PORTFOLIO 2020

c é s a r m e n e g h e t t i \\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\ P O R T F O L I O 2 0 2 0 E N G

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CÉSAR MENEGHETTI - after studying in Brazil (B.A. Visual Communication @ FAAP), England (B.A. Fine Arts Mixed Medias @ London Metropolitan University) and Italy (Centro Sperimentale di Cinematografia) - has presented his works in 40 countries and in several events, among them: the 55th Venice Biennale, Pavilion of Kenya (2013), Biennale Sessions (54th Venice Biennale 2011), 51st Venice Biennale, IILA Pavilion (2005), 10th Sharjah Biennial (2011), the Cerveira Biennial (2011), Adriatic Biennial (2006).

His solo and group exhibitions include: Macro - Museo d’Arte Contemporanea in Rome (1996, 2005 and 2011), MIS - Museu da Imagem e do Som de São Paulo (2010), Funarte Gallery Sala Nordeste and Estação Arte e Ciência (2011-2012), Centre for Contemporary Art Luigi Pecci, Palazzo delle Esposizioni, MAB (Museum of Brazilian Art), Whitechapel Gallery and Smiths Gallery, Recyclart , Tio Ilar; Venice Film Festival, Locarno Film Festival, Festival del Nuevo Cine de Habana, Festival “It’s all true”, Mostra de Cinema de São Paulo, Clermont-Ferrand festival, Transmediale, XX Locarno VideoArt Festival, File Festival, Microwave, Loop and Videoakt, Currents (Santa Fe), VideoZone (Tel Aviv), Tokyo Videoart Center, Videoformes, Videobrasil VAD International video and digital arts (Girona), SIART – International Art Biennial (La Paz), I Brazilian Biennial (Brussels), MIART (Milan), IILA – Italian Latin-American Institute, Road to Contemporary Art (Rome), DIVA Video Art Fair (Paris), Artbus tour ARCO (Madrid), and many others. He was awarded with the Brazilian FUNARTE Contemporary Art Prize 2011, Biennial of São Paulo special award for Brazilian contemporary art (2010), best video at the IV Inter-American Biennial of Video Art in Washington (2009), Italian Silver Ribbon 1996 and 2004 (SNCCI) and Petrobrás Cultural Prize, Brazil (2002 and 2006).

The work of César Meneghetti is since the end of the nighties characterized by a profound interest on social issues and a constant enquire on forms of language. Usually, his previous works were based on artistic “mapping of the places“ and the people who were living in. He observes correspondences and creates a new time-and-space connection. His work is in between video, film, documentary, conceptual research and photography. He is concentrated to the idea of identity and memory, later he started to be focused also on different kinds of diversity. He observed in particular various groups in society, from Brazilian urban motorbike couriers, Italians during religious rituals, a group of South-American football players in Italy, African peasants fighting against the advance of the Sahara or mental disabled people working with art. In 2007, a new phase of his career started with K_ LAB - INTERACTING ON THE REALITY INTERFACE (Mixed Media, Niger, 2007-2008) when his research embraced the visual arts, cinema and mixed media along with relational art, followed by the projects THIS_ORIENT (Mixed Media, Vietnam HK, 2006-2011) and I\O _IO È UN ALTRO (mixed media/relational, Italy, 2010-2013) with 200 mental and physical disabled people of the Santo Egidio’s Community art labs, invited work for the 55th Venice Biennale. As an independent filmmaker, he has performed dozens of films and author videos: 1 feature film, 7 documentaries, 88 short films and experimental videos, as well as collaborating with Jane Campion and Roberto Benigni and being produced by Nanni Moretti. About his work were written three theses of master’s degree in Italy University of Rome. Quoted in the books “MLAC Index” (AAVV, 2012) Meneghetti is one of the 22 contemporary artists analysed in the volume “Art Iperconteporanea - un certain parrot sguardo” of the Italian art historian Simonetta Lux. He is one of the 99 artists selected in the anthology “Made in Brazil - 30 years of Brazilian video”, organized by Arlindo Machado. It idealizes, organizes and realizes the design of the artist books “this_placements” (Gangemi, Rome, 2012), “I\O - 55. Biennale di Venezia” (Maretti, San Marino, 2013) and Maretti, San Marino , 2015), “I\O_ CESAR MENEGHETTI” (Silvana Editori, Milano, 2015).

Currently researches and develops his new projects in São Paulo where now he lives and works.

