Eurydice Program

2020 - 2021 Carthage Theatre Department Presents

Written by

Sarah Ruhl

Directed by Ella Spoelstra ‘21

February 19-20 | 7:30 p.m.

February 21 | 3 p.m.

Wartburg Theatre David A Straz, Jr. Center

acts In Eurydice, Sarah Ruhl reimagines the Greek myth of Orpheus and Eurydice, this time through the eyes of its heroine. After dying on her wedding day, Eurydice journeys to the Underworld, where she reunites with her father and struggles to remember her life and her lost love, Orpheus. Heartbroken at the loss of his wife, Orpheus subsequently pursues Eurydice to the Underworld and bargains with The Lord of the Underworld to bring her back to the land of the living. In this story though, Sarah Ruhl proposes a more complex version of events. The traditional myth suggests that on the way out of the Underworld, Orpheus looked back at Eurydice out of his own fear that she was falling behind. But, what if this was not the case? What if Eurydice’s return was not accidental, but instead by design? With contemporary characters, ingenious plot twists, and breathtaking visual effects, the play is a fresh look at a timeless love story.

Movement 1: Land of the Living, Nasty Interesting Man’s Apartment Movement 2: The Underworld / Land of the Living Movement 3: The Underworld There is no intermission for this show.

director’s note Some things, as our dear Sarah Ruhl says, inevitably become “imprinted on my heart like wax”. For me, it’s the memories of falling in love with words. I grew up surrounded by stories; before I could even speak, my parents read to me every night, I have boxes full of letters and poems from my parents and grandparents: from birthdays, graduations, Christmases, sleep away camp, and from “just because”. My mother, a dedicated stay at home mom, always spoke to her four young children like adults, mostly to keep from losing her mind each day. My father took me to bookstores; he taught me how to dream and feel and explore through words. This story, this re-telling of the iconic Greek myth of Orpheus and Eurydice, spoke to me in a way that actually has me often at a loss for words. When I first saw this show, I was mesmerized by how it is far more than just another iteration of the tragedy of these two lovers.

At its core, it is really about the love and the bond between a father and daughter.

This play is the first time I saw theatre so clearly reject the notion that the highest form of love is a romantic love. And while there is immense beauty in the chaos and excitement of learning to love another soul, true love is consistent, it’s a refuge, a soft place to land. And now that I’m an adult, I look back at my childhood and realize with immense gratitude that this is exactly the love I was raised in. This play reminds me of how a life is built not on the grandiose events. It’s crafted in the ordinary, everyday pieces: of being read to while all snuggled into bed, of having your breath taken away by a shockingly pink sunset, of first discovering your favorite Shakespeare sonnet, your first time riding a train, of climbing trees, fishing with your father, and of lying in the shade on a perfect summer day. EURYDICE to me is a reminder that life is merely a whispered breath in time, we are not guaranteed tomorrow. So we must breathe slowly, laugh deeply, cry when it hurts, and say “I love you” often. But most importantly, we must commit to remembering what it is to be alive. Without that,

you can find yourself lost. I want to dedicate this show, my debut full length directing project, to my wonderful father, whom I know would follow me to the Underworld and back to protect me too. Thank you for being my “tree” dad, and for teaching me the power and beauty of storytelling.

Love, Ella

dramaturg note by ella spoelstra ‘21 We’ve all heard about the great love stories of all time. Just to name a few: there was Romeo and Juliet, Cleopatra and Mark Antony, Bonnie and Clyde, Elizabeth Bennet and Mr. Darcy, and of course, Orpheus and Eurydice. And yet since its first telling, the tragedy of Orpheus and Eurydice has again and again been told from Orpheus’ perspective. It’s been his story, in which Eurydice is second fiddle, sometimes even just a mere footnote. But finally, our heroine is getting the spotlight. Yet in doing so, we find that through the centuries of this story being told, pieces of her have been lost. The most detail we really know about Eurydice is that in the original myth she was a Dryad. We do not really know with certainty who her mother was, or how she felt about being in the Underworld, or what exactly her short life consisted of. And I think it is by no accident that we still do not get many of these answers in this play.

