Sy. 4708 - Liza Lim - The Compass (2005-2006)

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Liza Lim The Compass

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for large orchestra with solo flute and didgeridoo 2005-2006

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Partitur

Sy. 4708/01 ISMN 979-0-2042-4708-0


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C Copyright 2006 by G. Ricordi & Co. BĂźhnen- und Musikverlag GmbH, Berlin Alle Rechte vorbehalten All rights reserved / Tutti i diritti riservati


It is requested that markings are made in light pencil (HB) only. All markings should be removed from the score before the material is returned.

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Photocopying, or any other form of duplication, is strictly prohibited.

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The Compass

For large orchestra with solo flute and didgeridoo by Liza Lim

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Jointly commissioned by the Sydney Symphony and Bayerischer Rundfunk/Musica Viva.

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A project of Sydney Symphony’s composer-in-residence programme supported by Symphony Australia with financial assistance from the Australia Council, the Australian Government's arts funding and advisory body.

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Sydney premiere: 23 August 2006, Sydney Opera House. Sydney Symphony conducted by Alexander Briger Soloists: Rosamund Plummer (flutes), William Barton (didgeridoo)

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Munich Premiere: 12 January 2007, Musica Viva Concerts. Bayerischer Rundfunk Orchester conducted by Christoph Poppen Soloists: Carin Levine (flutes), William Barton (didgeridoo)

Duration: c.22 mins

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Dedicated to Gianluigi Gelmetti

Typesetting and Music Preparation by Peter Readman

This material remains the property of G.Ricordi & Co. (London) Ltd. All requests for performance should be directed to the publisher. +44 (0)20 7835 5382 www.ricordi.co.uk


The Compass(2005-2006) For large orchestra with solo flute and didgeridoo

Instrumentation All musicians except bassoons, contrabassoon, bass tuba and didgeridoo also play tin toy ‘insect clickers’.

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Solo Flute (d. piccolo and bass flute) - amplified

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Solo Didgeridoo (player also sings and plays clapsticks) - 2 microphones required to amplify voice and instrument.

3 Flutes (all with low B-foot; Flute 3 doubles piccolo)

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2 Oboes Cor Anglais Clarinet in A

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Bass Clarinet

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Contrabass Clarinet 2 Bassoons Contrabassoon

3 Trumpets (Trumpet 1 doubles piccolo trumpet)

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2 Trombones

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4 Horns

Bass Trombone

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Bass Tuba

Percussion (2 players):

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Timpani (38’, 25’ and 21’) plus cymbal to be placed upside down on Timp. 1

Percussion 1: Claves, 2 ‘insect clickers’, Ratchet, Pebbles in tin, Ocean Drum (geophone), Schwirrbogen (rotating ‘wind catcher’ creating bull-roar er, Aboriginal clapsticks (set at piano, amplified), Cabassa (set at piano and amplified).

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Percussion 2: 2 woodblocks, 2 ‘insect clickers’ 2 pebbles (large, as resonant as possible), 4 tom-toms, Bass drum, Ocean drum, Schwirrbogen, Aboriginal clapsticks (set at piano and amplified).

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Percussionists also bow piano strings with rosined nylon fishing line

Piano (pianist also bows piano strings with rosined fishing line) Violin 1

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Violin 2 Viola

Violoncello Double Bass Schwirrbogen (available on the following website): http://anklang-musikwelt.de/a_percussionsound/schwirrholz-schwirrbogen.html Insect clickers (example on the following website): http://www.puffins.com/toysmithpg17.html


Notes for performance Accidentals apply to the note they immediately precede; natural signs have also been used to aid reading. Two microphones are required by the didgeridoo soloist (for voice and didgeridoo)

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Quartertones

Amplification is required for the bass flute Two microphones are required to amplify voice and didgeridoo

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One microphone is required set at the piano to amplify percussion instruments

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Amplification

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Solo piccolo/flute/bass flute

Fingerings for multiphonics and high trills are by Carine Levine. (Carine Levine, Christina Mitropoulas-Bott, The Technique of Flute Playing I and II, Bärenreiter, Kassel, 2004) Tongue percussion

Breath sound (both pitched and unpitched)

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key articulations

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Low throat growl, contour the pitch by singing Also with rapid random key movement

Jet whistle (also whilst changing fingering)

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Solo Didgeridoo

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Soloist plays 2 instruments with fundamental pitches as follows:

Didgeridoo player also sings and plays clap sticks.

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Fundamental pitch is notated either at sounding pitch in bass clef or on single line stave. Upper five-line stave is used to show the approximate pitch contour of high vocal articulation and high harmonic ‘hoots’ as well as other effects:

Dingo - high forceful call

Crow - high throat growl with glissando

sing

in A

play

play and sing simultaneously


Winds Unpitched breath noise

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Oboe multiphonic fingerings are by Peter Veale (Peter Veale, Claus-Steffen Mahnkopf, The Techniques of Oboe Playing, Bärenreiter, Kassel, 1993.)

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Bass clarinet/contrabass clarinet/bassoon multiphonics where graphic shows degree of overtone enrichment of sound.

Bassoon/Contrabassoon multiphonic based on given pitch.

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Brass

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Unpitched breath noise

Strings

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unpitched breath (air) sound (dampen strings/bow bridge)

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half-pressed string (between harmonic and ord. finger pressure) resulting in muted, breathy tone. Vc./Db. high glissandi above fingerboard.

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Multiphonics

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‘lateral sweep’ (bars 244-245, Vln, Vln2, Vla): sweep bow along length of string (bridge to fingerboard and vice versa)

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‘scrape’ (bar 245, Vc, Db.): using extreme pressure, scrape bowhair 90 degrees along length of string.

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Piano

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h.sul pont. (Vc, Db.): bow near the bridge, continually adjusting bow position, speed and pressure to bring out a rich spray of harmonics (occasionally sounding fundamental pitch)

The piano should have its lid removed.

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The following piano strings are bowed using rosined nylon thread (eg: fishing line) with each ‘bow’ comprising at least eight strands. These ‘bows’ should be threaded around each required string and set so that they can be easily accessed. A weight can be used to keep the piano pedal depressed. Bowed notes: Perc. 1

( )

Perc. 2

Piano ( )


The Compass

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The didgeridoo holds a central position in this work, not so much as an overt soloist (though the two soloists - flute and didgeridoo - are indeed given very virtuosic parts), but in terms of how the Aboriginal instrument creates a template for the sonic frequencies at which the orchestra resonates. The tuning of the two didgeridoos played by the soloist (in A and in C) provides the musical co-ordinates for the piece. It also re-orients the hierarchy of the instruments so that the usual 'horizon line' of dominant treble instruments with supporting bass, is tilted and sometimes reversed. A resonating tree branch provides a singing, speaking and breathing compass that calls out lines of connection in the sonic landscape of the orchestra.

The Heart Sits in the Land Fire Fire Fire A River of Stars

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Ja Whydoo Ka Inne Woodjan Woodjan Woodjan Oul Gordee Wuroo Wuroo

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The Compass begins with a chant sung by the didgeridoo player - the text was devised by Liza Lim in consultation with William Barton, translated into his ancestral language of Kalkadoon (Indigenous language of the Kalkadoon nation in the Mount Isa region of Central Queensland):

(The word 'woodjan' also refers to starlight; the 'river of stars' is The Milky Way.)

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The words announce the elemental themes of the work - the expressive vibrating body (the heart in the land, or earth); transformation (fire); spiralling forms that open out towards a world beyond the human (River of Stars).

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Liza Lim, April 2006


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The Compass (2005-06) q = 80

Liza Lim

1 2

Clarinet in A

Contrabass Clarinet in Bb

Bassoon 1 2

1 3

2 4

1 Trumpet in Bb 2 3

1 2

Contrabassoon

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Oboe

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Flute

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1 2 3

(*1966)

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Percussion 1

1.

Percussion 2

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Violin II

Viola

Violoncello

Double Bass

1.

sonorous / nasal

Violin I

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Solo Voice

Solo Didgeridoo (doub. Clapsticks and Voice)

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Solo Flute (doub. Piccolo and Bass Flute)

Piano

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Tuba

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Trombone 3 (bass)

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Horn in F

© Copyright 2006 G. Ricordi & Co. (London) Ltd.

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djan (nan

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djan

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All Rights Reserved

Sy. 4708/01


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[rattle clapstick against didg.]

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fast

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drone play (in A)

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No. 8

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sing

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tongue slap

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tongue slap 32

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allargando

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(sing)

(cym.)

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harmonics

(doodle daw)

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allargando

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B. D.

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Timp.

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accel. 38

Ob. 1 2

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(ord.)

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mf

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38

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Ratchet

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molto sul pont.

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[horn]

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accel.

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Db.

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C. Cl.

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C. A.

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(no trem.)

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mf

ff

3

ff

ff

Tom-toms

mp

mp

f

ff

f

ff

mf

ff

molto sul pont.

Vc

molto sul pont. ord.

Vla

mf

Vln II

f

f

op

Vln I

54

by

yr ig ht

Solo Picc.

Pno

f

R ic

ff sfz

ff

4 T-t.

2.

ff

ff

f

er li

ff

mp

mf

sfz

iB

or d

Tba

3

mp

mp

mf

Tpt

mp

mf

mp

f

1 2

mf

1 3

mf

Bsn 1 2

Cbsn

mp

mp

C. Cl.

ff

3

al

fo rp

mp

er us

ff 3

mf

mp

B. Cl.

/O

Cl.

ff

mp

C. A.

ff 3

n

ff

mf

Ob. 1 2

ff mf 3

nl y

3

Fl.

1 2

54


12

1 2

mf

Fl.

mf

1 Ob. 2

f

mf

C. A.

C. Cl.

mf

f

ff

mf

rit.

f

mf

B. Cl.

f

3

ff

sfz

Cbsn

mf

a2

pp

pp

1.

f sempre 2.

Solo Didg. (in A)

op Vln I

Vln II

Vc

Db.

mf

mf

mf

sfz

ff

mp

f

mp

mp

mp

RICL 058

Sy. 4708/01

ord.

sfz

ff

sul pont.

mf

mp

Vla

via sord.

rit.

mf

via sord.

p

Timp. 2

p

mf

mp

mf

f

57

mp

mp

yr ig ht

Solo Picc.

R ic

2.

2 W. Bl.

Pno

4 T-t.

sfz

Timp.

Claves

by

Tba

mp

n

mf

er li

3

mf

/O

mf

Tpt

iB

1 2

a2

or d

2 4

nl y

mf

Hn

C

mf

f

1 3

fo rp

mf

mf

Bsn 1 2

al

57

er us

rit.

(drone)

sul pont. f

mf

mf


13

ff

ff

mf

ff

ff

mf

ff

mf

ff

mf

f

Fl.

