shouting forever into the receiver
large ensemble
Score
for
2022 Full
CopyrightbyG.Ricordi&Co./Forperusalonly
CopyrightbyG.Ricordi&Co./Forperusalonly
World Premiere Version Sy. 9126/01 ISMN 979-0-2042-9126-7 Copyright © 2022 by G. Ricordi & Co. Bühnen- und Musikverlag GmbH, Berlin Alle Rechte vorbehalten All rights reserved / Tutti i diritti riservati
Commissioned by Donaueschinger Musiktage for Ensemble Modern and Vimbayi Kaziboni, first performed at the festival on Sunday 16 October 2022.
CopyrightbyG.Ricordi&Co./Forperusalonly
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Instrumentation
1 Flute (doubling Alto Flute and Harmonicas in D & E)
1 Oboe (doubling Harmonicas in D & E, two oboe reeds* and Ah! vous dirai-je, Maman /Twinkle Twinkle Music Box)
1 Clarinet in B flat (doubling Harmonicas in C & D and Für Elise Music Box)
1 Bassoon (doubling Harmonicas in C & D and Blue Danube Music Box)
1 Horn in F (doubling Ratchet and Blue Danube Music Box)
1 Trumpet in B flat (doubling Harmonicas in B b & C)
1 Trombone (doubling Harmonicas in B b & C and Ode to Joy Music Box)
Percussion (2 players)
1 Walkie-talkie set (2 radios)*
2 Ratchets
6 Harmonicas: two in B b , two in C and two in D
1 Guiro (medium)
2 Pianos
several metres of magnetic audio or video tape*
2 thick plastic marker pen caps*
4 Jewellery test magnets
Für Elise Music Box (Piano 1)
2 Violins (Violin 2 with cuffed* A & D strings)
1 Viola (with cuffed* D & G strings)
2 Cellos (Cello 1 doubling Ode to Joy Music Box, Cello 2 doubling Blue Danube Music Box)
1 Bass
*see Performance Directions
Duration c . 14’
SCORE IN C
Composer’s Note
“shouting forever into the receiver” is a line from Ocean Vuong’s novel On Earth We’re Briefly Gorgeous , describing a tiny green plastic toy soldier perpetually fixed in this action. When I first read this phrase, it reminded me of the shouts and cries, not only of the Plantations, but those of the Plantation Machine, its ongoing feedback loop system, despite the passing of time. Creolised sites of connectivity are the Machine’s output. Indeed, as Édouard Glissant says in Poetics of Relation: “this was the cry of the Plantation, transfigured into the speech of the world.”
In the piece, spoken extracts from the Book of Revelation are passed back and forth between two walkie-talkie radios: “the kings of the earth, the princes, the generals, the rich, the mighty, and everyone else, both slave and free, hid in caves and among the rocks of the mountains.” An expansive central harmonica chorale section shifts the sound world into a new meditative, prayerful place and space through the simple repetitio n of breathing into, and drawing breath from an instrument associated with Afro-diasporic sorrow. Throughout, pre-programmed music boxes playing Beethoven’s Ode to Joy and Für Elise, Mozart’s Ah! vous dirai-je, Maman , and Strauss’s The Blue Danube tirelessly repeat, truncated tinkling versions of the originals linking the present back to the time when these well-known works were first written: during the establishment of the Plantations.
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Performance Directions
The two percussion players should be positioned at opposite ends of the ensemble.
Enharmonic unisons found within and between the string parts (indicated by accidentals inflected with arrows) should produce the effect of a rough buzzing timbre; players should hold the pitch very slightly sharper or flatter than the stated intonation.
= indicates that notes should be overblown, ie employ more air pressure than usual to distort the pitch Dreadlock cuffs, the pre-programmed wind-up music boxes, suitable harmonicas, walkie-talkie radios, audio or video cassettes, marker pen caps, and je wellery test magnets can be sourced from online platforms.
Cuffed Strings
The Violin 2 and Viola players should prepare their instruments in advance by binding together the middle two strings of their instruments with a small malleable metallic dreadlock cuff, placed at the end of the fingerboard as shown below, and folded around the underside of the strings. A second cuff should then be wrapped around the first for additional stability.
Pianos
Pedalling should be used throughout. The particulars are at the discretion of the players, except when specifically indicated.
Having removed the magnetic tape from the audio or video cassettes (the latter is preferable), the Piano 2 player should prepare the A2 and d 2 strings in advance by firmly tying one end of an approximately 50cm length of tape around the piano strings at a point easily accessible for rubbing while simultaneously depressing the sustaining pedal.
Ensure that the plastic marker pen caps have a thick edge to produce the utmost resistance against the coils of the strings, when present. A plectrum does not suffice as an alternative.
Percussion
= quick, whole turn of ratchet. Also applicable to the Horn player when playing the ratchet.
The walkie-talkies should be set to the same radio channel in advance. It should be ensured that the set used make a ‘bleep’ sound when the ‘push-to-talk’ buttons are released.
The walkie-talkie not being spoken into should rest securely on a table at the respective percussion player’s station, ensuring that it does not cause feedback with the other radio. Its speaker should face the audience.
Players may recite the stated biblical passages in their native language if it is not English, except for the text between rehearsal E and G.
Oboe Reeds
Two oboe reeds should be placed in the mouth together, and played simultaneously. There is no need to match timbral qualities of the reeds, or the 'neutral pitch' of approximately c. Indeed, it is preferred if both these aspects are divergent.
denotes cupped hands around the reeds to ‘muffle’ the sound. o denotes un-cupped hands. +o+o+o etc. denotes opening and closing of one hand against a cupped hand around the reeds to produce a ‘wah-wah’ sound, at a speed as instructed.
Music boxes
Music boxes are to be placed on low tables beside the players who wind them up, or on the ground if suitable tables are unavailable. The lids should remain closed throughout.
Harmonicas
Music for the harmonicas is notated at sounding pitch. They are likely to be tuned to A=440. If the ensemble tunes to a different frequency, please do not adjust to accommodate the harmonicas.
If a breath is required when playing the harmonicas, diminuendo to silence before doing so, and re-enter with a crescendo from silence afterwards. Breaths should be staggered between the harmonica players.
