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Liza Lim The Compass

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for large orchestra with solo flute and didgeridoo 2005-2006

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by

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Partitur

Sy. 4708/01 ISMN 979-0-2042-4708-0


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C Copyright 2006 by G. Ricordi & Co. BĂźhnen- und Musikverlag GmbH, Berlin Alle Rechte vorbehalten All rights reserved / Tutti i diritti riservati


It is requested that markings are made in light pencil (HB) only. All markings should be removed from the score before the material is returned.

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Photocopying, or any other form of duplication, is strictly prohibited.

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The Compass

For large orchestra with solo flute and didgeridoo by Liza Lim

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Jointly commissioned by the Sydney Symphony and Bayerischer Rundfunk/Musica Viva.

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A project of Sydney Symphony’s composer-in-residence programme supported by Symphony Australia with financial assistance from the Australia Council, the Australian Government's arts funding and advisory body.

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Sydney premiere: 23 August 2006, Sydney Opera House. Sydney Symphony conducted by Alexander Briger Soloists: Rosamund Plummer (flutes), William Barton (didgeridoo)

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Munich Premiere: 12 January 2007, Musica Viva Concerts. Bayerischer Rundfunk Orchester conducted by Christoph Poppen Soloists: Carin Levine (flutes), William Barton (didgeridoo)

Duration: c.22 mins

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Dedicated to Gianluigi Gelmetti

Typesetting and Music Preparation by Peter Readman

This material remains the property of G.Ricordi & Co. (London) Ltd. All requests for performance should be directed to the publisher. +44 (0)20 7835 5382 www.ricordi.co.uk


The Compass(2005-2006) For large orchestra with solo flute and didgeridoo

Instrumentation All musicians except bassoons, contrabassoon, bass tuba and didgeridoo also play tin toy ‘insect clickers’.

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Solo Flute (d. piccolo and bass flute) - amplified

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Solo Didgeridoo (player also sings and plays clapsticks) - 2 microphones required to amplify voice and instrument.

3 Flutes (all with low B-foot; Flute 3 doubles piccolo)

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2 Oboes Cor Anglais Clarinet in A

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Bass Clarinet

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Contrabass Clarinet 2 Bassoons Contrabassoon

3 Trumpets (Trumpet 1 doubles piccolo trumpet)

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2 Trombones

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4 Horns

Bass Trombone

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Bass Tuba

Percussion (2 players):

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Timpani (38’, 25’ and 21’) plus cymbal to be placed upside down on Timp. 1

Percussion 1: Claves, 2 ‘insect clickers’, Ratchet, Pebbles in tin, Ocean Drum (geophone), Schwirrbogen (rotating ‘wind catcher’ creating bull-roar er, Aboriginal clapsticks (set at piano, amplified), Cabassa (set at piano and amplified).

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Percussion 2: 2 woodblocks, 2 ‘insect clickers’ 2 pebbles (large, as resonant as possible), 4 tom-toms, Bass drum, Ocean drum, Schwirrbogen, Aboriginal clapsticks (set at piano and amplified).

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Percussionists also bow piano strings with rosined nylon fishing line

Piano (pianist also bows piano strings with rosined fishing line) Violin 1

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Violin 2 Viola

Violoncello Double Bass Schwirrbogen (available on the following website): http://anklang-musikwelt.de/a_percussionsound/schwirrholz-schwirrbogen.html Insect clickers (example on the following website): http://www.puffins.com/toysmithpg17.html


Notes for performance Accidentals apply to the note they immediately precede; natural signs have also been used to aid reading. Two microphones are required by the didgeridoo soloist (for voice and didgeridoo)











 

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Quartertones

Amplification is required for the bass flute Two microphones are required to amplify voice and didgeridoo

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One microphone is required set at the piano to amplify percussion instruments

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Amplification

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Solo piccolo/flute/bass flute

Fingerings for multiphonics and high trills are by Carine Levine. (Carine Levine, Christina Mitropoulas-Bott, The Technique of Flute Playing I and II, Bärenreiter, Kassel, 2004) Tongue percussion



Breath sound (both pitched and unpitched)

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key articulations

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Low throat growl, contour the pitch by singing Also with rapid random key movement

Jet whistle (also whilst changing fingering)

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Solo Didgeridoo

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Soloist plays 2 instruments with fundamental pitches as follows:







Didgeridoo player also sings and plays clap sticks.

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Fundamental pitch is notated either at sounding pitch in bass clef or on single line stave. Upper five-line stave is used to show the approximate pitch contour of high vocal articulation and high harmonic ‘hoots’ as well as other effects:



Dingo - high forceful call



Crow - high throat growl with glissando

sing       

in A





play

play and sing simultaneously


Winds Unpitched breath noise



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Oboe multiphonic fingerings are by Peter Veale (Peter Veale, Claus-Steffen Mahnkopf, The Techniques of Oboe Playing, Bärenreiter, Kassel, 1993.)



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Bass clarinet/contrabass clarinet/bassoon multiphonics where graphic shows degree of overtone enrichment of sound.



Bassoon/Contrabassoon multiphonic based on given pitch.

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Brass

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Unpitched breath noise

 Strings



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unpitched breath (air) sound (dampen strings/bow bridge)

 

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half-pressed string (between harmonic and ord. finger pressure) resulting in muted, breathy tone. Vc./Db. high glissandi above fingerboard.

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Multiphonics

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‘lateral sweep’ (bars 244-245, Vln, Vln2, Vla): sweep bow along length of string (bridge to fingerboard and vice versa)

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‘scrape’ (bar 245, Vc, Db.): using extreme pressure, scrape bowhair 90 degrees along length of string.

