CFC IMPACT REPORT 2023/2024

IMPACT REPORT 2023/2024

CFC

Land Acknowledgement

Located within the city known as Toronto, or Tkaronto, in Treaty 13 Territory, the CFC is a settler organization located on the traditional territories of the Anishinaabeg, including the Mississaugas of the Credit and the Chippewa; the Haudenosaunee; and the Wendat. Tkaronto is now home to many diverse First Nations, Inuit and Métis Peoples.

The land the CFC occupies is protected by the Dish With One Spoon covenant, an agreement between the Anishinaabeg and Haudenosaunee to peaceably share and care for the Great Lakes region.

As members of Canadian society, we are all Treaty people. Many of the individuals who work at the CFC and on this land have come to what is known as Canada as settlers, immigrants or newcomers, whether forcibly or by choice, in this, or previous, generations. We thank and honour all those who came before us and ask that wherever you are located as you read this report, we encourage you to reflect on the land that you are on, your relationship with the land, who the traditional keepers of the land are, and what the treaty relationship is. You can start by visiting native-land.ca to learn more.

Table of Contents

Message from the Chair and Executive Director #ThankYouNorman From Bayview to the World Norman Jewison Film Program Talent Spotlight: Zarrar Khan CFC Comedy Story Room Intensive Talent Spotlight: Mark Montefiore Slaight Music Residency Talent Spotlight: Lauren Grant CBC Actors Conservatory Talent Spotlight: Zarah Bentham CFC Partnerships and Learning CFC Events Talent Spotlight: Charles Officer (In Memoriam) CFC Community

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Land Acknowledgement

Located within the city known as Toronto, or Tkaronto, in Treaty 13 Territory, the CFC is a settler organization located on the traditional territories of the Anishinaabeg, including the Mississaugas of the Credit and the Chippewa; the Haudenosaunee; and the Wendat. Tkaronto is now home to many diverse First Nations, Inuit and Métis Peoples.

The land the CFC occupies is protected by the Dish With One Spoon covenant, an agreement between the Anishinaabeg and Haudenosaunee to peaceably share and care for the Great Lakes region.

As members of Canadian society, we are all Treaty people. Many of the individuals who work at the CFC and on this land have come to what is known as Canada as settlers, immigrants or newcomers, whether forcibly or by choice, in this, or previous, generations. We thank and honour all those who came before us and ask that wherever you are located as you read this report, we encourage you to reflect on the land that you are on, your relationship with the land, who the traditional keepers of the land are, and what the treaty relationship is. You can start by visiting native-land.ca to learn more.

Table of Contents

Message from the Chair and Executive Director #ThankYouNorman From Bayview to the World Norman Jewison Film Program Talent Spotlight: Zarrar Khan CFC Comedy Story Room Intensive Talent Spotlight: Mark Montefiore Slaight Music Residency Talent Spotlight: Lauren Grant CBC Actors Conservatory Talent Spotlight: Zarah Bentham CFC Partnerships and Learning CFC Events Talent Spotlight: Charles Officer (In Memoriam) CFC Community

1-2 3-4 5-6 8 11 - 12 13 15 17 18 19 21 23 24 26 28

2023/24 was a milestone year. We celebrated our 35th anniversary, launched a new brand, initiated new programs including CFC Satellites and a comedy story room intensive, and developed workshops for 2024 for below-the-line talent including Hair and Make Up and Cinematography training. We prepared for a new incoming Chair, Neishaw Ali - Founding Partner, CEO and Executive Producer of SPIN VFX and additional members of the CFC board, and so much more.

There simply would be no Canadian Film Centre without Norman Jewison.

We also lost members of the CFC family, including our incomparable founder, Norman Jewison whose loss is still felt around the world. Norman will forever be one of the world’s greatest storytellers. He was a champion of Canadian talent, and, was an inspiration for so many.

In our commitment to continuing Norman’s legacy, we take great pride in knowing CFC graduates are among Canada’s best content creators, cast and crew, business executives and industry leaders. For more than three decades from our home in Ontario to beyond our campus walls, we discover, train, and advance creators from coast to coast to coast through intensive 360° hands-on programs.

Our superpower is our alumni and the CFC plays its part by being a vital gateway to a pipeline of trained talent for a rapidly changing sector. We are essential to the growth and evolution of our domestic screen industry and to fostering the talent needed to leverage the opportunities already on Canada’s doorstep.

“

“

MESSAGE FROM THE CHAIR & THE EXECUTIVE DIRECTOR

Thank you for your continued belief in our work. With your help, the CFC is poised to continue to propel our home-grown talent, their stories and our resilient screen industry forward.

From Bayview Avenue to the world.

maxine bailey, Executive Director, CFC

1

As you read through the following pages – about our alumni, our programs, our impact – we reflect on the simple fact that the CFC’s ongoing evolution and achievements are made possible only through the support and generosity of our community.

Christina Jennings, Chair, CFC Board of Directors; CFC Alumna, Chairman & President, Shaftesbury 2

We also lost members of the CFC family, including our incomparable founder, Norman Jewison whose loss is still felt around the world. Norman will forever be one of the world’s greatest storytellers. He was a champion of Canadian talent, and, was an inspiration for so many.

“

2023/24 was a milestone year. We celebrated our 35th anniversary, launched a new brand, initiated new programs including CFC Satellites and a comedy story room intensive, and developed workshops for 2024 for below-the-line talent including Hair and Make Up and Cinematography training. We prepared for a new incoming Chair, Neishaw Ali - Founding Partner, CEO and Executive Producer of SPIN VFX and additional members of the CFC board, and so much more.

There simply would be no Canadian Film Centre without Norman Jewison.

In our commitment to continuing Norman’s legacy, we take great pride in knowing CFC graduates are among Canada’s best content creators, cast and crew, business executives and industry leaders. For more than three decades from our home in Ontario to beyond our campus walls, we discover, train, and advance creators from coast to coast to coast through intensive 360° hands-on programs.

Our superpower is our alumni and the CFC plays its part by being a vital gateway to a pipeline of trained talent for a rapidly changing sector. We are essential to the growth and evolution of our domestic screen industry and to fostering the talent needed to leverage the opportunities already on Canada’s doorstep.

As you read through the following pages – about our alumni, our programs, our impact – we reflect on the simple fact that the CFC’s ongoing evolution and achievements are made possible only through the support and generosity of our community.

“

MESSAGE FROM THE CHAIR & THE EXECUTIVE DIRECTOR

Thank you for your continued belief in our work. With your help, the CFC is poised to continue to propel our home-grown talent, their stories and our resilient screen industry forward.

From Bayview Avenue to the world.

Christina Jennings, Chair, CFC Board of Directors; CFC Alumna, Chairman & President, Shaftesbury maxine bailey, Executive Director, CFC

1

2

“

#ThankYouNorman In January 2024, Canada lost a legend – iconic and award-winning filmmaker and beloved founder of the CFC, Norman Jewison. Norman leaves behind an incredible impact on the Canadian film industry with his prolific career having inspired generations of Canadian filmmakers, as well as filmmakers around the world. A modern trailblazer in the development of Canadian film, Norman was committed to advancing the art of storytelling and filmmaking, both through his groundbreaking films, and through his creation of the CFC over 35 years ago.

Norman Jewison’s vision of keeping Canadian talent at home to learn the craft of filmmaking was actualized when he founded the CFC in 1986.

Norman was a proud Canadian and knew that Canada had the skills and talent to develop future storytellers at home. To date, Norman’s vision has helped launch the careers of over 2,000 alumni and counting. These Canadian filmmakers are now sharing their unique voices and perspectives on screens around the world. Norman was a bold and insightful filmmaker. He had a gift for exploring controversial and complicated subjects and giving them universal accessibility. In life and in storytelling, he shared messages of acceptance, inclusion, empathy and love.

He used his voice and his films as a vehicle to not only entertain, but to address critical social issues and injustices. His electric energy was contagious anytime Norman visited the CFC campus, whether it was talking to residents or alumni or attending one of CFC’s many events, including the annual highly anticipated CFC Homecoming (aka BBQ) which he had started hosting years before the CFC opened on his farm in Caledon. Norman’s legacy will live on through his timeless films and countless individuals and organizations he has inspired, and will continue to inspire, for generations to come.

