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膚᫃ฎெ䰬䯤౮牫膚ᘏெ䰬矎娞牏䋊聜牫 3RS XS 'DQFH 6WXGLR 妔薪唰Ӟ㮆櫞ጱ秚䨝牧憎挨膚᫃֢ߝጱ藫ኞ牐 &&'& 疥矎娞ਰᑏ䒍ᛗ獍و绚樌牧虏薪唰ᴻԧ፡ྋୗᄍڊ牧Խ胼蚎蝱膚ݣ 籗ط胙盅ጱ娞ۑ瞆牧፡憎ݣӤ羊ᄍڊӥ܉袊ጯ簉ጱ螂纷牧薪搕کๅग़奞 ℄牧璢訅ڊๅ羊伛牏奞翭ጱፓط牐 ၚ㵕揲አ獊ع牧篷殾ጭ懿牧薪唰ݢᛔኧ蝱ڊ牧綍ᛗᛔ猋܌訇樋ོࣖ搕牐膚 㿁肬㹓疥ෝ匍䁰Օ奧膚᫃ᄍڊጱ獺֢螂纷牧稭蜰Ի窕獤Ձ牦
How to choreograph a dance? How dancers rehearse and learn?
“Pop-up Dance Studio” lets viewers glimpse into the creation of dance. CCDC moves the usually closed rehearsal studio to somewhere public, giving unprecedented access to the creative process through open rehearsals and excerpt demonstrations. Admission to “Pop-up Dance Studio” is free and no registration is needed. You are welcome to drop in and stay as long as you wish. Bring your lunch and see how dance is created. CCDC staff is on hand to answer questions and share insights.
磪 橕 Pop-up Dance Studio 膐 旰 ෭ ๗ 现 瑿 讨牧 藶 ኸ 物 For venue and time for “Pop-up Dance Studio”, please stay tuned:
www.ccdc.com.hk 礚扇 Enquiries物2329
CCDCउ૱吚դ膚᫃㿁
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DANCE SEASON
2017
08
萬蔩者緳ጱ扖
02
Artistic Director’s Message
橕ෝउ૱吚դ膚᫃㿁
03
About CCDC
04
CCDC Vision
殸膚ᘏ
05
The A Team
ۅ萬蔩者緳讙粿
06
Assistant Artistic Director - Dominic Wong
̽盅眤爤䋿ፘ̾
08
Post-Perception/Transcendence
̽盳爤褸̾
12
Why Not Kill Us All...
̽ੜሴৼ̾
16
The Little Prince
̿膚᫃覄̀䨝㹓猻ణ
19
Dance Inspirations
懪纏瞲ܖ
20
Booking Guide
膚᫃硽胍चᰂ
22
Dance Education Fund
24
City Contemporary Dance Festival 2017
26
CCDF - Testimony
28
CCDF - Moon-Looking Dog • I Saw the Elephant
ၹक़癧ᄍ෭纷
30
2017 Touring Schedule
̿᪡໒̀㾴褬猟℄
32
Jumping Frames
搴泷䨝膚᫃ੜ玀䁰℄ፓ
34
Programmes of Jockey Club Dance Theatre
䌕璢懺懯㴟
36
Talent Development Programmes
क़疻懯㴟ᄍڊ
37
Outreach Programmes
उ૱吚դ膚᫃螈Ո
38
City Contemporary Dance Laureate
&&'&氎ว
12
उ૱吚դ膚᫃℄
16
उ૱吚դ膚᫃℄ ̽挨̾ उ૱吚դ膚᫃℄ ̽์ᇦ爤薪虡̾
International Dance Video Festival 2017
ڊ粚 Published by
翥蜉奲 Editorial Team
舣翥蜉 English Editing
戔懯 Design
उ૱吚դ膚᫃㿁磪褖獍ݪ
磷硵㰽 Miranda LI
Gigi CHANG
FUSION COMMUNICATIONS
City Contemporary Dance Company Limited
棗疑聱 Dennis CHUNG
硢 Photography
玕䅰摁ۗ Make-up Sponsor
讙ည猈 Danny WONG Ԇ翥 Chief Editor
檔狅 Jaye CHAN
磷眻 Amy LEE
蟞ਜ覇 CHENG Yu-ching
Francis WONG
MAKE UP FOR EVER
( ᴻݚ磪戢กक़ Unless otherwise specified)
誧ࣳ Hair Styling
蚅㳓 LAI Hoi-ting
ᶎ Cover
Liyan@Liyan Tse Make Up
ሴࡱ㰽 Kalia WONG
禼Ꭳ要 Shirley LOK
उ૱吚դ膚᫃㿁 City Contemporary Dance Company (CCDC)
CCDC 膚᫃Ӿஞ CCDC Dance Centre
詂Ԝ谍碝荎䎿य़磪ᤋ 26 ᛗ 28 蒈 11 䰠
詂Ԝ谍讙य़՟ဉኦࣩ螇 110 蒈瑿ӥ
11/F, 26-28 Tai Yau Street, San Po Kong, Kowloon, Hong Kong
G/F, 110 Shatin Pass Road, Wong Tai Sin, Kowloon, Hong Kong
襎扖 Tel物(852) 2329 7803
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㯽፥ Fax物(852) 2351 4199
㯽፥ Fax物(852) 2326 0220 / 2242 2363
襎蟈 Email物info@ccdc.com.hk
Ӟ膢礚扇 General Enquiries : dc@ccdc.com.hk
翕殷 Website物www.ccdc.com.hk
抓纷礚扇 Dance Courses : dc-course@ccdc.com.hk
उ૱吚դ膚᫃㿁ኧ詂粬獨ᤈ硰玟硰虻ۗ CCDC is financially supported by the Government of the Hong Kong Special Administrative Region ©2017 उ૱吚դ膚᫃㿁粚稗ಅ磪 CCDC All Rights Reserved
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萬蔩者緳ጱ扖 Message from the Artistic Director 䌘ෝ &&'& 㬵藯牧 ଙฎ粬ྛጱӞଙ牧蝡ฎ詂 ࢧ稳ᐙ㾴ԫ܈珏ଙ牧֢傶詂ࢿኞࢿ裾牧㪔犥覍獡獺 蝨ێ᩻ṛ萬蔩伛憎圸ጱ萬蔩㿁褧牧ᥝெ䰬蔭螈睃 ᐞԏ眐牧ݢ፥虏౯揲簘ᰁ牐胋ਧጱฎ &&'& 犋䨝 䌕槹翥獺Ӟ蟂稧毂̿詂㯽॰̀ୗጱ膚᫃牧㶴䨝ᘔஞ 蕣֢ࢥݣ羊ߝ℄ፓ牧ݚक़ෝଙ皈蝨Ӟ㮆犥㾴褬吚դ 膚Ի窕ᄍڊ傶Ԇጱ̿उ૱吚դ膚᫃℄̀牧磭胼፥ྋ 䒻ۗ܋詂ጱ玕瑿֖牧犖ฎ౯㮉蝡ᗭࣁ膚㿁ૡ֢ ጱ吚դ膚ᘏ牧胼䄪糽妔ԫ܈ଙ詂咳疻ጱ磧抁䡗ஞ 牐
2017 is an extraordinary moment for Hong Kong and for CCDC. It is the 20 th
匍ࣁ傶֖ݱവՕኧ膚ᘏ㮉獺֢ᄍڊጱ膚疄℄ፓ牧 ̽盅眤 爤 䋿ፘ̾疥ෝӣ์皈ࣁ詂玕Ӿஞय़玀ᴺ Ӥᄍ牧ฎ洛㿁翥膚礱ےݴጱ磧碝獺֢牧犢้傶膚㿁翥 矎֢ߝ̽ᮎӞଙ 爤 蝡Ӟॠ̾̽簔臺 爤 獖̾牧璂癲茐 策ܹጱ๛Ӯ唰ኞጯ眲ว虡牧糷詂薪唰筕搕牐̽盳 爤 褸̾疥ෝԲ์ࣁ詂玕Ӿஞ玀䁰獉ᄍڊ牧揗揣翥膚 ጱฎ詂݈Ӟ֖獅笕獺֢ێጱ膚ᘏ讙瞺螸牐蝡֖ࣁ膚 ݣӤ虏Ո縄獮Ӟ犝ጱط毣膚ᘏ牧ࣁ ଙ詂ᄍ萬 䋊ᴺ膚᫃䋊ᴺ䋊౮盅ے獈 &&'&牧 ଙஃ聅㾴蝱 狕膚᫃翥膚嘛ॊ抓纷牧 ଙࢧ稳膚㿁牧ض盅傶膚 㿁翥矎ԧ犋Ꭸ牏Ӿ缰膚᫃牐蝡蟂̽盳 爤 褸̾ฎ讙瞺 螸ጱᒫӞ蟂य़֢ࣳߝ牧虏Ո๗盃牐
A highlight of the season are programmes created by dancer-choreographers. In late
anniversary of our city’s Handover to China. As a professional contemporary dance company founded and grew up in this city – and known for our creativity and artistic quality – I have been thinking over and over again how we should mark this momentous year. We know we aren’t interested in creating just one work to celebrate Hong Kong’s legacy. In the end, we decided to present four lovingly produced programmes and a special edition of “City Contemporary Dance Festival” focusing on international exchange in contemporary dance to wrap up the year. We hope our work will contribute to raising the cultural positioning of Hong Kong, and as contemporary dance practitioners, this is the most sincere tribute we can make to the development of our home in the past two decades.
March, Post-perception/Transcendence by our Resident Choreographer Sang Jijia will premiere at Grand Theatre, Hong Kong Cultural Centre. His previous works for CCDC – As If To Nothing and Fragile Beauty – are enthusiastically received by audiences for the sense of life and living in the fin de siècle. In May we have Why Not Kill Us All … by our highly creative dancer Bruce Wong at Studio Theatre, Hong Kong Cultural Centre. This dazzling dancer joined CCDC after his graduation from the Hong Kong Academy for Performing Arts (HKAPA) in 2000. He left for the US for a Master in Choreography before returning to us in CCDC, creating many short and mid-length works for the Company. Why Not Kill Us All… will be Wong’s long-awaited full-length debut. Following the great success of Journey to the West , we have decided to create one
ᛔ݄ଙጱ̽ᥜ蝿懿̾य़ݑ稭蜰ԏ盅牧&&'& 懯㴟ྯ contemporary dance theatre for all families each year. Our second attempt will be ଙവڊӞݣ粬獨傶疑ସ薪唰戔懯ጱݳ疑稭吚դ膚玀牧 The Little Prince . Created by our new Assistant Artistic Director Dominic Wong in collaboration with Sand Drawing Artist Hoi Chiu, this is a thought-provoking retelling ̽ੜሴৼ̾ฎᒫԫ蟂牧ኧ膚㿁碝犨ۅ萬蔩者緳讙粿 of Antoine de Saint-Exupéry’s children classic Le Petit Prince, which was first published 薥ᛔ翥獺牧犥ဩ㾴֢疑ਞ䩚疴 爤 璕ظ葍֫᯾咳蔭ෝ in 1942. ଙጱ㱾ᒏ䋊̽ੜሴৼ̾傶覄眤牧膏ဉ向萬蔩 疑ၹᄤӞ蚏獺֢蝡㮆咳Ո窼ጱ䋊妿َ牐̽挨̾ Testimony , premiered in 2006, is a seminal large-scale multimedia work by Hong ฎ詂ྩ璤羷翥膚疑讝ၹ䌀ጱ֢ێ牧犥獮葍肥碻๗ אKong’s leading choreographer Helen Lai, based on the life of Russian composer Dmitri 嬄ේ֢ใ疑菕ේ璼౧姘॰ጱኞଘ傶萠ጱӞ蟂य़ࣳग़ Shostakovich. This special revival performed by our fourteen company dancers also 甿誢֢ߝ牧ᴻԧ膚㿁֖ࢥ܈膚ᘏ㰆ێᄍڊक़牧螭粬螩 features prominent theatre actor Lee Chun-chow as Shostakovich. The work’s premiere 詂᯿ᰁ羷扖玀ᄍ㹓磷椆窓ਮԀ觽ᄍ菕ේ璼౧姘॰Ӟ sent shockwaves through Hong Kong’s dance scene 薫牐蝡蟂֢ߝࣁ ଙḒᄍ碻牧ࢩ傶氂硵眤牏膚 with its incendiary subject, rich imagery and virtuoso performance. th ݣ虡掘牧ےӤᄍ㹓㮉羊ጱᄍڊ牧蚏詂膚᫃ Its restaging will have particularly resonance in the 20 ኴጱ襖㵕牧ই犡ࢧ稳ԫ܈ଙ盅᯿ᄍ牧ๅ氥粬ྛ嬝牐 anniversary of the Handover. ᴻԧ瑿ᄍڊ牧膚㿁ጱၹक़癧ᄍ覍ଉၚ蛚牧౯㮉疥螂 ݄ԫ܈ଙ㬵皃֖᯿ᥝ翥膚疑磧羊ጱ膚᫃粙ྦྷ牧۱ೡ 讝ၹ䌀牏礱ےݴ牏讙粿牏谎ฬ缟౯ጱ֢ߝ牧奲౮ ̽觓Ӿԫ̾܈㷢 ےଙ樌ಅ磪癧ᄍ牐ࣁ睃ᐞ詂 ࢧ稳ԫ܈珏ଙԏ褬牧蝡蟂̽觓Ӿԫ̾܈य़禊ݢ犥藯ฎ 䛑วԏ֢牧磪๏㺔傶綍讕̿ݞݷ觓Ӿ̀牧౯మᴻԧ ࣁ膚ݣӤ磪战ग़̿觓̀ጱ虡ԏक़牧ࣁ螂݄ԫ܈ଙ樌 詂ጱ觓蚏襇竤牧战犖ฎ搝Ԩਁݷ覄眤ጱܻࢩމ牐 篷抷ই֜牧虏Ӯኴݱ瑿ጱ薪唰膏詂Ӟݶ獤Ձ吚դ膚 ᫃萬蔩咳疻ጱ掘现舮䄉౮裾牧ฎ౯㮉ጱ๗磭牧ๅ᯿ ᥝጱฎ胼膏֦㮉Ӟ蚏獤Ձ౯㮉አஞ獺֢ጱ౮ຎ牐
In addition to our productions at home, CCDC will also be active touring internationally with a new edition of Amidst the Wind . This updated version features signature excerpts by our most important choreographers from the past two decades, including Helen Lai, Sang Jijia, Dominic Wong, Noel Pong and myself, reflecting the development of Hong Kong over the same period. I have been asked the meaning of the title by many friends. Other than the recurring imagery of flowing air in these works, the many changes and turbulences of Hong Kong in the past years perhaps also inspired me in some ways. Regardless, it is our dream to share Hong Kong’s vibrant dance scene with audiences around the world, and most crucially, to share the fruits of our creations with you.
उ૱吚դ膚᫃㿁獺旰Ո磈萬蔩者緳 &&'& )RXQGHU DQG $UWLVWLF 'LUHFWRU
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ŕ¤‰ŕŤąĺ?šŐ¤č†šáŤƒăż City Contemporary Dance Company (CCDC)
Ěżĺ?šŐ¤čŠ‚჈č?Źč”ŠčŚ„čŤƒç‰?Í€ ̽‍ܖ‏苉ࡹä Ěž
“The artistic soul of contemporary Hong Kong�
South China Morning Post
उ ૱ ĺ?š Ő¤ 膚 áŤƒ 㿠ฎ 节 ჈ Ḓ ㎆ ç?Š č‚Ź 䌕 猂 ĺŒ? Ő¤ 膚 㿠牧 ŕˇ? ŕŹ™áŠ§ŕš‡ćŠ äşŤç?şçź?牧犼誢ĺŒ?čŠ‚áƒˆĺ?šŐ¤ŕˇˆçŽ•çŽ°ŕ´ľăľ•ĺ?š Ő¤č†šáŤƒĺ’łç–ťĺ‚śç–?碍ç‰?ÓŁâ€ŤÜˆâ€Źç?ŒŕŹ™ăŹľç‰§č†šăż ç‹’áŠ¸Ô§áŠťčž‚ÔŤáŒŻ čŻ¸ŕšœŕ˘żçżĽč†šç–‘áŒąŕ¨ ç˘‰č†šĺ˜¨ç‰§ŰąŕłĄŕš‡ćŠ äşŤç‰?čŽ?á šäŒ€ç‰?ŕťśâ€ŤÜ“â€Ź çą ç‰?珳ŕŠ?ć–?çŽ°Őˇŕ¨œçŻ‡çź›Ö˘ß?ç‰§çŠ–ĺŚżŕŹ‰č†?ŮŒçŠ˘ç”żŐ•č?Źč”Šç–‘ ‍֢ݳ‏牧疝ĺŒ?ŕĽšâ€ŤŘ˛â€ŹçŽ•áŒąčŠ‚áƒˆŕˇˆçŽ•ç˛Źáœ‹ç‰?ŕžŻŕŹ™á„?‍ڊ‏č?¸â€ŤÜˆŮ…‏༚ ä °ç‰§ăˇ˘č†?Őˆç˘?ኝ螂Բč‹Őˆç¨žç‰?
For 37 years under the leadership of Founder and Artistic Director Willy Tsao, City Contemporary Dance Company has inspired and excited audiences – not only in Hong Kong but also around the world – performing superb contemporary dance pieces. Founded in 1979, CCDC has presented more than 200 original works to critical acclaim, including productions by Tsao and other leading choreographers, such as Helen Lai, Mui Cheuk-yin, Pun Siu-fai and Yuri Ng. CCDC has also presented innovative collaborations with outstanding artists from other media and with artists from around the world.