1 2

f

3

B. Cl.

mf

Cl.

f

3

f

f

ff

mp

2 Hn

3

Tbn 2

mf

mf

Solo Didg.

gliss.

1.

op

C

f

p

f

mf

Db.

h. sul pont.

mf

f

ff

mf

f

mf

mf

f

7

ff

3

mf

f

mf

f

ff

f

f

ff

change bows ad lib.

3

fff

3

molto sul pont.

3

ff

mf

ff

mf

Vc

mf

h. sul pont.

mf

mp

Vla

f

q = 72

mf

mf

ff

3

Vln II

FI

p

by

60

Vln I

f

yr ig ht

Solo Picc.

Pno

R ic

Rat.

f

q = 72

Timp.

mf

mp

4

n

mf

ff

er li

ff

f

iB

ff

a 2

or d

1

ff

mf

Cbsn

ff

f

Bsn 1 2

f

mf

C. Cl.

f

C. A.

fo rp

/O

Ob.

3

al

1. 2.

nl y

1 2

a2

er us

q = 72 60

molto sul pont.

mf RICL 058

Sy. 4708/01

fff

molto sul pont.

fff

ord.

mf

change bows ad lib.

ord.


14

Fl.

3

Ob.

1 2

Cl.

pp

pp

pp

B. Cl.

C. A.

pp

pp

pp

1 Bsn 2

mf

1.

mf

Cbsn

Hn

f

Timp.

Rat.

mf

mp

mf

sfz

f

3

3

3

(between A and Ab)

1.

C

op

63

Vln I

ord.

change bows ad lib.

ff ff

ff

3

3

(with didg.)

3

ff

mf

2.

mf

3

gl.

3

ff

(sing)

(play)

change bows ad lib.

ord.

change bows ad lib.

mf

Vc

mf

gl.

ff

ff

mf

f

mp

gliss.

f

mp RICL 058

Sy. 4708/01

f

f

mp

3

mf

6

mf

f

mf

Vla

mf

ord.

Vln II

Db.

ff

a2

Solo Didg.

3

3

p

yr ig ht

Solo Picc.

mp

gl.

1.

by

iB

3 (bass)

Tba

or d

Tbn

R ic

mf

mp

1 2

n

4

er li

3

nl y

/O

2

mf

mf

mf

lip

1

fo rp

C. Cl.

al

63

er us

1 2

molto sul pont.

f

f


15

Ob. 2

C. A.

B. Cl.

C. Cl.

p

p

p

pp

p

pp

pp

p

2

Cbsn

mf

pp

mf

mp

Rat.

4 T-t.

mf

mp

2.

sfz

ff

ff

by

yr ig ht

Pno

Solo Picc.

C

op

Solo Didg.

Vln I

ff

3

3

Vc

Db.

ord.

3

ff

f f

3 3

mf

fff

fff

accel.

3

p

p

mf

mf

mf

p

mf

mf

mf

3

ff

f

accel.

Sy. 4708/01

mf

mf

mf

f

f

3

mf

mp

mf

molto sul pont.

mf

mf

molto sul pont.

mp

mf

ord.

f

mp

molto sul pont.

ff

q = 80

mf

3

mf

mp RICL 058

q = 80

mf

3

pp

pp

pp

mp

mp

fff

sfz

mf

mf

mf

sfz

pp

f

mf

mf

mp

pp

h. sul pont.

ppp

l.v.

mp

ord.

mp

ppp

Vla

ppp

67

Vln II

mf

pppp

mp

p

3

(senza sord.)

f

a2

ff

p

2.

2 W. Bl.

pp

Piccolo Trumpet (senza sord.)

1.

f

mp

mp

p

mp

M

R ic

Timp.

mp

n

Tba

er li

mf

iB

Tbn 3 (bass)

mf

or d

MM M

M

1 2

ff

3 3

mp

ppp

mf

mp

Tpt 2 3

ff

pp

M M

mf

1

M

ff

pp

p

p

mp

p

Hn 1

pp

p

p

Bsn

pp

p p

1

p

Cl.

mf 3 mp

al

1

p

er us

2 3

q = 80

accel.

fo rp

Fl.

nl y

1

/O

67

f

mf


16

2

mp

B. Cl.

1

Bsn 2

Cbsn

1 3

mp

f

f

Solo Didg.

ff

op

C

f

f

f

f

pp

mp

mf

pp

f

sfz

f

mf

molto sul pont.

ff

molto sul pont.

f

ff

ff

sul pont.

mf

RICL 058

Sy. 4708/01

f

mf

molto sul pont.

mf

fff

ff

mf

pp

p

mf

mp

Vc

(harm.)

p

pp

pp

mf

mf

mp

mp

f

mp

h. sul pont.

mf

Vla

mf

f

Vln II

Db.

f

73

Vln I

3

mf

dingo

mp

ff

f

mf

fff

yr ig ht

Solo Picc.

f

by

Pno

mf

mf

sfz

mf

R ic

mp

mf

Tba

mf

mp

mp

p

or d

3 (bass)

mp

f

mf

mp

mp

Tbn

mp

p

p

mp

p a2

2 3

mp

mp

f

mp

mp

mf

f

mp

mf

f

1

1 2

mp

mf

mp

f

mf

Hn

Tpt

f

2 4

mf

f

mp

C. Cl.

f

Cl.

f

C. A.

al

er us

f

fo rp

nl y

/O

Ob.

mf

a2

1

n

2 3

er li

iB

Fl.

1

73

mf


17

q = 60

rit.

Fl. 2 3

1 Ob. 2

C. A.

mf

1

2 3

3

3

f

mp

mp

iB

78

Vln I

ord.

C

op

ord.

mp

mp

Vc

Cym.

3

3

3

mf

pp

gliss.

pp

gliss.

mp

l.v.

3.

3

mf

3

2.

3

f

2.

q = 60

3

f

rit.

ff f

3

3

q = 60

mf

mf

mf

ff

ff

mf

ord.

3

pp

f

Db.

rit.

f

pp

mp

mf

f

ord.

Vla

3

f

mp

Vln II

yr ig ht

Solo Fl.

by

Timp.

or d

R ic

3

mf

mp

Tba

pp

mp

mf

mf

Tbn 3 (bass)

mf

f

mf

mf

mf

mf

mp

1 2

mp

mp

Tpt

3

mf

mf

mp

a 2

mp

mf

Cbsn

n

2

ff

3

er li

Bsn

nl y

/O

f

1

f

f

Cl.

al

er us

1

fo rp

78

3

f RICL 058

Sy. 4708/01

3

3

3

3

ff

ff

mf

mf


18

1 2

ff

3

ff

Cl.

1. 2.

3

ff

f

C. Cl.

1 Bsn 2

f

Cbsn

1 3

6

ff

3

Hn

2 3

Tbn

Solo Didg.

by

7

ff

3

83

C

Vln II

Vla

f

f

f

3

3

3

f

/O

3

3

3

3

6

mf

f

f

ff

f

ff

mp

mp

mf

f

mp

f

mp

mp

accel.

3

3

f

horn

mf

ff

accel.

ff

Sy. 4708/01

mf

RICL 058

mf

ff

6

a2

mf ff

mp

6

mp

f

ff

ff

dingo

mf

mf

f l.v.

mp

mp

3

mf

ff

mp

mf

mf

3

f

mf

3

f

mf

Vc

Db.

f

3

ff

f

op

Vln I

Cym.

f

f

mf

mf

yr ig ht

Solo Picc.

f

gliss.

Timp.

ff

R ic

mf

3 (bass)

ff

1 2

Tba

mf

3

f

3

f

Tpt

n

er li

iB

1

or d

2 4

mf

ff

f

mf

ff

3

3

mf

f

f

3

3

f

3

ff

f

3

ff

ff

3

ff

B. Cl.

7

f

C. A.

ff

7

3

al

accel.

er us

1.

Ob.

7

7

3

fo rp

ff

Fl.

nl y

1 2

83 7

mf

ff

h. sul pont.

mf

h. sul pont. mf

ff


19

f

f

ff

Cl.

mf

B. Cl.

C. Cl.

mf

ff

3

ff

ff

Cbsn

1 2

f

3

mf

mf

mf

3 (bass)

Tba

Solo Picc.

2.

3

3

Solo Didg.

q = 72

87

op

Vln I

Vln II

Vla

Vc

Db.

3

mf

3

7

3

3

pp

pp

pp

p

p

mp

mp

ff

3

3

3

ff

mf

3

fff

mp

f

3

take Flute

7

yr ig ht

R ic

2.

pp

mf

mp

by

4 T-t.

3

mf

1. q = 72

2 W. Bl.

3

mf

mf

Rat.

mf

mf

mf

ff

Tpt in Bb take

or d

Tbn

3

f

/O

mp

n

2 3

mp

er li

f

Tpt

iB

1

ff

7

3

2 4

pp

mp

f

Hn

pp

mf

pp

pp

ff

mf

pp

mf

ff

mf

Bsn 1 2

1 3

C

mf

mf

mf

ff

C. A.

al

er us

2

fo rp

ff

nl y

f

Ob.

mf

3

pp

mp

3

[t - k]

pppp

pp

pp

pp

ord.

ord.

ad lib. very high pitches above the ďŹ ngerboard

3

3

fff

3

3

ad lib. very high pitches above the ďŹ ngerboard

3

3

fff

3

RICL 058

Sy. 4708/01

3

pp

p

pp

1

2 3

Fl.

1

q = 72

87

p

pp


20

1 2

Cl.

f

1.

tempo rubato (follow solo ute)

2.

f

al

Ob.

mf

er us

93

f

pp

Cbsn

mf

mp

f

mf

mp

(AmpliďŹ ed) sing through ute (mouth covers embouchure) key articulationssfz

Solo Didg.

mf

yr ig ht

93

Vln I

mp

C

op

Vln II

Vla

mf

mp

f

3

sfz

mf

3

f

alternate tongue articulation and rolls

vary speed

low growl

f

CB

b4 b2 A3 4 4 B4 C

3

ff

mf

ff mf

pp

mf

pp

f RICL 058

Sy. 4708/01

ff

fff

3

3

3

molto sul pont.

mf

sfz

f

mp

mf

mp

ff

mf

f

mf

pp

ff

mf

pp

mf

3

harmonic cluster

tempo rubato (follow solo ute)

f

mf

mp

Db.

low growl

mf

mp

Vc

by

ff

R ic

mf

or d

3 4 G# 2

tempo rubato (follow solo ute)

Solo Fl.

iB

er li

n

/O

nl y

pp

fo rp

Bsn 1 2

mp

sul pont.

mf

ff

f

ord. f


21

breath noise 6

mp

mf

mp

ff

mp

C. Cl.

ff

key trill

breath noise

B. Cl.

mf

op

Vc

Db.

