CCDC 2015 舞季特刊 Season Brochure

5 1 0 2 台上熾熱，薪火相傳 台前技巧高超•課堂悉心培育 課堂悉心 The stage alight, the torch passed Perfection in performance, practice in class 舞者 Dancer•導師 Tutor 譚渼樺

林詠茵

龐智筠

Kelvin Mak

Noel Pong g

Malvina Tam

ggy Lam Peggy

麥卓鴻

李家祺

黃狄文

樂知靄

黃振邦

Lee Ka-ki

Dominic Wongg

Shirleyy Lok

Bruce Wongg

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請登入 Please visit: www.ccdcdc.com.hk 電郵 Email: dc-course@ccdc.com.hk 上課地點 Venue: 九龍黃大仙沙田坳道110號地下至三樓 G/F to 3/F, 110 Shatin Pass Road, Wong Tai Sin, Kowloon 加入群組 Join us: www.facebook.com/ccdc.dance.centre 查詢 Enquiries: 2328 9205

02 03 04 07 08 14 18 23 27 28 30 33 36 40 42 44 46 指定刊物 Official Magazine

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立足本地，開拓藝術視野 A Uniquely Hong Kong Artistic Vision 關於城市當代舞蹈團 About CCDC 星級駐團編舞桑吉加 Star Choreographer Sang Jijia - CCDC’s Resident Choreographer CCDC願景 Vision 《生日快樂?》Happy Birthday? 《365種係定唔係東方主義》365 Ways of Doing and Undoing Orientalism 《發現號》Eureka 訂票指南 Booking Guide 頂尖舞者 The A Team!

Dance Generation 《孤寂》Soledad 專訪黎海寧及彼得小話 A Conversation with Helen Lai and Peter Suart 《舞人習作2016》2016 Dancers’ Homework 跳格一大步 Jumping Frames: A Leap Forward 舞蹈界的生命之花 The Cycle of Dance, the Flower of Life 《MeMe》由零歲開始享受舞動 MeMe: Dance Starts from Zero CCDC海外巡演 Overseas Tours

出版 Published by

編輯組 Editorial Team

城市當代舞蹈團有限公司 City Contemporary Dance Company Limited

李敏儀 Miranda Li

陳德昌 Ringo Chan

黃沛傑 Danny Wong

(除另有註明外 Unless otherwise specified)

主編 Chief Editor

劉寶軒 Xanthe Lau

封面 Cover

陳依婷 Jaye Chan

李慧妍 Amy Lee

麥琬兒 Natalie Mak 曾景輝 Terry Tsang

英文編輯 English Editing

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設計 Design

張菁 Gigi Chang

林凱靜 Jessica Lam

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城市當代舞蹈團 City Contemporary Dance Company (CCDC)

CCDC舞蹈中心 CCDC Dance Centre

香港九龍新蒲崗大有街26至28號11樓 11/F, 26-28 Tai Yau Street, San Po Kong, Kowloon, Hong Kong 電話 Tel：(852) 2329 7803 傳真 Fax：(852) 2351 4199 電郵 Email：info@ccdc.com.hk 網頁 Website：www.ccdc.com.hk

香港九龍黃大仙沙田坳道110號地下 G/F, 110 Shatin Pass Road, Wong Tai Sin, Kowloon, Hong Kong 電話 Tel：(852) 2328 9205 傳真 Fax：(852) 2326 0220 / 2242 2363 一般查詢 General Enquiries：dc@ccdc.com.hk 課程查詢 Dance Courses Enquiries：dc-course@ccdc.com.hk

城市當代舞蹈團由香港特別行政區政府資助 CCDC is financially supported by the Government of the Hong Kong Special Administrative Region © 2015 城市當代舞蹈團版權所有 CCDC All Rights Reserved

藝術總監的話 Message from the Artistic Director

立足本地， 開拓藝術視野

© Conrado Dy-Liacco

A Uniquely Hong Kong Artistic Vision 香港在回歸之後，政治生態和社會氛圍有很大變 化，年青一代的香港人在想什麼？感受到什麼？ 領悟到什麼？現代舞有趣的地方，就是不以語言 詮釋，卻用最直接的身體，表達許多連編舞家本 人都沒有察覺的、隱藏於心底的思想、感情和意 識。作為立足香港、匯聚華人菁英的專業現代舞 團，CCDC自上世紀七十年代起，已帶來屬於香 港本土的舞蹈創作，至今的第三十六個年頭，仍 然為觀眾呈獻反映時代特徵的舞碼，各位可以從 中輕鬆品嘗，並體會香港年青自由而豐富多元的 創作狀態。 2

CCDC 將帶給大家創作力量澎湃的舞季：四月 由舞團資深舞者龐智筠別開生面的新作《生日快 樂？》開展序幕；六月份將重現由我與邢亮、桑吉 加多年前合創的《365種係定唔係東方主義》；九 月請來馮樂恆、黎德威和黃振邦三位本地舞壇三 十而立的男編舞在《發現號》中發表全新短篇，十 二月邀得黎海寧與彼得小話以文學經典百年孤寂 為靈感打造的長篇舞蹈劇場《孤寂》。此外，舞團 亦重新在CCDC舞蹈中心賽馬會舞蹈小劇場建立 《舞人習作》創作平台，讓七位舞團的年輕舞者 們爆發創作力！ 除了本地演出，舞團今年將赴北京、廣州、台北和 日本新潟演出，亦透過「中國舞蹈發展計劃」合辦 北京舞蹈雙周及廣東現代舞周，我們希望讓外地 觀眾知道，小小的一個香港在現代舞方面有非常 蓬勃的發展，而通過邀請香港年青舞蹈家們參加 舞蹈周的演出，更讓他們在整個大中華地區拓展

emotions and levels of consciousness that are hidden deep in our heart, unknown even to the choreographers themselves. As a Hong Kong-based professional dance company that brings together the best Chinese talent to create contemporary dance, CCDC has created works that belong to the city's unique culture since the 1970s.

Entering our 36th year, we continue to bring audiences programmes that reflect the zeitgeist, demonstrating the youthful, diverse and innovative spirit of Hong Kong.

CCDC brings you an exciting lineup of original productions this year! In April, we present Happy Birthday? by our experienced dancer Noel Pong. In June, don’t miss the revival of our highly popular repertoire 365 Ways of Doing and Undoing Orientalism, jointly created by Xing Liang, Sang Jijia and myself. In September, we invite three mid-career dancemakers, Victor Fung, Lai Tak-wai and Bruce Wong, to demonstrate their thoughts in the new work series Eureka. In December, we proudly present a brand new work, Soledad, a collaboration by celebrated choreographer Helen Lai and illustrator and composer Peter Suart. A new wave of creativity is also coming to the CCDC Dance Centre Jockey Club Dance Theatre next year: 2016 Dancers’ Homework.

Apart from our local season, CCDC tours to Beijing, Guangzhou, Taipei and Niigata, Japan. We'll also co-present the Beijing Dance Festival and Guangdong Dance Festival under our "China Dance Development Programme". By presenting young and emerging choreographers' works in Greater China Region, audience will better understand that though Hong Kong is small, we have a vibrant contemporary dance scene.

出一片新天。

After the Handover, Hong Kong's political ecology and social atmosphere changed. What's in the mind of Hong Kong's young generations now? What do they feel? What do they understand? What's fascinating about contemporary dance is that it requires no linguistic interpretation; it uses the most direct expression of the body, revealing ideas,

城市當代舞蹈團創辦人及藝術總監 CCDC Founder and Artistic Director 曹誠淵 WILLY TSAO

THE ARTISTIC SOUL OF CONTEMPORARY HONG KONG ㄧㄧSouth China Morning Post, Hong Kong

ㄧㄧ 香港《南華早報》 城 市 當 代 舞 蹈 團

City Contemporary Dance Company (CCDC) 城市當代舞蹈團是香港首個全職專業當代舞團，於1979年由曹誠淵創立，以體現香港當代文化及推動 當代舞蹈發展為宗旨。三十六年來，舞團保留了超過二百齣本土編舞家的完整舞碼，包括曹誠淵、黎 海寧、梅卓燕、潘少輝及伍宇烈等作品，也經常與其他媒介藝術家合作，展現多元化的香港文化特色。 每年演出逾六十多場，參與人數超過五萬人次。 自1980 年以來，舞團開展頻密的國際文化交流活動，先後代表香港在美洲、歐洲、澳洲及亞洲共三 十多個主要城市，包括洛杉磯、紐約、華盛頓、三藩市、蒙特里爾、悉尼、布里斯本、奧斯陸、哥本哈 根、倫敦、巴黎、里昂、柏林、慕尼黑、斯圖加特、布拉格、羅馬、佛羅倫斯、羅韋雷托、卡米爾（以色

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列）、聖彼德堡、莫斯科、孟買、德里、烏魯木齊、北京、上海、西寧、馬尼拉、東京、首爾、釜山、新加 坡及台北等進行了二百三十五場海外演出，備受國際藝壇重視。 除了「立足香港、匯聚華人菁英、創造當代中國舞蹈」的藝術路線之外，舞團也積極推動舞蹈教育工 作，於2004 年成立CCDC舞蹈中心，繼續發揚以往的舞蹈教育、外展計劃、社區表演及藝術推廣等工 作。每年提供四十多場的外展表演，以及現代舞、芭蕾舞、爵士舞及中國舞等不同類型的舞蹈訓練，受 眾超過四萬人。自1998 年開始，舞團在國內推行「中國舞蹈發展計劃」，為國內正在萌芽的現代舞團 體提供行政與技術支援，並於內地與北京雷動天下現代舞團及廣東現代舞團合辦多個極具影響力的 現代舞節，鼓勵內地新晉舞蹈家進行探索性創作。 For 35 years under the leadership of Founder and Artistic Director Willy Tsao, City Contemporary Dance Company has inspired and excited audiences – not only in Hong Kong but also around the world – performing superb contemporary dance pieces. Founded in 1979, CCDC has presented more than 200 original works to critical acclaim, including productions

by Tsao and other leading choreographers, such as Helen Lai, Mui Cheuk-yin, Pun Siu-fai and Yuri Ng. CCDC has also presented innovative collaborations with outstanding artists from other media and with artists from around the world.

