Dai Fujikura Flute Concerto (2015 - Orchestra Version)
Partitur
SY 4365/01
Co-commissioned by Nagoya Philharmonic Orchestra and The Saint Paul Chamber Orchestra World premièred of the Chamber Orchestra version by The Saint Paul Chamber Orchestra, Claire Chase (Flute), November 2015 at Ordway Concert Hall, Saint Paul. World premièred of the Orchestra version by Nagoya Philharmonic Orchestra, Claire Chase (Flute) and conducted by Martyn Brabbins on 11th December 2015 at Aichi Prefecture Art Theater Concert Hall, Nagoya. Instrumentation: Orchestra 1 Piccolo 1 Oboe 2 Clarinets in B-flat 1 Bassoon 1 Contra Bassoon 2 Horns (F) 1 Trumpets (B-flat) - Needs Harmon Mute and Straight Mute 1 Trombone - Needs Harmon Mute and Straight Mute 3 Percussion players 1 Timpani player STRINGS
+
Solo (Flute, Piccolo, Bass Flute, Contrabass Flute) (Contrabass flute part can also be played on Bass Flute). --------------------------------------------------------------------------------------------------! Percussion 1 (needs a bow) 1 Sea-shells wind-chimes 1 Rainstick (medium size) Crotales (I) (to be played arco) sound 2 octaves higher
Percussion 2:
Percussion 3 (needs a bow)
1 Bass Drum
1 small suspended Cymbal
1 Vibraphone
1 Syzzle Cymbal 1 Pod Rattle Crotales (II) (to be played arco) sound 2 octaves higher
STRINGS: S.P.= sul pont. P.O.= position ordinary General:
!
Accidentals (including grace notes) only a"ect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written.
Quarter Three quarter Quarter sharp sharp flat
Three quarter flat
To Claire Chase
"Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written."
&$&$
to Claire Chase
Flute Concerto
= means "open", "close" by hand (on harmon mute) very fast until the end of the bracket unless stated otherwise.
STRINGS: Do NOT vibrato on gliss. or port. S.P.= sul pont. P.O.= position ordinary Long note/tremolo: change bows as many times as you need.
" q = 100 "
! Oboe #
Dai Fujikura
same note tremolo
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,
3
pp
same note tremolo
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Freely use the available syllables throughout this section. Rhythms are precise and the segments in the box can be played in any order. However you may not repeat each individual segment more than twice until all the cycles have been played. Use the widest variation of dynamics and articulation. Interact with orchestra. ONLY play the NOTATED pitches. Very occasionally you may cover the embouchure hole completely or gradually and continue rhythmic syllabic patterns. ALWAYS play in a steady tempo. Feel the groove. Syllables: ts, k, p, sh, tsh, tsh, thh, ks, ch, ksh for tremolo = tktk... /rrr..../tsktsktsk.../shkshkshk.... 1
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Double Bass: all pitches sound an octave lower than written (including the harmonics)
Copyright © 2015 by G. Ricordi & Co. Bühnen- und Musikverlag GmbH Berlin Alle Rechte vorbehalten - All rights reserved - Tutti i diritti riservati
SY. 4365
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SY. 4365
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Freely use the available syllables throughout this section. Rhythms are precise and the segments in the box can be played in any order. However you may not repeat each individual segment more than twice until all the cycles have been played. Use the widest variation of dynamics and articulation. Interact with orchestra. ONLY play the NOTATED pitches. Very occasionally you may cover the embouchure hole completely or gradually and continue rhythmic syllabic patterns. ALWAYS play in a steady tempo. Feel the groove. Syllables: ts, k, p, sh, tsh, tsh, thh, ks, ch, ksh no gap for tremolo = tktk... /rrr..../tsktsktsk.../shkshkshk....
! - 1 "# (((((((((((((((((((((((((((((((((((((((((((((((((((((((((((( ( ( 1
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SY. 4365
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same note tremolo
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SY. 4365
1
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molto accel.
molto rit.
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same note tremolo
! Ob. # + 22
same note tremolo
.,
,
,
3
pp
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+
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mp
3
p
mf
%
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%
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%
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SY. 4365
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.0 )
mf
(pizz. trem. non-div.)
+
0 0
+
ppp (do not cresc.)
p
molto rit.
)6 0) 0) 0 0 . 0 ) + = , .0 ! SOLO ((((((((((((((((((((((((((((((((((((((((((((((((( 8 Fl. "# no gap
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, '''''''''''''''''''' , '''''''''''''''''' +
0 0) 0 0 0 0 . 0 ) 0) 30 0)
0
0
p
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+
% +
+
-
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-
-
%
.0 . 0
mp
5 0 0) %f
p
%
molto accel.
(pizz. trem. non-div.)
.,
+
0
,
pp
,)
,
pp
1 +
0
ppp (do not cresc.)
0 , ''''''''''''''''''''''''''' " ' ''''''''''''
$
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0)
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1
pp
%
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mp
%
%
+
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0
1 +
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pp
%
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Tpt.
+
0
0
0
%f
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+
6
molto accel. ! Ob. # 27
same note tremolo
.,
#
#
0)
0) .0 3 0 8
,)
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0
,)
.0
0
.0 0 mf
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0)
,
0)
p same note tremolo
Cl. II
,
p
same note tremolo
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q = 100
molto rit.
,
0)
,
0)
p
same note tremolo
4 +
/,)
same note tremolo
0 8
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0
0
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0
0 0 mf
30
0
1
+
-
%
%
+
-
%
%
p
1
p
2
2
same note tremolo
%
mf
&
%
%
+
-
,
*+
,
3
pp
pp
, p
, 3
+
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% same note tremolo
Cbsn.
"
&
% same note tremolo
sea-shells wind-chimes
rainstick
syzzle Cym.
pod rattle
Vib.
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mp
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%
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%
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,
pp
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*
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p
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p
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%
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no gap
1
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q = 100
%
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%
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32
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%
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1
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,
%
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%
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p same note tremolo
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%
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pp
SY. 4365
** , ,
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p
+
+
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1
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%
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+
1
1
pp
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1
p
0
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& .0
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30 )
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%
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7
Meno mosso q = 86 ! Ob. # -
same note tremolo
32
,
3
pp
.,
,
+ -
3
p
%
.0.0
0 0. 0
3
3
mp
%
#
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.,
+
%
mp
#
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,
+
3
p
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3
pp
,
+
3
p
*
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%
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,
3
pp
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"
&
%
%
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,
,
3
pp
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%
%
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p
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3
pp
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1
3
3
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p
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3
3
-
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$ ,
%
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%
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&
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3
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30 30 0)
3
3
,
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%
same note tremolo
3
0
3
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%
same note tremolo
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3
3
.06 .0 0 0 )
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%
mf
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,
3
4
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4
%
mf
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%
%
%
+
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
3
same note tremolo
# +
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,
,
pp
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-
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%
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p
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mp
0
4 1
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0
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%
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&
%
%
%
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%f
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,
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,
%
,
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3
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% f
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non-trem. TUTTI arco
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,
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pp
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,
3
030 /0 0 ( . 0 +.,0 0
mp
%
p
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3
3
3
Meno mosso q = 86
4 1 1
** 3 0<
trem.
mf
3 0(
(The interval of this harmonic is held as a 5th!) trem.
4 1 1
** < 30 mf
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4 1 1
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mf
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%
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f
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f
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0)
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30 :
0 :
f non-trem. SOLO
*
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%
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8
! Ob. # + 38
1
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# +
3 ( .0 +.,0( +.,0( 0 0) 0( /0( 30( .0 30
# +
"
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0
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0
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%
%
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3
%
%
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flz.
+
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%
+
+
mf
+
-
%
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+
mf
mf
%
%
%
#
%
%
%
#
+
+
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%
%
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%
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&
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%
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%
mp
%
mp
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%
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flz. straight mute
Tbn.
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mp
Tpt.
%
flz.
%
mf
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%
mf
3
sub. mp
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-
mf
sub. mp
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+
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mf
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0
> "
%
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%
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p
%
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%
%
%
%
%
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##
%
%
%
%
%
%
%
%
%
sea-shells wind-chimes
rainstick
syzzle Cym.
SOLO Fl.
( ( 30 ) 0 .0 .0( .0 / 0 3 0 ! 0 0 ( ( /0 .0( 30 "# sub. mf
3
f
#
Vln. II
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0
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+
p TUTTI non-div. (non-trem.)
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0 /0
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p
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pp
pp
pp
pp
%
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trem.
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1
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trem. non-div.
+
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, **
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%
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trem.
pp
%
-
trem.
pp
%
-
arco trem.
0) ** pp
SY. 4365
mp
mp
mp
pp
pp
pp
pp
pp
9
Più mosso q = 100 ! Ob. # +
same note tremolo
47
.,
,
,
3
pp
,
+
3
p
%
Cl. I
,
+
,
,
3
pp
,
+
3
p
-
%
#
-
,
+
,
3
pp
Bsn.
