RNY 1337 - David Lang - Stateless

STATELESS

FOR INDEPENDENT VOCAL SOLOS AND CHORUS CHORAL SCORE & SOLOS

la ss ic al

re Co d py by rig U ht ni b ve y rs Re al d M Po us p ic py Pu M bl us is ic hi ng C

te

is

in

ad m

DAVID LANG

instructions

la ss ic al

stateless is made up of two kinds of music – solo vocal parts and a homophonic choral hymn. these musics are independent of each other throughout.

re Co d py by rig U ht ni b ve y rs Re al d M Po us p ic py Pu M bl us is ic hi ng C

8 or more singers, SATB, are given the solo parts, and these solos begin the piece. each singer has his or her own solo part. the solos begin independently, and the singers proceed, independently throughout - slowly, unpredictably, at their own pace. this score includes, first, all 4 parts for the soloists, pages 2-5, following which is the choral score, pages 6 to 9. the first half of the soprano solo is provided at the beginning of the choral score, for cuing purposes. sometime after several or all of the soloists have arrived at measures 12 to 14 the conductor brings in the choir, at the top of page 7, the second page of the choral score. this small amount of connection is the last and only moment when there is any coordination between the soloists and the choir. the choir sings straight through from the top of page 7 until the end.

the piece is over when the choir has completed its part and all soloists have finished their solos.

te

because the soloists and the choir are not coordinated it is not possible to know in advance if the choir or the soloists will end the piece.

ad m

in

is

it is imagined that spatialization of the singers, choreography, theater, lighting and / or movement may be helpful in the realization of the music.

stateless was commissioned by the Cor de Cambra del Palau de la Música Catalana, Simon Halsey conductor, and was premiered, in a slightly different version and sung in Catalan, at the Palau de la Música in Barcelona, 10 May 2019. the duration should be around 6 minutes

program note I got very happy at the thought of writing a piece that would premiere in Barcelona. Barcelona has always meant a lot to me - my mother was a child in Barcelona, which saved her life. My mother was born in Germany, in 1927. When Hitler came to power it was clear to many Jews that they would need to leave but there were few places they could go. In 1935 my Mother and her parents managed

la ss ic al

to get to Barcelona and they stayed until 1939. My childhood was full of her stories - hiding from the civil war, hiding that they were Jews. We visited several times when I was a boy and my mother

would take us to the places she remembered, so we got to see Barcelona change in the 1960's and 1970's. It changed a lot - the broken down, one room storefront where her family lived is now a very

re Co d py by rig U ht ni b ve y rs Re al d M Po us p ic py Pu M bl us is ic hi ng C

fancy apartment building.

As a refugee, my mother was stateless, and the loss of belonging to a place stayed with her for her entire life. But she loved Barcelona and she would remind us of the long history of Jews in the region.

In fact, one of the most famous medieval Jewish scholars - Rabbi Moses ben Nachman - was from nearby Girona. Like my mother, he also became stateless, when he was exiled from Spain in 1267.

The text for my piece 'stateless' is a paraphrase of a letter that Rabbi Moses ben Nachman wrote to his children in Girona, from his exile in Jerusalem, describing his new life, blessing them, and wishing them well.

stateless words by david lang (after rabbi moses ben nachman)

I left my family I left my house I left my sons and daughters my heart and my eyes will dwell with them forever and so I came to this land what can I tell you about this land? the more sacred the space the greater the devastation even in its destruction it is a good land

ad m

in

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we are all refugees here we found some ruins of a house built on pillars of marble with a marble dome we volunteered to fix the house we built a temple there

many people come from all across the land they come to see what happened here those of us who have seen the land destroyed let us see the land restored and you, my children may you deserve all that is good in this world

stateless

soprano solos

for independent vocal solos and chorus incantatory, murmurring singers start individually and sing independent of each other change speed, rests, spacing and timing at will

david lang

,

my

heart

and

my

eyes

I

tell

will

dwell

with

them

for -

e

- ver

and

so

I

la ss ic al

, , soprano solos ======================================= & #_ˆ #ˆ ˆ ˆ ˆ ˆ l #_ˆ l #_ˆ #ˆ ˆ ˆ ˆ ˆ ˆ =l _ˆ #ˆ nˆ p I left my fa - mi - ly I left my house I left my sons and daugh- ters 4 , , ˆ nˆ ˆ ˆ ˆ #ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ============================================= & _ˆ #ˆ l #_ˆ l _ˆ came

to

this

land

, , , œ œ œ ˆ ˆ ˆ ˆ ˆ #ˆ ˆ ˆ ˆ ============================================= & l #ˆ l #_ˆ #ˆ l 6

what

can

you

a

- bout

this

land?

