Thalea String Quartet / April 11 / Caramoor Spring 2021 Program Book

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Welcome Letter from Caramoor’s Interim CEO Spring 2021 Concerts Caramoor Conversations Caramoor Goes Virtual! by Kathy Schuman

Concert Program

Become a Member Highlights from Our Fall Special Events Thank You to Our Donors Caramoor Leadership Caramoor Staff

©2021 Caramoor Center for Music & the Arts 149 Girdle Ridge Road PO Box 816 Katonah, NY 10536 Caramoor Grounds & Performance Photos Gabe Palacio Photography, Katonah, NY gabepalacio.com Caramoor Fall Fête Photos Chansoda Roeun chansoda.com

General Information 914.232.5035 Box Office 914.232.1252 caramoor.org Program Magazine Staff Laura Schiller, Publications Editor Adam Neumann, aanstudio.com, Design Tahra Delfin, Vice President & Chief Marketing Officer Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator

Dear Friends, Welcome to our Spring 2021 season. We are thrilled to present this exceptional array of artists, brought to you from our Music Room in The Rosen House. We are overjoyed that, starting April 2, we are able to bring a limited-capacity audience into this venue while we continue livestreaming our concerts as well.

Over the past year, Caramoor – like many performing arts organizations everywhere – has focused on streaming concerts in a profound effort to keep the music playing. We are incredibly appreciative of the artists who have joined us on this journey, and we are deeply grateful to you, our dedicated audience members, who have allowed us to transport the music directly into your homes.

Our eight concerts this spring include a vocal recital by one of today’s leading bass-baritones, two string quartets from our Ernst Stiefel Quartetin-Residence program, a spirited Baroque band, a legendary jazz singer, and more. We are also pleased to continue a new video series we started this fall, Caramoor Conversations, designed to deepen our audiences’ connection to the musicians and composers that we have presented.

I am so excited to share that, in May, Caramoor will welcome Edward J. Lewis III as our new President & CEO. Ed has two decades of experience in performing arts leadership. An accomplished violist, Ed is a demonstrated leader, innovator, and musician with a long roster of accomplishments. He will be coming to us from the University of North Carolina School of the Arts, where he is currently Vice-Chancellor for Advancement. We can’t wait to introduce Ed to the Caramoor community.

Most importantly, we look forward to welcoming you back to our grounds more fully this summer. It is our hope that, by then, the world will be ready for us to gather safely to share the many joys of live music together.

Warmly,

Nina Curley Interim CEO

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March 21 Dashon Burton, bass-baritone David Fung, piano April 1 Schwab Vocal Rising Stars April 9 Son Little April 11 Thalea String Quartet April 25 Emi Ferguson and Ruckus May 2 Callisto Quartet May 8 Catherine Russell May 23 Junction Trio

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Caramoor Conversations is a free video series that dives deeper into the pieces of music being performed in an upcoming concert. These in-depth discussions with the artists are a way for the audience to have a better understanding, and hopefully, a greater connection to the composers and their work. After their initial broadcast, the Conversations will be available throughout the current season. You can tune in at any time!

Sunday, March 28, 3:00pm

Sunday, April 18, 3:00pm

The Red Book

The Bartók String Quartets (Part Two)

Free Available on demand starting March 28

Free Available on demand starting April 18

with Paola Prestini and Sonu Shamdasani

with Ara Guzelimian and the Callisto Quartet

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Caramoor Goes Virtual!

How Caramoor has adapted to the digital landscape and stayed close to artists and audiences throughout the pandemic.

By Kathy Schuman, Artistic Director Wh o ca n f o r g et t h e w e e k o f M a r c h 9, 2 0 2 0 ?

It began with us welcoming five Schwab Vocal Rising Stars for our annual mentoring program with Steven Blier, with every intention of having a public concert in the Music Room on Sunday, March 15. Well, as the week progressed, it became clear that this was not to be. By March 14, everything had shut down.

But wait….didn’t we just install video cameras in the Music Room the previous year? Should we do a livestreamed concert?? Do we even know how to do that???

Well, here we are, a year and 20 livestreams later, and I’m proud to say — we know how to do that!

As we launch our Spring 2021 season of livestreamed concerts, I’d love to share a few thoughts with you on the past year and what it’s been like to bring music to you in this new virtual format.

In-person vs Livestream As we transitioned to livestreaming, I felt it was really important to transfer some part of the special Caramoor setting to our virtual concerts. So, we decided early on not to do any remote recordings, but only ones actually filmed at Caramoor. (We did have one exception to this, which was our quartet-in-residence, who were unable to travel from Houston, TX). I introduced each concert from a different room of the Rosen House, or from a spot on the grounds, so our audiences could learn a bit more about our unique site.

Added content One of the benefits of the video concerts is our ability to add additional content and features to the programs.

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Emily Buffum, our livestream technician, hard at work

Many of our livestreamed concerts are followed by a Q&A on stage with the artists. The audience can send questions in through the chat box during the stream. These talks really help connect audiences to the musicians, and allow them to hear about not just the music, but how they’ve been coping throughout this past year. For many of these artists, our performances were the first time they played with other people, or outside of their homes, for many months.

We’ve also added short pre-recorded interviews with alumni of our Rising Stars programs, and segments with or about composers whose works are featured on the programs. We even included a fun video of the Jacobsen brothers playing our theremin!

A post-concert chat with Gloria Chien, Anthony McGill and Kathy Schuman, Caramoor’s Artistic Director

Becoming a media company We discovered that putting on livestreamed concerts is MUCH more work than “normal” live concerts! The programs are shot with three cameras and live-edited from the basement.

(Yes, practically all of our streams have really been LIVE.) So, we now have a whole livestream ‘team’ including a director, a livestream technician, an audio engineer, video graphic designer, live- chat monitor, etc.

It all comes together on the day of the performance, with the extra nailbiting that comes along with that dreaded phrase “technical difficulties”!

Thankfully these have been few and far between, but we will not soon forget when we couldn’t get any audio on Inon Barnatan’s July livestream and had to tell folks to tune in the next day.

But that was back in July…

Working during a pandemic On top of everything else, there are all the Covid safety protocols. Artists sometimes had to quarantine, there were Covid tests, there were masks, there were gloves, there were Lysol wipes, there were chairs spaced six feet apart (and colleagues with a ruler to check!). And our artist/staff meals were “enjoyed” with each of us sitting alone

at our own table. One of the oddest things for me was the 15 minutes or so leading up to each stream. Usually there’s audience filing in and chatting and the whole Music Room is aflutter with anticipation and conviviality.

