Preview Carus 2013

Spring 2013

Preview Music 路 Books

Giacomo Puccini Complete Edition

2

Preview Spring 2013

The major emphasis at Carus continues to be the publication of works for choirs and vocal ensembles. Two important 300th anniversaries are already casting their shadows on the horizon: Carl Philipp Emanuel Bach was born on 8 March 1714 in Weimar and Gottfried August Homilius was born in Rosenthal on 2 February of the same year. Both composers shaped music decisively after 1750 and occupied key positions in Protestant church music for decades: C. P. E. Bach, Bach’s second eldest son, was Music Director of the main churches in Hamburg from 1767 until 1788, and Homilius was the Dresden Kreuzkantor from 1755 to 1785. In the coming year we will offer vocal scores and performance material for the new Complete Edition of the works of C. P. E. Bach.

Dr. Uwe Wolf, Dr. Johannes Graulich

Music and books in Spring 2013 Bach vocal Anniversaries 2014 C. P. E. Bach Gottfried August Homilius Choral music Music for solo voice Instrumental music Complete Editions Books

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Metadata for the Preview can be found at: www.carus-verlag.com/metadaten_96.html

The number of vocal works by the father, Johann Sebastian Bach, is continually being expanded. In the coming months we will be publishing several new editions of his cantatas, including such moving works as Ich ruf zu dir, Herr Jesu Christ BWV 177. Also, in an effort to reflect the most current state of musicological research we are replacing an older edition of Actus Tragicus (BWV 106) with a newer one.

In order to enable smaller choirs to perform Dvořák’s Mass in D major in a colorfully orchestrated version, Joachim Linckelmann has made an arrangement for soli, choir and wind quintet. Linckelmann has already arranged a chamber version of the Brahms Requiem for Carus which has proven to be successful.

Last but not least, we are continuing to expand our musicological complete editions. The Stuttgart Schütz Edition will see the publication of the Cantiones sacrae this year, while the Reger Edition follows with a volume of chorale preludes for organ. Finally, with the start of the first ever edition of the complete works of Giacomo Puccini we will be fulfilling a long cherished wish on the part musicians and scholars for reliable editions of the works of one of the most frequently performed Italian masters, a composer whose music is situated between the late romantic and modern eras.

Dr. Johannes Graulich Managing Director

Dr. Uwe Wolf Head of Editorial offices

Bach vocal 3

Johann Sebastian

Johann Sebastian

BACH

BACH

Gottes Zeit ist die allerbeste Zeit

Am Abend aber desselbigen Sabbats

BWV 106 (Revidierte Neuausgabe)

BWV 42

Stuttgarter Bach-Ausgaben Urtext

Stuttgarter Bach-Ausgaben Urtext

Carus 31.106

Carus 31.042

Johann Sebastian Bach

Johann Sebastian Bach

Gottes Zeit ist die allerbeste Zeit, Actus tragicus, funeral music (version in F) BWV 106 (G/E) SATB, 2 recorders, 2 Vga, Bc / 23 min ed. Peter Thalheimer

Am Abend aber desselbigen Sabbats Cantata for Quasimodogeniti BWV 42 (G/E) Soli SATB, Coro SATB, 2 Ob, Fg, 2 Vl, Va, Bc / 28 min ed. Felix Loy

Actus tragicus is one of Johann Sebastian Bach’s most well-known and cherished works and to this day it has enjoyed an undiminished popularity – “a work of genius, at which even only great masters seldom succeed” (Alfred Dürr). This new edition presents a practical, critical edition which combines the latest findings of Bach research with the current state of performance practice.

Carus 31.106, full score, 44 p.

16.00 € ISMN M-007-14013-7 Carus 31.106/03, vocal score, 28 p., 6.00 € ISMN M-007-14014-4 Carus 31.106/19, complete orchestral parts ISMN M-007-14015-1 March 2013

Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement.

Carus 31.042, full score, 48 p., 13.50 € ISMN M-007-13461-7 Carus 31.042/03, vocal score, 28 p., 8.00 € ISMN M-007-14016-8 Carus 31.042/19, complete orchestral parts ISMN M-007-14017-5 March 2013

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Bach vocal

Johann Sebastian

BACH

Johann Sebastian

BACH

Auf Christi Himmelfahrt allein

Ich ruf zu dir, Herr Jesu Christ

BWV 128

BWV 177

Stuttgarter Bach-Ausgaben Urtext

Stuttgarter Bach-Ausgaben Urtext

Carus 31.128

Carus 31.177

Johann Sebastian Bach

Johann Sebastian Bach

Auf Christi Himmelfahrt allein Cantata for Ascension BWV 128 (G/E) Soli ATB, Coro SATB, Ob I, Ob II/Obda, Obca, Tr, 2 Cor, 2 Vl, Va, Bc / 22 min ed. Julia Ronge

Ich ruf zu dir, Herr Jesu Christ Cantata for the fourth Sunday after Trinity BWV 177 (G/E) / Soli SAT, Coro SATB, 2 Ob, Obca, Fg obl, Vl solo, 2 Vl, Bc / 28 min ed. Tobias Rimek

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria “Auf, auf, mit hellem Schall” with solo trumpet is noteworthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative.

The Cantata BWV 177 of 1732 is a setting of the first fives strophes of Johann Agricola’s chorale “Ich ruf zu dir, Herr Jesu Christ.” The outer movements are based on this hymn and the cantata itself can be assigned to the so-called annual cycle of Bachs chorale cantatas.

