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für großes Ensemble 2013-2014

Partitur Sy. 4645/01 ISMN 979-0-2042-4645-8

RICORDI

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or pe r

Shiori Usui Deep


This work was developed as a part of the BCMG/SaM Apprentice Composer in Residence during the

al on ly

2013/14 season. The first performance will be given on 27 th April 2014 by BCMG at CBSO Center,

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Birmingham, UK, conducted by Martyn Brabbins.

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INSTRUMENTATION

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Alto Flute/Flute/Piccolo Oboe Clarinet in B♭/Bass Clarinet (in B♭)/Contrabass Clarinet (in B♭) (harmon mute)

Tenor Trombone

(harmon mute)

Percussion I

(Bass Drum with soft mallets and a medium/big superball beater,

or pe r

us

Trumpet in B♭

Chain and bucket filled with water, Snare Drum with wooden stick, Vibraslap, Cymbal with bow, Cuica) Percussion II

(Bass Drum with soft mallets and a medium/big superball beater,

-F

Thundersheet with small and medium/big superball beaters and hard brush, Slapstick)

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Piano Voice

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Violin I Violin II

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Violoncello ---------------

by

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Live Electronics (low vibration)

The instruments on the score are indicated in accordance with the initial position of

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performers at various levels in height (i.e. ground floor, lower balcony and upper

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balcony). This order is kept even after Section D.

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All the transposing instruments are notated in written pitch.

DURATION: ca. 15mins. iii


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TECHNICAL REQUIREMENTS Laptop with MaxMSP

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Subwoofer x 2 or more (Ground Floor) Microphone for voice amplification (Ground Floor) Loudspeaker x 1 for voice (Ground Floor)

Music stands with lights Plastic footwear for audience to feel the vibration on floor Cushions for audience to sit on floor

-F

LIGHTING

or pe r

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Mixer

Dark towards the floor and lighter with dark blue towards the ceiling as if looking at the

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water surface from below. The performance space becomes darker and darker as time

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passes and becomes (almost) complete darkness at the end.

AUDIENCE

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The audience is encouraged to sit on the floor of the ground floor.

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POSITION OF PERFORMERS

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BCMG Center, Birmingham, UK

Position 2

(bars 1- 109)

(bars 110 – 115)

Position 3 (bars 116 – 118)

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Position 1

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GROUND FLOOR

Position 5

Position 6

(bars 119 – 121)

(bars 122 – 125)

(bars 126 – 127)

Position 7

Position 8

Position 9

(bars 128 – 129)

(bars 130 – 175)

(bars 176 – 195)

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Position 4

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(bars 196 – END)

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Position 10

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Position 2

(bars 1 - 80)

(bars 81 - 85)

Position 3

(bars 86 - 88)

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Position 1

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LOWER BALCONY

Position 4

Position 5 Continued

(bars 115 - 129)

(bars 115 - 129)

Position 6

Position 7

Position 8

(bars 130 - 152)

(bars 153 - 199)

(bars 200 – END)

or

Position 5

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(bars 89 - 114)

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Position 2

(bars 1- 30)

(bars 31- 39)

Position 3

(bars 40- 43)

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Position 1

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UPPER BALCONY

Position 4

Position 6

(bars 48- 52)

(bar 53)

Position 7

Position 8

Position 9

(bars 54 - 127)

(bars 128 - 171)

(bars 172 - 194)

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(bars 44- 47)

or

Position 5

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Position 11

Position 12

(bars 195 - 199)

(bars 200 - 218)

(bars 219 – END)

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Position 10

LOWER BALCONY

UPPER BALCONY

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GROUND FLOOR

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POSITION OF PERFORMERS’ MUSIC STANDS

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The total of 22 music stands are needed for the performers (rxcl. conductor). The music stands 13, 17, 21 and 22 are used by 2 different players and at different

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timings as indicated below:  Muic stand 12: Flute/Alto Flute (bars 1 – 80), Trombone (bars 89 – 114)  Music stand 13: Oboe (bars 1 – 80), Trombone (bars 200 – End)  Music stand 17: Violin II (bars 1 – 30), Oboe (bars 219 – End)  Music stand 21: Violin I (bars 40 – 43), Oboe (bars 128 – 171)  Music stand 22: Violin I (bars 1 – 30), Oboe (bars 195 – 199)

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Note-heads

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approximate/indeterminate pitch

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INSTRUCTIONS

non-pitched sound

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highest sound possible

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lowest sound possible

Rapid wide vibrato: contour indicates the scale of the intended effect.

Dynamics indicated in quotation marks: These refer to the intensity of the performance manner rather than the resultant dynamics.

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Others

Play with a palm.

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VIDEO CLIPS

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Come together with the score for the guidance of sound. Bass Clarinet TYPE 1: Multiphonics with Different Shapes:

Sustain low note and change the embouchure for getting higher pitches. Higher pitches

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have beating effect. TYPE 2: Explosive Sound

TYPE 3: Extremely High Pitch

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The pitches indicated are only suggestions...

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Move mouth away from mouthpiece

AUDIO CLIPS

Trombone

Violins

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2. Growling sound

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1. Sing while you play

or

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Come together with the score for the guidance of sound.

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Play E string with the metallic/wire coil of the bow. Metallic sound effect

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Deep

Ground Floor Position 1

Oboe

Trumpet in Bb

Tenor Trombone

° &

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∑

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∑

° &

∑

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∑

° & ¢

or pe r

q = ca. 60

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Flute

Dark towards ßoor and lighter with dark blue towards ceiling as if looking at water surface from below. Performance space becomes darker and darker as time passes and becomes (almost) complete darkness at the end.

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Violin II

q = ca. 60

∑

?

di

Violin I

Feeling low vibrations from ground...

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Percussion II

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Percussion I

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Contrabass Clarinet in Bb

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Lights

Upper Balcony Position 1

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Lower Balcony Position 1

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Shiori Usui

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∑

© 2016 by G. Ricordi & Co., Bühnen- und Musikverlag GmbH, Berlin

Alle Rechte vorbehalten / All rights reserved / Tutti i diritti riservati


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with medium/big superball beater Draw figure of 8 Play cresc. and dim with variations in duration and dynamics.

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Put down soft mallets and pick up medium/big superball beater

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Perc. II

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with medium/big superball beater Draw figure of 8 Play cresc. and dim with variations in duration and dynamics.

Change from soft beaters to superball beater.

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Upper Balcony Position 1

° ¢& Ó 24

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Play with variations in duration.

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Perc. II

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or pe r

&

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Cb. Cl.

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sempre molto sul pont. sempre sul G

Vln. II &

Œ

gliss.

Pick up chain

∑

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p

f

sim.

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p

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∑ Sy. 4645/01

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Upper Balcony Position 2 Walk to Position 3 as you play

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p

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6

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p

f

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us

° & 30

Vln. I

molto sul pont. squeaky

Improvise with material below. Stay with same pitches but feel free to change rhythm. molto sul pont. sul G

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5

or pe r

Walk to Position 3 as you play

Improvise with material below. Stay with same pitches but feel free to change rhythm. molto sul pont. squeaky

p

ff

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Drop chain into bucket.

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∑

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Play with variations in duration.

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p

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f

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with medium/big superball beater Draw figure of 8 Play cresc. and dim with variations in duration.

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<

.

Pick up chain

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Perc. II

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p

f

p

ææ w

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44 s. O œO glis œ

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Sy. 4645/01

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6

Upper Balcony Position 3

molto sul pont. squeaky

1>gliss. 1>

° Vln. I & 37

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1>

or pe r

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us

S Watch conductor's cue. Play from score (music stand 21)

3

f

p mf

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gliss.

p mf

p

¢&

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1 ™gliss

gliss.

.

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p

mf

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Be

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Vln. II

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S Watch conductor's cue. Play from score (music stand 18)

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di

or ffp

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°/

∑

Perc. I

ff

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q

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yr

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Elec.

p

ff

p

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ffp

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í ™™ œ ¢°

mf

ht

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p ff

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3

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p

& Ó

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/

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sempre molto sul pont. sul A transparent sound with a little hint of squeakiness...

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glis

s.

o

p

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mp

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p

mf

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˙

q

q

f

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∑

1o 1o

∑

Play with variations in duration.

ig

/

æ æ bœ œbœnœbœnœ œnœ œ œ >

≈ j ææ œ™ >

ic

& ææ w

by

Cb. Cl.

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>

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mf

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o

p

mf

p

3

o o 1 1o ™ gliss. o

mf

∑

p mf

° ¢í ™™

˙

mf

Play with variations in duration.

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œ

p

∑

p

∑ Sy. 4645/01

Ó

œ

p

œ

∑

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f


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7

Upper Balcony Position 4

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¢& J

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mf

44

∑

° ¢í ™™ œO ™™ #<n>œO œO

˙O

p

p

1

∑

3

mf

p

Œ

43

p

∑

f

∑

Be

rli n

Vln. II

‰™

3

mf

> 1 1 gliss.

1

us

‰™

1 gliss.

Improvise with material below. Stay with same pitches but feel free to change rhythm. molto sul pont. sul G

or pe r

Vln. I

> 1

-F

° Ó & 41

Walk to Position 6 as you play

ffp

ææ ˙

°/

ig yr

¢/ ˙

C

Vc.

Elec.

ææ w

œ

&

/

∑

sim.

Œ

œ f

∑

∑

p

∑

Œ

∑

ht

œ ™™î†ü

op

Perc. II

ææ ˙™

by

∑

Perc. I

/ œ

ææ w

ic

ffp

ææj œ™ >

di

≈

or

& ææ >œ

R

Cb. Cl.

œ

mf

˙

3 1o ™glis o 1o gliss o 1o o 1o ™

s.

mf

œ ™™î†ü

œ

.

p

mf

p

gliss.

mf

∑ Sy. 4645/01

∑

o o p

‰™

Œ

∑

Œ

∑

∑

∑

?


al on ly

8

Upper Balcony Position 5

p

< Œ > ™™î†ü

< Π>

us

‰™

œO

or pe r

° & <#>˙O 45

Vln. I

Walk to Position 7 as you play

¢&

∑

∑

° ¢í ™™

Ó

∑

‰™

œ-O ≈ œ-O ™™ p

≈ œO ™™ ≈ œO ™™ -

˙O

f

Be

ææ w

ææ w

di

ææ w

°/

<

∑

∑

q

ææ w

q

>

° ¢í ™™

Play with variations in duration.

œ f

œ

œ

œ

œ ˙ p

{

¢/

C

op

yr

Pno.

Vc.

? Ó

<n> œ- # -œ -œ -œ œ œ“‘

? ≥ ≥ >¿ >¿ ¿

/

œ

∑

Œ

Ó

Ó

Œ

Ó

Ó

p

6

<n> œ- #<n> œœ-œ n œ-# -œœœ œœœ n œ“‘

norm. extremely distorted scratching noise

fff

Elec.

6

ig

? Ó

Play with variations in duration.

∑

by

∑

ht

Perc. II

R

ic

Perc. I

& ææ w

or

Cb. Cl.

rli n

-F

Vln. II

Improvise with material below. Stay with same pitches but feel free to change rhythm. molto sul pont. sul G

¿™

∑

œ

≥

>Y

Œ

∑

° ¢í ™™ œ

∑

f

<n> œ- # -œ -œ -œ œ“‘

Ó

Œ

6

Ó

Œ

Ó

≥ ‰ j >¿

6

<n> œ- #<n> -œœœ n -œ # -œœœ n œ“‘

≥ ≥ ≥ ‰ j >¿ ¿ >¿ >¿ ¿

j ‰ ¿

∑ Sy. 4645/01

∑

<n> œ“‘

˙

œ

3

# œ-

œ- -œ

3

œ“‘ ≥

>¿

#<n> œœ-œ n œ- # -œœœ

≈ ‰ Œ

≈ ‰ Œ

≥

Œ

>Y

∑

œ

6

œ- œ -œ -œ “‘ -

6

<n> œ- # -œœœ n -œ # -œœœ “‘ ≥

>¿


al on ly

9

Upper Balcony Position 6

S Watch conductor's cue.

° &

Vln. I

42

‰™

1

1

¢&

œO

&

ææ w

or pe r

p

S Watch conductor's cue.

™™î†ü

Œ

p

˙

f

p

Be

ææ ˙

di

°/

ææ w

™™î†ü

¢/

p

?

op C Vc.

Elec.

f

3

ig

œ #œ œ œ œ <“> - - -

yr

Pno.

˙

by

{

˙

ht

Perc. II

R

ic

Perc. I

ææ w

or

Cb. Cl.

rli n

-F

Vln. II

?

<“>

?

