ECHOES OF PIAZZOLLA
beginningofPrimaveraPorteña(Spring)showcasestheuniqueroleofeach instrumentinPiazzolla’squintetformation.
TwopiecesarefromPiazzolla’sfilmscoreforFernandoSolanas’Argentine (TheSouth).Thebandoneónsingsadream-likethemeinLosSueños,complement byRegresoalAmorwhichcontrastslyricismanddissonance.
Soledad,amilongacampera,capturesthebeautifulsolitudeofthecountr theunrulymelodiesofReviradoevokeimagesofthechaoticcity.AdiósNonino ofPiazzolla’smostrecognisedworks,apowerfulandemotionaltributeto writtensoonafterhispassing-anendandanewbeginning.
ThreeworksfromTango:ZeroHour,whichPiazzollaoncecalledhisgreate arefeaturedinthisprogramandgeneratedrasticallydistinctatmospheres delAngel,fromtheAngelSuite,takesustohauntinglynostalgicmelodies gentlypulsatingrhythmsofamilonga.MumukiwasPiazzolla’stermofendearment hisbelovedwife,Laura,andhisdog,Flora,andtheimprovisationalstyleof demonstratestheinfluenceofjazzonPiazzolla,whogrewupinNewYork. programclosesbyreturningtothenightonceagain;intheexcitementand Michelangelo‘70,reminiscentofafamousBuenosAiresclubwherehepl
Rodolfo Pablo Caivano
bandoneón & Artistic Director
Eloise Reddy violin & Producer
John Yoon piano & Musical Director
Matthew Lustri electric guitar
Elizabeth Charlton double bass
For this project, everything suddenly aligned: tonally, geographically, emotionally. I’ve lived between Europe, Argentina, and New York - just like Piazzolla did in his lifetime. His music has always quietly scored my life. And now, in return, my documented life became the landscape for his music.
Buenos Aires Hora Cero
Los Sueños
Primavera Porteña (Spring)
Milonga del Angel
Verano Porteño (Summer)
Soledad
Adiós Nonino Otoño Porteño (Autumn)
