DICHOTOMIC MONISM 2024

DICHOTOMIC MONISM CHONGYAN TONY CHEN SELECTED DESIGN WORKS | 2019-2024

Dichotomic Monism is a philosophical belief. It derives from oriental ancient theory of Taoism to perceive the universe. The world is never still, but in dynamic equilibrium. As tremendous as a mountain; as negligible as a seed, every single object is a result of interaction between two opposite concepts.

CONTENT 01 DARK VS. LIGHT Oculus Metropolis ...............................................................................001

02 PRIVACY VS. PUBLICITY Adaptive Reuse of Corbin Building ...................................................011

03 COLONIZATION VS. LIBERATION The Outlaw ...........................................................................................025

04 CULTURE VS. FUTURE Porchworks ...........................................................................................037

05 FORM VS. FUNCTION Recycling Station in the Pear Orchard ................................................045

06 PROFESSIONAL WORK ...................................................................................053

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01 Dark VS. Light Oculus Metropolis

701 Studio Project Time: 09/2023 - 12/2023 Team Work Coworker: Cong Liu Instructor: Karel Klein Location: Los Angeles, CA Size: 20000 sqft

Every building is a camera, and every beam of light that enters its windows brings with it the tapestry of images from the world outside. When focused, this light discloses the urban narrative as a picture. This phenomenon finds resonance in Leonardo da Vinci's belief that all things possess an aesthetic capacity that allows them to generate images of themselves. The walls, floors, and ceilings of our buildings are imprinted with these images, installing the city's essence within their structure. We move within these spaces, unaware of the occluded visual symphony surrounding us, yet it is there, a secret gallery of the city's soul.

The architectural journey unfolds across four chapters. Through an oculus study, we delved into how Artificial Intelligence interprets images distinct from human perspectives, AI translates similar geometry into uncanny features. Wanderings in DTLA provided raw material fed into AI, yielding textures and apertures reminiscent of the city. Our narrative converges in a cinematic experience, where the building becomes a storyteller, connecting visitors to the pulsating heart of DTLA through touch, perception, and a transformative journey.

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"Through an oculus study, we delved into how Artificial Intelligence interprets images distinct from human perspectives, AI translates similar geometry into uncanny features. Wanderings in DTLA provided raw material fed into AI, yielding textures and apertures reminiscent of the city."

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1. Facade Detail Ⅰ 2. Facade Detail Ⅱ 3. Northeast Elevation 4. Northwest Elevation 5. Long Section 6. Ground Floor Plan 7. Second Floor Plan

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CHAPTER I

deprivation of sense

CHAPTER III

penetratiton of oculus

2023: A Metrop

In the initial shroud of darkness, the city became an endless void, depriving its denizens of vision. Streets and struc auditory senses gradually reclaimed their dominion, culminating in the revival of sight. Astonishingly, the city rev through darkness bestowed upon the inhabitants not only a perception of the city's external

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CHAPTER II

space of obscurity

CHAPTER IV

reconciliation of cityscape

politan Odyssey

ctures blurred into the unknown, and residents navigated through reliance on touch. Across three phases, tactile and vealed itself not merely as a silhouette in the night, but as a vibrant ecosystem teeming with vitality. This odyssey grandeur but also an apprehension of profound beauty concealed within its intricate depths.

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Physical Display Model Lasercut MDF, 3d Printed PLA, Acrylic Spray Painted

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01 PRIVACY VS. PUBLICITY ADAPTIVE REUSE OF CORBIN BUILDING 601 Studio Project Time: 09/2022 - 12/2022 Team Research / Individual Design Work Instructor: Hina Jamelle Location: Manhattan, NY Size: 25000 sqft site / 65000 sqft

Manhattan, like all other long-established cities, urgently needs acupuncturelike micro-renewal to coordinate the irreconcilable contradiction between contemporary living needs and historical context. Urban housing is seeking more advanced organizational logic, and urban residents also need more communication opportunities. The process of urban renewal is by no means accomplished overnight. From the experimental iterations, we can extract cases with excellent feasibility and economy, which can be used to feed back the construction of affordable housing and effectively alleviate social problems.

Corbin building is a fine sample of historic architecture of New York City. The basic strategy of this experiment is to divide the Corbin building into four towers and then implant different Interrelationships respectively to organize residential units of different sizes. The four samples form a control group comparing with each other to explore their private and public performance and potential in the vertical direction. The lower floor levels have more public spaces, inviting non-resident citizens to flow into the green spaces inserted into the building connecting the park on the rooftop of Fulton center. The existence of green public space can effectively reduce the anxiety of urban residents, making it easier for citizens in this relaxing environment to open their hearts. Temporary outdoor public are introduced as a regular activity to provide topics of communication for strangers who are not familiar with each other.

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4th floor plan 018

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oss John st.

