carthage music department presents
Fall Choral Concert Carthage Chorale Carthage Treble Peter Dennee, conductor Carthage Choir Richard Bjella, conductor Lincoln Chamber Singers Gregory Berg, conductor
Sunday, Oct. 31, 2021 | 2 p.m. | A. F. Siebert Chapel
program carthage chorale
peter dennee, conductor melissa cardamone, piano
Alway Something Sings Isabelle Esquivel, student conductor
Dan Forrest (b. 1978)
Wanting Memories Ysaye Barnwell (b. 1946) Katiann Nelson, student conductor It Gets Better Shelldyn Earnest, baritone Danae Palmer, soprano
lincoln chamber singers
Andrew Lippa (b. 1964)
gregory berg, conductor
In These Delightful Pleasant Groves
Henry Purcell (1659-1695)
carthage treble choir
peter dennee, conductor melissa cardamone, piano
The Poet Sings
Z. Randall Stroope (b. 1953)
My Soul’s Been Anchored in the Lord
Traditional Spiritual arr. Moses Hogan adapted by Rollo Dilworth
We Are the Ones
Marie-Claire Saindon (b. 1984)
carthage choir richard bjella, conductor dimitri shapovalov, associate conductor gregory berg, collaborative pianist Cries of Loss Death Came a Knockin’ (Travelin Shoes)
Ruthie Foster (b. 1964) arr. Paul Rardin Elise Brevik, Avery Morris, & Lucy Smith
Cries of Faith Five Solas Kyle Pederson (b. 1971) Lauren Hammes, Isabelle Esquivel, Elise Brevik, London Roysden, & Katrina Seabright Franco Basili, student conductor Gregory Berg, piano
program Cries of the Nightingale Dolcissimo uscignolo (Sweet Nightingale) Claudio Monteverdi (1567 – 1848) London Roysden, Katrina Seabright, Savannah Kroeger, Lucy Smith, Faith Albright, Elise Brevik, Mitch Dziewior, Adam Blackwood, Nathan Koehlert, Franco Basili, Nicholas Dekker, & Jack Myers Gregory Berg, harpsichord Cries of Longing Sehnsucht Johannes Brahms (1833 – 1897) Gregory Berg, piano Cries of Death Bach (Again) Come sweet death
J.S. Bach (1685 – 1750) conceived by Edwin London arr. Rhonda Sandberg
Cries of Self-worth Little Dance for Barbara Mason David Maslanka (1943 – 2017) from A Litany for Courage and the Seasons Justin Hall ’16, vibraphone Katiann Nelson, clarinet Cries of Hope I’ll be on my way Shawn Kirchner (b. 1970) Nicky Caldwell, Norris Jones, Bennett Shebasta Ashlynne Edwards, violin Gregory Berg, piano
There is no intermission.
program notes and translations Death Came a Knockin’ (Travelin’ Shoes) You know that death came a-knockin’ on my mother’s* door singin’, “Come on mother, ain’t you ready to go? And my mother stooped down, buckled up her shoes, and she moved on down by the Jordan stream. And then she shout, “Hallelujah! Done, done my duty, got on my travelin’ shoes.” *sister’s, brother’s, neighbor’s, preacher’s Ruthie Cecelia Foster is an American singer-songwriter of blues and folkmusic. She released her arrangement of Death Came A-Knockin’ in 2002. She mixes a wide palette of American song forms, from gospel and blues to jazz, folk and soul. She has often been compared to Bonnie Raitt and Aretha Franklin. Rardin’s choral adaptation is deliberately sparce – imitating guitar, light organ and banjo until the climactic ‘Hallelujah’. The list of characters –mother, sister, brother, neighbor, preacher, and finally self-remind us that we all face this journey, so we had best live right, and shout ‘Hallelujah’ when our turn comes.
Five Solas Credo in fidem solam, pensito Credo in solam gratiam, meditor Credo in Christum solum Credo in solam scripturam Deo soli gloria
Approximate translation: Faith alone. Grace alone. Christ alone. Word alone. To God alone be the glory. I ponder all this in my heart.