Once we begin to erase people’s stories, it is nearly impossible to retrieve them, and even if we do- they will never be fully recovered. This idea became important for our work in this show process because in order for us to fully do this story justice, we had to fully embrace and share our own histories: our losses, griefs, loves, fears, and memories. We all shared letters, photos, items, and stories that we all have held on to, and why these snapshots of a life and the people connected with them imprinted on or changed us. I’d like to invite you to also be vulnerable now as you watch this show, to dig into the melancholy of remembering that Sarah Ruhl so lovingly gifts us with.

Remember that if you try to forget the painful memories that have shaped you, you won’t be able to fully appreciate the joyful ones either.

When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time’s waste: Then can I drown an eye, unused to flow, For precious friends hid in death’s dateless night, And weep afresh love’s long since cancelled woe, And moan the expense of many a vanished sight: Then can I grieve at grievances foregone, And heavily from woe to woe tell o’er The sad account of fore-bemoaned moan, Which I new pay as if not paid before.

But if the while I think on thee, dear friend, All losses are restor’d and sorrows end.

-Sonnet XXX, Shakespeare

cast and crew cast Eurydice......................................................................................................Ashley Veltman Father................................................................................................................... Ben Cisco Orpheus....................................................................................................... Nicky Caldwell A Nasty Interesting Man / The Lord of the Underworld..................... Sophie Michalski Big Stone........................................................................................................... Nate Myers Little Stone........................................................................................................ Cate Rocha Loud Stone............................................................................................... Becca Robertson Father Understudy.......................................................................................Rogelio Castro Stones Understudy..............................................................................................Ally Kline

production team Director.......................................................................................................... Ella Spoelstra Stage Manager...........................................................................................Marielle Shiring Assistant Stage Managers..........................................Lauren Hammes and Bree Meinke Technical Director/Lighting Designer.................................................William Newcomb Assistant Lighting Designer/Light board operator.....................................Gabrielle Tifft Scenic Designer..................................................................................... Martin McClendon Scenic Artist....................................................................................................Samuel Ortiz Costume Designer...............................................................................................Lexi Asare Costume Design Advisor.............................................................................. Kim Instenes Directing Senior Thesis Advisor.............................................................. Herschel Kruger Choreographer.............................................................................................. Caitlin Preuss Music Composer................................................................................................ Nate Myers Properties Designer........................................................................................... Emily Imig Sound Designer..................................................................................... Lindsey O’Connor Assistant Sound Designer / Sound reinforcement..........................................Emily Carr Dramaturgs.................................................................... Ella Spoelstra and Caitlin Preuss Sound board operator...................................................................................... Hope Posley Stage crew....................................................................................................... Avery Morris Costume Crew Head........................................................................................ Sierra Clark Costume Crew.............................................................................Angel Green, Nat Silvera Scenery, lighting, and costumes created by the students of Carthage Theatre

cast biographies Nicky Caldwell (Orpheus) is a freshman Music Theatre major. Nicky’s previous Carthage shows include the directing class scenes from LAST TRAIN TO NIBROC and he’s currently in WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN on the mainstage. Before coming to Carthage, he played Ugly in HONK!, Willy Wonka in WILLY WONKA AND THE CHOCOLATE FACTORY, Lumiere in BEAUTY AND THE BEAST, and more. He is also a member of Carthage Choir. Nicky is very thankful to be in this beautiful show, and he hopes you enjoy it!

Rogelio Castro (Father Understudy) is a junior Music Theatre Major. Previous credits at Carthage include MARIE ANTOINETTE (The Dauphin/The Servant) and KISS ME KATE (Ensemble) on the mainstage. He will also be performing on the mainstage later this semester in WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN. Studio credits include SECRET OF THE WINGS (Mr.Fitzpatrik/Boy/Father of Seven Sons/Tony). Musical Theatre Workshop credits include FUN HOME (Bruce Bechdel) and YOU’RE A GOOD MAN CHARLIE BROWN (Charlie Brown). Directing Scene credits include GRUESOME PLAYGROUND INJURIES (Doug) and THE DRUNKEN CITY (Frank). Rogelio would like to thank all his family, friends, and professors for supporting his dreams and believing in him.

Ben Cisco (Father) is a freshman Music Theatre and Music Education major. Ben had previously played Daniel/Fetus 1 in SMOKEFALL in the studio theatre. Additionally Ben has been in productions of ALMOST MAINE, LEAVING IOWA, and CATCH ME IF YOU CAN during high school. Ben is also a member of the improv group at Carthage, The Merely Players. Ben has a blast being a part of this wonderful show and cast and wants to thank everyone for seeing the show.