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Piano

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h.sul pont. (Vc, Db.): bow near the bridge, continually adjusting bow position, speed and pressure to bring out a rich spray of harmonics (occasionally sounding fundamental pitch)

The piano should have its lid removed.

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The following piano strings are bowed using rosined nylon thread (eg: fishing line) with each ‘bow’ comprising at least eight strands. These ‘bows’ should be threaded around each required string and set so that they can be easily accessed. A weight can be used to keep the piano pedal depressed. Bowed notes: Perc. 1

 (   ) 

Perc. 2







Piano ( )



 








The Compass

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The didgeridoo holds a central position in this work, not so much as an overt soloist (though the two soloists - flute and didgeridoo - are indeed given very virtuosic parts), but in terms of how the Aboriginal instrument creates a template for the sonic frequencies at which the orchestra resonates. The tuning of the two didgeridoos played by the soloist (in A and in C) provides the musical co-ordinates for the piece. It also re-orients the hierarchy of the instruments so that the usual 'horizon line' of dominant treble instruments with supporting bass, is tilted and sometimes reversed. A resonating tree branch provides a singing, speaking and breathing compass that calls out lines of connection in the sonic landscape of the orchestra.

The Heart Sits in the Land Fire Fire Fire A River of Stars

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Ja Whydoo Ka Inne Woodjan Woodjan Woodjan Oul Gordee Wuroo Wuroo

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The Compass begins with a chant sung by the didgeridoo player - the text was devised by Liza Lim in consultation with William Barton, translated into his ancestral language of Kalkadoon (Indigenous language of the Kalkadoon nation in the Mount Isa region of Central Queensland):

(The word 'woodjan' also refers to starlight; the 'river of stars' is The Milky Way.)

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The words announce the elemental themes of the work - the expressive vibrating body (the heart in the land, or earth); transformation (fire); spiralling forms that open out towards a world beyond the human (River of Stars).

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Liza Lim, April 2006


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The Compass (2005-06)   q = 80 

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Trombone 3 (bass)

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Horn in F



© Copyright 2006 G. Ricordi & Co. (London) Ltd.

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RICL 058

Sy. 4708/01

ord.

  

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mf

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Sy. 4708/01

  

  

 

  

 

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3

   

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3

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3

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7

3



3





 

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3

      

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3

                 

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3

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3

RICL 058

Sy. 4708/01

3









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pp





  



 





1







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1

q = 72

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pp

         

 


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al

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Sy. 4708/01

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Sy. 4708/01



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Sy. 4708/01

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Sy. 4708/01



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Sy. 4708/01

harmonic sweeps





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 RICL 058

Sy. 4708/01





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Piano bow piano string with rosined nylon ďŹ shing line, whilst pianist plays



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solo sul tasto



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mp RICL 058

Sy. 4708/01


29

mf

 

 

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frozen stillness

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Sy. 4708/01

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frozen stillness





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 7

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yr ig ht





 

mf



 



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pp

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mp

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3

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3

    

    

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frozen stillness

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3



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f

3

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frozen stillness



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C. Cl.



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Cl.

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frozen stillness



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  142

         

pp

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frozen stillness



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f

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gliss.

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replace mouthpiece



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p

       

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 ff

 



























 









 















 



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 ff

 



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 pp

 pp

 

 pp

q = 72 



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intermittant whisper (slow and fast phrases)

       



ff

       

mf

replace mouthpiece

mf

ff

       

mf

    

   

mf



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ff

       

p

       

f

mf

  

    

   

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mf

f





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accel. molto subito a tempo (q = 60) accel. 1 + 2 (  )

 

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mf





mf

Db.

       

pp

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f

mf

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f

mf

148

p

         



 

       

f

mf

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f

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2 4

       

f

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p

         

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replace mouthpiece

ff

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mf

C. Cl.

       





er us

mf

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p

       

replace mouthpiece

fo rp

f

         



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mf



nl y

mf

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p

  

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f

         



1 2

       

whisper

n

mf

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p

         



2 3

f

       

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mf

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q = 72

iB

1

         

        

or d

148

 

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accel. molto subito a tempo (q = 60) accel. 1 + 2 (  )

q = 72

       





“ ff �



         

“ ff �

       



“ ff �



         

 



 

 

 

 

 



  

 

“ ff �





       

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mf

       

       

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RICL 058

Sy. 4708/01












31

q = 56 rubato wide vib.





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2 3



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wide vib.







 

very breathy





3

               

  



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breath noise only







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mf

mf

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1.

al



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pp

mp

 



pp

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mp

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n





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f



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pitch

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mp



3

q = 56 rubato 



pp

               

  











     



pp

             

 

















  

mf







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pp

               







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sing/murmur

  









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3

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sing at pitch

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C



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play (sounds octave lower)

mp

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pp

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p





whisper

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p

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reset timp. 1



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mf

pp RICL 058

Sy. 4708/01



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pp

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pp

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pp

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C. Cl.

  



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pppp







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pp



mf

 





pppp

pp



 



mf

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pp

  

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mp





mf

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bow piano string





mp







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mp

  





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yr ig ht  

op



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mp



























     

mf

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mf



crow call

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mf



 





(throat growl)

 

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growl



f

      



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hoot





  

3



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breathy half-pressed, brushing strings with lateral bow movement



 

mf

rapid key movement   'cover embouchure' whisper throat growl (sung)

3   3          mf 



mf

mp

159

mp

sempre

 



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mf



breathy

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by

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move to piano



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mp



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159

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breathy half-pressed, brushing strings with lateral bow movement

    



        











 

    

 

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mf



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breathy half-pressed, brushing strings with lateral bow movement









 



     









        

mf

breathy half-pressed, brushing strings with lateral bow movement

Db.













mf RICL 058

Sy. 4708/01

 



   

  

sul pont.

f

  



 

ord.

mf

 

sul pont.


