MAGNUM OPUS 2025

MAGNUM OPUS

Tailor-made spaces that challenge the ordinary

Perléo

1

3

2

MAGNUM OPUS

2

1 2 3

MAGNUM OPUS

Acrylic display shelves 300 bottles Architectural thermo-aluminum casing

3

Tonnerre de Vigne

1

3

6

MAGNUM OPUS

2

1 2 3

MAGNUM OPUS

Thermal glass panel for a glimpse inside Hidden spirits drawers Curved copper with wood, reminiscent of a wine barrel

7

8

MAGNUM OPUS

MAGNUM OPUS

9

Podium

1

3

10

MAGNUM OPUS

2

1

Displays nestled among pebbles for large formats 2 Lights emanating from leather panels 3 Lines extending into the bar

MAGNUM OPUS

11

Accord

1

3

14

MAGNUM OPUS

2

1 2 3

MAGNUM OPUS

Three-section wine space Concealed door leading to the tasting room His wine space

15

1

1 2 3

16

MAGNUM OPUS

Tasting room at ambient temperature Her wine space Spaces accommodating half bottles up to 3Ls

2

3

MAGNUM OPUS

17

Oak and Order

1

3

18

MAGNUM OPUS

2

1 2 3

MAGNUM OPUS

Display with optimal angle for preservation Concealed ventilation 450 bottles

19

Quantum Limit

3

20

MAGNUM OPUS

1

2

1 2 3

MAGNUM OPUS

Floating metal pedestal Illuminated table with pebbles 2100 bottles

21

Epicurean

24

1

MAGNUM OPUS

2

1 2

MAGNUM OPUS

Display with optimal angle for preservation Space for spirits

25

MagnumVault

3

28

MAGNUM OPUS

1

2

1 2 3

MAGNUM OPUS

Black powder-coated steel Sliding wine cabinet for 39 magnums Insulated and refrigerated

29

Haven

1

3

30

MAGNUM OPUS

2

1 2 3

MAGNUM OPUS

Dual-position bottle shelves Temperature-controlled thermal drawers 44 to 88 bottles per drawer

31

Elysium

1

3

34

MAGNUM OPUS

2

1 2 3

MAGNUM OPUS

Drawers for older, more delicate vintages Concealed temperature-controlled cabinets Integrated spirits spaces

35

Aether

1

3

38

MAGNUM OPUS

2

1 2 3

MAGNUM OPUS

Sculpted metal supports Integrated LED strips in curved shelves Press-molded curved shelves

39

Cellarium

1

3

40

MAGNUM OPUS

2

1 2 3

MAGNUM OPUS

Individual spaces for special bottles 1900 bottles Oiled oak dome ceiling

41

Heritage

1

3

42

MAGNUM OPUS

2

1 2 3

1200 bottles White oak thermal doors Illuminated displays with custom STACT solution

MAGNUM OPUS

43

Sylvan Rock

1

3

46

MAGNUM OPUS

2

1 2 3

MAGNUM OPUS

450 bottles See through wine space Fire rated thermal glass panels

47

LumenOak

1

3

50

MAGNUM OPUS

2

1 2 3

MAGNUM OPUS

Switchable thermal glass Spaces for magnum formats 1000 bottles

51

52

MAGNUM OPUS

MAGNUM OPUS

53

Ripple

1

3

54

MAGNUM OPUS

2

1 2 3

MAGNUM OPUS

Steel with gold patina Tineo curved wood 300 bottles

55

Watford Amenity

1

3

56

MAGNUM OPUS

2

1 2 3

MAGNUM OPUS

Gatsby-inspired amenity space Concealed entrance Velvet inserts reminiscent of a theater curtain

57

58

MAGNUM OPUS

MAGNUM OPUS

59

Watford Tasting

1

3

62

MAGNUM OPUS

2

1 2 3

MAGNUM OPUS

Game tables Service area Sampling stations

63

Pinnacle

66

1

MAGNUM OPUS

2

1

2

MAGNUM OPUS

Extrusions carefully maintained within the optimal angle for wine preservation Pivoting cabinets to enter wine mode

67

Symphony

1

3

70

MAGNUM OPUS

2

1 2 3

MAGNUM OPUS

Storage underneath bottles in display Mahogany and brass edges Adaptive lighting based on bottle presence