Ally Kline (Stones Understudy) is a sophomore Music Education major and Theatre minor. This is Ally’s first ever production at Carthage! Favorite past roles include Ladybug in JAMES AND THE GIANT PEACH, Zelda Zanders in SINGIN’ IN THE RAIN, and Doris MacAfee in BYE BYE BIRDIE (Christian Youth Theater, Gurnee IL).

Special thanks to the cast for making her feel so welcome throughout the process!

Sophie Michalski (Nasty Interesting Man/Lord of the Underworld) is a junior Music Theatre major. Her most recent Carthage credits include, J. Finch/Zach Smith in PUFFS, Snoopy in YOU’RE A GOOD MAN CHARLIE BROWN (Workshop), Chaplain in FIGHTING FOR HOME, and Maria in TWELFTH NIGHT (J-Term). Sophie would love to thank all of her friends, family, and her sister, Sadie, for always supporting her. She hopes you enjoy the show!

Nate Myers (Big Stone, Music Composer, Orpheus Understudy) is a sophomore Music Theatre and Music Composition double major. Previously Nate was seen in the Carthage Mainstage production of PUFFS (Wayne Hopkins). Along with that Nate has performed in the Carthage Studio Theatre in SMOKEFALL (Footnote/Fetus 2/ Samuel) and BODY AWARENESS (Jared). Other recent productions include RIDE THE CYCLONE (Ricky Potts), DISNEY’S NEWSIES (Crutchie), DROWSY CHAPERONE (George), and ALMOST MAINE (Chad). This show has been so much fun for

cast biographies Nate to work on and he hopes everyone will remember it for a long time because he sure will.

Becca Robertson (Loud Stone, Lord of the Underworld Understudy) is a sophomore Music Theatre major. Becca previously played Clarie/Old Capulet in ROMEO AND JULIET WALK INTO A BAR on the Mainstage. Other recent roles outside of Carthage include Ado Annie in OKLAHOMA!, Titania/Hippolyta in A MIDSUMMER NIGHT’S DREAM, Narrator in JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT and Mrs. Webbs in OUR TOWN. She is also a member of Merely Players. Becca hopes that you enjoy the show, and would like to thank her family and friends for all their support during this time.

Cate Rocha (Little Stone, Eurydice Understudy) is a sophomore here at Carthage.

Previously, she has been in BODY AWARENESS in the studio, as well as PUFFS on the mainstage. Other credits include Everybody/Love in EVERYBODY, Liz in CHICAGO, and Pellegrina in THE MIRACULOUS JOURNEY OF EDWARD TULANE at her high school. She is also a part of the Merely Players, Carthage’s improv comedy troupe. She would like to thank her family and friends for supporting her throughout this process, and she hopes EURYDICE will bring you some much needed theatre joy!

Ashley Veltman (Eurydice) is a senior Music Theater major. Previous shows at Carthage include THE HANDBOOK (Jenni), FIGHTING FOR HOME (Navy), and PUFFS (Sally) on the Mainstage, and Music Theater Workshop productions of RIDE THE CYCLONE (Constance), SWEET CHARITY (Ursula), HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, ADDAMS FAMILY, MY REAL MOTHER, and scene work from FUNHOME. She would like to thank the cast and Ella for making her last production at Carthage such a wonderful experience. Enjoy the show!

production team biographies Lexi Asare (Costume Designer) is a junior double major in Theatre and History. She has thoroughly enjoyed working with this wonderful cast and production team. She has worked on several previous mainstage productions at Carthage including PUFFS and MARIE ANTOINETTE. This summer she will be working for the Appleton Area School District’s Summer Shakespeare Consortium teaching high school students about Shakespeare and theatre. She would like to thank Professor Kim Instenes for all of her help and support throughout this process. She hopes you enjoy the show!

Lauren Hammes (Assistant Stage Manager) is a sophomore transfer student double majoring in Music Education and Vocal performance, and minoring in Theatre.