/

3

n œ- #<n> œœ-œ n œ- œ œ ≥

>¿

‰™

Œ

‰™

Œ

≥

Œ

p

6

œ- -œ œ “‘ 6

# œ- #<n> -œœœ œœœ “‘ ≥

≥

>¿ >¿ >¿

∑

™™î†ü

‰™

Ó

# œ-

#<n> œœ-œ ≥ j ‰ >¿

. . . . œ œ œ œ™ Hit.

. œ

. . . . . . œ œ œ œ ≈ œ œ

‰™

Œ

Ó

Œ

Œ

Ó

Œ

n œ- #<n> œœ-œ “‘

Œ

Ó

≥

≥ j >¿

>¿

∑

3

œ- # œ“‘ 3

j œ“‘

j ‰ œœœ “‘

≥ j >¿

∑ Sy. 4645/01

‰™

6

≈

3

“‘ ≈

≥

>¿

œ- œ

œ

œœœ œœœ -

œœœ

3

“‘

44

sempre molto sul pont. sempre sul G

us

50

.

Play from score (music stand 20)

¿

. . > . . œ œ œ™ œ œ

Œ

Œ

Œ

∑


fp

mf

p

mf

p

1

mf

1

6

ss.

Oœ gli

p

mf

p

1 mf

Oœ™™

42

1

gliss.

p

mf

#œO ™™

1

gliss.

p

œO

mf

≈

##œO ™™ p

1 mf

Oœ ™™

gliss.

p

1

Oœ ™™

mf

1

gliss.

p

6

##Oœ

gliss.

mf p

1 mf

1

1

p

6

##Oœ

mf

1

1

1

or pe r

¢&

.

gliss

gliss.

p

mf

Oœ glis

s.

p

mf

Oœ ™™

gliss.

p

Alto Flute

rli n

-F

Vln. II

.

gliss.

p

Play from score (music stand 19) sempre molto sul pont. sempre sul G

&

Œ

Elec.

or

œ

œ

bœ œ >œ ‰™

Œ > œ

≈

. . œ œ

. . œ œ

> œ

≈

. œ

<n>œ #bœœœ œ œœœ œ œœœ œ “‘

∑

yr op C Vc.

œ œ >

ffp

> œ

?

6

œ œ Snare Drum

> > œ œ

p

. . . . . . . . . œ œ œ œ œ œ œ œ œ

Voice

?

Pno.

6

bœ >œ

Ó

. . . . . > œ œ œ œ œ ≈ œ

bœ >œ >

Trombone

ic

. . > . > œ œ œ ≈ œ œ ™

¢/

{

R

/

Œ

+

p

Put down superball betater and pick up wooden betares

ig

Perc. II

°

<q >

by

Perc. I

ææ w

&

&

harmon mute

‰™

ht

Cb. Cl.

&

Oboe

di

Be

Trumpet in Bb

44

us

.

gliss

16

ss.

#<n>Oœ ™™

1

gli

Vln. I

44

gli ss.

° & 54

Upper Balcony Position 7

al on ly

10

œœœ œ œœœ œ œœœ œ œœœ œ œœœ

pp

?

? /

œ b œ <n>œ bœ œ œ œ “‘ °

∑

Ó

Œ

≈

≥

™ >¿

∑

œ œ œ œ œ œ œ œ œ

≥

>Y ∑

Sy. 4645/01

/


11

‰™ #<n>œO

Œ

p

f

° Tpt. &

Tbn.

Cb. Cl.

¢

?

œ-

-˙™

œ

œ

-˙™

œ

ææ ˙>

{

Elec.

ææ >œ

b >œ

fp

fp

1> ™ ˘

Ó

Œ

. . . ‰™ œ œ œ

ff

p

f

p f p

f

‰™

Œ

‰™

Œ

gliss

p

f

1> ™ ˘

.

p

p f

mf

p

p mf

6

6

6

bbœO n œO œO bœO n œO bœO n œO œO bœO n œO bœO n œO œO bœO f

p

p

f

f

p

p

f

mf

p

n œO p

mf

∑

1> ˘

gliss

.

ff

p

∑

gliss.

˘

ff

o bœ

‰™

f

p

‰™

Œ

∑

æ ‰™ œ

Œ

∑

f

Put down wooden beaters and pick up vibraslap

Œ

6

p

œ

æ b œæ

by

¢/

1> ≈ ≈ ˘ ff

harmon mute

. œ

‰™

. . œœ

∑

. . œœ

‰™

∑ . œ™

. . . œ œ œ™

. . . œ œ œ™

∑

∑

Ó

∑

∑

Ó

∑

∑

∑

. . œœ

chromatic clusters

Aª œœÚ <“>>

yr op C Vc.

œ

f

f

p

Like horse whinny half-valved Shake instrument

o + o + o bœ œ™ œ œ œ œ ˙

> œ

?

Pno.

f

œ

> œ

/

p

f

œ

ig

Voice

p

ht

Perc. II

6

-˙™

°/

p f

f

nœO #œO nœO #œO œO gliss.nœO

or pe r

f

ff

Perc. I

6

œ-

-œ+

p

bbœO n œO œO bœO gliss. n œO bœO n œO œO bœO n œO bœO n œO œO bœO n œO

.

f

f

p f

6

nœO #œO nœO #œO œO

-F

Ó

f

&

f

rli n

¢&

p

6

sempre molto sul pont. sempre sul G

‰™ Œ

f

Ob.

p f

f

Be

° &

6

nœO #œO nœO #œO nœO #œO œO nœO #œO

gliss.

or

A. Fl.

¢&

#<n>œO nœO #œO œO

6

R

Vln. II

1

#<n>œO

3

al on ly

‰™ Œ

43

Upper Balcony Position 7

us

sempre molto sul pont. sempre sul G

ic

Vln. I

Lower Balcony Position 1

di

° & 56

C 44 1

Ground Floor Position 1

Œ

ff

chromatic clusters

?

? /

Aª b œœÛ <“>>

Œ

sempre molto sul pont. sul A transparent sound with a little hint of squeakiness...

Ó

Œ ∑

&

‰™

1o

f

1o ™

gliss.

o

1o

p

f

gliss.

oo o o 1 1 3

∑

p f

p f

Sy. 4645/01

gliss

.

oo o 1 3

p f

p

1o f

gliss.

oo o o 1 1 pf

3

p mf

oo o o 1 1

gliss.

3

∑

p mf p

mf

gliss.

oo o 1 3

p mf p

44


12

mf

p mf

‰™ Œ œO

∑

∑

pp

<n> -˙

œ-

b -˙

w

+ bœ œ™

o + o œ œ œ bœ nœ ™ œ

-œ+

œ-

<n>-œ

Ó

&

Œ

œ b>œ ™

by

ht

{

. œ

op C

Pno.

Vc.

. œ

Œ

œ

Vibraslap

Ó

f

‰™

. . . œ œ œ™

6

Ó

. . . œ œ ≈ œ ™

. ≈ œ ™

1

1

f

pp

1

Ó

∑

b>¿

umg f

Œ

1 1

-™

>umg

ff

f

Change to Bass Clarinet in Bb

ææ w

∑

p

Put down vibraslap and pick up bow

∑

. . . . . ≈ œ œ œ œ œ ™ ˙ææ™

∑

æ wæ

?

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

Ó

/

pp

∑

Sy. 4645/01

1

ff

∑

o

pp

b¿ >¿ >- >_ umg umg umg umg

∑

gliss.

f

f

∑

1o

1

senza mute Growl while you play.

Ó

6

‰™

pp

æ b œ œ œ œ œ œ b œ œ œ œ œ œ b œ œ œ œ œ œ œ œ œ œ œ œæ >œ > > > > > > > > > œ

/

senza sordino extremely high pitch wide vib.

p

6

∑

∑

/

mf

Elec.

b>œ

6

∑

yr

Voice

°/

æ wæ

fl.

or

.

Œ

pp

rli n

œ-

f

¢/

∑

reed only wide vib.

Ó

Be

ig

Perc. II

pp

Pick up a spare reed

ff

Perc. I

∑

∑

w

R

Cb. Cl.

∑

-F

harmon mute

?

∑

Change to Flute

¢&

¢

Ó pp

3

° Tpt. &

Tbn.

al on ly

mf

bbœO glissn.œO bœO gliss. n œO

° A. Fl. &

Ob.

p

œO

us

¢&

nœO #œO nœO

or pe r

#<n>œO

mf

Vln. II

Upper Balcony Position 7

Floating alone in the deep sea..... 3

ic

Vln. I

Lower Balcony Position 1

di

° & 59

44

Ground Floor Position 1

?


13

° & 63

Vln. I

Lower Balcony Position 1

Upper Balcony Position 7

43

∑

»

al on ly

Ground Floor Position 1

pizz.

∑

Œ

≈

Œ

>Ϫ

∑

us

ff

»

pizz.

¢&

∑

Œ

∑

j Œ œ>

∑

or pe r

Vln. II

ff

Perc. I

Perc. II

op C

Pno.

1

1

f

!

f

pp

pp

di

pp

pp

1

pp

1

f

1

f

pp

‰™

!

Put down the spare reed

Œ

1

pp

f

∑

!

1

pp

f

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

?

∑

∑

∑

∑

_

p

&

∑

°/

∑

ææ ¢/ w

{

/

or

Ó

f

-F

1

pp

Put down medium/big superball beater and pick up small superball beater p

arco sul A and D extremely distorted glissandi

sul A and D extremely distorted glissandi

∑

/

∑

Œ

‰™

Œ ∑ Sy. 4645/01

ff

11> ™™ gl

ffp

» --> b >œ

‰™

pizz.

iss

.

f

ff

∑

11>

ffp

11> ™™ gli

ss.

ffp

-->

11> ™™

f ffp

--> ->

.

?

11>

iss

Elec.

1

f

1

∑

gl

Vc.

pp

1

rli n

1

1

Be

f

yr

Voice

?

1

ic

B. Cl.

¢

1

∑

R

Tbn.

° &

1

∑

by

Tpt.

¢/

∑

ht

Ob.

° &

ig

Fl.

∑

f ffp

f


Lower Balcony Position 1

Upper Balcony Position 7

arco wide vib.

° & 67

Vln. I

“” œ œ ‰ J

∑

44

œ

p

f

œ

œ

œ

œ œ™

p

f

p

mf

# œ-

œ p

f

Perc. I

Perc. II

∑

∑

op C

Pno.

Vc.

!

f

∑

&

∑

°/

∑

¢/

pp

p

f

œ

œ

œ

p

f

p

-F

∑

rli n 1

1

f

pp

Œ

∑

Ó

∑

∑

∑

∑

∑ ∑

Cymbal bow

Œ

Ó

∑

œ p

∑ ˙™

l.v.

Œ

f

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

&

?

∑

∑

∑

∑

&

{

∑

/

? >ffp

Elec.

œ

∑

Be

1

∑

di

!

?

¢

Œ

or

° &

yr

Voice

¢/

ic

B. Cl.

∑

R

Tbn.

∑

Ó

“” bœ

mf

by

Tpt.

° &

∑

ht

Ob.

∑

ig

Fl.

¢&

p

or pe r

arco wide vib.

Vln. II

˙

us

Ground Floor Position 1

al on ly

14

/

norm.

Œ

&

œ pp

f

∑

œ

œ f

p

œ f

p

œ f

p

œ f

∑

p

œ f

p

∑ Sy. 4645/01

œ f

p

œ f

p

œ f

p

œ f

p

œ f

∑

f


≈

œ

f

œ

p

>œ f

∑

¢/

∑

° &

∑

?

∑

&

∑

° Cym. / ¢/

op C

Vc.

/

p

Ó

us

f

<n> œ

∑

mf

p

&

<n> -œ

p mf

œ <n> -œ

mf

p

pp

œ

w

mf

pp

∑

∑

∑

∑

∑

∑

∑

∑

∑ Chain and bucket filled with water

Put down bow and pick up chain

Œ

.

Ó

Drop chain into bucket

œ

∑

f

∑

∑

∑

∑

∑

∑

Scrape surface with small superball beater

p

∑

≈

∑

∑

∑

≈

Pizz.

/

Πf

Ó

?

#>œ ™

s.

s gli

1

#>œ ™

gli

ss.

1

6

œ

ff

p

∑

Ó

w

“” >œ œœ ™ >œ b œ œ œ ™ # œ œ™ œ mf

& œ

Œ

f

Thunder-sheet

∑

&

∑

œ#œ ™ œ œ œ nœ#œ ™ œ œ œ w

Flute

‰™

Œ

∑

&

p Elec.

p

∑

s.

glis

1

≈

∑

> ™glis œœ

s.

1

#>œ

1

‰™

Ó ∑

Sy. 4645/01

>œ ™ #œœ ™™

∏∏∏∏∏∏∏∏∏

{

f

∑

∏∏∏∏∏∏∏∏∏∏∏

Pno.

œ

∑

yr

Voice

œ

œ

p

ig

Perc. II

œ

p

˙™

Œ

œ

Ó

f

ss.