Through the CFC, he created something special, a place where creators come together and collaborate and continue to work together for years to come. He was a mentor and dear friend to those that knew him and his passion for storytelling was visible in everything he did. There are elements of him throughout the Centre and connecting everyone that he came in contact with. His spirit will forever be the heart of the Canadian Film Centre. There simply would be no CFC without him. Thank you, Norman.

3

Norman had such charisma, such dynamism and such passion – and that extended into his work, his films, and his daily interactions and conversations. Norman will be remembered fondly as one of Canada’s – and indeed the world’s – greatest storytellers, as CFC’s beloved and inspiring founder, and as a true champion of Canadian talent. I am happy and honoured to help carry on his legacy through our work at the CFC. – maxine bailey, Executive Director, CFC

4

“

#ThankYouNorman In January 2024, Canada lost a legend – iconic and award-winning filmmaker and beloved founder of the CFC, Norman Jewison. Norman leaves behind an incredible impact on the Canadian film industry with his prolific career having inspired generations of Canadian filmmakers, as well as filmmakers around the world. A modern trailblazer in the development of Canadian film, Norman was committed to advancing the art of storytelling and filmmaking, both through his groundbreaking films, and through his creation of the CFC over 35 years ago.

Norman Jewison’s vision of keeping Canadian talent at home to learn the craft of filmmaking was actualized when he founded the CFC in 1986.

Norman was a proud Canadian and knew that Canada had the skills and talent to develop future storytellers at home. To date, Norman’s vision has helped launch the careers of over 2,000 alumni and counting. These Canadian filmmakers are now sharing their unique voices and perspectives on screens around the world. Norman was a bold and insightful filmmaker. He had a gift for exploring controversial and complicated subjects and giving them universal accessibility. In life and in storytelling, he shared messages of acceptance, inclusion, empathy and love.

He used his voice and his films as a vehicle to not only entertain, but to address critical social issues and injustices. His electric energy was contagious anytime Norman visited the CFC campus, whether it was talking to residents or alumni or attending one of CFC’s many events, including the annual highly anticipated CFC Homecoming (aka BBQ) which he had started hosting years before the CFC opened on his farm in Caledon. Norman’s legacy will live on through his timeless films and countless individuals and organizations he has inspired, and will continue to inspire, for generations to come.

Through the CFC, he created something special, a place where creators come together and collaborate and continue to work together for years to come. He was a mentor and dear friend to those that knew him and his passion for storytelling was visible in everything he did. There are elements of him throughout the Centre and connecting everyone that he came in contact with. His spirit will forever be the heart of the Canadian Film Centre. There simply would be no CFC without him. Thank you, Norman.

3

Norman had such charisma, such dynamism and such passion – and that extended into his work, his films, and his daily interactions and conversations. Norman will be remembered fondly as one of Canada’s – and indeed the world’s – greatest storytellers, as CFC’s beloved and inspiring founder, and as a true champion of Canadian talent. I am happy and honoured to help carry on his legacy through our work at the CFC. – maxine bailey, Executive Director, CFC

4

From Bayview Avenue to the World From our iconic campus in north Toronto, the CFC is a place for Canadian creators, with alumni from coast to coast to coast. Our alumni also reside globally, making our impact felt worldwide!

29

BY THE NUMBERS

2000+

Impressions for cfccreates.com with an 88.3% increase in views over the previous years

Canadian Screen Award nominations for CFC alumni - with

wins across several categories!

1.9M

CFC

2.2M

80+

85% of all CFC alumni continue to reside and do business in Ontario

Alumni

More than

80%

Industry partners, including unions and guilds, to support programs/workshops

of all CFC alumni continue to work in the industry

60+

Impression across CFC social media channels

12 Million+ media impressions and

200+ alumni enterprises, including 115+ women owned digital media startups;

150 to 200 established industry professionals who lead our training sessions;

1.1 Million

800+

cast and crew each year gain hands-on training and on-set experience on CFC productions and events – technical positions get union/guild approved logged hours, credit, a screen credit, and interact with veteran crew

social media impressions for CFC events such as Homecoming and its annual Gala

More Than

5

$6M

An Increase Of Raised in 2023/24

25%

Average philanthropic 6 gifts

From Bayview Avenue to the World From our iconic campus in north Toronto, the CFC is a place for Canadian creators, with alumni from coast to coast to coast. Our alumni also reside globally, making our impact felt worldwide!

29

BY THE NUMBERS

2000+

Impressions for cfccreates.com with an 88.3% increase in views over the previous years

Canadian Screen Award nominations for CFC alumni - with

wins across several categories!

1.9M

CFC

2.2M

80+

85% of all CFC alumni continue to reside and do business in Ontario

Alumni

More than

80%

Industry partners, including unions and guilds, to support programs/workshops

of all CFC alumni continue to work in the industry

60+

Impression across CFC social media channels

12 Million+ media impressions and

200+ alumni enterprises, including 115+ women owned digital media startups;

150 to 200 established industry professionals who lead our training sessions;

1.1 Million

800+

cast and crew each year gain hands-on training and on-set experience on CFC productions and events – technical positions get union/guild approved logged hours, credit, a screen credit, and interact with veteran crew

social media impressions for CFC events such as Homecoming and its annual Gala

More Than

5

$6M

An Increase Of

Raised in 2023/24

25%

Average philanthropic 6 gifts

Norman Jewison Film Program

Over the 5 ½ months of intensive learning, residents heard from and met with 126 film and tv industry professionals nationally and internationally. The sessions offered a variety of perspectives, different methodologies on business and creative practices, real craft/story skills development while facilitating an exchange of intel and knowledge.

Additionally, mentors provided one-onone guidance, continuity and expertise to residents on various aspects of storytelling, and career strategies.

The CFC received close to 300 applications nationwide for its long-standing film program.

After a thorough selection process, 5 directors, 5 producers, 4 writers and 4 editors were invited to join the 2023/24 cohort, representing British Columbia, Alberta, Manitoba, Nova Scotia and Ontario.

7

8

Norman Jewison Film Program

Over the 5 ½ months of intensive learning, residents heard from and met with 126 film and tv industry professionals nationally and internationally. The sessions offered a variety of perspectives, different methodologies on business and creative practices, real craft/story skills development while facilitating an exchange of intel and knowledge.

Additionally, mentors provided one-onone guidance, continuity and expertise to residents on various aspects of storytelling, and career strategies.

The CFC received close to 300 applications nationwide for its long-standing film program.

After a thorough selection process, 5 directors, 5 producers, 4 writers and 4 editors were invited to join the 2023/24 cohort, representing British Columbia, Alberta, Manitoba, Nova Scotia and Ontario.

7

8

HIGHLIGHTS Directors added five pieces of new work to their reels, including a short film Writers added four pieces of produced work to their reels, including a 4-5 minute produced Proof of Concept for their feature Editors edited 29 different productions, adding up to 7 new produced pieces to their reels Producers added five festival-ready short films to their slates The short films created throughout the program are now entering into the international festival circuit We welcomed 2 service dogs to the cohort!

The program wrapped with an Industry Showcase in December 2023 with more than 600 audience members.

View the Showcase pieces by clicking here.

The Norman Jewison Film Program is generously supported by Netflix, RBC Emerging Artists and Telefilm Canada, and program partners The Norman & Margaret Jewison Charitable Foundation and the Government of Ontario.

9

10

HIGHLIGHTS Directors added five pieces of new work to their reels, including a short film Writers added four pieces of produced work to their reels, including a 4-5 minute produced Proof of Concept for their feature Editors edited 29 different productions, adding up to 7 new produced pieces to their reels Producers added five festival-ready short films to their slates The short films created throughout the program are now entering into the international festival circuit We welcomed 2 service dogs to the cohort!

The program wrapped with an Industry Showcase in December 2023 with more than 600 audience members.

View the Showcase pieces by clicking here.

The Norman Jewison Film Program is generously supported by Netflix, RBC Emerging Artists and Telefilm Canada, and program partners The Norman & Margaret Jewison Charitable Foundation and the Government of Ontario.