2020_

https://vimeo.com/manage/videos/421346240

QUARANTINE LOOP CÉSAR MENEGHETTI FUNARTE VISUAL ARTS AWARD 2020

2019_

SHOOTING BODIES

CÉSAR MENEGHETTI + ZECA CALDEIRA + JULIO DOJCSAR FAMILIAS PROJECT - PROAC PRIZE 2018 COLETIVO CASADALAPA

2019_

BIENAL DE CURITIBA

CÉSAR MENEGHETTI INCLUSION/EXCLUSION VIDEO/INSTALLATION (4.20 x 2.30m) HD, 4 min, COLOR, STEREO 2018 LINK VIDEO: https://vimeo.com/309094668 A CURA DI MASSIMO SCARINGELA

2018_19

INCLUSION/EXCLUSION - VITTORIANO CÉSAR MENEGHETTI + LABORATORI D’ARTE DELLA COMUNITÀ DI SANT’EGIDIO GALLERIE SACCONI - COMPLESSO DEL VITTORIANO FACCIATA ARA COELI - PIAZZA VENEZIA ROME A CURA DI CRISTINA CANNELLI ALESSANDRO ZUCCARI

07 December 2018 - 16 Febbruary 2019

BORDERLANDS / ZONE DI CONFINI, video installation, 10’, HD, 2018.

César Meneghetti together with 52 artists from the Art Workshops of the Community of Sant’Egidio make their voices through on worrying themes affecting not only Italy but the whole world.

Inclusion/Exclusion is an exhibition probing the space of collective emotions, vis a vis the paradoxes of contemporaneity. The pieces exhibited place themselves at the end of a thorough process of training and deepening. Meneghetti once again entangles his work with theirs: the dialogic and educational encounter with the artist starts a process of co-responsibility and two way participation. The social and cultural representation and transformation of the surrounding world got strengthen, as much as the action of the Art Workshops towards a freed creativity.

2018_19

INCLUSION/EXCLUSION - VITTORIANO

07 December 2018 - 16 Febbruary 2019

ME/WE, installation, 200 x 200 x 50 cm, 2018.

2018_

BELOVED ONES #02 - VENETO SOLO SHOW CREARTE-STUDIO GALLERY ODERZO A CURA DI CARLO SALA

2018_

OPERA #12

BELOVED ONES #02 - VENETO

BELOVED ONES #02 > STAMPA INKJET SU ALUMINIO DIBOND, 90 X 180 CM, ED. 1/5, 2018

2018_

BELOVED ONES #02 - VENETO

OPERA #11, OPERA #14 BELOVED ONES > VIDEO LIKS E MEMO FILES SERIE 02, STAMPA SU CARTA, 450 X 320 MM, 2018

2017_

ARTAPES #03 - MAXXI

DOPPIO SCHERMO / DOUBLE SCREEN ARTIST FILM AND VIDEO IN ITALY FROM THE ’60S TO THE PRESENT A CURA DI BRUNO MARINO E GIULIA FERRACCI

19 September 2017 - 09 November 2017 CÉSAR MENEGHETTI. MONTAGE N. 11 [Fast forward, rewind – avanti, indietro – pra frente, pra trás] MONTAGE 11 è un video palindromo. Le vie di San Paolo si alternano a scorci romani generando un terzo paesaggio urbano, rappresentazione della memoria degli emigranti italiani arrivati in Brasile nel secolo XX. La camera, mette a fuoco la ex-casa di accoglienza degli immigrati a San Paolo, resuscitando ricordi riposti nella memoria collettiva. Il movimento diventa motore di una visione che fonde immagini puramente sensoriali a impressioni di paesaggi esterni. La colonna sonora del musicista italiano Tiberio Pandimiglio è stata composta in parallelo ai graduali stadi del montaggio video, dialogo alla ricerca di un equilibrio tra suono ed immagine. La musica della luce, la luce della musica. Radici, vissuto, flusso, memoria, storia, poesia diventano fattori formativi di una identità di frontiera in perenne movimento, dal nascere San Paolo del Brasile all’interno di una famiglia di origine veneta e abruzzese, alle importanti esperienze di vissuto in Inghilterra, Italia, Germania.

