OPERATE OUTSIDE THE LINES WITH OUR NEW
TRX OFF ROAD TRUCK
2 Letter from the President
6 The Society of Camera Operators 2024 Lifetime Achievement Awards
36 ITS Insights, Tips & Stories
16 AMERICAN FICTION
SOC Creative Spotlight
A Conversation with Xavier Thompson & Cristina Dunlap
Hosted by David Daut
20 FERRARI
Telling the Truth
A Conversation with Roberto De Angelis, SOC By David Daut
24 SALTBURN
SOC Creative Spotlight
A Conversation with
Hosted by David Daut
28 THE KILLER
Silent Killer
A Conversation with Brian Osmond, SOC By David Daut
32 WHAT'S IN MY
1
Behind the Scenes of SOC's NAB Training
Edited by Gretchen Warthen, SOC
The Society of Camera Operators hosted the 2024 Lifetime Achievement Awards on February 24, 2024. In our special Awards section, you’ll be able to read about the event and the honorees; view the SOC’s groundbreaking photo exhibition Delivering THE Image; and access links to the Awards Tribute Book, download photos from the event, and view the Awards on demand.
SOC President Matthew Moriarty, SOC, kicked off the ceremony with a powerful opening message, so if you missed it, take a look now:
The Society offers different levels of membership for individuals and manufacturers in the production community – Active, Associate, Educator, Student and Corporate.
President Matt Moriarty
1st Vice President Mitch Dubin
2nd Vice President David
Emmerichs
Secretary Dan Gold
Treasurer John “Buzz” Moyer
Sergeant-at-Arms Gretchen Warthen
Dave Chameides
Don Devine
Mitch Dubin
David Emmerichs
Michael Frediani
Dan Gold
Geoffrey Haley
Nikk Hearn-Sutton
Rachael Levine
Sarah Levy
Jim McConkey
Matt Moriarty
John “Buzz” Moyer
Sharra Romany
Gretchen Warthen
Awards
Craig Bauer, George Billinger, Dan Gold, Geoff Haley, Bill McClelland, John “Buzz” Moyer, Jan Ruona, Benjamin Spek, Dave Thompson, Rob Vuona
Charities
Brian Taylor, Ryan Campbell
Historical
Mike Frediani
Membership
Dan Gold, Dan Turrett, Gretchen Warthen
Corporate Members
Craig Bauer, George Billinger, Mitch Dubin, Dave Frederick, Simon Jayes, Sarah Levy, Bill McClelland, Jim McConkey, Matt Moriarty, Dan Turrett, David
Sammons
Education
Colin Anderson, Will Arnot, Craig Bauer,
Bonnie Blake, Dave Chameides, Mitch Dubin, Dave Emmerichs, Mick Froelich, Craig Haagensen, Geoff Haley, Sarah Levy, Simon Jayes, Jim McConkey, Larry McConkey, Matt Moriarty, Jeff Muhlstock, John “Buzz” Moyer, Jamie Silverstein, Dave Thompson, Chris Wittenborn
Technical Standards & Technology
Eric Fletcher (Chair), Andrew Ansnick, William Arnot, Luke Cormack, David Emmerichs, Steve Fracol, Dan Gold, Jamie Hitchcock, Simon Jayes, Doc Karmen, Mark LaBonge, Rocker Meadows, Matthew Moriarty, John Perry, Manolo Rojas, David Sammons, Lisa Stacilauskas, Gretchen Warthen
Inclusion
Sharra Romany (Co-chair), Nikk HearnSutton (Co-chair), Olivia Abousaid, Shanele Alvarez, Alfeo Dixon, Pauline Edwards, Alexandra Menapace, Jeremiah Smith, Lisa Stacilauskas, Gretchen Warthen, Mande Whitaker
Executive Director Kristin Petrovich
Finances Angela Delgado
Calligrapher Carrie Imai
Publishing & Executive Editor
Kristin Petrovich
Art Director CyndiWood
Studio Liaison & Clearances
Kim Fischer
Features Writer & Producer
David Daut
Copy Editor Cyndi Wood
Social Media Producer
Ashlie Sotelo, Your Voice Social
Advertising Jeff Victor
Video Editor Alex Hemingway
Shanele Alverez
Liz Cash
David Daut
Roberto De Angelis, SOC
Mitch Dubin, SOC
Cristina Dunlap
Pauline Edwards SOC
Mick Froehlich SOC
Sarah Levy, SOC
Ossie McLean, ACO, SOC
Yen P. Nguyen
Brian Osmond, SOC
Sharra Romany SOC
Linus Sandgren, ASC, FSF
Xavier Thompson
Theresa Vitale, SOC
Gretchen Warthen, SOC
Brett Alphin
Phillip V. Caruso
Courtesy of Amazon MGM Studios
Courtesy of Netflix
Miles Crist/Netflix
Adam Driver
Claire Folger
Eros Hoagland
Gianna Iovino
Jose De Los Angeles
Peter Iovino
Bruce McBroom
Mario Pendilla
Monaris/Netflix
Evelyn Osmond
Ethan M. Sigmon
Lorenzo Sist
Ashlie Sotelo
Steven Spielberg
Gretchen Warthen
