Arturo Peralta Ramos Estate

Peralta Ramos Estate Three-Day Auction Series

CHARLTON HALL 2, 3 & 4 March 2017

IMPORTANT ESTATE, MUSEUM & PRIVATE COLLECTIONS Property from the Millicent Rogers Collection Estate of Arturo Peralta Ramos II Estate of Jacqueline Peralta Ramos Estate of Sue Rogers Johnson Estate of Dorothy Greene Owen Rev. English Hopkins Weston Estate McGarrity Collection Berline Harrison Collection Property of a Lady Property of a Gentleman Property of a Southern Gentleman Also Including Property from Florida, Georgia, Hawaii, New York, North Carolina, Ohio, South Carolina, Virginia, and West Virginia

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Important Estates & Collections Arturo Peralta Ramos Estate Thursday 2 March 11:00am (Lots 1- 182)

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Thursday 2 March (Lots 183-421)

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11:00am (Lots 1000 - 1357)

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Arturo Peralta Ramos II

Millicent Rogers

Charlton Hall is pleased to offer the contents of 760 Park Avenue, New York, New York, the home of the late Arturo Peralta Ramos II. Mr. Peralta Ramos, an internationally known sportsman and businessman, was the son of Millicent Rogers and Arturo Peralta Ramos, Sr. Peralta Ramos was a member of an old and distinguished Argentine family involved in varied businesses in South Americas; among them the establishment of the seaside resort of Mar del Plata. His mother was Millicent Rogers, granddaughter of Henry Huddleston Rogers, Sr. one of the original partners with John D. Rockefeller, Sr. in the founding of Standard Oil. Mr. Peralta Ramos attended schools both in Switzerland and the United States, most notable being Aiken Preparatory School, Aiken, South Carolina; Le Rosey in Lausanne, Switzerland; Staunton Military Academy; and the University of Virginia.

An entrepreneurial businessman, he was also an advisor to the Lyndon Johnson administration as well as numerous senators and congressmen, and participated in many overseas classified assignments.

His mother, Millicent Rogers, was one of the great and beautiful fashion icons of the 20th Century. Blessed with a tall and graceful figure, she had, as well, superior intelligence. Famous for her jewels, clothes, and art collection, she lived in Austria, Virginia, Hollywood, and then settled in Taos, New Mexico. On her death at age 51 her son, Paul Peralta Ramos, established the Millicent Rogers Museum in Taos.

The museum houses a large collection of Native American, Hispanic, and Euro-American art. Rogers is notable for having been an early supporter of Southwestern-style art and jewelry. Later in life she became an activist to champion the cause of Native American civil rights.

American Vogue, 1945

Claremont Manor, Virginia, c.1940

Peralta Ramos Estate SESSION I 2 MARCH THURSDAY AT 11AM LOTS 1- 182 21 Sutton Place apartments, 1920s WWW.CHARLTONHALLAUCTIONS.COM

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1 REGENCY BRONZE AND BURL-YEW INKSTAND, ALEXIS DECAIX circa 1805, bronzes attributed to Alexis Decaix (British, active 1778-1811) the inkstand possibly supplied by Dupasquier; hinged top and bull’s-head cornucopia, flanked by pair kneeling Egyptian priestesses holding incense burners with pierced removable tops; above highly-figured yew case with long drawer and lion’s-mask pull; on paw feet headed by scrolls; H11” W17 1/2” D9”

$5,000-8,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: The same inkstand model, but with an ‘ormoulu’ garniture was acquired in 1810 by George, Prince of Wales, later George IV. It was illustrated in the ‘Jutsham’ pictorial ledger for the contents of Carlton House, and noted as being purchased from ‘Dupasquier’ (H. Clifford Smith, Buckingham Palace, London, 1931, p.203 and pl.236). A related bronze figural inkstand was acquired by the Prince and listed by the court goldsmith Thomas Garrard in his ledger of 21 June 1803, as ‘an inkstand of yew Tree with female figure in bronze holding cornucopia’ (M. Levy, ‘Taking up the Pen’, Country Life, 23 April 1992, pp.60-62).

The French patterned monopodia is also featured on clocks, such as that by the Parisian Èbéniste Martin-Eloy Lignereux (see also Lot 410 in this sale). However, this inkstand’s bronzes are likely to have been executed by Alexis Decaix ‘bronze and ormolie [sic.] manufacturer’ of Rupert Street, who invoiced the Prince of Wales for ‘bronze manufacturers’ in April 1803.

Other inkstands of this pattern, but with ormolu rhyton and undecorated altars, were sold anonymously, Christie’s South Kensington, 25 October 1989, Lot 249; and The Humphrey Whitbread Collection, Christie’s-London, 5 April 2001, Lot 384.

Illustrated in 1940 photograph at Claremont Manor, James River, Virginia

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4 PAIR FRENCH EMPIRE PARCEL GILT-BRONZE ‘AU JUNE NEGRE’ CANDELABRA

Peralta Ramos Estate

circa 1815, young blackamoor boys with glass eyes and earrings, holding cornucopia issuing candlesockets and drip pans, atop marble pedestal, H19 1/2” (2pcs)

$3,000-5,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Related pair sold at Sotheby’s, Amsterdam 27 September 2001, Lot 700

5 PAIR EMPIRE PARIS PORCELAIN CENTERPIECES, ATTRIBUTED TO SCHOELCHER

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2 LOUISE PHILLIPE ORMOLU AND GLASS STRIKING MYSTERY CLOCK, ROBERT-HOUDIN Paris, dated 1839, portico design mechanical pendulum; case engraved: INVENTEE & EXECUTED PAR POUR L’EXPOSITION DE 1839, ROBERT HOUDIN; on ebonized base under glass dome; clock H20 1/2” W10 1/2” D5 1/2”

circa 1820, in the Egyptian taste, sarcophagi set in faux marble-painted vignettes flanked by lion’s-paw pilasters, trefoil base and round stand, all adorned with serpents, masks and hyroglifics in burnished gold, unmarked; H20 1/2” Dia.9 1/2”(2pcs)

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$800-1,400

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

$7,000-10,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Exhibitions: 1839 Exposition, Paris

3 GORDON BRADT SEVEN-MAN KINETIC CLOCK, KINETICO STUDIOS wirework skeleton design with automated figural movement, signed and with label, H17 1/2” W7” D4 1/2”

$400-600

Provenance: Estate of Arturo Peralta Ramos II 3

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6 FRENCH CARVED MARBLE NAPOLEON

7 PAIR FRENCH ORMOLU-MOUNTED

SILHOUETTE

OPALINE GLASS CANDELABRA

early 19th century, fine bust contained within ormolu-mounted velvet lined shadowbox frame; behind the framed was discovered the following early written note: This marble silhouette of Napoleon was presented by the Marquis de Lafayette to Charles Carroll of Carrollton, Md. [Maryland visit of 1824] on the occasion of his visit to Baltimore in 1824. Mr. Carroll was down with gout. Mr Lafayette and Mr. Carroll were very dear friends and always communicated in the French language, as Mr. Carroll was educated in Rheims and in Paris. Mr. Carroll was always a great admirer of Napoleon.

Charles Carroll was the last signer of the Declaration of Independence to bid good bye to the scenes of earth. He was born Annapolis in 1737 and departed this life at Carrollton, Md. in 1832. bust H4 1/2” and frame H11” W8 1/2”

early to mid 19th century, flame finial and cornucopia arms; H21 1/2” Dia.8” (2pcs)

$1,000-2,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

$700-1,000

Provenance: Estate of Arturo Peralta Ramos II

8 PAIR FRENCH TOLEWARE HERCULES FIGURES

19th century, standing God aloft marbleized pedestal supporting massive urn, electrified, H22” (2pcs)

$400-700

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Illustrated in 1940 photograph at Claremont Manor, James River, Virginia 8

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9 PAIR LOUIS PHILIPPE ORMOLU-MOUNTED OPALINE VASES

circa 1850, swan’s-neck mounts, translucent baluster vases, H12 1/2” (2pcs)

$700-900

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

Peralta Ramos Estate

10 FRENCH EMPIRE STYLE CASSOLETTE late 19th century, swan and hoof design, H17 1/2” Dia.7 1/2”

$600-900

Provenance: Estate of Arturo Peralta Ramos II 9

11 PAIR CLASSICAL BRONZE-MOUNTED ROUGE MARBLE COLUMNS

late 19th century, converted to lamps, electrified, H32” (2pcs)

$500-700 11

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Illustrated in the March 15, 1945 American Vogue

12 PAIR FRENCH DECORATED OPALINE GLASS VASES second half 19th century, gilt and painted scroll design centering cartouche of trophies on lavender ground, H13 1/4” (2pcs)

$400-600

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II 12

13 FRENCH BRASS TIEBACK SET circa 1900, cast-brass butterfly design, Dia.3 3/4” L6” (6pcs)

$200-300

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

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14 FRENCH EMPIRE ORMOLU-MOUNTED BURL ASH MEUBLE D’APPUI, ATTRIB. JOSEPH-MARIE BENARD first quarter 19th century, rouge griotte marble top above Greek-key mounted long drawer, two doors with swan and griffon mounts, on molded base and carved giltwood paw feet; H36 1/4” W51 1/4” D23 1/4”

$10,000-15,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Old gum label on verso reading: SB Lot 84

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Peralta Ramos Estate

15 EMPIRE AMARANTH-INLAID BIRCH ARMCHAIRS, JACOB FRERES circa 1796-1803, curved back above palmette-inlaid shaped splat, leading to arms on dolphin supports and overupholstered seat, on carved joined hairy animal legs and hoof feet; stamped: JACOB FRERES RUE MESLEE; BH34” SH19” W21” D24” (4pcs)

$8,000-12,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Jacob Freres was the stamp used by brothers Georges II (1768-1803) and Francois-Honore Jacob (1770-1841) from 1796-1803. They were sons of Georges Jacob (1739-1814), a furniture maker who worked for aristocracy and royalty during the reign of Louis XVI.

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The Jacob Freres firm’s most famous client was Josephine, wife of Napoleon Bonaparte. She would have most likely seen the work of their father during the revolution in a progressive aristocrat’s house. She used them to decorate various Imperial residences, such as the Tuileries palace, and remained a loyal customer, using them almost exclusively, until her death. When Georges II (the elder brother) died in 1803, Georges came out of retirement to help the remaining son, Francois-Honore (who changed his named to Jacob Desmalter) from a new partnership called Jacob Desmalter Et Cie. (stamped Jacob D. R. Meslee, on two lines), which continued to be a influential supplier for the Imperial period and is credited with helping to define the Empire style as it is known today.

16 PAIR NEOCLASSICAL EBONIZED BIRCH PEDESTALS first quarter 19th century, probably Austrian, round top on cylinder pedestal supported by ebonized swan on trefoil base; H40” Dia.10” (2pcs)

$3,000-4,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

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Countess Walewska

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17 NEOCLASSICAL ORMOLU-MOUNTED AND INLAID BIRCH LIT EN BATEAU, ATTRIB. JOSEPH-MARIE BENARD circa 1825, amaranth Greek-key and lozenge-inlaid designs accented by ornate scroll and bust gilt mounts on scrolling end panels and anthemion-shaped feet; together with associated carved giltwood eagle baldaquin support and drapery; bed H42 1/2” W57 1/4” L95”

$5,000-10,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Literature: Bachrach, Arthur j., et al. A LIFE IN FULL: MILLICENT ROGERS. Albuquerque, NM: ABQ Press, 2012. Pictured in Millicent’s chalet in St. Anton, Austria, p.49 Other Notes: This bed is said to have belonged to the Countess Walewska, Polish noblewoman and mistress of Emperor Napoleon I

18 FRENCH NEOCLASSICAL AMARANTH-INLAID MAHOGANY CHAIRS first quarter 19th century, star-inlaid concave crestrail, pierced splat carved with trelliswork, horsehair-upholstered saddle seat and saber legs; BH34 1/2” SH17” W19 1/2” D19” (4pcs)

$3,000-4,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

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Retour d’Egypte Peralta Ramos Estate

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19 FRENCH EMPIRE BRONZE-MOUNTED MAHOGANY COMMODE-SECRETAIRE first quarter 19th century, blue turquin molded edge marble top, over fall-front sliding desk drawer, flanked by small drawers and interspaced by bronze female busts atop column supports and triple-hinged doors, opening to reveal inlaid satinwood drawers, on molded base; H37” W59 1/2” D24 1/2”

$5,000-8,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Illustrated in 1940 photograph at Claremont Manor, James River, Virginia (one of two)

20 NEOCLASSICAL BRASS AND EBONY-INLAID FRUITWOOD CHAIRS circa 1820, molded crestrail on brass-inlaid frame with lyre-adorned splat, tapered straight legs and upholstered slip seat; BH35” SH18” W16 1/2” D15” (4pcs)

$1,500-2,500

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

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21 FRENCH EMPIRE BRONZE-MOUNTED MAHOGANY SECRETAIRE A ABATTANT

circa 1810, molded crown above mirrored panel doors, long drawer and fall-front writing surface opening to fitted interiors of mirrored doors, drawers and hidden compartments; lower case with three long drawers on carved paw feet; all in figured mahogany decorated with carved figural caryatids, inlaid brass stars and line; H88 1/2” W49 1/2” D19 1/2”

$8,000-12,000

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Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Verso with PITT & SCOTT LTD label, and various other partial notes affixed to case

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Peralta Ramos Estate

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22 EMPIRE AMARANTH MARQUETRY AND BOIS CITRONNIER MEUBLE D’APPUI

FRENCH EMPIRE ORMOLU-MOUNTED BIRCH PEDESTAL CABINET

first quarter 19th century, rouge groitte marble top above Greek-key adorned frieze and tapered pedestal on molded base, front with garland centering winged hourglass within ouroboros, verso with door opening to shelf; H31” top W13” D13” and base H16” W16”

French, circa 1810, black-veined marble top over long drawers and doors, opening to sliding trays, on molded base; H36 3/4” W53” D24 1/2”

$3,000-5,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

$2,000-3,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

Other Notes: Old Pitt & Scott LTD-Paris labels

Literature: Bachrach, Arthur j., et al. A LIFE IN FULL: MILLICENT ROGERS. Albuquerque, NM: ABQ Press, 2012.

Pictured in Millicent’s chalet in St. Anton, Austria, p.49

23 FRENCH EMPIRE PARCEL GILT-BRONZE MOUNTED MAHOGANY MEUBLE D’APPUI first quarter 19th century, blue turquin molded edge marble top above hinged doors mounted with retour d’Egypte busts atop columns and molded base; H39 1/2” W50 1/2” D19 1/2”

$6,000-9,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Illustrated in 1940 photograph at Claremont Manor, James River, Virginia (one of two)

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25 PAIR EMPIRE MAHOGANY SIDE CHAIRS, JACOB FRERES circa 1796-1803, concave backrest, molded seatrail, carved animal leg and hoof feet; stamped: JACOB FRERES RUE MESLEE; BH36 1/2” W18” D20” (2pcs)

$2,000-4,000

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Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Jacob Freres was the stamp used by brothers Georges II (1768-1803) and Francois-Honore Jacob (1770-1841) from 1796-1803. They were sons of Georges Jacob (1739-1814), a furniture maker who worked for aristocracy and royalty during the reign of Louis XVI. The Jacob Freres firm’s most famous client was Josephine, wife of Napoleon Bonaparte. She would have most likely seen the work of their father during the revolution in a progressive aristocrat’s house.

She used them to decorate various imperial residences, such as the Tuileries palace, and remained a loyal customer, using them almost exclusively, until her death. When Georges II (the elder brother) died in 1803, Georges came out of retirement to help the remaining son, FrancoisHonore (who changed his named to Jacob Desmalter) from a new partnership called Jacob Desmalter Et Cie. (stamped Jacob D. R. Meslee, on two lines), which continued to be a influential supplier for the imperial period and is credited with helping to define the Empire style as it is known today.

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26 FRENCH EMPIRE MAHOGANY BUREAU PLAT circa 1815, gilt-tooled leather-inset writing surface, skirt with three drawers, saber legs with paw feet and shaped platform; H31” W63” D31”

$2,000-3,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Illustrated in 1940 photograph at Claremont Manor, James River, Virginia

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27 PAIR FRENCH RETOUR D’EGYPTE BIRCH LIT DE REPOS circa 1810, gilt and ebonized urn finials on end panels decorated with Egyptian caryatids H47 3/4” W39” L85 1/2” (2pcs)

$1,500-3,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

Peralta Ramos Estate

28 NEOCLASSICAL BRONZE-MOUNTED BURL AND MAHOGANY SIDE CHAIRS

French or Russian, first quarter 19th century, scroll backrest and molded frame, upholstered slip seat, on animal-carved legs with paw feet; BH32” SH17” W15” D19” (4pcs)

$3,000-4,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Bearing old gum label reading: Millicent A. Rogers Collection

29 EMPIRE BRONZE-MOUNTED ROUGE MARBLE FIREPLACE SURROUND

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first half 19th century, molded top, sphinx and lyre bronze-mounted frieze; tapered capital column supports with bust and bronze feet on plinth; H38 1/2” W48 1/4” D12 3/4”

$2,000-3,000

Provenance: Estate of Arturo Peralta Ramos II

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30 EMPIRE GILT-BRONZE AND CRYSTAL EIGHT-LIGHT CHANDELIER 19th century, pierced leaf crown, figures, and horn-shaped arms; H32” Dia.23”

$2,500-4,500

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

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Peralta Ramos Estate

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31 FRENCH EMPIRE PARCEL-GILT BRONZE SIX-LIGHT CHANDELIER

33 EMPIRE STYLE BRASS AND PAINTED-METAL SIX-LIGHT CHANDELIER

19th century, pierced leaf crown, mask-head chain supports, urn finial, scrolling figural arms, and drop finial; H30” Dia.22”

H31” Dia.23”

$2,000-4,000

Provenance: Estate of Arturo Peralta Ramos II

32 FRENCH EMPIRE ENAMELED GLASS AND CRYSTAL NINE-LIGHT CHANDELIER late 19th century, trumpet-shape stem; H25 1/2” Dia.25

$700-900

Provenance: Estate of Arturo Peralta Ramos II

$300-500

Provenance: Estate of Arturo Peralta Ramos II

34 EMPIRE GILT-BRONZE FOUR-LIGHT CHANDELIER FRAME

first half 19th century, cartouche link chain, band frame supporting swan-form arms; H28” Dia.25”

$500-800

Provenance: Estate of Arturo Peralta Ramos II

35 FRENCH STYLE ORMOLU WALL APPLIQUES pair swan designs H8 1/4” W4 1/2” D3”; arrow design three-light H3 1/2” W13 1/2” D10 1/2”; single two-light design H13” W7” D4 1/2” (5pcs)

$300-500

Provenance: JD Beardmore & Company Ltd Estate of Arturo Peralta Ramos II

36 FRENCH EMPIRE GILT-BRONZE THREE-LIGHT WALL APPLIQUE SET

19th century, owl, mask and anthemion backplate issuing acanthus-adorned scrolling arms; H17” W13 1/2” D8” (4pcs)

$500-800

Provenance: Estate of Arturo Peralta Ramos II

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37 EUGENE DELACROIX (French, 1798-1863) ORIENTALIST SCENE, circa 1831 (Morocco or Algiers) watercolor, framed, red stamped initials: ED sight H8 3/3” W12”

$10,000-15,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

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38 JEAN FRANCOIS RAFFAELLI (French, 1850-1924) PORTRAIT DE GUSTAVE GEFFROY oil on cardboard, framed, signed & titled lower right and verso with inscriptions H10 1/4” W6 1/2”

$6,000-9,000

Peralta Ramos Estate

Provenance: Drouot, 1 June 1927, Lot 34 Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Gustave Geffroy (1855-1926) was an important French journalist, art critic, historian, and novelist. He was one of the ten founding members of the Académie Goncourt, and is considered be one of the earliest historians of the Impressionist art movement.

39 VICTOR NEHLIG (New York, 1830-1909) BATTLE IN THE WOODS oil on canvas, framed, signed & dated V. Nehlig, 1868 H7” W16”

$3,000-5,000

Provenance: Estate of Arturo Peralta Ramos II

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40 RUBENS PEALE (ATTRIBUTED TO) (Pennsylvania, 1784-1865) STILL LIFE WITH FRUIT (Watermelon and Peaches) oil on canvas, framed, unsigned, verso inscribed: painted by Rubens Peale, 1857 (presumably from original canvas) H20” W26 1/2”

$10,000-15,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Literature: Kloss, William. ART IN THE WHITE HOUSE: A NATION’S PRIDE. Washington, DC: White House Historical Association, 2008, p.367 Seller, Charles Coleman. A PAINTER’S DECADE. Art Quarterly, Summer 1960, pp.139-151 Other Notes: Closely related to painting with pink watermelon and same table setting, sold at Freeman’s (6 Dec. 2015, Lot 12); and another in the White House collection (ID# 3060)

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41 JOHN KANE (Pennsylvania, 1860-1934) SQUIRREL HILL FARM (double-sided painting) oil on board, framed, signed lower right H15 1/2” W18 1/2”

$6,000-9,000

Peralta Ramos Estate

Provenance: Edward Duff Balken collection Millicent Rogers Estate of Arturo Peralta Ramos II Exhibitions: Carnegie Institute (label on verso) listed as property of Mr. Edwin Duff Balken

42 JAMES MEIKLE GUY (Connecticut, 1909-1983) UNTITLED (Social Surrealist figural scene) oil on metal, framed, signed lower right H11” W17 1/2”

$4,000-7,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

41 front view

41 back view

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43 SIR EDWARD COLEY BURNE-JONES (ATTRIBUTED TO) (British, 1833-1898) HAIR STUDIES (probably for The Golden Stairs, 1880) graphite on paper, framed, unsigned, one inscribed on verso: 5805 and the other: 5809 sight H9 1/2” W6 1/2” (2pcs)

$5,000-9,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Literature: Wildman, Stephen; and Christian, John. EDWARD BURNE-JONES: VICTORIAN ARTIST DREAMER. New York: Metropolitan Museum of Art, 1998.

Other Notes: The Golden Stairs is one of the best-known paintings by the Pre-Raphaelite artist Edward Burne-Jones, and is one of many paintings he sketched out in 1872 following a trip to Italy. He began work on the canvas in 1876 and finished it in great haste in April 1880, just days before the Grosvenor Gallery exhibition was to open. The figures of the musicians were drawn from professional models, but the heads are young women of Burne-Jones’s circle. Some identifications have been made as follows: his daughter Margaret is fourth from top, holding a trumpet. Edith Gellibrand, known by the stage name Edith Chester, is seventh from top, seen stooping. May Morris, daughter of William Morris, is ninth from top, holding a violin.

Frances Graham, later known as Lady Horner, daughter of William Graham, is bottom left, holding cymbals. Standing behind her on the stairs is Mary Gladstone, daughter of William Gladstone. Others include Laura Tennant, later known as Laura Lyttelton, and Mary Stuart-Wortley, later Lady Lovelace.

The painting was purchased by Cyril Flower (1843-1907), later Lord Battersea, a politician and art patron, and was bequeathed by him to the Tate Gallery-London, where it remains today.

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Peralta Ramos Estate

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44 ARTHUR BOWEN DAVIES (ATTRIBUTED TO)

45 OSCAR KUNATH

(New York, 1862-1928) LISTENERS (Study) oil on canvas, framed, unsigned & titled on verso H13” W11”

(American/German, 1830-1909) FIRST LESSONS oil on panel, framed, signed lower right: Osc. Kunath H18” W14”

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

$2,000-3,000

$1,500-2,500

Other Notes: Kleemann, New York stamp on frame and stretcher

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Louis-Leopold Boilly

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46 LOUIS-LEOPOLD BOILLY

47 LOUIS-LEOPOLD BOILLY

48 LOUIS-LEOPOLD BOILLY

(French, 1761-1845) PORTRAIT D’HOMME EN REDINGOTE ET CHEMISE BLANCHE oil on canvas, framed, unsigned H8 1/2” W6 1/4”

(French, 1761-1845) PORTRAIT DE FEMME oil on canvas, framed, signed lower right H8” W6 1/4”

(French, 1761-1845) PORTRAIT D’HOMME oil on canvas, framed, signed lower left H8 1/2” W6 1/4”

Provenance: Drouot, 7 June 1926, Lot 84 Millicent Rogers, purchased from above Arturo Peralta Romas II

Provenance: Drouot, 6 June 1926, Lot 83 Millicent Rogers, purchased from above Arturo Peralta Romas II

Other Notes: Illustrated in the March 15, 1945 American Vogue

Other Notes: Illustrated in the March 15, 1945 American Vogue

$2,000-3,000

Provenance: Drouot, 18 May 1926, Lot 101 Millicent Rogers, purchased from above Arturo Peralta Romas II Other Notes: Illustrated in the March 15, 1945 American Vogue

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$2,000-3,000

$2,000-3,000

Peralta Ramos Estate

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49 BIEDERMEIER INLAID BIRCH SECRETAIRE A ABATTANT circa 1830, carved pediment centering drawer above two long drawers, fall front opening to elaborate inlaid fitted interior with hidden drawer; lower case with three long drawers, all flanked by trefoil columns, on bun feet; H72 1/2” W42 1/2” D22”

$3,000-5,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

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50 EMPIRE ORMOLU-MOUNTED BURLWOOD COIFFEUSE, PROBABLY AUSTRIAN circa 1815, hinged mirror and gilt-bronze candlearms supported by tapered columns cabinets; lower part with drawers joined by pedestal-form cabinets on molded base; H69 1/2” W50” D23”

$3,000-5,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

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Other Notes: Old Pitt & Scott LTD-Paris label #255

51 BIEDERMEIER BURLWOOD CURULE BENCH circa 1825, upholstered seat over X-brace frame; H25 1/2” SH15” W24” D18”

$800-1,200

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

52 BIEDERMEIER EBONZIED CHERRY WRITING TABLE, MANNER OF DANHAUSER circa 1820, oval top on conforming skirt fitted with drawer, opening to reveal tilting writing surface, hidden well, drawer, and secret compartments, on ebonized lyre pedestal and shaped platform base; H30” W40” D29”

$1,500-2,500

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

53 PAIR BIEDERMEIER ROSEWOOD ARMCHAIRS probably Northern European, first quarter 19th century, scrolling back and armrests on tapered legs; BH31” SH17” W21” D20” (2pcs)

$500-800

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

51

26

50

52

53

Peralta Ramos Estate

54

54 PAIR WILLIAM III SILVER CANDLESTICKS, THOMAS ASH

56 GEORGE I SILVER STUFFING SPOON, RICHARD EDWARDS

London dated 1699, molded square base with canted corners, reeded base engraved with unidentified crest, stop-fluted stem and gadroon bands, complete marks in Britannia standard, H7 1/2” W4 3/4”, total 16.7ozT (2pcs)

London dated 1717, Hanoverian pattern and with rattail bowl, handle engraved with initials EVM and crest, complete marks with Britannia standard, L12 1/4” and 4.4ozT

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

Provenance: Millicent Rogers, by descent Arturo Peralta Romas II

$5,000-7,000

55 GEORGE I SILVER STUFFING OR BASTING SPOON

$600-900

Literature: Jackson, Sir Charles J. ENGLISH GOLDSMITHS AND THEIR MARKS. New York: Dover, 1964. p.168.

London dated 1725, Hanoverian pattern with rattail bowl, handle engraved with crest, complete maker HC and hallmarks, L14 1/4” and 5.0ozT

$500-800

Provenance: Millicent Rogers, by descent Arturo Peralta Romas II

55

56

27

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57

58

60

59

57 GEORGE III STERLING PUDDING TROWEL, CHARLES ALDRIDGE & HENRY GREEN London dated 1774, ornate pierce-cut triangular server with green-stained turned wood handle, engraved with Scottish crest of SKEEN with motto: GRATIS A DEO DATA; complete maker and hallmarks, L13 1/2” and 5.4ozT all in

$400-600

Provenance: Millicent Rogers, by descent Arturo Peralta Romas II

58 GEORGE I SILVER STUFFING OR BASTING SPOON, ANDREW ARCHER London dated 1717, Hanoverian pattern with rattail bowl, handle engraved with initials EIE, complete marks with Britannia standard, L14” and 5.9ozT

$800-1,200

Provenance: Millicent Rogers, by descent Arturo Peralta Romas II

28

59 EARLY GEORGE III STERLING WAX JACK London, dated 1774, spring-loaded scissor action, twice engraved with unidentified figural crest, complete hallmarks and partial maker’s punch .I.L within serrated rectangle; H6” W5”, 6.3ozT

$700-900

Provenance: Estate of Arturo Peralta Ramos II

Peralta Ramos Estate

61

62

60 RARE PRE-FRENCH REVOLUTION SILVER MOTE SPOON

62 CONTINENTAL SILVER FIGURAL INK STAND

Paris dated 1787, intricately pierced bowl and thread handle, complete marks: charge, discharge (export), and sterling Maison Comme standard dated 87, along with maker’s mark: LAD; L13”, 6.0ozT

19th century, footed plateau fitted with ewer-top compartment, urn-form inkpots, and dog-handle bell; various unidentified marks including maker GDA; H5” Dia.9 1/2”, and 30.5ozT

Provenance: Estate of Arturo Peralta Ramos II

Provenance: Estate of Arturo Peralta Ramos II

Literature: Helft, Jcques. FRENCH MASTER GOLDSMITHS AND SILVERSMITHS: 17TH TO THE 19TH CENTURY. New York: French & European Pub, 1966. pp.326-7

63 STERLING CIGARETTE CASES AND BRUSH

$400-700

61 CONTINENTAL SILVER FIGURAL INK STAND 19th century, cupid riding aloft gilt dolphin forming lid over compartment, flanked by glass-lined ink and powder pots on masked plinths and mounted to oval lion’s-paw footed tray; marked with French Le Cygne import mark, and other unidentified marks and punches; H8 1/2” L13 1/2” D7 1/2”, 48.2ozT all in

$600-900

Provenance: Estate of Arturo Peralta Ramos II

$400-600

Italian case decorated with zodiac engraved initials APR, L5 1/4” W3 1/2”; together with George IV case with applied initials APR, London dated 1951, L5 1/2” W3 1/4”; and Tiffany & Co brush, L5”; Total 20.0ozT all in (3pcs)

$300-600

Provenance: Estate of Arturo Peralta Ramos II

63

29

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64

64 JON CORBINO (Massachusetts/Florida, 1905-1964) CIRCUS PERFORMERS oil on canvas, framed, signed & titled lower left and verso H25” W30”

$2,000-4,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Stretcher inscribed: OUTSIDE THE TENT #13129

30

66 PAVEL TCHELITCHEW (American/Russian, 1898-1957) A MELISANDE (Studies) ink on paper, framed, signed & dated: 1943 and 1939 sight H14” W11” and H10 1/2” W8” (2pcs)

$1,000-1,500

Peralta Ramos Estate

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

67 CONSTANTIN WESTCHILOFF 65

(American/Russian, 1877-1945) CAPRI oil on Masonite, framed, signed H10” W8”

$1,000-1,500

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

68 CONSTANTIN WESTCHILOFF

67

(American/Russian, 1877-1945) ROCKY COASTLINE oil on Masonite, framed, signed H8 1/2” W13 1/2”

$500-800

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

68

66

65 AUGUSTUS EDWIN JOHN, OM, RA

69 REGINALD MARSH

(British, 1878-1961) THE GUITAR PLAYER charcoal, framed, signed lower right sight H8 1/2” W10”

(New York, 1898-1954) THREE FIGURES ON DOCK oil on board, framed, signed lower left H5 1/2” W4”

$800-1,200

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

$1,500-2,500

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II 69

31

70 ALFRED EMILE LEOPOLD STEVENS (Belgian, 1823-1906) PORTRAIT OF A BEAUTY oil on panel, framed, signed with monogram H7 1/2” W6”

$1,000-2,000

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Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

71 CONSTANTIN WESTCHILOFF (American/Russian, 1877-1945) THE END OF A DAY oil on Masonite, framed, signed in Cyrillic H10” W11”

$800-1,200

71

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

72 THOMAS ROWLANDSON (British, 1756-1827) COACHING SCENE watercolor, framed, signed sheet H8” W12”

$1,000-1,500

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

70

73 CONSTANTIN WESTCHILOFF (American/Russian, 1877-1945) four works: SAILING SCENES, LANDSCAPE, and PIER oil on board, framed, signed H4 1/2” W6” (4pcs)

$1,000-2,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

73

32

72

74 JON CORBINO (Massachusetts/Florida, 1905-1964) GOING FOR A RIDE oil on canvas, framed, signed & titled lower right H16” W18”

$800-1,200

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

Peralta Ramos Estate

75 AUGUSTUS EDWIN JOHN, OM, RA

74

(British, 1878-1961) BATHERS ink on paper, framed, signed lower right sight H7 1/2” W13 1/2”

$800-1,200

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

76 CONTINENTAL SCHOOL, 17TH/18TH CENTURY

75

HEAD OF A FEMALE SAINT red chalk heightened with white chalk on blue paper, framed, unsigned sheet H7 1/2” W6”

$1,000-1,500

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Backing board stamped: Academy Art Shop, 989 Lexington Ave., N.Y.C.

