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Cassidy Jones | Architectural Portfolio | Winter 2019

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CASSIDY JONES PORTFOLIO


ABOUT CASSIDY JONES

CONTACT

I was an exceedingly quiet kid. Born in rural Northern California , I spent most of my childhood in my own imagination, creating stories and universes that existed only in my mind. I never would have guessed I would grow up to be outgoing, and deďŹ nitely never that I would pursue a career where I got the chance to use that imagination and those universes to alter the real world around me.

633 East 14th Avenue #104 Eugene, OR 97401

I believe that architecture is, ďŹ rst and foremost, for people. It is to shelter us, to inspire us, and to serve us. It is the intersection of creativity and pragmatism. I believe that buildings should work with their surroundings to create beautiful, liquid spaces that are both elegant to inhabit and capable of sustainably resisting the test of time.

530.277.9859 cjones07.29@gmail.com


TABLE OF CONTENTS PROFESSIONAL WORK Uncaged Sanctuary Site

1-2

Swansong School of Architecture

3-4

BILDing Hope

5-6

Swiss Pavilion

7-8

ART Detail Drawings

9

Watercolors

10

TABLE OF CONTENTS

STUDIO WORK


UNCAGED SANCTUARY SITE SUMMER 2018 LOCATION Tuscany, Italy Uncaged is an organization working on combating sex trafďŹ cking on a global scale. Their Sanctuary Site aims to provide trauma therapy, education, and life skills to help rehabilitate survivors back into everyday life. A circular plan was chosen as conceptually it is all-inclusive and protective. Functionally the circle wraps the site and pulls each dwelling towards one another. There are four primary axes off of which is one Stage 1 complex and three clusters of Stage 2 cottages. Four secondary axes provide support services. Layers of social spaces and sizes all focus inwards to allow self-reection and a sense of community, while numerous elements spiral within the circle to provide a sense of unity. Both a connection to nature and designated quiet places serve as therapeutic elements to survivors on a path to recovery. IN COLLABORATION WITH Zach Sherrod, Intern Coact Designworks


(3)

AMPITHEATER

ENTRY

WALL OF HOPE

COTTAGE INTERIOR

UNCAGED

CHAPEL INTERIOR

LABRYINTH

You can watch my virtual video of the project here: https://www.youtube.com/watch?v=6Cz_Od6cHkA&feature=youtu.be

2


SWANSONG SCHOOL OF ARCHITECTURE SPRING 2018

FACULTY

The University of Oregon currently has a sizable architecture program that focuses on collaboration, sustainability, and ingenuity. A new building for the department should encompass these beliefs. A central core shifts apart from two wings to allow for a large courtyard and for light to penetrate the core spaces. On the Western side the building it has a photo-voltaic sunscreen as well as a water catchment system that drains into bioswales in the courtyard. The two wings house support services and communal spaces while the core houses classrooms and studio space. All the studios are in groups that open up to one another, easily facilitating collaboration.

FIRST FLOOR PLAN

CLASSROOM

REVIEW DOWN

UP

REVIEW

CLASSROOM

HEARTH

LECTURE HALL

MATERIAL LIBRARY

LOBBY

DOWN

FACULTY

ADMIN

LOCATION Eugene, OR

N

The building also pulls back from the street and pushes back the parking lot to create a more pedestrian friendly entry to campus. With bike lanes and a double tree arcade it aims to create a pedestrian thoroughfare for the South edge of campus.

SECTION [SOUTH]


INTERIOR ENTRY

SCHOOL OF ARCHITECTURE

EXPLODED AXONOMETRIC

4 SECTION PERSPECTIVE


BILDing Hope WINTER 2018 LOCATION Eugene, OR The OregonBILDS program is a design/build studio that offers students the opportunity to design a low-income single family home and to follow it through to ďŹ nal construction documents and permitting. Although the studio ends up designing only one home, each student initially presents their own idea both as individuals and groups. This concept aimed to lower the footprint of the building so as to allow greater room in the backyard and a possible future ADU should the family need to expand. It focused on creating warm, comfortable spaces for now and on longevity and adaptability for the long term.

GROUP MEMBERS Payton Narancic Davin Fitzgerald Kierra Morris


DN

4

5

A101

A101

DW

Refrigerator

14' - 0"

6' - 0"

UP

Range

4' - 0"

FIRST FLOOR PLAN

BILDing HOPE

SECOND FLOOR

14' - 0"

N

6


SWISS PAVILION AT THE VENICE BIENNALE FALL 2017 LOCATION Venice, Italy

The Venice Biennale attracts thousands of tourists each year to view its outstanding art and architecture. At the Giardini venue stands dozens of different National pavilions, housing the art contributed for that year’s show by that country. The Swiss pavilion aims to capture the daring cut aways and cantilevers of Swiss architecture while also paying attention to careful details and delicate plays of light. It stands as a sculptural experience, a further iteration of the art housed within.

SECTION A [WEST]

SITE MODEL


SWISS PAVILION

STRUCTURE

STAIR DETAILS

8


CLADDING CELLULOSE INSUL. VERTICAL FURRING STRIPS WRB TJI

6” x 12“ HOLLOW STEEL TUBE

2X12 BLOCKING

3” X 3“ STEEL PLATE WITH TAB

ENCLOSURE DETAILS

KAWNEER 1600UT CURTAIN WALL ASSEMBLY

FLASHING EXTERIOR FINISH

3/4” SCH 40 PIPE VERTICAL STEEL SUN SHADE

VERTICAL FURRING STRIPS

2x6 BLOCKING SAM FLASHING

SHADING SUPPORT ; WELDED TO OTHER SIDE OF TUBE

WRB TRIPLE PANE WINDOW

STEEL BRACKET ; WELDED TO CANOPY

OPERABLE WINDOW KAWNEER 16OOUT MULLION SYSTEM ; BOLTED TO TUBE

PASSIVE WALL SECTION DETAIL

STEEL CANOPY

BRICK VENEER

STEEL BRACE; WELDED TO TUBE AND BOLTED TO CANOPY

MORTAR JOINT

JELD-WEN DOOR ASSEMBLY

2” AIR GAP

2” RIGID INSULATION

STEEL BRACKET, WELDED TO IMBED AND BOLTED TO TUBE

CURTAIN WALL CANOPY SECTION

DOOR TREAD

PRECAST CONCRETE JAMB

BRICK TIE

TRIPLE PANE WINDOW

WRB

STEEL ANGLE WELED TO IMBED AND BOLTED TO H.S.S.

SHEATHING BATT INSULATION

BACKER ROD AND SEALANT

2” X 6“ STEEL STUD FRAMING INTERIOR SHEATHING

2” X 6“ FRAMING

PASSIVE WALL JAMB DETAIL

6” X 6“ H.S.S.


ARA PACIS

WATERCOLORS

ORVIETTO

SOUTH YUBA

THE PANTHEON

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