Natalee Watts
JoJo Whilden
Advertising: Membership@SOC.org
Digital subscriptions: SOC.org/co
Newsletters: SOC.org
Camera Operator is a quarterly publication of the Society of Camera Operators
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Dual Bearing Mount for 3/4” Post rotational lock and drag control
Arm Post Lever lock and Drag Controls
Lower Profile Arm Links minimize arm interference
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The most anticipated Steadicam® Arm ever made is here. The new G-70x2 introduces features and functions that further enhance performance, reliability, durability, tool-free set-up, and silky-smooth stabilization. With patented iso-elastic performance and geo spring geometry, the new G-70x2 Arm is a leap beyond.
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Lift: 13-lbs/5.9kg - 70-lb/31.8kg
Boom Range: 29”/737mm
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On Saturday, February 24, 2024, the Society of Camera Operators held its annual Lifetime Achievement Awards—honoring not only outstanding excellence in the craft of camera operating, but also celebrating 45 years of the SOC as an organization. Thanks to a generous partnership with the Director’s Guild of America, the 2024 Lifetime Achievement Awards were hosted in the 600-seat DGA Theatre to a sold-out crowd of industry professionals, making it the highest attended awards show in SOC history.
After an inspiring opening video highlighting both the achievements and hardships faced by the film industry over the past year, SOC President Matthew Moriarty, SOC, kicked off the ceremony. This year’s pool of honorees was the most geographically diverse in the history of the SOC Lifetime Achievement Awards, with recipients from around the world. Also unique this year was a brand-new format for the ceremony, combining live presenters with video segments produced by Alex Hemingway in partnership with Matthew Moriarity. The videos showcased the various aspects of the craft being recognized and provided career retrospectives for those being honored. All of these moving pieces were expertly coordinated by show director Richard Preuss and technical engineer Zak Holley.
Those honored with Lifetime Achievement Awards this year include Larry McConkey, SOC, for Camera Operator; Dave Hilmer for Camera Operator, Broadcast & Live; Patrick McArdle for Camera Technician; Rick Marroquin for Mobile Camera Platform Operator; Claudette Barius for Still Photographer; and Mande Whitaker, SOC, for Camera Operator, Unscripted—a new category introduced for the 2024 Awards. Camera Operator of the Year in Film and Television respectively were awarded to Juanjo Sánchez, SOC, and Manuel Branáa for Society of the Snow and Neal Bryant, SOC, and Carey Toner for The Last of Us.
In addition to the awards, the ceremony also highlighted the SOC’s ongoing partnership with Dr. Thomas Lee at the Vision Center at Children’s Hospital Los Angeles, along with a moving tribute to the late Dale Myrand and the unveiling of a new scholarship fund dedicated to his memory.
We’d like to thank our corporate sponsors for making this event possible, as well as everyone who came out for the ceremony in person and who tuned in via live stream for making this a truly wonderful night to remember.
Lifetime Achievement Awards are given in recognition of outstanding achievement by an established person within the field of film and video production.
• Camera Operator: Larry McConkey, SOC
• Camera Operator, Broadcast & Live: Dave Hilmer
• Camera Operator, Unscripted: Mande Whitaker, SOC
• Camera Technician: Patrick McArdle
• Mobile Camera Platform Operator: Rick Marroquin
• Still Photographer: Claudette Barius
Camera Operator of the Year in Film was awarded to Juanjo Sánchez, SOC, with Manuel Branáa, Operator de Cámara “B,” for Society of the Snow. Congratulations to all the nominees, for their stellar contributions to their film projects.
