of smaller panels, the other decorated with panels of figures within gilt key fret border against an lush ground of insects, bats and flower heads painted with enamel and gilt, 15.5 - 17cm H, 39.5 - 42cm diameter. (2) 清十九世紀 廣彩繪園景圖紋潘翠盌兩隻 £1,200 – 1,500

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123

124

125

126

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127

123

126

A PART SET OF CHINESE BLUE AND WHITE DISHES.

A CHINESE BLUE AND WHITE PART TEA SET.

Qing Dynasty, 18th / 19th Century.

Qing Dynasty, 18th Century.

Each dish decorated with blossoms and a butterfly to the centre, the scalloped rims with a sequin border, 42.5cm long. (6)

Comprising: a teapot and cover, eight teacups, eight coffee cups, eight saucers, a small cup, two large cups, three plates, two tureen stands, a tea caddy, small vase, and a creamer and cover, each painted with a landscape with gilt bands around the rims, various sizes. (38)

清十八 / 十九世紀 青花繪花卉紋碟六件 £400 – 600 124 FIVE CHINESE FAMILLE ROSE DISHES. Qing Dynasty, Qianlong period.

Decorated to the centre with a spray of blossoms within two gilt bands to the rim, 23cm diameter. (5) 清乾隆 粉彩繪花卉圖紋碟五隻 £100 – 200 125

清十八世紀 青花描金繪山水圖紋茶具 £800 – 1,200 127

EIGHT CHINESE 'PORCELAIN PRODUCTION' WALLPAPER PANELS. Qing Dynasty.

Depicting various stages of porcelain manufacturing, decoration and trade, each framed and glazed, 35 x 33.5cm. (8) 清 繪‘製瓷’故事圖紋壁紙八張 £1,000 – 1,500

A PAIR OF CHINESE FAMILLE ROSE BUTTER TUBS, STANDS AND COVERS. Qing Dynasty, 18th Century.

The oval-section bodies painted with loose sprays of pink blossoms, the rims with a floral border, each cover similarly decorated and surmounted by a gilt fruit finial, stands: 13cm long. (6) 清十八世紀 粉彩繪黃油碟一對 £400 – 600

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129

128

130

129

128

130

A CHINESE GILT BLACK LACQUER FOLDING FAN.

A CHINESE PAINTING OF A NEW YEAR PARADE.

THREE CHINESE 'WATERY LANDSCAPE' PAINTINGS.

Qing Dynasty, 19th Century.

Qing Dynasty, 19th Century.

Qing Dynasty, 19th Century.

Painted to each side with a shaped cartouche containing figures and pavilions, all within scrolling floral borders, 36cm across.

Oil on canvas, framed, 43 x 59cm.

Each depicting sampans and fishing junks on a bay with a crenelated fort and distant mountainous shore, contained within ornately carved wood frames, each 50 x 38cm. (3)

清十九世紀 黑漆描金繪人物庭院圖紋折扇 £400 – 600

清十九世紀 舞龍圖，布面油畫 £300 – 500

清十九世紀 山水圖紋繪畫 £500 – 800

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131 A SET OF TWELVE CHINESE PITH PAPER PAINTINGS OF INSECTS AND FLOWERS. Qing Dynasty, 19th Century.

Each a realistic study of blossoms, butterflies and other insects in vivid colours, framed and glazed, 23 x 16cm. (12) 清十九世紀 昆蟲花卉通草畫一組十二幅連鏡框 £200 – 300

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132

133

134

135

132

133

A CHINESE FAMILLE ROSE 'FOX HUNTING' MUG.

A PAIR OF CHINESE FAMILLE ROSE WINE COOLERS.

Qing Dynasty, Qianlong period.

Qing Dynasty, Qianlong period, Circa 1770.

The cylindrical body painted with a hunting scene after a painting by the English equestrian artist James Seymour (1702-1755), later engraved by Thomas Burford and P. Canot, 13cm H.

Moulded after a European silver form with ribbed body and scalloped border, decorated flower sprays, 19.5cm H. (2)

Provenance: the Luis Binder Collection, Virginia, USA, collection accession number 4072-6.11153 [label]. 清乾隆 青花加粉彩繪‘狩獵’圖紋紋馬克杯

來源：路易斯·賓德藏，美國弗吉尼亞州，藏品號4072-6.11153（ 標籤）。 £800 – 1,200 For a related piece see Hervouët and Bruneau, La Porcelaine des Compagnies des Indes a Décor Occidental, 1986, p 77.

134 A PAIR OF CHINESE IMARI SQUARE-SECTION BOTTLES. Qing Dynasty, Kangxi period.

Each with a square-section body and the rounded shoulder typically painted with blossoms, set with short flared necks, 16.5cm H. (2) 清康熙 伊萬裡式四方瓶一對 £1,000 – 1,500 60

清乾隆約一七七零 鎏金粉彩繪花卉紋冰酒桶一對 £1,000 – 2,000 135 A SMALL CHINESE IMARI TUREEN AND COVER. Qing Dynasty, Kangxi period.

The oval-section body decorated in underglaze blue, overglaze red and gilt with freely painted blossoms, moulded with two scroll-shaped handles, the cover with a bud knop, 15.5cm long. (2) Provenance: B.F. Edwards Collection, Missouri, USA, no. 2673 [label]. 清康熙 伊萬裡式湯碗

來源：B.F. 愛德華收藏，美利堅合眾國，密蘇里州，第2673號（標 籤）。 £500 – 800 For a similar tureen see C.J.A. Jörg, Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam, p.204, cat. 299.

136 A CHINESE FAMILLE ROSE EUROPEAN SUBJECT DISH. Qing Dynasty, Qianlong period.

Painted to the centre with an elegant European couple, the man playing a flute, the lady feeding a large parrot perched on a ring suspended from the rocaille scrolls surrounding the scene, the rim with four panels of landscape in pink enamels against a bianco-sopra-bianco floral ground, 23cm diameter. 清乾隆 粉彩繪外國人像圖紋折沿碟 £800 – 1,200 For similar plates see Hervouët and Y. Brunneau, La Porcelaine des Compagnies des Indes a Décor Occidental, 1986, p 185. It has been suggested that the central scene, replete with erotic subtext, may derive from elements of designs for six Beauvais ‘grotesques’ tapestries

by Jean-Baptiste Monnoyer (1636 – 1699), see Cohen & Cohen, Tyger, Tyger, 2016, cat no 57, p 128-9.

137 A CHINESE ARMORIAL TEA CADDY AND COVER. Qing Dynasty, 18th Century.

With a rectangular-section body with a curved shoulder and a straight neck, painted with a roundel of two doves with blossoms in their beaks, the cover with a fruit finial. (2) 清十八世紀 徽章紋茶葉罐 £200 – 300

138 A CHINESE FAMILLE ROSE CREAMER AND COVER. Qing Dynasty, Qianlong period.

The pear-shaped body with a triangular spout and an angular handle decorated with two panels of fruit and blossoms in a gilt border against a ground of forget-me-nots, the finial with a peach knop connected by a chain, 14.5cm H. 清乾隆 粉彩開光繪花卉圖紋奶油罐 £400 – 600

139 A CHINESE ARMORIAL TEA CADDY AND COVER. Qing Dynasty, 18th Century.

The rectangular-section straight body painted with a roundel of gilt blossoms, rising to an arched shoulder and straight short neck, topped with a cover surmounted by a fruit finial, 13.5cm H. (2) 清十八世紀 徽章紋茶葉蓋罐 £80 – 120

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140 A PAIR OF CHINESE FAMILLE ROSE ARMORIAL DISHES. Qing Dynasty, 18th / 19th Century.

Decorated with a Portuguese coat of arms to the centre, the rims with panels of blossoms, butterflies and bats on a gilt ice-crackle ground with green flower heads, 25cm diameter. (2) 清十八 / 十九世纪 粉彩绘徽章碟一对 £1,500 – 2,000

141 A LARGE CHINESE BLUE AND WHITE COVER. Qing Dynasty, 18th Century.

Of domed shape with a short rim, decorated with six panels of alternating landscapes and blossoms and a flared finial, 24cm diameter. 清十八世紀 青花蓋 £100 – 200

142 A CHINESE BLUE AND WHITE PORCELAIN COVER. Qing Dynasty, 18th Century.

With a short rim and a domed body with a stencil decoration of meaty foliage and large flower heads, the finial formed as a large whiteglazed lion dog with a bell collar, 35cm diameter. 清十八世紀 青花大蓋 £800 – 1,200

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143

144

145

143

144

145

A CHINESE BLUE AND WHITE 'LOTUS SCROLL' DISH.

A CHINESE ENAMELLED 'FLOWER VASE' DISH.

A PAIR OF CHINESE BLUE AND WHITE 'LOTUS' CHARGERS.

Qing Dynasty, Kangxi period.

Qing Dynasty, Kangxi - Yongzheng period.

Qing Dynasty, Kangxi period.

Freely painted with blossom sprays surrounding a central flower head, the reverse with a continuous floral scroll and a six character Xuande mark to the base, 27.3cm diameter.

Painted in enamels and gilt with an ovoid vase full of blossoms, the cavetto with roses and chrysanthemums sprouting from porous blue rockwork, the reverse freely painted with blue sprays of peaches and blossoms, 31.3cm diameter.

Each painted with large flower heads and foliage scrolls, 38cm diameter. (2)

清康熙 青花繪纏枝蓮紋盤，青花「大明宣 德年製」楷書款 £500 – 800

清康熙 青花繪纏枝大盤一對 £2,000 – 3,000

清康熙 - 雍正 粉彩繪花籃紋盤 £500 – 800

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146 A CHINESE BLUE AND WHITE 'PEONY' BOTTLE VASE. Qing Dynasty, 18th Century.

The ovoid body rising to a tall cylindrical neck, all painted with peony flower heads and scrolling foliage, 45cm H. 清十八世紀 青花繪纏枝牡丹圖紋瓶 £500 – 800 147 A CHINESE BLUE AND WHITE VASE, GU. Qing Dynasty.

With a slightly raised central section, painted with a tree in bloom and a heart-shaped panel containing a pavilion among waves and a band of ruyi heads to the flared rim, 39.5cm H. 清 青花繪花卉樓閣圖觚式瓶 £100 – 150

148 A CHINESE BLUE AND WHITE THREEPIECE ‘DRAGON AND PHOENIX’ ALTAR SET. Qing Dynasty, 18th Century.

The rectangular incense burner resting on four thick feet with a tall neck and stepped rim, the body decorated with a pair of confronting dragons on one side and a pair of phoenixes on the reverse, together with a pair of square tall tapering candlesticks, each with an everted drip pan above the splayed base, 28.5cm H. (3) 清十八世紀 青花繪龍鳳紋三供 £1,500 – 2,000

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149 A CHINESE SILVER ‘BAMBOO’ KETTLE, STAND AND WARMER, BY WANG HING. Qing Dynasty, 19th Century.

The ovoid body cast with a vacant cartouche and a flock of sparrows amongst bamboo foliage, the spout, handle, three short feet and knop of the domed cover formed as bamboo branches, the base marked WH, all elevated on a X-shaped stand with a warmer beneath, teapot: 21cm H, total weight: 856g. (3)

清十九世紀 銀質竹紋水壺及架, 「WH」款 £1,000 – 2,000

150 A CHINESE SILVER 'DRAGON' TAZZA. Qing Dynasty, 19th Century.

The square body decorated with a broad reticulated band of four dragons among lotus and chrysanthemum blossoms and foliage, all within rocaille borders and with two heartshaped openings, raised on a flared foot repeating the design, three punchmarks to the base, 30cm long, 660g. 清十九世紀 銀製龍紋托盤 £600 – 800

151 A PAIR OF CHINESE SILVER TEA CUPS. Qing Dynasty, 18th - 19th Century.

Each incised with four panels of stylised bats among clouds and set with two S-shaped handles formed as leaves, raised on straight circular feet, 8cm in diameter, 4cm in height, 72g. (2) 清十八 - 十九世紀 銀製盃一對 £600 – 800

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Blanc de Chine Pieces from an Italian Private Collection (lots 152-156) 152 A CHINESE BLANC-DE-CHINE FIGURE OF A LUOHAN. Qing Dynasty, 18th Century.

Seated, wrapped in a long cloak exposing his emaciated chest, with a piercing facial expression and elongated ears, holding a small jar and a string of prayer beads, leaning against a gnarled staff tied with a small gourd, a woven hat hanging over his shoulder, a four character mark to the back, 21cm H. Provenance: an Italian private collection. 清十八世紀 德化窯羅漢像 来源：義大利私人收藏。 £800 – 1,200

153 THREE CHINESE BLANC-DE-CHINE FIGURES OF BUDAI HESHANG. Qing Dynasty.

Each laughing, seated in a relaxed pose with one knee raised, the monk's robes exposing a round belly, the first raised on an integral stand, the second with later European ormolu base and cap, the third with a wood stand, 15cm H. (5) Provenance: an Italian private collection. 清 德化窯布袋和尚像三件連座 来源：義大利私人收藏。 £1,500 – 2,000

154 FIVE CHINESE BLANC-DE-CHINE FIGURES. Qing Dynasty.

Comprising: a pair of boys riding buffaloes, a pair of lion dog joss stick holders and a figure of a dog on a plinth, 16cm long. (5) Provenance: an Italian private collection. 清 德化窯器一組五件 来源：義大利私人收藏。 £700 – 900

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155 A PAIR OF CHINESE BLANC-DE-CHINE LIBATION CUPS.

155

Qing Dynasty.

Each modelled after the form of a rhinoceros horn cup and applied with a tiger and a dragon to one side and a deer beneath leafy trees to the reverse, one slightly darker with strips applied along the lobes, 14cm long. (2) Provenance: an Italian private collection. 清 德化窯供盃一對

来源：義大利私人收藏。 £600 – 800

156 TWO CHINESE BLANC-DE-CHINE LIBATION CUPS.

156

Qing Dynasty.

Each with a flared lobed rim and sides decorated with a deer, a crane, a tiger and a dragon beneath leafy trees, rims with metal mounting with handles, 14.5cm long. (2) Provenance: an Italian private collection. 清 鑲金屬德化窯盃一對

来源：義大利私人收藏。 £600 – 800

157 A LARGE CHINESE BLANC-DE-CHINE FIGURE OF GUANYIN. Qing Dynasty, Qianlong period.

Standing, wearing a long robe, a veil covering her head with a tall chignon and a bead necklace with a cross, her eyes downcast, her hands crossed before her, 52cm H. 清乾隆 德化窯觀音像 £1,500 – 2,000 For a similar figure see W.R. Sargent, Treasures of Chinese Export Ceramics from the Peabody Essex Museum, Salem, MA 2012, p. 475, cat. 263.

158 A CHINESE BLANC-DE-CHINE FIGURE OF GUANYIN.

157

Qing Dynasty.

Standing, wearing long robes, holding her hands in front of her chest, raised on a cylindrical stand, 31cm H. 清 德化窯觀音像 £100 – 200 158

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Chinese art from and English Private Collection (lots 159–163)

159 A CHINESE BLUE AND WHITE 'LOTUS POND' VASE. Transitional period, Circa 1640.

The ovoid body painted with aquatic birds and plants including kingfishers, geese and ducks amongst lotuses and shrubs, the narrowing rim incised with an anhua band of foliate scrolls, the foot with a border of anhua chevron, together with a reticulated wood stand, 24.5cm H. (2) Provenance: an English private collection.

明末清初約一六四零 青花繪蓮池花鳥圖 紋瓶 来源：英国私人收藏。 £4,000 – 6,000

160 A CHINESE POWDER BLUE VASE, MEIPING. Qing Dynasty.

The tapered body with a bulging shoulder and a narrow short neck decorated with a monochrome blue glaze, 20cm H. Provenance: an English private collection. 清 灑藍地梅瓶

来源：英国私人收藏。 £1,000 – 2,000

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161 A CHINESE FAMILLE ROSE 'BATS' WINE COOLER. Qing Dynasty, 18th / 19th Century.

The flared body with rocaille handles and a sprayed foot modelled after a silver form, each side painted with five bats encircling a stylised shou character on a bright yellow ground, a band of lappets below, with borders of key fret to the rim and around the footrim, the interior in turquoise, together with a reticulated wood stand, 14.5cm H, 15cm diameter. (2) Provenance: an English private collection.

清十八/十九世紀 黃地繪蝠壽紋冰桶連木座 来源：英国私人收藏。 £1,000 – 2,000

162 A CHINESE CHICKEN BONE JADE ‘CAT’ GROUP. Qing Dynasty, 18th Century.

The crouching tabby turning her head with a mouse in her mouth towards a small kitten perched on her back, the curving tail pressed against her left hind leg, the stone with russet inclusions, together with a reticulated wood stand, 24cm long. (2) Provenance: an English private collection. 清十八世紀 雞骨白玉雕貓擺件連木座 来源：英国私人收藏。 £2,000 – 3,000

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163 A CHINESE PALE CELADON JADE CARVING OF A HORSE. Qing Dynasty, 18th Century.

The recumbent animal looking forward, his ears flat against the head with a finely defined foretop, his legs tucked underneath the body, the stone with some white mottling and russet striations, together with a reticulated wood stand, 20cm long. (2) Provenance: English private collection. 清十八世紀 青玉雕臥馬 来源：英国私人收藏。 £6,000 – 8,000

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164 A RARE CHINESE BLUE AND WHITE CRESCENT-SHAPED PILGRIM'S FLASK FOR THE ISLAMIC MARKET. Ming Dynasty, 15th Century.

The boat-shaped body divided into sections by raised ribs, terminating to rosette tips, set to the centre with a cylindrical neck with a garlic mouth decorated with bands of lotus petals and lappets, a short spout to one end, painted with stylised blossoms and foliage above a scrolling band, and stylised waves crashing against a rock, all supported on four ruyi-shaped feet, 21cm long, 17cm H, 10cm W. 明十五世紀 外銷伊斯蘭市場青花纏枝番蓮紋新月形扁壺 £30,000 – 50,000 This intricate shape demonstrates the virtuosic skill of the Chinese potters of the 15th Century and is thought to derive from designs in other materials. Pinder-Wilson and Tregear suggest that this form originated from a leather pilgrim’s vessel, as evidenced by the ‘seams’ running along the curved body of the Chinese porcelain vessels (see p. 337). Other scholars argue this shape derives from the metal kashkul. See also the vessel type illustrated in Zebrowski, 1994, Gold, Silver and Bronze from Mughal India, fig 301.

The condition of the present piece is also notable and it is rare to for an example to survive in good condition. Others have being reduced and mounted in metal such as the example illustrated in Krahl, China without Dragons: Rare Pieces from Oriental Ceramic Society Members, 2016, cat no 115. A more complete piece, closely comparable to the present one survives in the National Palace Museum collection illustrated in Tsai Mei-Fen and Weng Yu-Wen, 2016, Radiating Hues of Blue and White: Ming Dynasty Blue-and-White Porcelains in the National Palace Museum Collection, 2016, cat no 82.

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165 A LARGE CHINESE BLUE AND WHITE BOWL FOR THE ISLAMIC MARKET. Qing Dynasty, Kangxi period.

The deep body painted to the interior with a central lotus roundel surrounded by six tear-shaped panels of blossoms separated by triangular floral panels around the rim, the exterior similarly decorated, with a band of lappets around the foot, a blossom mark to the base, 34cm diameter. 清康熙 外銷伊斯蘭市場青花大盌 £1,000 – 2,000

166 A PAIR OF CHINESE BLUE AND WHITE SILVER-MOUNTED ROSE WATER SPRINKLERS. Qing Dynasty, Kangxi period.

Each with a body moulded with lobes decorated with blossom sprays, the shoulder with a band of spirals and lotus petals to the foot, the necks fixed in tall white metal mounts, 22cm H. (2) 清康熙 青花鑲銀繪花卉圖紋罐一對 £1,000 – 1,200

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167

168

169

A CHINESE BRONZE 'ISLAMIC CALLIGRAPHY' BOTTLE VASE.

A CHINESE BRONZE 'ISLAMIC CALLIGRAPHY' BOTTLE VASE.

A CHINESE CLOISONNÉ ENAMEL 'ISLAMIC CALLIGRAPHY' INCENSE SET, AN GONG.

Qing Dynasty, 17th / 18th Century.

Qing Dynasty, 17th / 18th Century.

The ovoid body cast with two ruyi head-shaped panels with Islamic calligraphy, the flared neck with a band of key fret, all raised on a straight foot, 14.5cm H, 781g.

The ovoid body cast with two ruyi head-shaped panels with Islamic calligraphy, the gently flared neck incised with a double band, all raised on a splayed foot, 15cm H, 609g.

Comprising: a tapered arrow vase, a circular box with a domed cover and a tripod incense burner with S-shaped handles and a reticulated finial, each piece decorated with panels of Arabic script on a turquoise ground against lotus blossoms and foliage scrolls, 16.5cm H. (5)

£500 – 800

£500 – 800

清十七 / 十八世紀 銅回文長頸瓶

清十七 / 十八世紀 銅回文瓶

銅胎掐絲琺瑯器三件 £1,500 – 2,000

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170 A CHINESE BLUE AND WHITE 'HUNDRED TREASURES' JAR AND COVER. Transitional period, circa 1644.

The tapered cylindrical body painted with vases, musical instruments, scholar's rocks and other decorative items, with two dragon head handles, the interior of the rim with stylised foliage and lappets, all supported on a short splayed foot, the cover with blossoms, fruit and insects and a blossom finial, 19cm H. (2) 明末清初約一六四四 青花博古圖紋蓋罐 £1,000 – 2,000

171 A CHINESE BLUE AND WHITE 'LION DOGS' JAR. Late Ming Dynasty.

The ovoid body painted with mythical beasts entwined in scrolling tendrils with flower heads, the shoulder with a band of lingzhi, the foot with stylised lappets, 17cm H. 明晚期 青花繪佛獅花卉紋罐 £800 – 1,200

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172 A CHINESE FAMILLE VERTE 'IMMORTALS' LANTERN VASE. The ovoid body painted with an Immortal in a landscape riding a qilin, his two assistants carrying banners, another two with parcels wrapped in textile, the shoulder with a floral band, the foot with lappets, the neck with a ring of flames, 24cm H. 粉彩繪神仙像圖紋燈籠瓶 £600 – 800

173 A CHINESE WUCAI 'LADIES AND BOYS' BALUSTER JAR AND COVER. The gently tapered body painted with a terrace populated with a joyful crowd of four your ladies and sixteen children, the shoulder with a cracked-ice band, the neck with branches of peaches and blue rockery, the domed cover with further children in a garden, 40cm H. (2) 五彩繪童子仕女圖紋將軍蓋罐 £3,000 – 5,000

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174 A CHINESE BLUE AND WHITE FACETED 'MORNING GLORY' VASE. The square-section body and the cylindrical neck painted with scrolling tendrils, foliage and flower heads, the neck with two lion head handles, all raised on a splayed foot, a six character Xuande mark to the underside, 17cm H. 青花繪牽牛花紋雙耳瓶，青花「大明宣德 年製」楷書款 £500 – 800

175 A CHINESE BLUE AND WHITE 'DRAGON' DISH. The centre painted with a roundel containing a confronting five-clawed horned dragon amidst stylised clouds within a double blue band, the rim with another double band, a six character Wanli mark to the base, 19.5cm diameter. 青花龍紋盤，青花「大明萬曆年製」楷書款 £5,000 – 8,000

176 A CHINESE BLUE AND WHITE RECTANGULAR TRAY. Decorated to the centre with a spray of blossoms sprouting from a porous rock surrounded by butterflies extending to the sides, all within a double blue band, a four character Wanli mark to the base, 13cm long.

青花繪山石花卉圖紋長方盤，青花「萬曆 年製」款 £2,000 – 3,000

78

177 AN EXCEPTIONAL CHINESE BLUE AND WHITE KRAAK PORCELAIN DISH. Ming Dynasty, Wanli period.

Painted with a roundel containing a lady on a terrace and a small boy presenting her with a vase, all within a geometric border, the broad cavetto with a scalloped rim with panels of various blossoms and fruit, 37.5cm diameter. 明萬曆 青花克拉克瓷繪仕女童子圖紋花 口碟 £5,000 – 8,000

178 AN EXCEPTIONAL CHINESE BLUE AND WHITE KRAAK PORCELAIN BOTTLE VASE. Ming Dynasty, Wanli period.

With a faceted pear-shaped body painted with panels of vases, artemesia leaves and purses, 28cm H. 明萬曆 青花克拉克瓷瓶 £4,000 – 6,000

79

179

180

181

182

179

180

A CHINESE CELADON-GLAZED INCENSE BURNER.

A CHINESE LONGQUAN CELADON INCENSE BURNER.

The compressed circular body with a flared rim carved with stylised flower heads, supported on three lion head feet, 19cm diameter.

With a compressed circular body incised with a continuous scrolling tendril with flowerheads and foliage, the waisted neck with a band of banana leaves, with two loop handles rising from the flared rim, all supported on three short legs, together with a wood cover pierced with ruyi head-shaped apertures and a hardstone knop and a lotus leaf stand raised on three ruyi head feet, 27cm diameter. (3)

青釉暗刻花紋三足爐 £300 – 500 181

青釉暗刻花紋雙耳三足爐連木蓋及底座

A CHINESE LONGQUAN CELADON INCENSE BURNER.

£1,000 – 2,000

With a compressed circular body incised with stylised lotus flower heads, with a band of floral studs to the rim, all raised on three mask feet, 30cm diameter.

182

£1,500 – 2,000

The compressed ovoid body with a waisted neck incised with floral scrolls, all supported on three mask legs, 27.5cm diameter.

龍泉青釉暗刻花紋三足爐

A CHINESE CELADON-GLAZED TRIPOD INCENSE BURNER.

青釉暗刻花紋三足爐 £200 – 300 80

183 A CHINESE LONGQUAN CELADON VASE. Ming Dynasty.

The cylindrical body with a tall neck rising to a flared rim framed with two fish-shaped handles, the celadon glaze covered overall in a fine even crackle network, 17.5cm H. (2) 明 龍泉青釉雙魚耳瓶 £6,000 – 8,000 Vases of mallet-form exist with various animal-form handles. For further examples see Green-Longquan Celadon of the Ming Dynasty, Taipei, 2011, p 273, no 153 (2)

81

184

185

185a

184

185a

A CHINESE LONGQUAN CELADON DISH.

A CHINESE LONGQUAN CELADON 'SCHOLARS AND POETS' BOWL.

Ming Dynasty.

Incised to the centre with a stylised blossom, the cavetto carved with ribs, all decorated with a olive-green glaze, 33cm diameter. 明 龍泉窯菊瓣紋盤 £500 – 800

Ming Dynasty.

Moulded to the centre with the important historical figures Li Bai reading a scroll, Zhen Zi and Feng Qin, Confucius seated in a dignified expression and the Tang beauty Zhao Jun seated before a screen, each beside an inscription, all beneath with a key fret band to the rim, the exterior incised with a floral band, 14cm diameter. 明 龍泉青釉刻士大夫詩人像盌

185 A CHINESE GUAN-TYPE MINIATURE VASE. Ming Dynasty.

The ovoid body with a tall cylindrical neck flanked by two S-shaped handles and a tall rim, all raised on a flared foot and decorated with a cream glaze with brown crackles, 10cm H. 明 仿官釉雙耳瓶 £500 – 800 82

£4,000 – 6,000 The present bowl is an exceptional for the quality and crispness of the impressed decoration. Another example of the same scene of inferior quality is in the Museum of Fine Arts, Boston accession number 93.1459.

For further examples of this type see Harrison-Hall, Ming Ceramics in the British Museum, 2001, nos 16:52 and 16:53.

186

187

188

189

186

187

A CHINESE CELADON-GLAZED INCENSE BURNER.

A CHINESE RECTANGULAR GE-TYPE WASHER.

The bombe- shaped body applied with two mask-shaped handles and decorated with an olive green glaze, 16cm diameter.

The plain body decorated with an even cream glaze with black and yellow crackles, the rim bound in white metal, together with a wood box, 8.2 x 9cm.

青釉冰裂紋雙耳爐 £300 – 500

鑲白鐵哥式筆洗 £3,000 – 4,000

188 A CHINESE FLAMBÉ-GLAZED WASHER. The drum-shaped body moulded with a row of studs to the rim and the foot rim, all decorated with a blue and red glaze draining from the rim, the interior blue, 16cm across.

Provenance: Bluetts London [label]. 窯變釉鼓釘洗

來源：Bluetts London標籤。 £250 – 300

189 A CHINESE CRACKLE-GLAZE 'BLOSSOM' JARDINIERE. Qing Dynasty, 18th Century.

Formed as a blossom with stems, petals and branched moulded to the exterior, raised on three short feet and decorated with a buff glaze with a network of fine crackles, 19.5cm across. 清十八世紀 冰裂紋三足蓮紋花盆 £800 – 1,200

83

Contemporary Singaporean Paintings from a London Private Collection (lots 190-194)

190 LI FUMAO (Lee Hock Moh, 1947 –).

Spider’s Web, Chinese hanging scroll painting, ink and colour on paper, 65 x 65.5cm.