33

mf

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3









3







  

mf

   



mf





1 Ob. 2





mf

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mf





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mf





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ff

 











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ord.

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ord.

 

f





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  mp RICL 058

Sy. 4708/01

3



ff

  

 

mf

   

   

 

ord.

f





mf

       



ff



                    

sul pont.

ord.

ff

ord.

q = 72

ff

sul pont.



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3





              

         











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mf





164 ord.

C

    



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ff



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mp



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f

n



 

  

er li

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7

     

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7              

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3

mp





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ff

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breathy, lateral brushing of strings

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ord.

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3

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mp

mf



Sy. 4708/01



f

                    

mp RICL 058

f

3

lateral brushing / half pressed



f

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lateral brushing / half pressed



f

ord.

  



      

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breathy, lateral brushing of strings

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n



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timp. 1 tuned to Ab





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f

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ff

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Sy. 4708/01

ord.

 

mf

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ord. 

sul pont.

h. sul pont.

 

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mp

ord.

ord.

mp

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mf



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1



 



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q = 56





ff

f



 

 

 

mf

3

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3.





   

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 M

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Sy. 4708/01



 

h. sul pont.





 

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Sy. 4708/01

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3          




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h. sul pont.

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3

    



           

  



3



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ff

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mf

f RICL 058

Sy. 4708/01



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3

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f





mf

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crow interjections





f





  



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op

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3

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3

 

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3

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6

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38

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ff




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 pp



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accel.







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irreg. (fast and slow)

irreg. (fast and slow)



 





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mp

mf













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2.





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3



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3

9

   

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C

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ord.

 

mf

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mp





motlo sul pont.





ord.





ff







pp

  



mp RICL 058

Sy. 4708/01





)


40

ff





3        

  



3

3

f









  



  

3

3

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f



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f

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ff

 

f









        



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3





3



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3





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f

  

 

 ff

   

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3

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f





 

 

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f





ff





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 h. sul pont.



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3

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f

  



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3



slow

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f



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ff

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3

ff

mf



f

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3

sfz



f

  

    

f

mf



3





f

mf







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fast     

              

197

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ff

ff



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mp

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3



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3

      

 

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3





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f

1.

2.

 

3



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3

f

by

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f

         





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f

   

sfz

3

3

   

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3              3

3

      

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3

f

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ff

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1 2

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ff

   



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mf

3

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 f

 

ff

 











3



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f

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f



3

   





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3





3

ff



f



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Hn



3

        

ff 3

f

Bsn 1 2



3

ff



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B. Cl.



 3         

fo rp





Cl.





 





C. A.

3



al





er us

mf





ff





Ob. 1 2

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Picc. (fl. 3)

subito q = 72

sfz

    

 



  197







mf



 

pizz.

mf RICL 058

Sy. 4708/01

mf

 

ff





3


 

1

pp





Ob.

f





  3

3

3

C. A.

3

3

3

mf

mp

 

  

3

 

3

mp            3

pp

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3

3 3

  

3

3

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3

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mp

3





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3

  

pp

 3

3

mp

  



3

 

3

3     

 

3

3

  



3



    

 

 3        

3









3



3



3















 









 

Perc. 2 (Pno String)



2.



 

 

  3

3

   

   

3

3

    



f



 

 



Solo Didg.







  

    



f

     f

 f









3





mp

3

 mp

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op

Vln I



     



mp

mf

3

3





       

3

3

f

      



 



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C







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         ff



3







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pp

 

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pp







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3  

  

pizz.

3

mf

 3

       

 



 



 

still



mp

Db.

   



mp











 



mp

 

 











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3

f

 





 



3

l.v.

mf

 



ff

 



 





R ic

yr ig ht

Solo Picc.



by

Pno



 

ff

3

ff

 

3

sfz

   



 



   



mf









ff

3

  3        



or d

mf

3

3

3

iB

Perc. 1 (Pno String)

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41

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RICL 058

Sy. 4708/01

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3

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 3

   



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al

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q = 72

 



 

 pp

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pp







 





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ff





 

      

 



    

  

   

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3

  

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pp

 

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pp

 

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mp

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mp

 

 

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RICL 058

Sy. 4708/01

 


45

Ob.

   

2

3



3

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C. A.



  



  



       

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IV natural harmonics

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(2)

 

1.

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3

  

 

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f

 



 

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h. sul pont.

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pp











   

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q = 60



                    

mf

sfz           





al punto

pp



mf

      

    

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f

f

3

mp

[* irregular trem. creating an overall fast shimmer across three percussionists]

rit.

  



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f

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mp

 

pp

   





 





q = 60

 



mp

 



3

                       

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3

   

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op

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yr ig ht

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RICL 058

Sy. 4708/01

  

mp

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f



3 (bass)

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(slide)

iB

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natural harmonics V 





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1 2



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f

       

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3

3



al

3

 

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q = 60

rit.

          

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pp



3

mp

pp




46

subito piĂš animato   227

1

 











     



f

Ob.





2

 

f









    



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 pp



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3

3

f

 





1 2



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2 4



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al

f

subito piĂš animato     

cym. on timp. 1

pp

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f

pp





pp

by



mp



 



R ic

 

 

 

 

yr ig ht Solo Didg.