Camera Operator of the Year in Television honored Neal Bryant , SOC , with Carey Toner , Camera Operator, for The Last of Us , S1E3 “Long, Long Time.” Congratulations to all the nominees for their excellent work in television.
Delivering THE Image: Operators and Crew Answering the Challenge, SOC’s groundbreaking exhibition, debuted at the 2024 Lifetime Achievement Awards.
The exhibition featured behind-the-scenes still photographs by past Lifetime Achievement Award honorees in Still Photography Phillip V. Caruso, Peter Iovino, Bruce McBroom, and JoJo Whilden. The exhibition, which was conceived and developed in collaboration with Fujifilm, aimed to elevate the artistry of still photography and celebrate iconic imagery that defines the world of entertainment.
The sixteen framed and signed images, capturing the essence of the film industry's unsung heros, were purchased by attendees at a silent auction during the evening, benefitting SOC's support of The Vision Center, Children’s Hospital Los Angeles.
The exhibit was made possible in part through the generous support of FUJIFILM North America Corporation (Fujifilm).
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A Conversation with Xavier Thompson & Cristina Dunlap
Hosted by David Daut
Following a premiere at the Toronto International Film Festival where it took home the People’s Choice Award, American Fiction has opened to strong reviews, praising its stellar cast led by Jeffrey Wright as well as its insightful story, layering biting satire with an intimate family drama.
In this SOC Creative Spotlight, we got a chance to meet with A camera and Steadicam operator Xavier Thompson along with cinematographer Cristina Dunlap to discuss what it was like working with first-time director Cord Jefferson and this incredible cast as well as finding the cinematic throughline of this story even as it weaves in and out of different genres.
• ARRI ALEXA
Steadicam M-1 Sled
Steadicam G-70x Arm • GPI PRO
Vest • Technocrane with Libra
Head • Preston Follow Focus
Author Thelonious “Monk” Ellison has spent a career writing highbrow novels to limited success. His latest book is stuck in a state of limbo as publishers turn it down, saying they’re looking for something more “Black.” Fueled by spite and a bottle of liquor, Monk bangs out a farcical novel dripping in stereotypes to prove a point to the publishing industry. But when this joke becomes the hottest new novel in the literary world, Monk finds himself in over his head, living a double life to sustain the success of this joke that’s gotten away from him. American Fiction is written and directed by Cord Jefferson and stars Jeffrey Wright, Tracee Ellis-Ross, John Ortiz, Erika Alexander, Leslie Uggams, Adam Brody, Issa Rae, and Sterling K. Brown. Watch the conversation here on
• Preston Light Ranger
Eight years after 2015’s Blackhat, Michael Mann returns to the director’s seat with a film based on the life of Enzo Ferrari, founder of the legendary car manufacturer that shares his name. For roughly 20 years, Mann had explored the idea of doing a film about the life of Enzo Ferrari with the project going through several permutations and casts before finally arriving in 2023 with Adam Driver in the titular role.
Camera Operator had the opportunity to talk with A camera and Steadicam operator Roberto De Angelis about what it was like working on this film. Whether it’s the spectacle of fast cars and violent crashes or the intimate personal drama of three people navigating a messy affair, De Angelis notes that above all, Mann’s edict for the film was one of finding the truth in these moments.
During the summer of 1957, in the lead-up to what would become the last-ever Mille Miglia race, several long-brewing conflicts in Enzo Ferrari’s life boil over into crises all at the same time: he is facing potential financial ruination for his company, the exposure of a long-term affair and a second son, and the recent death of one of his drivers on the track. Ferrari is directed by Michael Mann from a screenplay by Troy Kennedy Martin and stars Adam Driver, Penélope Cruz, and Shailene Woodley.
• Panavision Panaspeeds, Panavision Primo Zooms, Angeniux Zooms & Fuji Premiere Zooms
• P+S Technik Skater Scope
• Scorpio Arm Car
A Conversation with Ossie McLean, ACO, SOC & Linus Sandgren, ASC, FSF
Hosted by David Daut
After her debut feature was nominated for five Academy Awards, including Best Picture, Best Director, and Best Original Screenplay (for which it also won), writer/director Emerald Fennell’s follow-up to Promising Young Woman has been highly anticipated. Saltburn, in turn, is lavish and provocative, featuring terrific performances and striking cinematography with dramatic use of color and shadow in its 1.33:1 Academy ratio frame.