Now, the moments leading up to the stream are really, really quiet. The few staff members are at their ‘stations’ — the hall is virtually empty, except for a couple of us. The stage manager gives the countdown….5, 4, 3, 2, 1.

After each piece, we give the artists a quiet thumbs up; there’s usually no clapping or bows.

George Lewis and Jeremy Denk in a mid-concert video chat about the composer “Blind Tom” Wiggins

As I write this, it looks like N.Y. State may be allowing small indoor audiences this spring. Whoopee! Music to my ears. Now we’ll have to figure out how to do in-person concerts simultaneously with livestreams.

“Watch out, sir, don’t trip on that wire…!” / 06

Thalea String Quartet Sunday / April 11 / 3:00pm / Music Room A small, socially-distanced invited audience is present for this concert, in accordance with N.Y. State Covid-19 health and safety guidelines. This explains the clapping you might hear!

Christopher Whitley, violin Kumiko Sakamoto, violin Luis Bellorín, viola Titilayo Ayangade, cello DANIEL BERNARD ROUMAIN (b. 1971)

“I made up my mind not to move” from String Quartet No. 5 (“Parks”) (2005)

JESSIE MONTGOMERY (b. 1981)

Source Code (2013)

TANYA TAGAQ / arr. Jacob Garchik (b. 1975)

Sivunittinni (2017)

PAOLA PRESTINI (b. 1975)

The Red Book (2020) (World premiere, Commissioned by Caramoor)

This concert is being livestreamed. Viewers watching from home may submit questions for the artists in the chat box next to the video player.

The Music Room theatrical lighting was a generous gift from Adela and Lawrence Elow.

We would like to thank our media partners for their support:

Caramoor

About the Music.

DANIEL BERNARD ROUMAIN (DBR) (b. 1971)

“I made up my mind not to move” from String Quartet No. 5 (“Parks”) (2005) Daniel Bernard Roumain’s works for string quartet have, to date, each been inspired by iconic figures of the civil rights movement. From Malcolm X to Adam Clayton Powell, DBR has used the medium of the string quartet to examine these historic leaders, representing each through his unique compositional blend of driving rhythm, percussiveness, and emotionally charged lyricism.

The three movements of DBR’s fifth string quartet, titled “Parks,” each use a highly specific compositional style to reflect on the life of Rosa Parks. The middle movement, “Klap Ur Hands,” invites the members of the string quartet to stomp and clap, a loose, groovy accompaniment to looping strains of bluesy string riffs. The third movement, “Isorhymiclationistic,” makes use of long, drawn-out chords, striking silence, and sudden shifts in dynamics, to hauntingly beautiful and dramatic effect.

The first movement, “I made up my mind not to move,” featured on this program, is inspired by a direct quote from Parks herself. In reference to her defiant stance against bus segregation in Montgomery, Alabama, Parks stated: “I knew someone had to take

the first step and I made up my mind not to move.” This quote serves as programmatic inspiration for the movement, and also seems to inspire the driving yet static feel of the writing.

While the piece appears to take inspiration from the minimalism of Philip Glass or Terry Riley, DBR’s piece is not meant to lull the listener into a trance. The movement is relentless, building and receding in everintensifying waves. DBR’s music holds its place, defiant and unapologetic, a fitting tribute to the “first lady” of the civil rights movement.

– Christopher Whitley

JESSIE MONTGOMERY (b. 1981) Source Code (2013) The first sketches of Source Code began as transcriptions of various sources from African American artists prominent during the peak of the Civil Rights era in the United States.

I experimented by re-interpreting gestures, sentences, and musical syntax (the bare bones of rhythm and inflection) by choreographer Alvin Ailey, poets Langston Hughes and Rita Dove, and the great jazz songstress Ella Fitzgerald into musical sentences and tone paintings. Ultimately, this exercise of listening, re-imagining, and transcribing led me back to the Black spiritual as a common musical source across all three genres. The spiritual is a significant part of the DNA of Black folk music, and subsequently Spring 2021 II

most (arguably all) American pop music forms that have developed to the present day. This one-movement work is a kind of dirge, which centers on a melody based on syntax derived from black spirituals. The melody is continuous and cycles through like a gene strand with which all other textures play.

– Jessie Montgomery

TANYA TAGAQ (b. 1975) Sivunittinni (2017) Sivunittinni is the product of a collaboration between genredefying Inuk vocalist Tanya Tagaq and intrepid new music pioneers the Kronos Quartet. The piece was composed in 2015, and is one of a series of rich collaborations between Tagaq and Kronos. Transcribed from a series of vocal recordings, Sivunittinni challenges each member of the ensemble to recreate the richly textured and powerfully expressive timbres of Inuit throat singing.

In her artist statement, Tagaq writes: “Sivunittinni, or the future ones, comes from a part of a poem I wrote for my album, and is the perfect title for this piece. My hope is to bring a little bit of the land to future musicians through this piece. There’s a disconnect in the human condition, a disconnect from nature, and it has caused a great deal of social anxiety and fear, as well as a lack of true meaning of health, and a lack of a relationship with what life is, Caramoor

so maybe this piece can be a little bit of a wake-up.”

The piece makes use of a variety of non-conventional bow techniques to represent highly specific vocalizations like breathing, growling, and gasping.

The instrumentalists trace circles with their bows to evoke “bubbling,” “percolating,” and feelings of anxiety.

The sonic textures not only suggest the sound of the human voice. Tagaq’s preoccupation can be heard in the slow tectonic cello writing, and the bleak emptiness often heard in the softest passages of the piece. The work ebbs and flows, building to visceral heights, then dissolving into almost primordial stillness. In one climactic moment, the quartet is asked to create the sound of “sawing through bone.” With Sivunittinni, Tagaq creates a powerful and impactful work, with dramatic and gripping instrumental techniques seldom heard from a classical string quartet.

Sivunittinni, arranged by Jacob Garchik, was composed as part of the Kronos Quartet’s 50 for the Future project. In the hopes of creating a new repertoire for the future of the string quartet, Kronos has commissioned 25 male and 25 female composers around the world and has made the scores, parts, and other learning content for each available for free online.