B. Cl.

¢

œ

R

Tbn.

fp

by

Tpt.

fp

ht

Ob.

œ

fp

ic

° Fl. &

≈

fp

‰™ Œ

or pe r

¢&

gli

Vln. II

-˙ ææ

Be

<“>

-F

fp

b -œ

rli n

≈

œ >œ

di

>œ œ

or

<“> <#> œ # œ œ b >œ ° ≈ Vln. I & 71

al on ly

15

°

˙™ ˙˙ ™™

∑ ∑

>œ ™™

œ >œ


16

° Fl. &

œ #œ

ff

ff

p

Elec.

w

∑

l.v.

Ó

f

b >œÛ ™ Û <n>œÛ ™

œÛ Û œÛ ‰™

Œ

?

Œ

al on ly o o o 1

Œ

Πp

o + œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. >

f

Œ

p

+

oharmon mute #˙

Œ

p

f

∑

∑ w

l.v.

p

f

Œ

Œ

3

œ

Œ

Œ

˙

Œ

p

∑

œÛ Û œÛ

44

harmon mute

sim.

∑

chromatic clusters

∏∏∏∏∏∏∏∏

œ

gliss.

f

∑

∑

“” œ œ œ œbœ ™ œ œ nœ œ œ ≈ ‰

˙™

7

mf

Œ

Œ °

#>œ ™

iss.

gl

∑

1

#>œ ™

gli

ss.

1

Œ

“”

b∫ œœœœ

∏∏∏∏∏∏∏∏

<“>

o 1

∑

R

by

˙

o

-Ϫ

pp

w w & <#>w

/

œ

gliss.

œ

∑

pp

∑

yr op C Vc.

œ œ œ w

œ #œ œ

“-” œ™

mf

∑

∑

¢/

{

p

mf

œ

o 1™

˙

f

Pick up chain

&

Pno.

p

∑

&

/

œ #œ œ œ œ ™ œ œ ™

f

œ nœ

nœ #œ œ œ

ig

Voice

p

p f

?

° Perc. I /

Perc. II

p

nœ #œ ™

œ

ht

B. Cl.

¢

mf

p

° Tpt. &

Tbn.

f

43

Be

¢&

p

œ œ œ nœ

ff

#œ ™

˙

di

Ob.

<n> œ

œ

-F

nœ #œ œ œ œ

rli n

¢&

Vln. II

ff

Ϫ

us

œ

or

Vln. I

<n> œ # œ # œ

Upper Balcony Position 7

ic

° & 75

Lower Balcony Position 1

or pe r

Ground Floor Position 1

œ™ œ œ ™ œ

p

˙™

° ∑ ∑ Sy. 4645/01

&

Œ

arco

o 1

1™

p

mf

∑

o


œ. b >œ n œ- ™

f

p

>œ b œ- ™

° Fl. &

Ϫ

f

b œ. >œ œ- ™

f

p

∑

° Tpt. &

∑

Perc. II

Pick up soft mallet(s)

∑

˙™

¢/

{

/

“” >œ b œ- ™

yr

&

C Vc.

Elec.

& /

œ.

n>œ n œ- ™ f

Πf

b œ. >œ œ- ™

f

p

Ϫ

f

w ww bn w w

Ϫ

œ.

p

f

p

f

p

o 1™

p

o 1

gliss.

o o o 1 3

p

ff

œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.

p

f

ff

+ o o œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. p

+

ff

o

˙ p

∑

∑

∑

∑

∑

∑

∑

∑

f

o

mf

f

gliss.

mf

œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.

o #˙

Ϫ

o 1

‰™

Œ

f

w

p

#n ˙˙˙˙˙

°

b >˙ f

∑

n>œ n œ- ™

p

44

p

ww w w w

∏∏∏∏∏∏∏∏

&

f

Ϫ

∑

∏∏∏∏∏∏∏∏

op

Pno.

p

∑

Ϫ

ig

Voice

°/

>œ b œ- ™

R

Perc. I

œ.

∑

∑

&

f

p

∑

by

B. Cl.

¢

ht

Tbn.

?

Ϫ

f

¢&

Ob.

Ϫ

p

Ϫ

rli n

¢&

Ϫ

n>œ n œ- ™

Be

b >œ n œ- ™

f

42

us

p

œ.

or pe r

f

Ϫ

-F

b œ. >œ œ- ™

di

Vln. II

Ϫ

or

Vln. I

“” >œ b œ- ™

ic

° & 78

44

al on ly

17

° o o 1 g™liss.

molto sul pont. semitone trill

?

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

# œ œ œ œ >˙ > fp

fp

∑

˙

»

pizz.

#>œ ∑ Sy. 4645/01

ff

#>œ ™ ≈ œ œ 3

(sul D)

gliss

.

™ >œ ∑

.

gliss

b>œ

gliss.

ppp


18

Ground Floor Position 1

Lower Balcony Position 3

al on ly

Lower Balcony Position 2

D

¢&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

or pe r

Vln. II

∑

43

us

o o 1 gliss. 81 ° J ‰ Ó Vln. I &

Walk towards Door 1 of Lower Balcony as quietly as possible, exit and go to Door 1 of Ground Floor. Leave Flute and take Alto Flute (approx time: 1' 45") ° ∑ ∑ ∑ ∑ ∑ ∑ ∑ Fl. &

∑

∑

∑

C

op

Voice

Pno.

Vc.

Elec.

∑

°/

∑

¢/

f

¿ >

¿

.-

‰™ ‰™

p

∑

∑

-

mf

∑

Walk towards Position 4 (Lower Balcony) as you play. Materials in box is only suggestion. Player should not feel obliged to play exactly as written. Growl and play at the same time (more growling sound than trombone pitches).

¿ -Y

∑

fp

∑

f

¿ > f

¿

.-

p

‰™ ‰™

-

mf

¿ -¿

fp

¿

> ¿ ‰™ Œ f

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

by

R

&

-

mf

¿

ic

p

¿ -¿

di

.-

‰™ ‰™

> ¿ ‰™ Œ

∑

or

¿

ff

∑

Ó

œ

Œ

˙

˙

˙

˙

˙

˙

l.v.

Put down small superball beater and pick up soft mallet(s)

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

Ó

∑

∑

∑

∑

∑

∑

yr

Perc. II

¿ >

gliss.

ht

Perc. I

?

ig

B. Cl.

¢

∑

Walk towards Door 1 of Lower Balcony as quietly as possible, exit and go to Door 1 of Ground Floor (approx time: 1'45")

Senza mute Growl and play at the same time (more growling sound than trombone pitches) Tbn.

∑

-F

° Tpt. &

Walk to Door 1 quietly, exit and go to Upper Balcony: Position 8 (approx time: 1'45") ∑ ∑ ∑ ∑ ∑

rli n

¢&

Be

Ob.

{

/

? /

‰™ Œ

mf

.

Sy. 4645/01

∑


19

Tbn.

° &

∑

∑

∑

¢&

∑

∑

∑

° &

∑

∑

∑

¢

?

&

Ó

Explosive Sound: Move mouth away from mouthpiece.

œ

Bass Drum

> œ

yr C

op

Voice

Pno.

Vc.

Elec.

{

/

p

∑

œ-

œ

fff

pp

ff

> œ

ff

œ

∑ ∑

∑

>

œ

fff

p

fff

∑

˙-

pp

œ

œ > œ

æ ˙æ™

> œ

. . . . . . . . . . . . . . . .> œœœœœœœœœœœœœœœœœ

æ ˙æ

ff

p

al on ly

∑

. . . . . . . . . . . . . . . .> œœœœœœœœœœœœœœœœœ p

Bass Drum

>

∑

fff p

> fff

>˙™

fp

. . . .> œœœœœ

. . . .> æ œæ œœœœœ

æ ˙æ

> œ

Ó

> ≈ ¿ >¿

ff

p

œ œ æ œæ™

p

ff

>

ff

p

. . . .> œœœœœ

ff

p

ff

p

ff

> œ

> œ

f

Improvise based on the materials below. white noise, extrenely forceful, consonants

∑

¿ ¿ ¿ ‰™ >¿ ¿ 6

≈

6

Œ

ku ke ko "f "

&

∑

&

∑

?

∑

/

by

.. ...... œœ œœœœœœ

ht

¢/

Ó

ig

Perc. II

°/

>

œ-

pp

Perc. I

S Watch conductor's cue. Stop at Position 4 (music stand 12) ∑

p

.

B. Cl.

‰™

¿ ¿ . >

us

∑

or pe r

∑

∑

rli n

∑

Be

Tpt.

¢&

di

Ob.

∑

or

Fl.

∑

ic

Vln. II

∑

R

Vln. I

43

E 44

-F

° & 88

Lower Balcony Position 4

Ground Floor Position 1

»

ku ke ko

ff

ku

6

¿

¿¿¿ ke ko

ke ko

"ff "

>¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿

∑

∑

∑

∑

∑

∑

pizz.

Œ

≈ ¿ ¿ ¿ ¿ ≈ ¿ > >

Ó

»

Sy. 4645/01

»

Ó

»

Œ

Œ

≈

»

™ >œ


20

The rhythms of the materials in Section E and Section F do not have to be synchronized with other players as it is extremely difficult to be played in distance. The inaccuracy that will occure is intended and the notation only serves as a suggestion. pizz

Œ

» » j ‰ jŒ >œ >œ

∑

Ó

∑

»

ff

ff

»

‰™

»

Œ

us

° & Ó 92

Vln. I

Upper Balcony Position 7

al on ly

Ground Floor Position 1

The rhythms of the materials in Section E and Section F do not have to be synchronized with other players as it is extremely difficult to be played in distance. The inaccuracy that will occure is intended and the notation only serves as a suggestion. pizz

B. Cl.

∑

¢&

∑

∑

∑

∑

° &

∑

∑

∑

?

∑

∑

∑

Œ

op

yr

{

/ ¿¿¿¿¿¿¿¿

C Vc.

Elec.

>> œœ

ff f

3 . . . .>3> > . . >>> > >> j œœœœœ œ œ ™ œœ œœœ‰ œ œ œ

p

ff

by

ig

p

ff p

f

æ ˙æ

> œ

p

3 >> ‰œœ

p

f

S

≈

f

ff

>> œœ

ff

p

ff p

∑

Ó

∑

∑ ∑

∑

∑

>

‰™

Œ

Œ

p

. . . . > . . . . . . .> . . .> . . . . . . .> æ œ œœ œ œœœ œ œ œœœœœœœœœœœœœœœœ œæ™™

> æ œ ˙æ

. . . . > . . . . . . .> . . .> . . . . . . .> > œ œœ œ œœœ œ œ œœœœœœœœœœœœœœœœ œ ™

p

ff

ff p

ffp

p

ffp

ffp

Ó

¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ >¿ ¿ "ff "

ffp

¿ >¿ ¿

¿ >¿

䪪

ffp

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

<

Ó

The rhythms of the materials in Section E and Section F do not have to be synchronized with other players as it is extremely difficult to be played in distance. The inaccuracy that will occure is intenden and the notation only serves as a suggestion.

»

»

Œ

Ó

∑

/ Sy. 4645/01

∑

≈

»

™ >œ

Œ

ff p

ffp

ko ka ke ka ko ko "fff "

∑

Œ

œ-

fff

&

? Ó

>3> . .> æ œ œ≈ œ œœ ˙æ

>> > > . . . .> . . . . >3> ≈œœ‰ œ œ œœœœœ œœœœ œj œ 3

»

Œ

∑

∑

œ™ - ˙

»

sim. white noise, extrenely forceful, consonants & inhaling sound

Watch conductor's cue.

Œ

Œ

∑

ic

. . . .> . . . .>3> æ œœœœœ œœœœœ œ ‰ œæ™

ht

ææ ¢/ ˙

∑

p

or pe r

∑

& ææ ˙™

-F

∑

¢

»

ff

∑

p

Pno.

∑

° &

° ææ™ Perc. I / œ

Voice

∑

Ó

ff

f

Perc. II

» » j ‰ jŒ >œ >œ

rli n

Tbn.

Be

Tpt.

Œ

di

Ob.

Ó

or

Fl.

¢&

R

Vln. II

Ó

h

ff

>


Ob.

Tpt.

»

>Ϫ

≈

»

>œ™ »

>Ϫ

Œ

Ó

Œ

Œ

Ó

Œ

° &

∑

∑

¢&

∑

∑

° &

∑

∑

?

∑

¢

œ

p

by ff p

ff p

ff

. . . .> . . . . . . .> . . .> . . . . . . . > œœœœœœœœœœœœœœœœœœœœœœœœ œ ff p

ff p

ff p

‰™

ff

Œ

»

Œ

Pno.

∑

Vc.

Multiphonics with Different Shapes: Sustain low note and change the embouchure for getting higher pitches. Higher pitches have beating effect. Improvise based on the idea below.