CCDC is renowned for reflecting the vigour and creativity of Hong Kong’s vibrant, multifaceted contemporary culture, presenting dance works to an audience of more than 50,000 people annually. It has represented Hong Kong, receiving 235 overseas invitations to perform on some of the world’s foremost dance stages and at festivals in over 30 major cities: including Los Angeles, New York, Washington DC, San Francisco, Montreal, Sydney, Brisbane, Oslo, Copenhagen, London, Paris, Lyon, Berlin, Munich, Stuttgart, Prague, Rome, Florence, Rovereto, Karmiel (Israel), St Petersburg, Moscow, Mumbai, Delhi, Urumqi, Beijing, Shanghai, Xining, Manila, Tokyo, Seoul, Busan, Singapore and Taipei.

© Cheung Chi-wai

CCDC’s commitment to education and development results in around 40 outreach performances annually, offering highly popular dance courses to more than 40,000 students and audience members. CCDC also helps to organise dance festivals in Mainland China. Since 1998, through its China Dance Development Programme, it has provided administrative and technical support to emerging Hong Kong and Mainland Chinese artists. The opening of CCDC Dance Centre in 2004 has given young artists, students and the community facilities and programmes that ensure the ongoing development of dance as a vital artistic pursuit in Hong Kong.

© Ma Chi-cheng

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新一季，CCDC歡迎桑吉加重返舞團成為駐團編舞！ 出生於甘肅藏區的桑吉加，朋友都暱稱他「桑巴」。桑巴舞技精湛，其編創的舞作能量澎湃，對舞者 條件要求甚高，舞蹈語彙別樹一格，為人稱道。他的當代舞演出及編舞作品享譽歐亞舞壇，但原來 桑巴最初在北京中央民族大學修習的是民族歌舞，而令他轉投當代舞世界的機緣，是1991年首次 看廣東實驗現代舞團（廣東現代舞團前身，簡稱GMDC）的演出，他立刻給當代舞自由、隨心所欲的

風格所震懾，畢業後毅然決定南下加入GMDC，六年後來港加入CCDC當專業舞者，自此展開他向

國際舞蹈界進發的路。 回到CCDC大家庭，由舞者變成駐團編舞，桑巴表示心裡有一種不一樣的感覺，「我跟Willy（CCDC 藝術總監曹誠淵）相識二十五年以上了，大家繼續在這個團合作，有很多想法和期望，但這些東西 需要慢慢呈現吧！」對於未來的創作方向，他說：「我正值不惑之年，肯定對人生有些感受，也會 帶來（創作上的）轉變，但到底是甚麼轉變呢？我個人崇尚自然，盡量考慮此時此刻的東西，活在當 下，所以不會作出太多的預期。」桑巴直言編舞方式都會因應舞者和他們的工作態度而改變，「團隊 力量是最重要的！希望我能給 CCDC帶來團隊精神，這對於舞團和我都是不可或缺的。」 去年CCDC重演了由他與實驗音樂家Dickson Dee及錄像設計師楊振業共同創作的《那一年．這一 天》，並赴意大利佛羅倫斯參與法比加藝術節，好評如潮，據說更是該藝術節歷年來最賣座的當代 舞演出。今年，桑巴將再一次與舞團巡演《那一年．這一天》，下一站是日本新潟，秋天將前往台北， 參與「香港週」。此外，CCDC亦將重新排演桑巴聯合編舞的《365 種係定唔係東方主義》，呈獻給 香港觀眾。此舞作曾巡演多國，備受讚譽，再次上演，萬勿錯過！

In the new season, CCDC warmly welcomes Sang Jijia’s return to CCDC as Resident Choreographer.

Born in Gansu, Sang Jijia’s friends nickname him Sangba. Sangba is endowed with an impressive dancing technique. His choreography features a powerful and exquisite movement language that is physically demanding of dancers. Today, his contemporary dance performances and choreography are renowned in Europe and Asia, but Sangba started studying ethnic dances at the Beijing Central University for Nationalities. It was not until he saw a production presented by the Guangdong Modern Dance Company (GMDC, former Guangdong Experimental Modern Dance Troupe) and was so shocked by the freedom and the freewheeling style of contemporary dance, that he decided to join GMDC after graduation. Six years later he came to Hong Kong and joined CCDC as a professional dancer, which marked the beginning of his prosperous career path onto the international dance scene.

Sangba is excited to return to CCDC and become our Resident Choreographer. “Willy Tsao (Founder and Artistic Director of CCDC) and I have known each other for more than 25 years. Working together again at CCDC stimulates me to think of new ideas and expectations, which will take time to realise,” he said. Asked about the direction of his creation, Sangba answered, “I’m in my 40s now. I have some thoughts, which may bring changes to my creation, but what are those changes? I advocate nature and only live for the moment so I seldom forecast too much.” Sangba mentioned that his ways of choreography will be affected by the dancers and their working attitude. “I hope to create a sense of team spirit within CCDC. This is the most important and essential thing, to both the Company and me.”

Last year, CCDC reran Sangba’s choreography As If To Nothing (created jointly with experimental musician Dickson Dee and video designer Adrian Yeung) and toured to Florence for the Fabbrica Europa.

The production performed to great public acclaim and was said to be the best selling contemporary dance performance for the organiser. Sangba is going to tour As If To Nothing with the Company again, with the next destination being Niigata (Japan) and Taipei, as one of the programmes in “Hong Kong Week 2015”.

Moreover, 365 Ways of Doing and Undoing Orientalism, which is co-choreographed by Sangba, will be re-staged and presented to audience in Hong Kong in June. The show has been performed and acclaimed in numerous countries across the globe. Don’t miss it!

Star Choreographer Sang Jijia Becomes CCDC’s Resident 星級編舞Choreographer

桑吉加 Sang Jijia

桑吉加成為 CCDC 駐團編舞

被譽為「最完美的舞者」，曾獲頒廣東省「跨 世紀之 星」稱號、巴黎國際舞蹈大賽「現代舞男子獨舞」金獎 等；2002年入選「勞力士創藝推薦資助計劃」是他人生 的轉捩點，有機會遠赴德國成為舞蹈界泰斗威廉．科西 門生，並先後在法蘭克福芭蕾舞團及科西舞團擔任助 理編舞及演員。2006 年回國，為北京雷動天下現代舞 團、GMDC及CCDC創作長篇舞作：《無以名狀》、《火 柴人》、《那一年．這一天》、《前定的暗色》及《重置》。 桑吉加也與世界各地的頂尖藝術家及舞團合作，2013年 為挪威Carte Blanche當代舞團編創《不在／不再》，並 於歐洲多國巡演。

Sang Jijia has been acclaimed as “the most perfect dancer”. He won the Gold Medal in the Modern Dance section of the Paris International Dance Competition in 1996 and was hailed as “The Star of the Century” by the Guangdong Provincial Government in 1997. In 2002, Sang Jijia was chosen by the Rolex Mentor and Protégé Arts Initiative to study choreography under William Forsythe in Germany and stayed with Ballet Frankfurt and the Forsythe Company as assistant choreographer and dancer. He returned to China in 2006 and, since then, has created a number of full-length works for CCDC, BeijingDance/LDTX and GMDC, including Unspeakable, Sticks, As If To Nothing, Standing Before Darkness and Layer Code. In 2013, he was commissioned by the Norwegian dance company Carte Blanche to create Not Here, Not Ever which has toured extensively in Europe.

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樂 知靄

Shirley CCDC擁有最多元化、特色的舞者，因為大家的性格和風格都不一樣， 所以大家都有空間發展自己的風格。 儘管如此，在台上大家的精神狀態卻是很一致的， 這令原來學習芭蕾舞的我有一番新的體會。

Lok

CCDC has a diverse range of dancers. Everyone’s character and style are unique, so everyone has the room to develop their own style. However, the mentality of everyone on the stage is the same. For me, someone who was learning ballet, that’s a totally new experience.

城 市 當 代 舞 蹈 團

City Contemporary Dance Company (CCDC)

願景 Vision 立足香港，匯聚華人菁英，創造當代中國舞蹈 CCDC is a Hong Kong-based professional dance company that endeavours to rally the best of Chinese talent to create dance in the contemporary context of China.

使命一 Mission

I 作為本港旗艦現代舞蹈——立足香港，胸懷神州，致力為中國當代舞蹈注入創 新思維。

As the flagship contemporary dance company in Hong Kong, CCDC produces innovative works in the context of China.

使命二 Mission

作為推廣及發展舞蹈教育的中介機構——舉辦全面的教育及外展項目，著眼於 II 香港及中國舞蹈的長遠發展。

As an agency for dance education, CCDC organises comprehensive education and outreach programmes, with an emphasis on long-term projects in Hong Kong and in Mainland China.

使命三 Mission

III

作為香港的文化大使——透過海外演出，在國際上肯定香港獨特的文化定位。

As a cultural ambassador of Hong Kong, CCDC helps project Hong Kong’s unique cultural identity through its extensive tours to different cities around the world.

使命四 Mission

IV

作為中國當代舞蹈發展的核心動力——為華人編舞家提供行政、技術及藝術層 面上的支援，並於國內積極推動中國舞蹈發展計劃。

As a catalyst for Chinese contemporary dance development, CCDC acts as an umbrella organisation offering administrative, technical and artistic support to Chinese choreographers. It is also the driving force behind the China Dance Development Programme in Mainland China.