– Christopher Whitley

PAOLA PRESTINI (b. 1975)

This then divides into the following

The Red Book (2020) World Premiere, Vol. 21 of Caramoor’s commissioning project: A String Quartet Library for the 21st Century

1. The Tree of Life 2. The Watering of Roses/Soul 3. Serpentine Hands/Roots 4. Underwater 5. Sun God 6. The Piercing of the Soul 7. Moon Tree/Night Sky

The Red Book is a string quartet written in seven movements for the Thalea String Quartet, inspired by Liber Novus by the psychologist Carl Jung. The theme was chosen well before this moment in time, but it has gathered more meaning for me as, for the first time in my life, I've felt bound by a collective consciousness.

Jung integrates the following threads: an attempt to understand the "human" personality in general, the relation of the living and the dead, an attempt to understand the psychological and historical effects of Christianity, and the future religious development of the West.

I've grappled with different subthemes that have helped me choose seven directions for this extramusical work, with the visual elements of The Red Book being the guiding sources of structure. The work is tied together by the thread of overcoming our contemporary malaise of spiritual alienation through this moment of collective consciousness. This is represented by a prominent theme that weaves through the movements.

This is the first extramusical work I've embarked on in a long time and I took the idea of seven movements because my favorite string quartet is Beethoven's Opus 131. Very little aside from the seven-part structure is retained aside from the cyclical nature of the quartet, which in this case relates to the cyclical nature of life, and to the visual mandala, which served as a binding image for Jung. A legend of images and icons accompanied his mandala, which, among many others, include the soul, the serpent, the sun/eye, fullness and emptiness, with at its center humanity, which ends and begins the cycle. These icons are represented in my work by different themes and music motifs that are interpolated and developed throughout the cycle.

– Paola Prestini

Spring 2021 IV

About the Artists.

Thalea String Quartet The Thalea String Quartet brings together artists of Nigerian, Venezuelan, Japanese, and Canadian heritage. With repertoire as diverse as its members, and every bit as exuberant, Thalea connects with audiences on a musical, emotional and personal level, from first-time listeners to chamber music aficionados.

Top prize-winners at both the 2018 Fischoff and Chamber Music Yellow Springs Competitions, Thalea was founded in 2014 and made its U.S. début at the Kennedy Center in 2016.

They have since performed across North America and in Italy, France, Belgium, and China, and were chosen

by Canada’s Début Atlantic to give a two-week tour of eastern Canada in 2020-21.

Thalea was honored to be the Ernst Stiefel String Quartet-in-Residence at Caramoor in 2019-20, joining an elite roster of quartets who have held this esteemed position. Caramoor commissioned Paola Prestini to write a work for them during their residency, but the premiere was postponed due to COVID-19 until today.

Thalea co-commissioned, with pianist Michelle Cann, a chamber Caramoor

version of the Piano Concerto by Florence Price, contributing to the resurgence of interest in this neglected African-American composer. They performed the work with great success at Caramoor and on a tour of the West Coast.

Beginning August 2020, Thalea has been in residence at University of Maryland as the Graduate Fellowship Quartet. For the previous two years, they were the Young Professional Quartet-in-Residence at the University of Texas-Austin’s Butler School of Music, and prior to that they were the inaugural Quartet-in-Residence at the San Francisco Conservatory of Music.

Thalea has shared the stage with the Borromeo Quartet in the Mendelssohn Octet, with Pulitzer Prize-winning composer/vocalist Caroline Shaw, with Geoff Nuttall of the St. Lawrence String Quartet, and with pianist Tao Lin. Thalea participated in the 2017 Kronos Festival and have been Queen Elisabeth Music Chapel Associated Artists under the mentorship of the Artemis Quartet. Other mentors include the Miró Quartet and members of the Juilliard, Kronos, Takács, Pacifica and Danish String Quartets.

During multiple residencies at the Banff Centre they worked with Gilbert Kalish, Mark Steinberg, Alasdair Tait and the JACK and Miró Quartets.

Individual members also perform jazz, compose for interactive visual art, sing in choirs, dance ballet, and occasionally act on a hit TV show.

Ernst Stiefel String Quartet-in-Residence.

Since 1999, one extremely promising string quartet is chosen for this year-long residency, during which they perform at Caramoor throughout the season and lend their time and talents to Caramoor’s Student Strings, a classroom-based program of concerts and conversations in secondary schools. These burgeoning quartets often return in the years following their residencies to perform at Caramoor among its roster of distinguished musicians.

During each residency, Caramoor offers the quartet the opportunity to commission a new work from a composer of their choice, resulting in fruitful artistic relationships with the composers. Through this aspect of the program, Caramoor is proud to have helped bring into existence an exciting new library of 21st-century string quartet repertoire.

The Ernst Stiefel String Quartet-in-Residence is supported, in part, by major endowment gifts from the Ernst C. Stiefel Foundation. The success of this mentoring program relies on the generosity of donors interested in furthering the careers of promising chamber quartets.

Below is a full list of our past resident quartets and commissioned composers: 1999-00: Avalon String Quartet/ Augusta Read Thomas

2012-13: The Amphion Quartet/ Yevgeniy Sharlat

2000-01: Miró Quartet/ Brent Michael Davids

2013-14: Dover Quartet/David Ludwig

2001-02: Pacifica Quartet/

Marta Ptaszynska 2002-03: Rossetti String Quartet/ John Harbison 2003-04: Daedalus Quartet/David Horne 2004-05: Amernet String Quartet/ Joel Hoffman

2014-15: The Calidore Quartet/ Patrick Harlin 2015-16: Aizuri Quartet/Paul Wiancko 2016-17: Argus Quartet/Donald Crockett 2017-18: Verona Quartet/Julia Adolphe 2018-19: Omer Quartet/Gabriella Smith 2019-20: Thalea Quartet/Paola Prestini

2005-06: Jupiter String Quartet/ John Musto 2006-07: Parker Quartet/Lera Auerbach 2007-08: Escher String Quartet/ Pierre Jalbert 2008-09: Ariel String Quartet/ Yohanan Chendler 2009-11: Jasper String Quartet/ Andrew Norman 2011-12: Linden String Quartet/ Gabriel Kahane

Spring 2021 IV

Coming up next this spring...

Aaron Crouch, tenor

Erin Wagner, mezzo-soprano

Samuel Kidd, baritone

Grace Francis, piano

Sunday / April 25 / 3:00pm

Emi Ferguson and Ruckus Flutist Emi Ferguson (“wonderful,” The New York Times; “irresistibly vital,” Portland Press Herald) is joined by the continuo band Ruckus in a wild technicolor romp through some of Bach’s most playful and transcendent works reimagined and realized for 21st-century fans of 18th-century performance practice.