> b ≈ œ œ œ œ œ

> ≈ œ œ œ œ œ

ff

Œ

Œ

Œ

œ

Œ

˙

Œ

˙

p

> . . . . . . . . . . . . . . . . . . . . . . . . . . >j 3 > > œœœœœ œ œœ œ œ œ œ œ œ œœ œ œ œ œœœœœœœœœ œ œ œ

. . . .> 3 > > j œ œ œ œœ œ œ

. . . . . . . . . . . . . . . . >3> > j œ œ œœ œ œ œ œœœœœœœœœ œ œ œ

. . . .> 3 > > j œ œ œ œœ œ œ

p

> œ

ff

Œ

p

ff

p

ff

p

ff

Elec.

&

∑

∑

∑

&

∑

∑

∑

≈

™ >œ

Ó

∑

/

? Œ

»

∑

Continue as long as necessarly

»

∑

yr C

op

Voice

»

∑

fff

ht

ff p

p

{

-Ϫ

fff p

>

. . . .> . . . . . . .> . . .> . . . . . . . > œœœœœœœœœœœœœœœœœœœœœœœœ œ

ig

ææ ¢/ œ

>

œ-

fff

° æ Perc. I / œ

Perc. II

‰™

or

>

ic

&

R

B. Cl.

»

us

≈

>Ϫ

≈

or pe r

Œ

»

di

Tbn.

‰™

Œ ¢&

≈

rli n

Fl.

Œ

Be

Vln. II

»

-F

° Œ & 97

Vln. I

al on ly

21

arco, molto sul pont.

norm. extremely distorted scratching noise

≥

Kr œ b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ >¿ > >fp > p >ff ff p ff p fff 9

/ Sy. 4645/01

9

arco, molto sul pont. ≥ » ≥ » 9 Œ ¿ b >œ ™ œ œ œ œ œ œ œ œ œ œ >œ™ ' ' > pizz.

pizz.

ff

p fff

. . . . œœœœ

p

. . . . œœœœ

p


22

∑

∑

¢&

∑

∑

° &

∑

∑

¢&

∑

° &

∑

Tbn.

?

∑

&

œ

Œ Œ

œ

-F Ó Ó

ic

B. Cl.

¢

R

. . . . . . . . . . . . . . . .> ° œ œœ œ œ œ œ œœœœœœœœœœ Perc. I / . . . . . . . . . . . . . . . .> ¢/ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

fff

op C

Pno.

Vc.

Elec.

ff

> bœ œ œ œ œ ≈

Œ

Ó Ó

˙

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .> œœœœœ œ œœ œ œ œœ œ œ œœ œ œ œ œœ œ œœ œ œ œ œœ œ œœœ

> œ

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .> œœœœœ œ œœ œ œ œœ œ œ œœ œ œ œ œœ œ œœ œ œ œ œœ œ œœœ

> œ

fff

fff

p

. . . . œœœœ

p

ig

p

. . . . œœœœ

{

/

yr

Voice

∑

p

by

fff

ht

Perc. II

∑

rli n

Tpt.

∑

Be

Ob.

di

Fl.

or

Vln. II

or pe r

° & 100

Vln. I

al on ly

Upper Balcony Position 7

us

Ground Floor Position 1

&

∑

∑

&

∑

∑

?

arco, molto sul pont. 9

norm. extremely distorted scratching noise

≥

bœ œ œ œ >œ > >œ > >œ > >œ > >œ >¿

≥ ¿ '

»

pizz.

>Ϫ

arco, molto sul pont. 9

norm. extremely distorted scratching noise

9

9

9

≥

œ œ œ œ bœ œ œ œ œ œ œ œ œ œ œ œ >œ > >œ > >œ > >œ > >œ >œ > >œ > >œ > >œ > >œ >œ > >œ > >œ > >œ > >œ >œ > >œ > >œ > >œ > >œ >¿

fff

/ Sy. 4645/01


102

∑

≈

»

>Ϫ

Œ

Œ

ff

B. Cl.

Perc. I

∑

° &

∑

∑

?

∑

∑

&

≈

> > > bœ œ œ œ œ œ œ

˙™

. . . . . . . . . . . .> œ œ œ œ œ œœœœœœœœ

> °/ œ

fff

> Perc. II ¢ / œ

p

fff

Vc.

Elec.

»

Œ

»

»

»

»

»

∑

Œ

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

Put down Bass Cl and pick up Cl in Bb.

Œ Œ

∑

p

fff p

fff p

> . . . . . . . . . . . . > . . . . . . . . . . . .>> œœœœœœœœœœœœœ œ œœœœœœœœœœœœœœ ‰

fff

p

fff p

fff

fff p

> œ

fff

Œ

>> . . . . > . œœœœœœ œ œ ‰ fff p

>> . . . . . . . . . . . . . . . .>> œœœœœœœœœœœœœœœœœœœœ ‰

p

fff

fff

> . . . . .> . . .>> . . . . . . . . œœœœœœœœœœœœœœœœœœœœ p

. . . .> . ‰ œœœœœœ ‰ p

fff

fff p

fffp

> . >> œœ ≈ œœŒ

ig

ht

p

{

/

yr op C

Pno.

> . . . . . . . . . . . . > . . . . . . . . . . . .>> . . . .> . . . . . . . .>> œœœœœœœœœœœœœ œ œœœœœœœœœœœœœœœœœœœ œœœœ œœœœœœ Œ

. . . . . . . . . . . .> œ œ œ œ œ œœœœœœœœ

fff

Voice

‰™

œ

Œ

»

Be

¢

»

Œ

or pe r

∑

>Ϫ

»

-F

¢&

»

Œ

rli n

∑

≈

>Ϫ

»

di

Tbn.

∑

>Ϫ

»

»

or

Tpt.

° &

≈

≈

ic

Ob.

∑

R

Fl.

»

¢&

by

Vln. II

»

us

° Vln. I &

al on ly

23

&

∑

∑

∑

∑

&

∑

∑

∑

∑

? ≈

≥

™ >¿

molto sul pont. extremely metalic sound quick force on string with bow

¿

‰™

≥

f

fff

≥

‰™

sim.

≥

≈ ‰ >œ

Œ

≥

≥

≈ ≈ ‰ œ> >œ

/ Sy. 4645/01

≥

‰™

»

pizz.

Œ

Œ

arco molto sul pont. extremely metalic sound quick force on string with bow

≥

‰™

≥

≈ ‰

≥

≈ Œ


24

Tbn.

B. Cl.

Vc.

Elec.

¢&

∑

∑

° &

∑

?

∑

&

∑

¢

≈

>j3> œœ

by p

ff

al on ly

Œ

us

3

™™

∑

™™

™™

3

Give Alto Flute to person at Door 1 and pick up Piccolo from him/her. ™™ ∑ ∑

™™

∑

™™

∑

™™

∑

™™

∑

™™

∑

∑

™™

∑

™™

∑

∑

™™

∑

™™

™™

.. ...... ........ œœ œœœœœœ œœœœœœœœ

™™

.. ...... ........ œœ œœœœœœ œœœœœœœœ

™™

................................ œœœœœœœœœœœœœœœœœœœœœœœœœœœœœœœœ

> œ

Œ

................................ œœœœœœœœœœœœœœœœœœœœœœœœœœœœœœœœ

> œ

ææ œ

p

p

fff

fff

p

ht

fff

»

™™

p

™™

ig

{

/

»

≈ ff

∑

. . . . >3> . . . . . . . .> j j ¢/ œœœœœœœœœ ‰ ‰ œœœœœ œ p

™™

Œ

or pe r

»

»

Ó

∑

™™

&

∑

∑

∑

™™

∑

™™

&

∑

∑

∑

™™

∑

™™

yr op C

Pno.

»

Œ

∑

fff

Voice

»

° &

. . . . . . . .> > > > ° Perc. I / œ œ œ œ œ œ œ œ œ œ œ œ

Perc. II

3

Ó

Improvise with the material in the box.

Be

Tpt.

42

di

Ob.

Œ

or

Fl.

Ó ¢&

ic

Vln. II

Œ

»

R

Vln. I

» 3 j‰ ‰ Œ >œ

-F

° Ó & 106

S Watch conductor's cue for Section F. Repeat this bar only if necessarly. (i.e. if players are not ready)*

Upper Balcony Position 7

rli n

Ground Floor Position 1

» 3

pizz.

? Ó

Œ

ff

»

Œ

»

Ó

»

»

Improvise with the material in the box.

™™

≈ 3

Œ

™™

/ * It takes approx. 1'45" for the players to move steadily between ‘ready-to-play’ positions in balconies/floor, using stairs. Sy. 4645/01

44


25

» » » ≈ ‰ ≈ ‰ >œ >œ >œ >œ 6

Perc. II

&

{

. . . .> œœ œ œœ

ff

> œ

> œ

ff

. . . .> > . . . .> > . . . .> > œ œœœœ œ œœœœœ œ œ œœœœ œ 3

p

yr op C Elec.

ff

.> œ œ ™™

™™

∑

3

p

ff

p

> œ

3

ff

p

™™

∑

∑

™™

∑

™™

∑

ff

> >>>> > >> > >>>> > œ œœœœ œ œœ œ œ œœœ ™™ œ Improvise with the material in the box.

> .> œ œ œ ™™

.> œ œ ™™

∑

al on ly ff

∑

™™

.> œ œ ™™

∑

> > > . . . . . . . .>3> œ œ œœ œœœœ œœœœ œ

™™ ™™ ™™

> ™™ œ ™™ ™™

∑

∑ Stop. Play from music (music stand 8). <n> >œ #>œ >œ œ™ œ œ >œ™ ‰ ææ

™™

. . . .> > >> >>> >> œ œœœœ œ œœ œ œœ œ œ

Stop. Play from music (music stand 6). >œ æJ ‰ Œ

∑

∑

3

Œ

ff

˙ ™™ æ

Improvise with the material in the box.

»

∑ Clarinet in Bb

Œ

>> > > œ œ œ œ ™≈

>> œœ

> œ

Œ

>> > > œ œ œ œ ™≈

>> œœ

> œ

Œ

fff

fff

?

» » ≈ ‰ ≈ Œ œ >œ 6

»

∑

™™

™™ Œ

∑ »

Improvise with the material in the box.

Œ

∑

™™

≈

™ >œ

ff

/ Sy. 4645/01

Œ

™™

ff

.

∑

“” b∫ œœœœÆ

f

∑

<n> >œ #>œ >œ™ f

‰™

‰™ ° ∑

œÛ ÛÛ œÛÛ

nb#b œœœœÆ

nnœœÆ ™™

ff

Play with arm chromatic clusters

&

Vc.

∑

-F

p

&

Pno.

™™

∑

Walk fast from Door 1 of Ground Floor to the position near Perc. I as you play. harmon mute o ˙ ˙ w ™™ ææ ææ ææ

∑

/

rli n

∑

∑

¢/

™™

Œ

ff

p

ig

Voice

Ó

?

°/

»

™™

Œ »

b œÛÆ Û nb ∫œœœÆ ™™ œÛ # œ ™

∏∏∏∏∏∏∏∏∏

Perc. I

Improvise with the material in the box.

∏∏∏∏∏

B. Cl.

¢

ff

‰ Œ

Œ

∏∏∏∏∏∏∏∏∏∏∏∏∏

Tbn.

6

»

∑

Walk fast from Door 1 of Ground Floor to the Position near Voice as you play. ˙ ˙ ˙ ˙ ™™ ™™

Piccolo

¢& ° &

™™

Œ

Be

Tpt.

3

by

Ob.

° &

≈

»

»

™™

‰ Œ

ht

Picc.

»

»

»

6

Improvise with the material in the box.

di

¢&

3

≈

»

or

Vln. II

»

∏∏∏∏∏

6

42

»

S Watch conductor's cue for going into bar 113. Repeat as long as necessarly.

us

» » » ≈ ‰ ≈ ‰ >œ >œ >œ >œ

ic

Vln. I

F 44 »

R

° & 110

Upper Balcony Position 7

or pe r

Ground Floor Position 2

Œ


26

Vln. II

¢&

∑

»

‰™

»

‰™

»

Œ

™™

»

Œ

∑

™™

al on ly

∑

42

S Watch conductor's cue for going into bar 118. Repeat as long as necessarly.

™™

44

∑

us

° & 115

Vln. I

43

Upper Balcony Position 7

Lower Balcony Position 5

™™

or pe r

Ground Floor Position 3

∑

∑

Walk fast from the position near Voice to the position near Perc. I as you play.

¢&

∑

Cl.

f

Pno.

{

/

Vc. Elec.

?

∑

3

mf

œ

≈

œ

Be Growl while you play.

≈ b¿ ™

gliss.

umg f

3

‰™

p

>>>>>>>>>>>>>>>>>>>>>>>> œœœœœœœœœœœœœœœœœœœœœœœœ

f

> nœœ œœ ≈ nœ ‰™ œ ?