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© Cheung Chi-wai

「……龐智筠的編舞潛質，尤其是幽默的運用及處理， 很能牽動觀眾的情緒。」―― 香港《信報》

有人因為聽不到一句「生日快樂」而落寞，也有人因一句「生 日快樂」而失落。看似熱鬧的生日派對上，A緊緊摟著B在角落談

情說愛；C 努力飾演K 歌之王；默默坐在一隅的 D靈魂缺席，靜待指定動 作——切生日蛋糕，與主人翁慶祝…… 繼《全院滿座》及《購人心弦》後，編舞龐智筠再次展現她的黑色幽默，與 CCDC舞者來一場可能屬於你我他的生日派對。是時候練習興高采烈地唱 生日歌，當大家起哄大笑的時候，只要你也一同和應，生日不就很快樂嗎？

“Pong … has a strong sense of space and an excellent command of the stage.”

– South China Morning Post, Hong Kong

At the happiest birthday celebration ever, a huge cake sits in the middle of the table; everyone is taking a selfie. Look at those lovebirds in the corner; they’re madly in love with each other. Don’t be upset if you’ve come alone tonight because you’re welcome to let your inner Elvis out on the karaoke machine! And it’s okay if you don’t want to be social, just drink! Where’s the host? The birthday boy is standing right there – expressionless – you can tell that someone has just given him a “birthday cake in the face” prank. So thoughtful of him to warmly entertain his guests!

Following Off Screen and The Buying Game, choreographer Noel Pong invites you to join this birthday party. Be prepared to sing “Happy Birthday” together!

龐智筠 Noel Pong 擅長將舞蹈和戲劇元素融為一體，為觀眾帶來引人入勝的舞蹈作品。1997年以一級榮譽畢業 於香港演藝學院現代舞系，隨即加入CCDC為舞者，並一直積極創作至今。2009年憑《案發現場》獲《南華早報》 選為「全年最佳舞蹈」，並憑《全院滿座》榮獲2012香港舞蹈年獎「最值得表揚編舞」獎。龐氏獲《南華早報》譽為最 有前途的香港編舞之一。 Noel Pong is a homegrown choreographer celebrated for combining elements of dance and drama within her works. After graduating from The Hong Kong Academy for Performing Arts with First Class Honours in modern dance, she joined CCDC in 1997. Her choreographic work Crime Scene was selected by the South China Morning Post as one of the "Best Dances" of 2009; Off Screen won “Outstanding Choreography” at the 2012 Hong Kong Dance Awards. Pong is regarded as one of “Hong Kong’s most promising choreographers” by the South China Morning Post.

加料節目 Programme Plus 編舞 Choreography

龐智筠 Noel Pong 佈景及服裝 Set and Costumes

孔德瑄 Charfi Hung 10

燈光設計 Lighting Design

劉詩豪 Low Shee Hoe 音響設計 Sound Design

夏恩蓓 Ha Yan-pui

公開綵排 Open Rehearsal

21.3.2015 (六 Sat) 11am CCDC舞蹈中心賽馬會舞蹈小劇場 Jockey Club Dance Theatre, CCDC Dance Centre (九龍黃大仙沙田坳道110號地下 G/F 110 Shatin Pass Road, Wong Tai Sin, Kowloon) *免費入場，座位有限，需預先登記 Free Admission. Registration required due to limited capacity

24 ~25.4.2015

《生日快樂?》相片展 Happy Birthday? Exhibition

25~26.4.2015

8-13.4.2015

(五、六 Fri~Sat) 8pm

(六、日 Sat~Sun) 3pm

香港文化中心劇場 Studio Theatre, Hong Kong Cultural Centre 舞台 Stage

香港文化中心大堂展覽場地 E2 Foyer Exhibition Area E2, Hong Kong Cultural Centre 藝人談 Meet-the-artist

25.4.2015 (六 Sat) 晚上演出後 After evening performance

香港文化中心劇場 Studio Theatre, Hong Kong Cultural Centre *憑《生日快樂?》門票免費入場 Free admission with Happy Birthday? tickets 宣傳服裝 Wardrobe

查詢及報名 For enquiries and registration:

2329 7803 / info@ccdc.com.hk

龐 智筠

Noel 中學時期因參加學校免費舞蹈班，才有機會接觸舞蹈。 喜愛跳舞是因為整班年紀相若的女孩在一起很投契， 先是希望能常聚玩耍，後來再愛上跳舞。

Pong

Dancing lessons were offered for free at my secondary school, so I had the opportunity to learn dancing there. I loved dancing because I met girls of a similar age and similar interests during class.

林 詠茵

Peggy 有一次總綵排時，一件大型道具突然跌下，擊中我一邊膝蓋， 當嘗試站起來時卻發現腳痲痺了，動彈不得，當場嚇到哭了， 身邊人紛紛過來陪伴照顧。感激最後仍能完成演出， 深感自我意志及舞台給我的能量是勝於一切的！

Lam

A large prop suddenly fell down and hit my knee during rehearsal. I tried to stand up but my leg was paralyzed – I couldn’t move and was so scared. Others came over to take care of me. I was glad that I managed to finish the performance and had a strong feeling right then that the power of self-will and stage performance can overcome everything!

黃 狄文

Dominic —九九五年夏天， 在學校得到獎學金到美國參加美國舞蹈節，大開眼界， 從那時起便決定要成為一個舞者。

Wong

In the summer of 1995, I won a scholarship from my school, allowing me to join the American Dance Festival. I broadened my horizons there and decided to become a dancer.

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曹誠淵 Willy Tsao╳桑吉加 Sang Jijia╳邢亮 Xing Liang

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種

係定唔係 東方主義

365 Ways of Doing and Undoing Orientalism

「秒瞬間細微的東西文化美學的衝撞…… 細膩深刻而使人印象難忘。」

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“Best twist on tradition.”

––– Houston Chronicle, USA

──香港《舞蹈手扎》

東西之距離， 就止於 天鵝湖上的溜冰與 大紅燈籠下的瑜珈？ When Yin and Yang clash with the Baroque.

概念及編舞 Concept and Choreography

不知道從何時開始約定俗成，「東方」令人立即想起

曹誠淵 Willy Tsao

亞洲，「西方」一般泛指歐美，而「東方」又令你聯想

編舞 Choreography

起甚麼？是書法、佛道、風水、碗筷、旗袍、功夫、水

桑吉加 Sang Jijia 邢亮 Xing Liang 原創音樂 Original Music

彼得小話 Peter Suart

袖、舞龍，還是冥想、瑜珈？ 中國當代舞先鋒曹誠淵玩轉西方眼中的「東方」意 境，聯同享譽國際舞壇的編舞桑吉加及邢亮編創的 《365 種係定唔係東方主義》，從「地．水．火．風」、 「春．夏．秋．冬」到「無．人．天．空」重新執位，戲謔 看似神秘虛幻的東方元素。作品於2002年首演後迴 響不絕，曾獲邀於澳洲、美國及意大利等地巡演，成 為一代經典！2015年復刻版勢必引起話題！

The East usually refers to Asia and the West, Europe and America. What do you think of when coming across the East?

Calligraphy, Buddha, Feng Shui, bowls, chopsticks, a Mandarin gown, martial arts, long sleeves, dragons… Or meditation and yoga?

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365 Ways of Doing and Undoing Orientalism is a highly acclaimed work in the repertoire of CCDC, choreographed by veteran choreographer Willy Tsao with Sang Jijia and Xing Liang. Through an exotic display and re-twisting of “oriental” elements, 365 casts doubt upon the West’s fascination with the Orient. Let’s look forward to the 2015 version after its previous successes in Australia, the US and Italy!

舞台及服裝設計 Set and Costumes Design

陳仲輝 Silvio Chan 首演燈光設計 Original Lighting Design

潘素齡 Jo Phoa 執行燈光設計 Executive Lighting Design

劉詩豪 Low Shee Hoe

26 ~27.6.2015 (五、六 Fri~Sat) 8pm

葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 舞台 Stage

曹誠淵 Willy Tsao

於1979年創辦CCDC，自1989年 始出任藝術總監。曹氏為最有影響力的華人編舞家之一， 並身兼中國三大現代舞團（CCDC、廣東現代舞團及北京 雷動天下現代舞團）之領航者，其作品取材遍及哲學、歷 史、戲曲甚至中國搖滾樂，以格局取勝，氣勢恢宏為人稱 道，並多次獲邀於世界各地演出。 Willy Tsao established CCDC in 1979 and has been Artistic Director since 1989. He currently leads three major dance companies in China: CCDC, GMDC and BeijingDance/LDTX. As one of the most prolific Chinese choreographers, Tsao takes inspiration from the full breadth of Chinese culture including philosophy, history, opera and even Chinese rock ‘n’ roll. His works have been performed internationally.

邢亮 Xing Liang

生於北京，畢業於北京舞蹈學院古典 舞表演專業系。邢氏獲獎無數，從中國「全國十優演員」 到國際性舞蹈比賽金獎，從優秀演出到編舞創作，屢獲殊 榮。現為獨立藝術工作者及CCDC客席編舞。

Born in Beijing, Xing Liang graduated from the classical dance division at the Beijing Dance Academy. He has won numerous awards and gold prizes at international dance competitions and has been named as one of the Ten Best Performers in China. He is both an outstanding dancer and a critically acclaimed choreographer. Xing is currently an independent artist and Associate Choreographer of CCDC.