77

78 WILLIAM LOUIS SONNTAG (Ohio/New York, 1822-1900) HUDSON RIVER VALLEY AFTER THE RAIN watercolor, framed, signed & dated lower left: 83 sight H14” W20 1/2”

$1,000-2,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

77 REGINALD MARSH (New York, 1898-1954) WOMAN WALKING oil on board, framed, signed lower right H5 1/2” W4”

$1,500-2,500

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

76

78

33

79 PAVEL TCHELITCHEW (American/Russian, 1898-1957) UNTITLED gouache, newspaper on card, framed, signed & dated lower right: 42 sheet H14” W11 3/4”

$500-800

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Provenance: Estate of Arturo Peralta Ramos II

80 JEAN-LOUIS FORAIN (French, 1852-1931) FIGURES IN AN INTERIOR watercolor and ink, framed, signed illegibly sight H13” W13 1/2”

81

$500-800

Provenance: Estate of Arturo Peralta Ramos II

81 CONSTANTIN WESTCHILOFF

79

(American/Russian, 1877-1945) ROCKY COASTLINE AT DUSK oil on Masonite, framed, signed H6” W8”

$300-500

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

82 FRENCH SCHOOL, 18TH CENTURY

STUDY (Boy Standing by Wheelbarrow Holding Potted Plant) red chalk on laid paper, framed, unsigned sheet H9 1/2” W7”

$300-500

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Backing board stamped: Academy Art Shop, 989 Lexington Ave., N.Y.C.

34

80

82

83 PAVEL TCHELITCHEW (American/Russian, 1898-1957) EMERGING FACES ink on paper, framed, signed & dated: 1941 sight H8 1/2” W11”

$400-600

Peralta Ramos Estate

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Verso inscribed: To Sonja Tarnay

84 PAVEL TCHELITCHEW

83

(American/Russian, 1898-1957) PAYSAGE CONCEPTION (Metamorphic landscape) ink on paper, framed, signed & dated: 1941 sight H8” W10 1/2”

$500-800

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

85 PAVEL TCHELITCHEW (American/Russian, 1898-1957) LEAF CHILD HEAD ink on paper, framed, signed & dated: 1941 sight H10 1/2” W8 1/4”

85

84

$500-800

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

86 PAVEL TCHELITCHEW (American/Russian, 1898-1957) STUDIES FOR LEAF CHILDREN ink on paper, framed, signed & dated: 1939 sight H10 1/2” W8” and H13 1/2” W9 1/2” (3pcs)

$600-900

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

86 (three)

35

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87 EARLY IMPORTANT GERMAN REICH SIGNED EMERGENCY DECREE

dated 30 March, 1933, Emergency Law (Verordnung) signed by German Reich President von Hindenburg, Chancellor Hitler and Minister Frick dated March 30, 1933 and embossed with the Weimar Republic German State Seal. Document housed in plexi case and matte, verso with translation by Harry J. Sonneborn collection, and blue cloth slipcase, gilt-tooled red-leather spine insert; sheet H11 1/2” W8 1/4” and slipcase H14 3/4” W11”

$20,000-30,000

Provenance: Harry J. Sonneborn collection, Sotheby Parke Bernet, 5 June 1980, lot 242 Estate of Arturo Peralta Ramos II Other Notes: This is one of only four “Not-Verordnungen” (emergency decrees) that were signed by both Hindenburg and Hitler. The decree abolishes the right of Reichstag committees to debate, modify and pass laws and administrative orders.

Alongside the “Enabling Act” passed on March 24, 1933 by the Reichstag, the German parliament, and the emergency decree signed in the wake of the Reichstag fire, this is one of the most important legal documents that Hitler was able to use in the legal preparation to becoming the dictator of Germany.

87

36

Peralta Ramos Estate

88

89

90

88 DOCUMENTS FROM THE OFFICE OF THE PRUSSIAN PRIME MINISTER

89 EARLY GERMAN REICH CORRESPONDENCE, RELATED GESTAPO FORMATION

90 BENITO MUSSOLINI AUTOGRAPHED

circa 1934, partial report on SS brutality during the Night of the Long Knives (Roehm-Putsch); and folio comprising letters of support for the reinstatement of Heinrich Troeger. Troeger’s signature was shown on the post-war 5 Deutsche Mark banknote. (This file remains untranslated).

Arrest list of important KPD (German Communist Party) prisoners including Carl von Ossietzky, the winner of the 1935 Nobel Prize who died in Gestapo captivity in 1938. (5folios)

comprising an exchange of letters dating from April to November 1934 between the founder of the Gestapo, Hermann Goering in his capacity as Prussian Prime Minister and Heinrich Himmler, the head of the SS. Included are stenographic notes and various drafts annotated and amended in pencil by Goering. Some drafts are signed in pencil with initial “G”, others with “Goering” and one carries the rare full name “Hermann Goering”. Signed reply by Himmler on SS stationary assuring Goering of his faithful service.

Including staffing documents with a list of personnel transfer requests by the Gestapo but declined by the Prussian Prime Minister.

(12sleeves)

circa 1923-1931, two autographed photographs and accompanying letter about the photos; together with autographed carbon letters, signed six-page United Press report by Henry Tosti Russell dated November 1930, revised and signed by Mussolini.

$500-1,000

Provenance: Harry J. Sonneborn collection Estate of Arturo Peralta Ramos II

PHOTOGRAPHS AND DOCUMENTS

$300-500

Provenance: Estate of Arturo Peralta Ramos II

$5,000-7,000

Provenance: Harry J. Sonneborn collection Estate of Arturo Peralta Ramos II

37

91 NUREMBERG WAR CRIMES TRIALS PHOTOGRAPH

96 MILITARIA BOOK: EHRENDENKMAL DER DEUTSCHEN WEHRMACHT

ALBUM

1945, including courtroom scenes, Herman Goering, Wilhelm Keitel, Wilhelm Ruppert, Alfred Rosenberg, Baldur Von Schirach, Walther Funk, Karl Doenitz, Herich Hoffman, five 1945 devastated German views; two 1946 Negev Bedouin Arab Corpsman pictures, nine Israel views dated 1946-1949. (26pcs)

Eisenhart Rothe, General von (Schriftleitung).

EHRENDENKMAL DER DEUTSCHEN WEHRMACHT. KRIEGSAUSGABE VOM EHRENDENKMAL DER DEUTSCHEN ARMEE UND MARINE. Berlin: Deutscher National verlag, [1941]. 520-pages, full page Illustrations and illustrations signed in plate by Hitler, Goering, Keitel, Raeder. Gray cloth binding with gray DJ. Foldout map and inserts.

T HURSDAY 2 M ARCH

$400-800

Provenance: Estate of Arturo Peralta Ramos II

$100-200

Provenance: Estate of Arturo Peralta Ramos II

92 BOOK: ALFRED ROSENBERG VOLUME FROM THE LIBRARY OF HEINRICH HIMMLER Hart, F. Th. [Franz Theodore]. ALFRED ROSENBERG: DER MANN UND SEIN WERK. Munich: Verlag, 1935. Heinrich Himmler, signed, annotated (durchges. “looked through”) and dated 28. XII. 38 on flyleaf in customary green pencil.

$300-500

Provenance: Estate of Arturo Peralta Ramos II

93 BOOK: 850 WORTE MYTHUS VOLUME FROM THE LIBRARY OF HEINRICH HIMMLER

97 CARL EICKHORN GERMAN POLICE BAYONET

91

95 BOOK: BOKEN OM VIDKUN QUISLING, AUTHOR-SIGNED VOLUME

circa 1940, bird pommel with feathering, antler grip, overlapped oak leaves on crossguard, smooth part of guard upper scabbard marked: P.HI 298; blade marked: CARL EICKHORN, SOLINGEN; overall L18 3/4” and blade 13”

Quisling, Vidkun. BOKEN OM VIDKUN QUISLING. Oslo: Blix Forlag, 1940. Author signed and dated 19.12.1940

$400-600

$100-200

Provenance: Estate of Arturo Peralta Ramos II

Provenance: Harry J. Sonneborn collection, Sotheby Parke Bernet, 5 June 1980, lot 259A Estate of Arturo Peralta Ramos II

Gros, Prof. a.D. Otto. 850 WORTE MYTHUS DES 20 JAHRHUNDERTS. Munich: Verlag, 1938.

Signed in green pencil by H. Himmler on flyleaf.

$300-500

Provenance: Estate of Arturo Peralta Ramos II 97

94 BOOK: RUPERT RUPP BOOK WITH AUTHOR’S DEDICATION TO HIMMLER Rupp, Rupert. UNTER DEN HEILIGEN FAHNEN GEDICHTE. Munich: Eher, 1940.

$100-200

Provenance: Estate of Arturo Peralta Ramos II

92

38

93

94

95

98 MARK TWAIN (SAMUEL CLEMENS) DEDICATED AUTOGRAPH PHOTOGRAPH

dated May 1908, inscribed: This is a don’t M. of a Layout!

3-ball carom To Mary Rogers with the love of your uncle Mark

$500-1,000

Peralta Ramos Estate

Provenance: Mary Rogers (daughter of H.H. Rogers) Henry Huttleston Rogers II Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Henry Huttleston Rogers first met Mark Twain in New York in 1893. The two immediately developed a very close friendship, which lasted until Rogers death in 1909.

It’s said that Rogers and Twain were kindred spirits fond of poker, billiards, the theater, practical jokes, mild profanity, and the good-natured spoof.

98

99 MARK TWAIN (SAMUEL CLEMENS) DEDICATED PHOTOGRAPH circa 1907, image of Twain in cap and gown as he exits Oxford University, who in 1907 awarded Twain an honorary doctorate in letters (D.Litt.). The image is inscribed: Showing off!

(With Kipling behind beguiling Those irreverent girls to scoff )

$500-1,000

Provenance: Henry Huttleston Rogers Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Henry Huttleston Rogers first met Mark Twain in New York in 1893. The two immediately developed a very close friendship, which lasted until Rogers’ death in 1909.

It’s said that Rogers and Twain were kindred spirits fond of poker, billiards, the theater, practical jokes, mild profanity, and the good-natured spoof.

99

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100 HELEN KELLER TYPED LETTER SIGNED Dear Mrs. Rogers, Your letter touched me with a sweet warmth like your expressive hand. It was an exquisite compliment to have you say my book was worth reading slowly, but oh, now I blushed at my shortcomings in wording deeply felt thoughts when you wrote on that what flows through us is the Eternal life-essence, and what we see is but the outward reflection of the law! I can only hope the book gave you a happy sense of the powers latent in me waiting until they are released in beauty of speech and creative activity which truly reflect Heaven.

I shall love to see you again when you return to New York and to absorb rays from your faith. Alas! too often it is the soul-shaking, earth-rendering war I think of which sweeps with an orcan of flame and flood through the sky, down into the seas over millions of homes, but when I recall personalities like yours, I cling fast to the dear sanctuary they give my mind. Please let me know when you are back, and what day you wish to see Miss Thomson and me. Perhaps you may feel inclined to come out and lunch with us in our new home. That would be a Shinto blessing left upon Arcan Ridge.

Nothing would make me prouder than to have you show me the letters you so tenderly treasure from Mark Twain. Certainly he is never far from us, and I am sure he is among the noble spirits animating courage and idealism to resist the hideous darkness which menaces the world today.

With affectionate greetings, in which Miss Thomson joins, I am, Sincerely your friend Helen Keller Arcan Ridge, Westport, Conn., April eighteenth, 1940.

P.S. Our telephone number is Fairfield 9—1345.

H.K

$300-500

Provenance: Mrs. Henry Huttleston Rogers (Abbie Palmer Gifford) Henry Huttleston Rogers II Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Keller’s admirer, Mark Twain introduced her to Standard Oil magnate Henry Huttleston Rogers and his wife, and they paid for her education.

In 1904, at the age of 24, she graduated from Radcliffe College, and became the first deaf blind person to earn a Bachelor of Arts degree. Mrs. Rogers and Keller became lifelong friend as indicated by this letter.

100

40

102 CRIMEA (YALTA) CONFERENCE TOP SECRET PAPERS AND MINUTES

Peralta Ramos Estate

ARGONAUT CONFERENCE: JANUARY-FEBRUARY 1945.

[Washington, DC] US Secretary of the Combined Chiefs of Staff, 1945.

Gilded hardcover bound and tabbed volume, spine noted TOP SECRET; and numbered 55

$400-800

Provenance: Estate of Arturo Peralta Ramos II Other Notes: This bound document marked copy No. 55; documenting in messages, memos and map from mid-January and February through the conference, complete meeting minutes with times, date, place and attendees.

101

101 AUTOGRAPHED LETTERS, SIGNED NASH BUCKINGHAM dated January 4, 1943 to April 7, 1943; correspondence with Ira Richards (1922-2000); Nash Buckingham (1880-1971) and Arturo Peralta Ramos (1928-2015) (6pgs)

$200-400

Provenance: Estate of Arturo Peralta Ramos II Other Notes: Nash Buckingham was perhaps the most famous author of sporting tales in the first half of the 20th century. This collection of eight stories first published in Field and Stream , Recreation , and Outdoor Life was originally published by The Derrydale Press in 1934.

Buckingham’s ability to evoke the golden age of wild fowling along the Mississippi flyway from the 1890s to the 1940s is unparalleled. [Pull up your favorite chair in front of a fire and get ready to relive some of the best hunting stories ever told.]

Crimea or Yalta Conference codenamed the Argonaut Conference, was a conference held in Yalta in February 4 to 11, 1945 whereby President Franklin D. Roosevelt, Prime Minister Winston Churchill and Premier Joseph Stalin respectively, for the purpose of discussing Europe’s post-war reorganization. The conference convened in the Livadia Palace near Yalta in Crimea, USSR. By early in February 1945 as World War II was winding down. The leaders agreed to require Germany’s unconditional surrender and to set up in the conquered nation four zones of occupation to be run by their three countries and France. They scheduled another meeting for April in San Francisco to create the United Nations. Stalin also agreed to permit free elections in Eastern Europe and to enter the Asian war against Japan.

102 In turn, he was promised the return of lands lost to Japan in the Russo-Japanese War of 1904-1905. At the time, most of these agreements were kept secret.

Yalta became controversial after Soviet-American wartime cooperation degenerated into the cold war. Stalin broke his promise of free elections in Eastern Europe and installed governments dominated by the Soviet Union. Then American critics charged that Roosevelt, who died two months after the conference, had “sold out” to the Soviets at Yalta.

41

Foreign Affairs

103 BRITISH NAPOLEONIC WARS SECRET PAYMENT ORDER FOR SPIES letter read: Received of the Right Honorable the Viscount Castlereagh His Majesty’s Secretary of State for Foreign Affairs the sum of Two Hundred and fifty pounds Sterling which I have disbursed for His Majesty’s Foreign Secret Service and for which I am to be accountable according to the Provisions of the Civil Act of the 22nd George III Vienna September 4th, 1818 Stewart and another to Viscount Castlereagh for the sum of 350 Pounds Sterling, dated January 18th, 1819, Wellesley (Richard Colley, 1st Marquess Wellesley, 17601842) (2pcs)

Viscount Castlereagh

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$400-600

Provenance: Estate of Arturo Peralta Ramos II Other Notes: Viscount Castlereagh (Robert Stewart, 2nd Marquess of Londonderry 1769-1822) known as Lord Castlereagh. British statesman, and Foreign Secretary, from 1812 he was central to the management of the coalition that defeated Napoleon and was the principal British diplomat at the Congress of Vienna. Castlereagh was also leader of the British House of Commons in the Liverpool government from 1812 until his suicide in August Marquess Wellesley 1822.

In his role of Foreign Secretary he was instrumental in negotiating what has become known as the quadruple alliance between Britain, Austria, Russia, and Prussia at Chaumont in March 1814, in the negotiation of the Treaty of Paris that brought peace with France, and at the Congress of Vienna. The Treaty of Chaumont was part of the final deal offered to Napoleon Bonaparte in 1814. Napoleon rejected it and it never took effect. However, the key terms reaffirmed decisions that had been made already. These decisions were again ratified and put into effect by the Congress of Vienna of 1814-1815. The terms were largely written by Lord Castlereagh, who offered cash subsidies to keep the other armies in the field against Napoleon. Key terms included the establishment of a confederated Germany, the division into independent states, the restoration of the Bourbon kings of Spain, and the enlargement of the Netherlands to include what in 1830 became modern Belgium. The treaty of Chaumont became the cornerstone of the European Alliance which formed the balance of power for decades.

104 EARLY BRITISH SECRET SERVICE SPY DOCUMENT

103

Florence June 28, 1727, letter read: Frances Colman His Majesty’s Resident at the Court of Florence humbly craves Allowance for this Bill of some Extraordinary disbursements he was obliged to make upon some particular secret occassions from the month of October 1726 to June the 10th following.

To my Servent Oliver whom I sent Express to is Excellency Mr. Walpole in his journey to Fontainebleau & return to Florence L.S.d 100:0:0 To different Persons at Several times for Secret Service from the Month of October 1726, to June 10th following L.S.d 120:0:0 and 220:0:0 Francis Colman in a different hand noted: Whitehall June 24th, 1728, I allow this Bill

by His Maj’ty’s Special Command. xx Newcastle

$600-900

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Provenance: Daniel Mark Collier, Jr Estate of Arturo Peralta Ramos II

104

105 RARE INTERCEPTED SECRET INTELLIGENCE, DU VERNAY TO COUNT TEKELY

Peralta Ramos Estate

circa 1682, letter from Boucault Du Vernay (French Minister at Ratisbon) French envoy extraordinaire to Transylvania to Count Tekely (Count Imre Thokoly de Kesmark) Hungarian statesman and military leader, n.d., but it is thought that the English translation was written 22 September 1682, on laid paper with period watermark, reading as follows: (Outer fold) Letter intercepted from nv. Du Vernay to Count Tekely Translated Copy of the Letter to Count Tekely My Lord I thank your Ld.p for your letter of the 7th from the Camp before Fileck, w.ch I received with the instructions to Our Amb.r at the Port but am surprised that they should be opened before they came to his hands; I hope however he hath now received them. You will find by my last to Sieur Fagel, how often they have promised to make good their word, and that I would already have given you notice of every thing, but I wanted an opportunity. If you shall send to me any of your Servants, they must take care not to come to my house but in the night, our business being to be dispatch unknown to any one. They must take especiall care, how they travell in the road that leads directly from Jawarow to Nimoraw, there being severall horsemen appointed by the King of Poland to search and stop all travellers. I think therefore it will be most secure to leave Premissan [Przemsyl] & Jaroslaw on the right hand, ordering it soe, as if they came to me from Jandamaria [Sandomierz], and that the Place from whence they set forth; for I am surrounded with Spies. I recommend the enclosed letters to your Ld.p that you will please to transmit them upon the first opportunity, and I will be as carefull in all things you shall devise of me. I am with all my heart.

Your Lordship, Du Vernay

$500-800

Provenance: Estate of Arturo Peralta Ramos II Literature: AN ACCOUNT OF THE SECRET SERVICES OF MONSIEUR DE VERNAY, (the French

105

minister at Ratisbonne to Count Teckeley as they pass’d by way of letter, with the cypher and key taken from the original, printed in French at Ratisbonne). Ratisbon [German], 1683.

Other Notes: The Hungarian Revolt under Imre Thokoly (1657-1705) The 27 February 1673 Emperor Leopold I, Holy Roman Emperor suspended the Hungarian Constitution, and the appointment of Johann Caspar Ampringen, dictator, deprived 450 Protestant clergy of their living and condemned 67 more to the galleys, leading to an uprising.

The Magyars were greatly encouraged by Louis XIV of France and chose the high-born Thokoly as their leader. War began in 1679 and Thokoly soon gained control over upper Hungary and in 1681 compelled the Emperor to an armistice after receiving support from Transylvania and Turkey. By 1682 he has captured many fortresses from the Emperor.

The first intercepted message illustrates their position in late 1682: military activity at the camp before Fileck where Thokoly arrived on 27th September and which was later taken; surreptitious French support for the Hungarian opposition from the Poles Count Imre Thokoly under the influence of the Emperor. It is evident that this letter did not reach its addressee, endorsed by William Blathwayt, the English Under-Secretary of State, and published in 1683, Ratisbon in AN ACCOUNT OF THE SECRET SERVICE OF MONSIEUR DE VERNAY. Boucault du Vernay was officially the French envoy to Transylvania, an area which in 1682 was independent of the Emperor and allied to the Turks. Transylvania supported Thokoly and Du Vaernay was involved in helping the Hungarian rebels. If ‘Fileck” is Filakova in Slovakia (northeast of Budapest and just across the border from Hungary), then Thokoly was near Transylvania and Du Vernay was clearly a little further north, in the southeast of Poland. Travelers bringing letters to him were to leave Przemsyle and Jarslaw on the right and arrive as if they came from Sanomierz.

The German Imperial authorities were incensed by French support including monetary support for the Hungarian rebels. The Imperial ambassador to Poland immediately protested against the fresh evidence of intercepted letters (his protest of October 6 is also printed in the afore-mentioned volume) and he requested the removal of Du Vernay.

43

T HURSDAY 2 M ARCH

106 BOOK: SORGE’S OWN STORY, INTERNATIONAL ESPIONAGE CASE STUDY AN AUTHENTICATED TRANSLATION OF SORGE’S OWN STORY : CRIMINAL AFFAIRS BUREAU MINISTRY OF JUSTICE, TOKOYO, JAPAN, FEBRUARY 1942; prepared and translated by the Military Intelligence Section, General Headquarters Far East Command, Tokoyo, Japan, c.1947; contained within envelope emblazoned ON HER MAJESTY’S SERVICE addressed to Arturo Peralta Ramos Esq.

107

$100-200

Provenance: Estate of Arturo Peralta Ramos II Other Notes: Richard Sorge (1895-1944) was a Soviet military intelligence officer, active before and during World War II, working as an undercover German journalist in both Nazi Germany and the Empire of Japan. His codename was “Ramsay”.

Sorge is most famous for his service in Japan in 1940 and 1941, when he provided information about Adolf Hitler’s plan to attack the Soviet Union, although he did not succeed in finding out the exact date of the attack.

In mid-September 1941, he informed the Soviet command that Japan was not going to attack the Soviet Union in the near future, which allowed the command to transfer 18 divisions, 1,700 tanks, and over 1,500 aircraft from Siberia and the Far East to the Western Front against Nazi Germany during the most critical months of the Battle for Moscow, one of the turning points of World War II. A month later Sorge was arrested in Japan on the count of espionage. The German Abwehr legitimately denied he was an agent; the USSR repudiated him and refused three offers to spare him through a prisoner exchange. He was tortured, forced to confess, tried, and then hanged in November 1944. Two decades passed before he was posthumously awarded the title of Hero of the Soviet Union in 1964.

106

108 FRENCH MINISTRY OF WAR DOCUMENT, AND SPANISH LETTER 1 October 1920 ORDRE NO. 23.870”D”; together with 1822 Spanish language signed document; contained within frames H13 1/2” W9 1/2” and H19 1/2” W16 1/2” (2pcs)

108

$100-200

Provenance: Estate of Arturo Peralta Ramos II

109 AUTOGRAPHED LETTER, SIGNED ADMIRAL CHESTER NIMITZ dated 7 December 1961, addressed to Mr. Brendan T. Crowe; the document discusses World War II unrestricted submarine warfare practices.

$200-300

Provenance: Estate of Arturo Peralta Ramos II

107 F.B.I. PUBLIC RELATIONS LECTURE MANUAL March 19, 1942; training lecture and discussion held at Knickerbocker hotel, Chicago. Contained within report binder.

$100-200

Provenance: Estate of Arturo Peralta Ramos II

44

109

Peralta Ramos Estate

111

111 PERALTA RAMOS FILE COPIES OF DOCUMENTS, HERBERT JOHANNES STEEL

110

110 WORLD WAR II SECRET WEEKLY INTELLIGENCE SUMMARY REPORTS 1 August 1943, AIR INTELLIGENCE WEEKLY SUMMARY NO.37 (copy 137) HEADQUARTERS NORTHWEST AFRICAN AIR FORCES, A-2 SECTION; and 15 April 1945 WEEKLY INTELLIGENCE SUMMARY: SUPREME HEADQUARTERS ALLIED EXPEDITIONARY FORCE, OFFICE OF ASSISTANT CHIEF OF STAFF, G-2 Together with OVERSEAS PRESS CLUB OF AMERICA autographed 3rd Annual Dinner menu (Feb. 26, 1942) with twenty signatures including club officers and guests. partial document typed REPORT OF THE TERRITORIES IN NORTH AFRICA by Vicomte Jacques de Sibour, dated 10.4.53 and 3 blank German Reich forms. (7pcs)

$100-200

Provenance: Estate of Arturo Peralta Ramos II

112

personal correspondence copies of 1964; regarding Mr. Herbert Johannes Steel and Bolivian officials to Congressman Clark W. Thompson and Mr. James Murphy, relating to securities sold to Bolivian offices.

Together with: Lord Beaverbrook autograph letter signed; 28 Feb. 1962 Confidential US Navel Operation copies 9 Dec. 1963 White House letter from Walter Jenkins xerox copy of 1967 Secretary of Defense to Thomas Owens

$200-400

Provenance: Estate of Arturo Peralta Ramos II

112 SPANISH PHILLIP III PATENT OF NOBILITY FOR JUAN SANCHEZ, HIDALGO Granada dated 13th December 1661, frontis with Virgin in Glory above coat of arms all in vibrant colors, and 49 additional pages, final pages signed: Oficio Andres Munoz, and P. Esteban Aguado

$500-800

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Accompanied by 1951 evaluation for Millicent Rogers

113

113 ROALD DAHL ORIGINAL MUSIC SCORE AND SCREENPLAYS

circa 1953, two bound screenplays THE GREAT AUTOMATIC GRAMMATIZATOR and SKIN, and musical sketchs for the afore-mentioned by Thomas (Tommy) Tycho (1928-2013) and Bela Dolesko (1903-1970).

$400-600

Provenance: Estate of Arturo Peralta Ramos II

45

114 ORIGINAL PLAY SCRIPT BY NORMAN KRASNA circa 1958, Norman Krasna (1909-1984) original play titled MY WIFE AND I, opened on Broadway’s Martin Beck Theatre on March 3, 1958; the 1960 movie version was renamed WHO WAS THAT LADY I SAW YOU WITH? a comedy starred Tony Curtis, Dean Martin and Janet Leigh. Script is addressed to Leland Hayward, New York City.

$400-600

T HURSDAY 2 M ARCH

Provenance: Estate of Arturo Peralta Ramos II

115 CONNECTICUT PAYMENT FOR MOSES DUNBAR

116

EXECUTION

document read: To John Lawrence Esq., Treasurer Sir please to pay Ezekiel Williams Esqr. Sheriff of Hartford County the sum of Twenty three pounds five shillings Lawful money for his expenses and fees in Executing Moses Dunbar. Who was executed March Last, Hartford, Sept. 12th, 1777 Geo. Pitkin, Clerk

114

$200-400

Provenance: Estate of Arturo Peralta Ramos II Other Notes: Moses Dunbar (1746-1777) was the one of the few men in the state of Connecticut to be convicted of high treason and executed.

Dunbar was imprisoned under suspicion of disloyalty for some two weeks; he escaped and fled to Long Island. There he enlisted in the king’s army and received commission as Captain. Dunbar returned to Bristol, CT and tried to persuade others to enlist in the King’s Army. When he was arrested, his royal commission was found in his pocket. He was indicted for high treason, tried in the superior court in Hartford, Connecticut on January 23, 1777, and was found guilty and executed on the gallows near the present site of Trinity College. It is said that Dunbar’s own father offered the rope for the noose.

117

115

116 ROBERT TOOMBS LETTER TO CHARLES PRATT & CO ABOUT SHIPMENT dated December 21, 1875, letter from Brigadier General Robert Toombs (1810-1885), 1st Confederate States Secretary of State, wrote Charles Pratt & Co. about a shipment of gas in barrels to Georgia. Henry Hutleston Rogers was a partner in Charles Pratt & Co prior to it being purchased by Standard Oil Co. Two pages framed as one, over H13” W15 3/4”

$100-200

Provenance: Henry Hutleston Rogers Henry Huttleston Rogers II, Millicent Rogers, by descent Estate of Arturo Peralta Ramos II

117 COLONIAL AMERICAN PERIOD WILL OF DELIVERANCE SMITH dated 18 November 1697, Dartmouth, Bristol County, Massachusetts DELIVERANCE SMITH (c. 1668-1729)

$100-200

Provenance: Estate of Arturo Peralta Ramos II

118 COLONEL, AIDE-DE-CAMP THE GOVERNOR OF NEW MEXICO PRESENTATION presented 17 September 1955 to ARTURO Peralta Ramos, signed by acting Governor Joseph M. Montoya, and Charles G. Sage

$100-200

Provenance: Estate of Arturo Peralta Ramos II

46

Peralta Ramos Estate

119

119 RARE IMPERIAL CHINESE GILT-BRONZE KNIFE IN CARVED WHITE JADEITE SCABBARD Qing dynasty, 18th century, lotus scroll-carved jade scabbard, mounted near opening in high relief with gilt-bronze ring; gilt-bronze hilt with conforming design, topped with leiwen-carved russet jade pommel, cast-steel blade with fuller down middle on each side; overall L13 1/2”

$30,000-50,000

Provenance: Millicent Rogers Arturo Peralta Romas II Other Notes: It is very rare to find a pure white jadeite scabbard so intricately crafted with a matching gilt-bronze handle, representing such a fine example of the high standards of artistic production achieved in the 18th century. Compare a knife of this type with a jade handle and an intricately carved wood scabbard depicting a flowering lotus scroll, from the collection of Dr. Ip Yee, included in the exhibition Bamboo and Wood Carvings of China and the East, Spink and Son Ltd., London, 1979, cat. no. 277 and sold at Sotheby’s Hong Kong, 19 November 1984; another with jade handle and diaper-carved bamboo scabbard, sold at Christie’s New York, 21st September 2004, Lot 76; and pair of slightly smaller knives with carved jade handles and scabbards, sold in our London rooms, 7th June 1994, Lot 138. A similar gold knife with white jade handle and inlaid gold sheath was included in the exhibition Splendours of China’s Forbidden City, The Field Museum, Chicago, 2004, cat. no. 248, and is pictured in situ, cat. no. 250. The use of personal knives at meals was a mark of Manchu identity.

Manchu men were supposed to cut their meat themselves so as to not fall into the decadent Han Chinese habit of eating their meat pre-cut. When eating sacrificial pork, women were also expected to cut up their own meat. Knives and other eating utensils formed part of the dowries of princesses and even maidservants (see the exhibition catalogue ibid., pp. 197-201).

119 details

47

120 FINE CHINESE DING STONEWARE MEIPING VASE probably Northern Song dynasty, 11th-12th century, fine cream crackle-glazed, over peony and vineincised design and leaf tip at neck, H15”

$1,000-2,000

T HURSDAY 2 M ARCH

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Underside bears old label: Millicent A Rogers Collection, 4088-3. Similar examples of these wares can be found in the Sir Percival David Foundation of Chinese Art, British Museum See related vase from the Millicent Rogers collection (1902-53), offered Sotheby’s-Hong Kong, 08 Oct 2014.

121 CHINESE CREAM-GLAZED CERAMIC VASE probably Qing dynasty, vine and blossom-carved elongated neck above incise-decorated bulbous body; H14”

$1,000-1,500

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: See related vase from the Millicent Rogers collection (1902-53), offered Sotheby’s-Hong Kong, 08 Oct 2014

120

121

122 JAPANESE WOODBLOCK FOLDING BOOK DEPICTING THE CONQUEST OF KOREA Edo period, brocade-covered orihon, fifty-one 14 1/2” x 10” sheets with single to diptych scenes of battles, containing 102 pictorial sheets; including Utagawa Yoshitora “The Conquest of Korea” (Sankan seibatsu no zu) published 1863.

$800-1,200

Provenance: Estate of Arturo Peralta Ramos II

122

48

123 SUZUKI HARUNOBU (Japanese, active c. 1760-1770) LOVERS UNDER AN UMBRELLA IN THE SNOW, c.1766-67 color woodblock, framed, signed sheet H10 1/2” W7 3/4”

$1,000-2,000

Peralta Ramos Estate

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: verso of early 19th century inscribed with notations, including pencil notation as to where the work is to be hung in Mrs. Roger’s home.

124 EARLY JAPANESE WOODBLOCKS, UNIDENTIFIED ARTISTS

123

late 18th century two works GEISHA PAINTING and GEISHA SERVING color woodblock, sheet H9 1/2” W6 3/4” (2pcs)

124

$300-600

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: verso of early 19th century inscribed with notations, including pencil notation as to where the work is to be hung in Mrs. Roger’s home.