the

more

sa - cred

the

space

the

great - er

re Co d py by rig U ht ni b ve y rs Re al d M Po us p ic py Pu M bl us is ic hi ng C

, , , ˆ ˆ ˆ nˆ ˆ #ˆ ˆ ˆ nˆ #ˆ ˆ ˆ ˆ #ˆ ˆ ˆ ============================================= & #_ˆ l #_ˆ l _ˆ l _ˆ 9

the

de - vas - ta - tion

e - ven

in

its

de - struc - tion

it

is

a

good land

, , , #˙ #ˆ #˙ ˆ ˆ ˆ ˆ #ˆ ============================================= & π l l π l 12

we

are

all

re

-

fu

- gees

here

we

, , #ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ #ˆ #ˆ #ˆ ˆ ˆ ============================================= & l l #ˆ l 15

found some

ru - ins

of

a

house

built

on

pil - lars

of

mar - ble

with

a

mar - ble dome

, , , #˙ #ˆ ˆ ˆ ˆ ˙ ˆ ˆ #ˆ ============================================= & l l l π π 18

we

vo

21

-

lun

- teered

,

to

fix

,

the

house

we

,

ˆ ∑ ˆ ˆ ˆ ˆ #ˆ ˆ #ˆ ˆ ============================================= & l l #_ˆ l built

a

tem

from

all

a-

-

ple

there

cross

the

ma

-

ny

peo

-

ple

come

, , ˆ ˆ nˆ ˆ #ˆ ˆ ˆ ˆ ˆ #ˆ ˆ l ============================================= & #_ˆ l #_ˆ _ˆ 24

land

they

come

to

see

what

hap

-

pened

here

, , , #œ œ ˆ œ ˆ ˆ ˆ ˆ ˆ #ˆ ˆ ˆ ˆ ˆ ============================================= & l #_ˆ l #_ˆ _ˆ l those

of

us

is

te

26

who

have

seen the land

de stroyed -

let

us

see

the

land

re - stored

, , , œ ˆ ˆ #ˆ #ˆ #ˆ ============================================= & l #_ˆ l #_ˆ l #_ˆ

ad m

in

29

and

you

my

chil

-

dren

may

you

de

-

serve

, nˆ ˆ #ˆ ˆ #ˆ ============================================= & l ˆ ˆ ” 32

all

2

that

is

good

in

RNY 1337

this

world

stateless

alto solos

for independent vocal solos and chorus incantatory, murmurring singers start individually and sing independent of each other change speed, rests, spacing and timing at will

david lang

,

my

heart

and

my

eyes

I

tell

will

dwell

with

them

for -

e

- ver

and

so

I

la ss ic al

, , alto solos ======================================== & #_ˆ #ˆ ˆ ˆ ˆ ˆ l #_ˆ l #_ˆ #ˆ ˆ ˆ ˆ ˆ ˆ =l _ˆ #ˆ nˆ p I left my fa - mi - ly I left my house I left my sons and daugh- ters 4 , , ˆ nˆ ˆ ˆ ˆ #ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ============================================= & _ˆ #ˆ l #_ˆ l _ˆ came

to

this

land

, , , œ œ œ ˆ ˆ ˆ ˆ ˆ #ˆ ˆ ˆ ˆ ============================================= & l #ˆ l #_ˆ #ˆ l 6

what

can

you

a

- bout

this

land?

the

more

sa - cred

the

space

the

great - er

re Co d py by rig U ht ni b ve y rs Re al d M Po us p ic py Pu M bl us is ic hi ng C