桑吉加 Sang Jijia 請參閱頁五 Please refer to P.5

喬楊

Qiao 學舞是因為在中國那個時期正是青少年上山下鄉的熱潮， 爸爸媽媽不想讓我像姐姐那麼辛苦，於是送我去學習舞蹈， 之前在學校時已喜歡跳舞，所以就毫不猶豫的選擇了它。

Yang

It was the Down to the Countryside movement, when l started dancing. My parents didn’t want me to experience the hardship as my sister did. So they sent me to dance classes instead. I jumped at the chance because I loved dancing from when I was studying it at school.

每個編舞都是一個探險家!

Every choreographer is an explorer!

馮樂恆 Victor Fung╳黎德威 Lai Tak-wai╳黃振邦 Bruce Wong 同是來自本土舞壇，馮樂恆、黎德威和黃振邦，三個三十而立的男生，將以別樹一幟的創作風格呈現 肢體美學，以舞蹈語言撼動觀眾心靈，分享他們靈光一閃的發現！ 18

穿梭於香港與倫敦之間的馮樂恆，透過舞蹈探索生活。他從身體出發找回動作的根源，領悟旅程本身 既是起點也是終點；先後加入過巴黎青年現代舞團、台北雲門舞集和CCDC的黎德威，以舞者重塑靈 感意念，揭開表象之下的人性；武術與舞蹈同是追求身心的修持，黃振邦將其糅合融貫，把太極技擊 為本的概念契合藝術的展讀，在本我的修行上真誠地面對自己。 Now in their thirties, Victor Fung, Lai Tak-wai and Bruce Wong demonstrate their ideas in a series of new works. Three completely different choreographers share their eureka moment in diverse styles of contemporary dance.

Fung, shuttling between Hong Kong and London, explores his life through dance. As time flies, dancing has already transcended to become a defining element of his life.

Freelance dancer and choreographer Lai began his career as a dancer in Junior Ballet Contemporain (Paris), Cloud Gate Dance Theatre (Taipei) and CCDC. He unleashes a feast of creativity and originality through his unique dance language and style.

Martial arts and dance are the pursuit of physical and mental advancement. In a crossover between kung fu and dance, Wong brings his search for the inner-self to the audience.

eureka

Line breaks: eur¦eka Pronunciation: /jʊˈriːkə/

exclamation

A cry of joy or satisfaction when one finds or discovers something: “The answer hit me. ‘Eureka!’ I cried”

[AS NOUN]: “there weren’t many eurekas but science is moving steadily”

[AS MODIFIER]: “the eureka moment for him came when he was hill-walking”

Origin Early 17th century: from Greek heuréka' I have found it' (from heuriskein 'find'), said to have been uttered by Archimedes when he hit

upon a method of determining the purity of gold. The noun dates from the early 20th century.

為什麼是eureka? 這 是希臘語「我發現了!」。相傳古希臘學者阿基米德在浸浴時想出用水位來測 量體積的浮力原理，讓他欣喜若 狂地 赤身跑回家中，口中大喊「Eu re k a!」。此 後，eureka moment便是指「靈光乍現、靈機一動的時刻」。 來源 Source: http://www.oxforddictionaries.com

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編舞 Choreography

馮樂恆 Victor Fung 黎德威 Lai Tak-wai 黃振邦 Bruce Wong

馮樂恆 Victor Fung 畢業於香港演藝學院及美國加 州大學聖塔芭芭拉分校，後在倫敦當代舞蹈學校完成編 舞碩士課程，現於當地修讀舞蹈博士學位。於2011年成 立Victor Fung Dance，並與國際舞蹈藝術家發展合作平 台；2013年更獲頒藝術發展獎「藝術新秀獎（舞蹈）」。 最近亦參與由奇洛李維斯主演的荷里活製作《浪魂47》 及在倫敦皇家阿爾伯特音樂廳上演的《阿伊達》。

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Victor Fung graduated from The Hong Kong Academy for Performing Arts (HKAPA) and The University of California Santa Barbara (UCSB). He furthered his studies in choreography and completed his postgraduate studies at London Contemporary Dance School.

He is currently conducting doctoral research with funding from Middlesex University and Dance4. In 2011, he established Victor Fung Dance, a platform through which his collaborative works with international dance artists are presented. He received the “Award for a Young Artist” at the 2013 Hong Kong Arts Development Awards, in recognition of his artistic achievement in dance. Recent performance credits include the Hollywood production 47 Ronin starring Keanu Reeves and Aida at Royal Albert Hall.

黎德威 Lai Tak-wai 畢業於香港演藝學院，主修現代 舞。2002年考獲香港賽馬會舞蹈基金，遠赴巴黎國家音 樂及舞蹈學院深造，同年加入巴黎青年現代舞團。黎氏 於2005年期間曾為雲門舞集一團舞者，2008至14年間 為CCDC全職舞者。2014年憑《尋找大觀園》獲頒香港 舞蹈年獎「最值得表揚男舞蹈員」。現為獨立編舞及自由 身舞者，編舞作品包括《夜未眠》、《身分 · 分身》及《逆 · 轉》之＜一霎＞。 Lai Tak-wai graduated from HKAPA majoring in modern dance. In 2002, he was awarded the Hong Kong Jockey Club Dance Scholarship to further his studies at the National Conservatoire of Music and Dance in Paris. He then joined the Junior Ballet Contemporain in Paris for the 2002/03 season. Lai was a full-time dancer with Cloud Gate Dance Theatre in 2005 and was at CCDC from 2008 to 2014.

At the 2013 Hong Kong Dance Awards he received the “Outstanding Performance by a Male Dancer” award for his performance in In Search of the Grand View Garden. He is currently an independent choreographer and freelance dancer. His choreography includes Sleepless, Substitute and Timeline in It's My Turn.

18 ~19.9.2015 (五、六 Fri~Sat) 8pm

19~20.9.2015 (六、日 Sat~Sun) 3pm

香港文化中心劇場 Studio Theatre, Hong Kong Cultural Centre 舞台 Stage

黃振邦 Bruce Wong CCDC舞者。1995年考入香港

演藝學院，1998年獲亞洲文化協會獎學金到美國參加美 國舞蹈節，後獲賽馬會獎學金計劃到美國霍林斯大學修 讀碩士。於2010年入選「勞力士創藝推薦資助計劃」年青 舞蹈家的入圍名單。近期作品有與曹誠淵及黃狄文合編 的《城市封神》 、 《脫衣秀2012》之＜Dress Me Down＞、 《逆‧轉》之＜舌尖上的靈魂＞。 CCDC dancer Bruce Wong entered HKAPA in 1995, where he was awarded several scholarships and was chosen to represent the Academy on overseas tours during his studies. In 1998, he was awarded an Asian Cultural Council Fellowship to participate in the American Dance Festival in the US. He received a Jockey Club Scholarship to attend Hollins University in the US for a Master's degree. In 2010, he was one of the few dance finalists worldwide to be selected for the prestigious Rolex Mentor & Protégé Arts Initiative.

His recent choreography includes The Legend and The Hero, Dress Me Down in Strip Teaser 2012 and Re/dis-connect in It’s My Turn.

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黎 家寶

Bobo 遇見舞蹈後，老套說一句，就好像別無選擇， 舞者這兩字便出現了。

Lai

After getting to know dancing, it seemed that I didn’t have any other choice but to be a dancer, speaking in well-worn clichés.

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黃 振邦

Bruce

最難忘的是在台上肩膊脫臼，之後用單手胡亂完成雙人舞， 我的舞伴用一個充滿疑問的眼神看著我。 之後在跳群舞前ㄧ秒鐘，我將肩膊推回原位， 才順利完成演出，過程實在驚險！

Wong

My most unforgettable experience was when I dislocated my shoulder on stage. I used one hand to finish the pas de deux while my partner looked at me, filled with doubt! I pushed my shoulder back into the right position just before the group dance began and managed to finish the show. What a breathtaking performance for me – literally!

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陳俊瑋 Ivan Chan

黎家寶 Bobo Lai

李家祺 Lee Ka-ki

麥琬兒 Natalie Mak

樂知靄 Shirley Lok

龐智筠 Noel Pong

譚渼樺 Malvina Tam

謝甲賢 Tseky Tse

林詠茵 Peggy Lam

黃振邦 Bruce Wong

麥卓鴻 Kelvin Mak

喬楊 Qiao Yang

曾景輝 Terry Tsang

黃狄文 Dominic Wong

一卡在手， 讓你暢遊藝術花園

CCDC Dance Generation

CCDC Dance Generation Card Lets you roam around the garden of art

© ManChingKC

成功申請CCDC Dance Generation卡，尊享迎 新紀念品及多項折扣優惠！ Apply for a CCDC Dance Generation Card and enjoy

fabulous privileges, a welcome gift and discount offers.