á›” ŕŹ™çŠĽăŹľç‰§č†šăż ć¨„ç–ťćŻąŕŠ‚áŒąăž´č¤ŹŕˇˆçŽ•ÔťçŞ•á šăľ•ç‰§ ‍؜‏盅դč”čŠ‚áƒˆŕŁ č …çŞ“ç‰?稨窓ç‰?ç?çŞ“çŽ°ăŤŽçŞ“â€ŤŮˆâ€ŹÓŁâ€ŤÜˆâ€ŹŕĽšăŽ†Ô† áĽ?ŕ¤‰ŕŤąç‰§ŰąŕłĄá ŽŕšŠçšŽç‰?瞴多ç‰?苉á??毉ç‰?ÓŁč?śŕŤąç‰?čŒšç˛ŹáŻž ĺ‡&#x;ç‰?盿疴ç‰?ŕŤ˛áŻžŕˇšŕšœç‰?ᴨ盓č‹&#x;盓ç‰?甂࡚褢ç‰?ç? ŕšœß˘ç¤Źç‰? ㎖碄ç‰?૬čŽ?ç‰?ᯞ࡟ç‰?ຣ຋ç‰?çœśç–´áź“ç‰?࡚瑽‍ے‏粏ç‰?ŕŤ˛ŕł‰ ŕť’ç‰?叄泡ç‰?֥叄㎖࡚ç‰?叄茨輊玓ç‰?â€ŤÜœâ€Źç˝Ąĺ‡&#x;Ň çŠĽáœ‹â€ŤÚœâ€ŹŇ‚ç‰? č‚œŕŽ‚ç›“ç’Źç‰?芛࡚ᑀç‰?ŕ¨ˆć?Žç‰?盓ᯞç‰?ĺƒ‚ćš—ŕš™ç…śç‰?玖Ղç‰?Ó¤ á šç‰?áĽœäŒ€ç‰?泡疴೉ç‰?䊚Ղç‰?ç˘?䞤ç‰?Ḓĺ‡&#x;ç‰?á°ƒŕŞŠç‰?ç˘?‍࣠ے‏ 现‍ݣ‏玖矛č?ąá¤ˆÔ§ÔŤáŒŻŕ˘Ľâ€Ťŕ˘ĽÜˆâ€Źä °á šŕĽ˜á„?â€ŤÚŠâ€Źç‰§çŒ‹â€ŤÝ‘â€Źăž´č¤Źč?Źäƒ§ ᯿憙ç‰? ᴝԧ̿çź?áŞƒčŠ‚áƒˆç‰?ăś“č‚žč‹‰ŐˆčŠ˘čˆŁç‰?ç?şč?¨ĺ?šŐ¤Óžăž´č†šáŤƒÍ€ áŒąč?Źč”ŠáŞ ĺ¨„Ô?ŕĽ˜ç‰§č†šăż çŠ–ĺ?ŒçŚ…ŕ´ľăľ•č†šáŤƒçĄ˝čƒ?ŕŤĄÖ˘ç‰§ŕˇ? ŕŹ™ŕąŽçź? &&'& č†šáŤƒÓžŕŽžç‰§ĺŞŁĺŞ˛ĺ’łä&#x;´çŠĽŕŽƒáŒąč†šáŤƒ 祽čƒ?ç‰?č†šáŤƒŕĽ˜ç–ťć‡Żă´&#x;ç‰?á?’çŽ&#x;č”á„?现č?Źč”Šŕ´ľçšžçź›ŕŤĄÖ˘ç‰?ྯ ŕŹ™ŕľ‰â€ŤÜˆŕ˘Ľ×€â€ŹŕĽšä °áŒąŕĽ˜ç–ťč”á„?ç‰?ĺŒ?դ膚ç‰?臜č? 膚ç‰?ᆞ༊膚 çŽ°Óžăž´č†šçź›çŠ‹â€ŤÝśâ€Źč§ŠŕŁłáŒąč†šáŤƒć‡şĺ¨žç‰§â€ŤÝ‘â€Źĺ”°áŠťčž‚ŕ˘Ľč‹Őˆç‰?á›” ŕŹ™ć¨„ŕŚ¤ç‰§č†šăż ŕŁ ăž´ç?‰ŕ´ľá¤ˆĚżÓžăž´č†šáŤƒĺ’łç–ťć‡Żă´&#x;̀牧 ĺ‚śăž´ç?‰ŕž‹ŕŁ č‹Ąčˆ„áŒąĺŒ?Ő¤č†šăż ŕľ‰â€Ť×€â€Źá¤ˆçĄ°č†?ŕ˛Śč”ŠŕśŞŕľ”ç‰§ăŞ”ŕˇ? ç?‰ç‘żč†?玖Ղ輊㾕༠ӼĺŒ?դ膚㿠‍ݳ‏旰༚㎆猅Ů?ŕ˝ćŽľâ€ŤŰŽâ€ŹáŒąĺŒ? դ膚℄牧៊玎ç?‰ç‘żç˘?äŚ˜č†šáŤƒç–‘č?ąá¤ˆç&#x;?ᔹ௔ç?şÖ˘ç‰?
CCDC is renowned for reflecting the vigour and creativity of Hong Kong’s vibrant, multifaceted contemporary culture, presenting dance works to an audience of more than 50,000 people annually. It has represented Hong Kong, receiving 244 overseas invitations to perform on some of the world’s foremost dance stages and festivals in more than 30 major cities, including Los Angeles, New York, Washington DC, San Francisco, Montreal, Sydney, Brisbane, Adelaide, Oslo, Copenhagen, London, Paris, Lyon, Berlin, Munich, Stuttgart, Prague, Rome, Florence, Rovereto, Karmiel (Israel), St Petersburg, Moscow, Mumbai, Delhi, Urumqi, Beijing, Shanghai, Xining, Manila, Tokyo, Niigata, Seoul, Busan, Singapore and Taipei. CCDC’s commitment to education and development results in around 40 outreach performances annually, offering highly popular dance courses to more than 40,000 students and audience members each year. CCDC also help to organise dance festivals in mainland China. Through the China Dance Development Programme, founded in 1998, CCDC provides administrative and technical support to emerging Hong Kong and mainland Chinese artists. CCDC Dance Centre, opened in 2004, provides young artists, students and the community with dance facilities and programmes, ensuring the ongoing development of dance as a vital artistic pursuit in Hong Kong.
03
उ ૱ 吚դ膚᫃㿁
City Contemporary Dance Company (CCDC)
氎ว 9LVLRQ 缏᪃詂牧㶓肞苉Ո芢舣牧獺蝨吚դӾ㾴膚᫃ CCDC is a Hong Kong-based professional dance company that endeavours to rally the best of Chinese talent to create dance in the contemporary context of China.
ֵӞ Mission I
֢傶෪臊匍դ膚᫃㿁ʒʒ缏᪃詂牧胷睲ᐟ癥牧膌ێ傶Ӿ㾴吚դ膚᫃ဳ獈獺碝姘牐 As the flagship contemporary dance company in Hong Kong, CCDC produces innovative works in the context of China.
ֵԫ Mission II
֢傶വ皞现咳疻膚᫃硽胍ጱӾՕ秚䯤ʒʒ膐旰獊ᶎጱ硽胍现क़疻殻ፓ牧茐縄ෝ詂现Ӿ㾴 膚᫃ጱ裾螐咳疻牐 As an agency for dance education, CCDC organises the most comprehensive education and outreach programmes, with an emphasis on long-term projects in Hong Kong and in Mainland China.
ֵӣ Mission III
֢傶詂ጱ玕य़ֵʒʒ蝚螂ၹक़ᄍڊ牧ࣁ㾴褬Ӥ胋ਧ詂加粬ጱ玕ਧ֖牐 As a cultural ambassador of Hong Kong, CCDC helps project Hong Kong’s unique cultural identity through its extensive tours to different cities around the world.
ֵࢥ Mission IV
֢傶Ӿ㾴吚դ膚᫃咳疻ጱ໐ஞ㵕ێʒʒ傶苉Ո翥膚疑׀ᤈ硰牏ದ蔩现萬蔩䍅ᶎӤጱඪ ൔ牧㪔ෝ㾴獉坌禅വ㵕Ӿ㾴膚᫃咳疻懯㴟牐 As a catalyst for Chinese contemporary dance development, CCDC acts as an umbrella organisation offering administrative, technical and artistic support to Chinese choreographers. It is also the driving force behind the China Dance Development Programme in Mainland China.
©Conrad DY-Liacco
04
殸膚ᘏ THE A TEAM
檔狎紪 Ivan CHAN
ິப斝 Felix KE
讝疑䌌 Bobo LAI
扅艏 Peggy LAM
磷疑ᐪ LEE Ka-ki
禼Ꭳ要 Shirley LOK
變ቤ㱾 Natalie MAK
谎ฬ缟 Noel PONG
㻊̴䮉 QIAO Yang
挹竔秌 Malvina TAM
้ว斝 Terry TSANG
蘛ከ搙 Tseky TSE
讙瞺螸 Bruce WONG
05
讙粿 ҆ ኧ̿膚ᘏ̀ᛗ̿ۅ萬蔩者緳̀ Dominic Wong From Dancer to Assistant Artistic Director ֢傶膚ᘏ牧讙粿૪ࣁ &&'& 聹聼ԫ܈ଙ牧ℂ膚ᘏ
As a dancer and choreographer, Dominic Wong honed his art with CCDC
ᛗ翥膚牧ک犡ॠ胆揗蚏ۅ萬蔩者緳ጱय़禿牧㶧ۗ萬蔩
for 20 years. He now takes on the responsibility of Assistant Artistic Director,
者緳็抁享Ӟ蚏䁆ഩ膚㿁ጱ萬蔩咳疻牐
working hand-in-hand with Artistic Director Willy Tsao.
ኧ̿ ౮ 傶 অ ጱ 蔭 ᄍ ᘏ ̀ ̿کᆙ 觎 Ӟ 唰 膚 ᘏ牧 ഩ ൎ 匍
The change from “being a good performer” to “taking care of dancers,
䁰̀ጱ旉虋ݢమᘒᎣ牐妿籧膚㿁ℂ㬵犋ฎӞկ斕誫ጱ
mastering the whole scene” is rapid. Operating a dance company is not
ૡ֢牧ℂ妿揲牏℄ፓጱ憒㴟膏䋿擅牏蝫奾֢ݳ犮֎牏
an easy task. From finance, programming, partnership alignment to brand
ߝ粞妿籧缛牧ӞྍӞ脻玢牐讙粿縄憎竃㻌ӤጱԪ殻
management, each is a discipline of its own. Wong handles his ever-growing
蝛侅ीے牧拹௲殼ጱᒞ胙盅牧ฎ䌕禂牏揣犨牏憙
task list with a humble smile and a firm professionalism, responsibility and
ᰀጱ揢盔ত奰牐
vision.
碝犨ۅ萬蔩者緳ጱ᯿讨ૡ֢ԏӞ牧ฎے䔶膚ᘏጱ蔭ᄍ
Our new Assistant Artist Director is dedicated to strengthening dancers’
胼 ێ牐&&'& ྯ ℄ ݣፓ 觓 ໒ 蜽 吖牧 翥 膚 玲 ݻ牏 ᪠
performing ability. Each CCDC production is unique in style, choreographic
犋Ӟ牧䌘膚ᘏጱᥝ穩܈獤羊奞牐讙粿กጮ膚ᘏᔴ坌
direction and concept, posing a high demand on dancers. Wong
胼ᰁ牧覎ጱฎ皈ৼ牧殾ࣁ抓牏ૡ֢࣑缛෭ଉ梵梤
understands that only through daily practice can dancers find reliable and
Ӿ牧疩膚ᘏ樄蛪誢牏姘牧聜膚ฎӞ蜇ৼጱവ檔
sufficient energy from their body and mind. Dance is a lifelong exercise.
ڊ碝牐 “CCDC plays a unique role in Hong Kong and we are ready to develop
̿&&'& ࣁ 詂 ጱ 薫 ᜋ 加 Ӟ 篷 ԫ牧 ๚ 㬵牧 ౯ 㮉 ๗ 磭
further on the international stage,” says Wong. The art of dance is irrigated
膚㿁ࣁ㾴褬膚ݣӤٚӥӞउ牐̀聅讀ጱ萬蔩ኧ箑
by sweat; we shall always keep ourselves on our toes to explore the spirit of
竪牧媣媲瞷യ膚᫃ጱ羊牧ۣ牐
dance.
06
07
礱 ےݴ Sang Jijia
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曋䰽禛 TANG Shu-wing
虄笕㾴褬ጱ萢碢翥膚疑礱ےݴ媣̽簔臺 爤 獖̾ 螇哴詂眤睲盅牧碝֢̽盅眤 爤 䋿ፘ̾൏ 砗Ոኞጯ眲牧ᶎ䌘෭ଉ牏螀牏ኞ稴牧ࣁ犋 ਞӾ۴۶ᘒᤈ牐蝡ݣ碝֢犢फ़ೌ䔶㵇癷盅㿁 褧物玀֢瞲疩曋䰽禛牏ܻ獺ᶪ禼磷㵇礁牏㬙 ว戔懯皰㾴牏๐蕕戔懯֜勾䆏犥现籗ط戔 懯㴤藠虦牧珊糽ଙଶ磧盵ਡԏ膚֢牐 Following his emotional letter to Hong Kong, Fragile
Beauty , world-renowned Tibetan choreographer Sang Jijia has created a new work to examine the many faces of life. Post-Perception/Transcendence travels down the path of life, from the mundane to the monumental, facing life, death, and fate. Making this epic journey with Sang are dramaturg Tang Shu-wing, composer Dickson Dee, set designer Leo Cheung, costume designer Cindy Ho Pui-shan and lighting designer Low Shee Hoe. This will surely be the most magnificent work of the season.
ᶎ䌘螀牧౯㮉篷ێ牪 ᶎ䌘ᛔ蛪㶕ԓ牧౯㮉篷ێ硬虋牪 ֵܨ蒂蛪磧掘訵ጱӮኴ牧㶴Ֆ簁蝓犋螂盳䛽ጱ翕嬄牐 ̿獡ಅ磪ፘ牧緡ฎ蒅甊̀ 䋿ፘฎ፥ፘ牧篷犋ፘ㳷ኞ苭ဩ牪 磪ፘ牧篷ፘ牧薪Ԓஞ牐 ℂय़盔य़ఉጱहኴ覿䨝盅眤牧 疥Ոኞ᯿戔牧䢐磪篷褖ݢ胼牐 Life is full of suffering. We are powerless against fate. We don’t have the strength to change what we lack inside. Even when we live in a materialistically rich world, we can’t be free from fear. “All phenomena are illusionary and unsubstantial,” according to the Diamond Sutra . How one sees the world depends on one’s viewpoint. How one understands the emotional realm depends on awakening the senses. Reset your life to allow for an infinity of unlimited possibilities.
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čŠ‚áƒˆŕˇˆçŽ•ÓžŕŽžŕĽ&#x;玀ᴺ Grand Theatre, Hong Kong Cultural Centre
膚㿠现 &&'& ç?şÖ˘ŕĽšăŽ†čŁžçź°Ö˘ß?牧݈č†?ÓŽáŠ´â€ŤÝąâ€Źç‘żáŒąćŽ¸ŕŠ č?Źč”Šç–‘ çŽ°č†šăż â€ŤÖ˘Ýłâ€Źç‰§ŕŚ‡ŕ´‚ŕŚśáŒŽá°‚â€ŤÜœâ€Źĺ?šŐ¤č†šăż ç‰?ŕ°şŕĽ&#x;‍ڼ‏çœ?č?ˆĺ?šŐ¤č‡śč? 膚 ăż ç‰?çŠ˘ŕĄ…áŠ çŞ•čŽ€áŒąčƒƒčŞ˘ć‰żä•?č&#x;´â€ŤÝłâ€Źç?…çŹ•çš°â€ŤŰŽâ€ŹáŒąčĽŽŕ§źáśŞçŚźăŹľč—˘ćœ°ŕł
$280
č™ĄáŒąçŚŠç›˘ç‰§Ö˘ß?犼ç•çŻ‡á„Żáƒ?çŽ°ćŽąŕŽŒĺŠ ç˛Źć†Žĺœ¸ç‰? CCDC resident choreographer Sang Jijia has been acclaimed as “the
$220
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ŕ˛…çŁŞä °ç¨žç’‚ćˆ”á„?ç›…č?ŹŐˆč—ł Meet-the-artist after each performance
most perfect dancer� and has won numerous international dance awards and was awarded Asian Cultural Council Fellowship to study in the US In 2002, he was chosen by the Rolex Mentor and ProtÊgÊ Arts Initiative to study choreography under William Forsythe in Germany and remained at Ballet Frankfurt and the Forsythe Company as assistant choreographer and dancer. Sang returned to China in 2006 and, since then, has created a number of full-length works for BeijingDance/LDTX, Guangdong Modern Dance Company and CCDC. He has received commissions from famous dance companies across the world, including the Norwegian dance company Carte Blanche and Spellbound Contemporary Ballet, Italy. Sang is celebrated for his extremely physical and emotional movement language and his use of electronic music to interpret abstract concepts.
10
蘛ከ搙 Tseky TSE
ິப斝 Felix KE
&&'& 洛㿁 翥膚疑礱ᤩےݴ虄傶̿磧ਠ聅ጱ膚 ᘏ̀牧䍄糷㾴褬ྛ禛牪 ଙ獈螡 ̿玈ێॊ獺萬വ萃虻ۗ懯㴟
11
你何時䋊䨝恐䛽？ 何時我㮉౮傶ԧ他㮉？ When did you learn of fear? When did “we” become “they”?
疥犢Ո搡玕牧ᛔ౯蟴Ӥ㯔蕕ጱྋ吚 ಋ瞱ݳԒቘጱྎ瑊牧憙ܻ瑿犋㵕ጱ傶犢ᘏ 疰磪ԧઃ穀ጱቘኧ ̿珿̀ጱ牏̿䘣̀ጱ牏̿অ̀ጱ牏̿瓥̀ጱ 獊᮷耻磪䛑 ฎ肍牫覍肍牫 犋ᥝ认认ၚࣁٌӾ牧褰ူ蝛窕牧犋֢吖肨 ྎ蔩膏膚᫃ݶრ牐้糷獌ܠഩ٢敎牏獉疑೦٢敎ّ膚ᘏ讙瞺螸媣 ଙ ̽咳匍蒈̾ԏ ̻ŏŏฎই֜梤౮ጱ牫̼盅牧ٚ稞犥ྎ 膚薪ᆙӮኴ牐 Essentialise human beings. Self-match the legitimacy of camouflage. Rationalise weapons. Group those standing still as “others” and there is a reason for the massacre. “Virtuous”, “Vice”, “Good”, “Bad”, you reap what you sow. Yes? No? Do not be part of it, drifting, dead in silence. Martial arts and dance come from the same origin. Prizewinning practitioner of Baguazhang and Neijia Quan , also dancer of CCDC, Bruce Wong ponders on the world in martial arts and dance after his last choreography How to Become … in Eureka in 2015.