, , , ˆ ˆ ˆ nˆ ˆ #ˆ ˆ ˆ nˆ #ˆ ˆ ˆ ˆ #ˆ ˆ ˆ ============================================= & #_ˆ l #_ˆ l _ˆ l _ˆ 9

the

de - vas - ta - tion

e - ven

in

its

de - struc - tion

it

is

a

good land

, , , n˙ nˆ n˙ ˆ ˆ ˆ ˆ #ˆ ============================================= & π l l π l 12

we

are

all

re -

fu -

gees

here

we

, , nˆ ˆ ˆ ˆ #ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ #ˆ #ˆ ˆ ˆ ============================================= & l l #ˆ l 15

found

some

ru - ins

of

a

house

built

on

pil - lars

of

mar - ble

to

the

with

a

mar - ble dome

, , , n˙ nˆ ˆ ˆ ˆ ˙ ˆ ˆ #ˆ ============================================= & l l l π π 18

we

vo - lun -

21

teered

,

fix

house

,

we

,

ˆ ∑ ˆ ˆ ˆ ˆ #ˆ ˆ #ˆ ˆ ============================================= & l l #_ˆ l built

a

tem

from

all

a-

-

ple

there

cross

the

ma

-

ny

peo

-

ple

come

, , ˆ ˆ nˆ ˆ #ˆ ˆ ˆ ˆ ˆ #ˆ ˆ l #_ˆ l ============================================= & #_ˆ _ˆ 24

land

they

come

to

see

what

hap

-

pened

here

, , , #œ œ ˆ œ ˆ ˆ ˆ ˆ ˆ #ˆ ˆ ˆ ˆ ˆ ============================================= & l #_ˆ l #_ˆ _ˆ l those

of

us

is

te

26

who

have

seen the land

de stroyed -

let

us

see

the

land

re - stored

, , , œ ˆ ˆ #ˆ #ˆ #ˆ ============================================= & l #_ˆ l #_ˆ l #_ˆ

ad m

in

29

and

you

my

chil

-

dren

may

you

de

-

serve

, nˆ ˆ #ˆ ˆ #ˆ ============================================= & l ˆ ˆ ” 32

all

that

is

good

in

RNY 1337

this

world

3

stateless

tenor solos

for independent vocal solos and chorus incantatory, murmurring singers start individually and sing independent of each other change speed, rests, spacing and timing at will

david lang

,

my

heart

and

my

eyes

I

tell

will

dwell

with

them

for -

e

- ver

and

so

I

la ss ic al

, , tenor solos ======================================== & #_ˆ #ˆ ˆ ˆ ˆ ˆ l #_ˆ l #_ˆ #ˆ ˆ ˆ ˆ ˆ ˆ =l _ˆ #ˆ nˆ •p I left my fa - mi - ly I left my house I left my sons and daugh- ters 4 , , ˆ nˆ ˆ ˆ ˆ #ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ============================================= & _ˆ #ˆ l #_ˆ l _ˆ • came

to

this

land

, , , œ œ œ ˆ ˆ ˆ ˆ ˆ #ˆ ˆ ˆ ˆ ============================================= & l #ˆ l #_ˆ #ˆ l • 6

what

can

you

a

- bout

this

land?

the

more

sa - cred

the

space

the

great - er

re Co d py by rig U ht ni b ve y rs Re al d M Po us p ic py Pu M bl us is ic hi ng C

, , , ˆ ˆ ˆ nˆ ˆ #ˆ ˆ ˆ nˆ #ˆ ˆ ˆ ˆ #ˆ ˆ ˆ ============================================= & #_ˆ l #_ˆ l _ˆ l _ˆ • 9

the

de - vas - ta - tion

e - ven

in

its

de - struc - tion

it

is

a

good land

, , , #˙ #œ #˙ œ œ ˆ ˆ #ˆ ============================================= & π l l π l • 12

we

are

all

re

-

fu

- gees

here

we

, , #œ œ œ œ œ œ œ œ ˆ ˆ ˆ ˆ ˆ #ˆ #ˆ #ˆ ˆ ˆ ============================================= & l l #ˆ l • 15

found some

ru - ins

of

a

house

built

on

pil - lars

of

mar - ble

with

a

mar - ble dome

, , , #˙ #œ œ œ œ ˙ ˆ ˆ #ˆ ============================================= & l l l • π π 18

we

vo

21

-

lun

- teered

,

to

fix

,

the

house

we

,

œ ∑ ˆ ˆ ˆ ˆ #ˆ ˆ #ˆ ˆ ============================================= & l l #_ˆ l • built

