ARTS

by KENNETH MARUNOWSKI, Ph.D. — A&E Feature Writer

The economic, social and cultural history of Oregon is intimately connected to its landscape and specifically to one of its primary resources: wood. In the early 1900’s, lumber mills were key to establishing what is now the city of Bend. Logging persists throughout many areas of the state as a key industry, and our National Forests support this industry through selective logging and the replanting of trees to maintain both the economy and the splendor of the land. It is thus no surprise that woodworking figures importantly in the livelihood of many to this very day.

Woodworking can mean a variety of things to a variety of people, with associations that range from carpentry and crafts to architecture and fine arts, particularly sculpture and woodblock prints. Its history is an ancient one, and the objects created from wood can be both utilitarian and ornamental. Because wood is an organic medium, it is subject to deterioration over time, which necessitates preservation techniques so that it may endure. Due to the diversity of wood types, both hard and soft, artists and artisans alike select varietals most suitable to their practice, choosing according to factors like grain, color, strength and durability (arthistory. net/wood).

Joe von Heideken is a Central Oregon maker who specializes in creating both functional and decorative objects made of wood. A member of the Red Chair Gallery in downtown Bend, Joe’s foray into woodworking began many years ago on a cold, rainy afternoon in Northern California as he scouted an out-of-theway beach riddled with shells, rocks and driftwood. Captivated by a particularly appealing chunk of redwood, the inquisitive man cut into it and revealed a dazzling interior just waiting to be rediscovered. Such began a now over thirty year investigation into various types of wood and the creative possibilities they offer (redchairgallerybend.com/ joe-von-heideken).

The following interview reveals Heideken’s thoughts about his practice in relation to the arts and crafts dyad.

ME: Describe your art/craft.

JOE: By using properly sourced pieces of wood such as maple burls, aged juniper or redwood, I have learned to carve these pieces into bowls that can be used functionally or simply be displayed as decorative pieces. I use a chainsaw to remove any odd limbs around the chunk of wood and then employ an angle grinder with a circular chainsaw device to hollow out the bowl. Once the bowl is roughed out, I begin using coarse sanding discs to smooth out the rough areas, progressively using finer abrasives. Over time, I’ve learned that whenever I think I’ve sanded enough, I should keep sanding. This is probably the most tedious but the most important part of the process. To complete

Heideken’s Display at Red Chair Gallery | Photo by Kenneth Marunowski

the piece I use either an oil finish for food-safe use or multiple coats of lacquer for decorative display. It usually takes five to ten hours to finish a piece.

In addition to the bowls, I also enjoy making small inlaid wood boxes, usually out of oak and walnut, that can serve a variety of purposes. I chose oak and walnut because both hardwoods have a quite special, distinctive color. To create the inlays I use a kerf blade on my table saw to make the groove and then inlay a strip of differing material, for example, walnut on oak or oak on walnut to create a contrast.

ME: Do you consider your work as art or craft?

JOE: I characterize my work as a little of each. When I think of an artist I envision someone

creating something from nothing, for example, a painter who creates something on a blank canvas or a potter who turns a chunk of clay into a vase. In my case, in carving a bowl from a charred piece of redwood or a maple burl, I simply bring out the hidden beauty within its core. The beauty has always been there; I just expose it.

ME: Your description sounds akin to what Michaelangelo described when he brings to life a figure out of marble. The form is already in there, he explained. He just releases it from the material.

I notice you mention “artist” in the above explanation but do not mention “craftsperson.” Is there a distinction in your mind?

Oak-walnut with mother of pearl inlay

JOE: I think it’s pretty tough to separate the two: a craftperson’s work can also be viewed as a work of art. On the one hand, I can think of a cabinet maker whose work, in and of itself, is an art. On the other hand, an artist may be able to create something mentally but must be able to bring it to life. Perhaps that’s the “craftsperson” side of the individual. In essence, I think the art form is the ability to see the potential of the raw material, and transforming it into something of personal value and beauty is the craft element.

ME: I see. So, for you, the imaginative or visionary component of creating something is the art, and the realization of it, the labor involved, is the craft. That’s an interesting and viable distinction. I hadn’t thought about it in that way before.

How does your work address artistic concerns, like those a painter or sculptor must consider regarding form, composition, texture, etc.?

JOE: The size, shape and type of wood dictates what the finished product will look like more than the effort I put into it. At first glance a piece may look promising but turns out to be a dud once I dig into it. Sometimes a knobby, charred piece of redwood may have a rich color once exposed, or a maple burl may be filled with “bird eyes.” Again, the wood speaks to me, and I give it a voice so others can hear it. The “artistic concerns” you mention are inherent in the piece from the very beginning.

ME: What is your opinion on the arts craft distinction?

JOE: Whether art or craft, I have a tremendous respect for anyone who develops a passion for what they do. I think the important thing to remember is that whatever medium one chooses, a sense of selfsatisfaction derives from both the process and the product. If others enjoy my efforts, it reinforces my commitment to continually improve.

ME: That makes sense to me. Personal growth, satisfaction with the making — these are what matter! Cheers, Joe!

Apple from an old tree at our house

Maple Burl from SW Oregon Oak-Walnut

To view the beautiful woodworks of Joe von Heideken, visit the Red Chair gallery in downtown Bend. You may also check out Joe’s page on Red Chair’s website at www.redchairgallerybend.com/joe-von-heideken.

by JULIA KENNEDY COCHRAN — Red Chair Gallery

The Shadows Beneath by Michelle Lindblom

There is a little personal philosophy in every painting Michelle Lindblom creates. “I’m always expressing what’s inside of me,” she explains. Lindblom writes a monthly blog about her inner reflections and then uses them for artistic inspiration. Her abstract acrylic paintings and monotypes are showcased at Red Chair Gallery in May.