125 KITAGAWA UTAMARO (Japanese, 1753-1806) COUPLE WITH A STANDING SCREEN, c.1797 color woodblock, framed sheet H 16” W10”

$500-800

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: verso of early 19th century inscribed with notations, including pencil notation as to where the work is to be hung in Mrs. Roger’s home.

125

126 UTAGAWA KUNISADA (ATTRIBUTED TO) (Japanese, 1786-1864) PROCESSION color woodblock, framed sight H14” W9 1/2”

$200-300

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: verso of early 19th century inscribed with notations, including pencil notation as to where the work is to be hung in Mrs. Roger’s home.

126

49

127 HOSODA EISHI (Japanese, 1724-1770) KOMURASAKI OF THE KADOTAMAYA (from the series Six Flowery Immortals of the Pleasure Quarters), c.1795 color woodblock, framed, signed sheet H15 1/2” W10”

T HURSDAY 2 M ARCH

$600-900

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: verso of early 19th century inscribed with notations, including pencil notation as to where the work is to be hung in Mrs. Roger’s home.

128 KATSUKAWA SHUNSHO (Japanese, 1726-1792) two works: KABUKI ACTORS DRESSED AS WOMEN, c.1780 color woodblock, framed sheet H13 1/4” W5 1/2” (2pcs)

127

$400-600

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: verso of early 19th century inscribed with notations, including pencil notation as to where the work is to be hung in Mrs. Roger’s home.

129

128

129 KITAGAWA UTAMARO (Japanese, 1753-1806) THE LOVERS-GOMPACHI AND KOMURASAK, c.1800 naga-oban color woodblock, framed sheet H19” W7”

$500-800

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: verso of early 19th century inscribed with notations, including pencil notation as to where the work is to be hung in Mrs. Roger’s home.

130

50

130 CHINESE SILK-BOUND PICTORIAL BOOK 19th century, eight vibrantly-painted scenes depicting the process of making silk, from breeding silkworms to weaving fabric, image H7” W12”

$200-300

Provenance: Estate of Arturo Peralta Ramos II

Peralta Ramos Estate

131 CHINESE PAINTED STORY BOOK, CRIME & PUNISHMENT late 19th/early 20th century, 11 scenes each titled with various methods of punishment and torture in silk binding, H9 3/4” W14”

$200-400

Provenance: Estate of Arturo Peralta Ramos II

132 ASIAN BRASS-MOUNTED HARDWOOD CABINET 19th century, configuration of drawers and doors on bracket feet; H19 1/2” W35” D12 1/2”

131

$300-600

Provenance: Estate of Arturo Peralta Ramos II

133 PAIR CHINESE FAMILLE ROSE PORCELAIN BOWLS Qing dynasty, decorated with figures in garden; H2 1/2” Dia.5 1/2” (2pcs)

$200-300

Provenance: Estate of Arturo Peralta Ramos II

133

132

51

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134 (open and closed) Millicent Rogers with second husband Arturo Peralta Ramos, Sr. aboard passenger liner, c. 1927

134 LOUIS VUITTON GENTLEMAN’S WARDROBE TRUNK

France, early 20th century, LV monogram canvas exterior with blue and yellow stripes, tacked leather trim, and inscribed with A.P.R. (Arturo Peralta Ramos, Sr.); fitted interior with hanger and compartments; serial no. appears to read 889873; H44” W22” D22”

$4,000-6,000

Provenance: Arturo Henry Peralta Ramos, Sr. Millicent Rogers Estate of Arturo Peralta Ramos II

135 LOUIS VUITTON STEAMER TRUNK France, early 20th century, LV monogram canvas with tacked leather trim, interior fitted with hanging boxes, five drawers, pullout dressing slide; LV labels and faded serial no. appears to read 999483; H45 1/2” W24 1/2” D23”

$3,000-5,000

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

52

135 (open and closed)

136 OSHKOSH AND CROUCH & FITZGERALD STEAMER TRUNKS

early 20th century, each marked and with initials A.P.R, and Conard Lines labels, H42 1/2” W23” D33” and H41 1/2” W22” D29 1/2” (2pcs)

$300-500

Peralta Ramos Estate

Provenance: Arturo Peralta Ramos, Sr. Millicent Rogers Estate of Arturo Peralta Ramos II

137 PABLO PICASSO CERAMIC PICADOR BOWL (Spanish, 1881-1973) earthenware decoration with matador, from rare limited edition of 500, signed and stamped: MADOURA EDITION PICASSO, H2 3/4” Dia.5”

$1,000-2,000

Provenance: Estate of Arturo Peralta Ramos II Literature: Ramie, Alain. PICASSO: CATALOGUE OF THE EDITED CERAMIC WORKS 1947-1971, Madoura, 1988, p.150, ill.289 138

138 GEOFF TATARSKY (New Mexico, 20th century) NUDE, bronze with dark patina, signed, dated & numbered: 1976, 1/10; H10” W8” D7”

$300-600

Provenance: Estate of Arturo Peralta Ramos II

136

137

53

140 GOLD BUCKET ON LARRY KNAPP WOVEN

143 VINTAGE DUNHILL

LEATHER BELT

GOLD LIGHTER

solid 18K gold recoiled snake, M over TAOS, 18K on finely woven leather marked: LARRY KNAPP; buckle L2” and belt 36”

marked: DUNHILL 14K, 437; H2 1/2” W3/4” D1/2”, and 53.5g all in

$400-600

$300-500

T HURSDAY 2 M ARCH

Provenance: Estate of Arturo Peralta Ramos II

Provenance: Estate of Arturo Peralta Ramos II

141 VINTAGE GENTLEMAN’S TRAVEL ACCESSORIES LeCoultre 8-day leather-cased clock H3” W2 1/4” D1/2” Cartier de Must picture frame H3 1/2” W3” Tiffany & Co sterling shoehorn H5” English sterling money clip H2” W1 1/8” (4pcs)

144 PAIR VINTAGE

GOLD QUILL PENS,

HOWARD & CO

$300-500

each marked: 14K HWS, and engraved A.R. and the other L.P.M.; L6”, 20.5g all in (2pcs)

Provenance: Estate of Arturo Peralta Ramos II

139

142

$200-300

139 ENGLISH GOLD HALF-HUNTER POCKET WATCH, HALL & CO London dated 1939, 18K gold with enameled blue Roman numerals, movement marked: HALL & CO, 56 KING STREET, MANCHESTER, No. 14484; and case with complete maker, hallmarks, case no.

14484, opening to white enamel dial with subsidiary seconds dial; H2 1/2” W1 3/4”, on Albert chain, L8”, total 139.0g all in

Provenance: Estate of Arturo Peralta Ramos II

142 VINTAGE TIFFANY & CO GOLD LIGHTER engraved A.P.R. 1957, marked: TIFFANY & CO 14K; H2 1/4” W1 1/4” D1/2”, 52.5g all in

$400-700

Provenance: Estate of Arturo Peralta Ramos II

$500-800

Provenance: Estate of Arturo Peralta Ramos II

144

140

54

141

143

145 ASIAN ARTIFACT COLLECTION Republic period, comprising: handpainted fan in lacquered case L12 1/2” enamel and nacre looking glass L12” 3 carved stone seals H2 1/2” to 4” (6pcs)

$300-400

Provenance: Estate of Arturo Peralta Ramos II

146 ORNATE CANE COLLECTION early 20th century, comprising: Art Nouveau 800 silver handle L37 3/4” Brigg Paris sword/cane L35” ornate silvered card suit inset L37 1/2” (3pcs)

Peralta Ramos Estate

145

146

147 PAIR WEDGWOOD BLUE JASPERWARE COVERED URNS, AND BOX

149 ASHWORTH IRONSTONE PARTIAL DINNER

early 19th century, impressed upper case WEDGWOOD, H10”; together with 20th century box H2” W3 3/4” D3 1/4” (3pcs)

late 19th century, printed and enameled with an Oriental landscape, assembled service comprising: 43 plates Dia.10 1/2” 17 plates Dia.8 3/4” 16 soup plates Dia.10 1/4” open tureen H6” L15 1/2” 2 sauce tureens on stands H7” 2 covered vegetables L11 1/2” 9 platters L11” to 20 1/2” (92pcs)

$400-600

Provenance: Estate of Arturo Peralta Ramos II

148 WEDGWOOD JASPERWARE URN 19th century, impressed uppercase mark, H10 1/2”

$300-400

SERVICE

$800-1,200

Provenance: Estate of Arturo Peralta Ramos II

Provenance: Estate of Arturo Peralta Ramos II

$300-400

Provenance: Estate of Arturo Peralta Ramos II

147

148

149

55

T HURSDAY 2 M ARCH

150

150 VIENNA PORCELAIN CUPS WITH SAUCERS, AND PAIR CONTINENTAL EWERS 7 coffee canns with 7 saucers, H2 1/2”; pair unmarked hand-painted ewers, H9 1/4” (16pcs)

$200-400

Provenance: Estate of Arturo Peralta Ramos II

151 ITALIAN POLYCHROME-CARVED WOOD CHESS PIECES, BY ANRI circa 1975, complete set, in the Egyptian figural theme, H2 3/4” to 4 1/2” (32pcs)

$400-700

151

154 US WASHINGTON QUARTERS IN WHITMAN ALBUMS

1932 through 1964 (169pcs)

$400-600

Provenance: Estate of Arturo Peralta Ramos II

155 US WALKING LIBERTY AND FRANKLIN HALF DOLLARS IN WHITMAN ALBUMS various dates from 1917 through 1963. (87pcs)

153

$400-600

Provenance: Estate of Arturo Peralta Ramos II

Provenance: Estate of Arturo Peralta Ramos II

152 CRYSTAL DECANTER COLLECTION

156 US FRANKLIN AND WALKING LIBERTY HALF

Val St Lambert H10” Nambe H12” Krosno H11” 2 pitcher style H11 1/4” and 12” 2 pairs unmarked H11” and 14 1/4” (9pcs)

DOLLARS

4 Liberty and 104 Franklin, various dates. (108pcs)

$500-700

Provenance: Estate of Arturo Peralta Ramos II

$200-400

Provenance: Estate of Arturo Peralta Ramos II

153 MIDDLE EASTERN MINIATURE PAINTED PANEL 19th century, DEER HUNT SCENE, watercolor on bone, unsigned, framed H3 1/2” W7”

$150-300

Provenance: Estate of Arturo Peralta Ramos II 152

56

155

157 US MORGAN SILVER DOLLARS IN WHITMAN ALBUM

1879, 1880-S, 1881-S, 1882-S, 1883, 1883-O, 1884, 1885-O, 1887, 1889, 1891-S, 1896, 1901-O, 1903, 1921, 1921-D, 1921-S, circulated. (17pcs)

$300-600

Provenance: Estate of Arturo Peralta Ramos II

158 US PEACE SILVER DOLLARS IN WHITMAN ALBUM 1922, 1922-D, 1922-S, 1923, 1923-D, 1923-S, 1924, 1925, 1925-S, 1926-S, 1927-D, 1928-S, 1935-S, circulated. (14pcs)

161

162

Peralta Ramos Estate

160

163

161 US 1920 PILGRIM TERCENTENARY COMMEMORATIVE HALF DOLLAR EF to AU

$100-200 Provenance: Estate of Arturo Peralta Ramos II

162 US 1936 OREGON TRAIL COMMEMORATIVE HALF DOLLAR

EA to AU

$100-200 Provenance: Estate of Arturo Peralta Ramos II

165

163 US 1937 DANIEL BOONE COMMEMORATIVE

$200-300

Provenance: Estate of Arturo Peralta Ramos II

HALF DOLLAR

EF to AU

159 US KENNEDY HALF DOLLARS

$100-200 Provenance: Estate of Arturo Peralta Ramos II

seventeen 1964 and fourteen 1965-1969 (31pcs)

$100-200

164 US 1936 RHODE ISLAND COMMEMORATIVE

Provenance: Estate of Arturo Peralta Ramos II

HALF DOLLAR

160 US 1918 LINCOLN ILLINOIS COMMEMORATIVE

EF to AU

$100-200

HALF DOLLAR

Provenance: Estate of Arturo Peralta Ramos II

EF to AU

$100-200

165 US 1936-S TEXAS COMMEMORATIVE HALF

Provenance: Estate of Arturo Peralta Ramos II

DOLLAR

EF to AU 164

$100-200 Provenance: Estate of Arturo Peralta Ramos II

57

T HURSDAY 2 M ARCH

166

168

166 SCOTTISH SILVERPLATE AND CARVED WOOD STONE DIRK late 19th century, chased mounts with dragon designs, set with stones, marked: R & H.B. KIRKWOOD, THISTLE ST., EDINBURGH; overall L17 1/2”

$300-500

Provenance: Estate of Arturo Peralta Ramos II

167 BALLESTER RIGAUD 22 CAL SEMI-AUTOMATIC PISTOL SN 9435, barrel 5” and overall L8 1/4” ***FFL REQUIRED***

$200-300

Provenance: Estate of Arturo Peralta Ramos II

168 WILLIAM CRANMER PAINTED WOOD DUCK DECOYS pair American Meganser; pair Buffelhead; pair Mallard; pair Goldeneye; pair Old Squaw; pair wood duck; female Black duck; male Canvasback; female Hooded Merganser; each signed and dated 1978 and titles. (15pcs)

$600-900

Provenance: Estate of Arturo Peralta Ramos II 167

58

171

169 PHILADELPHIA GUN CLUB SILVERPLATE ICE WATER PITCHERS

late 19th century, engraved cartouche, marked: Meriden Mfg; H8 1/2” (2pcs)

$100-200

Provenance: Estate of Arturo Peralta Ramos II

172

174 COLLECTION SILVER TROPHIES, PRESENTED TO ARTURO PERALTA RAMOS

dated September 12, 1959; listing 19 contestants and winner ARTURO PERALTA RAMOS JR (killed 33-Missed 2); marked; H6” and 15.0ozT

1961 Cartier “Dadsmanship” sterling cup H4” 1941 & 1942 A.P.S. Sports Day sterling goblets H6 1/2” 1963 Philadelphia Gun Club, continental silver covered cup H8” Total 20.5ozT (4pcs)

Provenance: Estate of Arturo Peralta Ramos II

170 ARGENTIUM SILVER PHILADELPHIA GUN CLUB TROPHY

dated January 5, 1973, listing 21 contestants and winner ARTURO PERALTA RAMOS JR (killed 14-Missed 1); marked; H6” and 13.7ozT

$200-300

Provenance: Estate of Arturo Peralta Ramos II

173

171 J.E. CALDWELL & CO STERLING PHILADELPHIA GUN CLUB, OMNIUM CUP

$200-400

172 ARGENTIUM SILVER PHILADELPHIA GUN CLUB, MORNING SHOOT TROPHY

Peralta Ramos Estate

170

$200-400

Provenance: Estate of Arturo Peralta Ramos II

dated April 12, 1980, listing 14 contestants and winner ARTURO PERALTA RAMOS JR (killed 14-Missed 1); marked; H6” and 13.0ozT

$200-300

Provenance: Estate of Arturo Peralta Ramos II

173 ARGENTIUM SILVER PHILADELPHIA GUN CLUB TROPHY dated February 23,1974, listing 17 contestants and winner ARTURO PERALTA RAMOS JR (killed 21Missed 1); marked; H6” and 13.0ozT

$200-400

Provenance: Estate of Arturo Peralta Ramos II 169

174

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175

177

175 PAIR FRENCH GILT-OPALINE GLASS OIL LAMPS

177 PAIR FRENCH FIGURAL TABLE LAMPS

179 GERMAN CHIP-CARVED WOOD WHISTLERS

19th century, gilt-metal mounts with hoof feet, H21 1/2” (2pcs)

painted plaster standing figures, overall H28” (2pcs)

sailor H14” and old man H12 1/2” (2pcs)

Provenance: Estate of Arturo Peralta Ramos II

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

$500-800

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II Other Notes: Illustrated in 21 Sutton Place, New York residence photograph

176 PAIR FRENCH OPALINE GLASS OIL LAMPS 19th century, gilt-decorated and metal-mounted white and blue glass body, wick adjuster marked: R. DITMAR; H18” (2pcs)

$200-400

Provenance: Estate of Arturo Peralta Ramos II

60

176

$200-300

178 AMERICAN BRONZE BUST OF MILLICENT ROGERS early 20th century, bronze golden-brown patina on black marble base, signed: SB; overall H14 1/2” W5”

$300-500

180 REGENCY CARVED GILTWOOD BULL’S-EYE MIRROR

$400-600

first quarter 19th century, eagle pediment and leaf designs; H33” W27”

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

Provenance: Estate of Arturo Peralta Ramos II

$500-700

Peralta Ramos Estate

180 178

181 CARVED AND PAINTED WOOD FRAMED MIRROR early 20th century, H42” W38”

$300-500

Provenance: Millicent Rogers Estate of Arturo Peralta Ramos II

182 PIERRE ANDRIEU (French, 1821-1892) BAPTEME DU ROI DE ROME, 1811 gilt-copper medallion, framed, signed and titled Dia.2 3/4”

$200-400

179

Provenance: Estate of Arturo Peralta Ramos II

182

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SILVER CLOUD III

183

64

183 ROLLS ROYCE SILVER CLOUD III, 1964

88th Anniversary Sale

silver over midnight blue, right-hand drive 42,272 miles (possibly the actual mileage but not warranted) chassis number SFU 263 engine number SU131F 9:1 high compression model body number 7698 paint code ICI M 062-4142, midnight blue interior hide VM 3393, grey retro-fitted air conditioning, re-charged with recently replaced compressor fitted dust cover With original British registration plates

$20,000-30,000

Provenance: purchased from these sales rooms George Capers Bull, Jr, March 2014, lot 414 South Carolina collection Other Notes: This eminently collectible Silver Cloud III is a delightful example of the 2,044 units that were built between 1963 and 1966. It comes complete with the original owner’s manual that still retains the lubrication and maintenance chart (TSD Publication 2028) and wiring diagram (TSD publication 2076).

Additional documentation includes an original ring-bound workshop manual (publication TSD 729) and a 1979 reprint of the V-8 engine manual (TSD publication 753). A complete copy of the original factory build-sheets and road-test rectification notes are part of a comprehensive history file consisting of correspondence and invoices dating back to 1984.

This eye-catching example of incomparably stylish gentleman’s motoring perfection has been owned for almost a quarter of a century by a prominent local businessman who was a descendant of one of the colonial British Governors of South Carolina. This Rolls Royce was imported rather unconventionally because it was shipped to its new home as “hand luggage” on a QE II transatlantic crossing in 1984. During its long life in South Carolina, this Silver Cloud was cherished, well-looked after and frequently exhibited at classic car events. This Cloud III was specially found as a prime specimen in England at the time of purchase, and because it has not been through any uncaring hands in the past it is, in this respect, an unusual example of this investment grade motor car.

Before the second World War it was only possible to buy a rolling chassis from Rolls Royce. The new chassis was delivered to a coachbuilder of one’s personal choice for completion to a bespoke design or to be fitted with a factory approved, standardized design. The construction of a separate body by another company was an expensive way to create a motor car and fully cognizant of post-war British market austerity, the 1949 “Silver Dawn” was the first ever Rolls-Royce to be offered complete with a “standard steel” factory-made body.

The austerity “Dawn” was sold into a weak market and only 760 were made. But in April 1955, the J. P. Blatchley designed Silver Cloud was presented to instantly enthusiastic public acclaim. Like any real work of art, the visual delights of this exceptionally elegant motor car have continued to improve with age and are not likely to be bettered in their archetypal, categorical perfection. The Cloud speaks to everyone, and this model will forever say “Rolls Royce” to even the most disinterested member of the public.

Not surprisingly, the exceptional Silver Cloud was, in Rolls Royce terms, a wildly successful design that sold in unheard-of quantities and remained, with minor modifications, in production for eleven years until March 1966. By 1959, the 6-cylinder in-line engine was no longer considered adequate for the all-important US market and with the quiet assistance of GM’s Cadillac division, Rolls Royce introduced their first V-8 engine configuration with the Silver Cloud series II model.

Concerned with losing market shares to the Mercedes-Benz 600 “Grosser Mercedes” introduced in 1963, the Silver Cloud III was visually refined with a marginally lowered radiator profile, twin headlamps and updated performance with new carburetors that produced about 10% more power. When provoked by an errant Pontiac GTO muscle car of the same year, this patrician transport can be coaxed to barrel along at an almost ungentlemanly 120 mph and will confidently outbrake the GTO at any time along the way, but for practical purposes, this elegant conveyance feels entirely happy at normal interstate speeds. Solidly built with a separate chassis/body configuration and equipped with a virtually bullet-proof V-8 devoid of failure-prone electronics, there are plenty of good reasons to suggest that a Cloud III can easily be enjoyed as a daily driver.

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184 FINE PAIR FRENCH OR RUSSIAN BRONZE-MOUNTED MAHOGANY CABINETS late 19th/early 20th century, green-veined marble top above door with mirrored side panels and shelves on lower D-shape cabinet, trumpet feet, scrolling and figural gilt-bronze mounts, stamped: NK, H71” W36 1/2” D16 1/2” (2pcs)

$8,000-12,000

Provenance: Estate of Sue Rogers Johnson

184

66

185 LOUIS XVI STYLE AJACOU

MAHOGANY LIT DE REPOSE,

ATTRIBUTED TO

LINKE

88th Anniversary Sale

late 19th century, bronze mounted, shaped crestrail with floral wreath pediment, on trumpet feet; H56 1/2” W47 1/2” L82 1/2”

$1,500-2,500

Provenance: Property of a gentleman

186 LOUIS XV CARVED WALNUT ARMCHAIR

18th century, carved frame, serpentine seat, X-brace stretcher; BH40” SH16” W28” D23”

$600-800

Provenance: North Carolina collection

185

186

187 FRENCH EMPIRE CHERRY WORK TABLE

early 19th century, round hinged and molded top, carved swan supports, trefoil stretcher and paw feet; H29” Dia.17”

$800-1,200

Provenance: Property of a lady

188 EMPIRE FRUITWOOD AND MARBLETOP CONSOLE TABLE

Northern European, first quarter 19th century, rouge mottled marble top, carved leaf-decorated skirt, animal-shaped legs and hoof feet; H34” W48” D24 1/2”

$2,000-3,000

Provenance: Property of a lady

188

187

67

189 CONTINENTAL PAINTED AND CARVED GILTWOOD OVERMANTLE MIRROR

second quarter 19th century, Classical form with column supports and leaf designs; H54” W4 3/2”

$1,500-3,000

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Provenance: Millicent Rogers Arturo Peralta Ramos, by descent Gift to Jacqueline Peralta Ramos Other Notes: verso inscribed in chalk: MRS. M, CLAREMONT FROM LONDON

190 BIEDERMEIER CHERRY AND EBONY MIRROR mid 19th century, with molded crown; H53” W21”

$500-700

Provenance: Property of a lady

191 LOUIS XV STYLE CARVED BEECHWOOD ARMCHAIR

late 19th century, with needlework upholstery; BH 39” SH16” W30” D26”

189

$400-500

190

Provenance: Georgia collection

192 FRENCH PROVINCIAL CARVED OAK GLISSANTE

mid 19th century, H58” W58 1/2” D20”

$1,000-1,500

Provenance: North Carolina collection

192

68

191

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193 PAIR LOUIS XIV STYLE CARVED BEECHWOOD ARMCHAIRS

pierced crestrail with masque-head decoration and scrolling handrests; BH60” SH18” W32” D33”(2pcs) 193

$1,800-2,800

Provenance: Formerly in collection of Oprah Winfrey Current owner purchased from Upscale Antiques, Miami, FL

194

194 LOUIS XV PROVINCIAL CARVED OAK COMMODE late 18th century, serpentine front, paneled sides, scrolling feet; H38 1/2” W53” D26 1/2”

$1,500-2,200

Provenance: South Carolina collection

195 FRENCH PROVINCIAL FRUITWOOD BUFFET DEUX CORPS late 18th/19th century, molded crown and doors on cabriole legs; H84” W56 1/2” D22”

$1,000-2,000

Provenance: North Carolina collection

196 LOUIS XVI STYLE INLAID KINGWOOD CABINET

mid 19th century, gray-veined marble top, configuration of drawers and doors, bronze mounts and splay feet; H36” W32” D20 1/2”

$600-800

Provenance: North Carolina private collection 195

196

69

199 FRENCH PROVINCIAL CARVED FRUITWOOD DRESSER

18th century, four-tier shelves with plate rails, molded panel and shaped feet; H90” W54” D24”

$1,200-2,200

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Provenance: North Carolina collection

200 PAIR LOUIS XVI STYLE CARVED BEECHWOOD & BRONZE-MOUNTED FAUTEUILS 197

197 BIEDERMEIER BIRCH SLEIGH BED mid 19th century, scrolling head and footboard on plinth molded base; H38” W40” L92”

$700-1,000

Provenance: Property of a lady

198 CONTINENTAL PINE CHEST OF DRAWERS 19th century, scalloped top, shaped front on scroll feet; H33” W41” D19 1/2”

$600-900

late 19th century, shaped crestrail over square back on tapered fluted legs; BH39” SH16” W24” D22” (2pcs)

$600-900

Provenance: South Carolina private collection

200

201 CONTINENTAL CARVED FRUITWOOD FOOTSTOOL

circa 1880, overupholstered cushion, carved skirt, cabriole legs with scroll toes; H17” W25 1/4” D22 3/4”

$300-500

Provenance: North Carolina collection

202 LOUIS XV PROVINCIAL WALNUT SIDE CABINET mid 18th century, drawers, panel sides and doors; H50” W48” D22 1/2”

$1,000-1,500

Provenance: North Carolina collection

202

70

201

199

203 CONTINENTAL GILT-BRONZE AND CRYSTAL TWENTY-LIGHT CHANDELIER early 20th century, H32” Dia.40”

$1,500-2,500

Provenance: North Carolina collection

88th Anniversary Sale

204 FRENCH EMPIRE STYLE GILT-BRONZE AND CRYSTAL BASKET CHANDELIER

late 19th century, scrolling supports, bronze swags, accented by blue enamelwork; H24” Dia.18”

$1,000-1,500

Provenance: North Carolina collection

205 BACCARAT STYLE CRYSTAL TWELVE-LIGHT CHANDELIER

turned stem, supporting shaped arms, H40” Dia.28”

$900-1,300

Provenance: South Carolina collection

206 BRASS SEVEN-LIGHT CHANDELIER

203

207 FRENCH EMPIRE STYLE GILT-BRONZE SIX-LIGHT CHANDELIER

late 19th/early 20th century, H25” Dia.20”

$600-900

Provenance: North Carolina collection

late 19th century, central stem pierced scrolling band, supporting scrolling arms and lantern shaped light below; H67” W30”

$800-1,200

Provenance: South Carolina collection Other Notes: Purchased from North Carolina antiques dealer with the provenance of having once been the property of Rock Hudson.

205

204

206

207

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210

208

208 PAIR FRENCH BRONZE-DORE THREE-LIGHT

211 SAMSON ARMORIAL PORCELAIN CABINET PLATE

CANDELABRA

SET

late 19th century, in the Louis XIV taste with bouquet finial leading to scrolling leaf and fruit-adorned arms, on reeded pedestal-form stem and lion’s-mask decorated base; H17 1/2” Dia.14” (2pcs)

late 19th century, floral border centering pseudo armorials, signed on underside; Dia.9 1/2” (12pcs)

$600-900

Provenance: Florida private collection

$1,800-2,400

211

209 PAIR FRENCH EMPIRE ORMOLU-MOUNTED OPALINE GLASS URNS

circa 1815, pink to white transitioning opaque glass adorned with Neoclassical mounts; H21 1/2” (2pcs)

$700-1,000

Provenance: Millicent Rogers Arturo Peralta Ramos, by descent Gift to Jacqueline Peralta Ramos

210 PAIR FRENCH EMPIRE STYLE BRONZE AND MARBLE URNS

third quarter 19th century, H15 1/2” Dia.6 1/2”

$500-700

Provenance: Dorothy Greene Owen estate

72

209

212

88th Anniversary Sale

214

212 PAIR FRENCH BRONZE-MOUNTED MARBLE URN-FORM LAMPS early 20th century, H37” (2pcs) 213

$500-800

Provenance: North Carolina collection

213 FRENCH TERRACOTTA FIGURAL GROUPING 19th/20th century, children playing drums, unsigned, H21” W17” D12”

$500-800

Provenance: Dorothy Greene Owen estate

214 PAIR SEVRES PORCELAIN CACHEPOTS probably 18th century, painted floral sprays accented with gilt and cobalt leaf and shell designs; marked interlocking blue Ls and date letter T; H5 1/4” W7 1/4” (2pcs)

$500-800

Provenance: Estate of Jacqueline Peralta Ramos

215 PAIR PARIS PORCELAIN URNS 19th century, gilded vibrant enamels and floral sprays centering jewelwork cabochons, with mask handles; H16” (2pcs)

$400-700

Provenance: Millicent Rogers Arturo Peralta Ramos, by descent Gift to Jacqueline Peralta Ramos

216 PAIR FRENCH GILT-CRYSTAL OIL LAMPS late 19th century, with handmade shades, H26” overall 43” (2pcs)

$500-700

Provenance: North Carolina collection

216

215

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219

221 FRENCH OPALINE GLASS OBJECTS OF VIRTUE, PALAIS ROYAL 217

218

217 FRENCH EMPIRE ORMOLU-MOUNTED OPALINE GLASS VASE, PALAIS ROYAL circa 1830, winged caryatid handles on white glass vessel; H13 1/2”

$400-600

Provenance: Millicent Rogers Arturo Peralta Ramos, by descent Gift to Jacqueline Peralta Ramos

220

220 FRENCH OPALINE GLASS PERFUME CASKET, PALAIS ROYAL 19th century, ormolu-mounted green-glass orb on white marble base; opening to reveal four diminutive scent bottles; H9 1/4” W4 1/2”

$300-500

Provenance: Millicent Rogers Arturo Peralta Ramos, by descent Gift to Jacqueline Peralta Ramos

218 FRENCH GILT-BRONZE MOUNTED MARBLE CLOCK

19th century, ormolu-mounted and marble perfume bottles H4” and 5 1/2”; and dresser jars H1” and 3” (6pcs)

$300-400

Provenance: Millicent Rogers Arturo Peralta Ramos, by descent Gift to Jacqueline Peralta Ramos

222 WEDGWOOD BI-COLOR JASPERWARE TEA SET AND PITCHER

18th/19th century, lavender and green applied designs on white ground; pitcher H9 1/2”; and 7-piece tea set: teapot, open sugar, creamer, and two cups with saucers (8pcs)

$700-900

19th century, lovebird finial on architectural Carrara marble case, centering enameled dial, works marked: 29205; H10 1/2” W5” D3 1/2”

Provenance: Property of a lady

$400-600

Provenance: Estate of Sue Rogers Johnson

219 PAIR LOUIS XV STYLE GILT-BRONZE TWO-LIGHT BRAS DE LUMIERE

H17” W14” D9” (2pcs)

$300-500

Provenance: Estate of Sue Rogers Johnson 222

74

221

88th Anniversary Sale

223

223 EUGENE BOUDIN (French, 1824-1898) TROUVILLE, LES JETEES, MAREE BASSE oil on panel, framed, signed & dated lower left, 88 H13 1/4” W16 1/4”

$20,000-30,000

Provenance: Millicent Rogers Arturo Perlata Ramos II, by descent Estate of Jacqueline Peralta Ramos Literature: Schmit, Robert. EUGENE BOUDIN (1824-1898), vol. II, Paris, 1973, no. 2251, illustrated p. 359, illustrated nearly identical scene.

Other Notes: verso inscribed 24005.

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224

224 FRITS THAULOW (Norwegian, 1847-1906) FREIGHT TRAIN, DUSK oil on canvas laid to board, framed, signed lower left H26” W32”

$15,000-25,000

Provenance: Sotheby’s, New York, Jan. 25, 1980, Lot 150 Christie’s, New York, Feb. 19, 1992, Lot 84 Estate of Jacqueline Peralta Ramos Other Notes: It is thought that this painting was executed in Pittsburgh, Pennsylvania during Thaulow’s trip to America in 1898.

76

88th Anniversary Sale

224A

224A DAVID GILMOUR BLYTHE (American, 1815-1865) JANUARY BILLS oil on canvas, framed, signed: lower right H20" W24"

$15,000-25,000

Provenance: Macbeth Gallery, New York George L. Hailman Millicent Rogers Arturo Peralta Ramos, by descent Gift to Jacqueline Peralta Ramos Other Notes: It is thought that this painting was executed in Pittsburgh, Pennsylvania during Thaulow’s trip to America in 1898.