a

tem

from

all

a-

-

ple

there

cross

the

ma

-

ny

peo

-

ple

come

, , ˆ ˆ nˆ ˆ #ˆ ˆ ˆ ˆ ˆ #ˆ ˆ l ============================================= & #_ˆ l #_ˆ _ˆ • 24

land

they

come

to

see

what

hap

-

pened

here

, , , #œ œ œ œ ˆ ˆ ˆ ˆ ˆ #ˆ ˆ ˆ ˆ ˆ ============================================= & l #_ˆ l #_ˆ _ˆ l • those

of

us

is

te

26

who

have

seen the land

de stroyed -

let

us

see

the

land

re - stored

, , , œ ˆ ˆ #ˆ #ˆ #ˆ ============================================= & l #_ˆ l #_ˆ l #_ˆ •

ad m

in

29

and

you

my

chil

-

dren

may

you

de

-

serve

, nˆ ˆ #ˆ ˆ #ˆ ============================================= & l ˆ ˆ ” • 32

all

4

that

is

good

in

RNY 1337

this

world

stateless

bass solos

for independent vocal solos and chorus incantatory, murmurring singers start individually and sing independent of each other change speed, rests, spacing and timing at will

david lang

my

heart

and

my

eyes

I

tell

will

dwell

with

them

for - e - ver

and

so

I

la ss ic al

, , , #œ œ #ˆ ˆ ˆ #œ œ œ ˆ ˆ ˆ ˆ bass solos ======================================== ˆ ˆ ? #ˆ l #ˆ l #ˆ =l p I left my fa - mi - ly I left my house I left my sons and daugh- ters 4 , , ˆ ˆ ˆ #ˆ ˆ ˆ #ˆ ˆ ˆ ˆ œ nˆ #ˆ ˆ ˆ ˆ ˆ ˆ ˆ ============================================ ? l =l came

to

this

land

, , œ œ ˆ ˆ ˆ #ˆ ˆ, œ œ #ˆ ˆ œ #ˆ ˆ ˆ ============================================ ? l l =l 6

what

can

you

a

- bout

this

land?

the

more

sa - cred

the

space

the

re Co d py by rig U ht ni b ve y rs Re al d M Po us p ic py Pu M bl us is ic hi ng C

, , , #œ œ ˆ #œ œ ˆ œ #ˆ nˆ #ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ============================================ ? =l l l ˆ 9

great -er the de - vas - ta - tion

e - ven

in

its

de - struc - tion

it

is

a

good land

, , #_œ , œ œ ˙ ˆ ˆ ˙ #ˆ l l ============================================ ? π =l π 12

we

are

all

re

-

fu

- gees

here

we

, , œ œ œ œ œ œ ˆ #_œ œ ˆ #ˆ ˆ ˆ #ˆ #ˆ #ˆ ˆ ˆ ˆ ============================================ ? l =l l 15

found some

ru - ins

of

a

house

built

on

pil - lars

of

mar - ble

with

a

mar - ble dome

, , #_œ , œ œ œ ˙ ˆ ˆ #ˆ #˙ ============================================ ? l l =l π π 18

we

vo

-

lun

- teered

built

a

tem

from

all

a-

-

ple

there

cross

the

,

to

fix

,

the

house

we

, œ ˆ ˆ #ˆ ˆ ∑ œ œ ˆ ˆ ============================================ ? l l #ˆ =l 21

ma

-

ny

peo

-

ple

come

, #ˆ ˆ ˆ , œ #ˆ nˆ ˆ #ˆ ˆ ˆ ˆ ˆ ˆ ˆ ============================================ ? l =l 24

land

they

come

to

see

what

hap

-

pened

here

, , , #_œ œ œ ˆ #œ œ ˆ #ˆ œ œ œ œ œ œ #ˆ #ˆ ˆ ============================================ ? l l =l those

of

us

is

te

26

who

have

seen the land

de stroyed -

let

us

see

the

land

re - stored

, , , œ ˆ ˆ #ˆ #ˆ ˆ ˆ ============================================ ? l #ˆ l #ˆ =l