Lauren is very grateful that she was given the opportunity to work with such an amazing group of individuals throughout the rehearsal process of EURYDICE. Lauren’s previous Carthage shows include the directing class scenes from LAST TRAIN TO NIBROC and she is currently involved in WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN on the mainstage as the stage manager. Before coming to Carthage, Lauren has played June in CHICAGO, Mary Poppins in MARY POPPINS, The Beggar Woman in SWEENEY TODD, Anna in THE KING AND I, and more. Lauren would like to thank her new friends at Carthage for being so kind and accepting of her in the theatre program. She would also like to thank her parents and sister for always being supportive of her and encouraging her to do her best in everything she does. She hopes that you enjoy the show!

Emily Imig (Properties Designer) is a senior Theater major, focusing on the technical side of things. Since coming to Carthage, she has been stage manager for PUFFS, the fall 2020 mainstage show. She’s also been the assistant stage manager for FIGHTING FOR HOME, stage manager for SHIFT, the fall 2019 dance show, and the assistant stage manager for AWAY FROM THE MIRROR, the spring 2019 dance show. She also has been the spot operator for the INTO THE WOODS. Before college, she was involved in all her high school theater productions as well as volunteered at a local community theater. She would like to thank family and friends for their love and support, especially James Sevens, for being a great mentor.

Martin McClendon (Scenic Designer) teaches, directs, and designs scenery for Carthage Theatre. He has received KC/ACTF awards for Distinguished Production of a New Work for A SEAT AT THE TABLE and THE RAILSPLITTER, Certificates of Merit for Direction for AFGHANISTAN/WISCONSIN and BOEING BOEING, and the Citizen Artist Award, given to the ensembles of A SEAT AT THE TABLE and FIGHTING FOR HOME. This past spring he tried his hand at playwriting in collaboration with nine female veterans, Dr. Becki Hornung, Professor Marcella Kearns, and his wife Jennifer to create the original play FIGHTING FOR HOME. Martin was also honored to receive the Association for Theatre in Higher Education Innovative Teaching Award for 2016-17 for his work with students in developing veteran theatre projects, including the Veteran Night of the Arts fundraiser. Before coming to Carthage, Martin spent 10 years working as a professional actor, carpenter, and scene designer in Chicago and Los Angeles. He was nominated three times for Non-Equity Jeff Citation Awards while designing scenery for the Defiant Theatre Company,

production team biographies Chicago. In addition to designing scenery, video, and sound at Carthage, regional design credits include First Stage Children’s Theatre (Milwaukee, WI), Actor’s Ensemble (Rockford, IL), and The Evidence Room and Odyssey Theatres (Los Angeles, CA). Onstage appearances in Chicago include MOJO and SKYLIGHT (Steppenwolf ), DANNY BOUNCING (Victory Gardens) and THE CRIPPLE OF INISHMAAN (Northlight). On-camera work includes several independent movies, episodes of ER and EARLY EDITION, and numerous commercials. He is a proud member of Actor’s Equity and SAG/AFTRA. Martin received his MFA in acting from the University of Illinois Champaign/Urbana, and his BFA in acting from Rockford College. He would like to thank his beautiful wife Jennifer and his wonderful kids Arabella and Horatio for their support and inspiration.

William Newcomb (Technical Director, Lighting Designer) holds a B.F.A. degree in Technical Theatre from Tarleton State University, Stephenville, Texas, and an M.F.A. degree in Arts Administration from Southern Utah University. He was assistant manager of the Milwaukee Repertory Theatre for two years before coming to Carthage in 2009. Other credits include technical director of the Wells Fine Arts Center at Tarleton State University, assistant technical director at Oberlin College, scene shop foreman at Ohio Light Opera, and assistant production manager of the Utah Shakespearean Festival. Professor Newcomb teaches Play Production I: Stagecraft, Lighting and Sound, and Applied Production in addition to managing the scene shop.

He would like to thank Alison and Finley for their love and support.

Lindsey O’Connor (Sound Designer) is a senior General Theatre Major, English Minor, and Secondary Education Minor. She is currently student teaching Theatre and English classes. Lindsey most recently directed SMOKEFALL in the studio theatre at Carthage. She has worked on multiple shows at Carthage including sound designing MARIE ANTOINETTE, stage managing UP AND AWAY, ROMEO AND JULIET WALK INTO A BAR, KISS ME KATE, and A DOLL’S HOUSE PART 2, and assistant stage managing INTO THE WOODS. She has acted in a few projects at Carthage including the J-term productions: SECRET IN THE WINGS and TWELFTH NIGHT. She has done work for Carthage’s productions of TWIN SET (light board operator), MOTHER COURAGE AND HER CHILDREN (sound board operator), and NIMBLE ATTITUDES (light board operator). She works as an employee in the scene shop and is a member of the Honorary Theatre Fraternity, Alpha Psi Omega. She’d like to thank the EURYDICE company for making this show come to life. She’d like to thank her friends, family, and boyfriend for their endless love and support!

