Three Dreams

Page 1



Reverie from Three Dreams

Carlos Lalonde (b. 2001)

Ethereal  = c. 66

         

                          

cresc.

         

5

  

L.H.

  



   

  



      

 

                          

 sempre

     

 

 

ped. ad lib.

9

    

   

    

   

 



                             

 

 

Copyright © 2022, 2023 Carlos Lalonde / Carlos Gabriel Lalonde Music (ASCAP)

 

 


2

Reverie

13

     

        

 

a tempo

   

 

 

  

 

     

 

  

     

 

    

   

 

   

21

 

rit.

                                                

17

 

                  

 



 

 



 

   

  

 

  



                  

 

 

  


Reverie

 

      

 

 



 

 



 

loco

rit.

        

 

 

 

 

 

 

     



                                                            

33

                           

29

  



 



      



 



 



25

3



 





       

    





              

  



  

a tempo

 

 

  

   





    

 

 

 


4

Reverie 37

 

 

   

        

 

    

      

  





   

  

 

                                     

  

 



  

 

         

 

 

 



   

  

  

 

45

 

 

 

  







             

41

   

 

        

 

            

 

   


Reverie

5

48

          



     

        



    

   

  

 

 





 

        

loco

rit. 51

 

     

 

  

 



 

 

                               

           

 

 

 

 

 

 

a tempo

                    

55

                    

       

 

      

 

      

 

  

 

            

    



 

 


6

Reverie 58



       

 





 

  

      





   

       

       

 







 

  

  

    

  



 

 

  



 

      



 sempre

66



62

                  

 

 

 

                 

  

   

 

             

             

 

  

 

 

             




Reverie 69

 

7

           

     

          

         

          

          



         

   

  

           

    

76

       

ped ad lib.

 

  

72

    

      

  

  

    

  

 

 

 

 

 

 

 

sub.

   

   

   

  

 

 

  

 

 

  

 

    

   

 


8

Reverie 80



a tempo

 

 





  



  

  







     

   





 

            





 

 

 

      

 

88

 

84

      

 

 



   

      ped ad lib.

  



  

     

    

  

  



 

 


Reverie

9

93

   

   

 

  



    



            

 

 



                                          

101

    

        

97

   

      

 

 

 

      

 

 

 

 

       

 

      

 

 


10

Reverie

104

    

     

     

 

 

        

 

     

        

112

      

                             

108

    

  

     

 

 

 

rit.

     

 



 

 





                        

  

               

 

 



  

 

                   

 

 

 

 




Lullaby from Three Dreams

Carlos Lalonde (b. 2001)

Delicately  = 66

5

 dolce

   

  

  

 



  

    



 

  

     

 

  

   

  

    

  

 

    

   

 

         

  

    

 

 



 

  

  

   

ped ad lib.

14

 

  

  

 



loco                     

            

    



  

   

        



 

9

  



     

    

   

  

    



 

 

Copyright © 2022, 2023 Carlos Lalonde / Carlos Gabriel Lalonde Music (ASCAP)

 

   

 

 


2

Lullaby 18



       

                 

        

             

 

  

22

 

26



 

   

        

       

31

     

     

  

  

 

  

   

  

 



  

 

       

 

              

 

 

 

  

   

 

        

   

              

                               

        

  

    

    



           


Lullaby

3

 

                                                                                                    

35

    

39



  

     



   

 

 leggiero

 



             dolce

   





 

 

        



 



 





   

   

   



     

 





 







 





                  

47

     

    

dim.

43

    

  

    

 

  

 

   

 

 

   

 

  

      


4

Lullaby

 grandioso

      

55

 

  

        

    

  

        

  

             

 

 62     

 



    

  

           

       

    

                                          

         

          

     

       

poco rit.

   

       

     

  

    

    



    

 



      

   





    

Slower ( = c. 54)

 

 

  

               

 67

 

  

    

    

 



      

   



    

51

   

     




Toccata from Three Dreams

Carlos Lalonde (b. 2001)

Agitated ( = 120)

 5

  

         

       ped ad lib.

R.H.

            

         

     

    

  

      

    

 



  

  

L.H.

               

       

    

         

    

    

L.H.

 

           

 con fuoco

             

9

   

         

    

      

    

Copyright © 2022, 2023 Carlos Lalonde / Carlos Gabriel Lalonde Music (ASCAP)




2

Toccata 13

 

 

                          

 





 

                         

 

 





17

              

22

 



 

     

        



   

 

          

  

 

                  

       



       

     

26

 

       

 

 



        

    

R.H.

             L.H.

             

    

    

    

  



L.H.

        



  

  

       


Toccata

      

30

 



       



     

    

    

         

         

    



 sub.

   

   

              

 

                                



    

 

                               

42

 

 

 

       

            

 

 



       

 sub.

       



        

38

         



34

      

3

     

        

    


4

Toccata

47

 

    

        



     

      

      

       



       

     

    

 

      

      

  

        

   

 

 

        

 

      

     

     

      

   

       

                       

     

             

          

                      

 

 

 

                              

             

    

63

  

       

    

58

     

52

       

   

                

 

 

 

Rev. October 2023, Peoria


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