CCDC Dance Generation是一個特別為舞蹈愛好者而設的計劃，讓你與CCDC保持緊密接觸， 連繫藝術生活空間。只需年費$180即可享有CCDC Dance Generation 2015優惠(1)，獨享CCDC節目免 費門票乙張(2)、迎新禮品乙份及七折購票優惠（適用於每個節目首兩張門票），並可享有以下多 項精彩禮遇！ 28

CCDC Dance Generation(1) is a tailor-made scheme for dance lovers to keep close contact with CCDC and take an active role in the art. With an annual fee of only $180, you can enjoy an array of welcome offers including a complimentary ticket(2), a welcome gift, plus an exclusive 30% discount when purchasing tickets for CCDC productions (applicable to the first two tickets per programme), as well as the following fabulous benefits: ▓ 以優惠價購買CCDC紀念品及DVD ▓ 參與CCDC Dance Generation舉辦之活動（如後台導賞、選段演出等） ▓ CCDC舞蹈中心季度課程九折優惠 兒童舞蹈課程九五折優惠(3) ▓ 九折優惠價購買香港話劇團、中英劇團、香港芭蕾舞團、香港舞蹈團、香港管弦樂團、 香港中樂團及進念二十面體特選節目，以及於藝穗會演出之門票（適用於首兩張門票） ▓ 享用其他精選商戶優惠，詳情請瀏覽CCDC網頁：www.ccdc.com.hk ▓ Special price on CCDC souvenirs and DVDs ▓ Exclusive activities (e.g. backstage tour, excerpt performances and more) ▓ 10% discount on Seasonal Dance Courses or 5% discount on Children Dance Courses at CCDC Dance Centre(3) ▓ 10% discount on tickets of selected programmes by the Hong Kong Repertory Theatre, Chung Ying Theatre, Hong Kong Ballet, Hong Kong Dance Company, Hong Kong Philharmonic, Hong Kong Chinese Orchestra and Zuni Icosahedron and programmes staged at the Fringe Club (applicable to the first two tickets) ▓ Special offers at other merchants. Please visit CCDC website for details: www.ccdc.com.hk 條款及細則 Terms and Conditions: (1) CCDC Dance Generation 2015尊享優惠有效期至2016年3月31日。

The privileges of CCDC Dance Generation 2015 is valid until 31 March 2016.

(2) 持卡人可選擇 CCDC 2015 舞季任何一個節目享用此項優惠，換領最低票價門票乙張，或補回差價換取其他 票價門票。 Your complimentary ticket offer is applicable to any CCDC production in the 2015 dance season for one lowest price ticket or one ticket of other price bands by settling the price difference.

(3) 優惠不適用於特別課程、兒童舞蹈課程考試班及購買靈活套票；報名時必須出示有效之CCDC Dance Generation 卡方可獲折扣優惠；優惠只限持卡人使用，不能與其他優惠並用；CCDC舞蹈中心保留更改優惠的條款及細 則之權利。 Not applicable to Special Courses, Children Dance Examination Classes or purchase of Flexicoupons. The offer is only eligible for the cardholder and cannot be used in conjunction with other discounts. The CCDC Dance Centre reserves the right to change the terms and conditions of the discount offer.

譚 渼樺

Malvina 當初是為自己跳舞，喜歡那種最純粹的快樂。 現在喜愛跳舞是為了觀眾而舞， 能夠和觀眾分享舞蹈讓我很有滿足感。

Tam

In the very beginning, I danced for myself – I loved the pure happiness of dancing. But now, I love dancing for the audience and I get satisfaction from sharing dance with them.

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麥魁迪 Melquíades © Peter Suart

全新舞蹈劇場 啟發自馬奎斯百年孤寂

A dance theatre inspired by Gabriel García Márquez’s One Hundred Years of Solitude

一座虛構的小城鎮，百年間，一個大家族的興衰 起落，七代人的生命迴轉，一位吉卜賽智者的雋 語，愛、慾、生、死，道盡各人宿命，原來都逃不開 孤寂──諾貝爾文學獎得主賈西亞．馬奎斯著作 百年孤寂的主要命題。因為缺乏愛，小說中七代 人都活在孤獨無伴中，悲慘的命運幾度輪迴，到 頭來原是一場空。 本地舞壇大師黎海寧首次夥拍多才多藝的英國 藝術家彼得小話，以近代最偉大的拉丁美洲文學 巨著百年孤寂為靈感，創作出全新舞蹈劇場《孤 寂》，由黎海寧編舞及導演，彼得小話作曲及設 計佈景，並飾演說書人一角。《孤寂》以舞蹈演繹 人間愛慾和權力鬥爭的因果，以獨特的場景和音 樂風格營造個人與群體之間揮之不去的空虛和 寂寞──一種人類普遍的共同情感。

One Hundred Years of Solitude by Colombian writer and winner of the Nobel Prize for Literature, Gabriel García Márquez, is set in the fictional town of Macondo and tells of seven generations of the Buendía family: their lives, loves, fights, joys and deaths. Many visitors pass through the family’s house, amongst them a gypsy preoccupied with studying ancient wisdom. Despite this parade of characters, the family and the town wrestle with solitude, unaware of the destiny that has been foreseen by the gypsy, which lies in his writings, waiting to be deciphered.

Soledad (Spanish for solitude) – a new dance theatre piece inspired by this great work of the 1960s Latin American Boom in literature – is the first collaboration between veteran choreographer Helen Lai and the Hong Kong and UK artist Peter Suart. Lai will choreograph and direct; Suart will compose and record the music, design the set, and play a theatrical role. Between them, a world of love, desire and power will unfold, a world existing within a great and inscrutable solitude.

冰屋 The Ice House © Peter Suart

小金魚 Little Gold Fish © Peter Suart

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黎海寧編舞《證言》 Testimony choreographed by Helen Lai

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編舞及導演 Choreography and Direction

黎海寧 Helen Lai 原創音樂及佈景設計 Original Music and Set Design

彼得小話 Peter Suart 演出 Performance

彼得小話 與 CCDC舞者 Peter Suart and CCDC Dancers

11~12.12.2015 (五、六 Fri~Sat) 8pm

黎海寧 Helen Lai 為CCDC創團成員，於1991至2011

年間擔任 CCDC 駐團編舞。其創作元素跨越不同文化 及藝術領域，加上熱愛文學，創作靈感甚廣，由楚辭到 卡夫卡，由卡爾維諾到希臘悲劇。作品沉練細膩，充滿 音樂性及戲劇性，往往能感動人心。黎氏獲獎無數，是 當代香港舞蹈界翹楚。 Helen Lai is a founding member of CCDC and its Resident Choreographer from 1991 to 2011. Lai’s works are cross-cultural and multi-disciplinary. Fond of literature, Lai’s ideas span Chinese classics, Kafka, Italo Calvino and Greek tragedy, creating subtle, exquisite and moving dance pieces. Her choreography has won numerous awards, earning her a preeminent reputation on the Hong Kong dance scene.

舞台 Stage

彼得小話 Peter Suart 從事寫作、插畫、音樂、劇場 演出等多方面創作。他來自英國，曾於香港居住多年。 近年的劇場創作包括獨腳戲《黑狗日記》及盒子第十 五面《星期日創世紀》。剛完成最新成人冒險故事限量 版插圖作品，並正籌備以美國為主題的獨腳戲。彼得 小話也是一位講者，去年曾主講有關繪本文學、童年物 品、Folio Society插畫出版等題目。

▓ $250 ▓ $180 ▓ $140

Peter Suart is a writer and an illustrator, a musician, and a theatrical performer who has spent his life in Hong Kong and England. Recent projects include Melencolia, the 6th of his one-man performances, and The World was Made on a Sunday, the 15th theatrical concert

by The Box. He has just completed the 8 th Tik & Tok adventure, an illustrated book for adults, and is preparing a new one-man performance. He is a speaker and educator, and last year gave talks on illustrated literature, childhood objects and the Folio Society.

葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre

黎海寧編舞《證言》 Testimony choreographed by Helen Lai

專訪黎海寧與彼得小話 A Conversation with Helen Lai and Peter Suart 文 李韜

2011年離開CCDC暫休的黎海寧（Helen），偶有

成藝術品帶來一種獨特的喜悅。」對於會否採用

發表作品，但大型的製作，自《畸人說夢》後，就

拉丁音樂或視覺元素，擔任作曲及佈景設計的

數今年十二月為 CCDC 編舞的《孤寂》，讓人非

Peter 說現階段還是未知之數。Peter本身亦是一

常期待，尤其這次她將首度夥拍彼得小話（Peter

位繪本作家，他習慣邊構思邊繪畫，畫作有助他

Suart）──一位能演能奏能畫非常多才多藝的

的創作推展，在構想《孤寂》時他亦畫了好幾幅

英國藝術家，兩位大師能擦出怎樣的火花？

作品，讓大家感受舞作的氛圍！

Peter目前定居英國，曾在香港生活多年，講得

百年孤寂以虛構城市「馬康多」的興衰作背景，

一口流利的廣東話，且活躍於本地表演藝術圈，

講述邦迪亞家族在一百年間七代人的故事。原著

他說：「認 識 黎海 寧的 作品已超 過 二十五年，

多層的敘事架構既博大精深又曲折離奇，要完整

奇怪的是沒有一起合作過。」而原來 Helen 也深

地呈現在舞台上幾近不可能，Helen說：「我們的

被 Peter 的獨腳戲吸引，一直期待與他合作，一

創作將圍繞個體和社會中的孤獨、知識和發明的

次巧遇下，He l e n 即主動建議合創一台舞蹈表

進程、歷史循環、緊扣人與人之間的愛慾和權力

演，Peter二話不說答應了。

等命題。」

二人都熱愛音樂和文學，喜歡閱讀，在芸芸名著

書中，吉卜賽人麥魁迪（Me lquíade s）將成為

中，他們選擇了馬奎斯的百年孤寂作為出發點。

貫 穿 整 個 演 出 的 嚮 導，而 飾 演 這 角色 的 正 是

「為什麼選擇這作品？怎樣處 理其中內容？可

Peter！他說：「麥魁迪在原著中雖佔幅不多，但

以表達複雜的意念嗎？」Peter 認為作品發人深

卻是一個關鍵 線索。」他會坐在灰 塵滿佈的房

省。Helen 過往亦有以文學作品作為編舞題材，

間內，被重重書籍及神秘文獻包圍，與四周的生

包括《證言》和《畸人說夢》，她表示今次不會完

活隔離，但他的存在對於旁人相當重要。「要把

全搬演書中故事，但或會將某些富劇場效果的經

小說裡的多個故事放諸舞台上很困難，但麥魁迪

典場景用舞蹈重新演繹。

和他的小房間，可作為烘托並對照複雜的群舞世

為了是次製作，Peter 笑言已經上了拉丁美洲歷

界。與其說他是敘述者，倒不如形容他是坐在狹

史和文學的速成班，閱讀了相當多的資料，「這

窄的小房間裡，處於生與死之間的一個局外人。」

些歷史及文學素材是百年孤寂的背景，有助於

馬奎斯於去年逝世，兩位表演藝術界大師參照其

確定無論由思維或情感理解出來的演出方式和

巨著百年孤寂共同打造的舞蹈劇場，也許能為觀

風格。」他又道：「我愛書，不論是文學作品、參

眾提供更多聯想和解讀，並藉此緬懷這位諾貝爾

考書，還是插圖文本等，將這些興趣有序地演變

文學獎得主！

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Text

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© Vic Shing @ Music Surveillance

彼得小話 Peter Suart

Li Tao

Although Helen Lai stepped down as CCDC’s Resident Choreographer in 2011, she didn’t stop creating. Soledad, her latest choreography for CCDC and her largest project in recent years, will be staged in December. The work is keenly anticipated, especially since it will be the first time Lai has collaborated with Peter Suart, a well-known and versatile Hong Kong and UK artist.