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莙瞺螸 Bruce WONG &&'& 膚 á˜?ç‰? ŕŹ™ á˜? ç?ˆ 节 ჈ á„? č?Ź ä‹Š ᴺ牧 ŕŹ™ 糡 ㍎ 窓 ŕˇˆçŽ•ăś§ä¨?çłŤä‹Šá°‚â€ŤÚŠâ€Źč …ăž´ăˇ˘â€ŤŰ’â€Źč …ăž´č†šáŤƒâ„„ç‰§ç›…çłˇčŠ‚áƒˆć?´ćłˇä¨?膚 áŤƒâ€Ť×žâ€Źčœƒŕ¤šá°‚çłŤä‹Šá°‚â€ŤÚŠâ€Źč …ăž´čĽšŕş‹ŕˇšŕĽ&#x;ä‹Šç‹•ć??ĺ˜›ŕĽŠç‰?ŕˇ? ŕŹ™ ç?ˆčžĄĚżçŽˆâ€ŤŰŽâ€ŹŕĽŠç?şč?Źŕ´ľč?ƒč™ťŰ—懯ă´&#x;Í€ŕŹ™čŚ‡č†šáŤƒç–‘áŒąç?ˆç‘ťâ€ŤÝˇâ€ŹăťŒç‰? 翼膚֢ß?۹೥č†?ŕš‡ćŠ äşŤçŽ°čŽ™ç˛żŕˇˆâ€ŤÝłâ€ŹçżĽáŒąĚ˝ŕ¤‰ŕŤąŕŠ—á?&#x;Ěžç‰?̽脒 蔏纨 ĚžÔ?̝䟊礖篡አ̟ç‰?Ě˝č?– 爤 旉̞Ô?Ěťč†’ŕŠ Ó¤áŒąčŚ„čŤƒĚźç‰? ̽咳ĺŒ?č’ˆĚžÔ?ĚťĹ?Ĺ?ŕ¸ŽŕŚ‡Öœć˘¤ŕąŽáŒąç‰ŤĚźç‰?
CCDC dancer Bruce Wong entered HKAPA in 1995, where he was awarded several scholarships and was chosen to represent the Academy on overseas tours during his studies. In 1998, he was awarded an Asian Cultural Council Fellowship to participate in the American Dance Festival in the US. He received the Hong Kong Jockey Club Dance Fund Scholarship to attend Hollins University in the US for a Master's degree. In 2010, he was one of the few dance finalists worldwide to be selected for the prestigious Rolex Mentor & ProtĂŠgĂŠ Arts Initiative. His choreography includes The Legend and The Hero, Dress Me
Down in Strip Teaser 2012, Re/dis-connect in It’s My Turn and
How to Become ‌ in Eureka.
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čŠ‚áƒˆŕˇˆçŽ•ÓžŕŽžçŽ€ä ° Studio Theatre, Hong Kong Cultural Centre $220
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ćˆ”á„?ç›…č?ŹŐˆč—ł Meet-the-artist after performance
14
讙瞺螸 Bruce WONG
扅艏 Peggy LAM
15
谎ฬ缟 Noel PONG
一個 跨越
年齡、 地域的浪漫
童話故事
A Fairy Tale for All Ages
Never forget, always young at heart ݳ疑稭吚դ膚玀䁰 Contemporary Dance Theatre of Families
̿㾴褬翎萬ݳ疑稭 ̀℄ፓ Programme of the International Arts Carnival 2017
㬵ᛔ % จ純ጱੜሴৼ牧櫝樄ԧ犢ஞ眢ጱ紉紸牧疻樄Ӟ䁰獅笕眢膏玄穥ጱจ 褬笤蝿牐犢斾旉㬵ک瑿純牧ࣁ砥ߢဉ笟蝽Ӥ蝈蝝ጱ汜ᤈ㹓牧݈ࣁ蝝Ӿ藨蘷ԧ糄 ሉ牏蓷ᢐŏŏ膏ੜሴৼፘ蝽ጱ汜ᤈ㹓奰ෝกጮᛔ૩०苽ԧጱ奈፥膏ڡஞ牧究ਧ᯿ 碝አஞ眤ݑಅ眢ጱӞ獥牐 ݳ疑稭吚դ膚᫃玀̽ੜሴৼ̾牧硬翥ᛔဩ㾴ݷݶ妿َ牧㪔ኧ膚㿁ۅ萬蔩者緳讙粿 膏ဉ向萬蔩疑ၹᄤ甿誢֢ݳ牧አဉৼ᯿匍汜秚䒍膏ੜሴৼࣁ砥ߢဉ笟Ӥጱ ڡ憎牐℄ፓ疥羌ݳ膚᫃牏䋊牏匍䁰ᶪ禼牏匍䁰ဉ向膏㵕向猟牧疥Ӟ癷癷妿َ 䁰วၚ匍膚ݣ牧玕౮羊翭紸讀牏藉㵕Ոஞጱ向ᶎ牧膏य़Ոੜ๏Ӟ蚏眤ݑ眢牦 Leaving his beloved rose, the Little Prince from asteroid B-612 starts his space odyssey. On his journey, he comes across the Earth, where he meets a pilot lost in the Sahara and makes friends with a fox and a snake... This story of love and courage eventually leads the lost pilot to the meaning of life hiding in the dark. Based on The Little Prince , this dance theatre for families integrates contemporary dance, literature, live music, live sand drawing and animation – an inspired, unexpected and unique interpretation of this well-loved classic.
čŽ™ç˛żŕˇˆ Dominic WONG
č&#x;ŚćŽąă°˝ Ronly KONG
ŕš‰çŠ¨ăŤŽçŞ“čĽŽć†™â„„á?“Ԇ瞹现á„?㚓牧盅ç?ˆć??čŠ‚áƒˆá„?č?Źä‹Šá´şĺŒ?դ膚瞏ç‰?
č&#x;ŚćŽąă°˝â€ŤŘśâ€Źç›…á˜?çłˇčŠ‚áƒˆá„?č?Źä‹Šá´şĺŒ?Ő¤č†šáš›çžˇŕˇˆäšŁç‰?čŠ‚áƒˆć?´
ŕŹ™çś™çŚ‚ç›…â€ŤŰ’â€Źç?ˆ &&'& 傜膚á˜?牧 ŕŹ™çĄƒâ€ŤÜ‹â€Źĺ‚śâ€ŤŰ…â€Źč?Źč”Šč€…硳ç‰?
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áŤƒâ„„ÓžçŚ›çłˇĚżçżĽč†šçłŤÍ€ç‰? ŕŹ™ŕš…çłˇčˆŁăž´ăž´ç–‘č‡śč? 膚ăż
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čžŠč—śç žçŠ¨ŕˇ?Ó¤á šÓŽçŽĄä¨?á„?‍̿ڊ‏༠濞Ô?ç˘&#x; Ĺƒ č†šáŤƒçŽ°ŕˇˆçŽ•Ôť
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窕懯ă´&#x;Í€Ô?翼膚ç‰?ĺŒ?ĺ‚ś &&'& č†šáŤƒÓžŕŽžŕĽ˜ç–ťÔŞçŽ‡ĺŚżá‰˜çŽ°
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č†šáŤƒç’˘ć‡şçłŤä‹Šá°‚ć‡Żă´&#x;Ěżŕ¸áœ‹čŚ‡ŕ¸ŠÍ€ç–Šä’?ç‰§č›ŞŮ‘á¤ˆçĄ°ç‰?ç–Šä’?ç‰?
ç?˛ć‰‹ç‰§č†šÖ˘č§“ŕť’ç˘?睊༚虋ç‰?
翼膚现‍ݪ‏㰽�
Dominic Wong was a TV artist before he studied modern dance at HKAPA.
Kong graduated from HKAPA in 1989. She has received the Hong
He joined CCDC after his graduation in 1996 and was promoted as
Kong Jockey Club Music Fund Scholarship 1989-1992, and her
Assistant Artistic Director in 2016. He received the Hong Kong Dance
B.F.A. magna cum laude in modern dance from the University of
Award “Outstanding Performance by a Male Dancer� for his performance
Utah, US in 1992. She has been a dancer, choreographer, and
in Plaza X (2000) and The Comedy of K (2012). His choreographic
instructor in various productions in and out of Hong Kong. Kong
works include Men’s Chop Suey, E.Y.T., Xtremely Four Seasons, What’s
attained the Choreography Award in the 34 th to 38 th Schools
Next, Punk Side Story, Blind Chance, Second Thoughts and Travlogue
Dance Festival. Currently, she is the CCDC Dance Centre Outreach
(previous title: Little Pieces ). He was invited to stage his choreography at
Affairs Manager and the instructor of Dance Training Scholarship
the Guangdong Dance Festival and Beijing Dance Festival. Xtremely Four
Scheme “Teens of Colours�. She performs the roles of dance
Seasons and What’s Next were both hailed by South China Morning Post
administrator, instructor, choreographer and master of ceremony
as one of the “Best Dances� of their years. Innovative in choreography, his
respectively.
works are physically demanding and feature a wide range of styles from comedic to sophisticated.
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č¤Źá šăľ•á„?â€ŤÚŠâ€Źç‰§čœąŕŹ™ŕ˛ç?ˆá€‰ăľ•ĺ?‘輎ŕ˝á šăľ•ç‰§á¸’㎆ဉ㾕ĺ?‘糡贀Ꭸ粙
ဉኌŕĽ&#x;ä¨?ç’¤á„?༾皣 Auditorium, Sha Tin Town Hall
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$250
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Renowned Hong Kong sand painting artist, Hoi Chiu’s skills are highly regarded internationally. His work in the music video for pop star Eason Chan led to the popularity of sand art in Hong Kong. He has since lent his
A ç¨Žä °ĺ‚śĚżč?˘čžˆäŒ•ä °Í€ç‰§ćˆ”磪夀承‍ݗ‏č?„ŕ˝çŒ&#x; This is an Accessible Performance with Audio Description (Cantonese)
creativity to puppetry, painting and stage productions as well as films, TV and digital media. In 2014, he contributed to an official promotional video of Hong Kong.
18
čž•â€ŤÝłâ€ŹÓŁäľ‡çŠĽÓ¤ŐˆŕĽŠ Suitable for ages 3 and above
Ěżč†šáŤƒčŚ„Í€ Dance Inspirations çž&#x;ĺ§´ŕžŻăŽ†č†šáŤƒčŚ„çœ¤ç‰§çŠ‹ç?¤áŠ´č¤– Dance without bounds – grab every inspiration
‍ؚ‏ć?˛çłˇć?żĚżč†šáŤƒčŚ„Í€â€ŤÜœâ€Źç‰§ç–§Ő ŕĽ&#x;Ӟ苉č?Źč”Šç‘żçŽ&#x;ŕĽšćŽťŕ˛°ŕ˛•çŒťŕ°Łç‰Ś Free Dance Inspirations Card to enjoy exclusive privileges and discount offers in Greater China! Ěżč†šáŤƒčŚ„Í€ŕ¸ŽÓžăŽ†ç˛Źç?¨ĺ‚śč†šáŤƒçœ˘ŕŚ…á˜?á˜’ćˆ”áŒąć‡Żă´&#x;牧 Dance Inspirations is a tailor-made scheme for all dance lovers – helping you to č™?眅č†? &&'& ç‹’çžąĺ§´ŕŠ‚ç&#x;‘藉牧č?ŤĺŞ’č?Źč”ŠáŠžá šçťšć¨Œç‰? keep in closer contact with CCDC and take an active role in the promotion of ĺŒ? ‍ Ý?‏輑 ć?ł ć?Ž &&'& 膚 ç–„ 犨 Öœ ç?‹ ㎆ â„„ á?“ 槚 dance. Now with the purchase of two or more programmes of Dance Season çş?牧‍ݢܨ‏糡ć?żĚżč†šáŤƒčŚ„Í€â€ŤÜœâ€ŹÔšçš°ç‰§ç–§Ő ŕĽšćŽťçžŠŕ¸ĺ› 2017/18, you will receive a Dance Inspirations card for FREE and enjoy an array č?˝ ç‰?
of great benefits and offers .
çŒťŕ°ŁŰąŕłĄ Privileges include:
• 犊ರć?łć?Ž &&'& á„?‍ڊ‏槚çş?Ň čž•áŠ ŕˇ?ŕžŻăŽ†ŕšœç‘żá„?‍℄ڊ‏á?“Ḓç?‹çš°ć§šçş?Ň‚ • çŠĽçŒťŕ°Łă°ˇć?łć?ŽçšžäŠšĺŒ?դ膚㿠现玖Ղ輊㾕༠ӼĺŒ?դ膚㿠á„?‍ڊ‏Ô?槚çş? • çŠĽçŒťŕ°Łă°ˇć?łć?Ž &&'&ç‰?皞䊚ĺŒ?դ膚㿠现玖Ղ輊㾕༠ӼĺŒ?Ő¤č†šăż áŒąĺ¤ľç›˘ß?现 '9' • &&'& č†šáŤƒÓžŕŽžç–„ŕŹśćŠ“çşˇÔœŕ˛°çŒťŕ°ŁŇˆăąžá’?č†šáŤƒćŠ“çşˇÔœÔ˛ŕ˛°çŒťŕ°Ł • Ôœŕ˛°çŒťŕ°Łă°ˇć?łć?ŽčŠ‚áƒˆć‰–çŽ€ăż ç‰?ÓžčˆŁçŽ€ăż ç‰?čŠ‚áƒˆč‡śč? 膚㿠ç‰?čŠ‚áƒˆč†šáŤƒăż ç‰?čŠ‚áƒˆá“•ŕĄçŚźăż ç‰?čŠ‚áƒˆÓžçŚźăż ç‰?č?ąç›˘ç‰¨ÔŤâ€ŤÜˆâ€ŹáśŽčŞ˘ç‰? äŠščž˛č†šáŤƒăż çŽ°čŠ‚áƒˆčĽŽŕ˝â„„矛粏螥℄á?“牧犼现ŕˇ?č?Źá‘§ä¨?á„?‍ڊ‏Ô?槚çş?
• 㡢č†?Ěżč†šáŤƒčŚ„Í€č†?ć—°Ô?á šăľ•Ň ŕŚ‡ç›…â€ŤÝŁâ€Źç–Šć?•ç‰?辡ྦྷá„?‍ڊ‏矛҂
• An exclusive 30% discount when purchasing tickets for CCDC productions in Hong Kong (applicable to the first two tickets per programme) • Special discount on tickets for programmes by Guangdong Modern Dance Company (GMDC) and BeijingDance/LDTX • Special prices on souvenirs and DVDs from CCDC, GMDC and BeijingDance/LDTX • 10% discount for Seasonal Dance Courses or 5% discount for Children’s Dance Courses at CCDC Dance Centre
• 10% discount on tickets of selected programmes by the Hong Kong Repertory Theatre, Chung Ying Theatre, Hong Kong Ballet, Hong Kong Dance Company, Hong Kong Philharmonic Orchestra, Hong Kong Chinese Orchestra, Zuni Icosahedron, E-side Dance Company and Hong Kong International Film Festival, plus programmes staged at the Fringe Club
• Exclusive activities (backstage tours, excerpted performances and more) ŕš…ŕĽšçŒťŕ°Łç‰§č—śĺ€ľč–Šč†šăż çż•ćŽˇç‰ŠZZZ FFGF FRP KN For more information of special offers, please refer to our website : www.ccdc.com.hk
ç¤żç¨ çŽ°ĺĽžăłˇ Terms and Conditions: 1. Ěżč†šáŤƒčŚ„Í€ ç–§Ő çŒťŕ°ŁçŁŞçĄłŕš—á›— ŕŹ™ ŕšŒ ŕˇç‰? The benefits of Dance Inspirations 2017/18 are valid until 31 March 2018.
2. çŒťŕ°ŁçŠ‹čž•áŠ ŕˇ?粏ç?¨ćŠ“纡ç‰?ăąžá’?č†šáŤƒćŠ“çşˇá˜?手紑现ć?łć?ŽčŚ„á šŕĽşçş?牪ä â€ŤÝˇâ€Źç˘ťŕŽ ćŽžâ€ŤÚŠâ€ŹçşˆçŁŞçĄłÔ?Ěżč†šáŤƒčŚ„Í€â€ŤÜœâ€Źŕˇœâ€ŤÝ˘â€Źçłˇŕ˛°ŕ˛•çŒťŕ°Łç‰ŞçŒťŕ°Łâ€ŤÝ?â€Źč¤–çžąâ€ŤÜœâ€ŹŐˆÖľáŠ ç‰§çŠ‹čƒźč†? ŮŒçŠ˘çŒťŕ°ŁăŞ”áŠ ç‰Ş&&'& č†šáŤƒÓžŕŽžç‹’áŠ¸ŕš…çĄŹçŒťŕ°Łç¤żç¨ çŽ°ĺĽžăłˇÔ?稗‍ڼ‏ç‰? Not applicable to Special Courses, Children’s Dance Examination Classes or the purchase of Flexicoupons. The offer is only available to the cardholder and cannot be used in conjunction with other discounts. CCDC Dance Centre reserves the right to change the terms and conditions of the offers.
19
2017
膚疄༺çş?çŒťŕ°Ł Dance Season Subscription Scheme
ćŠ˜ć‰ŁéŤ˜é ”ä¸ƒćŠ˜ďź
膚疄
Big Discounts for Early Bird, save up to 30%!
CCDC Dance Season
17.2 – 2.4.2017
ĺ„Şĺ…ˆč¨‚çĽ¨ćœ&#x;é™?