9

10

TALENT SPOTLIGHT: Zarrar Khan 1

Award-winning Canadian-Pakistani writer, director and producer and CFC alum Zarrar Khan attended the Cannes Film Festival in May 2023 for the world premiere of his directorial debut, In Flames (executive produced by fellow CFC alumni Shant Joshi). The film also includes an original score by CFC alum Kalaisan Kalaichelvan and editing by Craig Scorgie. In Flames was the first horror film from the South Asian subcontinent to premiere on the famed Croisette. As a graduate of the Norman Jewison Film Program in 2021, he is quickly making a name for himself for his unique storytelling and international presence. His work has screened at over 70 film festivals worldwide, including TIFF, Locarno, BFI London, and was nominated for several 2024 Canadian Screen Awards.

Can you walk us through your creative approach to storytelling?

I usually start from a theme that I'm interested in exploring. That's followed by doing research, and speaking to people who live in the world of the story that I'm interested in telling. In my experience, real life is often wilder than fiction. When I have the script ready, I'll start the laborious process of putting the team together and figuring out how we will make the film. I've found great creativity in limitations and pushing their boundaries to breaking point.

You collaborated with fellow CFC alumni on In Flames. How did this collaboration come to be and what is it like working alongside fellow CFC talent?

I like playing within the confines of genre. Through my shorts, I made a Rock n Roll political musical, a thriller and a coming-of-age. It's exciting to take what has been done, and subvert the expectations of your audience. I love stories that keep you guessing.

I was part of the pandemic year - and so our cohort mostly met virtually. Despite the strangeness of only speaking through screens, I immediately was drawn to Craig and Kalaisan's work. I normally edit my own work, so this was my first time letting someone into my process. Through the CFC, Craig edited a short film project of mine and it gave me insight into what it would be like to have him come on board my feature. I was also so happy to meet Kalaisan through the CFC - we both share a passion for auteur cinema.

“

2

“The CFC program empowered me to see myself in the context of a larger Canadian industry - to feel like you are a part of something.

Working in independent cinema, you are often so isolated and feel like you are doing it alone.

Read the full interview, by clicking here.

What kind of stories do you want to tell and why? What’s one story you’d love to tell in the future?

“The CFC program empowered me to see myself in the context of a larger Canadian industry - to feel like you are a part of something.

Working in independent cinema, you are often so isolated and feel like you are doing it alone. Attending the CFC - it felt like I had finally found my people - the people I know I would want to keep creating art with for the rest of my career.”

11

12

TALENT SPOTLIGHT: Zarrar Khan 1

Award-winning Canadian-Pakistani writer, director and producer and CFC alum Zarrar Khan attended the Cannes Film Festival in May 2023 for the world premiere of his directorial debut, In Flames (executive produced by fellow CFC alumni Shant Joshi). The film also includes an original score by CFC alum Kalaisan Kalaichelvan and editing by Craig Scorgie. In Flames was the first horror film from the South Asian subcontinent to premiere on the famed Croisette. As a graduate of the Norman Jewison Film Program in 2021, he is quickly making a name for himself for his unique storytelling and international presence. His work has screened at over 70 film festivals worldwide, including TIFF, Locarno, BFI London, and was nominated for several 2024 Canadian Screen Awards.

Can you walk us through your creative approach to storytelling?

I usually start from a theme that I'm interested in exploring. That's followed by doing research, and speaking to people who live in the world of the story that I'm interested in telling. In my experience, real life is often wilder than fiction. When I have the script ready, I'll start the laborious process of putting the team together and figuring out how we will make the film. I've found great creativity in limitations and pushing their boundaries to breaking point.

You collaborated with fellow CFC alumni on In Flames. How did this collaboration come to be and what is it like working alongside fellow CFC talent?

I like playing within the confines of genre. Through my shorts, I made a Rock n Roll political musical, a thriller and a coming-of-age. It's exciting to take what has been done, and subvert the expectations of your audience. I love stories that keep you guessing.

I was part of the pandemic year - and so our cohort mostly met virtually. Despite the strangeness of only speaking through screens, I immediately was drawn to Craig and Kalaisan's work. I normally edit my own work, so this was my first time letting someone into my process. Through the CFC, Craig edited a short film project of mine and it gave me insight into what it would be like to have him come on board my feature. I was also so happy to meet Kalaisan through the CFC - we both share a passion for auteur cinema.

“

2

“The CFC program empowered me to see myself in the context of a larger Canadian industry - to feel like you are a part of something.

Working in independent cinema, you are often so isolated and feel like you are doing it alone.

Read the full interview, by clicking here.

What kind of stories do you want to tell and why? What’s one story you’d love to tell in the future?

“The CFC program empowered me to see myself in the context of a larger Canadian industry - to feel like you are a part of something.

Working in independent cinema, you are often so isolated and feel like you are doing it alone. Attending the CFC - it felt like I had finally found my people - the people I know I would want to keep creating art with for the rest of my career.”

11

12

CFC Comedy Story Room Intensive New this year, thanks to the support of Bell Media, the CFC hosted its inaugural 3-month Comedy Story Room Intensive at the CFC for six emerging/mid-level Black, Indigenous and People of Colour writers. The intensive was designed to support their career growth with invaluable mentorship from an experienced showrunner and on-the-job training, with real opportunity for commercial outcomes for all participants.

Led by BAFTA-winning, Emmy-nominated writer/producer Anthony Q. Farrell, the intensive put the writers through the paces of a comedy room model with professional turnaround expectations, in the hopes that the program will catapult the participants’ careers so they continue bringing fresh and unique voices to the genre and landscape.

13

14

CFC Comedy Story Room Intensive New this year, thanks to the support of Bell Media, the CFC hosted its inaugural 3-month Comedy Story Room Intensive at the CFC for six emerging/mid-level Black, Indigenous and People of Colour writers. The intensive was designed to support their career growth with invaluable mentorship from an experienced showrunner and on-the-job training, with real opportunity for commercial outcomes for all participants.

Led by BAFTA-winning, Emmy-nominated writer/producer Anthony Q. Farrell, the intensive put the writers through the paces of a comedy room model with professional turnaround expectations, in the hopes that the program will catapult the participants’ careers so they continue bringing fresh and unique voices to the genre and landscape.

13

14

TALENT SPOTLIGHT: Mark Montefiore

“

CFC was the difference between being able to hit a baseball in the backyard and learning to build an MLB franchise. The CFC fostered, shaped and challenged my skills and instincts as a producer and introduced me to a side of the business that I wasn’t really aware existed.

Also, I met some great folks who to this day are close friends, collaborators and colleagues.”

After completing the Norman Jewison Film Program’s Producers’ Lab in 2006, Mark has become one of Canada’s most prolific screen industry leaders. Through his production company New Metric Media, he develops, finances, and produces premium scripted content for an international audience as well as providing jobs for Canadians, particularly in Sudbury and northern Ontario, who also share his passion for film and TV. He is the executive producer on Canadian favourites including the multiple Canadian Screen Award winning Letterkenny and its spinoff series Shorsey, as well as Children Ruin Everything and CSA nominated Bria Mack Gets a Life.

Read the full interview, by clicking here.

What's been the most rewarding and the most challenging part of your journey?

The most rewarding part of my career has been building a company with a team who are proud of what we do and excited to take it further and also to have shows that speak to and influence Canadian culture. Our shows are a giant mirror that reflect who we are as Canadians, albeit a bit exaggerated perhaps.

In your opinion, what makes the programs that the CFC offers so valuable to Canadian creators and the screen industry overall?

A lot of people just want to make great art but without understanding the business and how to navigate it. It's very difficult to put food on the table. The CFC gave me the balanced perspective and necessary skills to leverage both the creative and business.

Any words of wisdom for aspiring creators?

Step 1. At the beginning, just "make it." Whether it’s a short film, a music video or whatever – go through the process to create it and do as much of it as you can whether there is money or not.

Step 2. "Make it Better." Keep challenging yourself and improve your craft.

Step 3. "Make money from it.” In that order. In my opinion if you chase the money too fast or don't keep trying to improve every step of the way, you're asking for trouble.