Although Suart now lives in England, he spent half of his life in Hong Kong and is active in the city’s local performing arts scene: “I have known Helen’s work for more than 25 years but, strangely, we have never worked together.”Lai had looked forward to collaborating with Suart for a long time and when she bumped into him by chance, in a bar a year ago, she took the initiative and suggested working together on a dance performance. Suart agreed without hesitation.

The pair chose One Hundred Years of Solitude by Gabriel García Márquez after considering many literary works, a choice which Suart says prompts many questions: Why do it? How to do it? Are you up to it? Lai has choreographed literature before, including Testimony (Shostakovich) and Comedy of K (Kafka). This time she draws inspiration from the novel without directly using the story, although notable events from the book may be interpreted into dance.

Suart, who will perform, compose, and design the set, has embarked on a crash course in Latin American history and literature. “This study will aid an understanding of the background of One Hundred Years of Solitude, which will help to determine methods and formats, both by thought and by unspoken feeling,” he says. “I love books – literature, reference works, illustrated texts – and the channelling of this interest into the service of an art

project is a particular joy.” At this early stage, the question of whether or not to use Latin American musical and visual styles remains open. Suart also works as a book illustrator, and he is drawing and painting as part of the working process.

One Hundred Years of Solitude is the story of seven generations of the Buendía family over a hundred year period in the fictional town of Macondo. The book, though not long, is epic and complex, and any detailed narrative interpretation for the stage would be both impossible and uninteresting. “Peter and I started with the idea of solitude, both of the individual and the community, the development of knowledge and invention, a cyclical view of history and the common ties of human relationship: love, desire and power,” says Lai. The gypsy Melquíades, interpreted by Suart, will act as a guide and a storyteller throughout the performance.

“Melquíades takes up few pages of Márquez’ book, but is an important thread,” says Suart. He will sit in a dusty room surrounded by books and papers of arcane knowledge, separate from, but important to, the lives of those around him. Suart says, “It is not possible to bring the multiple stories of the book to the stage, but Melquíades and his room can be used, and will act as foil to the complex group world of the dancers. He is not so much narrator as outsider, inside a little room, in life and in death.”

2014 brought the news of the death of Márquez, an event offering the possibility to assess and eulogise this winner of the Nobel Prize for Literature. Soledad, with such a powerful creative team, will no doubt provide the audience with abundant imaginative room for the interpretation of one of his great works.

麥 卓鴻

Kelvin 自小已經好動的我，曾參加很多不同活動， 但唯獨跳舞可以令我專一、令我滿足、令我感到自己存在， 或者，這就是緣份。

Mak

I’ve been active from a young age, participating in many different activities.

Nonetheless, dancing is the only thing that concentrates my mind, satisfies me and gives me a sense of belonging. Perhaps dancing is my destiny?

麥卓鴻 Kelvin Mak 真理在胸筆在手。當真理被埋，遍地謊言時，又要 如何分清真與假？《南華早報》點名讚評，舞技矚目的麥卓鴻首次編舞， 大膽挑戰人性黑暗面。在時代亂流之中如何分辨清濁？如何掙扎求存？ “All you have to do is write one true sentence. Write the truest sentence that you know,” Ernest Hemingway said. At a time when truth is buried and people lie, how to distinguish between true and false? Credited by SCMP as a “standout” dancer, Kelvin Mak’s first choreography exposes the dark sides of human nature. In this era of turbulence, how to distinguish good from evil? How to survive?

舞人習作

獨步創作 出格七編 Extraordinary creativity. Innovative pieces.

陳俊瑋 Ivan Chan 在字語組成的世界，所有定義早已 塵埃落定，但陳俊瑋繼《 Unequal 》、《 Naked as I Came》及長篇作品《Not Yet / To Forget》後，立意打 破既定模式，述說投入節奏的快樂！ 36

編舞 Choreography

陳俊瑋 Ivan Chan 李家祺 Lee Ka-ki 麥卓鴻 Kelvin Mak 麥琬兒 Natalie Mak 譚渼樺 Malvina Tam 曾景輝 Terry Tsang 謝甲賢 Tseky Tse

All definitions are already fixed in a world constructed by language and words. After Unequal, Naked as I Came and the full-length Not Yet / To Forget, Ivan Chan breaks this established pattern, restarting from the body and revealing the joy of dance in this new work.

李家祺 Lee Ka-ki 從陌生到認識， 然後熟悉，是人是物也是地。物轉星 移，位置轉換、環境改變，只為尋找 一刻安舒。《囚人》、《空間之間》編 舞李家祺繼續遨翔於想像的空間，於 新作中觸動城市人的敏感地，試圖在 不協調中找出和諧的契機。

曾景輝 Terry Tsang 如淌游於水波中悠然自得，風格 不一的舞者配以重拍節奏的電子音樂，與水影波光共 構一場意念之旅。曾景輝繼《忍耐》、《異域》、《聲．引 力》後，激蕩內心深處迴響，又一突破力作！ As you leisurely swim in the waves, explore a constitutive journey with different styles of dancers and electronic music, constructed

by Terry Tsang. Tsang stirs deep inside reverberations in another breakthrough piece after Patience, Exotic and Sound · Gravity.

Everything is unknown when we meet someone, somewhere or something new.

We become familiar with everything as time goes by. Time flies, things change. Are we searching for a moment of peace through the reconstruction of things that we knew? Lee Kaki, choreographer of P BOARD Q and Space within continues the imagination of space, finding harmony in the disharmony amongst urban dwellers.

謝甲賢 Tseky Tse 世上萬千生命，每每重要；唯獨經

麥琬兒 Natalie Mak 你逃跑，但我會追上；我

歷拒絕、遺棄、與愛隔絕的一群，滯留在歡樂缺席的 狀態中，悲傷、痛苦、心碎，發出聽不見的哭聲。謝甲 賢以生命之舞，提出未可解的疑問，未完整的生命到 底是人、是物、還是虛無？

赤裸，但你不會看見；你假裝，我卻真實；我們 碰上，但誰會承認？麥琬兒首個實驗之作，藉著 發現對話去探索存在我們之間屬於每個人的那 一本字典。有沒有想過一生中與你對話最多的 人，或許就是你自己？

Life is crucial. However, thousands are unborn in the world – rejected, abandoned, isolated from love. Somewhere, they are crying with no hope and joy, suffering sorrow, pain and heartbreak. Tseky Tse raises the question: how do we define the unborn? A person? A thing? Nothing?

You run away, but I'll catch up; I'm naked, but you won’t see me; you pretend, but I’m real; we meet, but who is recognised? The first experimental dance by Natalie Mak uncovers our deepest thoughts and the language of dialogue, all through dance. Have you ever thought that, of all people, you spend most of your time in conversation with yourself?

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CCDC精心打造「舞人習作」系列，呈現獨當一面的CCDC舞者 澎湃的創作力，為舞壇帶來新氣象。今個舞季壓軸呈獻《舞 人習作2016》，將帶來七位舞者的清新小品，撥動我城獨有 的節奏，煥發生機。 As one of Hong Kong’s most creative dance ensembles, CCDC has brought refreshing new voices to audience through the Dancers’ Homework, a showcase for CCDC dancers’ choreographic talents.

2016 Dancers’ Homework features a mixed bill of seven emerging choreographers from CCDC. Through their works, they react and revitalise the unique rhythm in this city.

譚渼樺 Malvina Tam 籠裡出生的 鳥認為飛是一種病，那人類生活在 繁華都市中，寧靜也許就是一種不 安的存在？曾旅居外地的譚渼樺親 自演繹城市人活在資訊爆炸中的適 應與生存，重新感知現世。 “Birds born in a cage think flying is an illness.” said Alejandro Jodorowsky. People who live in a metropolis see living at peace as unstable.

Having lived abroad for two years, Malvina Tam presents a solo performance that revisits our circumstances, exploring how people survive and adapt in the information boom.

1~2.1.2016 2~3.1.2016 (五、六 Fri~Sat) 8pm

(六、日 Sat~Sun) 3pm

CCDC舞蹈中心 賽馬會舞蹈小劇場 Jockey Club Dance Theatre, CCDC Dance Centre $100﹝不設劃位 Free seating #﹞ # 劃一票價，Dance Generation卡持有人及套票優惠不適用於此節目 Discount for Dance Generation cardholders and package are not applicable to this programme.

只接受郵寄訂票 Ticket order by mail only

曾 景輝

Terry 讀書時或想自己未來未必走專業舞者的路， 但加入CCDC後令我完全改變，很想繼續努力。

Tsang

When I was a student I thought that I might not become a professional dancer. However, my mind has changed since I joined CCDC. Now, I always want to put a lot of effort into dancing.