Carus 31.128, full score, 40 p., 13.00 € ISMN M-007-14018-2 Carus 31.128/03, vocal score, 6.50 € ISMN M-007-14020-5 Carus 31.128/19, complete orchestral parts ISMN M-007-14019-9 June 2013

Carus 31.177, full score, 50 p., 18.50 € ISMN M-007-14011-3 Carus 31.177/03, vocal score, 7.50 € ISMN M-007-14025-0 Carus 31.177/19, complete orchestral parts ISMN M-007-14026-7 June 2013

Bach vocal 5

Johann Sebastian

Johann Sebastian

BACH

BACH

Freue dich, erlöste Schar

Drei Choräle zur Trauung

BWV 30

BWV 250 –252

Stuttgarter Bach-Ausgaben Urtext

Stuttgarter Bach-Ausgaben Urtext

Carus 31.030

Carus 31.250

Johann Sebastian Bach

Johann Sebastian Bach

Freue dich, erlöste Schar, Cantata for the Feast of John the Baptist BWV 30 (G/E) Soli SATB, Coro SATB, 2 Fl, 2 Ob, Obda, Vl solo, 2 Vl, Va, Bc / 40 min ed. Julia Doht

Drei Choräle zur Trauung (three wedding chorales) BWV 250–252 (G/E) / Coro SATB, 2 Cor, colla parte instruments (Ob, Obda, 2 Vl, Va), Bc ed. Uwe Wolf

The cantata Freue dich, erlöste Schar BWV 30 is one of Bach’s last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John’s Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work.

Carus 31.030, full score, 92 p., 29.80 € ISMN M-007-14077-9 Carus 31.030/03, vocal score, 9.90 € ISMN M-007-14021-2 Carus 31.030/19, complete orchestral parts ISMN M-007-14022-9 July 2013

Among Johann Sebastian Bach’s largely unknown vocal works is a compilation of wedding chorales which have survived in an autograph set of parts from the 1730s. These are four-part chorale settings of well-known hymns for treble voices accompanied by two horns, colla-parte strings and continuo. The chorales can still be performed today at weddings without any great difficulty.

Before the Wedding: Was Gott tut, das ist wohlgetan After the Wedding: Sei Lob und Ehr dem höchsten Gut After the Blessing: Nun danket alle Gott Carus 31.250, collection, 8 p., 7.50 € ISMN M-007-14027-4 April 2013

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Anniversary 2014

1714

* 2014

Carl Philipp Emanuel Bach (1714–1788)

Carl Philipp Emanuel Bach 300th Anniversary

C. P. E. Bach’s Oratorios and Cantatas now available at Carus In 2013, in anticipation of his 300th anniversary, vocal scores and performance material for four important vocal works by Carl Phillip Emanuel Bach are in preparation. These are based on the Complete Edition of the works of Carl Philipp Emanuel Bach which is being published by the Packard Humanities Institute in Los Altos, California, in cooperation with the BachArchiv Leipzig and the Sächsische Akademie der Wissenschaften. Leading Carl Philipp Emanuel Bach scholars from Europe and the USA are engaged in this undertaking.

It is the aim of the Packard Humanities Institute to make the works of this important Bach son well known again and it supports this goal through a very favorable retail price for these high quality scores. They can be ordered directly from the Packard Humanities Institute (www.cpebach.org), or in the case of the works described here they may also be ordered from Carus-Verlag.

Already available at Carus (selection): Carl Philipp Emanuel Bach was an extremely prolific composer who enjoyed an outstanding reputation during his lifetime with the result that his music became known far and wide. The early works were influenced by the Berlin School. In his later works, however, this composer devel-oped a thoroughly individual style, independent of contemporary fashions, which is to be found especially in the sacred vocal works written during his years as Director of Music in Hamburg (1768–1788).

Instrumental music Concerto per il Cembalo in D major Wq 18, Carus 33.301 Concerto doppio per Cembalo e Pianoforte in E flat major Wq 47, Carus 33.047 Sinfonia in E minor Wq 177, Carus 33.177 Choral music Heilig Wq 217, Carus 33.217 Sanctus in E flat major Wq 219, Carus 33.502 Magnificat Wq 215, Carus 33.215 Four Motets Wq 208, Carus 33.208 Two Psalmen settings Wq 205 + 206, Carus 33.205 Music for solo voice Gellerts Geistliche Oden und Lieder, Carus 33.218

Anniversary 2014 7

Klopstocks Morgengesang am Schöpfungsfeste Wq 239 (G)

Dank-Hymne der Freundschaft Danket dem Herrn Wq deest (G)

Soli SS, Coro SSTB, 2 Fl, 2 Vl, 2 Va, Vc, Vn, Bc Carl Philipp Emanuel Bach: The Complete Works, Vol. VI.4 (Arias and Chamber Cantatas; it contains other works in addition to the Morgengesang), ed. Bertil van Boer

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc / 50 min (recorded by Frieder Bernius on CD, Carus 83.212) Carl Philipp Emanuel Bach: The Complete Works, Vol. V.1 (Works for Special Occasions I), ed. Ulrich Leisinger

The Morgengesang am Schöpfungsfeste Wq 239 arose through a personal contact between the poet (F. G. Klopstock) and the composer. As in hardly any other work, the poem breathes the spirit of the close of the 18th century. Here, wholly in the sense of the Enlightenment a natural phenomenon, the sunrise, is used as a parable for the resurrection, which is thus made tangible. The spectacle of nature is the starting point for Bach’s composition, an eight-part, through-composed cantata for two sopranos, choir, flutes, strings and basso continuo. This “feast of creation” is intended as a commemoration of Sunday, the 7th day of creation.

Carus 33.239, full score (clothbound, in complete edition format) Carus 33.239/03, vocal score ISMN M-007-14028-1

C. P. E. Bach’s Dank-Hymne is a large scale cantata by the 72-year-old composer written in Hamburg at the beginning of 1785 on the occasion of the birthday of an unknown personality. The cantata consists of two self-contained parts, the first of which is a hymn of praise to the Almighty God and to creation. Only in the considerably shorter second section is the birthday mentioned, albeit indirectly, and in the final chorus a praise of creation is again intoned, ending with the words “Schön ist Gottes Welt” (God’s world is beautiful). The Dank-Hymne is among Bach’s most modern vocal works and clearly points towards Joseph Haydn’s great oratorios.