2017_

O PERCURSO AUSENTE - MUBA

MUSEU DE BELAS ARTES DE SÃO PAULO A CURA DE TEREZA DE ARRUDA

30 March – 30 May 2017 CÉSAR MENEGHETTI. O PERCURSO AUSENTE / THE ABSENT PATH The Absent Path, an introduction to the artistic production of César Meneghetti, consolidated in recent years abroad and held in various parts of the world. This platform will open the door to an interdisciplinary dialogue covering emergency issues, addressing two apparently disconnected critical fields: groups in territories of social fragility and creative use of technology in the arts, relating them to fully understand the true meaning of life and our time.

2017_

O PERCURSO AUSENTE - MUBA

MUSEU DE BELAS ARTES DE SÃO PAULO A CURA DE TEREZA DE ARRUDA

2017_

365 SHOTS - FUNARTE - SP

FUNARTE SÃO PAULO - BURGOS #01 EXHIBITION PROAC PRIZE FOR INTEGRATED ARTS

18 August 30 September 2017 FUNARTE - NATIONAL FOUNDATION FOR THE ARTS - SÃO PAULO 2017_ 365 SHOTS (PHOTOGRAPHY / POSTER-BOMBER variable dimension and supports, Brazil). video document link: https://www.youtube.com/watch?v=jzQb9haR-TQ https://www.flickr.com/photos/143102021@N07/ https://www.youtube.com/watch?v=jzQb9haR-TQ 365 SHOTS is a documental work on the street art - collaborative process entitled “vidas em obras” by the collective casadalapa. A photographic aproach and on the experience inside the borough supranominated “Cracolândia”, a district of campos elísios (Champs-Elyseés), center of São Paulo dedicated to the use of crack. In the neighborhood of Cracolândia region, over the course of a year, murals were produced with photos, video, gigantography, poetry, plastic arts, graphite, stencil, poster-bomber, memorandum texts and micro-stories about the living histories of the residents in this zone.

2017_

[DIS]TR0PICOS - AA GALLERY - SP

ZERO TO N (MOTO CONTINUUM) VIDEO + PAINTING

18 November 20 Ddecember 2017 2017_ ZERO TO N [MOTO CONTINUUM] (10’ loop, SD, Brazil).

video link : https://vimeo.com/236901281 (password: meneghetti) Zero > N moto continuum. A series of imaginary circles traced by a motoboy (courier) in a roundabout of São Paulo.

The city has the worldwide primate in traffic accidents. At least one motoboy dies in the streets, leaving the asphalt, the most precious commodity they have: life itself. All circles bring a truth about themselves, they are an interpretation of the same phenomenon of movement, but they also allude to vicious circles, illusory trappings, existential inertia, life cycles and the infinite.

2015_2016_

I\O _I IS AN OTHER - MAXXI

PRÊMIO BRASIL ARTE CONTEMPORÂNEA (FUNDAÇÃO BIENAL DE S. PAULO) PRÊMIO GLOBO TRICOLORE (ITÁLIA)

19 November 2015 – 17 January 2016 CÉSAR MENEGHETTI. I\O_ IO È UN ALTRO After his presence at the 55th Venice Biennale, the exhibition by César Meneghetti presents at MAXXI Rome a new series of works born within the ambit of the I\O_ IO È UN ALTRO project. In Meneghetti’s works the disabled people met by the artist present themselves as persons, perfectly capable of producing thought, space and vision, persons that know, remember, valuate, work, love and create. Over the course of four years, the research phase of this project has involved over 200 people with mental disabilities who live in Rome, through a multidisciplinary approach realised with the Art Workshops of the Comunità di Sant’Egidio in order to investigate the concept of confines. The long process of research and education, workshop and creative actions will be narrated in the book that will accompany the exhibition I\O _IO È UN ALTRO, putting up for discussion the idea of ability/disability, frequently founded on prejudice.

2013_ I\O OPERA #01 - VIDEOCABINE #3 (38’, HD, Italy). trailer: https://vimeo.com/70705036 full video link : https://vimeo.com/70688961 The VIDEOBOOTH ‘frames’ its interlocutors, recording their every gaze, gesture, stance, and words (including the words of those who cannot utter them, and type on a keyboard instead). Meneghetti has extrapolated a vivid sequence of stills which, edited into a quadripartite pattern, come into mutual exchange and interaction. What ensues has the appearance of a long take, although the sequence is in fact intricately and invisibly edited: providing a key to the overall project, the work portrays the disabled in some form of dialogue with each other that involves the audience too.