ad m

in

29

and

you

my

chil

-

dren

may

you

de

-

serve

, #ˆ #ˆ #ˆ ˆ ˆ ˆ ˆ ============================================ ? l =” 32

all

that

is

good

in

RNY 1337

this

world

5

stateless

choral score

for independent vocal solos and chorus incantatory, murmurring singers start individually and sing independent of each other change speed, rests, spacing and timing at will

david lang

la ss ic al

, , , ˆ ˆ ˆ ˆ soprano solos l======================================= #ˆ ˆ ˆ nˆ #ˆ ˆ ˆ ˆ & #_ˆ =l l #_ˆ _ˆ #ˆ l #_ˆ l p l l l I left my fa - mi - ly l l I left my house l I left my sons and ters daugh - l ∑ ∑ ∑ ll ll chorus l=============================== l& =ll ,

, ˆ nˆ ˆ ˆ ˆ #ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ l============================================ l #_ˆ & _ˆ #ˆ =l _ˆ 4

heart

and

my

eyes

will

dwell

with

them

for - e - ver

and

so

I

came

to

re Co d py by rig U ht ni b ve y rs Re al d M Po us p ic py Pu M bl us is ic hi ng C

my

this

land

, , , œ œ œ ˆ ˆ ˆ ˆ ˆ ˆ #ˆ ˆ ˆ & #ˆ =l l============================================ l #ˆ l #_ˆ 6

what

can

I

tell

you

a -

bout

this

land?

the

more

sa -

cred

the

space

, , , ˆ ˆ ˆ nˆ ˆ #ˆ ˆ nˆ ˆ ˆ ˆ ˆ ============================================ =l l & #_ˆ l #_ˆ l _ˆ #ˆ _ˆ #ˆ ˆ ˆ 9

the

great - er

the

de - vas - ta - tion

e -

ven

re

-

in

its

de - struc - tion

it

is

a

good

land

, , , #˙ #œ #w ˆ œ ˆ ˆ #ˆ ============================================ l& l l =l π 12

we

are

all

fu

- gees

here

we

note -

8 or more singers, SATB, are given the solo parts, and these solos begin the piece. each singer has his or her own solo part. the solos begin independently, and the singers proceed, independently throughout - slowly, unpredictably, at their own pace. this score includes, first, all 4 parts for the soloists, pages 2-5, following which is the choral score, pages 6 to 9. the first half of the soprano solo is provided at the beginning of the choral score, for cuing purposes.

is

te

sometime after several or all of the soloists have arrived at measures 12 to 14 the conductor brings in the choir, at the top of page 7, the second page of the choral score.

ad m

in

this small amount of connection is the last and only moment when there is any coordination between the soloists and the choir. the choir sings straight through from the top of page 7 until the end. the piece is over when the choir has completed its part and all soloists have finished their solos. because the soloists and the choir are not coordinated it is not possible to know in advance if the choir or the soloists will end the piece.

6

RNY 1337

choral score

q = 110

quiet but strong

s (chorus)

a (chorus)

t (chorus)

b (chorus)

we

are

all

re - fu - gees

la ss ic al

«ˆ«« «ˆ«« «« «« «« 3 «« ∑ Œ Ó. #ˆ««« . l Ó .

L“l======================================= & =l l l p4 ˙« . l ˆ« . ˆ« . ˆ« . l l l l l re - fu - gees here l l l we are all ¬l l l l l l l « « « « « 3 « « «ˆ« «ˆ« « « « Œ « Ó. ∑ ˆ«« . l Ó .

L“l======================================= & =l l l 4 ˙« . l ˆ« . ˆ« . #ˆ« . l l l l p we l re - fu - gees here l l l are all ¬l « l l l l l l « « « « « « 3 « «ˆ« «ˆ« « « ∑ Œ Ó. ˆ«« . ˆ«« . l Ó .

L“l======================================= & =l l l 4 ˙« . l ˆ« . #ˆ« . l l • l l p we l re - fu - gees here l l l are all ¬l l l 3 « l l l l «ˆ«« . . «ˆ«« ∑ Œ « « « « Ó Ó « 4 « « « « « ˙ . . . . . l l #ˆ« ˆ« l l L“l======================================= ? ˆ« ˆ« l =l p 15

here

21

we

re Co d py by rig U ht ni b ve y rs Re al d M Po us p ic py Pu M bl us is ic hi ng C

««ˆ« ««ˆ« «« «« «« ««˙« . «« « « Œ Ó Ó. l& l ˆ« . ˆ« . ˆ« . #ˆ«« . l #ˆ«« l l l ˙« .