∑

™™ ™™

6

≈ b¿ gli

ss.

-

¿

3

glis

s.

umg ff f

™™

--

¿ ¿

umg

_

ff

f

ff

∑ Improvise with the material in the box.

gliss.

™™

∑

> >3> > > > > > > > > > > > > > > œ œ œ œ œ œ œ ™™ œ œ œ œ œ œ œ œ ™ ≈ œ œ

>>>>>> œœœœœœ

ff

Thundersheet

∑

™™

ff

œ

S Watch conductor's cue. ∑

nb#∫œœœœ >

˙ ™™ ææ

˙ æ

umg f

Put down soft mallet(s), and pick up hard brush and small superball beater

≈

™™

Improvise with the material in the box.

ht

p

& &

œ œ œ

> . . . . . . . . . . . . . . . œœœœœœœœœœœœœœœœ

∏∏∏∏∏∏∏

C

op

Voice

≈

ig

¢/

™™

∑

Walk to Lower Balcony: Position 6 as you play.

or

#>œ n œ ™

yr

Perc. II

S Watch conductor's cue. Œ

∑

° Perc. I /

˙™ æ

fp

?

&

> ≈ #œ ‰™

>œ ææ

di

° &

¢

™™

Walk fast from the position near Perc. I to the position near Perc. II as you play.

ic

Tbn.

™™ ™™

∑

R

Tpt.

p

by

Ob.

>>>>>>>>

-F

∑

Play very high random pitches

œ

rli n

° Picc. &

≈ nœœ ‰

∑

™™

∑

∑

™™

∑

™™

∑ œ # œœ ™™

œœ

œœ

™™ ™™

∑

/ Sy. 4645/01

>> >> œ œ ™ ≈ œ œ

Hit with hard brush

∑

>>>>> ™™ œ œ œ œ œ "ff "

™™ ™™

∑ ∑

˙ ™™ ˙

˙˙

∑

™™

&

∑


27

° Picc. & Ob.

Tpt.

»

Ó

Œ

Œ

Ó

Ó

Œ

Stop. Play from music (music stand 7). >œ œ > ææ Œ Œ ≈≈ ff

3

¢& ° &

œ # œ #>˙ æ ®

R

∏∏∏∏∏∏∏∏∏∏∏∏∏

Elec.

˙

f

˙

3

œœ œœ œ œ œ œœ

œ

3

≈ bœ œ bn œœ œœ

œœœ Œ

Ó

Œ

≈

»

>œ™ »

>Ϫ

∑

∑

Œ ∑ S Watch conductor's cue. Continue walking towards Lower Balcony: Position 6 as you play.

b¿

gliss.

˙

œ

f

œ #>œ w œ w

Ó

umg f

ff

œ

p

6

≈ b¿ gli ¿ ss. -

>-

˙

Put down small superball beater and pick up soft mallet(s)

‰™

3

umg fff

Œ

--

¿ ¿

umg

-

ff

f

ff

Ó

> . . . . . . .> . . . . . . .> >>> > > œ œœœœœœœœ œœœœœœ œœ œœœ œ ™ œ fff p

fff p

fff

Œ

Ó

> œ

Bass Drum

........ œœœœœœœœ p

∑

∑

?

∑

∑

?

∑

∑

∏∏∏∏

œ >

‰™

fff

∑

6

chromatic clusters

œÛ ÛÛ ‰™ Û œ>Û ° » ? >œ / &

Vc.

‰™

∏∏∏∏∏

&

œ

p

Scrape with small superball beater

≈

ff

Œ

∑ “” >œ œ >œ ™ œ™

>œ ææ ‰™

> . . . . . . . . . . . . . . .> > > > . . . . . . . . œ œ œœœœœœœœœœœœœœœ œ œ œ ™œœœœœœœœ

p

∏∏∏∏∏∏

>œÛ Û œÛ

∏∏∏∏∏∏∏∏∏∏∏∏∏

op C

Pno.

chromatic clusters

Œ

Improvise with the material in the box.

œ

Ó

Œ

Growl while you play.

3

œœœ nbœœœœ œœœœ

∏∏∏∏∏

{

/

multiphonics very rough, complex and rich

by

Ó

yr

Voice

¢/

fff

»

umg f

p

∏∏∏∏∏

Perc. II

Œ

Œ

»

f

Ó

∑

> œ

œ.

di

S Watch conductor's cue. Keep walking. ∑

& °/

fp

fp

ht

Perc. I

fp

»

∑

Stop. Play from music (music stand 4). >œ >œ #>œ >œ >œ œ œœ œ œ™ ≈ ™ ® ≈

ig

Cl.

>œ ææ

or

?

>œ ææ

∑

ic

¢

3

f

fp

ff

Tbn.

>œ #>œ œ

»

al on ly

Ó

or pe r

¢&

Œ

-F

Vln. II

»

Upper Balcony Position 7

rli n

Vln. I

44

Be

° & 119

Lower Balcony Position 5

us

Ground Floor Position 4

Sy. 4645/01


28

Upper Balcony Position 7

arco molto sul pont.

° Vln. I & Ó 122

œ <n>œ bœ b œ œ nœ bœ œ œ nœ bœ œ œ nœ bœ œ œ <n>œ bœ b œ œ nœ bœ œ p

Picc.

¢&

œ bœ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ bœ œ œ œ œ œ p

œ

Perc. I

° &

∑

-

∑

∑

Œ

p

Œ

. œ p

. . > > œ œ œ œ™

> œ

> œ

> œ

Ó

Put down soft mallet(s) and pick up small superball beater

Œ

fff

Ó

∑

∑

ig

{

/

ht

fff

Put down soft mallet(s) and pick up bow

fff

> > œ œ Œ

œ

p

> . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > °/ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

> ™ Perc. II ¢ / œ Voice

∑

Ó

or

&

∑

Be

?

S Watch conductor's cue. Keep walking. Œ Ó

di

¢

Ó

rli n

∑

ic

Cl.

¢&

R

Tbn.

‰™

Keep walking to Door 2 even after playing.

f

by

Tpt.

œ

-F

fp

Ob.

Ó

f

Walk fast from the position near Perc I to Door 2. #>œ ™ ˙

° & ‰

Œ

f

arco molto sul pont.

Œ

Ó

or pe r

Vln. II

Œ

al on ly

Lower Balcony Position 5

us

Ground Floor Position 5

op

yr

? ‰™

C

Pno.

Vc.

Elec.

œ <n> œ œ œ b œ b œ œ n œ b œ œ œ n œ b œ œ œ n œ b œ œ œ n œ b œ œ œ n œ b œ œ œ n œ b œ œ

&≈

p

? Œ

? Π/

‰ # œ #œ #œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ # œ #œ #œ œ “‘ °

>œ >œ >œ ##‹nœœ>œœ

®

9

nœ #œ œœ œœœ >œ œ œ œ

nœ nœœ bœœœ 9

n œ # œ <n> œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ f

Sy. 4645/01

#œœ ™™

ff

arco molto sul pont.

p

œ

Œ

Ó

nb œœœ


∑

¢&

∑

∑

° &

∑

¢&

∑

≈

# -œ p

Tbn.

¢

œ

œ nœ ™

œ

mf

-F

p

∑ jœ

&

œ

œ

œ

œ

f

Cymbal

° Perc. I /

ic

˙™

bow

+ o

Œ

∑

+ o

≈ #œ œ ® œ œ mp

+ æ æ œ bœ ™

‰ p

æj œ-æ

mp

∑ Change to Contrabass Clarinet

Œ

∑

Put down bow and pick up soft mallet(s)

Œ

f

∑

by

R

p

‰™

f

? sim.

Cl.

≈

#>œ æ

œ #œ

rli n

° Tpt. &

Be

Ob.

∑

di

Picc.

or

Vln. II

us

∑

or pe r

° & 124

Vln. I

al on ly

29

Thundersheet

Vc.

Elec.

≈ #œ > nbn∫ œœœœ ‰ °

?

6

œœ ‹œœ-œ

≈

#œ œœ

∑ ‹œœœ ™™™

3

“” 6 b œœœœ œœœœ bœœ &n ≈ -6 -

˙

nœ. œ. œ >

p

œ œ

#œ œ

œ ™™ œ

nnœœÛ ‰

≈ nb∫œœœœ

∑

œœœœ ‰ ‰ -

?

b˙˙˙

œ n#œœœ

∑

/ Sy. 4645/01

?

nœ œ p

chromatic clusters

∏∏∏∏∏∏∏

#nnnœœœÓœ

nbnœœœ

chromatic clusters

Ó

∏∏∏∏∏∏∏

?

∏∏∏∏∏∏∏

op C

Pno.

œœœ

“” > œ n œÛ

∏∏∏∏∏∏∏

<#>œœ Ó

yr

&

f

∑

ht

{

/

˙™

p

ig

Voice

¢/

Scrape with small superball beater

∏∏∏∏∏∏∏

Perc. II

Œ


30

Lower Balcony Position 5

∑

∑

¢&

∑

∑

Ob.

Tpt.

Alto Flute

∑

¢&

∑

or pe r

° A. Fl. &

After exit the hall from Door 2, go back to Door 1 (outside the hall), leave Piccolo with the person at Door 1 and pick up Alto Flute.

∑

° æ & ˙æ -

∑

Ó

Ó

p

o æ œæ

Œ

-F

Vln. II

us

° & 126

Vln. I

al on ly

Ground Floor Position 6

S Watch conductor's cue. Walking fast towards Lower Balcony: Position 6 as you play. ¢

Growl while you play.

? Œ

Y™

umg

Be

Tbn.

rli n

Improvise with the material in the box.

f

Contrabass Clarinet in Bb

di

& Ó

or

Cl.

Play the pitches in the order indicated in the box as fast as possible.

{

C

op

Pno.

Vc.

f

ææ w

Bass Drum

p

f

Ó

∑

Put down small superball beater and pick up Slapstick

œ <n> œ b œ b œ

Improvise based on the materials below. white noise, extrenely forceful, consonants

≈

>

6

¿ ¿ ku "ff "

<

Ó

q

q

>

¿ ke

¿

¿

‰™

ko

&

œ <n>œ bœ b œ

etc., order of pitches ad lib., as fast as possible

?

?

œ <n> œ b œ b œ “‘

Ó

arco molto sul pont.

n œ # œ <n> œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ n œ # œ p

Elec.

∑

S Watch conductor's cue. Œ

etc., order of pitches ad lib., as fast as possible

yr

?

p

∑

R by

/

ig

Voice

¢/ ˙

ht

Perc. II

ic

° Perc. I /

bœ œ bœ >œ

f

/ Sy. 4645/01

≈

etc., order of pitches ad lib., as fast as possible

norm. extremely distorted scratching noise

≥

n>¿ ™

fff

¿

molto sul pont.

¿

<n> œ # œ n œ # œ p


31

° Vln. I & 128

Lower Balcony Position 5

Upper Balcony Position 8

U

etc., order of pitches ad lib., as fast as possible

<n> œ

<n> œ

al on ly

Ground Floor Position 7

mf

¢&

<n> œ

<n> œ

U

us

Vln. II

ff

etc., order of pitches ad lib., as fast as possible

Ground Floor: Walk fast from Door 1 to the position near Clarinet. A. Fl.

° &

etc., order of pitches ad lib., as fast as possible

œ

U

mf

Upper Balcony: Position 8. Play from music (music stand 21)

¢& <n> œ

<n> œ

-F

etc., order of pitches ad lib., as fast as possible

Ob.

Ground Floor: Walk fast from near Perc II to near Cello.

Perc. II

{

.

U

di ∑

ff

U ff

Slapstick

‰™

> œ

mf

U

U

yr op C Vc.

ff

U™ Ó

&

Pno.

U

U ææ w

ic

ææ w

¢/

/

or

& °/

Be

<n>œ

mf

ff

U

Ó

ig

Voice

R

Perc. I

<n>œ

by

Cb. Cl.

¢

?

ht

Tbn.

° &

etc., order of pitches ad lib., as fast as possible

rli n

mf

Tpt.

ff

or pe r

mf

U

?

ff

U

?

ff Elec.

/ Sy. 4645/01


32

Lower Balcony Position 6

° & 130

Vln. I

∑

∑

44

sim.

<n> œ # œ <n> œ # œ

¢&

sim.

∑

<n> œ # œ <n> œ # œ

or pe r

Vln. II

∑

ff

Ground Floor. Arrive at the position near Clarinet. Play from music (music stand 10). ° solo ‰™ bœ œ A. Fl. & œ nœ œ #˙ ™ œ œ œ œ œ

¢&

∑

∑

-F

f

Ob.

sim.

<n> œ bœ <n> œ b œ

rli n

ff

œ

œ <n>œ ™

œ œ™

sim.