2015_ I\O OPERA #03 - EX-SISTENTIA (50 videos of 3’ each, HD, Italy). one of the 50 single channel video link : https://vimeo.com/58404875 Gabriele Tagliaferro is affected by an acute form of autism. With Ex-sistentia, César Meneghetti makes visible his awareness of a distance between his body and his intended actions and ideations. Ex-sistentia thus reveals to the art-viewing public how Gabriele perceives the space around him and how he experiences his own thoughts. Fifthy small monitors display the slowly revolving image of Gabriele, taken within the video booth. Word-fragments typed on a computer come at the close of each apparition. With each monitor displaying a different movement and the simultaneous sound of words and tunes in Gabriele’s own voice, we gradually come close to the root of his message that ‘all is word’.

2015_ I\O OPERA #08 - PASSAGES-LANDSCAPES (4 videos of 6’ each, HD, Italy). video link: https://vimeo.com/146546439 Life-size images of people appear on four monitors, as they stand upright and walk rightward and leftward with their eyes shut. A metaphor for existence, of our being ephemeral, passing forms – either ignored or unaware.

Constant movement is the only way for us not to be mired down in mediocrity. Dislocation in space is a constant loss of balance. Walking, passing, transiting are images of our existential condition. Imbalance and lack of certainty are our only certainty.

2015_ I\O_WORK #06 LOVISTORI 9-channel audio-installation, digital print onto dibond, 150 X 230 cm, red board.

The photograph tells of another life for Patrizia Nasini and another story for Vincenzo Camelia. The old life, related in their own voice, is no longer there and remains unseen. An entrance hall. A kitchen. A bedroom. A large photograph dominates the others. She, dressed in white. He, in dark dress. A small, happy, normal couple of newlyweds. Patrizia had been neither ‘normal’ nor happy beforehand. Behind the image, beyond the photograph, lie stories that no image can tell or enclose within itself.

2015_ I\O_WORK #17 UNTITLED digital print onto dibond, 100 X 177 cm I\O. 1\0. The one represents the in\dependent man, the man who fulfils social functions. The zeroes represent the failures, the misfits, the imperfect, the uncertain, the artists, the madmen. There’s something more between the ones and the zeroes. Thus, the binary code, icon of i\o, creates a human landscape made also of digital noise and glitches. Experiencing i\o revealed to me a sort of super humanity, thanks to error, the unforeseen, the flawed, human noise in the digital age, where art once again meets life in this paradoxical numerical process. I\o [me], those who from zero to n dimensions also turn into us [we].

Open Platform. Workshop #1 WHAT DOES BEING “NORMAL” MEAN FOR YOU? SALA DOC A-Symmetrical Dialogues. Workshop #2 Discussion/Art as a tool: arte di scambiarsi mondi MAXXI Auditorium Per-formation_Action as perception by Cristina Elias. Workshop #3/Performance Museum Hall

2013 _ I\O _IO È UN ALTRO VENICE BIENNALE 29 May 2013 – 27 November 2013 55. VENICE BIENNALE - NATIONAL PARTICIPATIONS - ISOLA DI SAN SERVOLO CÉSAR MENEGHETTI. I\O_ EU É UM OUTRO / I IS AN OTHER / JE EST UN AUTRE / YO ERES OTRO “Living is living together. We are incomplete and unfinished beings because one does not exist without the other. Art cannot achieve its objective if it precludes something or someone.”

In Meneghetti’s works the disabled people met by the artist present themselves as persons, perfectly capable of producing thought, space and vision, persons that know, remember, valuate, work, love and create. Over the course of four years, the research phase of this project has involved over 200 people with mental disabilities who live in the capital, through a multidisciplinary approach realised with the Art Workshops of the Comunità di Sant’Egidio in order to investigate the concept of confines.

The long process of research and education, workshop and creative actions will be narrated in the book that will accompany the exhibition I\O _IO È UN ALTRO, putting up for discussion the idea of ability/ disability, frequently founded on prejudice.

2013_ I\O_OPERA #01 VIDEOCABINA #03, cor, 38’45”, Venezia 55. video link: https://vimeo.com/70705036

2013_ I\O_ OPERA # 07 SETTE/SEVEN, VIDEO OBJECT 7 X 7’, COLOR, HD, Venezia 55. video link: https://vimeo.com/69349999 I/O_OPERA #01 VIDEOCABINA #03, 2013, cor, 38’45”, video mono canale (frame do video)

my physical presence is that which restores to your eyes la mia presenza fisica è quella che restituisce ai tuoi occhi la mia immagine o l’illusione della mia vera rappresentazione my image or the illusion of my true representation

2013_ I\O_ OPERA # 10 IN_VISIBILITY, installation, COLOR, HD, Venezia 55.

