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T H E W O R L D’ S M O S T B E A U T I F U L B O A T S

FOLKBOATS FOREVER

HOW TO SAIL A TRAWLER Golden Vanity

World’s favourite yacht at 80

ONE CAREFUL OWNER 1970 McGruer ketch EARLY SUMMER ACTION

Cowes and Antibes

1930 MOTOR YACHT

Elegant power

UNCOMMON COURAGE Sailor volunteers of WW2 BUYER’S GUIDE

All about sails

www.classicboat.co.uk

I NTERNATIONAL B OATBUILDING T RAINING C OLLEGE LOWESTOFT

EST 1975

TRAINING BOATBUILDERS FOR FIVE DECADES ...AND STILL GOING STRONG www.ibtc.co.uk

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STEFFAN MEYRIC HUGHES, EDITOR

PLOT NUMBER EIGHT: ETERNITY

PAGE 23 FOLKBOATS FOREVER PAGE 24

According to the 2004 book by Christopher Booker, The Seven Basic Plots: Why we Tell Stories, there are only seven plots. God knows how many caveats the author drowned in, or if he came to blows with those who quite fervently maintain that there are 3, 26 or 36 plots. It’s a matter of sensitivity in the end, how much detail you tune out in order to broaden genres. If, however, we take it as playful sophistry, these seven plots relate perfectly to classic boat ownership. The seven plots are these: Overcoming the Monster; Rags to Riches; The Quest; Voyage and Return; Comedy; Tragedy; Rebirth. We’ve had ‘em all in these pages over the years, altered respectively to Overcoming the Keelbolt; Riches to Rags; The Quest (wooden boat ownership); Voyage and Return (of course); Comedy (see Keelbolt); Tragedy (See Riches to Rags). As for Rebirth, it’s our stock-in-trade, as in all magazines like this, from classic cars to house renovation. But both our lead boats in this issue – Cuilaun and the Folkboat – represent a new, eighth plot. I’m calling it Eternity… So Far.

COVER PHOTO: SANDEMAN

ISSUE No 409

CONTENTS

classicboat.co.uk Jubilee House, 2 Jubilee Place, London, SW3 3TQ

COVER STORY

EDITORIAL Editor Steffan Meyric Hughes +44 (0)203 943 9256 steffan@classicboat.co.uk Art Editor Gareth Lloyd Jones Group Editor Rob Peake Publisher Simon Temlett Publishing Consultant Martin Nott ADVERTISING Andrew Mackenzie +44 (0)207 349 3779 andrew.mackenzie@chelseamagazines.com Advertisement Production Allpointsmedia +44 (0)1202 472781 allpointsmedia.co.uk Published monthly ISSN: 0950 3315 USA US$12.50 Canada C$11.95 Australia A$11.95 PUBLISHING Managing Director Paul Dobson Director of Media James Dobson Chief Financial Officer Vicki Gavin Group Sales Director Catherine Chapman Head of Sales Operations Jodie Green Publishing Consultant Martin Nott

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4 . ONE CAREFUL OWNER The ketch Cuilaun, built in the sunset of wooden yacht building and immaculate today 12 . VOILES D’ANTIBES The season in the Med is open 14 . COWES SPRING CLASSICS Back where it belongs, in spring COVER STORY

24 . FOLKBOATS FOREVER The world’s most popular and influential cabin yacht is 80 this year 38 . DEBBIE PURSER A life in charter and sailing – and now boatbuilding too 40 . BOOKS ROUND-UP The latest releases in marine publishing

For cruising and racing sailors

DEBBIE PURSER

UNCOMMON COURAGE

COVER STORY

42 . UNCOMMON COURAGE The yachtsmen who helped Britain win the war at sea COVER STORY

48 . HOW TO SAIL A GAFFER It’s back to basics aboard the powerful Brixham trawler Golden Vanity 54 . AMERICAN BEAUTY The 1930 motor yacht Cielito 60 . GUIDE TO SAILS Not sure where to start? Read this 66 . TOM CUNLIFFE The power of luck REGULARS

To subscribe, chelseamagazines.com/marine

4 38

CUILAUN

16 32 34 36

. . . .

TELL TALES SALEROOM OBJECTS OF DESIRE ADRIAN MORGAN

HOW TO SAIL A GAFFER

38 . CLOSE QUARTERS 66 . TOM CUNLIFFE 78 . LETTERS 82 . STERNPOST

CRAFTSMANSHIP

70 . YARD NEWS 74 . YARD VISIT 76 . BOATBUILDER’S NOTES

CIELITO

Tom Cunliffe

Jonah’s luck PAGE 6 6

CLASSIC BOAT JULY 2022

TIMEWARP KETCH The McGruer yacht Cuilaun has only had one set of owners since she was built over 50 years ago WORDS STEFFAN MEYRIC HUGHES

CUILAUN

PHOTOS ON THIS PAGE: C/O SANDEMAN YACHT COMPANY

rom time to time on British roads – more so in summer – you see a recent classic, like an Austin Allegro or Ford Cortina doing precisely 70mph in the middle lane. Piloting it will usually be a youngish man for whom the car is a modest entry to the world of classics, but just occasionally, the driver will be older and you know without having to ask that he bought the car new in the 1970s or 80s owns every receipt ever spent on it. Even in the automotive world it’s rare. In the world of sailing yachts, it’s unheard of. A few months ago, we ran the story of the 47ft (14.3m) ketch Rinamara, the last yacht designed by James McGruer of the prolific Scottish family yard that designed and built so many yachts, but who became best known for racer/cruisers, including the ‘cruiser eights’. Rinamara’s launch in 1968 was perilously close to the end of the wooden boatbuilding era, but there was about to be a postscript. By 1969, man had landed on the Moon and Robin Knox-Johnston had sailed his ketch Suhaili non-stop and solo around the world, claiming ocean sailing’s last great exploratory prize. The glassfibre Westerly Centaur had just launched at the London Boat Show; change was in the air. Nonetheless, James McGruer’s son George had taken over the family firm that year, with its proud and long history of wooden boatbuilding, when Irish sailor Michael O’Flaherty ordered a 55ft ketch. Michael and partner Brian Smullen had started with a Folkboat before graduating to Namhara, one of James McGruer’s popular 8-M cruiser/racers – the so-called ‘cruiser eights’ – so they were already familiar with James and George McGruer. In the autumn of

CLASSIC BOAT JULY 2022

Above: Launch day in 1970, with builder and owners Below: Under power soon after her launch and a view of the saloon as it was in 1970, complete with brown glass ashtray

1969, the build of Cuilaun of Kinsale – today just Cuilaun – began. “First I saw of her was when they dropped seven tonnes of lead into a hole in the floor!” remembers Brian today, who is now sole owner of the boat, after the death of Michael in 2018. “I remember the drawing was lofted out in chalk on the black floor, and George would roam around it at night, chalk in hand, altering it here and there. It was his first boat. Next morning, the foreman would come in and shout “that bloody George has been at it again!”” Nine months later, Cuilaun was finished, built in teak planking on frames of afromorsia, silicone bronze fastened, and finished to the highest standard. “It was a dream commission for George,” says his wife Dorothy today. “Cuilaun was the best of everything. George even went over to Ireland for a week to discuss the build with Michael beforehand.” She was launched in 1970, an era that must have felt like a new world, but carvel planked, continuing the tradition of ship and boatbuilding that began millennia before. About the only concession to modernity in her fundamental make-up were the frames, which were laminated rather than grown – that and the angularity of the windows in the cabin trunk. Two near-sisterships followed over the next three years: Talisker Mhor (originally Ceresio) and Border Legend (originally Glory B IV). All three are still sailing today as, of course, is dad James McGruer’s last yacht – Rinamara. Today, at least one commentator has called this trio, perhaps the last traditional yachts built in Britain until the classic boat revival a couple of decades later, “among the finest yachts ever built at this

PHOTOS ON THIS PAGE AND OPENING SPREAD: TIM WRIGHT, PHOTO ACTION

This page: Racing in the blue swells of Antigua. Note the mizzen staysail. This and the spinnaker are in green, orange and white, after the Irish flag

CLASSIC BOAT JULY 2022

CUILAUN

size”. Iain McAllister, Scottish yachting historian and these days broker, has a good familiarity with the McGruer yard and notes that the McGruers had responded to the desire for yachtsmen after the war admirably: “Through the 1950s and 60s, British yacht designers found various solutions in appeasing their clients’ post-war demands for greater comforts and space by increasing hull volume while trying to keep an eye on looks. Arguably it was James McGruer who achieved the greatest aesthetic harmony in this task by gaining volume via the American norm of increased beam. When James’s son George stepped up to the drawing board, he inherited a wonderful provenance of well-proven excellence for inspiration.”

ALL PHOTOS ON THIS SPREAD: C/O SANDEMAN YACHT COMPANY

A TRUE CRUISER RACER

What followed for Cuilaun was a half-century of very enthusiastic ownership that saw the boat cruise to the Med and back and forth across the Atlantic so many times that Brian has lost count. “Fourteen… maybe sixteen” is as close as he gets. Some of these transats were double-handed by the two owners, although most were with friends crewing or, on the odd occasion, “a hired deckie”. The ability to double-hand a yacht this size when needed was the main consideration behind the ketch rig, a set-up that divides sail area into more manageable sections. In the case of Cuilaun, that figure is usually four: main and mizzen, mizzen staysail that gives another half knot in the right conditions, and a choice of various headsails from jib all the way to spinnaker. Originally these were hanked on, but the boat’s steady modernisation over the years has included

CLASSIC BOAT JULY 2022

This page: The interior, modernised but with original furniture. Note the mahogany battens running inside the hull. These were a McGruer feature, that allows air circulation and a view of the frames, but with more comfort than leaving the inside of the hull completely bare

a powered furler on the forestay – what Brian calls a ‘geriatric jib’. Another advantage of the ketch rig is its ability to steer a yacht, something that has not only negated the need for a windvane, but saved boat and crew from disaster once, 300 miles west of Portugal when the rudder broke. “So long as the wind blew, we were able to steer her,” remembers Brian. “And the wind did blow, so we made it home on the mizzen.” As befits Cuilaun’s cruiser/racer pedigree, the boat has won her fair share of races as well as proving to be a comfortable, reliable cruising yacht. These have included a win in Class 3 in the 1979 transatlantic race from Marblehead to Cork, another class win at Antigua Classic in 2005 and the overall win at Panerai Classics Week on the Solent in 2017, a year after competing with success in the RORC Caribbean 600. It was in Antigua, in fact, that Brian remembers an encounter with Elizabeth Meyer, the American sailor who rescued Endeavour and reignited the J Class. She was chatting to Michael, Brian and the Irish crew while various of her entourage were tugging metaphorically at her sleeve to draw her away to dinner somewhere. She finally exploded “Oh fuck off! I want to stay with the Micks!” Then there was the Retired Skippers’ Race in Castine, Maine in the 1990s. “It was a pursuit race – great fun,” says Brian. Here Brian and Michael met Olin Stephens – “a helluva nice fellow”, sailing Dorade. “It blew like old boots and we beat him!” After countless sea miles and 52 years of ownership, it is the moments cruising that are most vivid in Brian’s memory. Most were joyful, some tinged with fear. There was a time on the Chesapeake Delaware Canal when

LAK II

Clockwise from top left: The large windows let a lot of light in; Deep, wellequipped cockpit for globetrotting; The mizzen sail is sheeted to the aft deck; Clock and barometer; Portlights in the hull are, like everything on Cuilaun, kept in tip-top condition; The deck is swept timber on a plywood subdeck

CLASSIC BOAT JULY 2022

CUILAUN Brian stepped ashore, left the boat, looked back and saw she was a full 4in (10cm) down on her waterline. “I rushed back in a panic, and tore the sole boards up. I was terrified. But there was no leak. The canal water was too fresh to float her to her lines.” There was not one, but two near misses with boatyard fires. And Michael and Brian didn’t limit their cruising to warm climes like the Med and Caribbean. Brian recalls a time when they were in the tender, chipping ice of a huge Newfoundland iceberg for the evening G&Ts. They rowed away, and just moments later saw the whole iceberg capsize. It was in these cold, northern latitudes that they visited the town of Seldom-Come-By Tickle (‘tickle’ means short, narrow strait). “They had not seen a visitor in years! The party went on three days.”

KEEPING CUILAUN PRISTINE It’s not just sailing that has been done to the fullest over the last 52 years. Cuilaun has never been restored in that time, and that’s due to a constant, steady programme of maintenance and gradual modernisation. For example, in 2020, the cockpit sole and bearers were replaced, the navigation and electrics were seen to, some standing rigging was replaced, all portlights and through-hulls removed, serviced and refitted or replaced, some painting here and there and a complete rebuild of the engine, a Yanmar 4JH4THE. The year before that, it was a re-caulk of the hull and two new floors. 2018 saw an overhaul of electrics, propellor and chart table. In 2017 it was batteries, worktops, heads and sinks. The year before that, a deck re-caulk and coachroof redeck. 2015 was a repainted mizzen and complete strip back and revarnish. The year before saw all standing rigging replaced. You get the idea. Then there’s the bright finish, one of the most noticeable things about Cuilaun (her nickname in Maine, such is the time she has spent there, is “the varnished two-sticker”). This alone is the product of about 10 days’ work annually by a top yacht varnisher based in Antigua who visits Cuilaun wherever she is in the world, for a revarnish. Every decade or so, he strips all the varnish back to bare and builds it up again from scratch. Keeping Cuilaun looking as she does is not an easy – or cheap – task. Brian is not prone to dewy eyes when he talks about his life with Cuilaun, but the idea of passing her on must tug at the heartstrings nonetheless. The boat is now for sale through Sandeman Yacht Company – though not particularly urgently. “I’m still torn” says Brian. It would be lovely to think her next owner – whenever that may be – might keep for another half century.

CLASSIC BOAT JULY 2022

CUILAUN DESIGNED: George

McGruer BUILT: McGruer & Co, 1970, Clynder, Scotland LOA: 55ft (16.8m) LWL: 35ft (10.7m)

BEAM: 12ft

(3.7m) DRAUGHT: 8ft (2.4m) DISPLACEMENT: 20 tonnes SAIL AREA: 1,172 sqft (109m2)

Building the future classics

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Grand Estime 62 “Misha” by Olivier van Meer Design, reﬁt by VMG Yachtbuilders

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(+31)228 322 352 part of

Logbook VOILES D’ANTIBES

Normal service resumes PHOTOGRAPHS JAMES ROBINSON TAYLOR After two covid years of being deferred until late summer (much like Cowes Spring Classics, overleaf), Les Voiles d’Antibes, first held in 1996, was back in its proper place as the starting gun of the Mediterranean classic yacht racing season. From 2-5 June, a fleet of 54 that included some of the world’s most famous classics gathered and, in mostly light winds, raced under thin, rustling billowing headsails, blue skies and sun. Establishment grandees like Cambria and Stormy Weather rubbed shoulders with newcomers like the 1929 12-M schooner Viveka, newly restored and winner of our award for best restored large sailing yacht this year – not to mention her class at Antibes. On the quayside and in the winding streets of old Antibes, there was a feeling of cautious cheer that the world might... just... be turning again. Winners in their classes were: Outsider, Viveka, Matrero, One Wave, Tigris, Arcadia III, Comet, Sagittarius and Scud.

4 5

CLASSIC BOAT JULY 2022

1 The bermudan class was a tight game 2 Torben Grael on the Bar Harbor 31 Scud 3 The ‘Fighting 40’ Chinook 4 Comedian Griff Rhys Jones of S&S yawl Argyll with crew from another S&S yawl, Manitou 5 S&S yawl Comet chases down the Nicholas Potter N-class yacht Serenade, built for violinist Jascha Heifetz 6 Viveka, bound for glory 7 The crew of Serenade 8 There were some windy moments, like this one, with Scud punching upwind 9 Racing in the P Class was close – sometimes alarmingly so! 10 Cambria with Antibe’s ramparts and old town in the background. 11 Voiles d’Antibes, est 1996 CLASSIC BOAT JULY 2022

Logbook

COWES SPRING CLASSICS

Spring in the step PHOTOGRAPHS CHRIS BROWN The fifth edition of Cowes Spring Classics held over the weekend of 20-22 May was back to its traditional spring date after two years of calendar hopping in the pandemic. The regatta, based at Shepards Marina in Cowes, started with the Mermaid Gin Welcome Drinks and Crew BBQ on Friday evening followed by two days of racing. Perfect conditions defied a forecast of low winds and the crews in bermudan and gaffrigged classes enjoyed four races over the two days in glorious Solent sunshine. The Saturday night dinner in the Sugar Store was enjoyed by nearly 100 owners and crew,

many of whom dressed to suit the age of their yacht. The overall winner was Whooper, Giovanni Belgrano’s 1939 Laurent Giles sloop, a popular result with four class wins. She was also the winner of the first Cowes Spring Classics in 2018. The Fife yacht Mikado won Class 2 (smaller bermudan yachts) and Step Back in Time won Class 3 (gaff). Best effort by a family-crewed yacht went to Sea Filly, while the Spirit of the Regatta trophy went to Sheba. 3

6 7

CLASSIC BOAT JULY 2022

1 Close action with Fife Mikado leading West Solent OD Suvretta 2 and 3 Whooper, overall regatta winner for the first time since 2018 4 Crew of gaffer Sea Filly celebrate 5 Glorious weather on both days 6 Bermudan cutter Maresta 7 Cowes Spring Classics welcomes classic yachts of all types and sizes 8 S&S Swan Scherzo leads My Dream 9 Ed Burnett-designed gaff cutter Ivy Green 10 Close-up action aboard Suvretta 11 Crew dressed to suit the age of their yachts for Sunday evening’s dinner 12 and 13 Whooper 14 Step Back in Time, winner in the gaff class CLASSIC BOAT JU.LY 2022

Tell Tales

Classic Boat’s address: Jubilee House, 2 Jubilee Place, London, SW3 3TQ cb@classicboat.co.uk Follow the Classic Boat team on Twitter and Facebook

SOLENT

Royal Lymington to host Folkboats The Nordic Folkboat nationals will be held in September at the Royal

dedicated team are putting together a fantastic week of social events

Lymington Yacht Club, which is celebrating its centenary this year, as

and activities to accompany the racing and a number of our Nordic

the Folkboat design itself turns 80.

fleet and club members have offered to host visiting international

Entry is open and registrations have been flooding in for the event, which comprises both the nationals and the 2022 Sessan Cup. Five days of racing are planned in Christchurch Bay from 17-22 September, amid a week of celebrations and social events ashore. Commodore of Royal Lymington YC, Phil Lawrence, said: “Our

Folkboat sailors during the regatta.” The event is sponsored by Spencers of the New Forest and supported by Yacht Havens, Walcon Marine, SoResource Management, Folkboats UK and the UK Folkboat Association. See rlymyc.org.uk/ folkboat-nationals-sessan and pages 24-30 in this issue.

Silhouette, 1910 SILHOUETTE 1910

Here’s a wonderful Fife yacht that is less known in northern European waters but is well raced in the Mediterranean circuit. Silhouette is a gaff-rigged 8-Metre gaff cutter designed by William Fife III and built in mahogany planks on oak frames in 1910 by Abeking & Rasmussen in Germany. Her first owner – she was launched as Woge IV – was Consul Otto C Ernst. Today she is a regular participant in the Gstaad Yacht Club’s annual Centenarians' Trophy, where she is helmed by the race organiser and Silhouette’s owner Daniel Heine. Daniel had the rig rebuilt according to the original plans, which were retrieved by

Duncan Walker, at the time of Fairlie Yachts.

The mast is Sitka spruce provided by John Lammerts van Bueren’s Touchwood company. She is on the list to attend Voiles d'Antibes this June, but not the Fife Regatta, which runs very soon after.

CLASSIC BOAT JULY 2022

TELL TALES

Tasmania ready for the big one The Australian Wooden Boat Festival will be held again after a

water. With the ongoing support of the state government, Events

two-year break, from 10-13 February 2023, on Hobart’s waterfront,

Tasmania and TasPorts, the festival has become “one of Tasmania’s

and registrations are now open.

greatest free events”. The organisers invite “wooden boats of all

The waterfront festival is held biennially over four days on the

shapes and sizes” to enter. Boat manager Roscoe Barnett has

Hobart Regatta long-weekend, with tens of thousands of visitors

already confirmed the attendance of 10 tall ships from Tasmania

and around 450 wooden vessels normally attending on land and

alone, with eight months still to go.