"
&
same note tremolo
.,
,
3
%
., p
, 3
+
-
% non-flz. same note tremolo
Cl. II
+
pp
non-flz. same note tremolo
# -
-
,
,
+
%
-
%
3
p
non-flz. same note tremolo
%
%
+
.,
,
3
pp
%
%
%
Hn. II
#
%
%
%
%
Tpt.
#
%
%
%
%
&
%
%
%
%
sea-shells wind-chimes
rainstick
syzzle Cym.
"
!'
,
,
pp
p
"' !
* 0*
+
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# # .0 )
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$
0)
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$
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0
,
p
0
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1
,
pp
+
% * 2*
%
ppp (do not cresc.)
30+.,0 .0 $
0
$
/0 $
30
, '''''''''''''''''''''''''''' +
+
%
+.,0
0 0 0 0 .0
-
%
+
+
p
.0 ) 30
-
-
%
'
+
0
+
p
%
Tbn.
, 3
! #
Hn. I
,
0
0 +.,0 )
0)
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%
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. 0 ) .0 ) .0 $ $
30
0
0
0
0+.,0 )
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0)
$
3,
$
Più mosso q = 100 Play the segments in any order, however you may not repeat each individual segment more than twice until all the cycles have been played. ALWAYS in steady tempo. Feel the groove, play this section as if you are the drummer in a rock, metal or jazz band. percussive breathy sound, less pitches.
! .- 1 "# ( . ( 1
SOLO Fl.
T
P
.)( B
2
.( .- .( ( 3
4 .)( Ts
T K
B
;.( . - 3 -.)( ( )( . (
3( 1 .( ). ( 5
4
B
P
T K Ts
P
T
P
( .- 1 .3 - . - . - 4 3))( ( )( ( )( B
P
Ts P
K
P
75 .0<
non-trem.
1
,<
0< ; 4 1
% mp
pp
** # ..,,
* ,* ,
pizz. trem. non-div.
Vln. II
+
-
1
3<07
+
& +
Vc.
**
1 * .*0 *
pp
Db.
"
&
%
%f
** 00 ))
.0
# .0
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**5 00
pizz. trem. non-div.
<0))
gliss.
p
**
30 ** **
0 ** %
.0
-
pp
* ,* /,
* ,* ,
pizz. trem. non-div.
+ .0
+
p
%
pp non-trem. arco
+
&
7 .. <,
<0 <0
% mp
pp
%
SY. 4365
1
pp
gliss.
+
** 00 ))
p
% mp
mp
gliss.
** 00 ))
<0 ; 4 +
pp
pp
pizz. trem.
(((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((
pp
norm. S.P.
* -
+
arco
p
pp
Vla.
tktk......rr.....
**
sub. p
mf
! Vln. I # +
.**
6
; 4
%
%
#
10
! Ob. # + 51
same note tremolo
.,
,
,
3
pp
same note tremolo
,
+
3
p
%
# -
3
,
pp
,
,
+
3
p
%
#
Cl. II
,
+
+
., , .,
,
3
3
pp
same note tremolo
Cl. I
-
-
-
+
p
same note tremolo
+
,
,
,
3
,
+
+
-
"
%
, p
%
%
%
%
%
%
+
.,
,
3
pp
,
,
+
3
p
%
%
%
%
%
Hn. II
#
%
%
%
%
%
Tpt.
#
%
%
%
%
%
&
%
%
%
%
%
%
%
Tbn.
sea-shells wind-chimes
rainstick
syzzle Cym.
"
!
' ,)
+
p
"' ! ' 0**
pod rattle
"' -
Vib.
##
0)
+
%
+
-
+
,
pp
,)
0 1
* ,*)
* ,*
+
-
+
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p
, '''''''''''''''''''''''''''''''
%
30 ) .0 ) 0 0 +.,0 .0 ) . 0 .0 $ $ $
0
0 $
3, 0 +.,0+., 0 $ $
0
.,
0
%
-
* ,*
* ,*)
-
same note tremolo
+
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ppp (do not cresc.)
+ 0''''''''''''''' 0
p
! ) Vln. I # 1
7 . . 0<
pp
; 1) 0< @
0<
% mp
* .0* 30
* 0* 0
(pizz. trem. non-div.)
# +
Vln. II
p
pp
pizz. trem. non-div.
** 4 .00 ))
+
pp
arco
1
<07
<0))
pp
** ** 00 00 ))
** 00 ))
p
** 0 /0
*5 0* 0
.0 .0 1
+
pizz. trem. non-div.
<0 @; 1
% mp
pp
arco
,
4 +
/,
,
,
3,
* 0* 0
# +
Vla.
1
gliss. gliss.
3,
.,
.,
-
,
.0 0 0 0 0 0.0 )
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.0 .0 0 0 0 0.0 )
mp
pp
Vc.
"
# 1)
** 0
mp
**
pp
**
gliss. p
.0 0 * * **: * *
arco
1
& 1
7 ..<0
pp
<0 ))
/,
/,
mp
pp
pizz. trem.
P.O.
<0 ; + @
% mp
+
SY. 4365
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0 0
0.0 0) 0 ) $
0 0 0 0.0 $ $
0
30 0 $
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,
30
0
0)
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.,
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+
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0
mf
p
+
+
.0 ) .0 )
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30 ) /0 0 /0 0 0 0
%
.0 ) .0 .0
mf
(S.P.)
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,
,
%
mp
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,
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%
%
%
-
$ .6,
%
&
%
%
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%
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%
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p
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%
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%
%
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gliss. gliss.
#
%
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mp
pp
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p
(straight mute)
* 30** 0
Vc.
%
%
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Vln. I
+
,
%
Hn. II
-
%
mf
with normal vib.
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, mp
p
*
%
mf
with normal vib.
%
3,
%
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same note tremolo
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%
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#
%
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%
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%
%
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p
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%
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%
#
Tpt.
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p
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Crot. II
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,
%
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mp
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%
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p
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%
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%
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mp
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mp
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mp
same note tremolo (colour trill) non-flz. Cl. I
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36
! Picc. # 233
%
%
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flz.
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same note tremolo Ob.
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%
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%
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%
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%
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,
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%
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%
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flz.
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(p)
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mp
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%
same note tremolo
&
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mf
p
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%
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mf
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p
p
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37
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flz.
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mp
mf
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%
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%
1
#
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mp
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+
mp
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non-flz. same note tremolo
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flz.
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mp
%
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mf
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mp
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mp
,
1
f (no dim.)
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,)
mp
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,)
mp
1
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+
%
A %
A %
+
%
A %
A %
+
%
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%
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f (no dim.)
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%
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%
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%
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Crot. I
Crot. II
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p
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mp
%
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non-flz.
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3
.0
30
0 0 0 0 30
,
0
> "
0 0
" "
,
change to Contrabass Flute (or Bass Flute, if you don't have a Contrabass Flute)
%
A %
%
A %
f
Contrabass Flute SOLO Cb. Fl.
"#
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#
Vln. II
*
Vla.
Vc.
"
%
<,
%
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%
%
%
(with normal vib.) non-harmonics
82
82
<0
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,
mp
p
mp
/ 82
<0 <0
p
mp
3 82
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p
mp
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SY. 4365
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(with normal vib.) non-harmonics
gliss. gliss.
%
,
<,
2
%
.. <0 **
trem.
mp
82 **
f (no dim.)
.8
82
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III mp
f (no dim.)
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82 f (no dim.)
II
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IV III sim. mp
0
mp
A % A
.8
A %
sim.
A ** 28
trem.
mp
<,
-
A 82 ** .8
J
A 2
(Sounds two octaves lower than written)
8
A %
A
8
A %
CADENZA Più mosso q = 108 molto accel.
38
Suddenly very wild, play with as many harmonic sounds as possible by overblowing the fundamental notes which are notated. Rhythmic, feel the groove. Make sounds like distorted electric guitar.
Extremely Articulate
)B )B )B B )B )B )B B )B )B B B 247 ) )B )B B B ) ) ) ) ) SOLO 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 Cb. Fl. # 0 )
)
0
)
pp sub. sfffz
sub. sfffz
sim. )B )B )B B B )B )B )B B )B )B )B B ) ) )B B B ) ) ) )
B B B B B B )B )B ) ) )B )B ) ) )B )B ) ) )B )B )B B ) 0
pp sub. sfffz
0 )
0
0
0
pp sub. sfffz
0 )
0
0
0
pp sub. sfffz
0 )
0
0
0
0
.0 )
0
pp sub. sfffz
0
0
0
0
0
0
pp sub. sfffz
0
0 )
0
0
0
0 )
sub. sim. sfffz
0
0
0
sub. sfffz
q = 142 )B )B B B B )B )B B B B )B B B )B B )B )B B B )B )B B ) ) ) B B )B )B B )B )B )B )B B B )B B )B ) ) ) ) B ) ) ) ) ) ) B )B )B )B B B B B B ) B B B B B ) )B ) ) ) B B B 250 )B B ) )B B ) ) ) ) B ) ) ) ) B B ) ) )B ) ) B ) ) ) ) ) ) ) 0 0 0 0 0 0 0 )0 0 0 0 0 0 0 0 0 SOLO 0 0 0 0 0 0 0 0 0 0 0 0 .0 0 0 0 0 0 0 0 Cb. Fl. # .0 0 0 0 0 0 0 0 0 0 0 0 .0 0 0 0 .0 0 0 0 )
)
)
sub. sfffz
sub. sfffz
sub. sfffz
B B B B B B ) ) )B )B )B )B )B B B ) ) )B )B ) ) 254 ) ) B ) SOLO .0 0 0 0 .0 0 0 0 0 0 0 0 0 0 # 0 0 Cb. Fl. )
SOLO Cb. Fl.