Provenance: London private collection. 李福茂 蜘蛛網 設色紙本 立軸 来源：伦敦私人收藏。 £800 – 1,200

84

191 LI FUMAO (Lee Hock Moh, 1947 –).

Golden Pheasant, Chinese hanging scroll painting, ink and colour on paper, 132 x 66cm.

Provenance: London private collection. 李福茂 錦雞圖 設色紙本 立軸 来源：伦敦私人收藏。 £1,500 – 2,000 85

192 SHEN BANLIANG (Sim Pang Liang, 1940 –) Landscape, Chinese hanging scroll painting, ink on paper, 68.5 x 69cm.

Provenance: a London private collection. 沈板亮 山水

水墨紙本 立軸 来源：伦敦私人收藏。 £200 – 300

193 SHEN BANLIANG (Sim Pang Liang, 1940 –) Happiness, Chinese hanging scroll painting, ink on paper, 68.5 x 69cm.

Provenance: London private collection. 沈板亮 書法

水墨紙本 立軸 来源：伦敦私人收藏。 £200 – 300

86

194 LIN ZIPING (Lim Tze Peng, 1920 – ) Calligraphy, Chinese hanging scroll painting, ink on paper, 129.5 x 66cm.

Provenance: London private collection. 林子平 書法 水墨紙本 立軸 来源：伦敦私人收藏。 £200 – 300

87

195

196 195 A CHINESE PEACH-GROUND EMBROIDERED 'WARRIOR' SILK PANEL. Qing Dynasty.

Embroidered with a warrior in a fanciful hat holding a chain near a porous rock, a bat in flight above him, two sides with a lotus scroll border, 62 x 46cm. 清 珊瑚紅地猛士圖紋刺繡 £100 – 200 196 A CHINESE PEACH-GROUND EMBROIDERED ‘SCHOLAR’S DESK’ SILK PANEL. Qing Dynasty.

Embroidered with a brushpot containing brushes and a large blossom, a small jar and a bundle of books, the left side with lotus scroll border, the right with key fret, 32 x 45.5cm. 清 珊瑚紅地繡金線‘文房’圖紋掛屏 £100 – 200 197

197

A CHINESE PEACH-GROUND EMBROIDERED ‘HANGING VASE’ SILK PANEL. Qing Dynasty.

Decorated with a vase suspended from an ornamental stand and a smaller globular vase, a spray of melons above, the left side with lotus scroll border, the right with key fret, 69.5 x 45.5cm. 清 珊瑚紅地繡金線花籃圖紋掛屏 £100 – 200 198 A CHINESE PEACH-GROUND EMBROIDERED ‘FLOWER VASE’ SILK PANEL. Qing Dynasty.

With a vase of blossoms and foliage raised on a stand and a go board with two circular boxes, the left side with lotus scroll border, the right with key fret, 49.5 x 45.5cm. 清 珊瑚紅地繡金線花籃瓶紋掛屏 £100 – 200

88

198

199 A CHINESE EMBROIDERED SILK 'BIRDS' SCREEN. Qing Dynasty, 19th Century.

Embroidered in silk thread with a pheasant, a pair of magpies and butterflies around a cluster of wild roses, grasses and other blossoms against a buff ground, all mounted within a reticulated wood frame carved with blossoming prunus branches, 110 x 86cm. 清十九世紀 木鏤雕嵌刺繡花鳥圖紋插屏 £300 – 500 200 A PAIR OF CHINESE EMBROIDERED SILK SLEEVE BANDS. Qing Dynasty.

Each embroidered with in gilt thread with blossoms and precious objects on a pale blue ground, framed and glazed, 95 x 8cm. (2) 清 金絲繡品一對 £300 – 500

199

200

89

201 A CHINESE BLUE-GROUND GAUZE 'DRAGON' ROBE. Qing Dynasty, 19th Century.

Embroidered with eight dragons in pursuit of sacred pearls among cloud scrolls, cranes and precious objects above waves crashing against stylised rocks, lined with purple silk, 159cm across. 清十九世紀 藍地繡龍紋袍 £500 – 800 202 - No lot

90

91

92

203 A CHINESE PEACH-GROUND EMBROIDERED 'HUNDRED BOYS' SILK PANEL. Qing Dynasty, 19th Century.

Embroidered in silk and gilt thread with children carrying the New Year banners beneath fruiting and blooming trees, framed and glazed, 189 x 108cm. 清十九世紀 珊瑚紅地繡百子圖紋掛屏 £1,200 – 1,500 204 SOCORO YINGHE (1771 – 1840) A Chinese textile painting of flowers, comprising a painting of a jardinière with prunus, a scroll-shaped calligraphy panel with stencil suede text and eight lines of calligraphy written with black ink on the silk ground, framed and glazed, 135 x 58cm. 索绰络·英和 盆梅 設色絹本 鏡框 £1,000 – 2,000

93

205

206

207

208

205

206

A CHINESE WHITE JADE 'LADY AND PHOENIX' GROUP.

A SMALL CHINESE PALE CELADON JADE VASE AND COVER.

Qing Dynasty.

Qing Dynasty.

Formed as an Immortal clasping a flute in her hands, a large bird beneath her feet, the stone with some russet inclusions, 12.5cm H.

The flattened body with a straight neck carved with taotie masks and key fret bands to the rims, the cover with a stylised bud finial, the stone with white mottling, 13.5cm H.

清 玉雕仕女鳳凰紋擺件 £400 – 600

清 玉雕饕餮紋蓋瓶 £800 – 1,200

207 A CHINESE CELADON JADE VASE WITH 'TAOTIE' MASK TOGETHER WITH A SPINACH JADE STAND.

208 A CHINESE PALE CELADON JADE ARCHAISTIC VASE, HU.

Qing Dynasty.

Late Ming Dynasty.

The flattened ovoid body carved with taotie masks and archaistic scrolls, the waisted neck framed with two dragon-shaped handles, the stand raised on four ruyi head feet, 2.5 - 13.5cm. (2)

The pear-shaped body carved with taotie masks in shallow relief, the neck with a thick band of studs and twin lion head handles, the flared rim with a band of lappets, all raised on a splayed foot with plain bands, 13cm H.

£6,000 – 8,000

£4,000 – 6,000

清 玉雕饕餮紋雙耳瓶連碧玉雕座

94

明晚期 玉雕壺式瓶

210

209

212

211

209

210

A CHINESE SPINACH GREEN JADE 'BIRD AND FLOWERS' DISH.

A CHINESE HARDSTONE CARVING OF A CAPARISONED ELEPHANT.

Carved with a bird perched on the branch of a blossoming tree, the stone of vivid green colour and black spotting, 19.3cm diameter. 碧玉雕花鳥紋碟 £500 – 800

The standing pachyderm with an ornamental quilt thrown over the curved back, his trunk rolled under the chin, the stone of dark brown colour with pink mottling, 19.5cm long. 硬石雕象

£800 – 1,200 211 A CHINESE SILVER-MOUNTED WHITE JADE PLAQUE AND A BELT HOOK.

212 A CHINESE WHITE JADE 'DRAGON' BELT HOOK.

Qing Dynasty.

Qing Dynasty.

The ruyi head-shaped plaque carved with a bat in flight above two large peaches fixed in a silver mount, the reverse fitted with a mirror, the jade handle with a dragon head hook and a chilong carved to the body, together with a box, 20.5cm long.

With the terminal carved as a dragon head with piercing eyes, the body with a reticulated sinuous chilong, 10cm long.

清 鑲銀玉雕牌及帶扣

清 白玉雕‘望子成龍’紋帶扣 £800 – 1,200

£800 – 1,200 95

213

214

216

215

213

214

A CHINESE WHITE JADE 'PHOENIX' PAPER WEIGHT.

A CHINESE WHITE JADE 'BOY AND BUFFALO' GROUP.

Qing Dynasty.

Qing Dynasty.

The bird with fine stylised plumage turning his head towards a large flower head resting on his back, 7cm long.

The child struggling to contain the animal, holding his tether close to the snout, 4cm long.

£1,000 – 1,200

£500 – 800

215

216

A CHINESE PALE CELADON JADE SPIRAL 'DRAGON' PLAQUE.

A CHINESE CREAM JADE 'THREE CICADAS' BRUSH WASHER.

Carved as a ferocious snake-like beast with a coiled body, decorated with smaller mythical animals in shallow relief, the stone with russet mottling, 8cm diameter.

The globular body carved with a band of key fret and three stylised insects to the rim, the stone with white and russet mottling, 7.5cm diameter.

清 白玉雕鳳紋鎮紙

Provenance: a European private collection acquired in 1960s. 青玉雕龍紋牌

來源：歐洲私人收藏，購於1960年代。 £800 – 1,200

96

清 白玉雕童子戲牛像

玉雕蟬紋洗 £400 – 600

217

218

220

219

217

218

A SMALL CHINESE CREAM JADE ARCHAISTIC VASE.

A CHINESE CREAM JADE BRUSH REST.

The pear-shaped body raised on a short circular foot carved with archaistic scrolls and a key fret band to the rim, the stone with russet mottling, 5.8cm H.

Formed as an angular scroll-shaped stand, the stone with russet striations, 8cm long.

玉雕瓶

玉雕筆擱

£500 – 800

£500 – 800 219

220

THREE CHINESE JADE CARVINGS.

A GROUP OF THREE CHINESE HARDSTONE CARVINGS.

Late Qing Dynasty.

Comprising: a reticulated 'chilong' pendant with a coral bead, a large ring carved with a deer and a long tubular feather holder, 4 - 7cm long. (3)

Comprising: an agate carving of Liu Hai with a string of cash and three-legged toad raised on a wood stand, a jade carving of a dragon-fish and a leafy cabbage, 8cm long. (3)

£300 – 500

£300 – 500

清晚期 帶皮玉雕三件

硬石雕三件

97

221

222

223

221

222

223

A CHINESE CLOISONNÉ ENAMEL VASE, GU.

A CHINESE CLOISONNÉ GARLIC MOUTH BOTTLE VASE.

A PAIR OF LARGE CHINESE CLOISONNÉ ENAMEL RECTANGULAR STANDS.

Decorated with four dentile flanges an ovoid central section with taotie masks, the flared neck and foot with stiff banana leaves, 26.5cm H.

Qing Dynasty.

The compressed ovoid body raised on a splayed foot rising to a tall cylindrical neck with a plain gilt band, terminating with a lobed bulbous mouth with a waisted rim, all decorated with stylised lotus blossoms and ornamental leaves, 29.5cm H.

Each with a waisted body, the lower tier decorated with a huntsman and various real and mythical animals against a blue ground with cloud pattern, the narrowing with sinuous creatures, the upper tier with lappet-shaped masks, the tops with a border of animals, 13.5 x 40.5 x 29.5cm. (2)

£200 – 300

£1,000 – 2,000

Provenance: Bonhams Hong Kong [label]. 銅胎掐絲琺瑯出戟花觚

來源：邦漢斯香港（標籤）。 £600 – 800

98

清 銅胎掐絲琺瑯纏枝蓮紋蒜頭口瓶

銅胎掐絲琺瑯人物神獸圖紋底座一對

224

225

226

224 A CHINESE CLOISONNÉ ENAMEL INCENSE BURNER, DING. Qing Dynasty.

The rectangular-section body raised on four fish-shaped legs, cast with flanges to each corner and side and decorated with archaistic dragons and taotie masks, with two U-shaped handles rising from the shorter sides, the cover pierced with reticulated ruyi head panels, 14cm H. (2) 清 銅胎掐絲琺瑯鼎式熏爐 £1,000 – 2,000

225 A CHINESE CLOISONNÉ ENAMEL QUATREFOIL 'BLOSSOMS' JARDINIÈRE. Qing Dynasty.

The body cast with lobes, each decorated with a spray of blossoms against a turquoise ground with fylfot pattern, the waisted foot with a scrolling band, all raised on four ruyi head feet, 10cm H. 清 銅胎掐絲琺瑯花卉紋海棠式花盆 £500 – 800

226 A PAIR OF CHINESE CLOISONNÉ 'LONGEVITY' BALUSTER VASES. Late Qing Dynasty.

Each with a tapered body decorated with a group of deer in a landscape, a flock of cranes above in the treetops, the bulging shoulder with a band of sinuous dragons, the waisted neck with vases, endless knots and tassels, 31cm H. (2) 清晚期 銅胎掐絲琺瑯‘鶴鹿同春’圖紋瓶 一對 £200 – 300 99

227

228

A CHINESE CLOISONNÉ ENAMEL VASE, HU.

A LARGE CHINESE CLOISONNÉ ENAMEL VASE, HU.

Ming Dynasty.

Ming Dynasty.

The pear-shaped body decorated with lotus flower heads and scrolling foliage against a turquoise ground, between dark blue bands of blossoms and leaves, applied with two lion head handles suspending loose rings, all raised on a tall splayed foot, 35.5cm H.

The pear-shaped body decorated with lotus flowerheads on a turquoise ground divided by dark blue bands with small blossoms, with a flared neck and two lion head handles with loose rings applied to the sides, all raised on a splayed foot, 52cm H.

明 銅胎掐絲琺瑯雙獅耳壺

明 銅胎掐絲琺瑯纏枝蓮紋雙耳壺

£2,000 – 3,000

£6,000 – 8,000 For a closely related vase see H. Brinker and A. Lutz, Chinese Cloisonné, The Pierre Uldry Collection, no.183.

100

101

229 A CHINESE YUEYAO 'LOTUS' JAR. Song Dynasty.

The globular body with a circular opening, incised with lotus blossoms and seed pods raised on a splayed waisted foot and decorated with an even olive-green glaze, 8.5cm H, 6.5cm diameter.

Provenance: from the personal collection of Roger Bluett (1925-2000), thence by descent to the present owner; the Joan Barrow Collection [label], Bluett [label]. 宋 青釉暗刻蓮紋罐

來源：瓊·巴羅收藏（標籤）、布魯特（標籤）。 £2,000 – 3,000 For a similar waterpot found at a Yue kiln site in Yuyao, see Kaogu xuebao, no. 3, 1959, pl. 7:10.

102

230 A LARGE CHINESE DINGYAO LOBED BOWL. Song Dynasty, or later.

The flared body with an everted rim divided into six lobes, each finely moulded with a spray of blossoms, the centre with a pomegranate, all decorated with a cream glaze and raised on a circular foot, 24.3cm diameter.

Provenance: an English private collection, John Sparks [label]. 宋或更晚 定窯印花葵口盌

來源：英國私人收藏，約翰·斯帕克斯（標籤）。 £800 – 1,200 Similar examples published in Catalogue of the Special Exhibition of Ting Ware White Porcelain, no. 133; China at the Inception of the Second Millennium: Art and Culture of the Sung Dynasty, 960-1279, V-24, p.289, also see Lovell, Ting Yao and Related White Wares in the Percival David Foundation of Chinese Art, pl.II, no. 106.

103

231

232

233

234

231

232

A CHINESE CIRCULAR BLACK AND RED CINNABAR LACQUER BOX AND COVER.

A CHINESE CIRCULAR CINNABAR LACQUER 'LADIES' BOX AND COVER.

Qing Dynasty.

Qing Dynasty.

The cover carved in black lacquer with a meeting of two sages and their assistant in a mountainous landscape beneath pine trees, all against red background of key fret and chevron, the body similarly decorated with a single hermit amongst rocks and trees, 12cm diameter.

Carved a lady playing a flute in a garden, accompanied by her maid beneath leafy trees, all on a dense diaper ground, within a floral band, the body carved with diaper cell pattern, a row of lappets and a key fret to the straight foot, 16.8cm diameter. (2)

£800 – 1,200

£500 – 800

233

234

A CHINESE BLACK AND CINNABAR LACQUER BRASS BOX AND COVER.

A CHINESE CINNABAR LACQUER BOWL.

清 剔紅黑漆人物故事圖紋圓形蓋盒

Qing Dynasty.

The rectangular body carved to the cover with five figures beneath an old pine tree, surrounded with rocks and shrubs, a pavilion to their left, the sides decorated with stylised foliage scrolls and flower heads, 16.5cm long. 清 剔紅人物園景圖紋蓋盒 104

清 剔紅仕女庭院圖紋圓形蓋盒

Carved with lavish flower heads and foliage, a band of diaper pattern to the rim and stylised lappets to the foot, the interior and underside black, 11.5cm diameter. 剔紅花卉圖紋盌 £750 – 1,000

235

236

235

236

A LARGE CHINESE CINNABAR LACQUER CIRCULAR BOX AND COVER.

A CHINESE CINNABAR LACQUER RECTANGULAR 'PARADISE FLYCATCHERS' BOX AND COVER.

Late Qing Dynasty.

Ming Dynasty.

Carved to the cover with four warriors on horseback engaged in a fight, surrounded by rocks and trees, with pavilions and a city gate in the background, the sides and base with panels of fruit and blossoms surrounded by stylised flower heads and foliage, 37cm diameter. (2)

The cover carved with a pair of exotic birds perched on the branches of a pomegranate bush sprouting from rockwork, the sides with flower heads, all against a diaper ground, 27.5 x 21cm. (2)

清晚期 剔紅猛士圖紋圓形蓋盒 £400 – 600

Provenance: a Western private collection. 明 剔紅花鳥紋長方蓋盒 來源：西方私人收藏。 £1,000 – 2,000

105

237

238

239

240

237

238

A CHINESE CINNABAR LACQUER 'SCHOLAR AND ACOLYTE' BOX AND COVER.

A CHINESE CINNABAR LACQUER QUATREFOIL BOX AND COVER.

Qing Dynasty, 18th Century.

The butterfly-shaped body carved to the cover with a sage and a young boy in a landscape beneath a pine tree, the sides with iris, bamboo, pine and lingzhi sprays, all against a diaper pattern ground, 12cm long. (2)

With a cover decorated with a sage holding a fly whisk and his two young assistants on a terrace beneath a leafy tree, all looking across a large lake with mountains and a roof of a pavilion in the distance, the scene within a key fret border, the sides with a dense diaper pattern, 15cm long. (2)

£4,000 – 6,000

£800 – 1,200

清八十世紀 剔紅賢士侍者圖紋蓋盒

239 A CHINESE BLACK AND RED CINNABAR LACQUER 'SQUIRREL AND VINE' BOX AND COVER.

Qing Dynasty.

清 剔紅人物山水圖紋海棠式蓋盒

240 A PAIR OF CHINESE LACQUE BURGAUTÉ 'BAT' BOWLS.

Qing Dynasty.

Qing Dynasty, 18th Century.

The rectangular body with a hinged cover carved in black lacquer with a squirrel feasting on fruit among vine foliage and tendrils, all against a cinnabar leiwen ground, 22cm long.

Each inlaid in mother-of-pearl with bats in flight amongst stylised clouds between a band of cash to the rim and ruyi heads around the foot, all raised on short feet decorated with chevron, 12.3cm diameter. (2)

£300 – 500

£600 – 800

清 剔紅黑漆‘子孫萬代’圖紋蓋盒

106

清十八世紀 黑漆嵌螺鈿雲蝠紋盌一對

241 242

241 A KOREAN LACQUER WOOD MOTHER OF PEARL-INLAID TRAY. Korea, 19th Century.

With a pair of cranes amongst lingzhi beneath a blossoming prunus and a moon in the sky, two lines of calligraphy to the left, all within a plain double band, 31.3cm long. 朝鮮十九世紀 黑漆嵌螺鈿托盤

款識：「聲聞于天，裴說先生叱存，梧林 散人」

242 A KOREAN LACQUER WOOD MOTHER OF PEARL-INLAID BOX AND COVER. Korea, 19th Century.

The rectangular box with a hinged cover decorated with brown lacquer and inlaid with mother-of-pearl to the cover with spiral designs, the body with a lozenge lock plate and an inlaid band to the rim, 31.3cm long. 朝鮮十九世紀 黑漆嵌螺鈿蓋盒 £200 – 200

243 A CHINESE BLACK LACQUER RECTANGULAR 'BOYS' TRAY. Ming Dynasty.

Inlaid to the centre with six playful children beneath a pine tree and a blooming prunus, carrying musical instruments, an ornamental umbrella and a fan, the rim with panels of birds perched on branches of blooming trees on a cash pattern, 48 x 29cm. 明 黑漆嵌螺鈿嬰戲圖紋盤 £500 – 800

£200 – 300

243

107

244

245

A CHINESE BLACK LACQUER BONE-INLAID OCTAGONAL BRUSHPOT, BITONG.

A CHINESE BLACK LACQUER BONE-INLAID MINIATURE TABLE SCREEN.

Qing Dynasty, Kangxi period.

Qing Dynasty, Kangxi period.

Each facet inlaid with alternating decoration of sages and calligraphy, the corners inlaid with thin bone wedges, all raised on four short feet, 14.3cm H.

Decorated with a sage seated on a stool, wrapped in long robes, his young assistant delivering him a bowl, the reverse with an incense burner, a feathery fan and a vase, all mounted on a lacquered stand, with stand: 23cm H. (2)

清康熙 黑漆嵌骨八方筆筒 ，「科頭箕踞長松下，明朝有意抱琴來， 醉倒黄公旧酒壚，採芝何處去歸來」款 £2,000 – 3,000

108

清康熙 黑漆嵌骨雕插屏 £2,000 – 3,000

246 A CHINESE BLACK LACQUER BONE-INLAID RECTANGULAR 'BOYS' BOX AND COVER. Qing Dynasty, Kangxi period.

Decorated to the cover with five small children at play, a three character inscription and a seal to the left, the body inlaid with scattered prunus blossom, the front opening with a ruyi head-shaped lock with a moon plate, the sides set with angular handles, 34.5cm long. (2) 清康熙 黑漆嵌骨嬰戲圖紋蓋盒 £3,000 – 5,000

109

247 A CHINESE BLACK LACQUER HARDSTONE-INLAID DRESSING BOX. Qing Dynasty.

With a hinged top and a pair of door with two locks and hinges decorated with ruyi heads, the top inlaid in mother of pearl and hardstones with a watery landscape, the front and sides with plants, blossoms, butterflies and precious objects, the sides set with angular handles, 33.5 x 34 x 25.5cm. 清 黑漆嵌百寶官皮箱 £6,000 – 8,000 For a similar dressing box with inlaid decoration see Splendors of China's Forbidden City, The Glorious Reign of Emperor Qianlong, p.174, fig. 213.

110

248 A LARGE FUJIANESE GILT-DECORATED SHEN SHAO’AN-STYLE LACQUER FIGURE OF GUANYIN. 20th Century.

Standing above waves in a flowing gown, the hem decorated with floral patterns, a bottle held in the left hand, the hair styled and trailing over the shoulders, the face with a serene expression, 99cm H. 二十世紀 木 雕黑漆描金觀音像 £4,000 – 6,000 It is rare to find Fujianese lacquer on this monumental scale. Some related pieces were included in the The Shanghai Museum exhibition in 2019, In a Myriad of Forms: The Exhibition of Ancient Chinese Lacquers.

111

249

250

251

252

249

250

A CHINESE FAMILLE ROSE RUBY-GROUND SGRAFFITO MEDALLION BOWL.

A CHINESE BLACK-GROUND GREEN 'DRAGON' BOWL.

Decorated with four roundels of blossoms and fruit on a vivid ruby ground, etched with floral scrolls and painted with stylised lotus flower heads, with a ruyi head rosette to the interior and a six character Daoguang mark to the base, 14.2cm diameter. 胭脂紅地扎道開光粉彩繪壽桃石榴花卉圖紋盌，青花「大清道光年 製」篆書款 £3,000 – 5,000 251 A CHINESE WUCAI ‘DRAGON AND PHOENIX’ BOWL. Qing Dynasty, six character Guangxu mark and of the period.

The gently flared body painted with two pairs of mythical creatures among blossoms and foliage, the dragons reaching for the sacred pearls, all beneath a band of ruyi heads and the Eight Buddhist Symbols, the rims accentuated with gilt, 15cm diameter. 清光緒 五彩繪龍鳳紋盌，青花「大清光緒年製」楷書款 £100 – 200 112

The gently curved body painted with green beasts wreathing among smoke and fire against black ground, all raised on a straight circular foot with a six character Qianlong mark to the base, 12cm diameter.

黑地綠龍紋盌，青花「大清乾隆年製」篆書款 £1,000 – 2,000 252

A CHINESE BLUE AND WHITE YELLOW-GROUND ‘BAJIXIANG’ BOWL. Qing Dynasty, Kangxi period.

The flared body with a gently everted rim painted with a continuous lotus stem with flower heads supporting the Eight Buddhist Symbols, a band of lappets around the straight foot, the interior with a four-petal blossom with lanca characters to the centre and a lotus band encircling the rim, a six character Xuande mark to the base, 15.2cm diameter. 清康熙 黃地繪纏枝蓮八吉祥紋盌，青花「大明宣德年製」楷書款 £300 – 500

253

254

255

256

253

254

A CHINESE BLUE AND WHITE EGGSHELL PORCELAIN 'LOTUS' BOWL.

A CHINESE BLUE AND WHITE 'LOTUS' BOWL.

Qing Dynasty.

Delicately painted with large flower heads and foliage and a band of lappets encircling the foot, a six character mark to the base, 12.5cm diameter.

The rounded body painted with dense tangle of stems, blossoms and foliage between a band of clouds and bats to the rim and lappets to the foot, a six character Yongzheng mark to the underside, 13cm diameter. 清 青花繪蛋殼瓷，青花「大清雍正年製」篆書款

Qing Dynasty, Jiaqing mark and of the period.

清嘉慶 青花纏枝蓮紋盌，青花「大清嘉慶年製」篆書款 £800 – 1,200

£800 – 1,200 800 Fixed 255 A CHINESE WUCAI ‘DRAGON AND PHOENIX’ BOWL. Qing Dynasty, 19th Century.

Painted with dragons in pursuit of sacred pearls separated by a pair of phoenix, all below a band of 'Eight Buddhist Emblems' to the rim, the interior with a red dragon grasping for a flaming pearl, with a six character Qianlong mark to base, 6.5cm H, 15.5cm diameter. 清十九世紀 五彩繪龍鳳紋盌，青花「大清乾隆年製」 篆書款

256 A CHINESE FAMILLE ROSE LOBED BOWL. Qing Dynasty, a six character Daoguang mark and of the period.

Painted in enamels and gilt with stylised lotus flower heads and foliage pink bats and gilt shou characters, all on a pale blue ground and between a band of ruyi heads to the rim and lappets around the foot rim, the interior and underside in turquoise, 8cm H, 18.5cm diameter. 清道光 藍地粉彩繪纏枝蓮紋花口盌，樊紅「大清道光年製」篆書款 £400 – 600

£500 – 800 113

257 A CHINESE ANHUA-DECORATED WHITE-GLAZED 'DRAGON' BOWL. Qing Dynasty.

The rounded body with an everted rim with an anhua decoration of dragons, all raised on a gently splayed foot, a six character Chenghua mark impressed to the base, 11.5cm diameter.

Provenance: a European Private Collection.

清 白釉暗刻龍紋盌，暗刻「大明成化年製」楷書款 來源:歐洲私人收藏。 £2,000 – 3,000

114

258

258 XIONG BINGMING (Hsiung Ping-Ming, 1922 – 2002).

Snow Scene, Chinese painting, framed, ink on paper, 30.5 x 22cm.

Provenance: an English Private Collection. 熊秉明 雪村圖 水墨紙本 鏡框 來源：英國私人收藏。 £1,000 – 2,000

259 XIONG BINGMING (Hsiung Ping-Ming, 1922 – 2002).

Dressing Table, Chinese woodblock print, framed, ink on red paper, 20.5 x 14.3cm.

Provenance: an English Private Collection. 熊秉明 梳妝台 版畫 鏡框 來源：英國私人收藏。 £200 – 300 259

115

260 TSUGUHARU FOUJITA (1886 – 1968).

Portrait of a lady, engraving handcoloured and heightened in gouache, by the hand of the artist in English and Japanese and dated 1930, 34x 24cm. 藤田嗣治 肖像

版畫 水粉 顏料 藝術家親筆簽名 創作年份：1930。 £2,000 – 3,000

This work has been authenticated by Sylvie Buisson and will be included in the artist's forthcoming Catalogue Raisonné prepared by Sylvie Buisson, Léonard-Tsuguharu Foujita IV. 116

261 HUANG BINHONG (attributed to, 1865 – 1955).

Landscape, Chinese hanging scroll painting, ink and colour on paper, 104 x 50cm. 黃賓虹（傳） 山水 設色紙本 立軸 £30,000 – 50,000

117

262

263

264

LUO ANXIAN.