3

mf

mf

3

breathy (notes half pressed)

mp

mf

3

mp

mf

3

pp

pp

breathy (notes half pressed)

pp

breathy (notes half pressed)

mp

pp

breathy (notes half pressed)

mp

3

mf

pp

f

mp

mf

breathy

f

mp

mp

mp

mp

mp

mf

mf

3

mf

3

RICL 058

Sy. 4708/01

sfz

ord.

ord.

p

p

p

p

ord.

ord.

mp

f

mf

mf

f

f

mf

sul pont.

mp

ord.

mp

mp

sul pont.

mp

f

mp

mf

mf

p

ff

mf

mp

3

3

ff

ff

3

mf

ff

mp

jetwhistle

ff

ยง2 3 4 2 3 D#

mp

mp

f

loco breathy (notes half pressed)

mp

C

Vla

99

Vln II

f

3

mp

Vln I

ยง2 3 2

ยง2 3 4 G# 3 4

ff

yr ig ht

Solo Didg.

ff

by

Solo Fl.

pp

ff

R ic

or d

2.

Ocean Dr.

breath noise

mp

iB

1.

mp

Ocean Dr

pp

pp

slide trill

mp

mp

mf

breath noise

pp

slide trill

breath noise a2

mp

Tbn

Tba

mf

mp

3 (bass)

mp

Hn

1 2

fo rp

2 4

mp

nl y

1 3

/O

n

Cbsn

er li

mp mp

Bsn 1 2

mp

er us

Cl.

key trill

breathy

mp

al

Ob. 1 2

99

mp


22

(q = 72)

ff

Fl.

3

breathy breathy

mf f

ff

Ob.

1 2

f

ff

B. Cl.

C. Cl.

f

f f

Bsn 1 2

Cbsn

1 3

ord.

ord.

f

Tba

Solo Fl.

C

Vln II

(q = 72)

mf

mf

Vc

breathy

mf

mf 3

iB

3

fast whisper into instrument

3

6

mp

mf

ff

ff

mf

ff

autando

ord.

mf

f

3

mp

f RICL 058

Sy. 4708/01

sul pont.

sul pont.

6

f

3

(half-pressed)

f

6

ff

mp

breath noise

(half-pressed) 3

autando breathy tone IV mf

mp

breathy tone IV mf

mp

ff

breath noise (no pitch) (bow on bridge)

mf

mp

ff

breath noise (no pitch) (bow on bridge)

mp

(bow on bridge) mf

breath noise (no pitch)

f

f

(bow on bridge)

fast whisper into didg.

mf

3

a tempo (q = 72)

mf

Db.

breath noise only

f

6 6 ff

breath noise (no pitch)

Vla

f

fast whisper into instrument

or d

a tempo

breath noise (no pitch) (bow on bridge)

op

Vln I

6

f

yr ig ht

3

a2

Solo Didg.

103

breath noise only

f

mp

fast whisper into instrument a2

R ic

by

2.

er li

con sord.

3 (bass)

n

Ocean Dr.

f

/O

con sord. a2

1 2

Ocean Dr

mf

1.

mf

ff

Tpt

Tbn

mf

3

mf

ff

a2

1 2

ff

Hn 2 4

f

ff breath noise

ff 1.

breath noise

Cl.

al

er us

a 2 breathy

fo rp

1 2

a tempo

nl y

103

ff

mf

f


23

very breathy

very breathy

f

ff

C. A.

ff

mf

ff

mf

mf

pp

mf

Cbsn

Hn

6

pp

f

mf

p

Cym.

Pebbles (in tin)

mf

1.

1.

Ocean Dr

ff

mp

pure

fast whisper

breathy

3

yr ig ht

Solo Fl.

f

107

Vln I

ff

op

C

mf

Vla

6

ord.

mf

Db.

pp

mf

f

mp

3

6

mf

f

3

(breath)

p

f RICL 058

Sy. 4708/01

pp

mf

f

pp

molto sul pont.

3

mf

ord.

molto sul pont.

fff

Vc

6

molto sul pont. (bend pitch)

mf

6

breathy

mf

pp

pp

mf

ord.

mp

mf

mf

mf

breathy

molto sul pont.

sul pont.

ord. (pure) breathy 7 3 7

molto sul pont.

mp

mp

mf

Vln II

mf

pp

Pebbles in tin

ff

by

2.

Ocean Dr.

mp

mp

or d

mp

R ic

Timp.

pp

mp

pp

/O

n

mf

pp

er li

iB

mf

mp

Tpt 3

6

mf

mf

mf

2 4

nl y

mf

pp

1 3

ff

mf

pp

Bsn 1 2

mf

C. Cl.

f

B. Cl.

fo rp

Cl.

ff

3

al

f

Fl.

er us

1 2

ff

f

107

mf

f

f


24

112

fff

a2 breath noise only

1 3

mf

Hn

mp

1 2

mf

mf

/O

3 (bass)

Pebbles (in tin)

1.

Ocean Dr.

fff

n er li mf

or d

f

mp

f

mp

mf

mp

f

mf

f

f

mf

f

mf

f

In C breath noise

f

mf

q = 72

mp

breath noise only

allargando

2.

f

yr ig ht

by

Solo Didg.

iB

R ic

Tba

mf

mp

breath noise only

mf

mf

Tbn

mp

a2 breath noise only

mf

1 2

f

mf

nl y

mp

breath noise only via sord.

mp

a2 breath noise only

via sord.

Tpt

3

fo rp

2 4

mf

a2 breath noise only

al

C. A.

q = 72

er us

Fl. 1 2

allargando

112

Vln I

6

6

q = 72

allargando

molto sul pont. (white noise) 6

3

ff

C

op

Vln II

molto sul pont. (white noise) 6

6

6

3

ff

Vla

fff

Vc

f

fff

pppp

f

breath noise only

Db.

mf RICL 058

Sy. 4708/01

mp

mf

f


25

3

3

f

3

f

3

(a 2)

mp

Hn

(a 2)

f

mp

(a 2)

1 2

f

mp

Tpt

3

f

mp

mp

Tbn

3 (bass)

mp

Tba

Ocean Dr.

f

yr ig ht

Solo B. Fl.

Db.

mp

3

mp

3

3

mp

mp

q = 60

mf

f

mp

whisper

Solo Didg.

Bass Flute

mf

C

op

2.

mp

3

by

1.

mp

Pebbles (in tin)

3

f

f

mp

3

R ic

(a 2)

1 2

f

mp

3

mp

3

f

2 4

nl y

mp

or d

1 3

breath noise only

mp

breath noise only

f

Cbsn

3

f

Bsn 1 2

mp

breath noise only

iB

C. Cl.

3

f

mp

breath noise only

B. Cl.

mp

breath noise only

Cl.

al

mp

breath noise only

C. A.

er us

f

fo rp

q = 60

/O

n

er li

Ob. 1 2

breath noise only

119

mp

mf

breath

f

3

alternate breathy pitch / breath noise

mf

f

3

pp mp

mp

ord.

mp RICL 058

Sy. 4708/01

harmonic sweeps

p

f

mp

q = 60


26

narrow

fast and

wide

vib.

sfz

f

ff

slow fast 3 smorzato

f

p

3

3

pp

1 3

pp

mp

pp

yr ig ht

by

Solo B. Fl.

op

ยง 3

4 G# 2 3 4 D#

3

ff

mp

3

ยง3 2 3 4 D# C

3

mf

3

f

3 4 D#

3

3

ff

3

3

7

mf

3

3

C

mp

Vc

3

3

3

3

sfz

7

sfz

ff

mf

mf

ยง3 4 G# 2 D#

3

3

7

mf

Sy. 4708/01

mf

mp

mf

RICL 058

mf

Solo Didg. (in C)

mf

3

3

3

3

f f

3

breath noise

pp

f

mp

breath noise

pp

p

f

mp

mp

tongue perc.

3

breath noise

R ic

Tbn 3 (bass)

or d

1 2

breath noise

pp

n

p

pp

3

Hn 2 4

pp

p

3

er li

Bsn 1 2

mp

iB

C. Cl.

nl y

131

B. Cl.

D#

3

/O

ยง2 4 4 D#

ยง2

er us

Cl.

ยง2 4 D#

al

3

C. A.

ยง2 4 2 D#

(long harmonic sweeps)

mf

Db.

ยง2 3 2 3 D#

ยง2 4 2 D#

fo rp

sfz

7 7 7

tongue perc.

mp

mf

Solo Didg.

Solo B. Fl.

Cl.

125

mp


27

135

1 2

(tune with solo bass ute) (vibrato)

mf

Fl.

3

(tune with solo bass ute)

mf

mp

ff

ff

pp

mf

con sord.

pp

3

3

mf

3

3

3

f

mf

mp

l.v.

con ped. sempre

§

7 3 7 ff

4 2 3 4 C

’

7

sfz

ff

f

7

7

mf

f

yr ig ht 135

Vln I

C

op

Vln II

mf

pp

pp

Vla

mp

mp

Vc

pp

Db.

mp

p

mp

RICL 058

Sy. 4708/01

by

or d

iB

3

f

Solo Didg.

3

f

Solo B. Fl.

n

er li

Pebbles

Pno

mp

2.

2 Pebbles

Piano bow piano string with rosined nylon ďŹ shing line, whilst pianist plays

R ic

Perc. 1 (Pno String)

1.

mp

fo rp

nl y

/O

Tba

er us

al

Cbsn

f

mf


28

f

mf

7

mp

7

1.

mp

mf

mp

mp

pp

1 3

pp

mp

Hn

mf

Perc. 1 (Pno String)

1.

mf

mp

3

3 7

ff

f

7

139

C

op

Vln I

sfz

3

7

3

Vln II

9

whisper / breath sound

mp

mf

f

Vla

Vc

Db.

mf

3

Solo Didg.

(harmonic cluster)

mp

mp

ff

yr ig ht

mf

R ic

f

by

Solo B. Fl.

mf

mp

Pno

iB

or d

Tba

mf

p

mp

very breathy

pp

2 4

p mf

poco

pp

mp

mf mp

mf

p

9

n

Cbsn

very breathy

er li

C. Cl.

breathy

3 3

7

mp

B. Cl.

pp

7

mf

Cl.

pp

7

2

7

7 7 7

mf

Ob.

fo rp

mf

1

3

3

pp

7

Picc. (fl. 3)

7 7

2

nl y

Fl.

3

al

er us

/O

1

139

div. a 2 (trem. and non trem.)

( )

mf

3

3

f

ord.

3

ff

p

breath noise

mp

pp

solo sul tasto

3

mf

3

mp

mp RICL 058

Sy. 4708/01


29

mf

mf

f

remove mouthpiece

pp

3

mf

ff

remove mouthpiece

3

mf

mp

mp

mp

mf

mp

mp

3

3

Solo Didg.