L“============================================ =l l l l l l l l we found some ru - ins of a house built ¬l «« «« l «« «« « l Œ l l l l «« «« «« «« « Ó Ó. ˙« . ˆ« ˆ« L“============================================ =l l& l ˆ« . ˆ« . #ˆ« . ˆ« . l #ˆ« l l l ˙« . l l ru - ins of a l l house l l built l we found some ¬l l «« l Œ l l l l «˙«« . «« «ˆ«« « « « « « « « « « « Ó Ó. ˆ« L“============================================ =l l& l ˆ« . #ˆ« . ˆ« . ˆ« . l #ˆ« l l l ˙« . l • we l ru - ins of a l l house l l built l found some ¬l l l l l l l ««˙« . «« « ««ˆ« « « « « « Œ Ó Ó. ˆ« l? l #ˆ«« . «ˆ« . «ˆ« . «ˆ« . l #ˆ«« L“============================================ =l l l l «˙« . found

some

ru -

ins

of

a

house

built

«ˆ«« «« «« «« «ˆ«« «« «« ««« . ≈ Ó Ó. Ó Ó l& l ˆ« . ˆ« . ˆ« . #ˆ>« . l #ˆj l l ˙« . l L“============================================ =l l l l pil - lars of mar - l ble l with l l on a ¬l l l l l l l « « « « « « « « «ˆ« « « « «ˆ« « « Ó. «« . ≈ Ó Ó Ó L“============================================ =l l& l ˆ« . ˆ« . #ˆ« . >ˆ« . l #ˆj l l ˙« . l l l pil - lars of mar - l ble l l with l l on a ¬l « l l l l l l « « « « « « « «ˆ« « « «ˆ« « « « Ó. «« . ≈ Ó Ó Ó L“============================================ =l l& l ˆ« . #ˆ« . ˆ« . >ˆ« . l #ˆj l l ˙« . l l • l pil - lars of mar - l ble l l with l l on a ¬l l l l l l l «« «« «« . « « « « « Ó Ó Ó Ó ≈ « « « « « « ˆ . . . . . « ˙ . « ˆ l? l #ˆj l #ˆ« l l l ˆ« ˆ« « L“============================================ =l >ˆ« 27

on

pil - lars

of

mar -

ble

with

a

«««ˆ . ««ˆ« . . #˙» . #œ»»» œ»»» #œ»»» . œ»»» . »»»œ . »»œ . Œ ˆ««« . ‰ . l Ó . l& l Ó » =l l »» l l L“============================================ l l l l l l l mar - ble dome we vo - lun teered to fix the ¬l «« l « « « « l l l l «« « «ˆ« «ˆ« «ˆ« . ««ˆ« . #ˆ««« . «««ˆ . l Ó. Œ «ˆ . ˆ« . #ˆ««« . ‰ . l Ó .

L“============================================ =l l& l l ˙« . l l l l l l we l l mar - ble dome vo - lun - l teered to fix the ¬l l l l l l l «« « « « « « « . « « « « Ó. Œ «ˆ . #ˆ«« . ˆ«« ˆ«« ˆ«« . ˆ«« . ‰ l Ó . #ˆ«« . ««ˆ . ««ˆ . =l L“============================================ l& l l ˙« . l l l • mar - ble dome l l l we l l vo - lun - l teered to fix the ¬l l l l l l « «« « ‰. . « ««ˆ« ««ˆ« « «« . «« . «« . l Ó. Œ l ? #ˆ«« . l Ó L“============================================ ˆ« . ˆ«« . ˆ« «ˆ «ˆ =l l l «˙« . l l #ˆ«« .

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RNY 1337

vo

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teered

to

fix

the

7

choral score

#˙» . #œ»»» œ»»» #œ» . œ»» . œ»»» Ó Ó. Œ œ»»» . ‰ . Ó. » L“l======================================= & =l l »» l l l »» l l l l l l l l house we built a tem - ple there ¬l l l l l l l « « « « « « « « «ˆ« «ˆ« « « Ó Ó. Œ #ˆ«« . ‰ . l Ó .