Lately, Lindblom has been blogging about the values of solitude versus human connection during the COVID-19 pandemic. She writes that solitude “allows us to reflect on who we really are,” which may be scary or difficult if we don’t fit into the cultural norm. Pondering in solitude during the lockdown, she concluded that her past included “a lot of pretending to keep the peace,” a behavior she is now beginning to shed. Shedding attitudes, behaviors and beliefs that no longer serve her is a constant theme in her work.

Although the past year has been filled with solitude for many, Lindblom has been learning to deal with human connection in a new way. Her daughter, who was working through a substance use disorder for years, came home to Bend this last fall. Lindblom realized that their past relationship, consisting largely of texting and phone calls, felt superficial and she sought deeper ways to connect. The two of them took daily walks in nature with the dogs, during which deeper more meaningful conversations emerged. This has strengthened their bond and facilitated her daughter’s healing. In our smart phone culture, “We have a skewed view of what connection is,” she notes. “Being open toward other ways of connecting is vital.”

All of these musings about inner feelings show up in Lindblom’s work. For example, the painting here, titled Shadows Beneath, shows “nuances of shadows… that will remain hidden until a crisis (occurs) or we allow them to surface through time, space and solitude,” she writes.

Lindblom, who has an undergraduate degree in visual art from the University of New Orleans and an masters in fine arts from the University of North Dakota, taught art for 24 years at Bismarck State College. She and her husband had always dreamed of living in the Northwest and eventually moved to Bend in 2015. She especially enjoys being close to nature here and uses elements from the natural environment to add to her work.

In the Midwest, Lindblom had many solo exhibitions at venues and galleries around the region. She is a member of the National Association of Women Artists and has been juried into several exhibitions, four in New York City. Here in Bend, she has participated in exhibitions at various venues. In 2020, she showed her work at The Alexander, Oxford Hotel and Franklin Crossing.

Sisters Folk Festival (SFF) is getting ready to host its largest annual fundraiser and community arts celebration, My Own CASCADE A&E MAGAZINE RECEIVES PRESTIGIOUS BEN WESTLUND ARTS • Mary Jo Weiss and Dennis Tower’s collaboration in their beautiful pendant, Two Hands (MOTH), taking place virtually May 10-15. Proceeds from ADVOCATE FOR THE ARTS AWARD Hope Grows. Weiss and Tower have traditionally the event support SFF’s mission of strengthening community and transforming collaborated for MOTH each year to lives through music and art. Selecting this year’s MOTH award winners was both put together a one-of-a-kind piece of jewelry that combines Tower’s lapidary arts challenging and humbling with nearly 80 incredible pieces of art donated by and Weiss’ jewelry design skills. They reflect, “To us, combining beautiful natural generous artists and organizations to choose from. It is with great excitement that stones with outstanding jewelry design brings beauty, inspiration and hope. Of we announce this year’s My Own Two Hands awards of excellence. special note, inscribed on the back of the piece through the silver backing is an iris,

Ben Westlund Advocate for the Arts Award — Cascade A&E Magazine which is the flower of hope.”

Cascade A&E Magazine has been showcasing and promoting the arts and • Lawrence Stoller’s impressive, illuminated gemstone sculpture, Frozen Sky. entertainment scene in Central Oregon since 1995, with a beautiful print and online Stoller explains, “I was first drawn to working with crystals because of their beauty, magazine. The COVID-19 pandemic has impacted the creative economy in a big way, mystery and mysticism. What started as a fascination led me on a verdant path through resulting in significant ad revenue loss for the publication over the past year. Despite the fields of mineralogy, technology, art, metaphysics and healing.” this challenge, publisher Jeff Martin and his team have soldiered on, even as other arts- Americana Folk Award — Carly Garzón Vargas for her dynamic papercut, Our focused magazines around the state have folded under the financial strain. Sisters Folk Hands, Our Work. Festival acknowledges Cascade A&E’s generosity toward our organization and many Garzón Vargas shares, “We have a lot of work to do moving towards the world others throughout their 26-year history, and we are thrilled to honor them with the we hope for. These hands hold some of the tools for music making and hope 2021 Ben Westlund Advocate for the Arts Award for their dedication and ongoing building. I hold onto the hope that we will stay in the struggle and expand who is contributions to Central Oregon’s thriving arts community. truly included in our community.”

“The Cascade A&E team is very honored by this award,” said Spirit of Giving Award — Tony Cosby, the engineering, Martin, upon receiving the notification of the honor. “Pamela construction and woods teacher at Sisters High School. Hulse Andrews, founder of Cascade Publications, is looking down Cosby has provided inspiration and hope for so many aspiring with much pride and joy. She was good friends with Ben, and while creators, builders and students. He co-created the Americana they didn’t always agree, they agreed on the importance of arts and Luthier Project with Jayson Bowerman at Sisters High school culture in Central Oregon and beyond.” in 2005, and has since built more than 450 handmade acoustic

“We are humbled by this recognition,” said Marcee guitars, and helped create the ukulele building program with Hillman Moeggenberg, editor and production director of the late Bill MacDonald, helping to finish some 175 handmade Cascade Publications. “When the pandemic hit, our focus ukuleles built by students. Cosby connects with his students shifted into how we could best support the artists in our community, as much as they have supported us throughout FEBRUARY 2021 | VOLUME 27 | ISSUE 2 CASCADE as a friend and mentor and provides for them a “home” in his classroom. He gives tirelessly to the school community. the years. It is an amazing honor to receive such recognition; Continually improving and seeking best practices for classroom Pamela would be so proud.” engagement, Cosby has successfully combined engineering,

Design Award — Toni Del Guidice’s mixed media original, DON’T FENCE ME IN BY JANICE RHODES math, music, construction and adventure recreation for more aptly titled Holding Hope. Cascade A&E Magazine — February 2021 than two decades to inspire students, showing that the Spirit of

Del Guidice’s original mixed media piece was chosen for Giving is alive and well in this tremendous teacher and friend. the 2021 My Own Two Hands poster art. Del Guidice shares, “Holding Hope is Cosby — along with his students and dedicated volunteers — has produced a literal to me: Hope for our planet. Hope for the pandemic. Hope for integrity in guitar, an Adirondack chair and/or a ukulele every year for the past ten years in government. Hope for equity.” support of My Own Two Hands.