227    

C

op

Vln I

Vln II

Vla



ff

 



mf

mp

subito piĂš animato

9

9

9

9

9

9

9

9

9

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9

9

9

9

9

9

9

9

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pp

Vc



                                                                                

pp

  

 

mp

pp

  

irreg. trem. as before

fast



9

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9





 3

9



 

9





3

9

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RICL 058

Sy. 4708/01

3

9





9



9


47

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Fl.





2



 



q = 60

 



 



f



  







       







       



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3



 

op

C

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3

 

3

f

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ff



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f

mf

 

f











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f

irregular trem., accel./rit. ad lib.





 

 

f

q = 60  allargando                                                                                         9

ord.

9

mf

9

9

9

molto sul pont.

9

9

9

9

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ord.

9

mf

9

9

                                    

molto sul pont.

Vla

  

 irregular trem., accel./rit. ad lib.



molto sul pont.

Vln II



f

mf 3

molto sul pont.

230

3



mf

 







 

 

3

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mp

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f



2.

Solo Picc.

  

  



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Clapsticks



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3

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yr ig ht

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by







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1 2

mf mf



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3 (bass)

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mf

mp



7





                                       

mp



f

       

f



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2 4

3 7







Hn

  

/O





f



2

1 3





n

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7

f

 



7

mf

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er us



 

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f



 



7

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3

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al

1

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9

9

mf

9

9

molto sul pont.

9

9

9

9

                                              

9

ord.

9

RICL 058

Sy. 4708/01

molto sul pont.

9

9

9

9


3

   



2

3

   



3

1

3



 



 

Ob. 2

3









3

 3



C. Cl.







1





 



 

 





















3

3

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3

        

 

3

3

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op

Vln I

3

3

 



C

Vc

f

3

Db.



3    



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3

3



9



 

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3

mf



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mf







 

   



3



1.



3





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f



 

3

3

ff

  

f

     



      



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f

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4.

       

3

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mp

 

3

f

 

 



 





     

 3

3



  

3

3

 

          

ff

9

3



  

3

 

 

   

        

 

 



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9

   



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9

f

f

3





   

ff



 

f



f

                                                 

ff

       

 



 

9



f



ff



9

 



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ff

ff

ff

     

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3



9

9

ord.

ord.





3

9

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f

 

 

f                                                 

 

ord.

Vln II







 

   

3

2.

Solo Didg. (clapsticks)

3

R ic



f



 

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3

by

Tbn

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iB

     

3

      

f



1 2

3 (bass)

3



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or d



ff

9



Hn

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3

 

9

3

               

9

3

   

3



            



 



9





 

2 4

ff

f





n

1 3





3



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3

ff             









9



ff

    

3

f





/O



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3

    

                

3

3





              





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3

    

3

f

3





         

  





3

3

3

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3







3

 





3

3





C. A.





al

Fl.

     

er us

1

 

fo rp

  232

nl y

48

3

  



ord.

ff RICL 058

Sy. 4708/01

 

3

 

 

   



7

       7

  



 

h. sul pont.






49



f



2



    





    





    

  

 



3



1 Ob.



2

C. A.





      

ff







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3

ff



3

 

3

3

3

3

3

1 Bsn 2





 

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ff



 

mf





 





p

2.   mf













f

3

Tbn



3 (bass)

Clapsticks (set at piano)





3

   1.

 2.  



f

 



Solo Picc.

Vln I

Vln II

Vla

 

mf



mp

  



  

 









f

 



  3

ff



3

3

III II 



 



3 3



 



ff

 

9

f

9

RICL 058

Sy. 4708/01

mf

f











 



mp

 mp

 

 



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3

  



3

3

9

 

3

 

 

ff

 ff

3







3





 

 



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ff





3

  



    







3

 

  

3

3

3

 

 

ff





   

f



3



 



ff

f

ord.

p



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ff

pp ff



                  

ff



3

 

  

3

rit.

3





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3

 



IV



ff



f

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mf

 

 



  





 

 

 

 







  

f

h. sul pont.

Vc





 

 

  



 

3

mp

3

     

3

ff

 











        

 

 

234    



3

3

ff

  

mp

mf

 



C

op

Solo Didg.



f

yr ig ht

Clapsticks



3

 

mf



Tba



f

f



R ic



 

by



1 2



     

3

3





 

or d





ff

ff

p



1.

er li



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3

n

3.

iB

f

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ff



ff



2 4







3

3





f

Hn

 





ff

1 3

7



ff

             

3









3

f

  

mf

           

         

7



mf



  

nl y



           

3



7

  

/O

C. Cl.



3

3

3

f



 



 

mf

B. Cl.

3

        



 

  

Cl.



3

3

er us

Fl.

    





3

ff

al



                                



fo rp

1

    



234   

f

 3







f

 3

f

f

3

 f

     


50

    



        



    



     

Ob. 2

                            3

ff

    

 

ff

    

Cl.

 

3

3



B. Cl.

3

Cbsn

1 3

mf

ff

mf

 

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2. 4.

 

          



3

        

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ff





3

  

 1.

   2.

  

3

 

3



3

  

Solo Picc.

Solo Didg.

3



ff

  237

op

Vln I

Vln II

Vla

Vc

Db.

 



3



 

 3



 

    



    







 

sfz

 

ff

sfz

 1. 2.

   

 



3







3









ff

 ff

 

ff

3

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sfz



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f

ff

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3.



4.