2017 marked the 500th anniversary of the beginnings of the Protestant Reformation. The “Five Solas” are five Latin phrases that emerged over the course of that Reformation, and are (summary) principles of that history-defining movement. This piece seeks to evoke a bit of the ancient vibe associated with these phrases, integrating a recurring chant-like mantra throughout. At the same time, the piece seeks to capture a sense of modernity with the modern chord progressions and harmonic suspensions. In this way, the piece seeks to bridge the ancient and contemporary--and affirm the power of these timeless, credal beliefs.
Dolcissimo uscignolo Most sweet nightingale, you call on your beloved mate, singing: come, my soul. But song is of no avail to me and I have no wings to fly as you have. Happy little bird, kind nature rewards you will in your delight, and though she denied you knowledge, she you gave you good fortune. Giovanni Battista Guarini One of the true giants of the late Renaissance and early Baroque period was Claudio Monteverdi. Equally comfortable with sacred and secular music, with his Vespers, opera, innumerable books of madrigals. His Dolcissimo uscignolo (1638) is a late work published in his final book of Madrigali Guerrieri et Amorosi (Madrigals of Love and War). The soprano writing captures the beauty of the nightingale that Claudio may have heard on his nightly walks. It is likely that he was unaware that the nightingale singing was the male trying to woo the female.
Sehnsucht Es rinnen die Wasser Tag und Nacht, deine Sehnsucht wacht. Du gedenkesst der vergangenen Zeit, die liegt so weit. Du siest hinaus in den Morgenschein und bist allein. Es rinnn die Wassser…
The waters run day and night, your yearning awakes. You think of times past, now so far away. You gaze into the morning light and are alone. The waters run….
program notes and translations Few poems can match the austere desolation of Sehnsucht, a portrait of loneliness in which its subject, doubtless awake with his thoughts all night, looks out the window at dawn and cannot see the light for his tears. His bitter meditation on how his (likely Brahms’s) desire remained unsatisfied as life passes in solitude. He also uses nature as a corollary for human emotions, with the arpeggiated piano part displaying the running water. The composer’s memories of ‘times past’ moves darkly through the chromatic canon and its inversions and finally holding a full half-diminished triad for two measures on Sehnsucht (longing) before the resolution.
Bach (Again) Come sweet death Come, sweet death! Come soothing rest. Come and lead me homeward. Using only the first eight measures of the chorale, the choir explores the singular beauty of singing each note in elongated fashion, then moving on to the next. This creates a rarified experience of improvisation using only the notes from the chorale.
Little Dance for Barbara Mason Pushing back the walls, stretching for freedom, time and space were the fringes of my limitation. With only my skin for costume and no script at all I offer a careful bow to the beings beyond the dark. Perhaps this little dance will please the dead and the unseen. And then the boundaries will cave in, and then my spirit will fly. In this moment and no other, I am! Richard Beale’s poem was written after he was watching a solo dancer in Montana. Maslanka has taken his classical and jazz ‘chops’ to another level with an incredibly sophisticated fugue between the vocal and instrumental lines, literally ‘pushing back the walls’. The frenetic nature of the cacophonous ‘IN THIS MOMENT AND NO OTHER, I AM’ explodes off the page to express completely the feeling the dancer, singer, or player must have when performing.