In this SOC Creative Spotlight, we were joined by A camera and Steadicam operator Ossie McLean, ACO, SOC, and cinematographer Linus Sandgren, ASC, FSF, for a live discussion about their work on the film, from the challenges and benefits of shooting in a narrower aspect ratio to detailed breakdowns of specific scenes, including Oliver’s lonely birthday party that ends in a violent confrontation.
Social misfit Oliver Quick finds himself enamored with his attractive, popular, and wealthy Oxford classmate, Felix Catton, and begins a campaign to integrate himself into his group of friends. Eventually, Oliver is invited to spend the summer at Felix’s family’s sprawling estate, Saltburn, where his obsession continues to deepen and fester. Saltburn is written and directed by Emerald Fennell and stars Barry Keoghan, Jacob Elordi, Rosamund Pike, Richard E. Grant, Alison Oliver, and Archie Madekwe.
Watch the conversation here on SOC.org
Having been in development since 2007, David Fincher’s adaptation of the French comic series The Killer arrives as a slick, stylish, and darkly funny film about a professional assassin desperately trying to project an image of cold, exacting competence, all the while struggling to keep his head above water in the aftermath of a job gone wrong.
With its solo protagonist who goes for long stretches of the film without saying aloud a single word, The Killer often resembles a silent film as much as anything else. Camera Operator had the opportunity to talk with A camera operator Brian Osmond, SOC, about working with Michael Fassbender in this unique role, the camera as “straight man” for the film’s sly comedy, and the professional relationship he’s developed with director David Fincher over the past seven years.
• Leica Summilux-C Lenses
• DJI Ronin Stabilization System
• Technocrane with M7 Head
• Arm Car • Grip Trix Camera Car
With no name and no background to go on, we meet “The Killer” in Paris, France, in the midst of his preparations to assassinate a similarly unnamed target. After days of meticulous planning, the moment finally comes with the target in sight, ready to take the shot, and he misses! Our mysterious assassin is left trying to pick up the pieces of this botched assassination all the while the situation continues to spiral out of control. The Killer is directed by David Fincher from a screenplay by Andrew Kevin Walker and stars Michael Fassbender, Arliss Howard, Charles Parnell, Kerry O’Malley, Sala Baker, Sophie Charlotte, and Tilda Swinton.
. . . Read the story here on SOC.org
We’re taking you behind the scenes of a unique segment from SOC’s full-day handheld camera operating training at NAB, aptly titled “What’s In My Bag.” Our seasoned instructors unzipped their set bags, revealing the essential gear they rely on every day on set, not just for efficiency, but also for safety and career longevity.
Handheld camera operating is a delicate balance of physics and finesse, a dance that requires not just strength and stability, but also a deep understanding of the tools of the trade. In this article, we’ll introduce you to the contents of these professionals’ bags and explore how camera support devices like the EasyRig, Ergorig, and HipShot are not just cool-looking tools but are career-extending aids that reduce physical strain, enhance stability, and increase safety on set.
Comfort is key in this physically demanding role, and our instructors swear by various shoulder pads for added ease. We’ll discuss the merits of the Camera Comfort Cushion, the Letus Pad, and the Holzier Pad and how they contribute to a smoother, more comfortable, and safer operating experience.
But it’s not all about the visuals. Audio plays a pivotal role in both scripted and unscripted formats. We’ll explore the importance of listening to audio from cast mics, a crucial aspect in unscripted formats where audio drives the narrative. Even in scripted scenarios, an operator may be too far away during a take to hear the cast speaking, making the audio feed from cast mics an invaluable tool.
Join us as we unpack some of the best secrets of successful and safe handheld camera operating, providing insights, tips, and expert advice to help you master the art and science of this fascinating field, while prioritizing safety and career longevity.
—Gretchen Warthen, SOC
One of my favorite pieces of equipment is the custom-made CineStisles slider. It is a very versatile and easily deployed device that allows me to create great camera movements, whether handheld or camera-mounted. It enables me to be handheld but create shots, like a lowmode slider push in/push out or trucking left/right to a stand-up handled shot, in one motion that is consistent, stable, and repeatable. I can also mount the camera directly on the slider and use it in a traditional manner, but with faster deployment and less hardware. It travels light with a small footprint and the only additional items required are apple boxes, which are readily available on any production. More information about the CineStisles slider can be obtained by emailing cinestisles@gmail.com.
