12 & 13 December - From Museum Vaults & Private Collections

Property from Museum Vaults Important Private Collections

CHARLTON HALL 12 & 13 December 2014

Discovering Extraordinary Objects For 85 Years

We are pleased to announce Art+Auction Magazine has named Charlton Hall as one of the Top 250 Auction Houses Worldwide

Explore With Us at www.CharltonHallAuctions.com

Property from Museum Vaults Important Private Collections SALE DATES & TIMES: Friday 12 December, beginning at 1pm (Lots 1-347) Saturday 13 December, beginning at 10am (Lots 400-956)

PREVIEW EXHIBITION: Opening Reception: Saturday 6 December (4pm–7pm) Wednesday 10 December (12noon–8pm) Thursday 11 December (10am–6pm) Friday 12 December (10am–6pm) Saturday 13 December (8am–12noon) and by prior appointment

CHARLTON HALL AUCTIONEERS 7 Lexington Drive West Columbia, South Carolina 29170 Tel: 803-779-5678

Please note our offices will be closed December 20 through 28

Catalogue $30 at gallery Sale No. SC274

Always Accepting Quality Consignments CELEBRATING 85 YEARS

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DISCOVERING EXTRAORDINARY OBJECTS

Important Museum Estate & Private Collections Columbus Museum, Columbus, Georgia Christ School, Asheville, North Carolina Historic Charleston Foundation South Carolina Museums Virginia Institution Collection of the late Dr. Edward L. and Helen McConnell, Atlanta, Georgia Estate of Jerry Carkhuff Eschenbrenner, Sea Island, Georgia Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Palm Desert, California San Francisco, California Upland, California Coconut Grove, Florida Venice, Florida Wellington, Florida Atlanta, Georgia Crawfordville, Georgia Fitzgerald, Georgia Griffin, Georgia Savannah, Georgia Indianapolis, Indiana Lexington, Kentucky Louisville, Kentucky Beals Island, Maine South Berwick, Maine Carolina Shores, North Carolina Cashiers, North Carolina

Charlotte, North Carolina Wilmington, North Carolina Norman, Oklahoma Abbeville, South Carolina Aiken, South Carolina Charleston, South Carolina Columbia, South Carolina Georgetown, South Carolina Greer, South Carolina Hopkins, South Carolina Indian Land, South Carolina Isle of Palms, South Carolina Hartsville, South Carolina Ladson, South Carolina Mount Pleasant, South Carolina Sumter, South Carolina Austin, Texas Dallas, Texas

W W W.C H A R LT O N H A L L A U C T I O N S . C O M

Dr. Edward L. & Helen McConnell Collection The late Dr. Edward L. and Helen McConnell accumulated one of the first and most significant collections of Art Nouveau glass works in the United States. Their dedication to connoisseurship resulted in a carefully selected assemblage of blown glass, which has garnered attention from art glass experts across the country.

Portions of their collection have been featured in exhibitions at the Georgia Museum of Art at the University of Georgia, where Dr. McConnell graduated in 1950 among the first class of the school of Veterinary Medicine.

Dr. and Mrs. McConnell, both originally from Clarksville, Georgia, bought their first piece of art glass in 1966, a small Steuben fan vase. At the time, the couple was living in Nebraska, where Dr. McConnell became vice president of marketing for Norden Laboratories. In 1975, Dr. McConnell and his wife returned to Georgia, where he opened his own pharmaceutical company in Atlanta. Dr. McConnell kept a close eye on the art glass market, which, prior to the evolution of the Internet, required traveling to exhibitions and seminars, and maintaining connections with dealers and curators. He studied the subject extensively and with dedication, leading to the knowledge and taste of a true connoisseur.

Over time the couple approached their collecting more editorially. Rather than build a very large collection, the couple preferred to increase its overall quality. When very rare items became available, they would often let go of less important pieces, resulting in an exceptional assemblage of Art Nouveau glass works. Dr. and Mrs. McConnell enthusiastically shared their knowledge and their collection with the public at the Georgia Museum of Art, first in 1984 with the landmark exhibition “Art Nouveau Glass – A Connoisseur’s Collection,” one of the first exhibitions of art glass in the South. The collection has been featured at the museum twice more since Dr. McConnell’s passing in 1995, first in the award-winning 1996 exhibition “Tiffany Glass from the Collection of the Late Dr. Edward McConnell” and in the 1998 exhibition, “Steuben Glass from the McConnell Collection.” Dr. and Mrs. McConnell dedicated themselves to their significant collection of American Art Nouveau glass works and shared these works with the public with the hope that their enthusiasm would inspire others to pursue research and find beauty in exquisite works of art glass.

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Important Fine & Decorative Arts American & English Furniture, Silver, Art, and Decorative Arts

Session I 12 December Friday at 1pm

Lots 1-3347

CHARLTON HALL AUCTIONEERS West Columbia, SC

3 TUTTLE ONSLOW PATTERN STERLING FLATWARE

circa 1931, comprising: 12 hollow handle knives, L9 1/2” 12 hollow handle knives, L8 3/4” 12 spreaders, L6” 12 forks, L8” 12 forks, L7 1/4” 12 forks, L6” 12 oval soups, L7” 12 round soups, L6 1/2” 12 iced tea spoons, L7” 12 teaspoons, L6” 4 serving spoons, L8 1/4” Total 177.0ozT weighable (124pcs)

$2,000-3,000 Provenance: Griffin, Georgia private collection

4 AMERICAN STERLING TABLE ARTICLES 1

1 TOWLE LOUIS XIV PATTERN SILVER GOBLET SET circa 1925, marked: Louis XIV by Towle, Sterling, 68160, H6 3/4”; Total 42.0ozT (8pcs)

$1,200-1,800

set of 8 sherbets, H3 1/2” Tiffany & Co. pierced dish, L8” Whiting MFG Larchmont race trophy, Sq.7” 3 Gorham dishes, L9 1/2” and Dia.6” set of 4 sterling nut dishes, Sq.2 1/2” pair Gorham shakers, H4 1/2” together with Russian silver footed salt, H1 1/2” Total 45.0ozT (20pcs)

$700-900 Provenance: Collection of a Southern lady

2 AMERICAN STERLING CENTER BOWLS

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5 GORHAM STERLING TEA AND COFFEE SERVICE Puritan pattern, comprising: coffeepot, H11” teapot, H9” covered sugar, H6 1/2” creamer, H5” wastebowl, H4 1/2” and associated silverplate waiter, L21 1/2” Total 41.0ozT weighable (6pcs)

$600-900 Provenance: Columbia, South Carolina private collection

Black, Starr & Frost footed bowl, H3” L14”; and Gorham poppy design bowl, H2” W10 1/2”; Total 50.0ozT (2pcs)

$500-800 Provenance: Property of a lady

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CELEBRATING 85 YEARS

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DISCOVERING EXTRAORDINARY OBJECTS

7 AMERICAN STERLING COFFEEPOT AND BOWL J.E. Caldwell & Co coffeepot, H9”; and Theodore Starr bowl, H3” Dia.6 1/2”; Total 24.0ozT (2pcs)

$300-500 Provenance: Charlotte, North Carolina private collection

8 AMERICAN STERLING BOWLS AND GRAVY BOAT 5

Fina sterling Revere center bowl, H4 3/4” Dia.9” International dish, Dia.9 1/4” weighted center bowl, H4 1/4” Dia.9” International Lord Saybrook pattern gravy boat Total 36.0ozT weighable (5pcs)

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$400-700 Provenance: Collection of a Southern lady

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6 GORHAM STRASBOURG PATTERN STERLING FLATWARE SERVICE

circa 1897, comprising: 8 hollow handle knives, L9” 3 spreaders, L6” 8 forks, L7” 8 forks, L6 1/4” 4 cocktail forks, L5 1/2” 8 round soups, L6 1/8” 16 teaspoons, L5 3/4” 8 demitasse, L4” 4 serving spoons, L8 1/2” gravy ladle, L7” sugar spoon, L6” serving fork, L8 1/2” master butter, L7” together with Kirk lemon fork, L4 1/2”; and Gorham infant spoon, L4 1/2”; in fitted Reed & Barton silver chest Total 75.5ozT weighable (74pcs)

$1,000-1,500 Provenance: Norman, Oklahoma private collection

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9 AMERICAN STERLING FLATWARE AND SERVING PIECES

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Stieff Rose set: 4 knives, 4 forks, and 6 teaspoons Towle Canterbury 3 tablespoons and 6 teaspoons 12 Towle Old Newbury cocktail forks International Revere serving fork and master butter Durgin serving fork 9 Reed & Barton Hepplewhite flat spreaders 7 Whiting Adam salad/dessert forks Towle condiment spoon 5 soup spoons candle snuffer with turned handle, and Continental spoon Total 54.0ozT weighable (62pcs)

$700-900 Provenance: Charlotte, North Carolina private collection

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10 AMERICAN STERLING TABLE ARTICLES Kirk & Son Co sugar caster, H7” pair Francis I pattern nut dishes, Dia.3 1/2” Kirk & Son bread tray, L12” pair Kirk & Son weighted candelabra, H9” 2 pairs weighted candlesticks, H2 1/2” weighted compote, H3” Total 31.0ozT weighable (10pcs)

$400-600 Provenance: Charlotte, North Carolina private collection

Museum Vaults & Private Collections

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11 AMERICAN STERLING TEA SERVICE, INTERNATIONAL teapot, H7 1/2” covered sugar, H6” creamer, H4 1/2” waste, H3 1/2” waiter, L20” together with Alvin well-matched coffeepot, H9 1/2” Total 101.0ozT (6pcs)

$1,200-1,800 Provenance: Charlotte, North Carolina private collection 13

12 AMERICAN STERLING COVERED ENTREE AND GRAVY BOAT, GORHAM AND STEIFF Gorham diminutive oval form with floral border and engraved with initials GSM; marked on base, dated 1894, H6” L9”; and Steiff ornate floral repoussechased gravy boat, H5” L8”; each marked on base; Total 37.5ozT (2pcs)

$500-800 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

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13 AMERICAN STERLING SPORTING DOG TROPHY BOWL BY ARTHUR STONE circa 1906-37, deep flared bowl on pedestal engraved: F.C. NAFC ‘61 ACE’S SHEBA OF ARDYN TROPHY Presented by Mrs. William Laughlin to the Best Working Bitch The Labrador Retreiver Club Spring Trial flanked by winners and owners from 1967 through 1974 H6” Dia.12 1/2”, 49.5ozT

$600-900 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

14 AMERICAN STERLING BOWLS

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15 AMERICAN STERLING SERVING PIECES Whiting Imperial Queen ladle, L13” Whiting Ivory pattern serving spoon, L9” J.C. Derby pierced serving spoon, L9” Gorham Imperial Chryanthemum fork, L7 1/4” Gorham Strasbourg salad serving set, L8 1/2” Gorham Royal Oak ice tongs, L7” Reed & Barton Francis I pierced server, L9 1/2” Reed & Barton Hepplewhite salad serving set, L9” Towle Kings serving spoon, L9 1/2” Towle King Richard spoon, L13 1/2” Continental silver asparagrus server, L7 1/2” Holly pattern serving spoon, L9 1/4” Total 64.0ozT all in (13pcs)

$1,000-1,500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Towle, H2 1/2” Dia.10” Chippendale pattern, H3” Dia.12” Wallace Rose Point, H3” Dia.12” Old Newbury Crafters, H2” Dia.13” Total 70.0ozT (4pcs)

$1,000-1,500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

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CELEBRATING 85 YEARS

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DISCOVERING EXTRAORDINARY OBJECTS

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16 SILVER GENTLEMAN’S ARTICLES

17 A.G. SCHULTZ & CO STERLING BEVERAGE

Gorham silver and alligator flask, L6” Birmingham prayer book cover, H3 3/4” Georgian snuff box, L3” silverplate matchbox cover, L2 1/4” 6 silver and plated bottle labels (10pcs)

Maryland, circa 1899-1950, ornate floral repousse-chased ovoid form; marked on base; H10” and 29.0ozT

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

PITCHER

$600-900 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

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18 A.G. SCHULTZ & CO STERLING TEA AND COFFEE SERVICE

Maryland, circa 1899-1950, finely repousse-chased floral pattern, engraved with initials CPN, comprising: coffeepot, H9” teapot, H7 1/2” covered sugar, H5 1/2” creamer, H5 1/2” wastebowl, H4 1/2” Total 83.0ozT all in (5pcs)

$1,200-1,800 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

19 AMERICAN STERLING CENTERPIECE AND BOWL Towle centerpiece, H3 1/2” Dia.14”; and Wallace bowl, H3” Dia.11”, marked; Total 44.0ozT (2pcs)

$600-900 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

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20 AMERICAN STERLING BOWLS AND TRAYS Gorham tray, L13” Reed & Barton Windsor bowl, L12 1/4” sterling oblong tray, L12” pair Wallace dishes, L11” Whiting compote, H4 1/2” Dia.9 1/2” Total 84.0ozT (6pcs)

$1,000-1,500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

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25 AMERICAN SILVER CUPS AND MUGS

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21 SHIEBLER SILVER BABY CUP OF SOUTHERN

Gorham coin silver engraved Charles H. Butler, H3 1/2”; together with other sterling cups engraved Martha Jordan, Martha Robertson Jordan and apple-decorated; H1 1/2” to 3”; and silverplate example, H3”; Total 11.7ozT weighable (5pcs)

INTEREST

Japanesque design, engraved: Alpha McGee from Grandmother, Due West, SC, 1886; marked on underside; H4” and 3.9ozT

$200-300

$200-300

Provenance: Columbia, South Carolina private collection

Provenance: Columbia, South Carolina private collection

22 AMERICAN STERLING TAZZA, COFFEEPOT AND GRAVYBOAT

Black, Starr & Frost tazza, H2 3/4” Dia.11” American coffeepot, H11 1/2” Reed & Barton gravy boat, H5” Total 45.0ozT (3pcs)

$700-900 Provenance: Columbia, South Carolina private collection

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23 GORHAM SILVER OVERLAY FLASK AND PERFUME BOTTLE

dated 1899, flask engraved CSJ, July 8, 1899 and marked, H6 1/2”; together with scent bottle marked: Sterling, H4” (2pcs)

$300-500 Provenance: Columbia, South Carolina private collection

24 AMERICAN STERLING GOBLET SET, WATROUS MFG marked: Crescent W, Sterling, PP51; H6 1/2”; 32.5ozT (8pcs)

$600-900 22

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Provenance: Columbia, South Carolina private collection

CELEBRATING 85 YEARS

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OF

DISCOVERING EXTRAORDINARY OBJECTS

26 AMERICAN STERLING BOWLS, DISHES AND COFFEEPOT

5 oval bowls, L7 1/2” to 11” 5 round bowls, Dia.4 1/4” to 6” 3 deep bowls, H1 3/4” to 2” 3 footed deep bowls, H2 1/2” to 3 1/2” coffeepot with wood handle, H7 1/2” compote, H2 1/2” set of 4 plates, Dia.6” set of 6 nut dishes, Dia.3” 2 coasters, Dia.2 1/2” salt, Dia.2 1/2” sugar, H3” Total 104.0ozT weighable (31pcs)

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29 AMERICAN STERLING TEA AND COFFEE SERVICE, REVERE SILVER CO

$1,200-1,800

New York, first half 20th century, pattern 593, comprising: coffeepot, H11” teapot, H8 1/2” covered sugar, H7” creamer, H6” wastebowl, H4 1/2” Total 62.0ozT all in (5pcs)

Provenance: Columbia, South Carolina private collection

27 GORHAM KING EDWARD STERLING FLATWARE 4 hollow handle knives, L9 1/2” 4 hollow handle knives, H9 1/4” 7 flat spreaders, L5 3/4” 4 hollow handle spreaders, L6” 12 forks, L7 1/2” 8 forks, L6 1/4” 4 forks, L6 3/4” 4 soups, L7” 8 round soups, L6 1/4” 12 teaspoons, L5” serving fork, L8” serving spoon, L8 1/2” sugar spoon, L5 3/4” condiment fork, L5 3/4” Total 77.0ozT weighable (71pcs)

$800-1,200 Provenance: Savannah, Georgia private collection

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30 TIFFANY & CO AND GORHAM STERLING VASES, SHOEHORN AND CUP

Tiffany trumpet vase on weighted base, 18363/7954, H10 1/4” Gorham trumpet vase, H11” Tiffany shoehorn, 15088G/7043, L6 1/2” Tiffany cup engraved: Dean H. Velson, 1939; 18126B/4826, H2” Total 19.0ozT all in (4pcs)

$1,000-1,500

$400-700

Provenance: Georgetown, South Carolina private collection

28 AMERICAN STERLING GOBLET AND CORDIAL SETS set of 12 Alvin S249 goblets, H6 1/2”; and set of 4 Reed & Barton cordials, H2 3/4”; Total 47.0ozT (16pcs)

$700-1,000 Provenance: Georgetown, South Carolina private collection 28

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31 AMERICAN STERLING CENTERBOWLS, TRAY AND TAZZA

basin-form centerbowl, H2 3/4” Dia.13 1/4” Whiting bowl, H3 1/2” Dia.9” bowl on pedestal, H2 1/2” Dia.10” centerbowl with pierced edge, H2” Dia.9 1/4” round serving tray, Dia.13 1/4” reticulated tazza, H1 1/4” Dia.10 1/4” engraved with various initials, marked by various makers.

Total 72.0ozT (6pcs)

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35 LUNT WILLIAM & MARY PATTERN STERLING FLATWARE

$1,000-1,500 Provenance: Lexington, South Carolina private collection

32 AMERICAN STERLING SHERBET SET, FRANK SMITH pattern 3940, H3 1/2”, and Total 28.0ozT (12pcs)

$300-500 Provenance: Charleston, South Carolina private collection

33 FRANK WHITING RENAISSANCE PATTERN

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STERLING BEVERAGE PITCHER

H10 1/2”, and 26.0ozT

$400-700 Provenance: Collection of a Southern lady

34 THEODORE STARR STERLING THREE-LIGHT

circa 1921, comprising: 8 hollow handle knives, L9” 7 spreaders, L5 1/2” 8 forks, L7” 16 forks, 6” 4 cocktail forks, L5 1/2” 8 iced tea spoons, L7 1/2” 8 round soups, L6 1/2” 16 teaspoons, L6” 8 demitasse, L4 1/4” 3 serving spoons, L8 1/2” master butter, L7” sugar, L5 1/2” jelly, L6” condiment ladle, L4 3/4” cream ladle, L5” gravy ladle, L5 3/4” cold meat fork, L7 1/2” 2 condiment forks, L5” & 5 1/2” hollow handle cheese knife, L6 1/2” hollow handle pastry server, L10” together with: associated silver & plated 6-pc hollow handle steak set, cheese knife, 4 cocktail forks and 9 other table implements, in fitted case.

Total 81.0ozT weighable (123pcs)

$1,000-1,500

CANDELABRA

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

first half 20th century, twist pattern with weighted base, marked; H15 1/4” W12 1/4” (2pcs)

$400-600 Provenance: Collection of a Southern lady 34

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

38 AMERICAN AND ENGLISH STERLING TABLE ARTICLES

Concord pitcher; H8 1/2” gravyboat, H5” gravyboat on stand, H4 1/2” 18th century English ladle and stuffing spoon, L13” and 12” Total 48.0ozT (5pcs)

$500-800 Provenance: Property of a lady

39 SILVER TEA CADDY, YOUTH SET AND COCKTAIL 36

36 REED & BARTON LE CINQ FLEURS PATTERN

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37 WALLACE GRAND BAROQUE STERLING FLATWARE

STERLING FLATWARE

AND SERVING PIECES

circa 1900, comprising: 12 hollow handle knives, L10” 2 spreaders, L5 3/4” 9 forks, L7” 4 forks, L6” 5 spoons, L8” 10 round soups, L7” 7 teaspoons, L5 1/2” together with various patterns and makers, comprising: 3 iced tea spoons, L7 1/8” 7 teaspoons, L5 1/2” serving spoon, L7 1/2” spoon, L6 1/2” spreader, L5 1/4” pierced serving spoon, L8 1/2” pierced flat server, L8 3/4” in chinoiserie silver chest Total 75.0ozT weighable (65pcs)

circa 1941, comprising: 8 hollow handle knives, L9” 7 flat spreaders, L6 1/4” 8 forks, L7 1/2” 8 forks, L6 1/2” 8 cocktail forks, L5 1/4” 8 round soups, L6” 8 iced tea spoons, L7 1/2” 4 teaspoons, L6” serving spoon, L9 1/4” serving fork, L9 1/2” 2-pc salad serving set, L8 3/4” meat fork, L8” master butter, L7 1/2” hollow handle pastry server, L10 1/2” hollow handle cheese server, L6 1/2” jelly server, L6 1/2” gravy ladle, L6 1/2” cream ladle, L5 1/2” sugar spoon, L6” condiment fork, L5 1/4” lemon fork, L5 1/2” Total 86.0ozT weighable (73pcs)

$1,000-1,500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

FORKS

American sterling tea caddy and teaball in case English Victorian sterling 3-piece youth set in case, L7 1/2” set of 12 Reed & Barton Renaissance silverplate cocktail forks, L6 1/4” (17pcs)

$300-500 Provenance: Property of a lady

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$1,500-2,000 Provenance: Columbia, South Carolina private collection

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40 SILVERPLATE SERVING TRAYS AND PLATTER well-and-tree platter, L22” footed tray, L27” waiter, L28 1/2” (3pcs)

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

41 SILVERPLATE SERVING TRAYS, SALVER, LOVING CUPS AND BUTTER DISH 2 trays, L20” salver, Dia.10” loving cups, H5” and 7” butter dish, L8” (6pcs)

$200-400 Provenance: Charlotte, North Carolina private collection

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42 PAIR SILVERPLATE TWO-LIGHT SCONCES vasiform and pendant design issuing scrolling arms; H17” W13” D7” (2pcs)

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

43 STERLING AND PLATED VASES, TRAYS AND TABLEWARES sterling Gorham weighted trumpet vase, H12” and weighted vase, H9” Pairpoint plated vase, H8”; weighted candlestick, H9”; sterling cream and sugar, H4”; together with silverplated Early American pattern well-and-tree platter, L18 3/4”; oval serving tray, L22”; rectangular tray, L11 1/8”; crumber, L10 1/4”; and shaker, H5 1/2” (11pcs)

$300-500 Provenance: Estate of Jerry Carkhuff Eschenbrenner, Sea Island, Georgia

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CELEBRATING 85 YEARS

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DISCOVERING EXTRAORDINARY OBJECTS

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44 CONRAD WISE CHAPMAN

45 CONRAD WISE CHAPMAN

46 CONRAD WISE CHAPMAN

(South Carolina/Virginia/Mexico/Italy, 1842-1910) VIEW OF MONTEREY, 1865 oil on two sheets of paper joined & laid to board, framed, signed lower center: Monterey/Septr 2d/1865/G_ju_ Road, signed lower right: Monterey/Septr 7th/____ Road H8 1/4” W32 1/2”

(South Carolina/Virginia/Mexico/Italy, 1842-1910) STUDY FOR BATTERY RUTLEDGE, CHARLESTON HARBOR, 1863 watercolor and pencil on paper, unframed, inscribed lower right: East of Ft. Moultrie/Batt. Rutledge/3rd Dec 1863 H9 1/4” W12”

(South Carolina/Virginia/Mexico/Italy, 1842-1910) FORT MOULTRIE, 1863 watercolor on paper, unframed, signed lower left: CW Chapman/Fort Moultrie/Nov. 12th 1863 H9 1/4” W12”

$10,000-15,000

$4,000-6,000

Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds

Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds

Exhibitions: CONRAD WISE CHAPMAN 18421910, Valentine Museum, Richmond, Virginia, 1962.

Exhibitions: CONRAD WISE CHAPMAN 18421910, Valentine Museum, Richmond, Virginia, 1962.

Literature: Valentine Museum, CONRAD WISE CHAPMAN 1842-1910. Richmond: William Byrd Press, 1962. Catalogue #123, illus on unpaginated leaf between pp.24 & 25.

Literature: Valentine Museum, CONRAD WISE CHAPMAN 1842-1910. Richmond: William Byrd Press, 1962. Catalogue #58.

$4,000-6,000 Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds Exhibitions: CONRAD WISE CHAPMAN 18421910, Valentine Museum, Richmond, Virginia, 1962.

Literature: Valentine Museum, CONRAD WISE CHAPMAN 1842-1910. Richmond: William Byrd Press, 1962. Catalogue #82.

Other Notes: Chapman used this plein air sketch as the basis for his painting BATTERY RUTLEDGE, now in the collection of the Museum of the Confederacy in Richmond.

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48 CONRAD WISE CHAPMAN (South Carolina/Virginia/Mexico/Italy, 1842-1910) LANDSCAPE: BOULOGNE, 1871 oil on panel, unframed, titled & dated lower right H7 1/2” W9 1/2”

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$700-900 47

47 CONRAD WISE CHAPMAN SKETCHES OF THE FRANCO-PRUSSIAN WAR (South Carolina/Virginia/Mexico/Italy, 1842-1910) Four oils on cardstock: FRENCH SOLDIERS, PARIS, 1871 FRENCH SOLDIER, PARIS, 1871 FRENCH SOLDEIRS, PARIS, 1871 SOLDIER IN RED CAP matted, 3 inscribed & dated ranging from H9” W11 1/2” to H5 3/4” W3 3/4” (4pcs)

$1,000-2,000 Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds Exhibitions: CONRAD WISE CHAPMAN 18421910, Valentine Museum, Richmond, Virginia, 1962.

Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds Exhibitions: CONRAD WISE CHAPMAN 18421910, Valentine Museum, Richmond, Virginia, 1962.

Literature: Valentine Museum, CONRAD WISE CHAPMAN 1842-1910. Richmond: William Byrd Press, 1962. Catalogue #266.

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49 CONRAD WISE CHAPMAN (South Carolina/Virginia/Mexico/Italy, 1842-1910) Collection of four oils of Continental ladies, each on cardstock, unframed, unsigned H7” W5” each (4pcs)

$700-900 Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds

Literature: Valentine Museum, CONRAD WISE CHAPMAN 1842-1910. Richmond: William Byrd Press, 1962. Catalogue #281, 282 (also illus p37), 283, 324.

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CELEBRATING 85 YEARS

50 CONRAD WISE CHAPMAN (South Carolina/Virginia/Mexico/Italy, 1842-1910) nine sketches: MILITARY, PARK, SAILING and BEACH SCENES, mostly French, c. 1870 ink, unframed, ranging from H12” W8 3/4” to H3 3/4” W5 1/4” (9pcs)

$400-600 Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds

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DISCOVERING EXTRAORDINARY OBJECTS

51 CONRAD WISE CHAPMAN

52 CONRAD WISE CHAPMAN

(South Carolina/Virginia/Mexico/Italy, 1842-1910) collection of studies and sketches: LADY IN CLASSICAL DRESS, ROME, 1875 POSING LADY PROFILE: WOMAN IN A SMALL HAT FIGURE STUDIES, PARIS FIGURE STUDIES, PONT DE SURESNES mixed & various media, unframed, various dated & inscriptions ranging from H5 1/2” W9” to H4 1/2” W3 1/2” (5pcs)

(South Carolina/Virginia/Mexico/Italy, 1842-1910) collection of sketches comprising: BUST OF A LADY LADY IN BLUE BABY IN CRIB MOONLIGHT SAILBOAT all in oil except the last being watercolor, unframed, unsigned ranging from H6 1/4” W9 1/2” to H2” W2” (5pcs)

$400-600

$400-600

Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds

Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds

Exhibitions: CONRAD WISE CHAPMAN 1842-1910, Valentine Museum, Richmond, Virginia, 1962.

Exhibitions: CONRAD WISE CHAPMAN 1842-1910, Valentine Museum, Richmond, Virginia, 1962.

Literature: Valentine Museum, CONRAD WISE CHAPMAN 1842-1910. Richmond: William Byrd Press, 1962. Catalogue #272 (also illus p30), 273, 299.

Literature: Valentine Museum, CONRAD WISE CHAPMAN 1842-1910. Richmond: William Byrd Press, 1962. Catalogue #314 & 315.

53

53 ANNE WORSHAM RICHARDSON (South Carolina, 1922-2012) WILD TURKEY, 1954 gouache and watercolor, framed, signed & dated lower right, 1954 sight H29” W19”

$5,000-8,000 Provenance: Columbia, South Carolina private collection Gift to a friend in 1954 Purchased from the artist by Albert Schwartz Other Notes: This work is considered known as the first wild turkey Ms. Richardson painted. The work was purchased in 1954 by Dr. Albert Schwartz (1923-1992) former Curator of Vertebrate Zoology at the Charleston Museum. The same year Dr. Schwartz gave the painting as a Christmas gift to his friend, a Lowcountry plantation manager, and hence by descent to present heir.

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55

54 ELIZABETH O’NEILL VERNER

56 ELIZABETH O’NEILL VERNER

(South Carolina, 1883-1979) PALMETTO, CAROLINA LOWCOUNTRY pastel on panel, signed lower left H8” W10”

(South Carolina, 1883-1979) FROM THE RECTORS PIAZZA, CHARLESTON etching, framed, signed, titled & numbered lower margin, 72/80 image H8 1/4” W7 1/2”

$5,000-8,000 Provenance: Columbia, South Carolina private collection

55 ELIZABETH O’NEILL VERNER

$1,000-2,000 Provenance: Collection of a Southern lady

57 ELIZABETH O’NEILL VERNER

(South Carolina, 1883-1979) COASTAL VIEW, CHARLESTON pastel on panel, framed, signed lower right sight H9” W11 1/2”

(South Carolina, 1883-1979) HIGH BATTERY etching, unframed, signed in pencil image H4” W2 1/2”

$4,000-7,000

$400-600

Provenance: Collection of a Southern lady

Provenance: Charleston, South Carolina private collection

57

56

58 ELIZABETH O’NEILL VERNER (South Carolina, 1883-1979) WROUGHT IRON GATES, CHARLESTON etching, framed, signed & titled: lower margin in pencil image H2 5/8” W2”

$500-700 58

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DISCOVERING EXTRAORDINARY OBJECTS

60 WILLIAM AIKEN WALKER (South Carolina, 1838-1921) COTTON PICKER oil on academy board, framed, signed lower left H8” W4”

$2,500-3,500 Provenance: Columbia, South Carolina private collection Other Notes: Charleston Renaissance Gallery label on verso

61 WILLIAM MELTON HALSEY (South Carolina, 1915-1999) FROM THE FORT, ARTA pastel, ink and graphite, framed, signed & dated lower right, 1962 sight H13 1/2” W16”

60

$1,000-2,000 Provenance: Property of a Southern lady

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59 ALICE RAVENEL HUGER SMITH (South Carolina, 1876-1958) EGRETS AND CYPRESS watercolor, framed, signed lower right sight H21 1/2” W14 1/2”

$8,000-12,000 Provenance: Property of a prominent Charleston family, by descent 61

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Alfred Hutty Original Pencil Drawings 64 ALFRED HEBER HUTTY (South Carolina/New York, 1877-1954) TWO TREES c. 1930 pencil on paper, framed, signed sight H12” W14”

$1,000-1,500 Provenance: Columbia, South Carolina private collection 62

64

62 ALFRED HEBER HUTTY

65 ALFRED HEBER HUTTY

(South Carolina/New York, 1877-1954) AM WEED-WILLOW, c. 1930 pencil on paper, framed, signed & titled sight H11 1/4” W13 3/4”

(South Carolina/New York, 1877-1954) LOBLOLLY PINES, c. 1939 drypoint, framed, signed sight H6 1/2” W8 1/4”

$1,000-1,500

$600-900

Provenance: Columbia, South Carolina private collection

Provenance: Columbia, South Carolina private collection

Literature: Arnold, Sara C. THE LIFE AND ART OF ALFRED HUTTY. Columbia, SC: USC Press, 2012.

Literature: Arnold, Sara C. THE LIFE AND ART OF ALFRED HUTTY. Columbia, SC: USC Press, 2012. illustrated p.152

63 ALFRED HEBER HUTTY (South Carolina/New York, 18771954) FIVE SISTERS, c. 1939 (study) pencil on paper, framed, unsigned sight H10” W8 3/4”

$1,000-1,500 Provenance: Columbia, South Carolina private collection Literature: Arnold, Sara C. THE LIFE AND ART OF ALFRED HUTTY. Columbia, SC: USC Press, 2012. pp.115-6, illustration 92

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68

67

66 VIRGINIA FOUCHE BOLTON

67 SHIELDS LANDON JONES

68 EDWARD MOULTHROP

(South Carolina, 1929-2004) THE OYSTER FACTORY watercolor, framed, signed lower right & dedicated on verso 1988 sight H14 1/2” W21”

(West Virginia, 1901-1995) 13 works: FOLK ART PORTRAITS mixed media, unframed, signed & dated H10 1/8” W6” to H12” W18” (13pcs)

(Georgia, 1916-2003) VESSEL figured tulipwood, signed on base, Ed Moulthrop, Figured tulipwood, Liriodendron Tulipifera, 500992 H14 1/2” Dia.13”

$800-1,200

Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

Provenance: Columbia, South Carolina private collection

$500-900

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69 CHARLESTON INLAID MAHOGANY PEMBROKE TABLE South Carolina, circa 1800, shaped cornered drop leaves over frieze drawer and and tapered legs with cuffs; H28 1/4” D33” W41” open

$5,000-7,000 Provenance: Charleston, South Carolina private collection Purchased in 1953 from Peter Schwerin (Colonial Antiques, Charleston) by Dr. James Wilson of Villa Margherita, Charleston. By descent to his daughter, Mary B. Wilson.

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DISCOVERING EXTRAORDINARY OBJECTS

70 NATHANIEL RUSSELL HOUSE BEDCHAMBER HANGINGS window treatments, comprising: 3 inlaid mahogany cornices, H9” W72 1/2” 3 upholstered valance hangings, H35 1/2” W70” 6 drapery panels, H144” W72” bedding suite, comprising: coverlet, H36” W53” L94 1/2” flock-bed, L79” W61” (14pcs)

$1,000-1,500 Provenance: Former collection of Historic Charleston Foundation; sold to benefit the museum collection fund Other Notes: Reproduction “Lord Byron Chintz.” The chinoiserie chintz is copied from a document of 1808 used

by Lord Byron for his own bed at Newstead Abbey, Nottinghamshire, England. The colors were known as the “drab” palette, popular in English printed textiles from 1805 to 1810. The window cornices were constructed after the Charleston bed currently in the Nathaniel Russell House.

Established in 1947, Historic Charleston Foundation works to preserve the buildings, landscapes, and artifacts that make up Charleston’s rich cultural heritage. HCF fulfills its educational mission through the interpretation of its collections and two museum sites: the Nathaniel Russell House, c. 1808, and the Aiken-Rhett House, c. 1820. These historic properties serve as the ideal exhibition space for Historic Charleston Foundation’s outstanding collection of fine and decorative arts.

Our mission and museum acquisition initiatives are supported through the generosity of preservation-minded donors, in addition to the Foundation’s earned-income programs, including the Annual Festival of Houses and Gardens, Charleston International Antiques Show, licensed products program, and three retail shops.

The majority of the items consigned to Charlton Hall for this auction were donated to HCF for the purpose of generating acquisition funds. All proceeds from this sale will directly support the Foundation’s museum collection fund, which enables HCF to acquire significant artifacts and, thereby, preserve Charleston’s material history.

Mission Statement: It is the purpose of Historic Charleston Foundation to preserve and protect the historical, architectural and cultural character of Charleston and its historic environs and to educate the public about its history and the benefits that are derived from preservation.

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73

71

71 FEDERAL SOUTHERN PINE SUGAR CHEST, PROBABLY CAROLINA’S OR VIRGINIA

73 SOUTHERN

early 19th century, slant lid with brass H-hinges, paneled sides and front on tapered legs, yellow pine and poplar construction; H40” W38 1/4” D16”

late 18th century, rectangular hinged top over dovetailed case with two drawers, on bracket base; H26 5/8” W51” D21 1/4”

$1,000-2,000 Provenance: Charleston, South Carolina private collection Fred & Leslie Klien Collection, Knoxville, Tennessee Other Notes: Provenance states chest was acquired from Holly-Hedge Plantation, the Marion Du Pont Scott estate in South Carolina.

72 AMERICAN PINE WORKTABLE, POSSIBLY LINCOLN COUNTY, NORTH CAROLINA late 19th century, H30” W45 1/2” D32 1/2”

$300-400 Provenance: Charleston, South Carolina private collection

WALNUT BLANKET CHEST

$1,000-2,000 Provenance: Isle of Palms, South Carolina private collection

74 SOUTHERN PINE WORKTABLE, LINCOLN COUNTY, NORTH CAROLINA

75 SOUTHERN PINE WORKTABLE LEXINGTON, SOUTH CAROLINA

19th century, three-board top over single drawer, on tapered legs; H26 1/2” W38” D29 1/2”

$300-400 Provenance: Charleston, South Carolina private collection

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72

last half 19th century, two-board top, on tapered legs; H27 1/2” W29 1/2” D23”

$300-500 Provenance: Charleston, South Carolina private collection

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DISCOVERING EXTRAORDINARY OBJECTS

76 CHARLESTON COIN SILVER LADLES AND FORKS, GREGG HAYDEN & CO (South Carolina, wk. 1846-52) French Thread pattern, comprising: ladle engraved J. Ward, L13 1/2” pair gravy ladles engraved JB, L7 1/2” set 6 forks, L7” each with Gregg mark alongside pseudo marks, and 20.0ozT (9pcs)

$700-900 Provenance: Charleston, South Carolina private collection 76

77 CHARLESTON COIN SILVER SUGAR TONGS AND FLATWARE, HAYDEN & GREGG

79 CHARLESTON COIN SILVER FORKS, NATHANIEL HAYDEN

(South Carolina, wk. 1832-46) comprising: sugar tongs, L7” master butter, L7 1/2” 5 French Thread forks, L6 1/2” and 7 1/2” 2 French Thread spoons, L7” 9 Fiddle pattern spoons, L5 3/4” 2 spoons, L8” salt spoon, L3 1/2” Total 24.0ozT (21pcs)

(South Carolina, wk. 1832-43) Reverse Tipt pattern, N. Hayden and pseudo marks, L8” and 11.0ozT (5pcs)

$400-700 Provenance: Charleston, South Carolina private collection

78 CHARLESTON COIN SILVER FLATWARE, GREGG HAYDEN & CO

$300-600 Provenance: Charleston, South Carolina private collection

80 CHARLESTON COIN SILVER FORKS, HAYDEN & GREGG (South Carolina, wk. 1838-43) Thread pattern, 6 forks, L7”; together with Bailey & Kitchen ladle, L7”, and 4 forks, L7 1/4”; Total 21.ozT (11pcs)

$500-800

(South Carolina, wk. 1846-1852) Tuscan pattern, comprising: 6 spoons, L6 3/4” 2 spoons, L8 1/4” 2 teaspoons, L5 3/4” solid silver knife, L7 1/2” master butter, L7 1/2” sugar shell, L6 1/2” each engraved TGD, and marked: Gregg Hayden & Co, knife marked Hayden & Whilden; Total 21.0ozT (13pcs)

79

81 AMERICAN COIN SILVER SPOONS set of 7 by C.A. Burr (1838-63), L8” set of 6 by James Peters (1821-50), L5 1/2” set of 4 marked G&H (c. 1849), L5 1/2” set of 3 marked G&H, L5 1/2” Total 26.5ozT (20pcs)

$300-400 Provenance: Charleston, South Carolina private collection

$700-900

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82 CHARLESTON SWEETGRASS BASKETS, SIGNED LIZZY FLEMING covered basket, H9” Dia.15”; round basket, H3” Dia.15 1/2”; and one older basket by another hand, H3 1/2” Dia.12” (3pcs)

$200-300 Provenance: Charleston, South Carolina private collection

83 CATESBY ’S NATURAL HISTORY OF CAROLINA,

82

BOXED SET

Catesby, Mark. THE NATURAL HISTORY OF CAROLINA, FLORIDA AND THE BAHAMA ISLANDS. Facsimile of the original work and plates published in 1771. Savannah, GA: The Beehive Press, 1974. With 50 fully-reproduced color plates, and red cloth-bound volume in green custom clamshell box; boxed set is numbered 270 of 500 limited edition copies.