  

 



 

f

3



 

  











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3

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f



ff

 

3





ff

   







accel.

f





















       

    



p



 



  

  

f









ff











      

f



  

 

 



f





ff

            





           

 

   







ff RICL 058

Sy. 4708/01







 







 mf











      







accel.

mf

f





mf

f



ff

  





p



      

   

mf



ff

f

  



 



3

   

3





3



ff





   

  

f

  

         

f





    

 

f















 

p





ff

  

3

 





  

3

  

mf

f



 

    

    







             

f



3



f

3

 



 



f







 

   

 2. 

f





3

3

3

    

f

 

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f

mf





sfz

 

   

 







 

 







3





3



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3

     

 

   



 

 

yr ig ht

Clapsticks



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or d



by

Clapsticks (set at piano)



mf



iB

ff







    

mf





3

ff

2. 3.

3   

3





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3

mf

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ff

mf

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ff



f

2

ff

    



f

     

3

3

ff





Tbn

   



f

1



ff

Hn

2 Tpt 3



     

   

 



 

Picc. Tpt

 



2 4



3

 





3

ff

Bsn 1 2

3

     

f

3

3

                 ff                             

C. A.

C. Cl.





nl y

1

 





/O

3

                                     



n

Fl.



   

fo rp



er li

1 2

237      

accel.

     

a2

al



          

1.

er us

     2.        a2                   


51



3

Ob.

  



f

    

3

     



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mp



1 3 Hn



 ff

  





3







 



  



       

 2.         

 3      3    

ff

1. 3.



  ff

3

 



 

  



2. 4.

 

3









 

3

 

3

         

B. Tbn



 













  

yr ig ht

Solo Picc.



 



3

  



 



 

 



ff

    



ff sfz

3

or d

2



 

by

Tbn

 



sfz





ff

 

R ic

1



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mf





3





7

       



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3

       

 



  

 



 



 







 



  

glis

 





3.

 

7

ff

2.





 ff      4.

 



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3

f

1.

7

3



7            

ff

 

 



 

 



3

7

  

7



mp



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7

3

ff

f

 



7

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3

3

3

            

3



iB



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3

ff



 

 



















3

  3

3

3

3







 

ff

f

2





3

3



9

 

    





Picc. Tpt

  





 1.         

2 4





            

3

ff







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Cbsn





ff

 





2



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 mp

 

ff

1





 

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ff

      





3

3

B. Cl.





9



ff

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3

   

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ff

  







   

2



f

   

1







er us



2





                

fo rp

Fl.

 



 

nl y

1



/O

     242

al

q = 72

ff

           

3

9













ff



q = 72

                    div. a 2 (marcato)

  242

C

op

Vln I

 

Vln II



unis. legato but separate strokes distorted

    

    

  









 



 

ff

unis. legato but separate strokes distorted

             

  

ff distorted

Vla





   

  

ff

Vc













 RICL 058

Sy. 4708/01



       



     

       

ord.







         ff

 

abrupt scrape/sweep of bow across string (distorted) ord.

 

f

Db.

         

  

 ff

 

f

3

abrupt scrape/sweep of bow across string (distorted)

     f  ff

 

f



     

ff

ord.

ff

 

3         


52

                                               

mf



                          

                          

mf



                          

 

3

ff

 

1 Ob.



 

2



C. A.



Cl.



B. Cl.

                     







       















mf



 





7



mf

  



               



       

mf









mf

3

3

   

3

3

3

         



 



 













   

 

Bsn



2

     





7







 

















Hn 7

        7       

2 4

1

   



    

3

 

2



gl.

7

 

  

    



   

7

 





by



yr ig ht

Tba

Cabassa

C

op

Solo Picc.

Vla

 2. 

 

 

 

Vc

Db.





 

 

  



 mf

 



   

  

7

   7





gliss.

  







mf

ff





mp



   

7

mf

3



 

 

mf

 

ff

B. Tbn

 



 



3

R ic

Tbn

er li



iB

  

  

or d

1 3

 



n





f

7

Cbsn



/O

1



nl y

f

C. Cl.

al

ff



er us

 

2



fo rp

Fl.





  246

1

q = 56



  



 

  

f

 

 

mf





  



 









(ampliďŹ ed) rub

  

f

                              







mp

q = 56







 

ff

q = 56  

7

               7

  

 

 

 

   3





sul pont.

ord.

 

 

 

fff



f





f

sul pont.

   ff

ord.

     

sul pont.

ff RICL 058

Sy. 4708/01

  

  

     

ord.

3

 mp


53

  249

1 Ob.



2

















mp



 mp



C. A.



  













   

B. Cl.





mf

1 3

 

  











 





pp



    

2 4



mp

 

Hn





  





 

 





 



pp

/O

Tba

 



p



 

  

er us





fo rp

Cbsn

   

nl y

C. Cl.

al

mp



(rub) 3

iB

  

3

3

3

3

3

3

3

3

3

3

                                                           

mf

mp

mf

mp

  





yr ig ht

by

Solo Picc.

R ic

or d

Cabassa

 2.  

er li

n

pp

   249

Vln I

   

molto sul pont.

op

C

 

Vln II

  

molto sul pont.



3

   3

 

molto sul pont.

Vla

mp

h. sul pont.

 

3



pp

3

                              

pizz.







                                



3

3

mp

3

pp

 

3

mp

mf

3

3

3

pp

3

3

3

3

pp

                                 

pizz.

mp

3

3

3

3

3

3





pp



 pp

sul pont.

     



3

pizz.

ord.

mf





mf

   

Vc

Db.

3

  



  mp

          

mf



mf

        

mf



 

ord.



 pp RICL 058

Sy. 4708/01

  


54

252

1











  





2 3







mp

 

3

2.