L“l======================================= & #ˆ«« =l l ˙« . l l l «ˆ . ˆ« . l l we l l l tem - ple there l l house built a ¬l « « « « l « l Ó. l Œ l « l l « «« «ˆ« «ˆ« Ó ˆ««« . ‰ . l Ó .

L“l======================================= & #ˆ«« =l l ˙« . l l l «ˆ . #ˆ« . l • house l we l l l tem - ple there l l built a ¬l l l l l l l « « « ‰. . « ««ˆ« ««ˆ« . « Ó l «˙« . l Ó l Œ l #ˆ«« . «ˆ« . l Ó L“l======================================= ? #ˆ«« ˆ«« . =l

s (chorus)

a (chorus)

t (chorus)

b (chorus)

house

we

built

a

tem - ple

la ss ic al

39

there

45

ma - ny

peo

re Co d py by rig U ht ni b ve y rs Re al d M Po us p ic py Pu M bl us is ic hi ng C

« ««« . «« #ˆ««« . ˆ«« . œ»»» ««« «ˆ« . «««ˆ . œ»»» ˆ . ‰. #œ» œ»»» Ó Ó « #ˆ « . . l& l ˆ« l l l »» L“============================================ =l l l l come l l cross l ma - ny peo - ple from all a the land «« « ¬l l l l l l «« «« #ˆ«« . » œ « « « ˆ« . ‰. #œ»» œ»» » Ó Ó. œ» ««ˆ« . «ˆ . » » L“============================================ ˆ««« . =l l & #ˆ«« . ˆ«« . l l » l l »» l l l come l l ma - ny peo - ple from all a - l cross the land «ˆ«« . «« ¬l « « l l l l l «« #ˆ««« . « œ»» œ»»» ˆ« . ‰. #œ» œ»»» Ó Ó. ˆ« . ««ˆ .

L“============================================ ˆ««« . =l l & #ˆ«« . l l » l l »» l • ma - ny peo - ple l come l l l from all a - l cross the land # _ œ » . » œ . » œ » œ ¬l œ » » œ » l l l l l »»» »» »» #œ»»» . #œ»»» . »» »» » . ‰. œ»»» . #œ»»» . nœ»»» . Ó Ó lL“============================================ l l l l ? =l - ple

come

from

all

a

-

cross

the

land

«ˆ« . «««ˆ . ‰ . «« œ»» . #œ» . œ»»» . œ»»» . #œ» œ»»» œ»»» Ó. Ó ≈ #ˆ««j. » « l& l »» l »» l l «ˆ« .

L“============================================ =l l l l l l l they come to see what hap pened here those of us «ˆ«« . l œ» «« « ¬l « l l l l « « « «« « « #ˆ« . ˆ« . #œ»»» œ»»» Ó » Ó. ≈ #ˆ««j.« ««ˆ« . «ˆ . ‰ . =l L“============================================ l& l » l #ˆ«« . l l «ˆ« . l l come to see what l hap - pened l l those of us l they here ¬l « l l Ó. l «« œ»» . l #œ»» «ˆ« . ««ˆ . ‰ . l œ»»» . œ»»» . œ»»» œ»»» Ó ≈ #ˆ«««j. l #œ»»» . » L“============================================ =l l& l » l l ˆ«« .

• l l come to see what l hap - pened l l those of us l they here #_œ»» . l _»»œ» #_»œ»» . œ » . » œ ¬l œ » l l l . #œ » . » » . nœ » . #œ»»» »» »» » » » . œ» . »» ‰. l Ó ≈ #œJ»»» l? l l » l Ó l »» L“============================================ =l 50