Theme Award — Jan Hansson’s wood sculpture on swiveling platform, Together Sisters Folk Festival invites the public to join us for the My Own Two Hands We Are Hopeful. collective show opening on Friday, April 23 from 4-7pm in the Duncan and

Hansson states, “Born and raised in Sweden, I am inspired by the clean lines Cindy Campbell Gallery and upstairs studio space located at the Sisters Art of Scandinavian design. Less can often tell you more. I hope to inspire people to Works building, 204 W Adams Ave. in Sisters. All visitors will be expected to look beyond the sculpture itself.” practice social distancing and proper mask wearing at all times while inside

Awards of Merit: the building. • David Rock’s striking acrylic painting on board, Chrysalis. All of the MOTH art will be on display Monday-Friday, 10am-4pm from April From Rock, “A monarch butterfly chrysalis. It seems to me to be the epitome 23 through May 14, with private art viewings available outside of those times of ‘Holding Hope.’ A cocoon is a perfect symbol of the promise of re-creation upon request. Please contact kate@sistersfolkfestival.org to make an appointment. from old to new, from past to future. Yet the form itself is completely alien to its Art lovers are highly encouraged to make time to see all of the amazing artwork previous existence or future manifestation. It is at once: sarcophagus, jewel and that has been so generously donated by the talented 2021 MOTH artists. egg. The image in this painting is separated from any reference to the natural High-quality photos of the artwork, which will be available to bid on at the world so that it can be considered and contemplated on its own.” online auction platform from May 10-15, will be featured on SFF’s website for • Bob Wade’s ball point drawing of a Sisters Folk Festival fan favorite, virtual viewing beginning April 22. Follow Sisters Folk Festival on Instagram, Ron Artis II. Facebook and Twitter for up-to-date event information. Wade describes his use of medium, “I draw the dark and let the light show through.” sistersfolkfestival.org

at sunrivermusic.org or by phoning 541-593-1084

Redmond Proficiency Academy (RPA) sophomore Cecilia Clark recently recorded a beautiful cover of the Tears for Fears classic, Everybody Wants to Rule the World. With the accompaniment of a few other musicians, including piano work from professional jazz singer and pianist, Laila Biali, Clark recorded the song in the family kitchen, with her father acting as executive producer.

The idea to record the track came from Cecilia’s father, Cameron Clark, who decided they needed a project after growing increasingly bored due to quarantining in their Central Oregon home. Cameron Clark has worked in the music industry for 30 years, producing music events locally and across the northwest. Her father also has a musical background, having played drums in high school and as a member of bands in his younger days.

Even though the Tears for Fears song was released in 1985 — long before Cecilia was born — she explained how the lyrics spoke to her. “While the original song was about men in war holding power, I felt the lyrics applied to our current cultural landscape where men are expected to behave or be a certain way,” Cecilia said. “My approach to the song was about taking on a patriarchal system that perpetuates some pretty outdated ideas.”

Cecilia Clark | Photo courtesy of Redmond Proficiency Academy Cecilia plays an electric Fender Jazzmaster on the track, while another guitarist, local singer-songwriter, Erin Cole-Baker, plays a locally-made Breedlove acoustic guitar. Cecilia is only in her second year of guitar playing, having taken RPA’s Guitar 1 course last year with RPA Music Director Jonathan Moore. Cecilia cites Cole-Baker as her mentor throughout the recording process and credits her for not only her musical contributions on the track but making her a better musician.

All in, the entire experience took a few months from conception to finally uploading the song to Soundcloud. Cecilia said the process was slowed down due to Laila Biali’s talents being requested by international recording artist Sting. “As my dad explained, everybody knows that when Sting sends you an S.O.S., you drop everything and answer the message,” she said with a smile.

Biali’s piano arrangement can be heard throughout the track. She has performed with Sting and in 2019, her eponymous release won a JUNO (Canada’s GRAMMY) for Vocal Jazz Album of the Year.

For her next act, Cecilia plans to record an original track for the next RPA Music Collective album to be released sometime in 2021. “This experience was a lot of fun and exactly what I want to keep doing,” Cecilia said. “I’ve learned so much from my music courses at RPA and it’s been amazing to take what I’ve learned and be able to see that development play out in this song.”

Cecilia Clark’s cover of Everybody Wants to Rule the World can be heard here at tiny.cc/CeciliaClark. rpacademy.org

Can musical talent be inherited? Concertmaster Ruth Lenz makes a case for it. Lenz hails from what has been called Reno’s ‘first family’ of music. Ruth’s parents were early members of the Reno Philharmonic. All her uncles and aunts are musical and many married musicians and had offspring who are musicians. Ruth likes to say, “I started my music lessons in the womb.”

Ruth’s musical journey began at age two when her mother started instructing her on violin and piano. She decided to focus on the violin. When she was just a high school sophomore, she was auditioning for the Reno Philharmonic. “The auditions are anonymous behind a screen, so they didn’t know I was so young,” she says. Lenz was accepted and joined her parents and other relatives in the Reno Philharmonic.