Carus 33.504, full score (clothbound, in complete edition format) Carus 33.504/03, vocal score ISMN M-007-14030-4

Carus 33.239/19, complete orchestral parts ISMN M-007-14029-8 June 2013

Carus 33.504/19, complete orchestral parts ISMN M-007-14031-1 April 2013

Vocal scores in preparation (avail. mid-year 2013) Die Israeliten in der Wüste, Carus 33.238/03 Passions-Musik nach dem Evangelisten Matthäus für 1769, Carus 33.503/03 The full scores of the Carl-Phillip-Emanuel-Bachcomplete edition are already available.

8

Anniversary 2014

* 2014 Gottfried August Homilius 1714

300th Anniversary

Gottfried August Homilius (1714–1785) Selected works in cooperation with the Bach-Archiv Leipzig Editiorial direction: Uwe Wolf Homilius left an extensive oeuvre. Many motets, cantatas and oratorios, as well as organ chorale preludes both with and without an obbligato melody instrument have been preserved. In their day the compositions of Homilius were very popular and were extraordinarily well circulated. The Selected Works have been published by Carus since 2006, edited by Uwe Wolf.

Already available at Carus: Series 1: Oratorios and Passions Passion cantata „Ein Lämmlein geht“, Carus 37.104 St. John Passion, Carus 37.103 Christmas oratorio „Die Freude der Hirten“, Carus 37.105 St. Mark Passion, Carus 37.110 In preparation for the 2nd half of the year 2013 Erwachet, ihr Christen, Carus 37.219 Preise, Jerusalm, den Herrn, Carus 37.221 Gottfried August Homilius: Thematisches Verzeichnis der Werke (HoWV), ed. Uwe Wolf, Carus 24.082

Series 2: Cantatas Cantata from the 1st Sunday of Advent to New Year, Carus 37.114 Series 3: Sacred music without orchestra Motets, Carus 4.100 Latin music for vespers, Carus 37.102 Series 4: Organ music All choral preludes for organ and melody-instrument(s), Carus 37.106 Series 5: Addition Homilius. Studien zu Leben und Werk, Carus 24.080 All motets and cantatas are available in separate editions for performance. Performance material for all works is available for sale.

Anniversary 2014 9

Gottfried August

Gottfried August

HOMILIUS

HOMILIUS

Fahre hin, du Lust der Welt

12 Choralbearbeitungen

Kantate zum Kirchweihfest

für Orgel und Melodieinstrument

Homilius · Ausgewählte Werke Urtext

Homilius · Ausgewählte Werke Urtext

Carus 37.220

Carus 37.321

Fahre hin, du Lust der Welt Cantata HoWV II.172 (G) Solo S, 2 Vl, Bc / 13 min ed. Uwe Wolf The cantata written for the consecration of a church, Fahre hin, du Lust der Welt, surely does not fit within the creative output of this Dresden Kreuzkantor. Whereas normally he was not sparing in his opulently scored, large choral movements, in spite of the festive occasion for the work, this chambermusic-like cantata of all three movements is a gem.

However, Homilius composed it during the time when, as organist of the Dresden Frauenkirche he was not responsible for polyphonic music. Possibly this lively solo cantata was written on commission for a church in the suburbs of Dresden.

Recorded on CD Carus 83.236

12 chorale arrangements for organ and melody instrument ed. Ellen Exner Homilius left behind an unusually large repertoire of chorale arrangements for organ and melody instrument which were probably written during his tenure as organist at the Dresden Frauenkirche (1742–1755). An edition of all of his most wellknown contributions to this genre was published by Carus in 2008 within the framework of the edition of his selected works (37.106). The present edition now offers a selection of chorale arrangements on hymns which are still sung to the same melodies today.

Selected chorale preludes on Carus-CD 83.236 Carus 37.321, collection, melody parts inserted, 29.80 €

Carus 37.220, full score ISMN M-007-14032-8 ISMN M-007-14034-2 Carus 37.220/19, complete orchestral parts ISMN M-007-14033-5 April 2013

April 2013

10

Choral music

Choral music Antonín Dvor`´ák Messe in D op. 86 Bläserfassung arr. Joachim Linckelmann

Antonín Dvorřák (1841–1904) Mass in D major op. 86 (L) Arranged for winds by J. Linckelmann Soli/Coro SATB, Fl, Ob, Clt, Cor, Fg / 43 min Antonín Dvořák’s Mass in D major, originally written only for soli, choir and organ, first became popular through the later orchestration by the composer. This new arrangement for wind quintet (flute, oboe, clarinet, horn and bassoon) now offers another version which can also be performed by smaller choirs. The vocal and choral scores for the original orchestral version can be used in performances of this arrangement.

Carus 40.653/50

Performance material already available at Carus:

Carus 40.653/50, full score, 72 p., 37.50 € ISMN M-007-14035-9

April 2013 performance material (already available): Carus 40.653/03, vocal score, 52 p., 10.50 € Carus 40.653/05, choral score, 32 p.,

7.80 €

Version for orchestra: Carus 40.653, full score, 35.00 € ISMN M-007-07579-8

Version for organ: Carus 40.651, full score, 15.00 € ISMN M-007-07575-0

Choral music 11

Christoph Graupner Gott will mich auch probieren

Dieterich

BUXTEHUDE All solch dein Güt wir preisen BuxWV 3

Stuttgarter Buxtehude-Ausgaben

Carus 36.200

Carus 10.353

Christoph Graupner (1683–1760)

Dieterich Buxtehude (1637–1707)

Gott will mich auch probieren Motet GWV 1121/14 (G) Coro SATB, 2 Ob, 2 Vl, Va, Bc / 8 min First edition, ed. Guido Erdmann

All solch dein Güt wir preisen Cantata BuxWV 3 (G) Coro SSATB, 2 Vl, 2 Va, Vne, Bc / 4 min ed. Thomas Schlage

The sacred composition Gott will mich auch probieren was written during the early years of his tenure as Music Director at the Court of the Landgraves. In it he attempted to make the genre of the motet useful for church music in Darmstadt through innovative design and varied structure. The present chorale motet is a notably charming and catchy piece of choral music (easy to mid-level difficulty) which is excellently suited for use in today’s worship services.