259 / 0 0
#
)
)
sub. sfffz
sub. sfffz
SOLO Cb. Fl.
#
t k sub. sfffz
.0 0 0 0 ) )
t
k sim. sub. sfffz
)B )B B ) )B
0 0 0 0 0 0
" "
)
)
sub. sfffz
sub. sfffz
p sub. sffz
sub. sffz
p sub. sffz
.0 3 0
p sub. sffz
.0 .0 0 0
p sub. sffz
30 0 0
.)0 .0
p
/ 0 3 0 0 0 0 3 0 .0 30
30
p sub. sffz
sub. sffz
/0 /0 /0
/0 30 .0 3)0
30 0 30
0 0
# .0
0
sub. sfffz
273
# .0 .0 f
SOLO Cb. Fl.
> "
0 0 0 .0 0 0
.0 .0 0 0 0 +.,0
flz.
pp sub. sfffz
pp sub. sfffz
espress.
# 0 .06 )
.)0
#
) 0 / 0 0 / 0 .0 30 .0
0 30 0 0 .0
. 0 . 0 0 .0
SOLO Cb. Fl.
#
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#
.0 3 0
0B
30 /0 30 ) )
30 30
.0 /0 .0 ) ) sub. sffz
30 0
30 .)0
30 3 0
sub. sfffz
30
/0
/0 30
0
p sub. sffz
sub. sffz
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.0 0
B 0B . 0 )
0B
0
0
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0
)
sub. sfffz
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H F
)
.0
. 0B
.0 .0 30 0
0/0
ff
.0 .0
+., 0 )
** 3,
** .0
.)0 0 . 0 . 0 .0
0 .0 .0 ,
espress. flz.
** 0
+., 0 :
0
** 0
) .0 3 0 3 0 ) 30 0 . 0 ) 0 0 3 0 3 0 ) .0 3 0 ) .0 . 0 .0 +.,0 +.,0 +.,0 +.,0 p sub. sffz
sub. sffz
)B )B B )B )B ) )B )B B B ) ) )B
p sub. sffz
p
" "
.0 .06
0 0 0 06
06 )
0 .0 .0 0 .0 6 +.,0 .0 0 )
0 .0 0
0 30 0) 6 )
0 0 .0 0 0 0 0 0 0 0 )
sub. sffz
norm.
06 0 0 06
sub. sfffz
B 0)
** .0
., **
> "
)0
0 .0 .0
0
0B 0B
p sub. sffz
p sub. sffz
+., 0 . 0 0 .0 30 30 .0 +.,0 ) 0 30 +.,0 .)0 sub. sffz
30 0 .0 .0
p sub. sffz
/ 0 30
0 .0 )
p sub. sffz
.0
p sub. sffz
p sub. sffz
B 0B .0 )
.0B
B 0
B . 6,
.,6B
B .,6
.0 )
> "
30
0
.0 **
0 ** :
30 0
" "
) 30 30 3 0 .0
.0
0
.0
30
/0 30
/0
0 .0 * ** *
0 **:
30 **
.0 0
0 /0 0
p sub. sffz
> "
) 30 .0
0 .0 ) ** **
0 **
.0 ) .0 0 .0 0
30.0 0
p sub. sffz
norm. ) 3 0 3 0 . 0 +., 0 f
.0 0 0 .0 )
" "
30 0 +., 0 ) . 0 +., 0 . 0 3 0 30 +.,0 p sub. sffz
30 0 0 .0 0 .0 0 +., 0 0 .0 3 0 . 0 . 0 ) 0 .0 30 ) 30 0 .0 0 .0 .0 0 0+.,0 0 +.,0+.,0+.,0 .0 .0 . 0 ) .0 .0 0 .0 30+.,0 30 .0 )
p sub. sffz
/0 30 30
p sub. sffz
** 0
.0 .0 )
30 0 0 ) 30 0 3 0 ) /0 0 / 0 30 ) 30 / 0 ) 30 .0 3 0 . 0 +3,0 +3,0 +3,0 /0 /)0 .0 ) sub. sffz
) 30 3 0 30 .0 .0 0 .0 .0
p sub. sffz
p sub. sffz
subito Meno mosso (q = 142) q = 86
0 .0 0 .0
. 0B
/0
p sub. sffz
sub. sfffz
. 0B
0B
30 3)0
p sub. sffz
0 0 0 0 0 0
.0 0 .0 . 0 ) 6 B .0 :
. 0B )
30 0
)B )B )B B )B )B ) )B B ) 0 0
sub. sfffz
.0 0
p sub. sffz
p sub. sffz
sub. f
p
sffz
302
p
sub. sfffz
sub. mf
.0 0
0+3,0 ) 0 0
+., 0 . 0 0 . 0 +., 0 0
p sub.
SOLO Cb. Fl.
0)
30 /0 /0 .0 0 .0 ) . 0
) 0 .0 .0
p
sub. sffz
298 . 0
+.,0
/0 / 0
sub. f
mosso "Più "q = 112
# .0 )
0+/,0
(f)
sub. f
SOLO Cb. Fl.
B 0
sub. sfffz
norm.
.0 )
)
sub. sfffz
0 * *
.0 :
0
0 :
0 0 0 0 .0 .0 .0 6
.)0 . 0 ) 0 0
288 ,
294
pp sub. sfffz
espress.
) 283 0 . 0 SOLO Cb. Fl. #
SOLO Cb. Fl.
0 0 0 0 .0 0 0 0 . 0 0 0 0 0 0 ) )
sub. sfffz
p sub. sffz
p sub. sffz
)B )B B )B )B B )B B )B )B B )B )B )B B ) )B )B )B B )B )B B B ) ) B B ) B ) ) ) )B B ) )B ) ) B ) )B ) .0 0 0 0 0 0
B 268 )
277
0 .0 0 0
p sub. sffz
p sub. sffz
p sub. sffz
molto accel.
SOLO Cb. Fl.
sub. sfffz
subito Meno mosso q = 112
ff
p sub. sffz
SOLO Cb. Fl.
sub. sfffz
30 0 0 ) 0 .0 /0 0 30 0 ) 30 30 0 0 /0 0 30 / 0 0 ) )0 .0 .0 .0 +., 0 +., 0 +., 0 .0 ) )
sub. sfffz
.0 0 0 0 ) )
)
)
sub. sfffz
3 03 0 .0 .0 .0 . 0 0 . 0 +., 0 0 0 3 0 +., 0 0 0 +., 0 . 03 0 . 0 0 . 0 03 0 .0. 0 . 0 0 .0 ) 30 ) 0.0 .0. 0 . 0 3 0 +.,0 ) 30+.,0. 0 3 0 / 0 0 .0. 0 . 0 3 0 +., 0 +.,0 30/ 0 . 0 3 0 ) 30 30.0. 0 ) /0 0/ 0 .0 .0 ) 0 0 3 0 ) 30 .0 30 ) /0 ) 30 . 0 . 0 . 0 3 0 3 0 /0 +/,0 .0 +., 0
p sub. sffz
264
> F
)
p sub. sffz
/0 30 30 30 /0 /0
0 +3,0 p
SY. 4365
p sub. sffz
30 30 3)0 )
sub. sffz
p sub. sffz
.0 30 0
30
) 0 /0 0
p sub. sffz
p sub. sffz
30 0 /0 /0 ) 30 30 0 .0 .0 ) 30 /0 ) ) 0 0 0 ) /0 . 0 /0 +3,0 +3,0 +3,0 0 p sub. sffz
sub. sffz
p sub. sffz
p sub. sffz
p sub. sffz
p
q = 142
molto accel. ! Picc. # 306
%
%
1)
> "
0(
exaggerate the accents
-
+
)0( 0( 0( 0( )0( 0( 0( 0( 0( 0( )0( 0(
subito Meno mosso q = 112 molto accel.
? "
)0( 0( 0( )0( 0( 0( )0( )0(
mf
#
Ob.
%
-
+
. 0( 0( 0( 0(
.)0( 0( 0( 0( )0( 0( 0( 0( 0( 0( )0( 0(
p
(mf)
%
#
Cl. I
%
#
Cl. II
%
1
-
)0( 0( 0( 0( )0( 0( 0( 0( 0( 0( )0( 0(
p
(mf)
%
4 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( ) )
Bsn.