Ruth is currently concertmaster for both the Reno Philharmonic and the Reno Chamber Orchestra. In addition to serving as Acting Concertmaster in the Sunriver Music Festival Orchestra this season, Ruth will also be the featured soloist for the Festival’s Classical Concert II on August 16th at Sunriver Resort’s Besson Commons.

The concertmaster title is bestowed on the lead violinist, who acts as the conductor’s assistant. “The concertmaster is kind of the conductor’s right-hand. It is my job to model a good attitude and be as prepared as possible. It should be fun this summer working with the orchestra because they are really good. I am excited about the opportunity.”

Her connection with Sunriver Music Festival goes back to her earning her bachelor’s and master’s degrees from the University of Nevada studying with esteemed violinist Philip Ruder. Ruder is Sunriver Music Festival’s most recent past president of the Board of Trustees and also served as concertmaster at the Festival for many years. Ruth earned her doctorate from the University of Illinois at Champaign/Urbana.

Ruth has been a violin soloist across the country and at the Nevada Chamber Music Festival. In addition, she has played with such famous artists as Itzhak Perlman, Natalie Cole and Luciano Pavarotti. She also has her own private violin and chamber music studio.

Ruth adds that one of her most interesting musical adventures was to Morocco in June 2018 as part of the first American orchestra to perform in that country. “We performed in a glass tent and it was magical.”

With all her musical talent, she has other interests too — she is an outstanding equestrian, outdoorsman and mom to two kids.

For this 44th season of the Sunriver Music Festival, the outdoor concert series is conducted by the two finalists for the Festival’s new permanent artistic director. Therefore, Lenz points out that the “Acting Concertmaster” title is normal. “Because the concertmaster is critical to executing the Maestro’s musical vision, the future concertmaster appointment will be determined by the new Artistic Director.”

Four classical concerts, one pops concert, and one solo piano concert will be part of the 44th Festival, August 14-23. Classical Concert I on August 14 will be at the spacious Sunriver SHARC Amphitheatre. All remaining concerts will be at Sunriver Resort’s Besson Commons, the beautiful outdoor venue near the Great Hall. All concerts begin at 6pm and end by 7:30pm.

For more concert information and tickets go to sunrivermusic.org, call 541-593-9310 or email tickets@sunrivermusic.org. sunrivermusic.org

The Rising Star and Fortissimo awards are for students who have been nominated by their teachers for showing talent, effort, achievement and great promise as musicians due to perseverance and commitment to their craft.

Calvin Schwarz (17 years old) jumps at any opportunity to expand his experience and musicianship, outside of his private drum lessons with Meshem Jackson. Starting in a beginner drum class at age ten, he has pursued involvement in Academy Blue percussion, the annual L.E.S.T music competition in Portland, as well as focusing on solo practice. Calvin is an aspiring musician, and will continue to flourish with his desire to learn!

Mature and sensitive in spirit, Lydia Richards (11 years old) excels in her violin lessons with Miya SaitoBeckman. She is a critical thinker; analyzing her technical struggles and always solving the problem during her practice in an efficient and effective manner. Lydia has a realized love of Celtic fiddle tunes, and playing violin has become an enjoyable musical outlet for her!

Thomas Richards (eight years old) brings the “Can Do” attitude to his violin lessons with Miya-SaitoBeckman. His determination is supported by his fantastic ear, which can consistently and accurately pick up on advanced fiddle tunes. Thomas is never afraid to ask questions about musical concepts and techniques he is not fully confident in, which really helps him improve at such a fine pace.

Holden Heck (six years old), piano student of Amy Conklin, has the recipe for a successful musician! He practices consistently, has a positive attitude, and enjoys performing. This is all driven by Holden’s love of music. He is also full of witt and imagination, which makes lessons lively.

Camille Levesque (seven years old) brings a lot of energy to her piano lessons with Amy Conklin, as well as a passion for learning. In addition to practicing on her own for lessons, she also has a creative mind, and enjoys writing her own music. Camille is sweet and thoughtful, and best of all has a good attitude when it comes to music!

CSM Student Calvin Schwarz with CSM Teacher Meshem Jackson CSM Students Thomas & Lydia Richards CSM Student Holden Heck with CSM Teacher Amy Conklin

CSM Student Camille Levesque with CSM Teacher Amy Conklin

Liam Lewallen (eight years old), guitar student of Amy Conklin, knows how to make practice fun! Always with a smile on his face, Liam comes to his lessons with well-practiced songs, as well as ideas for new songs to learn. He brings with him a light spirit and a motivated attitude, and really knows how to apply himself in his musical studies.

CSM Student Liam Lewallen with CSM Teacher Amy Conklin CSM Student Josiah Tranby with CSM Teacher Amy Conklin

Josiah Tranby (13 years old) is always exceeding expectations in his piano lessons with Amy Conklin. He looks at his own playing critically, and is thus able to receive and interpret feedback very well. In the short amount of time he has studied with Amy, Josiah has improved in many areas of his playing, a result of always practicing and pushing himself to play pieces of increasing technical difficulty. He is passionate about his musicianship, and will surely continue the upward trend!

Tommy Neiberg’s (14 years old) enthusiasm for the violin is apparent in his studies with Miya SaitoBeckman. His interest in advanced musical concepts leads him to extensive study and research outside of lessons, so that his understanding might become mastery. His response to any musical request or suggestion is always a resounding “YES!” Tommy is taken with the violin and its music, and loves learning its intricacies.