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225

225 WALTER BRIGHTWELL (American, b. 1919 - after 1971) LOOKING DOWN 6TH AVENUE TOWARD THE JEFFERSON MARKET LIBRARY BUILDING oil on board, framed, signed: lower right H20” W28”

$6,000-8,000

78

88th Anniversary Sale

225A

225A EVERETT SHINN (New York, 1876-1953) GREEN DOOR, 1902 pastel, framed, signed & dated: lower right sight H16" W18 1/2"

$10,000-15,000

Provenance: Millicent Rogers Arturo Peralta-Ramos, by decent Gift to Jacqueline Peralta Ramos Other Notes: verso bearing old label: The American British Art Center, Inc, New York, purchased by Mrs. H. Rogers, circa 1946

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T HURSDAY 2 M ARCH 226 MAURICE BRAZIL PRENDERGAST (Massachusetts, 1858-1924) STROLL ALONG BEACH, DINARD oil on panel, framed, signed & dated: 1891 H10 1/2” W8”

$10,000-20,000

Provenance: C.W. Kaushaar Art Galleries, New York Estate of Jacqueline Peralta Ramos Other Notes: Various old labels on verso from Prendergast and Kaushaar Galleries

80

226

88th Anniversary Sale

227

227 GEORGE FORSTER (New York/Germany, 1817-1896) STILL LIFE WITH FRUIT oil on canvas, framed, signed & dated: lower left H25” W30”

$20,000-30,000

81

229 WILLIAM MOORE DAVIS

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(New York, 1829-1920) YOUNG GIRL READING BY TREE, c.1875 oil on canvas on board, framed, signed: bottom center H9 1/4” W8 3/4”

$10,000-15,000

229

228 MARY CASSATT (Pennsylvania, 1844-1926) FILLETTE AU CHAPEAU DE GALA pencil, framed, stamped lower right and labels on verso sight H7” W4 1/2”

$3,000-5,000

Provenance: Millicent Rogers Arturo Peralta Ramos, by descent Gift to Jacqueline Peralta Ramos Other Notes: Various stamps, labels and inscriptions on verso: including blue circular stamp DOUANES EXPOSITIONS, PARIS; black stamp COLLECTION MARY CASSATT, MATHILDE; and written 13.975 M. CASSATT, FILLETTE AU CHAPEAU DE GALLA, DESSIN, 117; and others 228

82

230 BRITISH SCHOOL, 18TH/19TH CENTURY SOPHONISBA RECEIVING THE POISIN CUP oil on canvas, framed, unsigned H61” W40”

$2,000-3,000

Provenance: Dorothy Greene Owen estate

88th Anniversary Sale

230A EUGENE DELACROIX (French, 1798-1863) DRAWING OF DETAILS FROM AN ALTERPIECE OF THE SCHOOL OF PERUGINO pencil, framed, signed with artist's studio stamp in lower right sight H5 3/4" W9"

$2,000-4,000

Provenance: Millicent Rogers Arturo Peralta Ramos, by descent Gift to Jacqueline Peralta Ramos Other Notes: verso bearing old Museum of Modern Art-New York label (Museum No. 40.43)

230A

231 MAX WEBER (New York, 1881-1961) THREE GRACES oil on canvas, framed, signed H20” W16”

$2,000-3,000

Provenance: Bellaire, Florida estate in the 1970s Florida private collection

230

231

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232

232 THOMAS HEWES HINCKLEY (Massachusetts/California, 1813-1896) RABBIT HUNTING oil on canvas, framed, signed & dated: lower right H35 3/4” W48”

$20,000-30,000

84

234 WILLIAM MCEWAN (New York, fl. 1859-80) BALLING YARN IN THE KITCHEN oil on canvas, framed, signed & dated: lower left H14 1/4” W17 1/4”

$6,000-8,000

88th Anniversary Sale

235 CHARLES CLAIR (French, 1860-1930) L’EGLISE oil on canvas, framed, signed lower left: Clair H36 1/2” W28 1/2”

$1,500-2,500

Provenance: North Carolina private collection

235

233

233 EVERETT SHINN (New York, 1876-1953) FLORENCE SCOVEL SHINN, 1908 pastel and monotype on paper, framed, signed, titled & dated lower right sheet H13” W8 1/4”

$2,000-3,000

Provenance: Millicent Rogers Arturo Peralta Ramos, by descent Gift to Jacqueline Peralta Ramos Other Notes: American British Art Center, Inc-New York label on verso, states that it was purchased by Mrs. H. Rogers, 2/20/1945 for a sum of $200. Mrs. Huttleston Rogers is the name Millicent took after her divorce.

234

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237

236 PAVEL TCHELITCHEW (New York, 1898-1957) NIGHT STREET SCENE watercolor and ink, framed, signed & dated upper right: 33 sight H7 1/2” W11 1/4”

$1,000-2,000

Provenance: Estate of Jacqueline Peralta Ramos

236

237 EDWARD VON SIEBOLD DINGLE (South Carolina, 1893-1975) BLUEBIRD, No. 2872 (Adult Male and Young) watercolor, framed, signed lower right sight H14” W12”

$1,000-2,000

Provenance: South Carolina collection

238 EDWARD VON SIEBOLD DINGLE (South Carolina, 1893-1975) CAROLINA WREN AND CAMELLIA watercolor, framed, signed lower right sight H13 1/2” W10 1/2”

$1,000-2,000

Provenance: South Carolina collection

239 JACKSON HENSLEY (New Mexico, b. 1940) two works: ELM GROVE and ADOBE GATE watercolor on artist board, framed, signed H13” W15 1/2” (2pcs) 238

86

$1,000-1,500

Provenance: Property of a lady

239

240 NO LOT

243 JACKSON HENSLEY (New Mexico, b. 1940) AFTER THE STORM watercolor on artist board, framed, signed H13 1/2” W20”

$700-1,000

Provenance: Property of a lady

88th Anniversary Sale

244 ITALIAN RENAISSANCE STYLE TABERNACLE FRAME WITH PAINTING BY

HENSLEY 241

241 GEORGE LOFTUS NOYES (Massachusetts, 1864-1954) THE VILLAGE IN AUTUMN oil on board, framed, signed: G.L. Noyes H10” W11”

19th century, carved and painted giltwood, H20 1/2” W18 1/4”; containing painting by Morey Hensley (New Mexico, b. 1940) CRUCIFIXION OF CHRIST, signed, H11” W8 3/8”

243

$600-1,000

Provenance: Property of a lady

$800-1,400

Provenance: Property of a lady

245

242

242 JAMES CRAIG NICOLL

245 ANN MCNULTY BROCKMAN

(New York, 1846-1918) RUSHING WAVE, OQUNQUIT MAINE, 1905 oil on canvas, framed, signed lower right H10 1/2” W14”

(California, 1899-1943) NUDE BATHING and NUDES AT LAKE oil on board, framed, signed H10” W8” and H19” W12” (2pcs)

$700-1,000

$600-900

Provenance: South Carolina private collection

Provenance: Property of a lady 244

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247

246

246 ANDRE GISSON

247 ROBERT LAVERGNE

(New York, 1921-2003) SUMMER STROLL oil on canvas, framed, signed H12” W16”

(American/French, 1920-1913) FRENCH COUNTRYSIDE oil on canvas, framed, signed, H42” W39 1/2”

$600-900

Provenance: Georgia private collection

$500-800

Provenance: Purchased from these sales rooms, March 1999, Lot 169 North Carolina collection Other Notes: Label on verso: Les Cadre d’Ordre

249 KENNETH PRICE

248 KENNETH PRICE

(New Mexico/California, 1935-2012) LORNA, 1981 watercolor and colored pencil on xerox, unframed, signed in pencil: LORNA, 2/8, PRICE, 81

(New Mexico/California, 1935-2012) TIJANA DANCER WITH CEILING, 1975 graphite, pencil, pen, and acrylic on paper, framed, signed, titled & dated in pencil bottom and verso #1067 image H11” W8 1/2”

$2,000-3,000

Provenance: Property of a gentleman

248

88

249

$500-800

Provenance: Property of a gentleman

88th Anniversary Sale

250

250 DIAMOND AND EMERALD BRACELET

252 VINTAGE DIAMOND AND RUBY BRACELET

18K gold, approx. 20.0ctw oval emeralds and 4.0ctw round diamonds; L7” and 31.5g all in

approx. 5.0ctw round full-cut diamonds, and approx. 10.14ctw round brilliant-cut natural rubies, mounted in 18K gold in articulated stylized leaf design, L7” W3/4”, and 103.8g all in

$6,000-8,000

251 ART DECO PLATINUM FILIGREE AND DIAMOND

$4,000-6,000

Provenance: South Carolina private collection

RING

1.8ct old European-cut diamond, color G-H, clarity VS1; size 5.5, 4.3g all in

$12,000-18,000

Other Notes: Accompanied by 1979 appraisal

by Graham’s Jewellers; and 1995 updated appraisal by Sylvan Brothers

Other Notes: Accompanied by EGL certificate no.

US916239201D 251

252

89

253 GOLD AND CHOCOLATE DIAMOND SALAMANDER RING 18K gold, 2.75ctw round brilliant-cut brown diamonds, marked: 750; size 7, 11.5g all in

$2,500-3,500

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254 DIAMOND BRACELET 14K white gold, flexible design, set with approx. 12.5ctw round diamonds, color G-H, clarity I1; L7” and 21.5g all in

$9,000-12,000

255 VINTAGE DIAMOND AND GOLD BRACELET, JACK GUTSCHNEIDER CO twenty-nine round diamonds set in 18K gold flexible bracelet, marked: JGJLRY, 18K; L6 1/2” and 73.6g all in

$3,000-5,000

Provenance: South Carolina private collection

253

256

256 CARTIER STYLE GEMSTONE NECKLACE WITH ENHANCER

18K white gold free-form necklace and detachable pendant set with approx. 55.0ctw semi-precious gemstones and 1.5ctw round diamonds, L15 3/4” pendant H3”, 57.0g all in

$6,000-9,000

255

254

90

257 BLUE SAPPHIRE AND DIAMOND COLLAR NECKLACE

18K gold, approx. 26.0ctw cabochon blue sapphires, and accented 7.5ctw round and emerald-cut diamonds; L14” and 77.0g all in

$8,000-12,000

88th Anniversary Sale

258 VINTAGE GOLD LARIAT NECKLACE 14K gold rope-twist leading to knot and foxtail-beaded fringe tassels, stamped: 14K and PAT. 3308517; L25” and 3 1/3” drop; 51.0g

$800-1,200

Provenance: South Carolina private collection

259 CEYLON SAPPHIRE AND GOLD BRACELET 257

18K gold flexible design set with approx. 22.5ctw cushion-cut sapphires, L6 1/2”, 11.0g all in

$7,000-9,000

260 PAIR DIAMOND STUD EARRINGS 14K white gold studs set with approx. 2.0ctw diamonds, color G-H, clarity I; 1.5g all in (2pcs)

$5,000-7,000

260

258

259

91

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261

261 VINTAGE GOLD CHARM BRACELET circa 1965, intricate 14K gold woven bracelet with 7 charms, L7” and 44.2g all in

$600-900

Provenance: South Carolina private collection

262 VINTAGE GOLD CUFF BRACELET 14K intricate design flexible hinged cuff, L7 1/2”, and 56.5g

263

$800-1,200

Provenance: South Carolina private collection

263 TANZANITE AND DIAMOND COCKTAIL RING 14K gold set with approx. 22.0ct oval tanzanite accented by approx. 1.25ctw round and baguette diamonds; size 6.25, 14.4g all in

$9,000-14,000

262

265 GEMSTONE AND DIAMOND RINGS 14K oval aquamarine, size 8 14K ruby, size 8 14K pearl and emerald, size 7 14K sapphire, size 8 18K simulated amethyst, size 8 Total 29.8g all in

$700-1,000

264 TIFFANY & CO PLATINUM AND DIAMOND

264

Provenance: South Carolina private collection

ETERNITY BAND

approx. 1.1ctw diamonds, color E-F, clarity VS; size 6.75, 4.0g all in

$3,000-4,000

265

92

266 FRENCH GOLD AND DIAMOND ARTICULATED FLORAL BROOCH

18K gold mesh petal and stem adorned with 2.5ctw diamonds, color G-H, clarity VS; H2 1/2” W2” and 41.0g all in

$4,000-6,000

88th Anniversary Sale

267 PLATINUM AND DIAMOND ETERNITY BAND

approx. 8.0ctw marquise cut diamonds, color G-H, clarity VS; size 5.75, and 10.0g all in

$7,000-9,000

268 VICTORIAN GOLD LARIAT NECKLACE 14K gold intricate chain leading to carnelian cameo-inset medallion supporting foxtail-beaded fringe tassels, L24” and 3 1/2” drop; 66.0g all in

266

$900-1,300

Provenance: South Carolina private collection

269 NATURAL RUBILITE AND DIAMOND COCKTAIL RING

18K gold, approx. 18.2ctw oval rubilite accented by 2.6ctw round diamonds, size 10.5, 19.5g all in

270 DIAMOND ETERNITY BAND 18K white gold set with approx. 9.0ctw round and baguette diamonds, color F-G, clarity VS; size 7, and 8.2g all in

$9,000-14,000

$6,000-8,000 268

267

269

270

93

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271

272

273

271 ENDLESS STRAND OF BAROQUE PEARLS

273 PLATINUM AND DIAMOND ENGAGEMENT RING

275 PAIR DIAMOND CHANDELIER EARRINGS

one hundred seventy-one 11.0-14.7mm cultured white pearls, L108”

1.02ct round diamond, color F-G, clarity VS1, size 6.5, 5.5g all in

18K white gold set with approx. 5.5ctw diamonds, color H-I, clarity VS; H3” and 18.5g all in (2pcs)

Provenance: Hawaiian private collection

Other Notes: Accompanied by UGS certificate no.

US909124903D

$1,000-1,500

272 FANCY YELLOW DIAMOND EARRINGS platinum set with 2.03ctw pear-shape light yellow diamonds accented by 0.74ctw round diamonds, color F-G, clarity VS1-VS2, H1/2”, 5.9g all in (2pcs)

$8,000-10,000

Other Notes: Accompanied by EGL certificate no.

US916410207D

$7,000-10,000

274 DIAMOND AND HEAVY GOLD NECKLACE AND BRACELET

14K gold curb links spaced by six bar links set with ten round diamonds, L 30, together with well-matched bracelet, L7 1/2”, and Total 94.5g all in (2pcs)

$5,000-8,000

276 PAIR DIAMOND EARRINGS 18K white gold pendant design set with approx.

5.0ctw round and baguette diamonds, color H-I, clarity VS; H2 1/8” W1/2”, 15.7g all in (2pcs)

$5,000-7,000

$1,200-1,800

Provenance: South Carolina private collection

274

94

275

276

277 VINTAGE LADY ’S PLATINUM AND DIAMOND WRISTWATCH, PERY WATCH CO. circa 1945, Art Deco design with white dial and hour markers, manual wind 17-jewel movement, serial no. 67219, in diamond and ruby-encrusted flexible bracelet, approx. 3.1ctw diamonds, color H-J, clarity SI, and approx. 1.8ctw pear and square-cut rubies, in flexible platinum bracelet, L7 1/4”, and 32.9g all in

$1,500-2,500

Provenance: South Carolina private collection

88th Anniversary Sale

Other Notes: Accompanied by 1995 appraisal by Sylvan Brothers

277

278 TIFFANY & CO STYLE DIAMONDS-BY-THE-YARD NECKLACE 18K white gold set with 144 round diamonds, approx. 5.0ctw, color G-H, clarity VS; L36” and 20.0g all in

$4,000-6,000

279 ART DECO STYLE RUBY AND DIAMOND BRACELET 18K white gold flexible setting with approx. 5.0ctw baguette-cut rubies and 3.75ctw round diamonds; L7”, and 30.5g all in

$4,500-6,500

280 FLAWLESS DIAMOND AND PLATINUM BRIDAL SET, JEFF COOPER 0.95ct square emerald-cut diamond, color D, clarity VS2, accented by approx.

0.50ctw round brilliant-cut diamonds, color H-I, clarity I1-I2, in Jeff Cooper platinum setting and matching band, size 5.5, and 9.7g all in (2pcs)

$1,500-2,500

Provenance: South Carolina private collection Other Notes: Accompanied by a copy of the GIA certificate 15552773

278

279

280

95

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281

282

283

284

285

286

281 BLUE SAPPHIRE AND DIAMOND RING 14K white gold, approx. 5.0ct oval blue sapphire accented by 1.7ctw round diamonds; size 10.5 and 6.0g all in

$3,000-5,000

282 ART DECO PLATINUM AND DIAMOND RING

CARTIER STYLE PLATINUM AND DIAMOND DOME

ART DECO FILIGREE PLATINUM AND DIAMOND

DINNER RING

ENGAGEMENT RING

approx. 8.0ctw diamonds, color F-G, clarity VS; size 7.5 and 16.0g all in

1.2ct old European-cut diamond, color G-H, clarity VS2; size 6, 3.3g all in

$6,000-9,000

284 VINTAGE GOLD LINK BRACKET

in ornate setting, size 6.5 and 5.3g all in

14K rectangular links joined by semicircles with safety, W1” L8” and 69.5g

Provenance: South Carolina collection

Provenance: South Carolina private collection

$800-1,100

$1,000-1,500

$7,000-9,000

Other Notes: Accompanied by EGL certificate no.

US910413905DOG

286 DIAMOND RING approx. 1.0ct old European-cut diamond, color M-N, clarity SI, accented by small diamonds in 14K gold setting, size 9, and 7.0g all in

$1,000-1,500

283

96

285

Provenance: South Carolina private collection

88th Anniversary Sale

287

287 ROLEX COSMOGRAPH DAYTONA 18K GOLD GENTLEMAN’S WRISTWATCH circa 1995, automatic, Cal. 4030, 44-jewel movement Oyster Perpetual Cosmograph Daytona; white dial, Arabic luminous numerals and hands, three subsidiary dials; case with bezel with tachymeter scale, screw back, two screw-down buttons in band, 40mm diameter. bracelet and deployant clasp, overall approximate length 7 inches; black alligator strap, 18K gold Rolex deployant; model 16518, case serial no. W835259, clasp stamped: 16518; and various gold hallmarks and Rolex insignia stamps, with original green Rolex box

$8,000-12,000

Provenance: South Carolina private collection, inherited from his father

97

288 TIFFANY & CO GOLD OPEN-FACE POCKET WATCH 18K gold case with multi-color gold arts trophy design, brushed and engine-turned dial with Arabic numerals, marked: TIFFANY & CO, H2 1/2” W1 3/4”, 66.5g all in

$2,000-3,000

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289 RETRO PAUL DITISHEIM SOLVIL TWO-TONE GOLD LADY ’S WRISTWATCH 14K rose gold design, case no. 011716, with 17-jewel movement, serial no. 12394, and 14K gold integrated mesh band, L8”, 63.5g all in

$700-1,000

Provenance: South Carolina private collection

290 VINTAGE DIAMOND GOLD CUFF BRACELET WATCH, JOS. BOILLAT FOR LURA 14K gold ornate wide bracelet centering hinged flower set with six diamonds, opening to reveal gold watch dial marked: LURA, 17-jewel movement marked: JOS. BOILLAT FILS, case marked: 2783962, W1” L6 1/4” and 49.8g all in

288

$600-900

Provenance: South Carolina private collection

291 VINTAGE GOLD AND DIAMOND BRACELET WATCH, GUBELIN 14K woven gold integrated flexible bracelet, diamond-set hinged top concealing nacre dial and 17-jewel movement, L7 1/2” and 37.9g all in

$600-900

Provenance: South Carolina private collection

290

292 VINTAGE DIAMOND AND GOLD WRISTWATCHES Longines 14K white, 17-jewel, serial no. 11794510, cord band L6”; Elgin 14K white gold, 17-jewel, serial no.

702, cord band L7”; Hamilton 14K white gold, 19-jewel, serial no. 13371K, case W2 1/4” Total 34.5g all in (3pcs)

$500-800

Provenance: South Carolina private collection

291

98

289

88th Anniversary Sale

293

294

293 VEGAPHONE DELUXE TENOR BANJO, VEGA CO, BOSTON MASSACHUSETTS

294 TAYLOR CONCERT 814 CE ROUND-HOLE FLAT-TOP GUITAR

circa 1928, 19-fret hardrock maple neck, mother-of-pearl on peg head and position markers, maple resonator banded with carved celluloid, maple rim cap with abalone shell, elaborately carved neck, gold-plated brass components, hand-engraved, in original Vega case with zip cover

circa 2012, fitted with electrical pickup of 3 knobs, can be played as electric or fully acoustic, spruce top and back, rosewood sides, ebony fingerboard, Venetian cutaway, clear pickguard, in original Taylor case; L41�

$2,000-3,000

$2,000-3,000

99

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296

295 RARE ENGLISH INLAID SATIN AND ROSEWOOD SERPENTINE CABINET late 19th century, broken-arch crown, oval-inlaid pediment, glazed panel door and sidelights, tapered legs; H87” W43” D15 1/2”

$3,000-5,000

Provenance: North Carolina collection

296 QUEEN ANNE STYLE BURL WALNUT DINING CHAIRS late 19th/20th century, carved crestrail, urn splat, carved cabriole legs with ball-and-claw feet; BH40 1/2” SH18” W24” D19 1/2” (6pcs)

$1,500-2,500

100

Provenance: North Carolina collection

295

297 SHERATON STYLE INLAID MAHOGANY DINING TABLE crossbanded top, turned pedestal, reeded saber legs with brass casters; three 17 1/2” leaves; H29” W48” L120 1/2” open

$1,200-1,800

Provenance: Georgia collection

298 GEORGE III STYLE INLAID MAHOGANY BOWFRONT SIDEBOARD $1,000-2,000

299 GEORGIAN STYLE INLAID MAHOGANY BUREAU BOOKCASE circa 1850, dentil-molded crown, astragal-glazed doors, fallboard concealing fitted interior with fan and urn inlays, five drawers, ogee bracket feet; H93” W47 1/2” D21 3/4”

$1,800-2,500

300 HEPPLEWHITE INLAID MAHOGANY

88th Anniversary Sale

mid 19th century, shaped top, conforming case with drawers and doors, tapered legs with spade feet; H36 3/8” W66 1/4” D24 1/8”

GAMES TABLE

circa 1800, D-shape foldover top, drawer, tapered legs, spade feet; H29 1/8” W40” D18”

$500-700

300

299

297

298

101

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303 302

301

301 GEORGE II STYLE UPHOLSTERED AND CARVED

304 ENGLISH INLAID MAHOGANY LINEN

WALNUT LIBRARY ARMCHAIR

PRESS

late 19th/early 20th century, BH39 1/2” SH17” W30 1/2” D26”

$600-900

Provenance: North Carolina collection

circa 1830, dentil-molded crown, oval-paneled doors, lower part with five drawers, bracket base; H78” W49 1/2” D23 3/4”

$1,500-2,200 302 GEORGIAN MAHOGANY BOWFRONT CHEST OF DRAWERS

circa 1840, reeded edge above short and long drawers, bracket feet; H40” W42” D22”

$700-1,000

303 PAIR GEORGE III STYLE CARVED

305 REGENCY INLAID MAHOGANY TILT-TOP BREAKFAST TABLE

circa 1810, inlaid top, turned pedestal, saber legs on brass casters; H28” W44” L50 1/2”

$700-1,000

Provenance: North Carolina collection

MAHOGANY LIBRARY ARMCHAIRS

late 19th century, cane backrest, upholstered seat, carved cabriole legs, BH39 1/2” SH20” W24” D21” (2pcs)

$500-800

Provenance: Georgia collection

305

102

304

308

307 ENGLISH INLAID MAHOGANY BUREAU circa 1820, slant front centering shell inlay, fitted interior, four drawers, bracket base; H43 1/2” W42 3/4” D22 1/4”

306

88th Anniversary Sale

307

$800-1,200

308 GEORGIAN STYLE MAHOGANY TILT-TOP BREAKFAST TABLE

circa 1850, circular top, twist-turned column, three S-curve legs, snakepad feet; H31 1/8” Dia.42 1/8”

$700-900

309

309 GEORGIAN MAHOGANY CHEST OF DRAWERS circa 1830, four long drawers on ogee feet; H37” W40” D20”

306 GEORGIAN STYLE INLAID MAHOGANY CHEST ON CHEST

mid 19th century, molded crown on bracket feet; H77 1/4” W43” D19 1/2”

$800-1,400

Provenance: North Carolina collection

$700-900

310 GEORGE III MAHOGANY BUREAU BOOKCASE circa 1780, molded cornice, glazed doors with shaped frames, slant front over fitted interior, four doors, bracket base; H83 1/2” W43” D23 1/2”

$2,000-3,000

310

103

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312 311

311 ADAM STYLE CARVED MAHOGANY CONSOLE/SERVER mid to late 19th century, serpentine form above drawers, leaf-carved chamfered legs and spade feet; H34” W66” D26”

$800-1,200

Provenance: South Carolina collection

312 QUEEN ANNE STYLE WALNUT STOOL mid 19th century, rectangular frame, slip seat, cabriole legs; H18 3/4” W26” D16”

$300-400

313

313 GEORGIAN MAHOGANY CHEST OF DRAWERS

circa 1820, configuration of drawers on ogee bracket feet; H47” W47” D21”

$600-900

314

314 GEORGIAN UPHOLSTERED MAHOGANY LIBRARY ARMCHAIR

first quarter 19th century, BH38” SH15” W28” D25”

$400-600

Provenance: South Carolina collection

315 GEORGE III MAHOGANY PEMBROKE TABLE circa 1820, butterfly drop leaves, drawer and opposing faux drawer, tapered legs, spade feet; H29 7/8” W38 1/2” D35 1/2”

$300-500

315

104

316 GEORGE III CARVED MAHOGANY CHAIRS circa 1790, in the Chinese Chippendale taste, pierced splat, square legs with stretchers; 3 side and 2 armchairs; BH35 1/2” SH16” W26” D22” (5pcs)

$600-900

317 QUEEN ANNE STYLE UPHOLSTERED AND CARVED early 20th century, BH39” SH18” W24” D32”

$200-300

Provenance: North Carolina private collection

318 GEORGIAN MAHOGANY BOOKCASE early 19th century, dentil-molded crown, pair thirteen-light doors, bracket base; H53” W41 1/4” D13 3/4”

$500-700

319 ITALIAN CARVED GILTWOOD MIRROR

88th Anniversary Sale

MAHOGANY ARMCHAIR

early 20th century, H55” W30”

$400-700

316

317

Provenance: Georgia collection

318

319

105

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320

320 RENAISSANCE REVIVAL GILT-WALNUT DRESSING TABLE, ATTRIB. POTTIER & STYMUS

321 RENAISSANCE REVIVAL MAHOGANY DRESSER, PROBABLY PRUDENT MALLARD

New York, circa 1875, shell pediment with Sevres porcelain, with drawers, on molded base; H100 1/2” W60” D18”

(New Orleans, Louisiana 1809-1879) oval mirror, serpentine marble top, and turned feet; H89” W49 1/2” D24”

Provenance: Estate of Sue Rogers Johnson

Provenance: Estate of Sue Rogers Johnson

$3,000-5,000

Literature: Dubrow, Richard & Eillen. AMERICAN FURNITURE OF THE 19TH CENTURY. Atglen, PA: Schiffer, 2000. See table pp. 50 and 226

106

321

$3,000-6,000

322 SOUTHERN AMERICAN CHERRY SUGAR CHEST, KENTUCKY early 19th century, slant front, fitted interior, turned legs; H32” W26 1/2” D15”

$2,000-3,000

Provenance: Estate of Sue Rogers Johnson

323 FEDERAL MAHOGANY GAMES TABLE

88th Anniversary Sale

circa 1810, hinged serpentine top, chamfered skirt, fluted tapered legs on trumpet feet; H30” W38” D19”

$800-1,400

Provenance: South Carolina collection

324 FEDERAL INLAID SIDE CHAIR AND ARMCHAIR circa 1820, together with later carved mahogany armchair; BH35” SH17”W20” D17”; and BH37” SH18” W24” D19” (2pcs)

$300-500

Provenance: South Carolina collection

325 AMERICAN MAHOGANY SLANT-FRONT DESK circa 1790, fitted interior, graduated drawers, ball-and-claw feet; H42” W42” D23”

$1,000-2,000

Provenance: Rev. English Hopkins Weston Estate 322

323

324

325

107

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326

328 AMERICAN TIGER MAPLE CHEST OF DRAWERS

TABLE

circa 1820, five short and two long drawers on bracket feet; H40 1/2” W48” D21”

circa 1825, butterfly drop leaves on reeded legs with turned feet; H28 3/4” W22” D35 1/2”

$500-700

$800-1,200

Provenance: North Carolina collection

Provenance: South Carolina private collection

327 AMERICAN CLASSICAL CARVED MAHOGANY SOFA circa 1825, BH32” SH17” S81” D24”

$800-1,200

Provenance: Estate of Sue Rogers Johnson

328

108

327

326 AMERICAN FEDERAL MAHOGANY PEMBROKE

330 AMERICAN CHERRY GATELEG CONSOLE, PROBABLY KENTUCKY first half 19th century, bowfront, turned reeded legs; H29 1/2” W47 1/4” D19 1/2”

$800-1,200

Provenance: Estate of Sue Rogers Johnson

329 SOUTHERN CHERRY DINING TABLE second quarter 19th century, round to oval top fitted with six 13 1/2” leaves, on turned reeded legs; H30 1/2” W52” L51 1/2” to 129 1/2”

$1,000-2,000

Provenance: Estate of Sue Rogers Johnson

329

330

333

331 AMERICAN MAHOGANY SEWING/DRESSING TABLE

88th Anniversary Sale

331

circa 1835, H29” W26 1/2” D17”

$300-600

Provenance: South Carolina collection

332 SHERATON MAHOGANY TALL POSTER BED 19th century, tapered turned pentagonal columns with turned feet, joining scrolling headboard; H94” W48” L83”

$500-800

Provenance: South Carolina collection

333 AMERICAN INLAID MAHOGANY HUNTBOARD with carved coat-of-arms and NORWOOD on door panels, benchmade; H42” W72” D27 3/4”

$800-1,200

Provenance: South Carolina collection

332

109

334 PAIR ROCOCO REVIVAL

ROSEWOOD PARLOR CHAIRS,

JOHN HENRY BELTER

(New York, 1804-1863) circa 1858, laminated shield backs, serpentine seatrail, cabriole legs, casters, with plush upholstered seat and back; BH36 1/4” SH16” W19” D18” (2pcs)

$700-1,200

T HURSDAY 2 M ARCH

Provenance: Georgia collection Literature: Dubrow, Richard.

AMERICAN FURNITURE OF THE 19TH CENTURY. Atglen, PA: Schiffer, 2000, p.9; Schwartz, Marvin. THE FURNITURE OF JOHN HENRY BELTER AND THE ROCOCO REVIVAL. New York: Dutton, 1981, p.12, pl.3-4.

Other Notes: The chair offered is identical to Belter’s “dish back” side chair in the Industrial Design section of the Paris Grand Palais Exhibition.

This design is often refered to as the Springmeyer, after the Long Island New York family. The Springmeyers were partners and brothers-in-law to J.H. Belter.