15

16

TALENT SPOTLIGHT: Mark Montefiore

“

CFC was the difference between being able to hit a baseball in the backyard and learning to build an MLB franchise. The CFC fostered, shaped and challenged my skills and instincts as a producer and introduced me to a side of the business that I wasn’t really aware existed.

Also, I met some great folks who to this day are close friends, collaborators and colleagues.”

After completing the Norman Jewison Film Program’s Producers’ Lab in 2006, Mark has become one of Canada’s most prolific screen industry leaders. Through his production company New Metric Media, he develops, finances, and produces premium scripted content for an international audience as well as providing jobs for Canadians, particularly in Sudbury and northern Ontario, who also share his passion for film and TV. He is the executive producer on Canadian favourites including the multiple Canadian Screen Award winning Letterkenny and its spinoff series Shorsey, as well as Children Ruin Everything and CSA nominated Bria Mack Gets a Life.

Read the full interview, by clicking here.

What's been the most rewarding and the most challenging part of your journey?

The most rewarding part of my career has been building a company with a team who are proud of what we do and excited to take it further and also to have shows that speak to and influence Canadian culture. Our shows are a giant mirror that reflect who we are as Canadians, albeit a bit exaggerated perhaps.

In your opinion, what makes the programs that the CFC offers so valuable to Canadian creators and the screen industry overall?

A lot of people just want to make great art but without understanding the business and how to navigate it. It's very difficult to put food on the table. The CFC gave me the balanced perspective and necessary skills to leverage both the creative and business.

Any words of wisdom for aspiring creators?

Step 1. At the beginning, just "make it." Whether it’s a short film, a music video or whatever – go through the process to create it and do as much of it as you can whether there is money or not.

Step 2. "Make it Better." Keep challenging yourself and improve your craft.

Step 3. "Make money from it.” In that order. In my opinion if you chase the money too fast or don't keep trying to improve every step of the way, you're asking for trouble.

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THE SLAIGHT MUSIC RESIDENCY More than 80 applications from coast to coast to coast were received for the 2023 Slaight Music Residency. Five residents were selected representing Ontario, Alberta and British Columbia to participate in a hybrid, intensive program both online and in person in Toronto.

Residents took part in 60+ workshops including rights management, negotiating deals, immigration considerations, the state of the music business, representation and self-promotion, working with nonstandard musical instruments, and breaking down the series process - learning from more than 50 industry guests and mentors.

The program wrapped with an Industry Showcase (for the 2023 cohort and the 2021/22 cohorts! View the Showcase by clicking here) in November 2023 with more than 600 audience members. The CFC is grateful to The Slaight Family Foundation for their generous investment in the Slaight Music Residency for more than a decade.

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23

Program highlights: The cohort’s orchestral training led to a remarkable recording of their scores live with the Budapest Orchestra in Prague Residents collaborated with CFC creators across other programs, and also collaborated with one another - creating original music for CFC Showcases A delegation of recent Slaight Music Residency graduates traveled to Los Angeles for inspiration and networking in March 2024, including sessions with Mychael Danna, Sherri Chung, Lesley Barber and Diane Warren at their studios Alumni are stepping into leadership roles and contributing to the evolution of our screen music business, including: Alexandra Petkovski, director on the Board for the Alliance for Women Film Composers Liam Russell, Creative Executive SOCAN, Los Angeles and Nashville membership Erica Procunier, Secretary on the Executive Committee of the Screen Composers Guild of Canada Neil Haverty, Senior Manager, MVP Project/Prism Prize

“

“It's been a joy and honour to be part of the Slaight residency. What a gift the past months were. I treasure the generosity of this program.” - Lydia Ainsworth

“

“What an awesome start to 2023 that was!

For me personally it was truly a life changing experience as now I know how to read and write music - yay!!! So thank you for enabling me with this skill and supporting us all through the process of growing.” - Conan Karpinski

THE SLAIGHT MUSIC RESIDENCY More than 80 applications from coast to coast to coast were received for the 2023 Slaight Music Residency. Five residents were selected representing Ontario, Alberta and British Columbia to participate in a hybrid, intensive program both online and in person in Toronto.

Residents took part in 60+ workshops including rights management, negotiating deals, immigration considerations, the state of the music business, representation and self-promotion, working with nonstandard musical instruments, and breaking down the series process - learning from more than 50 industry guests and mentors.

The program wrapped with an Industry Showcase (for the 2023 cohort and the 2021/22 cohorts! View the Showcase by clicking here) in November 2023 with more than 600 audience members. The CFC is grateful to The Slaight Family Foundation for their generous investment in the Slaight Music Residency for more than a decade.

17

23

Program highlights: The cohort’s orchestral training led to a remarkable recording of their scores live with the Budapest Orchestra in Prague Residents collaborated with CFC creators across other programs, and also collaborated with one another - creating original music for CFC Showcases A delegation of recent Slaight Music Residency graduates traveled to Los Angeles for inspiration and networking in March 2024, including sessions with Mychael Danna, Sherri Chung, Lesley Barber and Diane Warren at their studios Alumni are stepping into leadership roles and contributing to the evolution of our screen music business, including: Alexandra Petkovski, director on the Board for the Alliance for Women Film Composers Liam Russell, Creative Executive SOCAN, Los Angeles and Nashville membership Erica Procunier, Secretary on the Executive Committee of the Screen Composers Guild of Canada Neil Haverty, Senior Manager, MVP Project/Prism Prize

“

“It's been a joy and honour to be part of the Slaight residency. What a gift the past months were. I treasure the generosity of this program.” - Lydia Ainsworth

“

“What an awesome start to 2023 that was!

For me personally it was truly a life changing experience as now I know how to read and write music - yay!!! So thank you for enabling me with this skill and supporting us all through the process of growing.” - Conan Karpinski

TALENT SPOTLIGHT: LAUREN GRANT

Lauren Grant is an award-winning filmmaker and entrepreneur, who founded Clique Pictures in 2006, the year she graduated from the CFC’s film program (Producers’ Lab). At Clique Pictures, Lauren and her team are focused on working with underrepresented talent in front and behind the camera, and they have done just that, producing content which speaks boldly to the unique voices and stories of a multicultural society.

Lauren’s commitment to sharing thought-provoking stories can be seen throughout her work which includes award-winning films such as Picture Day, Sugar Daddy, and The Retreat (to name a few). In 2021, Lauren released her short film Things We Feel But Do Not Say, starring fellow CFC alumna Gita Miller.

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“The collaborators I met as a resident at the CFC as well as residents I’ve mentored has had a lasting impact on my career. I reach out to the CFC when I’m looking for composers, editors, and actors for projects as the alumni base is vast and so, so incredible. So many from my year are working and incredibly successful like writer Katherine Collins, and producers Mark Montefiore, Amy Cameron and Nicole Hilliard-Forde to name just a few.”

Read the full interview, by clicking here.

When did you know you wanted a career in the screen industry?

I’ve always loved stories. As a kid, I created elaborate stories with my dolls. Once I even tried to adapt a book into a play (sadly I later learned the notion of rights). I also did community theatre as a kid. In high school, I heard an actor say, “I thought I wanted to be a doctor, but then I realized I just want to play one on TV.” and I understood the truth in that statement: just because I was pretty good at other things, it didn’t mean each was my passion. I eventually studied Film Production at UBC and haven’t looked back since.

As an alum of the Norman Jewison Film Program Producers’ Lab, can you share some highlights from your time in the program?

The learning is incredible, but the community you build with fellow residents is what really lasts. I have an ongoing group text with dear friends Kerry Young and Jennifer Mesich, who were both in the Producers’ Lab with me in 2006. It is great to have a sounding board as we navigate this industry. It was a great immersive experience and I love cheering on folks from my year.

What is some advice or words of wisdom you have for creators starting out in the screen industry?

Find your people. The ones you can bounce ideas off, vent to, and grow with. It’s tempting to look at those ahead of us in their careers, but my strongest relationships are with people who came up wi

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TALENT SPOTLIGHT: LAUREN GRANT

Lauren Grant is an award-winning filmmaker and entrepreneur, who founded Clique Pictures in 2006, the year she graduated from the CFC’s film program (Producers’ Lab). At Clique Pictures, Lauren and her team are focused on working with underrepresented talent in front and behind the camera, and they have done just that, producing content which speaks boldly to the unique voices and stories of a multicultural society.