71

Riverside Ranch

1

74

MAGNUM OPUS

2

1 2

MAGNUM OPUS

Iroko wood niches for large formats Waves with carved stone for a special bottle

75

Veiled

1

3

78

MAGNUM OPUS

2

1 2 3

MAGNUM OPUS

1500 bottles Hidden tasting room Copper sliding panels

79

Fade Out Frédéric Cordier

Rayon Frédéric Cordier

Solar Folds Yann Pocreau

Open Windows Samantha Holmes

Flux Mathieu Beauséjour

Garden Planimetry Myriam Dion

Cellart brings together talented artists of the new generation. Each of them combines their sensitivity, vision and daring with our artisanal know-how and cutting-edge technology to create unique works of art. Works of art that literally transfigure the wine cellar, tasting room or any other room in search of character and beauty.

Exclusive and captivating pieces that embrace the apparent opposition between pure art and utility to embody the most iconic bottles.

The Sanctuary Dominique Légaré

Monumental Dominique Légaré

Le Présentoir Dominique Légaré

Les Dessous de Flacons Dominique Légaré

The Vault Dominique Légaré

Les Encolures à Flacons Dominique Légaré

Le Sceau à Champagne Dominique Légaré

Fade Out

86

MAGNUM OPUS

“For me, a cellar is a form of grid, a repetitive and utilitarian structure. From a geometric pattern that I drew and imagined in volume, I intervened on the structure of the cellar in a simple way, by subtracting the elements of its composition.

The sequencing principle is thus disturbed by a deconstruction until the complete degradation of the pattern, which is that of the cellar. From these full and empty spaces results a complex and light binary frame in which the bottles will be displayed in a gradually decreasing sequence.”

- Frédéric Cordier

MAGNUM OPUS

87

88

MAGNUM OPUS

Transform the space into a statement

Embracing Frédéric Cordier’s singular artistic vision, Cellart redefines the boundaries of wine and art with Fade out, a wine presentation masterpiece proposed in two versions, each one in a single original piece.

MAGNUM OPUS

89

92

MAGNUM OPUS

Oak wood variation

MAGNUM OPUS

93

Rayon

96

MAGNUM OPUS

“Rayon referring to oriental geometrical art, this motif also recalls the structure of a hive.

Variations are integrated into the principle of repetition in order to animate the composition. The complexity of the motif and its alterations lend themselves to a sort of meditation.”

- Frédéric Cordier

MAGNUM OPUS

97

Frédéric Cordier Artist

Frédéric Cordier is a SwissCanadian artist born in Montreal in 1985. His work revolves around the notion of systems to which he associates the idea of dysfunctionality. His formal preoccupations explore the basic elements of a specific vocabulary, aiming at a highly visual efficacy with simple interventions that play on rhythm and pattern, full and empty, black and white. Through sculpture, architectural installation, and drawing, Frédéric Cordier explores a visual language that focuses on repetition. His solo exhibitions include Toppings (2022) in Lausanne, Vapeurs (2022) in Quebec City, and Night Views (2023) in Montreal. In 2023, he also released a monograph covering his work from 2010 to 2022. In 2024, Cordier participated in the group exhibition Hantologie/Anthologie #2 in Saint-Étienne, France.

100

MAGNUM OPUS

Frédéric’s world

MAGNUM OPUS

101

Flux

102

MAGNUM OPUS

“For Cellart I wanted to invest in the concept of repetitive circular motions and lines.

Reusing the composition of one of his notorious drawings on black paper, the diagonals and rays are the structural elements of the cellar, offering multiple possibilities to present and showcase wine collections.”

- Mathieu Beauséjour

MAGNUM OPUS

103

104

MAGNUM OPUS

Flux

Flux refers to the concept of a wave suspended in time. The cycle of life and surfing pause in a geometric sculpture, paying tribute to modern art and the power of nature. It’s a wave of wine that carries us beyond ourselves, like drunkenness and its passions.

MAGNUM OPUS

105

Mathieu Beauséjour Artist

Mathieu Beauséjour’s work has been presented at numerous art centres, public and private galleries, biennales, and museums in Canada and Europe. Recent exhibitions include his show Demi-monde at Bradley Ertaskiran Gallery in Montreal, Horizon perdu at Galerie Antoine Ertaskiran in 2025. His work can be found in numerous collections, including the Montreal Museum of Fine Arts, the Musée d’Art Contemporain de Montréal, the Musée National des Beaux-Arts du Québec as well as corporate and private collections.