Advance Booking Period
Ě˝ç›…çœ¤ŕŻ” 爤 ä‹żá?˜ĚžáŒąăŻ˝á?ĽçŽ°č&#x;ˆć?łŕąźŕžŠŕˇŕš—ĺ‚ś ŕšŒ ŕˇ
Postal or fax booking for Post-Perception/Transcendence is opened until 17 March 2017
1 /çŒťâ€ŤŘśâ€Źć‡Şçş?çŒťŕ°Ł Advance Booking Discounts
ĺŒ?ç?Ąŕˇ? ŕšŒ ŕˇŕą˛Ô?ç?ŽçŒťâ€ŤŘśâ€Źć‡Şć?ł &&'& 膚疄༺çş?ç‰§á´ťâ€ŤÝ˘â€ŹŐ çŁŞć–ƒÖŻÖ–á—?ç‰§ŕš…â€ŤÝ˘â€ŹçłˇçŠĽÓĽçŒťŕ°Łç‰Š Purchase the 2017 Dance Season Subscription Packages on or before April 2 to secure the best available seats and enjoy early bird discounts: çŒťŕ°ŁçżĽč’ˆ Discount Code
༺� Subscription Package
A
懪ć?łç?‹ä °ŕą˛çŠĽÓ¤çŠ‹â€Ťâ„„ݜ‏á?“槚çş? Two or more different programmes
B
&&'& 'DQFH &DUG ๲ &&'& .LGV &DUGçžąçŁŞŐˆ Holders of CCDC Dance Card or CCDC Kids Card
犼Ӽä¨?ăš“ćŒ¨çžąçŁŞŐˆç‰ŠčŠ‚áƒˆć‰–çŽ€ăż ĚżŕŚ…â€ŤÝ‹â€Źçą§Í€ç‰?ÓžčˆŁçŽ€ăż Ěżčƒźá° ç˝ăż SOXVÍ€ç‰? čŠ‚áƒˆč‡śč? 膚㿠Ô?‍݋‏ç‰?čŠ‚áƒˆč†šáŤƒăż ĚżçŠĽč†šä¨?â€ŤÍ€Ý‹â€Źç–§ŕŠ˘çŽ°çžŠčˆŁä¨?罕ç‰?čŠ‚áƒˆá“•ŕĄçŚź ăż ĚżáƒˆçŚźä¨?Í€ç‰?čŠ‚áƒˆÓžçŚźăż ĚżÓžçŚźç ™â€ŤÝ‹â€Źä¨?Í€ç‰?č?ąç›˘ÔŤâ€ŤÜˆâ€ŹáśŽčŞ˘Ěżč?ąç›˘Ô?‍̀݋‏ç‰? č?Źá‘§ä¨?Őžć?˛ä¨?ăš“
çŒťŕ°Ł Discount
犊ರ 30% off
+
糡ć?żĚżč†šáŤƒčŚ„Í€â€ŤÜœâ€Ź Complimentary Dance Inspirations Card
ç?Œŕ˛° 20% off
X
çŠĽÓĽâ€Ť×žâ€ŹáŠ â€ŤÜœâ€ŹçžąçŁŞŐˆç‰ŠčŠ‚áƒˆÓžŕˇˆŕĽ&#x;ä‹Šâ€Ť×žâ€ŹáŠ â€ŤÜœâ€Źç‰?čŠ‚áƒˆŕĽ&#x;ä‹Šâ€Ť×žâ€ŹáŠ â€ŤÜœâ€Źç‰?
C
čŠ‚áƒˆŕ¤‰ŕŤąŕĽ&#x;ä‹Šâ€Ť×žâ€ŹáŠ â€ŤÜœâ€Ź Holders of the following membership cards HKREP Pals, Energy Fun Club plus, Friends of Hong Kong Ballet, Friend of Hong Kong Dance Company Prestige and
Ôœŕ˛° 10% off
Classic membership, Club Bravo Members of Hong Kong Philharmonic Orchestra, Friends of Hong Kong Chinese Orchestra, Zuni’s Friends, Paid Members of Fringe Club Holders of the following credit cards: CUHK Credit Card, HKU Credit Card, City University of Hong Kong Credit Card
D
ç?Šŕˇâ€ŤÚŤâ€Źä‹ŠáŠžç‰?â€ŤÜˆŮ…â€Źäľ‡ŕą˛çŠĽÓ¤áš›čŻˇŐˆŕĽŠç‰?äľ?çś§ŐˆŕĽŠçŽ°á?Ąč™ ŐˆçŽ° 翎‍ݳ‏á?’ä¨?ç‹’áľ‘ŕľ”Ű—â€ŤÝ‘â€Źŕ°ŁŐˆ Full-time students, senior citizens aged 60 or above, people with disabilities and the minder and Comprehensive Social Security Assistance recipients
ÜŽă°ˇ 50% off
ç¤żç¨ çŽ°ĺĽžăłˇ Terms and Conditions: ŕ˛…çŁŞçŒťŕ°Łâ€ŤÝ?‏螕አŕˇ?ŕž‹ă°ˇć§šçş?现犋螕አŕˇ?ć?Ťć?Šçş?ç‰?All discounts are applicable to regular price tickets only, and are not applicable to VIP tickets. 糡ć?żÔ?Ěżč†šáŤƒčŚ„Í€â€ŤÜœâ€ŹçŁŞçĄłŕš—á›— 2018 ŕŹ™ 3 ŕšŒ 31 ŕˇç‰?The complimentary Dance Inspirations card is valid till 31 March 2018. çŒťŕ°Łčž•áŠ ŕˇ?ŕžŻăŽ†â„„á?“Ḓç?‹çš°ć§šçş?ç‰? á´ťçŒťŕ°ŁçżĽč’ˆ ' ŕĽ˜ Applicable to the first two tickets programme (except discount code D). ༺çş?çŒťŕ°Łâ€ŤÝ?‏螕አŕˇ?ĚżçŒťâ€ŤŘśâ€Źć‡Şçş?Í€ŕš—ć¨ŒŕąŽâ€ŤŰ‘â€Źć‡Şć?łÔ?槚çş?ç‰?All subscription package discounts are applicable to Advance Booking only. ྯ繰槹çş?‍ݢÝ?â€ŹčžĄä˘”ŮŒÓžÓžćŽťçŒťŕ°Łç‰§çŠ‹â€ŤÝ˘â€Źč†?ŮŒçŠ˘çŒťŕ°Łâ€ŤÝśâ€Źç˘ťÖľáŠ ç‰?Only one discount scheme can be applied to each ticket. ಅ磪懪çş?č”ŕť’ç’‚çŠĽâ€ŤŘśÚŠŘśâ€ŹŕŽ‘ŕˇœá€Šč’‚á‰˜ç‰§ŕšœăż çŠ‹ç‹’ćŒ¨ŕ˛…çŁŞć‡Şçş?ŐˆŕĽŠç’‚čƒźŕąŽâ€ŤŰ‘â€Źć‡ŞçŽ˛ć§šçş?ç‰§á˜’ŕŹˇÖ–ç?¤č&#x;´ç–ĽáŠ§ŕšœăż ֢磧弰犜ਧç‰?All bookings will be processed on a first-come, first-served basis. CCDC cannot guarantee the availability of tickets. Allocation of seats will be at the discretion of CCDC. ŕš…ŕĽšçŒťŕ°Łć‰˜çœ?牧藜㡢褂 &&'& 翕採ç‰?For more discount schemes, please refer to www.ccdc.com.hk ÓžŐˆÓžçş?ç‰§ŕ˛…çŁŞč–Şĺ”°çŠ‹ćŠˇŕŹ™čŻˇÔ˝ćŽžäšŁçş?ç?ˆä °Ň ćŽžá’§â€ŤÝłâ€ŹŕŹ™čŻˇč¤–â€ŤÚŤâ€ŹŇ‚ç‰?ಅ磪槚çş?ÓžĺŚżŕ “â€ŤÚŠâ€Źç‰§çŚŠçŠ‹č??ç¨ ç‰?One person per ticket regardless of age and subject to age limit specified for each programme. Tickets sold are non-refundable. ಅ磪℄á?“ŕŻĽçŠ‹ŕł—ç›ƒ 6 äľ‡çŠĽÓĽŕŠœá’?č?ąä °Ň Ě˝ŕŠœáˆ´ŕ§źĚžá´ťŕĽ˜ç‰§ç¨čœ° 3 äľ‡ŕą˛çŠĽÓ¤ŐˆŕĽŠč?ąä °Ň‚ç‰?Children under 6 years old will not be admitted (except for The Little Prince which is suitable for children ages 3 and above). ŕšœăż çŁŞç¨—ŕĽ€äť‚ŕą˛ŕš…ç&#x;Śč”á„?á˜?çŽ°Ňˆŕą˛ŕš…çĄŹŕŤŞç??ăŹ™áŒąâ„„á?“ç‰?ŕŹˇÖ–çżĽç&#x;ŽçŽ°ŕ¨ťçžłč–Şĺ”°áŒąç˘?á?“ç‰?CCDC reserves the right to add, withdraw or substitute artists and/or vary advertised programmes, seating arrangements and audience capacity.
2 / ÓŁĺœľć‡Şçş?ŕˇœá€Š Three Easy Ways to Book č&#x;ˆŕŠ€ć‡Şçş? By Post
éœ˜ŕŚ—â€ŤÝŚâ€ŹćŽˇÔ?懪çş?č”ŕť’ç‰§č&#x;ˆŕŠ€á›—ç‰ŠčŠ‚áƒˆÔœč°?ç˘?č?ŽäŽżŕĽ&#x;磪ᤋ á›— č’ˆ ä° ŕ¤‰ŕŤąĺ?šŐ¤č†šáŤƒăż Ň â€Ť×žâ€ŹŕŠ—áśŽč—śćˆ˘ŕ¸ ç‰Š 膚疄༺çş?毆懪҂ Complete and return the booking form on the next page by post to: CCDC, 11/F, 26-28 Tai Yau Street, San Po Kong, Kowloon, Hong Kong (Please mark on the envelope: “2017 Dance Season Subscriptionâ€?)
㯽�懪� By Fax
éœ˜ŕŚ—â€ŤÝŚâ€ŹćŽˇć‡Şçş?č”ŕť’ç‰§ăŞ”ăŻ˝á?Ľá›— Complete and return the booking form on the next page by fax to 2351 4199
ŕˇ?ŕ¤‰ŕŤąŕ “çş?çż•ć?łçş? Through URBTIX
ŕˇ?â€ŤÝąâ€Źŕ¤‰ŕŤąŕ “çş?çż•ŕ “çş?č’‚ç‰?窕㾕ć?łçş?ä›‘áŠ çşˇŕ— * ŕą˛â€Ť×žâ€ŹáŠ â€ŤÜœâ€ŹŇ ZZZ XUEWL[ KNŇ‚ć?łçş? Purchase your tickets at URBTIX outlets, mobile ticketing app* or with credit card (2111 5999 / www.urbtix.hk)
çœ…Ô˝â€ŤÝ˘â€ŹçŠĽŕˇ?ŕšœăż çż•ćŽˇŇ ZZZ FFGF FRP KN҂Ӽ斉̿ 膚疄̀ çŒťâ€ŤŘśâ€Źć‡Şçş?č”ŕť’ç‰§éœ˜ŕŚ—ç›…č&#x;ˆŕŠ€ŕą˛ăŻ˝á?Ľá›—ŕšœăż ç‰? You may also download the booking form from our website (www. ccdc.com.hk). Please return the completed form by post or fax. * ŕ¤‰ŕŤąŕ “çş?çż• Android 粚现 iPhone/iPad 粚窕㾕ć?łçş?䛑አ纡ŕ—‍ݢ‏ç?¤ç?¨ŕˇ? Google Play ๲ Apple App Store ‍ؚ‏ć?˛ÓĽć–‰ç‰? URBTIX mobile ticketing app (Android and iPhone/iPad versions) is available to download for free at Google Play or Apple App Store.
3 / ‍ؚ‏ć?˛çłˇçŽ˛Ěżč†šáŤƒčŚ„Í€â€ŤÜœâ€Ź Receive a FREE Dance Inspirations Card 懪ć?łçŠ¨Öœç?‹ăŽ†ŕą˛çŠĽÓ¤â„„á?“槚çş?牧‍ؚݢܨ‏ć?˛çłˇć?żĚżč†šáŤƒčŚ„Í€â€ŤÜœâ€ŹÔšçš°ç‰§ç–§Ő çŠŠŕ˛°ć§šçş?çŒťŕ°Łç‰ŚŮŒçŠ˘çŒťŕ°Łć‰˜ć†Ž á’Ť 採ç‰?Ěżč†šáŤƒčŚ„Í€â€ŤÜœâ€ŹçŁŞçĄłŕš—á›— ŕŹ™ ŕšŒ ŕˇç‰? čˆ™çœ…çŠĽč&#x;ˆŕŠ€ŕą˛ăŻ˝á?Ľŕľŕ—ć?łçş?ç‰§Ěżč†šáŤƒčŚ„Í€â€ŤÜœâ€Źç–Ľŕˇ?祊‍ڊ‏懪çş?č”ŕť’ç›…ÓžăŽ†ŕšŒç?‰ŕŠ€â€ŤÚŠâ€Źç‰? čˆ™çœ…ŕˇ?ŕ¤‰ŕŤąŕ “çş?翕懪çş?ç‰§č—śéœ˜ŕŚ—â€ŤÝŚâ€ŹćŽˇč”ŕť’Ó¤ăŽ†Őˆč™ťç˘˜č&#x;‚ç?¤Ň ๲ŕˇ? ZZZ FFGF FRP KN ÓĽć–‰Ěżč†šáŤƒčŚ„Í€č” ŕť’Ň‚ç‰§č?Ťâ€ŤÝśâ€ŹçŠ¨Öœç?‹ăŽ†ŕą˛çŠĽÓ¤â„„á?“áŒąć§šçş?ŕ˝çŽ˘ŕšœç‰§ŕˇ? ŕŹ™ ŕšŒ ŕˇŕą˛Ô?ç?Žč&#x;ˆŕŠ€ŕą˛ăŻ˝á?Ľá›—ŕšœăż ç‰§â€ŤÝ˘Ü¨â€Ź ‍ؚ‏ć?˛çłˇć?żĚżč†šáŤƒčŚ„Í€â€ŤÜœâ€ŹÔšçš°ç‰? Book ticket of two programmes or more, you can enjoy a free Dance Inspirations card and 30% discount on tickets! For details about other discount offers, please refer to p.19. The card is valid till 31 March 2018. If you are purchasing tickets by post or fax, your Dance Inspirations card will be posted to you within one month of receiving your application form. If you are purchasing tickets through URBTIX, please provide your contact details through the booking form on the next page (you may also download the form from CCDC’s website www.ccdc.com.hk) together with a photocopy of tickets of two or more different programmes by post or fax to redeem your complimentary card on or before 19 May 2017.
4 /ŕš…ç&#x;Ść§šçş? Ticket Exchange 懪çş?ç›…ŕŚ‡ĺ’łĺŒ?ŕšščƒźŕ˝źć?•á„?â€ŤÚŠâ€Źç‰§çœ…â€ŤÝ˘â€ŹçŠĽŐ áŠ äŒ•ĺ‚ść‡Şć?łŕĽşçş?č–Şĺ”°á˜’ćˆ”áŒąç&#x;Śçş?ŕš?率牊 Season subscribers can enjoy our ticket exchange service: ĹŽ č&#x;ˆŕŠ€ŕą˛ăŻ˝á?Ľć‡Şçş? Subscribed by Post or Fax ŕŚ‡čĽ‘ŕš…ç&#x;Ść§šçş?牧藜ŕˇ?â„„á?“á„?‍ڊ‏ŕˇŕš—ç?Žâ€ŤÜˆâ€ŹÔ˛ăŽ†ŕŤĄÖ˘ŕĽ č?˘áŽŁŕšœăż ç‰?槚çş?掞傜‍ݜ‏Ӟ℄á?“Ô?á?˜â€ŤÝśâ€Źçş?㰡槚çş?牧๲‍ݢ‏愆ࢧ癊㰡ç&#x;ŚçŽ˛ć–ƒáš›çş?㰡槚çş?ç‰?ྯ稾ç&#x;Śçş?ç’‚ 硩箲ྯ繰 $5 ಋ媲ć?˛ç‰? To exchange tickets, please contact CCDC at least 15 working days before the performance. Tickets may be exchanged for another performance date of the same programme, either of equal value or of a higher price band by settling the price difference. A service fee of HK$5 will be charged for each ticket. ĹŽ ŕˇ?ŕ¤‰ŕŤąŕ “çş?çż•ć?łçş? Subscribed through URBTIX ŕŚ‡čĽ‘ŕš…ç&#x;Ść§šçş?牧藜ŕˇ?扗℄á?“ç??ć¨„ĺ’łŕ “ç›…ç‰§çĄĄâ€ŤÝśâ€Źŕ˛…čĽ‘ŕš…ç&#x;ŚÔ?槚çş?ç‰§â€ŤÝąÚŠâ€Źŕ¤‰ŕŤąŕ “çş?çż•ŕ “çş?č’‚ć—‰ç&#x;Śá?˜â€Ťâ„„ݜ‏á?“çŽ°ä °ç‘żáŒąâ€ŤÝšâ€ŹÓžä °ć§šçş?牧ఢ‍Ý?â€Źčƒźć—‰ç&#x;Śá?˜â€ŤÝśâ€Źçş?ă°ˇ ๲愆ࢧ癊㰡ç&#x;ŚçŽ˛ć–ƒáš›çş?㰡槚çş?ç‰?ྯ稾ç&#x;Śçş?ç‰§ŕ¤‰ŕŤąŕ “çş?çż•ç’‚çĄŠçŽ˛ŕžŻçš° $5 ಋ媲ć?˛ç‰? Tickets may be exchanged for another performance date of the same programme and venue, by visiting any URBTIX outlet after the specific programme has gone on public sale. Tickets may be exchanged for those of equal value or of a higher price band by settling the price difference. A service fee of HK$5 will be charged for each ticket by URBTIX. 藜ဳ఺牧篡抡č?ščž‚č&#x;ˆŕŠ€ç‰?㯽á?Ľŕą˛ŕ¤‰ŕŤąŕ “çş?翕懪çş?ç‰§ŕš…ç&#x;Śŕą˛â€ŤÜ‹â€Źçžˇć§šçş?ç–ĽçŠ‹ŮšŐ çŁŞçŒťâ€ŤŘśâ€ŹćŻ†ć‡ŞáŒąŕ˛°ŕ˛•çŒťŕ°Łç‰§Ö•Ő–â€ŤÝ˘â€ŹŐ çŁŞç&#x;Śçş?ç˘ťŕľ‰â€Ť×€â€ŹáŒąŮŒçŠ˘çŒťŕ°Łç‰§ŕŚ‡ Ěżč†šáŤƒčŚ„Í€â€ŤÜœâ€ŹáŒąŕ˛°ŕ˛•çŒťŕ°Łç‰?ಅ磪槚çş?ć—‰ç&#x;Ść†™Ô’ŕ “çş?çœ?ä¸†á˜’ŕ¨§ç‰? Please note that all exchanged tickets, whether ordered by post, by fax or through URBTIX, will no longer be entitled to any advance booking discount. However, you may still enjoy other discount offers, such as Dance Inspirations card discount offers. Ticket exchange is subject to availability.