Cbsn.
Hn. I
"
&
#
%
# "
&
p
(mf)
.0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( ) ) )
.0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( ) ) )
%
%
(mf)
.0( 0( 0( 0( 0( 0( 0( 0( ) ) ))
+
-
(ff)
.0( 4 1 )
+
00 )( )(
+
-
f
0 4 1 )(
)) 1 & 0( 0(
)0( 4 1
+
-
4 1
+
-
1 .0 0 )( )(
.0( 4 1 )
+
-
00 00 00 .0 0 0 0 30 0 0 0
)( . 00 .0 4 1 30
+
-
%
%
%
1
+
%
+
%
%
+
fff
(ff)
+
1
. 00
.0 30
. 00
ff
f
ff
senza sord.
)0( )0(
)0(
f
ff
1
+
fff
ff
p
q = 142
)B )B B )B )B B )B )B )B B )B B )B B )B B )B )B )B ) B B )B B B )B )B B )B )B B B) ) )B ) )B B ) )B B B ) )B )B B ) )B B )) )) ) )B B ) ) )B ) ) )B ) ) )B B ! ) SOLO ) Cb. Fl. "# . 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 . 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 . 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 sub. sfffz
! Vln. I #
pp sub. sfffz
)
pp sub. sfffz
sub. sfffz
%
)
sub. sfffz
)
)
sub. sfffz
)
sub. sfffz
%
)
sub. sfffz
)
sub. sfffz
-
f
%
#
%
%
+
1)
*
%
1)
0(
&
Db.
"
%
0 0 0 0 0 0 )
)0( 0( 0( 0( )0( 0( 0( 0( 0( 0( )0( 0(
)0( 0( 0( )0( 0( 0( )0( )0( (ff)
)0(
sub. sfffz
4 1
+
-
fff
-
(mf)
000000000 00 0 )( ( ( ( )( ( ( ( ( ( )( (
0 )(
4 1
+
-
(mf)
0 0000000 )( ( ( )( ( ( )( )(
.0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( ) ) )
.0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( ) ) )
.0( )
4 1
+
-
(mf)
.0( 0( 0( 0( 0( 0( 0( 0( ) ) ))
.0( 0( .0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( ) ) ) )
.0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( ) ) )
.0( 0( 0( 0( 0( 0( 0( 0( ) ) ))
.0( )
4 1
+
-
(ff)
fff
non-trem. exaggerate the accents
0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( ) )
(ff)
fff
exaggerate the accents
(ff)
fff
exaggerate the accents
1
0 0 0 )
+
+
+
)B )B B )B )B ) B )B B ) )B B ) )
.0( 4 1 )
%
-
)B )B B B ) )
.0( 0( 0( 0( 0( 0( 0( 0( ) ) ))
.0( 0( 0( 0( 0( 0( 0( 0( 0( )
p
&
)B )B
.0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( ) ) )
%
%
%
exaggerate the accents
p
Vc.
" "
sub. sfffz
exaggerate the accents non-trem.
p
Vla.
? "
subito Meno mosso q = 112 molto accel.
pp
sub. sfffz
+
> "
mf
Vln. II
-
)0( 4 1
%
)
+
)0( 0( 0( )0( 0( 0( )0( )0(
%
)
-
)0( 0( 0( 0( )0( 0( 0( 0( 0( 0( )0( 0(
!
)
+
)0( 0( 0( 0( )0( 0( 0( 0( )0( 0( 0( 0( 0( 0(
%
molto accel.
-
exaggerate the accents
%
%
+
fff
(ff)
f
##
4 1
fff
(ff)
medium sticks
Vib.
)0(
(mf)
%
%
-
0 4 1 )(
%
%
)0( 0( 0( )0( 0( 0( )0( )0(
exaggerate the accents
%
+
0 0000000 )( ( ( )( ( ( )( )(
p
%
Tpt.
%
%
! #
Hn. II
Tbn.
%
1
-
000000000 00 0 )( ( ( ( )( ( ( ( ( ( )( (
p
&
+
fff
exaggerate the accents
+
4 1
.)0( 4 1
(ff)
)0( 0( 0( 0( 0( 0(
exaggerate the accents
.)0( 0( 0( )0( 0( 0( )0( )0(
)0( fff
(ff)
exaggerate the accents
%
" "
39
p
SY. 4365
(mf)
(ff)
fff
0 0 0 0 0 0 0 ) sub. sfffz
40
subito Meno mosso q = 112 molto accel.
q = 142 ! # 312 Picc.
Ob.
Cl. I
Cl. II
%
#
%
#
%
#
%
-
%
4
&
Bsn.
f
4
%
-
+
4
Hn. I
"
& -
mf
mp
Tbn.
Vib.
"
(f)
%
fff
(ff)
.0 0 0 0 0 )0 0 0 0 0 )0 0 0 0 0 0 .)0 0 0 0 )0 0 0 0 0 0 )0 )0 )0 )0 )0 )0 (mf)
ff
(f)
) ) ) ) ) ) ) ) ) ) ) 4 .0 0 0 .0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 .0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 (mf)
1)
+
1)
/0 0 0 )0 0 0 0 0 0 /)0 0 0 0 )0 0 0 0 0 0 )0 )0 )0 )0 )0 )0 pp
(mf)
1)0 1 0 0 0 0 0 )0 0 0 0 0 )0 0 0 0 0 0 1)0 0 0 0 )0 0 0 0 0 0 )0 )0 )0 )0 )0 )0 (mf)
1)
%
)B )B B )B B )B )B )B B ) B ) B ) )B B) ) )
! "# 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 sub. sfffz
)
)
sub. sfffz
)
sub. sfffz
sub. sfffz
! Vln. I #
%
#
%
*
%
Vln. II
Vla.
)
sub. sfffz
ff
(f)
.0 0 0 0 0 .0 0 0 0 0
.. 00
0 0
00
0 0
00
0 0
00 00 0 0
)
sub. sfffz
)B )B )B
0 0 0 0 0 8
4 1
-
-
& +
+
-
f
+
"
& +
+
(ff)
fff
(f)
(ff)
)B )B B )B )B B )B )B B ) )B B ) B ) )B B ) ) )B ) )B
.0 0 0 0 0 0 0 0 0 0 ) )
) ) ) ) ) ) ) ) ) ) 4 .0 0 0 0 0 0 0 0 0 0 0 .0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 (f)
(ff)
(f)
0 0 0 0 0 )0 0 0 0 0 )0 0 0 0 0 0
SY. 4365
(ff)
(ff)
%
%
%
fff
%
fff
)0 0 0 0 0 0 )0 0 0 0 )0 )0 )0 )0 )0 )0
(f)
sub. sfffz
fff
.)0 0 0 )0 .0 0 0 0 0 )0 0 0 0 0 )0 0 0 0 0 0 .)0 0 0 0 0 0 )0 0 0 0 )0 )0 )0 )0 )0 )0
)0 0 0 0 )0 0 0 )0
pp
.0 0 0 0
. 0 0 0 0 .)0 0 0 0 0 0 )0 0 0 0 )0 )0 )0 )0 )0 )0
pp
Db.
+
)B
.)0 0 0 0 0 0 )0 0 0 0 )0 )0 )0 )0 )0 )0
mp
+
B )B )B )
sub. sfffz
%
+
%
f
q = 142 )B )B
%
subito Meno mosso q = 112 molto accel.
mp
Vc.
%
ff
(f)
p
)
%
ff
(f)
!
SOLO Cb. Fl.
%
fff
(ff)
%
%
)B
%
fff
(ff)
0 0 0 0 0 )0 0 0 0 0 )0 0 0 0 0 0 0)0 0 0 0 )0 0 0 0 0 0 )0 )0 )0 )0 )0 )0
pp
)B )B
%
fff
(ff)
(f)
+
##
%
%
%
& -
fff
4 00 0 0 0 0 0 0 00 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 00 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 ) ) ) ) ) ) ) ) ) ) ) )
+
#
(f)
(f)
pp
Tpt.
(ff)
%
00 0 )0 0 0 0 0 0 0)0 0 0 0 )0 0 0 0 0 0 )0 )0 )0 )0 )0 )0
pp
& -
Hn. II
fff
1 0 0 0 1)0 0 0 0 )0 0 0 0 0 0 )0 )0 )0 )0 )0 )0
pp
! #
(ff)
1 0 0 0 )0 0 0 0 0 0 )0 )0 )0 )0 )0 )0 f
p
Cbsn.
0 0 )0 0 0 0 0 0 )0 )0 )0 )0 )0 )0
1
%
fff
%
0 0 0 0 )
sub. sfffz
0 0
41
q = 142 ! Picc. # 316
Cl. I
Cl. II
Bsn.
Hn. I
%
#
Ob.
Cbsn.