108

MAGNUM OPUS

Mathieu’s world

MAGNUM OPUS

109

Garden Planimetry

110

MAGNUM OPUS

“Jonathan and Dominique immediately impressed me as two very passionate and therefore exciting - people who easily inspired me to collaborate.

This ambitious project offers me several interesting avenues to develop my practice and I appreciate the attention to detail and quality inherent in Cellart’s achievements: one only has to visit their production workshop to grasp the richness of their expertise and want to contribute to this remarkable alliance between art and wine.”

- Myriam Dion

MAGNUM OPUS

111

112

MAGNUM OPUS

The contemplation of symmetry

Renaissance Gardens interrogates our appetite for sonic news and sensational art by creating mirrored mosaics using a precise hand-cutting technique. Each garden encloses vintages behind its doors, embracing the tradition of the land and the symbolism of the soil.

MAGNUM OPUS

113

116

MAGNUM OPUS

Matte black variation

MAGNUM OPUS

117

Myriam Dion Artist

Dion holds a master’s degree in fine arts (MFA) from UQAM in Montreal, Canada. Her work gained international exposure after her solo exhibition at Galerie Division in Montreal in 2017. She then had solo and group exhibitions in Canada and Europe (Rijswijk Museum, Netherlands). In 2022–2023, she exhibited Jardins at Blouin Division.

In 2024, her solo show Timelines was presented at Arsenal Contemporary in New York. Her work can be found in numerous private and corporate collections.

120

MAGNUM OPUS

Myriam’s world

MAGNUM OPUS

121

Open Windows

122

MAGNUM OPUS

“I wanted to transform the wine cave into a sanctuary, the wine cabinet into a kind of tabernacle - a place of reflection, ritual, and shared experience.

The toast, like a secular prayer, offers us a moment to declare our greatest hopes, our deepest gratitude, and our most meaningful celebrations. Open Windows envisions a cellar that offers a quiet refuge from the frenzy of everyday life. The result captures a sense of the sacred, as the cellar becomes a space for reflection, celebration and meditation on the senses.”

MAGNUM OPUS

123

Samantha Holmes Artist

Samantha Holmes is a Bronx based artist who focuses on conceptual and material experimentation in mosaic.

Her work has been exhibited internationally, including at the Palazzo Fortuny (Venice), in conjunction with the 2015 Venice Biennale, the Bronx Museum of the Arts (NYC), and the Sharjah Art Museum (UAE), and her public art installations can be seen throughout the U.S. and internationally. She is the recipient of the 2011 International GAEM Art Prize (Young Artists and Mosaic), as well as the 2013 RAM Prize for Mosaic. She holds degrees from Harvard University (BA, Visual and Environmental Studies, 2006) and the Accademia di Belle Arti in Ravenna (MFA, Experimental Mosaic, 2014), and is co-founder of the custom mosaic studio Motivo Mosaic in New York. In 2024, she participated in Structural Play at the Sugar Hill Children’s Museum and Among Friends at Metaphor Projects in Brooklyn.

126

MAGNUM OPUS

Samantha’s world

MAGNUM OPUS

127

Solar Folds

128

MAGNUM OPUS

“What a great challenge Cellart offered me.

I immediately wanted to propose an environment that would combine both the needs of the most demanding wine collectors and what lies outside the frame of my images, behind the specifically designed colored fields of photograms, behind the folds of light.

Cellart’s incredible engineering ability convinced me to let my creativity express itself without limit, reinforced by their unique knowledge about wine conservation, woodworking, and art to create an uncompromising space.”

- Yann Pocreau

MAGNUM OPUS

129

130

MAGNUM OPUS

Immersive abstraction

Based on photograms, this unique wine space is a nod to what happens in a dark room. Meticulously designed to evoke brief moments of wonder and a dynamic rhythm, it keeps in mind the idea of a composed, framed space, that summons the geometry of the photograms.