Having earned widespread critical acclaim for its fresh, visceral approach to early music, Ruckus’ core members form the baroque equivalent of a rhythm section: guitars, keyboards, cello, bassoon, and bass. The ensemble aims to fuse the early-music movement’s questing, creative spirit with the grit, groove and jangle of American roots music, creating a unique sound of “rough-edged intensity” (The New Yorker).

Livestream Tickets: $15, $30, $45 / Free for Caramoor Members More Information & To Purchase: caramoor.org / 914.232.1252

Your generosity helps to keep the music playing at Caramoor!

Become a Member and support Music Performance, Education, and Mentoring at Caramoor.

In return for making a charitable contribution, Membership level donors ($100 and above) receive a collection of “thank you” perks— including complimentary access to all spring livestreams. Support our music community and elevate your Caramoor experience all year long. caramoor.org/support

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Highlights of Our Fall Special Events.

For our annual Cabaret benefit, Laura Osnes and Tony Yazbeck celebrated Gershwin and the American Songbook in a Livestream from the Music Room.

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aramoor’s special events play a vital role in raising funds for our core programming and are a great opportunity to thank our donors who help foster musical inspiration.

We appreciate the support of our event donors, especially in this strange past season as they withstood reschedules and modifications aplenty. Our Opening Night Gala was cancelled though received generous support from ticket and table reservations converted to donations. Our Cabaret in the Music Room instead became live on screen from your own living room and even included some fancy-footed dance numbers. And we were able to host a small, outdoor, socially distant, and compliant fundraising dinner – the Fall Fête – in the careful hands of our friends at Blue Hill at Stone Barns. Caramoor is grateful to the event committees and patrons that helped guide us in making sure these occasions were memorable and successful.

Laura Osnes serenaded audiences in thier homes with a favorite Gershwin song.

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Cabaret supporters Larry and Adela Elow shared their passion for cabaret in a lively mid-concert video recording.

Caramoor held its Fall Fête in a safe and lovely setting at Blue Hill at Stone Barns.

The Fall Fête tables, distanced for safety, were decorated with seasonal flowers.

Fall Fête guests enjoyed a socially distanced outdoor dinner.

An Auction Table enabled guests to bid on unique items and support Caramoor.

SAVE THE DATES! October 23, 2021 Cabaret in the Music Room Eugene Linden, Olga and Michael Kagan

December 4, 2021 Benefit Dinner in the Rosen House

Events@caramoor.org / 914.232.1492

Susan Morgenthau and Cecilia Kellie-Smith / 10

Caramoor / Support.

Caramoor is appreciative of all donors and their support of our mission to create inspiring artistic experiences. Space limitations do not allow us to publicly acknowledge the many individuals and organizations who have made gifts in the past year; however, we are grateful to all contributors as every dollar contributed positively impacts Caramoor.

We have made every effort to ensure the accuracy of this listing. If you think you have found an inaccuracy, please accept our apology and alert us by calling 914.232.5035 ext. 409.

The following is a list of individuals, households, and organizations who donated to the Annual Fund (general contributions) during the period January 1, 2020 through December 31, 2020. Dollar-level listings reflect cumulative gifts to the Annual Fund (general contributions) totaling $250+ during that 12-month period. Special Events ticket-buyers are included in this list, as are the individuals who may have donated their tickets back to Caramoor in exchange for a charitable contribution. Please note that Special Events ticket purchases or contributions do not count towards Membership but are reflected in these cumulative totals. $100,000+ Nancy & Jon Bauer Pat & Ian Cook Mr. & Mrs. Anthony B. Evnin Susan§ & Peter Gottsegen Katherine & Peter Kend Leslie Williams & Jim Attwood $50,000 to $99,999 Mimi & Barry J. Alperin Laureen & David Barber Gail A. Binderman - The Norman E. Alexander Family G Foundation, Inc. Sandra & William Cordiano Jackie Dzaluk & Francis Goldwyn Mr. & Mrs. John H. Freund Mrs. Robert D. Hodes Mr. & Mrs. David S. Joys 11 / Caramoor

Floy & Amos Kaminski Cecilia Tay Kellie-Smith & Sam Kellie-Smith National Endowment for the Arts Sarah & Howard Solomon Nina & Michael Stanton Audrey & Richard Zinman $25,000 to $49,999 Aundrea & James Amine Anonymous (1) ArtsWestchester Mr. & Mrs. Jonathan M. Clark Jane & William Donaldson Angela & William Haines / The Haines Family Foundation The Marc Haas Foundation The Maximilian E. & Marion O. Hoffman Foundation Tracy & Stephen Limpe New York State Council on the Arts Nancy & Morris W. Offit The Ohnell Family Foundation Phyllis & David Oxman Amy Parsons & Paul Bird Amy & John Peckham / Peckham Family Foundation Mr. & Mrs. Andrew Saul Ms. Lucille Werlinich Mr. & Mrs. Ian Winchester Judi Wolf & Alden L. Toevs $10,000 to $24,999 Andree Wildenstein Dormeuil & Roger Dormeuil Foundation Adela & Lawrence Elow Charles A. Frueauff Foundation Maggie Grise & Adam Silver Olga & Michael Kagan Sylvia & Leonard Marx, Jr. Tracy & Ted McCourtney Susan & Robert Morgenthau Mr. Raj K. Nooyi & Ms. Indra K. Nooyi Susan & Richard O’Leary Yvonne Pollack, Pollack Family Foundation Faith Rosenfeld & Jaime Castro Elaine & Larry Rothenberg Mr. Stephen Ucko Elaine & Alan G. Weiler Lisa & Paul Welch $5,000 to $9,999 Nancy Adelson & Lewis R. Clayton Anonymous (1) Judy & Gordon Aydelott Janet Benton & David Schunter