they

come

to

see

what

hap

-

pened

here

those

of

us

«« #ˆ««« . «««ˆ . «««ˆ . »»»œ . œ»» œ»»» #œ»»» . œ»»» . #œ»»» . »»»œ . . #œ»»» . » œ » œ Ó Œ »» » l& l »» l l #ˆ«« . l » L“============================================ =l l l seen the land des - l troyed l let us see the l land l who have re - stored « « « ¬l l l l l l « « « « « » œ «ˆ« . #œ» . »»œ . « « #ˆ« . «ˆ . #œ»» œ»» Œ. ˆ« . »»»œ . »»»œ . œ» Ó » » » » L“============================================ =l l& l »» l »» l #ˆ«« . ˆ«« . l » l l seen the land des - l troyed l let us see the l land l who have re - stored « « « ¬l « l l l l l . « « « . » œ » œ »»»œ œ»» #œ»»» . #œ» . »»»œ . « #ˆ« . «ˆ . «ˆ »» »» Œ. œ»»» . »»»œ . œ» Ó » L“============================================ =l l& l »» l »» l #ˆ«« . l » l • l seen the land des - l troyed l let us see the l land l who have re - stored . . . # _ œ » _ » œ _ » œ # _ » œ . » œ . » œ . » œ . » œ . » œ ¬l » œ » » » » œ » » œ l l l l l »» »» »» »»» »» »» » » » #œ»»» . #œ»»» . »» » »» . Œ Ó lL“============================================ l l l l ? =l

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who

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land

des -

troyed

RNY 1337

let

us

see

the

land

re -

stored

choral score

˙»» . ˙»» œ»»» Ó. Ó. Œ Ó L“l======================================= & =l l » l l » l l l and l l you l l my ¬l l l l l l #˙»»» . #˙»»» #œ»»» Ó. Ó. Œ Ó L“l======================================= & = l l l l l l l and l l you l l my ¬l l l l l l « « « Ó. Ó. ˙» Œ Ó ˆ«« L“l======================================= & =l l ˙« . l l »» l l • l and l l you l l my . ¬l l l l l l » ˙ » ˙ » » . Œ Ó. l » l Ó l » l Ó ? #ˆ««« =l L“l=======================================

s (chorus)

a (chorus)

t (chorus)

b (chorus)

and

la ss ic al

60

you

my

65

chil

-

dren

re Co d py by rig U ht ni b ve y rs Re al d M Po us p ic py Pu M bl us is ic hi ng C

˙»» œ»»» ˙»» . œ»»» #œ»»» Œ Ó. Œ Ó l& l » l l » l L“============================================ =l l l may l l you l l chil dren de ¬l l l l l l #˙» . #˙» œ»» Œ Ó. Œ Ó œ»» œ»»» L“============================================ =l l& l »» l l »» l » » l l may l l you l l chil dren de ¬l l l l l l « «« « «« « Œ Ó. ˙» Œ Ó ˆ« #ˆ«« #ˆ« L“============================================ =l l& l ˙« . l l »» l l • l may l l you l l chil dren de . ¬l » ˙ » ˙ l l l l l »» »» . « « Œ Ó Œ Ó « « « « lL“============================================ l l l l ? #ˆ« ˆ« #ˆ« =l may

you

de

-

#˙»»» . »˙»» . #œ»»» . . Ó Ó Ó l l l l L“l============================================ & =l l l l l all l l serve ¬l l l l l l #˙» . ˙» . œ»» Ó Ó. Ó.

L“l============================================ & » =l l l l »» l »» l l l l all l l serve ¬l l l l l l « Ó Ó. Ó. ˙» . ˙» . #ˆ«« L“l============================================ & =l l l l »» l »» l • l l l all l l serve ¬l l l l l l . . « « « Ó l Ó l Ó l ˙«« . l «˙« .

L“l============================================ ? #ˆ«« =l 70

serve

all

œ»»» œ»» œ»»» œ»»» œ»»» #œ» Ó Ó. Œ l »» l » l ” L“l====================================== & l l l l ” that is good in this world ¬l l l l ” #œ»»» œ»»» #œ» œ»»» Œ œ»» œ» Ó Ó.

L“l====================================== & » l »» l »» l ” l l world l good l ” that is in this ¬l l l l ” « « « « « « Œ œ»»» «ˆ« « Ó Ó. ˆ«« #ˆ«« L“l====================================== & l #ˆ« l ˆ« l ” l • l world l good l ” that is in this ¬l l l l ” ««ˆ« ««ˆ« . « «« «« « Œ Ó l #ˆ«« l #ˆ«« l Ó ” L“l====================================== ? ˆ« ˆ«

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that

is

good

in

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la ss ic al re Co d py by rig U ht ni b ve y rs Re al d M Po us p ic py Pu M bl us is ic hi ng C te is in ad m

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