Art Palm Beach v3

BOOTH 708/809 Wednesday, January 25, 2023 VIP Preview: 6pm - 10pm GENERAL ADMISSION Thursday, January 26: 12pm - 7pm Friday, January 27: 12pm - 7pm Saturday, January 28: 12pm - 7pm Sunday, January 29: 12pm – 6pm

Secondary Investment Artwork

CASTERLINE|GOODMAN GALLERY, specializing in post-war and contemporary art, is committed to bringing first-tier investment-grade original artworks from the 20th and 21st centuries to market. Casterline|Goodman works as a boutique investment art firm with a strong background in the art market and art fund management.

With a combined total of more than 30 years in the art advisory business, Robert Casterline and Jordan Goodman assist clients in all aspects of building a fine art collection. By nurturing long-term relationships, utilizing industry knowledge and a having strong presence in the global art community, Casterline|Goodman helps collectors acquire significant works of art from both established and emerging artists. Casterline|Goodman staff travels around the world, regularly exhibiting in art fairs and attending gallery openings, museum exhibitions and auctions in order to provide clientele with the most current information regarding the global art market.

COLLECTING art is a sophisticated investment that can simultaneously entertain an investor's aesthetic passion while providing them an opportunity to diversify their investment portfolio. According to a 2012 Barron's article, the investment return of the art market in 2011 outperformed both the MSCI All Country World Investment Index and the S&P 500. The recent 25% growth and development of international art funds managed by boutique firms and major financial institutions serves as a broad indicator of the investment potential in the art market. Many major financial institutions are beginning to consider the art market as a solid investment option for their clients. As Deloitte stated in its 2011 Art & Finance Report: "83% of private banks consider adding art and collectibles to a portfolio strongly favorable. 78% of the private wealth managers surveyed are already offering art-related service, and 83% of the banks are expecting to outsource their art-related services in the future."

There is a common misconception that collecting art requires a large investment. In the contemporary art world, the variety of styles, mediums, sizes, colors, prices and artists make it possible for any collector to find something they will love; and, if working with an appropriate art advisor, the piece chosen can become a strong investment. Making an informed decision to buy a work of art and knowing the right price to pay requires professional experience, careful analysis and due diligence.

Casterline|Goodman offers specialized advisory and curatorial services with an educational focus. They work with their clients extensively to educate them on the current market and the individual artists that interest them to learn what drives their passion for collecting art while educating them on the investment side of the market.

If you are interested in learning more about putting together a collection, adding to your existing collection, selling works you own, or if you are looking to understand the value of a piece that you currently own, please contact Casterline|Goodman Gallery to speak with an advisor today.

JIM DINE Heartscent, 1984 Oil, spray paint, oil stick on canvas 38 1/4 x 80 inches

LYNNE MAPP DREXLER Untitled, 1963 Oil on canvas 33 1/2 x 29

DAVID HOCKNEY Swimming Pool, 1978 Ink on paper 14 x 17 inches

ALEX KATZ Ada, 2012 Diptych: Oil on wood and charcoal on paper 28 3/4 x 36 1/4 inches

ALEXANDER HÖLLER

“The Emotion Artist” Alexander Höller was born in 1996 in Schweinfurt, Germany. He graduated from The Academy of Fine Arts in Munich in 2020.

Holler’s unique and daring paintings present a mixture of self-portraits of an artist as a young man and ultimately as a jester holding a mask up to the world to tell it what he thinks of it – with the gesture of a silent scream, as well as abstract multi-layered, intricate color field paintings.

Alexander Höller is an international artist based in Munich. He is exhibited and known all over the world. His paintings free the viewer from mundane everyday life, release positive emotions, and transport to the viewer to a different world.

A world where each human can be one with themselves. Alexander Höller manages to do just that with his EMOTION ART. He started creating artwork at the young age of fifteen and decided to dedicate his life to art shortly before his graduation. Thanks to his artistic giftedness, he was accepted into the State Academy of Fine Arts at the request of his professors even though he didn't yet have a high school diploma. Something that is unheard of, even to date.

Alexander Höller's works of art are intended to break boundaries, to stimulate reflection through their contrasts and contradictions, and thus spark the viewer's emotions: they glow, seize the space and thus create the possibility of interpretation and inspiration. They look strong at first and delicate at second glance. Due to their versatility and complexity, the works appear spherical.