334

335

337 DIMINUTIVE CLASSICAL AMERICAN MAHOGANY SERVER

circa 1835, gallery top, turned columns, paw feet; H35” W43 1/2” D23”

$500-800

Provenance: South Carolina private collection

335 AMERICAN CLASSICAL MAHOGANY CHEST OF DRAWERS

circa 1835, configuration of drawers framed by barley-twist half-column supports and turned legs; H42” W42 1/2” D22”

337

$400-700

338 AMERICAN MAHOGANY MORRIS ARMCHAIR

Provenance: Estate of Sue Rogers Johnson

circa 1900, cluster-column legs, Gothic pierced side panels, BH44” SH18” W33” D34”

336 VICTORIAN INLAID ROSEWOOD BOOKCASE

$300-600

last quarter 19th century, H37” W30” D12”

Provenance: South Carolina collection

$400-600

Provenance: Dorothy Greene Owen estate

336

110

339 PAIR AMERICAN WALNUT D-SHAPE BANQUET ENDS

mid 19th century, H29 1/2” W42 1/2” D28 1/2” (2pcs)

$600-900

Provenance: North Carolina collection

88th Anniversary Sale

340 AMERICAN CARVED GILTWOOD MIRROR

New Orleans or New York, third quarter 19th century, elaborate floral and scroll pediment and frame, centering oval looking glass; H55” W65”

$1,000-2,000

Provenance: Estate of Sue Rogers Johnson

339

338

340

111

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341

342

343

344

345

346

341 PERSIAN KASHAN CARPET

343 PERSIAN MAHAL CARPET

345 PERSIAN TABRIZ CARPET

circa 1935, 10’5” x 13’5”

circa 1930, 9’1” x 11’10”

crica 1940, 9’8” x 12’8”

344 PERSIAN HERIZ CARPET

346 PERSIAN TABRIZ CARPET

9’10” x 14’

circa 1930, 9’8” x 13’2”

Provenance: Georgia collection

Provenance: Property of a Southern gentleman

$3,000-4,000

$1,400-2,000

$1,000-2,000

Provenance: North Carolina collection

342 PERSIAN MASHAD CARPET 9’11” x 13’9”

$1,500-2,200 Provenance: South Carolina private collection

112

$1,000-2,000

$1,000-2,000

348

349

350

351

352

347 TURKISH OUSHAK CARPET

349 PERSIAN HERIZ CARPET

351 PERSIAN MALAYER CARPET

7’11” x 9’4”

circa 1950, 8’6” x 11’6”

circa 1940, 8’3” x 12’8”

350 CHINESE CARPET

352 PERSIAN SAROUK CARPET

9’ x 12’3”

8’10” x 12’

Provenance: North Carolina collection

Provenance: South Carolina private collection

$1,000-2,000

$1,000-1,500

88th Anniversary Sale

347

$800-1,500

Provenance: North Carolina collection

348 PERSIAN HERIZ CARPET circa 1940, 9’ x 12’4”

$1,000-2,000

$1,000-1,500

$800-1,400

113

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353

354

356 PERSIAN HERIZ CARPET

355

9’10” x 12’8”

357 CHINESE RED-LACQUERED COROMANDEL EIGHT-PANEL SCREEN

Provenance: McGarrity Collection

Qing dynasty, depicting Royal procession on riverbank; H83” W121 1/2”

$500-1,000

$800-1,200

Provenance: North Carolina collection

356

353 PAKISTAN PESHAWAR CARPET 9’2” x 11’11”

$700-1,000

354 TURKISH HEREKE CARPET circa 1930, 8’10” x 11’11”

$600-900

355 INDO TABRIZ CARPET 9’ x 12’2”

$600-900

114

357

358 PAIR SOUTHEAST ASIAN

CARVED STONE PLANTERS,

POSSIBLY INDIA OR

THAILAND

late 19th/early 20th century, elephant-head decorations on pedestal base; H30” Dia.42” interior Dia.27” (2pcs)

$1,500-2,500

358

359 SOUTHEAST ASIAN CARVED CAST-STONE WATER BASIN 19th century, decorated with floral and vine designs; H24” W63”

$1,000-2,000

88th Anniversary Sale

Provenance: South Carolina collection

Provenance: South Carolina collection

360 STAINED AND LEADED GLASS WINDOW PANELS late 19th/early 20th century, Gothic arch with Greek-key border, H126 1/2” W100” D2 3/4” (3pcs)

$1,000-2,000

Provenance: South Carolina collection

360

359

115

T HURSDAY 2 M ARCH

361

361 JUNE HARRAH (American, 1910-1997) SPECTACULAR BID bronze, marked: ROMAN BRONZE WORKS, NY and numbered 6/150 H11” W14”

$1,500-2,500

Provenance: Property of a lady Other Notes: Spectacular bid was an American thoroughbred racehorse with a racing career from 1978-1980. He won 26 of 30 races and is known as the best colt of his generation.

362

362 PAIR BARBIDIENNE BRONZE FIGURES, AFTER ACHILLES COLLAS PAIR ROMAN RUNNERS bronze with dark patina, bearing foundry stamp, H13” (2pcs)

$700-1,000

Provenance: Dorothy Greene Owen estate

363 ART NOUVEAU SCULPTURE AFTER ANTONIN LARROUX (French, 1859-1937) PHAETON DRIVING THE CHARIOT OF THE SUN ACROSS THE HEAVENS bronze-patinated cast metal, signed: Larroux and stamped CA2 H13” Dia.14 1/2”

363

365 RALPH N. HURST (Florida, 1918-2003) BIRD carved stone, on revolving stone plinth, signed: Ralph Hurst, 87-1980 H9” W6 1/2” D4 1/2”

$400-600

Provenance: purchased Christie’s New York, 3 December 1998, lot 145 Estate of Jacqueline Peralta Ramos Other Notes: bearing old Christie’s and Left Bank Gallery labels.

$500-1,000

Provenance: Property of a lady

364 VICTORIAN BRONZE HAND SCULPTURE, 19TH CENTURY signed & dated: ELSIE, 1859 L8 1/2” W4 1/2”

$300-500

Provenance: South Carolina collection

364

116

365

366 RALPH N. HURST (Florida, 1918-2003) DUCK carved marble, on revolving stone plinth, signed: Ralph Hurst, Q-80 H9” W6 1/2” D4 1/2”

$300-500

Other Notes: bearing old Christie’s labels.

367 GEORGIAN STYLE INLAID MAHOGANY BREAKFRONT BOOKCASE

dentil-molded crown, glazed panel doors above drawers, doors and molded base; H88 1/2” W86” D20”

$1,500-2,500

Provenance: South Carolina collection

88th Anniversary Sale

Provenance: purchased Christie’s New York, 3 December 1998, lot 145 Estate of Jacqueline Peralta Ramos

368 GEORGIAN STYLE INLAID MAHOGANY DINING CHAIRS

shaped crestrail, urn splat, bowfront seat, cabriole legs with snake feet; 8 side and 2 armchairs; BH39” SH18” W24 1/2” D18” (10pcs) 367

366

$1,800-2,800

Provenance: Georgia collection

368

117

T HURSDAY 2 M ARCH

369

369 ADAM STYLE CARVED MAHOGANY SERPENTINE

373 GEORGIAN STYLE MAHOGANY CHEST OF

SIDEBOARD

DRAWERS

circa 1840, shaped top, rosette and ribbon carving, two drawers flanked by doors, tapered legs, spade feet; H35 1/2” W84 1/2” D28”

mid 19th century, dentil-molded crown, chamfered fretwork corners, configuration of drawers, in two parts, on bracket feet; H74 1/4” W39 1/2” D20”

$1,400-2,000

$1,200-1,800

370 GEORGIAN MAHOGANY BOOKCASE first half 19th century, molded cornice, pair three-light doors, lower part with panel doors, plinth; H92 3/4” W49 1/2” D12 1/4”

$800-1,200

370

371 GEORGE III MAHOGANY CHEST OF DRAWERS circa 1810, short and long drawers on bracket feet; H40” W47” D21 1/2”

$700-1,000

372 GEORGIAN MAHOGANY PEMBROKE TABLE circa 1820, carved molded edge, drop leaves, fluted tapered legs, H28” W21” D33 1/2”

$300-500

Provenance: Estate of Sue Rogers Johnson 373

118

371

374 PAIR GAINSBOROUGH MAHOGANY ARMCHAIRS late 19th/early 20th century, serpentine toprail, scrolling armrests, square legs with stretchers; BH38” SH16” W25 1/2” D25” (2pcs)

$900-1,400

375 SHERATON STYLE INLAID MAHOGANY BUREAU

374

376

circa 1850, broken-arch pediment, pair twelve-light doors, lower part with fitted secretary drawer, pair doors centering oval panels with urns, pullout trays, bracket feet; H104 3/4” W43 1/4” D21 1/2”

$1,800-2,500

376 ENGLISH INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS

circa 1830, drawers flanked by quarter-round inlaid corners and turned legs; H38 1/4” W41” D22”

$800-1,200

88th Anniversary Sale

BOOKCASE

377 GEORGIAN MAHOGANY AND NEEDLEWORK STOOL

early 19th century, H18 1/2” W19” D14” 377

$200-400

Provenance: Georgia collection

378 GEORGIAN MAHOGANY PEMBROKE TABLE circa 1780, oval top, drawer opposing faux drawer, tapered legs, brass cups and casters; H27 7/8” W34 7/8” open D29 5/8”

$400-700

375

378

119

T HURSDAY 2 M ARCH

380

381

379 GEORGIAN STYLE MAHOGANY SECRETARY BOOKCASE circa 1830, dentil and fret crown, slant front, fitted interiors, bracket feet; H89” W44” D21”

$1,500-2,500

Provenance: Estate of Sue Rogers Johnson

380 GEORGIAN STYLE PEDESTAL DESK oval with leather top, configuration of nine drawers; H29 1/2” W70” D44”

$1,000-1,500

Provenance: North Carolina collection

381 GEORGIAN STYLE INLAID MAHOGANY BOWFRONT SIDEBOARD

circa 1840, shaped top, conforming case with doors and drawers, tapered legs; H33 3/4” W48” D21 3/4”

$1,200-1,800

382 GEORGIAN MAHOGANY LINEN PRESS circa 1820, molded crown, pair panel doors, lower part with three drawers, bracket base; H65 7/8” W47 1/2” D32 1/4”

$900-1,500 379

120

382

383 GEORGIAN STYLE UPHOLSTERED

384

384 ADAM STYLE CARVED MAHOGANY

385

385 ENGLISH MAHOGANY CHEST OF

386 GEORGIAN INLAID MAHOGANY

CARVED MAHOGANY CHAIRS

TEA TABLE

DRAWERS

BOWFRONT SIDEBOARD

late 19th century, arched toprail, needlepoint fabric, carved cabriole legs on ball-and-claw feet; BH37” SH18” W21” D19” (4pcs)

folding top, rosette carving, fluted frieze, tapered legs, Marlborough feet; H29 1/8” W32 3/4” D17 1/4”

mid 19th century, deep top drawer above long drawers and bracket feet; H45 1/2” W49 1/2” D21”

circa 1820, superstructure with tambour door, shaped top, conforming case with doors and drawers, tapered legs, spade feet; H46 1/2” W78 1/4” D28 1/4”

$500-800

$300-600

$600-900

88th Anniversary Sale

383

$1,400-2,000

386

121

T HURSDAY 2 M ARCH

387

388

387 WILLIAM IV INLAID MAHOGANY BUTLER’S DESK

389 GEORGE III MAHOGANY TILT-TOP TABLE

circa 1835, fall front opening to fitted interiors, reeded stiles, ball feet; H45” W48” D21 1/2”

circa 1790, round top, turned pedestal and snakepad feet; H27” Dia.27”

$800-1,100

Provenance: Georgia collection

388 WILLIAM IV ROSEWOOD TILT-TOP CENTER TABLE

circa 1835, round top, urn pedestal, trefoil base and bun feet; H29” Dia.47 1/2”

$800-1,200

Provenance: Georgia collection

390 GORHAM CHANTILLY-GRAND PATTERN STERLING WAITER/TRAY

391 GORHAM CHANTILLY-GRAND PATTERN STERLING TEA AND COFFEE SERVICE

dated 1956-61, comprising: coffeepot H10” teapot H7 1/2” creamer H6 1/2” covered sugar H6” each marked, and total 79.5ozT (4pcs)

$2,000-3,000

Provenance: Estate of Sue Rogers Johnson

dated 1962, marked, L29” W18”, and 131.0ozT

$3,000-4,000

Provenance: Estate of Sue Rogers Johnson

390

122

$300-500

389

391

392 GORHAM STRASBOURG PATTERN STERLING

393 PAIR GORHAM STERLING FIVE-LIGHT

FLATWARE

CANDELABRA

circa 1897, comprising: 2 forks L7 1/2” 14 forks L7” 12 forks L6 1/2” 12 cocktail forks L5 1/2” 4 oval soups L7” 8 round soups L6” 8 teaspoons L6” 12 iced teaspoons L7 1/2” 12 HH spreaders L6 1/4” pierced server L9” HH pastry server L10 1/2” 2-pc salad set L8 1/2” 2-pc serving set L8 1/2” cream and gravy ladles L5 1/2”, 7” sugar spoon L6” jelly L6” 2 condiment forks L4 1/4”, 5 3/4” infant spoon L5 1/2” 2 infant forks L4 1/2” Total 108.0ozT weighable (87pcs)

dated 1959, ornate design, pattern 629-5, pair candlesticks with removable candelabra, marked: GORHAM (lion and anchor) STERLING; H16 1/2”; weighted candlesticks 43.0ozT, detachable top 88.5ozT; totaling 131.5ozT (2pcs)

$1,200-1,800

394 LEONARDO DA VINCI STERLING COIN SET, FRANKLIN MINT

88th Anniversary Sale

393

392

fifty 24K gold-clad sterling coins Dia.2”, all in fitted case, set numbered: 1610 and dated March 7, 1975, case measures H9” W17 1/2” D11 1/2”

$1,000-2,000

Provenance: Dorothy Greene Owen estate

Provenance: Estate of Sue Rogers Johnson

$1,500-2,500

Provenance: Estate of Sue Rogers Johnson

394

123

T HURSDAY 2 M ARCH

395

397

395 GORHAM STERLING TEA SERVICE

398 PAIR ELKINGTON & CO SILVERPLATE

399 FRENCH RESTAURATION SILVER BASIN

comprising: hot water kettle, H12 1/2” teapot, H9 1/2” covered sugar, H4” creamer, H5 1/2” 100ozT, marked: GORHAM 1044 (4pcs)

CANDLESTICKS

early 19th century, banded flared rim, various French marks including: Association des Orfevres, 1793-1794, and Paris 950 silver hallmark and Gross Garentie, 1819-1838, and maker’s mark in lozenge: S.S.R; H1 3/4” Dia.10 3/4”, 20.0ozT

dated 1851, in the Georgian taste, marked: E&Co, and date letter: M; H10” Dia.5” (2pcs)

$500-800

$500-800

$1,000-1,500

Provenance: Estate of Jacqueline Peralta Ramos

Provenance: Georgia private collection

396 FRENCH SILVER-MOUNTED ETCHED-CRYSTAL CLARET JUG last quarter 19th century, Belle Epoque period, ribbon and leaf designs, French 1st standard Mercure export mark, and maker’s mark: LW with lozenge; H11”, and 33.5ozT all in

$800-1,200

397 STERLING PICTURE FRAME, TIFFANY AND CARTIER one signed: Tiffany & Co, and five Cartier; two marked: 900, and eight marked: Sterling; 3 1/2” x 3 1/2” to 11 1/4” x 9 1/4” (16pcs)

$700-1,000

Provenance: Property of a lady

124

398

396

88th Anniversary Sale

402

400 GERMAN METAL-MOUNTED AND GLASS CLARET JUG, ATTRIB. KOCH & BERGFELD 399

late 19th century, Rococo mounts in silver finish with mechanical lid, on spiral-fluted glass body, unidentified mark near handle; H13”

$500-800

401 PAIR ENGLISH OLD SHEFFIELD PLATE THREE-LIGHT CONVERTIBLE CANDELABRA 19th century, two detachable tops transform into one five-light fixture, H19 1/2” W19 1/2” (2pcs)

$400-700

403

402 PAIR ELKINGTON & CO SILVERPLATE COVERED ENTREE DISHES

dated 1851, Gothic Revival design and engraved with crest, marked: Elkington and with English registration; H9” L15” W9 1/2” (2pcs)

$400-600

403 ENGLISH STERLING TODDY LADLE, SUGAR NIPS, AND POSY HOLDER

18th/19th century, comprising: c.1820 Paul Storr hanging posy holder H3 1/2” toddy ladle inset with 1758 coin and baleen handle L14 1/2” c.1785 sugar tongs, Joseph Bradley, L4” c.1790 sugar tongs (attrib. J. Berenger) L5 1/2” (4pcs)

$300-500

Provenance: Property of a lady 400

401

125

404 GEORGE II STERLING SILVER SUGAR CASTER, JABEZ DANIEL

406 EARLY IRISH STERLING STUFFING SPOON, AND ENGLISH SILVER PIECES

London, dated 1754, ornate pierced top on balusterform body, complete maker and hallmarks, H6”, 4.0ozT

Irish rice spoon, dated 1760, L11 1/2” 3 caddy spoons, L3” 2 sugar tongs, L6” and 5 1/4” 2 salts, L4 1/8” Total 7.0ozT (8pcs)

$300-500

T HURSDAY 2 M ARCH

Provenance: J.E. Caldwell & Co, Philadelphia Georgia private collection

$200-400

405 FRENCH SILVERPLATE COFFEE BIGGIN, EMILE RATON

407 GEORGE III STERLING ASPARAGUS SERVER, ELEY, FEARN & CHAWNER

19th century, covered straining cylinder on flared pot, flanked by handles, marked: ER with cat; H14 1/2”

London, dated 1810, bearing partial marks, L9 1/4” and 6.0ozT

$200-300

$300-400

Provenance: Property of a lady

404

406

407

126

405

408

88th Anniversary Sale

409

410

408 GEORGIAN STERLING SERVING PIECES AND CHEESE SCOOP

410 PAIR SCOTTISH STERLING RICE/STUFFING SPOONS, ANDREW WILKIE

1810 server, Eley,Fearn & Chawner, L9 3/4” 1826 serving fork, John & Henry & Charles Lias, L11 3/4” 1829 scoop, William Chawner II , L9 1/2” total 10.5ozT (3pcs)

Edinburgh, dated 1820, Kings pattern, engraved initials TTA, complete hallmarks, L12 1/2”, 8.0ozT (2pcs)

Provenance: Property of a lady

411 AMERICAN SILVER KETTLE ON STAND

$200-400

409 FRENCH SILVER RICE/STUFFING SPOON, PRUDENT QUITTE, AND ANOTHER SPOON Paris, circa 1882, French Thread pattern, engraved TDW, and MERCURE export mark, L12”; together with silverplate serving spoon, engraved EPM, and maker SF, L10 1/8”; 4.8ozT weighable (2pcs)

$200-400

circa 1875, pivoting handle, swan finial on bulbous engine-turned panels, beadwork, and leaf-encrusted vacant cartouches, on pin-hinged stand with grotesque masks and inverted shell feet, in the Aesthetic transition taste; unmarked; probably 900 standard; H14” W10 1/2” D8”, 81.0ozT

$2,000-3,000

Provenance: South Carolina private collection

$200-300 411

127

T HURSDAY 2 M ARCH

412

413

412 SOUTHERN COIN SILVER FORK SET, KENTUCKY

414 SOUTHERN COIN SILVER SPOONS, KENTUCKY

(Lexington, wk. 1818-1869) engraved MBF and AO, marked: POINDEXTER, L8” and 18.0ozT (3pcs)

circa 1820-38, comprising: 6 engraved MBF and AO by Poindexter, L7 1/2” 4 engraved MBF and AO by Bartow, L7” 1 unengraved serving spoon by Shepard, L9” 1 engraved EF by Choate, L8 1/2” Total 12.7ozT (12pcs)

$400-600

Provenance: Estate of Sue Rogers Johnson

413 KENTUCKY COIN SILVER TEAPOT, THOMAS GRAY circa 1818-1820, engraved RH, and marked: T. GRAY with rectangle and another punch; H7” W10 1/2”, and 25.2ozT

414

$300-500

Provenance: Estate of Sue Rogers Johnson

$400-600

415 AMERICAN COIN SILVER AND STERLING SERVING

Provenance: Estate of Sue Rogers Johnson

PIECES

mid 19th century, comprising: Albert Coles coin silver Jenny Lind ladle, engraved MCL, L13 1/2” C.D. Clark coin silver ladle, engraved DER, L7 3/4” pair coin silver salts, engraved CJR, L3 1/2” 2-pc Gale & Willis sterling Gothic pattern fish set, engraved: OCT 6th, 1859, SCH, L12” Total 16.3ozT all in (6pcs)

$300-500

128

415

417 ENGLISH PINE LINEN PRESS late 19th century, molded crown, divided panel doors, configuration of drawers and bracket feet; H87 1/2” W51 1/2” D24”

$800-1,400

Provenance: North Carolina collection

416

416 AMERICAN COIN SILVER BASKET, WILLIAM GALE & CO New York, dated 1856, Greek-key border over wire-work bowl inset engraved cartouche with CAM, on intwined scroll and shell feet; marked: WM GALE & CO, and WG&S with 1856; H3 1/4” L9 1/4” W8”, and 11.0ozT

$300-500

Provenance: Property of a lady

mid 19th century, molded rectangular top, configuration of doors and drawers, fluted panels, bracket base; H36 1/2” W71 1/2” D20 1/4”

$900-1,100

419 ENGLISH OR CONTINENTAL

421

PINE TABLE

late 18th/early 19th century, with drawers and turned legs; H33” W51” L79”

$800-1,400

88th Anniversary Sale

418 ENGLISH OAK DRESSER

Provenance: North Carolina collection

420 JACOBEAN STYLE CARVED OAK DINING CHAIRS

last half 19th century, crown and putti-carved toprail, caned back and seat, turned legs and crown-carved stretcher; BH46” SH17” W25” D20” (6pcs)

419

$1,200-1,800

421 REGENCY STYLE MAHOGANY WINE CELLARETTE

mid 19th century, with divided interior, H22” W30 1/2” D21”

$600-800

Provenance: South Carolina collection

417

- End of Session I -

418

129

Notes

130

Style + Design SESSION II 3 MARCH FRIDAY AT 11AM LOTS 1000-1357

WWW.CHARLTONHALLAUCTIONS.COM

1001

1002

1003

1004

1005

1006

1007

1008

1009

1010

1011

1012

1013

1014

1015

F RIDAY 3 M ARCH

1000

132

1000 PARKER BROTHERS 12 GAUGE PHE GRADE SXS SHOTGUN

1005 LC SMITH FIELD GRADE 12 GAUGE SXS SHOTGUN

1009 REMINGTON MODEL 722 .222

1014 SWISS VETTERLI 6.5MM RIFLE

CALIBER RIFLE

SN 193736, original walnut stock, modified & full choke; barrel L30” overall L47” LOP 14” ***FFL REQUIRED***

SN 134729, Hunter Arms manufacture, walnut stock, double triggers, ejectors, modified & full choke, FWE, barrel L30” overall L48” LOP 14 1/8”; accompanied with matching set of 26” barrels (2pcs) ***FFL REQUIRED***

SN 247238, original walnut stock, original front and rear sight with scope base installed; barrel L26” overall L46” ***FFL REQUIRED***

SN 407520, bolt action, original walnut stock; barrel L30” overall L54” ***FFL REQUIRED***

Provenance: Georgia collection

1010 SMITH & WESSON PRE-MODEL 17 .22 CALIBER REVOLVER

$1,000-1,500

Provenance: Georgia collection

SN 20530, straight English stock, double triggers, ejectors; barrel L26” overall L44” LOP 14 1/4” ***FFL REQUIRED***

$1,000-1,500

Provenance: Georgia collection

1002 REMINGTON LIMITED EDITION MODEL 1100 12 GAUGE SHOTGUN SN LE80-1636, one of three thousand, modified choke, 26” vent rib barrel ***FFL REQUIRED***

$800-1,200

Provenance: Georgia collection

1003 REMINGTON LIMITED EDITION MODEL 1100 12 GAUGE SHOTGUN SN LE80-1790, one of three thousand, choked modified, 26” vent rib barrel ***FFL REQUIRED***

$800-1,200

Provenance: Georgia collection

1004 ALLEN & WHEELOCK CIVIL WAR ERA PISTOL

SN 92859, approx. .44 caliber, original walnut grips, rim fire; barrel L 6 3/4”

$800-1,200

Provenance: Georgia collection

1006 REMINGTON MODEL 11 12 GAUGE SHOTGUN

SN 481862, walnut stock, cylinder choke, marked: MILITARY FINISH; barrel L25” overall L46” ***FFL REQUIRED***

$400-600

Provenance: Georgia collection

1007 REMINGTON MODEL 700 6MM RIFLE

SN A67, bolt action, Leupold 3x9 vari-x II scope, original BDL walnut stock, barrel L21” overall L42” ***FFL REQUIRED***

$400-600

Provenance: Georgia collection

1008 WINCHESTER MODEL 94 38-55 COMMEMORATIVE RIFLE

SN OFW12871; barrel L24” overall L42” ***FFL REQUIRED***

$400-600

Provenance: Georgia collection

Provenance: Georgia collection

SN 666925, original walnut grip, adjustable target sight and target front sight, barrel L6”; accompanied with period Bucheimer holster (2pcs) * **FFL REQUIRED***

$300-500

Provenance: Georgia collection

Provenance: Georgia collection

1015 ITHACA HAMMERLESS 12 GAUGE SXS DOUBLE-BARREL SHOTGUN SN 14200, Damascus barrels; barrel L28” overall L43” ***FFL REQUIRED***

$100-200

Provenance: Georgia collection

1016 COBRAY MODEL DD 45 CALIBER PISTOL

1011 SMITH & WESSON .32 CALIBER LONG CARTRIDGE REVOLVER

SN 45062, hand ejector, original Bakelite grips, barrel L4”; accompanied with period holster (2pcs) ***FFL REQUIRED***

$200-400

Provenance: Georgia collection

1012 RUGER SINGLE-SIX .22 CALIBER

SN C00039457, for 45 long Colt & 410 2 1/2” shells; barrel L3 3/4” ***FFL REQUIRED***

Style + Design Sale

1001 LC SMITH IDEAL GRADE 12 GAUGE SXS SHOTGUN

$400-700

$300-500

$100-200

$50-125

Provenance: Georgia collection

1017 AFRICAN ZEBRA HIDE 8’10” x 5’5”

$400-700

Provenance: Dorothy Greene Owen estate

REVOLVER

SN 833197, original walnut grips; barrel L6 1/2” ***FFL REQUIRED***

$200-300

Provenance: Georgia collection

1013 MAUSER MILITARY BOLT-ACTION RIFLE

SN U1121, 1911, most likely 8mm, original walnut stock; barrel L28” overall L48” ***FFL REQUIRED***

$200-300

Provenance: Georgia collection

133

1019

1020

1021

1022

1023

1024

1025

1026

1027

1028

1029

1030

1031

1032

1033

F RIDAY 3 M ARCH

1018

134

1022 BRONZE GARDEN SCULPTURE, SIGNED NORTON

to Lieutenant Horst Ademeit 1-5-43, signed A. Hitler and countersigned. Lt. Ademeit recorded over 160 victores in 600 missions and many other commendations on 7 August 1944. He pursued a Russian 11-2 Sturmovik ground attack aircraft over Russian lines near Dunaberg in a FW 190A5.

He never returned and remains missing. Framed H18 1/2” W15 1/2”

YOUNG BOY AND GIRL FISHING, H56” W30” D15”

$200-300

Provenance: South Carolina collection

1019 BRONZE PATINATED FIGURE OF KAISER WILHELM plaque dated 1-4-1897 on slate base, H15”

$200-300

Provenance: South Carolina collection

1020 CONTINENTAL STYLE TWO-TIER GARDEN FOUNTAIN

decorated with putti upper tier and Classical female figures on molded base; H102” Dia.43”

$1,000-2,000

1027 ISAAC MAIMON

1032 PIERRE JULES MENE (AFTER)

$700-1,000

(French/Israeli, b. 1951) COQUETTE, 1995; cold-painted bronze, signed & numbered: 66/150; H19” W10 1/2” D15”

Provenance: North Carolina collection

$300-500

(French, 1810-1879) RUSSIAN WOLFHOUNDS (Borzoi) bronze on wood base, bearing signature H10” W11 3/4” D7”

Provenance: Georgia collection

1023 BRONZE GARDEN SCULPTURE OF

1028 FRENCH SCHOOL, 20TH CENTURY

with conch shell, fitted as fountain, H39” W17” D34”

PAIR CAMELS bronze, unsigned, H14” W13” D6 1/2”

Provenance: North Carolina collection

Provenance: Dorothy Greene Owen estate

1024 BRONZE GARDEN SCULPTURE,

1029 ANTOINE-LOUIS BARYE (AFTER)

YOUNG BOY

$700-1,000

YOUNG BOY READING WITH DOG

H46 1/2”

$500-800 Provenance: North Carolina collection

1025 CONTINENTAL SCHOOL, BRONZE GARDEN SCULPTURE OF GIRL READING

with dog, H46 1/2”

$500-800

Provenance: North Carolina collection

Provenance: North Carolina collection

1021 CONTINENTAL SCHOOL CARVED

1026 BETTY BRANCH

MARBLE SCULPTURE OF YOUNG BOY

early 20th century, on cast-stone pedestal, H35” overall H57”

$800-1,200

Provenance: North Carolina collection

(Virginia, 20th century) SEATED NUDE FEMALE bronze with red-brown patina on stone plinth, signed overall H15” W5 1/2” D4 1/2”

$400-600

Provenance: South Carolina collection

$300-500

(French, 1795-1875) PAIR LIONESSES, bronze figures on marble base, bearing signature, H5” L8” D3” (2pcs)

$200-300

Provenance: Dorothy Greene Owen estate

1033 THOMAS DE DECKER (American, b.1951) THE WARMTH OF A SUMMER DAY, CHEYENNE oil on board, framed, signed and titled on verso H12” W16”

$600-900

Provenance: Zantman Galleries, Carmel-by-the-Sea Georgia collection

Style + Design Sale

1018 GERMAN WWII KNIGHT’S CROSS CERTIFICATE AWARD

$300-500

Provenance: Dorothy Greene Owen estate

1030 AMERICAN BRONZE BOY SCOUT SCULPTURE

20th century, on wood base, unsigned, H15”

$300-500

Provenance: Dorothy Greene Owen estate

1031 BETTY BRANCH (Virginia, 20th century) DANCER bronze with black patina on rouge marble base, signed H6” W6” D3” and Dia.7”

1034 JAMES ABBOTT MCNEILL WHISTLER (Massachusetts, 1834-1903) HURLINGHAM, c. 1879 etching drypoint, framed, signed in plate plate H5 1/2” W7 3/4”

$500-800

Provenance: South Carolina collection

$300-500

Provenance: South Carolina collection

135

1036

1037

1038

1038

1039

1040

1041

1042

1043

1044

1045

1046

1047

1048

1049

F RIDAY 3 M ARCH

1035

136

1035 STEPHEN CHESLEY

1040 JENNESS CORTEZ

1044 J.H. HORTON

1048 NAT LOWELL

(South Carolina, b. 1952) PINES, SKY, oil on board, signed, H10” W14”

(New York, b. 1944) FAVORITE TRICK (1977 Horse of The Year) watercolor and pencil, framed, signed & dated: 1998 sight H12” W15 3/4”

(20th century) FLOWER AND FRUIT STILL LIFE, oil on board, framed, signed, sight H8 1/2” W11 1/4”

(New York, 1880-1956) BROOKLYN BRIDGE, c. 1941 etching, framed, signed in pencil plate H9 1/2” W13”

Provenance: Property of a lady

Provenance: South Carolina collection

$400-600

Provenance: North Carolina collection

first half 20th century, BLUE JAYS WITH ACORN, gouache, framed, signed with cipher, sight H29 1/2” W19”

$400-600

Provenance: Estate of Sue Rogers Johnson

1037 STEPHEN CHESLEY (South Carolina, b. 1952) SHIP, SKY, MOON, oil on board, signed and titled on verso, H9 1/4” W14”

$400-600

Provenance: North Carolina collection

1038 PASTEL COASTAL SCENES, SIGNED KNOX (20th/21st century) framed, sight H17 1/2” W23 1/4” (3pcs)

$300-600

Provenance: Georgia collection

1039 ROY MILLER RACEHORSE PORTRAITS

(New York, b. 1938) five works: SEA BIRD II, ORMONDE, NIJINSKY, PINZE, and BAHRAM, color limited edition lithographs, framed, signed & numbered framed size H27” W30 1/2” (5pcs)

Provenance: Estate of Jacqueline Peralta Ramos

1041 V. GALEN (American, 20th century) NEW YORK HARBOR oil on canvas, framed, signed & dated: V. GALEN, 65 H24” W36”

$300-400

Provenance: South Carolina private collection

1042 KATHERINE MERRILL (New York, 1876-1962) three works: WHERE ART & COMMERCE MEET; TOWER FORUM; and UNTITLED etchings, framed, two signed & titled images H18” W10 1/2”, H16” W10 1/4”, and H11 1/4” W14 1/2” (3pcs)

$300-400

Provenance: South Carolina collection

1043 AMERICAN MID-CENTURY MODERN PAINTING FLORAL STILL LIFE, oil on canvas, signed lower left illegibly, H16” W20”

$200-300

Provenance: South Carolina private collection

1045 LETITIA FRANCES LOWE (TISHA LOWE) (South Carolina, 20th/21th century) PORTRAIT OF A MAN, charcoal on paper, framed, signed & dated 2003, sight H11 1/2” W17 1/2”

$200-300

Provenance: North Carolina collection

$150-250

1049 VICTORIA BLANCHARD (American, 20th century) SUNNING TURTLE, graphite on paper, framed, signed, sight H14 1/2” W12 1/4”

$100-200

Provenance: Estate of Jacqueline Peralta Ramos

1046 AMERICAN SCHOOL, 20TH

Style + Design Sale

1036 AMERICAN ORNITHOLOGICAL SCENE, POSSIBLY SOUTH CAROLINA

$300-500

$200-400

CENTURY

SUNFLOWER STILL LIFE, watercolor, framed, signed illegibly, sight H22” W29

$200-300

Provenance: Property of a lady

1047 ARTURO PERALTA RAMOS CARICATURE

(American, second half 20th century) A FIREY HORSE WITH THE SPEED OF LIGHT...A CLOUD OF DUST, AND A HEARTY HI-YOOO SHIT, graphite on paper, framed, signed illegibly, sight H12” W10 1/2”