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CopyrightbyG.Ricordi&Co./Forperusalonly
shouting forever into the receiver
for Ensemble Modern
° ¢ ° ¢ ° ¢ { { ° ¢
Copyright © 2022 by Hannah Kendall Score in C Flute Oboe Clarinet in B b Bassoon Horn in F Trumpet in B b Trombone Percussion 1 Percussion 2 Piano 1 Piano 2 Violin 1 Violin 2 (cuffed) Viola (cuffed) Cello 1 Cello 2 Bass p f p o mf q= 42 gentle; sighing; unsettling p f p o mf p f p o mf p f p o mf pmp o p f p o mf p f p o mf f mf p Ped. f Ped. f p Ped. f Ped. f p pp p pp p pp p pp q= 42 gentle; sighing; unsettling f p pp p pp p pp p po f p pp p pp p pp p pp p pp f p pp p pp p pp p pp p pp p mp o 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 & Harmonicas in D and E draw 3 blow ## blow ## Hannah Kendall
& Harmonicas in D and E draw ### 3 3 blow blow & Harmonicas in C and D draw 3 blow # blow # & Harmonicas in C and D draw # 3 3 blow blow & + & Harmonicas in B b and C draw b 3 3 blow bn blow b & Harmonicas in B b and C draw 3 3 blow blow /Ratchet 53 5 3 3 / * rhythmic notation shows when, and for how long, the ‘push-to-talk’ button on the walkie-talkie is depressed Walkie-talkie* spoken, using a natural speaking voice I watched as the Lamb opened the first of the seven seals. Then I heard one of the four living creatures say in a voice like thunder, “Come!” I looked, … [ Revelation 6:1-2 ] & 5 3 3 6 3 3 ? & 3 & 3 3 5 3 ? & 3 & poco. s. pont., senza vib. IV flaut., poco vib.3 3 5 3 & poco. s. pont., senza vib. IV sempre flaut., poco vib. senza vib. poco vib. 3 3 3 5 B ∑ ∑ (I) flaut., senza vib. poco vib. 3 3 5 B poco. s. pont., senza vib. poco vib. flaut. 5 33 3 B poco. s. pont., senza vib. poco vib. flaut. 5 3 33 ? ‹ o ‰ œœ œœ ##œœ # œœ œœ œœ œœ œœ œœ J ≈‰ œ œ œœ œ œ ˙ ˙ ˙˙ ˙ ˙ ˙ ˙ ˙˙ ˙ ˙ œ œ œ J œ‰ œ œj ŒÓ ‰ œ œ œ r œ œ œœ œ œ R œ œ œ ‰ œ œ œœ œ œ œ œ œœ œ œ œ œ œ J œ≈ œ œj Œ‰ œœ œœ ##œœ ˙˙ ˙˙ ˙˙ ˙˙ ˙˙ ˙˙ œœ œœ œœ j ‰ŒÓ ‰ œœ œœ ##œœ r œœ œœ œœ ‰ œœ œœ #œœ œœ œœ œœ œœ œœ œœ J ≈Œ‰ œ œ œœ œ œ ˙ ˙ ˙˙ ˙ ˙ ˙ ˙ ˙˙ ˙ ˙ œ œ œ J œ‰ œ œj ŒÓ ‰ œ œ œ r œ œ œœ œ œ R œ œ œ ‰ œ œ œœ œ œ œ œ œœ œ œ œ œ œœJ œ œ j ≈Œ‰ œœ œœ #œœ ˙˙ ˙˙ ˙˙ ˙˙ ˙˙ ˙˙ œœ œœ œœ j ‰ŒÓ ‰ œœ œœ #œœ r œœ œœ œœ ‰ j œ ˙ œ j ≈ŒÓ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ J œ œ œj ≈Œ‰ œ œ œœ œ œ ˙ ˙ ˙˙ ˙ ˙ ˙ ˙ ˙˙ ˙ ˙ œ œ œ J œ‰ œ œj ŒÓ ‰ œ œ œ r œ œ œœ œ œ R œ œ œ ‰ œ œ œœ œ œ œ œ œœ œ œ œ œ œœJ œ œ j ≈Œ‰ œœ œœ bœœ ˙˙ ˙˙ ˙˙ ˙˙ ˙˙ ˙˙ œœ œœ œœ j ‰ŒÓ ‰ œœ œœ bœœ r œœ œœ œœ œ J ‰ŒŒ ≈ ≈ œ œ œ‰‰ œ J ‰ œ J œ œ œ œ œ œ‰ œ J ‰Œ≈ œ œ œ œ œ œ≈‰ŒŒ‰ œ J ˙ w ˙ ˙ ≈ œ œ œ œ œ ˙ œ œ œ œ J ˙ œ J bœœ œœ œœ œœ œœ bœœ œœ œœ J ˙˙ ‰ œ œ œ œ œ œ œ œ œ œ ˙ œ J œ œ œ œ bœœ œœ œœ ˙˙ œœ bbœœ œœ œœ bbœœ J ≈ œ œ œ œ 2 œ œ œ J ˙ œ œ œ œ J œ œ œ œ œ œ œ œ œ œ œ j 3 œ œ œ J ˙ œ J œ œ J œ œ œ œ J ˙ œ œ œ œ œ Ó‰‰ J œ œ J ˙ œ œ R œ œ œ 2 ˙ œ œ œ œ J ˙ œ J œ œ œ œ œ J ˙ 3 ˙ œ œ œ œ J ˙ œ J œ œ œ œ œ œ J œ ˙ ˙ ˙ œ J ≈ŒÓ Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. f p 5 f f f p mf p mp p f f ( p) mp p pp mp f mp p pp pp p pp p pp mp pp pp p pp p mp o mp pp p pp p pp p pp p pp p pp p pp p pp p pp 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 & draw Harmonicas: inhale/exhale as slowly as possible until indicated, each independently of the others. ## blow # & draw p ## blow # *complete the final inhale/exhale in the following rests if necessary * take oboe reeds & draw p blow # & draw p blow # & + + & p draw b blow bn *complete the final inhale/exhale in the following rests if necessary * & p draw b blow bn / ∑ 3 33 5 5 3 / …and there before me was a white horse! Its rider held a bow, and he was given a crown, and he rode out as a conqueror on conquest. (aim to have finished speaking text by the time the button is released) When the Lamb opened the second seal, I heard the second… [ Revelation 6:3-4 ] & 3 & & 3 3 5 & ? & senza vib. arco ord. 3 & 3 33 B senza vib. 3 5 B 3 3 senza vib. flaut., poco vib. 3 3 B 3 senza vib. flaut., poco vib. 3 33 3 ? ‹ ∑ ∑ ∑ ∑ ∑ œ œ œœ œ œ ‰Œ ˙ ˙ ˙˙ ˙ ˙ ˙ ˙ ˙˙ ˙ ˙ œœ œœ œœ ‰Œ ˙ ˙ ˙˙ ˙ ˙ ˙ ˙ ˙˙ ˙ ˙ ŒÓ œ œ œœ œ œ ‰Œ ˙ ˙ ˙˙ ˙ ˙ ˙ ˙ ˙˙ ˙ ˙ œœ œœ œœ ‰Œ ˙ ˙ ˙˙ ˙ ˙ ˙ ˙ ˙˙ ˙ ˙ œ œ œ j ‰ Œ ˙ ˙ œ j ≈Œ œ œ œœ œ œ ‰Œ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙˙ ˙ ˙ Œ œœ œœ œœ ‰Œ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙˙ ˙ ˙ ‰ œ J ‰‰ œ œ œ œ œ œ œ œ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ®‰Œ‰ œ J ÓŒ® œ œ œ œ œ œ ˙ ˙ œ J ‰ Œ œw œœ bœœ œœ J œœ œœ ˙˙ ˙˙ œœ ##œœ ˙˙ œœ ##œœ œœ ˙˙ ˙ œ œ j ‰Œ œœ œœ œ bbœ œ œ œ œ J ˙ ˙ œ œ J w œ œ œ œ œ ˙ œ œ J ‰Œ ˙b˙ œœ œœ œœ j ≈ŒŒ‰‰ œ j ˙ ˙ œ œ œ j œ œ œ œ J œ œ œ œ J œ J œ œ ˙ œ œ œ ˙ ˙ œ œ œ œ œ œ œ J œ œ œ œ œ J ≈Œ ˙ œ œ œ œ œ œ œ œ J œ œ œ J œ œ œ J œ œ J œ ˙ œ œ J œ J œ œ œ J œ œ œ J œ J œ œ œ J œ œ J œ œ J ˙ œ J œ J œ œ œ J œ œ 2 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. A 10 fo mp p mf p f p f ff mp o o f p A mp p f o fo mp p ff p f p mp p ff p f p ff & * *complete the final inhale/exhale in the following rests if necessary take alto flute & 2 Oboe Reeds + o + o + o + slow to fast wah-wah etc. o & *complete the final inhale/exhale in the following rests if necessary * take clarinet & & + p 3 & take trumpet Trumpet con sord. (wah-wah) + o+ o+ etc. fast wah-wah & *complete the final inhale/exhale in the following rests if necessary * take trombone B /5 5 5 5 / …living creature say, “Come!” Then another horse came out, a fiery red one. Its rider was given power to take peace from the earth and to make people kill each other. To him was given a large sword. Revelation 6:5-6 ] When the Lamb opened… & ∑ ∑ 3 6 3 & ? & ∑ ∑ 3 5 ? > & senza vib. poco s. pont. ord. vib. 3 & senza vib. poco s. pont. ord. (I) vib. 3 B vib. 3 B 3 3 senza vib. poco s. pont. 3 B 3 3 senza vib. poco s. pont. 3 ? ‹ ∑ ∑ ∑ > Œ ≈ 6™ J 6 ) 6 J 6™ 6 6 Œ‰ œ ˙ ˙ Œ≈ œ J œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ® œ R ≈‰ŒÓ‰ œ R ≈ŒÓ ‰ œ R ≈ŒŒ œ œ œ œ œ œ œ œ œ®≈ œ J ≈ œ œ œ œ œ œ œ œ w w ˙ œ J ‰ŒÓ Œ œ œœ ‰Ó Œ≈ œ J œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰Ó Œ≈ ##œœ J œœ œ J œ œ œ #nœ Œ œ ˙ œ 2 j ˙ œ j ˙ œ j ≈ŒÓ Œ≈ œ J œ œ œ ‰ œ 3 j ˙ œ ˙ œ j ˙ œ œ œ ‰Œ ˙ œ R ≈‰Œ Œ≈ J œ ‰Œ œ J œ œ œ œ œ J ˙ œ œ œ œ J œ 2 œ œ J 2 œ ‰ œ J œ œ œ œ œ J ˙ œ œ œ J œ œ 3 œ œ J 3 œ ‰ Œ œ ˙ 3 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ A. Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. espress. mfo p 14 mp fo p o o p o mp p mp mp mf p mp p p f p p f p f p f p f p f o f p p ff po 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 & Alto Flute 5 5 & 3 fast wah-wah slowing + & Clarinet 3 & *complete the final inhale/exhale in the following rests if necessary * & + + 3 & + fast wah-wah B Trombone con sord. / 55 5 5 / …the third seal, I heard the third living creature say, "Come!" I looked, and there before me was a black horse! Its rider was holding a pair of scales in his hand. Then I heard what sounded like a voice among the four living creatures, saying, "Two & 5 5 ? > > 5 & 6 6 6 6 6 6 6 6 6 5 5 ? & 3 3 3 3 & senza vib. 3 3 & senza vib. (IV) 3 3 B B senza vib. 3 ? B senza vib. ? ‹ o 3 Œ ‰ œ J œ œ œ œ œ œ œ 6™ J ≈‰ 6 6 6 6™ 6 J ŒÓ Œ ‰ œ j œ j œ ˙ œ Œ Œ œ J ≈Œ ‰‰ œ j œ ˙ ˙ ˙ œ œ œ œ J ‰Ó Œ ‰ œ J œ ˙ ˙ œ≈ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ®‰Œ ˙ ˙ ˙ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ œ œ œ œ œ œ Œ bœ r œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰≈ œ œ œ b b nbœœ Œ ‰ j œ œ œ Œ Ó ‰‰ œ j œ œ j œ œ ˙ ‰‰ œ j œ œ œ j œ œ ˙ Œ ‰ œ J œ J œ œ J ‰ŒÓ Œ ‰ œ J œ ˙ ˙ œ œ j ‰Ó ‰‰ œ J œ œ ˙ 4 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ A. Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. f p o 16 fo p o po mp p p o po f p f pp o p f p pp p pp p pp p f rough p pp f rough p pp p 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 & 5 & + o take music box / 3 & 3 & take music box / & + & o fast wah-wah o B / / pounds of wheat for a day's wages, and six pounds of barley for a day's wages, and do not damage the oil and the wine!" take ratchet & ∑ place jewellery test magnets somewhere on A and B b strings: take music box ∑ ? 3 & fast arp. place jewellery test magnets somewhere on A and B b strings: 5 5 & 3 ? 5 & poco vib. & poco vib. I B ? > > 3 B poco vib. ? >> 3 ? ‹ o œ r ˙ œ ‰Ó Ó Œ ‰‰ 6 J ) 6 6™ J ≈Ó Œ œ ˙ ˙ œ j‰Œ‰ œ œ Œ œœ œœ #œœ ww ww ww œœ œœ œœ j ‰ŒÓ œ J ‰Œ Œ œ ˙ ˙ œ j ‰ŒÓ Œ ≈ œ J œ J œ ˙ œ œ J‰ ˙ ˙ œ R ≈‰Œ ˙ ˙ w w œ ‰Ó œ œ œ œ J ‰Œ œ œ j œ ˙ ˙ b b œ œ R ≈‰ŒÓ œ œ œ œ œ œ R Ô ®≈Ó Œ ˙˙ ˙ ##˙˙ œœ œ œœ J ≈ŒÓ œ ‰ œ œ J ≈Œ w œ r ≈‰ œ ##œ ˙ ˙ w w w œ r≈‰ œ ˙ w Œ œ ˙ w Œ ‰ œ œ ˙ œ ‰Ó œ œ œ ˙ œ ‰Ó w œ R ≈‰ŒÓ Œ‰ œ J 5 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ A. Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. po f rough p f p mfo p B q= 52 agitated 19 o ff wild p f ff wild p f mfo o f p f po f rough p ff wild ff wild p f mfsfz p o f f rough mf legato p sfz f rough sfz p f fsfz sfz f Ped. o fp f fp f p legatoo B q= 52 agitated o fp f fp f p legatoo o f sfzsfz mpo f p f p f p f p fsfzsfz & flz. > 3 / turn crank slowly, ratchet-like allow to play set box down and take oboe & Oboe 3 & bell up bell down bell up bell down 5 3 / Blue Danube Music Box turn crank slowly, ratchet-like (allow to play) set box down and take harmonicas & Harmonicas in C & D blow & + flz. o > take ratchet ∑ ∑ & senza sord. con sord. (straight) flz. > 3 3 B flz. > senza sord. flz. > take music box / / 3 35 5 / Ratchet take walkie-talkie Walkie-talkie [ Revelation 6:7-8 ] When the Lamb opened the fourth seal, I heard the voice of the fourth living creature…6 & Für Elise Music Box turn crank slowly, ratchet-like (allow box to play) place box on flat metal surface inside piano 3 ? > > 3 & >> 3 œ ? > > >> > > > 3 3 œ œ & > > flaut., senza vib. con sord. 3 & IV > > flaut., senza vib. con sord. IV B » pizz. > > > » > (I) > » » > > arco 3 3 ? vib. ord. > > > 3 > 3 ? vib. ord. > > > > ? ‹ » rough pizz. » > > ∑ 3 ˙ œ J ‰‰ æ æ œ j æ æ œ j ≈ œ ˙ œ œ ‰‰‰ J ˙ œ J ÓŒ ‹ ‹ J ÓŒ‰‰ œ J ˙ œ œ œ œ œ œ œ œ œ ® œ œ œ œ ≈ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ‰‰ œ J ˙ œ ≈ ÓŒ ‹ ‹ J Œ‰ œœ œœ #œœ j ˙˙ ˙˙ ˙˙ ˙˙ ˙˙ ˙˙ œœ œœ œœ j ‰ ˙ ˙ œ j ‰‰ æ æ œ j æ æ œ j ≈Œ œ œ œ œ œ œ œ œ œ œ ŒŒ ‰≈ œ œ œ œ œ ≈ œ œ ˙ Œ‰ æ æJ œ ‰ æ æ æ œ æ æ œ J ‰Œ ‰ æ æ œ J æ æ œ J ≈Œ Ó‰ œ J ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ≈ ‰Ó ‰ œ œ œ œ œ œ œ œ œ œ œ®≈Ó Œ ˙ w ÓŒ ‹ ‹ ‹ Ó Œ œ J ˙ œ Œ‰ œ œ b œ œ ˙ ˙ w w ÓŒ ‰ œ œ œ œ ‰Ó Œ œ œ œ J Œ‰ æ æJ ÓŒ œ œ œ œ œ œ œ œ œ œ œ ‰ æ æ æ œ æ æ œ j ‰Œ ‰ æ æ œ j æ æ œ æ æ œ ≈ŒÓ Œ œ J œ œ œ œ ‰ æ æ æ œ æ æ œ j ‰Œ ‰ æ æ œ j æ æ œ æ æ œ ≈ŒÓ Œ‰ J œ ˙ œ œ ‰ œ j‰ œ j ‰‰ r ‰ œ j‰ R ŒŒ‰ œ œ Œ‰‰ J ˙ ˙ ‰ r œ œ œ j œ j œ œ ˙ ˙ ˙ ÓŒ œ œ œ œ œ œ œ ˙ ˙ ˙ ˙ w w œ J ‰‰ œ #œ œ œ 6 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ A. Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. fsfz fsfz C wailing 23 p o p mf fsfzsfz p f p mp fsfz p o sfzsfz sfz mp p fsfz sub. p ff sfzsfzsfzp f f Ped. pp p pp f sfz C wailing pp p f fpf sfz p o f o fo p fsfz pfsfz sfzsfz o fo fo p f f o o p f p f sfz f ffsfz & flz. > flz. > 3 & bell up & flz. >> bell up bell down up bell down flz. > 3 & draw # / / Ratchet take horn &3 6 3 & >> > / Ode to Joy Music Box turn crank slowly, ratchet-like (allow to play) set box down and take trombone B 3 / take walkie-talkie 5 5 5 5 / …say, "Come!" I looked, and there before me was a pale horse! Its rider was named Death, and Hades was following close behind him. They were given power over a fourth of the earth to kill by sword, famine and plague, and by the wild beasts of the earth. & > 3 3 3 ? >“ & >>> ∑ ∑ ? rub low A tape* * slowly and firmly rub the tape between the thumb and index finger gradually away from the string towards the end of the tape. Transfer smoothly from hand to hand to avoid a break in sound. & > > 3 & 3 vib. ord. IV > > B senza vib. poco s. pont. (I) pizz. > > 3 > 3 arco, senza vib. > 53 3 5 ? & flaut., senza vib. poco s. pont. 5 pizz. > 5 senza vib. arco poco s. pont. > 3 3 ? & senza vib. poco s. pont. pizz. > 3 senza vib. arco poco s. pont. > 3 ? ‹ ∑ ∑ (pizz.) > ∑ ˙ œ J ‰‰ æ æ œ J ‰ æ æ œ j ‰Œ ˙ œ ‰Ó ‰ J œ œ œ ‰Ó Œ≈ æ æR ‰ æ æ œ J ≈≈ œ œ Œ ‰ œ œ œ ‰ŒÓ ‰ æ æ œ j ‰Œ w w ww w w œ œ œœ œ œ ‰Ó ≈ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ®Ó Œ≈ æ æR ‰ æ æ œ J ≈‰ æ æJ Ó Œ‰‰ ‹ J :; ‹ ff Œ‰® œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ≈Œ w w w œ ‰Ó œ œ œ œ œ œ ˙ œ œ ‰‰ œ r œ œ J œ œ œ œ æ æ œ ‰‰ œ œ œ R ≈‰ŒÓ w w Œ≈ æ æR ‰≈ æ æ œ J ≈ æ æR ≈ œ œ ‰Œ œ œ œ œ œ œ œ œ œ œ œ œ œ J œ J ≈Œ≈ J ˙ œ J œ œ œ œ œ J ‰ J œ R ≈‰Œ‰ J œ J ≈Œ œ J ≈≈ J œ œ œ ≈≈ œ œ 2 J ˙ œ œ œ ‰‰ ‰ J ‰Œ‰ œ J‰‰ œ œ R ≈‰ œ œ œ J œ R ≈‰‰≈≈ œ r œ œ œ r ≈Ó ‰ œb‰‰‰ J ‰‰‰ 2 œ r ≈‰ŒŒ‰ œ j œ œ 3 J ˙ œ œ œ œb‰ŒÓ 3 œ ŒÓ 7 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ A. Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. fo o fsfz fo 27 o f o p f o sfz sfz sfz po p f fsfz p f fsfz sfz fsfz p fsfzp fsfz p p f o fo p f p f f p o fsfz sfz p f p f o f p f p ff fsfz p f p f sfz p fsfz p ff o f sfz p fsfz p f p f & flz. > 5 & (music box ends approximately here) 3 3 5 3 & > > 3 > & (music box ends approximately here) Harmonica in C blow 3 & Horn 3 & flz. > senza sord. 3 B flz. > 3 > ? / / [ Revelation 6:9-11 ] When he opened the fifth seal, I saw under the alter the souls of those who had been slain because of the word of God and the testimony they had maintained. They called out in a loud voice, "How long, Sovereign Lord, holy and true, until… & > (music box ends approximately here) 3 > 3 > 3 > 5 3 3 ? & ? & pizz. > arco, poco vib. > > 3 senza vib. 3 5 & 5 pizz. >> arco, poco vib. 3 pizz. > 3 > 3 B poco vib. > 3 & pizz. > arco > 3 pizz. > arco 5 & pizz. > 3 > arco, senza vib. 53 ? ‹ ∑ ∑ ∑ ∑ ≈ œ J œ œ œ œ œ ‰Ó ‰ æ æ œ r ‰ ˙ œ Œ‰ R ˙ œ ‰ŒÓ ‰ œ œ œ J œ œ œ œ ‰‰‰Œ Ó ‰ æ æ œ j Œ Œ æ æ æ œ ‰Ó ‰ æ æ œ J ŒÓ ‰ œ œ œ ˙ ˙ ˙ œ œ œ œ œ œ r ≈ œ œ œ ˙ ˙ ˙ Œ ˙ œ œ j ˙ ≈ æ æ œ j æ æ œ r ≈‰ Œ ˙ œ œ j ˙ Œ æ æ æ œ ‰Ó ‰ æ œ R æ œ R ≈‰Ó w w w w œ œ œ J œ æ æ œ ‰ J œ œ œ J œ œ œ œ J œ æ æ œ ‰ œ J œ œ œ æ æ œ ‰ ˙ œ œ œ J ‰‰ œ J ≈ J ‰ R ˙ œ J œ œ œ J œ œ œ œ œ œ œ ‰ œ J ‰Œ‰‰ œ J ≈ R ‰‰ œ J ≈ŒŒ‰ œ J ‰Ó ‰ œ r ŒÓ œ œ œ J ˙ œ J œ œ œ œ œ ‰≈ œ J œ œ J œ œ J ≈ œ œ j ≈Œ‰ œ j Œ‰ J œ œ R ≈‰‰ œ J œ R ≈‰‰ ˙ œ œ ‰ œ j œ œ j ≈ œ j ≈‰ R ˙ œ ‰‰ J ‰ œ J ‰‰ œ J ˙ œ ‰‰ œ ˙ œ 8 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ A. Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. o p f ff f 31 p f p f p f ff p o mp o f p f o o o fsfz p f sub. p o fsfz fsfz f Ped. ø o o f o fsfz p f p ff f mp p f p ff f o f o fsfz p p fo o f p fsfz p fsfz & flz. > 3 > ö > ö & flz. ö > ö33 5 & flz. > 3 & draw blow > > & & > > > 3 5 3 3 5 ? ∑ (music box ends approximately here) ∑ ∑ / / …you judge the inhabitants of the earth and avenge our blood? Then each of them was given a white robe, and they were told to wait a little longer, until the full number of their fellow servants, their brothers and sisters, were killed just as they had been. & ? > 5 “ ? > 3 scrape plastic cap very slowly along string* * very slowly and firmly scrape the open end of a thick marker pen cap between each groove/coil of the string towards the keyboard to make a crank-like sound. There should be resistence in this action. “ & ? & senza vib. poco s. pont. 3 pizz. > 3 & arco, poco vib. on the cuff 3 3 B on the cuff 3 3 & senza vib. poco s. pont. 3 pizz. > 33 & flaut., senza vib. & pizz. 3 5 5 ? ‹ arco > 3 > 5 œ ‰Ó Œ‰ æ æ æ æ æ œ œ œ œ j ≈Œ‰ j œ Œ œ œ œ r œ æ æ œ j æ æ œ œ œ œ œ œ œ œ œ œ œ œ œ ≈ œ œ œ œ ≈ œ œ ‰ œ ˙ ˙ œ R ≈‰‰ æ æ æ œ œ œ œ œ œ œ œ œ œ œ j ˙ œ œ œ ˙ ˙ ˙ œ œ œ ˙ ˙ ˙ ˙ ˙ ˙ œ œ œ ‰ ˙ œ r ≈‰≈ œ j œ ‰Ó œ ‰Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ œ j œ œ œ œ j œ œ œ j ‰ œ œ ‰ œ ‰ œ j ‰ ˙ w w w œ J ‰ŒÓ œ œ J ≈Ó ‰ ≈ r œw Œ‰ j ‰Ó ‰ 6 ) ) œ œ R ≈‰‰ 3 œ ˙ œ ‰ j ‰ œ r ‰ œ j Œ‰ œ j ‰ ‰‰ œ J œ œ œ J œ œ R ≈‰Œ Œ ‹ ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ œ ‰ œ œ œ œ J œ œ R ≈‰Œ Œ ‹ ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ Ó ‰ 2 œ ˙ œ ‰ œ j ‰‰ œ j ‰ œ j ‰Œ‰ œ j œ œ œ œ ‰ œ J œ œ J œ J œ ˙ Œ≈ œ œ Œ‰ œ j Œ‰ ˙ w ˙ œ r œw 9 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
sudden fast scrape
° ¢ ° ¢ ° ¢ { { ° ¢ A. Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. ff f fff D 35 ff ppp possibile * f o p f p p f p f p f p f o p o D o ff f o ff f p & flz. > 3 ö take harmonicas & > ö > > improvisatory * use just enough air pressure to produce the indicated approximate pitches at the quietest possible dynamic. bell up 5 3 & flz. > take music box Für Elise Music Box turn crank rhythmically as indicated; hold during rests so box does not play & take music box / The Blue Danube Music Box turn crank rhythmically as indicated; hold during rests so box does not play 3 3 3 & take music box / & 53 5 ? / 3 3 3 3 3 / * rhythmic notation shows when, and for how long, the ‘push-to-talk’ button on the walkie-talkie is depressed Walkie-talkie* [ Revelation 6:12-14 ] spoken, using a natural speaking voice I watched as he opened the sixth seal. There was a great earthquake. The sun turned black like sackcloth made of goat hair, the whole moon turned blood red, and the stars in the sky fell… / ? “ :; 3 ?