142

op

Vln I

f

mf

mp

mf

3

p

Vla

3

mf

p

f

Vc

mf

3

p

mf

3

p

Db.

mf

pp

3

ff

3

ff

mf

3

ff

mf

3

ff

p

p

mf

mf

pp

frozen stillness

pp

frozen stillness

pp

frozen stillness

pp

frozen stillness

pp

frozen stillness

pp

frozen stillness

pp

frozen stillness

pp

p

mf

pp

p

mp

mf

pp

f RICL 058

Sy. 4708/01

p

f

mf

p

mp

f

mf

p

mp

p

mp

p

mp

p

mp

p

mp

p

frozen stillness

frozen stillness

frozen stillness

frozen stillness

frozen stillness

frozen stillness

mp

pp

f

frozen stillness

pp

f

frozen stillness

pp

f

frozen stillness

pp

f

frozen stillness

pp

frozen stillness

mf

f

frozen stillness

mf

mf

frozen stillness

mf

f

frozen stillness

mf

frozen stillness

mf

frozen stillness

mf

f

f pp

p

mp

frozen stillness

mf

mf

frozen stillness

frozen stillness

mf

f

pp

1 + 2 ( )

like giant wings opening and closing 1 + breath noise (no pitch) 2 ( ) frozen frozen stillness stillness 3 mf ff pp mf p mp f

3

ff

pp

3

ff

pp

breath noise (no pitch) frozen stillness

mp

frozen stillness

mf

frozen stillness

mf

mp

frozen stillness

breath noise (no pitch) frozen stillness

f

breath noise (no pitch) frozen stillness

mp

frozen stillness

mf

p

mp

frozen stillness

mf

f

mf

mp

frozen stillness

ff

pp

3

mf

ff

whisper

3

breathy

7

ff

mf

3

mf

mf

very breathy breath only

ff

Vln II

3

by

p

mf

mf

via sord.

yr ig ht

mf

mf

pp

Solo B. Fl.

R ic

mf

mp

Tba

breath noise only

p

mf

Tbn 3 (bass)

mf

breath noise only a 2

or d

1 2

3

iB

mf

3

mf

breath noise only

3

3

mf

mf

breath noise only a 2

Tpt

C

mf

breath noise only a 2

pp

/O

breath noise only a 2

mp

Hn

1 2

ff

mf

2 4

remove mouthpiece

pp

n

1 3

breath noise only frozen stillness

er li

Cbsn

frozen stillness

breath noise only frozen stillness

mf

ff

pp

breath noise only frozen stillness

3

ff

pp

breath noise (no pitch) frozen stillness mf

3

ff

3

mp

nl y

mp

remove mouthpiece

ff

f

3

mf

mp

breath noise only

3

remove mouthpiece

frozen stillness

breath noise only

f

Bsn 1 2

3

B. Cl.

C. Cl.

pp

Cl.

very breathy

ff

frozen stillness

al

3

frozen stillness

er us

breath noise only frozen stillness

remove mouthpiece

mf

fo rp

mf

1 2

remove mouthpiece

f

Ob.

2 3

Fl.

1

remove mouthpiece

like giant wings opening and closing 1 + breath noise only frozen 2 ( ) frozen stillness stillness 3 mf ff pp mf p mp f mf breath noise only frozen frozen stillness stillness 3 mf ff pp mf p mp f mf

142

pp

mf

mf

mf

mf

frozen stillness

p

frozen stillness

p

frozen stillness

p

frozen stillness

p

mp

f

mp

f

mp

f

frozen stillness

pp

f

mp

frozen stillness

pp

frozen stillness

pp

frozen stillness

pp

frozen stillness

pp


30

f

mf

1 3

f

mf

f

Vc

p

f

mf

gliss.

p

f

mf

ff

replace mouthpiece

ff

replace mouthpiece

mf

replace mouthpiece

replace mouthpiece

mf

replace mouthpiece

replace mouthpiece

p

p

ff

mf

mf

mf

mf

ff

mp

ff

mp

pp

pp

pp

q = 72

mp

intermittant whisper (slow and fast phrases)

ff

mf

replace mouthpiece

mf

ff

mf

mf

ff

ff

p

f

mf

mf

3

p

mf

f

mf

p

mf

f

mf

mf

f

murmurring

mf

accel. molto subito a tempo (q = 60) accel. 1 + 2 ( )

ff

mf

mf

Db.

pp

yr ig ht op

C Vla

p

mf

by

p

f

mf

accel. molto subito a tempo (q = 60) accel. 1 + 2 ( ) damp

Vln II

f

mf

148

p

f

mf

Vln I

p

Solo Didg.

f

mf

p

mf

Timp.

p

f

mf

f

mf

p

Tpt

Tba

3 (bass)

p

f

mf

Tbn

1 2

p

f

mf

3

Hn

1 2

p

2 4

f

mf

p

mf

Cbsn

Bsn 1 2

p

replace mouthpiece

ff

whisper

al

f

mf

C. Cl.

er us

mf

B. Cl.

p

replace mouthpiece

fo rp

f

Cl.

mf

nl y

mf

C. A.

p

/O

f

1 2

whisper

n

mf

Ob.

p

2 3

f

er li

mf

Fl.

q = 72

iB

1

or d

148

R ic

accel. molto subito a tempo (q = 60) accel. 1 + 2 ( )

q = 72

“ ff �

“ ff �

“ ff �

“ ff �

mf

mf

mf

mf

“ ff �

mf

RICL 058

Sy. 4708/01


31

q = 56 rubato wide vib.

Fl. (a 2)

2 3

mf

wide vib.

very breathy

3

p

Bsn 1 2

pp

breath noise only

pp

3

mf

very breathy

C. Cl.

p

mf

B. Cl.

mf

mf

Cl.

3

mp

mf

pp

1.

al

er us

fo rp

1

154

Cbsn

/O

mp

nl y

pp

mp

pp

q = 56 rubato

2.

Ocean Dr.

mp

Solo Didg.

4 2 3 4 C

D#

3

mp

n

Vc

mf

f

pure

7 breathy

3

f

f

3

ff

3

pitch

whisper

mf

mf ff

whisper

mp

3

q = 56 rubato

pp

pp

mf

pp

pp

mf

sing/murmur

mp

Db.

3

sfz

sing at pitch

mp

breathy

yr ig ht op

C

2 Woodblocks

play (sounds octave lower)

mp

Vla

pp

pp

mp

p

whisper

154

Vln II

ยง

p

Vln I

pp mp

2 3

p

mp

er li

mp

ยง2 3 4 A2 3 D#

by

Solo B. Fl.

or d

iB

2.

reset timp. 1

R ic

2 W. Bl.

Timp.

pp

mf

mf

pp RICL 058

Sy. 4708/01

pp

mp


Ob. 1 2

pp

C. A.

pp

Cl.

pp

B. Cl.

C. Cl.

Cbsn

1 3

mf

pppp

pppp

pp

mf

pppp

pp

mf

mp

pp

Bsn 1 2

mp

(whisper)

2 4

ff

mp

mf

con sord.

bow piano string

mp

p

mp

Solo Didg.

murmur

yr ig ht

op

Vln II

pp

mp

mf

f

ff

mf

crow call

growl

mf

(throat growl)

mf

mf

growl

f

mf

hoot

3

ff

3

breathy half-pressed, brushing strings with lateral bow movement

mf

rapid key movement 'cover embouchure' whisper throat growl (sung)

3 3 mf

mf

mp

159

mp

sempre

Vln I

mf

breathy

sfz

7 7

R ic

Solo B. Fl.

by

Pno

move to piano

mf

con sord.

er li

1.

mp

2.

2 W. Bl.

n

Perc. 1 (Pno String)

iB

Timp.

or d

Tba

pp

3

Tpt

C

mf

breath noise

t k t k mf

1 2

mp

mf

(whisper)

ff

breath noise

t k t k

Hn

er us

fo rp

3

Fl.

nl y

159

/O

1 2

al

32

mf

breathy half-pressed, brushing strings with lateral bow movement

mf breathy half-pressed, brushing strings with lateral bow movement

Vla

mf

Vc

breathy half-pressed, brushing strings with lateral bow movement

mf

breathy half-pressed, brushing strings with lateral bow movement

Db.

mf RICL 058

Sy. 4708/01

sul pont.

f

ord.

mf

sul pont.


33

mf

Fl.

3

3

mf

mf

1 Ob. 2

mf

a2

mf

C. A.

mf

mf

B. Cl.

f

ff

3

3

mf

Perc. 2 (Pno String)

1.

f

2.

f

ff

3

3

crow call

Solo Didg.

yr ig ht

op

ord.

Vln II

3

3

3

f

f

sfz

ff

mf

sul pont.

6

Vc

f

sul pont.

ff

ord.

sul pont.

ord.

mf

sul pont.

3

ord.

f

f

ff

f

mp RICL 058

Sy. 4708/01

3

ff

mf

ord.

f

mf

ff

sul pont.

ord.

ff

ord.

q = 72

ff

sul pont.

Vla

Db.

3

ff

mf

164 ord.

C

3

ff

Vln I

ff

mp

f

R ic

Solo Fl.

by

Pno

mf

or d

3

3

mp

mf

q = 72

(bow piano string)

f

n

er li

Perc. 1 (Pno String)

iB

Tba

mf

3

3

/O

ff

mp

mf

Cbsn

mf

f

Bsn 1 2

nl y

C. Cl.

f

3

3

3

fo rp

3

ff

3 mf ff

mf

Cl.

3

al

er us

1 2

164

q = 72

ff

3


34

ff

Fl.

breathy

ff

1

mf

B. Cl.

C. Cl.

1

ff

ff

3 3

1 3

3

3

f

3

3

3

3

mf

Pno

Solo Fl.

sfz

3

3

sfz

3

Solo Didg.

op

Vln I

Vln II

3

7

Vla

Vc

sul pont.

7

7

ff

3

alternate ord./multiphonic

M

3

mp

f

mp

iB

mp

ff sfz

mf

irregular accel.

slow

f

3

ff

7

breathy, lateral brushing of strings

irregular

mf

breathy, lateral brushing of strings

mf

h. sul pont.

ord.

mf

ff

3

ord.

ff

f

mf

ord.

mf

mf

mp

mf

Sy. 4708/01

f

mp RICL 058

f

3

lateral brushing / half pressed

f

ord.

lateral brushing / half pressed

f

ord.

ff

breathy, lateral brushing of strings

3

mf

7

mf

3

mf

ff

3

breathy, lateral brushing of strings

ff

Db.

M

ff

sul pont.

f

(t k)

7

sul pont.