Bloomberg L.P. Corporate Giving Program Patricia Butter & Ted Sabety Mr. & Mrs. Woodson Duncan Nancy & Edmund Dunst Edmée & Nicholas Firth Penny & Ray Foote Mr. & Mrs. William G. Foulke Fribourg Family Ms. Joan S. Gilbert Virginia Gold Isabelle Harnoncourt Feigen Mrs. Betty Himmel Dr. & Mrs. Henry Kaufman Georgia & David Keidan Mr. § & Mrs. Donald M. Kendall Stanley Kogelman & Lucy Huang Drs. Melissa & Lewis Kohl Mrs. Barbara Kushnick Nita & Stephen Lowey Mr. & Mrs. Lester S. Morse, Jr. Diane & Robert Moss New Music USA Rebecca Patterson & Robert Frank Christine E. Petschek Laura & Edward Pla Varner & John Redmon Mr. & Mrs. Frank E. Richardson Mr. Lawrence Rogow Susan & Elihu Rose Rebecca & Arthur§ Samberg Sara Lee & Axel Schupf Sara & Joshua Slocum Westchester Community Foundation Alicia & Bob Wyckoff $2,500 to $4,999 Photo Anagnostopoulos & Jim Stynes Anonymous (3) Ms. Christina Briccetti Susan & David Brownwood Anne & Joe Citrin Alexandra H. Coburn & Christopher Schroeder Mr. & Mrs. James B. Cowperthwait Mr. & Mrs. Michael Danziger Mr. Thomas A. Dieterich Ms. Kathryn E. Dysart & Mr. Jeffrey L. Schwartz Mr. & Mrs. Robert H. Eder Melissa Eisenstat & Jonathan Blau Kelly & Matthew Fairweather Naomi & Joel Freedman Ashley Garrett & Alan Jones Mary & Michael Gellert Laureine and David Greenbaum Family Foundation

Mr. David C. Hochberg Anda & John Hutchins Alexia & Jerry Jurschak Mr. & Mrs. W. Wallace McDowell The New York Community Trust The Pasculano Foundation The Perlmutter Family Foundation Mary Prehn & John Scacchia Sheila & David Reichman Christie C. Salomon Mr. & Mrs. Norman Slonaker Deborah F. Stiles Mr. & Mrs. James E. Thomas The Watt Family Foundation Kate & Seymour Weingarten Mr. & Mrs. Herbert S. Winokur / The Winokur Family Foundation, Inc. Judy Francis Zankel $1,500 to $2,499 Karen Adler & Laurence Greenwald Anonymous (2) Mr. G. Thomas Aydelotte Gini & Randy Barbato Wendy Belzberg & Strauss Zelnick Mr. & Mrs. Jeff Bijur Mr. & Mrs. Thomas A. Cohn Mr. & Mrs. James K. Coleman Margaret Downs & Henry Zachary Rebecca & Marty Eisenberg Nancy Eppler-Wolff & John Wolff Rosa & Robert Gellert Barbara & E. Robert Goodkind Carmela & Paul Haklisch Maureen Hanagan & Victor Marrow§ Angela & Richard Kessel Eduard & Rayanne Kleiner Foundation Mrs. Patricia D. Klingenstein Laura & Lewis Kruger Mrs. Edith Kubicek Nancy Maruyama & Chuck Cahn Nicole & Gerard Mayer Mr. Bruce Mekul Ms. Linda Merrill & Dr. William B. Nolan Ms. Petra Mohrer Vivian & David Moreinis Melissa H. Mulrooney Dr. Richard Fischer Olson Carol & Steven Parker The Perakis Family Margaret & Dan Petri Mrs. Sascha M. Rockefeller Vicki Roosevelt & Rob Jorgensen Ms. Elizabeth A. Sarnoff & Mr. Andrew S. Cohen Manita & Scoci§ Scocimara / 12

Sylvia Smolensky Betty & Frank Stern Mr. & Mrs. Thomas W. Strauss Mr. & Mrs. William R. Ziegler $500 to $1,499 Marie Pantuosco Alpert Anonymous (9) Adrienne & Bernard Ascher Dr. Lisa R. Barr Mr. & Mrs. John D. Barrett II Sally & David Beckett Froma & Andrew Benerofe Mr. & Mrs. Roger S. Berlind Nadia & Robert Bernstein Helena & Peter Bienstock Laura Blau & Michael Citro Allison M. Blinken Margot & Jerry Bogert Ms. Christine Bosco Ms. Susan Brenner & Mr. Teed Welch Grace & Vincent Briccetti Sonia & Miguel Calderon Mr. & Mrs. Matthew Carpenter Ms. Leslie Cecil & Mr. Creighton Michael Nina & Tom Curley Catherine & George Daubek Roberta & Steven Denning Ms. Victoria de Toledo & Mr. Stewart Casper Mr. Kevin Durkin Mrs. Anita M. Dye Julie & Todd Eagle Pamela & Ray Endreny Olivia & John Farr Jeanne Donovan Fisher Mrs. Virginia M. Flood Karen & Gerry Fox Nina Freedman & Michael Rosenbaum Mr. & Mrs. Joseph C. Gallo Marguerite & Peter Gelfman Sandriel & Kevin Gentzel Ms. Marilyn Glass Carol & Ward Glassmeyer Kate & Martin Glynn Dr. & Mrs. Lawrence Goettisheim Carol & Jesse Goldberg Mr. & Mrs. Alfred H. Green Ellen & Robert Grimes Jennifer & Bud Gruenberg Mr. & Mrs. Peter O. Hanson Peggy & Ed Harding Ms. Callistheni S. Hayes Ms. Ursula Heinrich Mrs. Gisela R. Hobman Ms. Karen K. Hoyt-Stewart & Mr. William J. Stewart 13 / Caramoor

Mrs. Judith T. Hunt Ms. Deborah Innes Rory & David Jones Mr. & Mrs. Edward W. Kelly JoAnne Kennedy & Bill Bowers Mr. & Mrs. Arthur Klausner Ms. Lisa Kolba / JMC LLC Mrs. Birgit Kovacs Dr. Lois F. Kral Joann Lang Dr. Morton Linder Mr. & Mrs. Robert D. Long Dr. Darrell Lund Barbara & J. Robert Mann, Jr. Ms. Beth Ann Manners Harriet Mazer Ms. Deborah McCarthy Dr. Jennifer McQuaid & Dr. Jorge Pedraza Janis & Alan Menken Charity Fund Miriam Messing & John Curtin Ms. Betsy Mitchell Mr. Ben Nathanson Hannah & Frank Neubauer Mina & Lawrence Nokes Ms. Anita M. Nordal & Mr. Kevin J. Conroy Mary Lou & Mike Pappas Michelle & Clark Petschek Betty & Carl Pforzheimer Libbie & David Poppick Charmaine & Brian Portis Virginia & Jonathan Powers Lolly H. Prince Brenda & Gerry Prothro Kathy L. & Marc F. Pucci Vivian Pyle & Tony Anemone Vicki & Charles Raeburn Dr. Monique Regard & Rick Duffy Ms. Denise A. Rempe & Mr. Mark L. Wilson Angela & Gary Retelny Mr. Jason Rockland Ms. Ellen Sargent & Dr. Stephen Nicholas Merryl Schechtman, M.D. Kathy Schuman Jill Schwab & Peter Albert Jill & Robert Serling Mrs. Joan M. Sharp Madeline & George Shepherd Ms. Eve Silver Dr. Richard Slutsky Vivian Song & Ricardo Pou Mr. & Mrs. Louis S. Sorell Beth & Jason Spector Traci & Joseph Stark Catherine & Keith Stevenson Stephanie Stiefel & Robert S. Cohen