Young sailor bursary Young sailor Alanna Cameron has become the first recipient of a nautical bursary with its roots in the 1800s. The Nottage Maritime Institute in Wivenhoe was founded in 1896 with a bequest from Captain Charles Nottage, a successful racing yacht owner who employed

Uffa regatta all set

crews from the fishing and yachting communities alongside

The regatta celebrating the life and work of Uffa Fox, UF50, is ready to go ahead

improve themselves in navigation primarily, or make up

from 18-21 August in Cowes.

their deficient skills generally”.

Hosted by the Royal London Yacht Club, the sailing regatta will take place on

the river Colne in Essex. He wanted to create an institute “where yachtsmen and sailors could, if they desired,

The institute has newly created an annual Young Sailor’s

Friday 19 August and Saturday 20 August, and is open to all Uffa Fox-related

Bursary in the form of 50 per cent off any course within its

designs of dinghies, keelboats and yachts.

curriculum. “We’ve been teaching courses in many marine

These include but are not limited to Firefly, National 12, International 14,

subjects to thousands of people who sail the seas

Redwing dinghy, Pegasus, Albacore, Jollyboat, National 18, Flying 10, Flying

professionally or for pleasure for over 125 years,” said

Fifteen, Foxcub 18, Harrier 20 , Flying Fox, Foxterrier 22, Foxhound 24 and

Nottage Chairman, Richard Barnard.

Atalanta. The wider event will encompass a variety of activities, centred around Cowes

Alanna, became interested in professional sailing on the ketch Maybe before joining the Pioneer Sailing Trust in

Parade, which will host a static display of Fox-designed boats, and will also be

Brightlingsea, Essex. She plans to further her career in

the starting point of the Uffa Fox trail around Cowes and East Cowes, where

sail-training and has taken the RYA Yachtmaster course at

examples of his history and heritage can be seen.

the Nottage.

Fox lived from 1898 to 1972, a highly regarded naval architect as well as a

To apply for the bursary the applicant must be aged less

great sailor and character. The UF50 celebration was conceived by the Atalanta

than 26, and be working, or planning to work, in a marine

Owners Association, one of his designs.

environment.

See UF50.org

nottage.org.uk CLASSIC BOAT JULY 2022

TELL TALES

ITALY

Italian series under way The Italian classic boat racing series is underway after officials and participants gathered in Rome for the official conference and launch. The series is run by AIVE, the Italian Vintage Boat Association, which presented the 2022 regatta calendar at the event in Rome, comprising more than 15 regattas over the summer in the Tyrrhenian and Adriatic seas. Four seasonal trophies are up for grabs. Guests were welcomed by Giancarlo Lodigiani, the new president of AIVE and owner of Voscià, the 1959 Sparkman & Stephens yacht. The culmination of the season is the Viareggio Historic Sails Meeting in JAMES R. TAYLOR / PAOLO MACCIONE

October. “Finally a long season of regattas awaits us, which first of all has the aim of spreading the culture of yachting, a theme that has always been dear to AIVE”, declared Lodigiani, “and inaugurating it as new president on the 40th anniversary of its foundation is a great honour”. Participating boats are divided into three categories: Yachts Epoca (launched before 1950), Classic Yachts (launched between 1950 and 1975) and Spirit of Tradition.

See Britannia II up close The Classic Boat Museum in Cowes now has the boat that Sir Ben Ainslie and team raced in the last America’s Cup on show. Britannia II is the AC75 that Ben raced as INEOS Team UK (which has become INEOS Britannia for the next Cup in Barcelona in 2024). The British-led team took Britannia II – which drews gasps from onlookers when she was unveiled in Auckland in early 2021 for her radical styling, even among the other AC75s – to the final races of the Prada Cup, where they were beaten by the Italian team. The 75ft (22.9m) boat has top speed of over 50 knots and it will join the museum's eclectic mix of 89 boats that also includes the original BAR T1 (Ben Ainslie Racing) America’s Cup foiling catamaran, used as a test bed for the 2017 Americas Cup in Bermuda, again given by Sir Ben and team to the museum in 2018. Mark Mc Neil, Chairman of the Classic Boat Museum said: "Britannia

INEOS Britannia for this amazing donation.” Sir Ben Ainslie said: “Showcasing the historical legacy of the

II joins our wide range of historical breakthrough yachting exhibits and

America’s Cup is one of the goals of the Classic Boat Museum and we

will be a significant addition to the Boat Shed, allowing the museum

are delighted to again support them by donating Britannia II, helping

to showcase the history of the exciting development of foiling boats

bring the America’s Cup story to life and leaving a legacy for the

and the British America’s Cup story. I would like to thank the team at

generations to come.”

Photo winner Sailing photographer Robert Wilson bagged a national prize with this shot taken in the Royal Imperial Dry Dock Shipyard in Edinburgh. Robert won the the ‘still life and object’ category in the Association of Photographer’s prestigious Photography Awards. The judges said: “Robert’s photograph provides a very rare insight into the underside of the ship. In addition, the viewpoint the photograph was taken from showcases the structure and scale of the vessel as the measurement is literally painted on the stern. In addition, the colours contrast with the handwritten numbers used to identify areas for repair.”

CLASSIC BOAT JULY 2022

Collectors Sale

OTHER UFFA FOX CRAFT THYME Int 14 K523. The last traditionally built 14 made for Captain Porteous, Commodore of Tamesis Club in 1948, pictured sailing 1970. Newly varnished, nearly new mast and sails, plus spinnaker and spare suit. Still very fast inland. £3,000 ONO

The Uffa Fox Collection - Remember the Uffa Fox Regatta, Cowes 19-21 August HUFF OF ARKLOW - Flying 30 45ft overall. Planing Ocean Racer Newly Restored. 2 suits sails, spinnaker and genniker. Lying Portishead Marina. £75,000 ONO

Mid 30’s Int 14 Hull only by Uffa Fox in reasonable condition. POA 12ft Frostbite dinghy, either Runt or Squall as featured in Uffa’s books. Hull requires repair. Complete but no sails. POA

For restoration by Coastal Marine Holdings Ltd CARITANA One Design 22 square metre no 131. Newly restored with new trailer. Nearly new mast and sails. Excellent day boat. Accommodation for 2. Fast boat for classic regatta. £17,500 ono Edwardian 12 ft rowing dinghy. Newly restored and varnished. Rows like a dream. £5,000 ono

CHADRAK 22 square metre K3. Fast boat, new mast, good sails. Needs refastening and painting. £3,000 ono

We have a revolving collection of old sailing dinghies available fully restored or for restoration.

Call 01173 634 410 or 07402 095 236

Email andrew.thornhillqc@exchequerchambers.com

TELL TALES

Tollesbury small boats in the sunshine Tollesbury Sailing Club on the Essex coast

Mersea lugger Woodcock (joint second overall)

provided glorious sunshine and light winds for the

the show was stolen by Steve Johnson in his

Old Gaffers' Association's (OGA) first east coast

grandfather’s 1946 winklebrig Native WM1. She

event of the year. In addition to the delightful

was away like a shot at the starts and that was

flotilla of smack's boats that traditionally

the last seen of her in both races.

challenge the club’s small boats, newcomer

overall (5th and 4th) in the Brian Kennell-built

Wolstenholme-designed Gaffling 4.1 dinghies, also

Willow and honourable mentions also went to

joined the fleet this year. Helmed by Richard Ham,

Yvonne Mitchell in her scow Ermintrude (6th &

she was joint second overall after the two races,

5th) and Pete and Clare Thomas in their new,

which augurs well.

home-built smack's boat Eureka. The stunning

Despite the best efforts of trophy holder and

Eloisa Rule was the fastest smack's boat

Suffling, one of the OGA’s new Andrew

duo of smack's boats Pudding Faces and Ettie,

Tollesbury SC commodore Bing Weedon and

sailed by Ian Clark and father and son Wildridge

daughter Zoe in his Mersea winklebrig Fidget

respectively, ensured no one was lost at the

(honourable mention) and Phil Plumtree in his

back. Words and photos: Sandy Miller

CLASSIC BOAT JULY 2022

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CORNWALL

Wharram Hui this summer The 'hui' (gathering) to celebrate the lives of James and Ruth Wharram will be held over the weekend of 23-24 July (with some leeway in case of bad weather). There will be a parade of sail out of Falmouth, following the catamaran Mana, which be moored at Customhouse Quay. All admirers of Wharram, who died in December last year, are invited to join the parade of sail, including monohulls and other multihulls. The ashes of James and Ruth will be scattered out at sea on the outgoing tide, remembering their first voyage out of Falmouth on Tangaroa in 1955, the pioneering voyage that started the global Wharram movement that still thrives today. The event follows the traditional boat festivals in Brest and Douarnenez earlier in July. Anyone attending Douarnenez ‘Temps Fête’ (14-17 July) will have a week to sail across to Cornwall to attend the Hui, weather permitting.

Lifeboat named after 1960s model The widower of 1960s actress and model Julie Alexander has named an RNLI lifeboat in her honour. Robert Breckman fully funded the £285,000 lifeboat in honour of his late wife, who was known for playing glamorous roles including Rosalie Dawn in The Pure Hell of St Trinian’s (1960), and other credits include Hello London (1958), Operation Bullshine (1959), Dentist in the Chair (1960), The Terror of the Tongs (1961) and A Matter of WHO (1961). The boat is stationed at Tower Lifeboat Station in London – the busiest of the RNLI’s 238 stations. The inshore Atlantic 85 RIB was christened Julie Poolie, Robert’s pet name for his wife. Julie and Robert were married in 1979 and she died in 2003. During the naming ceremony, some of Julie’s ashes – along with those of the couple’s beloved pet pug, Brian – were scattered by Robert into the River Thames, accompanied by several red roses cast by friends and family. Robert said: “This lifeboat is the best of its kind, I am assured of that, and the crews who will use it deserve nothing less. I’m happy that it will be joining the RNLI fleet and helping the RNLI’s crews keep the waters around NIALL DAWS

the UK and Ireland safe.” RNLI Deputy Chair Janet Cooper OBE said: “We are very grateful to Robert who, by funding this lifeboat, is allowing us to continue our vital lifesaving work – we owe a great debt of gratitude.”

Cowes Week advice for older boats Owners of elderly yachts intending to enter Cowes Week, which takes place from 30 July to 5 August, might be interested in a new video offering advice to regatta first-timers, as well as more experienced participants. The UK’s biggest regatta runs fleets for classic classes as well as cutting-edge IRC raceboats. The video has been put together by the Cruising Association, which sponsors one of the ‘cruising’ classes in the event, with Cowes Week. You can view it on the regatta website front page – web address below. Lucy Gray, Cruising Association General Manager, said: “We consulted with our members and lined up a pile of questions that are likely to crop up for new competitors.” In 2021, the Club Cruiser Class featured a broad range of designs including Folkboats, XODs, Flying Fifteens, Redwings, Solent Sunbeams (pictured) and others. cowesweek.co.uk

22 22

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Around the island or around the world… The Folkboat’s versatility over its first 80 years has made it the most popular and influential cabin yacht in the world

TIM WRIGHT/PHOTO ACTION

FOLKBOATS FOREVER

FOLKBOATS

he Folkboat is often referred to as the nautical equivalent of a ‘Volkswagen’– more specifically the Beetle of 1938 and its replacement in 1974, the Golf. Volkswagen means, of course, ‘people’s car’, a rallying cry for the democracy of mobilisation, which is why people liken the car to the boat, but it’s borne out in numbers too: the Beetle and Golf combined have outsold every other car in history, and similarly the Folkboat, whose story began in the fire of war just one year after the Beetle, has become the most popular cabin yacht of all time, and arguably the most influential too. The reason for the boat’s success is simple: versatility. The original brief for the Folkboat stems from the Royal Gothenburg Yacht Club who, in 1939, were looking for a new one-design class that would offer more room and beam than a Dragon, and offer cruising accommodation – of sorts – to a family. The boat had to be cheap and easy to build in large numbers, with the building materials specified as Nordic timber, with iron for the keel, in order to keep costs down. A month later, the Swedish Sailing Association (SSA), urged by shipyard owner and 6-M sailor Sven Sahlen, joined the initiative and announced a design competition that attracted 58 entries. None quite pleased the jurors, but the six entries that showed the most promise were awarded prize money, and the Swedish yacht designer Tord Sunden was brought in to collate the top four entries into one. The final plans for the Nordic Folkboat were published by the SSA in summer 1941 and build soon started in earnest, thanks to an order for 60 boats by Sahlen, to kickstart the class. On 23 April, 1942, the ice had melted from Gothenburg Harbour and the first Folkboat slipped from its builder, Arendal Shipbuilding, into the sea.

FROM PLEBIAN TO MASTERPIECE What had been created was a simple bermudan sloop of 25ft 10in with a decent cockpit and tiny cabin. Many traditionalists turned their noses up at it – one Norwegian commentator at the time called it something like ‘plebian’ – for its simple raked transom and bermudan rig; but enthusiasm soon built around its seaworthiness and cruising ability. These days of course, with 5,000 or so afloat, the Folkboat has cemented its place at the high table of yachting history. It was a (British) Folkboat owner – Colonel Blondie Hasler – who founded singlehanded ocean racing in 1960, with the first OSTAR. He raced across the Atlantic solo aboard his Folkboat Jester, modified for junk rig. Later Folkboats have sailed around the world, first under Ann Gash, from 1975-7. As for transats, there are too many to list, and in terms of sailing around the cans, they have had more success than history can record. Back in our October 2015 issue, our late technical editor Theo Rye called it a “masterpiece”. “Designing a small yacht, especially one with pretensions to cruise as well as race, is probably one of the hardest commissions for any designer,” he wrote. “To make it habitable, safe, reasonably fast, well-mannered and elegant (even 26

CLASSIC BOAT JULY 2022

Previous spread: Nordic Folkboat Norema sailiing at Antigua Classics in 2015 Above: Construction, aerial and sail plans of the original Nordic Folkboat Below: The very first Nordic Folkboat, seen here saling in the Baltic in the early 1940s Facing page: A Nordic Folkboat in its natural habitat, cruising the Stockholm archipelago Inset: Interior of a British Folkboat

pretty), but only 25ft (7.6m) long, is the work of genius.” Those who remember Theo’s columns will know he was not generally given to superlative talk. “The hull design,” he continues, “approaches perfection. The sections show a flare to the topsides for their whole length; a difficult trick to marry to a nice sheer, but achieved here. The freeboard looks perilously low, especially on the Nordic version, but the boat is remarkably dry, even when pushed hard. The flare in the sections means the waterline beam when upright is modest enough for decent light-airs speed, but as the hull heels it rapidly gains stability, aided by a very healthy ballast ratio (well over 50 per cent in most versions). She is also tolerant of added weight; a good attribute in a pocket cruiser, especially one capable of crossing the Atlantic or more, so even quite reasonably equipped boats look and sail perfectly well. The firm tuck of the bilges leading into nice, slim keel sections

LAK II NORDIC FOLKBOAT DESIGNED

Tord Sunden, 1941 LOA

25ft 1in (7.6m) BEAM

7ft 2in (2.2m) DRAUGHT

3ft 11in (1.2m) SAIL AREA

258sqft (24m2)

CLASSIC BOAT JULY 2022

help generate good lift (in relative terms) from the long keel, which is a key to good sailing performance. The shape owes precious little to rating rules, only hydrodynamics; you pay for that bold forward overhang in accommodation or waterline length, maybe, but driving into any sort of sea you’ll be glad of that bargain.” That bargain applies to beauty too: eight decades after the yacht was considered plain and utilitarian, the Nordic Folkboat was voted by our panel of experts as one of the most beautiful yachts of all time in our

TIM WRIGHT/PHOTO ACTION

FOLKBOATS

Above left to right: Tord Sunden; Nordic Folkboat Norema at Antigua in 2015

400th issue. But you pay for that beauty in the cabin, which sports a vee-berth forward, with a bucket and chuck-it between the bunks, a small chest of drawers, and not an awful lot else besides. Not everyone was glad of that bargain, as it turned out, and in Britain, boatbuilders started to offer their own versions from the 1950s onwards. The ‘British Folkboat’ as it became known, was a carvel-hulled boat built on the same lines, with better cabin accommodation, but it was at the expense of the fabulously svelte look of the Nordic.

Folkboats round the island If you want to win the historic Round the Island Race, you need the right boat. History relates that the overall winner will generally come from IRC Division 3D or IRC Division 0. If you have a spare £200,000, you might buy a used TP52 and race in Division 0, but less than a tenth of that will get you a Folkboat to race in Division 3D with at least as good a chance of success. After 80 years in existence, the Nordic Folkboat stands as the most successful design in the history of the Round the Island Race (RTI). As Nordic Folkboats across the Solent and around the world gear up for the 2022 Sessan Cup and UK Nationals, both at the Royal Lymington YC in September, all eyes will be on Folkboat performance at this

at Woodnut’s in Bembridge in 1947, with a different rig

year’s RTI on 25 June.

that technically made her a British Folkboat. She still sails

The first Round The Island Race, organised by the Island Above:

had 25 entries and the winner was one of the smallest

Crackerjack (left)

boats in the fleet; a 22ft Cornish fishing boat named Merry

and Maedlaine,

1950s. Cyra, owned by the Lloyds yacht surveyor Jim

Conceit. This result clearly set a precedent for smaller

respectively the

Saunders, who went on to become the first UK class

boats to take prevail in the race.

outstanding

chairman, won the Gold Roman Bowl (the prize for overall

boats in the

winner of the RTI) in 1958 and again in 1963. Fenya, a

resumed in 1946, the Folkboat had risen from the ashes of

Folkboat and IRC

Nordic, won in 1962.

war, ready to take on the world in the… relatively… peaceful

classes in the

pursuit of yacht racing.

history of the

him post-war on a ration book in the Hamble, won the

Round the Island

Gold Roman bowl in 1994, skippered by his son Malcolm

Race

Donald and again in 1999 skippered by his grandson Ed

By 1939, the RTI fleet had grown to 80. When racing

In 1948, the first British Folkboat emerged victorious in the RTI. Katrina was a clinker-hulled Nordic Folkboat built

in Weymouth under an IRC handicap and is as competitive

Sailing Club, was run on 11 July 1931. This inaugural race

CLASSIC BOAT JULY 2022

today as she was over 70 years ago. The first carvel-hulled British Folkboats were built in the

Ted Donald’s British Folkboat Celia Mary (FB39), built by

EMILY HARRIS

LAK II

These days, the racing and cruising fraternities are largely separate and the fleet is growing, in terms of numbers in use if not significantly in overall numbers. The scene is expanding in Estonia and Finland and still very strong in its most popular nation, Germany, which can boast 455 boats in 13 fleets; in fact, 113 of these can be found on a single lake in Berlin. Sweden’s Folkboat fleet is in a decline caused by the country’s adherence to wood, as Simon Osgood, secretary and treasurer of Nordic Folkboat International Association puts it. Denmark is still strong. “They are cracking the

Tord Sunden, frustrated by his lack of accreditation for the Folkboat’s design (he died in 1999 after a lifetime of unsuccessful legal challenges), came up with the carvel-effect GRP International Folkboat in 1966 and, a decade later, the Marieholm 26 and other derivatives. The Stella and Contessa 26 are other well-known boats based on the hull. The Folkboat itself hadn’t thrown in the towel though – far from it. In 1976, the class allowed a clinker GRP variant, far ahead of most other classes, many of which are suffering those growing pains now; and in 2000, aluminium masts were introduced.

Above right:

Donald. The Donald family have won the Gold Roman Bowl

Above left to

four times in two different Folkboats, compared to the

right: A fleet of

undoubtedly been GBR 707 Madelaine, sailed by Ed

oft-quoted record holder ex-PM Ted Heath, credited with

Nordic Folkboats

Donald. Remarkably, Madelaine has won the RTI twice in

four wins in three different Morning Clouds. In fact, Ted

racing in the UK

the last 16 years (2007, 2014) and finished second on five

Heath did not sail in the first two. The most frequent

Nationals

occasions. Madelaine has been in the top five finishers in 10

Viking Bird is one of the most attractive of the British Folkboats, adding accommodation while preserving great looks with a stepped coachroof

The most outstanding Nordic Folkboat under IRC has

winner is the Rogers family’s Contessa 26 Rosina of

of the past 16 years. Unfortunately, in 2016 she lost her

Beaulieu which has won three times (2002, 2003 and

mast off St Catherine’s point, while under spinnaker, and in

2006). The Contessa 26 is a development of the Folkboat.

2020 there was no RTI due to covid.

Periwinkle became the first pure Nordic Folkboat to take

Within the Folkboat Class, the outstanding boat is

the Gold Roman Bowl in 1991 when Peter Bainbridge took

GBR718 Crackerjack, followed closely by GBR652

first place in a fleet of 1,300 boats on Channel Handicap

Stralende.