“ :; & ? & arco, poco vib. & B & / & / ? ‹ b> œ œ r ≈‰ æ æ æ ‰‰ œ œ œ j ≈ œ œ ˙ œ j ‰ œ œ j œ æ æ ¶ æ æ æ æ æ ¶ æ ≈≈ æ ¶ æ æ æ æ ¶ æ ¶ æ ¶ æ æ æ æ æ ¶ æ ≈≈ æ æ ¶ æ æ æ ¶ æ æ ¶ æ æ ¶ ¶ ≈‰ œ æ æ œ j æ æ œ œ œ j ‰ Œ≈ ‹ ‹ ‹ ‹ ˙ œ ‰ œ œ w œ ‰Ó Œ‰ ‹ R ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‰ ≈ j œ ˙ œ r ≈‰ŒÓ ‰ œ j ‰‰ œ j œ j œ œ j ≈ Œ≈ œ j œ j œ œ j œ œ œ ˙ œ œ ≈ŒŒ‰ œ J œ œ œ J œ œ œ œ œ J œ J ≈‰‰ œ J œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ J œ œ œ œ œ R ®‰ w w w w œ ‰ŒÓ ) ãã ) ãã ) ãã ) 6 ŒÓ Œ‰ œ J ˙ w w ˙ æ æ æ :; ‹ :; ‹ æ æ ‹ ‹ j ‰Œ ‹ ‹ æ æ æ ‹ ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ ‹ ‹ j ‰Œ ‹ ‹ æ æ æ ‹ ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ w w w w 10 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. 39 o p f o ff f f Ped. o o & & 5 bell down > > 3 5 3 5 5 3 3 5 3 5 5 6 5 & (allow box to play) 3 / (allow box to play) slow turn 3 3 / & cup mute in, take harmonicas / Ode to Joy Music Box slow turn (allow to play) slow turn 3 5 / …to earth, as figs drop from a fig tree when shaken by a strong wind. The heavens receded like a scroll being rolled up, and every mountain and island was removed from its place. Revelation 6:15-17 ] Then the kings of the earth, … / ? ? “ :; l.v. (very slow scrape) “ & rub high D tape ? ∑ ∑ ∑ ∑ & & just behind cuff B just behind cuff / Ode to Joy Music Box turn crank rhythmically as indicated; hold during rests so box does not play fast turn slow fast (allow box to play) / turn crank rhythmically as indicated; hold during rests so box does not playBlue Danube Music Box fast turn 3 3 slow fast (allow box to play) ? ‹ æ æ ¶ æ ¶ æ æ ¶ æ æ æ æ æ ¶ ‰ ¶ ‰ æ ¶ æ ¶ æ ≈≈ æ æ æ æ æ ¶ ≈ æ æ æ æ ¶ æ æ æ æ æ æ ¶ ≈‰Œ‰ æ æ æ æ ¶ æ æ æ ¶ æ æ æ æ ¶ æ ¶ æ æ æ æ ¶ æ ¶ æ ¶ ‹ ‹ ‹ ‹ ‰‰® ‹ ‹ ‹ ‹ ‹ ‹ ®‰® ‹ ‹ ‹ ‹ ‹ ‹ ff ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ®‰ ‹ J ‰ ‹ ‰‰ ‹ J Œ‰ ‹ ‹ ‹ ‹ ‹ ‹ ≈ ‹ ‹ J :; ‹ œ ‰Ó Ó Œ‰ ‹ J ‹ ‹ ‹ ‹ J ‹ R ‹ ‹ w w œŒÓ ˙ 6 ŒÓ Œ )b ) ãã ) ãã Œ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ ) ) æ æ 6 6 j ‰Œ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; :; æ æ æ :; :; æ æ æ :; ‹ :; ‹ æ æ 6 6 j ‰Œ Œ‰ ‹ J ‹ ‰‰ ‹ J ‹ J ≈ ‹ J ‰ ‹ ‹ ‰Œ ‹ ‹ ≈ ‹ ‹ ‹ ff w w w w 11 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. 43 o ff (Ped.) fff o fff fff o fff & & > > bell up 3 take music box / Music Box Twinkle Twinkle turn crank rhythmically as indicated; hold during rests so box does not play 3 3 3 6 5 5 5 & slow turn / slow turn 3 slow turn / Blue Danube Music Box slow turn, ratchet-like (allow box to play) & / turn crank rhythmically as indicated; hold during rests so box does not play (slow turn) 3 / …the princes, the generals, the rich, the mighty, and everyone else, both slave and free, hid in caves and among the rocks of the mountains. They called to the mountains and the rocks, "Fall on us and hide us from the face of him who sits on the throne and from the wrath of the Lamb! For the great day of their wrath has come, and who can withstand it?" / ? ? sudden fast scrape “ :; l.v. & ? & & on the cuff just behind cuff on the cuff B on the cuff just behind cuff on the cuff / slow turn slow turn slow fast 3 / slow turn slow turn 5 fast turn ? ‹ < b> æ æ æ ¶ æ æ æ æ æ ¶ æ æ æ æ ¶ ‰≈ æ æ ¶ æ æ æ æ æ ¶ æ æ æ ¶ æ æ ‰ ¶ ‰ æ ¶ R ≈≈‰ŒÓ Œ ‹ ‹ ‹ J :; ‹ :; ‹ :; ‹ ‹ J ‹ ‹ ‹ ≈® ‹ ‹ ‹ ‹ ‹ ≈® ‹ ‹ ‹ ‹ ‹ ≈ŒŒ® ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ J ‹ J ‰≈ ‹ R ‰‰ ‹ J ‰‰ ‹ J ‰ ‹ J ‹ ‰ ‹ :; ‹ :; ‹ ‹ ff ‹ ≈ ‹ ‰ ‹ ≈ ‹ ‰ ‹ R ‹ ‹ ‹ ff ‹ ‹ ≈ ‹ R ≈‰ ‹ ‹ ‰Œ‰ ‹ w w w w ˙ ) ) ãã ) ãã )™ 6 6 ŒÓ ‹ ‹ æ æ æ ‹ ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ 6 6 j ‰Œ ‹ ‹ æ æ æ ‹ ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ ‹ ‹ æ æ æ ‹ ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ 6 6 j ‰Œ ‹ ‹ æ æ æ ‹ ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ ‹ J ‹ J ‹ J ‹ ‹ J ≈‰ ‹ J ‹ ‹ ‹ ‹ ‹ ‹ ‹ :; ‹ ‹ R ≈‰ ‹ w w w w w 12 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. E machine-like 48 f (Ped.) E machine-like o ff f o ff f & / slow turn slow turn slow turn slow turn 5 3 & set box down and take harmonicas / 3 slow turn / turn crank rhythmically as indicated; hold during rests so music box does not play 5 slow turn slow turn 5 33 3 3 3 & / slow turn 3 slow turn 3 slow turn 5 / [ Revelation 7:4 ] Then I heard the number of those who were sealed: 144,000 from all the tribes of Israel. From the tribe of Judah 12,000 were sealed, From the… / From the tribe of Reuben 12,000, ? ∑ ∑ ∑ ∑ ∑ ? (very slow scrape) & ? & ∑ ∑ ∑ ∑ ∑ & just behind cuff on the cuff B just behind cuff on the cuff / slow turn slow turn set box down & 3 / slow turn 3 slow turn set box down B 5 5 3 5 5 3 3 ? ‹ ‰ ‹ J ‹ ‹ ‹ R ‰ ‹ J ‹ ‹ ‹ ‹ J ‹ J :; ‹ ‹ ‹ ‹ ‹ ff ‹ Œ ‹ J ‰≈ ‹ R ‰‰ ‹ J ‰ J ‹ ‹ J ‹ R ‹ ‹ ‹ ‰≈≈ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ®≈‰ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ :; ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ≈ ‹ ‹ R Ô ®≈‰≈ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ J ‹ ‹ J ‹ J ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ®≈Œ‰ ‹ ‹ J J ‹ ‹ ‹ ‹ ˙ w ˙ ˙ œ J ‰ŒÓÓŒ œ ÓŒ œ œ ‰Ó )n ) ãã ) ãã ) ) ãã æ æ æ :; ‹ :; ‹ æ æ 6 6 j ‰Œ ‹ ‹ æ æ æ ‹ ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ ) ãã ) ãã æ æ æ :; ‹ :; ‹ æ æ 6 6 j ‰Œ ‹ ‹ æ æ æ ‹ ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ ‹ ‹ ‹ ‹ R ‹ ‹ ‹ ‹ ®≈≈ ‹ ‹ ‹ ‹ ‹ ‹ ‹ R Ô ®≈‰≈ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ :; ‹ ‹ ‹ J ‹ ‹ ‹ ‹ ‹ ‹ ‹ ®≈ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ≈‰‰ ‹ ‰ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ J w w w w w 13 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. 