Lauren’s commitment to sharing thought-provoking stories can be seen throughout her work which includes award-winning films such as Picture Day, Sugar Daddy, and The Retreat (to name a few). In 2021, Lauren released her short film Things We Feel But Do Not Say, starring fellow CFC alumna Gita Miller.

“

“The collaborators I met as a resident at the CFC as well as residents I’ve mentored has had a lasting impact on my career. I reach out to the CFC when I’m looking for composers, editors, and actors for projects as the alumni base is vast and so, so incredible. So many from my year are working and incredibly successful like writer Katherine Collins, and producers Mark Montefiore, Amy Cameron and Nicole Hilliard-Forde to name just a few.”

Read the full interview, by clicking here.

When did you know you wanted a career in the screen industry?

I’ve always loved stories. As a kid, I created elaborate stories with my dolls. Once I even tried to adapt a book into a play (sadly I later learned the notion of rights). I also did community theatre as a kid. In high school, I heard an actor say, “I thought I wanted to be a doctor, but then I realized I just want to play one on TV.” and I understood the truth in that statement: just because I was pretty good at other things, it didn’t mean each was my passion. I eventually studied Film Production at UBC and haven’t looked back since.

As an alum of the Norman Jewison Film Program Producers’ Lab, can you share some highlights from your time in the program?

The learning is incredible, but the community you build with fellow residents is what really lasts. I have an ongoing group text with dear friends Kerry Young and Jennifer Mesich, who were both in the Producers’ Lab with me in 2006. It is great to have a sounding board as we navigate this industry. It was a great immersive experience and I love cheering on folks from my year.

What is some advice or words of wisdom you have for creators starting out in the screen industry?

Find your people. The ones you can bounce ideas off, vent to, and grow with. It’s tempting to look at those ahead of us in their careers, but my strongest relationships are with people who came up wi

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CBC Actors Conservatory In September 2023, eight talented actors - selected from a total of 325 national applications - started an intensive six-month transformative artistic and professional experience at the CFC campus.

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The conservatory is focused on expanding an actor’s practice, process, community, and career by strengthening their instrument, and honing their range, power, and depth; expanding their professional reel, and showcasing their onscreen talent; engaging in a collaborative script-toscreen process; increasing their understanding of the screen industry; and extending their creative community.

The program wrapped with an Industry Showcase in April 2024 with more than 500 audience members. Click here to view the Industry Showcase. The CFC also published a digital brochure (check it out here) to increase awareness of and exposure to these actors, which has been widely distributed to over 1,000 industry professionals across Canada.

Some highlights: Stunts: Actors spent a full day with Allen Keng learning a variety of skills, including martial arts technique for film; reactions and breakfalls; choreography and camera work; basic acrobatics training; weapons training; and superhero training Acting Through the Camera: A new partnership with the Canadian Society of Cinematographers, the actors learned more about the behind-the-scenes of cinematography, and how to work with the camera on-set Motion Capture Training and Shoots: Workshop training at Sheridan’s Screen Industries Research and Training Centre (SIRT) and Motion Capture (MoCap) Studio saw the actors put this training into practice and walk away with a professional MoCap demo reel

CBC Actors Conservatory alumni continue to make waves in the industry, including: Supinder Wraich - starring in the CBC series Allegiance from CFC Alumna Anar Ali Giacomo Gianniotti - co-starring in the CBC series Wild Cards Araya Mengesha - cast in the new Law & Order Toronto

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CBC Actors Conservatory In September 2023, eight talented actors - selected from a total of 325 national applications - started an intensive six-month transformative artistic and professional experience at the CFC campus.

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The conservatory is focused on expanding an actor’s practice, process, community, and career by strengthening their instrument, and honing their range, power, and depth; expanding their professional reel, and showcasing their onscreen talent; engaging in a collaborative script-toscreen process; increasing their understanding of the screen industry; and extending their creative community.

The program wrapped with an Industry Showcase in April 2024 with more than 500 audience members. Click here to view the Industry Showcase. The CFC also published a digital brochure (check it out here) to increase awareness of and exposure to these actors, which has been widely distributed to over 1,000 industry professionals across Canada.

Some highlights: Stunts: Actors spent a full day with Allen Keng learning a variety of skills, including martial arts technique for film; reactions and breakfalls; choreography and camera work; basic acrobatics training; weapons training; and superhero training Acting Through the Camera: A new partnership with the Canadian Society of Cinematographers, the actors learned more about the behind-the-scenes of cinematography, and how to work with the camera on-set Motion Capture Training and Shoots: Workshop training at Sheridan’s Screen Industries Research and Training Centre (SIRT) and Motion Capture (MoCap) Studio saw the actors put this training into practice and walk away with a professional MoCap demo reel

CBC Actors Conservatory alumni continue to make waves in the industry, including: Supinder Wraich - starring in the CBC series Allegiance from CFC Alumna Anar Ali Giacomo Gianniotti - co-starring in the CBC series Wild Cards Araya Mengesha - cast in the new Law & Order Toronto

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TALENT SPOTLIGHT: Zarah Bentham

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“I’ve maintained strong friendships with my classmates from the 2015 program, and I’ve had the privilege of collaborating with other programs and alumni to this day. I believe that joining the program really helped me focus on the direction I wanted to take my career. It allowed me to understand the fundamentals of acting while also gaining an understanding of how all the different components of a film come together to make it succeed.”

Canadian actress and singer Zahra Bentham’s passion for performing began at a young age, and would eventually lead her to pursue a career in arts and entertainment. She has committed herself to her craft through ongoing education, including graduating from the CBC Actors Conservatory program in 2015 at the CFC.

Read the full interview, by clicking here.

Zahra has worked with some of the top theatre directors and coaches in productions like RENT, The Music Man, and Welcome to Thebes, where she landed her first lead as Eurydice. Recently, Zahra completed filming for the indie feature Morningside, along with fellow CFC alumni Leighton Alexander-Williams, Lovell Adams-Gray, Brandon McKnight, and Ryan Rosery.

Can you share a pivotal moment from your career that defines your journey as an actress?

A pivotal moment in my career that significantly impacted my journey was my involvement in SELFMADE: Inspired by The Life of Madam C.J. Walker.

Working on this series set a new standard for me. My first day on set, collaborating with Octavia Spencer, was incredibly surreal. While I aimed to remain grounded in the moment, I couldn’t help but feel a sense of awe realizing I was sharing a scene with THE Octavia Spencer. This experience reshaped my expectations moving forward, emphasizing the importance of diversity and inclusivity in every aspect of production.

Were there any challenges or breakthrough moments during your time at the CFC that contributed to your growth as an artist?

I think the biggest thing I took away from the CBC Actors Conservatory was my voice. Having a moral compass in life is extremely important, and even as actors, we come up against situations or even roles where we have to really ask ourselves if we want them. Is this role moving me? Will I be happy doing this for 6 seasons? There's so much power in saying no, regardless of what your team may think. Once I tapped into that energy, a lot of things changed for me.

Can you share with us how your time at the CFC has had an impact on your career journey?

I don’t think I fully grasped the extent of what I was stepping into and how interconnected everyone truly was and still is. Being part of this community alone brought a sense of familiarity when entering rooms (especially when we were going in for auditions, haha).

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TALENT SPOTLIGHT: Zarah Bentham

“

“I’ve maintained strong friendships with my classmates from the 2015 program, and I’ve had the privilege of collaborating with other programs and alumni to this day. I believe that joining the program really helped me focus on the direction I wanted to take my career. It allowed me to understand the fundamentals of acting while also gaining an understanding of how all the different components of a film come together to make it succeed.”

Canadian actress and singer Zahra Bentham’s passion for performing began at a young age, and would eventually lead her to pursue a career in arts and entertainment. She has committed herself to her craft through ongoing education, including graduating from the CBC Actors Conservatory program in 2015 at the CFC.

Read the full interview, by clicking here.