∑

∑

bœ <n>œ bœ<n>œ bœ nœ bœ nœ ff

∑

œ bœ- ™

œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Lower Balcony. Arrive at Position 6 (music stand 16). Play from music.

¢

?

∑

∑

sim.

Y

di

Tbn.

umg

ff

&

∑

Œ

Ó

> ¢/ œ

> œ

by

Perc II

ff

op

yr

ig

{

/

C

Pno.

Vc.

Elec.

Œ

&

> œ

ht

ff

Voice

R

> / œ

° Perc. I

sim.

or

∑

ic

Cb. Cl.

∑

bœ œ bœ >œ ff

>æ æ ˙

∑

∑

∑ Improvise based on the materials below. white noise, extrenely forceful, consonants

>Y

ku

∑

∑

"ff " sim.

<n>œ bœ b œ >œ

ff

?

∑

∑

sim.

>œ œ #œ #œ °

? /

∑

∑

sim. molto sul pont.

<n> œ # œ œ # œ ff

Sy. 4645/01

43

∑

Ground Floor. Arrive at Position near Cello. Play from music (music stand 2).

Be

° Tpt. &

42

∑

ff

∑

al on ly

42

G

Upper Balcony Position 8

us

Ground Floor Position 8


° & 135

Vln. I

43

sim.

∑

<n> œ # œ <n> œ # œ

44

∑

∑

∑

∑

al on ly

33

∑

¢&

∑

<n> œ # œ <n> œ # œ

or pe r

Vln. II

sim.

ff

Ob.

° &

™ œ ‰

<b>œ

Œ

sim.

¢&

<n> œ bœ <n> œ b œ

#˙ ™

# œ œ™ n ˙ ™

œ

∑

∑

∑

∑

∑

ff

sim.

&

∑

or

Cb. Cl.

bœ œ bœ >œ

/

ff

¢/

by

Perc II

>æ æ ˙™

R

° Perc. I

∑

yr op C

Pno.

Vc.

Elec.

>Y ™

ig

{

/

ht

Improvise based on the materials below. white noise, extrenely forceful, consonants

Voice

&

œ

œ bœ

œ ≈ nœ #œ œ™ >

∑

∑

∑

∑

∑

∑

œ. œ. nœ-

ic

ff

≈

∑

Be

Y™

umg

di

¢

sim.

?

#œ.

∑

ff

Tbn.

œ

rli n

Œ

bœ œ >

∑

sim.

bœ <n>œ bœ<n>œ bœ nœ bœ nœ

œ

∑

∑

ff

° Tpt. &

≈

-F

A. Fl.

us

ff

Put down soft mallets(s) and pick up Cuica

∑

∑

∑

∑

∑

∑

∑

∑

S Watch conductor's cue. ∑

Improvise using the suggestion in box below.

ku

<n>œ bœ b œ >œ

Y

fp

"ff "

sim.

™ ¿ ‰

Inhaling, croaking voice

> Y

∑

∑

∑

∑

Œ

f

cold

∑

∑

ff

?

sim.

>œ œ #œ #œ

?

°

? /

sim. molto sul pont.

<n> œ # œ œ # œ

∑

∑

ff

Sy. 4645/01

ff

œ“‘ °

œ bœ- ™ œ °

∑

œ œ<n> œ -

° °

˙

œ b œ- ™

°

∑

œ


34

∑

∑

∑

∑

¢&

∑

∑

∑

∑

∑

A. Fl.

Ob.

Tpt.

° & œ œ ™™ ˙ ™

∑

Ϫ

≈

3

œ œ œ n ˙>

≈ ≈ bœ œ b˙ œ

œ

œ

¢&

∑

∑

∑

∑

° &

∑

∑

∑

-F

Vln. II

al on ly

∑

∑

or pe r

° & 140

Vln. I

Lower Balcony Position 6

us

Ground Floor Position 8

∑

‰™

3

œ- nœ- œ

≈

3

∑

œ œ ˙™

∑

∑

∑

∑

Perc II

¢/

Voice

/

œj ‰ Œ

f

œ

œ œ œ

∑

Ó

di

∑

¿ >

¿

mf

gliss.

.-

p

‰™ ‰™

-

¿ -¿

mp

¿

gliss.

> ¿ ‰™

Œ

¿ >

mf

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

ic

œ

.

œj ‰ Ó

yr

ig

{

Cuíca

∑

or

∑

& °/

∑

R

Perc. I

∑

by

Cb. Cl.

¢

?

As if sounding from distance. Senza mute Growl and play at the same time (more growling sound than trombone pitches) NB: The rhythms of the materials between bars 143 - 154 do not have to be synchronized with other players as it is extremely difficult to be played in distance. The inaccuracy that will occure is intended and the notation only serves as a suggestion.

ht

Tbn.

Be

rli n

Play from music (music stand 16).

&

C

op

Pno.

Vc.

Elec.

?

<b> ˙ <“>

?

∑ œ

∑

≈

œ™ °

˙

œ

∑

ϡ

w

w

∑

∑

/ Sy. 4645/01

¿


∑

∑

∑

∑

∑

∑

¢&

∑

∑

∑

∑

∑

∑

Perc. I

Perc II

∑

∑

° &

∑

∑

∑

∑

p

-

Vc.

¿ -Y

¿ ¿™ ≈

mp mfp

mf

∑

∑

/

∑

∑

¢/

∑

& °

{

/

gliss.

.-

p

-

¿ -¿ ¿

mp

gliss.

> ¿ ‰™ Œ mf

¿ ¿ >

œ -œ

5

tu tu tu tu tu tu tu tu tu tu tu tu tu tu tu tu tu tu tu tu "ff "

∑

∑

∑

gliss.

.-

‰™ Œ

¿ ¿ >

p

mf

∑

.-

p

‰™

j >¿ >¿

¿

mf

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

S Watch conductor's cue. ∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

/

from Subwoofer(s) almost unrecognizable very low beating effect p

∑

Sy. 4645/01

6

œ >¿ >¿ ¿. ¿. ¿. ¿. >¿ ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿.

&

S Watch conductor's cue. Elec.

¿ ¿ >

‰™ ‰™

Be

.-

‰™ ‰™

di

¢

?

Combination air sound and pitches

or pe r

∑

rli n

∑

yr C

op

Pno.

œbœ b˙-

≈ ≈ œ œ nœbœ b˙-

¢&

ig

Voice

≈ ≈ œ œ nœbœ b˙-

or

Cb. Cl.

œ œ

ic

Tbn.

œ >œ œ n ˙-

≈ ≈

R

Tpt.

3

ht

Ob.

Ϫ

≈

-F

° A. Fl. & #>˙

by

Vln. II

us

° & 146

Vln. I

al on ly

35

gliss.


36

∑

∑

∑

∑

¢&

∑

∑

∑

∑

° A. Fl. &

norm. f.t.

æ ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. >œæ

æ ˙æ

æ œæ

Ground Floor: Sit down.

æ ‰™ Ó œ

∑

∑

tu tu tu tu tu tu tu tu

Humpback whale melody

Perc. I

Perc II

op C

Pno.

Vc.

Elec.

mfp

∑

ic

n-œ #œ

˙

œ

p

mf

p

rli n

mf

œ ≈ ≈ ™ b œ œ

Œ

∑

∑

nœ bœ œ ‰ ®œ harmon mute

∑

Ó

∑

Be

Y

∑

/

¢/

Y

p

Œ

‰ ®

∑

∑

∑

∑

∑

∑

∑

∑

∑

mf

Œ

œr ‰ ™ Œ

œ p

mf

œ œ œ œ

œ

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

/

∑

∑

∑

∑

∑

{

/

Sy. 4645/01

+ bœ œ œ

mp

Quietly walk to Lower Balcony: Position 8

di

mp

& °

-

¿ -¿

mf

or

p

yr

Voice

.-

≈

p

∑

R

Cb. Cl.

¢

f

∑

≈

œ b-œ ™ œ Ó

œ

mf

° &

?

œ bœ œ ‰ ®œ

by

Tbn.

Œ

ht

Tpt.

¢& Ó

ig

Ob.

-F

p

mf

∑

us

° &

or pe r

Vln. II

Upper Balcony Position 8

H

152

Vln. I

Lower Balcony Position 7

al on ly

Ground Floor Position 8

p


al on ly

37

Upper Balcony Position 8

Ob.

∑

¢&

∑

Ó

œ ‰™

mf

Œ

���

bœ ®œœ œ

°

/ Ó

¢/

œ

op C

Pno.

Vc.

Elec.

pp

‰ ®

or œ

œ pf

p

œ

œ

f

p f

œ

œ ‰™

p

Ó

p

p

5

mf

5

6

mp

p

∑

∑

∑

∑

∑

œ

œ

Œ

∑

∑

∑

∑

&

∑

∑

∑

?

∑

∑

∑

?

∑

∑

∑

/

∑

∑

∑

Sy. 4645/01

6

p

œ

∑

{

œ ‰™

œ

∑

/

mp

o + o +o + o o + o + o + o + o + o + o + o + o+o+ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ®<n>œ #œ œ œ œ œ œ œ œ

mp

di

6

ic

∑

yr

Voice

&

5

by

Perc II

∑

ht

Perc. I

?

ig

Cb. Cl.

mf

R

5

¢

-œ J

mf

o + o + o + o +o + o + o + o + o+o + ° œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰™ Tpt. &

Tbn.

˙

p

b œ œ#œ

∑

f

˙

®

us

° &

or pe r

∑

Œ

rli n

A. Fl.

¢&

Ó

∑

Be

Vln. II

∑

-F

° & 157

Vln. I

œ

œ


Ground Floor Position 8

Upper Balcony Position 8

p

œJ

f

œ

œ™ bbœœ ™™

Ϫ p f

≈

œ-

Œ

f

p

œ œœ

+ nœ.

‰ ®

œ #œ mp

p mf

®

œ-

Ϫ

p f

-œ œœ

œœœ

œ œœ

o+ œœ

o œ

+ œ

mf p

f

p

?

p f

œ bbœœ J

≈ ®

o + <n>œ#œ œ œ mf

˙ ˙˙

fp

œ

f

œ- œ p f p

fp

®

p

œf

or Ó

œ

f

fp

œ-

p

œ-

f

+ œ

f

p

o + nœ#œ œ #œ ≈ ® mp

f

p

∑

fp

p

f

f

+ œ œ J ‰ p

˙ p

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

?

∑

∑

∑

?

∑

∑

∑

/

∑

∑

∑

¢/

ig

{

/

op

yr

Voice

C

Pno.

Vc.

Elec.

Sy. 4645/01

>œ n>œb >œ

f

œ bbœœ o œ f

∑

/ œ

®

f

p f

Œ

o œ

®

b >œ >œ

˙-

∑

∑ Ó

#>œ #>œ n>œ >œ

fp

b >œ <n> >œ >œ™ >œ œ >œ ™

Ó

o œ

®

f

Bass Clarinet in Bb

ic œ

fp

f

œ

ht

Perc II

∑

& °

p

®

b >œ <n> >œ b >œ >œ

∑

R

Perc. I

f

œ- œ

p f

∑

by

Cb. Cl.

œ ™ ‰

b >œ <n> >œ -œ >œ ™

di

¢

Œ

mf

° #-œ ™ Tpt. &

Tbn.

f

œ

f

° & ‰

¢&

p

∑

norm. Multiphonics

Ob.

f

®

b >œ <n> œ b œ œ

rli n

A. Fl.

¢&

p

œ ‰™

Be

Vln. II

mf

œ

us

®

b >œ œ#œ#œ

or pe r

160

-F

° #˙ Vln. I &

al on ly

38

p


39

lights: very dark

Ob.

¢

œ

¢

Œ

fp

fp

ss.

>œ gliss. 1

fp

fp

≈

>Ϫ

ff

o œ

+ œ

f

p

1

.

gliss

≈

b >œ ™ J

œ

œ

f

≈

> bœ

≈

> œ

Œ

>Ϫ

b >œ

œ

‰™

®

> b œ ™™

Ó

Ó

ffp

>œ™™

Œ

®

Œ

o #>œ ™™ ® ææ

∑

p

œ

Œ

TYPE 2 Explosive Sound:

œ-

by

> b œ ™™

ff

p

S Watch conductor's cue.

®

∑

Ϫ

w

∑

Œ

∑

œ

R

∑

/

¢/

p

ic

w

> œ

‰™

ff

∑

or

Ó

> bœ

œ

ffp

fp

Œ

∑

œ

œ

>

Œ

fff

Ϫ -

p

∑

∑

∑

∑

> fff

ht

Perc II

ff

w ww

?