Dr. & Mrs. Paul Striker Sybil & Adam Strum Ms. Marcy Syms Melissa Vail & Norman Selby Mr. & Mrs. Polyvios Vintiadis Mrs. John L. Weinberg Margot & Gary Weinstein Roanne & Charles C. Wilcox $250 to $499 Ms. Nancy Albertson Anonymous (11) Nancy & Jim Barton Ms. Emily Bestler Mrs. Debbie Buffum Cammie & John Cannella Ms. Theresa Carroll Ms. Beatrice Chastka Nancy & Edward Clifford Mr. & Mrs. Daniel H. Cohen Mr. Alan G. Cole Ms. Susan Courtney-Sinha Barbara & Christopher Dee Mr. & Mrs. Gary Dienst Mr. & Mrs. John Doran Ms. Elizabeth Einstein & Mr. Chris Cormier Audrey & Jeffrey Elliott Mr. Mark Epstein Ms. Fleur Eshghi & Mr. Nathan C. Dickmeyer Mrs. Arlene Fischer Susan H. Fisher Mr. Mark Franzoso Nancy & Donald Fried-Tanzer Mr. Bruce D. Garrison Cathy & Tom Giegerich Ms. Vicki Gillespie Susan & Galen Gisler Mrs. Jeanne Gnuse Enid & Marv Goldsmith Helen & Bill Gore The Goyal Family Ms. Jane Gross Mr. George B. Hardman Nicole & Larry Heath Judy & Flemming Heilmann Ms. Eileen Herbert Mr. Peter Herbert Anne Hess & Craig Kaplan Libby & Tom Hollahan Mr. Paul H. Hondorf Ms. Christina M. Horzepa & Mr. Gary Dearborn Gail & Mark Imowitz Patricia & Robert Ivry Ms. Diane P. Jane Mr. & Mrs. Erik P. Jensen

Ms. Patricia Johansmeyer Mr. David Johnson Mr. & Mrs. Frederick Jones Ms. Kathryn Jones Connie & Jack Kamerman Ms. Joanna Kang Renée & Daniel Kaplan Beth Kaufman & Charles Updike Ms. Ellen King Mr. & Mrs. Robert W. Knorr Alison M. Koppelman Sandra & Eric Krasnoff Esme & Paul Laubscher Mr. Bruce Levy Ms. Carolyn Liebling Robin Liebowitz & Philippe Sandmeier Angelina & Monte Lipman Ms. Anne R. Lowy & Mr. Thomas R. Glum Laura & Gary Lynch Mrs. Deanna B. MacLean Mr. Robert Magni Mrs. Francesca Maltese & Dr. Sandy Blount Dr. Pamela Marron Mr. & Mrs. Paul J. Mas Virginia & Joe Maybank Mary & Paul McConville Ms. Christina McGann Mr. & Mrs. Douglas M. McGraime Anne & Victor Modugno Mr. & Mrs. Jeffrey Moriber Abigail & Sundip Murthy Margot & James Mustich Leslie & Mitchell Nelson Mr. Erik Nicolaysen Ms. Patricia O’Connor The O’Keefe Family Ruth & Harold Ossher Linda & Glenn Ostrander Anna & Frederick Ostrofsky Lorie Paulson & Maurice Krasnow Anita & Neal Pilzer Dr. & Mrs. Donald J. Pinals Dr. & Mrs. Joseph Plummer Andrea & Andy Potash Betty Robbins & Moses Silverman Elissa & Brian Robinson Virginia & Michael Robinson Patty & Tom Roesch Suzanne & Victor Rosenzweig Mr. & Mrs. Ray Scanlan Mr. Jonathan Schaffzin Roberta & Arthur§ Schmidt Mr. Eric Schwartz Ms. Betsy Seeley Susan & William Shine / 14

Amy Siebert & Markel Elortegui Ms. Janet Sikirica Ms. Nancy K. Simpkins Sabina & Walter Slavin Lynn & Eric Sobel Ms. Alison Stabile Mr. Arthur H. Stampleman Maureen & Charles Steele Katie & James Stewart Ms. Margaret Swinger Ms. Merry Thornton & Mr. Brian V. Murphy Ms. Linda Thung-Ryan Antoinette & Carl Van Demark Mr. Jacobus Van Heerden Jane & James D. Waugh Ms. Roberta Weiner & Mr. Ronald Arron Maureen Whelan & John Bast Ms. Laurice H. Whitfield Victoria Wooters & Matthew Mattoon Seung & Yi Yoo § deceased Thank you again for your generosity.

Gifts of Membership.

The following is a list of individuals, families, and/or households who received the Gift of Membership during the period January 1, 2020 through December 31, 2020 and thus may not be included in the previous list.

Dana & Robert Bos Ms. Francheska Calderon Kayce & John Carey David Ellis & Ann Greenawalt Ms. Christie Fitzpatrick Carolyn & David Goodman Ms. Cynthia Haupt Mrs. Cynthia Herbert Jennifer & Julio Herrera Debbie & Manny Hochadel Mr. Timothy Horan Ms. Mary Judge Katherine & Albert Kim Susan & Marks Lachs Mr. Jonathan Larsen Daniella Mini & Cesar Rabellino Ms. Jane Minnis Ms. Bärli Nugent Dawn & Richard Papalian Mrs. Amy Passman Jennifer & John Roach Dillon Smith Maureen & Charles Steele Ms. Brigitte St. John Ms. Amelia D. Wierzbicki Ms. Gwenn S. Winkhaus Ms. Manja Wurschke For more information about Membership benefits, or to give the Gift of Membership, please contact Jennifer Pace, Director of Individual Gifts, at jennifer@caramoor.org or call 914.232.5035 ext. 412.