85

86 JIM PALMER (South Carolina/Georgia, b. 1941) LOWCOUNTRY EGRETS oil on canvas, framed, signed lower right H48” W60”

$700-1,000 Provenance: Lexington, Kentucky private collection

84 SEAMAN’S JOURNAL DETAILING VOYAGE FROM DUBLIN TO CHARLESTON daily entries from January 6 through February 2 by unknown vessel, appears to be early 19th century

$300-500 Provenance: South Carolina collection

84

85 BOOKS: CHARLESTON RENAISSANCE ART RELATED, AUTHOR SIGNED

$1,500-2,500 Provenance: Columbia, South Carolina private collection

Verner, Elizabeth. OTHER PLACES. Bostick & Thornley: Columbia, SC, 1946, author signed Verner, Elizabeth O. PRINTS & IMPRESSIONS OF CHARLESTON. Bostick & Thornley: Columbia, SC, 1939, limited numbered edition 994/1500, author signed and in slipcase Sass, Herbert R. OLD CHARLESTON 24 WOODCUTS

BY CHARLES WHITE. Richmond, VA: Dale Press, 1933, limited numbered edition 230/1550, author signed (3pcs)

$300-500 Provenance: Charleston, South Carolina private collection

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DISCOVERING EXTRAORDINARY OBJECTS

89 CHARLESTON RENAISSANCE SCHOOL, MID 20TH CENTURY THE PINK HOUSE, CHALMERS STREET (Charleston, South Carolina) oil on canvasboard, framed, unsigned H24” W18”

$300-500 Provenance: Columbia, South Carolina private collection

90 HANNAH MCCORD RHETT (South Carolina, 1871-1940) PORTRAIT OF LADY oil on canvas, framed, signed and inscribed on verso H18” W15”

87

87 JIM PALMER (South Carolina/Georgia, b. 1941) DUCKS OVER MARSH oil on canvas, framed, signed lower right H24” W30”

$300-500 Provenance: California private collection

$800-1,200 Provenance: Columbia, South Carolina private collection

91 EZRA LEE SELLERS

88 EDWARD MCGREGOR

(Georgia, 1913-1987) AUTUMN LANDSCAPE oil on canvas, framed, signed & dated H30” W36”

(Maryland, 19th century) PORTRAIT OF CHILD IN LANDSCAPE oil on board, framed, signed and dated lower right 1849 H32” W36”

88

92 EDWARD SWIFT SHORTER (Georgia, 1902-1987) LUIS oil on canvas, framed, unsigned, bearing old labels on verso H27” W19”

$300-500 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

$400-800 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

$800-1,200 Provenance: Isle of Palms, South Carolina private collection

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94

93 EDWARD SWIFT SHORTER

95

(Georgia, 1902-1987) OAGLE’S MEADOW oil on canvas, framed, signed & titled H36” W40”

97 EMMIE MCINTIRE (South Carolina, 20th century) LOWCOUNTRY PLANTATION CHURCH oil on board, framed, signed lower right H16” W20”

$400-800 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

$400-700 94 RAY GOODBRED

Provenance: Charleston, South Carolina private collection

(South Carolina, 1928-2011) ROOFTOP BATHER, c. 1970s oil on canvas, framed, signed lower right, titled & signed verso H12” W16”

96

Provenance: Abbeville, South Carolina private collection

96 RAY GOODBRED

95 JIM BRITTAIN

(South Carolina, 1928-2011) ROOFTOPS, CHARLESTON, c. 1970s oil on canvas, framed, titled & signed verso H14” W20”

$300-500

(American, 20th century) MAGNOLIA pastel, framed, signed sight H25 1/2” W19 1/4”

$400-700 Provenance: Abbeville, South Carolina private collection

$400-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

97

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101 CHARLESTON RENAISSANCE SCHOOL, MID 20TH CENTURY CHURCH STREET VIEW OF ST. PHILIP’S oil on canvas, framed, signed & dated lower right, 1969 H24” W36”

$400-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

102 RACHEL V. HARTLEY (New York/Florida, 1884-1955) FLOWER SELLER oil on canvas laid onto linen, framed, estate stamp lower center and verso H7 1/4” W5”

99

98

98 SOUTHERN SCHOOL, 19TH CENTURY 103

PORTRAIT OF ALEXANDER MACKENZIE (Fayetteville, NC, 1827-80) oil on canvas laid onto board, framed, unsigned H26 3/4” W22 3/4”

$400-600 Provenance: Beals Island, Maine private collection

$200-300

103 AARON JOHNSON

Provenance: Deaccessioned from a South Carolina museum to benefit the acquisitions fund Descended in the family of the sitter

(American, mid 20th century) SWING LOW SWEET CHARIOT watercolor, unframed, signed & dated lower left, 1950 H14” W9 1/2”

Other Notes: MacKenzie was the son-in-law of Susan Baker Sanders (Lot # 438)

$300-500 Provenance: Charleston, South Carolina private collection 102

99 WILLIAM HARRISON SCARBOROUGH (ATTRIBUTED)

100 EMMA WRAY (ATTRIBUTED)

(South Carolina/Tennessee, 1812-1871) LOUISE VEALE WILLINGHAM oil on canvas, period frame, unsigned H34” W26 1/2”

(Georgia, 1824-1886) JOHN COMFORTING MARY oil on canvas, period frame, unsigned H36” W29 1/4”

$500-700

$400-600

Provenance: Deaccessioned from a South Carolina museum to benefit the acquisitions fund

Provenance: Deaccessioned from a South Carolina museum to benefit the acquisitions fund

100

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104 AMERICAN OR ENGLISH CHIPPENDALE MAHOGANY GAMES TABLE

late 18th century, shaped folding top with green baize lining and corner wells, conforming skirt with small chip drawer, on leaf-carved cabriole legs with ball-and-claw feet; H28 1/2” W31 3/4” D15 3/4”

$1,500-2,500 Provenance: South Carolina collection

105 FEDERAL INLAID MAHOGANY TAMBOUR DESK

circa 1810, canted superstructure with tambour doors flanking prospect door, all concealing interiors fitted with drawers and valanced pigeonholes, on case with shaped fold-down writing surface lined with green baize and two drawers, on shaped and banded legs; H47 3/4” W42 1/4” D22”

$800-1,200 Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds

104

106

106 AMERICAN MAHOGANY TALL POST BED

107 QUEEN ANNE STYLE INLAID BURL WALNUT

early 19th century, reeded and turned posts on ball-and-claw feet; H81” W54” L81”

SERVING TABLE

$700-1,000 Provenance: Property of a Southern lady

late 19th century, rectangular molded and crossbanded top, on cabriole legs with shell-carved knees and ball-and-claw feet; H30 1/2” W51” D24 3/8”

$800-1,200 Provenance: South Carolina collection

105

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108 AMERICAN CHERRY TILT-TOP TABLE 19th century, dished top on bird-cage support and turned pedestal, with three S-curve legs and ball-and-claw feet; H28 7/8” Dia.35”

$500-800 Provenance: Isle of Palms, South Carolina private collection

109 R.J. HORNER & CO. INLAID MAHOGANY LINEN PRESS New York City, late 19th century, molded crown over pair of doors with recessed oval panels centered with conch shell inlays, on lower part with four long graduated drawers, with shaped skirt and splay feet, paper label reads: FROM R. J. HORNER & CO., Furniture Makers & IMPORTERS, 61, 63 and 65 West 23rd St., New York; H82 1/2” W44 1/4” D21 1/2”

$1,500-2,500 Provenance: Isle of Palms, South Carolina private collection

110 CHIPPENDALE STYLE CARVED MAHOGANY BENCH

late 19th century, slip seat in gadroon rails on acanthus-carved cabriole legs with ball-and-claw feet; H20” W22 1/2” D18 1/4”

$300-500 Provenance: Isle of Palms, South Carolina private collection

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110

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111 REGENCY MAHOGANY WASHSTAND circa 1820, rectangular top with three-quarter gallery above single drawer, on turned legs with slat stretchers; H32” W30 7/8” D20 3/4”

$300-500 112 CHIPPENDALE STYLE MAHOGANY CHAIRS, SET OF SIX early 19th century, yoked and eared crest over latticework splat, slip seat in plain rails, on chamfered legs with H-stretcher; BH37 5/8” SH19 1/2” W21” D20” (6pcs)

$1,500-2,500 113 FEDERAL SEWING TABLE, SALEM, MASSACHUSETTS circa 1810, octagonal top with turret corners over conforming case with single drawer and bag slide, with tapered and reeded legs; H28 1/8” W19 7/8” D16”

$1,000-1,500 Provenance: Former collection of Historic Charleston Foundation; sold to benefit the museum collection fund

114

Other Notes: Purchased by Mr. John Bivins for the Nathaniel Russell House restoration project.

114 FEDERAL INLAID MAHOGANY CONSOLE TABLE first quarter 19th century, D-shape crossbanded top and conforming skirt with inlaid urn, on tapered legs with bellflower drops; H29” W46” D22 1/2”

$1,000-1,500 Provenance: South Carolina collection

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115

115 SHERATON STYLE INLAID MAHOGANY DINING TABLE early 20th century, crossbanded rectangular top on turned baluster pedestals leading to reeded saber legs and brass casters; fitted with two 13 1/2” leaves; H28” W44” L93” open

$1,000-1,500 Provenance: Aiken, South Carolina private collection

116 GODDARD AND TOWNSEND STYLE BLOCKFRONT CHEST ON CHEST late 19th century, swan’s-neck bonnet with rosettes and flame finials, upper case with three short drawers with shell-carved faces over four long graduated drawers, lower part with three long graduated drawers, on molded base with ball-and-claw feet; H87 1/2” W39” D21 1/2”

$1,000-2,000 Provenance: Isle of Palms, South Carolina private collection

117 PAIR FEDERAL CARVED MAHOGANY SIDE CHAIRS, PROBABLY NEW YORK circa 1800, arched and molded crest over vertical splats, with overupholstered bowed seat, on tapered legs with spade feet; BH35 3/4” SH18 1/2” W22 1/2” D18 1/2”

$500-700 Provenance: Former collection of Historic Charleston Foundation; sold to benefit the museum collection fund

118 AMERICAN MAHOGANY TILT-TOP TABLE early 19th century, round top on baluster pedestal and saber legs with snake pad feet; H27 1/4” Dia.31 3/4”

$400-600 Provenance: Property of a lady 116

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120

120 COLLECTION JOHNNY DONNELS PHOTOGRAPHS, FRAMED

119

119 COLLECTION JOHNNY DONNELS PHOTOGRAPHS, FRAMED

(Louisiana, 1925-2009) seven works: STEPHANE GRAPPELLI, BLUES FOR MITCH, EUBIE IN CONCERT, IF I COULD HEAR MY MOTHER PRAY AGAIN, SURELY I JEST, LIVING IS AN ADVENTURE SURVIVING IS AN ART and MEMORIES OF EUBIE gelatin silver prints, signed & titled: on matte images H11” W7 3/4” to H12” W10”, together with signed photograph of Johnny Donnels (8pcs)

$700-900 Provenance: Upland, California private collection

(Louisiana, 1925-2009) nine works: SWAMP CHILDREN OF THE ATCHAFALAYA BASIN, ELEGANT CHILD, DAWNING, WAITING IN THE WINGS, TODAY I TOUCHED THE SKY, ANDALUSIAN DANSE MASTER, THE PARADE WATCHER, A STREET DOG NAMED DESIRE and CAT SCAN gelatin silver prints, signed & titled: on matte images H8 1/2” W11 3/4” to H12 3/4” W9 1/2” (9pcs)

$700-900 Provenance: Upland, California private collection

121 COLLECTION JOHNNY DONNELS PHOTOGRAPHS, FRAMED

121

122 SOUTH CAROLINA PHOTOGRAPHS BY CARL JULIEN AND BOB ROWAN (South Carolina, 20th century) UNTITLED, c 1978, framed, H10 1/2” W11 3/4” THE SEA, 1962 unframed, pencil signed & dated, H10 1/2” W13 1/4” (2pcs)

$200-400 Provenance: Deaccessioned from a South Carolina museum to benefit the acquisitions fund Exhibitions: A Bob Rowan photograph won first prize/purchase prize in 1978 at the 27th Annual Palmetto Art Show sponsored by the Guild of South Carolina Artists.

123 SOUTHERN SILHOUETTES OF AFRICAN-AMERICANS, CAREW RICE

(Louisiana, 1925-2009) seven works: LA MADELEINE ON THE SQUARE, WM. FAULKNER’S PIRATES ALLEY STUDIO, AND LIFE REFLECTING A STEP BEHIND, VILLAGE OF THE DEAD PRAGUE, SPRING RAIN, MORNING MEDITATION and YESTERDAY WHEN I WAS YOUNG gelatin silver prints, signed & titled: on matte images H7 3/4” W12 3/4” to H12” W9 3/4” (7pcs)

(South Carolina, 1899-1971) two works: VICTORIA WATSON & BOB CARMICHAEL PORTRAITS, c. 1934 & 1957 unframed, signed & dated, H6” W4” (2pcs)

$600-900

$200-400

Provenance: Upland, California private collection

Provenance: Charleston, South Carolina private collection

122

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125

124 SOUTHERN SILHOUETTE COLLECTION, CAREW RICE (South Carolina, 1899-1971) eighteen works: PORTRAITS, c. 1941-49 (many identified) unframed, signed & dated, H5” W3 1/2” to H6” W4 1/2” (18pcs)

$700-900 Provenance: Charleston, South Carolina private collection

125 SOUTHERN SILHOUETTE COLLECTION, CAREW RICE (South Carolina, 1899-1971) twelve works: PORTRAITS, c. 1933-38 (many identified) unframed, signed & dated, H5” W3 1/2” to H6” W4 1/2” (12pcs)

126 CAREW RICE (South Carolina, 1899-1971) five works: MY MONEY’S DONE GONE, SAW MILL BLUES, A MAN IS JUST A NUMBER IN A LUMBER CAMP, WILD DEER, and JOE YOGA (2) silhouettes, unframed, signed & titled images H11” W14” to H15 3/4” W10” (5pcs)

$500-800 Provenance: Charleston, South Carolina private collection

127

129

127 SOUTHERN SILHOUETTES AND BOOKS, CAREW RICE

128 SOUTHERN SILHOUETTE AND BOOK COLLECTION, CAREW RICE

(South Carolina, 1899-1971) two works on one sheet: DUCKS RISING and COMIN IN unframed, signed, sheet H13” W20”

(South Carolina, 1899-1971) sailing, 1945, H6” W4” The Kiss, H8” W5” pair framed portraits, 1936, H6 1/2” W4 3/4” framed portrait, 1957, H10” W9 1/4” together with one volume: Rice, Carew.

A SELECTION OF SONGS & SCISSOR-CUT SILHOUETTES, LOW COUNTRY ARTISTRY. Charleston, SC: Walker, Evans & Cogswell, 1961 (5pcs)

together with two volumes: Rice, Carew.

A SELECTION OF SONGS & SCISSOR-CUT SILHOUETTES, LOW COUNTRY ARTISTRY. Charleston, SC: Walker, Evans & Cogswell, 1961 (3pcs)

$400-800 Provenance: Charleston, South Carolina private collection

$400-600 Provenance: Charleston, South Carolina private collection

129 SOUTHERN SILHOUETTE COLLECTION, CAREW RICE

$500-800 Provenance: Charleston, South Carolina private collection

(South Carolina, 1899-1971) seven works: PORTRAITS, c. 1953-9 (many identified) unframed, signed & dated, H6” W4” to H7” W5” (7pcs)

$300-500 Provenance: Charleston, South Carolina private collection

126

128

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134 COLLECTION SOUTHERN WORKS ON PAPER

Wyndell L. Taylor (1928-1992) COASTAL GEORGIA Allison Christie, RIVER LANDSCAPE M.M. Glenn, HOUSE, 1980 unidentified, INDUSTRIAL PARKING watercolors, unframed, signed, sheets H18” W24” to H22” W30” (4pcs)

$500-800 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

130

130 SOUTHERN SILHOUETTE COLLECTION, CAREW RICE (South Carolina, 1899-1971) eight works: PORTRAITS, c. 1960-7 unframed, signed & dated, H6” W5” to H8” W5” together with first day issue, SIC’EM silhouette, and negative (11pcs)

$300-500 Provenance: Charleston, South Carolina private collection

131 VIRGINIA FOUCHE BOLTON (South Carolina, 1929-2004) MARY AND HER CHILD lithograph, framed, signed, titled & numbered in pencil sight H9 1/2” W8”

$200-400 Provenance: Columbia, South Carolina private collection

131

132

132 COLLECTION OF WORKS BY CORRIE PARKER MCCALLUM AND JACK DOWIS (South Carolina, 1914-2009) CACTUS woodblock, unframed, pencil signed & titled NUDE, circa 1972 mixed media, framed, signed, dated & titled lower right and verso STANDING NUDE woodcut, unframed, pencil signed, titled & numbered 10/30 sizes ranging from H8” W10” to H14 1/2” W7” together with two drawings by Jack Dowis (South Carolina, b. 1923) sheet H8 1/4” W11” & H5 1/2” W7 1/8” (5pcs)

133 CORRIE PARKER MCCALLUM (South Carolina, 1914-2009) MOUNTAINOUS LANDSCAPE watercolor and gouche, framed, signed lower right sight H27 1/2” W38 1/2”

$500-800 Provenance: Columbia, South Carolina private collection

133

$300-500 Provenance: Deaccessioned from a South Carolina museum to benefit the acquisitions fund

134

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

137 DAVID MOSLEY REESE (Georgia, b. 1915) THE OLD PINK HOUSE, SAVANNAH watercolor, unframed, signed & titled, lower right and verso H15” W22”

$300-500 Provenance: Charleston, South Carolina private collection Other Notes: Verso with Ford Motor Company label reading: Publication FT, Jan. ‘53, page 3 bottom.

139

138 FAITH CORNISH MURRAY

135

(South Carolina/Tennessee, 1897-1984) three works: FIGURAL SCENES watercolor, unframed, signed sheet H13 1/2” W20” to H22” W15” (3pcs)

$300-500 Provenance: Charleston, South Carolina private collection

139 HATTIE SAUSSY 136

135 FAITH CORNISH MURRAY (South Carolina/Tennessee, 1897-1984) six works: COASTAL SCENES and FIGURAL SCENES watercolor, unframed, signed and some dated sheet H9” W12” to H11” W15” (6pcs)

$500-800 Provenance: Charleston, South Carolina private collection

140

136 GRAPHITE DRAWINGS, PROBABLY SOUTHERN 20TH CENTURY WATERFALL LANDSCAPE, H24” W36 1/2” FOREST OF TREES, H30” W40” unframed (2pcs)

$300-500 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

(Georgia, 1890-1978) collection of watercolors on paper sizes ranging from H2” W2” to H18” W22” (8pcs)

$300-400 140 EMMIE MCINTIRE (South Carolina, 20th century) COTTON GROWERS watercolor en grisaille, unframed, signed & titled sight H3 1/2” W4 1/2”

$200-400 Provenance: Charleston, South Carolina private collection

137

138

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143 NORTH CAROLINA CRYSTALLINE POTTERY VASES, PHIL MORGAN Seagrove, 21st century, comprising: pair, H8 1/4” brown, green and blue vase, H6 1/2” rose on rose, H9” blue and white, H11” white on white, H10” (6pcs)

$300-600 Provenance: Charleston, South Carolina private collection

141

141 JIM DODD (Georgia, 20th century) ANTIQUES watercolor on board, unframed, signed image H9 1/2” W12”

$200-300 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

142 MARGARET GRAHAM KRANKING (South Carolina/Washington DC, 20th century), two works: TESUQUE RESERVATION, SANTA FE, NEW MEXICO, c. 1989 & VIEW TOWARD SOLDIER PASS, SEDONA, ARIZONA, 1990 together with Anita Jones Stanton (American, 20th century) WINTER ON THE FARM, intaglio, pencil signed & numbered, sheet H22 1/4” W26 3/4” (3pcs)

144 NORTH CAROLINA CRYSTALLINE POTTERY DIMINUTIVE VASES, PHIL MORGAN Seagrove, 20th/21st century, comprising: blue and black, H5 1/2” white, yellow and blue, H6 1/2” brown and blue, H6” blue, green and brown, H5 1/2” 2 pale blue, H5 1/4” and 6” 2 yellow on yellow, H4” and 5” seagreen, H4 1/2” mauve and seagreen, H6” brown, H4” blue and mauve, H5” mauve and brown, H4” (13pcs)

$500-800 Provenance: Charleston, South Carolina private collection

143

145 NORTH CAROLINA CRYSTALLINE POTTERY VASES, PHIL MORGAN Seagrove, 21st century, comprising: white, blue and yellow, H15” green, blue and red, H9 1/2” blue and green, H12 1/2” blue and yellow, H8 1/2” (4pcs)

$400-600 Provenance: Charleston, South Carolina private collection

$200-400 Provenance: Deaccessioned from a South Carolina museum to benefit the acquisitions fund

142

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144

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

148

145

146 NORTH CAROLINA POTTERY FACE VESSELS AND VASES, PHIL MORGAN Seagrove, 20th/21st century, comprising: 2 face jugs, H11 1/2” and 6” crystalline face teapot, H9 1/2” 3 vases, H5” to 7 1/2” (6pcs)

$400-600 Provenance: Charleston, South Carolina private collection

147 NORTH CAROLINA CRYSTALLINE POTTERY FACE VESSELS AND VASE,

PHIL MORGAN

146

Seagrove, 20th/21st century, comprising: 6 face jugs, H6 1/2” to 11” face teapot, H8 1/2” vase, H5 1/2” (8pcs)

$600-900 Provenance: Charleston, South Carolina private collection

148 CATAWBA POTTERY VESSELS BY SARA AYERS South Carolina Native American potter (1919-2002) vase with mask handles, H9 1/2” double-handle vase, H6” bowl with mask handles, H4” each signed and dated (3pcs)

149

149 CATAWBA POTTERY VESSELS BY SARA AYERS South Carolina Native American potter (1919-2002) double-spouted pitcher, H8 1/2” pitcher, H9 1/2” oblong dish with mask handles, H5” L13” arrowhead pipe, H4 1/2” footed pipe bowl, H3 1/2” turtle, L4 1/2” swan dish, H3 1/2” frog, H2 1/2” each signed and dated (8pcs)

$400-700 Provenance: Charleston, South Carolina private collection

$400-600 147

Provenance: Charleston, South Carolina private collection

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150 CLASSICAL GILTWOOD GIRANDOLE 19th century, eagle and rockwork pediment surmounting convex looking glass, flanked by candlearms and decorated with acanthus terminus; H41” W26” D5”

$800-1,200

153 FEDERAL CHERRY SLANT-FRONT DESK 1st half 19th century, H41 1/4” W39” D21”

$500-1,000 Provenance: Venice, Florida private collection

Provenance: Indianapolis, Indiana private collection

151 FEDERAL CLASSICAL STYLE LOOKING

154 SHERATON MAHOGANY SEWING TABLE

$400-600

circa 1835, shaped hinged top concealing storage wells, over three-drawer conforming case, on turned and reeded legs with ball feet; H30 7/8” W24 1/2” D15”

Provenance: South Carolina collection

$300-500

152 FEDERAL STYLE INLAID MAHOGANY

Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds

GLASS

early 20th century, molded crown over eglomise panel, with reeded columns and molded base; H47 3/4” W32”

LOOKING GLASS

151

early 20th century, floral carved pediment, broken arch, eagle inlay, with eglomise panel, bellflower decorations and shaped bottom part; H58 1/2” W23”

$500-700

150

Provenance: South Carolina collection

154

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152

153

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

157 SHERATON STYLE MAHOGANY AND UPHOLSTERED SOFA

arched back and downswept arms on turned and reeded supports flanking loose cushion, on corresponding legs; BH34” SH21” D31” L77 1/2”

$500-1,000 Provenance: Fitzgerald, Georgia private collection

155 detail

158 AMERICAN WALNUT BIRDCAGE TILT-TOP TABLE early 19th century, piecrust round top on baluster pedestal and saber legs with snake foot; H27” Dia.26 1/2”

$700-1,000 Provenance: Property of a lady

155

155 AMERICAN MAHOGANY ARCHITECT’S

156 NEW ENGLAND SHERATON

DESK

MAHOGANY WORKSTAND

mid to late 19th century, hinged molded crown with brass gallery, over panel door opening to fitted interiors of small drawers, pigeonholes and document compartments; the lower part leather inset writing surface above short drawers; supported by pedestal on drawers and fitted interiors on molded base; H67” W60” D36 1/2”

probably Massachusetts, circa 1815, drop-leaf top with reeded edge over case with three small drawers opposing faux drawers, on ring-turned legs with brass caps and casters; H28” W28” open D21 7/8”

$1,500-2,500

156

158

$200-400 Provenance: Former collection of Historic Charleston Foundation; sold to benefit the museum collection fund

Provenance: Property of a lady

157

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163 159

163 GEORGIAN MAHOGANY NEST OF THREE TABLES

159 HISTORIC CHARLESTON CHIPPENDALE STYLE SIDE TABLE, BY BAKER

circa 1800, cloverleaf top over shaped legs with stretchers; largest H26” W20 1/4” D14 1/2” (3pcs)

mahogany butterfly-leaf table over pierced skirt, square molded legs joined by pierced stretcher, labeled; H28 1/2” W24” D25”

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$300-400 161

160 ENGLISH MAHOGANY TILT-TOP TABLE early 19th century, circular dished top, over turned pedestal and three S-curve legs with snakepad feet; H27 3/4” Dia.22 3/4”

$200-400 Provenance: Isle of Palms, South Carolina private collection

161 ENGLISH MAHOGANY WASHSTAND late 19th/early 20th century, fitted with green glass bowl, with two drawers, on cabriole legs; H32” Dia.12 1/2”

$200-300 Provenance: South Carolina collection

162 GEORGIAN INLAID OAK HANGING CORNER CABINET

circa 1800, molded crown over molded panel door and drawer; H48” W30” D19” 160

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162

$300-500

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

164 MARTIN LEWIS (New York/Australian, 1881-1962) RELICS (Speakeasy Corner) c. 1928 drypoint, framed, signed, lower right in pencil image H11 3/4” W9 3/4” and sheet H25 1/2” W13 3/4”

$25,000-35,000 Provenance: Collection of a Southern lady 164

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166 TADEUSZ DOMINIK (Polish, b. 1928) ZOLTA PRZESTRZEN, 1965 (Yellow Space) acrylic on canvas, framed, signed, titled & dated lower right and verso H40” W34”

$6,000-8,000 Provenance: Palm Desert, California private collection

165

165 MARTIN LEWIS (New York/Australian, 1881-1962) CHANCE MEETING, c. 1940-1 drypoint, framed, signed, lower right in pencil image H10 1/2” W7 1/2” and sheet H15 1/2” W10 3/4”

$7,000-10,000 Provenance: Collection of a Southern lady Purchased Swann Galleries, November 12, 1998, Lot 449

166

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

167 PIERRE-AUGUSTE RENOIR (French, 1841-1919) L’ENFANT AU BISCUIT (Jean Renoir) color lithograph with extensive handcoloring, framed, inscribed lower margin: Renoir-L’enfant au Biscuit, MMS sheet H25” W18 1/2” and image H12 1/2” W10”

$5,000-8,000 Provenance: Collection of a Southern lady

168 PRINCE PIERRE TROUBETZKOY (Russian/Virginia, 1864-1936) PORTRAIT OF PRIME MINISTER WILLIAM EWART GLADSTONE (1809-1898), 1893 oil on panel, period frame, signed lower right: 7 June 93/Downing str/PTroubetzkoy; signed verso:Done at Downing St./during the Home Rule Bill/Debates 7 of June 1893/Pierre Troubetzkoy H10 5/8” W8”

$4,000-6,000 Provenance: Writer & wife of the artist Amelie Rives Troubetzkoy, by bequest to her sister Miss Landon Rives of Albemarle County, VA, to Mrs. Sanders Hobson, donated to a Virginia institution and now deaccessioned to benefit the collections and conservation funds.

169

Exhibitions: Thomas Agnew & Sons, London & New York, label verso.

Literature: Borgmeyer, Charles L. “Art of Prince Pierre Troubetzkoy.” FINE ARTS JOURNAL 26.1 (1912): similar version illus p9.

Other Notes: Another version of this portrait is in the collection of the National Portrait Gallery, London.

169 CHARLES FRANCOIS DAUBIGNY (AFTER) (French, 1817-1878) AVANT L’AUBE oil on canvas, framed, signed lower right H11 1/2” W16 1/2”

$4,000-6,000 Provenance: Palm Desert, California private collection

168

167

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172 RITA BRIANSKY

174 CARL CLEMENS MORITZ RUNGIUS

(Canadian, b. 1925) HARVESTING WHEAT oil on canvas, framed, signed lower right H16” W20”

(New York/Wyoming/Canada, 1869-1959) OLD PROSPECTOR etching, unframed, pencil signed & inscribed plate H6 1/4” W8 1/2”

$800-1,200 Provenance: Columbia, South Carolina private collection

$1,000-2,000 Provenance: Deaccessioned from a South Carolina museum to benefit the acquisitions fund

173 DIETER ROTH (German/Swiss, 1930-1998) PICCADILLY, 1977 acrylic on offset print, unframed, signed & dated lower right H9 1/2” W27”

170

$2,000-3,000

170 JACQUES GODEFROY DE TONNANCOUR

Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

(Canadian, 1917-2005) BLACK SPRUCE FOREST oil on board, framed, signed H24” W36”

$5,000-8,000 Provenance: Columbia, South Carolina private collection Other Notes: Old label on verso reads: Purchased December 15, 1956.

172

171 HENRI LEOPOLD MASSON (Canadian, 1907-1996) FIRST SNOW, (probably Gatineau) oil on panel, framed, signed lower left H26” W38”

$3,000-5,000 Provenance: Columbia, South Carolina private collection

174

171

173

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

177 EVERETT RAYMOND KINSTLER (New York/Connecticut, b. 1926) NUDE PORTRAIT oil on canvas, framed, dedicated lower right: To Helen-with friendship-Ray, Everett Raymond Kinstler H30” W24”

$500-1,000 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

178 MARY CASSATT (Pennsylvania,1844-1926) MARGOT WEARING A BONNET color drypoint, framed, unsigned plate H9” W6”

177

$800-1,200 Provenance: Collection of a Southern lady

179 PIERRE-AUGUSTE RENOIR

175

175 MICHEL DELACROIX (French, b. 1933) PARIS gouache, framed, signed lower left sight H16” W12”

LE CHAPEAU EPINGLE (La Fille de Berthe Morisot et sa Cousine), 1re planche (Delteil 8), c. 1894 etching, unframed, signed in plate image H4 3/4” W3 1/4” and sheet H8 3/4” W6”

$500-800 Provenance: Collection of a Southern lady Purchased Swann Galleries, November 12, 1998, Lot 235

$1,000-2,000

178

Provenance: Collection of a Southern lady

176 THOMAS FREDERICK MCKNIGHT (Connecticut/New York/Kansas, b. 1941) four works: AEGEAN SEA VIEWS serigraphs, framed, signed & numbered in pencil, 159/200 image H16” W18” (4pcs)

$700-1,000 Provenance: Georgetown, South Carolina private collection

176

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180 JACQUES VILLON

183 PIERRE-AUGUSTE RENOIR

(French, 1875-1963) LA CIGARETTE color drypoint, framed, signed lower right in pencil and dated 04 plate H17” W12”

LE CHAPEAU EPINGLE (La Fille de Berthe Morisot et sa Cousine), 3e planche (Delteil 8), c. 1894 etching, unframed, signed in plate image H4 3/4” W3 1/4” and sheet H10” W7 1/4”

$800-1,200

$500-800

Provenance: Collection of a Southern lady

Provenance: Collection of a Southern lady Purchased Swann Galleries, November 12, 1998, Lot 236

181 FRENCH AVIATION POSTERS BY GAMY

180

(French, early 20th century) two works: JUSIVY-PARIS and CHARLEVILLE-VERDON color lithographs printed by Mabileau & Co., Paris, framed, marked in lower margins, image H29” W11” and H12 1/2” W29 1/2” (2pcs)

183

(French, 1892-1970) PORTRAIT OF WOMAN pastel, framed, signed lower right sight H16 1/2” W12 1/2”

$800-1,200

$400-600

Provenance: Charlotte, North Carolina private collection

Provenance: San Francisco, California private collection

182 COLLECTION DRAWINGS BY ABRAHAM WALKOWITZ

185 ENGRAVING COLLECTION BY FORAIN, DAUBIGNY AND BLAMPIED

(Russian/New York, 1878-1965) five portrait studies all dated 1904 or 1909 ink on paper, framed as a set, signed sight averaging H5” W4” (5pcs)

(late 19th/ early 20th century) 9 figural works unframed, signed from H9 1/4” W12 3/4” to H10” W15 1/2” (9pcs)

$500-800 Provenance: Deaccessioned from a South Carolina museum to benefit the acquisitions fund

181

48

184 EDOUARD LEON LOUIS EDY-LEGRAND

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$500-1,000

184

Provenance: Collection of a Southern lady

185

182

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

187 ALEXANDER CALDER

189 LOUIS ICART

(Connecticut/New York, 1898-1976) PYRAMIDS AND CIRCLES, c. 1975 lithograph, framed, signed in pencil, EA-Calder image H12” W9 1/2”

(French, 1888-1950) LA GLYCINE (Wisteria), 1940 etching and aquatint printed in color, framed, signed in pencil lower right image H17 1/2” W20 1/2”

$400-700 Provenance: Collection of a Southern lady

$600-900 Provenance: Columbia, South Carolina private collection 188

188 MILTON ELTING HEBALD 186

186 JEAN-EMILE LABOUREUR (French,1877-1943) CAVALIERS ANGLAIS EN PICARDIE, c. 1916 engraving, framed, signed & numbered 9/35 plate H8 1/2” W5 3/4”

$600-900 Provenance: Columbia, South Carolina private collection

(New York/California, b. 1917) MALE NUDE en grisaille watercolor, framed, signed, dated & dedicated to Eugene Walter sheet H19” W26 1/2”

190 JEAN-EMILE LABOUREUR (French, 1877-1943) MARCHE AUX LEGUMES, c. 1908 etching, framed, signed & numbered 18/30 image H4 1/2” W5 1/2”

$500-800 Provenance: Columbia, South Carolina private collection

191 YURI KOSHKIN

$500-800 Provenance: Columbia, South Carolina private collection Purchased from these sales rooms Estate of Eugene Walter, September 2002, Lot 229.

189

(Russian, 20th century) two works: WINTER VILLAGE SCENES watercolor, framed, signed in Cyrillic sight H5 1/2” W71/2” and H11 1/2” W16” (2pcs)

$300-500 Provenance: Collection of a Southern lady Purchased from Pinckney-Simons Gallery, Columbia, SC

187

190

191

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195

195 ROCKWELL KENT

192

192 COLLECTION WORKS ON PAPER, PROBABLY SCANDINAVIAN (20th century) six works: SCENES, STILL LIFE and PORTRAIT linocut and etchings, unframed, signed illegibly sheet sizes H9” W11 1/2” to H14” W9 1/2” (6pcs)

$300-500 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

196

(New York, 1882-1971) STARRY NIGHT, c. 1933 woodcut, framed, signed in pencil image H7” W5”

194

194 S. VELINE

$300-500

(America, 20th century) FABRICATION color linocut, framed, signed in pencil sight H22 1/4” W12 1/4”

$200-300 Provenance: Collection of a Southern lady

Provenance: Columbia, South Carolina private collection

196 CYRUS WOOD THOMAS (New York/ Washington, DC, mid 20th century) ABSTRACTED LANDSCAPE, 1954, oil on canvas, original modernist framed, signed & dated lower right, H28” W19”

193 HANS GUSTAV BURKHARDT (California/New York, 1904-1994) LOUISE, 1929 oil on board, framed, signed on verso H20” W16”

$500-800 Provenance: Beals Island, Maine private collection

197

$100-200

197 GLASS AND STAINLESS STEEL PINNACLE TABLE BASE, J. WADE BEAM FOR BRUETON

Provenance: Deaccessioned from a South Carolina museum to benefit the acquisitions fund

solid conical metal form bisected by translucent semicircle of glass; H28 1/2” W53” D16 1/2”

$1,500-2,500 Provenance: South Berwick, Maine private collection

193

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

200 T. D. (TERRY DUEN) KELSEY (Montana, b. 1946) WINNER TAKE ALL bronze, signed & numbered 3/15 H17” W18”

$2,000-3,000 Provenance: Property of a lady

201 T. D. (TERRY DUEN) KELSEY (Montana, b. 1946) GRAMMAR SCHOOL bronze, signed & numbered 6/15 H13” W13”

198

198 CHARLES AND RAY EAMES DCW CHAIRS, SET OF

$1,000-2,000 Provenance: Property of a lady

FOUR

circa 1946-9, molded plywood underside bearing Evans Production decal label, rubber shock mounts, BH28 1/2” SH17 1/2” (4pcs)

$800-1,200 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

199 VINTAGE SCANDINAVIAN MODERN “MONTANA” LOVESEAT, EKORNES Ikornnes Norway, circa 1975, teak frame fitted with leather cushions; BH34” SH15” W57” D34”

$500-800 Provenance: Property of a Southern lady

200

202

202 EMMANUEL FREMIET (French, 1824-1910) RAVEGEOT & RAVAGEOLE bronze with dark brown patina, signed H6 1/2”

$1,000-2,000 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

199

201

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51

204

205

204 KARL HEYNEN-DUMONT

206 PELICANS IN FLIGHT SCULPTURE BY BRIAN ARTHUR

(German, b. 1883) POINTER bronze with dark brown patina on marble base, signed H7 1/2” W6 1/2” D2 1/2”

(California, 20th century) cold-painted bronze on shaped wood base, signed, H9” W13” D12 1/2”

$300-400

$500-700 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

Provenance: Columbia, South Carolina private collection Purchased from Carmel, California gallery

203 A.J. SCOTTE

205 EDITH BARRETTO PARSONS

207 MERCEDES-BENZ SLK 320 ROADSTER, HARDTOP

(French, 19th/20th century) LA FORCE PROTEGEANT LE DRIOT bronze with dark brown patina, signed H23” W8 1/2” D8”

(New York, 1878-1956) PUPPY bronze with dark brown patina, signed H6” L7 1/4” D3”

$500-800

$400-700

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

203

206

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CONVERTIBLE

2003, VIN #WDBKK65F93F278561, Brilliant Silver Metallic body paint with charcoal grey leather interior, two-door, V6 engine, odometer reading at the time of cataloguing: 245,990

$3,000-5,000 Provenance: Charleston, South Carolina private collection

207

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

208 WILLIAM KNABE & CO GRAND PIANO WITH BENCH

no visible serial number, marked Wm. Knabe & Co, Baltimore, legs marked 9504; and underside with label reading: National Association of Music Mfg, 299500; L6’6” W60” (2pcs)

$1,000-1,600

210

Provenance: Property of a lady

209 INLAID HARP AND CHAIR, POSSIBLY SOUTH AMERICAN mid 20th century, 36-string harp, H61” and chair, BH33 3/4” SH18” W17 3/4” D12 1/4” (2pcs)

$400-700 Provenance: Sumter, South Carolina private collection

210 AMERICAN CHERRYWOOD SILVER TABLE possibly Connecticut, 18th century and later, tray-edge top, over long drawers, shaped skirt and cabriole legs with Spanish feet, H31 1/2” W41 3/4” D26 3/4”

$1,500-3,000 Provenance: Cashiers, North Carolina estate Purchased from Craig & Tarlton, Inc, Raleigh, North Carolina

208

209

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Other Notes: Reference The Magazine Antiques, May 1984, p.985, advertisement including this table.