Caitlin Preuss (Choreographer, Dramaturg) is a sophomore Music Theatre and Directing double major, and a dance minor. Caitlin is so glad to have been given the opportunity to be a part of EURYDICE. Carthage performance credits: Marine Intel in FIGHTING FOR HOME, Jennie/Mercutio in ROMEO AND JULIET WALK INTO A BAR, and will be seen as Paulina in the upcoming production of WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN. This past fall, she also had the chance to choreograph the Music Theater Workshop’s production of YOU’RE A GOOD MAN CHARLIE BROWN. Caitlin would like to send a huge thank you to her dear friend

production team biographies Ella Spoelstra for inviting her to be a part of this wonderful production, and to the entire production team for making this story come to life so beautifully. As always, Caitlin thanks her mentors, professors, friends, and family for being by her side through every season of life. Enjoy the show!

Marielle Shiring (Stage Manager) is a sophomore double majoring in Arts Administration and Theatre with a minor in English. Previous roles at Carthage include Anna in THE BALTIMORE WALTZ in the studio theatre, and Mary/Benvolio in ROMEO AND JULIET WALK INTO A BAR. Personal favorite performances of Marielle’s include Illona in SHE LOVES ME (Edgewood High School, Madison, WI) and Chorus in THE HUNCHBACK OF NOTRE DAME (Capital City Theatre, Madison, WI). This past January, Marielle was the Administrative Assistant for the Region 3 Kennedy Center College Theatre Festival (KCACTF). Marielle also works for Tianna Conway in Carthage’s Office of Performing & Visual Arts as the Arts Events Assistant and as a House Manager. Marielle would like to thank her family, especially her mom, incredibly supportive friends and the theatre faculty for all of their support in her education.

Ella Spoelstra (Director/Dramaturg) is a senior Theatre performance major and English minor. She is thrilled to be directing EURYDICE for her senior thesis. Ella is thankful to have grown as an actor, dancer, director, and dramaturg at Carthage. Her acting credits at Carthage include Elsa, U/S Flora in FLORA THE RED MENACE, Coast Guard in FIGHTING FOR HOME, Laney in THE HANDBOOK, Harmony in ROMEO AND JULIET WALK INTO A BAR. She has also been the dramaturg for PUFFS and A DOLL’S HOUSE, PART 2. Ella would like to thank Sarah Ruhl for writing a play that has become “imprinted on her heart like wax”. Also, she’d like to express her utmost gratitude to all of the theatre faculty for supporting and believing in her, especially thesis advisor Herschel Kruger, Caitlin Preuss for her creative support and friendship, her loving parents, and God. “Grief is like the ocean; it comes in waves, ebbing and flowing. Sometimes the water is calm, and sometimes it is overwhelming. All we can do is learn to swim.”-Unknown.

Gabrielle Tifft (Assistant Lighting Designer/Light Board Operator) is a sophomore Technical-Direction Theatre Major, with two Minors in Costume Design and Dance.

In her time at Carthage she has been involved in the mainstage productions of ROMEO AND JULIET WALK INTO A BAR as the sound designer, PUFFS as a costume crew member, and THE HANDBOOK as the light board operator, as well as the studio production of SMOKEFALL and the J-Term production of SWEET CHARITY as the light designer. Gabrielle is a member of Alpha Psi Omega, Alpha Lambda Delta, and the National Dance Education Organization where she is also the NHSDA officer.