%
"
-
%
1)
#
%
%
#
%
%
&
%
&
1)
+
%
+
%
&
%
p
0 0 0 )0 0 0 0 )0 0 0 )0 0 0
)0 0 0 )0 0 0 0 0
0 0 )0 0 0 0 )0 0 0 )0 0 0
+
)0 0 0 )0 0 0 0 0
p
1)0 0 0 0 0 0 )0 0 0 0 )0 0 0 )0 0 0
1)0 0 0 )0 0 0 0 0
p
10 0 0 0 0 0 0 0 0 10 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 ) ) ) ) )
10 0 0 0 0 0 0 0 ) )
.)0 0 0 0 )0 0 0 0 0 0 .)0 0 0 0 0 0 )0 0 0 0 )0 0 0 )0 0 0
.)0 0 0 )0 0 0 0 0
pp
1
1)0 0 0 )0 0 0 0 0
p
1)
-
-
)0 0 0 0 0 0 )0 0 0 0 )0 0 0 )0 0 0
)0 0 0 )0 0 0 0 0
)0 0 0 0 0 0 )0 0 0 0 )0 0 0 )0 0 0
)0 0 0 )0 0 0 0 0
.0 .)0 0 0 0 0 0 )0 0 0 0 )0 0 0 )0 0 0
.)0 0 0 )0 0 0 0 0
30 0 0 0 0 pp
1
#0
) 0 0 0 0 0
pp
Tpt.
1 0 0 )0 0 0 )0 0 0
#
%
-
1)
+
pp
Tbn.
"
&
%
%
%
%
Vib.
##
%
%
%
%
)B B )B B )B )B )B B ) ) B B) B ) )B ) )B ) )B )B )B
)B B )B B )B )B B ) )B ) ) )B B B B )B B ) )B ) ) ) )B
SOLO Cb. Fl.
! "# .0
)
sub. sfffz
! Vln. I #
Vln. II
Vla.
0
0
0
0
0
0 )
0
0
sub. sfffz
0
0 )
sub. sfffz
0
0
0
0 )
0
.0
sub. sfffz
0
0 )
0
0
sub. sfffz
0
0 )
0
0
%
0 )
0
0
0
0
q = 142 )B )B
0
.0
sub. sfffz
%
*
%
%
-
4
0
1
+
-
? "
%
pp
%
%
%
0
sub. sfffz
#
&
Vc.
+
#
)0 0 0 )0 0 0 0 0
p
1
+
4
;: 0 0 0 )0 0 0 )0 0 0
1)
.)0 0 0 0 )0 0 0 )0 0 0
.)0 0 0 )0 0 0 0 0
p
0 0 0 0 0 )0 0 0 0 )0 0 0 )0 0 0
)0 0 0 )0 0 0 0 0
pp
.0 )0 0 0 0 0 0 .)0 0 0 0 0 0 )0 0 0 0 )0 0 0 )0 0 0
.)0 0 0 )0 0 0 0 0
pp
Db.
"
" "
pp
! #
Hn. II
%
? "
&
%
+
1
.)0 0 0 0 )0 0 0 0 0 0 .)0 0 0 0 0 0 )0 0 0 0 )0 0 0 )0 0 0 pp
SY. 4365
.)0 0 0 )0 0 0 0 0
" "
42
! Picc. # 320
" "
)0 0 0 0 0 0 )0 0 0 )0 0 0 )0 )0 )0 )0
1)0 0 0 0 0 0 )0 0 0 )0 0 0 )0 )0 )0 )0
Hn. I
! #
)0 0 0 0 0 0 )0 0 0 )0 0 0 )0 )0 )0 )0
#
Hn. II
Timp.
Vib.
%
%
%
%
%
%
%
%
%
%
%
%
%
ff
(f)
(mf)
%
ff
(f)
.)0 0 0 0 0 0 )0 0 0 )0 0 0 )0 )0 )0 )0
#
Tpt.
Tbn.
)0 0 0 0 0 0 )0 0 0 )0 0 0 )0 )0 )0 )0
(mf)
%
ff
(f)
(mf)
%
fff
(ff)
(f)
%
fff
(ff)
.)0 0 0 0 0 0 )0 0 0 )0 0 0 )0 )0 )0 )0
&
%
fff
(ff)
10 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 ) ) ) ) ) ) )
&
"
fff
(ff)
(f)
(f)
Cbsn.
fff
(ff)
(f)
Bsn.
fff
(ff)
(f)
#
Cl. II
1)0 0 0 0 0 0 )0 0 0 )0 0 0 )0 )0 )0 )0 )0 0 0 0 0 0 )0 0 0 )0 0 0 )0 )0 )0 )0
#
Cl. I
molto accel.
(f)
#
Ob.
Meno mosso q = 112
&
%
%
%
!& "
%
%
%
%
%
"
##
+
1
0 .0 p
4 30 .0
0 0
0 0
0 0
0 0
0 0 0 0 0 0 f
!
SOLO Cb. Fl.
Vln. I
! "#
! #
#
Vln. II
#
Vla.
&
Vc.
" "
Meno mosso q = 112 molto accel.
-
"
&
+
.0
0
0
0
)B B )B )B B )B )B B B B ) ) ) ) B B ) )B )B ) ) B B) )
.0 )
0
0
0
0
0
0
sub. sfffz
(f)
(ff)
fff
.)0 0 0 0 0 0 )0 0 0 )0 0 0 )0 )0 )0 )0 (f)
(ff)
fff
)0 0 0 0 0 0 )0 0 0 )0 0 0 )0 )0 )0 )0 (f)
(ff)
fff
.)0 0 0 0 0 0 )0 0 0 )0 0 0 )0 )0 )0 )0 (ff)
fff
.)0 0 0 0 0 0 )0 0 0 )0 0 0 )0 )0 )0 )0 (f)
(ff)
0
0 )
sub. sfffz
+;, )0 0 0 0 0 0 )0 0 0 )0 0 0 )0 )0 )0 )0
(f)
Db.
B B )B ) )B )
fff
SY. 4365
0
0
0
0
0
0 )
sub. sfffz
0
)B )B
.0
0
)B B )B B )B B ) )B B ) )B B ) )B B B ) ) ) ) B ) 0
)
sub. sfffz
0
0
0
0
)
0
0
sub. sfffz
0
0
)
sub. sfffz
%
%
%
%
%
%
%
%
%
%
0
0
0
0
0
43
Meno mosso q = 100
q = 142 ! Picc. # 323
%
%
#
Ob.
# -
Cl. II
Bsn.
1 1)
+
& -
1
4
+
%
#
Cl. I
1)
+
1 0 0 0 )0 0 0 0 )0 0 1)0 0 0 0 0 )0 0 0 )0 )0 )0 )0 )0 )0 )0 )0
.2
mp
(fff)
(f)
"
& +
1
fff
1 0 0 0 0 0 )0 0 0 0 )0 0 1)0 0 0 0 0 )0 0 0 )0 )0 )0 )0 )0 )0 )0 )0
32
mp
(fff)
(f)
(ff)
fff
4 0 0 )0 0 0 0 0 0 )0 0 0 0 )0 0 4)0 0 0 0 0 )0 0 0 )0 )0 )0 )0 )0 )0 )0 )0
32
mp
(fff)
(f)
(ff)
fff
2
2
2
2 *
A 2 *
(f)
(ff)
fff
pp
(f)
(ff)
fff
.2
2
flz.
*
(fff)
f
** 2
A ** 2
flz.
(fff)
f
)0 0 0 )0 0 0 )0 0 0 0 0 0 )0 0 0 0 )0 0 )0 0 0 0 0 )0 0 0 )0 )0 )0 )0 )0 )0 )0 )0
26
flz.
pp
(ff)
mp
1
(mf)
(f)
ff
A
.2
A
2
f
f
fff
2
f
(fff)
(ff)
1)0 0 0 0 )0 0 1 0 )0 0 0 )0 0 0 0 0 0 )0 0 0 0 )0 0 1)0 0 0 0 0 )0 0 0 )0 )0 )0 )0 )0 )0 )0 )0
+
.2
p
(f)
A
f
2
10 0 0 0 0 0 0 0 0 0 10 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 10 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 ) ) ) ) ) ) ) ) ) )))))))
! Hn. I # -
.2
10 10 )0 0 0 )0 0 0 0 0 0 )0 0 0 0 )0 0 1)0 0 0 0 0 )0 0 0 )0 )0 )0 )0 )0 )0 )0 )0
pp
Cbsn.
(ff)
2
? "
A
.2
A 2 ** A * 2*
flz.
Timp.
Vib.
"
%
& -
.26
mp
.0 0 0 )0 0 0 0 0 0 )0 0 0 0 )0 0 .)0 0 0 0 0 )0 0 0 )0 )0 )0 )0 )0 )0 )0 )0
26
flz.
pp
ff
(ff)
mp
/ 0 0 0 )0 0 / 0 )0 0 0 )0 0 0 0 0 0 )0 0 0 0 )0 0 / )0 0 0 0 0 )0 0 0 )0 )0 )0 )0 )0 )0 )0 )0
26
flz.
pp
(ff)
mp
4
1)
%
(ff)
%
#
Tpt.