懪搳蔭໒
Booking From
I / 懪搳℄ፓ Subscribed Programmes 霘䌃蔭໒獮藶奞褂ᒫ 殷̿礿稠现奞㳷̀牐藶犥ྋ禇霘䌃犥ӥ虻碘牧㪔ෝ螕吚֖ᗝ霘Ӥ̿ ̀蒈牐 Please read the Terms and Conditions on P.20 carefully before filling in this form. Please complete in BLOCK LETTERS and tick the appropriate items. ℄ፓ Programme
ᄍڊ෭๗现碻樌 Programme Date & Time
纏㰷 Ticket Price (HK$)
纏碍 No. of Tickets
ੜ懯 Sub-total (HK$)
猻ణ翥蒈 Discount Code
ರಕ Discount
ರಕ盅ੜ懯 Discounted Price (HK$)
ֺ ̽盅眤 爤 䋿ፘ̾
31.3.2017 (Fri) 8pm
$280
1
$280
A
30%
$196
e.g. Testimony
21.11.2017(Tue) 8pm
$180
2 䋊ኞ
$360
D
50%
$180
者纏ᰁ
者懯
Total No. of Tickets
Total (HK$)
II/ 㮆Ո虻碘 Personal Information ضኞ Mr
ੜথ Miss
穇ॊ Mrs
玡ॊ Dr
硽ദ Prof
ন Surname
ݷGiven Name
襎扖蒈嘨 Telephone No.
襎蟈 Email
ٌ犢 Other
瑿࣎ Address 詂䎦 Hong Kong Island
Ԝ谍 Kowloon
碝ኴ New Territories
ع揲矦覿̿膚᫃覄̀ ܜComplimentary Redemption of Dance Inspirations Card ( 托憎ᒫ 19 殷 Details on p.19) ౯磪岉蚕 I am interested in ے獈 CCDC 嬝ૡᤈ ڜBecoming a CCDC Volunteer
獍樄姟矎 Open Rehearsals
肥抝ၚ㵕 Gatherings
膚᫃猟ོ搕 Dance Video Appreciation
膚᫃ૡ֢࣑ Dance Workshops
盅ݣ疩搕 Backstage Tours
玀䁰蔭ᄍ Theatre Performance
萬Ո藳 Meet-the-artist Session
ٌ犢 Others
III/ 摁ۗ现瞾稠 Sponsorship and Donation ౯氎摁ۗ CCDC 现瞾稠 I would like to sponsor CCDC and make a donation of 發 HK$
磪橕摁ۗ懯㴟牧藶㷢褂盅殷牐Please refer to the next page for CCDC sponsorship scheme.
瞾稠 100 ز犥Ӥݢ䚣硩硁֢ಕ纶አ蝝牐Donations of HK$100 or above are tax-deductible. 藶澕蘛 Please acknowledge Ո҈獍 ݪMy name / Our company Ӿ Chinese
舣 English
篷ݷ࿄ Anonymous
IV/ 玲纏҈玲̿膚᫃覄̀ ܜTickets / Dance Inspirations Card Collection 蟈ੀ By Postҁ槹纏疥ෝ硩ک懪纏蔭໒盅Ӟ㮆์獉ੀ ڊTickets will be posted to you within one month of receiving your booking form҂ 薥蛪獮ஃ &ROOHFW LQ SHUVRQ
CCDC 膚᫃Ӿஞ At CCDC Dance Centre CCDC 碝荎䎿旰獍ਰ覿玲 At CCDC San Po Kong Office CCDC 獮 ݣCCDC Reception - ෝᄍڊ吚෭蔭ᄍ樄ত獮 30 獤楮牧薥蛪獮ஃ CCDC ෝ蔭ᄍ䁰瑿戔ᗝጱ矑盃蒂覿玲牐
Collect your ticket(s) 30 minutes before the performance starts at CCDC’s reception at the performing venue. 旉盅殷 P.T.O.
V/ Őžç¨ Payment 掝á?“ Items
ŕŠœć‡Ż Sub-total (HK$)
懪ć?łâ„„á?“ Subscribed Programmes ć‘ Ű—çŽ°çžžç¨ Sponsorship & Donation 者懯
Total (HK$)
ă´&#x;ĺ¨„ŕśŞçş? Crossed Cheque Ň ŕ˛ťćŻŁŕśŞŐžŃ?Ěżŕ¤‰ŕŤąĺ?šŐ¤č†šáŤƒăż 磪褖ç??‍ ̀ݪ‏Payable to “City Contemporary Dance Company Ltd.â€?Ň‚ ‍מ‏አ‍ Üœâ€ŹCredit Card:
Visa
Master
çžąâ€ŤÜœâ€ŹŐˆčˆŁŕˇˆŕŚ¨â€Ť ݡ‏Cardholder Name in English â€Ť×žâ€ŹáŠ â€ŤÜœâ€Źč’ˆĺ˜¨ Credit Card No. 磪祳ŕˇŕš— Expiry Date
CVV č’ˆĺ˜¨ Code*
(*CVV č’ˆĺ˜¨ŕ¸Žâ€Ť×žâ€ŹáŠ â€ŤÜœâ€Źčƒ™ĺ˘Łâ€ŤÝˇâ€ŹäłąÓ¤â€ŤÝŚâ€ŹáśŽç‰§çŁ§ç›…áŒąÓŁÖ–ç˘?ਠç‰?CVV Code is the last 3 digits printed in the signature field on the back of the credit card.)
墣á—&#x; Signature Ň č—śÖľáŠ â€Ť×žâ€ŹáŠ â€ŤÜœâ€ŹÓ¤Ô?墣‍ݡ‏ŕ—ä°Źç‰?Please use the authorised signature as on your credit card.Ň‚
ŮŒçŠ˘ç˛Źŕ¨§ä¨?㚓牧藜ྉ‍׀‏ಅ瞹ä¨?ç˝•áŒąçŁŞçĄłä¨?ăš“ćŒ¨ŕ˝çŽ˘ŕšœçŠĽŐ አ懪çş?çŒťŕ°Łç‰? Members of the designated memberships please provide a photocopy of your valid membership card to enjoy booking discounts. ಅ痀ä¨?罕 Designated Membership
ä¨?ăš“č’ˆĺ˜¨ Membership No.
ć—°ç??ŕ¨°äŒ•áŠ Â For office use only çĄŠçĄ č’ˆĺ˜¨ Receipt No.
ŕˇŕš—
çŁŞçĄłŕš—á›— Valid until
ć?—ć?Łč‚Źăš“ Staff in charge
áŠŠč—śŐˆŕľ‰â€Ť×€â€ŹáŒąč™ťç˘˜â€ŤÝ?‏ä¨?አ֢č&#x;ˆŕŠ€ŕ¤‰ŕŤąĺ?šŐ¤č†šáŤƒăż č?˘ć‡ąçŽ°çŁŞćŠ•â„„á?“Ô?ŕ¨ŻăŻ˝č™ťç˘˜ç‰?áŠŠč—śŐˆŕŚ‡á´ŤÓ¤â€Ť×žâ€ŹáŠ â€ŤÜœâ€Źč™ťç˘˜Ö˘çžžç¨ ŕą˛ć‡Şçş?Őžç¨ Ô?አč??牧㳡࣠ŕť?ä‹żçŁŞćŠ•č™ťç˘˜ăŞ”ŕ¨ ŕąŽć—‰čš„čž‚çşˇç›…ç‰§çŁŞćŠ•č™ťç˘˜ç–Ľá¤ŠčĄ´ äľźç‰?ç¤ŹçĄ ăŽ†Őˆč™ťç˘˜Ň á?şč¤˛Ň‚礿ֺᒍ ç‰?á’Ť çŽ°á´Ťč” ç?‰ ÜťăłˇáŒąć†’ŕ¨§ç‰§çœ…çŁŞç¨—áĽ?çŠŠç¤šč¤‚çŽ°ŕš…ŕž‹ŕ˛…ŕľ‰â€Ť×€â€ŹáŒąăŽ†Őˆč™ťç˘˜ç‰?â€Ť×ąâ€Źčˆ™äŒ˜éœ˜ä ăŽ†Őˆč™ťç˘˜ÓžÔŞçŁŞçŠ¨ÖœçśĄăş”ç‰§ŰąŕłĄáĽ?çŠŠç¤šăş”ŕą˛ŕš…çĄŹč™ťç˘˜çź›ç‰§ č—śč†?उ䑜ĺ?šŐ¤č†šáŤƒăż č‚ĽĺŚ?ç‰? The personal data provided in the form will be used for mailing of CCDC newsletter and publicity materials of CCDC programmes. Credit card information provided for donation or payment of tickets will be destroyed after verification and transaction. You have the right to request access to and to correct personal data in accordance with sections 18, 22 and principle 6 of Schedule 1 to the Personal Data (Privacy) Ordinance. Enquiries concerning personal data, including requests for access and correction, may be directed to CCDC.
ć‘ Ű—ŕ¤‰ŕŤąĺ?šŐ¤č†šáŤƒăż ç‰?ŕśŞçžąŕšœç‘żč?Źč”Šĺ’łç–ť Support CCDC and Play Your Role Ö˘ĺ‚śçĄ°ŕŹąćˆ˘ă˛˜áŒąŕą…ç?żăż čŞ˘ç‰§çœ…áŒąç?„çœźçžžŰ—čƒźč™?CCDCŃ? ĺŞŁĺŞ˛č•ŁÖ˘ÓŽáŠ´çžˇŕżœäź›áŒąá„?â€ŤÚŠâ€Źç‰§ćŽ˜ŕŠ„čŠ‚áƒˆáŒąŕˇˆçŽ•áŠžá šç‰Ş ç?şÖ˘çŽąç˘¸čŠ‚áƒˆŕĽšâ€ŤŕˇˆŘ˛â€ŹçŽ•áŒąč†šáŤƒÖ˘ß?牧č?žç¨Žç?…ŕšÓŽáŠ´â€ŤÝąâ€Źç‘żáŒąč–Şĺ”°ç‰Ş ç’˘čƒ?ç˘?ÓžŐ¤č†šáŤƒŐˆŕ˛?çŽ°ŕ´ľçšžč†šáŤƒçĄ˝čƒ?ç‰§ŕžŻŕŹ™ŕ˛Šç˘?çŠĽâ€ŤÜ‰â€Źć‡ŻáŒąä‹ŠáŠžç™˛č?ąŕĽšç” ༚ŕ¸áŒąč†šáŤƒÓŽáŠ´ç‰Ş ç™˛ăľ•Óžăž´áŒąĺŒ?դ膚咳疝牧ç?şč?¨ĺ?šŐ¤Óžăž´č†šáŤƒç‰?
CCDC is a registered charity. Your generous contribution can help this performing arts organisation in many ways: Continue to produce a diverse range of world-class performances; Create choreography that reflects the multifaceted culture of Hong Kong and stimulates the imagination of audiences worldwide; Draw thousands of students annually to dance arts and promote dance education; Create dance within a contemporary Chinese context, taking a lead role in the development of Chinese modern dance.
ć‘ Ű—č§Šç?¨ Sponsorship Categories
ć§‘áŽŞć‘ Ű—Őˆ Diamond Patron HK$500,000๲犼Ӥor above
糡ć?ż č†šç–„ŕšœç‘żá„?‍℄ڊ‏á?“â€ŤÝąâ€ŹÓŁâ€ŤÜˆâ€Źçš°áŒąć?Ťć?Šçş? Thirty complimentary VIP tickets per local production of 2017/18 season
áŒŽá°‚ć‘ Ű—Őˆ Platinum Patron HK$100,000–499,999
糡ć?ż č†šç–„ŕšœç‘żá„?‍℄ڊ‏á?“â€ŤÝąâ€ŹÔŤâ€ŤÜˆâ€Źçš°áŒąć?Ťć?Šçş? Twenty complimentary VIP tickets per local production of 2017/18 season
á°‚ć‘ Ű—Őˆ Gold Patron HK$50,000–99,999
糡ć?ż č†šç–„ŕšœç‘żá„?‍℄ڊ‏á?“â€ŤÜˆÝąâ€Źçš°áŒąć?Ťć?Šçş? Ten complimentary VIP tickets per local production of 2017/18 season
čĄĽć‘ Ű—Őˆ Silver Patron HK$30,000–49,999
糡ć?ż č†šç–„ŕšœç‘żá„?‍℄ڊ‏á?“‍ݹ‏ç?Œçš°áŒąć?Ťć?Šçş? Eight complimentary VIP tickets per local production of 2017/18 season
ć‘ Ű—Őˆ Patron HK$10,000–29,999
糡ć?ż č†šç–„ŕšœç‘żá„?‍℄ڊ‏á?“â€Ťŕ˘ĽÝąâ€Źçš°áŒąć?Ťć?Šçş? Four complimentary VIP tickets per local production of 2017/18 season
CCDCÔ?‍ ݋‏Friend of CCDC HK$3,000–9,999
糡ć?ż č†šç–„ŕšœç‘żá„?‍℄ڊ‏á?“‍ݹ‏ç?‹çš°áŒąć?Ťć?Šçş? Two complimentary VIP tickets per local production of 2017/18 season
CCDC䋊ኞçş?ć‘ Ű—Őˆ Student Ticket Scheme Donor < HK$3,000 ๯㎉疼࣠膚疄ç?‰áŒąá„?â€ŤÚŠâ€Źä °â€ŤÚ–â€Źç‰?ŕŹ™ä 现翕採ç?‰ćž•č˜› 裿Ӽç‰?çžžç¨ +. ๲犼Ӥ‍ݢ‏糡ć?ż ŕŹ™ŕŹśč†šç–„ŕšœç‘żá„?‍℄ڊ‏á?“áŒąć?Ťć?Šçş?犼现 &&'& ŕ˛…č•ŁÖ˘áŒąĺ¤ľç›˘ß?ç‰? á„?‍' ڊ‏9' ޞ玢‍ږڏ‏ᇔ‍ݹ‏Ԛ犊牧㪔糡螊㡢č†?ç?ƒá?žč&#x;¸ä¨?牧č†?ç?şÖ˘Őˆăš“现膚á˜?Ӟ‍ݜ‏ç?¤Ő á„?â€ŤÚŠâ€ŹŕąŽâ€ŤŰ‘â€ŹáŒąŕĄ…ç›˝ç‰?çžžç¨ +. ŕą˛çŠĽÓ¤â€ŤÝ˘â€ŹäšŁçĄŠçĄ Ö˘ŕ˛•çşśáŠ č??ç‰? Donations will be acknowledged in house programmes, annual report and webpages of the 2017/18 season. Donations of HK$3,000 or above will be entitled to complimentary VIP tickets of CCDC’s local productions, souvenirs, production DVDs and publications issued throughout the season. You will also be invited to exclusive cocktail receptions to share the joy of successful performances with our artists and dancers. Donations of HK$100 or above are tax-deductible. č—śéœ˜ŕŚ—ŕšœč”ŕť’ăŞ”č?‘ࢧ  Please fill in the form above and return by
č&#x;ˆŕŠ€ Postç‰ŠčŠ‚áƒˆÔœč°?ç˘?č?ŽäŽżŕĽ&#x;磪ᤋ 26 á›— 28 č’ˆ 11 ä° ŕ¤‰ŕŤąĺ?šŐ¤č†šáŤƒăż CCDC, 11/F, 26-28 Tai Yau Street, San Po Kong, Kowloon, Hong Kong 㯽á?Ľ Fax牊2351 4199
Ň ăŻ˝á?Ľç›…č—śŕˇ?ć—°ç??ç˘ťć¨Œç?‰č†ŒčĽŽ 2329 7803 ֢䋿 Please call 2329 7803 within office hours after faxing for confirmationŇ‚ çş?率礚扇 Ticketing Enquiries : 3761
6661 (10am – 8pm)
•
℄�礚扇 Programme Enquiries: 2329
www.ccdc.com.hk
7803 / info@ccdc.com.hk
胍獺 箑竪ଞ舏
Nurture Creativity, Support Growth
膚᫃硽胍चᰂ Dance Education Fund &&'& ฎ詂戢㲘ԏ珿秚䯤牧Ӟፗ膌ێ ׀CCDC is a charitable arts organisation committed to providing high quality ṛ搡ᔰጱ瑿ܻ獺膚᫃℄ፓ现膚᫃璢懺抓纷Ԩ local original dance programmes and dance training courses to residents of 詂૱࿆牧吚Ӿ夹磪ӣ౮傶獊෭ګ䋊ኞ牐膚 Hong Kong. About 35% of those we engage in our work are full-time students. 㿁֖ෝ讙य़՟ጱ̿&&'& 膚᫃Ӿஞ̀ྯଙ傶᩻ CCDC Dance Centre, located at Wong Tai Sin, provides a variety of dance 螂Ӟ苭ԫݷ܉䋊㹓ݱ׀觊ࣳጱ膚᫃懺娞牧膐 training to more than 12,000 students and organises up to 8,000 dance 旰ग़螈獌܉㮆ग़ز玕膚᫃ૡ֢࣑犥现ग़䁰膚 ݣworkshops each year. The Dance Centre also holds stage and community 膏 ᐒ 玟 蔭 ᄍ牧 ݑ唰 ᩻ 螂 Ӟ 苭 Բ ܉Ո牐 ଙ performances annually, reaching more than 15,000 persons. In 2016, CCDC &&'& ౮缏̿膚᫃硽胍चᰂ̀牧㶓肞ᐒ䨝ݱኴ establishes "Dance Education Fund" to gather community support so the 瞾稠犥ඪ瞱膚㿁ጱ膚᫃硽胍现വ皞ૡ֢牐
Company can further dance education and promotion work.
眅ጱ睄禊瞾ۗ胼虏౯㮉വᤈ犥ӥ懯㴟物 Your generous contribution can help us in the following ways:
䋊ኞ纏虻ۗ懯㴟cStudent Ticket Scheme 虏䋊ኞ犥斃犵ጱ纏㰷ོ搕膚㿁羊ጱ膚᫃ᄍڊ牐 Allows students to enjoy performances at a lower price.