CSM Student Tommy Neibergs CSM Student Rebecca Coleman with her proud Dad and CSM Teacher Michael Scott | Photos courtesy of Cascade School of Music

Cello student Rebecca Coleman (ten years old) always has a fun time playing music with teacher Michael Scott! She always comes prepared to lessons, has ideas for new music to play, and brings a positive and friendly attitude with her. Her great ear helps her capture and recreate songs, as well as her hard work on bowings, fingerings, and rhythm. Rebecca is well-rounded in her musicianship, and she makes for a stellar student!

cascadeschoolofmusic.org

Julie Hanney, a composer and pianist from Bend, released her third album in January of 2021 with Heart Dance Records and the album is continuing to make a splash in the world of peaceful piano music. The Phoenix, Arizona record company operates with the goal of creating music to help with healing, relaxation and meditation. Julie’s album, Where the Ocean Meets the Sky, dedicated to her mother who passed away in 2020, is a sonic journey of melodies and emotions that transport the listener. Reviewer Rob Benny wrote in On the Fringes of Sound, “Her technical prowess allows her to compose and record with such depth that it isn’t even necessary to add any additional instruments or orchestration to any of these selections. The music is so vividly expressive, I end up finding myself in another place where the music portrays the very landscape I imagine myself in.”

Her songs have been added to Whisperings Solo Piano Radio along with a select group of some of the top pianists in the world including Chad Lawson, David Lanz, Fiona Joy Hawkins, Michelle McLaughlin and Michael Logozar. She can also be heard on the radio stations River of Calm, Peaceful Radio, Midnight Rain, Radio Nature, Northern Lights and more.

With a unique style that is both peaceful and intriguing, she has been described as a wonderful combination of George Winston and Erik Satie. Her three albums can be found on Spotify, Pandora, Apple Music and

Julie Hanney

Where the Ocean Meets the Sky | Photos courtesy of Julie Hanney

virtually all streaming sites, and are available for purchase on Amazon and bandcamp.com.

Julie is recording her next album to be released with Heart Dance Records in the summer of 2021. She hopes to resume live concerts in Central Oregon and beyond this year, as well. Prior to the pandemic she created a series of Peace Through Music concerts with area musical artists that had to be put on hold after the first one. She hopes to resume these concerts this year as well. You can learn more about Julie and her upcoming albums, concerts and more on her website.

juliehanneypiano.com

Second Chances, the debut five-song EP from John Harvey, is set to release on all digital platforms for streaming and download on May 7. Earlier this year, Harvey released two singles from the EP Your Truck My Trailer and Let’s Do iT.

Where the singles have an alt-country/folk-rock feel with present guitars, driving rhythms and storied lyrics, the other three songs on the EP reveal an artist moving closer to discovering his unique voice and sound. These songs may fit more into an indie/pop, folk/rock category and less altcountry. Those songs include the title track Second Chances, Someday and My Love. John Harvey wrote, recorded, produced and mixed all the tracks.

Second Chances and My Love explore feelings of realizing you’ve made a mistake and you want to change it. Finding yourself in a situation where you recognize what you thought was the right choice, actually is not. Someday was inspired by the 2019 documentary: Marianne & Leonard: Words of Love. “I wanted to imagine what Marianne felt,” said John Harvey. “Being deeply in love with Leonard yet never knowing when he’d come back into her life.”

John Harvey records in his home studio in Bend. He’s lived in the Northwest his entire life, having been born and raised in Idaho. He moved to Washington, then, for the past ten years, has called Central Oregon his home. Shortly after moving to Bend, Harvey formed The Django Band duo, playing favorite Django Reinhardt tunes. He then formed an americana/folk duo called Jupiter and Teardrop playing local venues and festivals. Follow John Harvey on Instagram @johnharveysongs. johnharveysongs.com

Redmond Proficiency Academy’s (RPA) thespian troupe recently competed in the annual Oregon Thespians Thespy Competition — where the troupe won two Oregon Thespys — the competition’s highest honor. A virtual event this year, the competition was conducted over video teleconferencing technology with student thespians from around the state. Thespys are considered the most prestigious acting award for high school actors in Oregon.

Senior Natalie Lawton won an Oregon Thespy for stage management and senior Grace Sorensen and freshman Allie Smith won Oregon Thespys for duo dramatic acting. Lawton, Sorensen and senior Kellen Flynn all won Oregon Thespians scholarships. Additionally, Sorensen was a finalist in solo musical and junior Aubrey Luse was a finalist in solo acting.

RPA Thespian Troupe | Photos courtesy of Redmond Proficiency Academy

Allison Smith and GraceSorensen

“There has been a lot to overcome this year and these students consistently do so and then some,” said Kate Torcom, RPA’s theatre director. “I am so impressed by their dedication and passion towards theatre even when it is reformatted for a digital platform, but most importantly the way they fiercely support one another.”

“While state was virtual this year, I don’t think that took away from the community that is always brought together by Oregon Thespians,” said Lawton. “I had a blast talking to a Broadway Stage Manager and watching shows. Plus, winning a state showcase for my binder was a great way to wrap up my last state competition!”

“This year’s virtual state felt like the magic from inperson state was there,” said Sorensen. “The adult board and State Thespian Officers made it so interactive and fun. I’m also honored to have showcased with my incredibly talented scene partner and friend, to have been a finalist and to have won the Oregon Thespians scholarship. My last state was an absolute treat and I could not be more grateful.”

“As a freshman, being able to win and be a part of something so positive even during a global pandemic is seriously so awesome!,” said Smith.

This fall, Lawton will continue her stage management studies at Carnegie Mellon University, one of the top stage management programs in the country. Sorensen is deciding between schools but plans to study theatre performance. Flynn will study theatre at Whitman College in Walla Walla, Wash.