MAGNUM OPUS

131

Yann Pocreau Artist

Yann Pocreau was born in Quebec City in 1980. He lives and works in Montreal. In his recent research, he is interested in light as a living subject and its effect on the narrative of images. He has participated in several Canadian, American and European exhibitions, including Quebec Gold, presented in Reims, France; Exercises of empathy, at Espace Bortier in Brussels; Out of Grace, at the Leonard & Bina Ellen Art Gallery; the New Visionaries and Paperwork in New York; L’image rôde (Louise Déry curator) at Le Fresnoy, France and the 5th Bienniale of Sinop in Turkey. His work has been reviewed in various magazines and his work can be found in the collections of the National Bank of Canada, Hydro-Québec, the City of Montreal, the Musée d’Art Contemporain de Montréal, the Montreal Museum of Fine Arts, in the Collection Prêt d’Oeuvres d’Art at the Musée National des Beaux-Arts du Québec. His recent notable exhibitions include The Lapse in Between (2025) and Towards the Light (2025).

134

MAGNUM OPUS

Yann’s world

MAGNUM OPUS

135

The Sanctuary

136

MAGNUM OPUS

“An underground living space, far from the noise and distractions of the modern world, dedicated to wine and art. An interior aesthetic to enjoy a feeling of sanctuary and retreat, where every elements and details of the space is reduced to its essence, thanks to the absence of the unnecessary.

A place to reconnect to the basics and joy of living: sharing a bottle or two of good wine with a friend, reading poetry aloud, being moved to tears by great music or listening to what silence has to say...”

- Dominique Légaré

MAGNUM OPUS

137

138

MAGNUM OPUS

MAGNUM OPUS

139

Monumental

142

MAGNUM OPUS

A monumental wall covered with ebonized oak, as huge Van Gogh’s canva. The wood surface of the wall is explicitly worked to recreate Van Gogh’s emblematic impasto brushstroke, inviting the viewer to lose himself in its mesmerizing texture.

The wall integrates a series of white oak niches, which emerges from different angles to the observer’s eye. Each of these niches exhibits a single bottle, floating in a soft and subtle light.

MAGNUM OPUS

143

The Vault

146

MAGNUM OPUS

A masterpiece of design and craftsmanship, this exclusive wine cellar blends innovation with refined elegance. Featuring curved shelves for a striking yet functional display, its backlit alcoves create a captivating ambiance while ensuring optimal bottle positioning.

The golden finish adds a touch of sophistication, while the concrete structure provides strength and timeless appeal. Thermo glazing ensures perfect climate control, preserving your finest vintages in impeccable condition. Where architecture meets passion, this wine cellar is designed for the discerning collector.

MAGNUM OPUS

147

148

MAGNUM OPUS

MAGNUM OPUS

149

Le Sceau à Champagne

152

MAGNUM OPUS

Le Seau à Champagne is a three-piece Champagne vessel, meticulously crafted with the finest ébénisterie techniques— designed not only for your most exquisite Champagne bottles but also for the finest waters.

MAGNUM OPUS

153

Le Présentoir

156

MAGNUM OPUS

Le Présentoir is a distinctive wine display crafted from natural woods—an organic, sculptural piece designed to embrace the curves of your most precious vintages.

MAGNUM OPUS

157

Les Dessous de Flacons

160

MAGNUM OPUS

Les Dessous de Flacons is a magnificent set of wine coasters designed for the discerning connoisseur and the refined aesthete.

MAGNUM OPUS

161

Les Encolures à Flacons

164

MAGNUM OPUS

Les Encolures à Flacons are eye-catching wine tags made of natural woods to bring out the vintages of your wine treasures.

MAGNUM OPUS

165

Dominique Légaré Cellart’s Creative Director

As Cellart’s Creative Director, Dominique oversees the entire design process, from concept to completion, meticulously crafting each layout and final artwork. By shaping the overarching design vision, he ensures seamless integration of both technical and functional elements. Drawing inspiration from contemporary architecture, Dominique combines his sharp rationality with a bold creative edge, infusing each project with his signature touch of originality. His expertise extends beyond design—he also conceived and developed Cellart’s first collection of wine objects, Les Irremplaçables.

168

MAGNUM OPUS

Dominique’s world

MAGNUM OPUS

169

MAGNUM OPUS

©Copyrights 2025 Cellart All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by electronic, mechanical, or other means, nor or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from both the publisher and Cellart.