System. Eight years after that, the RTI adopted the IRC (International Racing Certificate) handicapping system. Folkboats can also enter in their own class but are not eligible for the overall prizes. To enter the RTI under IRC, it is necessary to conform to Category 4 safety requirements. This involves the fitting of stanchions and lifelines, which puts off many Nordic owners who are loath to drill holes in their decks. Most Nordics therefore enter in the Folkboat Class, racing as a one-design rather than under IRC. Under the IRC handicap Div 3D, the Nordic Folkboat has been an outstanding competitor in the RTI. In the past 16 years, Nordic Folkboats have won the RTI outright on four occasions. They have been second seven times. The Contessa 26 comes a close second and the International Folkboat has also performed well. Both designs are derived from the original Nordic Folkboat. CLASSIC BOAT JULY 2022

FOLKBOATS

generational thing,” Simon says. “Everyone in Scandinavia has known a Folkboat. The grandparents or parents had one, and now the third generation is coming in. In Denmark, there are at least 10 boats now owned by the 26-32 age group.” The San Francisco bay area, home to a fleet of woodies, is “holding its own” and the small Dutch scene of around 22 boats is recently reinvigorated and growing fast. There are around 90 in the British Isles, but introduction of the British Folkboat has prevented the true Nordic boat from becoming as popular as it might have been. You can still buy a new Folkboat in GRP. The builder today is Haubold Yachting in Berlin. They build one every six months or so, which is a trickle in the waterfall of Folkboats worldwide, but this is mainly because the used market is so well developed that there’s little reason to pay the ‘sticker’ price on one. A good, wooden Folkboat might cost £5,000-£10,000

Above: Three Nordic Folkboats cruising the Stockholm archipelago in company Below: British Folkboat Viking Bird

and a GRP from £14,000-£35,000. The wooden Nordic will always be the epitome of the class, but the upkeep is a serious undertaking – “people tend to enjoy them for five or six years, then sell them – or they become family heirlooms, depending on how the owner takes to that” says Simon. And while the British variants have been derided for their dumpy cabin trunks, some versions are much more elegant than others – and that accommodation is a serious boon to comfort while cruising. Wichever variant, when you set the cost against the versatility of the boat, it’s quite probable that the fleet will continue to grow for the next 80 years. After all, there’s almost nothing you can’t do in a Folkboat– apart from put your trousers on maybe. The author would like to thank Simon Osgood, the Royal Lymington Yacht Club and the late Theo Rye for their research and insight into Folkboats.

International Folkboat Regatta 2022 The 2022 UK Folkboat Association International Regatta at the Royal Lymington YC will include the UK Nordic Nationals and Walcon Cup from 17-18 September and the Sessan Cup from 20-22 September. Five days of racing are planned in Christchurch Bay during the regatta week, along with a week of social events to celebrate 80 years of the Nordic Folkboat and the centenary of Royal Lymington YC. This is the first time the UK has hosted an international Folkboat event. Meanwhile, the Gold Cup – unofficially the world championship – will take place at Germany’s famous Kiel Week. Enter online: rlymyc.org.uk/folkboat-nationals-sessan. EMILY HARRIS

CLASSIC BOAT JULY 2022

2 Southford Road, Dartmouth, South Devon TQ6 9QS Tel/Fax: (01803) 833899 – info@woodenships.co.uk – www.woodenships.co.uk

84’ West Country Trading ketch built in 1904. Currently run as a very successful charter vessel under UK flag. Licenced under MCA to Cat 0 for 12 passengers, Class VI passenger licence and 50 ton cargo licence. Maintained to a very high level with fully up to date systems, a very rare opportunity to obtain a top class traditional charter vessel in ready to go condition. UK £599,000

44’ Max Oertx Bermudan cutter built in Germany in 1925. Pitch pine hull with new teak on ply deck in 2019. New bottom planking, ballast keel and keel bolts in 2013. New Lombardini 60hp diesel in 2007. Smart interior with 7 berths in 3 sleeping cabins. An eye catching yacht with an excellent classic regatta record, fast, elegant and extremely smart. Netherlands €175,000

52’ Philips of Dartmouth Motor Yacht designed and built by Philips and Son of Dartmouth in 1963. Lovely classic motor yacht built to Lloyds 100A1 and professionally maintained in present ownership with major 2019/2020 refit. Twin Perkins 6354 diesels. 8 berths in 3 sleeping cabins including with 2 ensuite heads. Very attractive and capable motor yacht in full sea going condition. Devon £190,000

62’ motor yacht designed by Archibald MacMillan and built by the Fairlie Yacht Slip Ltd in 1968. An elegant yacht built for a wealthy Scottish couple. Mahogany hull with solid teak decks. Aluminium superstructure. 4 sleeping cabins with 10 berths and 7’ headroom. Twin Gardner 6LX diesels with new 2021 generator. An excellent yacht with plenty of pedigree and class. Turkey

25’ Laurent Giles Vertue V40 built in 1951 for the Festival of Britain as an example of British boat building. Honduras mahogany hull. Yanmar 1GM diesel. 2 berths with heads and galley. Very smart yacht in excellent condition with a full inventory including a new all over winter cover. A lovely example of this timeless classic design. Devon £25,000

25’ Laurent Giles Vertue II built in 1979, the first example of this classic design built in GRP. Probably the best Vertue II, fitted out in teak joinery with a lovely finish. 2022 refit and upgrades to prepare her for extended cruising. November 2021 survey available. Surely one of the most capable and reliable blue water cruising boats afloat. Sweden £20,000

31’ Buchanan Viking sloop built by the present shipwright owner and launched in 1983. Larch on oak hull with sheathed decks. 2005 Beta 28hp diesel. 5 berths with good headroom throughout. The Viking is a relatively fast boat with shallow draft and comfortable internal space, an excellent cruising boat for coastal waters or further afield. Bristol £25,000

41’ Buchanan Cruiser Racer sloop built by Priors of Burnham in 1959 to Lloyds 100A1. In need of a refit, detailed September 2021 survey available with prices for the work required. Teak hull with lead keel and bronze bolts. 2018 Beta Marine 38hp diesel. 6 berths with 6’6” headroom. A very attractive yacht well suited to family cruising or classic regatta racing. Wales £19,750

Another fascinating selection of traditional and classic yachts only from Wooden Ships. Call for true descriptions, genuine honest values and a service from people who know their boats.

By Dave Selby

BONHAMS/CHARLES MILLER LTD

Saleroom

BONHAMS/CHARLES MILLER LTD

Nelson’s hair looms large As one of the first modern celebrities, Nelson would have been far

to confirm authenticity. Even on the day of his death, 21 October,

better off if he had had a commercial rights department to monetise

1805, his hair was shorn before his body was placed in a cask of

his image, for through his life and in the century after, the hero of

brandy to preserve it; and on the 200th anniversary of his death the

Trafalgar spawned a souvenir trade from which he and his

underwear he was pickled in was offered for auction with an

dependents reaped little reward. Though frequently beset by money

estimate of £300,000-500,000, but failed to find a buyer with

troubles, caused in part by the lavish lifestyle he maintained with

suitably ghoulish tastes.

Emma Hamilton, it’s quite possible his barber died a very rich man. Trinkets ranged from the tacky to tasteful and sometimes

Above Left to Right Tasteful: Wedgewood plaque made in Nelson’s

poignant and macabre, for to this day there is a roaring trade in

life time and after fetched £471. Poignant and macabre: extremely

tresses of his wispy hair, with enough on the market to stuff a

rare 1805 official memorial ring with hair insert made £31,800. Tacky:

Chesterfield settee; some has even been subjected to DNA testing

Mid-19th century Staffordshire death tableau made £1402

CHARLES MILLER LTD

RM SOTHEBY’S

Join the Jet-Zet Though jetskis are more politely known as “personal watercraft,” many CB readers will have coined fruitier euphemisms, among which “landfill” is one of the few that can be repeated here. When a Finnish woodworker got hold

CHARLES MILLER LTD

Race to the bottom While pond yachts often signposted the future – with fin-and-bulb keels long before they appeared on full-sized yachts and self-steering gear of the kind later used by Blondie Hasler’s Jester and Sir Francis Chichester’s Gypsy Moth IV – they also navigated down a nautical cul-de-sac with designs that were more extreme than anything produced in full size. One such is this c1895 pond yacht that took the briefly

of a 1980s Kawasaki jetski, he quite rightly scrapped the body, but upcycled the 50hp drive-train and turned a pest into a pert, wooden runabout with the panache of a mini retro classic. The delightful 12-footer (3.7m) was formed on a plywood hull with mahogany veneers on the topsides and deck of inlaid pine and contrasting mahogany planking. Such was the effort and attention to detail that on completion in 1995, builder Hannu Viren vowed: “I will not make another one. I don’t repeat it.” Weighing just 250kg, the one-off Jet-Zet is reputedly capable of 35 knots and Hannu was rewarded for his efforts when the mini jet boat sold, complete with trailer, for €31,200 at a Monaco auction.

voguish “plank-on-edge” craze for racing yachts of absurdly narrow girth, extravagant draught and barely feasible overhangs to new lengths. If this 5ft (1.5m) pond yacht were scaled up to the 144ft (43.9m) length on-deck of Nat Herreshoff’s radical 1903 America’s Cup victor Reliance, her draft would have been around 30ft compared to Reliance’s that while plank-on-edge designs were fast, they were equally adept at sinking. The advantage of this model, which sold for £434, is that you could recover it in a pair of chest waders.

CLASSIC BOAT JULY 2022

RM SOTHEBY’S

20ft and beam 3ft slimmer at a mere 23ft. The problem was

Yacht Restorers

Harbour Marine

Telephone +44 (0)1502 724721 Email info@harbourmarine.co.uk www.harbourmarine.co.uk HMS_DAVEY_CBNov21.indd 1

DAVEY & Co

16/09/2021 15:37

LO NDO N L I M I T E D ˚ E s t . 1 8 8 5

TRADITIONAL BOATBUILDING FITTINGS, TOOLS & MATERIALS T R AD E

M AR K

Telephone +44 (0)1206 500945 ˚ Email info@davey.co.uk ˚ www.davey.co.uk HMS_DAVEY_CBNov21.indd 2

16/09/2021 15:37

CLASSIC BOAT JULY 2022

Objects of desire DECK STEP This foldable teak dock step is made by East Passage Boatwrights in Bristol, RI, recent winners in the Classic Boat Awards. When collapsed it can be stowed in the tightest quarters on board. Watch a video of it in action on the East Passage Boatwrights website.

epbws.com

ANTIQUE TELESCOPE

No self-respecting yacht or dinghy should be without one. An antique ship’s telescope from the mid-19th century made by JP Cutts, measuring 8 inches closed, extending to 23 inches, with a 40mm objective lens giving 15x magnification. £240

scientificcollectables.com

DAVEY MASTLIGHT Davey and Co was founded in 1885, before anyone considered wiring a boat up for

Automatic by Spinnaker

the company’s classic mastlight now has a

Watches is as desirable as the

shore power 110/220v option. (12v and 24v

brand’s other models, this one

versions are still available too.) It is cast in

offering an impressive 300m of

bronze with a choice of finishes, or in

water resistance and a dual

anodised aluminium. The base is angled up

time bezel adding a different

10 degrees to aid the throw of light.

dimension of utility.

From £177

£265

captainwatts.co.uk

Spinnaker-watches.co.uk

To celebrate being the official timekeeper for the Round the Island Race, the family-owned Marathon Watch Company launched a limited edition Round the Island Race Marathon Stopwatch, shockproof, waterproof, nautical and able to deliver “precision timing to help competitors get across the start line in perfect time and reach the finish line ahead of the rest”. It has a unique design inspired by the race logo and can be ordered in time for the race on 25 June, via UKsales@marathonwatch.com £550

uk.marathonwatch.com/collections/round-the-island

CLASSIC BOAT JULY2022

The new Cahill 300

mains electricity, but this new version of

MARATHON STOPWATCH

SPINNAKER WATCH

This is a private collection being offered for sale. The boats shown here have all been professionally refurbished/restored and are now offered to the market to make way for the next project.

Delphi o.i.r.o £42,000 (No VAT payable) • 1960 30ft Starcraft. • Complete restoration 2020/21. • BSS expiry date April 2025. • Last surveyed May 2021.

Sambucca o.i.r.o £37,500 • 1957 craft which underwent an extensive refurbishment in 2017/18. • The original engine and gearbox were overhauled and tuned. • The electrics were completely rewired to modern standards. • Three new covers-forward,aft and overall. • Two new batteries installed. • laying in its own boatshed on the Norfolk Broads.

Skiffs o.i.r.o £8,000 • Undergoing major restoration with the replacement of a good deal of her hull, keel and transom. • Her age and builder we do not know. • 22ft double camping skiff (think Jerome K. Jerome and Three Men In A Boat) with two pairs of oars. • Cover mounted on the original hoops. • Revarnished and anti-fouled. • Lying ashore on the Norfolk Broads.

taylorsboats.godaddysites.com • lanceotaylor@hotmail.com

ARTISAN BOATWORKS CUSTOM YACHT BUILDERS

CLASSIC BOAT JULY 2022

CHARLOTTE WATTERS

Adrian Morgan

Putting a bung in it

one, although the idea of making a hole in your hull is quite alarming. Just be sure the bung is the kind of which they make stopwaters, tapered and driven in from the outside. Sally’s tender – a smaller, 7ft version of the Tippy, designed by John Westell for this magazine, that can be hoisted on the foredeck – has not so much a bung hole as a large screw hatch, like the flap on a planing dinghy, the logic being that when towed, if swamped, the water will drain rapidly out of the transom. And it works, as we found out off Ile de Batz in the days when Sally was based on the Hamble and summer cruises took us down Channel. The only other bungs I have come across were the ones you find close by sea cocks, of which Sally has a selection. Chandlers sell them in all sizes (at exorbitant prices), the idea being that should your bronze Stuart seacock shear, you can swiftly plug the hole with the appropriate sized wooden bung although chances are, Sod’s Law, the one you need is up forward by the Baby Blake. They used to be required on board yachts in RORC offshore races. Has anyone ever used a bung in extremis? And so back to my Dad in his Corribee Damnsel off Old Harry. Clinker dinghies could be hired by the hour in those days – it would have been the late ‘60s – no questions asked. Lifejackets? But almost certainly cumbersome, kapok and deeply un-cool. Dinghy certificate? Pah! Everyone knew about clinker boats from lazy afternoons on the Serpentine or municipal boating lake. No need to ask. Which would have been a good idea of the family of four, mother stolid in the stern sheets in summer frock and sunhat, father in shirt sleeves, kids up front just about balancing their ma in the back, and all now slowly sinking out there in Swanage Bay, water swilling around their ankles. It was early season and No 12 would still have been taking up a little as the boatman shoves them off the rickety pontoon by the Pier Head Cafe (demolished for holiday flats and a restaurant). “You might need to bale out,” he shouts. Which was what they were about to do when my father sees them waving. Turns out they had determined (with unerring reasoning) that by unscrewing the bung the water would flow out. As this had not happened and the water was in fact rising, they had agreed that before too long they would indeed all have to bale out, as advised...

The simplest device of all plays the most important role

h, the humble, classic wooden bung, that tapered bit of timber, rough-shaped cork or fancy bronze screw that stops water getting into a boat, and once removed, lets it out when it does get in: unless the logic gets muddled as my father discovered off Old Harry Rocks in Dorset, of which more later. We all have bung stories, as daft as his, or not. Mine was of a race at a regional dinghy championships, in Swanage Bay where I cut my sailing teeth, that I was miraculously leading at the first mark. Until Fesquie that is, when my yellow Laser began to slow – imperceptibly at first – before becoming more and more sluggish as water entered the bungless hole in the transom. I never again got so close to winning a major race; the disappointment has stayed with me ever since. Cleaning out the club dinghies the other day, we discovered a colony of mussels had taken over the aft buoyancy tank. I imagine they started as spat, and grew to a size that made it impossible to escape. Mussels surely need flowing water, so the bung must have been left open at some stage. Whatever, winkling them out involved micro surgery with a long screwdriver. Sally has a bung, but it’s only popped when she’s on the hard. Every wooden boat should have one, albeit hidden under layers of antifoul and Danboline. When the time comes to flush out the bilges you’ll find a bunghole a godsend, and if you don’t have one, bore

CLASSIC BOAT JULY 2022

“Every boat should have one, albeit hidden under layers of paint”

Barge Yacht JUNO - FOR SALE LOA: 17.83 m

LOD: 13.72 m

Beam: 3.96m

Draught: 0.81 m

Professionally built in 2000 and now for sale in superb condition with an impressive inventory of equipment.

For full details please visit: www.sailingbargejuno.com

Cleaners & Protectors Ask for AquaMarine at your local chandlery

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31/05/2022 16:16

CLASSIC BOAT JULY 2022

DEBBIE PURSER

Downsizing

After years of big-boat charter and running a charter firm, it was time for Debbie Purser to discover the joys of dinghy cruising and boatbuilding WORDS AND PHOTOGRAPHY NIGEL SHARP

CLASSIC BOAT JULY 2022

t was in 1997 that Debbie Purser and her husband Adam Boat Building Academy in Lyme Regis which she had “wanted to first started doing charter work on board Eve of St Mawes, do for decades”. Whatever the situation regarding her own boat the first pilot cutter built by Luke Powell. For 20 seasons ownership in the future, this would at least allow her to do the they took turns (with each other and with other experienced maintenance herself but, as it happened, it also allowed her to sailors) to skipper Eve, taking charter guests on adventure sailing acquire another small boat. Although all the BBA students work holidays and running RYA courses. Soon after they started, their on all of the boats under construction, each boat is company Classic Sailing branched out by arranging sailing “commissioned” by one of the students who pays for its materials holidays on traditional vessels owned by others. But in 2016, by and then owns it afterwards. Debbie decided to become a which time they were working with 23 other boats, they decided commissioning student for another spritsail yawl based on a it was time to sell Eve. “We had done traditional Gorran Haven boat with the every sort of theme of voyage under the intention of running the two yawls sun and had had a really good innings,” together, with her and a couple of guests said Debbie. “And we thought it was on one, and more experienced guests time to just concentrate on selling sailing without an instructor on the sailing adventures for this amazing fleet other. The newer yawl was built of larch offering voyages to incredible places.” on oak and named Wild Boy. It wasn’t long, however, before The course fees and cost of materials Debbie realised that, after 25 years for Wild Boy more or less took care of mostly working outdoors, she was all the money Debbie had previously finding it hard sitting in front of a planned to put towards a bigger boat. computer all the time and she was However, part way through the course missing the sailing. So when she had the her father died and, with the inevitable opportunity to acquire a spritsail yawl sadness that came with that, so did a – built by Peter Williams in 2012 as a modest inheritance which allowed her replica of an 1882 Gorran Haven to think again. fishing boat – she jumped at the chance, As a result of this, she bought with the initial intention just to sail in Tallulah, another Luke Powell pilot her leisure time. cutter which he built in 2008. Once the When Covid arrived, vessels offering BBA course finished, in October 2021, overnight accommodation were badly Debbie had a very busy winter ahead of hit by the restrictions, but Debbie saw her, mainly in getting Tallulah ready for an opportunity to legitimately get over charter before the spring of 2022, but the rules and take people – just one at a also carrying out some much-needed time, or two if a couple – on wild maintenance to Outdoor Girl and “I did quite bit of camping expeditions. She wrote a Number 8, and putting the finishing recce-ing on a standcomprehensive protocol to allow her to touches to Wild Boy. up paddleboard” do so safely and legally, which basically With a hull length of 44ft, Tallulah is involved staying two metres apart at all a fair bit bigger than the 38ft Eve and Debbie Purser times while afloat and sleeping in has “a lot more headroom and masses separate tents at night. To do this she more space above and below decks.” had two small boats at her disposal – the yawl, now named But she was built for a couple and so Debbie has had to do some Outdoor Girl to reflect her new role; and a 15ft clinker punt conversion work to make her more suitable for chartering, called Number 8, also built by Peter Williams, which had been including fitting two extra berths in what was a large sail locker Eve’s tender and which Debbie and Adam had kept – and she forward and a new mate’s berth aft. formed a new company called Sail Row Explore. With four wooden boats on her hands, Debbie realises that she “In planning this venture I did quite a bit of recce-ing using a is “probably spreading myself too thin, but at least I’ve got the stand-up paddleboard to look for interesting, shallow places I flexibility whatever might happen with Covid or anything else.” could take the boats,” she said, “not only using charts and a In Tallulah’s first charter season, Debbie will concentrate on compass but also Google satellite images which identified charter work on Tallulah but plans to use one of the yawls to give possible camp sites, gaps in rock plateaus and littoral features small boat experience to any of the guests who are interested, but not included on charts. Part of the unique selling point was that in subsequent years she hopes to be able to employ a skipper for the trips were low-carbon adventures under oar and sail with no Tallulah so that she can also focus on taking people wild camping engine. By the end of summer in 2020 I was fully booked. on the small boats, all based in St Mawes. Everyone who came was just desperate to be outside.” Meanwhile charter bookings for Tallulah are coming in nicely. Throughout this period she had been trying to save money It is no coincidence that all but one of the nine pilot cutters built with a view to buying a bigger boat to replace Eve. But after by Luke Powell are being, or have been, used for charter work. realising that this was unrealistic, she decided that she would be “They are still great charter boats,” said Debbie. better off focusing on small boats. She then enrolled on the 40-week Boat Building, Maintenance and Support course at the See classic-sailing.com for more