RPA was the only troupe from Central Oregon to showcase at the state level for the third year running and has established a reputation as a wellrespected theatre school among Oregon Thespians, Torcom said.

rpacademy.org

Sisters author Dennis McGregor has finished the sequel to You Stole My Name, a collection of paintings and verses about animals with unlikely shared names.

The new book, You Stole My Name Too, features plants with animal names. Some of these combos, like Gooseberry, Crab Apple and Tiger Lily, are well-known. Others are more remote and may cause a bit of “head scratching.” Not everyone is familiar with the Hedgehog Cactus or an Ostrich Fern. It’s McGregor’s hope that children and adults may google a thing or two and discover which verses are based on fact and which are figments of his imagination.

This new book features the same look and feel as the first book,

You Stole My Name Too, by Dennis McGregor

By definition, an island is any area of land smaller than a continent entirely surrounded by water. But islands are more than just small areas of land. Get to know these special places as Deschutes Public Library explores Know Islands. Cook delicious Puerto Rican food and relax to the strumming of Hawaiian guitar. Learn about endemic animals of Madagascar, the geologically young volcanic islands we live amongst and archaeology of the Caribbean/Pacific Islands. Hear a quirky history of the San Juan Islands and retrace Odysseus’s journey in the Mediterranean. All programs are presented online; follow the links to access. Programs marked with an asterisk (*) require registration.

For more information about these programs, please visit the library website at deschuteslibrary.org. People with disabilities needing accommodations (alternative formats or auxiliary aides) should contact Liz Goodrich at lizg@ deschuteslibrary.org or 541-312-1032.

deschuteslibrary.org

which was sometimes referred to as a “kid’s coffee-table book” for its large size and lush printing.

Over the past couple of years Dennis enjoyed sharing You Stole My Name with community groups, bookstores, art galleries, a supermarket and even the local athletic club, but mostly schools. He soon found himself singing the book and engaging kids in a lively call and response. He hopes to continue such activities with the new book in the not-too-distant future.

McGregor is pleased that You Stole My Name sold well in stores throughout the area, particularly at our own local book store,

Wolf Lichen by Dennis McGregor

Eel Grass by Dennis McGregor

Paulina Springs. He expects similar success with the new book but concedes that it must be printed first.

That’s where pre-sales on Kickstarter comes in. This wellknown crowdfunding platform was highly effective in bringing his first two books to life. The entire book, along with associated merchandise like cards, t-shirts and prints can be viewed at the Kickstarter site.

Advance signed copies are are available now at Kickstarter.com

kickstarter.com/projects/dennismcgregorsbook/you-stole-my-name-too

Crab Apple by Dennis McGregor

Elephant Garlic by Dennis McGregor

In support of state and federal guidelines for social distancing, most venues have attendance protocols in place. Please call or visit each venue website for updated information.

Pine needle and stone sculpture by Charlene Virts

57100 Beaver Dr., Bldg. 19 541-593-4382 • artistsgallerysunriver.com

Artist Demonstration at Artists’ Gallery Sunriver with artist Charlene Virts, Ponderosa Pine Needle Sculpture and Basketry, May 8, 2-4pm.

“Since moving to Bend in 2012, I have found a passion: pine needle baskets. After learning the basics, I have loved taking it one step further and creating free flowing art pieces from sage brush, juniper branches and pine needles. It’s an added plus that all the materials are right here in the mountains and deserts of Central Oregon.”

To view the incredible work of Charlene Virts, visit her website, charlenevirts. com, or the Artists’ Gallery Sunriver, artistsgallerysunriver.com.

COVID-19 appropriate face mask and distancing required.

Celebrating Mother’s Day Join us on May 8th for a 2nd Saturday artists reception and demonstrations 1pm - 6pm

30 Local Central Oregon Artists

covid restrictions apply

Andres Fourie, Mixed Media Paintings Jesse Pemberton, Metal Sculpture Dottie Moniz, Multi Media art

Travis Cope, Woodworking

Village at Sunriver, Building 19 541.593.4382 www.artistsgallerysunriver.com Hours: 10Am-5pm Daily in may

The local Central Oregon Artists at Artists’ Gallery are celebrating MOM the month of May with a special celebration on 2nd Saturday, May 8 from 1-6pm. Bring Mom by for a glass of wine and enjoy artist demonstrations. We have a special “surprise gift” for Moms as well. COVID restrictions will apply — please wear a mask and distance appropriately.

Our featured artists will be on hand May 8 to share their special creations with you as well.

Walnut Charcuterie with Cherry Bowties by Travis Cope

Travis has always had a creative side from his early years in the mountains of North Carolina. His path led him to university where he studied advertising and graphic design. Fast forward to the present, Travis is currently living in Bend working as an Art Director by day and a woodcrafter in the evenings.

“I love learning new techniques and pushing the boundaries of my tools and experience,” Travis says. “Sharp wit and chisels help me craft furniture and bring life back to dead trees. I love repurposing old wood and a few of my pieces are crafted from oak beams that my great grandfather used to build a timber frame barn over 100 years ago.”

Travis Cope’s work is all functional art — from coasters and charcuterie boards to cutting boards and small tables.

Golden Hills by Dottie Moniz

Jesse Pemberton takes his multi-media sculptural background from nature’s geo-metric rules and textural cues. Primarily working in metal, Jesse does incorporate other found objects and local materials from the environments that inspire him.

Influenced also by industry and science, Jesse has adapted his 20+ year skill set as a professional metal fabricator to accommodate a variety of client aesthetics. He has collaborated with Professional designers and architects of several styles.

Jesse studied fine art at UC Santa Cruz, graduating with a bachelor’s degree. He now calls Bend home.