膚᫃璢懺糫䋊ᰂ懯㴟cDance Training Scholarship Programme 蝚螂̿ᜋ覇ช̀现̿ ๚㬵膚ॊ̀傶مᛗ܈獌䵇䋊ኞ戔缏羊舣膚᫃璢懺糫䋊ᰂ懯㴟牧璢胍๚㬵ጱ䌕禂膚ᘏ牐 Supports dance training scholarship programmes, including "Teens of Colours" and "612 Mini Dancers", nurturing students aged 6 to 18 to explore dancing professionally.
膚᫃硽胍咳疻懯㴟cDance Education Development Plan 坌禅膏य़䌕现Ӿੜ䋊֢ݳ牧׀ኧचದૣک獺֢ጱ膚᫃抓纷牧盌ଧ侅蝱瑿ीے䋊ኞ䌘膚᫃ጱ藨Ꭳ牐 Works with universities, secondary and primary schools to bring dance into the campus through long-term cooperation, holding dance courses from basic technique to production creativity to gradually increase awareness of the art form.
22
檔狎紪 Ivan CHAN
磷疑ᐪ LEE Ka-ki
23
㻊̴䮉 QIAO Yang
̿उ૱吚դ膚᫃℄̀ฎ詂य़ࣳጱ吚դ膚℄牧Ӟො
City Contemporary Dance Festival (CCDF) is a major contemporary dance event in
ᶎݻ瑿薪唰珊糽猻纨ጱ膚᫃֢ߝ牧ݚӞොᶎݻ㾴
Hong Kong. It aims to present high quality dance pieces to local audience as well
褬禂ኴവՕ瑿现㫎窓膚᫃萬蔩疑牐ኧउ૱吚դ膚
as to introduce local and Asian dance artists to international presenters. Organised
᫃㿁 &&'& Ԇ旰牧Ḓ䌵̿उ૱吚դ膚᫃℄̀疥ෝ
by CCDC, the first CCDF will be held in Hong Kong from November 21 to 26,
ଙ ์ ᛗ ෭ࣁ詂膐ᤈ牐
2017.
उ૱吚դ膚᫃℄
City Contemporary Dance Festival 2017
蜱ଙ㫎窓ጱ膚᫃萬蔩咳疻猋ဳݑፓ牧̿उ૱吚դ膚
The development of dance in Asia has attracted much attention in recent years.
᫃℄ ̀疥犥䩚㫎傶Ԇ氂牧獉ኧ疻ᄍ现Ի窕
This year, CCDF will focus on East Asia, presenting the Hong Kong debut of world-
獋य़蟂獤奲౮牐疻ᄍጱṛᄤฎ覮㾴य़ᮕ吚դ膚᫃㿁
class dance troupes, Daegu Contemporary Dance Company from Korea and
现෭碝侤 1RLVP 膚㿁獋㮆㾴褬殸羷吚դ膚㿁Ḓ 稞 㬵 ᄍ ڊጱ 羊 ℄ ፓ牐&&'& 膏 蝡 獋 㮆 膚 㿁 ෝ
Noims1 from Niigata, Japan. CCDC and the two companies were first linked through the "Cultural City of East Asia" network established at the 1st Niigata
ଙ膐ᤈጱ̿碝侤㾴褬膚᫃℄̀ୌ缏ԧ̿䩚㫎
International Dance Festival in 2015. Through hosting dance festivals and touring
玕ԏ᮷̀癧ᄍ翕妏牧蝚螂我蝱ᤈ窼獈ጱ獺֢Ի
the three cities, the network aims to foster exchanges on creation and interaction
窕牧ी䔶ݱ瑿膚᫃㿁ጱ肥媒牐ӣ㿁疥肥ݶ玖Ղ襊㵕
between the troupes. Along with BeijingDance/LDTX, the three dance companies
ॠӥ匍դ膚㿁牧奲౮̿㫎窓ᆌ讨̀牧ฎ膚᫃℄᯿讨
form “Asian Focus” showcase – a highlight of City Contemporary Dance Festival
വՕԏ℄ፓ牐
2017.
Ḓ 稞 ࣁ 膐 ᤈ ጱ̿'DQFH ; 膚 ᫃ Ի 而 䨝 ̀ ฎ 禂 ኴ
"Dance X" dance art market will be hosted for the first time in Hong Kong. It is a
Ի窕妿涢牏ୌ缏肥媒牏矐懵萬蔩薪讨㪔樄ݢ֢ݳ
platform for exchanging experiences, networking, exploring artistic perspectives
胼ጱଘݣ牧蝚螂疻ᄍ牏Ꮈ懵牏ଷ藳牏獤Ձ缛ၚ㵕牧
and possible collaborations through a series of showcases, seminars, talks and
㶓肞㾴褬Ꭳݷ萬蔩℄ᒽ疻Ո牏ᄍڊ秚䯤牏萬戺Ո牏
sharing sessions, bringing together internationally renowned art festival curators,
䋊ᘏ膏萬蔩疑现獍唰ݶو㷢膏牐
organisers, critics, scholars and artists as well as the public.
̿'DQFH ;̀Ӿ磧傶藉ፓጱฎ妿螂ࢥଙ碻樌蠪衅现
The heart of “Dance X” will be the "East Asian Dance Platform" which has been
墯猋ጱ̿䩚㫎膚᫃ଘ̀ݣ牧ኧउ૱吚դ膚᫃℄肥蔺
in the works for four years. CCDF joins hand with SIDance (Seoul, Korea) and
覮㾴Ḓ凟㾴褬膚᫃℄ҁ6,'DQFH҂现෭秡倗㾴褬
Yokohama Dance Collection (Yokohama, Japan), two of most influential dance
膚 ᫃ ℄ҁ<RNRKDPD 'DQFH &ROOHFWLRQ҂ 奲 ౮ 翕
festivals in Asia. Focusing on the three East Asian countries – China, Korea and
妏牧犥䩚㫎ӣ㾴ҁӾ෭覮҂傶蚏讨牧വ㵕玟獉吚դ
Japan, the platform aims to enhance contemporary dance exchange within the
膚ጱ㵕牧碉ݳ玟獉虻რ犥ๅय़ጱ段ێ珅㾴褬
region and integrate resources to promote the art of dance in Asia to presenters
萬蔩ኴ䌘㫎窓膚᫃ጱ橕ဳ牐蝡㮆䐔碝ጱଘݣ疥斪窕
from around the world. This new platform will be held in turns at the three festivals.
ࣁӣ㮆萬蔩℄Ӥ膐ᤈ牧ྯଙ羊螡य़Ӿ苉瑿玟ҁ۱ೡ
Representative and experimental creations by contemporary dance groups and
獉瑿牏筏现ݣ傀҂牏覮㾴膏෭吚դ膚㿁犥现加
independent choreographers from the Greater China Region (including the
缏翥膚㮆䋿涢ጱ֢ߝ牧獨ٍ苉笴搡
Mainland, Hong Kong, Macau and Taiwan), Korea and Japan will be staged,
ጱଙ覇翥膚疑വ萃妔Ӯኴݱ瑿萬蔩秚䯤现ᒽ疻Ո牐
introducing works by talented and promising new choreographers to international presenters.
ๅग़℄ፓ托眐疥褢媲咳㬙牧藶倵薩 ZZZ FFGIHVWLYDO KN牐
Stay tuned for more festival programmes at www.ccdfestival.hk
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̿䩚㫎膚᫃ଘ̀ݣኧउ૱吚դ膚᫃℄肥蔺覮㾴Ḓ凟㾴褬膚᫃℄现෭秡倗㾴褬膚᫃℄牧犥䩚㫎ӣ㾴ҁӾ෭覮҂傶蚏讨奲౮翕妏牧犥വ㵕玟獉吚դ膚ጱ 㵕咳疻牐 CCDF joins hand with SIDance and Yokohama Dance Collection to form the "East Asian Dance Platform". Focusing on the three East Asian countries – China, Korea and Japan, the platform aims to enhance contemporary dance exchange and development within the region.
25
詂 Hong Kong
̿Ӟ蟂磪橕菕ේ螈ṛ姘瓼Ӟኞጱ裾缰膚 ֢牧֢ߝ䔶ᘒ磪ێ瑿疥膚᫃牏玀䁰现袅 猟ᣟݳ牧襖破Ոஞ牐̀ ̽ܖ苉䁭̾ “A powerful, full-length work based on the life of Shostakovich, combined dance with theatre and video to striking effect.” – South China Morning Post
殸苉Ո翥膚疑讝ၹ䌀膏᯿ᰁ羷膚ݣ玀ᄍ㹓磷椆窓Ӟ
Top Chinese choreographer Helen Lai and veteran stage actor Lee Chun-
ݶ薹䯤獮葍肥碻๗茐 ֢ ݷใ 疑 菕 ේ 螈 ṛ 姘 瓼 ᶪ ᒧ ੂ
chow decipher the music of Shostakovich together. Don’t miss out on the
嘨牐妿َ᯿伩牧排ݢ梊螂牦
return of this seminal classic!
吚դᶪ禼ጱضᤈᘏ菕ේ螈ṛ姘瓼ฎ禼䃧ጱ羊ᐟ覿ᤥ牧
Regarded as a music giant during the Soviet period, Russian composer
㶴螗蝽加ᘏݥॡጱ糈瞙现矎䢦牧Ӟज़樌ኧ猋ݑവ
Dmitri Shostakovich was a pioneer and spiritual leader of the music circle,
瘂ጱᶪ禼ኴৼ亥傶硰稗瓟ӥጱՈ࿆獍碊牧֕犢犋
giving voice to the revolutionary socialism at that time. Unfortunately,
ኚ๐ෝ䔶稗牧ࣁ窞禅ጱগ㶧蔭虡ӥ檚ॲ褞螉牧ࣁஃ
under Stalin’s orthodoxy, he became the enemy of the people and faced
盅ጱ֢ߝӾ㬙ӥӞ㮆㮆蘔承牧褲萢䌘硰လ瓟ጱ犋笕牏 harsh political persecution. Feigning compliance with the government, Shostakovich embedded his resentment and rebellion against the 篷瓺现玱ಯ牐
government into his music.
ℂ猋ݑ凗捍ጱ菕ේ螈ṛ姘瓼ࢧ䛂袅̽挨̾ڊ咳牧讝 ၹ 䌀 羌 ݳ膚 ᫃牏 ᶪ 禼牏 玀 䁰 现 襎 زᔰ牧 犥 ग़ 虋 ڊ
Inspired by Testimony , the controversial memoirs of Shostakovich, Helen
ጱ膚ݣ虡疥菕࿄禼ᒍጱ藠现匍䋿ጱ䵝蠐ૣওᣟ
Lai presents an unprecedented fusion of dance, music, moving image and
ݳ牐詂膚ݣ玀糫磧֯ካԆ薫磷椆窓ٚଶ砾姛ᄍڊ牧
theatre. The Hong Kong Drama Awards Best Actor Lee Chun-chow returns
Ӟ碻玕蛪ࣁኞၚ瓟ێӾዳ舚䟏ಎጱᶪ禼य़䒍牧Ӟ碻虋
to join in this pioneering dance theatre, playing the Russian composer,
蛪癩ܓڥ獨覄ୗ认粙Ӿጱ藦蘂薫ᜋ犥现节ॊ穉㫎執ӥ
Shakespeare's tragic characters as well as funny man in Chaplin’s slapstick
ጱ眈玀Ոᇔ牧绝矠ෝ襎牏膚ݣ牏蒅ଝ膏匍䋿ԏ樌牐
style of silent movies, weaving between dance, music and drama.
26
Ě˝ćŒ¨áĽşĚžçłˇčŠ‚áƒˆĚ˝â€ŤÜ–â€Źč‹‰ŕˇąä ̞螥傜 ŕŹ™Ô˛ŕĽ&#x;çŁ§ÖŻč†šáŤƒÖ˘ß?Ô?Ӟ牧㪔猛 糡 ŕŹ™čŠ‚áƒˆč†šáŤƒŕŹ™çłŤç‰?
Testimony was selected as one of the “2006 Top Five Dances� by South China Morning Post and received the Hong Kong Dance Award in 2007.
ŠRingo CHAN
čŽ?á šäŒ€ Helen LAI čŽ?á šäŒ€ĺ‚ś &&'& ç?şăż ๎㚓牧ŕˇ? á›— ŕŹ™ĺ‚ś &&'& áŒą
�‍ ڊ‏Performance
č?Źč”Šč€…硳牧 á›— ŕŹ™ŕš—ć¨Œç žçŠ¨ &&'& 洛㿠翼膚ç‰?ŮŒç?ş
ŕ¤‰ŕŤąĺ?šŐ¤č†šáŤƒăż &LW\ &RQWHPSRUDU\ 'DQFH &RPSDQ\
Ö˘â€ŤŘ˛â€Źá”°áŞœáŠźçŠ‹â€ŤŕˇˆÝśâ€ŹçŽ•çŽ°č?Źč”ŠčŚżŕ¤’ç‰§â€ŤŰ’â€ŹÓ¤çą†çœ˘ŕˇˆä‹Šç‰§ç?şÖ˘čŚ„眤çś? çšžç‰§áŠ§ŕźŠć—´â€ŤÜœŕĽ˘ÜœÚŠâ€Źç‰§áŠ§â€ŤÜœâ€Źĺ‡&#x;ĺ§˜č˜Šâ€ŤŕŤśÚŠâ€Źč† çœˆçŽ€ç‰?Ö˘ß?犚娞弞腞牧 ç?…çŹ•áśŞçŚźŕŻ”çŽ°çž çŽ€ŕŻ”ç‰§ŕŽƒŕŽƒčƒźçœ¤ăľ•ŐˆŕŽžç‰?ŮŒáŻżáĽ?Ö˘ß?ŰąŕłĄĚ˝Ôœ 稧̞ç‰?̽ชÔ?çş?Ěžç‰?̽褲ŕľŕ¤‰ŕŤąĚžç‰?Ě˝çŠ‡ŐˆŕŽžÔŞĚžç‰?Ě˝áś?޸Ղ çŽ€Ę’ÔœçŠŠŕŠ—çŽ˘Ěžç‰?Ě˝ç?şÓŽć‡żĚžç‰?Ě˝3OD]D ; č†?ĺ?–虋ᤋ螇̞ç‰?Ě˝2 â€ŤŘśâ€ŹáŠžç–‘ç˘˘ç¨´çŠœÔŞŐŻĚžç‰?Ě˝á‹ Őˆč—Żç“ľĚžç‰?Ě˝ćŒ¨áĽşĚžç‰?̽犇䨗̞ç‰?̽࿞
翼膚 Choreography
čŽ?á šäŒ€ +HOHQ /$, 粏螊á„?‍ ڊ‏Guest Appearance
磡椆窓 /(( &KXQ FKRZ
篷ջྩ̾ç‰?̽膚牌膚牍 膚 Ĺ?Ĺ?Ěžç‰?Ě˝ 捕 उ 懿 Ĺ„ 节 ჈ 爤 Ó¤ á š 爤 çš°
ăŹ™ŕ¸§çŽ°çą—â€ŤŘˇâ€Źćˆ”ć‡Ż Set and Lighting Design
çœ˘ç´‹ĚžçŽ°Ě˝ç–…ŕ¨żĚžçź›ç‰?čŽ?࿄糡糍篡ç˘?牧ฎĺ?šŐ¤čŠ‚áƒˆč†šáŤƒáŠ´ĺ“༩ç‰?
çš°ăž´ŕżž /HR &+(81*
Helen Lai was a founding member of CCDC, and was the
ŕš?č••ćˆ”ć‡Ż Costume Design
Artistic Director of the company
from 1985
to 1989 and
'DYLG 6+((.:$1
Resident Choreographer from 1991 to 2011. Lai’s works are
袅çŒ&#x;ćˆ”ć‡Ż Video Design
cross-cultural and multi-disciplinary. Fond
檔ŕ‹ŕ¨ž 7HUU\ &+$1
ideas
of literature, Lai’s
span Chinese classics, Kafka, Italo Calvino and Greek
tragedy,
creating
subtle, exquisite and moving dance. Her
major works include Nine Songs , The Rite of Spring , Invisible
Cities , Loose Pages from a Woman’s Diary , Revolutionary Pekinese Plaza
X,
Opera The
(Millennium Tragedy
of
Mix) , In Mr
the Beginning ,
O, The
Comedy
of
K , Testimony , Her Story, No End, Very Dance! , Tales of Two Cities – Hong Kong Shanghai Eileen Chang and Soledad . Her choreography has won her numerous awards, and has earned her a prominent reputation in the Hong Kong dance scene.
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čŒ§čŚ‡çŽ€á´şá„?č?ŹçšŁ Auditorium, Kwai Tsing Theatre $250
$180
$140
ćˆ”á„?ç›…č?ŹŐˆč—ł Meet-the-artist after performance
27
膚‍ ݣ‏Stage
茎㞴 Korea
ć‹œ ćœˆ 犏 爤 觀 蹥 ŠLEE Kyung-yoon
MOON-LOOKING DOG I SAW THE ELEPHANT
čŠ‚áƒˆá¸’á„? Hong Kong Premiere
çżĽč†šç–‘á ’ŕąŽÖšŕ¸ŽčŚŽăž´č†šäƒ§á’ŤÓžŐˆç‰§ć¨„ĺ’łăľ•
When it comes to contemporary dance scene in Korea, Hong Sung-yop should
Ö˘áŒąčƒźâ€ŤÝ˘ŰŽâ€Źč˜ŽçŻˇâ€ŤÝŚŮŒÚŠâ€Źç‰§ŕś˜čŁžč”čžˆŐˆč§Šç?‰
be the first name to remember. His ability to craft dance movement is described
ŕŽžç‰§č†šÖ˘çŞ•čŽ€ç›˝á?“牧࣠㞴褏膚‍ݣ‏ä?„çłˇŕž›çŚ›ç‰?
as unique. Together with his gift in expressing human introversion, his beautiful productions have brought him international awards.
á ’ŕąŽÖšç™˛čŚżŕĽ&#x;᎕ĺ?šŐ¤č†šáŤƒăż ç‰§á¸’ç¨žĺ‚śčŠ‚áƒˆ 薪唰癲㏾դč”Ö˘ß?Ě˝ŕł˜ŕšŒá‡ŚĚžçŽ°Ě˝č–Şč™ĄĚžç‰?