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麥 琬兒

Natalie

對我來說，CCDC之最當然是最快的身手！ 在慶祝三十五周年的舞作《風中三十五》中， 因為需於兩小時內演出多達十六個作品， 所以快速換衫的技能就被訓練出來了！

Mak

To me, there’s no doubt that being fast is the most important skill at CCDC! I needed to perform 16 pieces in two hours in Amidst the Wind at CCDC’s 35th anniversary – I mastered the skills of quick change!

跳格一大步 Jumping Frames: A Leap Forward 文

黃國威 跳格國際舞蹈影像節策展人

舞蹈影像給予眾多編舞及舞者在銀幕上的嘗試。自「跳格」於十年前創辦以來，積極透過委約鼓勵舞 蹈的另類呈現，從題材、動作質感、環境舞蹈與科技等探索，成功引領藝術家進入新的藝術形式，更塑 造獨特風格。我們很高興早年和「跳格」開展實驗的導演們，至今仍和舞團繼續有不同形式的合作， 由拍攝舞蹈影像、舞台製作的錄像設計、宣傳片製作以至劇照攝影等，都將寶貴經驗積累成為更成熟 的作品，獲得業界認同。 十年過去，「跳格」將進入整固期，除了為舞蹈影像藝術家提供較佳的製作支援，追求更成熟的作品， 同時更重視經驗整合及推展國際交流。可幸舞團成功獲民政事務局批出最新一期「具競逐元素的資 助試驗計劃」，支持「跳格」再向前邁進。未來的新方向包括在今年七至八月與西九文化區合辦以舞 蹈影像為主題的「新作論壇」，邀請本地及國際知名的舞蹈影像專家與來自香港及亞洲不同地區的創 40

作人共同探討創作、發掘新方法及思考當代藝術的議題。此外，「跳格」將在未來三年委約五部較大 型的舞蹈影像作品，邀約更多具潛質的本地舞蹈及電影業界人士參與創作，以製作更高水平的舞蹈影 像，並培育未來的藝術人才。由此，「跳格」將會年年向觀眾呈獻委約作品，請拭目以待。 跳格網址 Jumping Frames website: www.jumpingframes.com

委約作品《Let's Say》劇照 Still from commissioned work Let's Say

Text

Raymond Wong, Curator of Jumping Frames International Dance Video Festival

Screendance has always provided an experimental ground for choreographers and dancers with new ideas. That’s what we have witnessed over the past ten years, since the inception of Jumping Frames: diverse and distinctive styles of artistic expression, including themes, movement styles, exploration of sites and technology, have developed through dance film commissions. We are glad to collaborate continually with artists who are keen on exploring the art form through different means, ranging from film productions and video design for stage productions, to promotional trailers and stage documentaries. Their experiences have contributed to a greater success for their works, works that have received much acclaim from their peers.

From this year, Jumping Frames will focus on the consolidation of artistic experience in the making of dance films, plus the international exchange of ideas. This year, CCDC has been granted new funding from the Home Affairs Bureau, to further develop screendance. The Company will make a leap forward and pursue a more mature way of commissioning, including the “New Works Forum: Screendance” co-presented with West Kowloon Cultural District Authority. We will invite screendance artists to investigate new creations, explore new methodology and discuss current issues in the contemporary arts with Hong Kong and Asian artists. Moreover, Jumping Frames will commission five larger scale productions in the coming three years, providing opportunities for artists to deepen their exploration of screendance work.

Stay tuned for the Jumping Frames Festival – we now premiere commissioned works in our programme lineup annually, instead of every two years.

《舞蹈電影：尋找大觀園》劇照 Still from A Dance Movie: In Search of the Grand View Garden

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© CCDCDC

The Cycle of Dance, the Flower of Life

文

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© CCDCDC

舞蹈界 的生命之花 李雪彤

生命之花由一個圓形開始分拆並向外旋轉，每個

作。藝術指導計劃「真演出」新系列旨在發掘有

細胞花瓣再環環相扣直至母體成型，喻意生命由

潛質的年青編舞，透過提供場地、行政及技術三

二元而生且不停繁衍、生生不息的特性。CCDC

方面的專業支援，協助本地舞壇新晉製作他們第

舞蹈中心在舞蹈界的角色及概念就如生命之花，

一個長篇作品，以現有的設施開設夥伴計劃，讓

一直在孕育、支持、推廣及連繫舞蹈圈的各個單

業界共享資源。

位，促使舞蹈界成為一個共建的豐富循環體。

CCDC 舞蹈中心的常規舞蹈課程由三歲開始設 定，為各階段的舞蹈愛好者提供全面且多元的 教育機會。舞蹈種類由芭蕾舞、爵士舞到身體鍛 鍊的整合運動或瑜珈，包羅萬有。除了常規課程 外，我們亦秉承培訓專才的宗旨，設立「學校現 代舞培訓計劃」，為中小學學生提供基礎現代舞 訓練課程，同時亦開設舞蹈培訓獎學金計劃── 「612 未來舞士」和「彩色青春」，教育年齡層分 別為六至十二歲、十三至十八歲的學生，持續培 訓有志之士；為十八至二十七歲青年而設的「舞 蹈青年」計劃則以平台舞蹈表演形式將現代舞 表演帶到社區，不但培育舞蹈精英，更普及現代 舞，惠澤坊眾，一舉兩得。以上社區外展及專材 培訓計劃，成功為有興趣投身舞蹈的年青人在步 入大專課程前，奠下良好基石。 除了教育，CCDC 舞蹈中心在支持業界發展方面 更是不遺餘力。於 2004 年建立的 CCDC 舞蹈中 心提供八個排練室予獨立舞蹈家作排演之用， 發展成「排練場地贊助計劃」，支援本地藝術創

凝聚香港之餘，不忘放眼國際、加強香港和國際 聯繫更是 CCDC 舞蹈中心另一建樹。「中國網絡 計劃── 聚焦香港」帶領香港舞蹈家到北京舞 蹈雙周和廣東現代舞周表演。在參與的過程中， 香港舞者把握和國際舞團溝通的良機，透過交 流、觀摩完善自己的作品，並分享舞蹈理念，擴 闊視野，繼而回饋本地藝術發展。關於學術討 論，設立研討會，針對舞蹈界的不同議題，如身 份認同、歷史進程等，提供一個平台讓各界別及 不同世代的從業者聚首一堂回顧和探討。這些整 合和連結的工程，能夠讓舞蹈界建立一個更成熟 的系統和更良好的氣候，鼓勵各方繼續一同努力 前航。

CCDC 舞蹈中心從零開始，再破舊立新，在過往 十年來不停推動業界發展。從教育培訓課程開 始，然後為舞者提供創作和演出的機會，最後 更與海外接軌，嘗試鞏固香港舞蹈界的國際地 位。CCDC 舞蹈中心一直在繪畫這個屬於舞蹈界 的圖騰，培育舞蹈新秀、開闢舞蹈新領域，讓現 代舞發展更蓬勃，期盼著一個璀璨的將來。

© Quist Tsang

「真演出」新系列《病睡人間》 Sleepy Sickness of REAL Showcase New Series

Text

Christy Lee

The flower of life splits from a circle and rotates outwards; every single cell of its petals interlocks with the others until the mother cell is formed. The process symbolises a characteristic of life – to procreate continually under dualistic nature, from generation to generation. In its role and concept, CCDC Dance Centre is just like this flower of life: it keeps nurturing, supporting, promoting and connecting each part of the dance industry, encouraging the industry to be a co-operative and connected body.

Not only does CCDC Dance Centre offer regular dance courses to participants aged three and above, it also provides dance lovers at all levels with comprehensive and diverse educational opportunities. The types of dance provided range from ballet and jazz to body work and yoga. You name it, we provide it! Apart from its regular courses, CCDC Dance Centre also established the “School Modern Dance Animateur Scheme” (following its objective to inspire and train professionals) to provide foundation courses in contemporary dance for primary and secondary school students. Meanwhile, “612 Mini Dancers” and “Teens of Colours” – under CCDC’s “Dance Training Scholarship Scheme” – offer continuous training to those who are fond of dancing, aged 6 to 12 and 13 to 18 years respectively. And “WuDaoQingNian” makes use of Podium Dance Performance in order to introduce contemporary dance to the community. The scheme not only helps to promote contemporary dance, it also benefits all citizens.

Together, these programmes lay a firm foundation for a younger generation who would like to immerse themselves in dancing before they advance to higher education. 中國舞蹈向前看2014 China Dance Forward 2014

Besides education, CCDC Dance Centre works hard to support the expansion of the dance industry. In 2004, CCDC set up CCDC Dance Centre, providing independent choreographers with eight studio rooms for rehearsals; it then evolved into the “Partnership Programme - Rehearsal Venue Sponsorship” which aids local arts. The “REAL Showcase New Series” aims at discovering talented young choreographers and helping them to produce their first full-length works, providing professional-level aid, including venues offers, administration and technology support. CCDC Dance Centre pioneers the partnership sharing existing resources with our counterpart.

Beyond Hong Kong, CCDC Dance Centre looks towards the international stage, strengthening the connections between Hong Kong and the world. “China Networking Project - HONG KONG FOCUS” allows Hong Kong’s choreographers to join the Beijing Dance Festival and the Guangdong Dance Festival. Here, choreographers can refine the structure of their works after benefitting from communication and exchange with counterparts from all around the world. Thus, after sharing their ideas of dancing, they broaden their horizons and also improve the local industry. CCDC Dance Centre has also set up a seminar for academic discussions on different topics in the dance industry, such as self-identity, history and more. The seminar offers a platform for people from all walks of life and different generations to come together to review and discuss issues. With all these integrated and connected programmes, we are able to develop a more mature system and create goodwill in the dance industry, encouraging all of us to move forward hand-in-hand.