Dottie is currently pushing the boundaries of what can be done with fabrics to create vibrant and realistic paintings! No, these are not quilts; she has perfected the capture of landscape using various fabrics in incredible detail.

“After a day spent at Painted Hills and Blue Basin in Oregon, I was inspired to con-vey a day which was a bit overcast and cold but filled with the beautiful hues seen in Oregon’s Painted Hills,” said Dottie. “I’ve named this piece Golden Hills for its special hue.

“While driving home from California, I stopped and took a photo of a grove of beautiful aspen trees, inspiring me to create Evening Aspens — strictly using fabrics to create the scene.

“Inspiration for creating art is all around us… just look and see.”

Sun Dust by Jesse Pemberton

Andries Fourie’s mixed-media paintings are informed and inspired by the natural world and acknowledge the important roles birds and plants play in eco-systems.

“My interest in birds is specific to Central Oregon, and my subjects include common regional backyard birds as well as the birds of the Oregon Outback’s pluvial lakes,” said Andries.

Andries uses a combination of representation and abstraction to represent natural systems, structures and patterns. He creates images by using silkscreen and acrylic painting with non-traditional materials like sheet metal. Andries’ work is completely unique in the way it is structured. You must see his work to appreciate how unique it is.

Artists’ Gallery Sunriver Village • 57100 Beaver Drive, Building 19 Sunriver, Oregon 97707

Humane Society of Central Oregon

To Volunteer or Donate Call 541.382.3537 www.hsco.org Make your house a home. Adopt today.

Featuring Pottery by Mitch & Michelle Deaderick and Glass by Susie Zeitner

In support of state and federal guidelines for social distancing, most venues have attendance protocols in place. Please call or visit each venue website for updated information.

357 W Hood Ave., Sisters hoodavenueart.com info@hoodavenueart.com 541-719-1800

Hood Avenue Art’s featured artists for May are potters Mitch & Michelle Deaderick and glass artist Susie Zeitner. The Deadericks have been creating artistic functional pottery in Central Oregon since 1978. Each piece Susie creates is fabricated in her studio down to the most intricate detail and then fused at 1,500 degrees in custom fabricated kilns. She then she slumps her work into its finished shape in a final firing process.

182 East Hood Ave., Sisters 541-719-1182 • ravenmakesgallery.com

Our gallery offers first market Native American and Indigenous artists’ works, spanning the Arctic to Northern Mexico. Contemporary, meaningful and diverse mediums, including fine jewelry.

Open Thursday-Sunday, 11am-4pm.

311 W Cascade Ave., Sisters 541-549-6061 stitchinpost.com

Soul of the Land — June Jaeger, May 28-June 22.

“My art tells the story of my connection to the land. Our natural environment is my inspiration for most of my creativity. I find my peace in the silence and often hypnotic sounds of nature. I feel this deep in my soul, needing to create what I see, interpreting my version.

“My goal is to reflect the “spirit” of my vision into art, filling my soul with purpose, honoring nature.”

Pottery by Mitch & Michelle Deaderick

Photo | Pexels

The Sisters Arts Association’s (SAA) Fourth Friday Art Walk is returning, starting on May 28. The event is more of a “stroll” than a “walk,” taking place during the galleries’ regular hours, generally 10am-6pm, on the Fourth Friday of each month, May through September.

The Art Walk returns with a renewed focus on art and artists. There is no charge for visitors to the galleries as they take a leisurely stroll through town, engaging with galleries, artists and the wide variety of methods that they use to create art. Most galleries will have artists on hand, doing demonstrations and showing examples of their work.

Visitors are encouraged to pick up a Gallery Walk Map, available in any of the galleries. The maps also indicate where good food can be enjoyed. The focus is on art and artists, as galleries will not be offering food or beverage.

The organization will also bring back its popular Quick Draw, giving away two $50 gift certificates each month, good in any of the participating galleries. Visitors can register once per gallery, during their stroll. Thanks to Cascade Sotheby’s in Sisters for underwriting Quick Draw.

The Gallery Walk season will run from the May through September, coinciding with SAA’s Fifth Annual Artist Studio Tour at the end of September.

Participating galleries on Hood, Cascade and Main include: Hood Avenue Art, Gary Cooley Collection Gallery, Marigold & True, The Clearwater Gallery, Beacham’s Clock Company, The Stitchin’ Post, Sisters Gallery and Frame Shop, Ken Scott’s Imagination Gallery, Metals Studio Gallery, Wildflower Studio, Dyrk Godby Gallery, Cindy and Duncan Campbell Gallery at Sisters Art Works, Grizzly Ridge Makers Market and Raven Makes Gallery.

For more information, email events@sistersartsassociation.org or phone 541-719-8581.

sistersartsassociation.org

In support of state and federal guidelines for social distancing, most venues have attendance protocols in place. Please call or visit each venue website for updated information.

2189 U.S. 26 • 541-553-3331 • museumatwarmsprings.org

Visitors to The Museum at Warm Springs will experience firsthand the sounds of ancient songs and languages, the mastery of traditional craftsmen and the sights of rich and colorful cultures that make up the Confederated Tribes of The Warm Springs Reservation of Oregon. For the first time, their histories and traditions are told in an exciting, permanent, interactive exhibit, bringing to life the fascinating story of the Tribes.

The collections of the museum are rotated throughout the year. So, when you visit you may see an entire new display in the gallery. The dream of a tribal collection for the Confederated Tribes of Warm Springs Reservation of Oregon began over four decades ago. Museum is open to the public with Safety Standards in place, which can be found on their website.