Museum Vaults & Private Collections

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211 CLASSICAL CARVED MAHOGANY TESTER BED, PROBABLY PHILADELPHIA circa 1840, acanthus-carved tall posts support molded tester and shaped headboard with carved toprail, on brass casters, H102” W60 1/2” L80 3/4”

$1,500-2,500 Provenance: Austin, Texas private collection

212 AMERICAN CLASSICAL MAHOGANY CHEST OF DRAWERS, PROBABLY NEW YORK circa 1830, gallery top over two tiers of drawers, lower part with two short and three long drawers, turned column supports, on turned feet with casters; H59” W43 1/4” D20”

$800-1,200 Provenance: Isle of Palms, South Carolina private collection

213 AMERICAN CLASSICAL CARVED MAHOGANY GAMES TABLE circa 1835, folding top with clipped corners over acanthus-carved vasiform pedestal with four reeded C-curve legs terminating in brass caps and casters; H29 3/4” W37” D37” open

$800-1,200 Provenance: Isle of Palms, South Carolina private collection

214 AMERICAN WALNUT TWO-DRAWER WORKTABLE mid 19th century, rectangular ogee-molded top over paneled case and through drawers, on ring-turned legs with turnip feet; H31 3/4” W38” D20 1/4”

211

$800-1,100 Provenance: South Carolina collection

213

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212

214

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211 detail

DISCOVERING EXTRAORDINARY OBJECTS

215 AMERICAN CARVED MAHOGANY CARD TABLE mid 19th century, shaped top over carved and turned pedestal on paw feet; H29 1/4” W36” D18”

$300-600 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

217 AMERICAN CLASSICAL MAHOGANY CENTER TABLE, PROBABLY BOSTON first quarter 19th century, rectangular molded top with rounded corners over bead-and-lozenge skirt, on trestle base with urn-form supports and bun feet; H29” W48” D27 3/4”

$1,500-2,000 216 LATE FEDERAL CARVED MAHOGANY SOFA probably Philadelphia, circa 1830, straight rolled-back crestrail on reeded frame, on splayed feet with paw casters; H33 1/2” D24 1/2” L93”

$1,000-2,000 Provenance: Crawfordville, Georgia private collection

Provenance: South Carolina collection

218 PAIR CLASSICAL PARCEL-GILT MAHOGANY MIRRORS

late 19th century, shaped molded crown supported by fluted columns, H38 1/2” W24” (2pcs)

$800-1,200 Provenance: Atlanta, Georgia private collection

218

219 AMERICAN CARVED GILTWOOD PIER MIRROR circa 1840, molded and fluted frame with leaf-carved corners; H78” W41”

$700-1,000 Provenance: Property of a lady

220 EMPIRE MAHOGANY AND GILTWOOD OVERMANTLE MIRROR

mid 19th century, rectangular frame with architectural detailing, installed with urns, rosettes and engaged columns of bundled reeds, with three mirrored panels; H33” W62 3/4”

$500-1,000 Provenance: Isle of Palms, South Carolina private collection

220 215

216

219

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217

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55

223 MIDDLETON MANIGAULT (ATTRIBUTED TO) 224

221 GEORGE INNESS, JR. (New York/Florida, 1854-1926) EVENING ON THE ANCLOTE, FLORIDA oil on canvas, framed, signed lower right, titled on label on stretcher H20” W30”

$4,000-6,000

(Canadian/New York, 1887-1922) LANDSCAPE oil on canvas, period frame, unsigned H14” W17”

221

$2,000-3,000 Provenance: Charleston Renaissance Gallery label, verso

224 JUAN DURAN TINOCO

222 GEORGE HERBERT MCCORD (New York/New Jersey, 1884-1909) RIVER LANDSCAPE oil on canvas, framed, signed lower left H20” W30”

(California/Mexico, 1905-1988) LONG RIDE HOME oil on panel, framed, signed H16” W20”

$1,500-2,500 Provenance: Beals Island, Maine private collection

$2,500-4,500 Exhibitions: DOWN RIVER, New Orleans Museum of Art, 1989.

223

225 XANTHUS RUSSELL SMITH (Pennsylvania/Maine, 1839-1929) COASTAL SCENE watercolor, framed, signed & dated: lower right, Aug. 1885 sight H5 3/4” W8 3/4”

$800-1,200 Provenance: Columbia, South Carolina private collection

225

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222

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

227 ROLF ARMSTRONG (ATTRIBUTED TO) (New York/California, 1889 -1960) two works: BEAUTY IN BONNET and LANDSCAPE pastel, framed, unsigned images H14” W13 1/2” and H10 1/2” W14” (2pcs)

$700-1,000 Provenance: San Francisco, California private collection Other Notes: One with inscribed sheet on verso.

228 BRITISH OR AMERICAN SCHOOL, MID 19TH CENTURY

BOUQUET OF ROSES AND MAGNOLIA oil on paper, framed, unsigned Dia.22 3/4”

228

$500-800 226

Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

226 EDWARD BARNARD LINTOTT

230 WILLIAM FRANCIS SIMMONS (WILL) (Massachusetts/Maryland, 1884-1949) HERON, 1907 oil on panel, original frame, signed & dated lower right and verso H9 1/2” W7 1/2”

(New Jersey, 1875-1951) FLORAL STILL LIFE oil on canvas, framed, signed lower left: Lintott H23 1/4” W19 1/4”

$500-900

$800-1,200

Provenance: Beals Island, Maine private collection

Provenance: Upland, California private collection

229

229 H. H. MEANS (American, 20th century) PORCELAIN AND FRUIT STILL LIFE oil on canvas, framed, signed lower left H30” W36”

$500-800 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

227

230

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57

233

232

231

231 AMERICAN SCHOOL, MID 20TH CENTURY

HYDRANGEAS oil on canvas, framed, unsigned H20” W24”

$400-600 232 AMERICAN SCHOOL, EARLY 20TH CENTURY

GENTLEMAN IN A BUGGY oil on canvas, framed, monogramed lower right “CL” H28 1/2” W38”

234 ROCOCO REVIVAL ROSEWOOD AND MARBLETOP ETAGERE, BOSTON OR NEW YORK circa 1860, arched leaf-carved pediment over molded framed looking glass, flanked by tiered shield with scrolling leaf supports, on lower part with serpentine white marble top above long drawer and carved feet; H90 1/2” W58” D17”

$3,000-5,000 Provenance: Norman, Oklahoma private collection Descended in a Pennsylvania/Boston family to present heir

$400-600 Provenance: Aiken, South Carolina private collection

233 HUDSON RIVER SCHOOL, LATE 19TH CENTURY

SUNSET OVER RIVER VALLEY oil on canvas, framed, unsigned H22” W34”

$400-600 Provenance: Charleston, South Carolina private collection 234

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OF

DISCOVERING EXTRAORDINARY OBJECTS

235 AESTHETIC MOVEMENT BIRD’S-EYE MAPLE AND FAUX BAMBOO BEDSTEAD

late 19th century, paneled headboard and footboard with faux bamboo posts and turnings, unified by bracketed rails; H68 1/2” W60 1/2” L82”

$1,200-1,800 Provenance: Ladson, South Carolina private collection

236 RENAISSANCE REVIVAL CARVED WALNUT AND MARBLETOP CENTER TABLE

236

235

last half 19th century, stepped and molded frame enclosing red mottled marble top, conforming frieze with panels and bosses, on turned and fluted legs with casters joined by elaborate stretcher; H30 3/4” W45 1/2” D27 3/4”

$1,000-1,500 Provenance: Collection of a Southern lady

237 RARE GUSTAV STICKLEY EIGHT-LEG OAK SIDEBOARD

first quarter 20th century, top with backsplash over three long and two short drawers, with paneled doors, on square legs, burned-in mark on drawer side and paper label underside of center drawer; H43 1/2” W56” D22”

$2,000-4,000 Provenance: Charleston, South Carolina private collection

237

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59

238

239

238 STICKLEY BROS. ARTS & CRAFTS

240 BONFIELD

OAK WRITING DESK AND CHAIR

(American, 19th century) COASTAL LANDSCAPE oil on canvas, framed, signed: Bonfield H10” W13”

first half 20th century, retangular top over long drawer flanked by bookshelves, on square legs joined by platform stretcher, drawer branded: Stickley Bros. Co., Grand Rapids, H30” W40” D26”; together with side chair, bearing paper label: The Harden Line, New York. (2pcs)

242 AMERICAN FOLK ART PORTRAIT, 19TH CENTURY BOY WITH DOG IN AN INTERIOR oil on canvas, framed, unsigned H24” W18”

$400-600

$400-700

Provenance: San Francisco, California private collection

Provenance: Indian Land, South Carolina private collection

$400-600 Provenance: Charleston, South Carolina private collection 240

239 PAIR ARTS & CRAFTS OAK ARMCHAIRS WITH STOOL, ATTRIBUTED TO STICKLEY BROS.

241 AMERICAN SCHOOL PORTRAIT, EARLY 19TH CENTURY

first half 19th century, slatted backrest and shaped armrests, on square legs; BH39” SH18” W28 1/2” D22 1/2” (3pcs)

WOMAN IN LACE BONNET oil on canvas laid to panel, framed, unsigned H36” W28 1/2”

$300-600

$400-600

Provenance: Charleston, South Carolina private collection

Provenance: Savannah, Georgia private collection

241

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242

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

245 J. GREENWOOD (American, early 20th century) BOY WITH CAT oil on board, framed, signed upper left H12” W9”

$200-400 Provenance: Charlotte, North Carolina private collection

243

243 RALPH TAYLOR (Pennsylvania, (1896-1978) AUTUMN LANDSCAPE watercolor on board, unframed, signed lower left H20” W30”

246 J. AMBROSE PRITCHARD (Massachusetts, 1858-1905) COASTAL SCENE watercolor, framed, signed sight H20” W26 1/2”

246

$200-400 Provenance: South Carolina collection

$300-500 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

247 JAMES MADISON ALDEN (California/Florida/Massachusetts, 1834-1922) HICKORY NEAR OXFORD watercolor, framed, signed & titled lower left sight H9 1/4” W18 3/4”

$800-1,400 Provenance: Columbia, South Carolina private collection

248 JAMES MADISON ALDEN

244

244 ERNEST CHRISTIAN ROST (New York/California, 1867-1940) THE VILLAGE CHURCH intaglio print, framed, signed & titled in plate image H15” W26”

(California/Florida/Massachusetts, 1834-1922) LONG ROAD HOME watercolor, framed, unsigned sight H8 1/4” W12”

245

$500-700 Provenance: Columbia, South Carolina private collection

$200-400 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

247

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61

249 JAMES MADISON ALDEN (California/Florida/Massachusetts, 1834-1922) AUTUMN’S DAY FISHING watercolor, framed, unsigned sight H9 1/2” W17 1/4”

$500-800 Provenance: Columbia, South Carolina private collection

250 JAMES MADISON ALDEN 248

(California/Florida/Massachusetts, 1834-1922) five works: LANDSCAPES and COASTAL SCENES watercolors, unframed, unsigned, some titled on verso H7” W10” to H10” W20 1/2” (5pcs)

$500-700 Provenance: Columbia, South Carolina private collection Other Notes: Accompanied by the Franz Stenzel book on the artist.

250 249

251 JAMES MADISON ALDEN (California/Florida/Massachusetts, 1834-1922) PARK SCENE OVERLOOKING RESERVOIR watercolor, framed, unsigned sight H9 1/2” W13 1/2”

$500-800 Provenance: Columbia, South Carolina private collection

252 JAMES MADISON ALDEN

253 JAMES MADISON ALDEN (California/Florida/Massachusetts, 1834-1922) OVER THE RAPIDS watercolor, framed, signed lower right sight H8 3/4” W15”

$800-1,400 Provenance: Columbia, South Carolina private collection 251

(California/Florida/Massachusetts, 1834-1922) HOME BY THE LAKE watercolor, framed, unsigned sight H9 1/2” W14”

$500-800 Provenance: Columbia, South Carolina private collection

253

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252

OF

DISCOVERING EXTRAORDINARY OBJECTS

257 TIFFANY & CO STERLING TEA AND COFFEE SERVICE

New York, circa 1907-47, Queen Anne pattern engraved with initials ASJ, comprising: hot water kettle, H14” coffeepot, H9” teapot, H8” covered sugar, H4 1/2” creamer, H4 3/4” wastebowl, H2 1/2” accompanied by original silver storage bags Total 129.0ozT all in (6pcs)

$1,500-2,000 Provenance: Aiken, South Carolina private collection

254

254 TIFFANY & CO BAMBOO PATTERN VERMEIL STERLING FLATWARE

New York, circa 1961, comprising: 8 hollow handle knives, L9 1/4” 8 hollow handle knives, L8 1/4” 8 hollow handle steak knives, L8 1/4” 8 spreaders, L5” 8 forks, L7 1/2” 8 forks, L7” 8 oval soups, L7 1/8” 7 teaspoons, L5 3/4” 8 demitasse, L4 1/4” 2-pc salad serving set, L8 3/4” each marked: Tiffany & Co, Sterling, Pat. Total 83.0ozT weighable (73pcs)

256 TIFFANY & CO STERLING CENTERBOWL circa 1920, anthemion and shell outturned sweeping rim with deep round center; marked: Tiffany & Co, 19838/6334.

Sterling, 925-1000, M; H3 1/2” Dia.14 1/2”, and 40.0ozT

256

$800-1,400 Provenance: Collection of a Southern lady

$3,000-5,000 Provenance: Aiken, South Carolina private collection

255 TIFFANY & CO STERLING CENTERBOWL New York, circa 1907-47, shaped banded rim over round shallow well, marked on base, H2 1/4” Dia.12”, and 25.5ozT

$400-600 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia 255

257

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63

258 TIFFANY & CO STERLING SHOE HORN, AND BABY ARTICLES

solid silver shoe horn, L8” teething ring, H3” 2 baby cups, H1 1/2” and 2 1/2” rattle, L3 1/4” infant fork and spoon, L3 1/2” Total 8.0ozT (7pcs)

$200-400 Provenance: Charlotte, North Carolina private collection

260 258

261 TIFFANY STUDIOS BRONZE SHANDO PAPERWEIGHT

259 TIFFANY & CO SILVERPLATE SIX-PIECE TEA AND

late 19th/early 20th century, dog bust, marked: EM and 889, H2 1/2”

COFFEE SERVICE

$200-300

hot water kettle, H12” coffeepot, H9” teapot, H7” covered sugar, H6” creamer, H5” wastebowl, H3 1/2” (6pcs)

Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

$800-1,200

19th/20th century, comprising: horn, W4 1/2” lapis, W1 1/2” French stone, W2” oval horn, W3” fish, L8”

262 COLLECTION BOXES AND ARTICULATED FISH

Provenance: Property of a lady 261

260 TIFFANY STUDIOS ABALONE PATTERN BRONZE DESK ACCESSORIES

$300-500

late 19th/early 20th century, comprising: small inkwell, 1148 pair blotter ends, 1153 calendar, 1166 letter scale, 1170 each marked (5pcs)

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$800-1,200 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia 259

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262

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DISCOVERING EXTRAORDINARY OBJECTS

263

263 COLLECTION OF INKWELLS circa 1900, H1 1/2” to 5 1/2” (9pcs)

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

266 PAIR CLASSICAL AMERICAN BRASS ANDIRONS, CHARLESTON South Carolina, circa 1815, faceted urn finial on columnar standard and plinth; H19” D21” (2pcs)

$500-1,000 Provenance: Property of a Southern lady

267 ENGLISH BRASS TRIVET OR FOOTMAN 19th century, molded edge top on cabriole legs, H10” W16” D12”

$300-400 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia 264

264 BOULLEWORK FOLIO AND PAIR CANDLESTICKS

266

19th century, folio H11” W9”, candlesticks H9” (3pcs)

$400-700 Provenance: Isle of Palms, South Carolina private collection

265 PAIR REGENCY TOLE PEINTE CACHEPOTS first half 19th century, gilt-decorated with classical figures and sides with bound trophies on red ground, H10 3/4” W7” (2pcs)

$400-700 Provenance: Former collection of Historic Charleston Foundation; sold to benefit the museum collection fund

265

267

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65

268 PAIR CLASSICAL AMERICAN BRASS ANDIRONS, NEW YORK OR PHILADEPHIA 19th century, hexagonal finial on turned column, bifurcated base and scrolling legs with bun feet; H19” D21” (2pcs)

$400-700 Provenance: Property of a Southern lady

269 PAIR CLASSICAL AMERICAN BRASS ANDIRONS, NEW YORK circa 1825, acorn finial on hexagonal columns, spurred arched supports terminating in penny feet; H20” D17” (2pcs)

268

269

271 PAIR HAND-WROUGHT IRON ANDIRONS

$400-600

18th/19th century, basket top and hook-mounted stem and arched feet; H25” W9” D17 1/2” (2pcs)

Provenance: Property of a Southern lady

$500-800

270 GEORGIAN BRASS AND WROUGHT-IRON TRIVETS

Provenance: Indianapolis, Indiana private collection

AND COAL SCUTTLE

272

19th century brass step, pierced with hearts flanked by ring handles on pad feet, H13” W17 1/2” D15”; another with serpentine top with cut-out handle over pierced skirt on cabriole legs, H13” W14 1/2” D14”; and coal scuttle, H17” W17” D11 1/2” (3pcs)

272 AMERICAN OR ENGLISH DIMINUTIVE ANDIRONS AND FIRE FENDERS

19th century, comprising: pair brass andirons, H12” pair wrought-iron andirons, H20” brass fender, H8 1/2” W35 1/2” D11 1/2” mesh fender, H12” W39” D10 1/2” (4pcs)

$500-900 Provenance: Charleston, South Carolina private collection

$500-900 Provenance: Former collection of Historic Charleston Foundation; sold to benefit the museum collection fund

271

270

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DISCOVERING EXTRAORDINARY OBJECTS

275 ENGLISH BRASS FIRE FENDER late 19th/early 20th century, with pierced decoration, on round feet, H7 1/2” W57 1/4” D8”

$200-300 Provenance: Charleston, South Carolina collection

276 COLLECTION BRASS OIL LAMPS AND CANDLEHOLDERS

19th century, comprising: pair American whale oil lamps, H7” pair Dutch candlesticks, H19” chamberstick, H5 1/2” (5pcs)

$300-500 276

Provenance: Former collection of Historic Charleston Foundation; sold to benefit the museum collection fund

277 NEAR PAIR BLOWN GLASS HURRICANE SHADES 19th century, H22” (2pcs)

$500-800 273

Provenance: Property of a lady

273 ENGLISH PAINTED METAL FIRE BUCKET late 19th century, Royal arms on red ground with black accents; H25 1/2” W14 1/4” D16 3/4”

$200-300 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

274 ENGLISH BRASS ANDIRON, FENDER AND TOOL SETS

late 19th/early 20th century, comprising: andirons, H22” fender, H8 1/2” W43” D14” and tool sets

277

274

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

275

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67

278

281

282

283

278 AMERICAN WHALE OIL LAMP COLLECTION

280 ANTIQUE PERSIAN BIDJAR CARPET

283 SEMI-ANTIQUE PERSIAN KURDISH CARPET

18th/19th century, comprising: 2 pairs H10” and 11” 3 singles, H8 1/2” to 10” (7pcs)

circa 1880, 4’6” x 9’1”

circa 1930, 5’9” x 10’6”

$2,500-3,500

$800-1,500

$300-500 Provenance: Charleston, South Carolina private collection

281 NORTHWEST PERSIAN BAKSHAISH RUNNER

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

5’2” x 13’3”

279 AMERICAN GILDED BRASS GIRANDOLES Philadelphia and New York, circa 1840-60, comprising: Bear and Bee three-piece set, H17” and 12 1/2” Paul & Virginia model, H16” Sultana model, H15 1/2” (5pcs)

$300-500

$800-1,200 Provenance: Property of a Southern gentleman

282 CAUCASIAN CARPET 4’11” x 8’10”

$1,000-1,500

Provenance: Charleston, South Carolina private collection Literature: Bacot, H. Parrott. NINETEENTH CENTURY LIGHTING, CANDLE-POWERED DEVICES 1783-1883.

West Chester, PA: Schiffer, 1987. illustrated pp.177-8 and 190-1

279

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280

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DISCOVERING EXTRAORDINARY OBJECTS

284

285

286

287

284 ANTIQUE KAZAK CARPET

286 KESHMIRI TABRIZ CARPET

288 NEAR PAIR HERIZ CARPETS

290 OUSHAK PESHAWAR CARPET

circa 1890, 4’3” x 7’3”

5’10” x 8’9”

Dia.5’10” (2pcs)

5’ x 8’1”

$800-1,200

$700-1,000

$500-700

$400-700

Provenance: Property of a Southern gentleman

285 NORTHWEST PERSIAN RUNNER 4’3” x 11’5”

$600-900

287 PERSIAN SULTANABAD RUNNER

289 PERSIAN LILIHAN RUNNER

3’8” x 10’1”

circa 1950, 2’10” x 10’4”

$500-800

$500-800

Provenance: Property of a Southern gentleman

Provenance: Property of a Southern gentleman

Provenance: Property of a Southern gentleman

291 KESHMIRI TABRIZ RUNNER 2’7” x 17’2”

$400-800

Provenance: Property of a Southern gentleman

288

289

290

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292 BALOUCH CARPET circa 1930, 3’2” x 7’

$400-600 293 PERSIAN MESHAIN CARPET 2’8” x 4’7”

$300-500 Provenance: Columbia, South Carolina private collection

294 SERAPI RUNNER 2’5” x 11’10”

$300-600 292

294

295

295 TURKISH SERAPI CARPET

298 AMERICAN NEEDLEWORK SAMPLERS

3’ x 4’10”

19th century, comprising: Harriet L. Jewell, 1819, H18” W15 1/2” Cemathe, 1841, H19” W23” Hannah Stone, 1823, H25” W23” each framed (3pcs)

$200-300 296 ANTIQUE QUASHGAI CARPET first quarter 20th century, 6’9” x 10’3”

$300-600

$600-900 Provenance: San Francisco, California private collection

Provenance: Charleston, South Carolina private collection

297 AMERICAN AND BRITISH NEEDLEWORK SAMPLERS 18th/19th century, comprising: Mary Ann Holliworks, c. 1836, H18 1/8” W11 1/2” Elizabeth Landis, 1891, H16 1/2” W16 1/2” Knapp family register, c. 1830, H16 1/2” W17 1/2” Priscilla Wells, 1881, H15 1/4” W14 1/2” Grace Rogers, 1790, H12 1/2” W9 1/2” each framed (5pcs)

$500-1,000 Provenance: San Francisco, California private collection

297

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298

CELEBRATING 85 YEARS

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DISCOVERING EXTRAORDINARY OBJECTS

299 PAIR VICTORIAN NEEDLE AND HAIRWORK IN SHADOWBOX

second half 19th century, ornate gilt frame containing floral garland and other with sprigs, on velvet ground, H10 1/2” W11” D1 1/2” (2pcs)

$300-500 Provenance: Isle of Palms, South Carolina private collection

300 SILK PICTORIAL NEEDLEWORK, LEDA AND THE SWAN 18th/19th century, trumpet vine-framed oval Greek landscape and figures, H23” W21”

$400-600 Provenance: San Francisco, California private collection

301 VENETIAN NEEDLEWORK 18th century, floral and ribbon-decorated chairback upholstery, framed, H23 1/2” W23 1/2”

$300-500 Provenance: San Francisco, California private collection Cora Kling Ginsburg (1910-2002)

299

302 PARISIAN STREET SCENE WEAVING, FRAMED overall H30 1/2” W75 1/2”

$100-200

301

Provenance: Deaccessioned from a South Carolina museum to benefit the acquisitions fund

303 AMERICAN AND EUROPEAN PEWTER COLLECTION

probably 18th/19th century, comprising: pitcher, H12” tankard, H8” 9 chargers, Dia.13 1/4” to 16” 8 plates, Dia.9” to 10” 2 platters, L19 1/2” (21pcs)

$500-800 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Other Notes: Ginsburg inscription on verso of frame.

303

300

302

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304

305

307

304 APULIAN GNATHIAN OINOCHOE AND MUG

306 MINIATURE FURNITURE COLLECTION

307 PAIR MINIATURE WINGBACK CHAIRS

circa 340-320 BC, black and white-decorated redware, H5 1/2” and 5” (2pcs)

20th century, comprising: pair Federal style chairs, H13 1/2” tilt-top table, H25” drop-leaf table, H9 1/2” W16” blanket chest, H9 1/8” W16” (5pcs)

BH30 7/8” SH14” W19” D15 1/2”

$500-800 Provenance: Collection of a Southern lady Purchased Jerome M. Eisenberg, Ph.D.

$300-500 305 AFRICAN PAINTED CARVED WOOD TRIBAL MASKS, PROBABLY GABON

Provenance: Isle of Palms, South Carolina private collection

$500-700 Provenance: Isle of Palms, South Carolina private collection

308 MINIATURE PINE POSTER BED octagonal posts, shaped headboard and bedclothes; H32” W20 3/4” L31”

Fang design, H18” to 47” (4pcs)

$300-600

$300-500

Provenance: Isle of Palms, South Carolina private collection

Provenance: Charleston, South Carolina private collection

306

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308

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

311 ANTIQUE ROLLING BLOCK 22 CAL. LONG RIFLE

circa 1853-1924, NVSN, “Parlor Rifle”, rear left side bearing proof marks crown over R, and oval with ELG over star, overall L42 1/2” **FFL Laws Apply **

310

$200-300 Provenance: Property sold to benefit the Christ School, a non-profit Episcopal school in Asheville, North Carolina 311

312 BERETTA 84BB SEMI-AUTO PISTOL AND GLOCK 23 SEMI-AUTO PISTOL SN D04170Y, Beretta 84BB .380 ACP semi-auto pistol, made in Italy, 1976 -2013, cal. 9 short, nickle, wood, barrel length 3.8” overall length 6.8”, includes: Plano gun guard case, cloth holster, 2 magazines & ADCO superthumb SN HZX262, Glock 23 semi-auto .40 S&W, made in Austria 1982 - present, short recoil operated, locked breech, that uses a modified Browning cam-lock system, polymer, barrel length 4” overall length 7.3”, with 4 magazines, 2 speed loaders, leather holster and a .22 cal conversion kit (2pcs) **FFL Laws Apply **

$200-400 Provenance: Property sold to benefit the Christ School, a non-profit Episcopal school in Asheville, North Carolina 309 312

309 CIRCULAR STAIRCASE MODEL ON

313 KAHR P380 SEMI-AUTO PISTOLS

REEDED PEDESTAL

SN RB3786, Kahr P380 semi-auto pistol, made in USA 1999 - present, barrel length 2.5” overall length 4.9”, textured black polymer, cloth holster

H60 1/4” Dia.14 1/2”

$300-500 Provenance: Isle of Palms, South Carolina private collection

310 PARKER VH GRADE 20GA S/S

SN RB3066, Kahr P380 semi-auto pistol, made in USA 1999 - present, barrel length 2.5” overall length 4.9”, textured black polymer, with case, instruction manual, 4 magazines, trigger lock, and steel magazine base kit (2pcs) **FFL Laws Apply **

$200-400 Provenance: Property sold to benefit the Christ School, a non-profit Episcopal school in Asheville, North Carolina

SHOTGUN

circa 1936, SN 239421, Vulcan steel barrel, chokes: left barrel improved and right barrel modified, 2 1/2” chamber, cracked stock and butt plate; marked: Parker; barrel L26” **FFL Laws Apply **

$800-1,200 Provenance: Griffin, Georgia private collection 313

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314 AMERICAN CLASSIC PISTOL, AND COLT 45, AND RWS PANTHER AND DAISY AIRGUN SN 106800942, American Classic Crosman Model 1377 (.177 cal.) pump pellet pistol, made in USA 1977 - present, barrel length 9 3/4” overall length 13.6”, bolt action, pneumatic pump, single shot, steel barrel, brass trigger, checkered plastic grips SN 3885 W M K, Colt 45 .380 semi-auto, replica 1911 pistol, made in USA replicated 2006, horn grip; barrel length 5” overall length 8.5” SN 01382739, RWS Diana Panther 34 T05 professional air rifle, made in Germany, with airgun scope, .177 pellet, single shot, break barrel system, muzzlebrake, black synthetic, overall length 46” NVSN, Daisy Airgun 840, made in USA since 1938, number 0605 17371, BB only, simple pump pneumatic, single shot, inscription: NWFT, barrell length 171/2” overall length 36” (4pcs) **FFL Laws Apply **

$100-200 Provenance: Property sold to benefit the Christ School, a non-profit Episcopal school in Asheville, North Carolina

315 DEL-TON DTI-15 RIFLE AND MOSSBERG 500A

316 RUGER MARK II TARGET PISTOL AND HIGH STANDARD REVOLVER SN 224-93737, Ruger Mark II Target pistol, made in USA 1982-2005, .22 cal. rimfire, 10 shot, magazine fed, autoloading recoil (blowback) operated pistol, single action, blued, synthetic, barrel length 5.5” overall length 9.5”; with case, 2 magazines, instruction manual

314

SN 151980, High Standard .22 Sentinel Deluxe R-106 revolver, made in USA, circa 1965, 9 shot cylinder, .22 cal., single-action multiple ejection, swing out cylinder, non-slip scored trigger, walnut checkered grip, blued, with black leather holster (2pcs) **FFL Laws Apply **

315

$300-500

SHOTGUN

Provenance: Property sold to benefit the Christ School, a non-profit Episcopal school in Asheville, North Carolina

SN B-13634, Del-Ton, DTI-15, made in USA, caliber .223/5.56mm NATO, Magpul forend, buttstock and foregrip, barrel length 16” overall length 32 1/2”; with Bulldog cloth case, 4 (30rd) magazines

317 MAJOR S.V. HOLLIDAY ’S CIVIL WAR ERA SWORD

BY PETER D. LUNESCHLOSS, AND WALKING STICK

SN R 432093, Mossberg Model 500A, pump action, bead sight, synthetic black, barrel length 20” overall length 41”; Bulldog cloth case (2pcs) **FFL Laws Apply **

model 1840 brass guard, wire-wrapped leather grip and Solingen steel blade marked: PDL within oval, L43”; accompanied by walking stick engraved: Major S. V. Holliday from his Friends, Jan. 1st, 1888; L36” (2pcs)

$200-400

$400-600

Provenance: Property sold to benefit the Christ School, a non-profit Episcopal school in Asheville, North Carolina

Provenance: Savannah, Georgia private collection

316

317

74

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

Benjamin B. James, Jr. Library

318 details

319 BOOKS: VARIOUS FOREIGN TITLES

318

318 RARE FORE-EDGE PAINTED BOOK: ROBERT POLLOK Pollok, Robert. THE COURSE OF TIME: A POEM. Edinburgh and London: William Blackwood and Sons, 1857. In fine binding.

$400-600 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

De Banville, Theodore. NOUVELLES ODES FUNAMBULESQUES. (French) Paris: Alphonse Lemerre, 1869. Three quarter fine binding with gilt decorated spine.

Uzanne, Octave. LES SURPRISES DU COEUR. (French) Paris: Edouard Rouveyre, 1881. Three quarter fine binding with gilt decorated spine and stamped binding: I.(?) Champs Uzanne, Octave. LE CALENDRIER DE VENUS. (French) Paris: Edouard 319 Rouveyre, 1880. Three quarter fine binding with gilt decorated spine and stamped binding: I.(?) Champs.

Garcia, P. Francisco Blanco. LA LITERATURA ESPANOLA EN EL SIGLO XIX. Vol. I-3. (Spanish) Madrid: Saenz De Jubera Hermanos, 1909. Attractively bound leather with gilt titles and decorations on spine. (3pcs) LaHousse, Gustavus. PRAELECTIONES METAPHYSICAE SPECIALIS, Vol. 2-3. (Latin) Paris: Victor LeCoffre, 1888. Attractively bound leather with gilt titles and decorations on spine. (2pcs) And 35 other attractively bound foreign books. (43pcs)

$800-1,200 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

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75

320

320 BOOKS: LITERATURE, INCLUDING POETRY AND NOVELS

Disraeli, Benjamin. THE YOUNG DUKE. Vol. I. New York and London: M. Walter Dunne, 1904. Fine leather binding with elaborate gilt tooling front, back and spine.

Disraeli, Benjamin. VENETIA. Vol. I. New York and London: M. Walter Dunne, 1904. Fine leather binding with elaborate gilt tooling front, back and spine.

Wordsworth, William. THE POETICAL WORKS OF WILLIAM WORDSWORTH. London: Edward Moxon, 1845. Fine three quarter binding with gilt title on spine.

MaCaulay, Thomas Babington. LAYS OF ANCIENT ROME. Philadelphia: E. H. Butler & Co., 1864. Fine leather embossed, gilt title and decoration front, back and spine, gilt edges.

And 54 similar titles. (58pcs)

$500-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

321

321 IMPRESSIVELY BOUND COMPLETE VOLUME SETS: HISTORY Thierry, A. HISTORY OF THE CONQUEST OF ENGLAND BY THE NORMANS, Vol. I-III. London: George Whittaker, 1825. Fine moroccan leather with gilt title and decoration on spine and marbled edges. (3pcs) Thucydides, THE HISTORY OF THE PELOPONNESIAN WAR BY THUCYDIDES. Vol. I-III, with notes by Thomas Arnold. Oxford: John Henry Parker, Whittaker and Co., 1840. Maps and fold out illustrations in rear of each volume. Fine leather binding with embossed and gilt tooled front and back cover. Gilt title and decoration on spine, marbled edges. (3pcs) Tytler, Patrick Fraser. HISTORY OF SCOTLAND, Vol. I-VII. Edinburgh: William Tait, 1845. Fine moroccan leather with gilt title and decoration on spine, decorative edges. (7pcs) Goldsmith, Oliver. THE HISTORY OF ENGLAND, Vol I-VI. London: Thomas Tegg, 1825. Fine moroccan leather with gilt titles. (6pcs) And various other attractively bound complete sets.

(49pcs)

322

322 BOOKS: LITERATURE, COMPLETE VOLUME SETS Irving, Washington. LIFE OF GEORGE WASHINGTON. Vols. I-V. New York: G. P. Putnam & Co., 1857. Fine three quarter binding with gilt title and decoration on spine. Decorative edges.

Sala, George Augustus. PARIS HERSELF AGAIN. Vols. I-II. London: Remington and Co., 1880. Fine three quarter binding with gilt title and decoration on spine. Stamped: Bound by Root & Son. Strype, John. THE LIFE AND ACTS OF MATTHEW PARKER (VOL III), MEMORIALS OF THOMAS CRANMER (VOL II) and THE LIFE OF THE LEARNED SIR JOHN CHEKE. Oxford: Clarendon Press & University Press, 1821 & 1840.

Fine leather binding embossed front and back, gilt titles on spine.

And 32 similar titles. (42pcs)

$500-800 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$600-900 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

76

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

323

324

323 BOOKS: LITERATURE, PARTIAL VOLUME SETS

324 IMPRESSIVELY BOUND BOOKS: LITERATURE

325 BOOKS: RELIGION, SOME NICELY BOUND

CHAMBER’S MISCELLANY OF INSTRUCTIVE & ENTERTAINING TRACTS. London and Edinburgh: W. and R. Chambers, 1869-1871. Fine three quarter binding, gilt title and decoration on spine, decorative edges.

Chalmers, Alexander. THE PLAYS OF WILLIAM SHAKSPEARE. Vols. II-VII. London: Longman and Co., 1856. Fine moroccan leather with attractive gilt titles and decorative spines, marbled edges. Stamped: Bound by Riviere.

THE WORKS OF OF WM. ROBERTSON. Vols. IV. Oxford: Talboys and Wheeler, 1825. Fine three quarter bindings, gilt title and decorative spine. Stamp on binding: Narracott Binder, Tor. And 42 similar attractively bound titles. (60pcs)

Chalmers, Alexander. THE BRITISH ESSAYISTS. Vols. 3, 30, 43 & 44. London: J. Johnson, 1807-08.

Leather bound with gilt titles and decorations on spines.

Hudson, Henry N. THE COMPLETE WORKS OF WILLIAM SHAKESPEARE. Vols. 1-20. Boston: Ginn, Heath, & Co., 1881. Fine three quarter marbled binding with attractive gilt titles and decorations on spines Pinkerton, John. AN ESSAY ON MEDALS. Vols. I & II. London: T. Cadell, 1808. Fine moroccan leather with gilt tooling front and back, gilt title.

And 36 similar attractively bound titles. (62pcs)

McKean, William. SAINT ANTHONY’S MASS BOOK: FOR THE CELEBRATION OF THE FIRST HOLY MASS IN SAINT ANTHONY’S CHAPEL, HAMILTON FARM, PEAPACK, NEW JERSEY. N.p., 1925. Attractive leather binding with gilt tooling front, back, and spine. In sheath.