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Corbin buildin

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03 LIBERATION VS. COLONIZATION THE OUTLAW

602 Studio Project Time: 01/2023 - 05/2023 Team Work Coworker: Boyu Xiao Instructor: Kevin Cannon Location: New York, NY Size: 15000 sqft site / 50000 sqft

The existing Beaux-Arts style museum architecture was characterized by a highly enclosed structure and crowded interior spaces. It appeared disconnected from the cultural background and folk society of New York, making it challenging for urban residents to establish a meaningful connection with the museum's interior.

We consider this a manifestation of colonization, which inevitably creates class barriers that alienate residents who should participate in artistic and cultural activities, thus relegating artworks and their representative art history to the periphery. Our objective is to restore the agency of art and social activities to the city residents. To achieve this, we conducted a series of studies on illegal buildings from around the world, as we firmly believe that vernacular architecture, devoid of architect involvement, embodies the essential needs of the owners and reflects the demands specific to the geographical region. We consider the aforementioned characteristics of citizen demands to have the potential for further generalization and refinement, resulting in a comprehensive macro-level urban language system. In the context of New York, this "Illegal Architecture" is represented by streetery, which reveals the irresistible social needs of New Yorkers within the fastpaced and high-pressure commuter lifestyle. Therefore, by employing an intense language that conflicts with the original site, and complemented by a flexible and transformable structure, our intention is to open up this art museum and establish visual and multisensory connections with pedestrians, thereby transforming the existing architectural and cultural allusions of gentrification in New York.

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Transformable Structu

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ure of the Theater Hall

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Plan Detail

Section Details

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Roof floor plan

Ground floor plan

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Section across 76th st

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Section along 76th st

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04 CULTURE VS. FUTURE PORCHWORKS - A Community Machine for Callowhill Schenk-Woodman Competition Time: 01/12/2022 - 01/19/2022 Team Work Location: Philadelphia, PA Size: 40000 sqft

PorchWorks is a speculative project in two senses: it imagines a future for the Callowhill neighborhood, and it is a tool for development. But it also critiques the typical strategies of both. In imagining a future for the neighborhood, we look to Callowhill’s social and material past, with a particular focus on food as a vehicle of culture and the machine as a metonym for industrial production.

As a speculative instrument for neighborhood development, PorchWorks is the first phase of a larger plan that centers not just on the streets but on small-scale parking lots and the abandoned Viaduct as the most promising spatial resources in the area. It acts as a front porch in two ways, as an entrance for a future addition to the Rail Park and a place for cultural and community exchange. In its operation, PorchWorks combines production, consumption, waste processing, and recreation: it is an argument for and investment in a circular logic of design.

A community-run restaurant uses produce grown in the garden atop the Viaduct to offer culturally diverse foods, and a fermenting machine processes organic waste from the restaurant into liquid fertilizer and compost that then feeds the plants in the garden. PorchWorks serves multiple publics: patrons eating at the restaurant, people enjoying public space, children playing, and residents looking for ways to develop the neighborhood without razing existing buildings. Each component combines art and recreation so that the proposal’s spectacle comes from its design, operation, and communal enjoyment. As such, PorchWorks is a neighborhood machine for food, waste, art, and recreation, all essential elements in Callowhill’s identity and the well-being of its residents.

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Circulation System of the Two Eateries

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Floor Plan of the Restaurant Eatery

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Streetery Section 1-1

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05 FORM VS. FUNCTION RECYCLING STATION IN THE PEAR ORCHARD

- An architecture to reawake environmental awareness in rural area

2019 UIA-CBC International College Constrction Competitive Workshop Project Time: 03/2019 - 08/2019 Team Work Coworker: Yuxiang Dong, Hanlin Zhang, Yuehan Liu, Xinge Zhang, Yuta Koriki, Tenki Morimoto, Daiki Matsumoto, Siyun Rao, Fei Xu Instructor: Xiaodong Zheng, Wei Duan, Hiroki Suzuki, Jia Ma, Bingxun Sun Location: Jiangsu, China Size: 400 sqft

CONSTRUCTED* Recycling Station in the Pear orchard is based on reconstructing site feature, solving current problem and vigorating the site, which indeed caters the demands of the location. The structure is a modern interpretation of Traditional Chinese Post and Lintel frame. Local materials make up the enclosing membrane, which is regarded as an important method of cultural display as well as construction technique inheritance. The scheme of the recycling station introduced new waste classification and treatment methods, odor removal wind pressure system and other technologies to meet the design requirements.

In order to adapt to the village environment, we propose to build a traditional Chinese beam lifting building with wood and pear branches as the main materials.

The overall form is based on the ancient roof, and combined with the problem that the garbage station will emit peculiar smell, the roof will be transformed into an open vent, which is also an important manifestation of its exhibition. As an important display window, the maintenance structure of pear branch weaving not only makes reasonable use of local materials, but also has an important function of cultural display.

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Wind Guide Board

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06 Professional Work FLOW - Concrete Design & Manufacture Course Project

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