43

CCDC Dance Centre starts from scratch, eradicating the old and fostering the new. Over the past decade it has promoted the continual development of the industry, trying its best to establish an international status for Hong Kong, by offering training programmes, rehearsal assistance and by connecting with the world. CCDC Dance Centre never stops training new talents and creating new dancing areas, to boost the evolution of contemporary dance and lead it to a bright future. 「真演出」新系列《整容》 Plastic Surgery of REAL Showcase New Series

© Jacky Fung

© Aerial Production

© Daniel-Bosschieter

由零歲開始 享受舞動

Dance starts from zero

香港鮮有專屬兩歲半以下幼兒的舞蹈活動。如果嘗試 讓站在人生起跑線上的寶貝們，簡單地享受身體及 官感律動，家長們則以一種漫慢而舒服的節奏來與 孩子溝通、一同享受舞蹈藝術，這個建議又如何？

CCDC舞蹈中心邀請了來自芬蘭的舞者Päivi Aura 及 其團隊Dance Theatre Auraco，於四月把她們的創 作《Me-Me》帶來香港。 《Me-Me》芬蘭語的意思即為「我們、我們」，一個 「我們」是舞者，另一個「我們」是觀眾，意為由舞者 與觀眾一起創作的舞蹈。這個活動有嚴謹的年齡限 制，以兩歲半以下幼兒為對象。在整個演出裏，舞者 們都不會說話，只會用身體溝通。樂師先奏出音樂， 舞者繼而起舞，然後他們邊繼續自己的舞步、邊以身 體語言（包括眼神）邀請小觀眾加入。在場的小觀眾 慢慢就變成了演出者，與舞者們一起成就這個演出。 44

有人會問，要培養這麼年幼的小孩跳舞嗎？演出中舞 步及音樂節奏緩慢，很適合幼兒，讓他們感受到舞者 與他們的互動，甚至主動地創作自己的舞步；演出也 不是要求幼兒學習甚麼形式的舞蹈，沒有固定的「學 習成果」，父母們大可採取「不干預政策」，即使小孩 不想出去跳舞，父母仍可靜靜地坐在一旁陪著小孩 觀看演出。小至幾個月大的嬰兒也能享受隨節拍而 起舞，原來「舞動」就是與身俱來的本能。 由CCDC舞蹈中心舉辦的幼兒舞蹈表演《Me-Me》 ，

將於四月四至五日(星期六及日)上午十一時半及下午

二時半於 CCDC 舞蹈中心賽馬會舞蹈小劇場 ( 黃大仙

沙田坳道110 號地下 ) 舉行，表演設有家庭套票及升

級門票兩種，於三月二日起在CCDC舞蹈中心公開發 售。名額有限，欲購從速。

票務及節目查詢 Ticketing and Programme Enquiries

2328 9205 / dc@ccdc.com.hk * 文章部分內容撮自澳門《劇場•閱讀》（2013年10月出版）的《與 0-3歲的幼兒共舞》（作者：阿米高） Content extracted "Dance with 0-3 years old babies"; written by Amigo; published in Performing Arts Forum, Macau Oct 2013.

There aren’t many dance activities for children aged 0 to 2.5 years to do. So what if parents and children, standing on the starting line of life, could enjoy the rhythm of their bodies and communicate through dance? Do you think it would be worth trying? To give you and your child a chance to explore the world of art and dance?

At the invitation of CCDC Dance Centre, Finnish dancer Päivi Aura and her team Dance Theatre Auraco will come to Hong Kong in April, bringing their performance Me-Me to parents and children of the city.

In Finnish, the meaning of “Me” is “Us”. The audience is Me. The dancers are Me. Together we are Me-Me. In this warm production unlike any others, the audience creates the story together with the dancers. Each performance is unique. Dancers will not speak, they will only dance, using body language to interact with the audience. There is an age restriction for children – a maximum of 30 months. As musicians begin to play music, the dancers will start their dance, at the same time inviting children to join in through eye contact or body language. Children will become performers as well, completing the performance together with the dancers.

Some may ask, is it too soon training children to dance at young age? All steps and music have been slowly developed to suit children, encouraging them to feel the interaction with the dancers and create their own dance. But this is not about how to dance a particular style and there is no expected result for the performance. Even if children do not want to dance, parents can accompany them and enjoy the whole performance together. But then, you’ll discover that even children under 30 months of age can dance too – because “dance” is a gift that we are born with.

CCDC Dance Centre presents the children’s dance performance Me-Me at 11:30am and 2:30pm on 4 and 5 April 2015 in the Jockey Club Dance Theatre, CCDC Dance Centre (G/F, 110, Shatin Pass Road, Wong Tai Sin, Kowloon). Two types of tickets are available – the Family Package and Upgrade Tickets – from 2 March at CCDC Dance Centre. Limited seats are available on a first-come, first-served basis.

陳 俊瑋

Ivan 編排自己的獨舞時，發現自己不想跟其他人一樣， 於是想發展自己的一套舞蹈語言， 開始問自己問題亦開始了解自己，原來最想成為一位舞者。

Chan

It was only when I choreographed my own solo that I discovered I wanted to be different from the others. I want to create my own dance language. I started questioning myself and realised that I most wanted to becoming a dancer.

2015年巡演日程 Touring Schedule

「這群極之專業，技巧高超， 身手一流的年輕舞者是香港最好的文化大使。」 ㄧㄧ 德國《斯圖加特報》 “Thoroughly professional, the young, technically brilliant Hong Kong Chinese with highly efficient acrobatic skills are the best cultural ambassadors of their city.”

– Stuttgarter Zeitung, Germany CCDC自1979 年創團以來，一直以「立足香港， 匯聚華人菁英，創造當代中國舞蹈」為宗旨，除致 力製作原創節目、推動教育與外展活動及支持中 國舞蹈發展計劃外，並肩負文化大使的角色，屢 次獲邀代表香港參與世界各地的藝壇盛事。 46

過去一年，舞團先後 走訪意大利羅馬、佛羅倫

Since its establishment in 1979, CCDC has played its role as one of Hong Kong’s leading performing arts companies with excellence as it has continued to rally the best of Chinese talent to create dance in the contemporary context of China. As a cultural ambassador for Hong Kong, CCDC has toured to the world’s foremost dance stages and most notable festivals over the past few decades.

獨特魄力。

Last year, CCDC toured to Florence, Rome, Oslo, Daegu, Beijing, and Guangzhou to help project Hong Kong’s unique cultural identity and contemporary artistic soul to world audiences through stage performances and extensive cultural exchange activities, including dance video festivals, dance camps, seminars and workshops.

7.2015

8.2015

2015 Beijing Dance Festival

Niigata, Japan

10.2015

11.2015

Hong Kong Week 2015, Taipei

The 12 th Guangdong Dance Festival

斯、挪威奧斯陸、南韓大邱、中國北京、廣州等 城市巡演及參與多項國際交流活動，包括舞蹈影 像、舞蹈營、工作坊等，確立香港舞蹈文化於國際 的獨立定位，並向世界展現當代香港藝術靈魂的

北京舞蹈雙周2015

台北香港週

日本新潟

第十二屆廣東現代舞周

© Conrado Dy-Liacco

主辦機構保留更改節目及巡演日程的權利 Programmes and touring schedule are subject to change

李 家祺

Li

當你喜歡跳舞，在任何時間走進CCDC都很大機會碰見熟悉的面孔： 舞伴、朋友、老師、學生等，這裡不只是一個舞團， 更是學校、排練室，包羅萬有。

Ka-ki

If you like dancing, you’re likely to come across familiar faces – partners, friends, teachers, students, and so on – whenever you enter CCDC. CCDC isn’t only a dance company, it’s also a school, rehearsal rooms – and many other things!

謝 甲賢

Tseky

有一次，手腕上的傷復發，需要做手術，有一陣子沒有跳舞。 當我再跳舞的時候已經是年半後的「舞蹈青年」了。 可能是因為太長時間沒有跳舞，以後就一直沒有再停下來， 從「舞蹈青年」考入演藝學院再到現在，成為專業舞者。

Tse

I had a setback when I hurt my wrist; I had an operation, which stopped me from dancing for a while.

After one and a half years out, I joined “WuDaoQingNian” – that’s when I picked up dancing again.

Perhaps it was because I had stopped for so long, but I’ve never stopped dancing since: I was admitted to HKAPA from “WuDaoQingNian” and then became a professional dancer.

$78/$65 *CCDC Dance Generatioǹ、Dance Card˫Kids Card‫̀ݡ‬ʇᏠ౵ᄱ Special Price for holders of CCDC Dance Generation Card, Dance Card and Kids Card.

CCDCᓂቂট߾൥ϐ௏࠴ࣗDarren Olivero௏࠴ᚄౘᔵ߾࡙‫څ‬ěNo Motion, Slo’Motion, DanceĜԧμͦேç జ๙૖̴ěѥٍ‫ٴ‬Ĝƺ ƺƺগߺ˫೟̑ႌй̤բ᎛ᒰç̤঻๏བ੃ጓഛlikeႬᒶ‫څ‬ஆࠑé CCDC invited award-winning designer Darren Olivero to create "No Motion, Slo’Motion, Dance" series tote bags (special edition in pink and turquoise), capturing the excitement of dance through a beautifully minimalist heartbeat coming to life. © ManChingKC

ୖ‫ء܈‬CCDCႬᒶˁ˼˫‫ء‬CCDCေ̴˄‫͔ۯ‬ો݅ழЊਜ਼é Products are available at CCDC Dance Centre and reception counter at theatre entrance during CCDC performances.