Hervey, James. THERON AND ASPASIO: OR A SERIES OF DIALOGUES AND LETTERS. Vols. I & III. London: Charles Rivington, 1761. Leather bound with gilt titles and decorations on spines.

Blair, Hugh. SERMONS. Vols. 4 & 5. London: T. Cadell and W. Davies, 1807. Leather bound.

PARABLES OF OUR LORD. London: John Mitchell, nd. Engravings throughout. Leather bound.

And 21 similar titles. (27pcs)

$500-800

$500-800 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$400-600 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

325

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77

326

327

326 FINE LEATHERBOUND BOOKS: HISTORY

327 FINE LEATHERBOUND BOOKS: POETRY

328 BOOKS: HISTORY

Rollin, Charles. THE ANCIENT HISTORY OF THE EGYPTIANS, CARTHAGINIANS, ASSYRIANS, BABYLONIANS, MEDES AND PERSIANS, MACEDONIANS, AND GRECIANS. Vols. II, V & VI. London: J. Rivington, 1768.

Hallam, Henry. VIEW OF THE STATE OF EUROPE DURING THE MIDDLE AGES. Vols.

I-III. London: John Murray, 1819.

McCarthy, Justin. A HISTORY OF OUR OWN TIMES. Vols. I, III & IV. London: Chatto & Windus, 1881. and 10 similar titles. (19pcs)

Scott, Walter. THE POETICAL WORKS OF SIR WALTER SCOTT, BART. Vols. I-XII. Edinburgh: Robert Cadell, 1834, gilt-tooled spines and marbled endpapers & edges.

Burns, Robert. THE POETICAL WORKS & LETTERS OF ROBERT BURNS. Edinburgh: Gall & Inglis, nd. (circa. 1880), front cover decorative gilt title and gilt decoration, embossed front and back cover, gilt-tooled title, spine & gilt edges.

Rogers, Samuel. POEMS BY SAMUEL ROGERS, Vol I & II, London: T. Cadell & E. Moxon, 1836, extensive front, back & spine gilt-tooled decoration and title, gilt edges, two personal inscriptions: 1 dated 1841, 1 dated 1869.

Hart, John S. THE IRIS: AN ILLUSTRATED SOUVENIR FOR MDCCCLI. Philadelphia: Lippincott, Grambo & Co., 1851. Elaborate embossed title and date on front & back cover with extensive gilt-tooled front, back, and spine.

And 16 similar titles. (32pcs)

Nestesuranoi, Iwan. MEMOIRES DU REGNE DE PIERRE LE GRAND, EMPEREUR DE RUSSIE. Amsterdam: Wetsteins & Smith, 1740. Vol. IV. Leather bound with gilt decoration on spine.

St. John, J. A. EGYPT AND NUBAI, THEIR SCENERY AND THEIR PEOPLE. London: Chapman and Hall, nd. Moroccan leather binding with decorative gilt spine and marbled edges.

Chamberlayne, John. THE PRESENT STATE OF GREAT BRITAIN, WITH DIVERSE REMARKS UPON THE ANCIENT STATE THEREOF. London: S. Birt, 1755. Leather binding with gilt title on spine.

Froude, James Anthony. HISTORY OF ENGLAND. Vol. VI. London: Longmans, Green, and Co., 1907.

Three quarter binding, gilt title and decoration on spine. Signed by authors husband shortly after authors death.

And 36 similar titles. (40pcs)

$700-1,000

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$400-600 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$800-1,200

328

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

331 BOOKS: RELIGION Barclay, Robert. AN APOLOGY FOR THE THE TRUE CHRISTIAN DIVINITY, AS THE SAME IS HELD FORTH, AND PREACHED, BY THE PEOPLE CALLED, IN SCORN, QUAKERS. London: T. Sowle Raylton, 1736.

Smith, Elias. NEW TESTAMENT DICTIONARY. Philadelphia: Elias Smith, 1812.

Bergier, M. LE DEISME REFUTE PAR LUI-MEME. Paris: Chez Humblot, 1768. and 13 similar titles. (17pcs)

$500-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

329

329 BOOKS: ASSORTED LITERATURE INCLUDING

330 NICELY BOUND PARTIAL VOLUMES: LITERATURE

POETRY

Bronte, Charlotte. THE NOVELS OF THE SISTERS BRONTE: Thornton Edition, edited by Temple Scott. Edinburgh: John Grant, 1924. Comprising of: VILLETTE (2 volumes), SHIRLEY (2 volumes) & THE PROFESSOR. (5pcs) Fine moroccan leather, gilt floral decoration to spines.

Stamped binding: bound by Riviere & Sons London.

Holmes, Oliver Wendell. THE POETICAL WORKS OF OLIVER WENDELL HOLMES: Household Edition. Boston: Houghton, Mifflin & Co., 1884. Comprising of POEMS, GUARDIAN ANGEL, ELSIE VENNER & 4 other titles. (8pcs) Fine three quarter binding, gilt title and decoration on spine. Stamped binding: Little Brown & Co. Wilson, John. WILSON’S WORKS. Edinburgh & London: William Blackwood & Sons, 1864.

Comprising of POEMS, NOCTES 1, 2, & 3, NORTH 1 & 2, TALES. (7pcs). Stamp on binding: Hugh Hopkins, Bookseller.

Thackeray, William Makepeace. THACKERAY’S WORKS. Philadelphia: John Wanamaker, nd. Comprising of THE PARIS SKETCH BOOK, VANITY FAIR, THE VIRGINIANS AND 7 other titles. (10pcs) Three quarter binding with gilt title and decoration on spine.

And various other attractively bound partial volumes. (49pcs)

Robert Southey, THE POETICAL AND PROSE WORKS OF HENRY KIRKE WHITE. London: Thomas Holmes. ND (circa. 1869). Fine embossed and gilt leather bindings, gilt edges.

Des Maizeaux, THE WORKS OF MONSIEUR DE ST. EVREMOND, Vol. II. London: J & J Knapton, 1728. Fine leather binding with gilt title and spine.

Alfred De Musset, POESIES NOUVELLES 18361852, Paris: G. Charpentier 1884. Fine leather binding with gilt title and spine, gilt edges. Stamped binding: Birdsall and Son, Northhampton.

Bolton Corney, THE POETICAL WORKS OF OLIVER GOLDSMITH. London: Longmans, Green, and Co., nd. Fine tooled gilt leather binding, gilt edges. Stamped: Bound by Riviere.

And 38 similar titles. (42pcs)

$500-800 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

331

$400-600 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia 330

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332

332 BOOKS: RELIGION Evans, Robert Wilson. THE BISHOPRIC OF SOULS. London: J. G. F. & J. Rivington, 1842.

Attractive leather binding with gilt tooling front, back, and spine.

Pike, S. & Hayward, S. RELIGIOUS CASES OF CONSCIENCE. New York: Evert Duyckinck, 1808.

Fine leather binding.

Moss, Robert. SERMONS AND DISCOURSES ON PRACTICAL SUBJECTS. London: J. Bettenham, 1737. Fine leather binding with gilt title and decoration on spine.

Verney, Lady. PRACTICAL THOUGHTS ON THE FIRST FORTY CHAPTERS OF THE BOOK OF THE PROPHET ISAIAH. Westminster: John Bowyer Nichols and Sons, 1857. Fine three quarter binding, gilt title on spine. Stamped: Bound by S. A. Morvels.

And 23 similar titles. (27pcs)

$400-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

333

334

333 BOOKS: ASSORTED LITERATURE, INCLUDING

334 BOOKS: LITERATURE AND BIOGRAPHIES

POETRY

Watts, Isaac. THE BEAUTIES OF THE LATE REVEREND DR. ISAAC WATTS. Philadelphia: Edmund Blunt, 1797.

Crake, A. D. THE RIVAL HEIRS BEING THE THIRD AND LAST CHRONICLE OF AESCENDUNE. London: Rivingtons, 1889. Fine moroccan leather with gilt tooling front, back, and spine. Stamp on binding: H. & C. Treacher, Brighton.

Church, Alfred J. STORIES FROM HOMER. London: Seeley and Co., 1896. Attractively bound moroccan leather with gilt tooling front, back and spine.

And 9 similar titles. Stamp on binding: R. Grant & Son, Edinburgh. (12pcs)

Deshoulieres. OEUVRES DE MADAME ET DE MADEMOISELLE DESHOULIERES. Vols. I & II. Paris: Chez les Libraires, 1754. Fine Leather binding with gilt title and decoration to spine. Marbled edges.

Lockhart, John Gibson. SOME PASSAGES IN THE LIFE OF MR ADAM BLAIR: MINISTER OF THE GOSPEL AT CROSS-MEIKLE. Second Edition.

Edinburgh & London: William Blackwood & T. Cadell, 1824. Fine three quarter binding with gilt title on spine.

Quiller-Couch, A. T. THE OXFORD BOOK OF ENGLISH VERSE: 1250-1900. Oxford: Clarendon Press, 1908. Stamped: Bound by Riviere & Son. Fine three quarter binding with elaborate gilt tooling on spine, gilt edges.

Powell, F. York & Vigfusson, Gudbrand. THE POETRY OF THE OLD NORTHERN TONGUE: FROM THE EARLIEST TIMES TO THE THIRTEENTH CENTURY. Vol. II. Oxford: Clarendon Press, 1883. Fine moroccan leather with gilt title and decoration on spine. Marbled edges. Stamped binding: Deighton, Bell & Co. And 11 similar titles. (16pcs)

$400-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$200-400 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

335 BOOKS: LITERATURE AND POETRY, INCLUDING RECUYELL OF THE HISTORYES OF TROYE Lefevre, Raoul. RECUYELL OF THE HISTORYES OF TROYE. No date, no publisher. Attractively bound half leather binding with gilt title on spine.

Knight, Charles. HALF-HOURS WITH THE BEST AUTHORS. New York: Wiley and Putnam, 1847.

Fine three quarter binding with elaborate gilt tooling on spine.

Scudder, Horace (ed.). THE COMPLETE POETICAL WORKS OF JOHN MILTON. Cambidge Edition. Boston and New York: Houghton, Mifflin and Company, 1899. Fine three quarter binding with extensive gilt tooling on spine, gilt title.

And 17 similar titles. (20pcs)

$600-900 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

335

80

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DISCOVERING EXTRAORDINARY OBJECTS

338 7 VOLS. LEATHERBOUND BOOKS: HORSE RACING CALENDARS BY WEATHERBY

337

Weatherby, Edward & James. THE RACING CALENDAR. London: C. H. Reynell, 1812, 1817, 1819 & 1826.

Weatherby, Edward & Charles. THE RACING CALENDAR FOR THE YEAR 1831. London: C. & W. Reynell, 1832.

Weatherby, Charles & James. THE RACING CALENDAR FOR THE YEAR 1841. London: C. Reynell, 1842.

Weatherby, J. E. & J. P. THE RACING CALENDAR FOR THE YEAR 1887: RACES PAST. London: Publisher’s Office, 1887. (7pcs)

$100-200 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

339 LEATHERBOUND BOOKS: PHILOSOPHY

336

338

336 FINE LEATHERBOUND BOOK: CHRISTMAS

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Hervey, Thomas K. THE BOOK OF CHRISTMAS. London: Spooner, 1836. Illustrated by R. Seymour and fine tooled-leather binding by Bayton of Bath

$100-200

340 FINE LEATHERBOUND BOOKS: JAMES BOSWELL AND WILLIAM WORDSWORTH

Provenance: Charleston, South Carolina private collection

337 NICELY BOUND COMPLETE 3 VOLUME SET: M. J. G. D. ARMENGAUD

Montesquieu, Charles de Secondat. OEUVRES COMPLETES DE MONTESQUIEU. Paris: Chez J.-B. Garnery, 1820.

Lewes, G. H. A BIOGRAPHICAL HISTORY OF PHILOSOPHY. London: Charles Knight & Co., 1845. Two volumes bound in one.

Bucke, Charles. THE BOOK OF HUMAN CHARACTER. Vols. I & II. London: Charles Knight & Co., 1837. and 7 similar titles (11pcs)

339

Armengaud, M. J. G. D. LES GALERIES PUBLIQUES DE L’EUROPE. Paris: Typographie de Ch. Lahure, 1862-1866. (3pcs)

Boswell, James. THE LIFE OF SAMUEL JOHNSON, LL.D. Vols. 1-9. London: John Murray, 1835 Wordsworth, William. THE POETICAL WORKS OF WILLIAM WORDSWORTH. Vols. 1-6. London: Edward Moxon. 1857 (15pcs)

$400-600 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$400-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia 340

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81

341

342

343

341 BOOKS: FORE-EDGE DECORATED VOLUMES AND

342 IMPRESSIVELY BOUND BOOK: WILLIAM AYTOUN

344 BOOKS: NATURAL AND APPLIED SCIENCES

WITCHCRAFT VOLUME

Aytoun, William Edmondstoune. LAYS OF THE SCOTTISH CAVALIERS. Edinburgh and London: William Blackwood and Sons, 1870. Bound by Ramage, London.

THE SPECTATOR. VOL VI. Dublin: Printed by and for George Grierson, at the Two Bibles in Essex Street, 1728.

Hogarth, William et.al. HOGARTH MORALIZED: A COMPLETE EDITION OF ALL THE MOST CAPITOL AND ADMIRED WORKS OF WILLIAM HOGARTH, ACCOMPANIED BY CONCISE AND COMPREHENSIVE EXPLANATIONS OF THEIR MORAL TENDENCY BY REV. DR. TRUSLER WITH INTRODUCTORY ESSAY AND NOTES BY JOHN MAJOR. London: Henry Washbourne, 1841.

Thomson, John. TABLES OF INTEREST, AT 3, 4, 41/2, AND 5 PER CENT. FROM L.1 TO L. 20,000, AND FROM 1 TO 365 DAYS. Edinburgh: W. Creech and C. Elliot, 1786. Author signed.

Ribot, TH. DISEASES OF MEMORY, WILL, PERSONALITY AND PSYCHOLOGY OF ATTENTION. Humboldt Publishing Co., 1883, 1884, 1887, 1889 and 13 similar titles. (17pcs)

Tennyson, Alfred. IDYLLS OF THE KING. London: Moxon & Co, 1867. In fine gilt-tooled leather binding and fore-edge painted scene Fishing at Busbridge Hall, Surrey.

Burns, Robert. POEMS AND SONGS. London: Bell & Daldy, 1858. in Hayday tooled leather binding with contemporary fore-edge painting.

Mitchell, J. and Dickie, Jn. THE PHILOSOPHY OF WITCHCRAFT. Edinurgh: Paisley, 1839. (3pcs)

$300-600 Provenance: Charleston, South Carolina private collection

$200-300 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

343 FINE LEATHERBOUND BOOKS: P. VIRGILII MARONIS Maronis, P. Virgilii. OPERA: EMENDABAT ET NOTULIS ILLUSTRABAT GILBERTUS WAKEFIELD. Vol. 1 & 2. Londini: Impensis Kearsley, 1796. Bound by J. Clarke. (2pcs)

$200-300 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

344

82

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DISCOVERING EXTRAORDINARY OBJECTS

345

345 IMPRESSIVELY BOUND BOOK: THE PILGRIM’S PROGRESS Cheever, George. THE PILGRIM’S PROGRESS AND OTHER WORKS OF JOHN BUNYAN. Edinburgh: William Mackenzie, nd. “Presented to Charles Gordon with the affectionate love of his father and mother. Christmas 1877. Proverbs 1 Ch. 8, 9, 10.” together with hollow book. (2pcs)

$200-300 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

346

347

346 NICELY BOUND BOOKS: GENERAL REFERENCE

347 BOOKS: THE COMPLETE AUDUBON

CHAMBER’S ENCYCLOPEDIA: A DICTIONARY OF UNIVERSAL KNOWLEDGE FOR THE PEOPLE. Vols I - V. London: W. & R. Chambers, 1886.

Pennington, Montagu. MEMOIRS OF THE LIFE OF MRS ELIZABETH CARTER. London: F. C. and J. Rivington, 1808. ed. Ogilvie, John. A SUPPLEMENT TO THE IMPERIAL DICTIONARY, ENGLISH, TECHNOLOGICAL AND SCIENTIFIC. Edinburgh: Blackie and Son, 1855. and 13 similar titles. (25pcs)

Volair Books for the National Audubon Society, 1979, 75th Anniversary Edition in 5 clothbound volumes with slipcase (5pcs)

$100-200 Provenance: Charleston, South Carolina private collection

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

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CELEBRATING 85 YEARS

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DISCOVERING EXTRAORDINARY OBJECTS

Important Fine & Decorative Arts European & Asian Furniture, Jewelry, Fine and Decorative Arts

Session II 13 December Saturday at 10am

Lots 400-956

CHARLTON HALL AUCTIONEERS West Columbia, SC

400

401

402

400 ENGLISH SHELL-CLAD TEA CADDY

402 GEORGIAN BRASS-BOUND ROSEWOOD TEA CADDY

404 NAPOLEON III EBONY-INLAID WALNUT TANTALUS

early 19th century, shaped hinged top lifting to reveal double lidded compartments, on conforming case with silver stringing, with plinth and bun feet; H4 5/8” W7 7/8” D4 3/4”

early 19th century, hinged rectangular lid with brass bail handle opening to three compartments, bound in brass ornaments, H5 1/2” W9 1/4” D5”

19th century, inlaid brass plate decorating lift top, front opening to reveal removable caddy containing etched suite of 4 decanters and 16 cordials, with key; H10” W12 1/2” D9 1/2”

$1,000-1,800

Provenance: Former collection of Historic Charleston Foundation; sold to benefit the museum collection fund

401 FRENCH BRASS-MOUNTED MARQUETRY INLAID JARDINIERE

late 19th century, cartouche form fitted with liner, H6 1/2” L14 1/2” D10”

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$400-700

$800-1,200 Provenance: Charleston, South Carolina private collection

403 GEORGIAN MAHOGANY TRIPLE TEA CADDY

hinged rectangular lid; opening to triple lidded compartments, on bracket feet; H7” W11 1/8” D6”

$300-500 Provenance: Columbia, South Carolina private collection

403

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CELEBRATING 85 YEARS

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DISCOVERING EXTRAORDINARY OBJECTS

407 ENGLISH MAHOGANY WRITING SLOPE AND TEA CADDY

early 19th century, slope, H6” W11 3/4” D9”; and caddy H5 1/4” W9” D5” (2pcs)

$300-500 Provenance: Columbia, South Carolina private collection 407

408 ANGLO-INDIAN INLAID BOX ON STAND 19th century, hinged fall front opening to small drawers, on stand with pullout slide; H27 1/2” W13” D10” 405

405 ENGLISH BRASS-BOUND MAHOGANY WRITING BOX

$300-600 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

ON STAND

third quarter 19th century, hinged slant lid, fitted interiors on later stand; H22 1/2” W21” D11”

409 COLLECTION BUST PORTRAITS IN SHADOWBOX

$300-400

FRAMES

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

19th century, 2 wax and plaster, overall H6” W6” to Dia.7” (3pcs)

$300-400 406 PAIR AMERICAN PARCEL-GILT AND PAINTED KNIFE URNS, J.B. VAN SCIVER CO

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

409

410 CONTINENTAL CARVED WOOD FIGURES 19th century and later, two pairs caryatids, H14 1/2” and 16”; and set of four reliefs, H19” (8pcs)

$400-700

Camden, New Jersey, early 20th century, gilt acorn finial on hinged paneled dome cover and conforming body opening to reveal knife slots; label on underside, H24” (2pcs)

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$300-500 Provenance: Columbia, South Carolina private collection

406

408

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411

412

411 CONTINENTAL CARVED WOOD PANELS AND FRAME

413 WALNUT SILVER CHEST ON STAND BY BRANDT

414 LYDIA FIELD EMMET

oval frame H25” W19 1/2” and two portrait panels, H18” W13” (3pcs)

four lined drawers (three fitted); H41” W23” D16”

$300-600

Provenance: Columbia, South Carolina private collection

(New York, 1866-1952) PORTRAIT OF YOUNG SIBLINGS oil on canvas, framed, signed lower left: Lydia Field Emmet H39” W42”

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$300-400

$4,000-6,000 Provenance: Austin, Texas private collection

412 ANTIQUE CANE AND WALKING STICK COLLECTION sterling, carved and plated cap examples, L35” to 37” (7pcs)

$500-1,000 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

413

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414

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

415 AMERICAN SCHOOL PORTRAITS, MID 19TH CENTURY PAIR OF PORTRAITS: MR. & MRS. HENRY M. CRANE OF NEW YORK oil on canvas, in original frames, unsigned, one titled on verso H34” W26 3/4” overall H46 1/2” W38 1/2” (2pcs)

$3,000-5,000 Provenance: Austin, Texas private collection Other Notes: Henry M. Crane was a wealthy and influential businessman from Schenectady, New York who owned a thread manufactory at Mohawkville in Rotterdam.

He was also a member of the New York State Assembly. Sometime in the 1870s he made a series of unfortunate business decisions and found himself nearly penniless. He moved out West to seek new business opportunities and eventually became a porter at the Pacific Hotel in San Fransisco. He was rescued financially by his brother in 1884 and was able to return to prominence as explained in the article: “After Many Days.” THE NEW YORK TIMES 16 July, 1884.

Mr. Crane was also a possible investor in Longwood, a South Carolina plantation.

415

416 JOHN SAINT-HELIER LANDER British (1869-1944) PORTRAIT OF LORD CHIEF JUSTICE OF ENGLAND, The Right Honourable Viscount Gordan Hewart of Bury oil on canvas signed & dated upper left and titled on verso H52 1/4” W37 3/4”

$3,000-5,000 Provenance: Austin, Texas private collection

418

417 SIR GODFREY KNELLER (FOLLOWER OF) (British, 1646-1723) PORTRAIT OF A LADY, POSSIBLY MARGARET FOTHERGILL (1665-1697) oil on canvas, framed, unsigned H49 1/2” W40”

$2,000-3,000 Provenance: Austin, Texas private collection Other Notes: Bearing old torn label on verso reading: Daughter of Abraham Fothergill.../Sister of Eliza.../married William Bu....in 1696.

A newer label is also present on verso reading: Margaret Fothergill/(1674-1730)/daughter of __A. Fothergill/married Henry Currer of Kildwick/(by Kneller).

The dates of Margaret Fothergill on the second label are odd because geneaological records date the Margaret Fothergill who married Henry Currer and whose father was Abraham Fothergill to have been born in 1665 and died in 1697. Her sister, Elizabeth Fothergill (1671-1726) married William Busfield (1673-1729).

418 FRENCH SCHOOL PORTRAIT, 18TH CENTURY PORTRAIT OF GENTLEMAN, bust length in silk robes and wig oil on canvas, framed, unsigned H31” W25 1/2”

$2,000-4,000 416

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420 DANIEL MYTENS THE ELDER (ATTRIBUTED TO) (Dutch/British, c.1590-1647) PORTRAIT OF A CAVALIER, c.1629 oil on panel, framed, unsigned H15 1/2” W12 1/4”

$1,000-2,000 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

419

419 HANS HOLBEIN THE YOUNGER (MANNER OF) (German/British, 1497-1543) LADY JANE GREY oil on canvas, framed, unsigned H41 1/2” W35 1/2”

$2,000-3,000

421

422 BRITISH SCHOOL, 18TH CENTURY

421 WRIGHT (American or British, late 18th/early 19th century) PAIR OF PORTRAITS (Captain Henry Toennuir?) oil on board, framed, inscribed on verso H9” W7 3/8” (2pcs)

$500-900 Provenance: Indian Land, South Carolina private collection

Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

PORTRAIT OF A LADY IN GOLD DRESS oil on canvas, framed, unsigned H34” W26”

$800-1,200 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

423 BRITISH SCHOOL, 19TH CENTURY PORTRAIT OF A WOMAN WITH CAMEO NECKLACE oil on canvas, framed, unsigned H44 1/2” W34”

Other Notes: Frame bearing caption on top: BEHEADED Feby 12 1554; on bottom: LADY JANE GREY.

$1,000-2,000 Provenance: Aiken, South Carolina private collection

420

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423

OF

DISCOVERING EXTRAORDINARY OBJECTS

426 MABLE B. MESSER (British, early 20th century) PORTRAIT OF A WOMAN WITH WHITE LILIES ‘16 oil on canvas, framed, signed and dated lower right H30” W25”

$600-800 Provenance: Aiken, South Carolina private collection

427 FRENCH SCHOOL, 18TH/19TH CENTURY PORTRAIT OF GENTLEMAN IN ARMOR oil on canvas, framed, unsigned H30” W25”

$500-800 424

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

424 WILLIAM MERRITT CHASE (CIRCLE OF)

427

SUSAN COLLINS WHITNEY DIMOCK (18451939) oil on canvas, unframed, unsigned H39 3/4” W29 3/4”

428 REMBRANDT VAN RIJN (AFTER) (Dutch, 1606-1669) JEWISH MERCHANT oil on canvas, framed, unsigned, inscribed on verso H30” W25”

$1,000-2,000 Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds.

Other Notes: Born into the prestigous Whitney family, the sitter (1845-1939) married Henry F. Dimock, an important New York lawyer with ties to business interests of her family. Harry’s sister Edith Dimock, herself an artist and wife of painter William Glackens, studied under William Merritt Chase at the Art Student’s League in New York. The Dimocks’ social standing, along with the Arctic Circle connections provided by Edith, would have given them access to the best portrait painters in New York. This includes Chase, whose influence and possibly his hand are seen here.

$500-800 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

426

425 BRITISH PORTRAIT, 18TH/19TH CENTURY YOUNG GENTLEMAN oil on canvas, framed, signed H30” W25”

$1,000-1,500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

425

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429

433

432

429 DANIEL L. COUCH

430 BRITISH OR AMERICAN SCHOOL, LATE 19TH

(British, mid 19th century) PORTRAIT OF MRS. JANE REYNOLDS or TARNSON oil on board, framed, inscribed on verso H18” W14”

CENTURY

433 PAIR AMERICAN OR CANADIAN SCHOOL PORTRAITS, LATE 19TH CENTURY

PORTRAIT OF YOUNG BOY oil on canvas, shadowbox framed, unsigned H16 1/2” W15”

oils on canvas, framed as a pair, signed illegibly left center, Edlington’s, Montreal gallery label verso H24 1/2” W19 1/2” (2pcs)

$300-500

$300-500

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Provenance: Deaccessioned from a South Carolina museum to benefit the acquisitions fund Private collection, Hartsville, South Carolina

$400-600 Provenance: San Francisco, California private collection Other Notes: Inscribed on verso: Portrait of Mrs. Jane Reynolds or Tarnson, mother to Mrs. Jane Romans. Portrait from life by Daniel L. Couch. Artist of Stonehouse, Plymouth. Taken in 1855.

431 W. COOPER (American, dated 1838) PORTRAIT OF WOMAN WITH BONNET oil on canvas, framed, signed & dated mid left H30” W25”

$500-1,000 Provenance: Indian Land, South Carolina private collection

432 AMERICAN SCHOOL, 19TH CENTURY LIEUTENANT ARCHIBALD HAMILTON (1790-1815) oil on canvas, framed, unsigned H30” W25”

$500-700 Provenance: Deaccessioned from a South Carolina museum to benefit the acquisitions fund

431

430

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DISCOVERING EXTRAORDINARY OBJECTS

435 CHARLES HORTON (California, 1896-1945) PORTRAIT OF YOUNG GIRL IN STRAW HAT pastel, framed, signed lower right sight H24” W19 1/2”

$300-500 Provenance: San Francisco, California private collection

436 AMERICAN SCHOOL, 19TH CENTURY PORTRAIT OF WOMAN oil on canvas, framed, unsigned H32” W25”

$400-700 434

434 AMERICAN SCHOOL, 19TH CENTURY PORTRAIT OF GENTLEMAN WITH CANE oil on metal, framed, unsigned H16’’ W12’’

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

437 BRITISH SCHOOL, 19TH CENTURY PORTRAIT OF A GENTLEMAN oil on canvas, framed, unsigned H30” W25”

$500-900 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

435

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438

438 CHARLES CURTIS (ATTRIBUTION) (American, 19th century) PORTRAIT OF SUSAN B. SANDERS (Charleston, SC, 1822-1880) oil on canvas, framed, unsigned H30” W25”

$100-200 Provenance: Deaccessioned from a South Carolina museum to benefit the acquisitions fund Descended in the family of the sitter

437

Museum Vaults & Private Collections

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Rare & Early Dining Table

439

439 RARE GEORGE III MAHOGANY FOUR-PEDESTAL DINING TABLE late 18th/early 19th century, each solid mahogany reeded-edge top section tilts above baluster standard and reeded saber legs with brass caps and casters, with 35-inch extension leaf; H28 3/4” W57” L175 1/2” open (5pcs)

$20,000-40,000 Provenance: From the country house of Mrs. Kellogg Lee, Skipton, Maryland to present owner, a Southern lady

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DISCOVERING EXTRAORDINARY OBJECTS

440 CHIPPENDALE STYLE CARVED MAHOGANY DINING CHAIRS, SET OF TWELVE

shaped toprail, pierce-carved splat, leather upholstered seat, carved molded seatrail and square legs, joined

by H-stretcher; BH39” SH18 1/2” W21” D20” (12pcs)

$1,500-2,400 Provenance: Dallas, Texas private collection

441 MASSIVE SCOTTISH INLAID MAHOGANY SIDEBOARD

circa 1820, shaped superstructure with sliding panels centering tablet and scrolling inlay, on conforming case with three frieze drawers flanked by wine drawers, on ring-turned legs with ball feet; H45” W94” D32 1/2”

$2,000-3,000 442 CHINESE CHIPPENDALE STYLE MAHOGANY CURIO CABINET ON VITRINE STAND

late 19th century, molded crown and blind fretwork decoration, lower part with hinged lid on tapered legs with spade feet; H71” W33” D23 1/2”

$600-900

440

443 IRISH CHIPPENDALE CARVED MAHOGANY LIBRARY CHAIR

mid 19th century, padded back and outscrolled arms terminating in bird’s heads, overupholstered seat on gadroon rails, with cabriole legs having cartouches and rosettes, ending in ball-and-claw feet; BH43 1/2” SH20 1/2” W31” D28”

442

$1,200-1,800 Provenance: Isle of Palms, South Carolina private collection

Provenance: Charleston, South Carolina private collection

444 ENGLISH LEATHER-TOPPED MAHOGANY KIDNEY DESK

integrated shaped top with gilttooled brown leather writing surface over conforming case with kneehole drawer flanked by banks of five drawers, on plinth, H30 1/4” W48 1/2” D25”

$500-800 Provenance: Charleston, South Carolina collection

441

443

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445

445 RARE PAIR REGENCY MAHOGANY AND BRASS BOOKCASE CABINETS first quarter 19th century, molded crown over divided glaze panel doors with brass astragal, lower part has panel doors with brass latticework and fabric, on molded base; H101 1/2” W53 1/4” D18 1/4” (2pcs)

$14,000-22,000 Provenance: Tennessee private collection

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446 REGENCY INLAID ROSEWOOD SOFA

450 HEPPLEWHITE STYLE MAHOGANY DINING CHAIRS,

TABLE

SET OF SIX

first half 19th century, rectangular top with D-shape-drop leaves, with pair frieze drawers and opposing faux drawers, on platform base with ring-turned columns and saber legs with brass paw feet and casters; H27 1/4” W59 1/4” open D26 3/4”

late 19th century, comprised of: 2 arms, 4 sides; vasiform splat supporting scroll arms, overupholstered seat on square tapered legs; BH36” SH18 1/2” W22 3/4” D20” (6pcs)

$800-1,200 Provenance: Columbia, South Carolina private collection

$1,000-2,000 Provenance: Isle of Palms, South Carolina private collection

447 GEORGIAN MAHOGANY CHEST OF

446

DRAWERS

first half 19th century, molded edge top over short and long drawers, fluted column supports on ogee feet, H38” W47 1/2” D20 1/2”

449 GEORGIAN CARVED MAHOGANY CENTER TABLE

$700-1,000 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

448 PAIR GEORGE III MAHOGANY BACK STOOLS late 18th/early 19th century, overupholstered back and seat on carved square legs joined by molded stretcher; BH36” SH18” W22” D23”

last half 19th century, tooled leather inset, crossbanded carved edge round top with molded skirt on cabriole legs with ball-and-claw feet; H29 3/4” Dia.53”

$2,500-3,500 Provenance: Atlanta, Georgia private collection

$800-1,200 Provenance: Property of a Southern lady

450

447

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453 PAIR SHERATON STYLE CARVED MAHOGANY RICE BEDS

early 20th century, trefoil posts with acanthus and rice carvings flanking shaped headboard, unified by square-edged rails; accompanied with drapery; H80 1/2” W40 1/2” L84” (2pcs)

$1,000-2,000 Provenance: Isle of Palms, South Carolina private collection

451

451 REGENCY STYLE MAHOGANY WHATNOT early 19th century, four galleried shelves and single drawer unified by block-and-ring turned legs with casters; H54 1/2” W23 5/8” D15 3/4”

$500-800 Provenance: Isle of Palms, South Carolina private collection

454 ENGLISH MAHOGANY BOWFRONT BRANDY BOARD

mid 19th century, shaped top over conforming case with three drawers, on tapered legs; H34” W48” D25 1/2”

453

$1,000-1,500 Provenance: South Carolina collection

452 ENGLISH SERPENTINE MAHOGANY CHEST OF DRAWERS

mid 19th century, shaped top over four-drawer conforming case, on splay feet; H43 5/8” W46 3/4” D22 1/8”

$900-1,400 Provenance: Isle of Palms, South Carolina private collection

455

455 WILLIAM IV CARVED MAHOGANY SIDE CHAIRS, SET OF FOUR

circa 1825, scrolling back and slat carved with fan, overupholstered seat on tapered legs with H-stretcher; BH33 3/4” SH19” W19” D19” (4pcs)

$600-900

452

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DISCOVERING EXTRAORDINARY OBJECTS

458 CHIPPENDALE MAHOGANY BIRDCAGE TILT-TOP TABLE

circa 1770, round top on birdcage support and ring-turned column with cabriole leg base; H27 1/8” Dia.34 1/8”

$700-900 Provenance: Columbia, South Carolina private collection

459 PAIR HEPPLEWHITE PAINT-DECORATED ARMCHAIRS

456

456 AMERICAN QUEEN ANNE STYLE SHELL-CARVED MAHOGANY LOWBOY

19th century, rectangular molded top over case with four drawers and pendent drops, on cabriole legs with ball-and-claw feet; H30 3/4” W34 3/4” D19 1/2”

early 19th century, shield back with pierced splat issuing downswept arms flanking overupholstered bowed seat, on tapered legs with spade feet, decorated with bellflowers, rosettes and foliage; BH36 3/4” SH19” W22 1/4” D23 1/4”

$800-1,200 Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds

458

$600-900 Provenance: Isle of Palms, South Carolina private collection

460 CHIPPENDALE STYLE MAHOGANY HARVEST TABLE late 19th century, oval drop-leaf top on straight bead-and-channel legs; H30 1/4” W84” D52 1/4” open

457 PAIR SHERATON STYLE SOFAS late 19th century, arched back and scrolling armrests, with bowed frontrail on tapered fluted legs; BH40 1/2” SH18” W66” D27” (2pcs)

$800-1,400 Provenance: South Carolina collection

$800-1,200 Provenance: Charleston, South Carolina private collection

459

457

460

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461

461 CHINESE CHIPPENDALE STYLE MAHOGANY DINING CHAIRS, SET OF EIGHT

464 GEORGIAN STYLE CARVED MAHOGANY STOOL

shaped crestrail over pierced splat and square legs, BH38” SH18” W22” D20” (8pcs)

last quarter 19th century, overupholstered seat, carved skirt and cabriole legs with ram’s-head feet, H18” W24” D17”

$800-1,200

$400-600

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Provenance: Atlanta, Georgia private collection

462 GEORGIAN MAHOGANY KETTLE STAND 19th century, oval top with scalloped gallery, on canted tapered legs with spade feet, unified by S-curve stretchers centering urn finial; H28 1/2” W13 1/2” D10 1/4”

463

$300-600 Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds

463 ENGLISH INLAID MAHOGANY BUREAU BOOKCASE late 19th century, molded crown and banded frieze over astragal-glazed doors, lower part with fallboard centering shell in oval and concealing fitted interior, over four long graduated drawers, on bracket base.

H79” W38 5/8” D18 1/4”

$1,000-1,500 462

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464

OF

DISCOVERING EXTRAORDINARY OBJECTS

469

465

466

468

467

465 GEORGIAN STYLE INLAID MAHOGANY SERPENTINE

467 CHINOISERIE-DECORATED SIDE TABLE

469 ENGLISH PINE AND OAK ARMCHAIRS

SIDEBOARD

square top over ogee skirt, tapered legs and X-brace stretcher, H27 1/2” Sq.18 1/2”

$300-500

18th and 19th century, carved oak BH42” SH42” W23 1/2” D16 1/2”; and pine BH40” SH16” W24 1/2” D20” (2pcs)

Provenance: Atlanta, Georgia private collection

$300-400

last half 19th century, shaped and crossbanded top over central valanced drawer flanked by doors, on tapered legs with spade feet; H35” W60” D22 1/2”

$800-1,200 466 ENGLISH MAHOGANY UPHOLSTERED BENCH last half 19th century, rectangular slip seat in plain rails, on bead-and-channel legs; H21” W26 3/4” D18”

$200-400 Provenance: Isle of Palms, South Carolina private collection

468 ENGLISH INLAID MAHOGANY DEMILUNE CONSOLE

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

TABLE

19th century, shaped top and conforming skirt on tapered reeded legs with ankle collars and shaped feet; H30” W42” D23 7/8”

$400-600

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The Wallace Tea Caddies

470

470 PAIR GEORGE II ARMORIAL STERLING TEA CADDIES, JAMES LANGLOIS London, dated 1741, carved ivory finial above rectangular hinged lid with chamfered corners; engraved with arms of Wallace above banner with motto Pro Libertate; complete maker’s and hallmarks; H4 1/2” W3 3/4” D2 3/4”, and Total 22.0 Troy oz all in

$3,000-4,000 Provenance: Ex-collection of Marjorie Seely Blossom Jones Wilson Descended to present owner, Atlanta, Georgia collection Literature: Jackson, Sir Charles J. ENGLISH GOLDSMITHS AND THEIR MARKS. New York: Dover, 1964. p.190.

Other Notes: New York and London socialite Marjorie Seely Blossom was first married to financier E. Clarence Jones. They wanted to build a lavish home in Palm Beach for the season, which was to be designed by Marion Sims Wyeth. The oceanfront estate known today as Vita Serena on 105 Clarendon Avenue was completed after the death of Mr. Jones. Mrs. Jones later married Captain Robert Amcotts Wilson, and they considered the Palm Beach estate their second home. It was eventually sold to Jean Flagler Matthews, who rented the house to King Saud during the early 1960s.