3

mf

mp

( )

169

sfz

ff

fff

yr ig ht

sfz

sfz

or d

ff

sfz

3

sfz

3

mp

R ic

mf

2.

ord.

3

ff

by

Perc. 2 (Pno String)

3

Hn 2 4

3

Cbsn

3

Bsn 2

6

nl y

ff

ff ff mf

/O

3

n

3

er li

Cl.

mf

very breathy

ord.

ff

C. A.

3

3

2

ff

very breathy

3

Ob.

C

mf

3

fo rp

3

3

al

1 2

169

ff

er us

mf

3 3 ord. 3

breathy

3

ord.

mf

f


35

3

f

3

ord.

3

Ob.

2

3

f

ff

B. Cl.

3

mf

3

3

3

3

ff

mf

3

2

Cbsn

1 3

mf

3

ff

3

3

mf

Tpt 3

Cym. on timp. 1

mf

3

3

fast

Solo Fl.

Solo Didg.

ff

3

op

3

3

mf

3

3

mp

3

sfz

mf

3

ff

f

3

3

f

allarg.

mp

ff

3

3

f

3

3

3

3

fast

f

3

ff

ff

allarg.

mf

f

crow

ord.

mf

sul tasto

mf

Db.

ff

ff

slow

trem. rit.

ff

f

timp. 1 tuned to Ab

Vc

3

ff

ff

Vla

tongue slap

mp

Vln II

ff

f

ff

f

ff

ff

ff

damp

3

3

173

Vln I

3

3

f

3

yr ig ht

Pno

f

3

by

mp

f

3

Timp.

3

3

3

ff

ff

3

f

3

R ic

1 2

mp

mf

f

mf

3

f

sord.) 1.(con

or d

3

mf

2 4

Hn

C

3

ff

Bsn

f

ff

3

er li

1

6

f

ff

ff

mp

mp

ff

6

3

ff

3

mf

6

mp

M

f

iB

C. Cl.

3

3

/O

Cl.

3

3

6

3

n

C. A.

3

3 3 6 ff f f

1

allarg.

al

ff

Fl.

3

a 2

er us

fo rp

1 2

1.

nl y

173

3

3

ff

3

f

3

ff

ord.

RICL 058

Sy. 4708/01

ord.

mf

sul tasto 3 3

ord.

sul pont.

h. sul pont.

sul tasto

mp

ord.

ord.

mp

sul tasto

ord.

(tune with Cbsn)

mf

mf

mp

mp

mf


36

1

1 2

3

mf

ff

mf

ff

M

M

ff

ff

7

6

p

3

3

3

3

ff mf

3

3

3

3

3 3

3

3

3

3 3

3

f

f

ff mf

f

9

9

q = 56

ff

f

mf

3

1.

Bowed Piano String

R ic

Perc. 1 (Pno String)

iB

Timp.

Cym.

mf

Perc. 2 (Pno String)

2.

1.

ff

2.

3.

f

Bowed Piano String

Drum Head

3

or d

er li

n

3

f

Tpt

f

M

ff

3

mf

ff

Cbsn

mf

M

M

2

f

ff

Bsn

ff

3

al

C. Cl.

3

er us

f

3

/O

B. Cl.

harmonics

6

fo rp

nl y

q = 56 178

f

yr ig ht

by

mf

sfz

3 ff

f

9

C

op

Pno

q = 56 Vc

Db.

ord.

ff

f

sfz

f

h. sul pont.

h. sul pont.

ord.

3

ff

ord.

ff

RICL 058

Sy. 4708/01

h. sul pont.

fff

mp


37

mf

mf

f

C. Cl.

mf

ff

f

f

f

f

mf

f

3

3

3

3

2 4

ff

1 2

mp

mp

mf

Tpt

f

R ic

3

iB

ff

Hn

mf

1.

flowing bow strokes

C

op

Pno

Solo Picc.

Db.

via sord.

3

3

ff

3

3

ff

f

f

ff

3

3

f

ff

3

ff

mf

Vc

2. flowing bow strokes

yr ig ht

Perc. 2 (Pno String)

via sord.

by

Perc. 1 (Pno String)

f

or d

1 3

er li

n

f

mf

Cbsn

mf

mf

2

ff

Bsn

f

f

ff

mp

f

1

mp

B. Cl.

f

mf

Cl.

ff

nl y

f

mf

a2

mf

C. A.

/O

1 Ob. 2

al

Picc. (fl. 3)

1. 2.

er us

fo rp

Fl. 1 2

a2

182

3

3

ff

3

f

ff

7

7

3

3

3

3

3

f

ff

ff

3

f

3

3

f

RICL 058

Sy. 4708/01

3

3


1 2

ff

C. A.

3

ff

C. Cl.

ff

Bsn 1 2

1 3

mf

ord. ff

3

ff

1 2

3

3 (bass)

3

iB

sfz

ff

3

ff

Timp. sfz

damp

2.

Solo Picc.

Solo Didg.

Db.

ff

f

a 2 sfz

f

a 2 sfz

f

sfz

sfz

(slow strokes)

( e)

slow (majestic)

sfz

sfz

(keep pedal down throughout)

ff

h. sul pont.

3

bow piano string

mf

ff

3

3

(horn)

ff

sfz

mf

f RICL 058

Sy. 4708/01

sfz

3

sfz h. sul pont.

sfz

f

mf

Vc

sfz

crow interjections

f

ff

C

op

Pno

sfz

rit. bow strokes

f

slow

by

1.

f

f sfz

accel. bow strokes

yr ig ht

Perc. 2 (Pno String)

3

ff

Perc. 1 (Pno String)

R ic

f

or d

sfz

Tba

3

3

fff

ff

Tbn

ff

er li

sfz

sfz sfz sfz

n

f

ff

Hn 2 4

f

3

ff

harmonics

3

ff

Cbsn

ord. harmonics

3

a2

ff

f

3

3

B. Cl.

f

3

ff

3

Cl.

ff

f

ff

er us

Ob.

fo rp

Picc. (fl. 3)

nl y

6

/O

Fl. 1 2

a2 186

al

38

ord.

ff


39

191

Picc. (. 3)

mf

B. Cl.

1 3

mp

Hn

2 4

Perc. 2 (Pno String)

Pno

Solo Didg.

op

ff

(bowed string)

slow/majestically

191

Vln I

slow/majestically

ff

pp

ff

accel.

accel.

1. Take Piccolo Tpt

irreg. (fast and slow)

irreg. (fast and slow)

accel.

irreg. (fast and slow strokes)

e.g.

mp

mf

slow/majestically

mp

1.

pp

2.

yr ig ht

Solo Picc.

or d

Perc. 1 (Pno String)

mp

by

Tba

mf

3 (bass)

R ic

Tbn

pp

1 2

mf

3

mp

ff

Tpt

ff

pp

ff

1.open 2.

1 2

iB

Cbsn

pp

er us

mp

fo rp

nl y

1 Bsn 2

ff

/O

n

er li

C. Cl.

al

ff

f

irreg. (fast and slow)

mp

change bows ad lib.

3

9

irregular speed/staccato

mf

(

mp

C

Vln II

change bows ad lib.

mp

Vla

Vc

ord.

mf

Db.

change bows ad lib.

mp

motlo sul pont.

ord.

ff

pp

mp RICL 058

Sy. 4708/01

)


40

ff

3

3

3

f

3

3

ff

f

Cbsn

1 3

f

mf

gliss.

ff

f

Tba

3

3

3

ff

Timp.

3

ff

Solo Picc.

Solo Didg.

op

C

3

l.v.

ff

Vc

Db.

mf mf

mf

mp

3

mp

mf

mp

mp

mf

mp

3

mp

f

mp

mp

mp

mf

mp

ff

sfz

sfz

ff

3

f

ff

ord.

3

3

mf

f

ff

f

mf

ff

f

ff

mf

ff

h. sul pont.

3

3

mf

sfz

f

subito q = 72

3

slow

sfz

ff

f

§3 2 A3 D# sfz

f

Vla

3

ff

/O

f

(slow)

mf

3

ff

mf

f

Vln II

3

3

sfz

f

f

mf

3

f

mf

3

fast

197

Vln I

ff

ff

mf

mp

3 3 3 3

3

yr ig ht

Pno

(slow)

ff

3

mf

sfz damp

3

ff

f

1.

2.

3

R ic

Perc. 2 (Pno String)

sfz

3

f

by

Perc. 1 (Pno String)

ff

f

sfz f ff sfz 3

f

sfz

3

3

ff sfz

3 3

3

er li

3 (bass)

sfz

f

3

f

iB

ff

or d

ff

Tbn

n

1 2

mf

ff

sfz

sfz

mf

3

f

f

ff

3

mf

f

Tpt 2 3

mf

f

3

mf

3

3

ff

f

Picc. Tpt

2 4

Hn

3

ff 3

f

Bsn 1 2

3

ff

nl y

C. Cl.

B. Cl.

3

fo rp

Cl.

C. A.

3

al

er us

mf

ff

Ob. 1 2

to flute

Picc. (fl. 3)

subito q = 72

sfz

197

mf

pizz.

mf RICL 058

Sy. 4708/01

mf

ff

3


1

pp

Ob.

f

3

3

3

C. A.

3

3

3

mf

mp

3

3

mp 3

pp

mf

3

3 3

3

3

mf

mp

3

pp

3

mp

3

1 2

mp

3

3

3

pp

3

3

mp

3

3

3

3

3

3

3

3

3

3

3

Perc. 2 (Pno String)

2.

3

3

3

3

f

Solo Didg.

f

f

f

3

mp

3

mp

203

op

Vln I

mp

mf

3

3

3

3

f

Vln II

C

9

ff

3

Vla

Vc

pp

still

pp

pizz.

3

pizz.

3

mf

3

still

mp

Db.

mp

mp

mp

3

f

3

l.v.

mf

ff

R ic

yr ig ht

Solo Picc.

by

Pno

ff

3

ff

3

sfz

mf

ff

3

3

or d

mf

3

3

3

iB

Perc. 1 (Pno String)

3

pp

1.

ff

ff

3

er li

3 (bass)

3

3

ff

ff

3

pp

Tbn

3

ff

3

p

3

3

3

p

pp

3

3

3

3

3

3

mp

mp

Tpt 2 3

3

3

pp

/O

3

mp

3

mp

3

pp

B. Cl.

3

n

Cl.

3

3

mf

3

3

pp

3

3

mf

3

3

3

3

Picc. Tpt

3

3

3

mf

3

mf

3

3

3

3

Bsn 1 2

mf

2

3

al

mf

3

3

pp

3

er us

3

fo rp

Picc. (fl. 3)

3

nl y

mf

3

pp

2

3

mf

Fl.