Hong Sung-yop leads Daegu Contemporary Dance Company (DCDC) to Hong
Ě˝ ŕł˜ ŕšŒ ᇌ Ěž ŕš‰ 糡 螊 㡢 ‍ Ű’â€ŹŕŹ™ ည ăž´ ᯞ ࡟
Kong with Moon-Looking Dog and I Saw the Elephant . Moon-Looking Dog was
č†šáŤƒćŤ•ŕŹ™ç–ťç‰§ç–¨ć†–Űąč• ŕŁ á?’ä¨?č›ŞçŠŠÓĽáŒąá?Ľ
invited to Lyon Dance Biennale of France in 2000, seeking the inner self within the
๯牪̽ č–Ş 虥 Ěž á?— 瞲 ÔŞ ᇔ ŕšœ ć?Ąç‰§ ྉ çşˆ 犼 ா 縄
modern identity; I Saw the Elephant questions the nature of thing, urging the reuse
薪ᆙč‹á‡”ç‰?‍Ý?‏á„?Óžä °ç‰§ĺĽžç˘?ĺ?šŐ¤ŕĽ&#x;čŚŽŕˇˆçŽ•
of mind’s eye. DCDC will visit Hong Kong for the first time, presenting the beauty
Ô?č …ç‰Ś
of contemporary Korean culture in a night!
膚㿠Օ弧 ŕĽ&#x;᎕ĺ?šŐ¤č†šáŤƒăż 傜茎㞴Ḓ㎆ĺŒ?դ膚㿠牧ŕŁ
The first public contemporary dance company in Korea, Daegu Contemporary Dance
ŕŹ™ŕąŽçź?ç‰§ŕžŻŕŹ™ç?şÖ˘ç?‹ăŽ†ç˘?Ö˘ß?牧㪔ŕŁ
Company was established in 1981. It produces two new creations every year,
�㞴‍ݹ‏瑿�㍎窓ޞ稨窓癧��‍ڊ‏�ᛔ
and tours around the country as well as the other countries in Asia and Europe. In
ŕŹ™ ŕšŒčš?ç‰§á ’ŕąŽÖšŕąŽĺ‚śá’Ťâ€ŤŮ…â€ŹçŠ¨č?Źč”Šč€…硳ç‰?
November 2014, Hong Sung-yop was appointed as its sixth Artistic Director. With its
膚㿠ä˘?çŁŞŕ˘Ľâ€ŤÜˆâ€ŹÔ˛â€ŤÝˇâ€ŹŕąŽăš“ç‰§ŕŁ â€Ť×?‏č?ąčŚŽăž´ĺŒ?Ő¤
45 members and high-quality works, the company has been significantly contributing
č†šáŤƒĺ’łç–ťŕˇœáśŽć?™çł˝č‡‘༚ç‰?
to the development of the contemporary dance scenes in Korea.
28
ĚżčƒƒčŞ˘ç‰?č†šç” ç‰?膚ಌĹ?Ĺ? ਠç?ŠčĽ–ç?ˇč–Şĺ”°ç‰ŚÍ€
“Body, dancing, technique... overpower the audience!�
茎㞴̽癗‍ܖ‏ŕˇä Ěž
á ’ŕąŽÖš HONG Sung-yop á ’ ๎ Öš ฎ 茎 ăž´ ĺ?š Ő¤ 膚 䃧 áŒą 茿 ć•Ž Őˆ ᇔç‰? 犢 茿 ç–Š 䌕 猂 膚 áŤƒ ăż Ěżč?ąč†šáŤƒçŽ€ä °Í€ŕĽšŕŹ™ç‰§ăŞ”çłˇčžŠç žçŠ¨čŚŽăž´ăž´ç–‘ĺ?šŐ¤č†šáŤƒăż áŒą
- Yeongnamilbo, Korea
�‍ ڊ‏Performance
ŕĽ&#x;᎕ĺ?šŐ¤č†šáŤƒăż 'DHJX &RQWHPSRUDU\ 'DQFH &RPSDQ\
č?Ź 蔊 者 硳ç‰? ㍎ 窓 膚 áŤƒ ç”› ăš“ ä¨? Ḓ äŒľ č‚Ľ ‍ ݳ‏Ԇ ŕŹ… 现 茎 ăž´ ăž´ 褏 ĺ?š
翼膚 Choreography
Ő¤ 膚 áŤƒ 犉 ć?´ č?Ź 蔊 者 硳ç‰? 犢 糡 糍 篡 ç˘?牧 Űą ೥ á’Ť ‍ ࢼ Üˆâ€ŹäŒľ 䊚 ㍎
á ’ŕąŽÖš +21* 6XQJ-\RS
č†šáŤƒçŠ‰ć?´ŕĽ&#x;糍ç‰?á’ŤÔŤäŒľçŹ čž¸ŕˇˆçŽ•çłŤç‰?Ḓĺ‡&#x;ăž´č¤Źč†šáŤƒâ„„ÔŤçź› 糍ç‰?č†šáŤƒč?Źč”ŠçłŤÔŤçź›çłŤç‰§çŠĽçŽ°čŚŽăž´ŕˇˆä‹Šăś§ä¨?磧Ů?ŕˇˆä‹ŠçłŤç‰? ŕŹ™ç‰§çŠ˘çłˇčžŠăˇ˘â€ŤŰ’â€Źá€Šăž´áŻžŕˇźč†šáŤƒćŤ•ŕŹ™ç–ťç‰§ŕąŽâ€ŤŰ‘â€ŹáŒÓ¤ç¨¨ 窓膚‍ݣ‏ç‰?
ᜪ猟 Music
ᰂ粏‍ ظ‏.,0 7H-NQ ŕš?č••ćˆ”ć‡Ż Costume Design
ŕš&#x;纨á‰? -22 +\R-VRRQ
Hong is a leading force of the Korea Contemporary Dance. He
çą—â€ŤŘˇâ€Źćˆ”ć‡Ż Lighting Design
has been leading the professional dance company "Dance Theater
ኊ伎ç°&#x; 6,1 6HRQJ-KZDQ
On" for many years and has served as an invited artistic director of the National Contemporary Dance Company, the first cochairman of the Asian Dance Committee and the Artistic Director of the Korea International Contemporary Dance Competition.
Hong won the 14th Dong-A Dance Competition Grand Prize, the
> ࡠ6XQ@ SP
2nd Hanbang Culture Prize, the Seoul International Dance Festival
čŒ§čŚ‡çŽ€á´şá„?č?ŹçšŁ Auditorium, Kwai Tsing Theatre
2nd Prize, the 2nd Prize of the Dance Art Prize, and the Korean Literary Association's most literary awards. In 2000, he was
$250
invited to the Lyon Dance Biennale of France and successfully led the European stage with a record of sold out.
$180
$140
ćˆ”á„?ç›…č?ŹŐˆč—ł Meet-the-artist after performance
29
膚‍ ݣ‏Stage
उ૱膚㵕 蛚匍㾴褬 dance wherever We Go ̿蝡ᗭ禅ԏ䌕禂牧ದૣṛ᩻牧蛪ಋӞ窕ጱଙ斕膚ᘏฎ 詂磧অጱ玕य़ֵ牐̀ 盓㾴̽ේ瑽ے粬䁭̾ “Thoroughly professional, the young, technically brilliant Hong Kong Chinese with highly efficient acrobatic skills are the best cultural ambassadors of their city.” Stuttgarter Zeitung, Germany
©CHEUNG Chi-Wai
&&'& ᛔ ଙ獺㿁犥㬵牧ᴻ膌ێ蕣֢ܻ獺℄ፓ牏 വ㵕硽胍膏क़疻ၚ㵕现ඪ瞱Ӿ㾴膚᫃咳疻懯㴟क़牧 㪔胆揗玕य़ֵጱ薫ᜋ牧ӣ܈獌ଙ㬵ग़稞糷螩դ蔭 詂㷢膏Ӯኴݱ瑿ጱ萬䃧ፐԪ牐
CCDC has always been one of Hong Kong’s leading performing arts companies since the Company was first founded in 1979. CCDC rallies the best of Chinese talent to create dance in the contemporary context of China. As a cultural ambassador for Hong Kong, we have toured to the world’s foremost dance stages and notable festivals over the past decades.
螂݄Ӟଙ牧膚㿁ض盅蚎我盓㾴ल凟螇ॢ牏筏窓ᴨ 盓苟盓牏覮㾴य़ᮕ牏泷㬵ᥜ㫎ݴᵇ࣠牏Ӿ㾴玖Ղ现 皞癥缛उ૱癧ᄍ㪔㷢膏ग़殻㾴褬Ի窕ၚ㵕牧۱ೡ膚 ᫃猟硯碸牏膚᫃籧牏拻ଷ牏य़䒍紑膏ૡ֢࣑缛牧 嘦缏詂膚᫃玕ෝ㾴褬ጱ加缏ਧ֖牧㪔ݻӮኴ疻 匍吚դ詂萬蔩覄諃ጱ加粬諅ێ牐
Last year, CCDC toured to Dusseldorf (Germany), Adelaide (Australia), Daegu (Korea), Kuala Lumpur (Malaysia), Beijing and Guangzhou (China) to share Hong Kong’s unique cultural identity and contemporary artistic soul. The Company reached out to international audiences through stage performances and a variety of cultural exchange activities, including dance video screenings, dance camps, seminars, master classes and workshops.
2017 ଙ膚㿁癧ᄍ෭纷牘 2017 CCDC Touring Schedule:
26.7.2017 玖Ղ膚᫃櫕蝰 2017 2017 Beijing Dance Festival
28-30.8.2017 犥ᜋڜ粬姘ॢ葍納ূ 爤 盓凟膚᫃Ӿஞ Suzanne Dellal Center, Tel Aviv, Israel
11.10.2017 覮㾴य़ᮕ现䩚㫎膚᫃℄ Daegu and East Asia Dance Festival, Korea
15.10.2017 ෭碝侤㾴褬膚᫃℄ 2017 Niigata International Dance Festival 2017, Japan
Ԇ旰秚䯤狒ኸๅ硬℄ፓ现癧ᄍ෭纷ጱ稗ڥ Programmes and touring schedule are subject to change
30
้ว斝 Terry TSANG
讝疑䌌 Bobo LAI
31
̿᪡໒̀膚᫃ग़ᶎ፶ Jumping Frames, A Multifaceted Dance Spectacle ̿᪡໒̀ݻ㬵膌ێ傶萬蔩疑ୌ缏Ӟ㮆ط傶甿Օጱ
Jumping Frames strives to establish a platform of creation through media
獺֢ଘݣ牧ๅ傶薪唰癲㬵膚᫃ࣁ膚ݣ犥क़ጱݚӞ憙
art and to offer a different perspective to seeing dance. The festival this
讨牐݄ଙጱم诸甛夹֢ߝ觓໒蜽吖牧吚Ӿ樄癷℄ፓ
year has commissioned six works in diverse styles: the opening work
讝 ਜ 墯 猋 妿 ଙ ጱ 夵 袅 粙̽ ካ ኞ 爤 硲 Ԫ ̾ ๅ ౮ 傶
Boy Story , a documentary by Maurice Lai is already the talking point of
Ӟ 碻 ֯ 扖牪 ᘒ 皞 癥 ጱ ֜ ٌ 现 ݣ玖 ጱ 缢 艏 蝚 螂
Hong Kong’s dance scene, while outstanding works by two participants
&&'& 膏ᥜԜ玕玟֢ݳጱ̽碝֢抷䃧物ط膚᫃̾ of "New Works Forum - Screendance ", He Ergao and Peng Hsiaoጱ䋿涢Ꭸ粙统瑻ᘒڊ牧̿᪡໒ٌ̀盅甛夹犢㮉獤獨
yin, develop from their original ideas to become longer pieces. This is
蕣֢膚᫃Ꭸ粙̽蝡ฎӞ㮆櫚䁰̾现̽腙茐Ոኞ̾牧 a Chicken Coop and Recycle Project respectively, these projects have 獋粙ࣁ㾴褬膚᫃猟℄ӾԽ覍ଉ喠ፓ牐
already received invitations to showcase at international dance film festivals.
犡 䌵̿ ᪡ ໒ ̀ 疥 Ԇ 氂 戔 ਧ 傶̿EHKLQG WKH VFHQH̀牧ᘒ犡ଙጱ甛夹蕣֢疥䨝肞ᆌ詂牧౯
The spotlight of this year’s Jumping Frames will be on “Behind the
㮉ጱ瑿疩ᄍ现膚᫃疑ጱՈԪ牧犥现膚ݣ胙盅ጱ
Scene", to bring to light stories of Hong Kong dance makers. They
圵圵珊匍补癷牐犡ଙጱ甛夹碝֢۱ೡ物
include:
̽獐ᆙ᪡̾Dance Hong Kong
̽ካኞ 爤 硲Ԫ̾Boy Story
讙箾璢 ݈ӞઊՈ 牏ᮍ犝牏ܓ籠现շਜ篇̽獐ᆙ᪡̾
战褷ᛥ̽ࣁᰀ̾
Dance Hong Kong
by Stanley WONG (aka Anothermountainman), featuring XING Liang, MUI Cheuk-yin and Yuri NG
Into The Wind
̽獐ᆙ᪡̾ฎӞ㮆妿裾๗葏衅ጱ膚᫃襎懯㴟牧ኧ茐ݷ憙憽獺֢Ո讙箾璢
ෝ̿᪡໒̀膐旰ԏ獮૪獺֢膚᫃猟ጱ加
݈ӞઊՈ 蝫奾ӣ֖膚᫃ኴጱ螈Ոঅ物ᮍ犝牏ܓ籠现շਜ篇牧Ӟ蚏蝱
缏疩ᄍ战褷ᛥ牧媣 ଙጱ̽珜ხ̾盅牧
ᤈ䷱磪膚ݣ牏䷱磪薪唰牏犋戔୵ୗኴ褖ጱ膚᫃䋿涢牐ӣՈ疥䨝ࣁ襎Ӿ獤
琲手樄ೌӞ蟂磪稧犋䨝᪡牧䨝᪡ጱ犋䨝ࠖጱ
獨獺֢ੜ碻䜗ᛔ૩ጱ膚᫃牧ӣՈ᯿碝矐ᔱ詂ጱՈ牏瑿牏ᇔ牧᯿碝咳
覍Ӟ膢ጱ稧膚粙牧獊粙አԲḒ稧㬵揢绝Ӟ㮆
匍膚᫃ጱ搡牧犥现ᛔ蒂犡ॠ詂蝡㮆उ૱ጱ圵圵牐
उ૱獉ጱਿ疖硲Ԫ牐
Dance Hong Kong is a dance challenge captured on film and developed
Independent film director Rita Hui started her film
from the long friendship between visual artist Stanley Wong, and Hong
experimentation in dance and movement before
by Rita HUI
Kong’s veteran dance makers - Xing Liang, Mui Cheuk-yin and Yuri Ng. The
she took part in Jumping Frames. Into The Wind
premises has no boundary: no stage, no form, no audience, its only aim is to
plays with the form of a musical but the scenes
rediscover the nature of dance and the city they love through explorations of
either featuring songs without dance or dance
people, space, objects to create something new that is half an hour long.
without singing, exploring stories of loneliness in
℄ፓ玀ᆙ茹咳ᤈ獍ֵٵرݪአ Photos are included by the distributors' permission.
32
a city.
̽腙茐Ոኞ̾Recycle Project ̽ࣁᰀ̾Into The Wind
讝ਜ̽ካኞ
Boy Story
爤 硲Ԫ̾ ҁ᪃҂
by Maurice LAI (Full version)
粙ℂշਜ篇 ଙಅ翥ጱ̽ካኞ̾癲
A documentary on the revival of Yuri Ng’s 1996 masterpiece
ڊӞ㮆橕ෝ泷㬵ᥜ㫎苉Ո膚ᘏ㬵詂疨
Boy Story by the original cast of Malaysian Chinese dancers.
瓵ጱ硲Ԫ牧ࣁ݄ଙḒ碸ጱ 獤楮粚搱
The 40-minute version released in the last edition of Jumping
Ո籆窲牧ᘒ犡ଙ珊糽ጱਠ碉粚疥癲य़疑ๅ
Frames moved audience to tears, we are excited to bring
窼獈藨蘷ྯ֖膚ᘏ牧犥现݄ଙ皈ݣ玖ጱᄍ
the complete version featuring in-depth interviews with each
ڊፐ丆牧ๅ缏誢瑿夵袅詂膚᫃ጱ螲稲
dancers, and additional footage of the revival’s performances
ݥ牐
in Taipei.
ᴻ種犥क़吚簁磪羊ஞᒽ㴟ጱᎨ粙㻌̽ز膚
Other than new creations, we handpicked Dance Shorts ,
Ꭸ̾牧犥现蜱๗犤Ոဳፓጱ膚᫃ᄍڊ
documentaries and outstanding performances which will be included
疩砮牧藶ੂ獥ኸ̿᪡໒̀磧碝窞௳牐
in this edition of Jumping Frames. Please stay tuned for more updates.