SHEN ZHOU (follower of, 1427 – 1509).

SHEN ZHOU (follower of, 1427 – 1509).

Landscape, Chinese hanging scroll painting, ink on paper, 67.5 x 32.5cm.

Landscape, Chinese hanging scroll painting, ink and colour on paper, 112 x 41cm.

Exterior Scene, Chinese hanging scroll painting, ink and colour on silk, 145.5 x 57.7cm.

水墨紙本 立軸

設色紙本 立軸

設色絹本 立軸

£200 – 300

£200 – 300

£100 – 200

羅岸先 山水

118

沈周（傳） 山水

沈周 寒門雪景圖

265 ZHAO BAIZE. Landscape, Chinese hanging scroll painting, ink and colour on paper, 180 x 39cm. 趙百則 山水 設色紙本 立軸 £200 – 300

266 TANG YIN (follower of, 1470 – 1524) Landscape, Chinese hanging scroll painting, ink and colour on paper, 109.5 x 55cm. 唐寅 山水 設色紙本 立軸 £200 – 300

267 WANG HENG. Landscape, Chinese hanging scroll painting, ink and colour on paper, 88.5 x 46cm. 王蘅 山水 設色紙本 立軸 £200 – 300

119

268

269

270

RAO KUI.

XU SHIFEN (1791 – 1848).

GONG XIAN (follower of, 1618 – 1689).

Landscape, Chinese hanging scroll painting, ink and colour on paper, 181 x 96cm.

Landscape, Chinese hanging scroll painting, ink and colour on paper, 155 x 42cm.

Landscape, Chinese hanging scroll painting, ink on paper, 136 x 48cm.

水墨紙本 立軸

Provenance: London private collection, acquired in the 1970s and 1980s.

水墨紙本 立軸

饒魁 山水

£200 – 300

徐士芬 山水

設色紙本 立軸 來源：倫敦私人收藏，於1970 - 80年間購 得。 £400 – 600

120

龔賢（傳） 山水 £200 – 300

271

272

273

PU RU (attributed to, 1896 – 1963).

LI ZHAODAO (follower of, 675 – 758).

ZHANG JUN (1881 – 1943).

Landscape, Chinese hanging scroll painting, ink and colour on paper, 104 x 35cm.

Palace Landscape, calligraphic inscription by Wen Peng (1498 – 1573), Chinese painting, framed, ink and colour on silk, 96 x 50.5cm.

Landscape, Chinese hanging scroll painting, ink and colour on paper, 80 x 31cm.

設色紙本 立軸

Provenance: from a German private collection, gifted to the present owner in 1992.

設色紙本 立軸

溥儒（傳） 山水 £500 – 800

李昭道（傳） 庭院山水圖

張俊 山水

£200 – 300

設色絹本 鏡框 來源：德國私人收藏，於1992年贈與現 藏家。 £2,000 – 3,000 121

273

274

275

ZHANG JUN (1881 – 1943).

UNKNOWN ARTIST.

SHI TAO (follower of, 1642 – 1708).

Landscape, Chinese hanging scroll painting, ink and colour on paper, 80 x 31cm.

Mountain Landscape, Chinese hanging scroll painting, ink and colour on paper, 94 x 42cm.

Landscape, Chinese hanging scroll painting, ink and colour on paper, 107 x 45cm.

設色紙本 立軸

Provenance: collection of a Singaporean resident in London, acquired in the 1970s and 1980s.

Provenance: London private collection, acquired in the 1970s and 1980s.

張俊 山水

£200 – 300

五雲山人 香江山水圖 設色紙本 立軸

來源：居倫敦新加坡裔人士收藏，於197080年間購得。 £100 – 200 122

石濤 （傳） 清江歸棹 設色紙本 立軸

來源：倫敦私人收藏，於1970 - 80年間購 得。 £300 – 500

276

277

278

LI XIAOSHAN.

REN YU (1853 – 1901).

ZHANG SHAOHENG.

Landscape, Chinese hanging scroll painting, ink and colour on paper, 81 x 45cm.

Fisherman Beneath Willow Tree, Chinese hanging scroll painting, ink and colour on paper, 140 x 37cm.

Landscape, Chinese hanging scroll painting, ink and colour on paper, 150 x 41cm.

Provenance: London private collection, acquired in the 1970s and 1980s.

任預 漁翁

李嘯山 山水圖

設色紙本 立軸

設色紙本 立軸

£100 – 200

張紹衡 山水

設色紙本 立軸 £200 – 300

來源：倫敦私人收藏，於1970 - 80年間購 得。 £300 – 500

123

280

281

282

WANG WEN (1497 – 1576).

DONG BANGDA (follower of, 1699 – 1769).

ZHAO LINGRANG (follower of).

Figures on a Garden Veranda. Chinese hanging scroll painting, ink on paper, 130 x 67cm.

Palace Veranda, Chinese hanging scroll painting, ink and colour on silk, 107 x 63cm.

Landscape, Chinese hanging scroll painting, ink and colour on silk, 77 x 28cm.

水墨紙本 立軸

設色絹本 立軸

設色絹本 立軸

£100 – 200

£200 – 300

£400 – 600

王問 賞月圖

124

董邦達 庭院山水圖

趙令穰 山水

283

284

285

ZHANG YIN (attributed to, 1761 – 1829)

JIAN HUA.

Landscape, Chinese hanging scroll painting, ink and colour on silk, 99 x 34cm.

Rooftops, Chinese hanging scroll painting, ink and colour on paper, 63 x 43cm.

HUANG BINHONG (follower of, 1865 – 1955).

設色絹本 立軸

設色紙本 立軸

£400 – 600

£500 – 800

張崟（傳） 山水

建華 屋頂

Landscape, Chinese hanging scroll painting, ink and colour on paper, 94 x 46cm.

Provenance: collection of a Singaporean resident in London, acquired in the 1970s and 1980s. 黃賓虹（傳） 山水圖 設色紙本 立軸 來源：居倫敦新加坡裔人士收藏，於197080年間購得。 £100 – 200 125

286

287

288

LEI KE (1880 – 1962).

WANG DINGKUN.

FAN KUAN (follower of, c. 960 – c. 1030)

Landscape, Chinese hanging scroll painting, ink and colour on paper, 80 x 38cm.

Landscape, Chinese hanging scroll painting, ink on paper, 146 x 37cm.

Landscape, Chinese hanging scroll painting, ink and colour on paper, 90 x 60.5cm.

設色紙本 立軸

水墨紙本 立軸

設色紙本 立軸

£200 – 300

£300 – 500

£200 – 300

雷恪 山水

126

汪定堃 山水

范寬（傳） 山水

289 LU YANSHAO (follower of, 1909 – 1993).

Landscapes, nine leaves Chinese album leaf paintings mounted as an album, ink and colour on paper, 38.5 x 38cm. 陸儼少（傳） 山水 設色紙本 九開冊頁 £500 – 800 127

Artworks from an English Diplomatic Collection (lots 290-305)

290 A CHINESE LONGQUAN CELADON MOULDED VASE. Yuan Dynasty.

The tapered body moulded with a continuous stem with foliage and flower heads with fine petals, the foot with vertical ribs, the flared neck with plain horizontal bands, all decorated with a grey-green glaze, 24cm H. Provenance: English diplomatic collection, acquired in Beijing in the 1950s, thence by descent. 元 龍泉青釉模印花卉圖紋瓶

來源：英國外交官收藏，於1950年代購於北京，後傳承至現藏家。 £2,000 – 3,000 291 A CHINESE LONGQUAN CELADON MOULDED VASE. Yuan Dynasty.

The ovoid body decorated with an undulating floral stem and carved with vertical ribs around the foot, all coated with a celadon glaze, the reduced neck replaced with wood, 23cm H. Provenance: English diplomatic collection, acquired in Beijing in the 1950s, thence by descent. 元 龍泉青釉模印花卉圖紋瓶

來源：英國外交官收藏，於1950年代購於北京，後傳承至現藏家。 £500 – 800

290

128

291

292 A CHINESE WHITE-GLAZED RELIEF-DECORATED 'LOTUS POND' VASE. Qing Dynasty.

A six character Qianlong mark and of the period.

The ovoid body moulded with egrets wading in a shallow pond, lotus blooms and foliage emerging from the surface of the water, birds in flight above, the short flared foot with a band of lotus blossoms, approximately 20cm H. Provenance: English diplomatic collection, acquired in Beijing in the 1950s, thence by descent. 清乾隆 白釉印蓮池鷺鷥紋燈籠瓶，「大清乾隆年製」篆書款

來源：英國外交官收藏，於1950年代購於北京，後傳承至現藏家。 £800 – 1,200

129

293 A CHINESE LONGQUAN CELADON YEN YEN VASE. Ming Dynasty.

The tapered body incised with freely designed flowers and foliage, the foot with a band of ribs, the shoulder with border of stylised flower heads and a raised band, the flared neck with further blossoms, all decorated with an even celadon glaze with fine crackles, 43.5cm H. Provenance: English diplomatic collection, acquired in Beijing in the 1950s, thence by descent. 明 青釉暗刻花卉圖紋鳳尾尊

來源:英國外交官收藏，於1950年代購於北京，後傳承至現藏家。 £800 – 1,200

294 A CHINESE FAMILLE VERTE BALUSTER 'LOTUS' JAR. Qing Dynasty, Kangxi period.

With a tapered body painted with lotus blossoms and foliage emerging from the surface of the water, a band of scrolls to the short neck and a chain around the foot, 12cm H. Provenance: English diplomatic collection, acquired in Beijing in the 1950s, thence by descent. 清康熙 五彩蓮池圖紋罐

來源：英國外交官收藏，於1950年代購於北京，後傳承至現藏家。 £800 – 1,200

295 A CHINESE FAMILLE ROSE VASE, GU. Qing Dynasty, 18th Century.

The trumpet-shaped body painted with a small bird among blooming prunus and other blossoms, the foot rim with a band of flower heads and leaves, 23cm H. Provenance: English diplomatic collection, acquired in Beijing in the 1950s, thence by descent. 清十八世紀 粉彩繪山石花鳥卉圖紋觚

來源：英國外交官收藏，於1950年代購於北京，後傳承至現藏家。 £100 – 200

130

296 A CHINESE TURQUOISE-GLAZED 'LOTUS LEAF' WASHER. Qing Dynasty.

The biscuit body formed as a large up-turned leaf with attendant seed pod and a bud, carved with veins and glazed with two shades of green, 13cm diameter.

Provenance: English diplomatic collection, acquired in Beijing in the 1950s, thence by descent. 清 荷葉式洗

來源：英國外交官收藏，於1950年代購於北京，後傳承至現藏家。 £400 – 600

297 A PAIR OF CHINESE CREAM-GLAZED BOWLS. Qing Dynasty.

Moulded with lobed rims in the form of large leaves, raised on hoop feet formed as stems, all decorated with an even cream glaze, 7cm H, 18cm diameter.

Provenance: English diplomatic collection, acquired in Beijing in the 1950s, thence by descent. 清 米 白釉菊瓣紋盌一對

來源：英國外交官收藏，於1950年代購於北京，後傳承至現藏家。 £800 – 1,200

298 A CHINESE LACQUER PEACH-SHAPED BOX AND COVER. Late Qing Dynasty.

Formed as a large fruit painted with peaches, blossoms, foliage and bats in black and gilt against a cinnabar ground, 33cm across. (2) Provenance: English diplomatic collection, acquired in Beijing in the 1950s, thence by descent. 清 漆器描金繪桃紋桃形蓋盒

來源：英國外交官收藏，於1950年代購於北京，後傳承至現藏家。 £500 – 800

131

299

300

301

299

300

301

A GROUP OF SIX CHINESE POTTERY ANIMALS.

A COLLECTION OF FOUR CHINESE BOWLS.

A SMALL COLLECTION OF CHINESE METAL AND OTHER ITEMS.

Qing Dynasty, Kangxi period and later.

Qing Dynasty.

Qing Dynasty and later.

Comprising a pair of turquoise-glazed 'lion dog' joss stick holders, another sancai-glazed pair with silk stands, a green-glazed and a famille verte parrot, each perched on a rock, 16cm H. (6)

Comprising: a wide-rimmed celadon-glazed bowl, a deep red-glazed bowl, a leaf-shaped blanc-de-chine cup moulded with a small crab to the interior, and a small cream bowl, 15.5cm diameter. (4)

Provenance: English diplomatic collection, acquired in Beijing in the 1950s, thence by descent.

Provenance: English diplomatic collection, acquired in Beijing in the 1950s, thence by descent.

Comprising: a bronze Shoulao riding a deer, a turquoise-inlaid cup, a small tripod incense burner and cover, a bottle vase, two bronze jars and cup with Islamic writing, a near-pair of bronze vases and three wood bowls with white metal mounts and lining, together with a paper fan and case, an European letter rack and a green glass vase, various sizes. (10)

來源：英國外交官收藏，於1950年代購於 北京，後傳承至現藏家。

來源：英國外交官收藏，於1950年代購於 北京，後傳承至現藏家。

£500 – 800

£500 – 800

清 動物像一組

清 瓷器一組四件

Provenance: English diplomatic collection, acquired in Beijing in the 1950s, thence by descent. 清或更晚 金屬器及雜項一組

來源：英國外交官收藏，於1950年代購於 北京，後傳承至現藏家。 £300 – 500

132

302 A CHINESE CELADON-GLAZED VASE. Qing Dynasty, 18th Century.

With an ovoid body supported on a splayed foot rising to a slender neck framed by two tubular handles, all decorated with a pale blue glaze, the rim mounted in yellow metal band, 21.5cm H. Provenance: English diplomatic collection, acquired in Beijing in the 1950s, thence by descent. 清十八世紀 粉青釉雙貫耳瓶

來源：英國外交官收藏，於1950年代購於北 京，後傳承至現藏家。 £600 – 800 303 A CHINESE GREY AGATE VASE, GU. Qing Dynasty.

Carved with four reticulated flanges, incised with archaistic scrolls to the central part and with stylised lappets to the flared foot and neck, together with a wood stand and a fitted box, 10cm including wood stand. (3)

302

Provenance: English diplomatic collection, acquired in Beijing in the 1950s, thence by descent.

303

清 瑪瑙雕花觚連木座

來源:英國外交官收藏，於1950年代購於北 京，後傳承至現藏家。 £200 – 300

304

305

304

305

ELEVEN METAL BOWLS.

A SET OF SIX CHINESE SILVER RETICULATED CUP HOLDERS.

19th / 20th Century.

Each with a gently flared body and an S-shaped handle, decorated with blossoms and foliage in fine filigree, four with fitted boxes labelled Khechounoming gold dealer and silver smith from Canton. Made in China., 4.5cm H. (11)

Each with a rounded flared body, eight punched with animals, figures and foliage, two with stylised Arabic script, 12.5cm diameter. (11) Provenance: English diplomatic collection, acquired in Cairo in the 1950s, thence by descent. 十九/二十世紀 金屬花卉紋盌十一隻

來源：英國外交官收藏，於1950年代購於北京，後傳承至現藏家。 £200 – 300

Provenance: English diplomatic collection, acquired in Beijing in the 1950s, thence by descent. 銀製花卉紋盃六隻

來源：英國外交官收藏，於1950年代購於北京，後傳承至現藏家。 £300 – 500

133

306 A CHINESE BLANC-DE-CHINE LIBATION CUP. Qing Dynasty, 18th Century.

The flared body with a lobed rim moulded to one side with a dragon emerging from clouds and reaching out for a flaming pearl, the reverse with a crane flying towards the sun and a pine tree, the base a two character Yitai mark, 9cm across. 清十八世紀 德化窯龍紋盃，「益太」款 £2,000 – 3,000

134

307 A CHINESE BLANC-DE-CHINE FIGURE OF GUANYIN AND CHILD. 17th Century.

Seated on a rocky base wrapped in a long coat, adorned with a long beaded necklace, her serene face with downcast eyes gently turned to the right, bareheaded, with hair parted above the forehead arranged in knots flowing down her shoulders, a young boy seated on her lap holding a jewel, 24cm H. 十七世紀 德化窯送子觀音像 £6,000 – 8,000

135

308 A CHINESE BLANC-DE-CHINE JUE AND A LIBATION CUP. Qing Dynasty.

With a flared body and a rim extended to two lips, set to the sides with two C-shaped handles and raised on three tall feet, the libation cup moulded with prunus, the rims mounted in metal bands with a handle, 10.5cm long. (2) 清 德化窯盃兩件 £500 – 800

309 A PAIR OF CHINESE MINIATURE BLANCDE-CHINE LIBATION CUPS. Qing Dynasty, 18th Century.

Each with a flared body rising to a lobed rim, moulded with auspicious real and mythical beasts, 3.5cm across. (2) 清十八世紀 德化窯供盃一對 £300 – 500

310 THREE CHINESE BLANC-DE-CHINE CUPS. Qing Dynasty, 18th Century.

Comprising: a libation cup with a lobed rim, moulded to the side with a prunus tree in bloom and a tiger looking up to a dragon emerging from clouds, a small flared cup with applied blossoms and an octagonal cup, 6cm across. (3) 清十八世紀 德化窯盃三隻 £400 – 600

136

311 A CHINESE WHITE-GLAZED DOU. Qing Dynasty.

The ovoid body with a rounded shoulder and a tall splayed foot moulded with plain bands, together with a wood stand, 18cm H. 清 白釉豆連木座 £600 – 800

312 A CHINESE WHITE-GLAZED INCENSE BURNER. Qing Dynasty.

The ovoid body with a flared rim moulded with a band of key fret and set with two C-shaped dragon handles, raised on a splayed foot, together with a wood stand, 14cm across. (2) 清 白釉簋式爐連木座 £500 – 800

313 TWO CHINESE WHITE-GLAZED INCENSE BURNERS. Qing Dynasty.

The first with a bombé-shaped body raised on a short flared foot, with two loop handles to the sides, the second of a compressed circular form with two loop handles rising up from the rim, with three cylindrical feet, raised on a fitted wood stand, 5cm across. (3) 清 白釉雙耳爐兩件 £500 – 800

137

322

323

324

325

322

323

A LARGE CHINESE CELADON-GLAZED SLIP-DECORATED 'PEONY' VASE.

A CHINESE CANTON FAMILLE ROSE VASE.

Qing Dynasty.

The ovoid body brightly enamelled and typically decorated with panels containing figures reserved on a floral ground, the neck moulded with gilt dragons and Buddhist lion dogs rising up to an everted lobed rim, 67cm H.

The ovoid body rising to a trumpet neck framed by two stylised dragon handles decorated with two small birds perched on a branch of a blossoming peony bush sprouting from a porous rock, 61.5cm H. 清 青釉飾堆白牡丹花卉圖紋雙耳瓶

Qing Dynasty, 19th Century.

清十九世紀 廣彩人物故事圖紋雙耳瓶 £1,000 – 1,500

£200 – 300 324 A CHINESE FAMILLE ROSE 'LADIES' VASE. 20th Century.

Painted with four ladies and five small boys on a terrace beneath a banana tree, with two lion head handles to the shoulder at the base of a flared neck, signed Wang Peizhang, 44cm H. 二十世紀 粉彩‘四美圖’雙獅耳瓶，「汪佩璋」款 £200 – 300

138

325 A CHINESE FAMILLE ROSE 'LADY AND BOYS' VASE. 20th Century.

Painted with a young lady and four boys at play beneath a willow tree, the reverse with calligraphy, the shoulder set with two lion head handles at the base of a waisted neck with a flared rim, 57.5cm H. 二十世紀 粉彩繪仕女童子圖紋雙耳瓶 £300 – 500

326

327

328

329

326

327

A CHINESE FAMILLE VERTE 'MAGPIE' BALUSTER VASE.

A CHINESE FAMILLE VERTE SQUARE-SECTION VASE.

Painted with a single bird perched on a branch of a blooming magnolia, surrounded by other blossoms, 43cm H.

Qing Dynasty.

五彩繪喜鵲登梅圖紋瓶 £500 – 800 328

A PAIR OF CHINESE FAMILLE VERTE FIGURATIVE ROULEAU VASES. Each with a cylindrical body painted with four figures including a standing official, a seated qin player and two acrobats, the neck with a plain band and a flared rim, 23cm H. (2)

The tapered, square-section body painted with vases and precious objects to two sides, and shrubs in bloom to the other two, the shoulder with blossoms on a green ground of scrolls, the flared neck with birds and flowers, 43cm H. 清 五彩繪花卉博古圖紋四方瓶 £600 – 800 329 A CHINESE GARLIC-MOUTH ‘GREEN DRAGON’ VASE.

五彩繪人物故事圖紋象腿瓶一對

Qing Dynasty, 19th Century.

£800 – 1,200

The compressed globular body on a spreading foot decorated with five five-clawed dragons among flames and clouds, the wide neck below a bulbous mouth decorated with lotus scroll, a six character Kangxi mark to base, 41cm H. 清十九世紀 繪龍紋蒜頭口瓶，樊紅「大清康熙年製」楷書款 £1,000 – 2,000 139

330

331

332

330

331

332

A CHINESE YELLOW-GLAZED 'LOTUS' DISH.

A CHINESE LEMON YELLOW-GLAZED VASE.

THREE CHINESE RED-GLAZED MONOCHROME ITEMS.

Qing Dynasty, Guangxu mark and of the period.

With a rounded ovoid body rising to a steep shoulder and a waisted neck and a flared rim, all decorated with an even bright yellow glaze, a six character mark to the base, 34cm H.

Comprising: two pear-shaped vases, one moulded with scrolls between double bands, the second with sang de boeuf glaze draining from the rim, and a compressed circular washer, 29 - 31cm H, 15cm diameter.

£500 – 800

£200 – 300

The exterior incised with a continuous scrolling lotus stem with blossoms and foliage, the interior decorated with a plain bright yellow glaze, a six character Yongzheng mark in underglaze blue to the base, 15.5cm diameter. 黃釉暗刻纏枝蓮紋盤 £500 – 800

140

清 黃釉長頸瓶，「大清光緒年製」楷書款

紅釉器三件

333

334

335

336

333

334

A CHINESE TEADUST-GLAZED BOTTLE VASE.

A CHINESE CRACKLE-GLAZED YELLOW BOTTLE VASE.

The compressed ovoid body with a slopped shoulder and a tall cylindrical neck raised on a splayed foot and decorated with an even dark green glaze, a six character Qianlong mark impressed to the base, 33cm H.

The ovoid body with a tall cylindrical neck decorated with a finely crackled lemon-yellow glaze, 35cm H.

茶葉末釉長頸瓶，「大清乾隆年製」篆書款

黃釉長頸瓶 £200 – 300

£1,000 – 2,000 335 A CHINESE CLARE-DE-LUNE BOTTLE VASE.

336 A CHINESE CELADON-GLAZED MOULDED VASE.

Provenance: a Scottish private collection.

The tapered rectangular-section body raised on a flared foot decorated with roundels of scrolls and characters, the steep shoulder with bands of flylfots, blossoms and lappets, the neck with two C-shaped handles, all decorated with a pale celadon glaze, 21.5cm H.

來源：蘇格蘭私人收藏。

£800 – 1,200

With an ovoid body raised on a short foot and a tall cylindrical neck, all decorated with an even pale blue glaze, 29cm H. 天藍釉長頸瓶

青釉模印壽字紋雙耳瓶

£1,500 – 2,000 141

337

338

339

340

337

338

A CHINESE SCHOLAR’S ROCK.

A LARGE CHINESE MARBLE HEAD.

20th Century.

The broad face with slanting eyes embellished with the third eye in the centre of the forehead, the long hair strands pulled back and carved in a russet stone, raised on a modern metal stand, 42cm H. (2)

Formed as a tapered mountain and polished to reveal the natural texture and grain of the grey stone with white striations, together with a reticulated wood stand, 23.5cm H, 31cm wide. 二十世紀 山子連木座

雲石雕人首連座 £2,000 – 3,000

£200 – 300 340 339

A CHINESE BAMBOO 'IMMORTALS' PAGODA CARVING.

A CHINESE BLUE-GLAZED BISCUIT MODEL OF A QILIN AND A PAIR OF PURPLE-GLAZED ANIMALS.

Qing Dynasty.

Qing Dynasty, 18th Century or later.

Standing in a dynamic pose among waves with the left front paw raised, turning its head to the back, the mouth lined with sharp teeth, all decorated with a pale blue glaze, the pair of recumbent animals recumbent, painted with purple splashes against a white-glazed body, 21.5cm H. (3) 清十八世紀 素燒藍釉麒麟及素燒加彩動物像 £400 – 600 142

Formed as a two storey building filled with scholars engaged in a conversation and appraising scrolls, the slopes with a pair of cranes and a deer, the reverse with a cluster of trees, 27cm H. 清 竹雕人物樓台擺件 £500 – 800

341

342

343 344 341λ

342

A CHINESE RHINOCEROS HORN TRIPOD INCENSE BURNER.

A CHINESE WHITE BISCUIT 'DRAGON' INKSTONE.

17th / 18th Century.

Qing Dynasty, 19th Century.

The tall conical body with smooth exterior rising to a slightly everted rim, all supported on three short feet, the horn of light honey colour, with a mark in archaic seal script incised to the underside, 9.2cm H, 129g.

The oval body moulded in high relief with two five-clawed scaly dragons contesting the sacred jewel amongst clouds, a four character Wang Binrong zuo seal mark to the reverse, 17.5cm long.

£4,000 – 6,000

£700 – 900

For a similar piece from the Ming period see Chinese Art from the Collection of HM King Gustaf VI Adolf of Sweden, 1972, no 187.

344

十七 / 十八世紀 犀角雕三足香爐

343 A CHINESE SCHOLAR'S ROCK. Resembling a plume of smoke in its shape, the dark grey stone with minor white striations, together with a wood stand carved as a rock with lingzhi, 37cm H. (2) 清 文房山石擺件連木座

清十九世紀 素燒龍紋硯，「王炳榮作」款

A CHINESE STAINED SOAPSTONE 'IMMORTAL MAIDEN' CARVING. Qing Dynasty, Qianlong period.

Standing in a graceful contrapposto, her face with a gentle smile, hair arranged in a chignon, wearing flowing robes with celestial ribbons to her shoulders, holding a large vase and raised on a porous rock base, 36cm H. 清乾隆 壽山石雕仙女像 £900 – 1,200

£100 – 200

143

345

346

347

348

345

346

A CHINESE COURT NECKLACE.

FOUR CHINESE BLUE AND WHITE SCROLL WEIGHTS.

With 108 circular amber-colour beads, separated every twenty seven by a larger turquoise bead, with tassels of black circular beads ending in tear-shaped honey-coloured pendant and a central oval turquoise pendant, 112cm long.

Qing Dynasty, 19th Century.

朝珠

£300 – 500 347 A CHINESE GREEN-GLAZED MARBLED INCENSE BURNER. Tang Dynasty.

The flared conical body raised on three short feet and decorated with brown scrolling patterns on a green ground, 10.3cm diameter. 唐 綠釉絞胎三足碟 £1,200 – 1,500

144

Each with an ovoid body painted with a qilin among fire wisps, 4.5cm H. (4)

清十九世紀 青花繪麒麟紋流蘇 £200 – 300 348

A PAIR OF CHINESE BRONZE FIGURATIVE PLAQUES. Han Dynasty.

Each formed as a figure of a courtier, one holding a baton, together with a plexi glass stand, 12cm H. (3) 漢 銅人形牌連座 £800 – 1,200

350

351 349λ

349λ

350

351

A RHINOCEROS HORN WALKING CANE.

A CHINESE ZITAN WOOD INSCRIBED PAPER WEIGHT.

A WHITE METAL HANGING ‘PARROT’ INCENSE BURNER AND COVER.

Qing Dynasty.

The bird seated on a perch, the head tilted to the left and cover formed as the bird's wings, the bird 43cm long, 770g. (2)

Circa 1900.

The straight tapered body set in a white metal mount with a faint double portrait. 清約一九零零 鑲銀犀角杖

This lot may be subject to CITES regulations. £500 – 800

The rectangular body carved with a line in seal script and a four character signature accentuated with green paint, 28.5cm long.

清 紫檀雕鎮紙，「大歲在甲戊初平五年吳 師曰宜子孫，初平洗銘」款

白鐵鳥形熏爐 £100 – 200

£2,000 – 3,000 145

Jade carvings from the collection of a Gentleman (lots 352-360)

352

353

354

355

352

353

A CHINESE PALE CELADON JADE 'DRAGON' BRUSH WASHER.

A CHINESE APPLE-GREEN JADEITE 'ELEPHANTS AND A BOYS' GROUP.