1

203

41

3

3

still

3

3

ff

RICL 058

Sy. 4708/01

3

3

pp


42

3

ff

2

3

ff

Picc. (fl. 3)

ff

1 Ob. 2

3

3

3

3

3

3

3

3

3

3

3

mp

3

3

3

3

mp mp

ff

C. A.

B. Cl.

3

3

3 3

3

ff

mf

3

mp

mf

ff

3

1 2

mf

f

mf

Tbn

3 (bass)

3

mf

3

3

3 3

3

ff ff

ff

3

ff

f

ff

f

mf

mf mf

mf

3

yr ig ht

C

op

Vln I

Vln II

Vc

(pizz.)

ff

9

Vla

Db.

3

3

ff

207

3

ff

ff

ff

ff

3

3

3

3

q = 60

pp

ppp

pp

pp

ppp

Solo Picc.

mf

mf

f

ff

loco

mf

mp

3

mf

3

f

Sy. 4708/01

mf

mf

arco

arco

p RICL 058

mf

mf

3

mf

ppp

mp

3 3 7 f

3 f

3

by

Tba

f

3

mf

R ic

mf

Tpt 2 3

ff

Picc. Tpt

or d

2 4

n

er li

f

Hn

mf

iB

ff

f

1 3

mf

f

Cbsn

nl y

Bsn 1 2

/O

ff

ff

ff

C. Cl.

mp

mf

mf mf

mp

ff

Cl.

(Flute)

mf

mp

to Flute

al

Fl.

3

q = 60

er us

1

fo rp

207

f

3


43

Ob. 2

3

C. A.

Cl.

3

f

Solo Picc.

C

op

Vln I

by

3

3

9

mp

f

3

3 3

f

Vla

Vc

mp

3

mf

3

mf

mp

ampliďŹ ed clapsticks

mf

mf

q = 72

pp

Sy. 4708/01

mf

ord.

mf

mf

ord.

pp

RICL 058

pp

mf

mp

pp

mf

pp

molto sul pont.

ff

ff

accel.

3

ff

mf

pp

molto sul pont.

3

mf

mp

3

molto sul pont.

Vln II

Db.

3

3 3

§2 3 4 G# A2 B

3

pp

mp

213

1.

mp

mp

R ic

mp

3

f

yr ig ht

Clapsticks (set at piano)

mp

Tba

3

mp

3

3 (bass)

ff

iB

3

f

Tbn

mf

3 ff

f f

3

3

1 2

f

3

3

ff

3 3

Tpt 2 3

mf

mf

Hn

Picc. Tpt

f

3

f

ff

mf

f

mf

mf

3

ff

3

mf

2 4

f

or d

f

3

3

1 3

ff

Bsn 1 2

Cbsn

B. Cl.

C. Cl.

3

ff

mf

n

1

3

3

er li

3

f

al

er us

ff

3

mf

fo rp

f

3

nl y

2

ff

3

Fl.

q = 72

accel.

/O

213

1

pp

mf

mf

ord.

mf mf 3 3 3 mf

mf

3

3

3


44

3

mf

3

mf

mf

mf

mf

3

f

3

f

ff

3 mf

3

f

3

mp

pp

1.

Clapsticks

mp

(III)

mf

f

mf

3

ff

7

3

op

C

ff

h. sul pont.

h. sul pont.

ff

3

3

f

f

3

3

mf

p

p

mp

1.

f

p

mp

)

(

3

7

mf

7

7

7

molto sul pont.

sim. mf

3

pp

mf

pp

(

mf

)

sim. molto sul pont.

pp

mp

mf

mf

pp

mf

mf

pp

molto sul pont.

Db.

mp

pp

Vc

mp

molto sul pont.

Vla

f

ff

Clapsticks

ord. 217

Vln II

mp

molto sul pont.

Vln I

f

yr ig ht Solo Didg.

f

2.

Solo Picc.

iB

Clapsticks (set at piano)

pp

Timp.

by

7

3

or d

Tba

7

mf

R ic

7

mp

mp

7

mf

7

f

7

/O

3 (bass)

3

7

mp

mf

mf

7

mp

mf

mf

mf

Tbn

7

3

3

f

7

mp

1 2

mp

3

mf

7

mp

Tpt 2 3

f

Picc. Tpt

mp

7

mp

Bsn 1 2

Cbsn

3

n

C. Cl.

B. Cl.

mp

Cl.

3

C. A.

ff

7

2

ff

mp

1 Ob.

3

Picc. (fl. 3)

7

al

ff

er us

mf

3

Fl. 2

7

fo rp

3

nl y

er li

1

217

mf

mp

mf

mf

RICL 058

Sy. 4708/01


45

Ob.

2

3

3

3

C. A.

Cl.

3 3

f

ff

Bsn 1 2

3

3

f

mf

1 3

ff

ff

Hn

Picc. Tpt

ff

f

(1.)

mp

3 3 3 mf

IV natural harmonics

f

f

mf

Clapsticks (set at piano)

(2)

1.

2.

3

Solo Didg.

3

irregular*

3

mf

f

irregular*

h. sul pont.

h. sul pont.

pp

trem. rit.

trem. rit.

3

mf

3

mf

q = 60

mf

sfz

al punto

pp

mf

Vc

mf

f

f

3

mp

[* irregular trem. creating an overall fast shimmer across three percussionists]

rit.

mp

irregular*

f

Vla

mp

pp

q = 60

mp

3

Vln II

Db.

3

3

222

op

Vln I

yr ig ht

Clapsticks

mf

(1)

by

Timp.

rit.

or d

mp

R ic

3

f

mp sfz

al punto

pp

mp

al punto

pp

sfz

f

sfz

f

RICL 058

Sy. 4708/01

mp

3

Tba

ff

f

3 (bass)

mf

(slide)

iB

Tbn

natural harmonics V

er li

1 2

3

n

Tpt 2 3

f

pp

nl y

f

C

/O

ff

2 4

3

mf

fo rp

ff

Cbsn

3

3

f

f

3

3

3

3

f

3

B. Cl.

3

3

al

3

er us

1

q = 60

rit.

222

pp

3

mp

pp


46

subito piĂš animato 227

1

f

Ob.

2

f

f

C. A.

f

3

3

pp

mp

Picc. Tpt

3

3

Tba

3

3

p

3

mp

mf

pp

mp

or d

mp

3

n

er li

mp

iB

3

p

Tbn

3 (bass)

3

3

f

1 2

pp

Tpt 2 3

nl y

2 4

fo rp

mp

Hn

er us

f

/O

1 3

Cl.

al

f

subito piĂš animato

cym. on timp. 1

pp

Timp.

f

pp

pp

by

mp

R ic

yr ig ht Solo Didg.

227

C

op

Vln I

Vln II

Vla

ff

mf

mp

subito piĂš animato

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

pp

Vc

pp

mp

pp

irreg. trem. as before

fast

9

f

9

3

9

9

3

9

p

RICL 058

Sy. 4708/01

3

9

9

9


47

230

f

Fl.

2

q = 60

f

f

Tbn

1.

3

op

C

Vln I

3

mf

3

3 3

mf

3

mf

3

3

f

3

f

q = 60 damp

ff

irregular trem., accel./rit. ad lib.

f

mf

f

mf

f

irregular trem., accel./rit. ad lib.

f

q = 60 allargando 9

ord.

9

mf

9

9

9

molto sul pont.

9

9

9

9

9

ord.

9

mf

9

9

molto sul pont.

Vla

irregular trem., accel./rit. ad lib.

molto sul pont.

Vln II

f

mf 3

molto sul pont.

230

3

mf

3

allargando

mp

Solo Didg.

f

2.

Solo Picc.

irreg. trem. as before

Clapsticks

7

3

irreg. trem. as before

yr ig ht

Clapsticks (set at piano)

by

Timp.

R ic

1 2

mf mf

iB

or d

Tpt 2 3

3 (bass)

mf

mf

mp

7

mp

f

f

Picc. Tpt

2 4

3 7

Hn

/O

f

2

1 3

n

Bsn

er li

1

Cbsn

7

f

7

mf

C. Cl.

Cl.

er us

C. A.

f

7

Ob. 2

fo rp

1

nl y

3

Flute

al

1

allargando

9

9

mf

9

9

molto sul pont.

9

9

9

9

9

ord.

9

RICL 058

Sy. 4708/01

molto sul pont.

9

9

9

9


3

2

3

3

1

3

Ob. 2

3

3

3

C. Cl.

1

3

3

f

3

3

3

Clapsticks (set at piano)

1.

Clapsticks

yr ig ht 232

op

Vln I

3

3

C

Vc

f

3

Db.

3

3

3

3

9

9

3

mf

f

mf

3

1.

3

mf

3

f

3

3

ff

f

f

f

mp

4.

3

mf

mp

3

f

3

3

3

3

ff

9

3

3

9

9

3

9

f

f

3

ff

f

f

ff

9

f

ff

9

ord.

ff

ff

ff

3

3

9

9

ord.

ord.

3

9

Vla

f

f

ord.

Vln II

3

2.

Solo Didg. (clapsticks)

3

R ic

f

9

3

by

Tbn

Solo Picc.

iB

3

f

1 2

3 (bass)

3

Tpt 2 3

or d

ff

9

Hn

Picc. Tpt

3

9

3

9

3

3

9

2 4

ff

f

n

1 3

3

er li

Cbsn

3

ff

9

ff

3

f

/O

3

Bsn 2

3

3

3

B. Cl.

3

3

f

3

3

3

3

Cl.

3

3

3

3

3

C. A.

al

Fl.

er us

1

fo rp

232

nl y

48

3

ord.

ff RICL 058

Sy. 4708/01

3

7

7

h. sul pont.


49

f

2

3

1 Ob.

2

C. A.

ff

9

3

ff

3

3

3

3

3

3

1 Bsn 2

Cbsn

ff

mf

p

2. mf

f

3

Tbn

3 (bass)

Clapsticks (set at piano)

3

1.

2.

f

Solo Picc.

Vln I

Vln II

Vla

mf

mp

f

3

ff

3

3

III II

3 3

ff

9

f

9

RICL 058

Sy. 4708/01

mf

f

mp

mp

mf

3

3

3

9

3

ff

ff

3

3

3

ff

3

3

3

3

3

ff

f

3

ff

f

ord.

p

3

ff

pp ff

ff

3

3

rit.

3

ord.

Db.

3

IV

ff

f

ff

mf

f

h. sul pont.

Vc

3

mp

3

3

ff

234

3

3

ff

mp

mf

C

op

Solo Didg.

f

yr ig ht

Clapsticks

3

mf

Tba

f

f

R ic

by

1 2

3

3

or d

ff

ff

p

1.

er li

Tpt 2 3

3

n

3.

iB

f

Picc. Tpt

ff

ff

2 4

3

3

f

Hn

ff

1 3

7

ff

3

3

f

mf

7

mf

nl y

3

7

/O

C. Cl.

3

3

3

f

mf

B. Cl.

3

Cl.