3

pp

Fl.



sfz



pp

fast vib.

   



sfz

mp

   pp























  

pp

    mp

  















pp





 

  

 

mp









mf



 







    



pp











3

3

Solo Didg.

3

3



3

3

3

 2.                                                 



fast vib.





pp









   







 off mic.  





3



     3

mp

 





mp



  pp

  



































bowed

   

mp sempre ped.







 mp

 f

  mp

mf

    

3

f

ff

sfz         sfz

sfz



3





mf

        3

mp

mic.



 mf

C

op

pp



non vib.



or d



yr ig ht

Solo Picc.



n 

by

Pno



er li



3

Cabassa



iB





R ic

Tba

 



Tpt 2 3

/O

nl y

Cbsn

   

mp

pp



fo rp

C. Cl.



   

fast vib.

Cl.

 mp

pp

fast vib.



pp

er us



C. A.





mp

 

pp





pp



a2

1 Ob. 2

 

al

 

fast vib.



RICL 058

Sy. 4708/01












55

Fl. 3







          

      7







1











2









C. A.





7

      

f





7



   

     









ff

  

  ff







 











f

Tbn 2

 



 

 

f

f

B. Tbn

Tba





 





 

  







  





f





 

ff

mf

ff

 

 

 



 



 

sfz

 

fff





  

 





Solo Didg.

  259

C

op

Vln I



Vln II



f



 









   



   







l.v.

  l.v.



 













arco ord.

 

fff

f





arco ord.

  





arco ord.

 





  





 

 





  



  

 

 

    



 





  



  

 

 

    



 





  



f

ff

ff

ff

RICL 058

Sy. 4708/01

















mf

mf

























mf

ff

ff

sfz



sfz

ff



ff





l.v.

mf

mf



ff

   

mf

sfz

f

Db.



horn

f

Vc



3



 

3

f





f

Vla



3 3

ff

ff



(fast articulations)







             

     

 

   



yr ig ht

Solo Picc.





ff

f



 

by

Pno

ff

 

 

or d



2. 

  

iB

(bowed piano strings)



R ic

Perc. 2 (Pno String)

sfz 1.                 



sfz



(bowed piano strings)

Perc. 1 (Pno String)



 

  



nl y



  



/O

 

1



           3

3

  

3

7

n



er li



3

3

           7

Hn 2 4

                     

1. 2. ff

1 3



3

7

f



  

fo rp

Bsn 1 2





Cl.

ff 7

    





3

7

f



ff

           



 

3

7

f

Ob.

ff

          

      7



3

7

f

 

al

259

er us

 




56

f

Fl.



3

      sfz  3

ff

          f

ff

f

ff

3

 

   sfz 

3

3

C. A.

f

ff

 

  ff

 

Cl.

 3

ff

















 















ff

 ff

f

sfz

  



 



 ff

f

   

3

ff

 

B. Cl.







f

       



 ff

 sfz   sfz

3

3



f

3



 ff

f

3    3                         3

Ob. 1 2



3







       



3









f

ff





  



f

ff

 

sfz

  



   

3

3

ff



3

     

  sfz



  



f







ff

 



sfz

sfz

     3



 

 

3

 





f

 

tongue slap

 



sfz







   

mf



     

 



mf

f

f

 

1

 

2

7



3

3

    



C

op

Pno

Vla

 









  

3

























f

3

  

by



yr ig ht





mf

ff

ff

3



ff

       

2 4

Tpt



 

iB

Hn

7

      

or d

 

R ic

1 3

er li

n







   



nl y

  

1 Bsn 2

Cbsn

 

3

/O

  



mf

tongue slap

C. Cl.





f

3

al

1 2

      

er us

a2

fo rp

263      





ff

  

   





mf

 

 









  













f



f























(bowed)











mf







f

      pizz.

3

3

mf

pizz. sfz



Vc







ff

3

pizz.

Db.





sfz



  



ff RICL 058

Sy. 4708/01

sfz

sfz

sfz

            3

3

     

3

sfz



3









   

3

    

(pizz.)





mf

sfz

sfz

3

 



    f

3



  3

   mf

  


  



  



mf

C. Cl.

f

   

Bsn 1 2

       



                 











1.    

2. 









 



Vln I

sfz

   

   268

pizz.

C

op

ff

 

Vln II

pizz.

sfz



       

Vla

3



Vc



ff

3

 



 

nl y

/O n











ff







allargando q = 46

 



f

slow strokes* (majestic)





 

 

 

mf

f





slow strokes* (majestic)





allargando q = 46

3





3

3



    

  

3

3



    

3

  

3

  



                                3

    

3





3





3

 



3





3



3





3







  

         





 3



 3





RICL 058

Sy. 4708/01





3

 

3

 



3

 

3

3

3











3

 

3

  3





 



3

  

3

 



mf

ff

Db.

 

mf



        3

  



f

  

ff



* not rhythmically co-ordinated between bowed piano parts















slow strokes* (majestic)



yr ig ht

Pno



mf

 



by



 

3

mf

Perc. 2 (Pno String)

 





mf



 











mf



iB













er li





3 (bass)



or d

Tbn

Perc. 1 (Pno String)

ff







 











 

1 2

Tba



R ic

Tpt 3







mf

Cbsn

3

ff





3

   

fo rp

B. Cl.

er us

allargando q = 46

268

al

57

3

3

 

   







 




 



         











 3   3   3                        3 



 

 

        







3

mf



 

272

C

op

Vln I



Vln II

fast vib.