All concerts made possible, in part,

by ArtsWestchester with funds from the Westchester County Government.

15 / Caramoor

The 2020 Summer and 2020 Fall Seasons were supported in part by an award from the National Endowment for the Arts.

All concerts made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.

Honor / Memory.

From January 1, 2020 through December 31, 2020, generous contributions to Caramoor were made in honor of the following individuals, organizations, programs, or Caramoor departments, or to note special celebrations or causes, and/or in memory of special individuals or couples: In Honor of Anonymous Estelle F. Baum Lucienne & Max Bissainthe Michael Brown Caramoor’s amazing staff Caramoor Staff Caramoor’s Staff, with admiration Jonathan Clark Sandy & Bill Cordiano Tahra Delfin Judy Evnin Judy & Tony Evnin Susan W. (Susie) Freund Josh Groban Jeff Haydon Gerry Hodes The Kend Family Kate & Peter Kend’s 30th Anniversary Peter Kend Felix Kleinman Siena Licht Miller Stephen Limpe In thanks for the Livestream [Our] Grandfather Adolph Loewi Zoë Martin-Doike Susan & Richard O’Leary Phyllis & David Oxman C. Pace & R. Pace Dan Rader Tina Salierno Olivia Schectman Laura Schiller Mildred Skolnick The Unicorns!

Leslie Williams & James Attwood In Memory of William T. Appling Helen-Mae Askin Hilton Bailey Elaine Barath Steven Bloom Emanuela Briccetti Dr. Solomon & Edith Brizer by their daughter Diane Brizer Those of our Caramoor Community lost to COVID-19

Martha Dinerstein Lauren Finster Susan (Sue) McPherson Gottsegen Robert D. Hodes Peter Kubicek by his family Joan Lynton Victor Marrow Grace Helen McCabe Eva Petschek Newman Terrance W. Schwab John Eugene Sharp Elie Siegmeister Marion & Herbert Sineck In-Kind Donations.

Caramoor gratefully acknowledges the following individuals and organizations that made in-kind contributions (gifts other than cash or stock) from January 1, 2019 through December 31, 2020. Certain gifts of products or services that can be used by Caramoor enable us to further our mission of presenting exciting concerts, mentoring young musicians, and providing arts education to school children.

Aundrea & James Amine Anonymous (2) Nancy & Jon Bauer Mr. Albert Carbonell Mrs. Marcy Carlson Pat & Ian Cook Mr. & Mrs. William Cordiano Nina & Tom Curley Ms. Kathryn E. Dysart & Mr. Jeffrey L. Schwartz Mr. Tom Eirman Mr. & Mrs. Anthony B. Evnin Ms. Jane Gladstone Great Performances Mr. & Mrs. Matthew Greif Cecilia Tay Kellie-Smith & Sam Kellie-Smith Katherine & Peter Kend Katherine & Marc Lazar Tracy & Stephen Limpe Betsy Mitchell Orchestra of St. Luke’s Mary Lou & Mike Pappas Pepsi-Cola Bottling Company of New York Kathy Schuman Storm King Art Center Mr. Gary Taratunio Leslie Williams & Jim Attwood WineBid Audrey & Richard Zinman / 16

Matching Gifts.

Caramoor gratefully recognizes the support of the many companies and foundations that make matching gifts. Employees can maximize their contributions to Caramoor by taking advantage of their employer’s matching gift programs. The following organizations made matching contributions from January 1, 2019 through December 31, 2020.

AmazonSmile Foundation Bank of America Bank of America Charitable Gift Fund The Benevity Community Impact Fund The Blackbaud Giving Fund Bloomberg L.P. Corporate Giving Program Broadridge Credit Suisse Americas Foundation Debevoise & Plimpton LLP Fidelity Charitable Gift Fund GE Foundation Goldman Sachs Gives Goldman, Sachs & Co. Greenlight Capital IBM Corporation Matching Grants Program J.P. Morgan Charitable Giving Fund JPMorgan Chase’s Good Works Employee Giving Program Morgan Stanley GIFT Network for Good Pfizer Foundation Sy Syms Foundation Vanguard Charitable YourCause, LLC

Encore Society (Planned Giving).

The Encore Society recognizes dedicated individuals and couples who have indicated their intent to include Caramoor in their estate planning. Planned giving is a wonderful to establish a legacy at Caramoor and make a lasting impact on the organization.

Caramoor thanks the following thoughtful individuals who have designated Caramoor Center for Music and the Arts in their estate plans.

Anonymous An Anonymous Couple § An Anonymous Couple (2) Laura B. Blau Catherine A. M. Cavanaugh Catherine & George Daubek Mr. Robert C. Dinerstein Ralph P. & Barbara J. DuPont Judy & Tony Evnin Annette & Len§ Gilman Dr. Susan Harris & Mr. Thomas Molnar Mrs. Betty Himmel Olga Kagan Ms. Deborah A. Kempe & Mr. Andre M. Hurni Nancy S. Offit Susan & Richard O’Leary Marie C. Rolla§ Eileen Caulfield Schwab Lucille Werlinich Leslie Williams & Jim Attwood § deceased If you would like more information about planned giving at Caramoor, or to notify us of your intention to include Caramoor in your estate planning, please contact Nina Curley, VP/Development Officer, at nina@caramoor.org or 914.232.3681. Additional information may be found at plannedgiving.caramoor.org.

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Endowments.

Philanthropic gifts to Caramoor’s permanent endowment(s) allow the use of Annual income to ensure program continuity and organizational strength in perpetuity. Investments in Caramoor’s endowment(s) support concerts of the highest quality, help bring creative and significant projects to our campus, and provide income to our education and mentoring programs. Gifts to Caramoor’s endowment(s) help ensure this organization’s strength and vitality far into the future.

The following is a list of all endowments currently established at Caramoor.