3

3

er us

Fl.

3

ff

al

fo rp

1

234

f

3

f

3

f

f

3

f


50

Ob. 2

3

ff

ff

Cl.

3

3

B. Cl.

3

Cbsn

1 3

mf

ff

mf

1. 3.

2. 4.

3

a2

ff

3

1.

2.

3

3

3

Solo Picc.

Solo Didg.

3

ff

237

op

Vln I

Vln II

Vla

Vc

Db.

3

3

sfz

ff

sfz

1. 2.

3

3

ff

ff

ff

3

sfz

sfz

sfz

f

ff

mf

3.

4.

f

3

f

3

3

f

ff

3

ff

accel.

f

p

f

ff

f

f

ff

ff RICL 058

Sy. 4708/01

mf

accel.

mf

f

mf

f

ff

p

mf

ff

f

3

3

3

ff

f

f

f

p

ff

3

3

mf

f

f

3

f

3

f

2.

f

3

3

3

f

1.

f

mf

sfz

3

3

3

3

yr ig ht

Clapsticks

R ic

or d

by

Clapsticks (set at piano)

mf

iB

ff

mf

3

ff

2. 3.

3

3

2.

ff

Tba

ff

3

mf

C

ff

mf

B. Tbn

ff

f

2

ff

f

3

3

ff

Tbn

f

1

ff

Hn

2 Tpt 3

Picc. Tpt

2 4

3

3

ff

Bsn 1 2

3

f

3

3

ff

C. A.

C. Cl.

nl y

1

/O

3

n

Fl.

fo rp

er li

1 2

237

accel.

a2

al

1.

er us

2. a2


51

3

Ob.

f

3

3

mp

1 3 Hn

ff

3

2.

3 3

ff

1. 3.

ff

3

2. 4.

3

3

3

B. Tbn

yr ig ht

Solo Picc.

3

ff

ff sfz

3

or d

2

by

Tbn

sfz

ff

R ic

1

3

s.

mf

3

7

ff

3

glis

3.

7

ff

2.

ff 4.

7

3

f

1.

7

3

7

ff

3

7

7

mp

f

7

3

ff

f

7

7

3

3

3

3

iB

Tpt

3

ff

3

3

3

3

3

ff

f

2

3

3

9

Picc. Tpt

1.

2 4

3

ff

n

Cbsn

ff

2

er li

Bsn

mp

ff

1

3

ff

3

3

B. Cl.

9

ff

3

Cl.

3

C. A.

3

ff

2

f

1

er us

2

fo rp

Fl.

nl y

1

/O

242

al

q = 72

ff

3

9

ff

q = 72

div. a 2 (marcato)

242

C

op

Vln I

Vln II

unis. legato but separate strokes distorted

ff

unis. legato but separate strokes distorted

ff distorted

Vla

ff

Vc

RICL 058

Sy. 4708/01

ord.

ff

abrupt scrape/sweep of bow across string (distorted) ord.

f

Db.

ff

f

3

abrupt scrape/sweep of bow across string (distorted)

f ff

f

ff

ord.

ff

3


52

mf

mf

3

ff

1 Ob.

2

C. A.

Cl.

B. Cl.

mf

7

mf

mf

mf

3

3

3

3

3

Bsn

2

7

Hn 7

7

2 4

1

3

2

gl.

7

7

by

yr ig ht

Tba

Cabassa

C

op

Solo Picc.

Vla

2.

Vc

Db.

mf

7

7

gliss.

mf

ff

mp

7

mf

3

mf

ff

B. Tbn

3

R ic

Tbn

er li

iB

or d

1 3

n

f

7

Cbsn

/O

1

nl y

f

C. Cl.

al

ff

er us

2

fo rp

Fl.

246

1

q = 56

f

mf

(ampliďŹ ed) rub

f

mp

q = 56

ff

q = 56

7

7

3

sul pont.

ord.

fff

f

f

sul pont.

ff

ord.

sul pont.

ff RICL 058

Sy. 4708/01

ord.

3

mp


53

249

1 Ob.

2

mp

mp

C. A.

B. Cl.

mf

1 3

pp

2 4

mp

Hn

pp

/O

Tba

p

er us

fo rp

Cbsn

nl y

C. Cl.

al

mp

(rub) 3

iB

3

3

3

3

3

3

3

3

3

3

mf

mp

mf

mp

yr ig ht

by

Solo Picc.

R ic

or d

Cabassa

2.

er li

n

pp

249

Vln I

molto sul pont.

op

C

Vln II

molto sul pont.

3

3

molto sul pont.

Vla

mp

h. sul pont.

3

pp

3

pizz.

3

3

mp

3

pp

3

mp

mf

3

3

3

pp

3

3

3

3

pp

pizz.

mp

3

3

3

3

3

3

pp

pp

sul pont.

3

pizz.

ord.

mf

mf

Vc

Db.

3

mp

mf

mf

mf

ord.

pp RICL 058

Sy. 4708/01


54

252

1

2 3

mp

3

2.

3

pp

Fl.

sfz

pp

fast vib.

sfz

mp

pp

pp

mp

pp

mp

mf

pp

3

3

Solo Didg.

3

3

3

3

3

2.

fast vib.

pp

off mic.

3

3

mp

mp

pp

bowed

mp sempre ped.

mp

f

mp

mf

3

f

ff

sfz sfz

sfz

3

mf

3

mp

mic.

mf

C

op

pp

non vib.

or d

yr ig ht

Solo Picc.

n

by

Pno

er li

3

Cabassa

iB

R ic

Tba

Tpt 2 3

/O

nl y

Cbsn

mp

pp

fo rp

C. Cl.

fast vib.

Cl.

mp

pp

fast vib.

pp

er us

C. A.

mp

pp

pp

a2

1 Ob. 2

al

fast vib.

RICL 058

Sy. 4708/01


55

Fl. 3

7

1

2

C. A.

7

f

7

ff

ff

f

Tbn 2

f

f

B. Tbn

Tba

f

ff

mf

ff

sfz

fff

Solo Didg.

259

C

op

Vln I

Vln II

f

l.v.

l.v.

arco ord.

fff

f

arco ord.

arco ord.

f

ff

ff

ff

RICL 058

Sy. 4708/01

mf

mf

mf

ff

ff

sfz

sfz

ff

ff

l.v.

mf

mf

ff

mf

sfz

f

Db.

horn

f

Vc

3

3

f

f

Vla

3 3

ff

ff

(fast articulations)

yr ig ht

Solo Picc.

ff

f

by

Pno

ff

or d

2.

iB

(bowed piano strings)

R ic

Perc. 2 (Pno String)

sfz 1.

sfz

(bowed piano strings)

Perc. 1 (Pno String)

nl y

/O

1

3

3

3

7

n

er li

3

3

7

Hn 2 4

1. 2. ff

1 3

3

7

f

fo rp

Bsn 1 2

Cl.

ff 7

3

7

f

ff

3

7

f

Ob.

ff

7

3

7

f

al

259

er us


56

f

Fl.

3

sfz 3

ff

f

ff

f

ff

3

sfz

3

3

C. A.

f

ff

ff

Cl.

3

ff

ff

ff

f

sfz

ff

f

3

ff

B. Cl.

f

ff

sfz sfz

3

3

f

3

ff

f

3 3 3

Ob. 1 2

3

3

f

ff

f

ff

sfz

3

3

ff

3

sfz

f

ff

sfz

sfz

3

3

f

tongue slap

sfz

mf

mf

f

f

1

2

7

3

3

C

op

Pno

Vla

3

f

3

by

yr ig ht

mf

ff

ff

3

ff

2 4

Tpt

iB

Hn

7

or d

R ic

1 3

er li

n

nl y

1 Bsn 2

Cbsn

3

/O

mf

tongue slap

C. Cl.

f

3

al

1 2

er us

a2

fo rp

263

ff

mf

f

f

(bowed)

mf

f

pizz.

3

3

mf

pizz. sfz

Vc

ff

3

pizz.

Db.

sfz

ff RICL 058

Sy. 4708/01

sfz

sfz

sfz

3

3

3

sfz

3

3

(pizz.)

mf

sfz

sfz

3

f

3

3

mf


mf

C. Cl.

f

Bsn 1 2

1.

2.

Vln I

sfz

268

pizz.

C

op

ff

Vln II

pizz.

sfz

Vla

3

Vc

ff

3

nl y

/O n

ff

allargando q = 46

f

slow strokes* (majestic)

mf

f

slow strokes* (majestic)

allargando q = 46

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

RICL 058

Sy. 4708/01

3

3

3

3

3

3

3

3

3

3

3

mf

ff

Db.

mf

3

f

ff

* not rhythmically co-ordinated between bowed piano parts

slow strokes* (majestic)

yr ig ht

Pno

mf

by

3

mf

Perc. 2 (Pno String)

mf

mf

iB

er li

3 (bass)

or d

Tbn

Perc. 1 (Pno String)

ff

1 2

Tba

R ic

Tpt 3

mf

Cbsn

3

ff

3

fo rp

B. Cl.

er us

allargando q = 46

268

al

57

3

3


3 3 3 3

3

mf

272

C

op

Vln I

Vln II

fast vib.

Vc

mp

move back to original position

ff

l.v.

mp mf

p

l.v.

f

continue holding pedal for percussionists

harmonics

ff

mf

ff

ff

arco sfz

3

ff

3

3

arco

f RICL 058

Sy. 4708/01

ff

ff

pp

arco

9

mf

pp

arco sfz

fff

Db.

arco

move back to original position

3

ff

pp

ff

Vla

non vib.

ff

pp

mf

ff

or d

pp

er li

yr ig ht

Solo Didg.

fff

2.

Pno

mp

3

mp

fast vib.

iB

3

ff

1.

3

ff

R ic

Perc. 2 (Pno String)

by

Perc. 1 (Pno String)

ff

non vib.

/O

fo rp

3

fast vib.

3

n

3

Tbn

Tba

nl y

3

mf

3 (bass)

fff

1 2

Tpt 3

272

C. Cl.

er us

al

58

3

mf

p

pp

pp


59

278

Tpt 3

Tbn 1 2

al niente

mf

7

mf

Flute bisbigliando

Solo Fl.

3

f

Vc

Db.

3

3

9

mp

mf

mp

change bows ad lib.

mf

f

3

3

mf

3

5

ff

3

tongue jet whistlejet whistle perc. sfz sfz sfz throat growl 3 3

jet

f

3

mp

ff

accel.

f

ff

jet

sfz

ff

l.v.

sfz

jet

sfz

fff

jet

3

(cadenza, improvisation)

yr ig ht

Solo Didg.