Additionally, I would mention that shoe lifts are always in my bag. My shoe-lift sneakers provide an additional three inches in height when doing handheld. They are great for those of us who are vertically challenged and need to be up a little higher, as well as safe for you to still do walk-and-talks or camera movements because they are sneakers.
Let’s talk briefly about how your shoes can impact your body, muscle contribution, and pain. Since our feet are the first point of contact with the ground, and we walk around on hard surfaces, it is critical that your footwear helps to facilitate all of the biomechanical actions
that keep you pain-free and efficient as possible as if we walked on softer, natural surfaces. For pain, I recommend shoes from a highly curated list from The Hruska Clinic. Each year they evaluate hundreds of shoes to identify the top three to four.
Key info: Order the shoes and walk around in them at home. It should be very apparent that your body feels better in them if they are right for you—e.g. less low back tension, less achilles tension, less neck tension, and you feel relaxed. If they don't check some of these boxes, return them.
While I believe your body is the most important piece of equipment you will use, I encourage you to let the gear guide you toward fine tuning how you and the gear work together. Simply put: what you feel working is what’s working. Meaning, if your back hurts after a long day in the EasyRig, it’s because your back was working! Good information. This means something needs adjusting (either you or the gear) not simply that you should suffer through it expecting this is as good as it gets.
The one thing I have to have in my bag is my shoulder pad. I have the Letus shoulder pad, which is leather and has memory foam sections. This is a lifesaver for me, especially during extended takes. Most of the time I like feeling connected to the camera. It alleviates pressure and I don’t get that dry patch on my shoulder from the hard pad that comes with the camera. I’m sure a lot of people that do primarily handheld can relate. I purchased mine from B&H.
Besides gear that other operators have already mentioned, I also like to focus on the most important piece of gear—our bodies. Good physical health is essential. I usually have a banana (a good source of potassium, antioxidants, and fiber), nuts (high in protein), and coconut water (full of electrolytes) in my bag. For demanding jobs where the restrooms are really far away, bananas and coconut water are great as they are full of nutrients and retain hydration.
One of my favorite pieces of safety equipment as a camera operator is my beloved EasyRig. I have the EasyRig Flex vest, which is made for
women and smaller torsos. I absolutely love the EasyRig because it assists me in handheld camera work without compromising my shots. It is an effective ergonomic relief aid for my back and shoulders that equally disperses the weight of the camera between both shoulders, hips, and chest instead of just one shoulder. The design is 100% intended for camera operators working with handheld cameras, especially long takes. Using this piece of gear saves my back, my shoulders, and my arms, therefore extending my career!
While getting the shot and having a long career are very important, as I get older, I have realized that work and life balance is extremely important. Using the EasyRig while I film allows me to shoot a 12-hour shift and still have enough energy to be a parent and enjoy life with my son. Before I decided to use an EasyRig, I spent a lot of my time off recovering, being exhausted, or not being able to do sports with my son. EasyRig has given back precious moments I was missing out on at home.
I’m a New Yorker at heart and tend to over-prepare for everything. In my bag I always keep:
• A first aid kit to help others and myself with minor injuries on set.
• Tylenol (hey, you never know)
• Backup battery for my cell phone that can charge independently for those long days and ones with no service
• My EasyRig from 16x9
• Leatherman & HipShot
• I carry my own surveillance headset for the walkie and headset to listen to audio. I also carry a spare of both just in case one goes down.
• I always carry a pen and a notebook. When a director or EP gives notes, I take notes. This comes in handy and sometimes some people find it distracting to use your phone for notes.
• If there’s a call sheet sent out, I print it out at home and keep it in my pocket. I do this for so many reasons. It helps me know where to be and keep the times. It’s also SUPER helpful when you’re meeting a lot of new people and remembering names. It’s a life saver to keep everyone’s names remembered!
• I always bring a gallon of water. It sounds crazy, but it keeps me hydrated and it keeps me accountable for hitting my water goal. In turn, this keeps me energized for the long days.