CLASSIC BOAT JULY 2022

A round-up 0f the latest

BOOKS The latest releases in the world of nautical publishing are as eclectic as ever, from the memoirs of a marine engineer to art, travel, history – even some sailing! REVIEWS BY STEFFAN MEYRIC HUGHES

JAMES DODDS, THE BLUE BOAT BY IAN COLLINS Earlier this spring, we received this very lush hardback from Jardine Press, the name of artists James Dodd’s publishing arm. It starts in similar vein to River, Coats and Creek (left) – “Essex may be the most misunderstood of any English county; it is certainly the most maligned.” This time the subject of the book is James Dodds, who has carved his own niche through his portrayals of harbours and boats – the latter usually of the working sort and often in build. The book takes its title from one of James Dodds’ best-known works – a huge 2001 oil-on-linen

RIVER, COAST AND CREEK BY JUDITH ELLIS

painting of a clinker dinghy, the paining measuring 122 by 244cm. James, who was a boatbuilder before a painter, said: “It was just the sort of boat I had helped to build as a shipwright. Now I physically built it on the canvas.” It is typical of Dodds’ work in the sense that it is realistic, bright and bold,

Countless writers have

filled, as one commentator put it with the ‘luminous optimism’ that is his

been enchanted by the

trademark. The book itself, a large hardback of 171 pages, is gorgeously

Thames Estuary and the

produced, with the art that has made Dodds famous beautifully reproduced

Essex coast over the

over full pages and double-page spreads, while the text forms a thorough

centuries, so much so that

appraisal of both the artist and his work. It’s also very well priced for a book

barely a decade goes by

of this quality.

without a new chronicler

Pub Jardine Press, £35

attesting to its everchanging faces. The best

Conrad, and in more

THE DINGHY CRUISING COMPANION (2ND ED) BY ROGER BARNES

sailorly circles, Maurice

When the first Dinghy Cruising Companion

Griffiths is the best-known

came out in 2014, it was clearly an immediate

of the 20th-century

classic. Architect Roger Barnes is to dinghy

known of these have included Dickens and

laureates of the mud. Caroline Crampton’s recent story of

sailing what the apostles were to Jesus – all

the London River’s final reaches – The Way to the Sea

12 of them. His prime motivation in writing

– was a great addition to the canon in 2020, and now we

these books is to convince others of the joys

have this, which is specific to the Essex coast, as evidenced

of cruising in small, open boats, rather than

by its subtitle – An Exploration of Maritime Essex. It’s a

larger yachts, and the prose hums with that

personal history based on experience; the author first

restrained zeal. So, interwoven with the book’s

arrived on the Essex cast 30 years ago, in proper style on a

main preoccupation – the practicalities of

Thames sailing barge from Pin Mill. The history, which

dinghy cruising – are tales of the author’s own

starts when the Thames was part of the Rhine and the

experiences, mostly on the seas and rivers of northern France. Seemingly

footsteps found below low-water are 900,000 years old

everything is covered: choice of boat, fitting out, trailing, launching, sailing,

and predate homo sapiens, is the main focus, but the

engines, oars, navigation, overnighting, cooking afloat, safety and clothing.

author’s emotional involvement – as well as her attractive,

The book benefits from the author’s architectural flair, so alongside the

hand-drawn maps – make the book really readable. Here is

photos are hand-drawn diagrams to clarify many of the technical aspects

someone who is able to put her enchantment of this most

covered. The end product is a treatise on dinghy cruising, and a paean to its

mysterious, shifting landscape into lovely, flowing prose,

many virtues. If you cruise dinghies, you’ll want this book. If you don’t, but

and that makes River, Coast and Creek far more enjoyable

are considering it, then you need this book. This new edition contains

than many other local histories which in the past have too

updated information on electronic equipment and boats available to buy, as

often been dry, poorly-presented efforts.

well as new sections on capsizing and sailing in heavy weather.

Pub Red Heering, £16.99

Pub Adlard Coles, £16.99

CLASSIC BOAT JULY 2022

IN THE WAKE OF THE GODS BY SAM JEFFERSON

ADDICTED TO MORE ADVENTURE: RISK IS GOOD, ENJOY IT BY BOB SHEPTON

Our colleague Sam,

the islands and coast of Scotland, then from

editor of Sailing

England to the Canaries via Biscay and Madeira,

Today, and who often

and then make yet another cruise of Scotland in the

writes book reviews on

cold and gales of autumn? The Reverend Bob

these very pages, has

Shepton, an ordained minister in the Church of

been quiet about this one, no doubt typing away in the

England, has been traversing the high seas and making first ascents of

cockpit of his Morecambe Bay prawner yacht as he sails the

formidable walls and peaks for more than 35 years. He was a climber first,

Greek islands, while the rest of us lead more ordinary lives

and when he began sailing he combined the two, just like the renowned Bill

among hedges and roads. He’s been so quiet, in fact, that this

Tilman, the sailing and mountaineering legend of the early 20th century.

book only came to light just before we went to press. Of

Indeed, Bob has been awarded the Royal Cruising Club’s Tilman Medal

course, being biased, I’ll say it’s bound to be an excellent

twice. He has also been honoured with the Ocean Cruising Club’s Barton

book – Sam is everyone’s idea of the soulful sailor, in both

Cup (twice), and with climbing’s highest accolade, the Piolet d’Or. He was

appearance and demeanour, and he’s also the author of a

YJA Yachtsman of the Year in 2013. In 1995 Bob received the Cruising Club

number of previous titles, including Clipper Ships and the

of America’s highest award, the Blue Water Medal, for his circumnavigation

Golden Age of Sail; Gordon Bennett and Sea Fever, all

of the globe via Antarctica and Cape Horn aboard his 33ft (10m) fibreglass

histories. In this book, Sam follows the trails of Odysseus,

Westerly sloop Dodo’s Delight. But his high-latitude circumnavigation was

Hercules, and Jason and the Argonauts, retelling the classic

in some ways only the beginning of many years of adventuresome

stories from the well-known to the less familiar. The book is

voyaging. Most sailors know Bob today for his many sailing-to-climb

filled with photography and useful and practical pointers for

expeditions to the most isolated regions of the Arctic, often with the “Wild

pilotage and passage-planning, including prevailing winds

Bunch”, a group of first-class climbers and all-around intrepid people. In

and anchorages, so you too can voyage through the world of

2014, Bob wrote an absorbing book recounting many of these endeavours.

monsters and heroes.

Addicted to Adventure: Between Rocks and Cold Places, but he left many

How many people in their 86th year sail throughout

You must buy this book – and I must email the boss, so he

stories untold. Happily, this second volume fills the gaps, starting with

can alert his sleeper in Athens to either liquidate Sam, or at

Bob’s youth in North Africa in 1954 with the Royal Marines. Whether he’s

least bring him back to HQ in London, so I can ask him where

describing the frequent gales he and his young crew encountered on the

my favourite stapler went when he blew town.

long passage from Antarctica to Easter Island or the difficulties of landing

Published Adlard Coles, £20

climbers onto big walls from the deck of Dodo’s Delight in Greenland, Bob

DIESELS AFLOAT (2ND EDITION) BY CALLUM SMEDLEY AND PAT MANLEY

does so with humour, lightness, and understatement. Ellen Massey Leonard Independently Published, £15

curse them for their smell and noise, but nearly all sailing

IN THE TREACLE MINE – THE LIFE OF A MARINE ENGINEER BY JW RICHARDSON

vessels above a certain size have one, so you’d better know

John Richardson served as an engineer in the

something about them. Diesels Afloat, first published in 2007,

unbearable heat of ship’s engine rooms, as part of his

must have helped a lot of sailors get to grips with that

service in the Merchant Navy, starting in 1964 as an

terrifying thing under the companionway.

engineer cadet with Esso Tankers and retiring as chief

A diesel engine might not have the same allure as a big, backlit mainsail pulling hard off the wind, and many sailors

This second edition is just as clear,

engineer on the cross-Channel ferries in 1993. It will

starting with a brief history of the

delight petrol – and diesel – heads, from the very

diesel at sea, before going into

start, where the author tells us his car history while

different installations and their pros

studying dry subjects like ship stability and heat

and cons, then a guide to

engines in east London in the 60s under a series of

maintenance and troubleshooting

irascible or eccentric teachers. We quickly move to

that’s clear and well-illustrated, such

the first trip to sea, with its new challenges, including

that if you don’t do your homework

working and sleeping to a watch system, close calls in

in time, you might reach for this

the engine rooms, then the pleasures of foreign travel and adventure on the

book when it’s all going wrong at

blue oceans of the world. Steam heads, too, will enjoy the book, as steam

sea. It’s considerably more useful

was still common in the 1960s, before inevitably giving way to the diesel

than that other famous engine

onslaught in the 70s and on. The author’s recall is quite amazing, given the

guide – Zen and the Art of

vintage of the memories described here. And who hasn’t ever wondered in

Motorcycle Maintenance. Maintenance

awe at the magnitude of big ship engines?

Pub Fernhurst Books, £18.99

Pub Whittles Publishing, £16.99 CLASSIC BOAT JULY 2022

WINSTON MEGORAN

STEWART PLATT

UNCOMMON COURAGE

A cast of sailors and adventurers, from Dick Bogarde to Maurice Griffiths, played a vital role as volunteers in Britain’s war effort WORDS JULIA JONES

t was six years ago that I discovered the suitcase of my father George Jones’s papers which set me to researching his membership of the RNVSR (Royal Naval Volunteer Supplementary Reserve), also known as the Yachtsmen’s Reserve. I read about his prewar reconnaissance cruise to the Baltic aboard the Higley Halliday-designed motor yacht Naromis and I learned as much as I could about his wartime service. I published a small book, The Cruise of Naromis; August in the Baltic 1939 but I couldn’t stop. I seem to have been researching the RNVSR almost ever since. When Dad was finally demobbed in 1946 he returned to Waldringfield on the River Deben to join his older brother Jack. Dad set up the East Coast Yacht Agency (the Easy Cosy) which later became Interyacht. I was born in 1954 and by the mid-1960s we’d moved to the family farm in Essex. It’s only recently that I’ve come to realise how many of the figures from those early childhood years had also been members of the RNVSR. Many people say that their older relatives who served in the war didn’t want to talk about it. That was only partially true of my uncle Jack. He was Jack Francis Jones, naval architect; we learned never to refer to him as

a ‘yacht designer’ [feature in CB407]. He hadn’t been one of the first to rush into uniform. In September 1939 he was aged 24, newly qualified and working in Birmingham. He was also getting his first designs published and was absorbed in esoteric controversies over the metacentric shelf. His job in Birmingham was a protected occupation so he didn’t have to join the forces.

JULIA JONES

CLASSIC BOAT JULY 2022

DAVID COBB

Instead, he took over a column in Yachting Monthly, vacated when RNVSR members Maurice Griffiths and Norman Clackson were called up. There, he voiced contentious opinions under a pseudonym, then answered himself on the letters page. Jack could keep an argument running for months. “What a publicity hound I was in those days,” he wrote later. It couldn’t last. As Britain’s position, worsened many people, previously unconvinced, changed their minds and joined up. Jack was commissioned into the RNVR in January 1941 and was posted to a mine-laying group. For a while he continued writing letters to Yachting Monthly as he “bobbed about” Nore Command. In fact, this was dangerous work. In October 1941 he was injured in an explosion and spent three months in hospital. On recovery he was sent north to Fort William for training in motor launches (ML) at HMS St Christopher. Many of his companions were former yachtsmen who had joined the RNVSR in the pre-war years, offering their services “in case of emergency”. When the emergency had arrived on 3 September 1939, the Admiralty had seemed uncertain how to make best use of these volunteers. The motor launches and coastal motorboats that had proved so useful at the end of World War One had been disposed of and not replaced. Initially, most RNVSR yachtsmen had been sent to minesweepers and patrol vessels but there were men among them with additional experience as polar explorers, Olympic athletes and racing drivers. Jack’s name is often to be found in the same lists as the pre-war racing driver Peter MitchellThomson (Lord Selsdon), who had joined the RNVSR after the Munich Crisis. Cornish solicitor Robert Hichens, future star of Coastal Forces, also had pre-war experience as a racing driver as well as a dinghy sailor and RORC member. Once there were sufficient MGBs (motor gun boats), MTBs (motor torpedo boats) and MLs available for direct aggression against E-boats or clandestine missions to occupied Europe, these former yachtsmen, explorers and sportsmen were natural choices for command.

Above, left to right: Armed trawler in the war; Mark IV tanklanding craft off the Normandy coast on 6 June, 1944 (D Day); Fleet of MTBs Below: Annotated account of the Dieppe Raid by J Francis Jones Opposite: The Old Maltings, home to Francis Jones’ design studio and East Coast Yacht Agency, 1947

In March 1942, RNVR officers from HMS St Christopher had responsibility for most of the MLs which crept stealthily up the Loire to attack the Normandie Dock at St Nazaire. The loss rate among these wooden-hulled, petrol-engined vessels was horrific – only 3 of the 15 MLs survived – but the dock was put out of action and the operation counted a success. In August a much larger cross-channel raid, Operation Jubilee, was mounted against Dieppe. Jack was commanding RML513, a newly commissioned Fairmile B rescue motor launch, tasked with rescuing downed airmen. The operation was a disaster. As well as the 3,623 of the 6,086 men who were killed, wounded or captured on landing, the RAF lost 106 planes. RML513 helped rescue 47 RAF personnel and returned home riddled with bullet holes. A piece of shrapnel had passed through Jack’s neck, severing half his cranial nerves. The late Rev John Waller, rector of Waldringfield, used to claim that Jack had himself lashed himself to RML 513’s wheel to get her safely home. Whether or not that was so, this was a serious wound and left him in pain for the rest of his life.

CLASSIC BOAT JULY 2022

UNCOMMON COURAGE

Command of RML513 was taken over temporarily by the seafarer Alan Villiers while Jack spent another two months in hospital. Later in life he never hesitated to voice his criticism of the almost criminally inept planning for the raid. I inherited a copy of a history book heavily annotated with his condemnation of Lord Mountbatten, disappointment in General Montgomery and anger at the “callous attitude” of the Royal Navy. Jack remained in Newhaven, East Sussex, with Coastal Forces until summer 1943 when he returned to Scotland, this time for Combined Operations training in preparation for D-day. This was the period that he met 2nd Lieutenant Derek van den Bogaerde, posted there for a signals course. It was a significant relationship for them both, resulting in a lifelong friendship, though their lives diverged when Derek became film star Dirk Bogarde, and Jack returned to Suffolk and to yacht design. It was another of Jack’s post-war grudges that the state, which had been so ready to accept the possible sacrifice of his life in war, should threaten prosecution for people like him for their sexuality in time of peace. He made it through D-day unscathed, though his landing craft hit a mine on the run in to Gold Beach. The troops landed safely but two members of Jack’s crew were killed as they remained stranded on the beach trying to repair and refloat their craft. It was some days before they succeeded. Jack sent Yachting Monthly a somewhat incoherent account of events but never talked about it later. As a child I was an obsessive reader of Maurice Griffiths’ Ten Small Yachts. I was constantly horrified by his lack of loyalty to his boats so, on the rare occasions that I met him, it was particularly difficult to know what to say. I don’t imagine that he noticed. Griffiths had been called up early for service in HMS Vernon, the Navy’s torpedo school. Now that I’ve had the chance to research his duties there, I am amazed at his sang-froid in one of the most terrifying wartime arenas. Although Griffiths’ pre-war writing is atmospheric and emotive, The Hidden Menace, his account of his war service, is almost dull, though very technical. Perhaps being technical was the most effective way to cope. Griffiths writes, for instance, about his quest to select wooden-hulled drifters that would be sound enough to tow the heavy gear needed to attempt to trawl up magnetic mines for investigation, yet sufficiently old for it not to matter that they were being used for “expendable duties”, meaning in this case highly likely to be blown up, as had very recently happened with 44

CLASSIC BOAT JULY 2022

an HMS Vernon minesweeping trawler sunk and six men killed. One part of Griffiths’ war service that he never talked about (according to Dick Durham, his biographer) was the period of the Blitz during which he was involved in defusing unexploded mines dropped on the London docks. In The Hidden Menace he describes the groups of people with drawn faces lining the pavements and the way they raised a cheer when they saw the dark blue Navy van hurrying through. He mentions casualties among the HMS Vernon teams and admits he was glad to be sent back to his Mine Recovery Flotilla in Lowestoft, Suffolk, where he could “take his little trawlers to sea off his familiar East Coast and deal with mines that were under water.” He doesn’t say he was awarded the George Medal for his bravery. Maurice Griffiths wasn’t the only figure from my childhood who I’ve needed to reassess in the light of my recent research. I remember Norman Clackson, a very tall, very genial figure who I always felt rather glad to see as I reached up from my nine-year-old height to offer him a plate of Ritz crackers at an Easy Cosy office party. Imagine my surprise when I was reading His Honour Judge Ewen Montagu’s account of being a World War Two Intelligence Chief and discovered genial Norman Clackson had been helping him run a team of double agents. Ewen ‘The Man Who Never Was’ Montagu was an RNVSR member (as was Clackson). He was a KC, son of a Baron, a 1939 Fastnet race competitor in Latifa and winner of that year’s La Rochelle race in his own John Dory. Today he’s the man best known for Operation Mincemeat – all those things that would put him beyond my ken and make it perfectly credible that he should be managing double agents. But that my father’s friend Norman Clackson should have been aiding and abetting… if anyone reading this article knows more detail, please get in touch, I remain agog! A much closer family friend was Stewart Platt who many people will remember as president of the Cruising Association. (I hope they’ll also remember his beautiful gaff ketch Celandine, designed by Uncle Jack). Stewart was born in 1923 so was still at school in 1939. He was a keen young Sea Scout and dinghy sailor and by 1941 had found his way into the Royal Naval Patrol Service helped by a convenient error in his age. He was sent on anti-submarine warfare

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CLASSIC BOAT JULY 2022

UNCOMMON COURAGE

STEWART PLATT, C/O VICKY PLATT

training with the tough Glaswegian crew of HMS Tuscarora, a Victorian steam yacht of a type often requisitioned for naval service. This was a culture shock for the 17-year-old from Leigh-on-Sea, Essex, but he survived and progressed first to HMS Ganges in nearby Shotley, then to HMS King Alfred for RNVR officer training. After this experience he was glad to be sent back to Lochailort in Scotland for Combined Operations training. He wrote later “the course was tough and included running up a mountainside before breakfast, as well as assault courses tacked onto more general boat-handling, navigation and types of landing craft. One was taught fighting at close quarters – how to creep up behind a sentry and cut his throat silently

Above: The late Victorian steam yacht Tuscarora Below: Christmas 1958. From left to right: Author’s mother June, brother Nick, the author, grandmother Edith and ‘Uncle Jack’ (Francis Jones)

and other such delights I am happy to say I never had to put into practice.” I remember Stewart as a mainstay of the local church and village community, a businessman, my best friend’s father, someone who I assumed had always lived a quiet, reliable life – how ignorant can one be? Aged 20 he had got his wish and was given command of a 186ft (56.7m) steel LCT (tank landing craft) with twin 500hp Perkins diesels heading for Gold Beach on D-day. It was blowing hard and vessels were being pushed to leeward. By the time LCT 879 reached Normandy, there was a clutter of drowned vehicles, Atlantic Wall obstructions and very little beach remaining. Platt didn’t hesitate; he let out his kedge anchor and ran in hard for the last scrap of beach. He describes the “almighty explosion” as he, like Jack Jones, hit a mine, blowing a large hole in the bottom of their ship. Undaunted Platt and his crew landed their invasion cargo and set about repairs. They then ran steadily backwards and forwards ferrying supplies across the Channel until the war’s end. I wish I’d known these things years ago, when my father and his friends were alive to be admired and thanked. But then again I assume that the purpose of their wartime effort was so that small girls like me could grow up thinking that the height of excitement was meeting the Platt family for a weekend in the Walton Backwaters and playing Monopoly with Uncle Jack at Christmas carried the authentic spice of danger. Julia Jones’s book, Uncommon Courage, is out now

JULIA JONES

CLASSIC BOAT JULY 2022

Brown Owl • £155,000 Dunkirk Little Ship ‘Brown Owl’ is a 42ft John Bain design, built in 1928 by J A Silver of Rosneath. She has been maintained to a high standard and has attended the ‘Dunkirk Returns’ since 1980. Brown Owl can sleep up to six and benefits from a warm air heating system throughout. She is equipped with full navigation equipment and her sale includes her flags issued during WW2. Available for viewing Teddington.