53 f ff (Ped.) o o & / & & / set box down and take harmonicas ∑ ∑ ∑ ∑ / set box down and take horn (mute in) & & / set box down and take harmonicas / …tribe of Gad 12,000, From the tribe of Naphtali 12,000, From the tribe of Simeon 12,000, / From the tribe of Asher 12,000, From the tribe of Manasseh 12,000, From the… ? & slow scrape ? sudden fast scrape l.v. & discreetly remove jewellery magnets ? & & c. 2.5cm behind cuff ∑ ∑ ∑ ∑ B c. 2.5cm behind cuff & B ? ‹ b> ‹ J œ ‰Ó Œ œ œ ‰Ó Œ œ œ ‰Ó Œ œ œ ‰Ó Œ œ œ ‰Ó Œ œ ) ãã ) ãã ) ãã ) ŒÓ æ æ æ ) ) æ æ æ 6 6 ‰ æ æ ) ) æ æ 6 6 ‰ w w w w w set box down and take harmonicas 14 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. p F q= 60 free; expansive; mournful 58 p p p ff F q= 60 free; expansive; mournful o X X X X X X X X X X X X X X X X X X X & Harmonicas in D and E blow repeat for c. 120" ## draw ## move to new notes blow & Harmonicas in D and E blow repeat for c. 120" ## draw ## blow move to new notes & U c. 75" & U c. 75" & & U & ∑ ∑ ∑ Harmonicas in B b and C blow repeat for c. 120" b draw n move to new notes blow & Harmonicas in B b and C repeat for c. 120" blow b draw n blow move to new notes / From the tribe of Issachar 12,000, From the tribe of Joseph 12,000, c.90" U take harmonicas in B b & C & / …tribe of Levi 12,000, From the tribe of Zebulun 12,000, (stay in tempo until pause) From the tribe of Benjamin 12,000, c.80" take harmonicas in B b & C U & & sudden fast scrape l.v. discreetly remove jewellery magnets U ? U & ∑ ∑ ∑ ∑ U ? U & ∑ ∑ ∑ ∑ U & U B U & U B U ? ‹ U w w ww w w w w ww w w ˙ ˙ ˙˙ ˙ ˙ w w ww w w w w ww w w ˙ ˙ ˙˙ ˙ ˙ w w ww w w w w ww w w ˙ ˙ ˙˙ ˙ ˙ w w ww w w w w ww w w ˙ ˙ ˙˙ ˙ ˙ Œ œ œ ‰Ó Œ œ ‰Ó œ ‰Ó Œ œ œ ‰Ó Œ œw ˙Ó ) ãã ) ãã ) 6 ŒÓ w w ˙ ˙ œ j ≈ŒÓ œ ) 15 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
repeat for c. 120" blow
move to new notes
draw
move to new notes
repeat until cue from trumpet
repeat until bar 69 blow
draw
&
Harmonicas in C and D repeat for c. 120" blow # draw # blow
move to new notes
Harmonicas in C and D repeat for c. 120" blow # draw # blow
move to new notes
&
&
repeat for c. 75" blow b draw
blow bn
move to new notes
&
repeat for c. 120" blow b draw nb blow
bn
move to new notes
repeat until bar 68 # draw#
blow
repeat until cue from trumpet blow # draw# &
repeat for c. 30" blow b draw
repeat until bar 83 blow b draw bn &
Harmonicas in B b & C repeat for c. 90" blow b
draw n blow
move to new notes
repeat for c. 90" blow
repeat until bar 76 blow b draw nb &
Harmonicas in B b & C b
draw n blow
move to new notes
repeat until bar 76 blow b draw nb
U
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt. Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. o G q= 40 woven 62 p o p o o o p p G q= 40 woven 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 & blow repeat for c. 75" ## draw ##n
blow n#
blow ## draw #n Tpt gives cue Ä &
##
##n
blow n#
##
##
U U con sord. 3
nb
bn take trumpet Trumpet con sord. (cup) 3
& U
? U U & U U ? U U & U U
Tpt gives cue
Ä & ∑ U ∑ U ∑ ∑ B U U & ∑ U ∑ U ∑ ∑ B U U ? ‹ ∑ U ∑ U ∑ ∑ w w ww w w w w ww w w ˙ ˙ ˙˙ ˙ ˙ w w w ww w w w w w ww w w w w ww w w w w ww w w ˙ ˙ ˙˙ ˙ ˙ w w w ww w w w w w ww w w w w ww w w w w ww w w ˙ ˙ ˙˙ ˙ ˙ w w ww w w w w ww w w w w ww w w w w ww w w ˙ ˙ ˙˙ ˙ ˙ w w ww w w w w ww w w Œ‰‰ j ˙ w w ww w w w w ww w w ˙ ˙ ˙˙ ˙ ˙ w w w ww w w w w w w w w w w Œ‰‰ œ j ˙ w w ww w w w w ww w w ˙ ˙ ˙˙ ˙ ˙ w w w ww w w w w w w w w w w w w ww w w w w ww w w ˙ ˙ ˙˙ ˙ ˙ w w ww w w w w ww w w w w ww w w w w ww w w ˙ ˙ ˙˙ ˙ ˙ w w ww w w w w ww w w 16 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. mpo p o mf mp 66 o o mpo p o mf mp o o p mp o o mf mfp p mp o o mf mfp 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 5 4 3 4 5 4 3 4 4 4 3 4 & take flute Flute 3 & take oboe Oboe & take clarinet Clarinet 3 & take bassoon ? Bassoon & 3 & 3 & (harmonicas) & & & ∑ ∑ ∑ ∑ ∑ ∑ ? & ∑ ∑ ∑ ∑ ∑ ∑ ? & ∑ ∑ ∑ ∑ ∑ ∑ & B & B ? ‹ ∑ ∑ ∑ ∑ ∑ ∑ ŒŒ‰ œ r ˙ ˙ œ œ ‰Ó œ j œ œ Ó œ ŒŒ‰ r ˙ ˙ œ ˙ œ ‰Ó ˙ œ j œ ‰ŒŒÓ Œ ˙ ˙ œ j œ œ œ j ‰ŒŒÓ ˙ œ œ j ‰Œ ˙ ˙ ˙ œ J œ œ œ J ‰ŒŒÓ œ ˙ œ j ‰Œ 17 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. p o mf p f p f H q= 90 72 mf p o o p mf p f p f mf p o mf p o p mf p o p o o p Ped. po o mf o H q= 90 po o mf o mfp o mf p f mfp o mf p f 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 3 4 5 4 2 4 4 4 & & 3 & o ? & 3 & 3 & (harmonicas) & (harmonicas) take harmonicas in C & D & (harmonicas) take harmonicas in C & D & ∑ ∑ ∑ ∑ ∑ ∑ ? & rub high D tape ? & con sord. ∑ ∑ & con sord. B∑ & con sord. arco ? B con sord., arco ? ? ‹ ∑ ∑ ∑ ∑ ∑ ∑ ˙ ˙ œ j ≈ŒÓ ˙ œ ˙ œ œ J ‰Ó ˙ œ œ œ œ ˙ œ r ≈‰Œ Ó ‰ œ ˙ œ ≈Ó œ œ ˙ œ œ j ‰Ó ˙ ˙ œ œ œ ˙ œ R ≈‰Œ œ œ œ œ j ˙ ˙ œ J ‰Œ ˙ œ œ œ J ˙ ˙ ˙ œ J ‰Œ œ œ ŒŒ‰ ˙ œ j ‰Œ‰ œ j œ œ ˙ œ r ≈‰Œ ˙ ˙ œ j ‰Œ‰ j œ œ œ ˙ œ r ≈‰Œ ‰ œ j ˙ œ j ≈ŒŒ ˙ ˙ ˙ œ J ‰ŒÓ ‰ œ J ˙ œ J ≈ŒŒ ˙ ˙ œ J‰ŒÓ 18 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. f f p f I suddenly howling 78 f o f f f p f f ffsfzsfzsfzsfzsfz f f p f f p o ff f ff f ff sfz sfz sfzsfzsfzsfz sfz f f f ffsfz sfzsfzsfz f p o I suddenly howling ff sfz sfz sfzsfzsfzsfz f p o f ffsfzsfzsfzsfz f p o ff sfz sfz sfzsfzsfzsfzsfz f ff sfz sfz sfz sfz sfz sfz sfz f ff sfz sfz sfzsfzsfzsfz sfz f 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 & > > > > > > 5 5 5 & > take music box / & > > > > >5 6 6 6 ? > f > > > 3 > > 3 > > > 53 & mute out, take ratchet Ratchet / 5 & & / take music box & Harmonicas in C & D blow > >>> 3 >> 3 > (draw) > (draw) & Harmonicas in C & D blow > >>> 3 >> 3 > (draw) > (draw) & ∑ > >>> 3 >> 3 > ∑ ? > >>> 3 >> 3 > > > “ 53 & ? ∑ ∑ ∑ ∑ ∑ ∑ & ∑ senza sord. pizz. > 3 >> 3 > arco > & ∑ senza sord. pizz. IV > >>> 3 >> 3 > arco > B∑ pizz. > 3 >> 3 > arco > ? ∑ senza sord. pizz. > >>> 3 >> 3 > > B arco, senza vib. > ? ∑ senza sord.pizz. > > > > 3 > > 3 > > arco, senza vib. > ? ‹ ∑ > >>> 3 >> 3 > pizz. > arco, senza vib. > o ÓŒ œ œ ‰Ó ≈ œ J œ ˙ œ œ ÓŒ‰ œ œ œ œ œ œ œ œ œ w œ ‰Ó ≈ J œ œ R ≈‰Ó œ œ œ J ≈Œ œ œ Ó‰ œ J œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ÓŒ œ ‰ÓÓ œ œ J ≈‰ œ j ‰‰ œ j ‰ œ j ‰‰ œ r ‰ r ŒÓÓ œ œ œ œ œ ‰ w œ ‰Ó Œ‰ ¿ ¿ w œ ‰Ó Ó≈ œœ œœ #œœ j ≈ŒÓ≈ œœ œœ #œœ j ≈Œ œœ œœ #œœ j ≈‰ œœ œœ œœ ‰ œœ œœ œœ j ‰ œœ œœ œœ j ‰‰ œœ œœ œœ r œœ œœ œœ œœ œœ nœœ J ˙˙ ˙˙ ˙˙ œœ œœ œœ ˙˙ ˙˙ n˙˙ Ó≈ œœ œœ #œœ j ≈ŒÓ≈ œœ œœ #œœ j ≈Œ œœ œœ #œœ j ≈‰ œœ œœ œœ ‰ œœ œœ œœ j ‰ œœ œœ œœ j ‰‰ œœ œœ œœ r œœ œœ œœ œœ œœ nœœ J ˙˙ ˙˙ ˙˙ œœ œœ œœ ˙˙ ˙˙ ˙˙ Ó≈ œœ j≈ŒÓ≈ œœ j≈Œ œœ j≈‰ œœ ‰ œœ j‰ œœ j‰‰ œœ r œœ ‰Ó Ó≈ œ j ≈ŒÓ≈ œ j ≈Œ œ j ≈‰ œ ‰ œ j ‰ œ j ‰‰ œ r œ œ œ b œ œ ˙ ˙ ˙ ˙ œ œ œ œ œ j ‰‰ Œ ˙w œ r ≈‰‰ œ j ‰‰ œ j ‰ œ j ‰‰ œ r Œ‰ œ œ J ˙ ˙ œ œ ‰Ó Ó≈ œ r‰ŒÓ≈ œ r‰Œ œ j‰‰ œ j‰‰ œ j‰ œ j‰‰ œ rŒ‰ œ J ˙ œ ‰Ó Œ œ w œ R ≈‰‰ œ J‰‰ œ J‰ œ J‰‰ œ RŒ‰ œ J ˙ œ ‰Ó Ó≈ œ R ‰ŒÓ≈ œ R ‰Œ œ J ‰‰ œ J ‰‰ œ J ‰ œ J ‰‰ œ R ‰ œ r ŒÓŒ ˙ Ó≈ œ r ‰ŒÓ≈ œ r ‰Œ œ j ‰‰ œ j ‰‰ œ j ‰ œ j ‰‰ œ r ‰ r ŒÓŒ Ó≈ œ j ≈ŒÓ≈ œ j ≈Œ œ j ≈‰ œ ‰ œ j ‰ œ j ‰‰ œ r œ œ œ b ŒÓŒ ˙ 19 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. ff 84 f sfz sfz sfz sfzsfz sfz fsfz sonore ff p f p f fsfz sonore sfz sfz sfz sfz sfz sfzsfz sfz p f p f p fp fsfz p f o p f p f p o fsfz sfz sfz sfz sfzsfz sfz o f sfz sfz sfz sfz sfzsfz & > > flz. flz. > > 66 6 5 6 5 5 5 / Music Box Twinkle Twinkle slow turn set box down and take oboe & & > bell up bell down bell up > 5 5 5 6 ? > 5 fsfz > > > > 5 > > > 5 6 3 5 5 5 / - take horn &5 5 & / Ode to Joy Music Box slow turn & take walkie-talkie & / Guiro 3 & > > > fsfz > > >5 5 6 5 6 5 ? loco > 5 & 5 & > > 3 > 5 5 ? ∑ > “ > > > 5 > > > 5 3 5 5 5 & & pizz. > B B ? pizz. > > >> 5 > > > 5 3 5 5 5 ? ‹ vib. > > > > 5 > >3 5 5 5 œ œ œ œ œ œ œ œ œ œ œj ≈ œ œ æ æ œ œ œ R ≈‰‰ œ œ œ œ œ œ æ æ æ œ œ œ œ œ œ œ œ œ œ ≈Œ :; :; ‹ ‹ œ œ œ œ œ œ r ≈ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ œ œ ‰‰ j J ‰ ≈ œ œ œ œ œ œ œ ≈ œ œ œ R ≈‰Œ‰‰ œ j œ œ r œ œ œ j ‰ ‰ œ œbŒ R ≈‰ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ≈‰Œ ¿ ‰ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ®Œ® ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ≈ŒÓ ‰ ‹ J ‹ :; ‹ :; ‹ œœ œœ œœ J ≈ŒÓ œœ œœ œœ J ≈ŒÓ ‰ œ J œ œ J ‰‰ œ œ œ J œ J ≈ œ ‰ j œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ # # œ œ œ œ œ œ œ œ œ œ œ ≈ œ œ œ œ œ œ œ ‰‰ œ ‰Œ Œ‰ œ œ œ œ ‰Ó ŒŒ‰ œ œ œ œ # œ œ œ œ J œ œ œ œ œ œ œ œ j ≈Œ‰ œ J Œ Œ‰‰ bœ j œ œ œ r œ œ j ‰ ‰ œ Œ J ‰ Œ œ œ Œ Œ‰ œ œ œ œ ‰‰ J œ J Ó Œ j‰ ‰ œ J œ J ≈ ˙ œ R≈‰ œ œ Œ Œ‰ œ œ œ œ ‰Œ‰ ˙ œ R ≈‰ŒŒ‰‰ œ j ‰‰ œ r ‰ œ j œ j ‰‰ œ Œ J ‰ ˙ œ R ≈‰ŒŒ‰‰ œ j œ œ R œ œ œ J≈‰‰ œ ŒŒ 20 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. p ff p f pp J q= 60 golden, hazy 87 p ff p f p p f ffsfz p f p mp fp f p mp p f ffsfz ff p f J q= 60 golden, hazy pp p ff p f f pp ffsfz p ff pp ffsfz 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 & 3 6 3 & 3 6 6 6 & bell down take harmonica in C Harmonica in C blow 3 ? > take harmonica in C & Harmonica in C blow 3 & Horn senza sord. 3 & senza sord. > 3 / & Walkie-talkie Ezekiel 47:6-9 ] / 33 & 6 ∑ 5 5 6 6 6 6 6 & & 5 ? > “ & poco s. pont., senza vib. 3 & arco, poco vib. 3 B poco s. pont., senza vib. 3 B & poco vib. 3 ? > & arco poco vib. 3 ? ‹ > pizz. ∑ ∑ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ R ≈‰Œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ R ≈‰Ó ‰Œ ‰‰ œ œ œ J œ œ œ ˙ ˙ ˙ ≈ r ‰Œ ‰‰ œ œ œ J œ œ œ ˙ ˙ ˙ Œ ‰‰ j ˙ ˙ Œ ‰ œ œ œ œ ‰ œ j œ ˙ :; ‹ :; ‹ :; ‹ w ˙ œ œ œ J œ J ‰ œ œ J œ œ ˙ œ R ≈‰ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ≈ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ R ≈‰ŒŒ ≈ œ r ‰Œ Œ ‰ œ j w œ ‰Œ œ œ œ r ≈Ó ‰‰ 3 J œ ˙ ‰‰ œ J œ ˙ Œ ‰ œ œ œ œ ‰Œ Ó ‰‰ 2 J œ ˙ œ œ œ R ≈Ó ‰‰ œ J œ ˙ ≈ œ r ‰‰ œ œ œ œ ‰Œ ‰‰ œ J œ ˙ ≈ œ R ‰Œ Œ ‰ œ j ...Then he led me back to the bank of the river. When I arrived there, I saw a great number of trees on each side of the river. He said to me, 21 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn. Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. fo pp mf p mp 90 fo pp o o mf p mp o p f p f p f p f p f p f o o mp o p o o mp o p ff Ped. p ff Ped. p o o p o o o mp p mp o o mp p mp 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 4 4 3 4 4 4 & 3 5 & 3 3 Ÿ bell up & stagger breath with bassoon draw blow & stagger breath with clarinet draw blow & take ratchet / & / (allow to play) / "This water flows toward the eastern region and goes down into the Arabah, where it enters the Dead Sea... When it empties into the sea, the salty water there becomes fresh. Swarms of living creatures will live wherever the river flows. There… / take ratchet & slow scrape of plastic cap along string sudden fast scrape l.v. ∑ & slow arp. ? & slow scrape of plastic cap along string sudden fast scrape l.v. ∑ ? & fast arp. ? & ∑ ∑ ∑ ∑ & B & o ? poco vib. & o ? poco vib. ? ‹ ∑ ∑ ∑ ∑ ∑ ∑ Ó‰ œ œ œ œ ˙ ˙ œ J ˙ œ œ œ œ œ ˙ Ó‰ œ œ œ œ œ ˙ ˙ œ ‰ÓŒ‰ œ œ œ œ œ œ R ≈‰Ó w w w œ œ œ ˙ ˙ ˙ œ œ œ ˙ ˙ ˙ ˙ ˙ ˙ w w w ˙ ˙ ˙ œ œ œ w w w w w w œ œ œ ˙ ˙ ˙ œ œ œ ˙ ˙ ˙ ˙ ˙ ˙ w w w ˙ ˙ ˙ œ œ œ w w w œ ŒÓ Ó‰ r œ ˙ w œ ‰Œ w œ j ≈Œ‰ œ r œ ˙ ˙#w œ ‰Œ w w w w ˙ w œ J ≈ŒÓ Œ 6n ) ) ) ) ãã 6 6 Œ Œ ˙˙ bn˙ œœ œ J ≈ Œ ) ) ) ) ãã 6 6 Œ Œ ˙ ˙˙ b˙∏∏∏∏∏ œ œœ œ J ≈ w œ ŒÓ w ˙ œ Œ w œ ŒÓ w ˙ œ ‰ œ J w ˙ œ J ≈ŒŒ w w ˙ œ ‰ œ J w ˙ œ J ≈ŒŒ ˙ w 22 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. K 96 p f p p f p p p p (Ped.) p p (Ped.) p p mf p mf o K p mf p mf o p f p o o p f p o o pp 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 & & (music box ends approximately here) / fast turn set box down 5 & draw 3 & draw 3 / Ratchet accel. & / very fast turn fast turn set box down 3 / …will be large numbers of fish, because this water flows there and makes the salt water fresh; so where the river flows everything will live. / Ratchet accel. take walkie-talkie 53 5 3 & slow scrape ? “ “ “ & slow scrape ? “ & ∑ ∑ poco s. pont., senza vib. 3 & poco s. pont., senza vib. IV 3 B ? poco s. pont., senza vib. 3 ? poco s. pont., senza vib. 3 ? ‹ con sord., arco Œ ‹ ‹ ‹ ‹ ‹ ‹ œ œ œ œ œ œ J œ œ œ ˙ ˙ ˙ ˙ ˙ ˙ œ œ œ w w w w w w œ œ œ ‰Ó œ œ œ œ œ œ J œ œ œ ˙ ˙ ˙ ˙ ˙ ˙ œ œ œ w w w w w w œ œ œ ‰Ó Œ‰® ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ≈‰ Œ‰ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ Œ ‹ J ‹ J ‹ J ‹ ‹ ‹ ‹ ‹ ff w w w w w w Œ‰ œ œ œ œ œ œ œ œ œ‰ ‰® œ œ œ œ œ œ œ œ œ œ œ œ œ≈‰ŒŒ‰ œ J ‰Ó ) ãã ) ) ãã ) ãã ) ãã ) Œ œ Œ‰ œ j Ó‰ œ j Œ ) ãã ) ) ãã ) ãã ) ãã ) ÓŒ‰ j ÓŒ‰‰ 2 j ˙ ˙ œ œ ˙ ˙ œ r ≈‰Œ ÓŒ‰‰ 3 j ˙ ˙ œ œ ˙ ˙ œ r ≈‰Œ œ œ J œ ˙ ˙ œ œ w w œ ‰Ó ˙ œ J œ ˙ ˙ œ œbw w œ ‰Ó Œ œ w w w w w 23 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. 102 (Ped.) (Ped.) p f p o f p f p o f p f p mf p o mf p o 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 & / & & / & / / / [ Ezekiel 47:10-12 Walkie-talkie] Fishermen will stand along the shore; from En Gedi to En Eglaim there will be places for spreading nets. The fish will be of many kinds, … & ? & ? “ “ & ∑ & on the cuff B on the cuff ? ? ? ‹ ˙ ˙ œ J ‰ŒÓ w w w ) ) ) ) ãã ) ) ) ) ) ) ãã ) ) ‰ j Œ w ˙ ˙ ˙ ˙ ˙ œ j ≈Œ ‰ ‹ ‹ æ æ æ :; ‹ :; ‹ w ˙ ˙ ˙ ˙ ˙ œ j ≈Œ ‰ ‹ ‹ j ‹ ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ ˙ ˙ w œ J ≈ŒÓ ˙ ˙ w œ J ≈ŒÓ ˙ ˙ w w w w 24 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. 107 (Ped.) (Ped.) o p & / & & / & / / / …like the fish of the Mediterranean Sea. But the swamps and marshes will not become fresh; they will be left for salt. Fruit trees of all kinds will grow on both banks of the river. Their leaves will not wither, nor will their fruit fail. Every month they… & ? & ? “ & ∑ ∑ ∑ ∑ ∑ & on the cuff just behind cuff B just behind cuff ? ? ? ‹ w w w w w ) ) ) ) ãã ) ) ) ) ) ãã ) Œ‰ œ r ≈ æ æ ‹ ‹ j æ æ æ ‹ ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ :; ‹ :; ‹ æ æ æ ) ãã ) ãã æ æ æ ) ãã ) ãã æ æ æ ) ãã ) ãã æ æ æ ) ãã ) ãã æ æ æ ) ãã ) ãã æ æ æ ) ãã ) ãã w w w w w 25 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly
° ¢ ° ¢ ° ¢ { { ° ¢ Fl. Ob. Cl. Bsn Hn Tpt Tbn. Perc. 1 Perc. 2 Pf. 1 Pf. 2 Vn 1 Vn 2 Va Vc. 1 Vc. 2 Db. 112 (Ped.) (Ped.) (Ped.) (Ped.) o o o & U; / (music box ends approximately here) U; & U; & U; / U; & U; / (music box ends approximately here) / U; / …will bear fruit, because the water from the sanctuary flows to them. Their fruit will serve for food and their leaves for healing." U; & U; Together with Pf. 2, stop scraping two beats after the Ode to Joy music box ends, and lift the pedal three beats after that. ∑ ? U; & U; Together with Pf. 1, stop scraping two beats after the Ode to Joy music box ends, and lift the pedal three beats after that. ∑ ? U; & ∑ ∑ ∑ ∑ ∑ ∑ U; ∑ & U; B c. 2.5cm behind cuff U; ? U; ? U; ? ‹ U; End with pianos, two beats after the Ode to Joy music box ends. ∑ ŒÓ ŒÓ w w ˙ œ J ‰Œ ) ) ) ) ãã ) ãã ) 6 Œ ) ) ) ) ãã ) ãã ) 6 Œ æ æ æ ) ãã ) ãã æ æ 6 6 j ≈ŒÓ æ æ æ ) ãã ) ãã æ æ 6 6 j ≈ŒÓ w w w w w ˙ œ Œ 26 Sy. 9126/01 CopyrightbyG.Ricordi&Co./Forperusalonly