• Just like the water, I don’t go anywhere without a protein bar. It helps keep me fueled and helps me keep going. It also makes it so I don’t eat all the bad crafty :)
In Shara Romany’s bag: Ergorig, CineSaddle-style bag, HipShot, mechanic’s butt dolly, Camera Comfort Cushion, divers’ weights to put on the back of front-heavy camera builds for balance, New Balance 860 v13 set shoes, Letus35 shoulder pad, sun hat.
I have many pieces of gear I have collected over the years that make my life easier so I can focus on operating and not get distracted by common frustrations. The bag I brought to the training was the bag I was using the day before while shooting on Mayans M.C. Season 5.
Surveillance Headset: Coming from documentary where audio is key, being able to listen to cast audio reliably is critical. I have used Arc Wireless surveillance headsets for years in both doc and narrative so I never miss a cue.
HeroClip: Created in Seattle (my home) is a tricked-out carabiner called the HeroClip which I attach to all of my bags, water bottles, etc., so I can hang my things easily and within reach.
HipShot: I am a huge fan of a device called the HipShot designed by documentary DP/ Operator Andrei Cranach 20+ years ago. The HipShot allows me to shoot incredibly stable shots with my camera resting comfortably at hip level, which is aligned with the human body’s center of balance. I’ve included a photo shot from underneath me so you can see how the HipShot works.
Holzier Pad: Another shoulder saver for me on Mayan’s (which shoots on the Sony Venice with Cooke Anamorphic lenses) is my Holzier Shoulder Pad, which is made of a sheet of steel with leather on one side and foam on the other. Totally saves my shoulder each time I have to handhold a camera with bare metal and no padding underneath.
The last piece I will detail is something I learned to carry working on competition reality shows … a face card. I keep these in my pocket all of the time on narrative shoots. One face card is for the actors and has their faces with both real and character names. This card was made easily with screenshots from Google search and an app for putting multiple photos together in one place.
The second card has the names of the stand-ins. I made that card by taking photos on set. Being able to refer to actors by their given name and character’s name is important because some departments refer to people by their character name while others use their given names. Having a great relationship with the stand-ins is very helpful and calling them by name helps build mutual respect. (I have been known to make a similar card for crew on larger shows when I am having difficulty remembering names.
Step into the world of handheld camera operating with confidence by exploring the gear featured in “What’s In My Bag” and used in the SOC handheld class.
This list showcases the must-have tools our instructors use to help them get the shot and is complete with item names, descriptions, and convenient website links for further information or to purchase.
Get ready to elevate your handheld game with gear trusted by industry professionals and take your handheld operating skills to new heights.
FOR THE GEAR LIST, CLICK HERE TO GO TO THE ONLINE STORY
Video excerpts from SOC Active members sharing personal insights into camera operating, tips learned during their careers, and stories from the set.
Camera operator Mitch Dubin, SOC, shares why the most valuable quality for an aspiring camera operator is confidence.
Camera operator Sarah Levy, SOC, discusses how she officially made the move from DP to camera operator, and why.
Camera operator Mick Froehlich, SOC, talks about the different ways genre affects operating.
Camera operator Gretchen Warthen, SOC, takes a deeper look at covering an unscripted scene.
Parker Bartlett
Paul Basta
Michael Benson
Rupert Benson, Jr
Bob Bergdahl
David Calloway
Jerry Calloway
Steve Conant
Jim Connell
Rick Cosko
Jack Courtland
Elliot Davis
Sam Drummy
Joe Epperson
Ron Francis
William Gahret
Ray Gonzales
Jack Green
Gil Haimson
Peter Hapke
Jim Hoover
John Huneck
Wayne Kennan
Bob Keyes
Norm Langley
Thomas Laughridge
Steve Lydecker
Brice Mack, III
Owen Marsh
Bob McBride
Ed Morey
Tom Munshower
Al Myers
Lee Nakahara
Rick Neff
Rik Nervik
Dan Norris
Skip Norton
David Nowell
Wayne Orr
Richard Price
Ernie Reed
Arnold Rich
Randall Robinson
Sam Rosen
Chris Schwiebert
Michael Scott
Bob Seaman
Hal Shiffman
Fred Smith
Roger Smith
Michael St. Hilaire
Ray Stella
Joe Steuben
John Stevens
Carol Sunflower
Joseph Valentine
Ronald Vidor
Jonathan Abrams
Christine Adams
Grant Adams
Mira Ainbinder
Colin Akoon
Daniel Alaniz
Michael Alba
Shanele Alvarez
Craig Anderl
Colin Anderson
Nathan Anderson
Philip Anderson
Dave Anglin
Zefred Ansaldo
Andrew Ansnick
Mariana Antunano
Christopher Aran
Christopher Arata
Greg Arch
Francois Archambault
Joseph Arena
Joshua Argue
Jay Mack Arnette, II
Wayne Arnold
Eli Aronoff
Ted Ashton, Jr.