With an ovoid body caged among five dragons clambering over the rim, the base formed as a pile of clouds, together with a wood stand carved with lingzhi, 14.2cm long. (2) Provenance: from the collection of a gentleman, acquired in the 1980s and 1990s. 青玉雕龍紋洗連木座

來源：紳士藏品，購於1980-90年間。 £800 – 1,200

Carved as two elephants and their young mahouts, one boy holding a magical double gourd spilling a cloud of smoke, the second a ruyi sceptre, the stone with green and black spotting, together with a wood stand carved with lingzhi, 19cm long. (2) Provenance: from the collection of a gentleman, acquired in the 1980s and 1990s. 翡翠雕吉象童子紋擺件連木座

來源：紳士藏品，購於1980-90年間。 £1,500 – 2,000

354 A CHINESE APPLE-GREEN JADEITE 'HEHE ERXIAN' GROUP. Carved as a double gourd containing the Immortals, the first seated, holding a box from which emerge a cloud of smoke and two sinuous dragons, the second standing, his arm around his brother, a lotus stem over his shoulder, with a small dragon obediently standing to his side, together with a wood stand, 21.5cm H. Provenance: from the collection of a gentleman, acquired in the 1980s and 1990s. 翡翠雕和合二仙擺件連木座

來源：紳士藏品，購於1980-90年間。 £600 – 800 146

355 A CHINESE APPLE-GREEN JADEITE 'CAT' GROUP. Carved as three playful felines chasing a butterfly, the stone with bright green spotting, raised on a wood stand, 8.5cm H. (2) 翡翠雕貓戲蝶擺件連木座

來源：紳士藏品，購於1980-90年間。 £300 – 500

357

356

356 THREE CHINESE HARDSTONE CARVINGS. The first in pale celadon jade, carved with a dragon and a carp emerging from foaming waves near a pavilion, the second an agate carving of two Immortal Maidens and Shoulao, the third an aventurine catfish-shaped vase with a small boy to the side, each with a wood stand, 16cm long. (6) Provenance: from the collection of a gentleman, acquired in the 1980s and 1990s. 硬石雕三件 來源：紳士藏品，購於1980-90年間。 £400 – 600

358

357 A CHINESE APPLE-GREEN JADEITE 'THREE-LEGGED TOAD' CARVING. Formed as two mythical creatures and a string of cash on a large curved lotus leaf, 13cm long.

Provenance: from the collection of a gentleman, acquired in the 1980s and 1990s. 翡翠雕三足蟾擺件 來源：紳士藏品，購於1980-90年間。 £400 – 600 358 A CHINESE SERPENTINE ‘BEAR’ VASE AND COVER. The flattened ovoid body caged with a banana tree and a large peony bush, with a bear to the side picked out in grey stone, together with a wood stand, 16.5cm wide. (3) Provenance: from the collection of a gentleman, acquired in the 1980s and 1990s. 硬石雕花卉動物紋瓶連蓋及木座 來源：紳士藏品，購於1980-90年間。 £300 – 500

359

360

359 TWO CHINESE APPLE-GREEN JADEITE ‘BIRDS AND FLOWERS’ VASES AND COVERS. Each with a baluster-shaped body caged within a tangle of blossoming shrubs with small birds hidden among the foliage, together with wood stands, 12.7cm H. (6) Provenance: from the collection of a gentleman, acquired in the 1980s and 1990s. 翡翠雕花鳥紋蓋瓶兩件連木座

360 SEVEN CHINESE HARDSTONE CARVINGS. Comprising: six vases and covers in carnelian agate, rose quartz and malachite, and an aventurine carving of a banana tree and a cat, five with wood stands, 16.5 - 23cm H. (17) Provenance: from the collection of a gentleman, acquired in the 1980s and 1990s. 硬石雕一組七件 來源：紳士藏品，購於1980-90年間。 £400 – 600

來源：紳士藏品，購於1980-90年間。 £500 – 800 147

148

361 QIU YING (attributed to, 1482 – 1559).

Elegant Gathering in the Western Garden, Chinese hand scroll painting, ink and colour on paper, with four colphons by Wang Duo (1592-1652), Yun Shouping (1633-1690), Weng Fanggang (1733-1818) and Dai Xi (18011860) and a title slip by Wang Shu (1668-1743). the painting 29 x 826cm, colophons 30.5 x 31.5cm, 33.5 x 22cm, 30 x 22.5cm, 30 x 22cm, the frontispiece 29 x 70cm.

Provenance: collection of a Singaporean resident in London, acquired in the 1970s and 1980s. 仇英（傳） 然雅雧圖 <一>. (王铎) <二>. (惲壽平) <三>. (翁方綱) 設色紙本 立軸 來源：居倫敦新加坡裔人士收藏，於1970-80年間購得。 £4,000 – 6,000 149

362

363

364 362 A CHINESE HONGMU JAR COVER. Qing Dynasty, 19th Century.

The high domed cover rising from a rounded lip, incised with a wide C-scroll band, the rounded dome pierced and carved with lotus scroll below large pendant ruyi heads, surmounted by an onion-shaped finial, 21.5cm diameter, 11cm H. Provenance: an English private collection.

清十九世紀 紅木鏤雕纏枝蓮如意紋木蓋 來源：英國私人收藏。 £300 – 500 364 A CHINESE CIRCULAR RETICULATED BOXWOOD STAND. Qing Dynasty.

Carved as a tangle of bare knotted branches, 12cm diameter. 清 黃楊木鏤雕底座 £400 – 600 363 A CHINESE HONGMU JAR COVER. Qing Dynasty, 19th Century.

The circular domed cover tapering to an everted rim incised with overlapping lappets, below pierced rectilinear scroll-work, the cover surmounted by a finial naturalistically carved as a lingzhi spray, 8cm H, 12.6cm diameter.

Provenance: an English private collection.

清十九世紀 紅木鏤雕拐子紋靈芝鈕木蓋 來源：英國私人收藏。 £200 – 300 150

365 365 A CHINESE SILVER-INLAID BONE-INSET ZITAN STAND. Qing Dynasty, 18th / 19th Century.

The top carved and pierced with a central roundel depicting a flower head borne on scrolling foliage, with a raised rim, the high waist with pierced quatrefoil panels inset with stained green bats around a stylised shou character, the waist overhung by a stained green pierced gallery, the shoulders bound by a lappet ring, the four ruyi-shaped feet joined by ruyi-shaped aprons with inset carved and pierced stained green floral quatrefoil panels, and inlaid with silver taotie mask patterns, further silver inlay on the rim, 5.7cm H, 9.5cm diameter.

Provenance: an English private collection.

清十八 / 十九世紀 嵌銀鑲骨紫檀雕木座 來源：英國私人收藏。 £500 – 800 For a related nanmu and boxwood stand but without the pierced roundel see The Art of Chinese Stands: the Songde Tang Collection, 2008, cat. no.

23, p. 110.

366 TWO CHINESE HONGMU AND HARDWOOD STANDS. Qing Dynasty, 19th Century.

The larger stand supported on a band of thirty pierced lappets, of graduated length, every other four with two longer lappets forming the five feet, the smaller stand similarly decorated with thirty lappets, each sixth one supported on a toed foot, 5.2-6.5cm H, 10.5-16cm diameter. (2) Provenance: an English private collection. 清十九世紀 紅木及硬木雕底座兩件 來源：英國私人收藏。 £200 – 300

366

This style of stand appears to have been favoured for the display of Mughal jade bowls, for a related example see The Collection of Stands in the Palace Museum, Part II, p. 159.

367 TWO CHINESE HONGMU ‘ROPE TWIST PATTERN’ STANDS. Qing Dynasty, 19th Century.

Each carved with a sunken top pierced and carved to form five interlocking rope-like loops, the aprons and five feet carved to form a complex series of interlocking and looped rope, 14 / 15cm diameter.

(2) Provenance: an English private collection. 清十九世紀 紅木鏤雕繩紋底座兩件 來源：英國私人收藏。 £400 – 600 368 FOUR CHINESE WOOD JAR COVERS. Qing Dynasty, 19th Century.

Each circular cover variously carved and pierced on the domed sections above a rounded lip and below a finial cover, 9.5-10.5cm H, 15-17.5cm diameter. (4) Provenance: an English private collection. 清十九世紀 紅木鏤雕蓋四件 來源：英國私人收藏。 £300 – 500

367

368

369 FIVE CHINESE WOOD JAR COVERS. Qing Dynasty, 19th Century.

Four hongmu and one hardwood stand each with the flat top with a pierced circular roundel, variously decorated with foliage or a stylised shou character, 3-4.8cm H, 8-11.5cm diameter. (5) Provenance: an English private collection. 清十九世紀 鏤雕木蓋五件 來源：英國私人收藏。 £300 – 500 369

151

370 A CHINESE HONGMU 'DRAGON' STAND. Late Qing Dynasty.

The circular top with a reticulated roundel containing a dragon, the sides with an ornamental apron, all supported on five cabriole legs with ruyi heads, 12cm H, 21cm diameter. 清晚期 紅木雕龍紋底座 £250 – 300

371 FOUR CHINESE HONGMU STANDS. Qing Dynasty, 19th Century.

Each of circular form, supported on arrowshaped feet attached by decorative pierced freizes, 3-5cm H, 11-15cm diameter. (4) Provenance: an English private collection. 清十九世紀 紅木雕底座四件 來源：英國私人收藏。 £300 – 500

372 A COLLECTION OF CHINESE HONGMU AND HARDWOOD STANDS. 19th / 20th Century.

Comprising circular and square-form stands of various shapes and sizes. (17) Provenance: an English private collection. 十九 / 二十世紀 紅木及硬木雕底座一組 十七件 來源：英國私人收藏。 £200 – 300

373 A COLLECTION OF CHINESE WOOD STANDS. Variously carved and shaped. (qty) 木座一組 £40 – 60

152

374 AN CHANG. Calligraphy: ‘Ode on the Red Cliffs’, Chinese hand scroll, ink on paper, boxed.

28 x 263cm. (2).

Provenance: London private collection, acquired in the 1970s and 1980s. 安昶 書法

水墨紙本 手卷 來源：倫敦私人收藏，於1970 - 80年間購得。 £2,500 – 3,000 153

375 WENG TONGHE (attributed to, 1830 – 1904).

Calligraphy, a set of four Chinese hanging scroll paintings, ink and colour on paper, 170 x 67cm. (4). 翁同龢（傳） 書法 設色紙本 立軸 £2,000 – 3,000 154

376

377

WU CHANGSHUO (attributed to, 1844 – 1927).

YU YOUREN (attributed to, 1879 – 1964).

Calligraphy, a pair of Chinese hanging scroll paintings, ink on paper, 147 x 40cm. (2)

Calligraphy, a pair of Chinese hanging scroll paintings, ink and colour on paper,156 x 32cm. (2).

水墨紙本 立軸

設色紙本 立軸

£800 – 1,200

£3,000 – 5,000

吳昌碩（傳） 八言對聯

于右任（傳） 書法

155

378

379

378

379

WANG CANZHANG.

WU BIN.

Calligraphy, Chinese hanging scroll painting, ink on paper, 122 x 33cm.

Calligraphy, Chinese hanging scroll painting, ink on paper, 130.5 x 33cm.

水墨紙本 立軸

水墨紙本 立軸

£100 – 200

£300 – 500

王燦章 書法

156

吳豳 書法

380

381

382

380

381

382

YAO HUA (1876 – 1930).

CALLIGRAPHY OF HONGLI, EMPEROR QIANLONG (1711 – 1799).

WANG XIZHI (303 – 361); DONG QICHANG (1555 – 1636).

Chinese ink rubbing, unmounted. 190 x 97cm.

Calligraphy, two woodblock printed books. (2)

拓片、水墨紙本 立軸

碑帖拓片

£300 – 500

£100 – 200

Provenance: from the collection of Bruno Caruso (1927 – 2018), an Italian artist, graphic designer and writer, thence by descent.

Archaic Vessel, Chinese hanging scroll rubbing, ink on paper, 71 x 34.5cm. 姚華 鼎

乾隆皇帝弘曆書法

王羲之、董其昌 書法

木版印刷 、書籍 來源：意大利藝術家兼平面設計師兼作家 布魯諾·卡魯索（1927-2018）收藏，後傳 承至現藏家。 £300 – 500 157

383 A CHINESE BRONZE SILVER AND PARCEL GILT 'GOOSE' WATER DROPPER. Late Ming Dynasty.

The bird seated with the legs tucked underneath the body, the head with an open beak turned to the sinister, with finely cast plumage inlaid with silver, 12cm long, 55g. 明晚期 銅嵌金銀鵝形水滴 £1,000 – 1,500 For a related piece see Sotheby’s, 2014, Later Chinese Bronzes from the Collection of Ulrich Hausmann, lot 333.

384 A CHINESE BRONZE SILVER-INLAID FIGURE OF GUANYIN. Qing Dynasty, 18th / 19th Century.

Standing in a graceful pose on top of a dragon's head emerging from crushing waves, holding a small vase in her right hand, draped in long flowing robes decorated with cloud scrolls and foliate borders, her jewellery inlaid with silver, her oval face with downcast eyes framed by elongated earlobes, the hair piled in an elegant coiffure, a four character inscription to the reverse reading Yutang Shishou, 56.5cm H, 12kg. 清十八 / 十九世紀 銅嵌銀絲觀音像，嵌銀「 玉堂石叟」篆書款 £5,000 – 8,000

158

385 A CHINESE BRONZE ARCHAISTIC 'BIRDS AND FISH' BOWL. Han Dynasty, or later.

The circular-section body with straight walls cast with two loose ring handles, decorated to the centre with a pair of fish and birds, the broad rim with an inscription and real and mythical animals, 43cm diameter, 4.5kg.

Provenance: J.T. Tai & Co Inc [label]. 漢或更晚 銅魚鳥紋大盤

來源：J.T. Tai & Co Inc（標籤）。 £800 – 1,200

386 A CHINESE BRONZE ARCHAIC BOWL. Han Dynasty, or later.

The compressed circular body cast with a double band, two small handles and a wide rim, the interior with a short text in seal script between two birds, 43cm diameter, 7.3kg. 漢或更晚 銅鳥紋盌 £800 – 1,200

159

387 A CHINESE GILT-BRONZE TURQUOISE-INLAID 'LUDUAN' INCENSE BURNER. Qing Dynasty Qianlong period, or later.

Standing four-square, with a hinged head forming a lid with a fringe of mane around the jaw, the open mouth lined with sharp fangs, with a single horn to the top of the head, the scaly body inlaid with turquoise lotus blossoms, a leash with four tassels and a double gourd suspended from his chest, 23.5cm H, 4.25kg.

Provenance: American private collection. 清乾隆或更晚 銅嵌松石盧端形熏爐 來源：美國私人收藏。 £20,000 – 30,000

160

The Imperial majesty of the present piece is perhaps self-evident, but similar examples are known from the Chinese Imperial collection. See for example, R.L. Thorp, Son of Heaven: Imperial Arts of China, 1989, p 40, nos 33-34 where a Qianlong example from Qianlong period in the Shenyang Imperial Palace Museum is illustrated. Hardstone inset gilt bronze is rare, although examples of the craft may be across different materials within the Imperial collection, for a filigree-work box inlaid with green stones from the Imperial collection see Masterpieces of Chinese Miniature Crafts in the National Palace Museum, 1971, cat no 41.

The luduan, or Chinese unicorn, symbolise the emperor's wisdom as a virtuous ruler with the mandate from Heaven to rule and are considered to be multilingual bastions of truth capable of travelling long distances.

Their inclusion as incense burners flanking the Imperial throne is therefore a natural choice and they hold an important place within the pantheon of Imperial court paraphernalia.

161

388

389

390

391

388

389

A CHINESE BRONZE RITUAL ARCHAISTIC WINE VESSEL, JUE.

A BRONZE INCENSE BURNER AND COVER.

Qing Dynasty, Qianlong mark and of the period, dated 1737.

Qing Dynasty.

The U-shaped body decorated with three rows of key fret, with a loop elephant-head handle to the side, all supported on three splayed feet, with an inscription to the underside of the extended rim reading Qianlong san nian zhong dong ji dan zhi, 16.8cm long, 653g.

The tapered rectangular-section body raised on four bracket feet, cast with mythical creatures among rolling waves, the steep shoulder with a band of lotus petals and two stylised elephant head handles, the cover with a reticulated band of clouds and a qilin finial, the base with a two character Xuande mark, together with a wood stand, 25cm across, 3.4kg. (3)

清 銅爵，「乾隆三年仲冬吉旦製」楷書款 £500 – 800

清 銅海水神獸紋蓋爐連木座，「宣德」款 £1,000 – 1,500

390

391

A LARGE CHINESE BRONZE INCENSE BURNER.

A CHINESE BRONZE TRIPOD INCENSE BURNER.

Qing Dynasty.

Qing Dynasty.

The compressed ovoid body with a waisted neck and two loop handles rising from the rim, all raised on three cabriole legs, a two character Xuande mark to the base, 16cm H, 28cm diameter, 5.5kg.

The compressed ovoid body with two loop handles rising from the rim, all raised on three splayed feet, a sixteen character Xuande mark to the underside, 14cm diameter, 0.8kg.

£800 – 1,200

£400 – 600

清 銅雙橋耳三足爐，「宣德」篆書款

162

清 銅三足雙耳爐，「大明宣德五年监督工部官臣吴邦佐造」篆書款

393

392

395

394

392

393

A CHINESE BRONZE FIGURE OF A WARRIOR.

A LARGE CHINESE BRONZE FIGURE OF BUDDHA SAKYAMUNI.

Ming Dynasty.

Qing Dynasty.

Standing with his legs apart, wearing a full armour and a headdress, raised on an integral rocky base, 26cm H, 2.75kg.

Seated cross-legged, wearing patterned robes with celestial ribbons fluttering at his elbows, the right hand in bhumisparsa mudra, the left holding a double vajra, his forehead lined with tight curls adorned by a lobed tiara and large earrings, the chest with a lavish necklace, all mounted on a lotus base, 41cm H, 5.75kg.

明 銅猛士像

£800 – 1,200 394 A CHINESE GILT-BRONZE RETICULATED ‘MYTHICAL BEASTS’ BOX AND COVER. Qing Dynasty.

The circular-section body pierced with a design of dragons, a phoenix and a tortoise among stylised clouds, the cover with a central shou character, the base with an incised four character Jiajing mark, 8cm H, 169g. (2) 清 銅鎏金鏤空神獸紋蓋盒，「嘉靖年造」楷書款 £600 – 800

清 銅釋迦牟尼像 £2,000 – 3,000

395 A CHINESE BRONZE RECTANGULAR HAND WARMER AND COVER, SIGNED ZHANG MINGQI. Qing Dynasty.

The rounded body set with a curved handle, the reticulated cover pierced with geometric patterns, a Zhang Mingqi zhi mark to the underside, 9.7cm long, 654g. (2) 清 銅手爐，「張鳴岐製」款 £800 – 1,200 163

396

397

398

299

396

397

A CHINESE BRONZE ‘DRAGON’ VASE.

A CHINESE ARCHAISTIC GILT-SPLASH BRONZE VASE.

The tall ovoid body cast with a scaly beast and lingzhi-shaped clouds above rolling waves, all rising to a slender neck, a six character Qianlong mark to the base, 2.7kg.

The bulbous body cast with two flanges and taotie masks to the body, shoulder and neck, the rim with a border of key fret, all decorated with gilt patches, 21cm H, 2kg.

£200 – 300

£200 – 300

398

399

A PAIR OF TIBETAN BRONZE CIRCULAR STANDS.

A PAIR OF CHINESE RECTANGULAR BRONZE JARDINÈRES.

Tibet, 19th Century.

Qing Dynasty, 18th Century.

Each with a compressed body cast with reticulated angular scrolls and foliage, with a band of lotus petals encircling the waisted neck, all raised on six hook-shaped legs joined by a stretcher, with four pointed vajras incised to the undersides, 21.5cm diameter, 3.8kg. (2)

Each of rectangular section, the sides with quatrefoil panels with raised outlines enclosing lotus scroll, against a chased lotus scroll ground, everted rim incised with lotus and key fret, all supported on four short feet, 9.5cm H, 20.1cm long, 450g. (2)

£2,000 – 3,000

£400 – 600

銅雲龍紋瓶，「大清乾隆年製」楷書款

西藏十九世紀 銅底座一對

164

灑金銅瓶

清十八世紀 銅花盆一對

400

401

402

403

400 A CHINESE GILT-BRONZE HEAD. Ming Dynasty.

The smiling face framed with elongated earlobes, the hair arranged in a topknot and decorated with ribbons, 9cm H, 272g. 明 銅鎏金人首 £100 – 200 402 A CHINESE BRONZE HANGING VASE AND COVER. Han Dynasty.

The pear-shaped body cast with a loop handle decorated with bands of lappets and scrolls, the cover with a mushroom finial mirroring the design, all raised on a flared foot, 17cm H, 1.1kg. (2) 漢 銅提樑壺 £500 – 800

401 A CHINESE BRONZE ‘TWIN FISH’ TRIPOD BRUSH WASHER. Qing Dynasty, 18th Century.

The flared body cast to the interior after a Han Dynasty prototype with a six character inscription and two carp fish to the centre, the rim with a plain band, the exterior with alternating dragons and phoenix, all raised on three short feet, the base with a six character inscription between two goldfish, 13.5cm diameter, 55g. 清十八世紀 雙魚紋洗，「富贵昌宜侯王」款 £1,500 – 2,000 403 A CHINESE BRONZE ‘LOTUS SCROLL’ CIRCULAR BOX AND COVER. Ming Dynasty.

Cast after a lacquer form, with a roundel of stylised blossoms and foliage to the cover, raised on a splayed foot, 29cm diameter, 4.4kg. 明 銅纏枝蓮紋圓形蓋盒 £500 – 800 165

Artworks from the Collection of Andreas Hansen Eriksen (lot 404-407)

404 A CHINESE BRONZE INCENSE BURNER, FANG DING. Qing Dynasty.

The rectangular-section body cast with flanges to each side and four panels with mythical beasts against leiwen ground, the shorter sides with U-shaped handles rising from the rim, with two lines of archaistic script to the interior, all supported on cylindrical feet with monster masks, together with a wood cover and stand, 27.5 x 23 x 16cm, 1.73kg.

Provenance: from the collection of Andreas Hansen Eriksen (1868-1953), stationed in Shanghai and Beijing between 1901 and 1927. 清 銅鼎式爐連木座及蓋

來源：安德烈亞斯·漢森·埃里克森（1868 - 1953）私人收藏，曾 於1901-27年間居住於上海、北京。 £600 – 800

166

405 A CHINESE BRONZE INCENSE BURNER AND A SILVER-INLAID BRONZE VASE. Qing Dynasty.

The bombe-shaped incense burner cast with two C-shaped handles to the sides and decorated with characters in seal script, supported on a splayed foot, the compressed bottle vase with a smooth surface inlaid with a pattern of flower heads connected with silver wires, incense burner: 14.5cm across, 612g, vase: 20cm H, 3kg. (2) Provenance: from the collection of Andreas Hansen Eriksen (1868-1953), stationed in Shanghai and Beijing between 1901 and 1927. 清 銅爐及銅嵌銀瓶

來源：安德烈亞斯·漢森·埃里克森（1868 - 1953）私人收藏，曾 於1901-27年間居住於上海、北京。 £600 – 800

406

407 406

407

LI KUIYUAN

A CHINESE ALBUM OF MILITARY PARADES.

Landscape, Chinese painting, framed, ink and colour on paper, 63.5 x 130cm.

Qing Dynasty.

Provenance: from the collection of Andreas Hansen Eriksen (1868-1953), stationed in Shanghai and Beijing between 1901 and 1927.

Illustrating designs of military parades and drills, ink and colour on paper, 38 x 36cm.

設色紙本 鏡框

Provenance: from the collection of Andreas Hansen Eriksen (1868-1953), stationed in Shanghai and Beijing between 1901 and 1927.

李魁元 山水

來源：安德烈亞斯·漢森·埃里克森（1868 - 1953）私人收藏，曾 於1901-27年間居住於上海、北京。 £400 – 600

清 《標下六營合操藤牌陣圖》

來源：安德烈亞斯·漢森·埃里克森（1868 - 1953）私人收藏，曾 於1901-27年間居住於上海、北京。 £500 – 800

167

408

409

410

411

408

409

A CHINESE FAMILLE ROSE OCTAGONAL ‘BOYS’ TRAY.

A CHINESE FAMILLE ROSE PINK-BACKED DISH.

20th Century.

Painted to the centre with two bees, a spray of pink roses, camomiles and an ear of millet, the reverse decorated with an even pink glaze, a six character Yongzheng mark and a four character signature to the base, 20.3cm diameter.

Delicately painted with five small boys wearing bright outfits, feeding chickens by a pond surrounded by clusters of chrysanthemum and peonies with large flower heads and a spray of bamboo entangled in gourd climbers, 27.5cm diameter. 二十世紀 粉彩繪嬰戲圖紋八方盤

粉彩繪牡丹紋碟，「大清雍正年製，園明，亦莫」款 £150 – 200

£600 – 800 411 410

A CHINESE BLUE AND WHITE JUE.

A CHINESE FAMILLE ROSE ‘ROSES’ WATERPOT, PINGGUO ZUN.

The flared body formed after a bronze original painted with cranes in flight amongst clouds between bands of chevron, set to one side with a C-shaped handle, rising to two extended spouts flanked by two posts with circular finials, the lower section with stylised blossoms and foliage, all raised on three tall legs, with a four character Qianlong mark to the underside, 12.5cm H.

The ovoid body with a circular opening painted with pink and yellow blossoms and foliage, a four character Qianlong mark to the base, 8cm diameter. 粉彩繪花卉圖紋水盂，樊紅「乾隆年製」

青花繪雲鶴圖紋爵，青花「乾隆年製」篆書款 £800 – 1,200 168

412

413

414

415

412

413

A CHINESE FAMILLE ROSE ‘SPANIELS’ BRUSHPOT, BITONG.

A CHINESE FAMILLE ROSE ‘DEER’ CUP.

The cylindrical body painted with four playful black and white puppies in a garden among blossoming shrubs, a six character Daoguang mark to the base, 11.6cm H.

The flared body decorated with a large group of deer in a mountainous landscape, the rim accentuated with gilt, a four character Hongxian mark to the base, 10.8cm diameter.

£500 – 800

£500 – 800

414

415

A CHINESE FAMILLE ROSE ‘DOUBLE GOURD’ VASE.

A CHINESE FAMILLE ROSE THREE-TIER FOOD CONTAINER.

The lower section painted with four roundels of stylised characters surrounded by lotus blossoms and foliage, the upper section with two bats and flower heads surrounding a gilt shou character, the rim with bands of key fret and ruyi heads, the waisted shoulder and foot rim with lotus on bright green ground, a four character Qianlong mark to the base, raised on a wood stand, 24cm H.

20th Century.

粉彩繪犬紋筆筒，樊紅「大清道光年製」篆書款

粉彩福壽紋葫蘆瓶連木座 £200 – 300

粉彩繪白鹿紋盃，樊紅「紅憲御製」楷書款

The circular-section body, with each tier applied with four mask handles and painted with a watery landscape, the reverse with calligraphy and signed [Xiao] Lianxi, the cover mirroring the design, 15.5cm H, 19cm diameter. (4) 二十世紀 粉彩繪山水圖紋三提食盒，「風雨歸舟，乘長風破萬里 浪，壬戊季秋月珠山蓮溪畫館」款 £200 – 300

169

416

417

418

419

416

417

A CHINESE FAMILLE ROSE VASE, HU. 20th Century.

A CHINESE FAMILLE ROSE ‘TIGER VASE’, SIGNED XU TIANMEI (19101994).

The pear-shaped body with tubular handles painted with a figure on a mule followed by an assistant on their way towards a village at the foot of a mountain, the reverse with a pair of birds and chrysanthemum, the sides with blossoms and rockery, inscribed and signed Cheng Men, 32cm H.

Dated 1977.

The ovoid body with a flared neck painted with a roaring tiger in a mountainous landscape by a pine tree, with a waterfall in the far distance, a four character mark to the base, 43cm H.

£500 – 800

£500 – 800

418

419

A CHINESE FAMILLE ROSE FIGURE OF AN IMMORTAL.

A LARGE CHINESE FAMILLE ROSE ‘CARPENTER’ PLAQUE.

20th Century.

Late Qing Dynasty.

Standing, holding a ruyi sceptre in his left hand, wearing a long turquoise robe and an iron-red jacket with dragons, his head adorned with an elaborate hat, his long beard and hair falling over his chest, 58cm H.

With an old carpenter and his apprentice working by a gate enclosing a house and a willow tree, a pair of chickens at their feet, 89 x 26cm.

二十世紀 粉彩人物立像

清晚期 粉彩繪‘三之日于耜’掛牌，「三之日于耜，六一七一之 吉，萬清」款

£200 – 300

£400 – 600

二十世紀 粉彩繪山水圖紋貫耳壺，「程門」款

170

一九七七 粉彩繪虎嘯圖紋瓶，「徐天梅」款

420

421

422

423

420

421

A CHINESE FAMILLE ROSE ‘DRAGON’ CUP, COVER AND STAND.