᪡໒㾴褬膚᫃猟℄ 2017
羊螡℄ፓ Selected Programme ূথ胙盅ጱካՈ
Jumping Frames International Dance Video Festival 2017
Strike a Pose
7-12.9.2017 ጯ聲㶓襎Ӿஞ 詂萬蔩Ӿஞ襎ᴺ Broadway Cinematheque, Hong Kong Arts Centre's Cinema
www.jumpingframes.com
CCDC č†šáŤƒÓžŕŽžć?´ćłˇä¨? č†šáŤƒŕŠœçŽ€ä °â„„á?“
ŠAerial Production
Programmes at Jockey Club Dance Theatre, CCDC Dance Centre Ԇ旰现蕣֢ Presented & Produced by
ŠCCDC Dance Centre
ă€Ščˆžé?’ DNA》 WuQing DNA
č†šáŤƒ ç–°ŕ¸ŽŕąŻăŽ‰áŒąŕ¤šŕ˘Š
Dance N Alive
Ěż 膚 áŤƒ 茇 ŕŹ™ Í€Ň č†š 茇 Ň‚ ฎ &&'& 膚 áŤƒ Óž ா ༚ ŕŹ™ ㏾
WuDaoQingNian(WDQN) features outstanding young dancers from
áŒąáŻżčŽ¨ć‡Żă´&#x;ç‰§ç’˘č¨…Ô§ÓžŐ¤áŒąč†šáŤƒŕŤĄÖ˘á˜?ç‰? ŕŹ™
the community. With the mission of "from the masses, to the masses",
čš?犋ŕŠ?ŕŹ™ć–•ŐˆŕŁ č?Ąć„ŠŐžâ€ŤÚŠâ€Źçą†á¤…č†?ŕżŞŕżœç‰§č??çŠŠč†šáŤƒáŒą
selected budding dancers receive a wide range of rigorous training and
ྉ伎ç‰?çŠ˘ăŽ‰ăŹľá›”çŠ‹â€ŤÝśâ€ŹáŒąčƒ™ŕ¸§ç‰§çŁŞčŒ?çŠ‹Óžä°ŹáŒąĺŚżç¨˛ç‰§
intensive rehearsals throughout the year. They share their achievement
֕蛪誢愊㜴ਂ磪á?˜â€ŤÝśâ€ŹáŒąč†šáŤƒŕ¤šŕ˘Šç‰?ç¨˛äŒľĚżč†ščŚ‡Í€â€ŤÚĄâ€Ź
with their community at the end of the programme.WuQing DNA is a
ć‰‹ŕ ´č‚¨ç‰§ŕ˛ç?ˆçżĽč†šáŒąç?şÖ˘ÓŽáŠ´ç‰§ŕ˛ŠăŽ†ŐˆáŒąÖ˘ß?ç †â€ŤÚŠâ€Ź
platform dedicated to WDQN members who wants to try their hand at
çŽ€ä °ć„Šç–ťá„?ç‰?çŠĽč†šáŤƒäŻ¤ŕąŽçŠ˘ăŽ‰áŒąáŠžá šç‰§ŕ˛ŠáŠžá šáŁ&#x;ç?ˆ
choreography for the first time. Coming from different backgrounds and
č†šáŤƒÔ?Óžç‰?
heading into different futures, they share the same DNA under WDQN!
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翼膚 &KRUHRJUDSK\
Öœá… ŕŻ‘ -R\FLQH +2 莙ภణ ,ULV :21*
$80Ň ă´&#x;Ӟ祊ć?˛ )L[HG 3ULFHŇ‚ 槚çş?ç–Ľŕˇ? čš?ŕˇ? &&'& č†šáŤƒÓžŕŽžç??ć¨„ĺ’łŕ “ Tickets available at CCDC Dance Centre from 1.3.2017 onwards
çžščŒščŠ‚áƒˆá„?č?Źä‹Šá´şçž™â€ŤŮľâ€Źăˇ˘č†?č•ŁÖ˘ %\ NLQG SHUPLVVLRQ RI +.$3$
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çŠšč œŕˇ?çžťč œá°‚č?ˆç‰?窞ć?˛Ô†ĺŹ?áŒąŕĽ&#x;産猟疑Ӟá?—Ő â€ŤŕŁ Ý‘â€ŹÓ¤çŞ•á?’ä¨?Óžç şç&#x;’稗‍ێ‏牧
ă€Œçœ&#x;柔出ă€?çłťĺˆ— ─
çť—á’Œâ€ŤÝšâ€ŹÓžčž˛ä“Šŕ˛Żĺ‡—á˜?áŒąč‚¨áśŞçŁŞáŠ ăť&#x;牍Ӟ犚á?ĄçŠ˛ŕ´‡č›Şá˜’â€ŤÚŠâ€Źĺ‚śŕż†ŕŹ˜çŽąáŒąăŻ”ŕ˛Żĺ‡—
《大 娛 大 慞 》 REAL Showcase 2017 – Happily Forgotten
á˜?ÝˆçŠ¤ŐˆćŤžç?¤á?ĽăŻ”牧稗ć?Ťć¨Œâ€ŤŰŽâ€ŹĺĽžčˆ”ÓŹç‰§ćŠ‘Ýˆâ€ŤÝ˘â€ŹçŠĽá?ĄçŤƒá?’ä¨?Ó¤áŒąá?Ľá?Ľâ€ŤŘƒŘƒâ€Źç‰Ť ŕŹ™čŚ‡çżĽč†šç–‘ćŞ”éŒŒçŚ‚ç–Ľç™˛č–Şĺ”°ŕ˛ç?ˆč?ĄăŽ†ŕĽ&#x;産ŕĽ&#x;ç?†áŒąç˘ťŐ¤Ô?Óžç‰? In today’s society, the entrepeneur enjoys controlling power and all the entertainment and diversions available. But, can those lower down the chain protest and voice their needs? Somebody steps out and pretends to be a representative of the people, but are they really helping the poor? Who can see the reality of our society? What is truth? Who is lying? Young choreographer Chan Wing-yip leads a journey through an extravagant but hypocritical time. 翼膚 &KRUHRJUDSK\
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$100Ň ă´&#x;Ӟ祊ć?˛ )L[HG 3ULFHŇ‚ 槚çş?ç–Ľŕˇ? čš?ŕˇ? &&'& č†šáŤƒÓžŕŽžç??ć¨„ĺ’łŕ “ Tickets available at CCDC Dance Centre from 24.5.2017 onwards ඪ羱 Supported by čŠ‚áƒˆč†šáŤƒč‚Ľá?‘ Hong Kong Dance Alliance čž‚ŕŽƒá„?‍ ڊ‏Archieve: http://www.ccdc.com.hk/zh/site/p/217 Š č&#x;žÓŽâ€ŤŰžâ€Ź
ŠSteve LI@June's Production
ă€ŠäşŒĺťśéŤ”ă€‹ 2nd Stage Ö˘ĺ‚śŕšœç‘żč†šáŤƒç?şÖ˘áŒąç&#x;ťç˝?牧&&'& č†šáŤƒÓžŕŽžŕ´ľâ€ŤÚŠâ€Źč†š
As the cradle of local dance creation, CCDC Dance Centre introduces
áŤƒçš¤ĺŞ˛ç?şÖ˘ŕŹ˜â€ŤÝŁâ€ŹĘ’Ę’Ě˝ÔŤçš¤čŞ˘Ěžç‰§ĺ‚śŕš‰ĺŚżĺ’łč”čž‚áŒą
2nd Stage , a creative platform to develop existing works. This is a 2nd
č†šáŤƒáŽ¨çź°Ö˘ß?‍ے‏犼玑獪牧㪔ྉ‍׀‏Ӟ㎆皤Ö?ç?şÖ˘áŒąç§š
chance for dance pieces which have already been performed to continue
ä¨?ç‰§çŠ¤ŮŒÖ˘ß?ŕŽ‘çŠĽŕąŽčŁžç‰Şâ€ŤÝśâ€Źç˘ťč™?ŕšœç‘żáŒąč†šáŤƒç?şÖ˘čŠ˘
its journey, an exploration of potentials and creativity. It is also a golden
čˆŁç‰§ŮšÓžç¨žč†?á›”ŕŤŠáŒąÖ˘ß?äŒ˜ć‰–ç‰§çŞźçŽ•çŽ°çš¤ç–ťçŠ˘ăŽ‰áŒą
opportunity for local young artists to review their work, to deepen and
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extend their creation.
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$100Ň ă´&#x;Ӟ祊ć?˛ )L[HG 3ULFHŇ‚ 槚çş?ç–Ľŕˇ? čš?ŕˇ? &&'& č†šáŤƒÓžŕŽžç??ć¨„ĺ’łŕ “ Tickets available at CCDC Dance Centre from 16.8.2017 onwards
ŕš…ŕĽšć‰˜çœ? More Details牊http://www.ccdc.com.hk/zh/site/p/328 çş?率现℄á?“礚扇 )RU WLFNHWLQJ DQG SURJUDPPH HQTXLULHV牊
2328 9205 / dc@ccdc.com.hk
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CCDC čˆžčšˆä¸ĺżƒ
ĺ°ˆć‰?ĺ&#x;šč¨“č¨ˆĺŠƒ CCDC Dance Centre Talent Development Programmes
612 ćœŞ äž†čˆž 壍 612 Mini Dancers äŒ˜č™Ąç‰Š 侇 č?ščž‚čž?čžĄć‰‹ç‰§ĺ‚śçŁŞŕŽŞŕˇ?č†šáŤƒč?Źč”Šĺ’łç–ťáŒąŕŠœä‹ŠáŠžŕ˛‘ŕŚ… च器ç‰?ŕľ‰â€ŤÜ‹â€Źč†šáŤƒŕ˛ŚŕŤŁçŽ°č”á„?çŹ´čƒźç‰§ăŞ”ăˇ˘č†?ç??樄á„?‍ڊ‏ ç–ťçşˆä‹Šč œŕąŽŕşŽç‰? For Aged 6-12 The programme helps students enhance their abilities in dancing and performing and provide a solid foundation for their future development in dance. 612 Mini Dancers are invited to participate in public performance.
彊色é?’ć˜Ľ Teens of Colour
äŒ˜č™Ąç‰Š 侇 äŒ•ĺ‚śÓžä‹ŠáŠžá˜’ćˆ”ç‰§čĄ˛ŕ°şç’˘čƒ?ŕššăŹľč†šá˜?牧č?ščž‚ŕžŻŕŹ™áŒą čž?螥手牧೴螥䋊㚓牧ç&#x;‘â€ŤÝ‘â€Źĺ‚śŕš—â€ŤÜˆâ€ŹăŽ†ŕšŒáŒąáš›çžˇč”á„?懺 娞牧㪔㡢č†?ŕšœÓžŕŽžÔ?ç??樄á„?‍ڊ‏ç‰? For Aged 13-18 Aims at nurturing teenagers with dance potential to become future dance artists. Through a strenuous audition each year, young dancers are selected to attend a series of effective, systematic and creative dance training and perform at the public showcase at CCDC Dance Centre.
ŠAerial Production
äŒ˜č™Ąç‰Š 侇 ç??ć¨„ŕł—çŽ‰č†šáŤƒčŠ˘čˆŁç‰§ŕ´ŚçŠĽŕĽšâ€ŤŘ˛â€ŹçŽ•áŒąç‘ĽćŒ˜çŽ°ŕŠ‚č¤¸ŕ—ć‡şĺ¨žç‰§çŠĽŕŹ˜ â€ŤÝŁâ€Źč†šáŤƒáŒąŕľŕ—ç–ťçşˆŕąŽŕşŽç‰§ŕ˛Šč?Źč”Šç™˛ŕ˘§á?’çŽ&#x;ç‰? For Aged 16-27 A handpicked selection of outstanding young dancers from the community, they receive a wide range of rigorous training and intensive rehearsals throughout the year. Their extraordinary achievement is showcased to the community through podium shows.
䌕ŕ˛?璢懺懯ă´&#x;ć‰˜çœ? Details of Talent Development Programmes:
http://www.ccdc.com.hk/zh/site/p/166
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čˆžčšˆé?’ĺš´ Wu Dao Qing Nian
ŠAerial Production
CCDC čˆžčšˆä¸ĺżƒ
ĺ¤–ĺą•č¨ˆĺŠƒćź”ĺ‡şé ?ĺ‘Š CCDC Dance Centre Upcoming Outreach Programmes ăť›áœ‹ç‘źĚżč†šč›šçŻˇçŚ…Í€ ĺŒ?դ膚璢懺懯ă´&#x;弞猂á„?‍ ڊ‏ Modern Dance Animateur Scheme of Sik Sik Yuen Schools: Finale Performance
ŠAerial Production
á„?â€ŤÚŠâ€Źä‹ŠŕťŠç‰Šăť›áœ‹ç‘źç—€ÓĽÔ?ç?Œć¨ŒÓžŕŠœä‹Š Performing Schools: Eight secondary and primary schools under Sik Sik Yuen
> ࡠ6XQ@ SP ઉ槚ŕĽ&#x;ä¨?ç’¤á„?༾皣 Auditorium, Tuen Mun Town Hall
ĺŒ?դ膚䋿擅懯ă´&#x; 弞猂á„?‍ڊ‏ Ě˝č†šâ€ŤÚŠâ€ŹĺłŒćŞšŕĽ Ô?襼á?˛çˆ¤č›ŞčŞ˘ăś“Ěž Modern Dance In Practice Project 2016/17: Finale Performance Dancing in the Sun 2017: Jubilee Celebration á„?â€ŤÚŠâ€Źä‹ŠŕťŠç‰Šăˇ˘č†?ኧçš?çŚźçŽ°ŕˇˆçŽ•ÔŞçŽ‡á—&#x;Ԇ旰 ĚżĺŒ?դ膚䋿擅懯ă´&#x; Í€Ô?â€ŤÜˆâ€ŹÔŤć¨ŒÓžŕŠœä‹Š Performing Schools : Twelve secondary and primary schools participating in the 2016/17 School Performing Arts in Practice Scheme by Leisure and Cultural Services Department
> ࡠ6XQ@ SP SP čŒ§čŚ‡çŽ€á´şá„?č?ŹçšŁ Auditorium, Kwai Tsing Theatre
ŕšœć‡Żă´&#x;áŠ§ŕ¤‰ŕŤąĺ?šŐ¤č†šáŤƒăż ྉ‍׀‏ 穥ඪ羱çš?çŚźçŽ°ŕˇˆçŽ•ÔŞçŽ‡á—&#x;Ԇ旰Ô? Ěż ŕŹ™ŕŹśä‹ŠŕťŠá„?č?Źä‹żć“…懯ă´&#x;Í€ * Project offered by City Contemporary Dance Company in support of the 2016/17 School Performing Arts in Practice Scheme
ä‹ŠŕťŠč†šáŤƒč?Źč”Šá‘€ ç–Ľč†šáŤƒç™˛ç?ˆä‹ŠŕťŠ School Curriculum Introduce dance arts into school curriculum ĺ‚śä‹ŠŕťŠá’˝ă´&#x;çŽ°çżĽäŒƒçĄ˝ç¤Żç‰§ŕŹśč›Şć‡Şč?¨ç?¸ĺ’łç?şŕ°şçŽ°ăż č¤§â€ŤÖ˘Ýłâ€ŹáŒąč†šáŤƒćŠ“ 纡ç‰?áŠ§ŕ¤šŕšœŕ˛ŚŕŤŁâ€ŤÚŠâ€Źç?şÖ˘ç‰§ç›ŒŕŹ§äž…č?ąç‘żäƒ€â€ŤŰ’â€Źä‹ŠáŠžäŒ˜č†šáŤƒáŒąč—¨áŽŁçŽ° 岉蚕ç‰? Design specific dance course for schools according to their needs. From basic skills to creative dance, it helps increase students’ awareness and interest of the art form. ŕš…ŕĽšć‰˜çœ? More details
http://www.ccdc.com.hk/zh/site/p/160 礚扇 Enquiry
2328 9205 / dc@ccdc.com.hk
ŠGerald
CITY CONTEMPORARY DANCE LAUREATE AWARD 「 城 市 當 代 舞 蹈 達 人 獎 項」
उ ૱ 吚 դ 膚 ᫃ 㿁ҁ&&'&҂ ᛔ ଙ ౮ 缏 犥 㬵牧 覿 詂 吚դ膚荲ۡ咳疻牧憎挨吚դ膚ጱ౮裾牐膚㿁ग़ଙ㬵ᴻԧ 㿁獉౮㹓现萬蔩疑ጱ认认՞ڊ牧Խ茹犋ݶ覿ऒՈॊݶو 傶膚㿁咳疻֢ێۘڊ牐傶蔭䟴螂݄Ӟଙ傶詂吚դ膚֢ڊ
Founded in 1979, City Contemporary Dance Company (CCDC) is a key player and witness of the vigorous development of contemporary dance in Hong Kong. As such the Company set up the “City Contemporary Dance Laureate” in 2016 to recognise individuals who made significant contributions to contemporary dance in Hong Kong in the previous year.
揙糽ጱՈॊ牧&&'& ෝ ଙ蚏戔缏̿उ૱吚դ膚᫃螈
Nominees can be of any nationality and from any territory, and from
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diverse backgrounds including creativity and production, education,
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publicity and promotion, and sponsorship of cultural exchanges.
Ո ኧ &&'& ౮ 㹓 ݷ牧 㪔 糷 膚 㿁 茙 Ԫ 䨝 ໐ ٵ毈 咳牐 ݄ ଙ 糷螡ڊጱӣ֖̿螈Ո̀牧獤獨ෝ玕Ի窕牏膚᫃戺抷现膚 ݣ戔懯ොᶎ揙糽臑ग़牧犢㮉ฎ物ᥜԜ玕玟ᓕቘੴ萬蔩咳
Candidates are nominated by CCDC members and approved by the Company’s board of directors. In 2016, three Laureates are selected for their contribution in cultural exchange, dance criticism and stage design: Ms Anna Chan, Head of Artistic Development (Dance), West Kowloon
疻Ԇᓕҁ膚᫃҂檔毂紱穇ॊ牏虻窼萬戺Ո၎祹穇ॊ犥现籗
Cultural District Authority; art critic Ms Natalia Chan (Lok Fung); and
ط戔懯䒍磷ฬ狰ضኞ牐
lighting designer Mr Lee Chi-wai.
̿ उ૱吚դ膚᫃螈Ո̀糫ᘏ物ᥜԜ玕玟ᓕቘੴ萬蔩咳疻Ԇᓕҁ膚᫃҂檔毂紱穇ॊ牏 虻窼萬戺Ո၎祹穇ॊ现籗ط戔懯䒍磷ฬ狰ضኞ牐ҁᒫԫᤈૢم蚏҂ 2016 City Contemporary Dance Laureates: Ms Anna Chan, Head of Artistic Development (Dance), West Kowloon Cultural District Authority; art critic Ms Natalia Chan (Lok Fung) and lighting designer Mr Lee Chi-wai. (Second row, from the sixth person on the left)
̿ उ૱吚դ膚᫃螈Ո̀毈糫因
"City Contemporary Dance Laureate 2017" Award Presentation Ceremony
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詂玕Ӿஞᄍ萬य़䰠ࢥ䰠य़璤 4/F Foyer, Auditoria Building, Hong Kong Cultural Centre
磪橕̿ उ૱吚դ膚᫃螈Ո̀糫殻现糫ᘏݷ㻌牧藶ኸ物 For the result of City Contemporary Dance Laureate Award 2017, please stay tuned:
www.ccdc.com.hk CCDCउ૱吚դ膚᫃㿁
礚扇 Enquiries物 2329
7803 / info@ccdc.com.hk
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變ቤ㱾 Natalie MAK
禼Ꭳ要 Shirley LOK
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挹竔秌 Malvina TAM