Sébastien Audinelle
Mark August
Grayson Austin
Andrei Austin
Daniel Ayers
Lonn Bailey
Blaine Baker
Scott Baker
James Baldanza
James Ball
Steven Ballou
Kenton Barber
Jeff Barklage
Peter Barta
Dominic Bartolone
Craig Bauer
Vincent Bearden
Jonathan Beattie
Jonathan Beck
Stefano Ben
Adam Berman
Justin Besser
George Bianchini
George Billinger
Daniel Bishop
Bonnie Blake
Simon Blouin
Jeff Bollman
Chels Briseño
Hilaire Brosio
Garrett Brown
Scott Browner
Neal Bryant
Stephen Buckingham
Robin Buerki
Barret Burlage
Jake Butler
Justin Cameron
Stephen Campanelli
Jeffrey Canfield
Stewart Cantrell
Jake Capistron
Jose Cardenas
Michael Cardenas
Jeffrey Carolan
Gaston Carrizo
Michael Carstensen
Eric Catelan
Quaid Cde Baca
Vincent Cerone
Chad Chamberlain
Frederic Chamberland
Dave Chameides
Benjamin Chaves
Charles Chen
Joe Chess, Jr.
Damian Church
Jessica Clarke-Nash
Craig Cockerill
C. Scott Coleman
Nathan Conant
Kris Conde
Andrew Conder
Robin Darius Conz
Brown Cooper
Fares Corbani
Gilles Corbeil
Luke Cormack
Ross Coscia
Javier Costa
Richard Cottrell
Tom Cox
Donnie Crawford
Rod Crombie
Bradley Crosbie
Jeff Crumbley
Chris Cuevas
John Christopher "Chris"
Cuthbert
John Dabrowski
Dani Dagher
Joshua Dallera
Nicholas Davidoff
Brian Davis
Richard Davis
Peter Davis
Collin Davis
Andrew Dean
Thomas Dean
Michael Deitch
William Demeritt
John Densmore
Joel Deutsch
Don Devine
Vincent DeVries
Kenny Dezendorf
Troy Dick
Alfeo Dixon
Timothy Dolan
Matthew Doll
Tim Dowling
Rick Drapkin
Megan Drew
Scott Dropkin
David Drzewiecki
Mitch Dubin
Orlando Duguay
James Duhon
Daniel Eckler
Doriane Ede
Pauline Edwards
Sam Ellison
Chris Ellison
Jason Ellson
David Emmerichs
Kevin Emmons
Ramon Engle
Daniel Erbeck
Erdem Ertal
Alex Escarpanter
Steve Essig
Timothy Fabrizio
Gregory Faysash
Jesse Feldman
Jeffrey Feller
George Feucht
Yvonne Feucht Chu
Simon Firsht
Montgomery Fisher
Andrew Fisher
Dawn Fleischman
Matt Fleischmann
Michael-Ryan Fletchall
Eric Fletcher
Michael Flueck
Dave Forrest
Felix Forrest
Ian Forsyth
Justin Foster
Ian Fox
Keith Francis
James Frater
David Frederick
Claus Frederiksen
Michael Frediani
Brian Freesh
Steven French
Guido Frenzel
Mick Froehlich
Jeff Fry
Michael Fuchs
Hiroyuki Fukuda
Michael Fylyshtan
Leslie Gaddis
Carlos Gajardo
Aaron Gantt
Paul Gardner
Kirk Gardner
Eric Gerber
William Spencer Gillis
Christopher Glasgow
Harvey Glen
Daniel Godar
Mark Goellnicht
Daniel Gold
Johnathan Goldfisher
Robert Gorelick
Roger Grange
Afton Grant
Billy Green
Chad Griepentrog
Ric Griffith
James Gucciardo
Robert Guernsey
Robert Guertin
Jeremy Guy
Craig Haagensen
Chris Haarhoff
Braden Haggerty
Geoffrey Haley
Trevor Hansford
Simon Harding
Timothy Harland
Matt Harshbarger
Kent Harvey
Zack Haskell
Jason Hawkins
Nikku Hearn-Sutton
Mike Heathcote
David Heide
Werner Juergen Heinemann
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John Joyce
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Jun Li
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William "Bill" Mitchell
William Molina
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Michel "Mitch" Mommaerts
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K. Neil Moore
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Denis Moran
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Josiah Morgan
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John "Buzz" Moyer
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P. K. Munson, Jr
Keith Murphy
Reid Murphy
Sean Murray
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Saade Mustafa
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Marco Naylor
Carl Nenzen Loven
Julye Newlin
William Nielsen
Kenny Niernberg
Kurt Nolen
Randy Nolen
Austin Nordell
Connor O'Brien
William O'Drobinak
Tony O'Loughlan, ACS
Mick O'Rourke
Osman Oksuz
Andrew Oliver
David Olivera
Brian Osmond
Brian Outland
Carlos "Kako" Oyarzun
Georgia Packard
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Marios Panagiotopoulos
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Jonathan Phillips
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Francisco Quiros Krum
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Yavir Ramawtar
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Michael Rathgeber