Liturgically, the present cantata is meant to be performed at the turn of the year. For his setting of the text Buxtehude chose a two-part form with a concluding “Amen.” This plea for a propitious new year is given a special musical interpretation.

Carus 10.353, full score, 22.50 € ISMN M-007-13939-1

Carus 36.200, full score, ca. 12 p., 8.50 € ISMN M-007-14036-6 Carus 36.200/05, choral score, 4 p., 1.60 € Carus 36.200/19, complete orchestral parts ISMN M-007-14037-3

Carus 10.353/05, choral score, 3.20 € May 2013 Carus 10.353/19, complete orchestral parts, 77.00 € ISMN M-007-13993-3

12

Choral music

Johann Michael

Johann Michael

HAYDN

HAYDN

Missa Sancti Amandi

Missa Sancti Cyrilli et Methodii

MH 229

MH 13

Johann Michael Haydn . Ausgewählte Werke Urtext

Johann Michael Haydn . Ausgewählte Werke Urtext

Carus 54.229

Carus 54.013

Johann Michael Haydn (1737–1806) Johann Michael Haydn’s over thirty settings of the Mass are masterworks of the genre and were most popular during his lifetime. Within the context of the Complete Urtext edition of his works Carus presents two further masses.

Missa Sancti Cyrilli et Methodii MH 13 (L) Soli SATB, Coro SATB, 4 Tr, Timp, 2 Vl, Bc / 55 min ed. Armin Kircher The Missa Sancti Cyrilli et Methodii, an early work, is still bound to the baroque tradition of south German speaking regions, but at the same time it shows a subjective inspiration that distinguishes it from many settings of the Mass by his contemporaries.

Carus 54.013, full score, 120 p., 44.00 € ISMN M-007-09755-4 Carus 54.013/03, vocal score ISMN M-007-14073-1 Carus 54.013/19, complete orchestral parts ISMN M-007-14040-3 June 2013

Missa Sancti Amandi, Lambacher Messe MH 229 (L) Coro SATB, 2 Ob, 4 Tr, Timp, 2 Vl, Bc / 35 min ed. Armin Kircher With the Missa Sancti Amandi from 1776 Haydn composed a solemn mass “in pieno,” that is, a mass with a scoring for choir and orchestra, without the use of vocal soloists. Although this work is very dense, it is characterized by a wonderful chambermusic-like transparency.

Carus 54.229, full score, 96 p., 36.00 € ISMN M-007-09756-1 Carus 54.229/03, vocal score ISMN M-007-14075-5 Carus 54.229/19, complete orchestral parts ISMN M-007-14039-7 April 2013

Choral music 13

Christian Ehregott Weinlig

Ein Kind ist uns geboren

Otto Nicolai

17 43 –1 81 3

Te Deum

Carus 27.193

Carus _C_ 10.020

Otto Nicolai (1810–1849)

Christian Ehregott Weinlig (1743–1813)

Te Deum (L/G) Soli SATB, Coro SATB/SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 2 Cor, 3 Tr, 3 Trb, Timp, 2 Vl, Va, Vc/Cb 45 min / ed. Klaus Rettinghaus

Ein Kind ist uns geboren, Weihnachtskantate (G) Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Ctr, Timp, 2 Vl, Va, Bc / 9 min First edition, ed. Klaus Winkler

The Te Deum of 1832, large scale festive music, impresses through rapid changes of expression and warm orchestral colors. The 15-movement composition unites magnificent sound with at times eightpart choral movements and delicate arias. It experiments with unusual instrumental sonorities and ensemble groupings. The piece becomes highly dramatic when blaring trombones and trembling strings announce the Last Judgment, whereupon a sextet of soloists enter with a plea for salvation.

This is a beautiful and rewarding composition by a former member of the famous St. Thomas Boys Choir in Leipzig and later Dresden Kreuzkantor. In spite of the relatively easy level of difficulty, its effect will not fail to impress. This three-movement Christmas cantata for mixed choir and orchestra makes it possible to perform the piece both in worship services and in concert.

Carus 10.020, full score ISMN M-007-14044-1

Carus 27.193, full score, 180 p., 48.20 € ISMN M-007-09578-9 Carus 10.020/03, vocal score ISMN M-007-14076-2 Carus 27.193/03, vocal score ISMN M-007-14041-0 Carus 27.193/19, complete orchestral parts, ISMN M-007-14042-7 full score: April 2013 vocal score and perfomance material: June 2013

Carus 10.020/19, complete orchestral parts ISMN M-007-14043-4 April 2013

14

Choral music

Johann Adolf Hasse (1699–1783) Johann Adolf

Hasse Miserere in c

Miserere in C minor, Psalm 50 (51) (L) Soli SATB, Coro SATB, 2 Fl, 2 Ob, Fg, 2 Vl, Va, Bc / 30 min ed. Wolfgang Horn Hasse’s Miserere setting is one his most frequently performed works. Carus will therefore complete the available performance material for this work by publishing a new vocal score.

Carus 40.961/03

Carus 40.961/03, vocal score ISMN M-007-14045-8

The Miserere in C minor exists in several authentic versions.