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471

471 GEORGE III STERLING TRAY, RICHARD SIBLEY I

473 GEORGE II STERLING COFFEEPOT BY WILLIAM CALDECOTT

London, dated 1779, gadroon-edge oval tray flanked by bound acanthus handles, complete maker’s and hallmarks, L25 1/2” W16 1/2”, and 91.0ozT

London, dated 1754, fruit finial on domed cover over pear-shaped vessel decorated with armorial crest and fruit with cartouches, complete maker’s and hallmarks; H11” and 29.5ozT all in

$2,000-3,000

$800-1,200

Provenance: Aiken, South Carolina private collection

Provenance: Property of a lady

472 ENGLISH SILVERPLATE MEAT COVER AND REVOLVING BREAKFAST SERVER

late 19th century, beadwork and acanthus-decorated dome, engraved with crest and motto: Cave Deus Videt; H12 1/2” L18 1/2” W14 3/4”; together with revolving server on reeded lion’s-paw feet, H8” W14 1/2” D9” (2pcs)

$400-600 Provenance: Columbia, South Carolina private collection 473

472

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474

474 GEORGE III STERLING PUDDING TROWEL OR FISH SLICE, EDWARD ALDRIDGE

475 GEORGE II STERLING PUDDING TROWEL OR FISH SLICE, WILLIAM PLUMMER

London, dated 1765, ornately pierced decorated server with engraved crest ending with turned ebonized handle, complete hallmarks, L13 1/2” W4 1/2”, and 5.0ozT all in

London, dated 1774, ornately pierced decorated server with turned handle, complete hallmarks and engraved, L11” W4”, and 3.5ozT all in

$500-800

Provenance: Aiken, South Carolina private collection

$500-800

Provenance: Aiken, South Carolina private collection

476 GEORGE III STERLING PUDDING TROWEL, PETER & ANNE BATEMAN

Other Notes: Similar example by Aldridge can be found in the collection of the Metropolitan Museum of Art.

London, dated 1791, bright-cut and stippled pierced heart-shaped end fitted with green-stained turned handle, H8 1/2”, and 1.1ozT all in

$400-700 Provenance: Aiken, South Carolina private collection

476

475

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

477 ENGLISH BRITANNIA SILVER COVERED LOVING CUP, LIONEL ALFRED CRICHTON London, dated 1917, acorn finial on domed cover and double handle pedestal cup cartouche bound engraved with initials; complete hallmarks, H12” W11 1/2”, and 70.0ozT

$1,000-1,500 478

Provenance: Estate of Jerry Carkhuff Eschenbrenner, Sea Island, Georgia

478 GEORGE III STERLING TRAYS, JOHN WAKELIN & WILLIAM TAYLOR London, dated 1791, gadroon-edged oval trays engraved with unidentified crest, complete hallmarks and underside with initials C over S*G, and each piece numbered; L12”, 15”, and total 76.0ozT (3pcs)

$1,000-1,500

477

Provenance: Estate of Jerry Carkhuff Eschenbrenner, Sea Island, Georgia

479

481 PAIR REGENCY STYLE THREE-LIGHT SILVERPLATE

479 GEORGE III STERLING CRUET SET

CANDELABRA

London, dated 1804, marked: HN, possibly for Hannah Northcote or Henry Nuttingoval, frame fitted associated decanters, H11 1/2” W10 3/4”, and 20.0ozT weighable

$200-400

H17” W14” (2pcs) Provenance: Property of a lady

$400-600 Provenance: Property of a lady

480 PAIR MAPPIN & WEBB SILVERPLATE FIVE-LIGHT CANDELABRA

last quarter 19th century, Adam design with classical column and garland designs with detachable five-light top, marked: Mappin & Webb, H22” Dia.15” (2pcs)

$500-800 Provenance: Atlanta, Georgia private collection

480

481

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482

486

483 ENGLISH SILVERPLATE COVERED ENTREE DISHES

ARTICLES

early 20th century, ornate handle on rectangular dome cover and dish with gadroon bands, unmarked, H5” L10 1/2” W7 1/2” (3pcs)

revolving server, H9” L14” 3 tea caddies, H4” to 5” covered box, H4 1/2” bottle caddy, H6” covered entree dish, L11” salver. Dia.8” tray, Dia.13” pair two-light candelabra, H8 3/4” W12” (11pcs)

$300-500 Provenance: Aiken, South Carolina private collection 483

484 ENGLISH SILVERPLATE OIL LAMP

482 ENGLISH SILVERPLATE PUNCH SET

in the Regency taste, electrified; H21”

AND PAIR CANDELABRA

Ellis-Barker punch set, comprising: pedestal bowl, H10 1/2” Dia.16 1/2”, footed salver, Dia.21”, and 12 footed cups, H2 3/4”; together with Kings pattern punch ladle, L13 1/2”, and pair three-light candelabra, H17” W17 1/2” (17pcs)

485 ENGLISH SILVERPLATE TABLE

$400-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

486 ENGLISH SILVERPLATE SERVING TRAY L31” W18 1/2”

$200-400 Provenance: Property of a lady

$400-800 Provenance: Wilmington, North Carolina private collection

484

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485

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

487 EGYPTIAN REVIVAL CARVED MAHOGANY AND BLACK LACQUER SECRETARY BOOKCASE

late 19th century, stepped and dentil-molded cornice over conforming cabinet with four astragal-glazed doors before shelves, on stepped-out lower part with central fitted secretary drawer with bird’s-eye maple accents over three long drawers, flanked by side cabinets, each with deep drawer over paneled door, with sphinx capitals and terminals, on plinth; H97 1/2” W97 1/2” D19 3/4”

$4,000-6,000 Provenance: Wellington, Florida private collection

488 SHERATON STYLE INLAID MAHOGANY DOUBLE PEDESTAL DINING TABLE

crossbanded top with two 19 1/2” leaves, on carved urn pedestals, on acanthus-carved reeded saber legs with brass paw casters.

H29” W48” L119” open

$1,000-2,000 Provenance: Mount Pleasant, South Carolina private collection

489 ENGLISH INLAID MAHOGANY BREAKFRONT SIDEBOARD

circa 1820, brass gallery rail on shaped top with beaded edge, case with central drawer flanked by outset doors, on ring-turned legs with trumpet feet; overall H41 1/2” sideboard H35 1/4” W65 5/8” D24 1/8”

$1,500-2,500

487

488

489

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490 HEPPLEWHITE STYLE INLAID MAHOGANY DINING CHAIRS, SET OF EIGHT comprised of: two arms, six sides; arched top rail and pierced splat, on tapered legs with trumpet feet; BH42” SH18” W24” D19” (8pcs)

$700-1,000 Provenance: Charleston, South Carolina private collection

491 GEORGIAN STYLE SERPENTINE MAHOGANY CHEST OF DRAWERS

mid 19th century, shaped and molded top over conforming case with four long graduated drawers, on bracket base; H37 1/2” W41 1/2” D19 3/8”

490

$800-1,200 Provenance: Isle of Palms, South Carolina private collection

492 REGENCY INLAID MAHOGANY RENT TABLE mid 19th century, circular banded top over frieze with four working and four faux drawers, on baluster pedestal and quadripartite base with four saber legs, paw feet and casters; H28 3/4” Dia.42 1/2”

$1,400-1,800 493 ENGLISH MAHOGANY BOOKCASE ON STAND 19th century, waterfall bookcase with shaped sides and drawer upon cabinet with brass wirework door and fabric panel, on plinth; overall H62” W21 1/4” D18 1/2”

491

$400-700 Provenance: Former collection of Historic Charleston Foundation; sold to benefit the museum collection fund

493

492

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

494 CHINESE CHIPPENDALE STYLE CARVED MAHOGANY CURIO CABINET

late 19th century, rectangular form with blind fretwork and glass panels, on cabriole legs with ball feet unified by undertier; with diorama of miniature furniture; H31” W30 3/4” D18 3/4”

$400-700 Provenance: Isle of Palms, South Carolina private collection

495 ENGLISH MAHOGANY BOWFRONT CHEST OF 494

DRAWERS

circa 1830, inlaid frieze over two short and three long graduated drawers, with shaped skirt and splay feet; H43” W42” D21”

$700-1,000 Provenance: South Carolina collection

496 WILLIAM IV CARVED MAHOGANY CHAIRS, SET OF FOUR

circa 1800, curved back and scrolling splat, with slip seat in plain rails on turned legs; BH33 1/4” SH18 1/2” W19 3/4” D18 1/2” (4pcs)

$400-700

497

495

497 ENGLISH INLAID MAHOGANY CORNER CUPBOARD circa 1800, molded canted cornice over conforming case with glazed door, on lower part with paneled door and shaped bracket base; H79” W34” D21”

$800-1,200

496

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498

498 ENGLISH INLAID MAHOGANY SERVER/SIDEBOARD

501

mid 19th century, crossbanded molded edge rectangular top above drawers and arched reserves and tapered legs; H35” W50” D21”

501 GEORGIAN MAHOGANY TILT-TOP TABLE

$700-900

circa 1820, circular top on vasiform standard with three S-curve legs ending in snakepad feet; H27” Dia.30”

Provenance: Isle of Palms, South Carolina private collection

$500-700 Provenance: Isle of Palms, South Carolina private collection

499 SHERATON CARVER AND PAIR SIDECHAIRS circa 1800, curved crest and stick splats, with topnailed leather seat, on beaded tapered legs with H-stretcher; carver BH38 3/4” SH19 1/2” W23 3/4” D21”, sides BH37” SH18 1/2” W21” D20” (3pcs)

502 PAIR CHIPPENDALE STYLE MAHOGANY LIBRARY CHAIRS

$400-600 500

500 ENGLISH NEOCLASSICAL INLAID MAHOGANY SECRETARY BOOKCASE

19th century, padded back, seat and arms, on straight ball-and-claw legs unified by pierced stretcher; BH37 1/2” SH18” W27” D28” (2pcs)

$500-800 Provenance: Isle of Palms, South Carolina private collection

19th century, broken-arch pediment with inlaid shell oval, above glazed doors before adjustable shelves, on lower part with secretary drawer fitted with drawers and valanced pigeonholes, with shaped skirt having corresponding inlay and splayed feet; H93 1/2” W43” D20 3/4”

$1,400-2,000 Provenance: New Hampshire collection

499

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502

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

503 GEORGIAN INLAID MAHOGANY BUREAU circa 1800, case with slant front concealing interior fitted with door, drawers and pigeonholes, with four long graduated drawers, on bracket base; H43 1/2” W43 1/2” D21 3/4”

$700-1,000 504 GEORGIAN STYLE MAHOGANY CORNER CUPBOARD mid 19th century, canted molded cornice over pair of thirteen-light doors before shaped shelves, on waist-molded lower part with flat-paneled doors and bracket base; H88 1/2” W40 1/4” D20” 503

506

$1,000-1,500 505 PAIR GEORGE II STYLE BURL WALNUT HANDKERCHIEF TABLES

late 19th/early 20th century, drop-leaf top on acanthus-leaf carved cabriole legs with ball-and-claw feet; H30” W26 1/4” D26 1/2” (2pcs)

$600-900 Provenance: Property of a Southern lady

506 GEORGIAN STYLE UPHOLSTERED WINDOW BENCH late 19th/early 20th century, outturned armrests and cabriole legs with pad feet; H27” SH17” W38” D17”

$400-600 Provenance: Property of a Southern lady 507

507 GEORGIAN STYLE MAHOGANY DUMBWAITER circa 1840, two-tier revolving section on baluster pedestal supported on saber legs with snakepad feet; H29” D23 3/4”

$400-600 Provenance: Charlotte, North Carolina private collection

504

505

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508 GEORGE III STYLE INLAID MAHOGANY BOWFRONT SIDEBOARD

circa 1860, shaped and crossbanded top over conforming case with central drawer over valanced drawer flanked by doors, on tapered legs with spade feet; H37 1/2” W83 3/4” D27 3/8”

$1,500-2,200 509 LEATHER UPHOLSTERED CHESTERFIELD SOFA tufted back over three cushions, BH29” SH17” W77” D32”

$500-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

508

510 JACOBEAN OAK DIMINUTIVE CABINET probably 17th/18th century, molded edge top over conforming door and later base, H20” W25 3/4” D11 1/2”

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

511 ENGLISH INLAID MAHOGANY SERPENTINE SIDEBOARD

circa 1900, shaped and crossbanded top, over conforming case with central drawer and shaped skirt, flanked by concave doors with oval inlays, on tapered legs with spade feet; H35” W24 1/4” D71 7/8”

509

$700-1,000 Provenance: Aiken, South Carolina private collection

510

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511

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

512

512 GEORGIAN INLAID MAHOGANY CORNER WASHSTAND

514

515

early 19th century, curved form with backsplash fitted for bowl and glasses, tier with drawer and shaped undertier, on outturned legs; H41 1/4” W24 1/2” D15”

515 CHIPPENDALE STYLE

$300-500

MAHOGANY MIRROR

513 CHIPPENDALE STYLE CARVED LACQUERED TEA TABLE

molded gallery over long drawer, on cabriole legs with ball-and-claw feet; H29” W30 1/4” D21 1/2”

$300-500 Provenance: South Carolina collection

Provenance: Isle of Palms, South Carolina private collection

516 SCOTTISH INLAID MAHOGANY LONGCASE CLOCK, ALEXANDER MACWHINNIE

WALNUT MIRROR

19th century, broken-arch crown, gilt floral decorations, shaped lower part, H56” W28” Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$600-900

513

514 GEORGE II STYLE PARCEL-GILT

$700-1,000

circa 1850, scrolling frame and gilt fillet enclosing mirrored plate; H21” W37”

19th century, molded crown, inlaid frieze, arched glazed panel and molded door, lower part with panel door and molded base with turned feet, signed and decorated dial; H82 1/2” W22” D9 1/2”

$1,000-2,000 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

516

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519

518

517 ENGLISH INLAID MAHOGANY TALL

519 TURKISH SERAPI CARPET

521 ANTIQUE INDIAN AMRITSAR

CASE CLOCK

7’10” x 9’11”

CARPET

first half 19th century, molded crown, arched glazed panel door and column supports, above chamfered long door, on splayed feet; H83 1/2” W18 1/2” D9 1/2”

$1,500-2,000

circa 1900 11’4” x 14’9”

$700-1,000

13’10” x 21’2”

Provenance: Charleston, South Carolina private collection

$1,500-2,500

520 PERSIAN KERMAN CARPET

$3,000-5,000 Provenance: Atlanta, Georgia private collection

Provenance: Property of a Southern gentleman

518 ANTIQUE PERSIAN SERAPI CARPET circa 1910 11’8” x 14’

$8,000-12,000

520

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521

CELEBRATING 85 YEARS

517

OF

DISCOVERING EXTRAORDINARY OBJECTS

522

523

524

522 ANTIQUE PERSIAN SERAPI CARPET

525 PERSIAN TABRIZ CARPET

528 PERSIAN HERIZ CARPET

circa 1880, 11’7” x 15’7”

circa 1920, 9’8” x 14’

circa 1930, 9’9” x 13’9”

$8,000-10,000

$3,000-6,000

$1,000-2,000

Provenance: Charlotte, North Carolina private collection

Provenance: Isle of Palms, South Carolina private collection

Provenance: Charlotte, North Carolina private collection

523 SEMI-ANTIQUE PERSIAN KERMAN CARPET

526 SEMI-ANTIQUE PERSIAN HAMEDAN CARPET

529 TURKISH OUSHAK

circa 1940, 9’7” x 12’8”

circa 1940, 6’5” x 16’4”

CARPET

$1,000-2,000

$1,500-2,500

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

524 PERSIAN BAKTIARI CARPET circa 1920, 11’11” x 18’4”

$4,000-6,000 Provenance: Charlotte, North Carolina private collection

525

10’ x 13’10”

$1,500-2,500

527 PERSIAN KASHAN CARPET circa 1930, 9’10” x 12’9”

$1,200-1,800 526

Provenance: Charlotte, North Carolina private collection

527

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530

532

530 ART DECO DIAMOND AND PLATINUM RING

532 ART DECO PLATINUM, DIAMOND AND SAPPHIRE

circa 1930, round brilliant-cut diamond 3.16ct, F-G color, VVS2 clarity, filigree setting embellished with small diamonds, 0.4ctw, color E-F color, and VVS2-VS2, size 7.5

approx. 1.5ctw diamonds in filigree setting accented by deep blue sapphire bands, L7 1/4”

$20,000-40,000

Provenance: New York private collection

533

BRACELET

$4,000-5,000

Provenance: Aiken, South Carolina private collection Other Notes: Accompanied by PGS report 3909001396.

531 ART DECO PLATINUM AND DIAMOND ENGAGEMENT RING

circa 1940, 2.01ct Old European-cut diamond, color G-H, clarity VS1 accented by two small diamonds in filigree setting, size 7

$18,000-24,000 Other Notes: Accompanied by EGL report US 910734701D.

533 SOUTH SEA BAROQUE PEARL NECKLACE twenty-seven 12.0 to 15.5mm white pearls ending with diamond pave 14K white gold clasp, L18 1/2”

$1,000-2,000 Provenance: Columbia, South Carolina private collection

534 DIAMOND DOME RING

534

14K white gold pave-set, size 5.25, and 0.4ozT

$500-800 Provenance: Columbia, South Carolina private collection

535 CARTIER STYLE DIAMOND ETERNITY RING 145 round brilliant-cut diamonds, 10.0ctw, color D-E, clarity VS in 18K white gold band, size 7

$9,000-14,000

535

531

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

536 DIAMOND AND PLATINUM BROOCH center round brilliant-cut diamond (approx. 1.25ct, color K-L, clarity VS1) with floral spray design embellished by approx. 5.0ctw single, brilliant, marquise and pear-shape diamonds; H1 1/2” W2 1/4”, and 0.5ozT

$2,000-3,000 Provenance: Columbia, South Carolina private collection

537 PAIR NATURAL PINK SAPPHIRE AND DIAMOND CHANDELIER EARRINGS

24.22ctw oval, pear and round natural pink sapphires (GIA P 4/4) and 0.94ctw round diamonds in 18K rose gold openwork swing drop pierced-ear frames, stamped: JJ34; H2 1/4” W1 1/2”, and 0.7ozT all in

$5,000-8,000 Other Notes: Accompanied by GGL report 000014171030

539

539 ART DECO DIAMOND, SAPPHIRE AND PLATINUM BRACELET, ALLSOPP & ALLSOPP circa 1920, custom-designed engraved platinum and 14K white gold square link bracelet set with three Old European-cut diamonds, approx. 0.5ctw, color H-I, clarity VS1-SI2, and six bezel-set square-cut blue sapphires, approx. 1.0ct, marked A&A, L7 1/4”

$2,000-3,000 538 DIAMOND AND TOURMALINE AND TOPAZ RINGS tourmaline and diamond, size 7; blue topaz, size 9 in 10-14K settings (2pcs)

$600-900 Provenance: Greer, South Carolina private collection

Provenance: Aiken, South Carolina private collection

540 DIAMOND AND GOLD CUFF BRACELET pave-set diamond and 18K white and yellow gold flexible band, stamped: 750; W2 1/2”, and 2.0ozT

$1,200-1,800 Provenance: Columbia, South Carolina private collection 536

537

538

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117

541 DIAMOND AND PLATINUM NECKLACE 300 baguette-cut graduated diamonds, 11.0ctw, color H-I, clarity VS-VS1 in 16-inch articulated platinum setting

$12,000-18,000 542 ART DECO ENGRAVED GOLD AND SAPPHIRE BRACELET, ALLSOPP & ALLSOPP circa 1920, custom designed 14-18K yellow and white gold square link bracelet set with seven bezel-set square standard-cut blue sapphires, approx. 2.3ctw, marked A&A and 14K, L7 1/4

$1,500-2,000 Provenance: Aiken, South Carolina private collection

543 FANCY INTENSE YELLOW DIAMOND RING

541

2.01ct pear-shape natural yellow diamond, clarity VS1, flanked by 0.82ctw colorless round diamonds, color E-F, clarity VS1-VS2, in platinum setting, size 7

$12,000-18,000 Other Notes: Accompanied by EGL report US911550006D.

544 DIAMOND AND GOLD LINE BRACELET approx. 7.5ctw princess-cut diamonds, color G-H, clarity VS in 14K gold flexible setting, stamped El, L7 1/4”

$6,000-9,000 545 PAIR FANCY YELLOW DIAMOND EARRINGS 4.0ctw fancy to intense yellow pear-shaped diamonds, clarity VVS2-VS1 accented by 1.01ctw colorless diamonds, color E-F, clarity VS1-VS2 in platinum piercedear mounts, H1” (2pcs)

$18,000-24,000 Other Notes: Accompanied by EGL report US 910020901D.

545

542

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543

544

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

546 VINTAGE SAPPHIRE AND DIAMOND

549 DIAMOND AND PLATINUM

RING

ENGAGEMENT RING

5.5mm round deep blue sapphire flanked by diamonds and sapphires in 14K gold setting, size 5.75

1.76ct round brilliant-cut diamond, color F-G, clarity SI1, accented by 0.57ctw small diamonds, color F-G and clarity VS2-SI3 in platinum setting, stamped: JJ09, size 6.5

$500-800 Provenance: Cashiers, North Carolina estate

547 ART DECO BLUE SAPPHIRE 550

BRACELET

circa 1930, 16.4ctw graduated square-cut medium dark blue sapphires (approx. GIA bV 6/5) in hand-assembled platinum bracelet, L7 1/4”

$13,000-19,000 Other Notes: Accompanied by UGS report US910413902D.

550 DIAMOND BRACELET 68 round brilliant and baguette cut diamonds, 8.10ctw, color F-G, clarity VS, in 18K white gold, L7 1/2”

$10,000-15,000

$4,000-7,000 Provenance: Aiken, South Carolina private collection 547

551 GEMSTONE SET GOLD BRACELETS AND EARRINGS

548 BLUE SAPPHIRE AND DIAMOND DOME RING

7.2x9.1mm oval sapphire in 14K gold openwork design studded with round diamonds; size 6, and 0.4ozT

$1,000-2,000 Provenance: Columbia, South Carolina private collection

lapis and 14K gold bangle, Dia.2 3/4” pair Tahitian black pearls10mm, diamond and 14K gold earrings, H3/4” double strand 7mm pearl, diamond and 14K gold bracelet, L7 1/2” (4pcs)

$800-1,200 Provenance: Cashiers, North Carolina estate

551

546

548

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552 DIAMOND AND GEMSTONE FASHION

555 FRANCIS W. OVENDEN

RINGS

9.8x7.4mm oval emerald, size 7 7.6x5.2 oval tanzanite, size 5.25 9x7mm oval ruby, size 7.5 13.8x11mm oval garnet, size 7 in 14K gold settings (4pcs)

(British, fl. 1834-1843) FALMOUTH HARBOR, CORNWALL ENGLAND oil on canvas, framed, signed lower left H30” W40”

$1,500-2,000

$5,000-8,000

Provenance: Greer, South Carolina private collection

Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

553 DIAMOND AND YELLOW SAPPHIRE RING

556 JOSHUA H. SHAW

divided pave-set 18K yellow and white gold setting, size 7, 0.5ozT

(British, 1776-1860) COASTAL SCENE WITH FIGURES oil on canvas, framed, signed & dated lower right: J. Shaw, 1823 H15” W18 1/2”

$600-900 Provenance: Columbia, South Carolina private collection

554 ITALIAN GOLD LINK BRACELET 14K yellow and white gold interlocking marquise links, stamped: Italy 14K; L8”, and 0.9ozT

555

$4,000-7,000 Provenance: Virginia collection

$500-800 Provenance: Columbia, South Carolina private collection

552

553

554

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556

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

558

557

559

557 GEORG WILLEM OPDENHOFF (Dutch, 1807-1875) SUMMONING THE PILOT SHIP oil on canvas, framed, signed lower right H28 1/4” W38 1/2”

$3,000-5,000 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

558 EDWARD LLOYD (British, d. 1891) CHESTNUT HUNTER AND DOG IN A STABLE oil on canvas, framed, signed & dated lower right: Edward Lloyd, Ellesmere, Salop, August 25, 1887 H25” W30”

559 J.C. PARTRIDGE (British, late 19th century) DAPPLE GREY IN A STABLE oil on canvas, framed, signed & dated lower left, 1878 H14” W18”

$2,000-3,000 Provenance: Austin, Texas private collection

560 BRITISH SCHOOL, LATE 18TH/EARLY 19TH CENTURY HORSE FAIR AT NEWMARKET HEATH oil on canvas, framed, unsigned H21 1/4” W30”

560

$1,000-2,000 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

$2,000-3,000 Provenance: Austin, Texas private collection

Other Notes: Frame inscribed: New Market Heath, H.M. King George III.

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561 JAMES RUSSELL RYOTT (ATTRIBUTED TO) (British, act.1810-1860) IN AT THE DEATH, 1844 oil on board, framed, unsigned H28 1/4” W38 1/2”

$1,000-2,000 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund Other Notes: Frame bearing plaque inscribed: IN AT THE DEATH- J.R. Ryott (English, 1844) - Gift of Dr. S. R. Baldinger, 1961.

562 GLYN WILLIAMS

563

565 AMERICAN SCHOOL, LATE 19TH CENTURY

561

SPORTING TROPHY AT RISK oil on board, framed, signed lower right, Parsons H24” W18 1/2”

(British, b.1939) THE FOX HUNT oil on board, framed, signed lower right H20” W30”

$400-600 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$1,000-2,000 Provenance: Aiken, South Carolina private collection

563 BRITISH SCHOOL, MID 19TH CENTURY

READY FOR THE HUNT, c. 1840 oil on panel, framed, unsigned H30” W40”

$800-1,200

562

Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

564 GEORGE ARMFIELD (ATTRIBUTED TO) (British, 1808-1893) TERRIERS IN CHASE oil on canvas, framed, unsigned H12” W16”

$400-700 Provenance: San Francisco, California private collection 564

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565

OF

DISCOVERING EXTRAORDINARY OBJECTS

569

566 568

566 H.H. MEANS

568 WILLIAM BRADLEY LAMOND, R.B.A

(American, 20th century) two works: DUCK DECOY STILL LIFES mixed media, framed, signed lower left sight H17 1/2” W23” (2pcs)

(British, 1857-1924) DARNING SOCKS oil on canvas, framed, signed lower left H20” W24”

$300-500

$800-1,200

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Provenance: Indian Land, South Carolina private collection

567 BRITISH SCHOOL, LATE 18TH CENTURY

569 JOSEPH MALLORD WILLIAM TURNER (MANNER OF)

RETURN FROM THE FIELDS oil on canvas, unframed, unsigned H27 1/2” W35 1/2”

$1,000-2,000 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

570

571 GEORGE STUBBS (AFTER) (British, 1724-1806) HORSE ATTACKED BY A LION oil on panel, framed, unsigned H20” W24”

(British, 1775-1851) CALM SEAS oil on board, framed, unsigned H17 3/4” W23 3/4”

$500-800

$700-1,000

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

570 BRITISH SCHOOL, 19TH CENTURY PASTORAL LANDSCAPE WITH COWS oil on board, framed, illegibly signed lower left H16” W24”

$500-800 Provenance: Indian Land, South Carolina private collection

567

571

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123

572

572 BRITISH SCHOOL, 19TH CENTURY

574

RIVER LANDSCAPE oil on canvas, framed, unsigned H20” W24”

576 JAMES EDWARD GRACE

$500-800 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

575

(British, 1851-1908) EVENING DRINK oil on canvas, framed, signed lower right H29 1/2” W20”

$400-700 574 ROBERT BURROWS (ATTRIBUTED TO)

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

(British, 1810 -1883) PASTURAL LANDSCAPE oil on canvas, framed, unsigned H14” W14”

$500-800 Provenance: Indian Land, South Carolina private collection 573

573 GEORGE OGILVY REID (British, 1851-1928) THE CARRIER’S CART oil on board, framed, signed lower right H10” W17”

$500-700

575 THOMAS MCEWAN (British, 1846-1914) LONG-AGO oil on canvas, framed, signed lower right H24” W18”

$400-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Provenance: Wellington, Florida private collection

576

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

577 F. E. JAMIESON (British, late 19th/early 20th century) LOCH LOMAND oil on canvas, framed, signed lower left H16” W24”

$400-600 Provenance: Wellington, Florida private collection

578 ENGLISH PAINTED PAPIER MACHE PANEL, FRAMED COASTAL SCENE, unsigned, H9 1/2” W11”

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia 577

579 KATHERINE C. PARSONS (British, 19th century) NORTH BOVEY VILLAGE oil on canvas, framed, signed & dated lower right, 1911 H13” W19”

$300-500 Provenance: Indian Land, South Carolina private collection

580 J. AIKEN (British, late 19th century) FOND FAREWELL watercolor, framed, signed sight H18” W19 1/4”

$300-600 578

Provenance: Collection of a Southern lady

580

579

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125

The McConnell Collection 581 GALLE HYACINTH CAMEO GLASS VASE molded blown salmon and burgundy floral-decorated yellow ground, signed, H12”

$4,000-6,000 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

582 STEUBEN AND QUEZAL IRIDESCENT VASES Quezal pulled design, B751, H7” Quezal swirl design, B362, H5” Steuben Aurene, 654, H3” Quezal ribbed, H3 1/8” each signed on base (4pcs)

$800-1,200 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

583 LOTTON STUDIO GLASS MULTI FLORAL VASE (Illinois, 20th/21st century) white, green and amber coloration, signed & dated: Lotton, 1974; H8” Dia.7”

$400-600 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia 583

581

582

126

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

584

587

584 STUDIO GLASS VASES, LOTTON AND PEISER 20th/21st century, comprising: Cypriot Lava gold and blue coloration, signed: Charles Lotton, 1988; H4” W3 3/4”; Cypriot blue and gold coloration, signed & dated: Lotton, 1976; H4 1/2” Mark Peiser coil, signed & dated: 1974, H3 1/2” Mark Peiser swirl, signed & dated: 1975, H3 1/2” (4pcs)

$500-800 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

585 STEUBEN ACID CUT-BACK DRAGON VASE first quarter 20th century, gloss and matte yellow vase revealing fine depiction of floating dragon, unmarked, H7 1/2”

$1,000-2,000 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

586 DAUM CAMEO GLASS VASE circa 1900, chartreuse and aubergine coloration in leaf, signed, H8”

$600-900 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

587 EARLY STUDIO GLASS VASES BY MARK PEISER (North Carolina, b. 1938) tall blue, gold and rust, H5” vasiform, gold green and blue, H4 1/2” bulbous gold, H3 1/2” signed & dated 1974 (3pcs)

$400-800 585

Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

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588 MT. WASHINGTON ROYAL FLEMISH GUBA DUCK VASE

late 19th century, enamel-decorated ducks in flight over sunburst on multi-color ground, H14 1/2”

$2,000-3,000 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

589 MT. WASHINGTON ROYAL FLEMISH GUBA DUCK VASE

late 19th century, enamel-decorated ducks in flight over sunburst with elongated neck on bulbous body, H14”

$1,500-2,500 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

590 STUDIO GLASS VASES, DANIEL SALAZAR, LOTTON AND HUDIN & BEYERS Daniel Salazar, Lundberg Studio floral vase, signed 1992, H4 1/4” Lotton Cypriot Lava, signed 1974, H5” Ophir millefiori vase, signed L. Hudin & S. Beyers, 1981, H9” (3pcs)

$400-600 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

588

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590

CELEBRATING 85 YEARS

589

OF

DISCOVERING EXTRAORDINARY OBJECTS

592 AMERICAN STUDIO GLASS VASES, ATTRIBUTED TO NASH AND STEUBEN Leslie Nash zipper design, H6” Steuben millefiore iridescent, H2 1/2” Steuben jade green, H2 1/2” (3pcs)

$400-700 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

593 FRENCH ENAMELED CAMEO GLASS VASE, DAUM NANCY circa 1910, extensive winter landscape, signed Daum Nancy and cross of Lorraine; H13 1/2”

$2,000-4,000 Provenance: Collection of a Southern lady

594 ART NOUVEAU ART GLASS VASE SIGNED LOETZ multi-colored iridescent blue and gold coloration, H7”

$300-500 591

Provenance: Property of a lady

591 LOTTON STUDIO GLASS CYPRIOT LAVA VASE (Illinois, 20th/21st century) iridescent silver and rich blue coloration, signed & dated: Lotton, 1972; H7 1/2” W5 1/4”

$400-600 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

592

594

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129

595 AMERICAN STUDIO GLASS VASES, LOTTON AND LUNDBERG 20th/21st century, comprising: Charles Lotton silver and blue coloration, signed: Lotton, 1976; H4 1/2” Lundberg Studios flowering vine gold and blue coloration, signed, 1976; H4 1/2” unsigned leaf and vine design in gold and vivid blue, H5 1/2” (3pcs)

$400-600 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

596 TIFFANY STYLE FAVRILE GLASS VASES

595

20th century, pinched decorated ovoid form, bearing signature: LCT, T7599, H6 1/2”; and blue, white and gold vase, bearing signature: Louis C. Tiffany Favrile, L.C.T., L282, H9” (2pcs)

$600-900 Provenance: Collection of a Southern lady

597 FRENCH CAMEO GLASS VASE, D’ARGENTAL circa 1925, overlaid and acid-etched expansive Mediterranean landscape, signed in cameo D’Argental, H14”

$1,200-1,800 Provenance: Collection of a Southern lady

598 GALLE CAMEO GLASS VASE first quarter 20th century, five-color acid-etched hydrangea pattern on elongated neck and flared base form, signed in cameo, H17”

$1,000-2,000 Provenance: Collection of a Southern lady

599 ART GLASS VASES, COMPOTE AND DECORATION Delatte vase, H10” art glass paperweight, H2 1/2” French pressed glass compote, H2 3/4” Eckhardt vase, H5” and Zsolnay ceramic salt dish, H3” (5pcs)

$400-700 597

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598

CELEBRATING 85 YEARS

Provenance: Charleston, South Carolina private collection OF

DISCOVERING EXTRAORDINARY OBJECTS

600 STEUBEN GOLD THREADED GREEN GLASS VASE first quarter 20th century, footed trumpet form, etched mark on underside, H10”

$300-400 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

601 ART NOUVEAU METAL-MOUNTED IRIDESCENT GLASS VASE

first quarter 20th century, floral cuff on pinched shoulder vase with oil spot band, H10”

$300-500 Provenance: Collection of a Southern lady

602 SCHNEIDER LE VERRE FRANCAIS CAMEO GLASS PITCHER

circa 1911-1940, stylized anthemion and cobweb in mottled orange over white body and applied aubergine handle, H12 1/2”

$400-700 Provenance: Collection of a Southern lady

602

600

596

599

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601

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131

606 603

603 BRENT KEE YOUNG INTERNAL

606 ARTS & CRAFTS BRONZE EIGHT-LIGHT CEILING FIXTURE, STEUBEN INTARSIA SHADES

DECORATION CASED GLASS VASE

(American, b. 1946) signed, titled & dated: Brent Young, FS Bones, 1982; H8 1/2” W6”

early 20th century, scalloped medallion in stylized wheel design with pendent and fixed sockets holding floriform Aurene shades, some signed; H9 1/4” Dia.20”

$600-900 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

$2,000-4,000 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

604 LOTTON STUDIO GLASS PAPERWEIGHT AND VASE

604

607 ART NOUVEAU FIGURAL LAMP

(Illinois, 20th century) John Lotton stylized floral and vine design in deep pink and black, signed and dated, 1992, H4” Dia.5” Charles Lotton red vase, signed and dated 1984, H6 1/2” (2pcs)

WITH MILLEFIORI GLASS SHADE

early 20th century, vibrant dome shade supported by female nude, H18”

$500-800

$200-400

Provenance: Property of a Southern lady

Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

607

605 MURANO GLASS VASE vibrantly decorated pinched vessel with red ground, H12 1/2”

$200-400 605

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Provenance: Hopkins, South Carolina private collection

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

610

608

608 QUEZAL PULLED FEATHER IRIDESCENT

610 STEUBEN AURENE GLASS SHADES

SHADE SET

gold iridescent floriform shades, one signed, H5” (5pcs)

tulip-form shades in gold, green and white coloration, signed, H4 1/4” (8pcs)

$500-800

$1,000-1,500

Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

611 STEUBEN GLASS LAMP SHADE

609 PAIR HANDEL REVERSE-PAINTED GLASS AND PATINATED-METAL LAMPS

COLLECTION

early 20th century, comprising: pair Intarsia design, H5” pair Aurene floriform gold coloration, marked, H5” pair pulled feather design H4” (6pcs)

circa 1923, daisy-decorated cylinder shape with cover and ornate base, marked H on base, H16” (2pcs)

$1,000-1,500

$700-900

Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

609

Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

611

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612

613

612 HANDEL REVERSE-PAINTED TABLE LAMP, SIGNED A. PARLOW

614 ART GLASS SHADE COLLECTION

early 20th century, winter landscape scene with artist monogram, possibly A. Parlow, and Handel Co. 5349; on bronzed base with 3-sockets, raised signature and cloth label on underside, H20 1/2” W16”

gold ribbed, H6” pair etched and applied blue, H5” amber pulled feather, H5” aubergine and yellow, H6” green and gold, H4 1/2” gold and white, H5” (7pcs)

$2,000-3,000 Provenance: Collection of a Southern lady

613 ARTS & CRAFTS BRONZE AND QUEZAL GLASS FIVE-LIGHT CHANDELIER

$400-700 Provenance: Collection of a Southern lady

early 20th century, chain holding bulbous form with center pendent light, issuing scrolling arms ending in leaf-capped sockets supporting conforming pulled-feather gold and white floriform shades, shades signed; H26” Dia.15”

$1,000-2,000 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

614

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

616 TIFFANY STUDIOS GILT-BRONZE FLOOR LAMP

617 QUEZAL IRIDESCENT ART GLASS SHADE

early 20th century, gold and green pulled feather favrile shade, supported by simple three-leg base with lily pad feet, marked: Tiffany Studios New York 423, and shade: L.C.T. Favrile; H55” W10” (2pcs)

COLLECTION

$1,500-2,500 Provenance: Collection of a Southern lady

early 20th century, comprising: pair gold, H5” pair pulled feather, H5 1/2” reeded gold, H7” 2 gold and white, H3 1/4” 5” each signed (7pcs)

$500-900 Provenance: Collection of a Southern lady

618 LUSTRE ART GLASS SHADE SET tri-color design, one signed, H5” (3pcs)

$500-900 Provenance: Collection of a Southern lady

618

615

616

615 STEUBEN GLASS SHADES, INCLUDING INTARSIA circa 1920, comprising: gold and Intarsia border, H5” green and Intarsia border, H6” Dia.7 1/2” gold iridescent ribbed, H6” 2 heart and vine decorated, H4 3/4” and 5” (5pcs)