A CHINESE FAMILLE ROSE ‘DRAGON’ CUP AND COVER.

Qing Dynasty, six character Guangxu marks and of the period.

Qing Dynasty, four character Guangxu mark and of the period.

The flared body painted with iron-red beasts reaching for the sacred pearl amongst colourful clouds and wisps of fire, the cover mirroring the design, the stand with stylised bats, the foot rims with key fret bands, 10.7cm diameter. (3)

The rounded body painted with iron-red dragons pursuing sacred pearls surrounded by clouds and wisps of fire, the domed cover similarly decorated, 12.5cm H. (2)

清光緒 粉彩繪龍紋蓋盌，青花「大清光緒年製」楷書款

清光緒 粉彩繪龍紋蓋盌，樊紅「光緒年製」楷書款 £500 – 800

£800 – 1,200 423 422 A CHINESE STEM ‘DRAGON’ BOWL. Late Qing Dynasty.

The rounded body decorated with two dragons contesting the sacred jewel amidst stylised clouds and fire above roaring waves, the tall leg with banana leaves, the foot rim with blossom sprays, 9.5cm H. 清晚期 粉彩樊紅繪龍紋高足盌

A CHINESE YELLOW-GROUND ‘SHOU’ CUP. Qing Dynasty, six character Guangxu mark and of the period.

The rounded body painted with two rows of blue shou characters against a bright yellow ground, the rim accentuated with gilt, raised on a straight foot with two plain gilt bands, 6.7cm in diameter. 清光緒 黃地壽字紋盌，樊紅「大清光緒年製」楷書款 £500 – 800

£300 – 500 171

424

425

426

427

424

425

A CHINESE BLUE AND WHITE ‘HUNDRED VASES’ BOWL.

A CHINESE BLUE AND WHITE ‘PRECIOUS OBJECTS’ BOWL.

Qing Dynasty, six character Guangxu mark and possibly of the period.

Qing Dynasty, six character Guangxu mark and probably of the period.

The rounded body painted with a row of variously shaped vases on stands between two double bands to the rim and foot, 15cm diameter.

Decorated in underglaze blue and overglaze enamels and gilt with vases of blossoms and a coiled dragon, 10cm diameter.

£800 – 1,200

£400 – 600

426

427

A PAIR OF CHINESE BLUE AND WHITE ‘LOTUS’ BOWLS.

A SMALL CHINESE WUCAI ‘LOTUS’ BOWL.

Qing Dynasty, six character Guangxu marks and of the period.

Qing Dynasty, six character Guangxu mark and possibly of the period.

Each painted with a continuous lotus stem with flower heads and a ring of lappets around the foot, the interiors with a single blossom, 9cm diameter.

(2)

The flared body painted in enamels and gilt with stylised lotus blossoms and foliage, with a band of colourful lappets around the foot, the interior with a roundel containing a single blossom, 9.5cm diameter.

£500 – 800

£200 – 300

清約光緒 青花繪花瓶紋盌，青花「大清光緒年製」楷書款

清光緒 青花繪蓮紋盌一對，青花「大清光緒年製」楷書款

172

清約光緒 青花加彩繪博古圖紋盌，青花「大清光緒年製」楷書款

清約光緒 青花描金加彩纏枝蓮紋盌，青花「大清光緒年製」楷書款

428

429

LU ZHI (follower of, 1496 – 1576).

LIU YING.

Hundred Birds, Chinese hanging scroll painting, ink and colour on silk, 184 x 82.5cm.

Eagle Hunting, Chinese hanging scroll painting, ink and colour on silk, 109.5 x 58cm.

設色絹本 立軸

設色絹本 立軸

£300 – 500

£400 – 600

陸治（傳） 百鳥圖

劉穎 獵鷹

173

431

432

430

ANONYMOUS.

LI KUCHAN (attributed to, 1899 – 1983).

LI DANLIN (1834 – 1912).

Eagle, Chinese hanging scroll painting, ink and colour on silk, 172 x 47.5cm.

Mountain Eagle, Chinese hanging scroll painting, ink and colour on paper, 83 x 43.5cm.

李丹麟 立鷹圖

設色絹本 立軸

水墨紙本 立軸

£200 – 300

Provenance: collection of a Singaporean resident in London, acquired in the 1970s and 1980s.

Eagle on a Rock, Chinese hanging scroll painting, ink on paper, 74 x 41cm.

£200 – 300

佚名 鷹

李苦禪（傳） 山鷹圖 設色紙本 立軸

來源：居倫敦新加坡裔人士收藏，於197080年間購得。 £100 – 200 174

433

434

435

YU JU (1859 – 1939).

XIU SHAN

DA LUNXIANG

Bird on Branches, Chinese hanging scroll painting, ink and colour on paper, 130 x 28cm.

Birds in Pine Tree, ink and colour on paper.

Birds in a Pine Tree, Chinese hanging scroll painting, ink and colour on paper, 132 x 32cm.

郁榘 鳥落枝頭 設色紙本 立軸 £100 – 200

秀山 松鳥圖 設色紙本 £180 – 200

達倫祥 鳥落枝頭 設色紙本 立軸 £200 – 300

175

436

437

438

ANONYMOUS.

YE CHANGHUA.

PAN TIANSHOU (attributed to, 1897 – 1971).

Bird in Peach Tree, Chinese painting, framed, ink and colour on paper, 95.5 x 44.4cm.

Bird and Fish, Chinese hanging scroll painting, ink and colour on paper.

Eagle, Chinese hanging scroll painting, ink and colour on paper, 91 x 47cm.

設色紙本 鏡框

設色紙本 立軸

£100 – 200

£200 – 300

Provenance: collection of a Singaporean resident in London, acquired in the 1970s and 1980s.

佚名 鳥落枝頭

葉常華 魚鳥圖

潘天壽（傳） 松鷹圖 設色紙本 立軸

來源：居倫敦新加坡裔人士收藏，於197080年間購得。 £100 – 200

176

439 A TIBETAN BRONZE AND SILVER FIGURE OF TSONGKAPA. Tibet, 18th / 19th Century.

The founder of the Gelugpa order seated in the meditative vajra position, wearing monk's robes incised with meaty foliate scrolls and geometric patterns and a pointy pandita hat, his hands folded one on top of the other on his lap, his eyes closed with an expression of focus, all raised on a lotus base, 13cm, 40g. 西藏十八 / 十九世紀 銀嵌銅宗喀巴像 £800 – 1,200

440 A CHINESE GILT-BRONZE FIGURE OF A BUDDHA. Qing Dynasty, 18th Century.

Raised on a double lotus base with a beaded border, meditating with his palms resting one on top of another on the crossed legs, wearing a dhoti with a floral border, a lavish lotus necklace, his hair with traces of cold paint decoration arranged in a tiered chignon with a flame finial, two strands flowing down his shoulders, 20cm H, 390g. 清十八世紀 銅鎏金佛像 £1,000 – 2,000

441 A CHINESE GILT-BRONZE MEDICINE BUDDHA. Qing Dynasty.

Seated on a lotus throne, wearing monk's robes, his legs crossed, his left hand holding a medicine jar, the right a floral spray, his hair arranged in tight curls, the head topped with ushishna, the elongated earlobes almost reaching the shoulders, 13cm H, 480g. 清 銅鎏金藥師佛像 £1,000 – 2,000

177

442 A MONGOLIAN THANGKA. 19th Century.

Depicting Buddha with a string of prayer beads seated beneath a tree, surrounded by small boys and animals, pigment on canvas, 72 x 50cm. 蒙古十九世紀 唐卡 £500 – 800

443 A NEPALESE THANGKA OF ACALA. Nepal, 15th Century.

Acala Vidyaraja, Guardian King of Light and protector of Buddhism shown with a blue skin, kneeling on a stylised lotus throne, holding a flaming sword in his right hand and a lasso in the left hand, the first serves as a weapon against demons and the second - a tool to draw new converts to the wisdom of Buddhism, pigment on canvas, 29 x 21cm. 尼泊爾十五世紀 繪不動明王唐卡 £2,500 – 3,500

178

444 A LARGE TIBETAN THANGKA OF AMITAYUS. Tibet, 19th Century.

Seated cross-legged on a double lotus throne, holding a small vase in both hands, surrounded by a double halo, large blossoms and clouds, pigment on canvas, 90 x 63cm. 西藏十九世紀 繪阿彌陀佛像唐卡 £600 – 800

445 A MONGOLIAN THANGKA OF PALDEN LHAMO. Mongolia, 19th Century.

The blue female deity, also known as Palden Lhamo, the Protector of the Dalai Lama, shown galloping on a horse holding a staff and a kapala, seated on a flayed human skin, her waist tied with a tiger hide and a belt of severed heads, pigment on canvas, 58 x 43cm. 蒙古十九世紀 繪吉祥天母像唐卡 £300 – 500

179

446 A TIBETAN THANGKA OF MARICI, THE BODHISATTVA OF LIGHT. Tibet, 19th Century.

Seated on a lotus throne, holding attributes in each of his six arms: a bow, an arrow, a ceremonial axe, and a sword, with a third eye in the centre of the forehead, surrounded by seven Guardians and Three Buddhas, pigment on canvas, 70 x 42cm. 十九世紀 繪摩利支天像唐卡 £300 – 500

447 A COLLECTION OF TIBETAN MEDICINAL CHARTS. Tibet / China, 19th / 20th Century.

Comprising several drawings illustrating anatomy, the energy and healing points on the human body, all described in lanca script, various sizes. (13) 藏 / 漢 十九 / 二十世紀 醫學圖譜 £2,000 – 3,000

180

448 A CHINESE GILT-BRONZE SEATED FIGURE OF THREE-FACED VASUDHARA. Qing Dynasty.

The goddess sitting on a double lotus throne in the royal ease pose, supporting her right foot on an small lotus bud, wearing a floral dhoti, an elaborate headdress above each of her three faces and a long beaded necklace, holding her various attributes including a medicine jar in her multiple hands, 21cm H, 3.1kg. 清 銅鎏金財源天母像 £800 – 1,200

449 A CHINESE POLYCHROMED-WOOD FIGURE OF GUANYIN. Seated in rajalilasana, her ring elbow resting on the raised knee, wrapped in long robes, her head topped with a tall tiara, 37.5cm H. 木雕漆彩觀音像 £200 – 300

450 A VIETNAMESE LACQUERED WOOD FIGURE. Vietnam, 19th / 20th Century.

Seated, wearing a red robe with a gilt floral pattern and a gilt metal headdress, raised on a rectangular wood stand, 59cm H. (2) 越南十九 / 二十世紀 木雕漆彩人像 £800 – 1,200

181

451

452

A TIBETAN BRONZE HEALING HORSE.

A RARE CHINESE STRAW GLAZED FIGURE OF AN OFFICIAL.

Tibet, 13th / 14th Century.

Sui / early Tang Dynasty.

Standing four-square on a rectangular base, looking forward, with a fourpointed vajra incised to his back, 16cm long, 623g.

Seated in a relaxed pose with right leg pendant, the arms broken off at the elbows and missing, adorned with inlaid jewellery, with hair piled up in a tall chignon, all raised on a modern stand, 8cm H, 60g. (2)

西藏十三 / 十四世紀 銅馬 £1,000 – 2,000

隋到唐早期 米白釉關帝像 £3,000 – 5,000

182

453 A SINO-TIBETAN GILT-BRONZE FIGURE OF A BODHISATTVA. Qing Dynasty.

Seated cross-legged on a double lotus throne, meditating with his palms resting on top of each other, wearing a dhoti, a beaded necklace, bracelets and a five-lobed tiara, some cold-painted decoration to the face and hair, 24cm H, 2.5kg. 清 銅鎏金觀音像 £6,000 – 8,000

183

446 A TIBETAN THANGKA OF MARICI, THE BODHISATTVA OF LIGHT. Tibet, 19th Century.

Seated on a lotus throne, holding attributes in each of his six arms: a bow, an arrow, a ceremonial axe, and a sword, with a third eye in the centre of the forehead, surrounded by seven Guardians and Three Buddhas, pigment on canvas, 70 x 42cm. 十九世紀 繪摩利支天像唐卡 £300 – 500

447 A COLLECTION OF TIBETAN MEDICINAL CHARTS. Tibet / China, 19th / 20th Century.

Comprising several drawings illustrating anatomy, the energy and healing points on the human body, all described in lanca script, various sizes. (13) 藏 / 漢 十九 / 二十世紀 醫學圖譜 £2,000 – 3,000

184

456 A SINO-TIBETAN WHITE METAL WHITE JADE-INLAID EWER AND COVER. The a flattened pear-shaped body set to each side with a large white jade plaque, one carved with an Immortal and a large peach in a raft, the second with a scholar and an acolyte in a landscape, the handle set with a plaque carved with a chilong, the spout formed as a dragon head, the tall splayed foot cast with a band of lotus petals, all decorated with small chilong, flames, masks and clusters of turquoise, lapis and coral beads, the domed cover with floral scrolls and a white jade flame finial, 42cm H. (2) 藏式白鐵嵌玉雕執壺 £2,000 – 3,000

457 A CHINESE TURQUOISE-GLAZED PORTABLE BUDDHIST SHRINE.

456

Qing Dynasty, Kangxi period.

Depicting a cross-legged bodhisattva with a mandorla around his head and a pointed arch decorated with floral scrolls behind him, all raised on a double lotus base, 10cm H. 清康熙 孔雀藍釉佛牌 £400 – 600

458 A NEPALESE TANTRIC MANUSCRIPT. Containing holy scriptures and images, 27 x 11.5cm. 尼泊爾 密宗手卷 £200 – 300

457

458

185

459 A SMALL CHINESE YELLOW-GROUND FAMILLE VERTE ‘MAGPIES AND POMEGRANATE’ DRUM STOOL. Qing Dynasty.

The barrel-shaped body painted with three birds amongst branches of a fruiting pomegranate tree between bands of crackedice and prunus blossoms, the top with a bird and butterflies above a spray of wild flowers, together with a wood stand, 16.5cm H. (2) 清 黃地三彩繪喜鵲石榴圖紋鼓凳及木座 £1,200 – 1,500

460 A CHINESE FAMILLE VERTE ‘TEN MAIDENS’ JAR. Qing Dynasty, Kangxi period.

The ovoid body decorated with a group of six young ladies gathered around a table beneath trees surrounded by large boulders, three further maidens beckoning at their friend standing on a veranda, 21cm H. 清康熙 五彩繪仕女圖紋罐 £3,500 – 4,000

461 A CHINESE FAMILLE ROSE ‘BOYS’ BASIN. Qing Dynasty, 19th Century.

Painted with figures of eight boys at play with a courtier around a central roundel of a figure within a ruyi head band displaying a four character inscription, the wide rim with flower heads and foliage, together with a wood stand, 29.5cm diameter. (2) 清十九世紀 粉彩繪‘一團和氣’折沿盆 £300 – 500

186

462 A CHINESE GREEN AND YELLOW-GLAZED ‘DRAGON’ INCENSE BURNER AND COVER. Qing Dynasty.

With an ovoid body moulded with two confronting green beasts reaching for the sacred pearl, the neck with flower heads, set with two straight U-shaped handles to the shoulder, raised on three mask-shaped legs terminating with paws, the cover pierced with trigrams and surmounted by a lion dog, together with a wood stand in form of three conjoined water chestnuts, 20.5cm H. (3) 清 黃地繪綠龍紋雙耳蓋爐連木座 £500 – 800

463 A CHINESE POWDER-BLUE AND SLIPDECORATED BASIN. Qing Dynasty, 18th/19th Century.

The deep body decorated with a central lotus spray surrounded by other blossoms and foliage to the cavetto and rim, the reverse plain, 40.5cm diameter. 清十八 / 十九世紀 灑藍地飾堆白折沿盆 £2,000 – 3,000

187

464 A CHINESE HARD WOOD DESK. 20th Century.

The rectangular top with three drawers supported on two detachable stands with one small drawer each, a plain apron and four legs joined by a lattice, 79 x 103 x 47cm. (3) 二十世紀 嵌雲石板架几案 £800 – 1,200

465 A CHINESE HARD WOOD ALTAR TABLE. Qing Dynasty.

With a rectangular top above a frieze of spearheads, the aprons carved with kui dragons, stylised flower heads and scrolls, the straight legs with curved ends joined in pairs with stretchers, 85 x 186 x 39.5cm. 清 木雕條案

£4,000 – 6,000

466 A CHINESE HARD WOOD SEDAN CHAIR. Qing Dynasty.

With an open front and three sides shielded from view by bamboo walls woven with stylised flower heads and auspicious characters beneath reticulated panels carved with squirrels and wine, pierced with quatrefoil apertures, all mounted with two long rods. (3) 清 木鏤雕轎 £500 – 800

188

467 A CHINESE BONE-INSET RETICULATED WOOD CABINET. Late Qing Dynasty.

The front with a drawer, two small door with peach-shaped bone handles and panels carved with scrolling foliage, dragons and birds, seven panels inset with bone plaques decorated with angular scrolls, the sides with reticulated roundels and foliage, all raised on short scroll feet connected with an ornamental apron, 86 x 76.5 x 27cm. 清晚期 鏤雕木櫃嵌骨雕牌 £1,000 – 2,000

468 A PAIR OF CHINESE HARDWOOD AND MARBLE-INLAID STANDS. Qing Dynasty.

Each with a pink marble top with white mottling above reticulated aprons with angular scrolls and two shelves, raised on four straight legs terminating with paws, 79.5 x 42 30.5cm.

(2) 清 木雕嵌雲石板花架一對 £400 – 600

469 A CHINESE WOOD CABINET. Late Qing Dynasty.

Of A-shaped frame and a top with upturned ends, with a pair of doors opening to an arrangement of two shelves and three drawers, raised on four short feet, 80.5 x 60.5 x 33cm. 清晚期 木雕櫃 £800 – 1,200

189

470

471

472

470

471

472

A CHINESE POTTERY FIGURE OF A HORSE RIDER AND AN OWL.

A CHINESE POTTERY FIGURE OF A DRAGON.

TWO CHINESE POTTERY FIGURES AND A VASE, GU.

Han Dynasty.

Han Dynasty or later.

Han Dynasty.

The warrior in full armour firmly seated in the saddle, his steed standing four-square supported on a rectangular stand, together with a pottery figure of an owl, each item with traces of earth pigments on the surface, 11 - 33cm H. (2)

With a slender body and an upturned tail, his head with a wide open mouth and large nostrils looking towards the sky, the surface with faint decoration of earth pigments, 21.5cm long.

Comprising a standing and a seated figure, each wearing long court robes and a vase moulded to the middle section with four flanges and dragon roundels on a ground of spiralling pattern, the flared neck and foot with banana leaves, 45cm H. (3)

漢 陶塑騎兵俑及貓頭鷹 £500 – 800

漢或更晚 陶螭龍擺件 £100 – 200

Provenance: figures: Spink and Christies by repute. 漢 陶塑人像兩尊及觚式瓶

來源：人像來源於斯賓克及佳士得（口 傳）。 £300 – 500 190

473

475 473 A CHINESE CREAM-GLAZED GUARDIAN FIGURE. Han Dynasty or later.

Standing, wearing a breastplate and long trousers tied above the knee, his hands clasped before his chest, the face with a focussed expression, all decorated with a cream glaze, 44.5cm H. 漢或更晚 米白釉關帝像 £500 – 800 475 A CHINESE SANCAI FIGURE OF A COURT LADY. Tang Dynasty.

Standing, wearing a long green-glazed robe and ornamental shoes with upturned tips, holding her hands clasped before her, her hair piled in a tall chignon, 37cm H. 唐 三彩仕女像 £1,000 – 1,500 A copy of an Oxford Authentication Ltd laboratory test C299e52, October 29th 1999 available on request.

474

476 474 A CHINESE SANCAI-GLAZED POTTERY FIGURE OF LOKAPALA. Han Dynasty.

The standing figure resting his right foot on a rock, wearing a heavy military jacket, boots and a helmet, the right hand raised, the left resting on his hip, decorated with cream, yellow and green glaze, 44cm H. 漢 三彩天王像 £500 – 800

476 A CHINESE POTTERY FIGURE OF A DANCER. Han Dynasty.

Standing in a dynamic pose, his left foot resting on a tambourine, wearing a jacket with long sleeves, his face with a trimmed moustache turned upward, the head adorned with a fanciful hat, the surface with traces of earth pigments, 23cm H. 漢 陶舞俑 £300 – 500

191

477 FIVE CHINESE POTTERY HORSES AND RIDERS. Tang Dynasty.

Each horse standing four square on a rectangular platform, the riders seated straight in their saddles wearing court robes and hats, with remains of polychrome earth pigments, 32.5cm H. (5) 唐 陶騎兵俑五尊 £1,500 – 2,000

192

478 A PAIR OF CHINESE SANCAI EARTH SPIRITS. Tang Dynasty.

Each formed as a mythical creature with a horned ferocious face, lion paws and wings, decorated with green, white and yellow glaze, together with modern stands, 67 - 75cm high. (4) 唐 三彩鎮墓獸一對連底座 £4,000 – 6,000 This lot is accompanied by copies of the Thermoluminescence Analysis Reports ref PH037/503 and PH037/504, dated 8 April 2003, consistent with a Tang Dynasty date. Pottery figures of dramatic mythical beasts were created during the 7th and 8th Century China to protect burials at the time. Examples on the scale of the present lot in terms of scale and glazing are exceptional and would have been made to accompany elites of the period into the afterlife.

193

479

480

481

482

479 A CHINESE POTTERY JAR. Neolithic Period.

The tapered body rising to a tall rounded shoulder applied with two loop handles and terminating with a flared neck, painted to the upper part in earth pigments with anthropomorphic patterns, 26.5cm H. 新石器時代 彩繪雙耳陶罐 £400 – 600 481 A PAIR OF CHINESE BROWN JADE ARCHAISTIC BLADES. Each with a flared blade with a curved edge, the tangs with a single hole and a pair of flanges, the stone with reddish mottling throughout, 31cm long. (2) Provenance: from the collection of Fritz Zeileis (1898–1978) Literature: F.G. Zeileis, Ausgewahlte Chinesische Jade aus Sieben Jahrtausenden, 1994. 石刀一對 來源：弗裏茨·蔡萊（1898-1978）收藏。 文獻：F.G. Zeileis，《中國玉器七千年》，1994年。 £800 – 1,200 194

480 A CHINESE POTTERY ‘WARRIOR’ TILE. Yuan Dynasty.

Moulded with a fierce-looking standing figure in a full armour and helmet, 34.5 x 17.5cm.

Provenance: from the personal collection of Brian Morgan (1930 – 2018), formerly a director of Bluetts. 元 陶猛士像 來源： Brian Morgan （ 1930-2018 ）收藏，前 Bluett & Sons 總 監。 £400 – 600 482 A CHINESE BRONZE DAGGER. Han Dynasty.

Cast with a handle with two plain bands, the straight blade narrowing towards the end, together with a box, 41cm long, 512g. (2) 漢 銅劍 £200 – 300

483 A CHINESE CIZHOU VASE. Yuan Dynasty.

The squat ovoid body rising from a recessed base to a short narrow ribbed neck with everted rim with a rare black-glazed mouth, freely painted with floral sprays and geometric bands, all in brown glaze against a cream ground, Japanese wood box, 28cm H. (2) 元 磁州窯瓶

£5,000 – 8,000 Vases of this type are discussed in Mino, Freedom of Clay and Brush through Seven Centuries in Northern China: Tz’u-chou Type Wares, 960-1600 AD, 1980, p 150 where they are said to derive from the meiping -form vases of the Song Dynasty. For a similar piece in the collection of the British Museum see Hobson, Rackham and King, Chinese Ceramics in Private Collections, 1931, fig 116, p 57.

195

484

485

486

487

484

485

A CHINESE CIZHOU-GLAZED BOWL.

A CHINESE POTTERY GREEN-GLAZED JAR AND COVER.

Jin Dynasty.

Tang Dynasty.

The conical flared body with a tall rim decorated with a dark brown glaze stopping short of a circular biscuit foot, 18cm diameter.

The ovoid body raised on a short foot decorated with a bright green glaze draining from the shoulder, the domed cover with a bud finial, 21.5cm H. (2)

金 磁州醬釉盌 £300 – 500

唐 綠釉蓋罐 £500 – 800

486 A CHINESE CREAM-GLAZED ‘LOTUS POND’ MOULDED DISH. Impressed with seven panels of ducks beneath lotus emerging from the water surface and a band of key fret to the rim, all decorated with an even cream glaze, 18cm diameter. 米黃釉模印蓮池紋碟 £800 – 1,200

487 A CHINESE JIAN TEA BOWL. Song Dynasty.

The conical body with a straight rim decorated with dark brown glaze draining from the rim, leaving the dark biscuit foot unglazed, 12.5cm diameter. 宋 建窯茶盌

£2,000 – 3,000

196

488

489

490

491

488

489

TWO CHINESE XIANGZHOU CIRCULAR BOXES AND COVERS.

A CHINESE CELADON-GLAZED YAOZHOU LOBED JAR.

Song Dynasty.

Song Dynasty, or later.

The larger with a cover moulded with a feathery flower head, the smaller with a standing figure, each decorated with an olive glaze with scattered brown markings, 7.5 - 10cm. (4)

With a tapered body divided into sections incised with stylised foliage, with two double loop handles formed as twisted ropes to the waisted neck, all decorated with an even grey celadon-grey glaze, 12.5cm across.

£5,000 – 8,000

£800 – 1,000

宋 相州窯圓形蓋盒兩件

490 A CHINESE GILT WHITE METAL FRAGMENT CUP. Tang Dynasty.

宋或更晚 耀州窯暗刻花紋雙耳罐

491 TWO CHINESE POTTERY TRIPOD VESSELS, LI AND A POTTERY JAR. Neolithic and later.

The flared body decorated with gold metal inlay of foliate scrolls, all raised on a splayed foot, 5cm H, 54g.

The li each with a lobed body supported on three feet, with two loop handles set to the shoulder below the flared rim, the jar with a tapered ovoid body impressed with a diaper pattern, 11.5cm H. (3)

£800 – 1,200

£400 – 600

唐 白鐵鎏金盃殘片

漢或更晚 陶鬲兩件及陶罐另一件

197

492

493

494

XU BEIHONG (1895 – 1953).

WANG SHIZI (1885 – 1950).

XU BEIHONG (follower of, 1895 – 1953).

Magpie, Chinese hanging scroll painting, ink and colour on paper, 89 x 47cm.

Fish in a Pond, Chinese hanging scroll painting, ink and colour on paper, 66 x 25.5cm.

Horse, Chinese hanging scroll painting, ink and colour on paper, 57 x 39.5cm.

設色紙本 立軸

設色紙本 立軸

設色紙本 立軸

£100 – 200

£100 – 200

£300 – 500

徐悲鴻 喜鵲

198

王師子 錦鱗圖

徐悲鴻（傳） 馬

495

496

YU TIAN.

HONG YU.

Tiger, Chinese hanging scroll painting, ink and colour on paper, 162 x 49cm.

Monkey, Chinese hanging scroll painting, ink and colour on paper, 133 x 32cm.

設色紙本 立軸

設色紙本 立軸

£200 – 300

£300 – 500

愚天 猛虎

洪燠 猴子

497 LI YAN (1943 –).

Monkey, Chinese hanging scroll painting, ink and colour on paper, 68.5 x 48.5cm. 李燕 猴子 設色紙本 立軸 £100 – 200

199

498

499

ZHENG XIE (attributed to, 1693 – 1765).

AN RUSU.

Bamboo, Chinese hanging scroll painting, ink on paper, 132 x 46cm.

Bamboo, Chinese hanging scroll painting, ink on paper, 115 x 33cm.

Provenance: London private collection, acquired in the 1970s and 1980s.

安如素 竹子

鄭燮（傳） 春竹圖

水墨紙本 立軸

水墨紙本 立軸

£200 – 300

來源：倫敦私人收藏，於1970 - 80年間購得。 £300 – 500 200

500

501

ZHENG XIE (1693 – 1765).

ZHENG XIE (follower of, 1693 – 1765).

Bamboo, Chinese hanging scroll painting, ink on paper, 132 x 46cm.

Bamboo, Chinese hanging scroll painting, ink on paper, 132 x 46cm.

水墨紙本 立軸

水墨紙本 立軸

£200 – 300

£100 – 200

鄭燮 竹子

鄭燮（傳） 竹子

201

502

503

PAN TIANSHOU (attributed to, 1897 – 1971).

ZHI YUAN.

Lotus Flower, Chinese hanging scroll painting, ink and colour on paper, 107.5 x 45cm.

Dragonfly Among Lotus Flowers, Chinese hanging scroll painting, ink and colour on paper, 89.5 x 48cm.