OPERA # 07 SETTE/SEVEN, 2012-13, VIDEO OBJECT 7’, COLOR, HD. movement direction cristina elias, soundscape yuko matsuyama, set design arquiteto luigi d’oro. photo exopografico. marco mancinelli, venezia 55) trailer: https://vimeo.com/69349998 video link: https://vimeo.com/163344449

2013_ I\O_ OPERA # 16 “IO È UN ALTRO”, digital print on dibond/metacrilatto 168 x 150m.

2014_

K_LAB INTERACTING IN THE REALITY INTERFACE PROJETO COMISSIONADO PELA COOPERAZIONE ITALIANA NO NIGER (ITÁLIA) FINALISTA HANS AND LENE GRUNDIG PRIZE (ALEMANHA) ARTES VISUAIS - MELHOR MOSTRA DE DE 2014 EM SÃO PAULO (NOMINATION) FOLHA DE S. PAULO

K_ selected works, UTMT Gallery Berlin_ 5 November 2014 - 29 January 2015 K_ selected works, Paço das Artes SP_ 8 March 2014 - 19 April 2014 K_LAB - INTERACTING IN THE REALITY INTERFACE is a processual and relational work created by CÉSAR MENEGHETTI composed initially for a series of 8 main oeuvres (video, photography, installation and documentation), K_lab – interacting on the reality interface narrates, documents, and analyses the work of the mostly female population in its fight against desertification and the struggle for water in the Keita Valley, the region situated between the Sahel and Central Africa.

2014_ K_05_01 + K_06 _01_02_03 Two channel video instalation (Paço das Artes, São Paulo).

K 05_01 still _ femmes (video, 15’, HD, color, Niger/Italy 2007-2008) video instalation for Under the mango tree art gallery, Berlin, 2014-2015. video link: https://vimeo.com/113101005

2014_ K_06 01011001_- 01-02-03, 25 min. total, HD, color, Niger/Italy (video projection or monitor instalation) https://vimeo.com/87030107 https://vimeo.com/87030106 https://vimeo.com/87030106 (password: meneghetti)

2017_

K_LAB INTERACTING IN THE REALITY INTERFACE

K_03 _01-12 and K_04 video instalation for Under the mango tree art gallery, 2014-2015

K_09_02_01 print onto cottonrag fineart paper 300 x 162 cm special release for Under the mango tree, Berlin, 2014.

K_09_02_01 print onto cottonrag fineart paper 300 x 162 cm special release for Under the mango tree,Berlin, 2014.

K_09_03_01 Dipthyc - print onto cottonrag fineart paper framed on a wooden golden frame and alluminium dibond variable size circa 66 X 54 cm each.

Under the mango tree Art Gallery, Berlin, 2014.

K_9_04_01-07 (CMD+C > CMD+V)

PHOTO SERIES IV - Heptatych

(7 pieces) print onto cottonrag fineart paper mounted onto alluminium dibond, 25 x 15 cm each.

Under the mango tree, Berlin, 2014.

K 11_01_01 + 02 ME/WE (multiple) Object, 33 x 23 cm Under the mango tree, Berlin, 2014.

2013_ BELOVED ONES #1 FLUX ONE_ SK PATROCINIO DO MINISTERIO DA CULTURA DA ESLOVAQUIA - HIT GALLERY MOSTRA ANIMAS LEJANAS - TENUTA DELLO SCOMPIGLIO LUCCA FINALISTA DO PREMIO MARC FERREZ DE FOTOGRAFIA OBRA #01, #03, #05, E 07 MOSTRA INTERAKTION, CASTELO DE SACROW, BERLIN OBRA #07 SELECIONADA NA VERBO - GALERIA VERMELHO - SP

2013 2014 2014 2015 2015

MEMO FILES - RESEARCH DOCUMENTATION N. 30 to 100 boards containing information, texts, maps, graphics, photos, 210 x 297 cm BELOVED ONES is an multidisciplinary artwork focused on memory, migration, roots analysed through art perpective. The artist will explore his ancestors’ birthplace towns, and through this work he creates an intimate link between his own subjective experience and other’s perception. Travelling to the 4 towns of his 4 ancestors, through the places and interacting with the people, researching and also collecting people’s testimonies, images, material, maps, photos, documents, immigrant documents but also identity and lost memory research.