She would like to thank her friends and family for all their support as well as William Newcomb for this opportunity. Enjoy the show!

special thanks Corinne Ness, Dean for the Division of Arts and Humanities Herschel Kruger, Theatre Department Chair Tianna Conway, Director of Arts Events and Audience Engagement Mike Love and the Carthage Media Services Team William Newcomb, Martin McClendon, Kim Instenes, Neil Scharnick for their support and guidance.

carthage faculty and staff Theatre Faculty Maureen Chavez-Kruger...................................... Adjunct Assistant Professor of Theatre Marti Gobel......................................................................... Adjunct Instructor of Theatre Kim Instenes.................................... Associate Professor of Theatre, Costume Designer Marcella Kearns.................................................................. Adjunct Instructor of Theatre Herschel Kruger................................................. Department Chair, Professor of Theatre Martin McClendon............................................................ Associate Professor of Theatre William Newcomb............................ Assistant Professor of Theatre, Technical Director Laura Roberts...................................................................... Adjunct Instructor of Theatre Dr. Neil Scharnick.............................................................. Associate Professor of Theatre Veronica Zahn..................................................................... Adjunct Instructor of Theatre Musical Theatre Faculty and Staff Dr. Corinne Ness....................................Associate Professor of Music, Dean of Arts and Humanities Division, Director of Music Theatre Studies Melissa Kelly Cardamone...................................................................... Staff Accompanist Rayven Dockery........................................................ Adjunct Instructor of Music Theatre Jeremy Mossman.................................................... Assistant Professor of Music Theatre Thomas Novak......................................................... Adjunct Instructor of Music Theatre Lorian Schwaber.........................................Adjunct Assistant Professor of Music – Voice Maggie Spanuello.................................................... Adjunct Instructor of Music Theatre Dance Faculty Brianna Rae Johnson.............................................................Adjunct Instructor of Dance Jenna Jozefowski....................................................................Adjunct Instructor of Dance Stacy Pottinger..................................................... Adjunct Assistant Professor of Theatre Director of Dance Minor Kristina Saldarelli..................................................................Adjunct Instructor of Dance Juliet Stephenson...................................................................Adjunct Instructor of Dance

kcactf The Kennedy Center American College Theater Festival, part of the Rubenstein Arts Access Program, is generously funded by David M. Rubenstein.

Special thanks to The Harold and Mimi Steinberg Charitable Trust for supporting the John F. Kennedy Center for the Performing Arts’ Kennedy Center American College Theater Festival.

Additional support is provided by The Honorable Stuart Bernstein and Wilma E. Bernstein; and the Dr. Gerald and Paula McNichols Foundation.

Kennedy Center education and related artistic programming is made possible through the generosity of the National Committee for the Performing Arts.

This production is entered in the Kennedy Center American College Theater Festival (KCACTF). The aims of this national theater education program are to identify and promote quality in college-level theater production. To this end, each production entered is eligible for a response by a regional KCACTF representative, and selected students and faculty are invited to participate in KCACTF programs involving scholarships, internships, grants and awards for actors, directors, dramaturgs, playwrights, designers, stage managers and critics at both the regional and national levels.

Productions entered on the Participating level are eligible for invitation to the KCACTF regional festival and may also be considered for national awards recognizing outstanding achievement in production, design, direction and performance.

Last year more than 1,500 productions were entered in the KCACTF involving more than 200,000 students nationwide. By entering this production, our theater department is sharing in the KCACTF goals to recognize, reward, and celebrate the exemplary work produced in college and university theaters across the nation.

upcoming events for carthage community Winter Band Concert: Crossover Friday, Feb. 19 • 7:30 p.m.

A. F. Siebert Chapel • Tickets required Carthage Philharmonic Strings Concert Saturday, Feb. 27 • 7:30 p.m.

A. F. Siebert Chapel • Tickets required Student Recital: Mitchell Dziewior & London Roysden Sunday, Feb. 28 • 2 p.m.

Recital Hall • Tickets required Student Recital: Azniv Khaligian Tuesday, March 2 • 6:30 p.m.

Recital Hall • Tickets required Away From the Mirror March 5-6 • 7:30 p.m.

Wartburg Theatre • Tickets required Student Recital: Ryan Boren Satuday, March 6 • 3 p.m.

A. F. Siebert Chapel • Tickets required Student Recital: Morgan Taylor Sunday, March 7 • 2 p.m.

Recital Hall • Tickets required Student Recital: Thomas Cargille Saturday, March 13 • 7:30 p.m.

Recital Hall • Tickets required Choral Concert Sunday, March 14 • 2 p.m.

A. F. Siebert Chapel • Tickets required

connect with us

tickets required

carthage.edu/fine-arts 262-551-5859 facebook.com/carthagefinearts instagram.com/carthagefinearts

Get tickets 24/7 at carthage.edu/tickets or 262-551-6661 noon to 5 p.m. Tuesday – Friday