Casterline|Goodman Gallery | Art New York 2018 | Booth ANY201

ART NEW YORK 2018 Booth ANY201

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May 3 - May 6

Featuring a special collection of works by Richard Serra

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Casterline|Goodman Gallery is pleased to announce its participation in Art New York 2018.

This will be the gallery’s fourth consecutive year at Art New York. The booth will feature many great works by Mark Bradford, Keith Haring, Damien Hirst, Robert Indiana, Alex Katz, Gerhard Richter, Ed Ruscha and others. The gallery will also be showcasing a special collection of drawings and sculpture by Richard Serra.

Richard Serra is an American minimalist sculptor known for his sheet metal installations. Serra was greatly influenced by his work in steel mills as a teenager and by his father’s job as a pipe-fitter.

Serra was involved with the Process Art Movement, which concentrates on the physical process of art making and the characteristics of the materials utilized. In 1966, he made his first sculptures out of industrial materials as fiberglass and rubber. He experimented by throwing molten lead against his studio wall, later turning to rolling, cutting, propping and stacking.

In the 1970s, Serra began his series of large-scale Installation Drawings, which pinned directly to the wall and painted in black paintstick. His work examines ideas of space and form, as well as the tension between gravity and weight. His enormous sculptures are supported by their own weight, drawing attention to the nature of the material. Serra once said that his goal is “to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it,” and that art is a “broadening of experiences.”

Richard Serra has work featured in the permanent collections of many of the world’s most prominent museums.

These works will be on view with Casterline|Goodman Gallery at Art New York, from May 3-6, 2018, at Pier 94.

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Mark BRADFORD Untitled (Cheap Auto Insurance), 2006 Mixed media collage 14.375 x 20.5 inches

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Mark BRADFORD Untitled (Polici Auto Auction), 2007 Mixed media collage 17.75 x 28 inches

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Jim DINE Blue Sunday, 2012 Oil, acrylic and sand on canvas 60 x 48 inches

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Jim DINE Still-Start The Western Fire, 2010 Acrylic, charcoal and sand on linen 72 1/8 x 60 1/4 inches

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Sam FRANCIS Untitled (SFf#547), 1969-71 Acrylic on canvas 36 1/4 x 42 1/8 inches

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Adolph GOTTLIEB Vertical, 1971 Oil on canvas 60 x 48 inches

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Simon HANTAI Etude, 1970 Oil on canvas 60 7/8 x 46 3/8 inches

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Keith HARING Untitled, July 14, 1982 Acrylic on metal 9 1/4 x 35 7/8 inches

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Damien HIRST Isoxazole, 2010 Household gloss on canvas 27 x 21 inches

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Robert INDIANA Aspen LOVE Oil on canvas Total size 24 x 24 inches

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Alex KATZ Dappled Light, 2006 Oil on linen 84 x 60 1/4 inches

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Alex KATZ Lily 1, 1967 Oil on board 14 x 18 inches

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Barbara KRUGER Do I Have To Give Up Me To Be Loved By You?, 2011 Print on paper 32 x 50 inches (paper), 33 x 51 inches (framed) Edition 5 of 10

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John McCRACKEN Blue Cube, 1972 Polyester resin and fiberglass on plywood 24 x 24 x 2 inches

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Kenneth NOLAND Mysteries: Maine Painting, 2000 Oil on canvas 18 1/2 x 24 1/2 inches

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Gerhard RICHTER Paper Fuji (23 Oktober 1996), 1996 Oil on paper 11 1/2 x 16 1/4 inches

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Ed RUSCHA Automatic Study, 1963 Pencil on tracing paper 16 7/8 x 12 inches

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Ed RUSCHA Collision Frame Repair, 2010 Acrylic on canvas 22 x 32 inches

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Ed RUSCHA Fly-Proof, 1973 Gunpowder and pastel on paper 22 5/8 x 28 5/8 inches

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Ed RUSCHA Kay-Eye-Double-S, 1979 Pencil on paper 7 3/8 x 34 inches

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Ed RUSCHA Magic Isle, 1982 Pigment on paper 30 x 40 inches

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Ed RUSCHA Rooms, 1996 Acrylic on lithograph, framed 16 x 28 inches

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Ed RUSCHA The World, 1977 Carrot juice on paper 23 x 29 inches

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Ed RUSCHA Yes Tree, 1983-1986 Oil and enamel on canvas 50 x 40 inches

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Frank STELLA Conway, 1968 Felt pen on paper 10 x 15 inches

Richard SERRA

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Richard SERRA Maquette for a project in Plaza Callao (Madrid), 1981 Steel 48 1/2 x 24 x 24 inches

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Richard SERRA P&E IX, 2007 Litho crayon on mylar 26 1/2 x 40 inches

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Richard SERRA P&E VIII, 2007 Paintstick on mylar 26 1/2 x 40 inches

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Richard SERRA Stratum 8, 2007 Paintstick on paper 39 1/2 x 40 inches

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Richard SERRA Transparency #57, 2013 Lithocrayon on mylar 30 x 24 inches

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Richard SERRA Untitled, 2005 Paintstick on handmade paper 26 x 28 3/4 inches

“Play is a necessary ingredient in art because there is a kind of wonder that goes on when you play. You're directing your activity toward a conclusion that isn't prescribed by a particular method.� - Richard Serra

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