$200-300

Provenance: Estate of Jacqueline Peralta Ramos

1050 QUEEN ANNE STYLE RED-LACQUERED CHINOISERIE-DECORATED MIRROR H53” W29”

$300-400

Provenance: North Carolina collection

$300-500

Provenance: Estate of Jacqueline Peralta Ramos

137

1052

1053

1054

1055

1056

1057

1058

1059

1060

1061

1062

1063

1064

1065

1067

F RIDAY 3 M ARCH

1051

138

1051 QUEEN ANNE STYLE GILT-DECORATED MIRROR

1056A PINE LONGCASE CLOCK, SIGNED EANSON

H61” W34”

19th century, molded crown and base, H73 1/2” W21 1/4” D10”; H40” W34” D21”

$300-500

Provenance: South Carolina private collection

1061 ENGLISH OAK CORNER CUPBOARD

1066 ENGLISH MAHOGANY DOUBLE

circa 1790, canted crown, glazed doors over drawer, fluted pilasters, single lower door, bracket base; H89 3/4” W35” D20”

CORNER CABINET

$500-700

1052 ENGLISH MAHOGANY BOOKCASE/CABINET

1057 HEPPLEWHITE STYLE MAHOGANY

1062 GEORGE III STYLE UPHOLSTERED

DINING CHAIRS

MAHOGANY ARMCHAIR

late 19th century, molded crown, blind fretwork frieze, cabriole legs and ball-and-claw feet; H60 1/2” W38” D11 1/4”

6 side and 2 armchairs, BH37 1/2” SH18” W20” D17 1/2” (8pcs)

late 19th/early century, BH37” SH17” W28” D23”

$600-900

Provenance: South Carolina collection

Provenance: South Carolina collection

1053 GEORGIAN STYLE MAHOGANY

1058 SHERATON STYLE INLAID

1063 GEORGIAN STYLE INLAID

BOWFRONT SIDEBOARD

MAHOGANY DINING TABLE

circa 1900, configuration of drawers and door, tapered legs with spade feet; H36” W54 1/4” D25 1/2”

crossbanded top, turned pedestals, fluted saber legs and brass paw casters, with 20” leaf; H30” W48” L92”

$600-1,000

1054 GEORGIAN MAHOGANY DROP-LEAF TABLE

circa 1800, H28” W36” L58 3/4” open

$400-600

Provenance: Georgia collection

1055 PAIR GEORGE III MAHOGANY PLANK BOTTOM CHAIRS

circa 1780, pierced urn splat, square legs joined by stretchers; BH38” SH17 1/2” W18 3/4” D17” (2pcs)

$300-500

1056 ENGLISH OAK FALL-FRONT DESK mid 19th century, fitted interior above drawers and bracket feet; H40” W34” D21”

$400-700

$800-1,200

$800-1,200

Provenance: North Carolina collection

1059 GEORGE III STYLE BOWFRONT

$200-300

MAHOGANY SIDEBOARD

late 19th century, H36” W54” D24 1/2”

$500-700

Provenance: South Carolina collection

1064 SHERATON STYLE MAHOGANY TALL POST BED

SIDEBOARD

H85” W62” L83 1/2”

circa 1900, shaped top, drawer flanked by doors, tapered legs; H36 1/4” W60” D22 5/8”

Provenance: Rev. English Hopkins Weston Estate

$600-800

1060 GEORGE II STYLE INLAID WALNUT LOWBOY

mid 19th century, molded top, herringbone inlay, three drawers, shaped skirt, cabriole legs with shell-carved knees, pad feet; H29 1/2” W35 1/4” D22”

$600-900

$400-700

$300-500

1067 QUEEN ANNE STYLE WALNUT WRITING/DRESSING TABLE late 19th century, H29” W33 1/2” D22”

$400-600

Provenance: Georgia collection

1068 GEORGE III MAHOGANY DROP-LEAF TABLE circa 1820, H27 3/4” W43” L52” open

Style + Design Sale

$300-500

first half 19th century, broken canted pediment, conforming case with flat-panel doors, on plinth; H88 1/2” W41 1/2” D23 1/2”

$300-500

Provenance: Georgia collection

1069 ENGLISH CLASSICAL MAHOGANY CHEST/DESK circa 1850, with secretary drawers, H50” W50” D22”

$600-800

Provenance: South Carolina collection

1065 ENGLISH MAHOGANY DIMINUTIVE BOWFRONT CHEST OF DRAWERS

circa 1850; H36” W34” D17 1/2”

$400-600

Provenance: South Carolina estate

1069

139

1072

1073

1074

1075

1076

1077

1078

F RIDAY 3 M ARCH

1071

1079

1084

140

1080

1085

1081

1086

1082

1087

1070 ENGLISH MAHOGANY BOOT RACK

1076 ITALIAN RENAISSANCE STYLE

19th century, H40 3/4” W27 1/2” D12”

H74” W46”

$200-300

1071 ENGLISH WALNUT COFFER $500-700

Provenance: North Carolina collection

$400-700

Provenance: South Carolina private collection

1077 CONTINENTAL STYLE GILTWOOD AND PAINTED MIRROR, JOHN RICHARD H72” W54”

$500-800 1072 ADAM STYLE PAINT-DECORATED

Provenance: South Carolina private collection

MAHOGANY BUREAU

circa 1900, fallboard, fitted interior, three drawers, bracket base; H36 1/2” W30 1/4” D16 1/2”

$300-500

1073 WELSH FRUITWOOD CUPBOARD 19th century, with shelves, doors and drawers; H53” W88 1/2” D9”

$400-700

1074 ENGLISH CHINOISERIE-DECORATED HANGING WALL CABINET

late 19th century, H32” W24 1/2” D6”

$200-300

Provenance: South Carolina collection

1075 LA BARGE STYLE CARVED GILTWOOD MIRROR

H76” W54”

$700-1,000 Provenance: South Carolina private collection

1078 CONTINENTAL BRONZE AND CRYSTAL CHANDELIER

1085 FRENCH GILT-BRONZE PORTICO CASE, CONVERTED TO LAMP

19th century, marked: KOSMOS, converted to electric; H22 1/2” and overall H33”

H21” W10 1/2” D6”

Provenance: Dorothy Greene Owen estate

1086 MOORCROFT ART POTTERY TABLE

$300-500

LAMP

1082 PAIR CUT-GLASS AND ETCHED

$100-200

LUSTRES

Provenance: By descent to present North Carolina private collector, purchased by mother during a trip to England

19th century, candlesticks H12” and shades H8” (2pcs)

$200-400

Provenance: North Carolina private collection

1083 PARCEL-GILT METAL AND FAUX-SHELL CHANDELIER

Provenance: South Carolina corporate collection

$200-400

1079 AMERICAN BRONZE TABLE LAMP WITH LEADED GLASS SHADE, POSSIBLY GORHAM

1084 PAIR RENAISSANCE CARVED WOOD

first half 20th century, dogwood blossom shade on bleeding heart base, no visible marks; base H22”, shade H8” Dia.18”

$400-600

mid 20th century, with metal mounts and glass shade, vase H12” overall H29”

HURRICANE SHADE CANDLE

early 20th century, scrolling frame, crystal baluster stem, mounted with prisms; H60” Dia.36”

$700-1,000

$200-300

H40” Dia.20 1/2”

1087 ASIAN PORCELAIN MELON JAR, CONVERTED TO LAMP

overall H32 1/2”

Style + Design Sale

17th/18th century, H23” W71 1/2” D26”

CARVED BEECHWOOD MIRROR

1081 PAIR FRENCH CRYSTAL AND GILT-BRASS OIL LAMP

$100-200

Provenance: North Carolina collection

Provenance: Property of a gentleman

MUSICAL FIGURAL ELEMENT

17th/18th century, electrified and converted to lamp, H14 1/2” and overall 30 1/2”

$200-400

Provenance: Dorothy Greene Owen estate

1088 CONTINENTAL BRASS-MOUNTED BURL WALNUT SIDE CABINET

last quarter 19th century, black and white-veined marble top; H41” W64” D21 1/2”

$700-1,000

Provenance: Dorothy Greene Owen estate

Provenance: By descent to present North Carolina private collector

1080 CHAPMAN BRASS LAMPS urn shape H38”; candle with tole shade H29” (2pcs)

$300-400

Provenance: North Carolina collection 1088

141

1089

1090

1091

1092

1093

1094

1095

1096

1097

1098

1099

1100

1102

1103

1104

F RIDAY 3 M ARCH

1088A

142

1091 FRENCH PROVINCIAL CARVED

1097 PERSIAN SAROUK CARPET

1102 PERSIAN SAROUK CARPET

CONSOLE TABLE

WALNUT ARMOIRE

circa 1920, 4’1” x 10’

5’7” x 7’6”

part 18th century, slab top, shell-decorated frieze, corbel-form supports with lion’s-head capitals and paw feet; H35 1/2” W55 1/4” D26”

last quarter 18th century, molded crown and brass nailhead decoration; H79 1/2” W55”

1088A ITALIAN POLYCHROME AND CARVED

$1,000-2,000

Other Notes: This table came from the Palm Beach house called Casa Eleda at 920 South Ocean Boulevard, designed by Maurice Fatio, the Swiss Italian architect who was responsible for designing many of the great houses built in Palm Beach during its Gilded Age of the 1920s.

The house was commissioned by the New York banker, Mortimer L. Schiff (1877-1931) in 1934. Fatio was famous for scouring Europe for antiques and accessories to compliment the houses he designed. We believe these 18th Century Italian consoles were part of the original furnishings of Casa Eleda.

1089 CONTINENTAL PAINTED PINE CLOTHES PRESS

early 19th century, H73 1/2” W50” D22 1/2”

$400-700

Provenance: North Carolina collection

1090 FRENCH PROVINCIAL DRAW-LEAF TABLE

early 20th century, H31 1/4” W39 1/2” L110 1/2” open

Provenance: North Carolina collection

1092 CONTINENTAL CARVED GILTWOOD NEEDLEWORK FIRESHIELD

third quarter 19th century; H44 1/2” W7” D15 1/2”

$300-500

1098 PERSIAN HAMADAN RUNNER

1103 PERSIAN SAROUK CARPET

Provenance: Georgia collection

4’ x 5’11”

$300-500

1099 PERSIAN SAROUK RUNNER 2’9” x 11’

$300-500 Provenance: South Carolina private collection

1093 CONTINENTAL INLAID MAHOGANY

1100 PERSIAN HAMADAN RUNNER

AND MARBLETOP CABINET

circa 1940, 2’9” x 9’9”

$300-500

$300-500

Provenance: North Carolina collection

1094 PAIR LOUIS XV STYLE MARQUETRY INLAID OVAL SIDE TABLES

late 19th century, H29” W14 3/4” D11 3/4”

$300-500

Provenance: Estate of Sue Rogers Johnson

Provenance: South Carolina private collection

circa 1935, 3’8” x 9’11”

Provenance: North Carolina private collection

early 20th century, H32” W27” D14”

$300-600

1101 TWO RUNNERS Persian Mahal, circa 1910, 3’6” x 13’5” Russian Shirvan, circa 1900, 2’11” x 7’1” (2pcs)

$300-500

$300-400 Provenance: South Carolina private collection

1104 INDO KERMAN CARPET 4’1” x 5’11”

$200-400

1105 TWO NEEDLEPOINT CARPETS 3’9” x 5’10” and 3’9” x 5’8” (2pcs)

Style + Design Sale

Provenance: Descended through the family of the current owner Kentucky private collection

$800-1,200

$300-500

$200-300

1106 WILLIAM P. SHERLOCK (British, 1780-1821) NEAR KILLARNEY oil on canvas, signed lower left H20” W24 1/2”

$600-900

Provenance: Dorothy Greene Owen estate

1095 PERSIAN KERMAN CARPET 6’9” x 9’

$500-800 Provenance: North Carolina collection

$600-900

Provenance: North Carolina collection

1096 LAVAR KERMAN CARPET circa 1920, 4’11” x 9’8”

$400-700

1106

143

1108

1109

1110

1111

1112

1113

1114

1115

1116

1117

1118

1119

1120

1121

1122

F RIDAY 3 M ARCH

1107

144

1107 CLARA M HAWKES (British, fl. 1884-1894) PORTRAIT OF YOUNG GIRL oil on canvas, framed, signed & dated lower left H34 1/4” W28 1/4”

$600-900

1108 ITALIAN RENAISSANCE STYLE PAINTED AND CARVED GILTWOOD TABERNACLE FRAME

19th century, containing modern painting of the Madonna and Child; frame size H42” W24” painting H22” W11 1/2”

$500-800

Provenance: Property of a lady

1115 BRITISH SPORTING PAINTING, 19TH CENTURY

1120 SIR JOHN EVERETT MILLAIS (AFTER)

(British, fl. 1856-1882) HUNTING IN THE MARSH oil on panel, franed, signed with initials: ECB on collar H9” W7”

TERRIERS HUNTING RABBIT oil on canvas, framed, signed illegibly H20” W30”

(British, 1829-1896) BUBBLES (A Child’s World), chromolithograph, in ornate giltwood frame, overall H42” W37”

Provenance: South Carolina estate

1116 BRITISH SCHOOL, 19TH CENTURY

$500-800

1113 OLD MASTER SCHOOL, 17TH-18TH CENTURY STUDY OF HANDS white and black pencil on blue paper, framed, unsigned sight H11” W7”

$400-600

Provenance: Estate of Jacqueline Peralta Ramos

1109 BRITISH SCHOOL, 18TH CENTURY

1114 JOHN PELTRO

PORTRAIT OF A LADY oil on canvas, framed, unsigned H30” W25”

(British, 1760-1808) BATTLE OF FLAMBOROUGH (To the Merchants trading to Russia, this Print representing the gallant Defence of Capt.n Pearson in his Majesty’s Ship Serapis, and the Countess of Scarborough Arm’d Ship Capt.n Piercy, against Paul Jones’s Squadron, whereby a valuable Fleet from the Baltic were prevented from falling into the hands of the Enemy, is with the greatest respect Inscribed by their Humble Servant John Harris) handcolored engraving, framed, after painting by Robert Dodd, engraved by J. Peltro sight H14” W17”

$500-800

Provenance: South Carolina collection

1110 BRITISH SCHOOL, 19TH CENTURY YOUNG BOY READING BOOK oil on canvas laid to board, unsigned H29 3/4” W25”

$500-800

Provenance: Dorothy Greene Owen estate

1111 BRITISH SCHOOL, 18TH CENTURY PORTRAIT OF GENTLEMAN oil on canvas, framed, unsigned H29 3/4” W25”

$500-800

Provenance: Georgia private collection

$400-600

Provenance: Property of a lady

$400-600

PORTRAIT OF FAMILY READING oil on canvas, framed, unsigned H25 1/2” W28”

$300-500

Provenance: Dorothy Greene Owen estate

1117 BRITISH SCHOOL, LATE 19TH CENTURY

FISHING AT THE POND oil on canvas, framed, signed with initials: G.C.S. and dated 189?

H12 1/2” W14 1/4”

$300-500

Provenance: Dorothy Greene Owen estate

1118 WILLIAM HOGARTH (AFTER) (British, 1697-1764) FOUR TIMES OF THE DAY (Morning, Noon, Evening and Night), handcolored engraving, framed, signed and titled in plate plate H18” W15” (4pcs)

$300-500

Provenance: South Carolina private collection

1119 BRITISH HARBOR SCENE WATERCOLOR, SIGNED ATKINS

$300-500

1121 ITALIAN SCHOOL, 19TH CENTURY ALLEGORICAL SCENE oil on copper, unsigned H17” W14 1/8”

$300-500

Provenance: Dorothy Greene Owen estate

1122 PRIDEAUX JOHN SELBY (British, 1788-1867) CINEREOUS OR SEA EAGLE, PL III ; and MARSH HARRIER, PL IX (from Illustrations of British Ornithology, 1821) handcolored engraving, signed in plate: PJS plate H16 1/2” W20 1/2” (2pcs

Style + Design Sale

Provenance: South Carolina collection

1112 BRITISH DOG PORTRAIT, ATTRIBUTED TO E.C. BARNES

$300-500

Provenance: Property of a lady

1123 THOMAS BUSH HARDY (British, 1842-1897) CALAIS (Sailing Off Pier) watercolor, framed, signed & dated lower right: 1814 sight H13” W19”

$300-500

Provenance: Rowles Fine Art Property of a lady

(19th century) END OF DAY, watercolor and gouache, framed, signed, sight H15” W19”

$300-500

Provenance: Property of a lady

145

1125

1126

1127

1128

1129

1130

1131

1132

1133

1134

1135

1136

1137

1138

1139

F RIDAY 3 M ARCH

1124

146

1128 ITALIAN SCHOOL (EARLY 20TH CENTURY )

1133 CHINESE BLUE AND WHITE PORCELAIN PLATES, DISHES AND

Gian Carlo Polidori (1895-1962) GIRL, sight H20” W14” Achille Formis Befani (1832-1906) WATER GIRL, sight H20 1/2” W14” and another illegibly signed, MAN WITH UMBRELLA, sight 20 1/2” W14” (3pcs)

PIAZZA DONIZETTI, RIOFREDDO oil on panel, framed, unsigned, titled on verso, and gallery label H11 1/2” W8 3/4”

BOWLS

$300-500

Provenance: Estate of Sue Rogers Johnson

1125 CONTINENTAL SCHOOL, FIRST HALF 20TH CENTURY TWO WOMEN IN INTERIOR gouache on paper laid to board, framed, signed & dated illegibly: 1937, and dedicated to Mrs. M. Rogers, Hotel.... sight H10 1/2” W8 1/2”

$200-400

Provenance: Galerie Cardo Estate of Jacqueline Peralta Ramos

1129 PAIR BRITISH SCHOOL STILL LIFE PAINTINGS, SIGNED B. JONES oil on canvas, H10” W8” and framed H19 1/2” W17 1/2” (2pcs)

$200-400

Provenance: South Carolina private collection

$300-400

Provenance: Millicent Rogers Arturo Peralta Ramos, by descent Gift to Jacqueline Peralta Ramos

THE DEATH (Cock Flighting), oil on board, unsigned, H5 1/2” W9 1/2”

CENTURY

$200-300

(British, 1763-1804) LONG DAY, oil on canvas, framed, unsigned, H15” W12”

$300-400

Provenance: South Carolina private collection

Provenance: South Carolina collection

1131 CHINESE EXPORT ROSE MEDALLION URN mid 19th century, decorated with applied dragons; H23” Dia.13”

$600-900 1127 PAIR BRITISH LANDSCAPE PAINTINGS

SHEEP IN MEADOW, oil on canvas, framed, signed illegibly, H9” W12” (2pcs)

$200-400

Provenance: South Carolina private collection

$300-500

Provenance: South Carolina collection

1134 PAIR CHINESE DECORATED PORCELAIN URNS

1130 BRITISH SCHOOL, LATE 19TH

1126 GEORGE MORLAND (MANNER OF)

19th century, Canton and Nanking patterns, comprising: 4 plates Dia.10 1/4” 3 plates Dia.7 1/2” 2 plates Dia.5 1/2” and 6 1/4” oval platter L13” oblong dish L9 1/2” signed footed dish L11 1/4” set of 3 bowls H3” Dia.7 1/2” and H4” Dia.10” (15pcs)

Provenance: Georgia collection

1137 CHINESE EXPORT FAMILLE ROSE PORCELAIN BOWL

mid 19th century, Dia.13 1/2”

$300-500

Provenance: Georgia collection

1138 CHINESE BLANC-DE-CHINE DISH AND CUP

Qing dynasty, unusual leaf-form dish on carved hardwood stand H1” L6” W4”; and prunus blossom decorated cup H1 1/4” (2pcs)

$300-500

Provenance: Estate of Jacqueline Peralta Ramos

1139 PAIR CHINESE DECORATED

Qing dynasty, figures in landscape on carved wood base, H22” Dia.9”; with stands H25 1/2” (4pcs)

CELADON PLATES

Provenance: Dorothy Greene Owen estate

$300-500

$300-500

1135 CHINESE FAMILLE ROSE PORCELAIN PUNCH BOWL

18th century, floral sprays H5” Dia.12 1/2”

$300-500

1136 PAIR CHINESE

Ming or Qing dynasty, scalloped rim centering carved and incised peony blossom, Dia.5 5/8”(2pcs)

Style + Design Sale

1124 ITALIAN WATERCOLOR PAINTING OF PEASANTS, SIGNED & FRAMED

Provenance: Estate of Jacqueline Peralta Ramos

1140 CHINESE EXPORT FAMILLE ROSE PUNCHBOWL

late 18th/early 19th century, H5 1/4” Dia.12 3/4”

$300-500

Provenance: Georgia private collection

DECORATED

1132 CHINESE ROSE MEDALLION PORCELAIN PUNCH BOWL AND PLATTER

Qing dynasty, outturned rim bowl H5” Dia.16”; and oval platter L16 1/2” W13” (2pcs)

$400-600

Provenance: South Carolina collection

PORCELAIN JARDINIERES

Republic period, H14” Dia.16” (2pcs)

$300-500

Provenance: Dorothy Greene Owen estate 1140

147

1142

1143

1144

1145

1146

1147

1148

1149

1150

1151

1152

1153

1154

1155

1156

F RIDAY 3 M ARCH

1141

148

1141 CHINESE EXPORT PLATE AND

1146 JAPANESE PORCELAIN VASE

1151 CHINESE CARVED WHITE JADE CUP

1155 JAPANESE IMARI PORCELAIN

Qing dynasty, hollowed melon-form vessel adorned with leaf, tendril and bat; H1 1/2” L3 1/4” W2 1/2”

CHARGERS

CHARGER

last half 19th century, H16 3/4”

18th/19th century, Imari decorated plate, Dia.9” & blue-and-white charger, Dia.16 7/8” (2pcs)

$100-300

Provenance: Georgia collection

Provenance: Georgia collection

1147 PAIR CHINESE CLOISONNE VASES

$300-400

H12 1/2” Dia.6 1/2”

$100-200

Provenance: North Carolina collection

CREAMER

19th century, covered entree H6” L9 1/2” W8 1/4”, teapot H9”, and creamer H3” (3pcs)

$200-300

Provenance: South Carolina private collection

1148 ASIAN NEEDLEWORK PANELS late 19th/early 20th century, depicting birds among flowers; frame H48” W19 5/8” (4pcs)

$600-900

Provenance: Georgia collection

1143 CHINESE EXPORT PORCELAIN BOWLS

19th century, Dia.2 5/8” to 5 5/8” (11pcs)

$200-300

Provenance: Georgia collection

1144 CHINESE BLUE AND WHITE PORCELAIN PLATES

Qing dynasty, Canton design, Dia.8 1/2” (6pcs)

$200-300

1145 CHINESE BLUE-AND-WHITE PORCELAIN CHARGERS

18th/19th century, Dia.13 1/4” & 13 1/2” (2pcs)

1149 FINE CHINESE GREEN JADE DISH Qing dynasty, polished translucent spinach green round dish with raised rim; Dia.3 1/2”

$300-500

Provenance: South Carolina private collection

Provenance: Estate of Jacqueline Peralta Ramos

1152 CHINESE PIERCE-CARVED WHITE JADE TALISMAN

Qing dynasty, round floral and vine pierce-carved medallion, Dia.2 1/4”

$300-400

Provenance: Estate of Jacqueline Peralta Ramos

1153 JAPANESE CARVED AND STAINED MONKEY NETSUKE, SIGNED Meiji period, seated primates in robes, H1 1/2” W1 1/2”

$100-200

Provenance: Property of a gentleman

JADE GRAPELEAF WITH INSECTS

Provenance: Georgia collection

1156 JAPANESE IMARI PORCELAIN BOWLS late 19th/early 20th century; Dia.8 1/2” to 12 1/2” (5pcs)

$300-400

Provenance: Georgia collection

1157 JAPANESE IMARI PORCELAIN CHARGERS

late 19th century, Dia.14 1/2” (2pcs)

$200-300

Provenance: South Carolina estate

1158 JAPANESE IMARI PORCELAIN VASES AND BOWLS

1154 JAPANESE BRONZE-METAL TIGER FIGURE

Meiji period, H4” L8”

1150 CHINESE TRANSLUCENT CARVED

$300-500

Style + Design Sale

1142 CHINESE ROSE MEDALLION PORCELAIN ENTREE, TEAPOT AND

$300-500

late 19th century, Dia.12 1/4” to 14 1/2” (3pcs)

$200-300

Meiji period, pair vases H8” and three graduated bowls Dia.7 1/4” to 9 3/4” (5pcs)

$200-400

Provenance: Dorothy Greene Owen estate

Provenance: Dorothy Greene Owen estate

Qing dynasty, grape leaf with tendril, cluster, dragonfly, beetle and spider, carved hardwood stand L4 1/2” W3 1/2”

$300-500

Provenance: Estate of Jacqueline Peralta Ramos

$200-300

Provenance: Georgia collection

1157

149

1160

1161

1162

1163

1164

1165

1166

1167

1168

1169

1170

1171

1172

1173

1174

F RIDAY 3 M ARCH

1159

150

1159 CARVED SOAPSTONE FERTILITY STATUE

H4” W2”

$100-200 Provenance: South Carolina collection

third quarter 19th century, H13” W12 1/2” D9 1/4”

$200-300

Provenance: South Carolina collection

1161 CHINESE EXPORT LACQUER BOX ON STAND

last quarter 19th century, H22” W24” D14 1/4”

$200-300

Provenance: South Carolina collection

1162 PAIR LOUIS XV STYLE BLACK LACQUER PETITE COMMODES

decorated in the Chinese manor of Rubestuck; H31” W31 1/2” D17 1/2”

$800-1,200

Provenance: North Carolina collection

1163 SHERATON STYLE INLAID

BH38 1/2” SH20” W87” D39”

$500-800

Provenance: South Carolina private collection

1165 REGENCY STYLE BURL WOOD GAMES TABLE

fitted with roulette wheel, chess, backgammon and other gaming boards; H31 3/4” W38 1/2” D38 1/2”

$700-900

Provenance: North Carolina collection

1166 GEORGIAN STYLE D-SHAPED TABLE, BAKER H30 1/2” W34” D14”

$300-500

Provenance: South Carolina private collection

1167 PAIR BAKER WINGBACK ARMCHAIRS BH55” SH20” W39” D30” (2pcs)

$700-1,000

Provenance: North Carolina collection

Provenance: South Carolina private collection

1170 LOUIS XV STYLE CANED WALNUT ARMCHAIR

late 19th/20th century, BH37” SH17” W25 1/2” D22”

$200-400

Provenance: Dorothy Greene Owen estate

1171 REGENCY STYLE INLAID BURL WALNUT TWO-TIER TABLE, HENREDON H30” W34 1/2” D22”

$300-500

Provenance: South Carolina private collection

1172 CONTINENTAL STYLE PAINTED D-SHAPE CONSOLE CABINET label reading: FEUILLE DE CHENE, RICHARD WRIGHT/JAY J OHNSTONE; H35” W49” D22”

1175

1174 CONTINENTAL STYLE CARVED WALNUT & MARBLE CONSOLE TABLE, MAITLAND SMITH H33” W48” D23”

$500-700

Provenance: South Carolina private collection

1175 LOUIS XV STYLE HERRINGBONE INLAID MAPLE ARMCHAIR

BH39 1/2” SH17” W27” D25”

$300-500

Provenance: North Carolina collection

$400-600

upholstered mahogany, BH34 1/2” SH19 1/2” W84” D32”

$300-600

1173 REGENCY STYLE BLACK LACQUER AND GILT ARMCHAIR, MAITLAND- SMITH

Provenance: South Carolina private collection

$200-300

1168 BAKER, HISTORIC CHARLESTON HEPPLEWHITE STYLE INLAID SIDE TABLE

H28 1/4” W32” D24”

Provenance: Made in the cabinetshop of Charlton Hall Galleries in the 1980s North Carolina private collection

$300-500

1176 CHIPPENDALE SOFA, HICKORY CHAIR FURNITURE CO

TABLE

$500-700

AND GILT SETTEE

BH35” SH19” W44” D18”

Provenance: South Carolina collection

MAHOGANY OCTAGONAL BREAKFAST

H30” W44” D44”

1169 REGENCY STYLE BLACK LACQUER

Style + Design Sale

1160 CHINESE EXPORT GILT BLACK LACQUER COLLECTOR’S CABINET

1164 SHERATON STYLE INLAID MAHOGANY SOFA, SOUTHWOOD FURNITURE CO

BH37” SH19” W23 1/2” D21”

$300-500

Provenance: Berline Harrison collection

Provenance: South Carolina private collection

151

1178

1179

1180

1181

1182

1183

1184

1185

1186

1187

1188

1189

1190

1191

1192

F RIDAY 3 M ARCH

1177

152

1177 BAKER WALNUT SIDE TABLE H28 1/2” W30” D30”

$200-400

Provenance: South Carolina private collection

MAHOGANY CHEST OF DRAWERS

H30 1/2” W26” D14”

$200-300

Provenance: South Carolina private collection

1179 LOUIS XV STYLE ARMCHAIR AND OTTOMAN

faux leopard upholstered, BH28” SH19” W31” D28” (2pcs)

$300-500

Provenance: North Carolina collection

1180 BAKER HISTORIC CHARLESTON GILT-DECORATED PINE ROUND TABLE

H29” Dia.30”

$300-500

Provenance: South Carolina private collection

1181 SHERATON STYLE UPHOLSTERED MAHOGANY WINDOW SEAT

late 19th century, H25 1/2” SH16” W31” D14”

$200-400

Provenance: South Carolina collection

1187 GEORGIAN STYLE INLAID SIDE

TABLES

H32” W24” D19”

H28” W28” D20” (2pcs)

$400-600

Provenance: Dorothy Greene Owen estate

1183 JACOBEAN REVIVAL CARVED OAK DINING CHAIRS

late 19th/early 20th century, 5 side and 1 armchair; BH45” SH19” W23” D24” (6pcs)

$500-700

CABINET

$300-500

Provenance: Made in the cabinetshop of Charlton Hall Galleries in the 1980s North Carolina private collection

1188 QUEEN ANNE STYLE BURL WALNUT BAR CABINET

circa 1935, H52 1/2” W26” D17”

$300-500

Provenance: Georgia collection

1192 HENREDON, NATCHEZ COLLECTION VENETIAN ROCOCO STYLE SILVER-GILT DAYBED H38 1/2” SH23” W75” D33”

$400-600

Provenance: South Carolina private collection

1193 ENGLISH SERPENTINE MAHOGANY TEA TABLE

circa 1900, galleried top, candlestands, tapered legs; H19” W30 3/8” D20 1/2”

$200-300

1184 GEORGIAN STYLE MAHOGANY TILT-TOP TEA TABLE, BAKER

1189 BAKER JACOBEAN STYLE

1194 PAIR KITTINGER FEDERAL STYLE

UPHOLSTERED WALNUT WINGBACK

INLAID MAHOGANY SIDE TABLES

H28” Dia.22 1/2”

CHAIR

oval form, H30” W21” D14” (2pcs)

Provenance: South Carolina private collection

$300-500

$300-400

1185 REGENCY STYLE CHINOISERIE DECORATED ARMCHAIR, SOUTHWOOD FURNITURE CO BH35 1/2” SH16” W26” D26”

$200-300

Provenance: South Carolina private collection

BH47” SH21” W32” D28” Provenance: North Carolina collection

1190 EDWARDIAN INLAID MAHOGANY

Provenance: Estate of Sue Rogers Johnson

1195 TOLE-PAINTED CHINOISERIE DECORATED TRAY ON STAND

ARMCHAIR

19th century and later stand, H19” W24 1/4” D18”

circa 1900, BH31” SH16” W21 1/2” D18”

Provenance: Georgia collection

$200-300

$200-300

1191 PAIR FEDERAL

1186 MAITLAND-SMITH MAHOGANY SIDE

STYLE INLAID

TABLE

CHERRY SIDE

leather and brass mounts, H28 1/2” Dia.21 1/2”

TABLES

Provenance: North Carolina collection

$300-500

$300-500

$300-500

Style + Design Sale

1178 TRADITION HOUSE INLAID

1182 PAIR BAKER LOUIS XVI STYLE BRASS-MOUNTED WALNUT SIDE

H28” W13 1/2” D21 1/2” (2pcs) Provenance: Estate of Sue Rogers Johnson

1194

153

1197

1198

1199

1200

1201

1202

1203

1204

1205

1206

1207

1209

1210

1211

1212

F RIDAY 3 M ARCH

1196

154

1202 ERTE (ROMAIN DE TIRTOFF)

LEATHER SHOULDER BAG

(Russian/French, (1892-1990) ARCTIC SEA, serigraphy with silver foil, signed: 21/60; image H22” W16” COSTUME DESIGN, color screenprint with gold foil, signed: 110/300; sheet H16” W19” PURITY, serigraphy with silver foil, signed: 6/300, image H21” W15 1/2” each framed (3pcs)

H6” W9” D2 1/2”