Zahra has worked with some of the top theatre directors and coaches in productions like RENT, The Music Man, and Welcome to Thebes, where she landed her first lead as Eurydice. Recently, Zahra completed filming for the indie feature Morningside, along with fellow CFC alumni Leighton Alexander-Williams, Lovell Adams-Gray, Brandon McKnight, and Ryan Rosery.

Can you share a pivotal moment from your career that defines your journey as an actress?

A pivotal moment in my career that significantly impacted my journey was my involvement in SELFMADE: Inspired by The Life of Madam C.J. Walker.

Working on this series set a new standard for me. My first day on set, collaborating with Octavia Spencer, was incredibly surreal. While I aimed to remain grounded in the moment, I couldn’t help but feel a sense of awe realizing I was sharing a scene with THE Octavia Spencer. This experience reshaped my expectations moving forward, emphasizing the importance of diversity and inclusivity in every aspect of production.

Were there any challenges or breakthrough moments during your time at the CFC that contributed to your growth as an artist?

I think the biggest thing I took away from the CBC Actors Conservatory was my voice. Having a moral compass in life is extremely important, and even as actors, we come up against situations or even roles where we have to really ask ourselves if we want them. Is this role moving me? Will I be happy doing this for 6 seasons? There's so much power in saying no, regardless of what your team may think. Once I tapped into that energy, a lot of things changed for me.

Can you share with us how your time at the CFC has had an impact on your career journey?

I don’t think I fully grasped the extent of what I was stepping into and how interconnected everyone truly was and still is. Being part of this community alone brought a sense of familiarity when entering rooms (especially when we were going in for auditions, haha).

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Prime Time TV Program At this time, we have put the CFC’s Prime Time TV Program on hiatus as we take a pause to reassess and reflect on the evolution of the CFC's television program offerings. We recognize the vital role the CFC’s Prime Time TV Program has played in our industry and the development of original, new, and diverse voices and series, and we want to ensure that our programming is in alignment with the rapidly evolving screen industry and that we are increasing its relevance to our writing community. We appreciate the interest in the Prime Time TV Program and look forward to providing our community with updates through the official CFC website here.

CFC Events

CFC Partnerships and Learning

To commemorate the CFC’s 35th anniversary year, our campus on Bayview Avenue came alive with a number of public events and programs to welcome hundreds of our alumni, community and neighbourhood. Additionally, the annual CFC Gala returned after a hiatus due to the pandemic.

CFC Satellites: Worldbuilding •

In the dynamic realm of contemporary storytelling, new this year, CFC Satellites offered a pilot virtual 2-day workshop for creators in Atlantic Canada on Worldbuilding - which champions the creation of robust story worlds primed for multiple platforms across linear and interactive mediums and was designed to help guide creators to forge story IP that transcend traditional boundaries.

In total, the CFC’s fundraising events in 2023/24 raised $1M in cash and in-kind contributions. Thank you to our partners, donors and friends for helping us reach this milestone!

Scale Up Immersive In 2021 OYA Black Arts Coalition (OBAC) and the CFC joined together to launch Scale Up Immersive: a unique accelerator program designed for founders of Black-owned media production companies. The program, led by OBAC, was designed for creatives who are eager to venture into the immersive media landscape. Over the three-year program, it has seen over 12 XR prototypes come to life and supported 30 Black-owned companies in Ontario.

CBC-BIPOC TV & Film Showrunner Catalyst CBC and BIPOC TV & Film, in association with the CFC, entered the second year of its accelerator program for senior-level writers who identify as Indigenous, Black, or People of Colour, that provides hands-on and personally tailored on-set experience, additional tools and support systems to help the six selected participants become showrunners in the Canadian film and television industry. Learn more by clicking here.

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CFC Events

CFC Partnerships and Learning

To commemorate the CFC’s 35th anniversary year, our campus on Bayview Avenue came alive with a number of public events and programs to welcome hundreds of our alumni, community and neighbourhood. Additionally, the annual CFC Gala returned after a hiatus due to the pandemic.

CFC Satellites: Worldbuilding •

In the dynamic realm of contemporary storytelling, new this year, CFC Satellites offered a pilot virtual 2-day workshop for creators in Atlantic Canada on Worldbuilding - which champions the creation of robust story worlds primed for multiple platforms across linear and interactive mediums and was designed to help guide creators to forge story IP that transcend traditional boundaries.

In total, the CFC’s fundraising events in 2023/24 raised $1M in cash and in-kind contributions. Thank you to our partners, donors and friends for helping us reach this milestone!

Scale Up Immersive In 2021 OYA Black Arts Coalition (OBAC) and the CFC joined together to launch Scale Up Immersive: a unique accelerator program designed for founders of Black-owned media production companies. The program, led by OBAC, was designed for creatives who are eager to venture into the immersive media landscape. Over the three-year program, it has seen over 12 XR prototypes come to life and supported 30 Black-owned companies in Ontario.

CBC-BIPOC TV & Film Showrunner Catalyst CBC and BIPOC TV & Film, in association with the CFC, entered the second year of its accelerator program for senior-level writers who identify as Indigenous, Black, or People of Colour, that provides hands-on and personally tailored on-set experience, additional tools and support systems to help the six selected participants become showrunners in the Canadian film and television industry. Learn more by clicking here.

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TALENT SPOTLIGHT: Charles Officer (1975 - 2023) The CFC was deeply saddened to learn of the passing of award-winning filmmaker and CFC alum, Charles Officer, in December 2023. Throughout his career, Charles always displayed great versatility, and was often regarded as a leader in Black Canadian independent film. His work focuses on representation and highlights stories that are not often told. His commitment to nurturing Black talent and increasing representation of Black creators was shown when he cofounded the Black Screen Office, an organization that supports Black Canadians working throughout the screen industries to build their careers, networks and more.

Charles first joined the CFC in 2001 as part of the Directors’ Lab. His 2008 feature, Nurse.Fighter.Boy, which was produced through the CFC Features program, premiered at TIFF and was nominated for 10 Genie Awards. He continued to have a prolific career, with features including The Skin We’re In, Unarmed Verses, and Akilla’s Escape, as well as directing four episodes of the CBC/BET+ drama, The Porter, which follows railway workers from both Canada and the United States who come together to create the world’s first Black union.

The Porter went on to win 12 awards at the 2023 Canadian Screen Awards, which earned Charles awards for Best Direction, Drama Series and Best Dramatic Series.

CFC’s collaboration with Charles in 2020 resulted in CFC BLOCKO!, a seven-part call to action doc series featuring personal conversations with Black creators and CFC alumni, and late CFC Founder, Norman Jewison.

During the CFC’s longstanding relationship with Charles, the Centre was fortunate to witness his remarkable range and growth from a young filmmaker, to one of the Canadian screen industry’s most respected visionaries. His body of work both on and off the screen will continue to inspire generations of storytellers to come.

Among his many talents, was Charles’ gift of creating meaningful connections that made him such a rare and treasured individual – beloved by all that knew him and those that were lucky to have the opportunity to work with him.

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TALENT SPOTLIGHT: Charles Officer (1975 - 2023) The CFC was deeply saddened to learn of the passing of award-winning filmmaker and CFC alum, Charles Officer, in December 2023. Throughout his career, Charles always displayed great versatility, and was often regarded as a leader in Black Canadian independent film. His work focuses on representation and highlights stories that are not often told. His commitment to nurturing Black talent and increasing representation of Black creators was shown when he cofounded the Black Screen Office, an organization that supports Black Canadians working throughout the screen industries to build their careers, networks and more.

Charles first joined the CFC in 2001 as part of the Directors’ Lab. His 2008 feature, Nurse.Fighter.Boy, which was produced through the CFC Features program, premiered at TIFF and was nominated for 10 Genie Awards. He continued to have a prolific career, with features including The Skin We’re In, Unarmed Verses, and Akilla’s Escape, as well as directing four episodes of the CBC/BET+ drama, The Porter, which follows railway workers from both Canada and the United States who come together to create the world’s first Black union.

The Porter went on to win 12 awards at the 2023 Canadian Screen Awards, which earned Charles awards for Best Direction, Drama Series and Best Dramatic Series.

CFC’s collaboration with Charles in 2020 resulted in CFC BLOCKO!, a seven-part call to action doc series featuring personal conversations with Black creators and CFC alumni, and late CFC Founder, Norman Jewison.