2013_ VIDEO #01 - STORIES THAT ONLY EXIST WHEN REMEMBERED, HIT GALLERY (20’, HD, Brazil/Slovakia). to watch video https://vimeo.com/72098624 (password: meneghetti)

2013_ VIDEO #02 - DIÁRIO DE UM ADEUS (5’09”, HD, Brazil/Slovakia). to watch video https://vimeo.com/70927538 (password: meneghetti)

Na obra BELOVED ONES #07 criada e realizada na Eslováquia, em Sandorf/Cunovo cidade natal de seus antepassados maternos, a beira do Rio Danúbio, o artista realiza uma performance gravada em vídeo onde se adentra nas águas do rio para desaparecer submergido completamente.

2013_ VIDEO #07 - THERE IS A FUTURE IN OUR PAST (4’15”, HD, Brazil/Slovakia) VIDEO / PERFORMANCE / FOTO to watch video: https://vimeo.com/71666596 (password: meneghetti)

2017_ BELOVED ONES #1 FLUX ONE_ BR

2011_2012_

nnn

THIS_PLACEMENTS_ PE/PB_BR PRÊMIO FUNARTE DE ARTE CONTEMPORÂNEA 2011

2011_ THIS_PLACEMENTS 4 channel video instalation (4’34”, HD, Brazil) to watch video simulation: https://vimeo.com/41373493 Images captured from the same perspective, projected side by side, from the same axis and visual angle.

Urban clusters, people, details overlap and become rarefied until they become pure flow. West and East take on a new dimension. 4 travellings, 4 windows, 4 realities: Africa (Niamey, Niger), Asia (Hanoi, Vietnam), Europe (Rome, Italy) and America (Recife, Brazil).

this_placements (2011) PRÊMIO FUNARTE DE ARTE CONTEMPORÂNEA 2011, Galeria Nordeste de Artes Visuais,Recife, PE.

this_placements (2012) PRÊMIO FUNARTE DE ARTE CONTEMPORÂNEA 2011, Funarte-NE, Estação Cabo Branco, João Pessoa, PB.

2010_2011_THIS_ORIENT_

ROMA/SALVADOR _IT_BR

2010_ THIS_ORIENT V.1, Galeria AOFC58 Roma 8 March - 28 April 2011_ THIS_ORIENT V.2, Galeria ACBEU Salvador 5 Novembro - 22 Dezembro THIS_ORIENT is an exhibition composed of a series of videos and photographic images that ask questions regarding the redefinition of space and displacement. The works of the exhibition are part of an investigation of symbolic places, digitally reworked, produced from images captured in Hong Kong (PRC) and Hanoi (Vietnam). THIS_ORIENT, can be understood as “east orient” or “disorientation,” where the duality of meanings makes a connection between the concepts of plurality of points of view and indeterminacy.

2017_

THIS_ORIENT_BR

2010_ L T D N _ PREMIO MELHOR VIDEO NO IV INTER-AMERICAN BIENNIAL OF VIDEO ART, WASHINGTON DC, USA OFFICIAL SELECTION 60TH LOCARNO INTERNATIONAL FILM FESTIVAL >> PLAY FORWARD, SWITZERLAND 6TH FESTIVAL DU FILM ET FORUM INTERNATIONAL SUR LES DROITS HUMAINS (FIFDH), GENEBRA, SWITZERLAND ABSTRACTA, MOSTRA INTERNAZIONALE DEL CINEMA ASTRATTO, ROMA, NEW YORK, CAIRO, MARSEILLE VIDEO D’AUTORE MADE IN ITALY – GENIO E SREGOLATEZZA, ROMA, ITALIA ATLANTE LATINOAMERICANO, MONTERREY, MEXICO 19° FESTIVAL INTERNACIONAL DE CURTAS DE SÃO PAULO, BRASIL FREEWAVES – 11TH FESTIVAL OF NEW MEDIAS IN CONTEMPORARY ART, LOS ANGELES, USA VIDEOFORMES 2009 - PRIX DE LA CRÉATION VIDÉO VIDEO AND NEW MEDIAS, CLERMONT FERRAND, FRANCE 4° BIENNALE INTERAMERICANA DI ROMA, ITALIA VIDEO ARTE - 27° FESTIVAL DE CINE DE BOGOTA, COLOMBIA BOX 3 - LA CITTA’ CHE MUTA, MUSEU LABORATORIA DE ARTE CONTEMPORANEA DE ROMA, ITALIA ARTE NA TELA – PROGRAMA ESPECIAL NO 21° FESTIVAL INTERNACIONAL DE CURTAS DE SÃO PAULO, BRASIL MIS – MUSEU DA IMAGEM E DO SOM, SÃO PAULO, BRASIL VIDEOGUERRILHA ART IN PUBLIC SPACES, RUA AUGUSTA TIMEFRAME PROJECT - SÃO PAULO, BRASIL SHARJAH BIENNIAL 2011 – PLOT FOR A BIENNAL, SHARJAH, ARAB EMIRATES TIO ILLAR 2011, ATHENS, GREECE BIENAL DE CERVEIRA, SEPTEMBER 2011 PORTUGAL