Provenance: collection of a Singaporean resident in London, acquired in the 1970s and 1980s.

設色紙本 立軸

潘天壽（傳） 花卉圖 設色紙本 立軸

來源：居倫敦新加坡裔人士收藏，於1970-80年間購得。 £100 – 200 202

志源 盛夏荷香 £100 – 200

503 ZHI YUAN. Dragonfly Among Lotus Flowers, Chinese hanging scroll painting, ink and colour on paper, 89.5 x 48cm. 志源 盛夏荷香 設色紙本 立軸 £100 – 200

203

504

505

ZHU DA (Ba Da Shan Ren, attributed to, 1626 – 1705).

BIAN SHOUMIN (follower of, 1684 – 1752).

Birds, Flowers and Fish, an album of twelve Chinese album leaf paintings, ink on paper, 33 x 27cm.

Pomegranates, Chinese hanging scroll painting, ink and colour on paper, 135 x 38.5cm.

Provenance: collection of a Singaporean resident in London, acquired in the 1970s and 1980s.

設色紙本 立軸

八大山人（傳） 花卉魚鳥冊 水墨紙本 冊頁十二開

來源：居倫敦新加坡裔人士收藏，於1970-80年間購得。 £2,000 – 3,000 204

邊壽民（傳） 石榴 £200 – 300

507

508

JIANG TINGXI (attributed to, 1669 – 1732).

YUN SHOUPING (attributed to, 1633 – 1690).

Flowers and Rocks, Chinese hanging scroll painting, ink and colour on paper, 106 x 44cm.

Flowers, Chinese hanging scroll painting, ink and colour on paper, 80.5 x 37cm.

Provenance: collection of a Singaporean resident in London, acquired in the 1970s and 1980s.

Provenance: collection of a Singaporean resident in London, acquired in the 1970s and 1980s.

設色紙本 立軸

設色紙本 立軸

來源：居倫敦新加坡裔人士收藏，於1970-80年間購得。

來源：居倫敦新加坡裔人士收藏，於1970-80年間購得。

£400 – 600

£100 – 200

蔣廷錫（傳） 山石花卉圖

惲壽平（傳） 花卉

205

509

510

WANG YUN (1866 – 1950).

CHEN QIFENG.

Figures in a landscape, Chinese hanging scroll painting, ink and colour on paper, 126.5 x 34cm.

Scholar with Attendant, Chinese hanging scroll painting, ink and colour on paper, 153 x 42cm.

設色紙本 立軸

設色紙本 立軸

£500 – 800

£100 – 200

王雲 山水人物

206

陳起鳳 山中行旅圖

511

512

REN YI (follower of, 1840 – 1895).

SHEN XINHAI (1855 – 1941).

Shoulao and Deer, Chinese hanging scroll painting, ink and colour on paper, 138 x 38cm.

Figure, Chinese hanging scroll painting, ink and colour on paper, 158 x 45cm.

任頤（傳） 壽佬與鹿 設色紙本 立軸 £300 – 500

Provenance: London private collection, acquired in the 1970s and 1980s. 沈心海 月下行者圖 設色紙本 立軸 來源：倫敦私人收藏，於1970 - 80年間購得。 £500 – 800 207

513

514

SHI QUAN.

BU TIAN.

Man with Fish, Chinese hanging scroll painting, ink and colour on paper, 63 x 36cm.

Li Tieguai, Chinese hanging scroll painting, ink and colour on paper, 72 x 35cm.

設色紙本 立軸

設色紙本 立軸

£200 – 300

£200 – 300

石泉 漁翁得利

208

補天 李鐵拐

515

516

SHEN TANG.

YANG AILING.

Buddha, Chinese hanging scroll painting, ink on paper, 116.5 x 57.5cm.

Solitary Figure, Chinese hanging scroll painting, ink on paper, 117 x 55cm.

水墨紙本 立軸

設色紙本 立軸

£300 – 500

£200 – 300

沈塘 佛

楊愛玲 東方朔偷桃

209

517

518

LUO XIAN.

SUI ZHI.

Figures, Chinese hanging scroll painting, ink and colour on paper, 100 x 48cm.

Figure with Assistant, Chinese hanging scroll painting, ink and colour on paper, 135 x 34cm.

Provenance: London private collection, acquired in the 1970s and 1980s.

遂之 山中行旅圖

羅賢 富貴壽考圖

設色紙本 立軸

設色紙本 立軸

£100 – 200

來源：倫敦私人收藏，於1970 - 80年間購得。 £400 – 600 210

519

520

XIA SHUMO.

ANONYMOUS.

Figures, Chinese hanging scroll painting, ink and colour on paper, 213 x 56cm.

Figures, Chinese hanging scroll painting, ink and colour on paper, 107 x 43cm.

Provenance: London private collection, acquired in the 1970s and 1980s.

Provenance: London private collection, acquired in the 1970s and 1980s.

設色紙本 立軸

設色紙本 立軸

來源：倫敦私人收藏，於1970 - 80年間購得。

來源：倫敦私人收藏，於1970 - 80年間購得。

£1,000 – 1,500

£300 – 500

夏樹謨 蕉林息憩圖

佚名 松下閑趣圖

211

521

522

HUANG SHANSHOU (attributed to, 1855 – 1919).

ANONYMOUS.

Ladies, Chinese hanging scroll painting, ink and colour on paper, 141 x 43cm.

Literary scene, Chinese hanging scroll painting, ink and colour on silk, 36 x 52cm.

黃山壽（傳） 仕女 設色紙本 立軸 £100 – 200

佚名 文會圖

設色絹本 立軸 £100 – 200

212

523

524

LI YAOQIN

LANG SHINING (Giuseppe Castiglione, follower of, 1688 – 1766).

Monk, Chinese hanging scroll painting, ink and colour on paper, 89 x 34cm.

Rider Beneath Bird, Chinese hanging scroll painting, ink and colour on paper, 120 x 62cm.

李垚欽 僧人

設色紙本 立軸 £100 – 200

郎世寧（傳） 騎馬射獵圖 設色紙本 立軸 £1,500 – 2,000

213

525

526

525

526

A CHINESE ANCESTRAL PORTRAIT OF A LADY.

A CHINESE ANCESTRAL PORTRAIT OF A MAN.

Qing Dynasty.

Qing Dynasty.

Seated on a chair with a brocade cover, wearing a lavish robe embroidered with qilin and a tian-tsui -decorated headdress, the tables behind her set with incense burners and a vase with lingzhi, fixed on a stretcher, 164.5 x 87cm.

Seated, wearing a brown robe and a red coat, holding a ruyi in his right hand, his shoes on a footrest before him, an incense burner and a large vase containing a scroll in the background, 94.5 x 55cm.

清 祖先像

清 祖先像 £50 – 80

£100 – 200 527λ A PAIR OF CHINESE LACQUER HARDSTONE-INLAID QUATREFOIL PANELS. Qing Dynasty.

528λ A PAIR OF CHINESE CINNABAR LACQUER HARDSTONE-INLAID 'STILL LIFE' PANELS. Qing Dynasty, 19th Century.

Each decorated with birds and insects above the surface of a pond, with lotus leaves and blossoms emerging from the water, all in jade, agate, coral and nephrite on a black lacquer ground, the lower parts painted in gold lacquer with bridges and porous rockery, all contained within a cinnabar frame carved with lotus scrolls, 51 x 81cm. (2)

Each decorated with an elegant composition against a background of a dense triangular pattern and contained in a hardwood frame, the first with a flower vase on a rootwood stand, a tomato, two peanuts and a stand suspending a chime, the second a vase with blossoms elevated on a stand, a pomegranate, two water chestnuts and a jade plaque, all inlaid with various semi precious stones, ivory and wood, 50 x 32cm. (2)

£1,500 – 2,000

£2,000 – 3,000

清 剔紅黑漆嵌百寶掛牌

214

清十九世紀 剔紅百寶嵌掛牌一對

527

528

215

529 A CHINESE FOUR-PANEL LACQUER 'LANDSCAPE' SCREEN. Qing Dynasty.

Painted with ink on a gold leaf ground with huts and pavilions on shores of a river, with mountains in the far distance, all within a border of dragon panels on a cash ground, 122 x 182cm. (4) 清 漆金繪山水圖紋四扇屏 £500 – 800

216

530

531

A SET OF FOR CHINESE FAMILLE ROSE 'BLOSSOMS' PLAQUES.

A PAIR OF CHINESE REVERSE GLASS PAINTINGS OF LADIES.

Finely moulded with prunus, bamboo, chrysanthemum and peonies, all against a turquoise ground, each in a wood frame with a reticulated top, 36 x 19.5cm. (4)

Late Qing Dynasty.

£1,000 – 2,000

清晚期 繪仕女圖紋玻璃畫一對

粉彩花卉圖紋掛牌一組四件

Each depicting a young fashionable woman in an interior, the first reading a book, the second holding a fan, all within a border of melons and foliage against a green ground, 51 x 36cm . £300 – 500

217

532

533

A PAIR OF CHINESE PAINTED STONE FIVE-PART PANELS.

A CHINESE LEMON-YELLOW BISCUIT 'LANDSCAPE' PLAQUE.

Qing Dynasty, 19th Century.

Qing Dynasty.

Each painted with landscapes, sages, boys or blossoms, the reverse with calligraphy, framed, 80 x 20cm (including frame). (2)

Moulded to depict ‘the Pavilion of the Autumn Moon’ with a sampan approaching a jetty with pavilions on a shore lined with trees, pagodas in the distance, a four character inscription to the top and a shaped seal to the lower left reading Song Quanshi zuo, all decorated with a monochrome yellow glaze and contained in a wood frame, 41 x 30cm.

清十九世紀 人物故事繪畫一對 £500 – 800 534

A CHINESE LACQUER AND GILT-WOOD 'WARRIORS' PANEL. Qing Dynasty.

Carved in high relief with two equestrian warriors and a banner man arriving at a gate of a walled city, greeted by the local officials, 92 x 45.5cm. 清 木雕漆器描金猛士掛牌 £200 – 300

清 黃釉素燒山水樓閣圖紋瓷板 款識：「平湖秋月」 鈴印：「松泉氏作」 £1,000 – 2,000

535 A CHINESE EMBROIDERY OF TWO HORSES. Depicting a grey and a chestnut steed on a river bank, a short inscription above, framed and glazed, 89 x 62.5cm. ‘荒郊試馬’圖紋刺繡 £200 – 300

218

536 ORIENTAL CERAMICS FROM THE PERCIVAL DAVID FOUNDATION OF CHINESE ART,VOL. 7, TOKYO 1975.

Together with 13 reference books on Chinese art, various sizes. (14) 《大維德基金會藏東方陶瓷》第七冊及中國 藝術圖書一組 £200 – 300

537 A COLLECTION OF CHINESE ART REFERENCE BOOKS AND AUCTION CATALOGUES. Including Marchant, Eskanazi and Sotheby's catalogues (Edward T Chow Collection; Mrs Alfred Clarke Collection) and Transactions of the Oriental Ceramics Society. (41) 藝術類書籍及拍賣圖錄一組 £100 – 200

538 A COLLECTION OF TWENTY-ONE CHINESE RELIGIOUS CHARMS. Late Qing Dynasty.

Printed on paper, various sizes. (8) Provenance: from the collection of Paul Pelliot (1878 – 1945); the Philosophical Research Society. 清晚期 宗教符咒八張，內含《九宮八卦圖》 來源：哲學研究學會保羅·佩里奧（1878 1945）藏。 £800 – 1,200 Ephemera of this type from the late Qing rarely survives and it is therefore ethnographically significant likely having been collected on one of Pelliot’s expeditions to China in the early 20th Century. Pelliot was most famous for his role in the discovery of texts and manuscripts at Dunhuang. For a comparative ephemera from circa 10th century see Caves of the Thousand Buddhas: Chinese Art from the Silk Route p. 83, cat no 64.

219

539

540

541

539

540

541

A CHINESE BEIJING AMBER-RED GLASS VASE.

TWO CHINESE REALGAR GLASS BALUSTER VASES.

EIGHT CHINESE BEIJING GLASS VASES.

Qing Dynasty.

Each formed of iron-red and brown glass, with a tapered body, a splayed foot and a flared neck, the taller darker and with a bulged shoulder, 25.5cm H. (2)

The plain bulbous body with a cylindrical, gently flared neck raised on a splayed foot and embellished with a four character Qianlong mark to the base, 23cm H. 清 料長頸瓶

£2,000 – 3,000

220

仿雄黃料瓶兩件 £500 – 800

Comprising: six baluster vases with a bulged shoulder and a flared rim, one similar smaller vase and one vase with a tapered body, all of bright turquoise colour, 7.5cm H. (8) 藍料瓶八件 £200 – 300

542

543

544

545

542

543

A PAIR OF CHINESE BEIJING YELLOW GLASS ‘BIRDS AND FLOWERS’ VASES.

A PAIR OF CHINESE BEIJING BLACK OVERLAY YELLOW GLASS VASES.

Each with a tapered body and a waisted neck with a flared rim, carved with a large pigeon perched on a branch of magnolia in full bloom, 25.8cm. (2)

The tapered bodies carved with figures beneath trees and city walls, birds and mythical creatures in flight among the clouds, bands of lappets to the shoulder and foot, the necks with key fret and banana leaves to the rims, 24.2cm H. (2)

黃料花鳥圖紋瓶一對 £500 – 800 544

A CHINESE BEIJING YELLOW GLASS FIGURE OF GUANYIN. Kneeling on a double lotus base tied across with a ribbon, wearing longsleeved robes and a cloak covering a tall chignon, her hands clasped before her chest in a praying gesture, a string of beads suspended over the right wrist, all carved in a bright yellow glass, 32.5cm H. 黃料觀音像

£800 – 1,200

套料瓶一對

£1,500 – 2,000 545 A CHINESE YELLOW BEIJING ‘SQUIRRELS AND VINES’ GLASS BOTTLE VASE. The ovoid body with a tall cylindrical neck carved with a squirrel on a rock gnawing on a cluster of fruit hanging above, 21cm H. 黃料長頸瓶 £400 – 600 221

Guan-Style Porcelain from an English Private Collection (lots 546-552)

542

543

544

545

546

547

A CHINESE CELADON CRACKLE-GLAZE VASE, FANGHU.

A CHINESE CRACKLE-GLAZE ‘LINGZHI’ WASHER.

The pear-shaped rectangular-section body with two tubular handles to the neck decorated with celadon glaze criss-crossed with black and yellow crackles, 16.5cm H.

Formed as the auspicious fungus, decorated with a pale celadon glaze with black crackles to the interior, 13.5cm long.

青釉冰裂紋貫耳方壺 £500 – 800 548

Provenance: English private collection. 青釉冰裂紋靈芝式洗

來源：英國私人收藏。 £300 – 500

THREE CHINESE CELADON CRACKLE-GLAZE VASES.

549

Comprising: a bottle vase, a cylindrical vase with a narrowed neck with a wood stand and a pear-shaped vase with twin handles modelled on bronze form, all decorated with a crackled pale celadon glaze, 17 - 22cmH. (4)

THREE CHINESE CRACKLE-GLAZE PIECES AND A BLUE-GROUND ‘DRAGON’ DISH.

Provenance: English private collection. 青釉冰裂紋瓶三件

來源：英國私人收藏。 £300 – 500

Comprising: a dish and two incense burners of compressed circular form, one raised on a circular foot, the other on three short feet, all decorated with an even pale celadon crackled glaze, together with a dish painted in gilt with two dragons and the sacred pearl on a dark blue ground, with a six character Qianlong mark to the base. (4) Provenance: English private collection. 冰裂紋器三件及藍地描金龍紋盤 來源：英國私人收藏。 £300 – 500

222

550

551

552

550

551

552

A LARGE CHINESE CELADON CRACKLEGLAZE BOTTLE VASE.

TWO CHINESE CRACKLE-GLAZE VASES AND THREE BRUSHPOTS, BITONG.

A COLLECTION OF CHINESE CRACKLEGLAZE WATER POTS.

The bulbous body rising to a tall cylindrical neck, all decorated with a pale celadon glaze with a network of crackles, together with a wood stand, 38cm H. (2)

Late Qing Dynasty.

Provenance: English private collection.

Comprising: an ovoid vase with a waisted neck, a spindle-shaped vase, a pair of cylindrical brushpots and a tripod brushpot, all in various shades of celadon glaze with crackles to the surface, 8 - 14cmH. (5)

來源：英國私人收藏。

青釉冰裂瓶兩件及筆筒三件

青釉冰裂紋長頸瓶連木座 £300 – 500

Provenance: English private collection. 來源：英國私人收藏。 £300 – 500

Comprising: three ovoid water pots, two beehive-shaped pots, two washer-shaped pots, three ‘mountain’ water pots each with three apertures, together with three white metal fruit-shaped boxes and covers from Jehanne de Biolley, 10cm. (16) Provenance: English private collection. 清晚期 冰裂紋水盂一組 來源：英國私人收藏。 £300 – 500 223

554

553

555

556

553

554

A CHINESE AGATE TEAPOT AND COVER.

TWO CHINESE APPLE-GREEN JADEITE ‘PEACH’ TEAPOTS AND COVERS.

The flattened ovoid body with a short spout carved with a coiled mythical creature, the shoulder with a band of lotus petals, the domed cover connected to the top of a C-shaped handle with a short chain, together with a wood stand, 11.5cm H. (2) 瑪瑙雕神獸紋扁壺連木座

Each carved as a large peach issuing from a stem-shaped handle, the covers and sides with smaller attendant fruit, together with wood stands, 11.5cm long. (6) 翡翠雕桃紋蓋壺連木座兩件

£500 – 800

£500 – 800

556

557 A CHINESE NEPHRITE ‘DRAGON’ DISH.

A PAIR OF CHINESE PALE CELADON JADE ‘QUAIL’ BOXES AND COVERS. Each formed as a seated bird with legs tucked underneath the body and finely defined plumage, the stone with russet and cream striations, 11.2cm long. (4) 青玉雕鵪鶉蓋盒一對 £500 – 800 224

Carved with a scaly beast to the centre and a band of key fret to the rim, the reverse with scrolls and a four character mark, together with a wood stand, 26.5cm diameter. (2) 軟玉雕龍紋盤 £500 – 800

557

559

558

560

557 A CHINESE NEPHRITE ‘DRAGON’ DISH. Carved with a scaly beast to the centre and a band of key fret to the rim, the reverse with scrolls and a four character mark, together with a wood stand, 26.5cm diameter. (2) 軟玉雕龍紋盤 £500 – 800

558 A CHINESE SPINACH JADE ‘LONGEVITY’ BOWL. Carved with four roundels of auspicious characters between taotie masks and a band of key fret to the rim, the base with a four character Qianlong mark, together with a wood stand, 32cm diameter. (2) 碧玉雕盌連木座 £1,000 – 2,000

559 A PAIR OF CHINESE SPINACH JADE ‘DRAGON’ VASES AND COVERS. Each with an ovoid body carved with taotie masks between bands of ruyi heads, with four dragon-shaped handles suspending loose rings from the waisted neck, all raised on a flared foot, the covers with further four dragon head handles with rings and a coiled dragon finial, together with wood stands, 22cm H. (6) 碧玉雕龍紋蓋瓶連木座一對 £800 – 1,200

560 A CHINESE SPINACH GREEN JADE DOUBLE ‘BAMBOO’ VASE. Carved as a conjoined bamboo trunks with a pair of cranes and a pine tree to the side, the stone of deep green colour, together with a wood stand, 19cm H. (2) 碧玉雕竹紋瓶連木座 £1,000 – 2,000

225

561

562

563

564

561

562

TWO CHINESE JADE ‘FINGER CITRON’ CARVINGS.

A CHINESE CELADON JADE ‘DRAGON’ INCENSE BURNER AND COVER.

Each formed as two fruit issuing from thick stems, the larger of grey celadon stone with brown inclusions, carved with two small monkeys clambering the top of the fruit, the smaller of cream and russet stone with a small bat to the top, each with a wood stand, 17.6cm H. (4) 玉雕佛手柑兩件連木座 £800 – 1,200

20th Century.

The ovoid body raised on three dragon mask feet, further two beasts forming the handles with loose rings, the domed cover with a coiled dragon finial, together with a wood stand, 10.5cm H. (3) 二十世紀 青玉雕龍紋雙活環耳蓋爐連木座 £200 – 300

563 A CHINESE GREEN-GREY JADE OFFERING DISH.

564

The shallow body with two S-shaped handles carved to the sides with a band of roundels, the stone with white and grey inclusions, raised on a wood stand carved as a tree stump, 38.5cm across. (2)

A CHINESE CARNELIAN AGATE BOWL.

£1,200 – 1,500

瑪瑙雕盌連木座

玉雕盤連木座

The quatrelobe oblong body carved to the shorter sides with ruyi-shaped handles suspending rings, the stone of a rich russet colour with milky inclusions, together with a wood stand, 29cm long. (2) £700 – 900

226

565

566

567

568

565

566

A CHINESE GREY JADE ARCHAISTIC ‘PHOENIX’ VESSEL AND COVER.

A CHINESE PALE CELADON JADE CARVING OF A QILIN.

Standing, facing forward, the head with a crest and pointy ears forming a lid, the detailed plumage of the wings and tail carved with chilong, the stone with minor russet inclusions, raised on a wood stand, 18cm H. (3)

The crouching beast with an arched back baring its fangs in a ferocious expression, carved with tufts of mane around the jaw and stylised flames to the body, a single up-curved horn to the top of the head, the stone with russet inclusions, 27cm long.

£800 – 1,200

£800 – 1,200

567

568

A CHINESE PALE CELADON JADE FAN.

A CHINESE GREY JADE ‘MANDARIN DUCKS’ RECTANGULAR BOX AND COVER.

灰玉雕鳳凰尊連木座

The trapezium-shaped body carved with a central rod with plaques of scrolls, the short handle with a jade chain and a cylindrical weight, 59 x 24.5cm. 玉雕芭蕉扇 £500 – 800

青玉雕麒麟擺件

The cover carved with a pair of birds on a pond near a rock and a cluster of lotus, the sides with various blossoms and fruit, a four character Qianlong mark to the base, together with a wood stand, 15.5 x 9.2 x 4.5cm. (3) 玉雕鴛鴦蓮紋長方蓋盒連木座，「乾隆年製」款 £500 – 800

227

569 A PAIR OF CHINESE JADEITE BOWLS. Each with a flared body carved with a pattern imitating basket weave, the stone of light lavender colour with green and grey inclusions, raised on wood stands, 25cm diameter. (4) 翡翠雕竹籃紋盌一對連木座 £1,200 – 1,500

570 A MASSIVE CHINESE CELADON JADE ARCHAISTIC VASE AND COVER. The pear-shaped body carved with four flanges and dragon handles raised on a flared foot and carved with panels of taotie masks and mythical beasts, the cover similarly decorated and topped with a bud finial, 39.3cm H. (2) 青玉雕饕餮紋蓋瓶 £1,200 – 1,500

228

571

572

571

572

A PAIR OF LARGE CHINESE SPINACH-GREEN HORSES.

A CHINESE SPINACH JADE FIVE-PANEL TABLE SCREEN.

Each skilfully carved from a massive block of rich and even green colour, shown standing four-square, looking forward, with bridle and full harness, 55.5 x 66 x 19cm (61cm with stand). (4)

The panels of graduate height carved with figures in landscapes beneath trees and architecture, set with two rows of smaller floral panels below and one row above, all fixed in a shaped wood frame inlaid with different colour wood and metal wire, 45 x 56cm.

碧玉雕馬一對連木座 £4,000 – 6,000

嵌碧玉雕人物故事圖紋桌屏 £2,000 – 3,000 229

561

562

563

564

573

574

THREE CHINESE FAMILLE ROSE PIECES.

THREE CHINESE BLUE AND WHITE ‘DRAGON’ TULIP VASES.

Late Qing Dynasty.

Qing Dynasty.

Comprising: a pink-ground moon flask, a quatrefoil stem bowl and a dark blue-ground ‘dragon’ bowl with a Daoguang mark to the base, 29cm long.

(3)

Comprising a pair and a single vase, each with a tall central stem surrounded by five conjoined tapered vases, the bulbous neck with a lotus bud, the pair painted with flowers, bamboo, scaly beasts and sprays of grass to the necks, the single vase with dragons above waves surrounded by clouds, 26.5cm H. (3)

清晚期 粉彩繪瓷器三件 £100 – 200 575

A CHINESE WHITE JADE ‘SQUIRREL AND GRAPES’ PENDANT AND A FILIGREE NECKLACE. Carved as a large leaf wrapped around a cluster of grapes and a squirrel picked out in russet stone, the reverse with a small crab, suspended from a yellow metal chain, together with a silver filigree necklace comprising three jadeite plaques and six panels decorated with seed pearls, pendant 5.3cm, necklace 49 long. (2) 巧玉雕‘子孫萬代’圖紋吊墜及鑲翡翠項鏈 £400 – 600

清 青花繪龍紋花插三隻 £500 – 800 576

A CHINESE ‘EIGHT IMMORTALS SCROLL’ BLACK INK CAKE. Formed as an unrolled handscroll depicting the Eight Immortals within a key fret border, the reverse with Eight Buddhist Symbols and a four character inscription in seal script, all contained in a custom-made box, together with a bronze figure and a green jade figure of a reclining Budai Heshang, 14 x 20cm. (5) 描金八仙圖紋墨塊 £500 – 800

230

577

578

579

580

577

578

A CHINESE BLUE AND WHITE ‘PHOENIX’ VASE TOGETHER WITH A CIZHOU TEABOWL.

THREE CHINESE LONGQUAN CELADON TRIPOD INCENSE BURNERS.

The ovoid body painted with two birds in flight, the tall cylindrical neck moulded with plain bands, a six-character Kangxi mark to the base, the bowl decorated with brown glaze on a dark brown biscuit body, 23.5cm H, 12cm diameter. (2)

The first with a cylindrical body incised with trigrams and raised on three short feet, the second with three plain bands around the body and the third with a compressed ovoid body and a waisted neck, 9cm diameter. (3)

青花弦紋長頸瓶及磁州盌，青花「大清康熙年製」楷書款

青釉爐三件 £400 – 600

£300 – 500 579 A CHINESE YINGQING BOWL AND COVER AND A GE-TYPE INCENSE BURNER. The circular bowl with a cylindrical body moulded with a band of lotus petals and raised on three short feet, the cover with radial ribbing, all decorated with a pale blue glaze, the buff-glazed incense burner carved with horizontal bands and supported on three short feet, 8cm diameter.

(3)

580 FIVE CHINESE FAMILLE ROSE ‘HUNDRED BOYS’ BOWLS. Comprising a pair of bowls with lobed rims and a set of three smaller bowls, each with an exterior painted with children amongst trees faking a court pageant, 14.5cm diameter. (5) 粉彩繪百子圖紋盌五隻 £200 – 300

影青釉蓋盌及哥式爐 £400 – 600

231

581 A CHINESE BLUE AND WHITE ‘BOYS’ BOWL. Late Qing Dynasty.

The flared body with a slightly everted rim painted with 13 children at play in a fenced garden with a fanciful rockery, playing instruments, dabbling in a large fish bowl and feeding birds, the interior with a roundel containing a single child chasing a butterfly, a four character Kangxi mark to the base, 22.7cm diameter. 清晚期 青花嬰戲圖紋盌 £300 – 500

582 A CHINESE TURQUOISE-GROUND SLIPDECORATED BOWL. Decorated with alternating stylised lotus blossoms and a bat-shaped pendants suspending triangular chimes separated by chilong, all between a ruyi head band to the rim and lappets to the foot, the rim picked out with gilt, five iron-red bats painted to the interior and an underglaze blue six character Qianlong mark to the base, 13.3cm diameter. 松石綠地飾堆白纏枝蓮紋盌，青花「大清 乾隆年製」篆書款 £3,000 – 5,000

583 A CHINESE LEMON-YELLOW GLAZED BOWL. The deep rounded body raised on a straight foot decorated with an even bright yellow glaze, the base with a six character Qianlong mark in underglaze blue, 13.5cm diameter. 黃釉盌，青花「大清乾隆年製」篆書款 £800 – 1,200

232

584

585

586

587

584

585

A CHINESE FAMILLE ROSE ‘DRAGON’ BOWL.

A CHINESE DOUCAI ‘DRAGON’ BOWL.

Late Qing Dynasty.

The flared body painted with two green scaly dragons amongst colourful cloud scrolls, the rim with a key fret band, the interior with a roundel containing a confronting beast surrounded by fire wisps and reaching for the sacred jewel, the base with a four character Zhengde mark, 15.7cm diameter.

Painted with scaly beasts amongst clouds and fire wisps, with rolling waves beneath, the interior with a roundel containing another dragon, the base with a six character Qianlong mark, 18.5cm diameter.