Tbn.
%
#
Hn. II
(mf)
(f)
(mf)
(f)
ff
!& "
%
##
%
%
%
%
.0 0 0 0 0+.,0 0 0 0 0 0 0
+
4 .0 ) ) p
B )B )B )B B )B B )B B ) B )B B ) ) ) ) )B B )B B ) B B B B B ) )B ) ) ) ) ) )
! 1 "# .0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 .0 0 0 0 0 0 )
sub. sfffz
)
sub. sfffz
! Vln. I #
Vla.
)
sub. sfffz
)
sub. sfffz
)
sub. sfffz
%
#
%
# -
+
+
1 *
"
& +
)
1)
+
+
$
ff
+
2 2
A
2 .2
mp
!
change to Bass Flute
-
%
? "
A %
%
sub. sfffz
;: ) 0 0 0 0 0 )0 0 0 )0 0 0 0 0 )0 0 0 )0 )0 )0 )0 )0 )0 )0 )0
.2
mp
fff
(fff)
f
3 0 0 0 0 )0 0 0 )0 0 0 )0 0 0 0 0 )0 0 0 )0 )0 )0 )0 )0 )0 )0 )0
trem.
2
A 2
1
mp
(fff)
f
(f)
(ff)
(f)
(ff)
fff
)0 0 0 )0 0 0 )0 0 0 0 0 0 )0 0 0 )0 0 0 )0 0 0 0 0 )0 0 0 )0 )0 )0 )0 )0 )0 )0 )0 (f)
(ff)
fff
(f)
(ff)
fff
.0 0 0 )0 0 0 0 )0 0 .0 )0 0 0 )0 0 0 0 0 0 )0 0 0 )0 0 0 .)0 0 0 0 0 )0 0 0 )0 )0 )0 )0 )0 )0 )0 )0 pp
)0 . 00 30
p
Meno mosso q = 100
) ) ) ) ) ) ) ) ) ))))))) 40000000 0000000000000000 000000000 0000000
& -
pp
Db.
)
sub. sfffz
-
p
Vc.
A ** 2
%
q = 142
Vln. II
A 2 **
medium sticks
!
SOLO Cb. Fl.
A 2 **
(f)
(ff)
SY. 4365
fff
.2
**
.2
.2
.2
.2
A
.2
f
2
.2
(fff)
f
** 2
A ** 2
(fff)
f
trem.
A
**
(fff)
.2
.2
A
2
44
! Picc. # 328
? "
Don't move
%
%
%
.,
,
%
%
%
%
%
,
,
-
%
%
+
ffff (no dim.)
, *
*
Hn. I
"
&
%
1)
+
10
& 00
,
,
%
, **
%
10 )
1
0
ppp
+
p
Timp.
00
%
1 sus. Cym.
Vib.
%
+
%
1
$ 0
non-flz.
+
Vln. I
%
##
, ,
0
! "#
! #
-
ffff
** 0)
p
*
Vla.
Vc.
Db.
"
%
$ ,)
$ 0
$ 0
1
+
%
pp
+
0
4
0)
,)
,
,
0)
0
ppp
4 + pp
0
4
1
+
+
pp
, .,
%
%
<
%
%
%
%
%
%
%
-
+
1
0
pp
!
%
" "
.,
5 0
0)
+
,
Bass Flute (Sounds an octave lower than written) molto espressivo (do not overblow)
5 0
5 00
06
,
0
1
0 3
00 0 00
10 0
0
? "
0 .0
0
4
> "
,
0 0
0
3
/0
.0
+
+
1
+
+
.)0 0 .0 0 .0 .0
.0 0 .0
**
ffff (no dim.)
.,
,
** , ffff (no dim.)
+
0 0
mf
con sord. non-vib.
%
%
%
%
%
/,
+
pp
ffff (no dim.)
.,
+
%
non-flz. straight mute
% 1)
+
pp
%
%
-
+
1
non-trem. non-vib.
0
pp
%
+
4
%
4
non-vib.
0)
pp
%
non-trem. non-vib.
,) )
pp
,
con sord. (non-vib.)
+
,)
/0 )
,
0 0)
0
4
%
1
0)
.0
,
pp
4 -
%
#
1)
p
con sord. (non-vib.)
0 ,
p
,
0
pp
%
+
con sord. (non-vib.)
1
#
0
p
,)
0
pp
p
1
%
p
non-vib.
pp
ffff (no dim.)
&
%
%
ffff (no dim.)
&
+
%
mf
.,
+
damp
f
%
+;, .,
+
%
,
#
1
%
non-flz.
%
%
Meno mosso q = 42
? "
4 + p
ppp
<
soft sticks
1
+
damp
(p)
! "'
Vln. II
$ 0
non-flz. straight mute
** ,
0)
%
$ ,
%
fff (no dim.)
SOLO B. Fl.
,)
,
%
ppp
, **
4 1
p
fff (no dim.)
!& "
0 p
fff (no dim.)
&
0
pp
%
, **
#
"
%
pp
-
fff (no dim.)
Tbn.
%
ppp
** # +.,,
Tpt.
%
pp
4 00 )
+
fff (no dim.)
Hn. II
%
,)
.0
pp
p
,
4
p
0 4 1
pp
** ,
1
0)
non-vib.
non-flz. non-vib.
non-flz. non-vib.
ffff (no dim.)
! #
0)
,
pp
ffff (no dim.)
Cbsn.
% %
pp
.,
,
#
Bsn.
> "
ffff (no dim.)
ffff (no dim.)
Cl. II
? "
ffff (no dim.)
#
Cl. I
,
.,
#
Ob.
" "
Meno mosso q = 42
%
p
SY. 4365
%
+ p
%
%
+
4 1
45
! # 335
Picc.
% 1,
0
pp
p
non-vib.
#
Ob.
# +
Cl. I
Cl. II
Bsn.
Cbsn.
"
% 1
%
%
+
1,
non-vib.
0
pp
+
1
p
1, )
0 4 10 0
%
0
&
%
%
%
%
%
%
pp
&
00
pp
#
p
%
,)
pp
1 ) 00 ,)
+
%
pp
? "
,)
%
,
p
,)
,
,)
,
non-vib.
,)
,
pp
p
p
p
1 10 ,
> "
%
" "
%
+
%
%
%
%
%
%
%
non-vib.
1 .0 ,) )
1
p
%
%
%
%
,)
0 ,
pp
+
+
! #
%
%
%
%
%
%
$ 4 .0 )
&
,$
$ 0)
4
ppp
+
p
non-vib.
0
2
pp
Hn. I
%
%
,)
%
%
pp
Hn. II
#
%
%
%
%
%
%
%
%
%
Tpt.
#
%
%
%
%
%
%
%
%
%
&
%
%
%
%
%
%
%
Tbn.
Timp.
1 sus. Cym.
Vib.
SOLO B. Fl.
"
,
0 1 + pp
!& "
%
%
%
%
%
%
%
%
%
! "'
%
%
%
%
%
%
%
%
%
0) .0 0
%
%
%
%
%
%
4
! 0 "#
! Vln. I #
+/, 0
$
+
+
+
1 +
1 0
# +
Vln. II
+
00
p
,)
4
0
pp
0) 0
.0
+
10
0
10
0
+
0)
4
,)
%
0
pp
p
1 +
+
#
Vc.
"
&
%
0 3000 0.0
? "
" "
3,
.0 0
+
-
-
.0 0/0 0 / 0 0 .0
+
> "
.0
,
" "
5 0 .0 )
0 :
%
%
%
%
%
%
%
%
%
%
%
%
%
%
+
+
1*
(non-vib.)
0)
pp (non-vib.)
%
0 006 10 0 )
+
+
p
,
0
4
> "
0)
p
(non-vib.)
# +
0
+
3
pp
Vla.
+
(non-vib.)
(non-vib.)
Db.
., )
(straight mute)
ppp
+ ##
> "
(p)
,)
,)
" "
+
&
0
,)
pp
%
,)
0)
,)
,
p
p
%
+
1
1)
0 ,)
(non-vib.)
pp
,
pp
SY. 4365
, p
., )
(non-vib.)
(p)
4 1 +
+
%
p
,) (p)
con sord. (non-vib.)
0
pp
+
+
(non-vib.)
.,
pp
0
1 pp
+
(non-vib.)
1 0) pp
,)
2
0
1
p
p
46
> "
! Ob. # 344
? "
%
> "
%
? "
%
%
> "
00 ) 0 non-vib.
+
0)
0
4
pp
%
#
Cl. I
+
+
1
,
p
,)
+
pp
%
#
Cl. II
%
40
%
+
p
10
+
,
,
0
pp
4
p
0)
10 pp
%
&
Bsn.
1, )
0
pp
Cbsn.
"
&
0
+
1 +
+
%
%
0
pp
p
%
%
1 +
+
%
%
%
%
%
1,
0 1
pp
p
+
%
%
00
+
%
%
%
%
%
%
#
0)
pp
p
%
1 +
Tbn.