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Manolo Rojas
Sharra Romany
John Romeo
Peter Rosenfeld
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Janice Ruona
Reid Russell
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Grizz Salzl
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Joel San Juan
Juanjo Sanchez
Joe Sanchez
Bry Sanders
Ricardo Sarmiento
Christian Satrazemis
Gerard Sava
Sean Savage
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Joerg Schenten
Mark Schmidt
Aaron Schuh
Vadim Schulz
Richard Schutte
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David Jean Schweitzer
Fabrizio Sciarra
Bob Scott
Ian Seabrook
Dave Selle
Lisa Sene
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Barry Seybert
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David Shawl
Osvaldo Silvera
Stewart Smith
Marques Smith
Gregory Smith
Vanessa Smith
Kelsey Smith
Marty Smith
Teddy Smith
Needham Smith, III
Dean Smollar
Robin Smtih
Todd Somodevilla
Andy "Andrew" Sparaco
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David Speck
Benjamin Spek
Francis Spieldenner
Lisa Stacilauskas
Charles Stancliff
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Aymae Sulick
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Ian Takahashi
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Gregory Taylor
Brian Taylor
Neal Ten Eyck
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Paige Thomas
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Remi Tournois
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Eric Tramp
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Watcharawit Ya-Inta
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Gregorio Acuña
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Gabriel Copeland
Andressa Cordeiro
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Austin Cortina
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Jack Cummings
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Farhad Dehlvi
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Michael Foo
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Max Frew
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Brennan Full
Darnell Gadberry
Aimee Galicia Torres
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Hayden Greiwe
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Gregory Gustafson
Badra Haidra
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Sophia Harbo
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Giovanni Andres Hernandez
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Justin Jach
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Keith Jefferies
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Dean Johnson
Jefferson T Jones
Bre Jones
Timothy Kane
Ray Karwel
Frank Kay
Ryan Kerr
Mark Killian
Dae Hyun Kim
Simon King
Kevin Kisling
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Jason Knobloch
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Adam Kolkman
Lloyd Kozel
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Haley Min Young Kreofsky
Dora Krolikowska
Jared Kruger
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Andrew Kurchinski
Michelle Kwong
Nicholas Langley
Laurence Langton
Chris LaPointe
Kate Larose
Hoang Khang Le Nguyen
Yoo Seok Lee
Ryan Lenihan
Gerardo Leon
Barbie Leung
Elena Levchuk
Alan Levi
Matthew Levin
Hannah Levin
Ilya Jo Lie-Nielsen
Emily Lien
Jon Lile
Niels Eric Lindelien
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Dean-Dingyuan Liu
Julia Liu
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Gordon Lonsdale
Dominic Lopez
Jasmine Lord
Bob Lord
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Christopher Lymberis
Daniel Lynn
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Danni Ma
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Charles Mandell
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Long nguyen
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Pascal Orrego
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Carrie Robinson
Paul Rodriguez
Christopher Roe
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Kimberly Sauer
Haley Saunders
Claude Savard
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