The first version from 1735 was intended for the girls at the Ospedale degl’Incurabili in Venice. Carus offers a later version for mixed voices. Originally composed for use within the context of the church festivities during the latter part of Holy Week, this work comprises eight sections each, with a contrasting character. The ritornellos captivate immediately, in which short phrases and sequential units are elaborated into fine lines, as if sung by a bel canto-like solo voice. Instead of trying to achieve the effects of fright and horror, Hasse’s music refers rather to the consolation which is promised those who plead for mercy, and through its beauty wishes to move listeners and to lead them to devotion.

Recorded by Hans-Christoph Rademann on CD, Carus 83.349

June 2013 Already available: Carus 40.961, full score, 16.00 € ISMN M-007-07869-0 Carus 40.961/19, complete orchestral parts, 57.00 € Carus 40.961/05, choral score, 2.60 €

Heinrich Schütz (1585–1672) Alleluja! Lobet den Herren in seinem Heiligtum Psalm 150 SWV 38 (G) Fav SATB/SATB, Cap SSAB/SATB, 3 Zk (3 Vl) + Trb (Fg), Zk (Fl) + 2 Trb + Trb (Fg), Bc / 9 min ed. Uwe Wolf Carus 20.038, full score, 44 p., 10.00 € ISMN M-007-13556-0

Carus 20.038/19, complete orchestral parts, 22.50 € ISMN M-007-14046-5 January 2013

Choral music 15

New Choral scores for works with orchestral accompaniment Perform great works for choir and orchestra with choirs with modest budgets! Carus has expanded its selection of choral scores with four great masterworks for choir and large orchestra.

Full scores, vocal scores and complete orchestral material are available for all of these works. Now choirs also have the possibility to choose between vocal scores and the more economical choral scores for their performances.

George Frideric

HANDEL Messiah HWV 56

Johann Sebastian Bach St. John Passion BWV 245 (Version I, 1749) (G) NEW Carus 31.245/05, choral score (June 2013) Carus 31.245, full score, 80.00 € Carus 31.245/03, vocal score, 12.00 € Carus 31.245/19, complete orchestral parts, 264.00 €

Stuttgarter Händel-Ausgaben Urtext

Carus 55.056/07

George Frideric Handel Messiah HWV 56 (E) NEW Carus 55.056/05, choral score (June 2013) Carus 55.056, full score, 98.80 € Carus 55.056/04, vocal score (E), 14.80 € Carus 55.056/19, complete orchestral parts, 196.00 €

Felix Mendelssohn Bartholdy St. Paul, Oratorio op. 36 (G/E) NEW Carus 40.129/05, choral score (June 2013) Carus 40.129, full score, 115.00 € Carus 40.129/03, vocal score, 16.80 € Carus 40.129/19, complete orchestral parts, 569.00 €

Franz

SCHUBERT Messe in Es

Elijah, Oratorio op. 70 (G/E) NEW Carus 40.130/05, choral score (June 2013) Carus 40.130, full score, 119.00 € Carus 40.130/03, vocal score, 16.80 € Carus 40.130/19, complete orchestral parts, 552.00 €

Franz Schubert Mass in E flat major D 950 (L) NEW Carus 40.660/05, choral score, 8.30 € (January 2013) Carus 40.660, full score, 84.00 € Carus 40.660/03, vocal score, 9.90 € Carus 40.660/19, complete orchestral parts, 266.00 €

Mass in E flat major D 950

Stuttgarter Schubert-Ausgaben Urtext

Carus 40.660

16

Choral music

Contemporary choral music

Women’s choir

Pietro Ferrario (*1967)

Josef Gabriel Rheinberger (1839–1901)

Jubilate Deo (L) Coro SSAA / 3 min Carus 7.380/50, full score, 8 p., 3.50 € February 2013

Das Töchterlein des Jairus Cantata for children op. 32 (G) / Soli SSA, Coro SSA, Pfte / 18 min / ed. Barbara Mohn

Thomas Gabriel (*1957) Lichtmesse (G/E/L/F/I/Sp) / 30 min Winds version Solo S, Coro SATB/SATB, 2 Ob, Eh, 2 Fg, Cor, 2 Tr, Trb, Tb, Org Organ version Solo S, Coro SATB/SATB, Org What makes the Lichtmesse so special is the idea of multilingualism: already in the Introitus “Auf werde Licht!” six languages are employed (German, Italian, English, Spanish, French and Latin) and at the conclusion these are even united in a six-part canon.

The Halleluja and the final piece “Lebt als Kinder des Lichts” follow the principles of multilingualism and the use of double choir. To accompany the multi-voiced choral writing a scoring for winds was chosen, taking into account the festive character of this large symphonic composition. There is also a version for organ available.

Carus 19.052, version for winds, full score, 96 p. (spiral binding), 62.00 € Carus 19.052/50, organ version, full score, ca.

48 p., 24.50 € Carus 19.052/05, choral score, ca. 36 p., 9.80 € Carus 19.052/19, complete orchestral parts April 2013

Clytus Gottwald (*1925) Vocal transcriptions (G) – Edvard Grieg: Three Lieder Carus 9.145, 16 p., 8.90 € January 2013 – Modest Mussorgskij: Two Lieder Carus 9.146, 12 p., 5.20 € January 2013

Immediately following his first opera Rheinberger composed a small dramatic cantata for children’s voices in 1863. It is based on a story from the Gospel of St. Mark. Among the highpoints of the cantata is a scene of awakening fashioned as a choral recitative with an expressive piano part and a large final chorus. Both of these helped to make the cantata very popular in Rheinberger’s days with boys’ as well as girls’ choirs.

Version with piano accompaniment: Carus 50.032/03, vocal score, 24 p., 11.40 € ISMN M-007-14009-0 Carus 50.032/05, choral score (summer 2013)

Salve Regina WoO 54,2 (L) Coro SSA, Org ad lib / 4 min Carus 50.252, 4 p., 1.50 € ISMN M-007-14007-6

Rheinberger no longer belongs among the unknown composers of the 19th century – not least, thanks to the 50-volume Complete Edition completed by Carus. In addition, Rheinberger’s works are available in numerous separate, critical editions with complete performance material.