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CLASSIC BOAT JULY 2022

SAILING GOLDEN VANITY Fifty years ago she took on the OSTAR under Peter Crowther. Now, Golden Vanity is for all to sail. Modern yacht sailing instructor Clive Loughlin went to find out how she works WORDS CLIVE LOUGHLIN PHOTOS THE AUTHOR AND FIRST CLASS SAILING

GOLDEN VANITY CLASS

Mumble Bee class Brixham sailing trawler BUILDER

Sanders & Co, Galmpton, 1908 LOA

38ft 8in (11.8m) LOS

53ft (16.2m) BEAM

12ft 9in (3.9m) DISPLACEMENT

23 tonnes (gross) DRAFT

7ft (2.1m) HEIGHT

51ft 2in (15.6m) RIG

Gaff Cutter MAST

Douglas fir, hollow using bird mouth construction method BALLAST

Concrete, lead and pig iron HULL

Carvel Oregon pine planking over sawn oak frames with double futtocks

GOLDEN VANITY

espite having over 40 years sailing under my keel, and been a long-term subscriber to Classic Boat, I have never previously sailed a gaffer. All my time has been spent in dinghies and modern cruising yachts. It was not until I was offered the chance of a day’s sailing on Golden Vanity that I realised just how much I didn’t know. This article recalls my experiences on the day and I hope it will encourage others to grab the ratlines and step aboard.

WHAT’S THE DIFFERENCE? Most sailors will be familiar with modern sailing boats and how they are operated. This article aims to highlight the main differences that I found between a modern sloop and Golden Vanity – a 100+ year-old, gaff-rigged Brixham trawler. The first obvious difference is the rather bewildering array of lines that are used and the absence of winches, apart from a single winch at the mast.

BLOCKS AND TACKLES Blocks and tackles are used to provide purchase ratios that make the tasks manageable. This is just as well as everything is very solidly built! The blocks and tackles were a bit of a revelation to me, with many providing two and sometimes three different purchase ratios (3, 4 or 5 to 1). This includes lines without ‘gearing’ that are used to quickly haul in the slack, before a block and tackle applies necessary tension. Although the number of lines is great and the processes involved initially rather intimidating – everything has a reason and purpose and soon begins to make sense.

MASTS Modern sloops have a single mast that is held up by a forestay, port and starboard shrouds, and a single or split backstay. Golden Vanity essentially has two masts with the topmast fixed to the top of the mainmast. 50

CLASSIC BOAT JULY 2022

Left: Gaff and gaff saddle Centre: Raising the mainsail Right: Mainsail raised

MAINMAST The mainmast is supported by a forestay and port and starboard shrouds (three on either side), but does not have a backstay. The main mast is a very substantial hollow timber construction that passes through the deck and slots in to the keel (keel stepped).

TOPMAST The topmast is of much lighter construction and can be raised into position from the deck – although in practice it is left aloft and only lowered for maintenance. It is secured to the top section of the main mast and is supported by shrouds that lead to a spreader at the top of the mainmast, a forestay that runs to the forward end of the bowsprit, and running backstays that are only used when the topsail or flying jib are deployed.

SAILPLAN The basic sailplan comprises four sails. The simplest configuration is with just the mainsail and staysail and with the bowsprit retracted; but I am told she is never sailed like this unless perhaps in extremely windy conditions. A well balanced plan usually consists of the mainsail, staysail and working jib.

MAINSAIL The gaff in a gaff-rigged boat refers to the spar that supports the top of the mainsail. The mainsail provides a very large area of canvas that is especially effective when sailing downwind. The gaff increases the surface area of the sail higher up where wind speed is generally greater, but prevents the main adopting the aerofoil shape that is found on modern bermudan-rigged vessels. This limits the vessel’s ability to point close to the wind. The gaff is raised up the main mast and this pulls up the head (upper edge) of the mainsail. The front of the gaff has a U-shaped saddle that straddles the main mast. The luff (forward edge) of the mainsail is held to the mast sometimes by hoops and sometimes, as with Golden Vanity, by a line that is round around the mast and through eyes in the luff.

The foot (lower edge) of the mainsail is ‘loosefooted’ and the clew (aft lower corner) is held to the boom by the clew outhaul.

REEFING THE MAINSAIL The mainsail has three reefs and the clews for these reefs are pulled down to the boom by two separate outhauls. There are also rows of reefing lines in the mainsail that allow the loose section of the sail below the reef to be bundled up. These reefing lines gather up the loose-footed main and are NOT secured around the boom.

Left: Bowsprit deployed Centre: Jib and staysail working together Right: Running backstay secured at the shrouds when not in use

JIB The jib provides a lot of forward drive and works with the staysail to create airflow over the mainsail.

BOWSPRIT The jib is set on the bowsprit which is first hauled out and the aft end secured in place by a bolt through the bitts and a fid, and by port and starboard whisker shrouds that keep it straight, and a bobstay that holds it down.

RAISING THE JIB

The gaff is raised up the mast by hauling on two lines. These allow the angle of the gaff to the mast to be controlled, with the aim of raising the gaff horizontally, so that friction between the jaws and the mast is reduced. Once the luff is tight, the aft end of the gaff is raised to set the mainsail. Of all the activities of the day, I noticed that raising and reefing the mainsail required all hands to be involved, hauling on lines under the watchful eye of the first mate. I doff my sou’wester to Peter Crowther who sailed her across the Atlantic single-handed in the 1972 OSTAR – albeit taking 88 days to do so!

Once the bowsprit is set, the tack (forward corner) of the jib is attached to a ‘traveller ring’ and hauled out to the end of the bowsprit with the jib outhaul and the head (top corner) of the jib hauled up by the jib halyard. Port and starboard jib sheets control the clew (aft lower corner) of the jib and are led around outside of the forestay. Often the jib is raised ‘in stops’. The sail is rolled up into a sausage with woollen stops tied along it every couple of feet. This allows for the sail to be fully hoisted without having to fight with a sail full of wind. This same technique is still often used with modern racing yachts when raising a spinnaker. When ready the sheet can be heaved on to pop the stops and the sail bursts open.

LOWERING THE MAINSAIL

TOPSAIL

Lowering the mainsail is the reverse of raising, however the aft end of the gaff is kept above the horizontal as the gaff is lowered so that its weight pushes down on the saddle.

The topsail is raised with the halyard from deck level to the top of the topmast and then the clew of the topsail is hauled out to the aft end of the gaff. A ‘leader’ line is permanently secured to the topmast and this passes through an eye on the luff to keep the topsail close to the topmast. A downhaul is then heaved on from deck to give tension to the luff.

RAISE THE MAINSAIL

STAYSAIL The staysail is hanked onto the forestay and raised using the staysail halyard and controlled with port and starboard sheets just like a modern jib. The staysail can often be used to advantage for turning the boat, as its small size and accessibility mean that it can be quickly deployed and doused and is readily back-winded to assist in ‘tight’ turns and for sailing off anchor, or when arriving at or departing a berth.

RUNNING BACKSTAYS When a topsail or flying jib is raised the pressure on the sail needs to be countered by rigging a backstay for the topmast. If a single centred backstay was rigged for the top mast then it would obstruct both the boom and the gaff. To get around this problem, running backstays are used that are led to either the CLASSIC BOAT JULY 2022

GOLDEN VANITY

port or starboard quarter depending on which tack the boat is on. Only one backstay is rigged at a time. If the boat is on starboard tack with wind coming from starboard, then the starboard running backstay is rigged. When not in use the lines for the running backstays are taken down by the shrouds ready for rapid deployment as the boat tacks or gybes. While I found that most activities on Golden Vanity could happen at a leisurely pace, tacking and gybing called for prompt coordinated actions between the port and starboard crews. As the boom and gaff come across, so the previously active backstay needs to be released and stowed to the shrouds while the previously lazy backstay gets swiftly brought into service and the tackle hauled tight.

FLYING JIB Golden Vanity has a third headsail. A flying jib or jib topsail. It sets aloft of the working jib and staysail and is only flown in light airs due to its power and the strain it places on the topmast. The head of the sail is pulled aloft via a halyard all the way to the top of the topmast. The downhaul is then pulled tight towards the end of the bowsprit to give the luff tension.

MAKING FAST The lines on Golden Vanity are mostly made fast around belaying pins. A line goes around the bottom of a pin and then three figure-of-eights are made on the pin. The friction caused in these three knots is enough to secure the line. The rest of the line is coiled up and looped onto the pin to give a neat stow. I had always assumed that belaying pins were designed so that they could be pulled out of their socket in the pinrail to quickly release a line – but apparently this is never done. The odd line is made fast to a cleat. In the case of the working and flying jib sheets these should be taken around the back of the cleat first so that the line does not jam on itself, before figure-of-eights are made.

STEERING The tiller is around 5ft (1.5m) long. Sometimes, to help maintain course, the helm’s task can be made easier using a line taken from the relevant quarter and wrapped 52

CLASSIC BOAT JULY 2022

Left: Shrouds and belaying pins Centre:Securing the staysail halyard around a belaying pin at the foot of the main mast Right: Tailing a line

around the tiller, with the helm controlling the free end. On modern yachts of 36ft (12m) or less I prefer a tiller to a wheel because you always know exactly how the rudder is angled. However, on larger boats I do appreciate the reduced effort required to hold a wheel and the space it frees up in the cockpit. I must say that I really enjoyed helming Golden Vanity – there is nothing quite like the sensation of having your arm pulled out of its socket to make you appreciate the forces that are acting on the rudder below your feet.

ENGINE PROPULSION Golden Vanity has a 75hp Beta diesel engine driving a shaft that is offset to port and angled away from the centreline. The thrust from the propeller does not flow over the rudder and so steerage is only obtained when the boat is moving through the water.

MANOEUVRING UNDER ENGINE While Golden Vanity is in her element in big seas and strong winds, manoeuvrability under engine is severely limited. Even on modern yachts with bow thrusters, I always try to use what nature provides rather than reaching for a button. Golden Vanity has no such frivolous luxuries and has the added challenge that prop walk while going astern is nothing if not unpredictable. I rather like the idea that the modern addition of an engine, while certainly having its place, also creates ‘distortions’ in the boat’s handling. I was therefore delighted when we back-winded the staysail to initiate a turn as we left our hammerhead berth; and on our return, ferry glided gently alongside. These are all skills that are still available to us today; but sadly often forgotten.

ANCHORING The anchor chain is deployed over a bow roller just as it is on a modern yacht, however the anchor is lowered over the port bow with a tricing line secured to the crown of the anchor so that the anchor is lowered over the gunwale about 3m (10ft) aft of the bow. Once the anchor is below water level the tricing line is released so the anchor hangs free from the bow roller. When the anchor is recovered the tricing line (which has its other end shackled to the anchor chain) is

retrieved and used to raise the crown of the anchor well aft of the bow, and then up and over the gunwale. The anchor chain is let out and recovered manually.

BELOW DECKS AND INSTRUMENTS Golden Vanity has modern galley facilities such as a fridge and gas cooker sited to starboard within the original traditional layout. The skipper’s berth and navigation table are in the port quarter, with the first mate’s berth in the starboard quarter on the side of the engine compartment. Going forward there is the crews’ quarters in the bow with six single berths and a large heads/shower/wet locker to port. Modern instruments are used including a paddle wheel log, chart plotter, radar and AIS.

Left: Tiller and mainsheet Centre: Mainsheet tidied

STEPPING ABOARD Thanks to the huge efforts of paid helpers and volunteers, and partially supported by crowd funding, Golden Vanity is now returned to excellent health and ready for many more years on the water.

away Right: Deploying the anchor using the tricing line

Clive Loughlin teaches for First Class Sailing in the Solent area and is a regular contributor to CB’s sister title Sailing Today. First Class Sailing offers a variety of ways for people to sail on Golden Vanity (with a Skipper and First Mate) from private chartering to gaff rigged sailing weekends , 7-day West Country cruises, and RYA Competent Crew and Day Skipper courses.

Golden Vanity: history and restoration Golden Vanity is a traditional wooden gaff cutter and Mumble Bee

piece was chopped in. Then fresh paint applied. The shoe on her keel

class Brixham sailing trawler. She is a ‘fishing smack’ – although she

was needle gunned back to shiny bare metal before a galvanizing zinc

was built, in 1908, as a yacht for the renowned marine artist Arthur

paint was applied.

Briscoe, who regularly sailed on board with

Lots of areas of the deck were recaulked, the

his close friends and spy novelist Erskine

spars stripped back to bare wood and coated

Childers, who wrote Riddle of the Sands.

with Deks Olje D1 and D2 finishing oil. Her

She is very strong and seaworthy with a

capping rail got sanded back and D1 applied.

deep displacement keel.

The shrouds were replaced.

As with many boats of her class and age

A new mainmast was made out of close-

Golden Vanity has led a challenging life with

grained, kiln dried, Canadian Douglas fir. Apart

various phases of restoration and use,

from a few feet at each end, the mast is hollow

including with the Golden Vanity Trust

and was made from an assembly of eight

where she was sailed by hundreds of young

sections in bird’s mouth construction, and then

people from various backgrounds and

painstakingly planed and sanded to a circular

varying abilities. In 1999 she passed to the

form, before receiving 12 coats of varnish. It is

Trinity Sailing Foundation and it was here

approximately 56ft (17m) long and 23cm (9in)

that Charlie Tulloch, Principal of First Class

diameter at the gooseneck.

Sailing first sailed on her.

All four tonnes of her moveable ballast where

In 2019 funding difficulties forced Trinity

heaved out by hand and replaced with 22kg

Sailing Foundation to cease operating and

lead prisms.

she was acquired by First Class Sailing and

The engine was hoisted out to the bottom of

housed under a lean-to at the Hamblebased Elephant Boatyard, where a team led

the companionway stairs which allowed the Golden Vanity – shipshape and looking gorgeous

by Paul Pilsworth of paid helpers, volunteers,

engine itself to be worked on – de-rusted, painted, new alternator arm welded on, while

a couple of specialist engineers and a boatbuilder from the yard,

also allowing people to get into the engine bay to replace the drip

stripped her hull, topsides and bulwarks of years of layers of paint

tray, fit sound/fire insulation, change seacocks and fuel piping, paint

back to bare wood. A few areas were recaulked and the odd graving

and generally make it 100 per cent better than it was. CLASSIC BOAT JULY 2022

CIELITO

DIPPED IN SUNSHINE

CLASSIC BOAT JULY 2022

Cielito was built in Hollywood’s 1930s heyday but these days lives in Florida WORDS BRUNO CIANCI PHOTOS TOM SERIO

here are those who, as the saying goes, have a girl in every port and those, like Rahmi M Koç CBE, who have a boat in every city they live in. The honourary chairman of Koç Holding has dozens of yachts and many mansions, mostly built on the water or at least very near the sea. Although he’s originally from Turkey’s landlocked capital Ankara, he feels much more at ease when he is near what he calls “the most beautiful among the elements”. Istanbul is his home, but every year he spends a few weeks in Miami, London, Lesbos, Provence and on a tiny island off the coast of Tuzla (Istanbul), the city that is home to his own RMK Marine shipyard, where the restorations of most of his floating jewels are carried out. Classic Boat has recently devoted articles to two boats that belong to the Turkish magnate: Lady Edith, a 1925 William Fife III 12-M yacht, and T/T Vedette, a tender that belonged to the Vanderbilt family. The latter is one of the 16,000 items on display at the Istanbul museum founded by Mr Koç and named after him. In addition to the one in Tuzla, ‘Rahmi Bey,’ as people refer to him in Turkey, also owns the Merrill Stevens shipyard in Miami, which he took over in 2013 and renamed RMK MerrillStevens. “I spend at least three weeks in Miami every autumn, to swim, play golf and fish,” says

Above left to right: Builder’s plate; Just before being launched in 1930 Below left: Raised, flush foreeck with anchor windlass Below right: The aft cockpit

Koç. “Sailing along Miami’s channels, especially in the afternoons, is great fun. After seeing several classic boats there that I liked a lot, I resolved to acquire one for myself. And after conducting much research we sourced a beautiful gentlemen’s cruiser named Cielito in Seattle; we agreed to buy her and brought her over to Miami. She underwent a thorough overhaul at my shipyard, RMK Merrill Stevens. Sadly, due to a trivial miscalculation, Cielito cannot sail under a bridge and therefore can’t be moored outside my house; instead, we use the quay opposite, the one used during the Miami Boat Show, and we drive to the boat.”

A HOLLYWOOD START Cielito is a 42ft (13m) triple-cabin, raised-deck wooden motor yacht built in 1930 by Stephens Bros of Stockton, California, a very well known builder in the USA founded in 1902. At the time Cielito was launched (with hull number 526), the yard was specialised in workboats and custom craft, and was soon to become known among sailors in the San Francisco Bay Area for its Farallone Clippers, with 19 examples built. Cielito’s deck layout consists of an aft cockpit, flush side decks, and a raised flush foredeck, which is equipped with an anchor windlass. The foredeck and cabin tops are constructed with a plywood substrate installed over the original deck planking. The side decks

CIELITO BUILT

Stephens Bros, California), 1930 LOA

42ft 9in (13m) BEAM

10ft 6in (3.2m) DRAUGHT

3ft 4in (1m) DISPLACEMENT

10 tonnes POWER

2 x 85hp @2,500 rpm

CLASSIC BOAT JULY 2022

CIELITO

have a solid teak plank overlay. The hull is planked with Port Orford cedar, bronze-fastened on steam-bent oak timbers. For internal reinforcement, the vessel relies upon plywood bulkheads. The decks, bridge cabin, and boat deck are teak throughout. The interior accommodation is laid out in three cabins. The forward cabin has pilot berths to port and starboard and a private head forward; the pilothouse contains the helm station and side doors port and starboard. The aft cabin is home to a galley to port and a private head to starboard. The first owners of Cielito were the Hollywood director William A Seiter (1890-1964) and his wife, the silent movie star Laura La Plante (1904-96), who bought the yacht for $12,420 and stationed her in Los Angeles. Before the couple divorced in 1934, the yacht was sold to Wesley D Smith, owner of Sea-Dog Hardware, who subsequently ordered a 55ft (16.8m) Stephens, which he named Sea Dog. Cielito had several owners who sailed her mostly in southern California. Eventually the name was changed to Tara and the craft had new engines installed in 1952: two Chrysler six-cylinder petrol engines. Some 30 years later, after more than half a century in the south, Tara returned to the north of the Golden State and was bought by two staunch cruising enthusiasts, Mont and Cynthia

CLASSIC BOAT JULY 2022

Above and below: Some of the periodcorrect details that have helped Cielito win concours awards

McMillen, who restored the original Cielito name and re-engined the boat in 1989 with the engines she still has today. These are two in-line, four-cylinder 4-236M Perkins diesels, providing 85hp each at 2,500 rpm. They were securely installed on wooden stringers, with the use of steel brackets, through-bolted to the stringers. In 1997 the McMillens took Cielito to the Pacific Northwest and cruised the Inland Passage for three months. There’s no doubt that the yacht was looked after beautifully in the McMillens’ hands: Cielito won the “Best Overall Power” award the same year at the renowned Victoria Classic Yacht Festival, held annually on Vancouver Island every weekend before Labor Day. In 1999, Cielito was loaded onto a lorry and taken to Lake Michigan for a one-year circumnavigation of the eastern USA via the so-called ‘Great Loop’. The trip took the yacht across Lake Michigan, then the Georgian Bay and Trent Severn Waterway. In August, Cielito was again acknowledged for her beauty and excellent state of conservation: she was awarded ‘Best Power Boat’ at the Antique & Classic Boat Society (ACBS) Clayton Boat Show in New York, before continuing her voyage along the St Lawrence River, down the Chambly Canal to Lake Chaplain and thence the Hudson River and the Inter Coastal Waterway to Florida, the state that would

HAVENGORE: The Boat That Carried Sir Winston Churchill ‘And so Havengore sails into history ... not even the Golden Hind had borne so great a man’

Havengore was commissioned by the Port of London Authority in 1954 to replace its former survey vessel the Shorne Meade. Built by Tough Brothers of Teddington, she is of double diagonal construction in teak over a framework of English oak. Since 2006 she has undergone three successive phases of restoration and is now licenced by the MCA to carry 40 passengers and 10 crew. Havengore carried Sir Winston Churchill in 1965 at the culmination of his state funeral, watched by a global audience of 350 million people, one in ten of the then world population. Beautifully restored, Havengore is located on the Thames and has been used in many national events including the Queens Diamond Jubilee in 2012, the Olympic Games and the Paralympics, plus countless Private and Charitable events. This is a once in a lifetime opportunity to own part of the Nation’s history, to ensure its future is secure for generations to come. Length: 25.81 m (84.7 ft) • Beam: 4.95 m (16.2 ft) Draft:1.90 m (6.2 ft) • Speed:12.29 knots Installed power: Twin Gardner 8L3 Diesels delivering 304 h.p. at 900 r.p.m.