What applies to his art is also true for the artist himself. As the only EMOTION ARTIST in the world, Alexander Höller embodies the provocative rebel and rock star on the outside. When giving him a closer look you will find a multi-layered kaleidoscope.

Höller's style can be ranked as abstract expressionism. It is energetic and multifaceted. His style is not comparable, his art is a fusion of Jackson Pollock, Gerhard Richter, Jean-Michel Basquiat, Mark Rothko, Willem de Kooning and Andy Warhol. The paintings are created using only the highest quality and most exclusive colors and materials. He strives to provide something special, valuable, and personal to collectors of his work, giving a part of himself to anyone purchasing a Höller.

Mad Croc, 2022 Signed on verso Oil, spraypaint, acrylic paint, oil stick on canvas 51 1/8 x 59 inches

Baboon 20, 2022 Signed on verso Oil, spraypaint, acrylic paint, oil stick on canvas 31 1/2 x 31 1/2 inches

King C II, 2021 Signed on verso Oil, acrylic, spray paint, oil stick on canvas 66 7/8 x 70 7/8 inches

NICK MOSS

Nick Moss was raised in Metamora, Michigan. Having worked on an intensive crop farm and with an industrial contracting company, Moss studied welding and metal fabrication before relocating to New York City in 2007. In 2008, Moss joined Traeger Wood Pellet Grills and was given full control of creation, concept, and industrial design including re-engineering, where the product was made primarily of steel. By 2014, Moss moved towards pursuing his artistic practice, continuing to experiment with welding and steel which later developed into his unique process of art fabrication today. Moss makes all his work entirely by hand without studio assistants, through a process that’s highly dangerous and requires dexterity and attention to detail while behind a full-face welding helmet. Moss is based out of upstate New York.

“I have steel in my blood,” Nick Moss said. Given his life-long relationship with steel, his familiarity with it, and his technical mastery of it, it seems inevitable that he chose it as his medium.

Moss didn’t want to make steel sculptures, as he refined his unorthodox process and explored imagery and narratives. While the recalcitrant, exacting and potentially dangerous medium is not for the fainthearted, Moss found its challenges exhilarating.

His production is all made by hand, all one-offs, and it is crucial for him that he executes his works himself.

Moss has substituted sheets of steel for canvas and welding guns for paint and brush, deploying them with the same deftness and delicacy as a painter. He also searched for ways to present his “steel paintings,” ultimately devising an elegant structural solution. Learning how to appropriately control the flow of heat and gas was also critical to his equivalent of a “brushstroke”, since temperature alters the quality of the line, from the granulated and rough to the incised and smooth.

3 Yellow Poppies / Green Leaf, 2022 Welded flower with yellow patina flower pedals on steel, framed, 2 part clear coat finish 49 1/8 x 37 5/8 x 2 inches

Untitled Poppy Flower, 2022 Welded flower on steel, mixed patinas, framed, 2 part clear coat finish.

49 1/2 x 33 3/8 x 2 inches

4 Poppies, 2022 Welded flower on steel, mixed patinas, framed, 2 part clear coat finish.

49 3/8 x 33 3/8 inches

DANIELLE PROCACCIO

Ansel Adams once said, "The closer I get to nature, the closer I get to God." Painting, for Danielle Procaccio, is a spiritual journey. Each stage of life brings about changes. Evan as a child, she always wanted to capture life's moments and preserve each precious memory. This desire became her inspiration; to observe the natural world, to preserve that image, and then share it. Danielle wants each viewer to look at the piece and be struck with an emotion or maybe a distant memory.

Danielle Procaccio's work is a combination of different mediums. Her multi-layered composition gives the canvas texture and movement fusing the indigenous with the sophisticated. Her work has been exhibited in galleries and shows since 1995. Today, her art can be found in a number of corporate and private collections worldwide.

Through her art, Danielle has been able to make a spiritual connection with herself. As you view her art, accept her invitation to make your own connection.

Bloom, 2023 Signed on verso Acrylic on canvas 45 x 70 inches

Sky, 2023 Signed on verso Acrylic on canvas 45 x 70 inches