2010_ LTDN_ MIS MUSEU DA IMAGEM E DO SOM - SP _ 16 OCTOBER > 15

November

LES TERRA’S DI NADIE, or “NOBODY’S LAND” in 5 languages in one only phrase (French, Portuguese, English, Italian and Spanish) is a non-place where oppression rules. The extracts of the memories of dictatorship in Chile and Brazil and original images converging in one only History, one of the most obscure pages of history in Latin America.

to watch video simulation: https://vimeo.com/23829772

2009_

VENICE REQUIEM

2009_ (venice) requiem, (5’, HDV,Italy).

Link: https://vimeo.com/10520297

(venice) requiem is a little memorial that follows traces of a memory that has never been lived. Reviewing the past in the present, a trip to the city of the author’s ancestors creates an intimate connection between subjective experience and detached perception. Invited by Irma Arestizábal to perform a work for the inauguration of the Latin American Pavilion at the Venice Biennale 53, this video becomes a tribute to the South American curator who died a few days before the inauguration.

2005_

O TÚNEL_BIENAL DE VENEZA 51

2005_ O TÚNEL / THE TUNNEL / IL TUNNEL / LE TUNNEL / EL TÚNEL (2’, DVCAM, Brazil / Italy) link : https://vimeo.com/31773950 The Tunnel is the first collaboration started in 2005 between the Brazilian visual artist César Meneghetti and the poet Carlos Nejar, one of the few Brazilian writers to be nominated for the Literature Nobel prize in 2001. This work is also the first of a new series of intersemiotic videos by Meneghetti. The Tunnel is also a metaphor used very frequently in his work and making the video were a natural consequence. The Tunnel were first presented at the 51 Venice Biennale, Isle of poetry curated by Achille Bonito Oliva and in the tramonto latinoamericano event curated by Antonio Arevalo.

Preview: 51 VENICE BIENNALE, Isle of poetry, Tramonto Latinoamericano, Palazzo Franchetti, Venice 17th July 2005.

2003_

ROMEVIDEO

2003_ ROMEVIDEO (2 X12’, DVCAM, experimental, Belgium/Italy). https://vimeo.com/31771274 ROMEVIDEO is an attempt to display simultaneously in one single time/space axis, a complex and layered reality where evolution and modernity cannot divide from history and past. A two channel projection, a dual vision in parallel, two different looks of the same city, not an ordinary journey through famous images but a rescue of edge zones we watch but rarely see.

1999_2005

MONTAGE SERIES

MONTAGE SERIES I (1,2,3,4, DVCAM, BETACAM-SP, in a single file 10’) Link: https://vimeo.com/40086653 MONTAGE SERIES II (5,6,7,8, DVCAM, BETACAM-SP, in a single file 15’) link: https://vimeo.com/40086652 MONTAGE 11 MAXXXI ARTAPES #03 STORY OF ARTIST’S VIDEO IN ITALY link: https://vimeo.com/32407374 (password: meneghetti) MONTAGE are two series (of four experimental videos each) starting on the one of fundamental stages of the audio-visual manipulation, the editing. It uses as leitmotif the “fusion” between two geographical areas in the North and South hemispheres, the first and the third world: “the private eye in the place that I was born and the place where I live today”.

www.cesarmeneghetti.net

cesarmeneghetti10@gmail.com

+55 11 987881464

+39 3296182083