During the CFC’s longstanding relationship with Charles, the Centre was fortunate to witness his remarkable range and growth from a young filmmaker, to one of the Canadian screen industry’s most respected visionaries. His body of work both on and off the screen will continue to inspire generations of storytellers to come.

Among his many talents, was Charles’ gift of creating meaningful connections that made him such a rare and treasured individual – beloved by all that knew him and those that were lucky to have the opportunity to work with him.

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CFC Community Thank you to our residents, staff, Board, partners and donors for your commitment to the CFC. We are grateful for your support of the next generation of Canadian storytellers.

CFC BOARD OF DIRECTORS GOVERNMENT PARTNERS

Christina Jennings (Chair) Steven DeNure (Co-Vice Chair) Cheryl Hudson (Co-Vice Chair) David W. Middleton (Treasurer) David Zitzerman (Secretary) Neishaw Ali Paul Bronfman Tassie Cameron Stéphane Cardin Shelley Carroll Shirley Cheechoo C.M. Kate Alexander Daniels Duane Green Harold Gronenthal Raja Khanna Eugene Levy* Anne Loi John Morayniss Robert Munroe* Mark Sakamoto Hilary Smith Ron Suter* Clement Virgo

LEAD SUPPORTERS

PROGRAM PARTNERS

CFC GALA: TAKE 35 PARTNERS

CFC HOMECOMING PARTNERS

Presented by: Netflix Shaftesbury AMC Dellray Group Blink 49 The Slaight Family Foundation Cineplex Our many Take 35 table and ticket purchasers

Presented by: Netflix A&E APTN BFL Canada Bullfrog Power Chubb Cineplex Clearly Canadian eOne Fleming College Toronto Pinewood Toronto Studios Shaftesbury The Norman & Margaret Jewison Foundation Toronto Film School Trebas Institute

CFC FOUNDER’S COUNCIL Steven DeNure, Chair Eric Belcher Don Carmody Suzette Couture David Cronenberg Kevin Jewison George Lewis Robert Munroe Gary Slaight Barbara Williams

*Directors who were members of the 2023/24 board but have since completed their service.

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CFC STAFF Arezou Abbassi, Specialist, HR & General Counsel Argie Eliopoulos, Director, Partnerships & Events* Ashley Derraugh, Executive Lead, Finance Anna Vagabova, Production Assistant Brian Coffey, Production Assistant Carly Beath, Director, Development Chelsea Crothers, Manager, Events Claire Prive, Horticulturalist* Cory Angeletti-Szasz, Director, Marketing & Communications* Cameron Trinidad, Maintenance, Facilities Cathryn Topping, Marketing Intern* Christian Jacobsen, Manager, Post Production & Technical Dean Oriade, Manager, Marketing Deborah Fallows, Executive Lead, People & Culture Eileen Wang, Accounting Specialist Emilija Davidovic, Supervising Producer* E.J. Alon, Executive Lead, Creative Impact & Revenue Emily Thorne, Assistant, Production Enni Balo, Coordinator, Content & Marketplace Gabriel Areaya, Facilities Manager Gillian Ashton, Executive Assistant Hannah Heidrich, Human Resources & Office Coordinator Haydee Moo-Choy, Director, Finance & Facilities Hector Navarro Durron, Production Assistant Hilary Szeto, Coordinator, Production Isabella Shi, Coordinator, Programs Jacqueline Mackey, Executive Lead, Finance Jane Angel, General Counsel Jason Yeung, Specialist, Marketing & Design*

Jessie Chrisholm, Reception, Office Administration* Joseph Ellsworth, Technical Advisor, CFC Media Lab Jon Fernandes, Sr. Manager, Information Technology Jon Wooder, Assistant, Programs Karima Elbanna, Program Administrator, CFC Media Lab* Karianne Taklo, Production Assistant Kathryn Emslie, Executive Lead, Programs – Talent Development & Content Creation Kimberly Laranang, HR Assistant Litian Wang, Post Production & Technical Coordinator Martha Currie, Coordinator, Programs* maxine bailey, Executive Director Pedro Yax, Production Manager* Ray Stanton, General Carpenter & Renovator* Rachel Lai, Accounting Associate Rafael Luiz De Penha, Production Manager Rick Sherman, Senior Development Officer, Gov. Relations & Foundations Sarah Kanbar, Specialist, Social Media & Digital Communications Sarah Brooks, Manager, Program Administrator Shannon Stone, Senior Development Officer, Philanthropy Sophia Commanducci, Assistant, Programs* Victoria Kucher, Supervising Producer Vincent Fan, Events & Programs Intern* *Contract staff, or Staff who departed prior to March 31, 2024.

Happy retirement!

For more than three decades, Jacqueline Mackey CPA, Executive Lead, Finance helped establish the CFC as it is known today. Beyond her expertise in ensuring the financial stability of the organization, her dedication led her to oversee significant projects such as the restoration of many buildings on the campus, including the construction of the Northern Dancer Pavilion which opened in 2014. Jacqueline has also played a pivotal role as a mentor, significantly contributing to the career growth of many. Her multifaceted skills have left an indelible mark.

Jacqueline, congratulations on your retirement, and heartfelt thanks for your invaluable contributions to the CFC. 34

Circle of Supporters Windfields Diane Blake and Stephen Smith** Kate Alexander-Daniels and David Daniels Robin and Robert Ogilvie*

Gold Dark Slope Studios Kathryn Emslie* Fiera Capital*

Silver Cameron Pictures Inc.* Angela Charlesworth Suzette Couture* Mark and Cherie Daitchman*** Kevin Fisher, Gardiner Roberts LLP*

Bronze William Clarke** Dr. and Mrs. Paul and Joyce Chapnick*** Carey Diamond & Tina Urman Family Fund at the Jewish Foundation of Greater Toronto Richard and Pamela Earle Deborah Fallows* Forbes Anderson LLP** Hue and Jonathon Foo*

Platinum Neishaw Ali E.J. Alon maxine bailey Steven and Alison DeNure Blake and Belinda Goldring** Christina Jennings** Hilary Smith

Harold Gronenthal Cheryl Hudson and Michael Say* Munroe Family*

Dr. Betty Rozendaal and Sonny Goldstein** Brian Stockton David Zitzerman

Robert and Julia Foster* Michael and Marjorie Hale** Neale Joudrie & Curtis Kjinserdahl David Kines and Teresa Walsh* Nancy and John McFadyen*** John McKellar Abby and Perry Minuk*** Franca Miraglia

John Morayniss The Norman and Margaret Jewison Charitable Foundation*** Cecil and Robert Rabinovitch* Jeff and Meryl Rosenthal** MaryAnne Runnalls*** Andra Takacs*** Vanderwerff Talent Richard Wernham and Julia West**

Doreen Gryfe*** Robert Kligman and Sandra Secord** Anne Loi Jacqueline Mackey* Tara Parker Harvey Rogers*** Marvin and Joan Waxman***

And two (2) donors who wish to remain anonymous. *over 5 years of support **over 10 years of support ***over 20 years of support

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Circle of Supporters Windfields Diane Blake and Stephen Smith** Kate Alexander-Daniels and David Daniels Robin and Robert Ogilvie*

Gold Dark Slope Studios Kathryn Emslie* Fiera Capital*

Silver Cameron Pictures Inc.* Angela Charlesworth Suzette Couture* Mark and Cherie Daitchman*** Kevin Fisher, Gardiner Roberts LLP*

Bronze William Clarke** Dr. and Mrs. Paul and Joyce Chapnick*** Carey Diamond & Tina Urman Family Fund at the Jewish Foundation of Greater Toronto Richard and Pamela Earle Deborah Fallows* Forbes Anderson LLP** Hue and Jonathon Foo*

Platinum Neishaw Ali E.J. Alon maxine bailey Steven and Alison DeNure Blake and Belinda Goldring** Christina Jennings** Hilary Smith

Harold Gronenthal Cheryl Hudson and Michael Say* Munroe Family*

Dr. Betty Rozendaal and Sonny Goldstein** Brian Stockton David Zitzerman

Robert and Julia Foster* Michael and Marjorie Hale** Neale Joudrie & Curtis Kjinserdahl David Kines and Teresa Walsh* Nancy and John McFadyen*** John McKellar Abby and Perry Minuk*** Franca Miraglia