°

fp

b >œ

‰™

∑

f

Perc. I

>œgliss. 1

Ó

w b b w & w

&

ff

>Ϫ

TYPE 1 Multiphonics with Different Shapes:

B. Cl.

1

us

œ gli

p

+ #œ ° Tpt. &

Tbn.

or pe r

° &

<n> >˙

rli n

A. Fl.

¢&

>œ ™

œ

Be

Vln. II

≈

b >œ ™

∑

-F

163

di

° Vln. I &

∑

al on ly

∑

Lights

{

/

Ó

op

yr

Voice

ig

Improvise.

C

Pno.

Vc.

Inhaling, croaking sound

&

∑

∑

∑

?

∑

∑

∑

?

∑

∑

Ó

Œ

norm. extremely distorted scratching noise

≥

>¿

fff

Elec.

/

∑

∑ Sy. 4645/01

∑


40

° <b> ˙ ™ Vln. I &

s.

Ϫglis

166

Perc. I

Perc II

ff

fp

1

≈

ff

œ ™g

liss.

fp

1 ff

ff

op C

Pno.

Vc.

œ

1

œ 3

fp

ff

ff

fp

ss.

œ gli fp

Ó >œ æ

fp

gliss.

1 ff

∑

∑

∑

∑

∑

∑

‰™

∑

∑

∑

∑

∑

or

∑

∑

Ó

ff

1 bœ ff

Œ

rli n

Œ

1 J ‰

gliss.

Be

>˙ ™

& °

œ-

>

Improvise using the materials Type 1 and Type 2. As if making conversation with other instruments. Less and less play towards Section I. (Duration ca. 1'55")

p fff

/

¢/

Ó

> ≈ œ ™

Œ

ff

∑

> ≈ œ ™

> ≈ œ ™

≈

> Ϫ

{

/

≈

> Ϫ

> ≈ œ ™

∑

> ≈ œ ™

> ≈ œ ™

∑

∑

∑

∑

∑

∑

∑

∑

∑

> ≈ œ ™

creeping on floor but also insisting

∑

& fff

bœ bœ œ œ œ œ œ œ <n>œ œ œ œbœnœ œ >œ > > >œ > > >œ > > >œ > > >œ > > > >œ > > > > >œ ◊Ÿ 1 ss.1 . 1 gli gliss b œ b œ œ œ™ ? ‰ ≈ Y™ 3 ?

3

3

3

3

fpff

Elec.

fp

nœ œ

di

° #w & ?

>œgliss. 1

∑

œ

¢

3

ff fp

1

∑

w

¢&

œ

fp

ss.

œgli

-F

° &

ff

1

yr

Voice

1

s.

∑

ic

B. Cl.

œ

Ϫglis

R

Tbn.

œ

3

by

Tpt.

<b> ˙

fp

1

∑

ht

Ob.

ff

ig

A. Fl.

¢&

1

al on ly

∑

or pe r

∑

Lights

Vln. II

Upper Balcony Position 8

us

Ground Floor Position 8

/

∑

5

fp

ff

fp

œ >

bœbœ œnœ > > >> >œgliss. 1

≈

ff

fp

5

>œn>œ ‰™

6

6

3

3

5

6

∑

∑

∑

∑

ff

∑ Sy. 4645/01

3

œ bœ œ œœ œ œ nœ œ bœ œ œ œ bœ œ œ > >œ > b>œ >œ > >œ >œ > >œ >œ > >œ >œ >b>œn>œ > >œ > >œ > > >œ > b>œ >œ > >œ


41

∑

° &

∑

∑

∑

¢&

∑

∑

° &

∑

∑

170

Vln. I

Vln. II

∑

∑

∑

∑

∑

Walk to Upper Balcony: Position 10 as you play.

-F

A. Fl.

∑

us

∑

or pe r

∑

Lights

al on ly

Upper Balcony Position 9

Improvise. Use the combination of really harsh multiphonics and fragments of the humpback whale melody. Start with multiphonics. Play less and less as time passes. (Duration ca. 1' 15")

>˙ ™ bb˙˙ ™™

˙™ ˙˙ ™™

B. Cl.

Perc. I

Be

& °

> / ≈ œ ™

> ≈ œ ™

¢/

Ó

∑

ig

{

/

op

yr

Voice

C

Pno.

Vc.

Elec.

∑

∑

∑

∑

∑

∑

di

∑

f

or

?

¢

ht

Perc II

∑

Œ

ic

Tbn.

° &

R

Tpt.

¢&

∑

by

Ob.

∑

rli n

e.g.

&

Œ

> ≈ œ ™

> ≈ œ ™

> ≈ œ ™

> ≈ œ ™

> ≈ œ ™

∑ S Watch conductor's cue.

> ≈ œ ™

> ≈ œ ™

> ≈ œ ™

Œ

Ó

∑

∑

∑

∑

Improvise using the suggestion in box below. Less and less sound towards the end.

∑

Inhaling, croaking sound

∑

∑

? bœ bœ œ œ œ nœ œ nœ œ bœ œ œ œbœ bœ œ<n>œbœ œ œ œ œ œ œ œ œ œ œ œ œ > > > > >œ > > > > >œ > > >œ > > >œ > > >œ b>œ œb>œ >œ >œ >œ >œ >œ >œ >œ b>œ œn>œn>œ >œ >œ b>œ b>œ >œ >œ œ >œ >œ >œ >œ >œ >œ >œ <◊>> > > > > > > > > > > > 3

6

5

6

3

3

6

3

3

3

6

3

?

∑

∑

∑

∑

/

∑

∑

∑

∑

Sy. 4645/01

3


42

° &

∑

∑

∑

¢&

∑

∑

∑

° &

∑

∑

¢&

∑

° & ?

¢

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Perc. I

∑

/

¢/ w

op C

Pno.

Vc.

Elec.

∑ ˙

f

Ó

∑

∑

∑

∑

{

/

yr

Voice

Improvise based on the material that you have played. Play less and less as time passes. As if making a conversation with other instruments. (Duration ca. 1' 35")

ig

p

ht

Thundersheet

Perc.II.

Wonder around the space and walk to the audience seats.

R

°

ic

&

by

B. Cl.

or

di

Tbn.

∑

-F

Tpt.

∑

∑

rli n

Ob.

∑

∑

Be

A. Fl.

al on ly

∑

or pe r

∑

174

Vln. II

Ground Floor Position 9

∑

Lights

Vln. I

Upper Balcony Position 9

us

Ground Floor Position 8

∑

&

∑

œ b>œ b>œ >œ >œ >œ >œ b>œ œ n>œ n>œ >œ >œ b>œ œ<n>>œ b>œ >œ >œ b>œ b>œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ b>œ b>œ >œ >œ >œ >œ >œ >œ >œ >œ ‰ <◊>>

?

3

3

3

3

3

3

3

3

3

3

∑

?

∑

∑

∑

∑

/

∑

∑

∑

∑

Sy. 4645/01


∑

∑

∑

∑

° &

∑

∑

∑

∑

∑

¢&

∑

∑

∑

∑

∑

∑

° &

∑

∑

∑

∑

∑

∑

¢&

∑

∑

∑

∑

∑

∑

° &

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

Ob.

Tpt.

¢

or pe r

S Watch conductor's cue.

∑

∑

di

Tbn.

-F

A. Fl.

rli n

Vln. II

Be

178

us

∑

Lights

Vln. I

al on ly

43

Add the material indicated below into improvisation.

Perc.II.

op C

Pno.

¢/

{

Vc.

Elec.

b¿

¿

b¿

¿

¿

ic

¿

R / ∑

by

°

¿

p

∑

∑

∑

∑

∑

/

yr

Voice

&

ht

Perc. I

¿

ig

B. Cl.

or

TYPE 3 Extremely High Pitch: The pitches indicated are only suggestions.

&

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

/

∑

∑

∑

∑

∑

∑

Sy. 4645/01


44

∑

∑

° &

∑

∑

∑

∑

¢&

∑

∑

∑

° &

∑

∑

∑

¢&

∑

∑

∑

° &

∑

∑

?

∑

∑

B. Cl.

Perc. I

& °

/

Perc.II.

¢/

Voice

/

Vc.

Elec.

∑

∑

∑

∑

∑

∑

∑

∑

rli n

-F

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

/

∑

∑

∑

∑

∑

ig

{

yr op C

Pno.

∑

Be

¢

di

Tbn.

∑

ic

Tpt.

∑

R

Ob.

by

A. Fl.

ht

Vln. II

∑

or

184

Vln. I

∑

us

∑

or pe r

∑

Lights

al on ly

Upper Balcony Position 9

Ground Floor Position 9

Sy. 4645/01


45

al on ly

Upper Balcony Position 10 Lights: completely dark

Vln. II

A. Fl.

∑

∑

¢&

∑

∑

° &

∑

∑

∑

Sul E Play the string with the metallic/wire coil of the bow. Metallic Sound.

/

/

¿ J

¿

"f "

Ó

Œ

¿

Œ

¿

¿ J

"f "

Œ

Ó

∑

Perc.II.

∑

∑

∑

or

S Watch conductor's cue. ∑

°

ic

& /

¢/

{

/

op C

Pno.

Vc.

Elec.

Ó

¿

¿ J

∑

¿

Œ

¿

¿

¿

¿

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

rli n

?

¢

Be

∑

di

∑

∑

yr

Voice

∑

¿ J

R

Perc. I

° &

by

B. Cl.

∑

∑

æ wæ

æ wæ

æ wæ

Bass Drum

∑

ht

Tbn.

∑

Ó

∑

p

less and less

ig

Tpt.

Œ

Y

∑

S Watch conductor's cue. Arrive at Upper Balcony: Position 10.

¢&

¿

Sul E Play the string with the metallic/wire coil of the bow. Metallic Sound.

Put down instrument and pick up (spare) reed Ob.

¿

∑

us

Vln. I

∑

or pe r

° & 189

∑

-F

∑

Lights

&

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

/

∑

∑

∑

∑

∑

∑

Sy. 4645/01

/


Ground Floor Position 10

A. Fl.

¢/

∑

° &

∑

¿ J

¿

¿ J

"f "

¿ J

Œ

Ó

¿

¿ J

"f "

¿

∑

∑

∑

∑

∑

∑

∑

Upper Balcony: Position 10 (music stand 22) Play from music. sound of reed

Œ

∑

1

∑

&

∑

∑

or

∑

1

∑

‰™

Œ

Ó

Œ

1

/

∑

!

p

∑

∑

Ó

‰™

Œ

∑

∑

∑

∑

∑

∑

by

æ wæ

æ wæ

æ ˙æ™

æ œæ™

> > œ œ

Ó

◊ÿ ‰™™

∑

∑

∑

∑

bœ>œ

Œ

yr op C Vc.

Elec.

<n> >œ #>œ

senza sordino

f

ht

/

æ wæ

&

Pno.

&

Play from audience seats.

ig

{

1

mf

?

°

1 J

p

∑

ææ Perc. II ¢ / w

Voice

Œ

&

ic

Perc. I

‰™

R

B. Cl.

¢

mf

1

∑

∑

rli n

p

° Tpt. &

Tbn.

!

Be

1

di

1 J

Ob. / ‰ ¢

∑

us

∑

∑

or pe r

Vln. II

/

∑

-F

°

195

Vln. I

Upper Balcony Position 10

∑

Lights

al on ly

46

?

ff

∑

∑

∑

∑

∑ °

?

∑

∑

∑

∑

∑

/

∑

∑

∑

∑

∑

Sy. 4645/01

&


47

I

ffp

f

b >œ ™ ≈ & ææ ¢

fp

norm.

Tpt.

¢/

f

f

>œ ææ

fp

œ ææ

fp

≈

>œ ™

œ æ

bœ ææ ‰™ Œ

‰™

Ó

∑

∑

Ó

∑

∑

ff

∑

1

∑

∑

∑

Walk to Upper Balcony: Position 12 quietly. Œ Ó ∑

f

> ° æœ œ gliss. & ff

>œ >œ >œ ææ œ œæ œ œ æ œ œ œ œ 朙 æ

p

mf

œ. ‰™ Œ

∑

Ó

∑

p

¢

?

Growl as you play and gliss to lowest note possible.

b>¿ ™ gliss. umg ffp

>-

ff

- >¿

>-

gliss.

umg ffp

ff

<b>>œ

b>˙

sffz

Perc. I

°

p

ig

Elec.

œ ≈b œ

p

f

p

œ ≈ œ

œ

Ó

∑ > > œ œœ ≈ œœ ® œ œ p

ff

> œ

∑

∑

∑

∑

∑

∑

b>œ œ

> œœœœœœœœœ

∑

ff

œ >œ

˙

gliss.

˙

ff

S Watch conductor's cue. ∑

∑

p

∑

∑

∑ ∑ > > > > > œœœœœœœœœ œ œœœœœœœœœ œœœœœœœœ œœœœœœœœœ ˙

p

ff

S Watch conductor's cue. ∑ p

ff p

ff

p

ff

∑

chromatic clusters

Œ

Ó

∑

∑

∑

∑

∑

∑

fff

yr op C Vc.