131 NE Fifth St., Prineville • 813-749-7143 • rickstebermakers.com

On display in the retail showroom at Rick Steber – MAKERS is the incredible work of over one hundred artists and artisans from Central and Eastern Oregon. Designated as an Oregon Scenic Attraction, this unique collection of one-of-a-kind items has become a destination for many, and an opportunity to introduce your family to the creative culture of the High Desert. Here you will find Native bead work, metal sculptures, leather tooling, saddle making, wood working, silversmithing, original artwork, whittlings, carvings and the complete collection of books by popular author, Rick Steber. Open Tuesday-Saturday from 10am to 5pm.

Geothermally Heated Cabins Hot Mineral Baths 541-943-3931

High Desert Revelry, 17.5 x 17.5 pastel by Gretha Lindwood

405A NW Third St., Prineville 541-903-5565 • rimrockgallery.com

Featuring Jim McVicker, Gretha Lindwood, Ralph James and JM Brodrick May 8-June 10, with artist demos on May 8. Come visit at your leisure! Offstreet parking available!

Open Tuesday-Saturday, 10am-5:30pm and Sunday 12-5:30pm. Closed Mondays.

Eagle Crest Resort, 7525 Falcon Crest Dr., Ste. 100 • 541-526-1185 alfreddolezal.com • artofaad@yahoo.com • Daily, 10am–5pm

The eclectic symbolic paintings of Austrian artist, Alfred A. Dolezal combine illuminant colors with alternative visions of reality. These contemporary oils on canvas examine the deeper meaning of life and tell an uplifting human interest story. Quite often his paintings reveal a mischievous, humorous side, a dry sarcasm and his love for the unexpected. A passionate researcher in a variety of subjects, Alfred combines profound messages with evocative symbolism, his works often displaying surrealistic tendencies. Much more than a painting, come see why we are now traveler-ranked by TripAdvisor as #3 of museums in Central Oregon!

611 NE Jackpine Ct., Ste. 3, Redmond 541-316-0362 • darrenklingart.net Showcasing the artwork of Darren Kling with continued exhibition, Water and the Rock.

From the Outside In by Alfred A. Dolezal

1430 SW Highland Ave. 541-504-7112 • schoolhouseproduce.com

Schoolhouse Produce is showing the work of Sagebrushers Art Society member Valerie Smith. An award winning equestrian artist, Valerie will be showing equine images in pencil and mixed media. She communicates the beauty, power and personality of her subjects. Enjoy this wonderful show as you shop local. Showing thru May.

Follow the Leader, acrylic on canvas by Valerie Smith

OUTSIDE CENTRAL OREGON

42456 Hwy. 20 East, Burns • 541- 493-2535 • oardsgallery.com

Exhibiting many one-of-a-kind items, including original, handmade arts and crafts from nine tribes around the area — baskets, beaded art, clothing, furniture, native art, paintings, rugs, jewelry and more.

CASCADE CALENDAR MAY 2021 This Month's Picks

SEE CASCADEAE.COM FOR FULL EVENT CALENDAR

1POTTERY SHOW & SALE Environmental Center 10am-4pm

7FIRST FRIDAY Downtown Bend/Old Mill District CascadeAE.com

8SIP & SHOP Oregon Spirit Distillery 10am-5pm 8 2 ND SATURDAY Artists' Gallery Sunriver 1-6pm

15 CENTRAL OREGON MAKERS MARKET Eagle Mountain 10am-5pm

21 FAITH, HOPE&CHARITY VIRTUAL WINE TASTING Virtual

CASCADE FINE ART WORKSHOPS REGISTRATION IS NOW OPEN FOR 2021 WORKSHOPS!! Contact Sue at info@cascadefineartworkshops.com for more information STILL TIME TO REGISTER! The Magic of Watercolor! with Stella Canfield Watercolor Zoom Workshop, Live from Bulgaria!! May 4, 6, 11, 13, 2021 8:30am-12:30pm PDT Painting the Figure from Photographs with Ted Nuttall Watercolor Portraits July 12-16, 2021 Impressionism in Action with Colley Whisson Plein Air & Studio Workshop Oil & acrylic artists welcome — Demos in oil CANCELLED DUE TO COVID TRAVEL RESTRICTIONS RESCHEDULED FOR October 19-22, 2022 To pre-register, contact info@CascadeFineArtWorkshops.com Landscapes Unbound with Sarah B. Hansen Acrylic October 18-20, 2021

by EILEEN LOCK

Ask for more definition on the 2nd and you could realize you have many options. Let the world know you are ready to make changes on the 3rd then begin making the necessary adjustments. Follow your heart on the 6th as it invites transformation in all of your relationships. Observe the choices that come available near the 8th and take a couple of days before you make a decision.

Many things become obvious during the New Moon on the 11th. Decisions made on the 12th are done with confidence and will make a difference. Opportunities after the 13th bring completion and wishes begin to come true. An awkward feeling on the 15th is due to an increase in vulnerability combined with a new situation. Everything gets a lot easier on the 18th and you notice your heart starting to relax.

Changing your mind on the 20th could come from second guessing your choices. Slow way down for a few days and let the dust settle. The Full Moon on the 26th brings truth and an invitation from the heart. Find some quiet time on the 29th and listen to your inner voice. Trust your intuition as you step into something new at the end of the month. Be gentle with your self as you realize how good it feels.

Love and Light Always,

Eileen Lock

Clairvoyant Astrologer / Spiritual Medium 1471 NW Newport Ave., Bend, Oregon 97703 541-389-1159 eileenlock.freeservers.com • oneheartministry.freeservers.com

Check out Eileen’s radio programs online at blogtalkradio.com. Cosmic Lunch Break on Mondays at 8am, What’s Up Wednesday at 8am and Talking With Spirit on Fridays at 8am.