John Morayniss The Norman and Margaret Jewison Charitable Foundation*** Cecil and Robert Rabinovitch* Jeff and Meryl Rosenthal** MaryAnne Runnalls*** Andra Takacs*** Vanderwerff Talent Richard Wernham and Julia West**

Doreen Gryfe*** Robert Kligman and Sandra Secord** Anne Loi Jacqueline Mackey* Tara Parker Harvey Rogers*** Marvin and Joan Waxman***

And two (2) donors who wish to remain anonymous. *over 5 years of support **over 10 years of support ***over 20 years of support

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CFC RESIDENTS 2023/24 Norman Jewison Film Program Directors’ Lab: Fateema Al-Hamaydeh Miller Ian Bawa Raghed Charabaty Leah Johnston Yuqi Kang

CFC RESIDENTS

Producers’ Lab: Nic Altobelli Kevin Dong Malachi Jamaal Ellis Lee Marshall Isoken Ogiemwonyi

Writers’ Lab: Minh-Anh Vo Dinh Mitchell LeBlanc Kimberly Manky Margarita Valderrama

Editors’ Lab: Maria Bykina Ted Husband Mariana Urrutia Arielle Skolnik

2023/24 CBC Actors Conservatory Ryan Rosery Sam Asante Gwenlyn Cumyn Milcania Diaz-Rojas Ali A. Kazmi Rebekah Miskin Christine L. Nguyen Dorrett White

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2023 Slaight Music Lab Lydia Ainsworth Amine Bouzaher Stella Conway Conan Karpinski Tori Morrison

2023/24 Comedy Story Room Intensive Marushka Jessica Almeida Qaseem Fazal Della Haddock Mostafa Shaker Nattasha Shrestha Aditi Raina

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CFC RESIDENTS 2023/24 Norman Jewison Film Program Directors’ Lab: Fateema Al-Hamaydeh Miller Ian Bawa Raghed Charabaty Leah Johnston Yuqi Kang

CFC RESIDENTS

Producers’ Lab: Nic Altobelli Kevin Dong Malachi Jamaal Ellis Lee Marshall Isoken Ogiemwonyi

Writers’ Lab: Minh-Anh Vo Dinh Mitchell LeBlanc Kimberly Manky Margarita Valderrama

Editors’ Lab: Maria Bykina Ted Husband Mariana Urrutia Arielle Skolnik

2023/24 CBC Actors Conservatory Ryan Rosery Sam Asante Gwenlyn Cumyn Milcania Diaz-Rojas Ali A. Kazmi Rebekah Miskin Christine L. Nguyen Dorrett White

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2023 Slaight Music Lab Lydia Ainsworth Amine Bouzaher Stella Conway Conan Karpinski Tori Morrison

2023/24 Comedy Story Room Intensive Marushka Jessica Almeida Qaseem Fazal Della Haddock Mostafa Shaker Nattasha Shrestha Aditi Raina

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CFC Community Thank you to our residents, staff, Board, partners and donors for your commitment to the CFC. We are grateful for your support of the next generation of Canadian storytellers.

CFC BOARD OF DIRECTORS GOVERNMENT PARTNERS

Christina Jennings (Chair) Steven DeNure (Co-Vice Chair) Cheryl Hudson (Co-Vice Chair) David W. Middleton (Treasurer) David Zitzerman (Secretary) Neishaw Ali Paul Bronfman Tassie Cameron Stéphane Cardin Shelley Carroll Shirley Cheechoo C.M. Kate Alexander Daniels Duane Green Harold Gronenthal Raja Khanna Eugene Levy* Anne Loi John Morayniss Robert Munroe* Mark Sakamoto Hilary Smith Ron Suter* Clement Virgo

LEAD SUPPORTERS

PROGRAM PARTNERS

CFC GALA: TAKE 35 PARTNERS

CFC HOMECOMING PARTNERS

Presented by: Netflix Shaftesbury AMC Dellray Group Blink 49 The Slaight Family Foundation Cineplex Our many Take 35 table and ticket purchasers

Presented by: Netflix A&E APTN BFL Canada Bullfrog Power Chubb Cineplex Clearly Canadian eOne Fleming College Toronto Pinewood Toronto Studios Shaftesbury The Norman & Margaret Jewison Foundation Toronto Film School Trebas Institute

CFC FOUNDER’S COUNCIL Steven DeNure, Chair Eric Belcher Don Carmody Suzette Couture David Cronenberg Kevin Jewison George Lewis Robert Munroe Gary Slaight Barbara Williams

*Directors who were members of the 2023/24 board but have since completed their service.

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CFC STAFF Arezou Abbassi, Specialist, HR & General Counsel Argie Eliopoulos, Director, Partnerships & Events* Ashley Derraugh, Executive Lead, Finance Anna Vagabova, Production Assistant Brian Coffey, Production Assistant Carly Beath, Director, Development Chelsea Crothers, Manager, Events Claire Prive, Horticulturalist* Cory Angeletti-Szasz, Director, Marketing & Communications* Cameron Trinidad, Maintenance, Facilities Cathryn Topping, Marketing Intern* Christian Jacobsen, Manager, Post Production & Technical Dean Oriade, Manager, Marketing Deborah Fallows, Executive Lead, People & Culture Eileen Wang, Accounting Specialist Emilija Davidovic, Supervising Producer* E.J. Alon, Executive Lead, Creative Impact & Revenue Emily Thorne, Assistant, Production Enni Balo, Coordinator, Content & Marketplace Gabriel Areaya, Facilities Manager Gillian Ashton, Executive Assistant Hannah Heidrich, Human Resources & Office Coordinator Haydee Moo-Choy, Director, Finance & Facilities Hector Navarro Durron, Production Assistant Hilary Szeto, Coordinator, Production Isabella Shi, Coordinator, Programs Jacqueline Mackey, Executive Lead, Finance Jane Angel, General Counsel Jason Yeung, Specialist, Marketing & Design*

Jessie Chrisholm, Reception, Office Administration* Joseph Ellsworth, Technical Advisor, CFC Media Lab Jon Fernandes, Sr. Manager, Information Technology Jon Wooder, Assistant, Programs Karima Elbanna, Program Administrator, CFC Media Lab* Karianne Taklo, Production Assistant Kathryn Emslie, Executive Lead, Programs – Talent Development & Content Creation Kimberly Laranang, HR Assistant Litian Wang, Post Production & Technical Coordinator Martha Currie, Coordinator, Programs* maxine bailey, Executive Director Pedro Yax, Production Manager* Ray Stanton, General Carpenter & Renovator* Rachel Lai, Accounting Associate Rafael Luiz De Penha, Production Manager Rick Sherman, Senior Development Officer, Gov. Relations & Foundations Sarah Kanbar, Specialist, Social Media & Digital Communications Sarah Brooks, Manager, Program Administrator Shannon Stone, Senior Development Officer, Philanthropy Sophia Commanducci, Assistant, Programs* Victoria Kucher, Supervising Producer Vincent Fan, Events & Programs Intern* *Contract staff, or Staff who departed prior to March 31, 2024.

Happy retirement!

For more than three decades, Jacqueline Mackey CPA, Executive Lead, Finance helped establish the CFC as it is known today. Beyond her expertise in ensuring the financial stability of the organization, her dedication led her to oversee significant projects such as the restoration of many buildings on the campus, including the construction of the Northern Dancer Pavilion which opened in 2014. Jacqueline has also played a pivotal role as a mentor, significantly contributing to the career growth of many. Her multifaceted skills have left an indelible mark.

Jacqueline, congratulations on your retirement, and heartfelt thanks for your invaluable contributions to the CFC. 34

We are deeply saddened to say goodbye to members of the CFC family: Reeyaz Habib Norman Jewison Charles Officer

IN MEMORIAM

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We are deeply saddened to say goodbye to members of the CFC family: Reeyaz Habib Norman Jewison Charles Officer

IN MEMORIAM

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THE FUTURE OF CANADIAN STORYTELLING STARTS HERE

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