 













Vc













mp

move back to original position

 

ff

 

 



l.v.

mp mf

 



p













l.v.

f

continue holding pedal for percussionists



           

harmonics





ff

mf

ff





ff

     

arco sfz



3

ff











3      

3

     

 







 

arco



f RICL 058

Sy. 4708/01

  

ff

  ff

   pp

        

arco

   



9





mf



pp

arco sfz













fff

Db.





 

arco





move back to original position

3

ff



pp



ff

Vla



non vib.

 

 



ff



pp

 

 

mf

 





ff

 





 



or d





pp

er li

 

yr ig ht

Solo Didg.

 fff

2.



Pno





mp

 

3



mp

fast vib.

iB



3

ff

 

1.    



3

ff

R ic

Perc. 2 (Pno String)



by

Perc. 1 (Pno String)



ff

non vib.

/O

 





fo rp



3





fast vib.

3

n

 



3



Tbn

Tba



nl y

3

mf

3 (bass)



fff

  

1 2





Tpt 3

 



  272

C. Cl.

er us

al

58

3       

 mf



 



p

   









pp

   

pp






59

  278

Tpt 3

Tbn 1 2





  

 











  











al niente



   

 

 mf

    

 

 



7

mf

 



    



Flute bisbigliando

Solo Fl.

 









          3

f



Vc

Db.









3

3

9



 

mp

mf

   





mp

change bows ad lib.





mf

f



 

  

                       

3



3

mf



3

  

 

 

5

ff











   



3



tongue jet whistlejet whistle perc. sfz sfz sfz throat growl 3 3

jet

          

f

3

mp





  



ff

accel.

f

ff

jet

    

sfz

ff

    l.v.       

 

sfz



jet

          sfz

fff

                        

jet



      



     3

(cadenza, improvisation)

yr ig ht

Solo Didg.





3



sfz

3

   

by

Solo Fl.

   ff

mp



3

f

ff

ff

R ic

Pno



f

or d

 





mf

     



change bows ad lib.



284

mp





nl y

3



ff

    

/O

3

3

n



3

sfz                                                  

er li

Solo Didg.

3

   

sim. cadenza / improvisation with flute)

iB



      



      f f

mp

                     

mf

al





f

      

er us

Pno

play on keyboard

fo rp





   284

C

    



mp

op

Vln I

 

 

Vln II

    

 



 

   

  

 



 







 



  

 

sfz

 





sfz

  

 

f



 

 f

Db.

  

f

mp

Vc

sfz

f

mp

Vla

   



 pp



 

f RICL 058

Sy. 4708/01

 pp

 






2.

Schwirr.

 



or d

Schwirr.



 

    

play, plus percussive vocalisation

 



  

          t k

t k ch

mf



f

by

Solo Fl.

,

Solo Didg.

yr ig ht



t ff

k t k t



9



                           9

3

9

slow rotation





mf

slow rotation





f

mp

Schwirrbogen (bull-roarer effect)

Schwirrbogen (bull-roarer effect)

                            7                    9     

       



 

R ic

288 1.

iB

er li

n

/O

nl y

fo rp

er us

al

60

  

fff

ff

3    3               



       

mf

3

sfz       sfz               



3

9

9

 

C

op

Vln I



Vln II



Vla

Vc

Db.



 

   

 

 mp

 

 

 

mp















f

 



fast articulation with irregular accents





288



 f



 

 

mp

 f



  mp

  mp

  mp





















RICL 058

Sy. 4708/01


61

  292

Ob. 1 2















2. 1.

 

mf





C. A.













 mf





Cl.















mf











 



 







Bsn 1 2













        



mf

Cbsn

Tpt

2

























2









 









Schwirr.









  











iB









 1.





gradual accel.





mp

3 3       

 





f



mf







mp

3  3       





    



3  3      





    







    



 











mf

        3

3

mf

           3

3

mf

 

3 3      

mp

medium speed

’

mf

p

    

 

mf

accel.

f

medium speed

accel.

f

by

gradual accel.







mp mf

 

3

mf

mf

mp

2.

Schwirr.

p

er li









mp

 Timp.



or d





R ic

Tba



3

n



          



mp

B. Tbn





mf

Tbn

f

p

    



mf

 

1





mp

fo rp



nl y

 

/O

C. Cl.



er us

f



al





B. Cl.

  



  

yr ig ht Solo Fl.

 

ff

 wide vib.    

 

to Picc.



    









long notes with intermittent fast rhythmic patterns

sfz

3



9

            

f

C

op

Solo Didg.

  

Vla













sfz





ff



Vc











   3

mf

Db.















Sy. 4708/01

 

3     

mf RICL 058

3



3

   3



fff

sfz                 

   ff



 



fff

 



 



     


62 1. 2.



a2

  299

1 2

f

Fl.



3















 













 













 















   

















 











 

 



f



a2



Ob. 1 2

  

C. A.

al

f

f









f

 



   

  

f

Cbsn





1 3



     







  

 



Tpt





 

f

mf















mp





2.

Schwirr.

Solo Picc.

C

op

Solo Didg.

Vla



   



fast



ff





R ic







slow down rotation







slow down rotation

fast





ff









yr ig ht

Schwirr.



 1. 



















 

 



    a2

f

3



mf

         3

3.

mf



    

     

mf



















3             

1. 2.



mf



   



3

 



            



 

3

f

mf

      f







3

mf















mf

(F I) 1. 

2. 4.

