Green-GO and Channel-16 with Muse
CHANNEL-16 CHOOSE GREEN-GO DIGITAL INTERCOM PRODUCTS FOR MUSE’S FESTIVAL TOUR 2016
By Mike Reay, Canford Product Manager
Channel-16 is a specialist provider of licensefree communication systems and has recently used an array of Green-GO Digital Intercom products for Muse’s Festival Tour 2016. The show, which toured stadiums in the UK and Europe, pushed the limits of what a live production can be and clearly supported and complimented the music. When a show has such a high level of technical production as that devised for the Muse tour, it quickly becomes obvious that communications between the technical team running the show needs to be of an equally high standard. Having read about Green-GO digital intercom, Channel-16’s Managing Director, Paul English, contacted product manager Mike Reay at UK distributor Canford to discuss his requirement for a flexible, reliable and expandable intercom. The resulting system used a combination of wired and wireless devices,
powered via PoE switches which formed the data backbone of the comms system. The show caller for the tour used a 12-channel MCR12 rackmount station, as did the playback operator/backline manager and monitor engineer. The lighting designer and content designer both used compact 8-way MCD desk units, while the lighting associate wore a wired belt-pack. DECT wireless belt-packs were worn by two LED masters, the dimmer controller and four stage carpenters, collectively known as ‘Captains’. A key element of the stage design for the tour was the inclusion of eleven, large, moveable screens, which provided additional video content behind the band. Each screen was designed to move forwards and backwards independently on a runner system fitted to the stage, giving an extra dimension to the set design.These panels were re-positioned throughout
the show by seven ‘Captains’, each with their own team of three local helpers. Each ‘Captain’ needed to be individually cued to perform his part in the carefully choreographed set. Channel 16 MD, Paul English, designed custom harnesses for the beltpacks which allowed them to be worn at chest height by the operators. This made it easy to reach the beltpack controls and it placed the display screen within their peripheral vision so they could pick up visual clues as well as voice commands. A single floating wireless belt-pack was made available for stage management, providing them with freedom of movement around the stage when necessary. 22 | Source Material by Canford
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