I’ll be on my way When I am gone, don’t you cry for me, don’t you pity my sorry soul. What pain there might have been will now be past and my spirit will be whole. I’ll be on my way, I’ll have left my feet of clay upon the ground, I will be glory bound I’ll be on my way. When I am gone, please forgive the wrongs that I might have done to you, there’ll be no room for regrets up there, high above, way beyond the blue. I’ll be on my way, I’ll have laid my frown and all my burdens down, I’ll be puttin’ on my crown, I’ll be on my way. When I am gone, don’t you look for me in the places I have been. I’ll be alive, but somewhere else, I’ll be on my way again! I’ll be on my way, I will lift my wings and soar into the air, there’ll be glory ev’rywhere on my way. I’ll be on my way, I’ll have laid my frown and my burdens down, puttin’ on my crown, I’ll have left me feet of clay upon the ground, I will be glory bound, I’ll be on my way! An inspirational memorial song that moves from a sense of sorrow into great joy. A slow opening, sung by a soloist, captures a feeling of reverence before a light, banjo-inspired piano accompaniment launches the spirit-freeing rest of the piece. The rising arpeggio motive on the chorus to the words “I’ll Be On My Way” fills both the singers and the audience with joy. Shawn Kirchner
carthage chorale Nicole Biba Aaron Carlson Alecia Corey Rayven Craft Shelldyn Earnest Isabelle Esquivel Jill Forgac Reed Freund Heather Frey Christopher Glade Emily Halfmann Adam Johnson Jonah Koehlert Sarah Loster
Jacqueline Miller Eamonn Moore Katiann Nelson Danae Palmer Emily Pichelmann Joelle Rapp Ktherine Retek Emily Roubik Shawn Runningen Hailee Sundquist Jeffrey Watkins Aaliseyah Winston Austin Zepeda
lincoln chamber singers Faith Danielle Albright Adam Blackwood Elise Brevik Brian Dean Mitchell Dziewior Isabelle Esquivel Christopher Glade Thomas Hougen Audrey Marshall
Jack Myers Samantha Pardo Lianna Pfister London Roysden Katrina Seabright Katrina Seabright Bennett Shebesta Bryan Tamayo
carthage treble choir Sydney Anderson Tayler Blair Tiffany Borger Destanee Brantley Taylor Bulanek Alexis-Marie Catunao Jessica Childress Essence Christian Abigail Ciesielczyk Frannie Drake Tajaniah Drone AK Engleson Brianna Fowler Kelsi Gennrich Grace Hanson Reese Hartsuff Raelyn Hastings Emily Imig Ally Kline Chore Kroeger Kasia Kurz
Taylor Kwasny Tabitha Mani-Eapen Eva Menzia Emma Meyer Natasha Mizera Emma Murphy Elizabeth Neybert Kiera Notz Alexndrea Rakowski Kayla Raye Amelia Reinitz Kelsey Spofford Mary Travis Annie Uk Caitlin Whiteman Teagan Wilkins Kristeria Wolf Mikayla Wright Emily Jean Zerger
carthage choir Soprano Becca Culley Isabelle Esquivel Jessica Golinski Lauren Hammes Rachel Jasien Savannah Kroeger Audrey Marshall Jenna Meola Lianna Pfister London Roysden *+ Katrina Seabright Alto Faith Albright Elise Brevik Madi Crawford Jada Moss Katiann Nelson *+ Lydia Ochoa Tamsin Olson Angel Palladini Sam Pardo + Lucy Smith
Tenor Adam Blackwood Nicky Caldwell Mitch Dziewior + Chris Glade Nathan Koehlert Avery Morris Bennett Shebesta Bryan Tamayo + Cephas Towle Bass Miguel Bartolome Franco Basili * Colin Eagen Brian Dean Nicholas Dekker Norris Jones Nate Myers Jack Myers Ben Young * Section leader + Choir Officers
upcoming events Student Recital: William Dowell Monday, Nov. 1 • 8 p.m. Recital Hall • Tickets required New Play Initative: Patience & Fortitude Nov. 5-6 & 11-13 • 7:30 p.m. Nov. 7 • 3 p.m. Wartburg Theatre • Tickets required Lakeside Band Festival Saturday, Nov. 6 • 7 p.m. A. F. Siebert Chapel • Tickets required Student Recital: London Roysden Saturday, Nov. 13 • 7:30 p.m. Recital Hall • Tickets required Carthage Philharmonic Concert Sunday, Nov. 14 • 1 p.m. A. F. Siebert Chapel • Tickets required Treble Choir Festival Wednesday, Nov. 17 • 4:20 p.m. A. F. Siebert Chapel • Tickets required She Loves Me Nov. 19-20 • 7:30 p.m. Nov. 21 • 3 p.m. VPAL • Tickets required Opera Workshop Saturday, Nov. 20 • 3 p.m. Sunday, Nov. 21 • 6 p.m. Recital Hall • Tickets required Carthage Christmas Festival Dec. 3-4 • 7:30 p.m. Dec. 5 • 4 p.m. A. F. Siebert Chapel • Tickets required
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