%
%
Vib.
SOLO B. Fl.
%
#
"
%
%
%
%
%
%
%
+
(straight mute)
0)
1
,
0)
+
+
%
1 +
ppp
%
+
+
%
%
+
+
#1
$ $ 0 ,
+
ppp
$
$
%
.,
0
-
%
%
.0 !
3 6, ! "#
! Vln. I #
%
%
#
+
? "
1
.0 )
+
> "
0 .0 3
mf
.0 ) 0 4
1
? "
0 5 .0 0 .0 3
.0 0
%
> "
36,
+
.0 )
+
+
+
(non-vib.)
+
.0
pp
,
+
,
.0 )
%
+
+
+
0)
(non-vib.)
1
*
4 0)
0)
&
+
(non-vib.)
.,
0
,
"
1
(non-vib.)
0 ,
pp
1
p
0
non-vib.
.0
00 , ) mp
,
0) 4
,
0 1
pp
%#
p
,
0
+ p
,
0 p
1 +
,
0
%
%
1
%
%
& ., )
p
%
%
10 ,
1
%
5 0 .0
.0 .0
.0 0)
10 )
0)
0)
(non-vib.)
0)
+ 0
pp
p pp
p
1 0)
pp
p
.0 )
(non-vib.)
#4
,
,
0)
pp
+
1 +
4
+
pp
p
+
%
/0)
1 +
%
SY. 4365
,)
p
0)
.0
,)
%
ppp
0
0 0)
+
+
(non-vib.)
.,
%
+
%
+
(non-vib.)
+
,)
0)
,)
,
1)
,
0
p
1 * .0 )
p
& 0
(non-vib.)
%
+
+
1 +
+
+
4 0)
0)
0)
+
p
(non-vib.)
3, )
mp
(non-vib.)
0 ,) )
mp
1
%
p
(non-vib.)
0
pp
p
1 .0 ,
,)
+
0
+
mp
pp
%
1 00 )
(non-vib.)
+
p
%
+
%
%
pp
%
+
pp
1 0
0 /0 ,
0
%
pp
0 ,
., )
& )
0 , ) & p
p
%
+
1
pp
pp
pp
041 +
pp
&
%
0)
pp
(non-vib.)
(non-vib.)
+
,
1 +
.0
0
0
p
pp
Db.
+
%
0 1 :
+
$
(non-vib.)
pp
Vc.
,
%
(non-vib.)
Vla.
0 ppp
pp
%
%
0 0 .0
> "
Vln. II
1
1
ppp
##
,
non-vib.
400 ) )
pp
(straight mute)
&
+
10 ) )
1)
mp
ppp
Tpt.
non-vib.
mp
!&
Hn. II
4
%
p
Hn. I
) 1 10 )
+
mp
p
%
%
mp
non-vib.
non-vib.
%
p
,
1
1 +
%
0
47
! +1,, Ob. # 355
#
Cl. I
+
%
> "
4+
+1, 0 )
,)
non-vib.
+
+
1
pp
0
pp
+
%
+
1
0)
,)
pp
pp
# +0,0
Cl. II
> F
041 +
%
+
pp
,
,)
pp
,)
0)
0)
0
p
(p)
mf
(mf)
,)
0)
0)
0
p
(p)
mf
(mf)
,)
0)
0)
0
p
&
Cbsn.
Hn. I
"
%
&
%
%
+
+
0)
0)
Tbn.
Vib.
"
%
%
%
%
%
%
+
p
(p)
mf
(mf)
4.0 ) 0 6
+
0)
0)
mp
(pp)
%
1 +
%
%
%
pp
(mp)
%
%
%
)0 0 3 0 3 0
+
> "
0 0
)0 . 0 3 0 ) 0
+
%
) 0 0 .0 0
3)0 0 0 0 0
%
1 060 0 )
(straight mute)
-
.0 ,
%
+
%
%
0)
mp
(mp)
4 0) 4.0 ) .0
%
%
+
%
%
.0
.0
0)
0)
,
pp
p
(p)
mf
(mf)
. 0 ,)
,)
0)
0)
,
pp
p
(p)
mf
(mf)
(non-vib.)
0) ,
0)
0)
0)
p
(p)
mf
(mf)
%
pp
4
4
+
+
0
0 .0 )
.0 0 .)0 .0 0 ,
0) !
mp
,)
1)
1)
+
0)
;:/ 0 ,
%
pp
&
%
1 +
(non-vib.)
+
pp
%
mf
1 +
%
%
%
4+
p
4
%
pp (pp)
0)
pp
0 0)
%
%
,)
10 ) 4
+
%
p
%
%
%
%
%
%
%
%
%
%
SY. 4365
%
0
41
+
(non-vib.) .06 ) 0)
0)
1 +
p
(mf)
p
0
0
1)
f
+
+
%
%
+
1)
0)
0)
4+ pp
pp
4
0 1) . 0
0 .0 ,
%
p
0)
+
%
4 0) 0
(non-vib.)
.030.0 +
(mf)
%
1 4
.0
(non-vib.)
%
mf
+
pp
%
%
> F
+
0
10 ,
0)
p
non-vib.
p
1
pp
non-vib.
1 10 )
0)
%
%
%
0
.,
+
%
%
# 0)
"
.0 )
pp
%
(non-vib.)
Db.
+ 1
4
41
p
+
%
&
&
0
041 +
%
%
41 +
.0 ,
0,
p
%
%
0
pp
pp
%
%
*
1)
00 ,
non-vib.
%
pp
Vc.
non-vib.
%
p
00 ) 4
+
%
%
! Vln. I # 0
1)
0
%
#
! SOLO B. Fl. "#
Vla.
+
ppp
##
Vln. II
+
pp
ppp
Tpt.
%
%
& +.,0 1 +
Hn. II
1
1 .0 ,
p
(mf)
0)
non-vib.
%
41 +
+
. 60
mf
! # 0
0
4+
p
non-vib.
Bsn.
mf
(p)
0)
%
(non-vib.)
00
p
%
.,
(non-vib.)
0
p
pp
%
1)
1
%
%
.0
(non-vib.)
p
48
Più mosso q = 60 ! +0,0 # 365 Ob.
0)
4 +
non-vib.
1, )
%
%
#
,)
pp
pp
Cl. I
%
1
%
#
%
+
0
&
Cbsn.
Hn. I
"
%
&
%
! #
%
&
%
Hn. II
%
1)
+
%
.0 0
,)
pp
(mp)
%
%
%
4
%
.0 ) ppp
Tbn.
Vib.
%
#
Tpt.
"
&
##
%
4
.0 ) 0
%
%
+
+
+
.0 0 .0 4
+
.0 )
%
senza sord.
,
,)
ppp
(mp)
+
0
non-vib.
,) 6
f
(f)
,)
,)
mf
(mf)
,)
,)
,)
,)
,)
mf
(mf)
,)
,)
% mf
Vln. I
.0 ) 0 30 .0 3 0 0 . 0 30.0 03 0
! ., "#
%
%
0
4 1
+
#
0 4 1 +
7 .0
+
,)
,) (mp)
(con sord.) (non-vib.)
7 1 0
+
pp
,)
,)
pp
(mp)
(con sord.) (non-vib.)
*
Vla.
&
Vc.
%
+
1)
+
.07 ,)
,)
pp
(mp)
(con sord.) (non-vib.)
%
%
+
7 4 ) .0
+
pp
,)
(mp) (con sord.) (non-vib.)
Db.
"
&
%
(non-vib.) non-div.
(con sord.) (non-vib.)
pp
+
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
%
+
095
. 0 095 0 095 0 095 0 095 0 095 0 3
? "
rit. 095
. 0 095 0 095 0 095 0 095 0 095 0
3
3
3
> "
095
. 0 095 0 . 095 0 . 095 . 0 095 0 095 0 095 0 095 0 : 3
3
? "
D "
,
3
pp
pp
Vln. II
%
(f)
! +., , #
0
,)
%
(mf)
Più mosso q = 60 SOLO B. Fl.
%
(mf)
senza sord.
%
%
(f)
% mf
(mp)
%
,)
%f
,)
%
%
%
7 ,)
mp
D "
(f)
,)
%
,
,)
%f
%
%
? "
(f)
,)
(mp)
non-vib.
,)
%f
,)
> "
(f)
,)
(mp)
4 00 )
,)
%f
,)
00 ,
pp
Bsn.
,)
(mp)
pp
Cl. II
? rit. "
,G ) ., )
%f
G ,)
(non-vib.)
%f
.,G )
(non-vib.)
%f
,) ,)
0) 0)
1
%
%
0 4 1
%
%
%
%
4 +
%
%
%
%
%
pp
(f)
,)
0
pp
(f)
,)
0
+ pp
(f)
(non-vib.)
G ., )
%f
,)
0)
(f)
pp
(non-vib.)
G ,)
%f
SY. 4365
,)
(f)
pp
49
D "
" "
q = 52
! Ob. # 374
SOLO B. Fl.