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CLASSIC BOAT JULY 2022

CIELITO

become home. She wintered there before motoring around Florida’s west coast and up the canals and rivers to Lake Michigan again. Other than the trip to the eastern states with the McMillens, Cielito continued to ply California’s San Francisco Bay and the Sacramento River delta.

Above: Cielito in her home waters

BACK IN FLORIDA A 2012 condition and value survey of the craft stated: “Overall, Cielito has been well maintained and is in excellent condition for her age. Her current owner (Mont McMillen) is conscientious and very knowledgeable of the vessel’s systems and operation.”

Cielito’s condition was still good in 2016, when Koç commissioned a pre-purchase survey; the renovation by RMK Merrill-Stevens was to better fulfill the new owner’s needs. This included structural repairs, transom replacement, drive refurbishment, engine maintenance, electrical and electronics upgrades, generator replacement, the installation of air-conditioning and various interior and exterior refinishing jobs. The overhaul duly won the shipyard the Vintage Weekend 2018 award for ‘Best Restoration’, which is hardly newsworthy, because for this owner, perfection is a lifelong habit.

Merrill Stevens: a story of resilience After losing a fortune in the American Civil War, Captain James G

depression of 1929, staff at the company decreased quickly from 150

Merrill moved to Jacksonville, Florida in 1866, where he established a

to 15, and work was hard to come by. Then, thanks to the dredging of

marine blacksmith and ironwork shop, the foundation of the Merrill-

the Miami River, completed in 1933, the business managed to recover

Stevens shipyard, which started to grow during the American-Spanish

once again. Larger yachts and commercial vessels now visited Miami

war in Cuba (1898). In the Great Jacksonville Fire of 1901, the

through the inland waters, providing Merrill-Stevens with new work.

Merrill-Stevens wharf was completely consumed by flames, but the owners quickly built a new facility and began to focus on shipbuilding. During World War One,

conversion of recreational yachts into

Merrill-Stevens Co was bought by the

naval support vessels. The post-war

Emergency Fleet Corporation, created by

history of the yard is little known, but it is

the Shipping Board to bolster the American

certain that, over the years, it has

Merchant Marine. In 1921, the company was

gradually lost allure, prestige and, most

sold back and two years later a facility in

importantly, profitability. All these

Miami, the Pilkington Boatyard on the north

caused the yard to fall victim to an

bank of the Miami River, was acquired. Miami

unstoppable decline, with the last

was undergoing one of the greatest real

wooden craft built in 1974.

estate booms in history, making the

When Rahmi M Koç acquired the

boatyard a prime opportunity for someone with experience and

shipyard in 2013, he vowed to restore the company to its former glory

knowledge in the marine industry to turn the business around. The

and to make Miami once again a great destination for yachts and

company achieved early success thanks to the prohibition.

superyachts from around the world. RMK Merrill-Stevens is composed

Although business was booming, disaster struck Merrill-Stevens.

During World War Two, 3,500 military-related projects were completed at the Merrill-Stevens facilities. Among these was the

of two yards straddling the Miami River, and are now known as the

In 1926, the plant was devastated by the ‘Great Hurricane’ that hit

North Yard and the South Yard. An investment of over $23 million

Florida in September. As the yard was in full readiness for a flood of

was made into the complete renovation of both. Each yard provides

business, hard times struck once again. Leading up to the great

refit, maintenance and repair to vessels of up to 230ft (70m).

CLASSIC BOAT JULY 2022

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www.ratseyandlapthorn.com CLASSIC BOAT JULY 2022

A GUIDE TO SAILS Today’s traditionalists can have it all – the look of old with the technology of the new WORDS NIGEL SHARP AND CB PHOTOS THE AUTHOR

SAILS

NEW SAILS On any yacht, sails represent around 90 per cent of the visible surface, so it’s an important thing to get right. Thankfully, these days, classic boat owners have a number of options when it comes to sails, from the ultra-traditional – cotton – to high-tech membrane sails made of exotic materials for racing (although not in the Med, where the CIM rating system in use penalises anything less than authentic – and that includes sails). For the great majority, sails made from woven polyester prove to be the most sensible compromise. Their fortes include cost, longevity, and the ability to closely mimic the boat’s original appearance.

WOVEN POLYESTER: DACRON AND TERYLENE Woven polyester sail cloth first became available in the 1950s. Is was then generally known as Terylene, which was British company ICI’s trade name, while nowadays it is commonly referred to as Dacron, which is the equivalent product of American company du Pont. Most sailmakers buy their cloth from four major suppliers: Contender, headquartered Holland, Challenge in the USA, Bainbridge International in the UK and Germany’s Dimension Polyant. Between them, they manufacture around 40 woven polyester cloths, almost all in different weights, some in different colours and finished in various resins. Other makes of polyester cloth often used in sail making for classic boats include Clipper Canvas, Oceanus and Duradon.

HARD OR SOFT? Boat owners may sometimes find the availability of such a range of sailcloths somewhat bewildering. A sail made from hard, tempered cloth with a higher resin content might give a better performance in the short term, but might not last as long as a cloth with less resin: it will also be more difficult to handle and stow. “Classic boats tend to have heavy keels which allow them to hang on to full sail for longer than a modern boat,” said Jerry White 62

CLASSIC BOAT JULY 2022

Above left: The yacht Marigold with the ultimate in authenticity – cotton sails Above right: Close-up of Marigold’s real cotton sails Below: Modernday woven polyster sailcloth

of Elvstrom Sails. “That means it is more important for them to have sails made from higher-quality cloth.”

PANEL LAYOUTS Over the years, sails have been made with various panel layouts: vertical cut, with the panels and their seams parallel to the leach; cross cut, with the panels perpendicular to the leech; and, in the case of topsails and headsails, mitre cut, with a mitre between the clew and the luff. On most mitre-cut sails, at least these days, the panels are perpendicular to the foot and to the leach, but occasionally you will see another type of mitred headsail, with the panels parallel to the foot and leach. This layout is known as Scotch cut, perhaps because it was developed by a Greenock man in the 1830s. A much more recent development is the radial sail, whereby long, thin triangular panels radiate from one or more corners of the sail. In the early part of the 19th century, mainsails were always vertically cut. This was for ease of construction, but also because if a seam started to fail when at sea, the boom and gaff would still be connected and the vessel had a chance of getting home. But then, in 1851, schooner America came over and beat 15 British boats in a race around the Isle of Wight. “America had cross-cut sails,” said Mark Butler of James Lawrence Sailmakers, “and that started a slow process of change in the UK. By the early part of the 20th century, most British boats had followed suit.” Woven polyester sailcloth is constructed of ‘warp’ yarns running the length of the roll, and ‘fill’ or ‘weft’ yarns running across the roll. In the majority of modern sail cloths, the fill yarns run straight and there are more of them, while the warp yarns run over and under the fill yarns. With this construction there is less stretch (or creep) across the roll than along it and so it lends itself to the manufacture of cross-cut sails, in which the fill yarns can cope with

the highly loaded leach. In the case of a conventional mitre-cut headsail or topsail, this cloth can take the loads along the foot as well as the leach.

REPLICATING THE PAST However, there is still a significant desire to replicate the look of the past with vertically cut sails; happily there are a number of warp-oriented cloths available with the more numerous warp yarns running straight and the fill yarns running over and under the warp yarns. These have been developed more for the benefit of radial sails, but they are equally suitable for vertically cut sails and even Scotch-cut headsails. Clipper Canvas was used for the sails on recently launched Falmouth pilot cutter Pellew, which has a vertically cut mainsail and staysail, and a Scotch cut jib, all made by Steve Hall of North Sea Sails, where “vertically cut sails are run of the mill”. Clipper Canvas is made by Heathcoat Fabrics in Devon and its construction is balanced in terms of the warp and the fill, and so it is equally suitable for panels laid in any direction. Clipper Canvas has a particularly soft feel and so is very popular among cruising sailors. It is also available in a cream and tan colour (or indeed other colours, including white, if ordering more than 500 metres), while the main cloth suppliers also sell various coloured cloths. “There are four or five different creams available to replicate the traditional cotton look,” said Butler, “some being quite peachy, while others are more of an olive colour.” There is still an overwhelming preference for vertically cut sails on luggers, but they are a rarity on bermudan mainsails, perhaps because the bermudan rig was originally developed at around the time that vertically cut sails were losing favour, so there is no tradition to follow. However, about 15 years ago, Falmouth company Sailtech made a vertically cut bermudan mizzen for Falmouth quay punt Curlew (CB385), but it was as much to aesthetically match the gaff mainsail as anything.

Above left: Pellew’s vertical cut (with narrow panels) main and staysail; and mitre cut jib – all narrow panels Above right: Barnabas with vertical cut sails Below: The sailmaker’s tools

Sanders Sails regularly makes sails for Irish Galway Hookers, which until recently had a class rule stipulating vertically cut sails. “But a tan Dacron with good warp strength is not available in all weights,” said Peter Sanders, “so they have agreed to allow some cross-cut layouts.”

CLEW ANGLE With headsails and topsails, most sailmakers seem to agree that the angle of the clew is the determining factor when choosing between mitre cut on the one hand, and cross-cut or vertical cut on the other. “If the angle is more than 90 degrees, I would normally recommend mitre cut as there is more load along the foot,” said Pete Crockford of Sailtech. Hence mitre-cut high-clewed jibs and cross- or vertical-cut deck-sweeping staysails is a common combination on cutters. The terminology when describing panel layouts on topsails can be confusing. Panels parallel to the leach are generally described as vertically cut – hardly vertical, admittedly, but think of them as a logical continuation of the panels on a vertically cut mainsail. Panels perpendicular to the leach are, therefore, cross-cut. Since the 19-M Marquita’s restoration was completed in 2004, she has had mitre-cut jackyard and working topsails (with the mitre intersecting the clews) and a vertically cut jackyard topsail. “But then they found an old photo showing that she once had a topsail with a mitre running from the bottom of the jackyard into the mast at a slightly downward angle,” said Butler. “The panels above the mitre ran parallel to the gaff, and the ones below were at right angles to the gaff. So, they asked us to make one of those.” Cross-cut topsails now seem to be a rarity, with most boats opting for mitre cut or vertically cut. An example of aesthetics perhaps taking priority over efficient sail shape can be seen on the Falmouth Working Boats, a fundamental characteristic of which is the uniquely coloured topsail set by each boat. CLASSIC BOAT JULY 2022

SAILS

NARROW PANELS Another traditional look is the oft-replicated narrowpanelled sails. These originated simply because cloth was available only in narrow rolls, typically around 18in (0.46m), sometimes as narrow as 12in (0.3m). “But the numerous seams helped with the stretching and made them more stable,” said Andy Cassell of Ratsey and Lapthorn. Even when wider cloth became available, a false seam of triple thickness was sometimes created by

Above Left: Rawhiti (left) with cross-cut main and Thelma with vertical cut main Above right: West Solent OD – tri radial main and jib with cross-cut mid section

folding and stitching the cloth along the middle of the roll for extra strength and stability. To create narrow panels nowadays, the wider cloth is just cut down the middle with a hot knife or laser cutter and then stitched together, “with as many as four rows of stitching on boats as big as 150ft (45.7m),” according to Cassell. With many sails now being designed on computers, which then tell the cutters exactly what panels to cut out, the cloth splitting can even be done as part of that process.

GOING GREEN RECYCLABLE SAILS The issue that has faced the recycling of sails has been one of performance. Polyester, nylon and carbon sailcloth are vastly compromised by recycling,” according to Alastair Shires of sailcloth manufacturer Contender UK. There has been progress though. For instance, One Sails has developed a product range called 4T Forte which can be recycled. A top-spec 4T Forte sail is a one-piece threedimensional sail made entirely of polyethylene, and is “essentially melted into one piece and then vacuumed to squeeze it as it’s heated, and it then melts into one Above: 4T Forte

replace heavy wooden boards while racing. These recycled

sails use a high-modulus polyethylene fibre called STR, and

sails on the new

boards are 20mm thick with the recycled carbon forming

its membrane is completely recyclable in a standard waste

Spirit 30

the skins sandwiching a foam core. Primrose is now

separation process. In the less expensive version that uses

developing the process to allow such recycled materials to

an aramid instead of the STR, about 80 per cent of the sail

be incorporated into aeroplane seats, with a view to then

mass can be recycled. Over the last five years, 4T Forte

also making seats for high-speed ferries. “It would be quite

sails have become One Sails’ main product line and they

nice to take something from the marine world and put it

have made “several thousand” of them. The first batch of

back into the marine world,” he said, “but my ultimate goal

post-consumer used sails is just completing its recycling

is to be able to make new sails from recycled sails.”

path, testing the validity of the recycling route. The company doesn’t expect to be able to make new sails from

IDENTIFYING MATERIALS

the recycled old sails – although, they have, to date, made

The issue of not knowing exactly how a sail is constructed

new plastic headboards.

has the potential to be a frequently serious problem if and

TAKING TO THE SKIES

Cento Magic Carpet into lightweight cain sole boards to

homogeneous entity,” explains One Sail’s Peter Kay. The

when, in the future, recycling sails becomes more commonplace. But if each new sail was issued with some

Light Black Design’s Dan Primrose has been developing a

sort of certificate, or at least a serial number linking it back

process for recycling North carbon 3Di sails. This started

to detailed records at the original sailmaker, that would go

when he was given some redundant sails from the Wally

a long way to solving that problem.

CLASSIC BOAT JULY 2022

Most sailcloth comes in widths of 54in (1.37m) so that tends to be cut into two to give panels something under 27in (0.69m) (allowing for the overlap for stitching), or into three for something under 18in, normally depending on the size of the boat. For instance James Lawrence made sails for Herreshoff schooner Mariette by splitting the rolls into two, and for the 40ft (12.2m) LOD Ayesha (CB383) by splitting them into three. Pellew’s mainsail came from 24in

Above Left: Boats in the Fowey River Boat class have uniquely coloured sails Above right: Curlew – vertical cut main and mizzen

(0.61m) cloth which was spilt into two to give 10in (0.25m) panels. Not only do extra seams still contribute to the strength and stability of a sail as much as they did a century ago, these days a narrow panel sail might have a better shape. “When we design our sails on the computer, we lay every panel over a virtual mould,” explained Sanders. “The mould is duplicated everywhere there is a seam, so the more seams there are, the fairer the sail will be.”

SAILS FROM OLD PLASTIC

Occasionally one of those might be what they call an “end

There have also been recent developments in making sails

of life” sail, one that is in too poor condition or too dirty to

out of recycled plastic bottles and other plastics. Last year

be made into a sellable product, but they have resolved

sailcloth manufacturer Challenge Sailcloth started a new

this by making buckets which they have donated to the

subsidiary company called Challenge Outdoor to produce

environmental organisation 2-Minute Beach Clean. Sanders

a range of 100 per cent recycled polyester materials called

Sails frequently find that customers leave them their old

Ecopak from which products such as rucksacks can be made.

sails but in almost every case they are passed on to other

Hand in hand with that, and in partnership with Elvstrom

companies or individuals who convert them into products

Sails, Challenge has developed a new sailcloth called XRP

as diverse as dog beds, garden shades, gym bags and

Cruise Recycled, made from 100 per cent recycled plastics.

garden waste collectors. An important consideration when

Elvstrom will have the exclusive rights to this material for

reusing old sails in this way is that they all have “impurities”

a year before it is made available to other sailmakers. Sails

– ie parts made of materials other than the basic sailcloth,

made from this material have been “tested to oblivion in

mostly around the edges. But these too, are often used in

Denmark,” according to Elvstrom Sails UK’s Jeremy White

imaginative ways. Hyde Sails, for instance, “have

but the product has only recently been launched in the UK.

participated in deconstructing a container load of old

Although it is primarily for the cruising market in which the

Clipper Venture sails into cool accessories with a nautical

all-polyester yarns can cope with the loads, there is also a

twist,” said Nigel Grogan “and using things like big stainless

product called XRP Race – a laminate sail where the film as

rings and clips into things like – believe it or not – dog

well as the fibre is recycled – for racing boats up to about

leads!” But it isn’t just used sailcloth that can be used in

30ft (9.1m). Larger race boats are more likely to need sails with

such ways – according to Hermione Barfield of sailcloth

high-tech yarns not from 100 per cent recycled material.

manufacturer Bainbridge International, “we look to make

SAILS TO BAGS

sure that any cloth that does not pass our rigorous quality control process is not simply disposed of but used for

There are of course many examples of companies reusing,

other things such as sail bags, jackets and accessories that

rather than recycling, sailcloth to make products like bags

are taken up by our trade and retail customers.”

and clothing. One such company is Sails and Canvas at

Attitudes towards sails sustainability is clearly changing

Topsham in Devon who make a large variety of bags as well

but it seems to be a recent development. Nearly all sailmakers

as deck chairs, windbreaks, cushions; even a backgammon

now report a great surge in customer demand for recyclable

set. These are mostly made from old polyester sails but

sails. One sailmaker told us that he thinks 95 per cent of old

some nylon is used and the company is looking into the

sails still go to landfill: “Some sails may first spend some

possibility of making products from laminate sails. They

time in a garage but that only postpones the landfill,” he

typically take delivery of around eight sails each week.

said – so there is still a long way to go. CLASSIC BOAT JULY 2022

TOM CUNLIFFE

BEWARE THE JONAHS WHO BRING BAD LUCK Some shipmates are just dogged by ill fortune ILLUSTRATION CLAUDIA MYATT

t seems to me that two sorts of Jonah are still abroad in the watery world. The first lot are traditional, bringing ill fortune to whatever ship counts one on the crew list. The others don’t do much damage to the ship, but they don’t have a lot of luck themselves. In my time, I’ve shipped out with both. Readers of a certain age will recall the Jonah character who first appeared in the hallowed pages of The Beano in 1958. So infamous around the seven seas was this hapless, buck-toothed mariner, that whenever he was first noticed on board, he was greeted with the catch-phrase, ‘Aggggh! It’s ‘im!’ by the mate or the bosun. Everyone understood that Jonah meant the Deep Six for them. And so, week after hilarious week, it proved to be. Only one Jonah of this first category has ever crossed my rail. I’d known the lady – for such she was – fairly loosely for a while and was aware that things had inexplicably never gone well for her partner’s boats. A series of apparently unconnected incidents had decided him that his yacht was unlucky, so he sold her and bought a bigger one. Good man, you’ll be thinking, and so did I, but his fortunes didn’t change. He hadn’t had the new boat a month before he was anchored one sunny, breezy day in an open roadstead. He was sitting with the lady in the cockpit enjoying a nice cup of tea from his fine new galley when out of nowhere a large steel wave-cruncher arrived closehauled and teeboned him comprehensively at 6 knots. His yacht didn’t sink. Not quite, but the damage was so heavy that she was never the same again. This, then, was the lady who pitched up by chance on a 35-ton gaff cutter in my charge while I was dried out on the tide. The boat was stable, lying in at just the desired angle, plenty of chain cable along the inboard side deck and the throat halyard led ashore to a big-ship mooring ring. So stable was she that, with work on the rig pending, I decided it would be safe to bring in the halyard and make a start on de-rigging the boat. As before, the lady was taking tea – this time with my wife – when the impossible happened. I’d stowed the halyard and was walking round to the shrouds away from the wall when the boat fell over. From below came crashing, screaming and the sound of breaking crockery. As for me, I hung onto the mast in total confusion. This could not have happened. But it had.