Music for solo voice 17

Music for solo voice Heinrich Schütz (1585–1672) Separate editions of Symphonia sacrae II The 27 concerti of the Symphoniae sacrae II are milestones in the development of the German-language sacred concerto for virtuoso solo singers, instruments (mostly violins) and basso continuo. Published one year before what became, by far, the more well-known Geistliche Chormusik of 1648, they show another artistic side of Schütz. In the Stuttgart Schütz Edition the works are now presented for the first time ever in an edition based on a comprehensive new investigation of the sources which does justice to the differentiated source situation. Based on the Complete Edition, published in 2012, all works with performance material will now be released in separate editions.

SYMPHONIAE SACRAE II

Mein Herz ist bereit SWV 341 (G) Solo S o T, 2 Vl, Bc Carus 20.341, full score, 8 p., 3.00 € ISMN M-007-14059-5 Carus 20.341/19, complete orchestral parts ISMN M-007-14054-0 (April 2013)

Der Herr ist meine Stärke SWV 345 (G) Solo S o T, 2 Vl, Bc Carus 20.345, full score, 8 p., 3.00 € ISMN M-007-14047-2 Carus 20.345/19, complete orchestral parts ISMN M-007-14048-9 (June 2013)

Singet dem Herrn ein neues Lied SWV 342 (G) Solo S o T, 2 Vl, Bc Carus 20.342, full score, 8 p., 3.00 € ISMN M-007-14074-8 Carus 20.342/19, complete orchestral parts ISMN M-007-14056-4 (April 2013)

Ich werde nicht sterben (first part) SWV 346 (G) Solo S o T, 2 Vl, Bc + Ich danke dir, Herr (second part) SWV 347 (G) Solo S o T, 2 Vl, Bc Carus 20.346, full score, 12 p., 4.50 € ISMN M-007-14058-8 Carus 20.346/19, complete orchestral parts ISMN M-007-14053-3 (June 2013)

Herr, unser Herrscher SWV 343 (G) Solo S o T, 2 Vl, Bc Carus 20.343, full score, 8 p., 3.00 € ISMN M-007-14062-5 Carus 20.343/19, complete orchestral parts ISMN M-007-14050-2 (April 2013) Meine Seele erhebt den Herren SWV 344 (G) Solo S, 2 instr, Bc Carus 20.344, full score, 8 p., 3.00 € ISMN M-007-14060-1 Carus 20.344/19, complete orchestral parts ISMN M-007-14055-7 (April 2013)

Herzlich lieb hab ich dich, o Herr SWV 348 (G) Solo A, 2 Vl, Bc Carus 20.348, full score, 8 p., 3.00 € ISMN M-007-14063-2 Carus 20.348/19, complete orchestral parts ISMN M-007-14051-9 (June 2013) Frohlocket mit Händen SWV 349 (G) Solo T, 2 Vl, Bc Carus 20.349, full score, 8 p., 3.00 € ISMN M-007-14061-8 Carus 20.349/19, complete orchestral parts ISMN M-007-14049-6 (June 2013)

18

Music for solo voice

Pietro Cassati (1684–1745)

Instrumental music

Salve Regina, Marianische Antiphon (L) Solo A, 2 Trb, Bc / 7 min First edition, ed. Guido Erdmann

Josef Gabriel Rheinberger (1839–1901)

A few church compositions have survived from the pen of Pietro Cassti, alto castrati at the Viennese Imperial Court. His 1732 setting of the antiphon Salve Regina is outstanding among these. It is conceived for Alto, continuo and two solo alto trombones or, as an alternative, a viola or a pair of gambas can also be added. This first edition is now made accessible and its unusual scoring recommend it for performance in both church and in concert.

Carus 27.703, full score and parts, 26.50 € ISMN M-007-13941-4

Sonata for organ no. 9 in B flat minor op. 142 25 min ed. Martin Weyer Carus 50.142, 24 p., 9.80 € ISMN M-007-14081-6

Sonata for organ no. 12 in D flat major op. 154 25 min ed. Martin Weyer Carus 50.154, 28 p., 9.80 € ISMN M-007-14082-3 February 2013

Wien · Vienna · Vienne

Johann Ludwig Krebs (1713–1780)

Musik der kaiserlichen Residenzstadt

Pietro Cassati Salve Regina

Matthaeus Merian und Martin Zeiller, Stadtansicht Wien (Ausschnitt), aus: Topographia Provinciarum Austriacarum, Frankfurt/Main 1649.

Marianische Antiphon

Carus 27.703

“Vienna – Music of the Imperial Residence” (series) Already available: Caldara, Antonio: Ave maris stella, Carus 27.701 Caldara, Antonio: Veni Sancte Spiritus, Carus 27.702 In preparation: Reutter, Georg: Concerto in F major, see p. 19

Together with the Partita in E flat major the Partita in B flat major is without a doubt one of the most important compositions of Johann Ludwig Krebs, a pupil of Bach. Both works are from a six-part cycle, of which only the these two Partitas and the Partita in A minor have survived. Although in these works Krebs has oriented himself very closely on the model of his mentor Bach, nevertheless they show strong individual moments of creativity, wholly indebted to the sensitive (“empfindsam”) style.

Partita in B flat major Krebs-WV 824 Cemb (Pfte) / 25 min Carus 18.520, 24 p., 15.50 € ISMN M-007-14068-7 February 2013

Partita in E flat major Krebs-WV 827a late version Cemb (Pfte) / 25 min Carus 18.522, 24 p., 15.50 € ISMN M-007-14069-4 February 2013

Instrumental music 19

Felix Mendelssohn Bartholdy/Rudolf Lutz Sonate in d über

Wien · Vienna · Vienne Musik der kaiserlichen Residenzstadt

Georg Reutter Concerto in F

Matthaeus Merian und Martin Zeiller, Stadtansicht Wien (Ausschnitt), aus: Topographia Provinciarum Austriacarum, Frankfurt/Main 1649.