$700-1,000 Provenance: Collection of a Southern lady

617

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622

620

619

619 PAIRPOINT REVERSE-PAINTED TABLE LAMP, SIGNED

622 STUEBEN INTARSIA-DECORATED IRIDESCENT SHADE SET, WITH BRASS

early 20th century, shade painted with scene of sunset sailing, on 3-socket brass base marked: Pairpoint, D3064, and shade signed, H24” W18”

4 gold shades with green and white band, signed, H5 1/2”; together with associated electrified 3-light lamp, H20’’ (5pcs)

$1,200-1,800

$400-700

Provenance: Collection of a Southern lady

Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

620 REVERSE-PAINTED SHADE TABLE LAMP, SIGNED F. ROE

TABLE LAMP

623 DURAND ART GLASS VASES iridescent multi-color vibrant glass vases mounted as lamps, overall H12” to 18” (4pcs)

$400-700 Provenance: Charleston, South Carolina private collection

624 PEACHBLOW GLASS VASE CONVERTED TO LAMP

teardrop form, graduated in color from deep red to golden yellow, electrified, vase H15 1/2”

stylized wave and seagull design, on threesocket wood and brass base, H26 1/2” Dia.6 1/2”

$200-400

$500-800

Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

Provenance: Collection of a Southern lady

621 TIFFANY FAVRILE GLASS SHADES

early 20th century, pulled feather design, some signed, H5” (6pcs)

$600-900 624

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Provenance: Collection of a Southern lady

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621

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

625

626

625 TIFFANY FAVRILE GLASS SHADE SET early 20th century, swirl design, signed: LCT; H4 1/2” (5pcs)

$500-900 Provenance: Collection of a Southern lady

626 STEUBEN GLASS SHADE SET early 20th century, gold iridescent pinched base, H4 3/4” (5pcs)

$500-900

627

628

628 ROOKWOOD SCENIC VELLUM VASE, FREDERICK ROTHENBUSH Cincinnati, Ohio, dated 1920, landscape decorated ovoid form, marked: Rookwood flame XX, 605 and V, H5 1/2”

$300-500 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

Provenance: Collection of a Southern lady

627 ROOKWOOD SCENIC VELLUM VASE, CARL SCHMIDT Cincinnati, Ohio, dated 1924, baluster form decorated with sailing scene, marked: Rookwood flame XXIV, I667 and V, H11 1/4”

$1,000-2,000

629 ROOKWOOD SCENIC VELLUM VASE, SALLIE E. COYNE Cincinnati, Ohio, dated 1921, cylindrical form decorated with woodland scene, marked: Rookwood flame XXI, 952E and V, H8”

$700-1,000 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia 629

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630

633

631

630 ART NOUVEAU POTTERY, SIGNED SICARD WELLER circa 1905, floral and foliate design, iridescent glaze on ovoid form, signed, H7 1/2”

$400-700 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

631 WELLER LASA SCENIC VASE early 20th century, colored iridescent metallic glaze with tropical landscape, H15 3/4”

$400-600 Provenance: Collection of a Southern lady

632 ROOKWOOD VELLUM VASE, KITARO SHIRAYAMADANI Cincinnati, Ohio, dated 1919, Japanese inspired form and design with blossoming twigs, marked: Rookwood flame XIX, 1091D and V, H7”

$700-1,000 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

633 ROOKWOOD SCENIC VELLUM VASE, SALLIE E. COYNE Cincinnati, Ohio, dated 1920, flared cylindrical form decorated with woodland scene, marked: Rookwood flame XX, 206I and V, H7 3/4”

$700-1,000 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia 632

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OF

DISCOVERING EXTRAORDINARY OBJECTS

635 ROOKWOOD POTTERY FIGURAL BOOKEND COLLECTION

dated 1934, 38, 41 and 42 pair owls 2655, H6” pair elephants 6124, H7 1/2” pair dogs 2998, H4 1/2” each marked (6pcs)

$500-800 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia 634

636 ALMERIC WALTER SCENIC AND AMPHORA POTTERY VASE

Walter (French, 1870- 1959) extensive landscape over sunset, signed A. Walter, Nancy, H4” Dia.5 1/2”; together with amphora-molded iridescent green-glaze vase, marked 3263/D; H8” (2pcs)

$400-600 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

637 PAIR VAN BRIGGLE ART POTTERY LAMPS WITH ORIGINAL BUTTERFLY SHADES

635

matte white glaze, parrot design, signed; overall H18 1/4” (2pcs)

634 EARLY ROOKWOOD POTTERY BY VALENTINE, STEINLE, SAX AND DIERS

$200-300 Provenance: Charleston, South Carolina private collection

circa 1884-1914, comprising: Albert Valentine jug, marked: Rookwood, 12C, 1884, G, ARV; H6” Carrie Steinle vase, marked: Rookwood flame, CS, 735D; H7” Sara Sax vase, marked: Rookwood flame V, SX, W907F; H7 1/8” Ed Diers vase, marked: Rookwood flame XIV, ED, 1930V; H6 3/4” together with two later Rookwood modeled vases, H4” and H5 1/2” (6pcs)

$800-1,200 Provenance: Collection of a Southern lady

637

636

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638

638 VALLAURIS POTTERY VASES BY CLEMENT AND DELPHIN MASSIER late 19th century, metallic iridescent glaze with Art Nouveau leaf and insect designs, signed on base, H5” and H4 1/4” (2pcs)

$300-500 Provenance: Collection of a Southern lady

639 VAN BRIGGLE ART POTTERY VASES mid 20th century, white-glaze Lorelei vase, H10 3/4”; and blue-glaze amphora-form vase, H12 1/4”; each with incised mark (2pcs)

$400-600 Provenance: Collection of a Southern lady

639

640

640 ROOKWOOD COVERED JAR, JEANETTE SWING

642 ROOKWOOD POTTERY WHITE-GLAZED FIGURES

Cincinnati, Ohio, dated 1903, gnome-decorated bulbous jar with standard glaze, marked: Rookwood flame III, 683, H6 1/2”

dated 1927-42, comprising: bird 6383, H4” squirrel 6025, H4 1/4” polar bear 2678, H4 1/2” penguin 2727, H5 1/4” dog 2777, H4 3/4” donkey 6241, H6” elephant 2797, H3 1/2” owl 2655, H5 3/4” geese 1855, H4” monkey 6425, H4 1/2” girl 2868, H4” each marked (11pcs)

$300-500 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

641 VAN BRIGGLE INDIAN CHIEF POTTERY BUST AND ROOKWOOD ELEPHANT dated 1920 and 1979, incised on underside: Chief Two Moons Cheyenne, Van Briggle, Colo. Spgs, Limited Edition, No. 180; H12” W8” D6”; together with Rookwood elephant 2444D, H4 1/2” L5 3/4” (2pcs)

$300-500

$400-600 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

641

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642

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

643 COLLECTION OF CERAMIC VASES Royal Doulton Flambe classical form, marked, H10 1/2” Bernard Moore red-glaze, marked, H3 1/2” Dia.5”; Royal Copenhagen molded yellowglaze, marked, H5 1/2” (3pcs)

645 JOSEF LORENZL DESIGN CERAMIC BUTTERFLY GIRL, AFTER GOLDSCHEIDER also known as Captured Bird, vase of flowers beside standing girl in vivid blue cape-like dress; marked on underside: Austria, 664/10, and various other marks; H18 1/2” W16”

$300-500

$300-500

Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

Provenance: Louisville, Kentucky private collection

644 ART NOUVEAU POTTERY CABINET PLATES

BY EMILE GALLE (French, 1846-1904) molded poppy design on mottled ground, signed: E+G, E. Galle, Nancy, depose; Dia.9” (9pcs)

first quarter 20th century, vibrant blue glaze on undulating vessel with applied floral motifs, marked; H10 1/2” (2pcs)

$200-400

$400-700

Provenance: Charleston, South Carolina private collection

Provenance: Charleston, South Carolina private collection

645

646 PAIR ART NOUVEAU POTTERY VASES, ORCHIES

643

644

646

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647 DIAMOND, EMERALD, RUBY AND SAPPHIRE TUTTI-FRUITTI BRACELET 95.0ctw leaf- carved rubies, blue sapphires and emeralds, and 8.5ctw round diamonds in articulated design with enameled accents, L8”

$13,000-18,000 648 ART DECO PLATINUM AND DIAMOND

647

ENGAGEMENT RING

circa 1940, 2.5ct Old European-cut center diamond, color F-G, clarity SI1, flanked by 12 round single-cut diamonds, approx. 0.2ctw, color E-F, clarity VS1-SI1 in platinum setting, size 8.5

649

$18,000-24,000 Other Notes: Accompanied by UGS report US911990501D.

649 ART DECO NATURAL BLUE SAPPHIRE, DIAMOND AND PLATINUM RING

1.35ct center round Kashmir blue sapphire, flanked by round diamonds, 2.57ctw, H color, and VS2-SI1 clarity, in filigree setting, size 7.5

648

650

$10,000-15,000 Provenance: Aiken, South Carolina private collection Other Notes: Accompanied by PGS report 3909001400.

650 ART DECO PLATINUM AND DIAMOND OPENWORK

652 EMERALD AND DIAMOND NECKLACE 28.0ctw oval emeralds interspaced by 4.0ctw baguette diamonds in 18K white gold setting, L16 1/4”

$12,000-18,000

BRACELET

approx. 1.5ctw round diamonds in oval openwork links, L7”

$2,000-3,000 Provenance: New York private collection

651 EXCEPTIONAL SOUTH AUSTRALIAN OPAL AND DIAMOND RING

20.0ct cabochon “black” opal surrounded by 1.3ctw round brilliant diamonds in 18K gold setting, size 7

$8,000-12,000

651

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652

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

655 AQUAMARINE AND DIAMOND FASHION RING 17.0ct emerald-cut aquamarine accented by 2.0ctw round brilliant-cut diamonds in openwork platinum setting, size 7.25

$3,000-5,000 656 DIAMOND AND GOLD LINK BRACELET flexible heavy 18K gold links set with white diamonds, stamped: A&P 18K; L7 1/2”, and 1.3ozT

$1,000-1,500 Provenance: Columbia, South Carolina private collection

653

653 ART DECO DIAMOND AND PLATINUM BRACELET circa 1930, fifty Old European-cut diamonds, approx.

3.8ctw, color E-G, clarity VS1-SI1, in hand-assembled custom-designed platinum line bracelet, L7 1/4”

$2,000-4,000 Provenance: Aiken, South Carolina private collection

654 ART DECO DIAMOND AND PLATINUM RING

655

1.2ct Old European-cut diamond, color G-H, clarity VS2 in ornate platinum setting accented by 0.35ctw single-cut diamonds, color E-F, clarity VS2-I1, size 6

$9,000-14,000 Other Notes: Accompanied by UGS report US910413905D.

658

657 DIAMOND AND PLATINUM ETERNITY BAND 7.0ctw emerald-cut diamonds, color H-I, clarity VS in platinum band, size 6.75 656

$9,000-14,000 658 PAIR TANZANITE AND DIAMOND DROP EARRINGS two oval bluish violet tanzanites, 9.0ctw in 18K white gold ornate setting accented by 6.0ctw round brilliant-cut diamonds, H1 3/4” (2pcs)

$10,000-15,000

654

657

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143

659

659 EMERALD AND DIAMOND RING 9.2x8.1x4.5mm emerald-cut emerald flanked by tiered rows of baguette diamonds in 14K gold mount, size 7

$1,000-1,400 Provenance: Greer, South Carolina private collection

660

661

663 DIAMONDS BY THE YARD STYLE NECKLACE

33 round diamonds, 15.5ctw, color F-G and clarity VS-SI in 18K white gold, stamped RCI, L20”

664

$15,000-20,000 660 DIAMOND DOME RING 0.65ct round brilliant-cut center diamond, surrounded by 6.0ctw round and baguette diamonds, color F-G, clarity VS- VS1, size 7

$6,000-9,000

664 ART DECO DIAMOND SOLITAIRE RING circa 1930, round brilliant-cut diamond approx. 0.8ct in 14K white gold filigree setting, size 6; accompanied

by English sterling ring box, hallmarked: London 1929

$500-900 661 EMERALD AND DIAMOND RING approx. 4.5ct emerald-cut emerald (9.6x11.2x6.5mm) flanked by six tapered baguette diamonds, approx. color L-M and clarity SI, in 18K gold setting, size 7

$2,000-3,000 Provenance: Cashiers, North Carolina estate

662 DIAMOND NECKLACE leaf-and-ring pendants on bellflower chain, all set with small diamonds in 14K white gold design, L17”

$5,000-6,000 Provenance: New York private collection

663

144

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CELEBRATING 85 YEARS

662

OF

DISCOVERING EXTRAORDINARY OBJECTS

665

668

665 DIAMOND AND GEMSTONE RINGS

668 JULIE VOSS GEMSTONE CUFF

671 DAVID YURMAN STYLE BLUE TOPAZ

6.8x5.7mm oval emerald and diamond, size 6 8.1x9.1mm oval pink sapphire and diamond, size 5.5 7.3x5.7mm oval tourmaline and diamond, size 7 in 14K gold settings (3pcs)

BRACELETS

AND STERLING AND GOLD SET

Byzantine designs with aquamarine and blue quartz accented by smaller gemstone on heavy hinged bracelet plated in 24K gold, marked (2pcs)

necklace, L9”, and ring 7 (2pcs)

$200-300 Provenance: Illinois private collection

$200-300

$1,000-2,000

666

Provenance: Greer, South Carolina private collection

669 GEM-SET GOLD RING AND BROOCH

666 PERIDOT AND DIAMOND PENDANT

Haviland tanzanite and 10K gold ring, size 7.75; and pearl mounted on 14K cascading brooch, W1 1/2” L1 3/4” (2pcs)

BROOCH

$300-500

15.5 x 12.0mm faceted oval peridot accented by white and champagne diamonds in 14K yellow and white gold scrollwork setting, stamped: AMO 14K; H2 1/2” W1”, and 06.ozT

Provenance: Columbia, South Carolina private collection

$700-900

670 SLANE & SLANE DIAMOND AND

Provenance: Columbia, South Carolina private collection

BRACELET

667 DIAMOND CROSS PENDANT ON CHAIN

approx. 1.0ctw round diamonds set on 18K white gold cross pendant suspended on 14K white gold chain, L18”

$300-600

STERLING LINK AND TOGGLE

670

diamond-set bee charm on flexible heavy link bracelet with diamond-accented end, stamped: Slane & Slane, 925; L8”, and 1.0ozT

$200-400 Provenance: Columbia, South Carolina private collection

Provenance: Columbia, South Carolina private collection 667

669

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672 TURKISH SULTANABAD CARPET 12’2” x 17’9”

$2,500-4,000

673

673 PERSIAN TABRIZ CARPET

674

8’7” x 11’7”

674 PERSIAN HERIZ CARPET

$2,000-4,000

6’10” x 9’10”

Provenance: Isle of Palms, South Carolina private collection

$1,000-2,000 Provenance: Property of a Southern gentleman

672

675

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676

CELEBRATING 85 YEARS

677

OF

DISCOVERING EXTRAORDINARY OBJECTS

679

678

680

675 TURKISH OUSHAK CARPET

678 PERSIAN TABRIZ CARPET

681 SPANISH CARPET

8’2” x 9’10”

circa 1940, 10’4” x 13’10”

circa 1940, 9’9” x 17’10”

$1,400-2,000

$1,000-2,000

$2,000-3,000 Provenance: Charlotte, North Carolina private collection

676 ISFAHAN CARPET

679 PERSIAN BAKTIARI CARPET

9’7” x 14’7”

circa 1940, 9’3” x 12’4”

$1,200-1,800

$900-1,500

Provenance: Aiken, South Carolina private collection

Provenance: Charlotte, North Carolina private collection

circa 1940, 6’4” x 9’4”

680 HERIZ CARPET

683 OUSHAK CARPET

Serapi design 8’ x 10’

9’10” x 8’3”

$500-800

Provenance: Property of a Southern gentleman

677 PERSIAN HERIZ CARPET 7’10” x 10’5”

$800-1,200 Provenance: Property of a Southern gentleman

682 SEMI-ANTIQUE PERSIAN TABRIZ

CARPET

$500-700

$500-800

Provenance: Property of a Southern gentleman

681

682

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683

Museum Vaults & Private Collections

147

684

684 FANCY INTENSE YELLOW DIAMOND RING three cut-cornered rectangular brilliant intense yellow diamonds, 3.27ctw, clarity VS2-SI1, accented by 0.71ctw round diamonds, color E-F, clarity VS VS2 in platinum setting, size 7

$10,000-15,000 Other Notes: Accompanied by EGL report US911583104D.

685 BLUE SAPPHIRE AND DIAMOND RING 8.8x11.1mm oval sapphire flanked by two round diamonds in 14K gold setting, size 5

$1,000-1,500 Provenance: Greer, South Carolina private collection

686 ART DECO DIAMOND LINE BRACELET circa 1930, forty-five Old European cut diamonds, 4.6ctw color G-I, clarity VS2-SI1, in custom-designed hand-decorated 10-14K white gold line setting, L7”

$2,000-4,000 Provenance: Aiken, South Carolina private collection

685

689

687 ART DECO PLATINUM AND DIAMOND BRACELET

circa 1940, ornate design set with 4.0ctw Old European diamonds, color F-G, clarity VS-VS1 accented by small sapphires, L6 3/4”

$7,000-9,000 688 COLLECTION OF VINTAGE

687

JEWELRY

Victorian onyx, topaz and 10K gold ring, size 6 pair semi-precious gemstones and 14K gold cufflinks 11mm loose pink pearl 14K gold pearl extender Buddha pendant, H2” 2-pc gold and silver necklace and bracelet, L24” and 7” tri-color 14K gold brooch, H1 1/2” pair 14K gold bands, size 5 pair cat’s-eye and 14K gold cufflinks, Dia.3/4” pair 10K gold cufflinks, Dia.1/2” pair Tiffany & Co sterling earrings tri-color 14K gold omega necklace 10K gold wire necklace (19pcs)

689 TIFFANY & CO PLATINUM AND DIAMOND WEDDING BAND

13 Lucida-cut diamonds, 1.3ctw, color D-E, clarity VS, stamped: Tiffany & Co, Lucida, size 7

$3,000-5,000

$500-1,000 Provenance: Cashiers, North Carolina estate

688

686

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

690 EMERALD AND DIAMOND RING 14.5ct oval emerald accented by 1.4ctw round diamonds in 18K white gold setting, size 6.5

$14,000-18,000 691 DIAMOND RIVIERA NECKLACE approx. 10.0ctw 123 graduated round brilliant-cut diamonds, color G-H, clarity SI in 18K white gold setting, L16 1/2”

$9,000-15,000 692 VINTAGE GOLD LINK BRACELET 10K yellow and rose gold engraved heavy flexible links; L7 3/4”, and 2.5ozT 690

691

$1,200-1,800 Provenance: Columbia, South Carolina private collection

693 MIKIMOTO STRAND OF PEARLS cream-color pearls ending in 18K gold bow-form clasp, in original case and box; L15”

$300-500 Provenance: Carolina Shores, North Carolina private collection

694 PAIR DIAMOND STUD EARRINGS 692

695

two round brilliant-cut diamonds, 2.03ctw, color E-F, clarity SI3-I1 in 14K white gold prong setting (2pcs)

$6,000-9,000 Other Notes: Accompanied by UGS report US 909961006D.

695 LONGINES DIAMOND AND PLATINUM WRISTWATCH elaborate diamond-set bracelet style watch set with approx. 118 single, brilliant, marquise-cut diamonds, approx. 5.0ctw, opening to white satin finish dial and 17-jewel Swiss movement marked: LONGINES 9401679 and works cover marked: PWC 85729; L6 3/4”

$1,500-2,500 693

694

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Museum Vaults & Private Collections

149

696

696 TOPAZ AND GOLD RING, SKAL 14.9x11.1mm emerald-cut blue topaz in 14K gold setting, stamped: Skal 14K; size 4, and 0.2ozT

697

STICK PINS

3.5ct oval ruby in ornate 18K white gold setting accented by 2.0ctw half-moon and round diamonds, size 6.75

circa 1920, eight Old European-cut diamonds, approx. 0.8ctw spaced by nine square bezel-set sapphires, approx. 2.4ctw in 14K gold custom bar pin, L2 3/4”; together with diamond and synthetic sapphire 14-18K gold stick pin, L2 1/2” (2pcs)

$5,000-7,000

$1,000-2,000

$500-800 Provenance: Columbia, South Carolina private collection

697 RUBY AND DIAMOND RING

699

700 ART DECO BAR AND

701

Provenance: Aiken, South Carolina private collection

698 CARTIER STYLE SILVER AND ONYX SUITE

701 SAPPHIRE AND DIAMOND BRACELET 26.0ctw oval blue sapphires interspaced by 2.0ctw baguette diamonds in 18K white gold setting, L7 1/4”

necklace, brooch and pair ear clips (4pcs)

$8,000-12,000

$800-1,200 Provenance: Illinois private collection

699 NATURAL BLUE SAPPHIRE AND DIAMOND RING 7.47ct oval vivid blue sapphire surrounded by 1.18ctw brilliant-cut diamonds, color E-G, clarity VVS2-VS2, size 6.75

$13,000-18,000 Other Notes: Accompanied by PGS report 3910004380.

698

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CELEBRATING 85 YEARS

700

OF

DISCOVERING EXTRAORDINARY OBJECTS

702

702 RUBY AND DIAMOND BRACELET approx. 4.5ctw diamonds on openwork 14K white gold bracelet accented by approx. 1.3ctw rubies, L6 3/4”

703

704

$2,500-3,500 Provenance: New York private collection

703 BLUE AND YELLOW SAPPHIRE DOME RING

706 ROLEX OYSTER PERPETUAL DATEJUST STAINLESS AND

pave-set yellow sapphire in 18K gold setting centering deep blue cabochon sapphire, size 6.5

GOLD WRISTWATCH

$800-1,200

chromometer

Provenance: Greer, South Carolina private collection

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

704 PAIR NATURAL BLUE SAPPHIRE AND DIAMOND SWING-DROP EARRINGS 53.92ctw pear, oval and round-cut strong blue sapphires (GIA B5/4 to 6/4) accented by 0.98ctw white diamonds in 18K white gold swing-drop pierced earrings, L2 1/2” W1 1/2” (2pcs)

707 CONCORD GOLD WRISTWATCH

706

14K gold case and bracelet band, sapphire stem, 17-jewel Swiss movement, serial number 294332; L7 1/2”, and 0.8ozT

$6,000-9,000 Other Notes: Accompanied by GGL report 14171031.

$500-800 Provenance: Columbia, South Carolina private collection

705 RETRO DIAMOND AND PLATINUM WRISTWATCH, ESKA closed case bracelet design, baguette-set and pave-set diamond cover and accented articulated band; L6 1/2”, and 2.6ozT

$1,800-2,400 Provenance: Columbia, South Carolina private collection

705

13 DECEMBER 2014 -

707

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151

708 710

710 GENTLEMEN’S HABERDASHERY: WATCHES, CUFFLINKS, MONEYCLIP AND TIEPINS

709

708 GOLD ROLEX LADY ’S WRISTWATCH 14K yellow gold case with integrated mesh band; marked: Swiss Montres, 1400 Rolex, 17 Jewel, 8362.

L6 1/2” W12”, and 0.9oz Troy all in

$600-900 Provenance: Property of a gentleman

709 OMEGA GOLD WRISTWATCH

Delma gold-tone wristwatch, L8” gold-tone pocket watch, H1 3/4” pair Krementz tiger’s-eye cufflinks pair swank cufflinks 10 pairs of cufflinks (some karat gold) collar bar 3 tiepins sterling moneyclip 14K signet ring (32pcs)

$400-600 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

711 FABERGE CAVIAR SERVER cobalt cut-to-clear hinged egg on pedestal, opening to ice well and dish; H18 1/2”

$2,000-3,000 Provenance: Columbia, South Carolina private collection

14K gold integrated case and wristband, matching finish dial with black and gold baton hour numerals, dial marked Omega, L8”, and 1.8ozT all in

$700-1,000 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

711

152

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

713 PAIR FRENCH ORMOLU AND PATINATED METAL CANDELABRA

second half 19th century, cornucopia-form candlearms held by cherubs standing aloft orb and pedestal in the Empire taste, electrified; H19” W12” (2pcs)

$500-800 Provenance: Savannah, Georgia private collection

715

712 PAIR CONTINENTAL CARVED GILTWOOD FIVE-LIGHT SCONCES circa 1900, surmounted with bows and extending to leaf garland, musical instruments and masks, issuing scrolling arms fitted with electrified candleholders; H44” W19” D12” (2pcs)

712

$1,000-2,000 Provenance: Columbia, South Carolina private collection

714 PAIR FRENCH BRONZE CANDELABRA AND AMERICAN LAMP BASES late 19th century, pair three-light candelabra, H17”; and set of 4 lamp bases, H11” (6pcs) 716

$400-700 Provenance: Charleston, South Carolina private collection

715 PAIR FRENCH METAL-MOUNTED ONYX URNS circa 1900, H10 1/2” W5 1/2”

$300-400 Provenance: Atlanta, Georgia private collection

713

714

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153

717

718

716 CONTINENTAL BRONZED-MOUNTED CARVED

719 CONTINENTAL PAINT-DECORATED METAL

MARBLE LAMP

CHANDELIER AND SCONCES

H24” Dia.14”

first half 20th century, French five-light chandelier, H20” Dia.18”; and pair two-light chinoiserie sconces, H15” W11” D6” (3pcs)

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

719

$400-800 Provenance: Cashiers, North Carolina estate

717 PAIR RENAISSANCE REVIVAL CARVED WOOD GRIFFONS

heavily carved seated mythical creatures, mounted on later electrified bases and converted to lamps; overall H27” W8 1/2” D11 3/4” (2pcs)

$400-700 Provenance: Atlanta, Georgia collection

718 PAIR WROUGHT-METAL LAMPS scroll-and-leaf design on stone-veneered base, overall H33” (2pcs)

$300-500 Provenance: Atlanta, Georgia private collection

720 FRENCH SILVER FLATWARE SERVICE, ANDRE AUCOC Paris, circa 1887-1911, thread pattern, comprising: 24 hollow handle steel blade knives, L10” 12 hollow handle knives, L8 1/4” 36 forks, L8 1/8” 35 forks, L7” 4 cocktail forks, L5” 30 spoons, L8” 24 spoons, L7 1/4” 23 teaspoons, L5 1/2” 11 demitasse, L4 3/4” each with 1st standard punch and maker’s mark, with original fitted oak canteen Total 326.0ozT weighable (199pcs)

$6,000-9,000 Provenance: Aiken, South Carolina private collection

720

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

721

724

721 INTERNATIONAL ROYAL DANISH PATTERN STER-

722 MEXICAN STERLING TUREEN, BY MARCIEL

LING FLATWARE

20th century, floral finial on melon-form cover and conforming pedestal basin, marked; H8” W14 1/2”, and 63.0ozT

circa 1939, comprising: 8 hollow handle knives, L10” 8 spreaders, L6” 8 forks, L7 3/4” 8 forks, L6 1/4” 6 round soups, L6 1/2” 12 teaspoons, L6” 10 demitasse, L4” serving fork, L9” 2 serving spoons, L8 1/2” cream ladle, L5” sugar spoon, L6” 2 condiment fork, L4 1/2” and 6” engraved with initials M, and total 77.5ozT weighable (67pcs)

$1,000-1,500 Provenance: Estate of Jerry Carkhuff Eschenbrenner, Sea Island, Georgia

$800-1,200 Provenance: Savannah, Georgia private collection

723 STERLING TABLEWARES AND ARTICLES American beverage pitcher, H9” English 2-pc fish serving set in case, L13 1/2” Mexican shaker, H7”; two individual coffeepots, H5 1/2”; pumpkin-form sugar dish, H5 1/2” together with silverplate tazza, H6 1/2” Dia.11” and pair similar wine coasters, Dia.9” Total 30.0ozT weighable (10pcs)

$700-900 Provenance: Savannah, Georgia private collection

725

724 CONTINENTAL SILVER PUNCH LADLE AND NUT DISHES

probably German 19th century, pierced handle ladle, L14”; and pair reticulated dishes, H1 3/4” Dia.3 3/4”, Total 13.0ozT (3pcs)

$400-600 Provenance: Property of a Southern lady

725 CONTINENTAL SILVER BOWLS AND CIGARETTE HOLDER

reticulated bowl on pedestal, H6 1/2” Dia.7 1/4” reticulated bowl, H2 1/2” Dia.8” repousse decorated vase, H2 1/2” each with German hallmarks, and 33.0ozT (3pcs)

$400-600 Provenance: Charlotte, North Carolina private collection

722

723

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155

728

729 CONTINENTAL CARVED GILTWOOD OVERMANTLE

SECRETAIRE ABATTANT

MIRROR

circa 1830, architectural superstructure with colonettes and steps leading to paneled door before storage well, on corresponding lower part with frieze drawer and fallboard concealing interior fitted with small drawers and mirrored back panel, three lower drawers flanked by columns, on plinth; H80 1/2” W41 3/4” D21 7/8”

third quarter 19th century, half-round rectangular frame with flowerhead and C-scroll cresting, enclosing mirrored plate; H59 1/4” W35 1/2”

$3,000-5,000 726

729

726 BIEDERMEIER BIRCH AND BLACK LACQUER

Provenance: Wellington, Florida private collection

727 FRENCH EMPIRE CARVED MAHOGANY SET OF

$800-1,200 Provenance: Atlanta, Georgia private collection

730 FRENCH UPHOLSTERED CARVED BEECH GUERITE OR PORTER’S CHAIR

first half 19th century, gondola form, with carved wreath centering vertical splat, faux fur slip seat in plain rails, on shaped legs with paw feet; BH32 3/4” SH19” W18” D18 1/2” (4pcs)

19th century, acanthus and ribboncarved upholstered frame leading to reeded legs; H60” W28” D23” SH19”

$800-1,400

$1,000-2,000

Provenance: Wellington, Florida private collection

Provenance: Austin, Texas private collection

CHAIRS

728 REGENCY STYLE DOLPHIN-FORM CONSOLE TABLE early 20th century, serpentine top with acanthus-carved skirt, on tripartite base with coiled figural dolphin supports, on plinth with egg-and-dart decoration, H30 1/2” W47 1/2” D25”

$800-1,200 Provenance: Charleston, South Carolina collection 727

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730

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

731

731 PAIR LOUIS XV STYLE NEEDLEPOINT AND PAINT-DECORATED OPEN ARMCHAIRS

733 LOUIS XVI BRONZE-MOUNTED AND INLAID MARBLETOP COMMODE

fabric 18th/19th century, chairs 20th century, cartouche-form back and serpentine seat with floral panels, with shaped and molded frame on cabriole legs; BH37 1/4” SH17” W28 3/4” D28” (2pcs)

late 18th century, D-shape grey-veined marble top over drawers and cabriole legs; H33” W38” D20 1/4”

$1,800-2,500 Provenance: Property of a Southern lady

$1,500-2,000 Provenance: Atlanta, Georgia private collection

734 CHARLES X STYLE BRONZE AND ONYX TABLE AMBULANTE, BY A CHEVRIE

735

732 FRENCH CARVED GILTWOOD MIRROR 19th century, pierce-carved floral pediment on ornate frame centering divided beveled looking glass; H72” W59 1/2”

early 20th century, round onyx top with bronzemounted edge and skirt, turned column supports with trefoil base centered with urn, on scrolling feet, partial label on underside: A Chevrie H30” Dia.15”

$1,000-2,000

$400-600

Provenance: Isle of Palms, South Carolina private collection

Provenance: Charleston, South Carolina private collection

735 PAIR CONTINENTAL STYLE MARBLE AND BRONZE COLUMNS

white mottled marble, with square top and tapered support, on square base with feet; H42” Sq.12” (2pcs)

$600-900 Provenance: Charleston, South Carolina private collection 732

733

13 DECEMBER 2014 -

734

Museum Vaults & Private Collections

157

736 PAIR LOUIS XVI STYLE PARCEL-GILT PIER MIRRORS

late 19th century, serpentine frame surmounted by helmet and acanthus, lower panel of spear and jerkin embellished with scrolling ribbons, with beveled mirror; H66 3/4” W24 1/4” (2pcs)

$1,000-1,500 Provenance: Atlanta, Georgia private collection

737 PAIR LOUIS XVI STYLE CARVED BEECHWOOD SIDE CHAIRS

late 19th century, ornate frame with cartouche-form padded back and floral cresting flanked by column stiles, serpentine seat on reed-and-ribbon rails, on tapered fluted legs with ankle collars; BH38” SH20 1/2” W20” D19” (2pcs)

$400-600 Provenance: Columbia, South Carolina private collection 738

738 FRENCH EMPIRE MARBLETOP AND MAHOGANY SIDE TABLE

last half 19th century, circular black marble top over tripartite stand with brass mounts; H26 7/8” Dia.21 3/4”

736

$300-500 Provenance: Wellington, Florida private collection

739 CONTINENTAL BRONZE-MOUNTED FRUITWOOD AND PORCELAIN-INSET MIRROR

torch-and-quiver pediment over medallion with figures of putti; H47” W31”

$500-700 Provenance: Charlotte, North Carolina private collection

737

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739

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

743

740

740 PAIR CONTINENTAL PARQUETRY INLAID

741 LOUIS XVI STYLE GILTWOOD AND CANE BENCH

COMMODES

last quarter 19th century, rectangular molded seat frame with cane panel, on stop-fluted tapered legs unified by H-stretcher; H18” W29 1/2” D15 3/4”

last half 19th century, serpentine top on conforming case on cabriole legs, with intricate inlays overall; H31 1/2” W25 1/4 D12 3/4” (2pcs)

$4,000-6,000

$300-500 Provenance: Atlanta, Georgia private collection

742 PAIR EMPIRE CARVED MAHOGANY AND FAUX FUR OPEN ARMCHAIRS

last half 19th century, scrolling padded back and arms terminating in rosettes, with overupholstered seat on S-curve legs with scroll toes; BH38 3/4” SH19” W24 3/4” D26 1/4” (2pcs)

$800-1,200

Provenance: Atlanta, Georgia private collection

Provenance: Wellington, Florida private collection

743 CONTINENTAL PRESSED BRASS AND EBONIZED CUSHION MIRROR

intricate floral design on mirrored ebonized wood frame, H36” W23 1/2”

$800-1,200 Provenance: Austin, Texas private collection

741

742

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159

744

746

747

744 FRENCH PROVINCIAL CARVED WALNUT PANETIERE

746 FRENCH CARVED WALNUT WINGBACK CHAIR

747 NAPOLEON III MARBLETOP AND MIXED WOOD

19th century, turned finials upon ornately carved and spindled case on cabriole legs; H35” W33”

mid 19th century, bead-and-channel frame embellished with rosettes and acanthus, serpentine back surmounted by flowerheads and ribbons, with shaped sides extending to ram’s-head handrests flanking loose seat cushion, on cabriole legs with scroll toes; BH46 1/4” SH19” W29 3/4” D28”

LAMP TABLE

$800-1,200 Provenance: Cashiers, North Carolina estate

745 CONTINENTAL MAHOGANY TWO-DRAWER STAND first half 19th century, tray top and two-drawer frieze, on S-curve legs unified by incurvate undertier; H26 3/4” W18 1/4” D12 1/4”

$300-500 Provenance: Atlanta, Georgia private collection

$700-1,000 Provenance: Columbia, South Carolina private collection Other Notes: Card accompanying chair reads: This chair was purchased while they were living in Paris.

This came from a plantation in Hancock County, Georgia. The name of the plantation is Covey-Dawn (famous for quail hunting). The owner of the plantation was Mrs. Frances Brown, the widow of John David Brown. John David Brown was the author of a novel entitled ADDIE PRAY. It was from the novel that the movie PAPER MOON was drawn. It starred Ryan O’Neal and his daughter Tatum. Mr. Brown was a correspondent for Time Magazine, stationed in Paris for a number of years. Upon returning they moved to Georgia and settled in Hancock County when they purchased this plantation. They enjoyed having their friends from the North come during the quail season. Mrs. Brown “carried on” for several years after his death - then decided to sell. She was moving to a smaller place, hence the sale of some of the furniture.

late 19th century, circular gray-veined white marble top with pierced brass gallery, with two-drawer frieze, on tapered legs with brass caps; H28” Dia.25 3/4”

$500-800 Provenance: Wellington, Florida private collection

748 CONTINENTAL BRONZE AND CRYSTAL CHANDELIER circa 1900, H36” Dia.24”

$1,000-1,500 Provenance: Isle of Palms, South Carolina private collection

745

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748

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

749 CRYSTAL FOUR-LIGHT CHANDELIER baluster stem supporting scrolling arms, mounted with prisms, H27” Dia.30”

$400-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

750 BACCARAT CRYSTAL OIL LAMPS converted to electric, unmarked, H23” (3pcs)

$500-800 Provenance: Property of a lady 752

751 PAIR FRENCH BRONZE FIVE-LIGHT WALL SCONCES late19th/early 20th century, in Louis XVI style adorned with prisms and garland, electrified; H21” W12 1/2” D12 1/2” (2pcs)

749

$400-700 Provenance: Isle of Palms, South Carolina private collection

752 ADOLF MACKEPRANG (Danish, 1833-1911) COUPLE WALKING HORSES oil on canvas, framed, signed lower left H24” W31 1/4”

$800-1,000 Provenance: Aiken, South Carolina private collection

753 FRENCH SCHOOL, 19TH CENTURY

750 753

PAIR OF PORTRAITS: MAN AND WOMAN charcoal, framed, unsigned sight H17 1/2’’ W13’’ (2pcs)

$600-900 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

754 JOHAN JENS NEUMANN (Danish, 1860-1940) SEASCAPE oil on canvas, framed, signed: lower left H26 1/2” W39”

$500-800 751

754

13 DECEMBER 2014 -

Provenance: Charleston, South Carolina private collection

Museum Vaults & Private Collections

161

755

756

755 CONTINENTAL SCHOOL, LATE 18TH/EARLY 19TH

758 CONTINENTAL SCHOOL, 19TH CENTURY

CENTURY

WARRIOR ON HORSEBACK oil on panel, framed, unsigned H33” W24”

THE COTTAGE oil on board, framed, unsigned H14 1/4” W12”

$500-800 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund Other Notes: Once attributed to Corot or Constable.