    



mf

 3









medium speed





mf





f



mf

medium speed



f







f



 

by





                





Tbn

Tba

   

mf

   



3 (bass)



a2





f

1 2







f



3

  



mp

        

1 2

  



f

Hn 2 4



3

f

 

 

/O



Bsn 1 2



iB

 



  

f

or d

C. Cl.



ff

nl y

f

              

n



B. Cl.

 



fo rp



er li



Cl.

er us

f







mp

mf





mp

mf

slow rotation



slow rotation







f











ff

 

f

 ord.



 

h. sul pont.







f







ff



 3

   

             

3

     









h. sul pont.



Vc

f

Db.





    

ff





     



 

f



ord.





 

 



mf





mf RICL 058

Sy. 4708/01




63

3

3

mf

 

3





mf

Ob.





3

 





1 2



3

     3

3

 

mf

mf







C. A.

  

            



mp



3

    



p

pp

mp

 mp

 





 



 mf

 





Cbsn





mp





mp





Hn

         

2 4

3



solo



mf



3 (bass)

mp

mp

Schwirr.







  

Solo Picc.





 



op



Vln I

mp

  





mf

mp

mf

mp

    3







 





3

 



3

mf

       3    





pp

 

 2.





f 3













2.

pp































mp

mf

        

 

3

p

pp

                   9

mf





     

f



3

     3

















9





Vla



Vc







  



 3



 



mf

 

 

     



3        3

 

mp

  mp





bowed

to Didg. in A











mp









     















 

  pp

Vln II

Db.

 





 







307

   

3





by







3









      

mp



Solo Didg.



    

mp 3

3

 

     

mp

yr ig ht

Pno







3

3

  







 

 

3











 

ppp

mf

 1.  



ppp

 





2.

Schwirr.

C

 



 

R ic

Tba



3

ppp

 

3



 



iB

Tbn

 3



or d

 



mp

pp



 

 

er li

2.



mp

3

mf

   





3

mf



mp

1 2

3

 

3

     

3

    

3



   

 

3

mf





 

Tpt 2 3

3

     

3

 

1

mp



mf

3



3

mp

    

  

       

3

mf

mp





mf

mp

1 3



mf

3

 



mp



Bsn 1 2



3





  

3

3

pp



C. Cl.





B. Cl.

3

       



 



                                      

pp



 pp

   

mf

Cl.

   3



pp



3

pp

      

fo rp



2

 





/O

Fl.



    

al

 

er us

 



nl y



n

  307

1

 



 

3

      

mf



f RICL 058

Sy. 4708/01

       

3

f



mf





  

  

   3

mp

f

  

sub. mp

sul pont.

 


64

  

sfz

    312

1

Fl.

 

2





















ff

   sfz



   

3

 







ff

take Piccolo







sfz

  



 







C. A.











Cl.





  

 



mp

  



 3

Tpt





















Solo Picc.

C

op

Vln I

Vln II

Vla







3



 



Db.

 



 





 

 





mf mf



 

3

pp







 









mf



 

 

 

3.

mp



 

f



  







ff

 

           

   mf









pp

mp

sub. p

f

 

  

 

      



               

pp

  









f



 



pp

Vc









 

 





mp



3





pp



pp

 



sfz

                  312   









by



 









yr ig ht



 







Pno



 

 Timp.



or d

1 2

 

Tba

  

R ic



3 (bass)





2 3

Tbn

 

iB

1



 



fo rp

 



nl y

ff

mp

C. Cl.



3

 

B. Cl.

    



/O

 

n



er li





1 2

er us

     

Ob.

al

ff



   mp





 

mf





mf







sul pont.

 

mp RICL 058

Sy. 4708/01

gl.

3

  

mf


65

  316

1







 









 





 

f

Fl.

 

      f



1. mf







mf

    3



            3 7





Cl.



B. Cl.



  



  



mf

   

  



 

   



3

3









3

  

  



   









     mf

2.

  

     

mf

1 3

 

2 4











 

1 2 Tbn 3 (bass)



f

   









1.

 



 





/O

 

3    

 

mp



by 





yr ig ht op

Solo Picc.

C

Vln I

 

  316



 



l.v.

ff









f





    3

3

    3

3



sfz  

              sfz

II

sfz

ff

3









mf

  

  mp





mf



 

 

f

 

mf







   







   

3

3







 







                     3

mf

mp

7

 

ff

 



ord.

3

 



ord.

 

3

       

  

molto sul pont.

mp

ff RICL 058

Sy. 4708/01

 



ord.

3

  ff

                 

ff

distort      



f

ff

mp



mf





 

 





1. 





molto sul pont.

distort sfz

gl.  sfz         (   )             ff

Vla



molto sul pont.

sfz sfz

distort       l.    (  g )                ff

Vln II





 



f





Pno









2 Insect Clickers

mf



3 3      

mf



mp

f 2.



ff



2.





  



 



mf

poco





  



mf

mf

2 Insect Clickers



  

 

poco



 Timp.

mf



 



or d

2 3





er li

      







iB

f

Tpt





n





R ic



1









 

1.

mf

Hn





f

    

mp

Cbsn

  

mp

1 Bsn 2

 f

3

3



f

f



mp

 

 





mp

3



ff



mp

f

nl y

C. A.







1 2

1. 2.

 

 



al





er us





Picc. (fl. 3)



fo rp





2

Ob.



 

             


66

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Sy. 4708/01












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Sy. 4708/01

















  


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Sy. 4708/01





 












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RICL 058

Sy. 4708/01











Profile for Ricordi

Sy. 4708 - Liza Lim - The Compass (2005-2006)  

for large orchestra with solo flute and didgeridoo

Sy. 4708 - Liza Lim - The Compass (2005-2006)  

for large orchestra with solo flute and didgeridoo

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