O Haupt voll Blut und Wunden für Orgel

Carus 18.120

Felix Mendelssohn Bartholdy (1809–1847) / Rudolf Lutz Sonata for organ in D minor based on O Haupt voll Blut und Wunden arranged and completed by R. Lutz (2007/8) after the Mendelssohnian fragment in the Bodleian Library Oxford / 15 min Felix Mendelssohn Bartholdy was a gifted organ improviser, yet there exist only a few surviving examples of his improvisations. One of these will be found in the Bodleian Library in Oxford. Here a short fragment on the chorale “O Haupt voll Blut und Wunden,” which was probably improvised within the context of the great Bach concert which Mendelssohn presented in the St. Thomas Church in Leipzig in 1840. Robert Schumann reported in detail how Mendelssohn improvised on this chorale and how he introduced the BACH motive in the course of his improvisation. After careful study of Mendelssohn’s organ sonatas, in 2007/08 Rudolf Lutz expanded the fragment into a sonata in the style of the composer.

Carus 18.120, 24 p., 15.50 € ISMN M-007-14002-1

Carus 27.704

Georg Reutter (1708–1772) Concerto in F major for harpsichord Cemb, 2 Vl, Bc / 10 min First edition, ed. Guido Erdmann Georg Reutter’s concise Concerto for Harpsichord in F major, published by Carus in a first edition, may have been composed in around 1750. The themes of this work in three movements are both succinct and appealing, while Reutter’s modest instrumentation (2 violins and basso continuo) is employed with esprit. In the melancholy, restrained middle movement both violins provide the foundation for the solo passages performed by the keyboard instrument. Especially in places of sacred worship this concerto would be more effective if an organ instead of a harpsichord is used.

Carus 27.704, full score ISMN M-007-14070-0

Carus 27.704/19, complete orchestral parts ISMN M-007-14071-7 May 2013

March 2013

20

Complete Editions

Complete Editions Giacomo Puccini (1858–1924) Edizione nazionale delle opere di Giacomo Puccini For the first time the complete works of Giacomo Puccini will be presented in a scholarly critical edition. Upon petition to the Italian Ministry of Culture, the project for the edition, under the aegis of the international research institute “Centro Studi Giaocomo Puccini,” was recognized as an “Edizione Nazionale.”

Edizione nazionale delle opere di Giacomo Puccini Layout: 25,5 cm x 33 cm (Folio), hardcover, clothbound and stamped Volume 1: Messa a 4 voci con orchestra ed. Dieter Schickling Carus 56.001, 272 p., 225.00 € ISMN M-007-13723-6

March 2013

The Edition will contain around 25 volumes. The first volume of the edition, the famous Messa a 4 voci con orchestra, is scheduled to be published in spring 2013. Giacomo Puccini, born in Lucca in 1858, is one of the most performed composers on the international opera stage. Next to Mozart and Verdi, his operas are among the most performed works in the world. His vocal and instrumental works for church and concert hall, on the other hand, have only recently begun increasingly to find a place in the public consciousness, following decades of being relegated to oblivion. In the course of time the awareness grew that Puccini’s complete works demanded a new evaluation. Increasingly he is no longer considered to be the last representative of an obsolete Italian bel canto, but rather as a musician seeking a new departure at the dawn of modernity. His compositional processes are more akin to the experiments on the borders of tonality pursued by such contemporaries as Debussy, Richard Strauss, Mahler and Schönberg, all of whom he knew and for whose works he showed a lively interest.

Favorable subscription price.

The prerequisite for a closer examination of such issues and interconnections is a correct edition of his works, which until now has not been available but which will be fulfilled for the first time with the publication of the first scholarly critical Complete Edition of the Works of Puccini.

Volume 1 Messa a 4 voci con orchestra SC 6 (L) Soli TBar, Coro SATB, Pic, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Trb, 3 Trb, Oficleide, Timpani, 2 Vl, Va, Vc, Cb / 43 min

Complete Editions 21

Stuttgart Schütz Edition Heinrich Schütz (1585–1672) Cantiones sacrae SWV 53–93 (L) 4 voices, Bc ed. Uwe Wolf Today the Cantiones sacrae (1625) remain in the shadow of Schütz’s much more well known motet collection, the Geistliche Chormusik of 1648. This is due on the one hand to their Latin texts and to the devotional texts which often are not taken from the Bible, and on the other hand to the highly expressive style of the Cantiones. Schütz demands that the singers be open to a highly unusual music rich with dissonances.

The reward for this venture will be an extraordinary depth and expressiveness and music truly beyond compare.

In 1992 the Stuttgart Schütz Edition – the edition of the complete works of Heinrich Schütz – was taken over by Carus-Verlag, which has continued to publish it since then.

It is a complete edition founded on a critical examination of the sources which presents today’s users an unproblematic, legible rendering of the music. In contrast to other Schütz editions the works are presented in their original keys and ranges, i.e., they are edited untransposed. All editorial additions or suggestions are indicated diacritically. The volumes include all essential information concerning the history of the works, their transmission, performance practice and liturgical function. Original clefs, as well as the ranges of the vocal parts and the upper instrumental parts are prefixed to the first brace of the score.

CANTIONES SACRAE

Carus 20.905, complete edition (clothbound edition), Vol. 5, ca 216 p., 178.00 € ISMN M-007-14072-4

April 2013

Under the direction of Hans-Christoph Rademann, together with Carus-Verlag Stuttgart, the Dresdner Kammerchor will realize the first complete recording of the works of Heinrich Schütz by 2017. With a total of 22 CDs and countless concerts the first German composer of European stature will be given a tangible monument.