清晚期 粉彩繪龍紋盌，礬紅「大清乾隆年製」楷書款 £300 – 500 586 A CHINESE FAMILLE ROSE ‘PEACHES’ BOWL.

The flared body with a wide rim painted to the exterior with branches of a peach tree heavy with large pink fruit, the interior with a single peach, a six character Guangxu mark to the underside, 20cm diameter. 粉彩繪壽桃靈芝圖紋盌，樊紅「大清光緒年製」楷書款 £800 – 1,200

鬥彩繪龍紋盌，青花「正德年製」楷書款 £200 – 300 587

A CHINESE BLUE AND WHITE ‘DRAGON’ BOWL. Qing Dynasty, a six character Guangxu mark and of the period.

The flared body painted with branches of melon, peach and orange between a band of lappets to the foot and scrolls to the rim, the interior with a roundel containing a dragon reaching for the sacred jewel among flames, 16.5cm diameter. 清光緒 青花繪三多圖紋盌，青花「大清光緒年製」楷書款 £1,500 – 2,000 233

588

585

586

587

588

589

A CHINESE YIXING ZISHA ENAMELLED TEAPOT AND COVER.

A CHINESE YIXING ZISHA TEAPOT AND COVER.

Qing Dynasty, 19th Century.

The ovoid body on a tall straight foot carved with sprays of wild orchids, impressed with seals to the underside of the cover, the handle and the base with the name Gu Jingzhou, 9.5cm H. (2)

The ovoid body enamelled with precious objects, birds and flowers, three lines of calligraphy incised to the base, 11.5cm H. (2)

清十九世紀 粉彩繪博古圖紋宜興紫砂蓋壺，「玉壺春酒正斟携」、 「文久」款

宜興紫砂蓋壺，「顧景舟」款 £300 – 500

£300 – 500 591 590 A CHINESE BLUE AND WHITE TEACUP. Qing Dynasty, Kangxi period.

The rounded body painted with a scholar enjoying a drink on a terrace, the reverse with several lines of calligraphy, a six character Chenghua mark to the base, 6cm diameter, 5.5cm H. 清康熙 青花賢士飲酒圖紋盃，青花「大明成化年製」楷書款 £800 – 1,200 234

A CHINESE BLUE AND WHITE BOWL AND COVER. Qing Dynasty, Circa 1900.

The body with a flared rim painted with a continuous scene of a farmer driving an ox over a bridge in a mountainous landscape, the cover similarly decorated and with metal mounts to the rims, a four character mark reading Shunli Kunji to the bases, 8cm diameter. (2)

清約一九零零 青花繪山水圖紋蓋盌 £100 – 150

592

592a

593

592

592a

593

A PAIR OF CHINESE MILLEFLEUR-GROUND ‘BOYS’ BOWLS.

A CHINESE CELADON-GLAZED LOBED TEAPOT AND COVER.

THREE CHINESE FAMILLE ROSE ‘CHRYSANTHEMUM’ CUPS.

20th Century.

Qing Dynasty, 18th / 19th Century.

Decorated with circular panels of boys at play against a ground of overlapping flowers, 8.2cm H, 19.2cm diameter. (2)

The ovoid body lobed to simulate a chrysanthemum blossom, set with a short spout and a C-shaped handle, the finial formed as a bud, all decorated with a pale celadon glaze, 10cm H. (2)

Each with a flared rim and a loop handle, painted with a yellow and a pink chrysanthemum blossom, six character marks to the bases, 9.5cm across. (3)

二十世紀 粉彩百花地開光繪童子圖盌一 對，「大清乾隆年製」款 £200 – 300

Provenance: from the John Clayton Collection, USA.

粉彩繪菊紋盃三隻，樊紅「南昌如生出 品」楷書款 £100 – 200

清十八 / 十九世紀 青釉菊瓣紋式蓋壺

來源：約翰·克萊頓收藏，美利堅合眾 國。 £300 – 500 235

594

595

596

597

594

595

A CHINESE BAMBOO ‘PRUNUS’ BRUSHPOT, BITONG.

A CHINESE BOXWOOD ‘BAMBOO’ INCENSE BURNER.

With a cylindrical body carved to one side with a blooming prunus branch in shallow relief, calligraphy to the reverse, 13cm H.

The compressed ovoid body with handles and three feet carved as bamboo branches, the reticulated domed cover decorated with bamboo leaves, the finial formed as a twig, 9cm H. (2)

竹雕筆筒

£100 – 200

黃楊木雕竹紋熏爐 £200 – 300

596 A BAMBOO ‘IMMORTALS’ BRUSHPOT, BITONG. The cylindrical body carved with three figures in a landscape between decorative bands to the rim and foot, 17.5cm H, 13.5cm diameter. 竹雕神仙像筆筒 £100 – 200

597 A CHINESE SQUARE WOOD BOX AND COVER. Qing Dynasty.

With a plain, finely polished body and cover, 28 x 28cm. (2) Provenance: Christie’s 15th May 2007, lot 25 [label]. 清 四方木蓋盒

來源：佳士得2007年5月15日拍賣第25號（標籤）。 £300 – 500 236

598

599

600

601

598

599

A CHINESE JIANG-GLAZED WINE CUP.

A CHINESE FAMILLE ROSE ‘LANDSCAPE’ SQUARE BOX AND COVER.

The gently flared body decorated with an even warm brown glaze, the base white with an underglaze blue six character Qianlong mark, 5.6cm diameter. 醬釉盃，青花「大清乾隆年製」篆書款 £2,000 – 3,000 600 A SET OF SIX CHINESE BLUE AND WHITE SAUCERS. Late Qing Dynasty.

Each painted with a bird of prey perched on a blooming tree branch, the rims with a spearhead border, a four character mark to the underside, 10cm diameter. (6) 清晚期 青花碟六隻 £600 – 800

Finely painted to the cover with figures on the shore of a river flowing through a vast landscape with scattered blue boulders, several mountain peaks in the distance, the sides moulded with stylised gilt flower heads reserved on a turquoise ‘chicken skin’ ground, all raised on four short bracket feet, a six character Qianlong mark to the base, 10.3cm long.

粉彩繪山水樓台圖紋四方蓋盒 £3,000 – 5,000 601

A CHINESE BLUE AND WHITE ‘LANDSCAPE’ PAPER WEIGHT. The long body painted with six figures in a landscape, the sides with peaches and blossoms, 21 x 4.5 x 2cm. 青花繪山水圖紋鎮紙 £200 – 300 237

602

603

604

605

602

603

AN ANAMESE BLUE AND WHITE POTTERY ‘BIRD’ VESSEL.

A LARGE WOOD HEAD OF A BODHISATTVA.

The ovoid body moulded with a pair of wings and a tail attached to the wide rim extending from a cylindrical neck, the spout formed as a head with large eyes and a crest, 14cm long.

With downcast eyes and hair arranged in a topknot, topped with a tall floral headdress, raised on a modern stand, 72cm H. (2)

青花鳥形壺

木雕觀音首

£800 – 1,200

£300 – 500 604 A CHINESE YELLOW JADE CARVING OF A BAT. The stylised animal looking forward, the almond-shaped body wrapped in his own wings, 8.5cm long. 玉雕蝙蝠把件 £200 – 300

238

605 A CHINESE CREAM-GLAZED POTTERY BOWL. Tang Dynasty.

Impresseed to the centre with a design of spirals forming blossoms and tortoises, all decorated with a cream glaze, 13.5cm diameter. 唐 米黃釉陶碗 £50 – 80

606

607

608

609

606

607

A CHINESE DOUCAI ‘LOTUS POND’ JAR AND COVER.

A CHINESE BLUE AND WHITE ‘LANDSCAPE’ BRUSH POT, BITONG.

The ovoid body gently tapering towards the foot painted in underglaze blue and enamels with clusters of yellow and red lotus emerging from the water, with colourful carp and sprays of water weed below, the shoulder and foot encircled with bands of overlapping petals, the cover with another cluster of lotus and a geometric band to the rim, a single tian mark to the base, 11cm H. (2)

The cylindrical body painted with a fisherman in a sampan on a calm lake, huts and trees lining the shore in the background, the reverse with a shaped panel containing a fierce-looking qilin standing on a rock amidst crashing waves, 15cm H.

鬥彩蓮池圖紋蓋罐，青花「天」楷書款

青花繪山水圖紋筆筒 £500 – 800

£800 – 1,200 608 A CHINESE BLUE AND WHITE ‘ TIAN ‘ JAR. The tapered ovoid body painted with a continuous stem of lotus flower heads and foliage between bands of ruyi heads and lotus petals, with bands of lappets to the shoulder and foot, a single tian character in a double circular band to the base, together with a reticulated wood cover, 18cm H. (3) 青花繪纏枝蓮紋罐連木蓋，青花「天」楷書款

609 A CHINESE BLUE AND WHITE ‘BIRDS AND FLOWERS’ JAR. The square-section tapered body painted to each side with birds and insects bustling among blossoming shrubs and porous rocks, the foot with a band of stiff lappets, the rounded shoulder with ruyi heads, the short neck with freely painted blossoms, four character Jiajing mark to base, 17.5cm H. 青花繪花鳥圖紋罐，青花「大明嘉靖年製」楷書款 £2,000 – 2,500

£1,500 – 2,000 239

606

607

608

609

610

611

A CHINESE FAMILLE ROSE ‘WARRIORS’ VASE.

A CHINESE DOUCAI ‘FISH’ BOWL.

The tapered cylindrical body painted with an equestrian pursuit of four figures, the waisted neck with a single blossom spray, 43.5cm H.

The exterior painted with a blossoming tree emerging from a rock amongst stylised waves with two fish beneath a setting sun, the centre with an eddy and a single blossom, the base with a six character Chenghua mark, 19.5cm diameter.

粉彩繪猛士圖紋瓶 £400 – 600 612

A CHINESE CELADON-GLAZED ‘THREE RAMS’ VASE. The ovoid body finely moulded with two bands of flower heads and foliage and a band of crashing waves between double fillets, three ram heads applied to the shoulder, the waisted neck with stylised lappets and the flared rim with a band of waves, all raised on a splayed foot with foliate scrolls and decorated with an even pale celadon glaze, 32.5cm H. 粉青釉‘三陽開泰’尊 £4,000 – 6,000

鬥彩海水魚紋盌，青花「大明成化年製」楷書款 £200 – 300 613 A CHINESE CELADON-GLAZED VASE, MEIPING. Song Dynasty or later.

The tapered ovoid body carved with a continuous stem of flower heads and foliage between bands of lotus petals to the shoulder and foot, all decorated with an even celadon glaze, 18cm H. 宋或更晚 青釉暗刻花紋梅瓶 £500 – 800

240

614 A MASSIVE CHINESE BLUE AND WHITE VASE. With a gently tapered body rising to a flared neck decorated with ladies in a chrysanthemums garden between bands of stylised lappets, 212cm high. 青花繪仕女圖紋大瓶 PLEASE NOTE THAT THIS LOT IS OFFERED WITHOUT RESERVE £800 – 1,200

241

615

616

615

616

THREE CHINESE EMBROIDERED SILK GARMENTS.

WEN ZHENGMING (follower of, 1470 – 1559).

Qing Dynasty.

Landscape, Chinese hand scroll painting, framed, ink and colour on silk, 26 x 76cm.

Comprising: a black and blue jacket embroidered with gilt thread with deer, carp and qilin, 139cm across, a black jacket embroidered with sprays of blossoms, fruit and butterflies, 144cm across, and a blue skirt embroidered with flowers and lined with a yellow fabric, 216cm across. (3) 清 刺繡女服三件 £400 – 600 242

文徵明（傳） 山水 設色絹本 鏡框 £800 – 1,200

617

618

620

619

621

617

618

619

A CHINESE WHITE-GLAZED VASE.

A CHINESE DOUCAI STEM BOWL AND COVER.

A CHINESE FAMILLE ROSE HEXAGONAL ‘LION DOGS’ TUREEN AND COVER.

Qing Dynasty.

Qing Dynasty, Qianlong period, Circa 1770.

The flared body applied with four small lion head handles and painted with a band of undulating lotus with large flower heads between a band of blossoms on a crackedice ground to the rim and colourful lappets, all raised on a thick flared foot decorated with stylised waves, the cover mirroring the designs,19cm diameter. (2)

Decorated in gilt and enamels with shaped panels of figures against a ground of gilt foliage and flower heads, the handles moulded as ironred lion dogs, the finial as a blue beast playing with a brocade ball, 13cm H. (2)

Qing Dynasty, 19th Century.

The tall ovoid body rising to a waisted neck with a flared rim applied with two pairs of lion dogs and dragons to the shoulder, 47.5cm H. 清十九世紀 白釉雙耳瓶 £300 – 500

清 鬥彩高足蓋盌

清乾隆約一七七零 粉彩描金開光繪人物故 事圖紋六方湯盌 £800 – 1,200

£1,200 – 1,500 620

621

TWO CHINESE GRADUATED HARDWOOD ‘BIRD’ JAR COVERS.

THREE CHINESE SMALL WOOD COVERS.

19th / 20th Century.

Provenance: an English private collection.

Each of domed form with an onion shaped finial, above a rounded rim, the dome carved and pierced with floral patterns, two hongmu, and one huali with plum blossom, 5 - 7cm H, 8 - 9cm diameter. (3)

來源：英國私人收藏。

清十九世紀 鏤雕木蓋三件

The flat top of each carved and pierced with birds in flight among scrolling floral foliage, 1212.3cm diameter. (2) 十九 / 二十世紀 鏤雕花鳥紋木蓋兩件 £150 – 200

Qing Dynasty, 19th Century.

Provenance: an English private collection. 來源：英國私人收藏。 £200 – 300

243

622

623

624

A MASSIVE CHINESE STONE FIGURE OF A BODHISATTVA. Standing, wearing long robes with fainted polychrome decoration, beaded jewellery and a tall headdress, with hands resting one on top of the other below his chest, the face with traces of gilt, 202 x 52 x 31cm.

A LARGE CHINESE STONE FIGURE OF A BUDDHA.

A LARGE CHINESE STONE FIGURE OF A STANDING BODHISATTVA.

Standing on a double lotus base, wearing long robes, with the right hand raised in abhayamudra, the left in varadamudra, the surface with traces of earth pigments, 218 x 39 x 29cm. (2)

Standing with the right arm raised, supported on a lotus lappet base, together with a stand, 193 x 41 x 37cm. (2)

石雕菩薩像

£2,000 – 3,000

244

石雕佛像

£2,000 – 3,000

石雕菩薩像

£2,000 – 3,000

625 A MASSIVE CHINESE STONE FIGURE OF A MEDITATING BUDDHA. Seated cross-legged, wearing monk’s robes, his right hand raised in a gesture of blessing, his head embellished with an ushishna, raised on a stand, 117 x 84 x 52cm. 石雕佛像

£2,000 – 3,000

245

Japanese Art Lot 626 â&#x20AC;&#x201C; 694

626 (part)

626 A COLLECTION OF JAPANESE WOODBLOCK PRINTS. 18th/19th Century.

Including four chuban prints by Eishosai Choki from the series Eight Views of the Chushingura, two sumizuri-e prints depicting kabuki scenes attributed to Buncho. (12) £300 - 400 錦絵

627 A COLLECTION OF JAPANESE WOODBLOCK PRINTS BY HOKUSAI AND OTHERS. 19th Century.

Including three small prints by Hokusai, signed Sori, two prints of flower arrangements by Utamaro and Hidemaro, some book-plates. (23) £300 - 400 錦絵 北斎他

627 (part) 248

628 A JAPANESE WOODBLOCK PRINT BY KITAGAWA UTAMARO. 19th Century.

Oban tate-e from the series Futabagusa Nanakomachi (Little Seedlings, Seven Beauties) with a sub-title Sotowa Komachi, showing a mother squatting beside her child playing in a washbasin, cooling off with a fan, a young girl standing beside her holding a goldfish in a bag, signed Utamaro hitsu, the publisher’s seal Tsuruya, the collectors seal Hayashi Tadamasa. £2000 - 2500 錦絵 歌麿

629 JAPANESE WOODBLOCK PRINTS BY KITAGAWA UTAMARO. 19th Century.

Oban triptych depicting women at the beach in Futamigaura, gathering shellfish, the Meotoiwa (wedded rocks) standing in the sea at the background, signed Utamaro hitsu. (3) £1200 - 1500 錦絵三枚続 歌麿 628

629

249

630 A JAPANESE WOODBLOCK PRINT BY KEISAI EISEN (1790 - 1848).

Oban tate-e, from the series Tosei Kobutsu Hakkkei (Eight Favourite Things in the Modern World), showing a bust-portrait of a young woman with a puppy resting on her shoulders, signed Kisai Eisen ga, the censor’s seal kiwame. £300 - 400 錦絵 英泉

631 (part) A COLLECTION OF JAPANESE WOODBLOCK PRINTS BY HIROSHIGE I & HIROSHIGE II. 19th Century.

Comprising sixteen prints from various series including Famous Places in Edo, Sixty-nine Stations on Kiso Kaido, Thirty-six Views of Fuji, Fifty-three Stations on Tokaido Road, The Tale of Soga, various sizes. (16) £250 - 350 錦絵１６点 広重他 630

631 (part)

250

632 A JAPANESE WOODBLOCK PRINT BY HIROSHIGE (1797 - 1858).

Oban tate-e, from the series One Hundred Views of Edo, the fishing villages of Horie and Nekozane, signed Hiroshige ga, the censor’s seal, aratame. £200 - 300 錦絵 広重

633 (part) FIVE JAPANESE COMIC PRINTS (GIGA) BY KUNIYOSHI AND OTHERS. 19th Century.

Woodblock printed including two prints depicting monsters emerging from the candle frame, and one print from the series Wakan Hanabusa Genji by Kuniyoshi, variously signed.

(5) £300 - 500 戯画錦絵、国芳他

632

633 (part)

251

634 A COLLECTION OF JAPANESE COMIC PRINTS (GIGA).

19th Century.

Woodblock prints, mainly in oban tate-e format, by various artists including Yoshimori, Yoshitora, Yoshi’iku and Yoshitoshi, some toba-e style and Kaigetsudo school prints. (12) £300 - 500 戯画錦絵

635 A COLLECTION OF JAPANESE WOODBLOCK PRINTS BY KUNIYOSHI, KUNISADA,YOSHITOSHI AND OTHERS. 19th Century.

Twenty prints, mostly depicting warriors, one landscape print by Sadahide from the series Suehiro Gojyusan tsugi, variously signed. (20) £300 - 400 武者図錦絵

634 (part)

635 (part) 252

636

637

638

636 JAPANESE WOODBLOCK PRINTS BY KUNIYOSHI (1798 - 1861).

Oban triptych, depicting heroes from Sangokushi (The Three Kingdoms) in the peach garden, singed Ichiyusai Kuniyoshi ga, the publisher seal Tsutaya Kichizo. (3) £500 - 600 錦絵 国芳

637 JAPANESE WOODBLOCK PRINTS BY KUNIYOSHI (1798 - 1861).

Oban triptych, entitled Kawanakajima Daigassen, depicting Takeda Shingen and his retainers on the bank of the river at the Kawanaka battle, singed Ichiyusai Kuniyoshi. (3) £500 - 600 錦絵 国芳

638 JAPANESE WOODBLOCK PRINTS BY KUNIYOSHI (1798 - 1861).

Oban triptych, entitled Yashima Daigassen, the Minamoto clan at the battle in the sea near Yashima, signed Ichiuysai Kuniyoshi. (3) £500 - 600 錦絵 国芳

253

639 A JAPANESE WOODBLOCK PRINT BY KUNIYOSHI (1798 - 1861).

Oban tate-e from the series One Hundred and Eight Heroes from the Suiko-den (Shuiha Zhuan), Sun Li, signed Ichiyusai Kuniyoshi ga, the publisher’s seal, Kagayoshi, the censor’s seal, kiwame. £500 - 600 錦絵 国芳

640 A JAPANESE WOODBLOCK PRINT BY KUNIYOSHI (1798 - 1861).

Oban tate-e from the series One Hundred and Eight Heroes from the Suiko-den (Shuiha Zhuan), Xie Xhen. £500 - 600 錦絵 国芳

641 A JAPANESE WOODBLOCK PRINT BY KUNIYOSHI (1798 - 1861).

Oban tate-e from the series One Hundred and Eight Heroes from the Suiko-den (Shuiha Zhuan), ZYuen . £500 - 600 錦絵 国芳

254

642

643 (part)

JAPANESE WOODBLOCK PRINTS BY YOSHITOSHI (1839 - 1892).

A COLLECTION OF JAPANESE WOODBLOCK PRINTS BY KUNIYOSHI, KUNISADA AND OTHERS.

Oban vertical diptych, depicting Kintaro riding on a giant carp in the water, signed Oju Yoshitoshiga, finely printed in karazuri with a trace of mica. (2) £3500 - 4000 錦絵 芳年

19th Century.

Mostly depicting beauties, from various series including Edo Jiman (The Pride of Edo), Tokaido Kyoto Meisho, One Hundred Poets. (11) £250 - 300 錦絵 国芳他

255

644 (part)

645 (part)

644

645

A COLLECTION OF JAPANESE WOODBLOCK PRINTS BY TOYOKUNI, SHUNKO, SHUNCHO, KUNISADA AND OTHERS.

A COLLECTION OF JAPANESE WOODBLOCK PRINTS BY YOSHITOSHI, CHIKANOBU, SUIZAN MIKI AND OTHERS.

18th/19th Century.

19th/20th Century.

Depicting various images of beauties, including courtesans, dancers, weavers, and court-ladies. (16)

Including fourteen woodblock prints by Chikanobu from the series Shin Bijin (New Beauties), one print by Yoshitoshi from the series Fuzoku Sanjyuniso, a print entitled Daimonji Yoruno Kiyacho by Suizan Miki (1887 1957), published by Sato Shotaro. (17)

£250 - 300 錦絵 豊国他

£200 - 300 錦絵 芳年他

256

646

647

646

647

JAPANESE WOODBLOCK PRINTS BY KUNICHIKA (1835 - 1900).

A FRAMED JAPANESE WOODBLOCK PRINTS.

Oban triptych, entitled Zensei Sato Nosukatayu, depicting women in a public bath at the pleasure quarter, signed Juo Kunichika hitsu, the publisher’s seal Tsunoi. (3)

19th Century.

£1200 - 1500

£150 - 200

錦絵 国周

Oban triptych by Utagawa school, depicting kabuki actors in a greenroom, signed Kunisada ga, framed and glazed. 錦絵三枚続

257

648 (part)

649 (part)

648

649

A LARGE GROUP OF KABUKI WOODBLOCK PRINTS.

A COLLECTION OF JAPANESE WOODBLOCK PRINTS.

19th Century.

19th/20th Century.

By various artists including Kuniyoshi, Shunsen, Hokuei, Kunisada and Shunro (Hokusai). (28)

Mainly kacho-e prints, by various artists including Bairei, Sugakudo, Chikuseki, Gekko, and Toshi Yoshida. (14)

£250 - 350

£400 - 600

役者絵錦絵

花鳥絵錦絵

258

650 (part)

651 (part)

650

651

A COLLECTION OF JAPANESE WOODBLOCK PRINTS BY KUNISHIGE AND OTHERS.

A COLLECTION OF JAPANESE WOODBLOCK PRINTS BY KUNISADA AND OTHERS.

19th Century.

19th Century.

Oban tate-e, five triptychs, each depicting a scene from a kabuki play, signed variously. (15)

Oban tate-e, five triptychs, with warriors and kabuki actors in their roles, signed variously. (15)

£300 - 400

£300 - 400

役者図錦絵

役者図錦絵

259

652 (part)

653 (part)

652

653

A COLLECTION OF JAPANESE WOODBLOCK PRINTS BY KUNISADA AND OTHERS.

A COLLECTION OF JAPANESE WOODBLOCK PRINTS BY KUNICHIKA AND OTHERS.

19th Century.

19th Century.

Oban tate-e, five triptychs, depicting kabuki actors in their roles, signed variously. (15)

Oban tate-e, five triptychs, each depicting a scene from a kabuki play, signed variously. (15)

£300 - 400

£300 - 400

役者図錦絵

役者図錦絵

260

654 (part)

655 (part)

654

655

A COLLECTION OF JAPANESE WOODBLOCK PRINTS BY KUNICHIKA AND KUNISHIGE.

A COLLECTION OF JAPANESE WOODBLOCK PRINTS BY KUNICHIKA AND OTHERS.

19th Century.

19th Century.

Oban tate-e, five triptychs, each depicting kabuki actors in their roles, signed variously. (15)

Oban tate-e, four triptychs and two sheets, each depicting a scene from a kabuki play, signed variously. (14)

£300 - 400

£300 - 400

役者図錦絵

役者図錦絵

261

656 (part)

657 (part)

658 (part)

659 (part)

656

657

A COLLECTION OF JAPANESE WOODBLOCK PRINTS BY KUNISADA AND OTHERS.

A COLLECTION OF JAPANESE WOODBLOCK PRINTS.

19th Century.

Oban tate-e, including two prints from the kabuki play, Chushingura, one print from the series Thirty-six Restaurants in Tokyo by Kunisada, and kabuki prints by Chikanobu. (9)

Seventeen oban tate-e, including one Yokohama-e print by Yoshikazu, depicting a Dutchman at Nankin, two prints showing a circus with horses, a sumo wrestler by Kunisada II, one print by Sadahide, a foreigner at the Kamiedo bridge, signed variously. (17)

£300 - 400

£300 - 400

役者図錦絵

役者図錦絵

658

659

JAPANESE WOODBLOCK PRINTS BY NOBUKAZU AND CHIKANOBU.

A COLLECTION OF JAPANESE WOODBLOCK PRINTS.

19th/20th Century.

By various artists including Toshikata, Gekko, Yoshi’iku, Toshihide, one landscape print in the style of Markino Yoshino. (20)

Two triptychs, Emperor Meiji in the horse carriage at the street of Shinbashi by Nobukazu, and Emperor Meiji and court ladies at the balcony overlooking a garden by Chikanobu. (6) £300 - 400 明治天皇図錦絵 262

19th/20th century.

19th/20th Century.

£150 - 250 明治錦絵

660 (part)

661 (part)

662 (part)

663 (part)

660

661

A LARGE GROUP OF REPRODUCTION PRINTS.

A COLLECTION OF JAPANESE WOODBLOCK PRINTS BY GEKKO, GYOKUSHO, ZESHIN AND OTHERS.

20th Century.

After various artists including Hokusai, Hiroshige, Utamaro and Eishi. (qty) £200 -300 複製版画

19th/20th century.

A group of eleven prints depicting various subjects including still life, landscape, and animals, one large surimono by Hochu. (11) £300 - 400 錦絵

662 A COLLECTION OF SOSAKU HANGA.

663

20th Century.

SIX WOODBLOCK PRINTS BY NAGAI KIYOSHI.

Thirteen prints including one by Shiro Kasamatsu, entitled ‘Kinokunizaka in the Rainy Season’, with the publisher’s seal Watanabe, date Showa 13 , one

by Tomikichiro Tokuriki, ‘Katsura Palace’, nine prints signed P. Broode, various sizes. (13)

Circa 1970.

Each entitled Courtyard, The Clear Sky, Small Garden, and The Gate to a Temple, and two more prints, 31.7 49.7cm. (6)

£200 - 300

創作版画 永井潔

創作版画

£300 - 400

263

664

665 (part)

666 (part)

667 (part)

664

665

THREE PRINTS BY B. LAK JONG.

INAGAKI TOMOO (1902 - 1980) - A CATALOGUE RAISONNÉ.

20th Century.

Woodblock prints each entitled Award Dancing, numbered 24/300 dated 1969, Young Couples Going Out, and Yangban Picnic, 20 x 30cm. (3)

Including two posthumous editions of woodblock prints entitled ‘Akabane’ and ‘Onaganeko’ (long-tailed cat), published by Kishosha, 1982.

£200 - 300

£250-300

木版画３点

カタログレゾネ 稲垣智雄

666

667

A LARGE GROUP OF JAPANESE WOODBLOCK PRINTS.

A LARGE COLLECTION OF BOOK-PLATES.

18th/19th Century

19th Century.

By various artists, including a hashira-e by Hosoda Eishi, oban tate-e by Kuniyoshi, some are framed. (qty.)

Detached plates from a woodblock printed books by Hokusai, depicting Chinese legendary figures, mounted, 34 x 25cm. (23)

£150 - 200

£150 - 200

錦絵

264

北斎版本ページ

668 (part)

669

671 (part) 669 670 668 TWO JAPANESE ALBUMS OF SHUNGA PRINTS. 20th Century.

Each album mounted with twelve prints depicting erotic scenes, 25 x 17cm.

(2) £300 – 400 Provenance: from the collection of Bruno Caruso (1927 – 2018), an Italian artist, graphic designer and writer, thence by descent.