CLASSIC BOAT JULY 2022

Still clinging on, I took stock. Unbelievably, things could have been worse. The women were clambering from the companionway, white as a pair of ghosts but unharmed and the boat had not gone right down and stove in her bilge. She was rigged with four seriously stout shorelines secured to some grand old cavils in the bulwarks. She’d fallen to, perhaps, 50 degrees before these had miraculously saved her from going any further. There, for a few minutes, the matter rested. The next event was the inevitable arrival of rent-a-crowd who always seem to show up when events are not proceeding as you’d have liked. For once, I was glad of them. I made up a heaving line and tossed it across. One was sailor enough to grab it. I attached the lower throat halyard block and overhauled what felt like half a mile of slack. The man ashore got the message. He pulled the block across and hooked it back onto its ring. When I tossed him the fall, he knew what to do with it. This excellent fellow marshalled the dockside loafers into a team and took up the slack. At the cry of ‘Two-six, heave!’ they lay to with a will. The creaking was awful and for a few grunts I feared something would carry away or that morale ashore would collapse. But not a bit of it. Slowly, at the standard throat halyard velocity ratio of 5 : 1 rove to disadvantage, the boat came back up again. We cleared away, made sure all was stable, then spliced the main brace. The loafers thought it was Christmas. They hadn’t had so much fun in years. As my wife poured the second round I looked for the other lady. She’d gone and taken her luck with her. I’ve dried out a lot of boats and I stand here to tell you there was no reason for what happened on that day, but pondering on her man and his misfortunes, you have to start wondering, don’t you… Once, I shipped out with a spectacular Jonah of the other less dangerous variety. His name was Hughie. He turned up from a crewing agency with his mate, Ron, to help me deliver a classic 50ft motor-fishing vessel to the French riviera. The first night out, one of the two engines blew up during his watch after he mistook the warning whistle for the kettle boiling. Hard luck, you might say, and at the time I did. We limped into Guernsey, had the diesel rebuilt, then pressed on. Hughie’s next mishap came in Lisbon. In a moment of drinkinduced enthusiasm, he fell off the sea defence wall at midnight.

Away he went down-tide along the stonework and since neither of us fancied jumping in to save him, Ron legged it back to the ship for a line while he clung to a strand of seaweed. We hauled him out, rubbed him down and he swore to lay off the booze in future. But they all say that, don’t they? On the final leg of the trip, we ran into a full-blown mistral. We were taking big seas on the beam and an awkward breaker arrived half-way through Hughie’s afternoon watch. It threw us flat down into the trough, leaving Ron and me buried under a heap of debris down below. When the boat shook herself back up again, we went out to look for Hughie but the wheelhouse was empty. Hoping he’d wandered on deck for a smoke, we pushed open the door, but there was no sign of him out in the storm. Ron throttled back while I peered frantically across the grey wastes of the Gulf of Lyons. Suddenly, I heard a feeble voice calling my name. It seemed to come from the clouds and for a second I feared he was already an angel, until I glanced up and saw his round face silhouetted against the sky above the wheelhouse. “I’m up here, boys…” Hughie had been washed clean overboard, fag and all, as the boat was knocked down. He’d spent a few seconds in the sea considering his mortality until, like his biblical forebear, the ocean

spat him out. With the boat still on her side, a second sea had tossed him against the lid of the house. He’d grabbed the radar scanner for a free ride while she righted, and hung on, dazed, while we imagined he’d opted for early pay-off. Ron set the autopilot to head slowly into the waves while we sorted Hughie out yet again. The change in motion was downright impressive. Gone were the violent lurches of a small craft in a dangerous beam sea. Instead, the MFV stayed on her feet, nodding as she soared up the steep faces of the breaking waves, breasted the peaks and nudged down their windward sides. We hoisted a reefed mizzen, sheeted it board flat to steady her and steered just far enough off the wind to fill it most of the time. The boat made virtually no headway but maintained enough steerage to keep her bow up to the crests, steering manually to dodge any breakers until conditions eased off. A week later I was safe in St Jean with the hands paid off. I’ve often wondered what became of Hughie, but there was no doubt that, once he stepped ashore, the disasters backed right off. The technique Ron and I stumbled across is well known by fishermen as ‘dodging’. In these days of reliable auxiliary power, it can work for smaller craft as well. Just make sure you’ve no Jonah aboard before you try it. CLASSIC BOAT JULY 2022

BOATS FOR SALE

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SIBYL OF CUMAE

For sale Sibyl of Cumae, a 51 ft. William Fife from 1902. She is a very beautiful and fast boat. She sleeps 5. Sibyl has always been maintained to a high standard. Recently all the electricity and navigation instruments have been renewed and updated. She is double planked mahogany and ceder under the waterline, oak frames and a lead balast keel. She will be ready to sail in the Fife Regatta in Scotland in the Spring of 2022. Laying in S.W. England. Asking price £235.000. For more information, please contact Cornelius van Rijckevorsel on 0044 (0)7816932312 or email at: corneliusvanrijckevorsel@ googlemail.com

43’ HANNA MARIA

RAFAELLE, 43’ MASTHEAD SLOOP

Built in 1995. Strip planking covered with five layers of GRP. Laminated oak frames and floors. Selden white varnished aluminium mast and boom from 2008. New 45 hp Yanmar 4 cyl engine, electronic fuel injection installed 2021. Extensive equipment. Lying Gothenburg, see www.hannamaria.se for more information and photos. Contact: Price: £70,000. Contact email: peter@hannamaria.se

Robert Clark design, Berthon built in 1962. 10’1” beam. Beautiful lines and fast. Teak topsides, pitch pine below waterline, swept teak decks. Major, keel up re-fit in 2015 so in excellent condition. Rebuilt engine with modern injection system. Immaculate internally with new cooker and modern electrics/hot water. Runner up in 2015 Classic Boats ‘Restoration of the Year’ awards. Lying: Beaulieu river. Price £87,500 Contact: stephen_bisset@yahoo.co.uk Tel: 07725 983300

WINDCHASER

Cuckoo is for sale after 22yrs. 25ft + 5ft Sprit, lifting feel, well serviced Yanmar engine. All new sea cocks, boat safety certificate, comfortable, spritely, safe in a seaway. Extras include recent Webasco, cockpit Tent. Lying Norfolk Broads. So pretty, my heart breaks a little every time I leave her. Price £45,000 (a snip). Contact Harry: 01692 678644\ 07856 801652.

A baby Jongert Yawl designed by S Van Der Meer built in Holland in 1967. Steel hull with teak on steel deck and GRP coach roof and Dog house. Teak deck needs some TLC. Alloy main mast with steps. Wheel steering. Easily sailed single handed with sea kindly motion. £16,000 Contact: peterwilson1938@hotmail.com, 01903 755765.

Looking to sell your boat? Reach over 50,000 readers each month plus 30k web visitors There are two styles of Boats for Sales adverts to choose from and with our special offer, if you buy two months, your third month will be FREE. Pick the style which suits your requirements and email: andrew.mackenzie@chelseamagazines.com with your text and image or call +44 (0)207 349 3718 68

CLASSIC BOAT JULY 2022

NORFOLK SMUGGLER

1947 37FT PARKER ONE DESIGN

Mahogany on oak. Built in Poole Boatyard in Dorset. Lead keel. Mast and boom hanging in shed. Galvanised standing rigging. Cooker, VHF, portlights, rudder has to be remade. Pushpit and pulpit. Opening portlights have to be rechromed. New cockpit floor. New unfinished teak decks. Built to Lloyds spec. €6,800 ono Contact: 0035 3862 549 416

SINOE /ARSINOE

A 3 berth, cold moulded 21ft Masthead Sloop to a PAUL GARTSIDE design calling for “a strong, tight, easily handled, no-nonsense boat.” Built new 2003, now with a new BETA 16hp engine and GARMIN electronics fitted in a major 2014 upgrade. Her unique history file has Paul’s plans, a full build record, magazine articles, receipts, manuals + photos from her launch to present. Excellent condition ready to go. Yard bogey inc.. Offers over £24,000. Enquiries to: rb@blackhornet.co.uk

GRIMA. 1972 EX SCOTTISH CAR FERRY.

Built to Lloyds A1 spec. High quality steel displacement hull with retro fitted bilge keels. Completely overhauled. Excellent condition. 12 Berth. 2 x English Electric Kelvin TA6 engines driving twin Ulstein gearboxes with VPP. £170,000.00 as seen. NO TAXES. River Severn, Gloucester. Email: Ken.Lovegrove@outlook.com

LE TEMPS PERDU

French gaff cutter, LOA 12,60m, length on deck 9,60m, Beam 3,30m, Draft 1,80m, engine Volvo Penta. Built in Granville, Normandy 1964. Hull iroko on oak frames, coachroof mahagony, teak deck. Successes in several Classic Boat regattas. Well maintained with boatsmancare and in first class condition. Owner selling now for reasons of age. Location Andratx, Majorca. GBP £49.900. Contact: canvey@hagengrote.de Phone: 0034 606379226

Brokerage listing

C L A S S I C A N D V I N TAG E YAC H T S We hope that you enjoy our selection of vintage and classic sailing yachts. Please do not hesitate to contact us if you require any further information on any of the yachts featured here.

54ft Ed Burnett Bermudan Cutter

2018

58ft Alfred Mylne Bermudan Cutter

1931/2003

59ft Starling Burgess Staysail Schooner

2004

From renowned designer Ed Burnett’s drawing board, HELENA was launched in the summer of 2018, her every detail fashioned by a small team of British craftsmen with a proud heritage of wooden boatbuilding led by shipwright Mike Ludgrove over a period spanning more than a decade. With lines echoing from the 1930’s, she is every inch a classic inspiration from the Golden Age of yachting, yet combines all the advantages of watertight and modern construction and new and efficient systems. When we visited HELENA immediately after her return from the Mediterranean it was almost impossible to believe this was a boat that had sailed 9000 miles in one summer. She is capable and beautiful - what more can we say!

Unhindered by the mathematics of any rating rule when tasked by her first owner to design a fast, spacious and of course very beautiful family yacht, Alfred Mylne’s answer was this gorgeous ‘fast cruiser’ with no vices. EILIDH has charmed only four owners in ninety years, in Scottish and northern European waters, and for the past almost twenty years in the Mediterranean where she has become something of a star. EILIDH owes this extended longevity to two passionate French owners and a necessary 2002-2003 restoration at the skilled hands of Gilbert Pasqui’s Villefranche yard, followed by ongoing upgrades and maintenance – and the fact that Alfred Mylne designed such an attractive cruising boat that she simply deserves - and gives - love.

NIÑITA is a striking, strong and well proven blue water cruiser with an amazing pedigree: a hull lines and rig replica of the Starling Burgess-designed schooner NIÑA, once described by Olin Stephens as, “the only boat he knew of that looked good from any angle”. Built of strip plank Douglas fir epoxy by one of the great schooner builders of the modern age, since launching in 2004 NIÑITA has been in almost constant commission as a very able eastern north Atlantic cruiser and exceptionally comfortable floating home, with a Baltic cruise north of the Arctic Circle and many classic rallies and regatta wins - all just two-up – also included in her impressive sailing programme.

£695,000

Lying UK

€480,000

£450,000

52ft William Fife Bermudan Cutter

1940/2013

46ft Charles Sibbick Bermudan Cutter

Lying France 1901

36ft GL Watson Gaff Cutter

Lying France 1894/2005

The last yacht launched by the famous Fairlie yard in Fife’s lifetime, SOLWAY MAID only had two owners, and it shows in her remarkable authenticity. Conceived and built speculatively, thereby incorporating everything Fife thought best in such a yacht, she was advertised just before the Second World War as a “Fast cruiser suitable for ocean racing”; it’s hard to think of a better description. A Mediterranean-based regatta winner since the mid-1990s, she offers the unique opportunity to become only the 3rd owner of The Last Fife; of an absolute gem; of a yacht that will always look after you; that’s fast enough to win prizes, and extremely cool enough for strong envy

NEDDA is a magnificent reminder that Cowes designer-builder Charles Sibbick produced a line of elegant and fast cruiser racers alongside his famous fin and bulb keel race-winners like BONA FIDE, 1900 Olympic Gold Medal winner and recent scourge of Mediterranean classic regattas. Along with her alive-and-well cousins SAUNTERER and THALASSA, NEDDA was stoutly built from the finest of materials. Restored and maintained (most recently at La Rochelle by Bruno Barbara) over the past 30 years by two loving owners, NEDDA is a truly authentic, easy to sail Victorian family cruiser-racer with spacious decks, authentic and comfortable accommodation, nicely simple systems - and superb provenance.

PEGGY BAWN’s authentic restoration is recognised in her CIM rating’s almost unrivalled coefficient of authenticity. Noted for perfect balance and good manners, in 20 knots under fingertip control her toe rail kisses the water; up to 17 knots a jackyard topsail flutter marks optimum groove. Easily rigged and sailed by two, this perfect Victorian cruiser/racer offers the chance to step back in time into the shoes of her illustrious designer, then at peak career. PEGGY BAWN comes with a custom road trailer by Harbeck.

£395,000

€310,000

€300,000

Lying Malta

For further information please contact: +44 (0)1202 330077 info@sandemanyachtcompany.co.uk

Lying France

Lying UK

Our classic and vintage yachts & motor yachts are available to view at:

22 Market Street, Poole, Dorset BH15 1NF, UK

– www.sandemanyachtcompany.co.uk –

MEMBER OF ABYA

Craftsmanship

Edited by Steffan Meyric Hughes: +44 (0)207 349 3758 Email: steffan@classicboat.co.uk

EUROPA COMPOSITES

Yard News

SECTION HEAD SUB SECTION

LYMINGTON, HAMPSHIRE

Europa Composites – where Folkboats roost Folkboat fanatic Simon Osgood took a different tack during the

from the McAdams and keep them alive for another generation. Nordic

pandemic, taking early retirement from a life in finance to open a new

GRP Folkboat Cidron II (featured in one of the first issues of this

boatyard at the old Green Marine site. His motivation was partly to

magazine) is looking like new, following a complete restoration from a

prevent the lifelong experience and skill of Scottish boatbuilding

back garden rescue. She’s been done for the son of the original owner.

brothers Dan and Rob McAdam from slipping away. The other half was

Wombat (GRP Nordic) is at the beginning of a similar journey. The

the desire to boost the Folkboat fleet by bringing them back to perfect

gorgeous wooden Nordic Ysa (‘fish’ in Danish) was built in 1998 by John

condition and making the class more attractive again to people today.

Perry, and Simon thinks it might be the world’s best Folkboat. The

On a quick tour of the yard, there are six Folkboats in various states of

details are exquisite. Another GRP Nordic – Woodpecker – has nearly

metamorphosis, a tiny Yarmouth Scow, Simon’s own Fairey Huntsman 31

ended her journey from decrepitude to concours. Jack the apprentice

and, outside, the British Folkboat belonging to apprentice and IBTC

shows us his 1960, Parnhams-built British FB Aries, which he is restoring

Portsmouth graduate Jack Orpin, chosen by Simon to learn the skills

with his father, and hopes to have sailing this summer – or maybe next.

ISLE OF EWE, SCOTLAND

Scottish businessman brings classic yacht back to Scotland A 110-year-old yacht has arrived home in Scotland after more than 50 years abroad. The 50ft (15.1m) Gannet was built in 1910 by the shipyard of William Fife and Sons to a design by the Norwegian naval architect Christian Dekee. She arrived in Aultbea on Scotland’s west coast, after an 886-mile journey from her previous home in Brest on France’s Atlantic coast, via Portsmouth, from where the boat was taken by road. Although the yacht retains almost all its original features, an 18-month restoration programme by boatbuilder Alasdair Grant on the C/O THE OWNER

Isle of Ewe will return her former glory. Once the restoration is complete, she will be chartered to holiday makers from around the world who want to enjoy the stunning Scottish coastline. An outreach project will also provide local youngsters with the opportunity to learn sailing skills.

Owner Sam McAdam, a businessman who lives and works in

region. “I’ve spent the last two years searching for the right yacht to

Aberdeen, hopes the return of Gannet to Scotland will help to develop

buy and restore so that we can create a unique yachting experience off

the north west of Scotland into a yachting destination and plans to

the west coast of Scotland,” said Sam. “When I came across Gannet, I

establish a yachting business in the area, creating jobs for people in the

knew she would be perfect.”

CLASSIC BOAT JULY 2022

BEMBRIDGE, ISLE OF WIGHT

New project for CB artist Martyn Mackrill Last autumn, marine artist Martyn Mackrill, who illustrates our regular

weatherly and able to carry her way in the short steps sea, she must have

‘Bosun’s Bage’ pages in this magazine, bought the OM Watts-designed,

good accommodation. She must be a good-looking vessel for as an Irish

Fife-built yacht Peregrine last autumn through Sandeman Yacht Company

yachtsman once remarked, ‘An ugly yacht is no more attractive than a

in Poole. The bermudan cutter of 39ft (12m) was built in 1936 of teak

ugly woman however fast she may be!’”

planking on oak and elm frames. Martyn and his wife Bryony sailed

“Peregrine fulfils all the above criteria exactly,” continue Martyn and

Peregrine from Gosport across to Bembridge to the yard of H Attrill &

Bryony. “This is what we wanted; the quality of her construction, built at

Sons in early November, where a big refit is taking place now. Martyn and

the Fairlie yard by William Fife & Sons, and the perfect size. capable of

Bryony are doing all the work themselves and hope to have Peregrine

being handled by a crew of two – and a good offshore cruiser. The

back in the water in the spring of 2023. “We have been looking for a

tragedy is that she is in an incredibly run-down state, having swung

suitable boat for extended offshore cruising in comfort for some time” the

around on her mooring abandoned for some years. She was about to fall

couple wrote, going on to quote Claud Worth’s chapter on Tern III, from

off the cliff and needed to be saved…

his book Yacht Cruising: “Some years ago I began trying to plan a cruising

The couple were previously behind the 15-year restoration of Nightfall,

yacht which should combine all the good points of all the vessels I knew

the 31ft (9.4m) shoal-draught gaff cutter designed by Harold Lidstone,

and should be equally suited for home cruising or for an ocean voyage –

built in 1910 by F Miller and Co, and owned for some years by Maurice

have an easy motion, able to lie to safely in bad weather, she must be

Griffiths, and aboard which he wrote his seminal Magic of the Swatchways.

NEYLAND, WALES

It’s all in the details In common with other magazines, we have not always focused enough on the minutiae of boatbuilding. This oak instrument console with carbon fibre elements for the latest Dale Classic 37 motor yacht is coming together only after weeks of discussion and designs between yar and owner. The challenge was to come up with an ergonomic, attractive console in solid wood that could accommodate a large set of screens, combined with oldfashioned analogue dials, a magnetic compass – and even a timber cup-holder. The console has to work in all weathers, and when standing at the wheel or sitting in the helm seat. Even the height of the owner’s fingertips above wheelhouse sole is taken into consideration so that we ensure he can comfortably reach and operate the instruments and engine controls – and all this while ensuring that the console design does not impinge on maintaining full visibility. The design process was carried out with the aid of 3-D modelling and these CAD files were then used to CNC-cut the oak panels. The CNC cutting machine also cut out the apertures including predrilling of any fastening holes. After being built by the furniture-making department, the console will receive 12 coats of varnish. CLASSIC BOAT JULY 2022

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CLASSIC BOAT JULY 2022

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CLASSIC BOAT JULY 2022

CRAFTSMANSHIP

METRE YARD VISIT

DOWN ON THE FARM Newly founded in a pandemic, the yard that’s already going places WORDS STEFFAN MEYRIC HUGHES PHOTOGRAPHY THE AUTHOR AND METRE YARD

t was a chance encounter with Carl Whitewood at the

Right: Tschüss

Classic Boat awards party that led me to Hampshire,

emerges from the

at the western end of the South Downs National Park,

shed ready for a

in late April. Carl, all of 30 years old, and brought up

summer of sailing

in Yarmouth on the Isle of Wight, has started a boatyard restoring classics, seemingly out of nowhere, although as

Bottom left: 14ft

we talk, it becomes apparent that Carl has had a lot of

Bemister-built

experience in his three decades on earth, starting out in

dayboat Aries,

an Optimist, then doing work to various of neighbour and

rebuilt at the

local sailor John Caulcutt’s boats as a teen, then

yard. They are

launching a brokerage for classics in 2020. The boatyard

keen for another!

side of things didn’t begin until 2021, during the latter stages of lockdown. With admirable pluck, he and lead

Bottom right: The

shipwright Sam Fletcher (who is also here to show me

yard builds these

around the yard), drove around knocking on farmhouse

lovely cradles for

doors to see if any farmers had disused buildings to let. It

its boats

didn’t take long to find the current site, a large, modern

The really huge job here is a 1912 McGruer-built teak motor launch that was built for a client, but bought back just five years later, from which point she served as the

agricultural building set in lovely countryside. Sam,

Facing page,

yard’s work launch until the 1980s. The planks are good,

although only 38, has a reassuring died-in-the-wool air

clockwise from

thinks Sam – and they sound good to the tap – but

about him, having started off the old-fashioned way with

top left: Carl’s

everything else is wrong, including many if not all of the

a long apprenticeship (at the Maritime Workshop) before

Dragon Tschüss

steamed timbers. Eventually, she will be a smart, perhaps

becoming a boatbuilder. It is clear, and perhaps goes

(left) and the

electric, launch of nearly 30ft (9.1m) but right now she’s a

without saying, that there is probably no line of work that

McGruer launch;

wreck. This job is for a client.