$300-600

Provenance: Property of a lady

1197 LYNN TUTTLE AND PACO BELT BUCKLES

2 Tuttle black marble W4 3/4” and 5 3/4”; and another silver and quartz marked Paco Taos, W7” (3pcs)

$300-500

$400-600

Provenance: Georgia collection

Provenance: Property of a lady

1203 MARCELO NOVO

1198 MINK WING-COLLAR COAT

(Argentinian, b. 1963) two works: NUDE PORTRAITS, watercolor, framed, signed H12” W8 1/2” and H7 1/2” W5” (2pcs)

approx. small/medium size L38 1/2” shoulder W18 1/2”

$300-500

Provenance: Georgia collection

$300-500

Provenance: South Carolina collection

1208

1207 JOAN MIRO (AFTER)

1210 VINTAGE PEARL BROOCH AND

(Spanish, 1893-1983) SCULPTURE NO. 1, 1974, color lithograph, framed, signed in plate, Atelier Paoligrafa, Metropolitan Gallery of Art edition, sheet H8” W15 1/2”

EARRINGS

$100-200

Provenance: Georgia collection

1199 VINTAGE CHANEL QUILTED BLACKCLOTH SHOULDER BAG

H70” W10 1/2” D2 1/2”

$300-400

Provenance: Property of a lady

1200 HERMES SILK SCARVES Francois Heron, Real Escuela Andaluza del Arte Acuestre, Couvertures et Tenues de Jour, and 1790; 35” x 35” (4pcs)

$200-400

Provenance: Property of a lady

1201 HERMES SILK SCARVES Ferronnerie, Numquam Concedendum, Chasse en Inde; 35” x 35” (3pcs)

$200-400

Provenance: Property of a lady

1204 ANDRE BRASILIER (French, b. 1929) ROSE GARDEN color lithograph, framed, signed and numbered: XL/CXXV sight H28” W19 1/2”

$300-500

Provenance: Georgia collection

1205 XAVIER CUGAT (Cuban, 1900-1990) JUICIO, oil on canvas, framed, signed, H18” W24”

$300-400

Provenance: Georgia collection

1206 ITALIAN SCHOOL LANDSCAPE PAINTING, SIGNED SINCLAIR

1208 AMETHYST GEODE SPECIMEN split exposings calcite and vibrant amethyst; H10 3/4” W18 3/4”

$500-700

Provenance: Property of a lady

1209 GENT’S GOLD AND DIAMOND RINGS

14K gold and triple diamond ring, size 10.5 1912 Liberty gold coin-inset ornate ring, size 5.5 Total 32.9g all in (2pcs)

$500-800

Provenance: South Carolina private collection

diamond and pearl circle brooch, Dia.1 1/8”; pair pearl studs, and pair diamond and pearl earrings, each in 14K gold ; and Total 12.0g all in (5pcs)

$400-600

Style + Design Sale

1196 VINTAGE CHANEL QUILTED LAMB’S

Provenance: South Carolina private collection

1211 PEARL NECKLACE AND EARRING SET 8.5-9.3mm brown pearls with 14K clasp, L17” and pair matching pearl 14K studs (3pcs)

$300-500

Provenance: South Carolina private collection

1212 VINTAGE GOLD BANGLE 14K decorated tapered hinged design, Dia.2 1/2” and 22.0g

$300-500

Provenance: South Carolina private collection

oil on canvas, H48” W36” and framed H58 1/4” W46”

$300-400

Provenance: South Carolina collection

155

1214

1215

1216

1217

1218

1219

1220

1222

1223

1224

1226

1227

1228

F RIDAY 3 M ARCH

1213

1221

1225

156

1213 DIAMOND AND BLUE SAPPHIRE

1217 SIGNET AND GEMSTONE RINGS

RING

10K gold signet ring size 9.5; and 14K topaz and diamond ring size 9, and 15.5g all in (2pcs)

18K gold band set with graduated round and marquise-cut diamonds centering blue sapphire, marked: 18K GC&G, size 5.25 and 7.4g all in

$300-500

1214 BELLE EPOQUE GOLD AND AQUAMARINE NECKLACE

front composed of festoons interspersed with oval aquamarines and seed pearls, supporting faux pearl drop, all in fine scrollwork and chain, L16 1/2” and 2” drop, Total 11.9g all in

$300-400

Provenance: South Carolina private collection

1215 PEARL AND AGATE NECKLACE AND

Provenance: South Carolina private collection

1218 VINTAGE OPAL AND GOLD PENDANT/BROOCH 18K white gold floral, bow and leaf design set with nineteen round cabochon opals, stamped: 18K, H2 1/2” W1 1/2”, and 14.3g all in

$200-400

Provenance: South Carolina private collection

1219 GOLD PAIRS EARRINGS pair 14K loop, Dia.1” pair 14K pendent earrings, H2 1/4” pair double loop earrings, Dia.1/2” Total 21.5g all in (6pcs)

EARRING SET

$200-400

quadruple strand pearls accented by green agate and gold beads and 14K gold clasp, L28”; and pair-twist design pendent pierced earrings, H1 1/2” (3pcs)

Provenance: South Carolina private collection

$300-400

Provenance: South Carolina private collection

1216 PEARL NECKLACES 8mm strand L32”; and another strand of 5mm pearls L17”; each with 14K clasps (2pcs)

$300-400

Provenance: South Carolina private collection

1220 SWISS SILVER-CASED GOLIATH POCKET WATCH, BY ATLAS circa 1934, eight-day movement marked: THE ‘ATLAS’ WATCH, serial no. 513491,case marked: 935 fineness, and model 513497; in fitted leather case, H4” W2 3/4”, 267.5g

1226 WEDGWOOD JASPERWARE PLAQUES, WILLIAM HACKWOOD

late 19th century, gilt-bronze mounted crystal urn, 10 1/2” and clock H14 3/4” (3pcs)

$300-500

working 1769-1832, KING GEORGE III and QUEEN CHARLOTTE, signed: W.H. in wood frames; H3” W2 1/2”

Provenance: Dorothy Greene Owen estate

Provenance: Property of a lady

1223 LADY ’S ELGIN GOLD POCKET 14K gold case no. 5045816, and serial no. 19808360, with gold-filled watch holder brooch, H1 5/8”; and another in 14K gold case no. 504267 and serial no. 4610802, H2 1/4”; and Total weighable 88.0g all in (3pcs)

$300-500

Provenance: South Carolina private collection

1227 MINIATURE BISQUE ON GLASS PROFILE BUSTS

19th century, depicting George III and other notable figures, signed illegibly, in gilt frame; H2 1/2” to 3”, frame size H14 1/4” W14 1/4”

$400-600

Provenance: Property of a lady

1224 CARTIER STERLING TANK AND SEIKO WRISTWATCHES Must de Cartier with silver dial, sapphire-set winding stem, case back affixed by eight screws, original leather strap, serial no. 048671PL and case no.

2416, approx. L6”; together with Seiko stainless tank style wristwatch, SGL456 model, serial no. 635038, L9” (2pcs)

$300-500

Provenance: South Carolina private collection

1225 PERSIAN ILLUMINATED

1221 ART DECO DIAMOND AND GOLD WRISTWATCH, CONCORD

MANUSCRIPT LEAVES

$300-500

Other Notes: verso inscribed: From the collection of Rt. Hon. Lady Mount Stephen.

WATCHES

$300-500

18K white gold case and mesh band, 17-jewel, serial no. 38888, L6 1/4”, 24.7g all in

$600-900

Style + Design Sale

Provenance: South Carolina private collection

$300-400

1222 PAIR FRENCH URNS, AND AD MOUGIN CLOCK

1228 BRITISH PORTRAIT MINIATURES, 18TH/19TH CENTURY MARGARET EGERTON (17911827), and MISS JEFFREY (inscribed on verso: daughter of The Lord Chancellar Jeffrey by Isabella Piggott) watercolor, unsigned, framed, H4 1/2” W3 3/4” and H5 3/4” W4 1/2”; together with another GENTLEMAN IN BLUE WAISTCOAT, watercolor on paper, unsigned, framed, H6 1/2” W5 1/4” (3pcs)

$300-600

Provenance: South Carolina estate

18th/19th century, framed, sight H12 1/2” W7 1/2” to H10” W6”, framed H16” W11 3/4” (6pcs)

$700-900

Provenance: North Carolina collection

Provenance: South Carolina private collection

157

1230

1231

1232

F RIDAY 3 M ARCH

1229

158

1233

1234

1235

1236

1237

1238

1239

1240

1241

1242

1243

1244

1229 FRENCH PORTRAIT MINIATURE IN

1233 BRITISH SCHOOL PORTRAIT

ORNATE CASE

MINIATURE

(18th/19th century) LADY IN BLUE watercolor, in ornate enameled and nacre-inset hinged ormolu case, unsigned, H3” W2 1/4”, and case H4 1/4” W3 1/2”

early 19th century, YOUNG WOMAN WITH ROSES IN HER HAIR, watercolor, metal framed, unsigned, Dia.3”

1230 KPM PICTORIAL PORCELAIN PLAQUE

late 19th century, depicting seated Classical woman with book, framed by columns and drapery; verso marked with Berlin scepter, KPM and various numbers and letters; recto signed illegibly, H5 3/4” W4”

$300-500

Provenance: South Carolina private collection

1231 FRENCH PORTRAIT MINIATURE (early 19th century) LADY IN CAMEO TIARA water color, framed, unsigned H2 1/4” W2”

$300-500

Provenance: Estate of Jacqueline Peralta Ramos

1232 CONTINENTAL PORTRAIT MINIATURES, PROBABLY LATE 18TH CENTURY MAN WITH TURBAN and MAN WITH TOPPER, oil on panel, unsigned, mounted on panel and framed, H4” W3” (2pcs)

$300-500

Provenance: South Carolina estate

Provenance: Estate of Jacqueline Peralta Ramos

1234 ITALIAN GRAND TOUR PLASTER INTAGLIOS, PROBABLY GIOVANNI LIBEROTTI 19th century, each of the 28 medallions of Classical masterpieces, H7/8” to 2 5/8”; framed as one H21” W13 1/4”

1242 JAPANESE CARVED AND STAINED EROTIC NETSUKE, SIGNED

LANDSCAPE, oil on board, framed, label on verso: ARTLORE #23334; H7 1/4” W7 1/4”

Meiji period, scroll-form H1 3/4” W1 1/2”, and another of men H1” L1 3/4” (2pcs)

Provenance: North Carolina collection

Provenance: Property of a gentleman

$200-300

1238 OSBORNE IVOREX PLAQUE (Arthur Osborne, 1855-1843) WHISK AT WARDLES ‘MR. PICKWICK HUMROUS’ in ebonized shadowbox frame, AO monogram trademark in lower right, overall H15” W13 3/4”

$50-100

Provenance: South Carolina estate

$400-600

Provenance: Property of a lady

1235 EARLY ENGLISH CARVED IVORY PORTRAIT MINIATURE PROFILE BUST

18th/19th century, probably Earl of Essex, Queen Elizabeth’s lover, in hinged leather pocket case, carving H1 1/2” W1”, and case H2 1/8” W1 3/4”

$200-400

1236 EARLY ENGLISH PAPER CUT-WORK SCENE, INSCRIBED dated 1768, figures amongst trees, inscribed: MY DEAR GEORGE THIS YOUR DEAR MOTHERS CUTTING, H2 1/8” W3 3/4’, contained within later frame H7 1/8” W8”

$200-400

Provenance: Property of a lady

1239 EROTIC VICTORIAN COUPLE MEERSCHAUM PIPE

19th century, with original leather fitted case, L6 1/2”

$300-500

$200-400

1243 JAPANESE STAIN-DECORATED EROTIC OVAL PANEL

Meiji period, octopus taking maiden atop waves, H2 1/2” W3 1/2”

$200-400

Provenance: Property of a gentleman

1244 JAPANESE CARVED AND STAINED EROTIC MINIATURE OKIMONO, SIGNED

Meiji period, two-piece H1 1/2” L2 1/2”; and another H3/4” L2 3/4” (2pcs)

Style + Design Sale

$300-500

$300-400

1237 ITALIAN MINIATURE PAINTING, PAOLETTI

$200-400

Provenance: Property of a gentleman

Provenance: Property of a gentleman

1240 EROTIC COUPLE MEERSCHAUM PIPE 19th century, with original leather fitted case marked: WEISS SOFIA BUDAPEST, L5”

$300-500

Provenance: Property of a gentleman

1241 JAPANESE CARVED AND STAINED EROTIC MINIATURE OKIMONO, SIGNED

Meiji period, monkeys, and an embrace H2” (2pcs)

$200-400

Provenance: Property of a gentleman

1245 EROTIC COUPLE MEERSCHAUM PIPE 19th century, with leather case, L3 1/2” missing mouth piece

$200-400

Provenance: Property of a gentleman

1246 EROTIC PICTORIAL MEDALLIONS 19th century, bronzed metal Dia.2 1/2”; and cast-metal Dia.2 3/4” (2pcs)

$200-300

Provenance: Property of a gentleman

1247 SOUTHWESTERN CERAMIC EROTIC CENTER BOWL

incised RYOOW(?) POTTERS, TAOS; H3 3/4” Dia.11 3/4”

$100-200

Provenance: Property of a gentleman

159

1249

1250

1251

1252

1253

1254

1255

1256

1257

1258

1259

1260

1261

1262

1263

F RIDAY 3 M ARCH

1248

160

1248 AMERICAN STERLING TRAY, DEMITASSE AND CREAM SOUPS

Tuttle tray Dia.10” 6 Gorham cream soups with liners and saucers 6 cream soup frames with 4 liners 10 demitasse with liners and saucers Total 56.0ozT weighable (59pcs) Provenance: Estate of Sue Rogers Johnson

1249 STERLING SILVER TEA AND COFFEEPOTS

Priesner coffeepot H11”; coffee and teapot marked: 950 H9” and 11 1/2”, 70.0ozT (3pcs)

$600-900

Provenance: Dorothy Greene Owen estate

1250 TOWLE MARY CHILTON PATTERN STERLING FLATWARE

circa 1912, comprising: 12 HH knives L9” 11 forks L7 1/4” 12 forks L6” 5 soups L7” 12 teaspoons L6” Total 43.5ozT (52pcs)

$600-800

Provenance: Estate of Sue Rogers Johnson

comprising: coffeepot. teapot, open sugar, wastebowl and creamer, marked: SSMC (Sterling Silver Manufacturing Company), H4” to 10”, total 45.0ozT (5pcs)

$500-700

Provenance: Dorothy Greene Owen estate

1253 PAIR GORHAM STERLING THREE-BRANCH CANDELABRA 20th century, weighted; H15” and 98ozT all in (2pcs)

$400-600

Provenance: Georgia private collection

1254 AMERICAN STERLING FLATWARE AND SERVING PIECES

2 Duhme & Co teaspoons L5 1/2” 6 Wallace teaspoons L5 1/2” 6 Watson ice creams L4 1/2” Towle bonbon L4 1/2” together with 15 teaspoons, 2 ladles, 3 serving spoons, master butter, 4 serving forks, 2 infant spoons, and 4 condiment spoons. Total 36.5ozT (45pcs)

$400-600

Provenance: Estate of Sue Rogers Johnson

1260 AMERICAN STERLING FLATWARE,

STERLING SERVING PIECES

AND SOUVENIR SPOONS

circa 1891, comprising: soup ladle, engraved P, L12 1/2” pair soup ladles, engraved: Esther to Sam, L10 1/2” 2-pc salad serving set, L12” Total 20.6ozT (5pcs)

Whiting Lily of the Valley spoon, L8” Towle fork, L6 1/2” set 6 Gorham demitasse, L4” set 5 Whiting demitasse, L4” set 6 Adams & Shaw demitasse, L4 1/4” collection 14 silver souvenir spoons, L3 1/2” to 5 1/2” Total 11.5ozT (33pcs)

$400-600

1257 FRANK SMITH STERLING TRAY, RETAILED BY CARTIER circa 1956, Chippendale pattern, engraved DPR Christmas 1956; verso with Frank Smith mark over 212, and Chippendale over Cartier; Dia.14” and 27.5ozT

$300-500

Provenance: Estate of Jacqueline Peralta Ramos

1258 AMERICAN SILVER SERVING PIECES AND INFANT SET

2 Gorham New Tipt pattern berry spoons, L8 1/4” coin silver salt, L3 1/2” Gorham bon bon, L5 1/2” Wallace bon bon, L5” International Little Boy Blue infant set, L4 1/4” Total 6.7ozT (7pcs)

$200-300

1259 GORHAM ZODIAC, AND TOWLE RUSTIC STERLING SPOONS

1251 PAIR GORHAM STERLING LIVE-LIGHT CANDELABRA

COFFEEPOT AND SUGAR

pattern 1130, H14” Dia.12 1/2” (2pcs)

Burgundy pattern, H10”, 46.0ozT

12 Zodiac teaspoons L5 3/4”; and 6 Rustic soups L6 3/4” (18pcs)

Provenance: Estate of Sue Rogers Johnson

Provenance: Dorothy Greene Owen estate

Provenance: Dorothy Greene Owen estate

$500-800

1255 REED & BARTON STERLING

1256 WHITING LOUIS XV PATTERN

$400-600

$200-300

$200-300

Provenance: Estate of Sue Rogers Johnson

1261 AMERICAN STERLING SERVING PIECES

Whiting Heraldic gravy ladle L7 1/4” Wallace Rose serving spoon L8” Bowlen serving spoon L9” Towle and Gorham serving forks L6 3/4” and 7 1/2” Alvin cheese scoop L6” 3 Wendell forks L7” Towle ladle L5 1/2” Whiting scoops L4 1/2” and 6” Repousse pattern cake breaker L10 1/2” Total 16.2ozT weighable (12pcs)

Style + Design Sale

$700-900

1252 AMERICAN STERLING TEA AND COFFEE SERVICE, SSMC

$200-300

Provenance: Estate of Sue Rogers Johnson

1262 AMERICAN COIN SILVER SPOONS, J.E. GIFT 19th century, Reverse Tipt pattern, L7 3/4” and 7.3ozT (6pcs)

$100-200

Provenance: Estate of Sue Rogers Johnson

1263 ENGLISH SHEFFIELD PLATE MEAT DOMES, ROBERTS, SMITH & CO. circa 1845, engraved with crest and motto: FIDE ET VIRTUTE; marked with bell and hammer; H10” L13” W10 1/4” and H11” L16” W12” (2pcs)

$400-700

161

1265

1266

1267

1268

1269

1270

1271

1272

1273

1274

1275

1276

1277

1278

1279

F RIDAY 3 M ARCH

1264

162

1264 ENGLISH ARMORIAL SILVERPLATE

1269 GEORGE III STERLING LADLES AND

1274 AMERICAN SILVERPLATE

STUFFING SPOONS

TABLEWARES

circa 1850, Scottish arms of GILES with motto PENSEZ A MOI, H12” L18” W13 1/2”

London, dated 1814-15, Reverse Tipt pattern by William Edwards, L12 3/4”; and another by other maker L13”; and pair serving spoons L12 1/2”; total 22.0ozT (4pcs)

Reed & Barton centerbowl H3 1/2” Dia.9” Reed & Barton ladle L12” Art Nouveau vase H16” 12 nacre handle knives L9” 6 butter spreaders L6 1/4” 6 iced teaspoons L7 1/2” cream ladle L5 1/2” (28pcs)

$300-500

1265 RENAISSANCE REVIVAL PLATED AND GLASS CLARET JUG

probably English, circa 1870, lion and shield finial, grotesque mask spout, caryatid handle, unmarked, H11”

$300-500

1266 SHEFFIELD SILVERPLATE PUNCHBOWL AND UNDERTRAY

together with 12 cups and ladle; marked: GSE; bowl H12 1/2” Dia.16”, tray Dia.21 1/2” (15pcs)

$300-500

Provenance: Georgia private collection

1267 EDWARDIAN SILVERPLATE AND CRYSTAL BISCUIT BOX, GEORGE WISH Sheffield, wk. 1878-1934, cut-glass box with ornate mounts, seated in Classical stand, mark; H7” W7” D5 1/2”

$300-500

1268 SOUTH AMERICAN SILVER TRAY hand-hammered oval design, probably 800; marked: Brazil/ Boliviano; L18” W14”, and 35.0ozT

$300-400

Provenance: South Carolina private collection

$300-400

Provenance: Property of a lady

1270 ENGLISH SILVERPLATE REVOLVING TUREEN AND BISCUIT WARMER

Elkington breakfast dish H9” L13”; and Walker & Hall shell-form warmer, H10” W8” D6” (2pcs)

$300-400

1271 SILVERPLATE TRAY AND HOT WATER KETTLE

tray L28” W16 3/4”, urn H19” (2pcs)

$200-400

Provenance: Estate of Sue Rogers Johnson

1275 ENGLISH SILVERPLATE REVOLVING TUREEN, BISCUIT BOX, AND TUREEN tureen H9 1/2” W12”, H14” Dia.14”, and H13” (2pcs)

$200-400

Provenance: North Carolina collection

$200-300

Provenance: Georgia collection

1272 AMERICAN SILVERPLATE PUNCH SET Webster-Wilcox punch bowl H8” Dia.15 3/4” with 12 cups; tray Dia.21”; Gorham ladle L14” (15pcs)

$200-300

Provenance: Estate of Sue Rogers Johnson

1276 PAIR GEORGE III STERLING BERRY SPOONS, THOMAS WALLIS II London, dated 1801, allover leaf and vine-chased design and engraved crest, complete marks, L9”, and 3.5ozT (2pcs)

$200-300

SILVERPLATE TEA AND COFFEE

SILVERPLATE TEA AND COFFEE

SERVICE

first quarter 20th century, comprising: hot water kettle H12 1/2” coffeepot H9 1/2” teapot H5” creamer H4” covered sugar H4” wastebowl H3” footed waiter, L27” W17” (7pcs)

$200-400

Provenance: Estate of Sue Rogers Johnson

$150-300

Provenance: Property of a lady

1280 SILVERPLATE HOT WATER URN Neoclassical design, H15” W10”

$100-150

Provenance: South Carolina private collection

1281 CONTINENTAL SILVER DECORATION AND GERMAN SNUFF BOX decoration H4 1/2”, and stone-inset snuff box H1/2” W2 1/4” (2pcs)

$100-200

Provenance: Estate of Sue Rogers Johnson

1282 RUSSIAN SILVER-GILT SUGAR TONGS circa 1885, ornate leaf designs, each marked: 84 standard, L4 1/2” and 4 3/4”, 2.0ozT (2pcs)

$100-200

1277 REED & BARTON REGENT PATTERN

1273 SHEFFIELD SILVER CO. SERVICE WITH TRAY

marked: S925; H3” L5” W2 1/2”, and total 12.5ozT (2pcs)

Style + Design Sale

MEAT DOME

1279 PAIR CHINESE ENAMELED VERMEIL QUAIL-FORM BOXES

H4 1/2” to 9” (4pcs)

$100-200

Provenance: Georgia collection

1278 PAIR ENGLISH SILVERPLATE ENTREE DISHES

late 19th century, beaded decorations and vacant cartouches, H6” L11 1/2” (2pcs)

$150-300

1282

163

1284

1285

1286

1287

1288

1289

1290

1291

1292

1293

1294

1295

1296

1297

1298

F RIDAY 3 M ARCH

1283

164

1283 CARTIER STERLING INDIVIDUAL

1287 PAIR PARIS PORCELAIN CACHEPOTS

SALTS

AND CENTER BOWL

in classic red-leather case, H1 1/2” and 1.4ozT (7pcs)

19th century, applied floral design cachepots H6 1/2” Dia.7 1/4”; and Halley center bowl H3” Dia.7 1/2” (3pcs)

$100-200

Provenance: Property of a lady

SERVICE

circa 1815, gilded and green border, centering painted fruit, insects and birds on pink ground, marked crown over HI, comprising: coffeepot H6 1/2” teapot H5” creamer H4” sugar H3” wastebowl H3 1/2” 6 cups with saucers (17pcs)

$300-500

Provenance: Property of a lady

1285 PARIS PORCELAIN TEA AND COFFEE SERVICE

circa 1835, Neoclassical design on lavender ground with gilded accents, comprising: coffeepot H8” teapot H6” creamer H7” covered sugar H6” wastebowl H4” Dia7 1/4” 12 cups with saucers (29pcs)

$300-500

Provenance: Property of a lady

1286 SEVRES PORCELAIN DESSERT SERVICE

3 compotes H3” W10 1/2” 2 compotes H4” Dia.9 1/2” 2 fruit bowls H5 1/4” Dia.7 3/4” sauce tureen on stand H6” L9” 28 plates Dia.8 3/4” (36pcs)

Provenance: Property of a lady

1288 SAMSON PORCELAIN PLATES late 19th century, gilded cobalt pattern Dia.9 1/2” (6pcs)

$100-200

Provenance: Property of a lady

1289 PAIR WEDGWOOD BLACK BASALT VASES

19th century, Greek scenes, H5 7/8” Dia.5 1/4” (2pcs)

$200-400

Provenance: Property of a lady

1296 ENGLISH PORCELAIN PLATES GILMAN COLLAMORE & CO

late 19th century, ornate gilded cobalt pattern Dia.10” (12pcs)

late 19th century, bird and floral pattern Dia.9” (12pcs)

Provenance: Property of a lady

Provenance: Property of a lady

1292 COPELAND PORCELAIN PLATES, OVINGTON BROTHERS

1297 ADAMS IRONSTONE PARTIAL

late 19th century, gilt, turquoise, pink pattern Dia.10 1/2” (12pcs)

circa 1890, Indian Tree pattern, comprising: 6 plates Dia.10” 3 plates Dia.9” 6 plates Dia.7” 6 soup plates Dia.10” 2 covered entrees L11” gravy on stand dish L8 1/2” 4 platters L11 1/4” to 16 1/2” Together with Johnson Bros service in same pattern to match old service, comprising: 8 plates 10 1/4” 8 B&B Dia.6” 8 bowls Dia.6” 8 cups with saucers (69pcs)

$300-400

$200-300

Provenance: Property of a lady

1293 ENGLISH PORCELAIN PLATES, GILMAN COLLAMORE & CO late 19th century, 11 Cauldon Dia.8 1/2”; and 10 Minton Dia.9 1/2” (24pcs)

$200-400

Provenance: Property of a lady

1290 COALPORT SCENIC PORCELAIN

1294 HUTSCHENREUTHER PORCELAIN

PARTIAL DESSERT SERVICE

CABINET PLATES

circa 1890, possibly painted by Percy Simpson, comprising: 2 tazzas H5” Dia.9 1/2” 4 tazzas H2 1/2” Dia.9 1/2” 10 plates Dia.9 1/2” printed Coalport mark and locations on bases, gilded cobalt rim painted with scenes titled: Loch Lomond, Agles Craic, Loch Awe, Windermere, Kilchurn Castle, Grassmere, Netherby, Chamouni, Killarney, Kirkstall Abbey, Windermere Lake, Neidpath Castle, Bassenthwaite Lake, Brico Balcownie, and Norham Castle. (16pcs)

$300-500

decorated with scenes after Fragonard, W11 1/2” (12pcs)

$200-300

Provenance: Georgia private collection

1295 ENGLISH PORCELAIN PLATES AND SOUP PLATES, GILMAN COLLAMORE & CO

$200-400

DINNER SERVICE

Style + Design Sale

1284 PARIS PORCELAIN TEA AND COFFEE

$200-400

1291 COPELAND PORCELAIN PLATES, GILMAN COLLAMORE & CO

$200-400

1298 PAIR ENGLISH TRANSFER DECORATED PEARLWARE CHESTNUT BASKETS

19th century, with underplates, H5” W10” D8” (4pcs)

$200-300

Provenance: South Carolina collection

late 19th century, 12 Cauldon plates Dia.9”; and 12 Royal Doulton soup plates Dia.9 1/2” (24pcs)

$200-400

Provenance: Property of a lady

$400-600

Provenance: Property of a lady

165

1300

1301

1302

1303

1304

1305

1306

1307

1308

1309

1310

1311

1312

1313

1314

F RIDAY 3 M ARCH

1299

166

1299 MAJOLICA OYSTER PLATE SET

1304 PAIR BOEHM WOOD THRUSHES

late 19th/early 20th century, shell and lemon molded pattern Dia.8 3/4” (12pcs)

No 465, H16” (2pcs)

$300-500

$400-600

Provenance: Dorothy Greene Owen estate

Provenance: Property of a lady

AND FIGURES

19th century, Paris parcel-gilt bisque Neoclassical inkwell H7 1/2” W5 1/2” Meissen Harlequin with bird #456, and Harlequin with rabbit #461, H5 1/4” and 4 1/2” (3pcs)

$300-500

Provenance: Property of a lady

1301 DRESDEN PORCELAIN MONKEY early 20th century, H16”

$300-400

Provenance: Dorothy Greene Owen estate

1302 MEISSEN PORCELAIN FIGURINE AND PARAGON PLAQUETTE 19th century, chinoiserie figures H5 1/2”; together with plaquette titled: ON DUTY, painted by F. Micklewright after Philip Stretton, H6” W4 1/4” (2pcs)

$200-300

1305 BOEHM PORCELAIN FIGURAL GROUPING

Dove with Cherry Blossom, number 20238; H18 3/4”

$300-500

Provenance: Georgia collection

1306 PAIR DOROTHY DOUGHTY PHOEBES ON FLAME VINE, ROYAL WORCESTER H11” (2pcs)

$300-500

Provenance: West Virginia private collection

1307 BOEHM LONG TAILED TITS, AND BLUE GROSBEAK H14” and 11” (2pcs)

$200-400

Provenance: West Virginia private collection

1308 CROWN STAFFORDSHIRE BIRD H7” L10” W5”

1303 SITZENDORF HENRY VIII AND WIVES PORCELAIN FIGURES Sitzendorf Henry VII, Anne of Cleves, Jane Seymour, Catherine Howard, Anne Boleyn, Catherine Parr, and Catherine of Aragon H8”; together with figural grouping H8 1/2” L10 1/2” (8pcs)

$150-250

Provenance: Property of a lady

$100-150

Provenance: Property of a lady

H14 1/2” and 13” (2pcs)

$300-400

Provenance: West Virginia private collection

1311 CRITERION CARVED OAK DOUBLE

$500-800

Provenance: South Carolina private collection

1312 EDWARDIAN TRAVELING DRESSING CASE, GEORGE BETJEMANN & SONS London, dated 1898, brass-bound coromandel case opening to reveal sterling and glass bottles engraved: Lily, in leather-lined compartments, “Automatic” mechanism revealing drawers and document compartment; H8 1/2” W13 1/2” D9 1/2”

$300-500

Provenance: South Carolina private collection

1315 GERMANY BLACKFOREST CARVED WALNUT WALL BRACKET

late 19th/early 20th century, H13” W12” D8 1/2”

$200-300

Provenance: North Carolina collection

1316 ENGLISH PAINTED ROCKING HORSE, A. W. GAMAGE late 19th century, stamped on base; H44 1/2” W50” D16”

$400-700

Provenance: South Carolina estate

$500-800

Provenance: South Carolina collection

1313 ENGLISH BRASS-BOUND BURL WALNUT DRESSING CASE,

BRAMAH

in associated display cases, H10” (2pcs) Provenance: West Virginia private collection

Provenance: Georgia private collection

$100-200

19th century, Chinese lacquered hinged box H2” W7 1/2” D4 3/4”; chinoiserie-decorated cast-metal lock box H4” W8” D6”; English lap desk with secret compartments H5 1/2” W10 1/2” D8 1/2” (3pcs)

COMB DISC MUSIC BOX

circa 1895-1909, hinged square case H8 1/2” W21 1/2” D19 1/4”, mechanism numbered: 7850; with 33 discs measuring Dia.15 3/4”

19th century, gilded leather, fitted interior with jar, bottle and container; and secret compartments; locks marked: BRAMAH; H7 1/8” W12” D9”

1309 PAIR DOROTHY DOUGHTY CHICKADEES, ROYAL WORCESTER

1314 LAP DESK AND BOX COLLECTION

Style + Design Sale

1300 CONTINENTAL PORCELAIN INKWELL

1310 CYBIS KING RICHARD AND UNICORN

$300-500

1316

167

F RIDAY 3 M ARCH

1317

1318

1319

1320

1321

1322

1323

168

1324

1325

1320 AMERICAN SCHOOLGIRL NEEDLEWORK SAMPLER

SAMPLER

circa 1813, probably Pennsylvania, three stanzas adorned by floral and vine designs, verses reading: IN BOOKS OR WORK OR HEALTHFUL PLAY LET MY FIRST YEARS BE PAST THAT I MAY GIVE FOR EVERY DAY SOME GOOD ACCOUNT AT LAST OH DO NOT DELAY TO JESUS TO FLEE TO HIM HASTE A WAY HIS PARDON IS FREE MY WORK IN HAND YOU HERE MAY HAVE WHEN I AM DEAD AND IN MY GRAVE signed MARY CHANTRY-5 WORK 1813 (?) contained within frame; size H16 1/4” W17”

dated 1839, probably American or English, bands of block letters and numbers above script examples interspaced by vines above fine stitchwork of objects, animals, insects and flowers, centering wreath with initials FS and 1839, contained within frame; size H26” W26”

$400-600

Provenance: South Carolina private collection

1318 AMERICAN COLLEY FAMILY REGISTRY NEEDLEWORK SAMPLER

early 19th century, probably the Colley family of New Hampshire, script and block alphabet bands above family records of marriage and births, and homestead scene, reading: Joseph Colley born Mar. 8 1777, Jane W. Dole born April 3 1782 Maried Mar. 3 1807 Record of their Childrens ages Samuel Gerish born Dec. 8, 18[0]7 Abigail Ilsley Dole=April 23, 18[0]9 Ann Jane Dole=Sept. 25, 1813 Joseph Bradford=June 15, 1817 contained within ebonized frame; size H18 1/2” W20”

$400-700

$300-500

Provenance: South Carolina private collection

1321 AMERICAN NEEDLEWORK ALPHABET SAMPLER circa 1829, various rows of letters, numbers and SUSAN FARNHAM, BORN THE 23D 1816 AGED 13 YRS, above floral and leaf designs, contained within frame; size H16” W14”

$300-500

Provenance: South Carolina private collection

Provenance: Stephen & Carol Huber, 2004 South Carolina private collection

Other Notes: Verso with family lineage by Ms. Turner

1319 FINE SCHOOLGIRL NEEDLEWORK SAMPLER, BY JANE HAMBY

1322 EARLY SCHOOLGIRL NEEDLEWORK SAMPLER

dated December 24, 1826; probably American or English, band of upper and lower case alphabet and numbers 1-20, above first and last stanza of Sir Robert Grant’s THE DEVINE ELEMENT or (When gathering clouds around I view); interspaced by tree, animals, ornate bands and chamfered cartouche signed: JANE HAMBY DECEMBER THE 24, 1826, AGED 8 YEARS; and all contained within fine silk threadwork on flower vines, and ebonized frame; overall H18 1/4” W15 1/4”

$300-500

Provenance: South Carolina private collection

dated 1817, probably American or English, ornately stitched framework of flowers, trees and designs centering religious poetry throught to be by hymn-writer John Newton (1725-1807).