Named Endowment Funds Marjorie Carr Adams Fund for Young Vocal Artists Marjorie Carr Adams Sense Circle Fund Mimi & Barry Alperin Rising Stars Fund Albert Berol Rising Stars Fund The Adela and Lawrence Elow Fund for The Great American Songbook: 1900 to 1960 Susan and John Freund Piano Fund Carmela S. Haklisch Rising Stars Fund Susan & Joseph Handelman Fund for Evnin Rising Stars Mentors Susan & Joseph Handelman Rising Stars Fund Robert D. Hodes Rising Stars Fund Maximilian E. & Marion O. HoffmanFoundation Rising Stars Fund Tondra & Jeffrey Lynford Rising Stars Fund Enid & Lester Morse Fund for Classical Music Eva Petschek Newman Fund for Young Artists Anne S. Nichols Rising Stars Fund Nancy S. Offit Fund for the Performance of Classical Music and Opera* Edna B. Salomon Rising Stars Fund Terrance W. Schwab Fund for Young Vocal Artists Marilyn M. Simpson Opera Fund William Kelly Simpson Fund The Ernst C. Stiefel String Quartet-in-Residence Fund Texaco Rising Stars Fund The Lucille Werlinich Fund for Caramoor’s Gardens* *future bequest Other Endowment Funds Bel Canto at Caramoor Caramoor General Fund Caramoor Virtuosi Chamber Music Fund Children’s Performances Gardens & Estates Innovation Fund Piano Performance Renaissance Days Rosen House Stewardship Sense Circle If you are interested in discussing a gift to Caramoor’s permanent endowment(s), or establishing a dedicated endowment like the ones listed above, contact Nina Curley, VP/ Chief Development Officer, at nina@caramoor.org or 914.232.3681. / 18

Leave a Legacy.

C

aramoor Center for Music and the Arts was established

by Walter and Lucie Rosen to operate their estate in perpetuity as a home for art, music, and inspiration. The Rosens were touched by the pleasure their friends took while visiting Caramoor, and they decided to leave their home as a legacy for all to enjoy. It is thanks to the vision, energy, and estate planning of this inspirational couple that we enjoy Caramoor today.

The Rosens had the forethought to make plans for Caramoor’s future, and we hope you will think of Caramoor when considering your future. We would be so honored if you would consider adding us to your estate plans

and joining with the Rosens in growing your legacy. You can help ensure a bright future for Caramoor.

Generosity comes in many forms, and it is often the best way for you to support causes that matter the most to you. When you give to Caramoor, you help us to make a difference. One long-term way is to Leave a Gift in Your Will. If this is appealing, please contact us for suggested language to review with your attorney and/or financial planners. When you have made these arrangements, please let us know you have done so. We will be happy to welcome you to our Encore Society with other like-minded Caramoor donors.

If you would like more information about planned giving at Caramoor, or to notify us of your intention to include Caramoor in your estate planning, please contact Nina Curley, VP/ Chief Development Officer, at nina@ caramoor.org or call 914.232.3681.

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Caramoor’s Leadership As of March 20, 2021

Board of Trustees

Advisory Council

James A. Attwood, Jr., Chairman* Peter Kend, Vice Chairman* Paul S. Bird, Treasurer* Angela Haines, Secretary* Judy Evnin, Chairman Emerita*

Judy Aydelott Laura Blau Jonathan Clark Kevin Conroy Effie Fribourg Joan Gilbert Marilyn Glass Virginia L. Gold Hélène Grimaud Maureen Hanagan Betty Himmel Kevin Howat Frederick Jones Olga Kagan Bim Kendall Stanley Kogelman Dr. Lewis Kohl Linda Merrill Susan Morgenthau David C. Oxman Edward Pla Yvonne Pollack Faith Rosenfeld Deborah Stiles Alden L. Toevs Lucille Werlinich

Barry J. Alperin* James L. Amine* David Barber Jon Bauer* Gail A. Binderman Ian Cook* William Cordiano* Lawrence Elow Susan W. Freund* Michael E. Gellert* Francis Goldwyn Sandra S. Joys* Floy B. Kaminski* Cecilia Tay Kellie-Smith Stephen Limpe* Nancy Offit* Richard H. O’Leary Lawrence Rothenberg Mrs. Andrew Saul Nina Stanton Lisa Welch Ian Winchester Richard Zinman* *Executive Committee Member

/ 20

Staff and Contractors Executive Office Gardens & Grounds Nina Curley, Interim Chief Executive Officer Milton Alvarez, Facilities Superintendent Liat Greif, Executive Assistant & Board Liaison Rosa Alvarez, Facilities Housekeeping Assistant Artistic Programming Lucio Alvarez, Facilities Crew Kathy Schuman, Vice President Jose Cardenas, Facilities Crew & Artistic Director Saul Jarrin, Housekeeping Assistant & Ellie Gisler Murphy, Senior Artistic Facilities Crew Planning Manager Tim Coffey, Artistic Planning Manager Agencies/Consultants 21C Media Group, Public Relations Artistic Partners AAN Studio, Graphic Designer Jazz at Lincoln Center Blenderbox, Website Management Orchestra of St. Luke’s, Orchestra-in-Residence Capacity Interactive, Digital Marketing Stephan Moore, Sonic Innovations Agency Steven Blier, Terrance W. Schwab Gabe Palacio, Principal Photographer Vocal Rising Stars Barbara Prisament, Media Relations Pamela Frank, Evnin Rising Stars & Outreach Consultant Progressive Computing, IT Consultant Development Spektrix, Ticketing Service & Support Nina Curley, Vice President & Chief Development Officer Technical Direction & Production Erin Harding, Special Events Assistant Ed Greer, Technical Director Christina Horzepa, Grants Manager Pete F. Petrino, Lighting Designer Brittany Knapp, Membership Assistant DJ Grant, Chief Audio Engineer and Donor Concierge Jeremy Robbins, Video Director Junetta Maxfield, Director of Emily Buffum, Livestream Event Technician Development Operations Alison Robeson, Technical Crew Jennifer Pace, Director of Individual Gifts Michael Campbell, Technical Crew Gayle Greves, Director of Special Events Finance and Human Resources Tammy Belanger, Vice President & Chief Financial Officer Tina Salierno, Bookkeeper Andrea Assenzio, Assistant Bookkeeper Karla Stewart, Human Resources Coordinator Marketing Tahra Delfin, Vice President & Chief Marketing Officer Alex Cutrone, Director of Ticketing & Guest Relations Aarti Gilmore, Event Operations Manager Sean Jones, Marketing Coordinator Olivia Ottinger, Box Office Coordinator Laura Schiller, Publications Editor Roslyn Wertheimer, Marketing Manager Roanne Wilcox, Director of the Rosen House Christopher Thomas, Archive Coordinator Marcelle Carpentieri, Rosen House Assistant Germania Alvarez, Housekeeping Manager & Collections Assistant 21 / Caramoor