New Cantiones sacrae Hans-Christoph Rademann, Dresdner Kammerchor Carus 83.252, 2 CDs

22

Complete Editions

Reger Edition Hybrid-Edition

Max Reger (1873–1916) Choral preludes for organ, vol. I/4 of the Reger Edition The fourth volume of the section of the Reger Edition devoted to his organ works comprises, in chronological order, the chorale preludes composed between October 1893 and November 1914 in Wiesbaden, Weiden, Munich, Leipzig, and Meiningen. The composition of chorale preludes accompanied Reger throughout his entire career, even though they were composed primarily in the years from 1900 to 1902 and 1914 (Opus 135a). As almost no other composer at the turn of the century, he dedicated himself to the chorale prelude, composing around 100 works in this genre.

Vol. I/4 O Traurigkeit, o Herzeleid WoO IV/2 Komm, süßer Tod! WoO IV/3 Christ ist erstanden von dem Tod WoO IV/19 Es kommt ein Schiff geladen WoOIV/14 Zweiundfünfzig leicht ausführbare Vorspiele zu den gebräuchlichsten evangelischen Chorälen op. 69 O Haupt voll Blut und Wunden WoO IV/13 Wie schön leucht’t uns der Morgenstern WoO IV/16 Dreißig kleine Choralvorspiele zu den gebräuchlichsten Chorälen op. 135a Kompositionen op. 79b Already available: Vol. I/1: Chorale fantasias for organ, Carus 52.801 Vol. I/2: Fantasias and Fugues, variations, sonatas, suites I for organ, Carus 52.802 Vol. I/3: Fantasias and fugues, variations, sonatas, suites II for organ, Carus 52.803

For the first time, this well-founded new edition combines the printed music with a digital counterpart. Each volume will be accompanied and supplemented by a DVD containing facsimiles of all relevant sources presently available. With the aid of the software program Edirom these will be compared and contrasted with commentary. This means differences between the sources will be immediately visible. Furthermore, an encyclopedic section, likewise in digital form, offers primarily information and illustrations relevant to the history of the works, as well as information about the dedicatees of the compositions, those musicians who participated in the first performances, and much more.

Carus 52.804, complete edition ISMN M-007-13938-4

ISBN 978-3-89948-180-8

May 2013

Nr. 46 »Wer nur den lieben Gott läßt walten« (zu Liedern freudigen Inhalts) Ziemlich lebhaft

I. Man

Catalog of works 23

Catalog of works Johann Christoph Friedrich Bach

Johann Christoph Friedrich Bach (1732–1795) Thematic-systematic Catalog of the Musical Works Bach-Repertorium, Vol. 4 ed. Ulrich Leisinger

Thematisch-systematisches Verzeichnis der musikalischen Werke Bach-Repertorium Werkverzeichnisse zur Musikerfamilie Bach Band IV

No musical family has made such a significant contribution to the history of European music as the Bach family from Thuringia, in Saxony. From the 17th through 19th centuries one finds outstanding musicians among the family who participated in all levels of musical life whether it be town, court or church music – their works span all genres of vocal and instrumental music and reflect the stylistic developments of the individual eras in which they lived.

Carus

Within the framework of the Bach-Repertorium research project at the Sächsische Akademie der Wissenschaften zu Leipzig, thematic catalogs are being compiled for all members of the Bach family. With catalogs which include incipits, texts, tables and indexes, the compositions will be described using a unified set of criteria and they will be based on the latest musicological research.

To distinguish him from his brothers, in the 18th century Johann Christoph Friedrich Bach was known as the “Bückeburger” Bach. His extensive opus encompasses all genres of instrumental and vocal music. Systematic research has led to the rediscovery of a number of works previously believed to have been lost, as well as to works which until now have been completely unknown; furthermore the existence of other lost works also has been verified. Thus today, for the first time an overview of the creative output of the second youngest Bach son is possible, which now occupies its own independent position in the history of 18th century music.

Carus 24.204, book, 19 x 27,5 cm. hardcover, thread stitching, 486 p. 115.00 € ISBN 978-3-89948-183-9

April 2013

Already available: Wilhelm Friedemann Bach, Bach-Repertorium, Vol. 2 Carus 24.202 In preparation: Carl Phillip Emanuel Bach, Vocal music, Bach-Repertorium, Vol. 3/I. Carus 24.203

Prices are subject to change. Errors excepted.

This catalog is not intended to be complete.

January 2013 Cover: Giacomo Puccini (oil on canvas,1903), Luigi de Servi Postcard Carus 40.348/10 Carus 99.046/13

Carus-Verlag Stuttgart GmbH & Co. KG Sielminger Str. 51 D-70771 Lf.-Echterdingen Tel: +49 (0)711 797 330-0 Fax +49 (0)711 797 330-29 sales@carus-verlag.com www.carus-verlag.com

Giuseppe Verdi (1813–1901) Messa da Requiem ed. Norbert Bolin The first critical edition of Verdi’s Requiem with complete performance material for sale Full score: Carus 27.303 Full score (clothbound edition): Carus 27.303/01 Vocal score: Carus 27.303/03 Choral score: Carus 27.303/05 Complete orchestral parts: Carus 27.303/19

Great opera choruses Verdi · Wagner

89.00 € 148.00 € 15.90 €

9.20 € 410.00 €

Große Opernchöre

Giuseppe Verdi 12 Opera choruses for choir and piano Coro SATB, Pfte / ed. Johannes Knecht Choral collection (choir and piano) Carus 2.652 35.80 € Carus 2.652/05, editionchor – economical choral score for performance

Große Opernchöre Giuseppe Verdi

Chor und Klavier

Carus 2.652

Richard Wagner 8 Opera choruses for choir and piano Coro SATB, Pfte / ed. Johannes Knecht Choral collection (choir and piano) Carus 2.651 29.80 € Carus 2.651/05, editionchor – economical choral score for performance

Richard Wagner

Chor und Klavier

Carus 2.651