Sam or Carl would rather be in. Joining them – although

interior of the

not here on my visit – are apprentices Will (26) and Chris

1947 Uffa Fox Int

bought off 6-M aficionado Tim Street just before the

(41), fellow boatbuilder James (38), and a small, revolving

14 Zeus; Topside

pandemic, which was around the same time he met

cast of part-timers, although the yard is also looking for a

repairs to the

boatbuilder Sam and set up the brokerage. She’s just had a

painter and varnisher, a role currently fulfilled by Carl, but

Herreshoff 6-M;

final fit out and strengthening of the deck. Carl’s favourite

not feasible with the a boatyard and brokerage to run.

Detail from Aries;

thing about the boat is the full-length mahogany planking

Relatively speaking, this is a very young crowd.

Twinkle 12 being

– there are no scarphs at all!

In the shed on my visit was a 1921 Herreshoff-designed 6-M yacht. She’s been in for chainplate reinforcement,

stripped, and is in the process of fairing and repainting.

refinished; Sam (left) and Carl

Next to her is Tschüss – Carl’s own boat, a 1971 Dragon he

One of Carl’s other loves is of small, generic clinker dinghies in the 12-14ft range. The Twinkle 12 in the yard is

which was done by inserting a section of cold-moulding

probably a late 50s/early 60s boat and in for a client, who is

each side to take the plates. This has been cleverly

having the whole thing stripped and refinished, a huge job

matched on the inside and outside to the traditional

on a boat like this, which is all lands and ribs inside, and of a

single-carvel planking of the yacht, with an invisible,

size whereby only one person can work at once, but it

diagonal layer on the inside. Other than that, she’s been

makes a nice break from the bigger jobs.

CLASSIC BOAT JULY 2022

CRAFTSMANSHIP

CLASSIC BOAT MAY 2022

CRAFTSMANSHIP

Boatbuilder’s Notes

By Robin Gates

Block plane holster Recent iterations of the once reliable Stanley block plane have

£45. While the portability and precision of a block plane recommend

suffered from quality control issues. Current Stanley Sweetheart

it for countless boatbuilding tasks, there may be nowhere to rest the

models (evoking high-quality tools of the pre-WW2 era marked with

tool safely. Pocket-sized it may be but a block plane is an awkward

the sweetheart symbol) have suffered from poor machining, while

lump to stow in trousers, jacket or apron. Also, once the tool is

the sliding toe of my 1990s Stanley 91/2 fell off when it hit a wooden

well-honed and adjusted you don’t want to risk a damaging knock or

bench stop, breaking the inadequate weld of its adjusting screw. If

fall. The holster ’s Velcro-fastened loop enables easy attachment to

you find a vintage Stanley entirely made in Sheffield you should be

your belt, a stringer down below or even a G-cramp, keeping the

on firmer ground; the low-angle 601/2, for example, is a robust and

plane conveniently to hand, meanwhile making a protective cocoon

well-proven tool.

for it inside the toolbox while travelling. Neither vintage nor the

One redeeming feature of my defunct plane is its black and yellow holster – supplied ‘free’ when new, although retrospectively costing

latest Sweetheart planes come with a holster, so if you see one going cheap, grab it!

1 Conveniently carried on the trouser belt 2 Impromptu attachment to a G-cramp 3 Vintage Stanley 60 1/2

The lighter and thinner bevel-edged chisel initially found favour for

A hundred years ago (a reliable reference point for sound hand-

paring surfaces flat, and trimming fibres in the corners of joints and

tool practice) the frugal shipwright would modify a firmer by grinding

recesses. But the extra grinding required for bevelled edges made this

edges for just the first inch of the blade to make a ‘fifty-fifty’ chisel,

a more expensive tool, so the heavier and thicker square-edged firmer

thereby adding the slender cutting advantages of bevelled edges

chisel long remained the popular choice. Today the bevel-edged chisel

without sacrificing comfort and sturdiness. Using a powered grinder

is the more common type among joiners, while the thicker square-

the job would be done in a trice (although beware of overheating and

edged firmer – although better suited to heavier work like mortising

spoiling the steel’s temper) but in the spirit of the age it’s perfectly

– is seen less often. Even when used for paring, the bevel-edged chisel

feasible using a hand-powered grinder. Cranking the grinder while

isn’t perfect because its thin edges gripped by fingers necessarily

maintaining a steady angle of tilt on the blade as you also feed it back

wrapped around the blade soon lead to discomfort, as is also the case

and forth on the wheel is an effective antidote to hands falling

when using the chisel for scribing across the grain – marking tenon

obsolete under the relentless advance of technology.

shoulders, for example. 1

1 Fifty-fifty chisel with bevel-edged (front) and firmer (rear) chisels 2 Tilting the firmer chisel blade on the grinding wheel 3 Vertical paring in a recess with the fifty-fifty chisel

CLASSIC BOAT JULY 2022

ALL PHOTOGRAPHS ON THIS AND FACING PAGE: ROBIN GATES

Fifty-fifty chisel

SECTION HEAD SUB SECTION

Traditional Tool By Robin Gates

SAW RASP While not laying claim to the

(teeth per inch) for coarse work, the

1 Squared timber

impossible to clog’ must be taken

generations of use typical of many

other with 25tpi leaving a smoother

is rounded

with a pinch of salt if you’re working

hand tools used in traditional boat

finish. Multiply those figures by 10 for

rapidly by the

with softwoods – fibres lodge in

building, the Shinto saw rasp is a firm

an approximate total of the teeth in

coa rse teeth

those acutely angled junctions of

favourite among workers concerned

action per inch of tool.

with removing waste wood quickly

Despite its resemblance to old bed

zig-zag blades like blackberry pips in hollow molars.

2 Through-

– and there’s a lot of that in shaping

springs, the saw rasp handles well,

riveted zig-zag

a boat.

cutting obliquely to the grain much

blades

It may seem unlikely that

The tool used to be supplied with a wooden handle but regrettably the

faster than its file-like ancestors, fully

factory has gone over to plastic. Had

hybridisation of a saw and a rasp

justifying the purchase price (from

3 Rubber ferrule

Shinto wanted to make an

could produce viable hand-tool

around £26 depending on size and

on the nose

improvement they might have added

offspring, yet both parents are

retailer), but that isn’t to say it does

protects fingers

a small handle at the tip where, if not

essentially cutting tools albeit with

everything. Side two of the old-

tamed, those shark-like teeth soon

differently shaped teeth; teeth cut

school rasp is typically convex for

aggravate bare fingertips. But that’s

into the edge of a saw’s steel plate

working in hollows, while for

easily sorted using the rubber ferrule

have sloping edges and flat sides,

enlarging a small aperture you’ll still

of a walking stick – one of 16mm

while the teeth of a conventional

need a rat-tailed rasp. An oft-

internal diameter makes a secure

rasp ‘stitched’ by hammering a

repeated claim that it’s ‘almost

push-fit.

punch into the face of solid bar resemble tiny trekking tents. The hybrid tool has the saw’s tooth and the rasp’s bar-like outward form, with two linear blades framing eight zig-zag blades, all cutting on the push stroke. Under attack of so many teeth angled left, right and pointing straight ahead even the most ROBIN GATES

contrarily grained timber submits to shaping. And it’s effectively two tools in one, with blades toothed on both edges, one edge with 10tpi

CLASSIC BOAT JULY 2022

Letters LETTER OF THE MONTH SUPPORTED BY OLD PULTENEY WHISKY

Pilot cutter model I saw the letter from Ian Nash with his photo of Herga II asking for any information about the original vessel. As a retired naval architect, I recognised the vessel as a Bristol Channel pilot cutter and so looked it up in the authoritative book The Sailing Pilots of the Bristol Channel by the late Peter J Stuckey. While there is little information about Herga, I have drawn together some facts that Ian Nash might find helpful and these are attached, but regrettably there are no photos. Martyn Hart Precis was forwarded to Ian Nash. Whisky for good homework – Ed

Vega of Garth

Ireland, north Wales and England. She proved

I was delighted to read your recent article on

the worst of what the Irish Sea could throw at

Vega and your trip to Scotland [May]. It brought

you and comfortable progress could be made

With reference to Robert Henry

back many memories from the time when I

in heavy weather with the engine ticking over

de Haer’s letter in your June

owned your lovely vessel. I bought Vega in

and a reduced rig to steady her.

edition, there is a colour

1995/6 when I found her virtually abandoned

In 2003 we took Vega south and east to

photograph of Baranquila in

in a Dover lorry park. Her hull was sound but

Dover where we left for a few years cruising

Beauty of Sail by Frank & Keith

rainwater ingress over many years had ruined

the French Inland Waterways, something for

Beken (first published by George

her deck and coachroofs and her wheelhouse

which Vega was ideal, if a little deep-

G Harrap & Co in 1964). The

had disintegrated. She was not fit for a sea

draughted at times.

photograph shows her running

journey to Milford Haven where we were to

under a spinnaker with the vivid

keep her, so she

had bought into

image of a bull’s head and there

went by lorry.

my next

12-M yacht Baranquila

is some accompanying

We sold her reluctantly in 2007 as by then I

On arrival she

restoration project

information. At that time she

was put into the

– the restoration

was used mainly for cruising.

caring hands of

of the 1937

She was built in 1930 and

master

Berthon built

shipwright Bob

Gauntlet, Mitten,

Estlander. The dimensions of the

Palmer who was

whch was lying

yacht are given together with

then working out

abandoned in

the comment that not one line of

of Lawrenny on

Dover Marina very

her hull is less than

the Cleddau

close to where

perfection, and that she is a

Estuary, where at

Vega was moored.

classic case of “age does not

that time we had

weary nor the years condemn”.

a house. Bob did a huge amount of work on

that Vega has found her way into your

Her name is spelt as

the boat, including a re-engine, new systems,

capable hands and from the wonderful

“Barranquila”. The legend went

new deck, coachroofs and more. Bob refused

photographs in the article she looks very

that she had been found by the

to let me paint her in her original dark blue

much as she was when we parted with her. I

owner and his wife “in the

(all the seams will open up, he said) and I

hope you will enjoy your time with this fine

harbour of a Mediterranean

painted her a pale blue. The attached photo from

vessel which we remember fondly and it is

island and (they) bought her

2001 shows her in her prime, on completion of

gratifying to see how well she has been

well and brought her back to a

the work. (I painted her dark blue a few years

looked after since we parted with her. Please

famous English yard for a

later when the seams had settled down).

keep in touch and l look forward to reading of

‘slap-up’ refit”. I hope this helps. Adrian Clemens, Truro, Cornwall

to be a wonderful sea boat able to cope with

CLASSIC BOAT JULY 2022

From 1998 to 2003 we sailed, motored and motor-sailed Vega all over the Irish Sea to

I am delighted

your further adventures. Nicholas Gray, Sandwich, Kent

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Support and advice on: +44 (0)1732 824 700 CLASSIC BOAT JULY 2022

Next month SAILING TODAY WITH YACHTS & YACHTING

RESTORATION OF THE YEAR After her epic rebuild,

ROUND THE ISLAND RACE: WHAT'S NEW THIS YEAR

subsequent win in our 2022 Awards (Restored Sailing

with

Vessel over 40ft), and at the

JULY 2022 £4.95

SAIL TO THE SUN

recent Voiles d’Antibes, we get to know the 1929

Fit out to live aboard

schooner-rigged 12-M yacht

MID-TIDE SOLENT WEEKEND: Practical advice

SKILLS:  Solo marina entry  Pre-race nav prep  Passing on the reach GOING FOR THE VENDÉE

AROUND BRITAIN With friends in a 25-footer

STRANGE SEAS ! "Our wrong-way transat"

9 771367 586148

Sailing’s brightest new star

BOAT TEST

MINI-SUPERYACHT Push-button luxury goes mainstream 07

Viveka.

Cover - July v3.indd 1

12/05/2022 08:46

IN THE JULY ISSUE  Strange seas: doing the transat the wrong way  Around Britain in a 25-footer with friends

MESSING ABOUT IN BOATS THE WORLD OF POWER Irish yachtsman Hal Sisk had a double

The world of traditional motorboats has been

win in our Awards: man of the year, and

on the up for years. We take a look at the last

new sailing vessel for the Dublin Bay

few decades, and present an overview of

21 boats. We find out why he loves his

what’s out there and what sort of motorboat

little punt as much a as anything!

might be best for you.

PLUS…

AUGUST 2022

First of a two-parter on the life and designs of Alfred Mylne;

On sale Friday 15 July

the genius of Uffa; Folkoat, the next chapter – we sail the

Or why not subscribe?

timeless Stella

30 YEARS AGO July 1992, CB47

The cover boat on this issue was the three-masted gaff schooner Adix, designed by Arthur Holgate and launched (as Jessica) in 1983. In our July issue, Robin Gates reports on recent work that saw the schooner re-rigged and lengthened by 10ft to 184ft (56m) on deck with a much more graceful transom and different keel and stem. She had, in Robin’s words, “blossomed” from a boat that might initially have been compared to Schubert’s eight symphony – an unfinished masterpiece in other words. We went on board Adix some years later, in 2008, as she lay in Valencia, Spain, still under the same captain – Paul Goss. She was, and is to this day, one of the great sights in the world of big classics. Also in this issue, we reported – with some prescience as it turns out – that the first Brest Festival will be the festival to attend. The quadrennial giant is by some margin, the largest traditional sailing festival in the world, drawing crowds that number over a million when it rolls into town. Towards the end of the magazine, the most notable thing is how many nice, fishing boat-style motor-sailers are for sale, new (from Fisher) and used. Those who own motor-sailers love them – but these days they seem to occupy a tiny niche in the world of yachting in general. 80

CLASSIC BOAT JULY 2022

 Sailing skills: entering marinas alone, pre-race navigation prep and how to overtake while reaching  Boat test: a mini super yacht?  Fit out to live aboard and sail away to the sun Available online or order now post-free from chelseamagazines.com/shop

Considering an Electric Outboard? “Using a well-engineered electric outboard has been a revelation.’’ TOM CUNLIFFE Classic Boat

Quiet, Convenient, Reliable and Easy-to-Use In the popular 2-4hp category, the latest electric outboards – with their integral and rechargeable lithium batteries – have transformed the market, rendering petrol motors all-but obsolete. Advantages include: From £1650 Epropulsion Spirit PLUS 1276Wh battery Faster to charge Battery floats if dropped Foldable tiller means only one cable to connect › Three shaft length options › Direct drive (no gearbox) › › › ›

› Ease of Use Switch on, twist the tiller handles, go. Almost anybody can do it; no experience, strength or mechanical knowledge is needed. › Ease of Handling The batteries are removable, and the “pass up and down” weight (the shaft/motor assembly) is then 10kg or less. › Ease of Storage These electric motors divide into components, don’t leak oil or petrol, and don’t mind which way up they’re stored. › Quietness & Smoothness Electric motors are a delight to use.

From £1750 Torqeedo 1103 › 916Wh battery › GPS data on tiller gives speed & range indication › Removable tiller (more compact for storage) › Near‐silent direct drive › Much more robust than the previous model (Torqeedo 1003)

› Power Forget slow speed “trolling motors”, these 1kW electrics have huge torque (more like a 3hp petrol). › Range There are many variables, but most users achieve at least 9 to 10 nautical miles per charge, at 4 to 5 knots (2.5m inflatable dinghy). Much more if you slow down a little. › Reliability Many outboard motors don’t get used very often, and small petrol motors hate this. Electric outboards have fewer parts in general, and in particular there’s no carburettor to “gum up”.

Of course, it’s not all perfect. The range may still not be enough for some users. And they’re undeniably More Expensive than petrol outboards, mostly because lithium batteries are expensive. But that extra upfront cost is largely offset by their Lower Lifetime Running Costs, including (almost) No Servicing.

NESTAWAY BOATS is the UK’s number one retailer for both Torqeedo AND Epropulsion. You can find out more on our website, and we are always happy to discuss further – and offer advice – by email or phone. If you’d like to see them before making a purchase, we are based in Christchurch, Dorset (UK).

www.nestawayboats.com mail@nestawayboats.com Tel 0800 999 2535

Sternpost The joys of discomfort food Boat food is not ready to eat until its sell-by date predates colour televsion, says Dave Selby

here’s a sure sign the my boat with the exact sailing season’s same stuff I’ve already winding down. got on board. In certain Marlin lets me know. All segments – tinned season, she has been so mandarins for example frolicsome and kittenish, but – I’ve cornered a now she’s lumbering along, considerable portion of wallowing low on her the world market. marks. That’s because As I’ve got a Sailfish there’s more food on my 18, people feel sorry for boat than in my house. me and are forever And that means it’s time inviting me on board to call it a day. It’s a time of their boats for some quiet reflection – and “proper food.” The dread, cos I’ll have to thought strikes me with spend the next three months horror because boats eating ‘boat food’. I never touch the stuff when I’m afloat, but I turn ordinary decent cooks – and men in particular – into can’t help buying it. There’s something about sailing that changes experimental nouvelle nutters. Last season I was ambling past a your appetite. It’s like when you’re in bed with flu and craving Hallberg Rassy when I heard a hideous retching followed by the comfort food. The boat equivalent is discomfort food. whirr of the electric heads and a chap cheerily calling below: For some reason I buy stuff I’d never have in my cupboards at “Darling, don’t you think the pineapple chunks and onion mince home, except that they’re now full of it. There are weird-shaped work rather well together?” tins with missing keys from Argentina, flat round pie tins bought The invention of these galley gourmets knows no bounds. The simply because they don’t roll around, and a lot of rust-streaked ones you really have to watch are those who invite you to some ones without labels that sound strangely alive when you shake them. “humble fare”. Ask what it is and they’ll glint, ever so casually... We sailors like a bargain, so most of it comes from pound-shop “Oh, nothing special, just a lil’ something I’ve rustled up.” Such bargain bins (where everything’s still a pound but feels even cheaper) false modesty masks the mad ambition of a Michelin-star-crazed or from dusty, mildewed corner shops that smell like a wet locker maniac. Be very aware, cos I can’t tell you how many times I’ve so are completely irresistible to your average cruising type. The been proffered diesel-basted bladder of faggot, Swarfega-glazed shop’s been closing down ever since the by-pass didn’t come to possum, compote of spleen, malaise of pork, fatigue of lamb or town in 1972, and on the shelf, just to tempt you, is a lone desolation of sole - followed by lemon surprise, which – as orphan tin with a compressed stalagmite stack of price stickers always – turned out to be tripe and pickle sorbet. How predictable. on top. It’s not just what you eat, it’s the age. If only chandlers sold Peeling them back takes you on a nostalgic journey back to the date-expired food the way they do with flares and anti-fouling, age of black-and-white TV. The bottom price label could well be they’d clean up. It would be, in effect, a nautical convenience pre-decimal; if the print is too indistinct, carbon-dating will food because it would save sailors the trouble of maturing it in reveal its age. Strictly speaking, explosives should be handed the bilges for several years until the use-by date is safely past. over to the coastguard, but to cordon-bleu cruisers they are Sailors are a superstitious bunch and it’s generally thought prized delicacies, trophy foods that are almost too unlucky to have on board any items that are in-date. good to eat. My old pal Julian is one such. Once when I was “There’s a tin Every time I go to my boat there’s a nautical groping around in his bilges I came across a bulging squirrel-like hoarding impulse that makes me stock tin of something that was actually throbbing in my kitchen up – on everything. It’s just common sense really, cupboard that I slightly. As I went to throw it out he shouted: because as the science of navigation is only in its “Don’t, it’s my friend. We’ve been to the Arctic dare not tackle. together.” In fact he’s got vintage Claret younger infancy you never know how long you’re going to It’s a longbe out there. If you set off for Brightlingsea (a voyage than most of his beloved tins, although it’s difficult of 13 miles from Stone) and it all goes pear-shaped to tell their precise age as the Roman numerals of the expired can you could end up spending weeks at sea and make sell-by-dates have all but faded away. of Alphabetti landfall somewhere truly primitive like BurnhamIf you dare mention the rust, he’ll just blurt: Spaghetti – it on-Crouch, where they eat people. And that’s why “Don’t be foolish, iron’s good for you.” But there’s could spell it’s always best to have a few extra ship’s stores. one tin of boat food in my kitchen cupboard that I And I’ve got a lot. Because I don’t make lists – dare not tackle. It’s a long-expired can of Alphabetti disaster” they’re for old people – I spend all season loading Spaghetti – that could spell disaster!

CLASSIC BOAT JULY 2022

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