‘Jesus permit thy gracious name to stand As the first effort of an infant’s hand And as her fingers on the sampler move, Engage her tender heart to seek thy love.

With thy dear children may she have a part, And write thy name thyself upon her heart.’ signed SARAH JANE NEALE, AGED 7 YEARS 1817 contained within frame; size H19” W15 1/2”

1323 EARLY ENGLISH NEEDLEWORK SAMPLER, MARY DOUBLEDAY dated October 18, 1766, alphabet bands above variation of the Psalms of David, Hymn XXVII: I love by Saviour Christ; His grace did freely move, and justly my affections claim; I cannot choose but love & I love The[e] my Lord I gladly The[e] adore may I never ......et cetera.

Signed: MARY DOUBLEDAY ENDED THIS SAMPLER OCTOBER THE 18th, 1766 IN THE 13 YEAR OF HER AGE; contained within frame; size H14 1/2” W9 1/4”

$200-400

Provenance: South Carolina private collection

1324 AMERICAN SCHOOLGIRL NEEDLEWORK SAMPLER first quarter 19th century, various rows of numbers, letters and verse reading: RULES OF CONDUCT, GIVE YOUR HEART TO YOUR CREATOR; REVERENCE TO YOUR SUPERIORS; HONOUR YOUR PARENTS; GIVE YOUR BOSOM TO YOU FRIEN....(incomplete); contained within frame; size H28 1/2” W19 1/4”

Style + Design Sale

1317 LARGE SCHOOLGIRL ALPHABET NEEDLEWORK

$200-400

Provenance: South Carolina private collection

1325 ENGLISH NEEDLEWORK SAMPLER circa 1839, upper and lower case alphabet and numbers above proverb 22:6 reading: TRAIN UP A CHILD IN THE WAY HE SHOULD GO, AND WHEN HE IS OLD HE WILL NOT DEPART FROM IT. signed: ANN FROOD, Dec. 18TH, 1839; accented by potted plants, flowers and ornate bands, contained within frame; size H19 1/4” W11 1/4”

$200-400

Provenance: South Carolina private collection

$300-500

Provenance: South Carolina private collection

169

1327

1330

1331

1332

1333

1334

1335

1336

1337

1338

1339

F RIDAY 3 M ARCH

1326

Seeking Quality Consignments www.charltonhallauctions.com 803-779-5678 1340

170

1341

1331 LEATHERBOUND BOOKS: VARIOUS

circa 1849-65, probably Lewis Miles Stoneware Factory at Stoney Bluff Plantation, alkaline-glazed ovoid jar, tab handles, H15”

Crowe, Mrs. THE STORY OF LILLY DAWSON. London: G. Routledge & Co., 1853.

Macaulay, Thomas Babington. THE HISTORY OF ENGLAND FROM THE ACCESSION OF JAMES II. Boston: Aldine Book Publishing, n.d., in five volumes. and others (70vols)

$800-1,200

Provenance: Rev. English Hopkins Weston Estate South Carolina private collection

1327 MEADERS FACE JUG AND DECORATED STONEWARE JAR

Edwin Meaders cobalt H11 1/2”; and floral decorated H9 1/4” (2pcs)

$400-600

Provenance: Georgia collection

1328 NO LOT

1329 NO LOT 1330 CLAREMONT MANOR LEATHERBOUND GUEST BOOK

dated 1941-1947, rich blue leather cover with gilt cover reading CLAREMONT MANOR various signature and annotations, including the Christmas visit from Ian Fleming

$200-300

Provenance: Millicent Roger by descent to present owner Other Notes: Claremont Manor was the Virginia home of Millicent Roger.

TITLES

$300-500

Provenance: Georgia collection

1332 LEATHERBOUND BOOKS: THE LEGAL CLASSICS LIBRARY COLLECTION Allen, Carleton Kemp. LAW IN THE MAKING. 1992.

Barnes, Thomas G. (ed). THE LAWS AND LIBERTIES OF MASSACHUSETTS. 1982.

Hand, Learned. THE SPIRIT OF LIBERTY. 1989.

Hudson, William. A TREATISE OF THE COURT OF STAR CHAMBER. 1986. and others (18vols)

$300-500

Provenance: North Carolina collection

1334 LEATHERBOUND BOOKS: LIMITED EDITION, AUTHOR SIGNED NOVELS De Beauvoir, Simone. THE SECOND SEX. 1979.

Farrell, James T. YOUNG LONIGAN. 1979. And others (18vols)

Snowden, Yates (ed). HISTORY OF SOUTH CAROLINA. Chicago: The Lewis Publishing Company, 1920 (in six volumes). And otehrs (10vols)

Provenance: Estate of Sue Rogers Johnson

Provenance: Carolina collection

$300-500

1335 LEATHERBOUND BOOKS: LIMITED EDITION, AUTHOR SIGNED NOVELS Auchincloss, Louis. THE RECTOR OF JUSTIN. 1977.

Caldwell, Erskine. GOD’S LITTLE ACRE. 1979. And others (20vols)

$300-500

Provenance: Estate of Sue Rogers Johnson

Austin, John. THE PROVINCE OF JURISPRUDENCE. 1984.

Berring, Robert C. (ed). GREAT AMERICAN LAW REVIEWS (in three volumes). 1984. And others (20vols)

$300-500

Provenance: North Carolina collection

$300-500

1339 LEATHERBOUND BOOKS: LIMITED EDITION, AUTHOR SIGNED NOVELS Baldwin, James. GO TELL IT ON THE MOUNTAIN. 1979. And others (21vols)

$300-500

Provenance: Estate of Sue Rogers Johnson

1340 BOOKS: FINE LEATHERBOUND LITERATURE

1336 LEATHERBOUND BOOKS: THE LEGAL CLASSICS LIBRARY COLLECTION Beccaria, Cesare Bonesana. AN ESSAY ON CRIMES AND PUNISHMENTS. 1991.

Calhoun, John C. A DISQUISITION ON GOVERNMENT. 1993.

And others (19vols)

$300-500 1333 LEATHERBOUND BOOKS: THE LEGAL CLASSICS LIBRARY COLLECTION

1338 BOOKS: HISTORY OF SOUTH CAROLINA

Provenance: North Carolina collection

1337 LEATHERBOUND BOOKS: THE LEGAL CLASSICS LIBRARY COLLECTION

limited deluxe edition no. 654/1000.

Scott, Sir Walter. THE WAVERLY NOVELS. Boston: Estes & Lauriant, 1894. In thirty volumes. and others (40vols)

Style + Design Sale

1326 EDGEFIELD STONEWARE STORAGE JAR, ATTRIBUTED TO DAVE

$200-300

Provenance: South Carolina collection

1341 LEATHERBOUND BOOKS: CLASSIC NOVELS Austen, Jane. PRIDE AND PREJUDICE. 1977.

Carroll, Lewis. ALICE’S ADVENTURES IN WONDERLAND. 1977.

And others. (17vols)

$200-400

Barrett, Bryant. THE CODE NAPOLEON. 1983. And others.

(21vols)

$300-500

Provenance: Carolina collection

171

1343

1344

1345

1346

1347

1348

1350

1351

1352

1353

1354

F RIDAY 3 M ARCH

1342

End of Auction 1355

172

1356

1357

1345 ENGLISH PIERCED BRASS FIRE

rare hand-illustrated children’s poems, IN OLD PEKING: SIGHTS AND SOUNDS CHINESE and IN OLD PEKING: ALONG THE STREET. Fan-folded typed leaves threadbound in hand-painted silk on heavy stock; end pages signed and dated: E.A. PUNNETT, 1932. (2pcs)

last quarter 19th century, serpentine front, H7 3/4” W56” D17 1/2”

$200-400

Provenance: South Carolina private collection Other Notes: Edith Agnes Punnett (1868-1938) British, was a major turn-of-the-century Chinese antiquities dealer based in Beijing.

One of her most important discoveries was the painted chamber from the Reception Hall of the Palace of Duke Zhao, Beijing, now located in the Philadelphia Art Museum.

These lavishly illustrated pages of children and scenes from everyday life interspersed with typed verses provide a glimpse of old China from the eyes of a Westerner.

FENDER

$200-400

1346 LINDA LEVINSON JEWELWORK

CARVED SHIELD

$200-300

Provenance: Property of a lady

1347 FRENCH BRONZE AND PORCELAIN INKSTAND

late 19th/20th century, with snake handles, H7 1/2” W13 1/2” D8”

$150-200

Provenance: Dorothy Greene Owen estate

1348 CARVED AND POLISHED STONE BUNNY RABBIT

probably 16th century, sheet H28 1/2” W20” (2pcs)

1349 NOT LOT

Provenance: Property of a lady

Provenance: Georgia private collection

$300-500

Provenance: Rev. English Hopkins Weston Estate

Provenance: South Carolina private collection

H10 3/4” W8 3/4”

$100-200

first half 20th century, H22 1/2” (2pcs)

$100-200

1352 SOUTH WEST PACIFIC TRIBAL

1343 BAROQUE ANTIPHONAL SHEET MUSIC ON VELLUM SHEETS, FRAMED

1344 PAIR ART DECO BRASS FIREIRONS

framed size H44” W70 1/2”

PICTURE FRAME

H3 1/2” W5” D1 1/2”

$100-200

1351 PERUVIAN WOVEN WOOL TAPESTRY, HOVER MONTE

1350 PAINTED OVERDOOR DECORATION oil on canvas, signed and dated on verso: GELLO 1994; H23 1/2” W63”

$200-300

Provenance: South Carolina collection

1356 PAIR AUSTRIAN ENAMEL GLASS LUSTERS

late 19th/early 20th century; H12 1/2” Dia.7 1/2” (2pcs)

$200-300

Provenance: Georgia private collection

1357 BOHEMIAN CUT-TO-CLEAR

probably Sepik River, New Guinea, 19th/20th century, H48” W12”

CORDIALS

$200-300

early 20th century, green coloration H5 1/4” (19pcs)

Provenance: South Carolina collection

$150-250

Provenance: Property of a lady

1353 STEUBEN VASES, BOWL AND DISH vase H13”, centerbowl H3 1/4” Dia.8”, and dish H1 1/2” Dia.5 1/2” (3pcs)

$300-400

- End of Session II -

Style + Design Sale

1342 ASIAN POEM VOLUMES: IN OLD PEKING, BY E.A. PUNNETT

Provenance: South Carolina private collection

1354 ENGLISH OR IRISH CUT-CRYSTAL URN

late 19th century, H13” Dia.8”

$200-300

Provenance: Georgia collection

1355 BOHEMIAN CUT-CLEAR VASE AND COVERED JAR

late 19th/early 20th century, gilt and cobalt vase H12”; and ruby and amber jar H11” Dia.5” (2pcs)

$200-400

Provenance: Property of a lady

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HOW TO PARTICIPATE S ATURDAY 4 M ARCH

1. Create an Online Account

3. Bid Live Online

Go to www.charltonhallauctions.com

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Log in with email and password

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2. Placing Absentee Bids

You will receive email confirmation you’ve been approved to bid, along with your bid limit. Email us to increase your limit if needed.

ON AUCTION DAY: go to www.charltonhallauctions.com Click Sign In (upper right corner) Log in with email and password, and click Login

Click Sign In and enter your email address and password

Go back to the home page and click

Click View Catalogue to the upper left side of the page

Click Enter Auction which will open a new window for you to begin bidding live

Click Bid Sheet

When you would like to bid the asking amount, clicking the BID bar in the upper right of the window

Enter your absentee bid amounts on each lot you desire (in whole Dollars) within our bid increments

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Please Call 617-746-3800 for the 24/7 Customer Care Team, For assistance with tech support and compatability issues

Click Confirm Your Bids Review your bids and click Place Bids To view tracked items, click View Catalogue again, then click Find at bottom of page

4. Payment, Pickup & Shipping

Email confirmation will be sent after we have processed bids

Invoices are emailed a few hours after the sale closes, with payment, pickup and shipping instructions

Visit our Online Registration Kiosk during preview Our staff will assist you with establishing your online account W W W. C H A R LT O N H A L L A U C T I O N S . C O M

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(live audio video feed)

Collect Online SESSION III 4 MARCH SATURDAY AT 11AM LOTS 2000 - 2112

WWW.CHARLTONHALLAUCTIONS.COM

Terms & Conditions of Sale REGISTRATION FOR BIDDING. All prospective bidders must have an active Charlton Hall Account in good standing, sign Registration Form and provide government issued photo ID for each sale. *If you would like to establish an account with our firm, please complete Account Setup Form and provide government issued photo ID. *At the discretion of Charlton Hall Galleries, Inc., prospective bidders may be required to provide a deposit against bids.

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ALL SALES ARE FINAL and all lots are sold as shown and “AS IS”, “WHERE IS”, with all faults, imperfections, and errors of description.

Charlton Hall Galleries, Inc., their employees and/or agents are not responsible for errors of description, genuineness or authenticity, and fault or defect in any lot. No warranties or representations whatsoever are given by Charlton Hall Galleries, Inc., its employees and/or agents, to any buyer in respect to any lot.

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ALL PAYMENTS ARE DUE IMMEDIATELY FOLLOWING AUCTION, and all merchandise must be removed from the premises the day of the auction. Payment can be made with cash, money order, cashier’s check, bank wire transfer, or local pre-approved checks. Merchandise paid for with US bank drawn pre-approved check or foreign cashier’s check will be held for 10 days banking days. Charlton Hall Galleries, Inc. DOES NOT accept credit cards for auction purchases. International buyers are required to pay bank wire transfer.

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We do not give refunds. Charlton Hall Galleries, Inc. represents and sells consigned property on behalf of sellers, estates, public and private institutions and other entities. Charlton Hall Galleries, Inc. recommends prospective bidders examine all items in which they have an interest. All lots offered are available for your examination prior to auction date. Registering for a sale and placing bids on any lot signifies that you or your agent have examined the property as fully as you desire. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of any lot being sold. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the lot in question. All sales are final, and no refunds will be given. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Charlton Hall Galleries, Inc. or by any seller represented by Charlton Hall Galleries, Inc. 4.

The highest bidder acknowledged by the auctioneer will be the buyer of that lot. In the event of any dispute, the auctioneer shall have sole discretion to either determine the successful bidder or to re-offer for bidding, the lot in dispute. Charlton Hall Galleries, Inc. has sole discretion to refuse any bid, to divide any lot, to combine any two or more lots, and to withdraw any lot or lots from the sale.

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Some lots may be offered subject to a reserve, which is a minimum price below which such lot will not be sold. Charlton Hall Galleries, Inc. may implement such reserves by bidding on behalf of the seller.

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Charlton Hall Galleries, Inc., reserves the right to allow its employees to bid competitively at all auctions.

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A buyer’s premium of 20% of the successful bid price will be added to each lot thereto and is payable by the purchaser as part of the total purchase price of each lot.

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All purchases, including buyer’s premium, are subject to the collection of South Carolina state and local sales taxes. Buyers will be required to pay 7% sales tax at the time of payment unless one of the two following conditions is

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met: 1) Items purchased will be shipped out of the State of South Carolina by a registered ICC carrier, or 2) The registered buyer provides Charlton Hall Galleries, Inc. with a valid South Carolina Retail License Number or valid sales tax exception number from another state and properly fills out form ST-8A Resale Certificate submitted with a copy of said retail license.

CONDITION REPORTS: Charlton Hall Galleries, Inc., and its employees will provide, upon request, condition reports and additional photographs for items contained within the current auction catalog. This service is provided as a courtesy only and requesting a condition report in no way changes article #1 of Conditions of Sale. Since we are not professional conservators or restorers, we urge you to inspect each lot yourself or have an agent do so on your behalf. Prospective buyers should satisfy themselves as to condition and must understand that any statement made by Charlton Hall Galleries, Inc., or its employees is merely a subjective qualified opinion, notwithstanding written reports or any discussion concerning condition in this catalog. Condition reports are provided by request on a “first come, first served” basis, making it imperative that requests are submitted early. Requests submitted close to auction date may not be completed.

NOTICE TO BIDDER: Estimated Weights and Measurements: All weights in our catalogue descriptions have been estimated through volumetric proportions and are to be considered approximations and are not to be relied on to be exact. The term “all-in” relating to weight means the weight includes all the components of the item.

Jewelry: Unless stated otherwise, all diamonds and other precious stones have been measured and graded in their settings. Some jewelry and/or stones are accompanied by certificates prepared by gemological laboratories. These certificates are provided as a convenience to our clients and are not warranted

by Charlton Hall Galleries, Inc. Metal weights given for jewelry includes stones unless stated otherwise. Buyers should be reminded that many colored gemstones have historically been treated to enhance their appearance.

Clocks and Watches: No guarantee is given as to the working order of clocks or watches. Most of these items have been repaired over the course of time and may now have parts not original to them. Unless stated otherwise, weight measurements include the works.

TELEPHONE & ABSENTEE BIDDING: As a service, Charlton Hall Galleries, Inc. provides several absentee bidding formats to those who cannot or choose not to attend the auction in person. Written absentee bids are accepted and must be submitted on a Charlton Hall Absentee Bid Form, copies of which can be found in the printed catalog or on our website.

Bidding by telephone can also be arranged by completing the Charlton Hall Bid Form which can also be found in the printed catalog or on our website.

Due to processing time constraints, these bid forms must be submitted before 24-hours prior to the auction. Additional terms are outlined on these Absentee Bid Forms. By submitting an Bid Form, prospective purchasers consent and agree to the Conditions of Sale. Absentee bidding is a convenience offered to Charlton Hall Galleries, Inc. customers and while we make every effort to execute your instructions regarding your Absentee or Telephone Bid, Charlton Hall Galleries, Inc. is not liable or responsible for any errors or failure to execute such instructions.

LIVE INTERNET BIDDING: Live internet bidding is also possible through our website www.CharltonHallAuctions.com and via Invaluable. Online bidders will pay a Buyer’s Premium of 25% in addition to the hammer price. Charlton Hall undertakes the execution of online bidding as a convenience for clients and is not responsible for any failure or error in the execution of bids. In the

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event of a tie bid, the floor bidder will be the winning bidder of record.

SHIPPING: Charlton Hall Galleries does not ship any merchandise purchased at auction. We will be pleased to provide a list of shippers and packers that our worldwide base of clients has successfully used, or you can have your own shipper handle your purchases. Please contact the shipper of your choice to arrange for pick up and packing of your items. Your items will be released as soon as payment clears our bank. We request that your shipper schedules pick up times at least 24 hours in advance; this will ensure no delays in pick up, and release of your purchases.

EXPORT LICENSES AND PERMITS: Certain property sold at auction may be made of or contain elements of endangered and other protected species of wildlife. Such material includes, among other things, tortoiseshell, ivory, crocodile skin, whale bone, certain species of coral and other animal bone.

These materials may be subject to laws governing export from the United States or import into a foreign country (i.e.: endangered species). Several countries prohibit the importation of property containing these materials altogether and other countries require a permit (e.g., a CITES permit) from their respective regulatory agency. For example, the United States generally prohibits the importation of articles less than 100 years of age that contain material from any species listed as endangered or threatened. It is the buyer’s responsibility to obtain any and all export or import licenses, permits or documentation required by any local authority for export from the United States or import into any other country for any object requiring same.

The denial or delay in obtaining any license or permit from any agency shall not justify the cancellation or rescission of any sale or any delay in making payment for the total purchase price of any lot in accordance with these Conditions of Sale.

FIREARMS: All post-1898 firearms must be registered in compliance with Federal and South Carolina State Laws. Buyers of post-1898 firearms must complete State and Federal registration forms at Charlton Hall Galleries, Inc., unless otherwise specified; processing of such forms may require a waiting period. Dealers and out-of-state buyers must have in their possession, on the day of sale, signed copies of their FFL (Federal Firearms License) in order to accept same-day delivery of modern weapons. Buyers who act as agents for FFL dealers must have a letter as well as an original signed copy of the dealer’s FFL, and must present it to Charlton Hall Galleries, Inc., no less than 24 hours prior to auction date. Such lots may be denoted with special symbols and or verbiage in printed and digital catalogues. Charlton Hall Galleries, Inc. makes no warranties or representations whatsoever and no employee or consultant of Charlton Hall Galleries, Inc. has the authority to do otherwise, concerning the operation or firing condition, fitness of use, safety to store, or reliability of any firearms, ammunition, or parts. Use of any firearms purchased at Charlton Hall Galleries, Inc. is entirely at the user’s risk.

Charlton Hall Galleries, Inc. offers for sale the lots as COLLECTOR items only. We strongly recommend that all weapons, ammunition, etc. purchased at auction be examined by a competent gunsmith. Charlton Hall Galleries, Inc. expressly disclaims any liability whatsoever for accidents, injury and damage resulting to any person from the storage or subsequent use of any such lots.

While Charlton Hall Galleries, Inc., their employees and representatives, make every effort to accurately describe all lots offered for sale, it is incumbent upon the bidder to satisfy themselves in all areas of authenticity, originality, condition and imperfections. Bidders should also acknowledge that condition reports are often subjective and any item offered at auction may be subject to normal wear consistent with age that may not be specified in a condition report. If a bidder is uncertain about any of these issues, we would recommend that they not bid on lots in question. We would further urge that all potential bidders become familiar with “Commonly Used Terms and

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Abbreviations” printed in each catalog or available upon request.

These Conditions of Sale and the purchaser's and our respective rights and obligations hereunder are governed by the laws of the State of South Carolina.

By bidding at an auction, each purchaser and bidder agrees to be bound by these Conditions of Sale. Any dispute, controversy, or claim arising out of or relating to this agreement, or the breach, termination, or validity thereof, brought by or against Charlton Hall Galleries, Inc., (but not including claims brought against the consignor by the purchaser of lots consigned hereunder) shall be resolved by the Columbia, South Carolina legal system.

In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor(s) by law, including without limitation the right to hold the purchaser liable for the total purchase price, with the purchaser to be responsible for all costs of collection (including attorneys' fees and disbursements), we, at our option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or (b) resell the property at public auction without reserve, and the purchaser will be liable for any deficiency, costs including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder, and incidental damages.

In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser's obligations to us, any property in our possession, owned by such purchaser. We shall have all of the rights accorded a secured party under the South Carolina Uniform Commercial Code with respect to such property, and we may apply against such obligations all monies held or received by us for the account of, or due from us to, such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier's checks, we have con firmed their authenticity.

All property must be removed from our premises by the purchaser at their expense no later than 5 business days following its sale and, if it is not removed, Charlton Hall Galleries, Inc., reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser's expense. Charlton Hall Galleries, Inc., shall have no liability for any damage to property left on its premises for more than 5 days following the sale.

If property is uncollected within 60 days of auction purchase date, buyer authorizes Charlton Hall to re-sell ALL purchases. Storage fees, handling charges, and seller’s commission rate of 20% will be deducted from the proceeds.

Your bid is a legally binding contract. If you are the successful bidder, you have entered into a contract to purchase the property which you bid from the seller. You should contact Charlton Hall Galleries, Inc. to resolve any questions prior to placing any bids.

The use of a live internet bidding service will subject your bid to an additional buyer’s premium. Please be aware of this and be sure to read all the terms published by the service providing online bidding.

The Conditions of Sale as written in this printed catalog will take precedence over any other conditions, whether printed or posted on internet websites.

Conditions of Sale may be amended by posted notices in the salesroom or by announcement from the auctioneer.

Bid increments: Bidding generally opens at half the low estimate and generally advances as indicated on bid sheet. All bids submitted out of increment will be rounded to the nearest increment.

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Commonly Used Terms and Abbreviations ac: Active after: This work is a later copy of one of the artist’s works.

L: Length manner of: Although this work is in the appropriate manner or style of the artist, it is probably of a later period.

after the antique: A later facsimile.

note: Additional information we are able to provide about any particular item.

attributed to: This work is probably by the named artist. Technically, this work is of the period and may be wholly or even partly by this artist.

oz Troy: Unit of measuring precious metals.

b: Date of birth BH: Back height circa: Approximate date of object. circle of: This work is of the correct period, and exhibits the stylistic influence of the named artist.

provenance: History of ownership, or additional information which we have obtained. studio of: This work is of the correct period, and may have been made under the artist’s supervision.

ct: Carat (single gemstone weight)

school of: This work is of the general style of the artist, and may possibly even be by a student of the artist, even if from a slightly later, but not too distant period.

ctw: Carats (total gemstone weight)

SH: Seat height

D: Depth

sizes: All sizes, weights and other measurements are approximate; we are not responsible for mis-measurements or typographical errors.

d: Date of death dates: All dates are approximate. The absence of a date for any item indicates that the item is either modern or we are uncertain of the age.

Dia: Diameter DJ: Dust jacket fl: Flourished follower of: This work is executed in the artist’s style, but is not necessarily by one of his students. g: Grams H: Height HH: Hollow handle K: Karat, the fineness of gold.

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period: Works will be followed by a date, which means that the object is, in our opinion, the date indicated, and made in the time frame.

Sq: Square style: The inclusion of the word “style” in the heading indicates that, in our opinion, the object was made as an intentional reproduction of an earlier form.

W: Width wk: Worked

Guide for Prospective Buyers Bidding and buying at auction is an exciting and fast-paced process. If you have never participated in a live sale before, we encourage you to consult with one of our staff members to discuss how the process works.

Terms & Conditions of Sale: Charlton Hall encourages prospective buyers to read the Conditions of Sale printed in the back of this catalogue for more complete information.

Registration: All prospective bidders must have an active Charlton Hall account in good standing, complete a Registration Form and provide a government-issued photo ID for each sale.

First-Time Registration: If you have never registered to bid at Charlton Hall, you must complete our Account Setup Form, present a government-issued photo ID and be approved. At the discretion of Charlton Hall, prospective bidders may be required to provide a deposit against bids.

Preview Exhibition: Charlton Hall offers auction previews leading up to every sale. Galleries are open to the public for preview during printed dates and by appointment.

Condition Reports: Charlton Hall and its staff will be pleased to issue Condition Reports for any lot offered. Please note that our staff and specialists are not professional conservators, and that statements of condition are only our opinion. Please remember all lots are sold “AS IS”, and as stated in the Terms & Conditions governing each sale. We strongly encourage bidders or their agents to examine property first-hand prior to bidding.

Bidding: We are pleased to offer various bidding platforms at Charlton Hall. You may wish to attend and bid in person, or make prior arrangements to bid by Phone, Absentee, or view the sale live via Live Internet bidding. Please keep in mind the highest bidder acknowledged by our auctioneer will be the purchaser of the item. Although our auctioneer is highly skilled and competent, due to technology and human error, there is always the possibility a bid may be seen or entered too late, and the bidder must acknowledge that once the auctioneer closes bidding, the sale is final. Please see Terms & Conditions of Sale for bid increments, and additional information governing each sale.

Payment: In addition to the hammer price, the winning bidder agrees to pay Charlton Hall a buyer’s premium, as well as any applicable taxes. All payments are due immediately following the auction. Payment may be made with cash, money order, cashier’s check, bank wire transfer or a pre-approved US bank-drawn check. Charlton Hall does NOT accept credit cards as payment.

Pickup & Shipping: We request all purchased lots be removed from the premises within 5 business days. Charlton Hall and its staff will provide a list of recommended shippers and packers whom our worldwide clients have successfully used. For prompt service, we request 24-hour notification of a scheduled pickup appointment.

UPS Store Breeland Couriers Navis BGX US Art, Inc.

803-407-7704 803-936-0148 704-399-1036 803-563-7669 800-872-7826

Plycon Artex Richard Wright Ltd. Westbrook Deliveries Wintersteen Trucking

336-854-1832 (or) 954-978-2000 800-652-7839 800-247-9744 404-877-2870 (or) 843-991-6738 785-543-5999

Should you have additional questions, please feel free to contact our client services specialists at 803-779-5678

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First Name

Last Name

C HARLTON H ALL

Discovering Extraordinary Objects Since 1929

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BID FORM - SALE 284 Company Name (Only if you are purchasing for a business)

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Important Information •Please complete this form to ensure that your bids are accepted.

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•Bid forms are to be accompanied by a copy of your Government Issued photo ID and credit card.

•Please fax bids to 803-733-1701.

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•All bids are processed in the order in which they are received and are bid competitively during the sale.

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•Email Confirmation will be sent to the email address on this form, usually within a few hours.

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Email My signature below indicates my willingness to open bidding at half the low estimate and bid as indicated below. I have read and understand the Terms & Conditions governing this sale.

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Phone Bidding Services for Thursday’s Auction ONLY!

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•All bids must be placed following the increments listed below.

Bid Range Increment $0-99 $10 $100-499 $25 $500-999 $50 $1,000-2,999 $100 $3,000-4,999 $200 $5,000-9,999 $500 $10,000-19,999 $1,000 $20,000-49,999 $2,000 $50,000-99,999 $5,000 $100,000-199,999 $10,000 over $200,000 Auctioneer’s discretion

Back-Up Bid (Required for all phone bids)

Accepting Quality Consignments

C H A R LT O N H A L L A U C T I O N E E R S Staff Director y

Specialists for this Sale Ronald D. Long Kinga Bender Erica E. Guillebeau Administrative Assistants Margaret E. Malik Jenn S. Robertson Consulting Specialists Prof. Ronald E. Bridwell Donnie F. Garrett Roger W. Powell Hermann L.A. Sommersell

Gallery & Offices 7 Lexington Drive West Columbia, SC 29170 Tel: 803-779-5678 Fax: 803-733-1701 email: info@CharltonHallAuctions.com www.CharltonHallAuctions.com Gallery & Office Hours Monday - Friday morning 10:00 to 11:30am afternoon 1:00 to 4:30pm

Consignments Director Erica E. Guillebeau 803-779-5678 ext 37

Corporate Officials Charlton F. Hall, Jr., Director Ronald D. Long, President

Regional Representative Joseph E. Aulisi

Auctioneer & Firm Licenses Charlton Hall Galleries, Inc., Firm 1316F Ronald D. Long, SCAL No. 509 Erica E. Guillebeau, SCAL No. 4585 Betsy J. Hackett-Davis, SCAL No. 4229 Jeffery C.D. Long, SCAL No. 3942

Client Services Specialist Vicky L. Smith 803-779-5678 ext 10 Photography Director Stephen W. Ivey

Support Staff Larry A. Byrd Preston D. Long Anthony Mack Michael McNeil Perry Shumpert

Printed with green products

Seeking Quality Consignments 2017 Auctions

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Private & Estate Summer 2017

International Sale Fall 2017

Consignment Deadline: March 10

Consignment Deadline: June 9

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Style + Design Fall 2017 Consignment Deadline: June 9

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Collect Online Fall 2017

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For more information, please contact consignment specialists Kinga Bender • Erica Guillebeau 803-779-5678 or info@charltonhallauctions.com

CHARLTON HALL The Southeast’s Oldest Auction Firm, Since 1929

7 Lexington Drive • West Columbia, South Carolina 29170 Tel: 803.779.5678 Fax: 803.733.1701

www.CharltonHallAuctions.com