756 CONTINENTAL SCHOOL, 19TH CENTURY eight works: CRUCIFIXION OF CHRIST oil on canvas, unframed, unsigned H16” W12 1/2” (8pcs)

757

$500-800 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

759 CONTINENTAL SCHOOL, 19TH CENTURY VIOLIN STILL LIFE oil on canvas, framed, unsigned H22” W35”

$500-900 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

758

$400-800 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

757 CONTINENTAL SCHOOL, 19TH CENTURY JOVIAL MAN oil on board, framed, unsigned H8’’ W5 3/4’’

$400-600 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

759

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

760 HENDRIK JAN AUGUSTYN LEYS (CIRCLE OF) (Belgian, 1815-1869) THE MUSICIAN oil on board, framed, unsigned H11 1/2” W9 1/2”

$500-800 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

761 F. LAMBERT 760

762

(French, early 20th century) SUMMER VIEW. ALLAUCH oil on board, framed, signed lower right H15” W18 1/4”

764 CONTINENTAL SCHOOL, EARLY 19TH CENTURY IMPRESSIONIST LANDSCAPE oil on canvasboard, framed, signed lower left: S. Browgicz H20” W16”

$400-600 Provenance: Wellington, Florida private collection

$300-500

762 ARPAD DANIEL NAGY (Hungarian, 1922-1985) MARKET SCENE oil on panel, framed, signed H18 1/2” W30”

765 CONTINENTAL SCHOOL, 19TH CENTURY FIRST STEPS oil on board, framed, unsigned H15 1/2” W12 1/2”

$300-500 Provenance: Collection of a Southern lady

$300-500

761

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

763 CONTINENTAL SCHOOL, 19TH CENTURY WINTER oil on canvas, period giltwood frame, indiscernible signature lower left, inscribed Dresden H14” W10”

$300-500 Provenance: South Carolina private collection

763

765

764

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Museum Vaults & Private Collections

163

767

770

768 VIGGO LANGER

766

766 CONTINENTAL SCHOOL, 19TH CENTURY KITTEN’S LUNCH oil on panel, framed, signed & dated lower right with initials: GS 1871 H16” W13 1/2”

$400-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

(Continental, 1860-1942) HIGH TIDE, 1928 oil on canvas, framed, signed lower left, inscribed & dated verso H18 3/4” W26 1/2”

770 JOSEF KUGLER

$300-600

(German/Austrian, b. 1913) AUTUMN oil on canvas, framed, signed H24” W32”

Provenance: Wellington, Florida private collection

$200-400

769 CONTINENTAL SCHOOL, 19TH CENTURY

Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

PORTRAIT OF OLD MAN WITH SKULL oil on panel, unframed, unsigned H15 1/2’’ W13 1/2’’

$200-400 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

767 PIERRE PELTIER (Continental, 1900-1988) COUR DE FORME oil on canvas, framed, signed & titled on verso H24” W29”

$300-500 Provenance: Charleston, South Carolina private collection

768

164

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769

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

773

771 CONTINENTAL INLAID MAHOGANY AND GILT-METAL MIRROR

772 CONTINENTAL CARVED AND GILDED OVERMANTEL MIRROR

first half 19th century, scrolling frame surmounted with basket issuing floral drapery and inlaid with urn, enclosing mirror; H55” W27”

$1,000-2,000 771

Provenance: Isle of Palms, South Carolina private collection

mid 19th century, rectangular frame with outset corners surmounted with cartouche and leafy cresting, with acanthus and beaded moldings, enclosing mirrored plate; H65 3/4” W45 3/8”

$1,000-2,000 Provenance: Wellington, Florida private collection

773 FRENCH DIRECTOIRE CHERRY MARBLETOP COMMODE

late 18th/early 19th century, gray-veined marble top with lobed corners, over conforming case with three short and two long drawers, flanked by engaged half-column stiles extending to trumpet feet; H31 1/4” W51 1/4” D24 1/4”

$1,500-2,500 Provenance: Wellington, Florida private collection

774 PAIR MARBLE PEDESTALS square top and base unified by stepped column; H39 1/2” Sq.12 3/4”

$500-800 772

774

13 DECEMBER 2014 -

Provenance: Isle of Palms, South Carolina private collection

Museum Vaults & Private Collections

165

775 FRENCH NEEDLEPOINT AND PAINT-DECORATED BENCH late 19th century, rectangular form with needlepoint panel of basket of flowers with scrolling ribbon border, on frame with carved skirt, corner rosettes and tapered fluted legs; H17 1/2” W39” D13”

$400-700 Provenance: Atlanta, Georgia private collection

776 LOUIS XVI STYLE ROSEWOOD AND BRASS-MOUNTED KNEEHOLE DESK late 19th century, serpentine superstructure with marble top and shaped shelves having brass galleries, flanking prospect door with beveled mirror, on desk with five drawers with tapered fluted legs with brass caps; H47 3/8”

$800-1,200 Provenance: Collection of a Southern lady

777 PAIR CONTINENTAL LEATHER AND WROUGHT-METAL SAVONAROLA CHAIRS

first part 20th century, BH31 1/2” SH16” W23” D18” (2pcs)

$400-800 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

776

775

166

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777

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

778 FRENCH PAINTED AND GILT-DECORATED CANOPY BED

late 19th century, molded oval crown canopy held on metal supports, fluted carved beechwood painted grey and upholstered in striped fabric, in the manner of G. Jacob; H103 1/2” W47 1/8” L79 1/8”

$2,000-4,000

778

Provenance: Cashiers, North Carolina estate

779 CONTINENTAL GILT OVAL MIRROR 19th century, scrolling leafy cresting and terminal, beaded frame enclosing mirrored plate, H51” W31 1/2”

$500-700 Provenance: Charleston, South Carolina collection

780 CONTINENTAL WALNUT WORK STAND 19th century, hinged tray top with green baize insert, with single frieze drawer and cove-molded lower drawer, with S-curve legs unified by shaped undertier; H29 3/4” W26 1/2” D17 1/4”

$500-700 779

780

13 DECEMBER 2014 -

Provenance: Atlanta, Georgia private collection

Museum Vaults & Private Collections

167

781 CONTINENTAL ROSEWOOD BABY CRADLE, PROBABLY FRENCH late 19th century, twist-turned mobile hanger terminating in dragon’s head, above slat basket gimbaled between trestle supports and base unified with correspondening stretcher; overall H69 1/2” W48 1/2” D22”

$800-1,200 Provenance: Isle of Palms, South Carolina private collection

782 MINIATURE LOUIS XVI STYLE CARVED FRUITWOOD BERGERE

20th century, reed-and-ribbon frame with upholstered panels and seat, on fluted tapered legs; BH23” SH12” W16 1/2” D16”

$200-300 Provenance: Atlanta, Georgia private collection

783 FRENCH PROVINCIAL CARVED CHERRY ARMOIRE

19th century, molded crown over flowerhead and tendril-carved frieze, pair long doors with scrolling panels and corresponding scalloped skirt, on cabriole legs; H90” W58 1/2” D24”

781

783

782

784

$1,000-2,000 Provenance: Atlanta, Georgia private collection

784 ADAM STYLE CARVED MAHOGANY PEDESTAL molded edge top and tapered body, on graduated base; H47” Sq.15”

$200-400 Provenance: Charleston, South Carolina private collection

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

785 NEAR PAIR RENAISSANCE REVIVAL ARMCHAIRS

787 EGYPTIAN REVIVAL CARVED MAHOGANY AND FAUX

late 19th century, oak and walnut examples with scrolling carved crestrail, lion’s-mask armrests and turned legs: BH48” SH16” W26” D23” (2pcs)

FUR ARMCHAIR

first half 19th century, rectangular padded back and overupholstered bowfront seat, flanked by arms with mask-head terminals extending to tapered legs; BH34 5/8” SH17 1/2” W23” D23”

$500-700 Provenance: Property of a lady

$600-900 Provenance: Wellington, Florida private collection

786 CONTINENTAL INLAID WALNUT SECRETAIRE A ABATTANT

19th century, molded crown over fallfront, opening to fitted interiors, over doors and molded base with bracket feet, H60” W31” D14 1/2”

$800-1,200 Provenance: Property of a lady

788 PAIR LOUIS XVI STYLE CARVED AND PAINT-DECORATED BERGERES 20th century, shaped and molded frame with padded back and loose seat cushion, on short cabriole legs; BH30 1/2” SH15 1/2” W25” D26 1/2” (2pcs)

$500-800 Provenance: Atlanta, Georgia private collection

789 FRENCH EMPIRE CIRCULAR MAHOGANY AND MARBLETOP SIDE TABLE

last half 19th century, black marble top and conforming frieze on three columns with brass mounts intersecting tripartite base, on bun feet; H26 7/8” Dia.21 3/4”

$300-500 Provenance: Wellington, Florida private collection

786

785

789

787

13 DECEMBER 2014 -

788

Museum Vaults & Private Collections

169

790 FRENCH CARVED WALNUT BED

793 CONTINENTAL CARVED

late 19th/early 20th century, carved molded frame, floral carved pediment on scrolling legs; H60” W58” D78”

FRUITWOOD DRESSER

$400-600 Provenance: Charlotte, North Carolina private collection

18th century, rectangular top with clipped corners over two drawers and two paneled doors, with shaped skirt and feet; H37” W58” D24”

$800-1,200

791 FRENCH PAINT-DECORATED AND UPHOLSTERED

794 CONTINENTAL THREE-PANEL

BERGERE

SCREEN

bead-and-channel frame with floral cresting, padded back, arms and loose cushion, on cabriole legs; BH38 3/4” SH20 1/2” W29 1/4” D26”

early 19th century, pictorial wallpaper panels mounted on arched green painted wood frames; H66 1/2” W25 1/4” closed

$300-500

$300-500

Provenance: Atlanta, Georgia private collection

Provenance: Atlanta, Georgia private collection

793

792 FRENCH FRUITWOOD NIGHTSTAND circa 1880, shaped top and three-quarter gallery, small drawer extends from side of frieze, on cabriole legs; H21 3/4” W18 5/8” D13 7/8”

$200-400 Provenance: Atlanta, Georgia private collection

792

791

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790

CELEBRATING 85 YEARS

794

OF

DISCOVERING EXTRAORDINARY OBJECTS

796 ADRIAEN VAN OSTADE

797

$2,000-4,000 Provenance: Collection of a Southern lady

795

795 ADRIAEN VAN OSTADE (Dutch, 1610-1685) eight works: THE COBBLER, THE GOSSIPS, THE WANDERING MUSICIANS, THE ORGAN GRINDER, THE EMPTY JUG, THE SMOKER AND THE DRINKER, THE SMOKER, and THE PEASANT various editions, unframed, signed in plate images from H2 1/2” W2 1/8” to H6 3/4” W5 1/2” (8pcs)

$2,000-4,000 Provenance: Collection of a Southern lady

797 COLLECTION 18TH CENTURY OLD MASTER STUDY DRAWINGS 10 studies depicting religious, genre, allegorical, and landscape scenes in red chalk, ink, and graphite unframed, some signed, from H7 1/4” W4” to H18 1/4” to W13 1/4” (10pcs)

$1,000-1,500 Provenance: Collection of a Southern lady

798

798 ADRIAEN VAN OSTADE (Dutch, 1610-1685) THE ANGLER later edition etching, unframed, signed in plate image H4 1/4” W6 1/4”

Works by the Old Masters

(Dutch, 1610-1685) eight works: THE PIG KILLERS, (2) PRAYER BEFORE THE MEAL, THE BARN, THE WANDERING MUSICIANS, THE ORGAN GRINDER, THE SMILING SMOKER, and THE FARMER WHO PAID HIS BILL various editions etchings, unframed, signed in plate images from H4” W3 1/2” to H6” W7 1/2” (8pcs)

$1,000-1,500 Provenance: Collection of a Southern lady

799 REMBRANDT VAN RIJN (Dutch, 1606-1669) JAN ANTONIDES VAN DER LINDEN drypoint etching, framed, unsigned image H4 3/4” W4”

$500-800

796

Provenance: Collection of a Southern lady Purchased Swann Galleries, November 12, 1998, Lot 158

13 DECEMBER 2014 -

799

Museum Vaults & Private Collections

171

800 JEAN-BAPTISTE JOUVENET (CIRCLE OF) (French, 1644-1717) MOTHER AND CHILD pencil drawing, framed, unsigned sight H11 1/2” W18”

$500-800 Provenance: Collection of a Southern lady

801 JAN PEETER VERDUSSEN

800

(Flemish, 1700-1763) pair sketches TRAVELERS graphite on paper, unframed, one signed lower left (2pcs)

801

$400-700 Provenance: Collection of a Southern lady

802 OLD MASTER DRAWING (Dutch, 18th century) AVARITIA pen and ink, framed, signed lower right: Z sheet H5” W4 1/2”

$200-400 Provenance: Collection of a Southern lady

803 CORNELIS BLOEMAERT (Dutch, 1603-1692) SAINT JOHN THE EVANGELIST pen, ink and wash over black chalk, framed, unsigned, museum label on verso sight H7 1/4” W5”

$500-800 Provenance: San Francisco, California private collection Exhibitions: From Botticelli to Matisse; Masterworks of the Guccione Collection, Nassau County Museum of Art, Roslyn Harbor, New York, January 16 - April 3, 1994

804 MADONNA OF THE POMEGRANATE, AFTER RAPHAEL print, framed, image H16” W11 1/2”

$100-150 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

803

802

805 ITALIAN OLD MASTER SCHOOL, 18TH CENTURY THE PRESENTATION OF THE VIRGIN oil on canvas, framed, unsigned H25” W29”

$2,000-3,000 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

805

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

806

807

806 FRANCOIS BOUCHER (AFTER)

807 CLAUDE-JOSEPH VERNET (AFTER)

(French, 1703-1770) SLEEPING BACCHANTES oil on canvas, framed, unsigned H34 1/4” W43 1/4”

(French, 1714-1789) TEMPEST IN THE GULF OF PALERMO oil emulsion on copper, framed, unsigned, verso inscribed Tempest in the Gulf of Palermo H16” W20”

$1,000-2,000 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund Other Notes: Frame bearing plaque inscribed: Bacchantes Endornies by Francois Boucher, (French, 1703-1770).

$1,000-2,000 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

808 DUTCH SCHOOL, 18TH/19TH CENTURY THE DELEGATION oil on canvas, framed, unsigned H28” W39”

$500-1,000 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

808

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Museum Vaults & Private Collections

173

809

811

809 CONTINENTAL SCHOOL, 19TH CENTURY FLORAL STILL LIFE WITH BIRD oil on canvas, framed, unsigned H23 1/2” W28 1/2”

$500-800 Provenance: San Francisco, California private collection

810 CHARLES-ANDRE VAN LOO (MANNER OF) (French, 1705-1765) THE PET DOVE oil on canvas, unframed, unsigned H28 1/2 W33 1/4

$500-800 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

811 OLD MASTER GENRE SCENE, 17TH/18TH CENTURY WISE OLD WOMAN oil on canvas, framed, unsigned H22 1/2” W36”

$500-900 810

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

812 OLD MASTER STILL LIFE PAINTING, 17TH/18TH CENTURY ARRANGEMENT IN LANDSCAPE oil on canvas laid to board, framed, unsigned H24” W28 1/2”

$500-900 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

812

174

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

813

816

813 CONTINENTAL SCHOOL, 18TH/19TH CENTURY

816 JACOPO AND FRANCESCO BASSANO (MANNER OF)

CAPRICCIO LANDSCAPE oil on canvas, framed, unsigned

(Italian, 16th century) FLOCK AND HERDER IN PASTORAL LANDSCAPE oil on canvas, framed, signed H16” W22”

$500-800 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

814 WILLIAM-ADOLPHE BOUGUEREAU (MANNER OF) (French, 1825-1905) LOVE DISARMED oil on canvas, framed, unsigned H20” W16”

$400-600 Provenance: San Francisco, California private collection

815 NICOLAS POUSSIN (MANNER OF) (French, 1594-1665) JOHN THE BAPTIST oil on canvas, framed, unsigned H29” W23”

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

815

814

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Museum Vaults & Private Collections

175

817 MASSIVE BLACK FOREST CARVED MANTEL CLOCK late 19th century, red deer stags atop foliate and branch-carved mountainous crag with gamebirds on Rococo base, centering French enameled and gilt clock dial, unmarked; H40” W26” D10”

$1,000-1,500 Provenance: Savannah, Georgia private collection

818 ENGLISH STERLING-MOUNTED AND SHELL-CLAD CARRIAGE CLOCK, JAMES BEEBE London dated 1890, pagoda form with pierced sterling top, panels and mounts over shell-veneered case, housing polished dial and works; complete hallmarks, H8 1/2” W5” D4 1/2”

$600-900 Provenance: Palm Desert, California private collection

819 ENGLISH INLAID MAHOGANY BAROMETER, F. MANGIACAVALLO 19th century, marked: F. Mangiacavallo, 17 Leather Lane Holborn, H38” W9 3/4”

$200-400 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

817

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818

CELEBRATING 85 YEARS

OF

819

DISCOVERING EXTRAORDINARY OBJECTS

820 ENGLISH BRASS-INLAID MAHOGANY BRACKET CLOCK

19th century, domed case centering painted dial concealed by glazed panel door, on bun feet; H14” W9 1/4” D6 3/4”

$300-500 Provenance: Property of a lady

821 LOUIS XVI STYLE BRONZE LYRE CARTEL WALL CLOCK, JAPY FRERES last half 19th century, laurel and ribbon-encrusted lyre centering enameled dial clock; H36” W15 1/2” D3 1/2”

$1,000-2,000 Provenance: Atlanta, Georgia private collection

822 VIENNA WALNUT REGULATOR WALL CLOCK late 19th century, ornate case with glazed door and sidelights, H52” W15 1/2” D7”

820

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

823 SLATE AND ROUGE MARBLE MANTEL CLOCK

822

late 19th century, gilt-decorated ornate case housing time and strike movement, unmarked; H13 1/2” W10” D6 1/4”

$300-500 Provenance: Property of a lady

821

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823

Museum Vaults & Private Collections

177

826

826 PAIR PAIR PORCELAIN URNS AND VEILLEUSES 19th century, comprising: pair pictorial-decorated urns, H11 1/2” 2 segmented warmers, H9” and 7” (4pcs)

$500-800 Provenance: Property of a lady 824

824 PAIR PARIS PORCELAIN POLYCHROME-DECORATED URNS, DARTE FRERES

825 PAIR FRENCH POLYCHROME PORCELAIN ICE PAILS, GOSSE

circa 1820, extensive scenes on pedestal urn form flanked by mask handles, one marked: Darte F. and other with old paper label; H17 1/2” W11” (2pcs)

$3,000-5,000

Paris, circa 1840, gilt floral finial set within welled cover on urn with liner, decorated with vibrant floral cartouches on celeste blue ground and gilt accents; one marked: Gosse a Paris; H10 1/2” W10” (2pcs)

Provenance: Aiken, South Carolina private collection

$1,200-1,800 Provenance: Aiken, South Carolina private collection 827

827 PARIS PORCELAIN DESSERT SERVICE late 19th century, chinoiserie pattern, comprising: teapot, H8 1/2” covered sugar, H6 1/2” creamer, H6” wastebowl, H3” 12 plates, Dia.7 1/2” 8 cups, 2 3/4” (24pcs)

$300-500 Provenance: Charlotte, North Carolina private collection

825

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

The Swan Service

828

830

829

828 MOTTAHEDEH SWAN SERVICE BREAD AND BUTTER PLATES

831 MOTTAHEDEH SWAN SERVICE COFFEE SERVICE

circa 1985-99, Dia. 6 3/4” (16pcs)

circa 1985-99, comprising: coffepot, H6 1/2” covered sugar, H7” creamer, H6” (3pcs)

$800-1,200 Provenance: Columbia, South Carolina private collection Other Notes: These Mottahedeh pieces are replicas of the famous Schwanenservice (Swan Service). The Meissen original service (c. 1737-43) was made for Count von Bruhl, andeventually numbered over 2200 pieces.

$800-1,200 Provenance: Columbia, South Carolina private collection

829 MOTTAHEDEH SWAN SERVICE PLATES circa 1985-99, Dia. 9” (16pcs)

$1,000-1,500 Provenance: Columbia, South Carolina private collection

830 MOTTAHEDEH SWAN SERVICE DINNER PLATES circa 1985-99, Dia.10 1/2” (16pcs)

$1,200-1,800 Provenance: Columbia, South Carolina private collection

831

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179

832

833

832 MEISSEN PORCELAIN SERVING PIECES

834 HEREND FRUIT & FLOWER PATTERN

floral pattern, comprising: covered vegetable, H7” round platter, Dia.13 1/2” platter, L18 1/2” fish platter, L21 1/2” square bowl, H3 1/2” Sq.9” coffeepot, H9” teapot, H6” creamer, H6” open sugar, H2 1/2” hot milk jug, H6” 5 cups with 1 saucer leaf-shaped serving dish, W10” 10 leaf-shaped dishes, W5 1/2” serving bowl, Dia.10 1/2” 9 plates, Dia.9 1/2” together with 4 cups and 1 saucer of associated floral pattern (42pcs)

TUREENS AND SERVING PIECES

$500-800 Provenance: Property of a lady

2 tureens, H12” and 5 1/2” square dish, H2 1/2” W11” divided dish, W13” 2 serving spoons, L8” and 9” oval platter, L11” oblong dish, W7” leaf dish, L4” round dish, Dia.10 1/2” 2 square platters, W11” platter, L18 1/2” (13pcs)

$1,200-1,800 Provenance: Columbia, South Carolina private collection 834

835 KPM PORCELAIN JARDINIERE

833 CONTINENTAL FLORAL-PAINTED PORCELAIN

19th century, acanthus and gilt-decorated oblong basin on scroll feet, marked, H5 1/2” L26 1/2” D10”

PLAQUE

$400-700

19th century, ornate gilt-carved wood frame encased in shadowbox, H16 1/2” W14 3/4” D3 1/2”

$500-800

Provenance: Isle of Palms, South Carolina private collection

Provenance: Isle of Palms, South Carolina private collection 835

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OF

DISCOVERING EXTRAORDINARY OBJECTS

836 MEISSEN PORCELAIN DESK SET

838 COLLECTION OF EUROPEAN

Ming Dragon pattern, comprising: 2 inkpots, H2 1/4” blotter, L4 1/2” note card holder, H5” tray, W11” (5pcs)

PORCELAINS

$300-500 Provenance: Columbia, South Carolina private collection

837 HEREND FRUIT & FLOWER PATTERN DINNER SERVICE

comprising: 8 plates, Dia.10 3/4” 4 plates, Dia.10” 8 plates, Dia.7 3/4” 8 plates, Dia.7 1/2” 8 bread & butter plates 7 butter pats 9 cups and saucers coffepot, H8 1/2” teapot, H5 1/2” covered sugar, H4” creamer, H4” tray, Dia.14 1/2” (66pcs)

Hebe figure, bearing gold anchor mark, H7 1/4” Roman warrior, bearing gold anchor mark, H8” German porcelain chamberstick, H2 1/2” Paris porcelain urn, H11” Staffordshire pottery lamb, H2 1/2” (5pcs) 837

$300-500 Provenance: Former collection of Historic Charleston Foundation; sold to benefit the museum collection fund

839 HEREND ROTHCHILD BIRD PATTERN SERVING PIECES

comprising: covered vegetable, H5” 2 trays, L16” shaped dish, W10” reticulated basket, W11” reticulated bowl, Dia.6” reticulated plate, Dia.9 1/2” covered box, W5” (8pcs)

$1,000-1,500 Provenance: Columbia, South Carolina private collection

840

840 HEREND CHINESE BOUQUET PATTERN SERVING PIECES

$600-900 Provenance: Columbia, South Carolina private collection

rust color, comprising: 2 covered serving dishes, W7 1/2” and 9” covered tureen, H10” W12” D8” round shallow dish, Dia.10 1/2” 2 platters, L16 1/2” (6pcs)

$500-800 Provenance: Estate of Jerry Carkhuff Eschenbrenner, Sea Island, Georgia

836

838

839

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844

841

843 HEREND CHINESE BOUQUET PATTERN

841 FINE PAIR DUTCH DELFT VASES

TABLEWARES

probably 18th century, molded paneled baluster form decorated with chinoiserie scenes in blue and white with vibrant accents; marked MP; H9 1/2” (2pcs)

$300-500 Provenance: Charleston, South Carolina private collection Estate of Andrew Kerns, Columbia, South Carolina

842 HEREND PORCELAIN TABLEWARES AND MOTTAHEDEH POTPOURRI

843

pair cachepots, H5” cachepot, H6” 2 reticulated compotes, H8” and 10 1/2” pair 2-light candelabra, H9” pair reticulated covered boxes, H5 1/2” covered box, H4” Dia.6 1/2” reticulated box, H4” flower arrangement, H5 1/4” covered box with handle, W7 1/2” 5 fruit and flower sculptures, H2” and Mottahedeh Historic Charleston potpourri, H6 1/2” (66pcs)

rust color, comprising: coffeepot, H10” 20 cups with 38 saucers tray, Dia.14 1/2” six-compartment Hors D’Oeuvre set, Dia.15” 18 leaf-shape dishes, L4” leaf-shaped dish, L5 1/4” 4 miniature urns, H3” 3 covered boxes, L3” to 7” shaped dish, L5” 13 ashtrays, W3 1/2” to 4 1/2” (106pcs)

$500-800 Provenance: Estate of Jerry Carkhuff Eschenbrenner, Sea Island, Georgia

844 CONTINENTAL PORCELAIN PAIRS OF FIGURES 19th century, comprising: two pairs Paris porcelain, H8 1/2” and 7 1/2” pair Scottish figures, H8 1/2” pair Sitzendorf, H9” pair Meissen H5 1/2” pair Staffordshire, H7 1/2” (12pcs)

$500-900

$800-1,200

Provenance: Charleston, South Carolina private collection

Provenance: Columbia, South Carolina private collection 842

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

847 WEDGWOOD KUTANI CRANE PATTERN PORCELAIN DINNER SERVICE

845

845 HEREND CHINESE BOUQUET PATTERN DINNER

846 ROSENTHAL BJORN WIINBLAD CHRISTMAS

SERVICE

PLATES

rust color, comprising: 11 plates, Dia.10 3/4” 17 plates, Dia.10 1/4” 8 soup plates, Dia.9 1/2” 17 crescent dishes, W8 1/4” 17 salads, Dia.7 1/2” 17 bread & butter, Dia.6” (87pcs)

1975 The Annunciation 1976 Angel with Trumpet 1977 Adoration of the Shepherds 1978 Angel with Harp 1979 Exodus from Egypt 1980 Angel with Glockenspiel 1981 Christ Child Visits Temple 1982 Christening of Christ each contained within original boxes, Dia.11 1/8” (8pcs)

$1,500-2,500 Provenance: Estate of Jerry Carkhuff Eschenbrenner, Sea Island, Georgia

circa 1971-98, comprising: 12 plates, Dia.10 3/4” 9 plates, Dia.8” 4 soup plates, Dia.8” plate, Dia.7” 10 bread & butter, Dia.6” 4 coffee cups with saucers 10 teacups with saucers 8 butter pats, Dia.4” platter, L14” covered vegetable, H6” gravy boat, H5” trivet, Dia.11” coffeepot, H9” teapot, H5” covered sugar, H4” creamer, H2 1/2” jelly or honey pot, H4” 7 small dishes, W4 1/2” to 7” 4 shakers, H3 1/2” vase, H4” 2 toothpick holders, H2 1/2” candleholder ashtray (97pcs)

$1,000-1,500 Provenance: Columbia, South Carolina private collection

$500-700 Provenance: Columbia, South Carolina private collection

846

847

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183

848 VALLAURIS POTTERY OYSTER PLATE SET mid-century, mottled glaze in vibrant colors over black, impressed mark, Dia.9 1/2” (8pcs)

$300-400 Provenance: Charleston, South Carolina private collection

849 GIEN SAVANE PATTERN DESSERT SERVICE circa 1992-2010, comprising: 9 plates, Dia.9” 9 cups with saucers round tray, Dia.12” (28pcs)

$400-600 Provenance: Charlotte, North Carolina private collection

848

849

850 PAIR ENGLISH PORCELAIN CANDELABRA, POSSIBLY CHELSEA circa 1845, figures of Poseidon and Amphitrite shadowed by tree issuing candlearms, on shell and seagrass-encrusted Rococo base, bearing gold anchor marks; H15” W9 1/2” (2pcs)

$400-600 Provenance: Former collection of Historic Charleston Foundation; sold to benefit the museum collection fund

850

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

851 SPODE CHRISTMAS ROSE PORCELAIN BREAKFAST SERVICE comprising: 30 plates, Dia.10 3/4” 12 mugs, H3 3/4” gravyboat with underplate oval serving dish, L9” platter, L14” covered sugar creamer all marked: Made in England (60pcs)

$800-1,200 Provenance: Columbia, South Carolina private collection 851

852 ROYAL DOULTON ORMONDE PATTERN DINNER SERVICE circa 1927-60, comprising: 12 plates, Dia.10 1/4” 12 plates, Dia.9” 15 square plates, W7 3/4” 8 soup plates, Dia.8” 8 berry bowls, Dia.5 3/4” 6 bouillon cups with saucers 14 cups with saucers 12 demitasse with saucers creamer covered sugar covered vegetable, W10 1/4” 4 candleholders, Dia.6” (127pcs)

$1,000-1,500 Provenance: Charlotte, North Carolina private collection 852

853 COALPORT HUNTING SCENE PATTERN PORCELAIN DINNER SERVICE comprising: 8 plates, Dia.10 3/4” 8 plates, Dia.8/4” 9 soup plates, Dia.8” 8 bread and butter, Dia.6” 2 footed cups with saucers 6 cups with saucers (49pcs)

$600-900 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

853

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185

855

856 INDUSTRIAL DESIGN WROUGHT-IRON AND GLASS CENTER TABLE

wrench pedestal base, H32” Dia.36 1/2”

$300-600 Provenance: Charleston, South Carolina private collection

857 PAIR WROUGHT-IRON AND GLASS GARDEN TABLES

857

round glass top, over pierced skirt and scrolling legs, H21 1/2” Dia.24 1/4” (2pcs) 854

854 CONTINENTAL BRONZE FIGURAL FOUNTAIN

$300-600 Provenance: Charleston, South Carolina private collection

depicting putti with dolphin and sea turtle, on shellform base, H56” Dia.29”

$1,000-1,500 Provenance: Charleston, South Carolina collection

855 PAIR WROUGHT-IRON GARDEN BENCHES scrolling crest, lattice seat, scrolling legs and feet, BH43” SH16” W36” D26” (2pcs)

$600-900 Provenance: Charleston, South Carolina private collection

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856 with top detail

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

858

860

858 GEORGIAN FIGURED WALNUT MIRROR

860 CHIPPENDALE STYLE

late 18th century, scalloped frame centering looking glass, H37 1/2” W20”

MAHOGANY AND

$500-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

859 WILLIAM IV CARVED MAHOGANY OVERMANTEL MIRROR

circa 1840, rectangular form with stepped and molded crown, engaged half columns and corner rosettes, enclosing looking glass; H39 1/4” W25 3/4”

$200-400

861

GILT-DECORATED LOOKING GLASS

late 19th/early 20th century, shaped frame with broken-arch pediment centering eagle, with bellflower drapery and rectangular looking glass; H58” W26”

$500-900 Provenance: South Carolina collection

862

861 GEORGE III INLAID MAHOGANY TILT-TOP BREAKFAST TABLE

first quarter 19th century, crossbanded top over urn-form pedestal issuing four reeded saber legs with brass paw feet and casters; H28 1/4” Dia.47”

$1,000-1,500

862 GEORGIAN MAHOGANY DINING CHAIRS circa 1790, assembled set of eight, comprising two sets of four; carved crestrail, pierced splat, tapered reeded legs joined by molded stretcher; BH34” SH18” W20” D17” (8pcs)

$1,200-1,800

Provenance: Isle of Palms, South Carolina private collection

859

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863 GEORGE III INLAID MAHOGANY SIDEBOARD first half 19th century, serpentine top over doors and drawers on chamfered tapered legs with spade feet; H36 1/2” W57” D24”

$900-1,500 864 REGENCY STYLE INLAID MAHOGANY DOUBLE PEDESTAL TABLE crossbanded top fitted with two 20-inch leaves, on carved turned pedestal supports with saber legs with brass casters; H30” W46” L112” open

$1,000-2,000 Provenance: Isle of Palms, South Carolina private collection

865 ENGLISH MAHOGANY BOWFRONT CHEST OF DRAWERS

863

circa 1840, two short over three long drawers and splayed feet; H40 1/2” W42” D20”

$800-1,400 Provenance: Property of a Southern lady

866 QUEEN ANNE STYLE MAHOGANY CORNER CHAIR circa 1890, carved scrolling handrest over urn splats, serpentine frontrail on shell-carved legs with trifid feet, BH31 1/2” SH17” W31” D23”

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

867 PAIR GEORGE III STYLE CARVED MAHOGANY TILT-TOP TABLES

864

scalloped and dished top carved with acanthus, with bird-cage support and fluted standard issuing three S-curve legs with leafy embellishments and ball-and-claw feet; H28 1/2” Dia.29 1/4” (2pcs)

$500-700 Provenance: Isle of Palms, South Carolina private collection

865

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866

CELEBRATING 85 YEARS

867

OF

DISCOVERING EXTRAORDINARY OBJECTS

868 QUEEN ANNE STYLE CARVED MAHOGANY STOOL

870 PAIR SHERATON CARVED MAHOGANY ARMCHAIRS

late 19th century, monogrammed needlework-upholstered seat, on carved cabriole leg frame, H20” W26” D19”

early 19th century, fluted tablet crest over slat back, outturned arms flanking overupholstered seat, on tapered legs unified by H-stretcher; BH35 3/4” SH18 1/2” W22” D20” (2pcs)

$200-400 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

869 GEORGIAN STYLE WALNUT AND LEATHERTOP CONSOLE TABLE

868

rectangular molded top over two drawers opposing faux drawers, on cabriole legs with shell-carved knees and ball-and-claw feet, H31 1/2” W42” D23 7/8”

$300-500 Provenance: Charleston, South Carolina collection

$500-800 871 GEORGE III ACCORDIAN-ACTION CARVED MAHOGANY GAMES TABLE

late 18th/early 19th century, hinged top and blind fretwork skirt, on square legs; H28 3/4” W35 7/8” D17 3/4”

$500-800 Provenance: Charleston, South Carolina private collection

872 ENGLISH MAHOGANY THREE-DRAWER CHEST early 19th century, rectangular molded top over side drawer and opposing faux drawer, two front drawers, on tapered legs; H29” W30 5/8” D17 1/4”

$300-500 873 MAHOGANY HALF-MOON DESK semi-circular superstructure with brass gallery and small drawers, on demilune desk with leather writing surface and three frieze drawers, on tapered fluted legs with casters; H36” W57 1/8” D26 3/8”

869

871

$500-800 Provenance: Collection of a Southern lady

870

872

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874 ENGLISH INLAID WALNUT CHEST OF DRAWERS third quarter 19th century, molded edge chamfered top over four drawers, on bracket feet; H33 1/2” W40 1/4” D18 1/4”

$700-900 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

875 PAIR HEPPLEWHITE STYLE PAINTED SATINWOOD ARMCHAIRS

pierced urn-shaped back, over tufted upholstered seat and molded armrests, on tapered legs with spade feet; BH38 1/2” SH19” (2pcs)

$300-500

877

Provenance: Columbia, South Carolina private collection

876 GEORGIAN STYLE INLAID MAHOGANY BOOKCASE ON STAND

late 19th century, molded cornice over glazed doors before shelves, on stand with shaped skirts and undertier unifying tapered legs with spade feet; H67 3/4” W48 1/4” D13 3/4”

$700-1,000

874

878 ENGLISH CARVED MAHOGANY BOWFRONT SIDEBOARD

late 19th century, shaped top with backsplash and gadroon edge, with central bowed and valanced drawer flanked by doors with applied carved scrollwork, on turned legs with ball-and-claw feet; H39” W60 1/4” D26 1/2”

$700-1,000 Provenance: Fitzgerald, Georgia private collection

877 BRITISH COLONIAL PLANTATION CHAIR 875

last half 19th century, cane sling seat and shaped armrests, on turned legs; BH36” SH18” W29” D46”

$300-500 Provenance: Charleston, South Carolina private collection

878

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876

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

879 ENGLISH MAHOGANY CHEST OF DRAWERS mid 19th century, five-drawer configuration on bracket feet; H41” W43” D21 1/2”

$700-900 Provenance: Wilmington, North Carolina private collection

880 GEORGIAN MAHOGANY DEMILUNE GAMING TABLE late 18th century, semi-circular hinged top over conforming skirt and tapered legs on pad feet, H28 3/4” W27” D13 1/4”

$600-900 Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund 879

881 CHIPPENDALE STYLE CARVED MAHOGANY FOOTSTOOL

mid 19th century, damask slip seat in gadroon rails, on cabriole legs with leaf carving, ankle collars and ball-and-claw feet; H19” W25” D19 1/2”

$300-500 Provenance: Isle of Palms, South Carolina private collection

882

880

882 BRITISH ISLE OAK LINEN PRESS, POSSIBLE SCOTTISH late 19th century, molded crown and doors concealing fitted interior, on lower part with short and long drawers and bracket feet; H82 1/2” W42” D20”

$600-900 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

883 CHIPPENDALE STYLE MAHOGANY WRITING TABLE early 20th century, rectangular top with full gallery, five drawers and scalloped skirt, on straight chamfered legs, H31 1/4” W42 1/4” D22 1/4”

$400-600 Provenance: Charleston, South Carolina collection

881

883

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884 GEORGE III STYLE INLAID MAHOGANY SERPENTINE SERVER

late 19th century, shaped and crossbanded top over three drawers, on tapered legs with spade feet carved with bellflower drops; H34 3/8” W21” D54 1/8”

$500-700 885 ENGLISH FRUITWOOD AND UPHOLSTERED WINGBACK CHAIR

early 19th century, serpentine back and outscrolled arms flanking loose seat cushion, on cabriole legs with hoof feet; BH42 1/4” SH20” W33 1/2” D32”

884

$400-700 Provenance: Isle of Palms, South Carolina private collection

885

886 GEORGIAN STYLE MAHOGANY FOOTSTOOL late 19th century, slip seat in shaped rails, on cabriole legs with pad feet; H20 2/34” W21 1/2” D15 1/2”

$200-400 Provenance: Isle of Palms, South Carolina private collection

887 GEORGE III STYLE CARVED MAHOGANY CORNER CABINET

mid 19th century, canted dentil-molded crown with glazed door before shaped shelves, lower paneled door with bead-and-lozenge molding, on bracket base; H78” W33 1/2” D17 1/2”

886

$700-900 888 CHINESE CHIPPENDALE STYLE MAHOGANY GAMES TABLE

circa 1800, hinged top, molded skirt, carved molded legs; H29” W36” D17 1/2” and 35” open

$400-600

888

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CELEBRATING 85 YEARS

887

OF

DISCOVERING EXTRAORDINARY OBJECTS

889 NEEDLEPOINT AND UPHOLSTERED OTTOMAN floral needlepoint panel, fringe-trimmed and topnailed; Sq.25”

$300-400 Provenance: Isle of Palms, South Carolina private collection

890 ENGLISH MAHOGANY DROP-LEAF TABLE 19th century, rectangular top with square-edge leaves, on bead-and-channel legs; H28” W58 1/4” open D48 1/4”