3

sfz

3

by

Solo Fl.

ff

mp

3

f

ff

ff

R ic

Pno

f

or d

mf

change bows ad lib.

284

mp

nl y

3

ff

/O

3

3

n

3

sfz

er li

Solo Didg.

3

sim. cadenza / improvisation with flute)

iB

f f

mp

mf

al

f

er us

Pno

play on keyboard

fo rp

284

C

mp

op

Vln I

Vln II

sfz

sfz

f

f

Db.

f

mp

Vc

sfz

f

mp

Vla

pp

f RICL 058

Sy. 4708/01

pp


2.

Schwirr.

or d

Schwirr.

play, plus percussive vocalisation

t k

t k ch

mf

f

by

Solo Fl.

,

Solo Didg.

yr ig ht

t ff

k t k t

9

9

3

9

slow rotation

mf

slow rotation

f

mp

Schwirrbogen (bull-roarer effect)

Schwirrbogen (bull-roarer effect)

7 9

R ic

288 1.

iB

er li

n

/O

nl y

fo rp

er us

al

60

fff

ff

3 3

mf

3

sfz sfz

3

9

9

C

op

Vln I

Vln II

Vla

Vc

Db.

mp

mp

f

fast articulation with irregular accents

288

f

mp

f

mp

mp

mp

RICL 058

Sy. 4708/01


61

292

Ob. 1 2

2. 1.

mf

C. A.

mf

Cl.

mf

Bsn 1 2

mf

Cbsn

Tpt

2

2

Schwirr.

iB

1.

gradual accel.

mp

3 3

f

mf

mp

3 3

3 3

mf

3

3

mf

3

3

mf

3 3

mp

medium speed

’

mf

p

mf

accel.

f

medium speed

accel.

f

by

gradual accel.

mp mf

3

mf

mf

mp

2.

Schwirr.

p

er li

mp

Timp.

or d

R ic

Tba

3

n

mp

B. Tbn

mf

Tbn

f

p

mf

1

mp

fo rp

nl y

/O

C. Cl.

er us

f

al

B. Cl.

yr ig ht Solo Fl.

ff

wide vib.

to Picc.

long notes with intermittent fast rhythmic patterns

sfz

3

9

f

C

op

Solo Didg.

Vla

sfz

ff

Vc

3

mf

Db.

Sy. 4708/01

3

mf RICL 058

3

3

3

fff

sfz

ff

fff


62 1. 2.

a2

299

1 2

f

Fl.

3

f

a2

Ob. 1 2

C. A.

al

f

f

f

f

Cbsn

1 3

Tpt

f

mf

mp

2.

Schwirr.

Solo Picc.

C

op

Solo Didg.

Vla

fast

ff

R ic

slow down rotation

slow down rotation

fast

ff

yr ig ht

Schwirr.

1.

a2

f

3

mf

3

3.

mf

mf

3

1. 2.

mf

3

3

f

mf

f

3

mf

mf

(F I) 1.

2. 4.

mf

3

medium speed

mf

f

mf

medium speed

f

f

by

Tbn

Tba

mf

3 (bass)

a2

f

1 2

f

3

mp

1 2

f

Hn 2 4

3

f

/O

Bsn 1 2

iB

f

or d

C. Cl.

ff

nl y

f

n

B. Cl.

fo rp

er li

Cl.

er us

f

mp

mf

mp

mf

slow rotation

slow rotation

f

ff

f

ord.

h. sul pont.

f

ff

3

3

h. sul pont.

Vc

f

Db.

ff

f

ord.

mf

mf RICL 058

Sy. 4708/01


63

3

3

mf

3

mf

Ob.

3

1 2

3

3

3

mf

mf

C. A.

mp

3

p

pp

mp

mp

mf

Cbsn

mp

mp

Hn

2 4

3

solo

mf

3 (bass)

mp

mp

Schwirr.

Solo Picc.

op

Vln I

mp

mf

mp

mf

mp

3

3

3

mf

3

pp

2.

f 3

2.

pp

mp

mf

3

p

pp

9

mf

f

3

3

9

Vla

Vc

3

mf

3 3

mp

mp

bowed

to Didg. in A

mp

pp

Vln II

Db.

307

3

by

3

mp

Solo Didg.

mp 3

3

mp

yr ig ht

Pno

3

3

3

ppp

mf

1.

ppp

2.

Schwirr.

C

R ic

Tba

3

ppp

3

iB

Tbn

3

or d

mp

pp

er li

2.

mp

3

mf

3

mf

mp

1 2

3

3

3

3

3

mf

Tpt 2 3

3

3

1

mp

mf

3

3

mp

3

mf

mp

mf

mp

1 3

mf

3

mp

Bsn 1 2

3

3

3

pp

C. Cl.

B. Cl.

3

pp

pp

mf

Cl.

3

pp

3

pp

fo rp

2

/O

Fl.

al

er us

nl y

n

307

1

3

mf

f RICL 058

Sy. 4708/01

3

f

mf

3

mp

f

sub. mp

sul pont.


64

sfz

312

1

Fl.

2

ff

sfz

3

ff

take Piccolo

sfz

C. A.

Cl.

mp

3

Tpt

Solo Picc.

C

op

Vln I

Vln II

Vla

3

Db.

mf mf

3

pp

mf

3.

mp

f

ff

mf

pp

mp

sub. p

f

pp

f

pp

Vc

mp

3

pp

pp

sfz

312

by

yr ig ht

Pno

Timp.

or d

1 2

Tba

R ic

3 (bass)

2 3

Tbn

iB

1

fo rp

nl y

ff

mp

C. Cl.

3

B. Cl.

/O

n

er li

1 2

er us

Ob.

al

ff

mp

mf

mf

sul pont.

mp RICL 058

Sy. 4708/01

gl.

3

mf


65

316

1

f

Fl.

f

1. mf

mf

3

3 7

Cl.

B. Cl.

mf

3

3

3

mf

2.

mf

1 3

2 4

1 2 Tbn 3 (bass)

f

1.

/O

3

mp

by

yr ig ht op

Solo Picc.

C

Vln I

316

l.v.

ff

f

3

3

3

3

sfz

sfz

II

sfz

ff

3

mf

mp

mf

f

mf

3

3

3

mf

mp

7

ff

ord.

3

ord.

3

molto sul pont.

mp

ff RICL 058

Sy. 4708/01

ord.

3

ff

ff

distort

f

ff

mp

mf

1.

molto sul pont.

distort sfz

gl. sfz ( ) ff

Vla

molto sul pont.

sfz sfz

distort l. ( g ) ff

Vln II

f

Pno

2 Insect Clickers

mf

3 3

mf

mp

f 2.

ff

2.

mf

poco

mf

mf

2 Insect Clickers

poco

Timp.

mf

or d

2 3

er li

iB

f

Tpt

n

R ic

1

1.

mf

Hn

f

mp

Cbsn

mp

1 Bsn 2

f

3

3

f

f

mp

mp

3

ff

mp

f

nl y

C. A.

1 2

1. 2.

al

er us

Picc. (fl. 3)

fo rp

2

Ob.


66

3

ff

ff

Hn

(1.)

3.

3

2.

2 4

ff

ff

ff

1

mf

Tpt

1 2

f

iB

pp

ff

f

ff

R ic

2 Insect Clickers (one in each hand)

f

3

C

op

Solo Picc.

Vln I

Vln II

320

mf

mf

Vc

3

3

mf

3

3

p

mf

3

3

f

f

molto sul pont.

molto sul pont.

sul pont.

ff

sul pont.

mp

molto sul pont.

ff

sul pont.

Vla

mp

2 Insect Clickers (one in each hand) freely interpret graphic

mf

p

freely interpret graphic

3

Pno

2 Insect Clickers (one in each hand)

2.

3

yr ig ht

2 Insect Clickers

by

f

3

mp

p

freely interpret graphic

ff

ord.

mf

1.

2 Insect Clickers

f

Timp.

mf

or d

Tba

ff

pp

3 (bass)

Tbn

f

a2

mf

ff

2 3

3

ff

3

7

f 7

f

3

ff ff

mf

mf

nl y

1 3

7

/O

n

f

Bsn 1 2

er li

B. Cl.

ff

mf

ff

Cl.

ff

C. A.

mf

3

Ob. 1 2

mf

3

al

3

er us

3

fo rp

Picc. (fl. 3)

3

ff

2

Fl.

1

320

f

mp

mp

3

3

ff

RICL 058

Sy. 4708/01


67

3

1.

3

f

2

Cbsn

2 3

Tpt

Tba

2 Insect Clickers

1.

2 Insect Clickers

Pno

Solo Didg.

a2

op

mf

3

3

3 3

f

2. 4.

3

3

mp a 2

7

mf

3

mf mf

mf

mf

3

p

p

p

3

3

3

continue ad lib. alternating between sparse and more dense clicking

3

ff

q = 72

f

f

3

mf

mf

ff

mf

ff

mf

ff

molto sul pont.

3

in A

molto sul pont.

3

3

f

ff

mf

f

Db.

continue ad lib. alternating between sparse and more dense clicking

f

continue ad lib. alternating between sparse and more dense clicking

Vc

mp

3 3

3

mf

molto sul pont.

Vla

mf

C

3

f

q = 72

f

mf

1. sfz 3.

mf

Vln II

3

f

324

Vln I

yr ig ht

Solo Picc.

2.

by

3 (bass)

Tbn

mf

f

1 2

ff

iB

or d

1

ff

R ic

2 4

7

f

Hn

f

3

f

1 3

3

mp

ff

/O

Bsn

f

3

n

1

3

3

er li

7

ff

C. Cl.

ff

Cl.

3 3

C. A.

ff

3

1 2

3

3

al

3

3

ff

er us

ff ff

Ob.

3

3

nl y

Picc. (fl. 3)

3

3

2

3

fo rp

ff

Fl.

3

1

q = 72 324

Insect Cliker

RICL 058

Sy. 4708/01


C. Cl.

mf

2

mf

Bsn

3

3

3

ff

mf

Cbsn

harmonics

ff

1

3

sfz

M

2.

2 4

mf

fast clicking

fast clicking

3 3

2.

R ic

yr ig ht op

C

3

3

horn

ord.

7

3

3

3

3

3 3

high harm.

3

3

3

sfz

sfz

3

fast double click on each beat Insect Clicker

sim.

fff

RICL 058

Sy. 4708/01

ad lib. single and double clicks

ff

Db.

Insect Clicker

ff

Vc

fff

3

ff

Vla

3

Vln II

328

Vln I

ff

ff

3

3

Solo Didg.

ff

by

Solo Picc.

fast clicking

Pno

iB

2 Insect Clickers

or d

1.

f

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