%
%
%
" "
non-vib.
%
%
%
%
+
"#
%
%
%
%
%
1
! "#
)0 .0
.0
00
0) .0 0 :
) +.,0 0 )0 .0.0 ) 0.0 0
.,
0
mf
sub. mp
> "
sub. mp
)0
pp
,)
pp
" "
) .0 ) 0 0) 0 .0.0 0.0.0 3)0 0 0 +.,0.0 0 .0 0 )+.,0 0 0 0 10 . 0 1 0 .0.0 0
sub. mp
sub. mp
30 1 **: flz.
,
%
%
%
%
%
+
#
%
%
%
%
%
+
senza sord.
%
%
0 ** .0 **
.0 **
(mf)
%
%
6 433<0 ))
%
%
<,
> "
** ** * 0 .0 3,*
36< < 1 30 , pp
senza sord.
%
" "
> "
%
%
> "
p
sub. mp
! Vln. I #
Vln. II
0 ,6 )
/ 60
" "
%
pp
%
Dq = 52 " " "
> "
126
%
#
Cl. I
Cl. II
%
> "
pp
*
Vla.
%
%
%
1)
senza sord.
%
6< < ) 0 ,)
%
%
%
%
%
4
%
pp
.6< )
senza sord.
&
Vc.
%
-
1)
+
Db.
"
%
%
%
%
0 **
ppp
<
<
<
%
-
1 ** .. 0<
trem.
+
I pp
&
trem. S.P.
ppp
%
%
senza sord. S.P.
%
-
trem. * + # .0* pppp
/
> "
! SOLO B. Fl. "# 382
Vln. I
! #
** 0
, **
#
p
(The interval of this harmonic is held as a 5th!) trem.
** .,< ))
p
* 0*) ** .. 0<
** <,
** 30<
** 0< ))
P.O.
Vla.
Vc.
Db.
*
&
"#
, **
p
** +.,+., ,< ** +.,0 )
p
0) ** pp
0 **
0) . 0 ) ** **
3 6, 0 * ** *
, **
** <, ))
** ,<
** ,<
** ,<
** ** <0 0<
ppp
+
<0 )) * *
<, * *
p
<,)) * *
.<0 )) **
<, )) **
+
%
p
%
** ,<
ppp
<0 **
0 ** .**0
ppp
<0 **
%
** . < ., ppp
%
** * * 0 0* ,*
** 0)
1 +
%
0) .0 , ** ** **
, **
+
%
** 3,<
** <0
, **
0 **
+
%
B B 4 .*0 ) *0 * *
0B **
B S.P. * * 0* * ** .0 ) 0
** 4 1 + 0
+
%
** * * * * 0< 0< ,<
** ** ** < .0 , 0
** * * 0 .0* ,*
** * * <0 )) . <* <* .0 ,
** ** .0 , ** 0< ))
** <0
..*<, * p
%
SY. 4365
pp
%
pp
p
** ,)
** 0
pppp
(The interval of this harmonic is held as a 5th!)
** ,)
+
S.P.
pppp
+
pp
S.P.
pppp
< **0
+
pp
ppp
P.O. trem.
ppp
pp
** * 0 . 0*
** ., )
., ) **
p
** * * ) 0< ) 0<* ,<*
** ,
S.P.
p
** ** <0 . < .0
** ,< ))
, **
** ) ,< )
ppp
p
ppp
..<0 )) * *
0) **
** .,< ))
) ..<, ) ** p
** ..,<
ppp
** ** ) ..0< 0< )
0) **
f
ppp
** .. ,< ))
ppp
> "
** ** ** ..0< )) 0< 0<
** ** ** 0< .. 0< )) ,<
trem.
ppp
Vln. II
, **
0 **
* 4 *) ** <0 ) ,<
? "
S.P.
p
p
1 + ppp
ppp
&
50
accel.
q = 68
! # 393
Picc.
Cl. I
%
%
# +
4 ) ** ** / 0 0)
"#
** .,
+
ppp
Vla.
Vc.
! * "# +., ,*)
** 0
** ,)
+
* +
1) ** 0<
** * * .. 0< 0<
.0 ) & 4 ** "
pp
p
, **
ppp
! +/,, # ** 400
Picc.
0 ** ; 4 1
ppp
(p)
Cl. I
#
+
** +/, , )
** ,)
** ,)
+
trem. S.P.
+
+
-
** ; 4 + 0<
ppp
+
-
S.P. trem.
1
ppp trem. (S.P.)
ppp
0 * *
0) ** ; 1 -
*
ppp
(p)
> "
0 **
0) 4 *
0 **
0) 4 * * , **
ppp
ppp S.P. trem.
+
** 4 1 0<
0) **
1
.0 **
ppp
,) **
0 0) ** ** ; +
? "
%
%
%
** "# +.,, )
4
ppp
(p)
0) *
0 * (p)
+
+
+
** /,
0 **
%
%
1 P.O. trem.
<0 **
<, **
P.O. trem.
,B **
1
ppp
ppp
; 1 -
0B ) *
# 4 *
ppp
ppp
/0 **
flz.
** 0
pp
+
" "
,) **
! "'
%
##
%
%
%
%
> "
! "# +., 2**
<) ! *0) Vln. I # * (p)
Vla.
%
%
1
ppp
+
ppp
* <, **
<0 **
(p)
Db.
<0 **
<0 **
<0 **
ppp
p
p
<0 ** p
0B ** p
= 2 **
(mp)
ppp
mp
= ** 2
(mp)
ppp
mp
(mp)
ppp
** ,)
= ** 2
** ,)
%
%
,B * # * "
(p)
+
+
+ 4 1
+
+
0B ) * *
1
+
+
1
+
+
trem.
+
1)
+
<0 **
ppp
4 + ppp
<0 <0 ** **
trem.
<0)) **
ppp
<0 **
1
+
trem. 4 0B ) ** ppp
ppp
<0 **
(p)
ppp
<0 **
<0 4 1 **
<0 )) ** (p)
(p)
<0 **
trem.
ppp
ppp
** ,
% /, ) /,)
%
= ** 2
p
(p)
0B **
,B **
(p)
+ +
% %
<0)) **
+
%
(mp)
ppp
<,)) ** mp
<, )) **
= 82 **
(mp)
ppp
mp
<, )) **
= 82 **
(mp)
ppp
mp
= 82 **
(mp)
ppp
mp
(mp)
ppp
mp
(mp)
ppp
+ +
+
1
+
trem.
+
1
<0 )) **
trem.
pp
%
ppp
SY. 4365
%
<0 **
trem.
1
ppp
+
(ppp)
mp
ppp
4 +
2
pp
** ,)
ppp
1
/2 /2
ppp
>rit. " <0 **
trem.
+
,)
=
!
** ,)
mp
ppp
<0 **
? "
** ,)
trem.
(p)
< & , **
** ,)
pp
<, # **
(p)
Vc.
<0 **
very soft sticks
mp
Vln. II
<0 **
p
mp
ppp
SOLO B. Fl.
P.O. trem.
P.O. trem.
very soft sticks
Vib.
<0 **
ppp
-
4 1 -
pp
* 4 .0*)
ppp
<0 1 **
-
-
flz.
+
p
pp
-
1)
flz.
%
** 2
ppp
** 0 ** 0
ppp
pp
+
** ,
-
+
ppp
0 **
>rit. "
** 0
ppp
(p)
p
%
%
(p)
,) *
ppp
%
p
0) **
p
, *
+
(p)
,) **
+
p
p
trem. P.O.
p
p
* 4 .0*)
-
pp
0 ** 1
,) **
** /,
flz.
(p)
,) **
ppp
ppp
** ,
p
(pp)
-
" "
flz.
ppp
(p)
ppp
(p)
syzzle Cym.
; 1 ppp
p
/0 0 ** **
flz.
+
** ; 1 ) @ 0
** 0
1)
-
%
** ,)
S.P. trem.
** 4 1 0
(p)
Cl. II
> "
%
%
ppp
+
(p)
p
4 ) ** ** .0 ,
1
" "
%
flz.
ppp
** 0<
,) **
/
4 1
(p)
p
-
pp
** <0
** ) ,< )
%
** ,
(p)
p
-
ppp
** <0 ))
** ,< ))
%
ppp
+
(p)
** ) ,< )
ppp
** ,<
ppp
** 0<
P.O. trem.
P.O. trem.
& 1
** ,< ))
p
; +
** ,
(p)
pp trem. P.O.
* 4 <*) 0)
# +
" "
p
** 0<
** 0)
(p)
P.O. trem.
1
+
S.P. trem.
Db.
** ,)
q = 68
! Vln. I # +
Vln. II
(p)
p
accel. SOLO B. Fl.
p
flz.
> "
% ** 0
** ,)
flz.
ppp
Cl. II
" "
trem. 0B ) 4 * * pp
pp
<0 **
pp
pp
<, **
<,)) **
,B **
,B ) **
" "
= ** 2
= 82 ** = 2B **