$600-900 891 BIGELOW KENNARD INLAID MAHOGANY TUBULAR CHIME CLOCK Massachusetts, late 19th/early 20th century, goose-neck pediment with brass finials above arched glazed door flanked by colonettes, eight-day time and strike movement with moon phase in the arch, waist section with reeded quarter columns and lower case with urn medallion, quarter fans and bracket base; H95 1/4” W22 1/4” D15 3/8”

$1,000-2,000 Provenance: California private collection

892 AMERICAN MAHOGANY TALLCASE CLOCK early 20th century, broken arch crown with brass finials, arched glazed panel door flanked by column supports, lower part with glass door and molded base on bun feet; H94” W20 1/2” D12”

$1,000-1,600 Provenance: Property of a lady

891

892

889

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193

Asian Works of Art

893

893 CHINESE MANDARIN PORCELAIN VASES Qianlong period, quatrefoil form flanked by stylized kui-dragon handles and decorated with panels of figures at leisure; H9” and 15” (2pcs)

895

894

895 CHINESE BLUE-AND-WHITE PORCELAIN COVERED JAR, DOUBLE-RING MARK Qing dynasty, ovoid vessel with lotus petal-form cartouches adorned with dragon scenes, H13”

$500-800

$300-500

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

894 PAIR CHINESE BLUE-AND-WHITE PORCELAIN VASES

896 CHINESE ROSE MEDALLION PORCELAIN VASE,

Qing or Republic period, probably Mideastern market, on later stands, H9” (2pcs)

CONVERTED TO LAMP

$300-600

19th century, figural vignettes on floral-and-foliate ground, electrified, H14 1/2”

Provenance: Indian Land, South Carolina private collection

$200-400 Provenance: Property deaccessioned from a Virginia institution to benefit the collections and conservation funds

896

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

897 CHINESE CANTON PORCELAIN PLATTERS 18th/19th century, L13 1/2”, 16” and 18” (3pcs)

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

898 NEAR PAIR CHINESE BLUE-AND-WHITE PORCELAIN VASES

late Qing Dynasty, one with phoenix and other with dragon design, H22 1/2” and 23” (2pcs)

$500-900 897

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

899 CHINESE PORCELAIN PUNCH BOWL 19th century, unusual cobalt band over floral sprays, H4 1/2” Dia.11 1/4”

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

900 PAIR CHINESE BLUE-AND-WHITE PORCELAIN URNS 900

Qing dynasty, ruyi head and phoenix design on fishscale ground, H13” (2pcs)

$600-800 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

901 CHINESE INCISED-CARVED CELADON VASE, PROBABLY LONGQUAN

898

Ming or Qing dynasty, blossom and vine boldly carved baluster form with flared rim, covered with thick sea-green glaze; H13”

$800-1,200 Provenance: Cashiers, North Carolina estate

899

901

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Museum Vaults & Private Collections

195

902

903

904

905

906

902 CHINESE EXPORT PORCELAIN BOWL circa 1800, square shape with canted corners, decorated with lattice and medallion designs, H15” W9 1/2”

$400-600 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

903 PAIR CHINESE NANKING PORCELAIN VASES circa 1800, ovoid form, floral and scenic vignettes decorations against “chicken skin” background, H10” (2pcs)

$500-800 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

904 CHINESE BLUE-AND-WHITE PORCELAIN COVERED URN

Qing dynasty, figural finial on domed cover and petal-molded ovoid vase decorated with pictorial vignettes, H24”

$400-700

905 CHINESE BLUE-AND-WHITE DECORATED VASE, FOUR-CHARACTER MARK

906 CHINESE BLUE-AND-WHITE URN, KANGXI FOUR-CHARACTER MARK

Qing dynasty, phoenix birds amongst scrolling floral field, H12”

Qing dynasty, baluster form, painted with figures in garden, marked on base; H9”

$800-1,200

$300-500

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia Purchased from H. Moog, Atlanta

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

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CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

907 CHINESE BLUE-AND-WHITE PORCELAIN VASES, COVERED CUPS AND CADDY

19th century, vase, H9 1/2”; two covered cups, H5”; tea caddy, H4 1/2”; cup, H5” (5pcs)

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

908 CHINESE SANCAI-GLAZED POTTERY FIGURAL ROOF TILE

Qing dynasty, warrior on horseback riding wave, mounted as lamp, figure H13” W11 1/2”

907

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

909 CHINESE GREEN-GLAZED POTTERY DOG FIGURE probably Qing dynasty, standing figure in rich glaze, H11” L14”

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

910 CHINESE BLANC-DE-CHINE GUANYIN

911

Qing or Republic period, windswept figure standing aloft lotus and waves; H13 1/2”

$400-600 Provenance: Cashiers, North Carolina estate

911 CHINESE GREEN-GLAZE POTTERY FIGURES

probably Qing dynasty, pair seated shishi, H8”; pair parrots, H7 1/2”; and pair foo lions, H10” (6pcs)

$400-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia 908

909

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197

912

913

912 CHINESE CARVED WHITE JADE SNUFF BOTTLE

916 CHINESE CARVED JADE BOXES

Qing dynasty, cabochon top over square form adorned with text, on later stand; H2”

$400-700

white jade square box with dedication on underside, H1 1/4” W2 1/4”; together with celadon frog and turtle-design box on later stand, H1 1/2” (2pcs)

Provenance: Cashiers, North Carolina estate

$400-700

913 CHINESE CARVED WHITE JADE BUCKLE

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Qing dynasty, elephant and figural-carved panel on later stand; H2 3/4” W3”

917 CARVED AGATE, MALACHITE AND ROSE QUARTZ

$400-800

FIGURES

Provenance: Cashiers, North Carolina estate

2 elephants, H4”; rabbit, H3”; Pekingese, H2 3/4”, peach-form bowl, W3 1/2” (5pcs)

914 CHINESE CARVED JADE COVERED URN

914

$400-700 Provenance: Aiken, South Carolina private collection

late Qing dynasty, dragon finial on domed cover and squat footed bowl flanked by dragon handles; H3 3/4” W3 3/4”

$300-500

915

915 CHINESE CARVED AGATE COVERED VESSEL Qing or Republic period, shishi and mask design, H8 1/2” W10” D6”

$400-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

917

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CELEBRATING 85 YEARS

916

OF

DISCOVERING EXTRAORDINARY OBJECTS

920 CHINESE BRONZE CENSERS Republic period, covered tri-footed vessel, H9 1/2”; the other an open design on later carved wood stand, H5 1/2” (2pcs)

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

921 ASIAN BRONZE FIGURES probably Thailand, depicting deities, H5” to 7” (3pcs)

$300-500

918

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

918 CHINESE CARVED HARDWOOD ALTAR TABLE circa 1880, frame-and-panel top over waisted frieze, with embellished skirt and legs with scroll toes; H15 3/4” W50” D15 3/4”

$300-600 Provenance: Isle of Palms, South Carolina private collection

922 CHINESE BRONZE FIGURES pair foo lions, H6”; and warrior on horseback, H8” (3pcs)

$300-500 Provenance: Charleston, South Carolina private collection

919 CHINESE BLUE-AND-WHITE PORCELAIN PLAQUES, WITHIN LATER TABLE STANDS

923 PAIR ASIAN BRONZE BIRD FIGURES

H22” W12 3/4” D10 3/4” (2pcs)

$200-400 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

each standing with raised foot on lotus blossom, H12 1/2” (2pcs)

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

919

920

922

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924

925

924 CHINESE BRASS AND BRONZE FIGURALS

927 PAIR CHINESE PAPIER MACHE LACQUERED VASES,

Republic period, comprising: brass Foo lion, H5 1/2” L6” bronze sage, H9” bronze deity, H8” (3pcs)

CONVERTED TO LAMPS

$300-500

$500-800

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

Provenance: Atlanta, Georgia private collection

925 COLLECTION OF ASIAN FIGURES carved jade horse, H4 1/2 bronze Guanyin head, H3 1/2” carved pit, H2 1/2” carved stone figural grouping, H4” 2 figural weights, H2 1/2” horn-form flask, L19 1/2” dragon figure, H6 1/2” cat sculpture, H6” carved stone seal, H4” 4 miniature figures, H1 1/2” to 2” (14pcs)

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

926

19th century, cylindrical form decorated with figures and shrines within mountainous landscape on blue ground, electrified; H18” (2pcs)

928 CHINESE CLOISONNE CHARGER Republic period, flying crane amongst blossoming trees, Dia.21 1/2”

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

929 CHINESE CINNABAR PLATE, SIGNED Qing or Republic period, scalloped rim centering mountainous landscape, base signed, Dia.9”

927

$300-500 Provenance: Charlotte, North Carolina private collection

926 PAIR CHINESE CLOISONNE FIGURAL CENSERS late Qing or Republic period, crouched mythical creatures in vibrant colors; H6” L7 1/2” (2pcs)

$400-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

929

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930 CHINESE CLOISONNE COVERED CENSER

late Qing or Republic period, pierced domed cover on squat ovoid form; H8 1/2” Dia.12”

$400-600 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

932

931 CHINESE DECORATED HARDWOOD BRUSH POT,

930

SIGNED

Qing dynasty, mother-of-pearl, agate and other hardstones, applied figures on bamboo-turned hardwood vessel, probably huanghuali; H6” Dia.6 1/2”

$700-1,000 Provenance: Cashiers, North Carolina estate

932 CHINESE CARVED ROOT AND WOOD FIGURES late Qing or Republic period, comprising: 2 Fukurokuju, H7 1/2” and 9 1/2” vessel, H6” W7” sage, H9 1/2” root formation, H7” W6 1/2” D4” (5pcs)

$300-500 931

Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

933 CHINESE POLYCHROME-DECORATED CARVED WOOD FIGURES

late Qing or Republic period, H21 1/2” and 25 1/2” (2pcs)

$400-700 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

934 CHINESE PARCEL-GILT CARVED WOOD SCREEN Republic period, pierced floral design, H51 1/2” W18”

$200-400 933

934

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935 CHINESE POLYCHROME-DECORATED CARVED WOOD FIGURE

late Qing or Republic period, H23 1/2”

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

936 PAIR ANGLO-INDIAN CARVED PANEL OVERDOORS

19th century, depicting birds, H9” W48” (2pcs)

$200-400 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

937 CHINESE ANCESTRAL PORTRAIT Qing dynasty, male figure in red robe with rank badge and pictorial belt seated within leopard skin-draped chair, framed, overall H63 1/2” W41 1/2”

$800-1,200 Provenance: Estate of Jerry Carkhuff Eschenbrenner, Sea Island, Georgia

935

938

937

938 COLLECTION OF CHINESE PICTORIAL SCROLLS tiger, H74” W21 5/8” rubbing, H41” W25 1/2” double portrait, H41 1/2” W17” women in garden, H53 1/2” W13 1/2” Goddess, H91 1/2” W32” Goddess, H45 1/2” W21” (6pcs)

$300-500 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund

940 CHINESE PICTORIAL NEEDLEWORKS, FRAMED

19th century, depicting exotic birds resting on branches, contained within mother-of-pearl frame, H57” W29” and H55 1/2” W21” (2pcs)

$600-900 Provenance: Isle of Palms, South Carolina private collection

939 CHINESE PICTORIAL SILK EMBROIDERIES, FRAMED depicting immortals; overall H59” W38” and H57” W37 3/4” (2pcs)

$300-500 Provenance: Deaccessioned from a South Carolina museum to benefit the acquisitions fund 940

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941 CHINESE CARVED, PAINTED AND LACQUERED TABLE SCREEN

19th century, rectangular central panel flanked by smaller panels atop scalloped apron with square legs terminating in brass feet, depicting hunt scenes with ivory figures and mother-of-pearl accents; H34 5/8” W38 1/2” D1”

$500-800 Provenance: Coconut Grove, Florida private collection

941

942 CHINESE BLACK LACQUER COROMANDEL FOUR-PANEL SCREENS each similarly decorated with Oriental figures in gardens, H72 1/2” L65” (2pcs)

$700-1,000 Provenance: Mount Pleasant, South Carolina private collection 944

944 PAUL JACOULET

943 TIBETAN THANGKA 18th/19th century, central figure seated atop lotus blossom flanked by six deities, framed, overall H58” W36 1/2”

$500-800 942

Provenance: Estate of Jerry Carkhuff Eschenbrenner, Sea Island, Georgia

(French/Japanese, 1896-1960) two works: LA GEISHA KIYOKA and LE MANDARIN AUX LUNETTES color woodcut, unframed, signed and titled sheet H18 1/2” W14 1/4” and H18 3/4” W14 1/4” (2pcs)

$1,000-1,500 Provenance: Lexington, South Carolina private collection

945 JAPANESE WOODBLOCKS COLLECTION, HOKUSAI, KUNISADA, TOYOKUNI AND KUNIYOSHI 18th/19th century, comprising: Hokusai, TWO SCENES Utagawa Kunisada, THREE PORTRAITS OF ACTORS Toyokuni, TWO SCENES Kuniyoshi, SCENE and two other scenes by unidentified artists color woodblocks, unframed, signed, sheets H5 1/4” W7” to H14 1/8” W10 1/4” (10pcs)

$500-800 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund 943

945

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948 JAPANESE CARVED WOOD CENTER TABLE

Meiji period, carved crossbanded top on pierced floral-carved skirt and legs; H30” W32” D43”

$300-600 Provenance: Property of a lady

949 PAIR JAPANESE IMARI PORCELAIN CHARGERS

late 19th/early 20th century, fancifully decorated with traditional colors and gilt accents, D4 1/2” Dia.21” (2pcs)

$500-900 946

946 HIROSHI YOSHIDA & KOITSU TSUCHIYA, JAPANESE WOODBLOCKS Yosida (1876ñ1950) BAMBOO WOOD Tsuchiya (1870-1949) HAKOZAKI, HACHIMAN SHRINE color woodblocks, framed as pair, signed sight H14 1/4” W9 1/4” (2pcs)

Provenance: Collection of a Southern lady

948

950 STEUBEN ANIMAL FIGURES beaver, H6 1/2”; pouter pigeon, H7”; owl, H5 3/4”, each signed (3pcs)

$300-500 Provenance: Collection of the late Dr. Edward and Helen McConnell, Atlanta, Georgia

$300-500 Provenance: Columbus Museum, Columbus, Georgia, sold to benefit the acquisitions fund 949

947 JAPANESE WOODBLOCK PRINT COLLECTION

Meiji period four works: FIGURES IN VARIOUS SCENES color woodcut, framed to match, signed overall H17” W12 1/2” to H18” W13 1/2” (4pcs)

$400-600 Provenance: Charleston, South Carolina private collection

947

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951 STEUBEN CRYSTAL VASE AND BOWLS

954 FINE CRYSTAL TUMBLERS, CANDLESTICKS,

vase, H8” pedestal bowl, H4 1/2” Dia.9 3/4” footed bowl, H3 1/2” Dia.7” snail bowl, H3 1/2” W6” (4pcs)

DECANTER AND CENTERBOWL

9 Baccarat tumblers, H4 3/4” 8 Baccarat tumblers, H4” 2 pairs Val St. Lambert candlesticks, H5” and 6 1/2” Baccarat decanter, H12” Steuben centerbowl, H4 1/2” L15” (23pcs)

$300-600 951

Provenance: Property of a lady

$500-900 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

952 STEUBEN, DAUM, VAL SAINT-LAMBERT, OLEG CASSINI, AND BACCARAT CRYSTAL SCULPTURES

952

955 WATERFORD CRYSTAL BAR AND STEMWARE

Steuben apple, H4 1/2” Steuben puppies, L3” Steuben cat, L2 1/2” Oleg Cassini cheese wedge, H3” Baccarat nautilus shell, W4” Baccarat egg, L2 1/2” Daum lady bug, L5” Val Saint-Lambert frog, L3” (8pcs)

Lismore pattern, comprising: 8 water goblets, H7 1/2” 8 wine, H7” 9 wine, H5 3/4” 6 port wine, H4 1/4” 6 cordials, H3 1/2” 7 highball, H5 1/2” 4 iced tea, H6 1/2” 4 brandy, H5 1/2” 1 champagne, H4 3/4” together with set of 10 Millennium Series champagne flutes, H9” (63pcs)

$300-500 Provenance: Estate of Benjamin Bates James, Jr., Atlanta, Georgia

953 DAUM NANCY FREE-FORM CRYSTAL VESSELS

$600-900

7 bowls, 3 candleholders, and 2 vases; H2” to 9” (12pcs) 953

Provenance: Georgetown, South Carolina private collection

$200-300 Provenance: Charleston, South Carolina private collection

956 AMERICAN CUT-GLASS PEDESTAL PUNCH BOWL AND ENGLISH STERLING LADLE late 19th/early 20th century, massive bowl on pedestal, H13” Dia.14”; together with Georgian sterling ladle, London dated 1823, L13 1/2” (3pcs)

$500-800 Provenance: Isle of Palms, South Carolina private collection

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955

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Terms & Conditions of Sale REGISTRATION FOR BIDDING. All prospective bidders must have an active Charlton Hall Account in good standing, sign Registration Form and provide government issued photo ID for each sale. *If you would like to establish an account with our firm, please complete Account Setup Form and provide government issued photo ID. *At the discretion of Charlton Hall Galleries, Inc., prospective bidders may be required to provide a deposit against bids.

1.

ALL SALES ARE FINAL and all lots are sold as shown and “AS IS”, “WHERE IS”, with all faults, imperfections, and errors of description.

Charlton Hall Galleries, Inc., their employees and/or agents are not responsible for errors of description, genuineness or authenticity, and fault or defect in any lot. No warranties or representations whatsoever are given by Charlton Hall Galleries, Inc., its employees and/or agents, to any buyer in respect to any lot.

2.

ALL PAYMENTS ARE DUE IMMEDIATELY FOLLOWING AUCTION, and all merchandise must be removed from the premises the day of the auction. Payment can be made with cash, money order, cashier’s check, bank wire transfer, or pre-approved US bank drawn check. Merchandise paid for with US bank drawn pre-approved check or foreign cashier’s check will be held for 10 days banking days. Charlton Hall Galleries, Inc. DOES NOT accept credit cards for auction purchases. International buyers are required to pay bank wire transfer.

3.

We do not give refunds. Charlton Hall Galleries, Inc. represents and sells consigned property on behalf of sellers, estates, public and private institutions and other entities. Charlton Hall Galleries, Inc. recommends prospective bidders examine all items in which they have an interest. All lots offered are available for your examination prior to auction date. Registering for a sale and placing bids on any lot signifies that you or your agent have examined the property as fully as you desire. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of any lot being sold. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the lot in question. All sales are final, and no refunds will be given. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Charlton Hall Galleries, Inc. or by any seller represented by Charlton Hall Galleries, Inc. 4.

The highest bidder acknowledged by the auctioneer will be the buyer of that lot. In the event of any dispute, the auctioneer shall have sole discretion to either determine the successful bidder or to re-offer for bidding, the lot in dispute. Charlton Hall Galleries, Inc. has sole discretion to refuse any bid, to divide any lot, to combine any two or more lots, and to withdraw any lot or lots from the sale.

5.

Some lots may be offered subject to a reserve, which is a minimum price below which such lot will not be sold. Charlton Hall Galleries, Inc. may implement such reserves by bidding on behalf of the seller.

6.

Charlton Hall Galleries, Inc., reserves the right to allow its employees to bid competitively at all auctions.

7.

A buyer’s premium of 20% of the successful bid price will be added to each lot thereto and is payable by the purchaser as part of the total purchase price of each lot.

8.

All purchases, including buyer’s premium, are subject to the collection of South Carolina state and local sales taxes. Buyers will be required to pay 7% sales tax at the time of payment unless one of the two following conditions is

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10.

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met: 1) Items purchased will be shipped out of the State of South Carolina by a registered ICC carrier, or 2) The registered buyer provides Charlton Hall Galleries, Inc. with a valid South Carolina Retail License Number or valid sales tax exception number from another state and properly fills out form ST-8A Resale Certificate submitted with a copy of said retail license.

CONDITION REPORTS: Charlton Hall Galleries, Inc., and its employees will provide, upon request, condition reports and additional photographs for items contained within the current auction catalog. This service is provided as a courtesy only and requesting a condition report in no way changes article #1 of Conditions of Sale. Since we are not professional conservators or restorers, we urge you to inspect each lot yourself or have an agent do so on your behalf. Prospective buyers should satisfy themselves as to condition and must understand that any statement made by Charlton Hall Galleries, Inc., or its employees is merely a subjective qualified opinion, notwithstanding written reports or any discussion concerning condition in this catalog. Condition reports are provided by request on a “first come, first served” basis, making it imperative that requests are submitted early. Requests submitted close to auction date may not be completed.

TELEPHONE & ABSENTEE BIDDING: As a service, Charlton Hall Galleries, Inc. provides several absentee bidding formats to those who cannot or choose not to attend the auction in person. Written absentee bids are accepted and must be submitted on a Charlton Hall Absentee Bid Form, copies of which can be found in the printed catalog or on our website.

Bidding by telephone can also be arranged by completing the Charlton Hall Bid Form which can also be found in the printed catalog or on our website.

Due to processing time constraints, these bid forms must be submitted before 24-hours prior to the auction. Additional terms are outlined on these Absentee Bid Forms. By submitting an Bid Form, prospective purchasers consent and agree to the Conditions of Sale. Absentee bidding is a convenience offered to Charlton Hall Galleries, Inc. customers and while we make every effort to execute your instructions regarding your Absentee or Telephone Bid, Charlton Hall Galleries, Inc. is not liable or responsible for any errors or failure to execute such instructions.

LIVE INTERNET BIDDING: Live internet bidding is also possible through our website www.CharltonHallAuctions.com and via Invaluable. Online bidders will pay a Buyer’s Premium of 25% in addition to the hammer price. Charlton Hall undertakes the execution of online bidding as a convenience for clients and is not responsible for any failure or error in the execution of bids. In the event of a tie bid, the floor bidder will be the winning bidder of record.

SHIPPING: Charlton Hall Galleries does not ship any merchandise purchased at auction. We will be pleased to provide a list of shippers and packers that our worldwide base of clients has successfully used, or you can have your own shipper handle your purchases. Please contact the shipper of your choice to arrange for pick up and packing of your items. Your items will be released as soon as payment clears our bank. We request that your shipper schedules pick up times at least 24 hours in advance; this will ensure no delays in pick up, and release of your purchases.

EXPORT LICENSES AND PERMITS: Certain property sold at auction may be made of or contain elements of endangered and other protected species of wildlife. Such material includes, among other things, tortoiseshell, ivory, crocodile skin, whale bone, certain species of coral and other animal bone.

These materials may be subject to laws governing export from the United States or import into a foreign country (i.e.: endangered species). Several

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countries prohibit the importation of property containing these materials altogether and other countries require a permit (e.g., a CITES permit) from their respective regulatory agency. For example, the United States generally prohibits the importation of articles less than 100 years of age that contain material from any species listed as endangered or threatened. It is the buyer’s responsibility to obtain any and all export or import licenses, permits or documentation required by any local authority for export from the United States or import into any other country for any object requiring same.

The denial or delay in obtaining any license or permit from any agency shall not justify the cancellation or rescission of any sale or any delay in making payment for the total purchase price of any lot in accordance with these Conditions of Sale.

FIREARMS: All post-1898 firearms must be registered in compliance with Federal and South Carolina State Laws. Buyers of post-1898 firearms must complete State and Federal registration forms at Charlton Hall Galleries, Inc., unless otherwise specified; processing of such forms may require a waiting period. Dealers and out-of-state buyers must have in their possession, on the day of sale, signed copies of their FFL (Federal Firearms License) in order to accept same-day delivery of modern weapons. Buyers who act as agents for FFL dealers must have a letter as well as an original signed copy of the dealer’s FFL, and must present it to Charlton Hall Galleries, Inc., no less than 24 hours prior to auction date. Such lots may be denoted with special symbols and or verbiage in printed and digital catalogues. Charlton Hall Galleries, Inc. makes no warranties or representations whatsoever and no employee or consultant of Charlton Hall Galleries, Inc. has the authority to do otherwise, concerning the operation or firing condition, fitness of use, safety to store, or reliability of any firearms, ammunition, or parts. Use of any firearms purchased at Charlton Hall Galleries, Inc. is entirely at the user’s risk.

Charlton Hall Galleries, Inc. offers for sale the lots as COLLECTOR items only. We strongly recommend that all weapons, ammunition, etc. purchased at auction be examined by a competent gunsmith. Charlton Hall Galleries, Inc. expressly disclaims any liability whatsoever for accidents, injury and damage resulting to any person from the storage or subsequent use of any such lots.

While Charlton Hall Galleries, Inc., their employees and representatives, make every effort to accurately describe all lots offered for sale, it is incumbent upon the bidder to satisfy themselves in all areas of authenticity, originality, condition and imperfections. Bidders should also acknowledge that condition reports are often subjective and any item offered at auction may be subject to normal wear consistent with age that may not be specified in a condition report. If a bidder is uncertain about any of these issues, we would recommend that they not bid on lots in question. We would further urge that all potential bidders become familiar with “Commonly Used Terms and Abbreviations” printed in each catalog or available upon request.

These Conditions of Sale and the purchaser's and our respective rights and obligations hereunder are governed by the laws of the State of South Carolina.

By bidding at an auction, each purchaser and bidder agrees to be bound by these Conditions of Sale. Any dispute, controversy, or claim arising out of or relating to this agreement, or the breach, termination, or validity thereof, brought by or against Charlton Hall Galleries, Inc., (but not including claims brought against the consignor by the purchaser of lots consigned hereunder) shall be resolved by the Columbia, South Carolina legal system.

In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor(s) by law, including without limitation the right to hold the purchaser liable for the total

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purchase price, with the purchaser to be responsible for all costs of collection (including attorneys' fees and disbursements), we, at our option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or (b) resell the property at public auction without reserve, and the purchaser will be liable for any deficiency, costs including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder, and incidental damages.

In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser's obligations to us, any property in our possession, owned by such purchaser. We shall have all of the rights accorded a secured party under the South Carolina Uniform Commercial Code with respect to such property, and we may apply against such obligations all monies held or received by us for the account of, or due from us to, such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier's checks, we have con firmed their authenticity.

All property must be removed from our premises by the purchaser at their expense no later than 5 business days following its sale and, if it is not removed, Charlton Hall Galleries, Inc., reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser's expense. Charlton Hall Galleries, Inc., shall have no liability for any damage to property left on its premises for more than 5 days following the sale.

If property is uncollected within 60-days of auction purchase date, buyer authorizes Charlton Hall to re-sell ALL purchases. Storage fees, handling charges, and seller’s commission rate of 20% will be deducted from the proceeds.

Your bid is a legally binding contract. If you are the successful bidder, you have entered into a contract to purchase the property bid on from the seller.

You should contact Charlton Hall Galleries, Inc. to resolve any questions prior to placing any bids.

The use of a live internet bidding service will subject your bid to an additional buyer’s premium. Please be aware of this and be sure to read all the terms published by the service providing online bidding.

The Conditions of Sale as written in this printed catalog will take precedence over any other conditions, whether printed or posted on internet websites.

Conditions of Sale may be amended by posted notices in the salesroom or by announcement from the auctioneer.

Bid increments: Bidding generally opens at half the low estimate and generally advances in the following increments: Bid Range Increment $0-99 $10 $100-499 $25 $500-999 $50 $1,000-2,999 $100 $3,000-4,999 $200 $5,000-9,999 $500 $10,000-19,999 $1,000 $20,000-49,999 $2,000 $50,000-99,999 $5,000 $100,000-199,999 $10,000 $200,000 Auctioneer’s discretion

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Commonly Used Terms and Abbreviations ac: Active

manner of: Although this work is in the appropriate manner or style of the artist, it is probably of a later period.

after: This work is a later copy of one of the artist’s works. note: Additional information we are able to provide about any particular item. after the antique: A later facsimile. oz Troy: Unit of measuring precious metals. attributed to: This work is probably by the named artist. Technically, this work is of the period and may be wholly or even partly by this artist.

period: Works will be followed by a date, which means that the object is, in our opinion, the date indicated, and made in the time frame.

b: Date of birth provenance: History of ownership, or additional information which we have obtained.

BH: Back height circa: Approximate date of object.

studio of: This work is of the correct period, and may have been made under the artist’s supervision.

circle of: This work is of the correct period, and exhibits the stylistic influence of the named artist.

school of: This work is of the general style of the artist, and may possibly even be by a student of the artist, even if from a slightly later, but not too distant period.

ct: Carat (single gemstone weight) SH: Seat height ctw: Carats (total gemstone weight) D: Depth

sizes: All sizes, weights and other measurements are approximate; we are not responsible for mis-measurements or typographical errors.

d: Date of death

Sq: Square

dates: All dates are approximate. The absence of a date for any item indicates that the item is either modern or we are uncertain of the age.

style: The inclusion of the word “style” in the heading indicates that, in our opinion, the object was made as an intentional reproduction of an earlier form.

Dia: Diameter

W: Width

DJ: Dust jacket

wk: Worked

fl: Flourished

**: Property approved for de-accession

follower of: This work is executed in the artist’s style, but is not necessarily by one of his students. g: Grams H: Height K: Karat, the fineness of gold.

L: Length

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Guide for Prospective Buyers Bidding and buying at auction is an exciting and fast-paced process. If you have never participated in a live sale before, we encourage you to consult with one of our staff members to discuss how the process works.

Terms & Conditions of Sale: Charlton Hall encourages prospective buyers to read the Conditions of Sale printed in the back of this catalogue for more complete information.

Registration: All prospective bidders must have an active Charlton Hall account in good standing, complete a Registration Form and provide government-issued photo ID for each sale.

First-Time Registration: If you have never registered to bid at Charlton Hall, you must complete our Account Setup Form, present a government-issued photo ID and be approved. At the discretion of Charlton Hall, prospective bidders may be required to provide a deposit against bids.

Preview Exhibition: Charlton Hall offers auction previews leading up to every sale. Galleries are open to the public for preview during printed dates and by appointment.

Condition Reports: Charlton Hall and its staff will be pleased to issue Condition Reports for any lot offered. Please note that our staff and specialists are not professional conservators, and that statements of condition are only our opinion. Please remember all lots are sold “AS IS”, and as stated in the Terms & Conditions governing each sale. We strongly encourage bidders or their agents to examine property first-hand prior to bidding.

Bidding: We are pleased to offer various bidding platforms at Charlton Hall. You may wish to attend and bid in person, or make prior arrangements to bid by Phone, Absentee, or view the sale live via Live Internet bidding. Please keep in mind the highest bidder acknowledged by our auctioneer will be the purchaser of the item. Although our auctioneer is highly skilled and competent, due to technology and human error, there is always the possibility a bid may be seen or entered too late, and the bidder must acknowledge that once the auctioneer closes bidding, the sale is final. Please see Terms & Conditions of Sale for bid increments, and additional information governing each sale.

Payment: In addition to the hammer price, the winning bidder agrees to pay Charlton Hall a buyer’s premium, as well as any applicable taxes.

All payments are due immediately following the auction. Payment may be made with cash, money order, cashier’s check, bank wire transfer or a pre-approved US bank-drawn check. Charlton Hall does NOT accept credit cards as payment.

Pickup & Shippings: We request all purchased lots be removed from the premises within 5 business days. Charlton Hall and its staff will provide a list of recommended shippers and packers whom our worldwide clients have successfully used. For prompt service, we request 24-hour notification of a scheduled pickup appointment.

UPS Store Artex Atelier 4 Alexander Services

803-254-1601 800-652-7839 305-685-9797 888-656-6838

Plycon Richard Wright Ltd. US Art, Inc. Westbrook Deliveries

336-854-1832 (or) 954-978-2000 800-247-9744 800-872-7826 404-877-2870 (or) 843-991-6738

Should you have additional questions, please feel free to contact our client services specialists at 803-779-5678 13 DECEMBER 2014 -

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oN your

Next ViSit

Making What’s Old New! PleaSe MeNtioN CharltoN hall

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mesda celebrates 5o years of

2o15 marks the 5oth anniversary of the creation of the Museum of Early Southern Decorative Arts. Visit mesda.org for a full list of events and activities.

Selected highlights include:

March 20–21, 2015 MESDA Furniture Seminar southern sophistication: new discoveries in coastal southern furniture, 173o–183o Celebrate MESDA’s first fifty years of furniture collecting and research as speakers Adam Bowett, Mary May, Ronald Hurst, Sumpter Priddy, Robert Leath, and Daniel Ackermann explore the furniture of the coastal South and influences from Great Britain.

May 2, 2015 MESDA Saturday Seminar “chic it up, y’all!”: interior design, southern style The 2oth-century southern interior as inspired by the past.

Speakers: Ralph Harvard, J. Thomas Savage, and Margaret Pritchard. Moderated by Thomas A. Gray.

October 23–25, 2015 MESDA 5oth Anniversary Reunion & Homecoming Gallery ribbon cuttings, lectures and reunions for MESDA Summer Institute “survivors,” MESDA Field Representatives, current and former MESDA Advisory Board members and friends.

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CELEBRATING 85 YEARS

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winston-salem, north carolina mesda.org 336-721-736o

DISCOVERING EXTRAORDINARY OBJECTS

Visit Our Houses To schedule a tour, please go to:

www.classicalamericanhomes.org EDGEWATER

GEORGE F. BAKER HOUSES

Edgewater, built in 1825 on the Hudson River in upstate New York, combines classical architecture with a dramatic setting to create one of the Hudson Valley’s most charming river residences.

The George F. Baker Houses comprise a block of adjoining residences owned by the Baker Family on the corner of Park Avenue and East 93rd Street in New York City, dating from 1917-1932.

EDGEWATER BAKER HOUSES

AYR MOUNT

AYR MOUNT Ayr Mount, a Federal-style plantation house built in 1815 just outside historic Hillsborough, N.C. was home to William Kirkland and four generations of the Kirkland family for the next 170 years.

MILLFORD PLANTATION Built between 1839-41, Millford Plantation is one of the finest examples of Greek Revival architecture in America and still retains most of its documented Duncan Phyfe furniture.

MILLFORD PLANTATION ROPER HOUSE

ESTATE CANE GARDEN

ROPER HOUSE Roper House, built in 1838 on the recently completed High Battery, commands a sweeping view of the Charleston, South Carolina harbor.

Classical American Homes Preservation Trust 69 East 93rd Street, New York, NY 10128 Phone (212) 369-4460 • Fax (212) 369-4462

www.classicalamericanhomes.org Classical American Homes Preservation Trust, founded by Richard Hampton Jenrette, seeks to preserve, protect and open to the public examples of classical American residential architecture as well as fine and decorative arts of the first half of the 19th century.

13 DECEMBER 2014 -

ESTATE CANE GARDEN Located on a high hilltop in St. Croix, U.S. Virgin Islands, Cane Garden is a classic example of a small Palladian villa, circa 1784, featuring expansive Caribbean views.

Museum Vaults & Private Collections

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Charleston 2015 America’s Premier Lecture Series

West Meets East ...

S

ome 2,500 years ago, raw silk made its first appearance in the western world, and this luxury item was soon coveted by the ancient Greeks, Persians, and Romans. Thus began the quest to discover and acquire the treasures of the Orient … and the West set out to meet the East.

Ancient camel caravan tracks expanded into a 4,000 mile network of overland trade routes between China and Central Asia and the eastern Mediterranean.

After centuries of trade over the” Silk Road,” merchant sailing ships and clipper ships led to faster and more efficient, more profitable trading.

Early in the 16th century, the Portuguese led the way around Africa’s Cape of Good Hope and into the Indian Ocean ….... the Spanish established a colony in the Philippines and a route to Mexico … the Dutch sailed east, and British, French, Swedish, and American traders joined the quest. By the 1800s, the empires of Europe, Asia, and the Americas were trading around the world.

West East Meets

Asian Art & Design in Europe and the Americas

March 11-15, 2015 Charleston, South Carolina

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Silk, gold, silver, other precious metals, porcelain, tea, lacquerware, exotic woods, jade and other gems, incense, spices, ivory, dyes, weavings, rugs, furniture, gunpowder, medicinal herbs, and other valuable goods traveled from East to West. So did techniques for printing and paper making, for wallpapering, for building suspension bridges, and for drawing, painting, watercolor, and other arts. …and the West was forever changed.

For More Information Visit Us at www.CharlestonAntiquesForum.org 800-926-2520

CELEBRATING 85 YEARS

OF

DISCOVERING EXTRAORDINARY OBJECTS

C HARLTON H ALL

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Museum Vaults & Private Collection

213

C H A R LT O N H A L L A U C T I O N E E R S Staff Director y Specialists for this Sale Ronald D. Long Kinga Bender Catherine A. Carlisle Jenn S. Robertson Administrative Assistant Margaret E. Malik Consulting Specialists Prof. Ronald E. Bridwell Thomas P. Crowther Donnie F. Garrett Roger W. Powell Hermann L.A. Sommersell Consignments Director Erica E. Guillebeau Erica@CharltonHallAuctions.com 803-779-5678 Client Services Specialist Vicky L. Smith Tel: 803-779-5678 Fax: 803-733-1701 info@CharltonHallAuctions.com Business Development Carroll S. Weston Carroll@CharltonHallAuctions.com 803-779-5678

Gallery & Offices 7 Lexington Drive West Columbia, South Carolina 29170 Tel: 803-779-5678 Fax: 803-733-1701 Email: info@CharltonHallAuctions.com Website: www.CharltonHallAuctions.com Gallery & Office Hours Monday - Friday 10am to 5pm (Please note pickup hours below)

Please note our offices will be closed December 20 through 28

Property Pickup Hours Please schedule pickup at least 24-hours in advance of arrival Monday - Friday morning 10:00 to 11:30am afternoon 1:00 to 4:30pm Corporate Officials Charlton F. Hall, Jr., Director Ronald D. Long, President Auctioneer & Firm Licenses Charlton Hall Galleries, Inc., Firm 1316F Ronald D. Long, SCAL No. 509 Erica E. Guillebeau, SCAL No. 4523 Betsy J. Hackett-Davis, SCAL No. 4229 Photography Director Stephen W. Ivey

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Now Accepting Quality Consignments for Scheduled Sales

S

d

Style + Design Wednesday Auction 21 January 2015

Magnificent Antiques September 2015

Americana at Auction March 2015

Important Collections December 2015

Consignment Deadline: January 2

Consignment Deadline: October 1

Important Collections June 2015 Consignment Deadline: April 1

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Consignment Deadline: July 1

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Style + Design January 2016 Consignment Deadline: October 1

Style + Design July 2015

Americana at Auction March 2016

Consignment Deadline: April 1

Consignment Deadline: January 2

For more information, please contact consignment specialists Kinga Bender • Erica Guillebeau 803-779-5678 or info@charltonhallauctions.com

CHARLTON HALL Celebrating Our 85th Year

7 Lexington Drive • West Columbia, South Carolina 29170 Tel: 803.779.5678 Fax: 803.733.1701

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