FOUR JAPANESE ILLUSTRATED BOOKS. 19th/20th Century.

Woodblock printed in ink, Including Hokusai Manga, Vol. 5 dated Bunka 13 (1816), another book by Hokusai (late edition), Kogei zukushi by Bairei and one book on flower arrangements, various sizes. (4) £250 – 300 Provenance: from the collection of Bruno Caruso (1927 – 2018), an Italian artist, graphic designer and writer, thence by descent. 版本

春画版本

671

670

19th Century.

STYLE OF HOKUSAI AND OTHERS.

Including Ehon Tsurezuregusa by Nishikawa Sukenobu, Shijo school books, Chinese books on Birds and Flowers, the largest 32 x 20.5cm. (22)

Three preliminary drawings, in ink on paper, depicting a man wrestling with two oni beside a priest being held in captive with head clamps, approx. 18 x 14xm, possibly by a close circle of Hokusai, two kabuki actors in their roles, 38 x 27.8cm, by Utagawa school artist, and the lucky gods by Kano school artist, 28.5 x 40.5 cm. (3)

£100-150

£400 - 500

版本

下絵 北斎派、歌川派、狩野派

A COLLECTION OF JAPANESE ILLUSTRATED BOOKS. 18 /19 Century. th

th

265

672 (part)

673 (part)

674 (part)

675

672

673

A LARGE GROUP OF JAPANESE PAINTINGS.

A LARGE GROUP OF JAPANESE INK PAINTINGS AND THREE HANGING SCROLLS.

19th/20th Century.

Including a fan painting depicting a rabbit and autumn grasses in the style of Koetsu, some study drawings after Kano school artists, various sizes. £300 - 400 秋草と兎図扇子絵他

19th/20th Century.

Attributed to Imao Keinen, painted in ink on paper with various subjects including birds and flowers, landscape and Chinese figures, and three hanging scrolls by anonymous artists, various sizes. (qty.) £200- 300 墨絵下絵、掛け軸他

674 A PAIR OF KANO SCHOOL PAINTINGS.

675

19th Century.

A JAPANESE EMBROIDERED PANEL.

Painted in ink, colour and gofun on silk, with Hotei and a Chinese court lady playing a board game, and karako watching fighting roosters, 41.2 x 52.5cm, mounted and framed. (2)

Meiji period.

Worked in silk thread to depict a stormy sea with crashing waves, framed and glazed, 116 x 74cm.

£250 - 300

£1000 - 1200

狩野派 布袋、唐子図 ２枚

刺繍壁掛

266

676

677

676 A JAPANESE EMBROIDERED PANEL. Meiji period.

Worked in silk and metallic threads, with an eagle flying over the American flags, and a banner with the United States motto E Pluribus Unum (Out of many, one) against a black ground, possibly produced by the Gorge Washington Company, Yokohama, framed and glazed, 46 x 47cm, 64.5 x 66cm (frame).

678 (part)

677 A SILK KIMONO AND AN OBI. 20th Century.

Decorated in Yuzen resist dyeing technique, with stylised wisteria, pine, maple and chrysanthemums, against a purple ground, the orange silk obi woven with a cherry blossoms pattern, kimono approx. 132cm long. (2) £200 - 300 着物と帯

678 A COLLECTION OF JAPANESE BUDDHIST TEXTILES. 19th/20th Century.

Including a full and a half-length priest robe (kesa), in silk brocade with various designs including mountains, shishi, dragons, roundels, various sizes. (qty.) £200 - 300 袈裟他

£400 - 600 刺繍壁掛 267

679

680

681

679

680

681

A LARGE LACQUER STORAGE BOX (KARABITSU).

A SET OF THREE CARVED WOOD LOTUS TRAYS.

A FOUR-CASE GOLD LACQUER INRO.

20th Century.

19th/20th Century.

Of ribbed cylindrical shape supported by four feet, the cover with gilt metal flowerhead lappets, a wood fitted box. (2)

Carved and engraved with articulated seeds pot, one of the trays signed Unkei with kakihan, approximately 80 x 53cm. (3)

£200 - 300

£500 - 800

唐櫃

木製盆セット

Decorated with open and closed fans in sumi-togidashi, hiramaki-e and aogai inlay on a fundame ground, a copper ojime and a red lacquer tuzumi netsuke, bearing a signature Jokasai, 8.6 x 6 (inro), 4.7cm (netsuke), with a fitted box. (2)

Meiji period.

£1000 - 1200 金蒔絵印籠

268

682

683

684

685 682

683

A FOUR-CASE GOLD LACQUER INRO.

A FOUR-CASE LACQUER INRO.

Meiji period.

Meiji period.

Decorated in hirame flakes on roio ground with sailing boats in the sea and flying cranes in gold takamaki-e and details of e-nashiji, inscribed on the base, Jukakusai Hisataka with kakihan, 8.5 x 5.5cm.

Of rounded form, with a mountain landscape and a waterfall in takamakie against a fundame ground inscribed on the base, Totei with kakihan, a porcelain ojime signed Eiraku, 9cm x 4.5cm.

£500 - 600

£200 - 300

金蒔絵印籠

金蒔絵印籠

684

685

A MARINE IVORY NETSUKE OF A GAMA SENNIN.

A BRONZE OKIMONO OF A PUPPY.

19th Century.

19th/20th Century.

Seated with one leg folded, holding his long staff, a toad climbing on the side of the rock, 6.5cm H.

Seated holding a clam shell under its paw, silvered eyes, a seal mark Masayuki, 14 x 17cm.

£200 - 300

£1200 - 1500

蝦蟇仙人根付

銅製置物犬

269

686 A BRONZE OKIMONO OF A BEAR. 19th/20th Century.

Lying on its back with feet raised, naturalistically cast with inlaid eyes, signed Masatsune kore tsukuru, 23 x 30cm approx. £800 - 1000 銅製置物熊

687 A BRONZE FIGURE OF A SEATED BEAUTY. Meiji period.

A young girl reclining wearing her kimono loosely draped over her body, the impressed seal Asakura Yoshiharu, 27 x 38cm. £1000 - 1200 銅製美人置物

270

688

689

688

689

A PAIR OF JAPANESE BRONZE VASES.

A SET OF SAMPLE CLOISONNÉ VASES IN A BOX.

19th Century.

19th/20th Century.

With a wide flared neck and detachable handles in the form of butterflies, 31cm. H. (2) £500 - 600

Seven vases, each showing a different stage of enamel decoration worked in copper wire with a dragon against a yellow ground, fitted in a lacquered box with a sliding glass top, 10cm H. (vase), 13 x 52cm (box).

銅製壺一対

£200 - 300 七宝焼き壺 工程サンプル 271

690 A JAPANESE EXPORT SILVER JUG. Late 19th/early 20th Century.

Decorated in uchidashi and relief with flowering irises beside a stream, with Jungin mark on the base, 11.5 x 18cm. £150 - 200 銀製 ミルク注ぎ

691 A KYOTO WARE BOX AND COVER. 19th/20th Century.

Modelled as a cockerel, painted in various enamels and gilt, singed Nippon Kyoto Yasuda zo, 21 x 23cm. (2) £400 - 500 京焼香炉

272

692

693

692 A NABESHIMA STYLE PORCELAIN DISH. Possibly 19th/20th Century.

Painted in underglaze blue and iron red enamel with clumps of hinagiku, the underside with tasselled coins and a comb-tooth band, 20cm diameter. £400 - 600 鍋島様式皿

694

693 A LARGE JAPANESE IMARI CHARGER. 17th/18th Century.

Painted in underglaze blue, iron red and gilt with peonies and bamboo in the centre surrounded by panels of shishi and ho-o birds set against blooming flowers, 53.5cm diameter. £600 - 800 伊万里大皿

694 A LARGE IMARI CHARGER. 17th/18th Century.

Painted with underglaze blue, iron red, black enamels and gilt with the kanbun bijin under a cherry blossom, courtesans in a house overlooking a bridge, the border decorated with open books and scrolls set within flower heads and foliage, the reverse with sprays of flowers, 55cm diameter. £600 - 800 伊万里大皿

273

Terms and Conditions for Buyers at Chiswick Auctions 1. BEFORE THE SALE

1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer.

1.2 Definitions For the purposes of the current Terms and Conditions, the Seller shall be defined as the owner of the Goods. It is implied that the Seller is the legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply.

1.3 Catalogue descriptions Any representation in any catalogue or otherwise as to the origin, date, age, attribution, authenticity or estimated selling price of any lot is a statement of opinion only.

Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description.

The absence of mention related to prior restorations in the catalogue descriptions does not imply that the good is exempt thereof.

Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representation of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good.

1.4 Inspection Prior to auction, prospective purchasers are strongly advised to personally examine any property in which they are interested to satisfy themselves in relation to matters which may concern them.

1.5 Condition report CA Ltd may issue a Condition Report on request prior to the sale.

This Condition Report is for identification purposes only and cannot be considered as giving a precise account of the Lot’s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report.

As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyer’s sole duty to inspect in person the Lot in order to be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto.

1.6 Electricals All electrical items are sold as seen and CA Ltd offers no guarantee as to the working condition of such items or their safety.

It is the Buyer’s duty to take necessary steps to be assured that the Lot is safe for normal use.

1.7 Estimates Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the condition, rarity, or quality of the item etc.

Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates.

1.8 Reserves Many Lots are offered subject to a reserve, which is the confidential minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids.

1.9 Registration to the sale New bidders will need to register prior to the sale. It is strongly advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneer’s entire discretion.

274

International bidders may be required to register 48 hours before the sale and to submit bank details.

A deposit may be requested prior to each sale.

Failure to register shall result in the impossibility for the bidder to purchase a Lot.

1.10 Proof of identity Bidders not previously known to CA Ltd will be required to provide:

• Official proof of identity in the form of a passport or photocard driving licence. No other forms of ID are acceptable.

• Proof of address of main residence. Only official documents showing name and address will be accepted.

• Both landline and mobile telephone numbers • A bank reference for foreign bidders may be requested • Corporate clients will have to provide a certificate of incorporation prior to the auction, along with the representative’s ID in accordance with the above-mentioned requirements for proof of identity.

Any Bidder that does not match the provided identity for registration may not purchase during the sale.

2. DURING THE SALE

2.1 Attendance at auction Attending the auction in person is recommended.

CA Ltd has the right at their absolute discretion to refuse participation in any auction, to reject any bid, and to refuse admission to the premises.

Bidders are not obliged to be present in person at the auction.

Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale.

2.2 Personal bidding Bidders attending the auction in person shall be required to collect a unique bidding paddle prior to bidding in the sale.

2.3 Commission bids CA Ltd will use reasonable efforts to carry out Commission bids received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it.

Commission bids shall be executed at the lowest possible price, subject to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyer’s responsibility to check if they have been successful in purchasing a Lot. In the event of multiple commission bids set at the same price, the first registered commission bid will take priority.

2.4 Telephone bids If a bidder is not able to attend in person an auction, CA Ltd will use reasonable efforts to contact prospective Buyers who make arrangements prior to commencement of the sale to bid by telephone.

CA Ltd cannot be held responsible in the event of issues affecting connectivity, resulting in the loss of a chance of purchasing the Lot for the Bidder.

2.5 Internet bids Some sales may be available to internet bidding, as well as personal attendance. In this event, CA Ltd shall not be held responsible for issues affecting connection. In addition to having our own in-house online bidding platform, some sales are also offered with online live bidding by third party platforms, CA Ltd is not responsible for any issues that may arise during registration or utilising said platforms. CA ltd encourages prospective bidders to bid directly with Chiswick Live or via traditional direct in-house means wherever possible.

2.6 Bidding on behalf of someone A Buyer may bid by proxy. In this event, proof of identity of both the Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required.

Terms and Conditions for Buyers at Chiswick Auctions 1. BEFORE THE SALE

1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer.

1.2 Definitions For the purposes of the current Terms and Conditions, the Seller shall be defined as the owner of the Goods. It is implied that the Seller is the legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply.

1.3 Catalogue descriptions Any representation in any catalogue or otherwise as to the origin, date, age, attribution, authenticity or estimated selling price of any lot is a statement of opinion only.

Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description.

The absence of mention related to prior restorations in the catalogue descriptions does not imply that the good is exempt thereof.

Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representation of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good.

1.4 Inspection Prior to auction, prospective purchasers are strongly advised to personally examine any property in which they are interested to satisfy themselves in relation to matters which may concern them.

1.5 Condition report CA Ltd may issue a Condition Report on request prior to the sale.

This Condition Report is for identification purposes only and cannot be considered as giving a precise account of the Lot’s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report.

As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyer’s sole duty to inspect in person the Lot in order to be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto.

1.6 Electricals All electrical items are sold as seen and CA Ltd offers no guarantee as to the working condition of such items or their safety.

It is the Buyer’s duty to take necessary steps to be assured that the Lot is safe for normal use.

1.7 Estimates Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the condition, rarity, or quality of the item etc.

Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates.

1.8 Reserves Many Lots are offered subject to a reserve, which is the confidential minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids.

1.9 Registration to the sale New bidders will need to register prior to the sale. It is strongly advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneer’s entire discretion.

International bidders may be required to register 48 hours before the sale and to submit bank details.

A deposit may be requested prior to each sale.

Failure to register shall result in the impossibility for the bidder to purchase a Lot.

1.10 Proof of identity Bidders not previously known to CA Ltd will be required to provide:

• Official proof of identity in the form of a passport or photocard driving licence. No other forms of ID are acceptable.

• Proof of address of main residence. Only official documents showing name and address will be accepted.

• Both landline and mobile telephone numbers • A bank reference for foreign bidders may be requested • Corporate clients will have to provide a certificate of incorporation prior to the auction, along with the representative’s ID in accordance with the above-mentioned requirements for proof of identity.

Any Bidder that does not match the provided identity for registration may not purchase during the sale.

2. DURING THE SALE

2.1 Attendance at auction Attending the auction in person is recommended.

CA Ltd has the right at their absolute discretion to refuse participation in any auction, to reject any bid, and to refuse admission to the premises.

Bidders are not obliged to be present in person at the auction.

Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale.

2.2 Personal bidding Bidders attending the auction in person shall be required to collect a unique bidding paddle prior to bidding in the sale.

2.3 Commission bids CA Ltd will use reasonable efforts to carry out Commission bids received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it.

Commission bids shall be executed at the lowest possible price, subject to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyer’s responsibility to check if they have been successful in purchasing a Lot. In the event of multiple commission bids set at the same price, the first registered commission bid will take priority.

2.4 Telephone bids If a bidder is not able to attend in person an auction, CA Ltd will use reasonable efforts to contact prospective Buyers who make arrangements prior to commencement of the sale to bid by telephone.

CA Ltd cannot be held responsible in the event of issues affecting connectivity, resulting in the loss of a chance of purchasing the Lot for the Bidder.

2.5 Internet bids Some sales may be available to internet bidding, as well as personal attendance. In this event, CA Ltd shall not be held responsible for issues affecting connection. In addition to having our own in-house online bidding platform, some sales are also offered with online live bidding by third party platforms, CA Ltd is not responsible for any issues that may arise during registration or utilising said platforms. CA ltd encourages prospective bidders to bid directly with Chiswick Live or via traditional direct in-house means wherever possible.

2.6 Bidding on behalf of someone A Buyer may bid by proxy. In this event, proof of identity of both the Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required.

275

2.7 Bidding on an item Bid incrementation is at the auctioneer’s entire discretion.

2.8 Video transmission For the purpose of the sale, Lots may be displayed on video during the auction. In the event of transmission issues, CA Ltd shall not be held responsible for any subsequent outcome.

2.9 Online-only auctions Some auctions may only be available to bidders via an online platform sale. In this event, Buyers have a 14 day period from the receipt of goods to withdraw from the sale, in accordance with EU Consumer Law. This returns policy relates only to lots where physical viewing of lots prior to sale is not offered by CA Ltd.

2.10 Dispute resolution during the auction Any dispute shall be settled at the auctioneer’s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneer’s entire discretion.

3. CONTRACT FORMATION AND EFFECTS

3.1 Contract of sale The contract of sale is between the Buyer and the Seller.

The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. When a Buyer purchases multiple Lots, each Lot is the subject of a separate contract of sale.

3.2 Transfer of property Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyer’s premium, relevant taxes, and costs in relation to shipping.

3.3 Transfer of risks Purchased Lots shall be at the Buyer’s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

3.4 Cancellation of the sale At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter.

Under no circumstances can the Buyer cancel the sale.

CA Ltd may at its entire discretion, during or after the auction, cancel the sale of the Lot or reoffer and resell the Lot if it becomes aware of any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

Grounds for cancellation under the present section shall include but not be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences or certificates, any subsequent changes in domestic or international legislations restricting the sale of export of goods etc.

In the event of internet-only auctions (where are no offered advanced physical viewing times), the Buyer shall have a 14 day right to retract, after receipt of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

4. AFTER THE SALE

4.1 Payment All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be made by cash, debit, credit card or bank transfer. We do not accept cheques. We do not currently accept American Express.

CA ltd adheres strictly to current anti-money laundering regulations and reserves the right to refuse payment or cancel the sale of any lot, should suspicion or evidence of regulation infringement arise. The 2020 guidelines reference ‘Art Works’, but are as yet to be fully defined. As such, CA Ltd reserves the right to adapt buying/selling rules at any time, in order to maintain compliance.

Cash payments shall not be receivable for amounts over €10,000, regardless of the payment being for one or multiple Lots. As of 2020, new directives also extend to other forms of payment where the amount is in excess of €10,000 and this may require further information sharing covering both buyers and sellers.

Should it encounter contravention of said regulations, or is unable to bring buyers/sellers into line with said regulations through advice and support, CA ltd reserves the right to cancel any lot transaction and offer said lots to underbidders and where applicable will notify the relevant authority of the suspected contravention if deemed intentional.

276

Payments made by someone other than the registered Buyer shall not be accepted.

Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer.

4.2 Buyer’s Premium The Buyer will pay CA Ltd a premium of 25% on the hammer price plus VAT on that commission on the first £500,000 and 12% plus VAT on the balance thereafter. A Buyer’s Premium of 21% plus VAT is charged on Wine & Spirits Lots.

The VAT payable varies by symbol as below: No Symbol: The standard rate of VAT is charged on the premium under the Auctioneers Margin Scheme in accordance with Art. 333 of 2006/112/EC. Standard UK VAT will be charged on the buyers’ premium and invoiced on an inclusive basis. †: Normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium. *: These lots have been imported from outside the EU for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on the invoice.

In order to receive a refund of VAT amounts/Import VAT (as applicable) non-EU buyers must:

(a) have registered to bid with an address outside of the EU; and (b) export the lot from the EU within 30 days of collection for * lots and 3 months of collection for all other lots and immediately afterwards provide us with satis­factory proof of export. (c) Details of the documents which you must provide to us to show satisfactory proof of export/shipping are available from our Finance team. A processing fee of £35.00 per invoice is charged to check shipping/export docu­ments. (d) No VAT amounts or Import VAT will be refunded where the total refund (after deducting the processing fee) is under £35. (e) If you are re-exporting a * lot outside of the EU, you must either use Chiswick Auctions Ltd TA Shipper or arrange for us to transfer the TA from our shipper to your own TA or bond account.

4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyer’s premium. The rate applicable shall be the legal rate at the date of the sale.

Goods such as books and antique books, music, maps and charts etc. are subject to zerorated VAT. In addition, any import taxes that may be incurred shall be paid by the Buyer above hammer price, VAT and Buyer’s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.

4.4 Artist Resale Rights / Droit de Suite Lots marked with ‘ARR’ may be subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or to the artist’s heir each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a cumulative sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to Lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single Lot is the sterling equivalent of €12,500.

Royalties for Droit de Suite are as follows:

• From 0 to €50,000 4% • From €50,000.01 to €200,000 3% • From €200,000.01 to €350,000 1% • From €350,000.01 to €500,000 0.5% • Exceeding €500,000 0.25%

4.5 Remedies for non-payment If the Buyer fails to make full payment in cleared funds within the time required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available:

• To cancel the sale • To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. • To resell the Lot on such terms by auction or otherwise entirely at CA Ltd’s discretion.

The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale.

• To offset against any sums which CA Ltd may owe the Buyer the outstanding sums unpaid by the said Buyer

• Where the Buyer owes sums to CA Ltd in respect of different transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums.

• To refuse entry to the Buyer at any future auction and/or reject any future bids by the Buyer and/or seek a deposit from the Buyer entirely in the discretion of CA Ltd. • To exercise a lien over the Buyer’s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. • To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs.

• To take such other action as is permissible by Law and in the discretion of CA Ltd. 4.6 Collection Purchased Lots can be collected from the auction room after the sale has ended or between 10am and 6pm up until close of business on the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltd’s discretion. Any delay in collection must be communicated clearly to CA Ltd in advance of the collection deadline and CA Ltd reserves the right to impose charges thereafter at its utter discretion (see 4.7).

4.7 Storage CA Ltd offers a discretionary 14 days free storage on purchased and unsold Lots from the date of the sale. Thereafter Lots not collected shall incur storage charges of £5.00 per lot, per day or part thereof for smalls and pictures (defined as anything that can be handled by one person) and £10.00 per lot, per day for furniture and other larger lots. CA Ltd shall be entitled to retain said Lots until all sums due have been paid to CA Ltd. If any lot remains uncollected 21 days after the sale, storage charges shall thereafter be £10/£20 (smalls/larger items) per day and CA Ltd shall, in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

4.8 Shipping Any shipping costs that may arise subsequent to the sale shall be at the Buyer’s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union.

CA Ltd does not offer insurance for shipping. However, CA Ltd may arrange insurance upon the Buyer’s request and at the Buyer’s expense.

CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

4.9 Loss or Damage CA Ltd does not accept liability for loss or damage occurring to Lots after the sale. CA Ltd will use reasonable efforts when handling Lots, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third party’s care.

4.10 Cultural Goods import and export restrictions Cultural goods may be subject to import and export restrictions. Under EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the item’s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade.

Licenses are issued by Arts Council England and it is the Buyer’s duty to obtain them. Some countries restrict the import of specific cultural goods. For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural goods in provenance from some countries subject to armed conflicts.

The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible.

4.11 CITES Import and export restrictions Certain endangered species are listed in the CITES Convention. Listed specimens and any parts or products thereof are subject to issuance of an export permit when leaving the European Union.

Appendix I species, are also subject to issuance of a prior import permit from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyer’s duty to initiate the proceedings with the relevant authority.

The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter.

Worked items that are dated before 1947 are exempt from import restrictions for intra-EU trade and shall not require export licences.

Please be aware that all Lots marked with the symbol λ are subject to CITES regulations.

4.12 Limitation of liability regarding CITES export licenses Where licences are required for importing or exporting outside of the European Union, it is the Buyer’s duty to obtain them.

CA Ltd cannot be held responsible if the Buyer’s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale.

4.13 Warranties CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law.

4.14 Authenticity warranty In the event of a Lot being sold as authentic under the catalogue description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not authentic, CA Ltd will refund the purchase price.

The Buyer shall give notice to CA Ltd within 28 days from knowledge or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall be defined as the state of a Lot that is genuine and not a forgery or a copy.

5. ANTIQUITIES AND TRIBAL ART

5.1 Import and export restrictions and regulations Archaeological goods over 100 years of age, unless covered by exemption of limited scientific interest, will require an EU Licence for export to a third country, regardless of their value.

It is recommended that the Buyer contact the Export Licensing Unit at Arts Council England in order to be assured the good is or not of limited archaeological or scientific interest.

Archaeological goods found on United-Kingdom soil or in UK territorial waters over 50 years of age shall require a UK Licence regardless of their value and regardless of the export destination. Other archaeological objects regardless of their origin will require an Individual Licence or OGEL depending on their value.

Both European-Union and UK Licences may be required simultaneously for some items. It is the Buyer’s duty to undertake the necessary steps. CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences.

6. JEWELLERY

6.1 Gemstone treatment and estimates Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to:

• Heat treatment to enhance sapphires and rubies’ clarity and colour • Oil and resin treatments for emeralds applied in different ways, to enhance clarity of the stone • Staining • Irradiation • Coating

Estimates provided by CA Ltd are deemed to be based on the fact that the gemstone may have been subject to any type of treatment in the past. CA Ltd shall not be responsible in the absence of mention thereof.

A certificate may be issued by a laboratory, providing with detailed information on the condition of the gemstone and any treatment applied thereto. The Buyer must be aware that different laboratories have different approaches as to the degree or type of treatment for a particular gemstone.

If a certificate accompanies the Lot, the Buyer must be aware that it is merely a statement of the laboratory’s opinion and in no way can CA Ltd be held responsible for any mentions therein. Such certificates are deemed to be delivered with the Lot for informative purposes only.

6.2 Estimated weights If a stone’s exact weight appears within the body of the description, the stone has been unmounted and weighed by CA Ltd. If the weight of a stone is stated to be approximate, the stone has been assessed by CA Ltd within its setting, and the defined weight is a statement of opinion only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy.

6.3 Signatures ‘A diamond ring, by X’: When the maker’s name appears in the title, in Chiswick Auctions’ opinion the piece is by that maker.

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‘A diamond ring, signed X’: Has a signature that, in Chiswick Auctions’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered.

‘A diamond ring, mounted by X’: Has been created by the jeweller, in Chiswick Auctions’ opinion, but using stones or designs supplied by the client.

‘Maker’s mark for X’: Has a maker’s mark which in Chiswick Auctions’ opinion is authentic.

Some items may include parts or products derived from endangered species, such as ivory or coral. Such items may be subject to import or export restrictions. See section on CITES regulations for more details.

7. CLOCKS AND WATCHES

All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and without defects, or has been subject to repair or restoration.

CA Ltd makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto.

The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum.

Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof.

Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for import or export purposes in accordance with CITES regulations.

CA Ltd acts in compliance with such legislations and shall take necessary steps where required.

Subsequently, watches may be deemed sold without their straps.

8. FURNITURE

8.1 Upholstered furniture after 1950 According to The Furniture and Furnishings (Fire Safety) Regulations 1988, furniture that was upholstered after the 1st of January 1950 is subject to restrictions in the United-Kingdom.

Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes. CA Ltd shall not be responsible for later alterations to the furniture, making it unfit for sale.

9. GLOSSARY OF PICTURE CATALOGUING TERMS

Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

1 JMW Turner: In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

2 Attributed to JMW Turner: In our opinion probably a work by the artist, but less certainly as to the authorship expressed than in the preceding category.

3 Studio of JMW Turner: In our opinion probably a work by an unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction.

4 Circle of JMW Turner: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil.

5 Style of; Follower of JMW Turner: In our opinion a work by a painter working in the artist’s style, but not necessarily his pupil.

6 Manner of JMW Turner: In our opinion a work in the style of the artist and of a later date.

7 After JMW Turner: In our opinion a copy (of any date) of a known work of the artist.

8 The term ‘signed’ and/or ‘dated’ and/or ‘inscribed’ means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

9 The term ‘with signature’ and/or ‘with date’ and/or ‘with inscription’ means that in our opinion the signature and/or date and/or inscription have been added by another hand than that of the artist.

10 Pictures are framed unless otherwise stated.

10. ASIAN ARTS

10.1 Import and export restrictions When dealing with Asian Arts and more specifically with items made of exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must be aware of import and export restrictions in accordance with CITES Regulations. As aforementioned in the Section relating

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to such matters, import and export permits or re-export certificates may be required.

Verification letters will be required for re-export of worked Rhinoceros items.

10.2 Fine Chinese Paintings Current scholarship in the field of Chinese Paintings and Calligraphy does not permit unqualified statements as to the authorship or date of execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings.

Notwithstanding, if within 28 days of the sale of any such Lot, the original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, a ‘forgery’ is defined as a work created with the intent to deceive.

11. BOOKS AND MANUSCRIPTS

Books and manuscripts sold as incomplete are not subject to returns.

Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to unnamed books or to books sold under the heading of ‘binding’ or ‘bindings’.

12. WINES AND SPIRITS

In accordance with agreed standards in the trade, estimates shall be deemed to have taken into account the fill level.

For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit.

Lack of mention thereof in the description is not a representation of an ‘acceptable’ fill level from CA Ltd. CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.

13. COPYRIGHT

CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the abovementioned materials without the prior written consent of CA Ltd. Some Lots may be subject to copyright protection, CA Ltd does not guarantee said Lots are free thereof.

14. DATA PROTECTION

The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent.

CA Ltd never sell, lend or trade in personal data provided by any Bidder.

15. SEVERABILITY

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, such provision is to take effect only in so far as it may do so without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way to be affected or impaired as a result.

16. AMENDMENTS

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale.

17. LAW AND JURISDICTION

The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales.

For the benefit of CA Ltd all bidders and sellers agree that the Courts of England are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply.

All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

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