∑

by

A <◊>ª Æ <n>œœÛ ‰ ™ &

Pno.

f

ht

{

>> œ œ™

ff

/

p

b>¿ -™ _ - >

umg umg umg ffp ff

w

> œ Perc. II ¢ /

Voice

f

> > œ ≈ œ ≈ œ œ œ ™

w

/

∑

Growl as you play and norm. gliss to lowest note possible. brassy

ic

&

p

R

B. Cl.

Œ

> œ

or

f

di

Improvise

TYPE 1 Multiphonics with Different Shapes:

> bœ

œ b>œ ™

b>œ

Be

S Watch conductor's cue.

norm. brassy

rli n

Lower Balcony: Position 8 (music stand 13). Play from music. Tbn.

∑

ff

fp

f

œ ææ ‰™ Œ

∑

-F

Ob.

ffp

≈

>œ ™

∑

rall.

us

n>œ ™ æ ≈ J

∑

or pe r

n>œ ™ 200 ° Vln. I & ≈ æ æ

norm.

° A. Fl. &

Upper Balcony Position 11

rall.

Lights

Vln. II

Lower Balcony Position 8

al on ly

Ground Floor Position 10

chromatic clusters

A ª ◊ÿ œÆ & œÛ ‰ ™

»

ffff

?

A ª œÛ Û >œ

˙Û Û >˙

Œ

Ó

œÛ œÛ ™ œÛ œÛ ™

œÛ œÛ

˙Û ˙Û

wÛ wÛ

arco extremely distorted scratching noise

pizz.

? ≈

™ >œ

∑

∑

ff

/

∑

∑

∑ Sy. 4645/01

≥ ≥ ≈ j ™ ™ >¿ ¿ >¿ fff

≥

>Y ∑

≥ j >¿

≥ ≥

>¿ >Y ∑


∑

∑

∑

¢&

∑

∑

∑

° &

∑

∑

∑

¢/

∑

∑

∑

° &

∑

∑

Perc. I

Perc. II

/

∑

¢/ œ

> ˙™

{

/

Vc.

∑

ff

Be

æ ˙æ™

∑

∑

æ œæ™

∑

æj œ>æ

æ ˙æ

f

∑

∑

∑

∑

∑

∑

∑

∑ æ œ™æ

æ ˙æ

æ ˙æ™

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

? Œ

arco molto sul pont. semi-tone trills

Ÿ~~~~~~~~~~~~~~~~~~~~~ ˙™

/

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

sim.

sim.

œ œ ' '

fff

≈ ≈

œ œ œ ' ' p

œ

œ

ff

œ

p

æ œ

∑

∑

p

Elec.

ææ ™ >œ

∑

&

yr C

op

Pno.

œ

∑

& °

˙™

di

œ œ™

ig

Voice

?

or

B. Cl.

¢

ic

Tbn.

R

Tpt.

by

Ob.

ht

A. Fl.

45

us

° &

∑

or pe r

∑

43

rli n

∑

205

Vln. II

Upper Balcony Position 11

∑

Lights

Vln. I

Lower Balcony Position 8

-F

Ground Floor Position 10

al on ly

48

œ œ œ œ ' ' '

fff

∑

p

∑ Sy. 4645/01

˙

œ

fff

œ

œ

p

∑

˙™

p

ff

∑


° Vln. I & 210

∑ » b>œ ™

44

∑

pizz.

Ó

Œ

Œ

Ó

Œ

f

¢&

»

#>œ ™

.

gliss

»

Ó

#>œ ™

f

Perc. I

Ó

Œ

Œ

U Œ

Ó

Œ

Œ

U Œ

∑

∑

Ó

Œ

Œ

U Œ

∑

∑

Ó

Œ

Œ

U Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

Œ

Œ

U Œ

∑

∑

∑

Ó

Œ

Œ

U Œ

&

∑

∑

∑

Ó

Œ

Œ

U Œ

?

∑

∑

∑

Ó

Œ

Œ

U Œ

?

Œ

°

∑

?

/

rli n

∑

/

ig

{

Ó

p

&

<Ÿ>~~~~~~~~~~~~~~~~~~~~ œ

∑

Be

æ ˙æ

di

¢

yr op

Ó

∑

/

C

‰™

° &

Voice

Elec.

.

gliss

∑

¢/

Vc.

U Œ

∑

Perc. II

Pno.

Œ

∑

or

B. Cl.

#>œ ™

Œ

Ó

¢/

ic

Tbn.

»

Ó

∑

R

Tpt.

>Ϫ

≈

∑

∑

by

Ob.

»

Œ

.

gliss

™ >œ

.

gliss

43

° &

ht

A. Fl.

»

gliss.

-F

Vln. II

» b>œ ™ f

pizz.

Ó

∑ pizz.

gliss.

45

us

Lights

43

or pe r

45

al on ly

49

∑

sim. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ U ≈ œ œ œ œ œ™ œ ˙ œ œ ˙ œ œ œ ' ' '

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

sim.

œ œ œ™ œ ' '

fff

p

∑

œ

ff

œ

&

p

fff

p

∑ Sy. 4645/01

f

p

∑

f

∑


50

Vln. II

A. Fl.

Ob.

∑

∑

q = ca. 40

water reflection

∑

∑

∑

¢&

∑

∑

∑

° &

∑

∑

∑

∑

∑

¢/

∑

∑

∑

∑

∑

∑

∑

Play the material in the box below. Improvise if necessarly.

° Tpt. &

∑

?

∑

Vc.

U œ œ œ

Elec.

U œ

œ bœœœ

U U bœœœ œ œ œ œ

/

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙™

di or

∑

œœœ ™™™ nœ

œ

## œœœ

U œœœ œœœ

U œ œ #œ œ <n>#œœ

˙˙˙ ˙

œ

p

œ

# ˙˙˙ ™™™

∑

∑ ˙˙˙

5

œ nœœ œ œ™

˙

œ

mf

∑

3

œ œ

œ

Œ

œ

Œ

pp

∑ Sy. 4645/01

˙

mf

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ó

pp

∑

˙

mf

∏∏∏∏∏∏∏

∑

œ

p

∏∏∏∏∏∏∏

∑

water reflection

(NB: Keep the pedal down)

?

æ ˙æ p

Œ

p

&

+ æ œ œ œ œ ® ‰ ® œ œ ∑

∏∏∏∏∏∏∏

C

Pno.

ic ∑

∏∏∏∏∏

op

&

∑

∏∏∏∏∏∏∏

{

/

≈ #œ œ ≈ ™

+ o + o

Thunder-sheet Scrape with a superball beater

∑

∏∏∏∏∏∏∏

¢/

p

+ o

æ œ

44

S Watch conductor's cue. æ ‰™ Œ #œ

R

/

yr

Voice

°

∏∏∏∏∏∏∏

Perc. II

&

by

Perc. I

Œ

∑

ht

B. Cl.

¢

ig

Tbn.

o æ œ

harmon mute

∑

∑

∑

Ground Floor: Face downward and spin slowly on the spot as you play.

Be

Vln. I

∑

42

-F

° & 214

∑

rli n

Lights

43

al on ly

42

q = ca. 40

water reflection

Upper Balcony Position 11

us

J 43

Lower Balcony Position 8

or pe r

Ground Floor Position 10

˙

∑


al on ly

51

∑

∑

∑

¢&

∑

∑

∑

∑

∑

∑

∑

∑

° &

sound of reed wide vib.

p

mp

sim.

° &

o + o + o + -œ œ -œ œ œ œ ™ Œ ææ ≈ æ 3

∑

bœœœ

∏∏∏∏∏∏∏

op

&

C

Pno.

Vc.

Elec.

&

l.v.

p

Ó

∑

œ™ œ œœ ™™ n˙

œ œ bœ œ

bnœœœ

∏∏∏∏∏∏∏

{

/

˙

Œ

∑

S Watch conductor's cue. Œ Œ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œœœ ™™™ nœ

œœœ

™ n#nb˙˙˙˙ ™™™

œ“” #˙˙

œ

Œ

œœ

Œ

Œ

p

˙

œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

æ ˙æ

∑ ∑

∑

∑

∑

˙

˙

mf

˙ ˙

œ œœ œœ œœ œœœ œ

∑

∑

∑

∑

/

∑

∑

∑

∑

Œ

l.v.

œ™ œ

Ó

p

∑

˙ ™™ ˙

?

Sy. 4645/01

æ œæ

∑ œ œ

3

∏∏∏∏∏∏∏

¢/

o + œ- œ ≈ ™ ææ

ic

∑

R

/

°

yr

Voice

&

∑

by

Perc. II

∑

ht

Perc. I

?

ig

B. Cl.

¢

p

or

p

Tbn.

1

Be

1

∏∏∏∏∏∏∏

Tpt.

¢/

Œ

di

Ob.

Ó

!™

1 ‰ J

rli n

Upper Balcony: Position 12 (music stand 17) Play from music.

∑

∑ bœœœ

œ œ œ œœ

œ

bœœœ ™™™ œ œ œ œ

˙ ∑

bn˙˙˙

∏∏∏∏∏∏

∑

∑

-F

A. Fl.

∑

∏∏∏∏∏∏∏

Vln. II

∑

° & 219

Vln. I

∑

45

∏∏∏∏∏∏∏

∑

42

∏∏∏∏∏∏∏

Lights

43

or pe r

44

us

Upper Balcony Position 12

∑

œ™ œ

œ


∑

° &

∑

∑

∑

¢&

∑

∑

° &

∑

∑

¢/

∑

° &

∑

?

∑

&

∑

/

∑

¢/

∑

Vc.

Elec.

-F 5

?

∑

/

∑

rli n Be

or

di

∑

∑

∑

∑

∑

∑

∑

∑ S Watch conductor's cue.

∑

Inhaled, broked and high pitched voice

Ó

Œ

. . . 6. . . . ¿ ¿™ . ¿ ¿ . ¿¿ ¿ ¿ ¿ ¿ ¿. ¿

p

œ œ

Ó

Improvise using the materials in the box.

bœœœ

œœ œ™ œ3 œ nœ œ

∏∏∏∏∏∏∏

& œ œ œ #œ

p

œ

. ¿. ¿

¿.6 ¿.

bœœœ

˙™

bœœ œ œ œ œ bn˙˙˙ ™™™

bœœ œ œ

∑

6 ¿ ¿™ . ¿. . . . . ¿.6 ¿. ¿. .¿ ¿. . ¿. ¿. .¿ . ¿. ¿ ¿ ¿ ¿ ¿ ¿ ¿. ¿

œ

œ

˙™ œ bn˙˙ ™™ ˙ ™

∏∏∏∏∏∏∏∏∏

3

˙˙˙ ™™™

∏∏∏∏∏∏∏

# ˙˙

yr op C

Pno.

mf

∏∏∏∏∏∏∏

/

&

p

∏∏∏∏∏∏∏

{

∑

ig

Voice

!™

1

∏∏∏∏∏∏∏∏∏

Perc. II

°

∑

!

ic

Perc. I

1

1 1 J

R

B. Cl.

¢

∏∏∏∏∏∏∏

Tbn.

∑

∑

∏∏∏∏∏∏∏

Tpt.

by

Ob.

ht

A. Fl.

or pe r

∑

225

Vln. II

Upper Balcony Position 12

∑

Lights

Vln. I

Lower Balcony Position 8

us

Ground Floor Position 10

al on ly

52

∑ ∑ Sy. 4645/01


44 ° &

∑

∑

¢&

∑

∑

° &

∑

∑

¢/

∑

° &

∑

?

∑

&

∑

228

Vln. I

Vln. II

U ∑ U ∑ .

U ∑

bœœœ

œ œœ

∏∏∏∏∏∏∏

yr C

Pno.

Vc.

Elec.

&

bœœ

∏∏∏∏∏∏∏

op

&

?

Be di or

U ∑

∑

U ∑

∑

U ∑

∑

U ∑ U ∑

w mf

p

U

nyam nyam nyam....

œ

œ

Ϫ

˙

˙™

bœœœ

bœœ

∑

Ϫ

œ œœ

œ

œ

˙™

˙

bœœ

∑

œ™ œœ ™™

bœœœ

∏∏∏∏∏∏∏

{

/

w

∑

∏∏∏∏∏∏∏

¢/

ig

Voice

∑

/

∏∏∏∏∏∏∏

Perc. II

°

∏∏∏∏∏∏∏

Perc. I

ic

B. Cl.

¢

R

Tbn.

by

Tpt.

U ∑

∑

.

ht

Ob.

rli n

-F

A. Fl.

us

U

or pe r

Lights

al on ly

53

œ

œ

œ

U ˙

œ

U ∑ U

/

U ˙

.

pppp

Sy. 4645/01


Sy 4645 - Shiori Usui - Deep