Shakespeare 2013-2014

Shakespeare 22 010143 from c a m br i dge

www.cambridge.org/shakespeare2013

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Contents

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New Cambridge Shakespeare

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Highlights

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Student Resources

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Shakespeare Criticism

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Cambridge Library Collection Shakespeare in Production

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Explore Shakespeare iPad Apps

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Cambridge Companions Online Shakespeare Survey Online

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The New Ca mbr idge Sh a k e spe a r e

The New Cambridge Shakespeare appeals to readers worldwide for its up-to-date scholarship and emphasis on performance.

Edited by an expert international team, the series provides lively, instructive access to Shakespeare’s works without oversimplifying them.

Rediscover Shakespeare with Cambridge, as we launch new eBook versions of our stunning New Cambridge Shakespeare series. You can now enjoy reading all Shakespeare’s plays, sonnets and poems on your eReader device or computer.

You can read more about The New Cambridge Shakespeare, look inside the texts, and request an inspection copy by visiting www.cambridge.org/ncs

New for 2013

The Tempest Second Edition Updated edition of The Tempest includes a thoroughly revised introduction and reading list. See page 8.

For further information about titles in this series or tailored packages

As You Like It Second Edition Edited by Michael Hattaway

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edited by russell Fraser

edited by david bevington

edited by michael hattaway

all’S well ThaT eNdS well

aNToNy aNd CleopaTra

aS You Like iT

Shakespeare’s As You Like It can appear bright or sombre in performance: a feast of language and a delight for comic actors; or a risk-taking exploration of gender roles. This updated edition provides an account of what makes this popular play both innocent and dangerous.

978-0-521-73250-5 • £8.99

The Comedy of Errors All’s Well that Ends Well

Second Edition Edited by T. S. Dorsch, revised and updated by Ros King

Second Edition Edited by Russell Fraser, revised and updated by Alexander Leggatt For this updated edition of All’s Well that Ends Well, Alexander Leggatt has written a wholly new Introduction to one of Shakespeare’s most puzzling, ambiguous and demanding plays.

Leggatt’s interest in performance informs his thoughtful account of the play’s critical and theatrical fortunes to the end of the twentieth century.

Ros King has provided a completely new Introduction, arguing that Shakespeare’s Comedy of Errors cannot be regarded merely as a farcical romp based on a classical model, but belongs to the critically misunderstood genre of tragi-comedy. Her Introduction also engages fully with the play’s continuing popularity in the theatre.

978-0-521-53516-8 • £8.99

Coriolanus

978-0-521-53515-1 • £8.99

Second Edition

Antony and Cleopatra

Edited by Lee Bliss, revised and updated by Bridget Escolme

Second Edition

Shakespeare’s Roman play Coriolanus was probably his last tragedy, and represents the playwright’s most searching exploration of the political life of a community. This annotated edition provides full explanatory notes, and a substantial introduction which has been updated to include the most recent criticism and productions of the play.

Edited by David Bevington This edition is for the playgoer and the actor as well as the scholar.

David Bevington analyses the imaginative design and supreme poetry of this, one of Shakespeare’s most adventurously innovative tragedies. He offers a brilliant account of the political drama and Shakespeare’s handling of sources, especially Plutarch, and there is a lively discussion of staging options. For those approaching the play for the first time, the commentary is especially full and helpful, untangling many obscure words and phrases, and illuminating sexual puns. A new section surveys recent stage and critical interpretations.

978-0-521-61287-6 • £8.99

978-0-521-72874-4 • £8.99

Cymbeline Edited by Martin Butler, recently updated This new edition of Shakespeare’s Cymbeline foregrounds the elements of romance, tragicomedy and Jacobean stagecraft which together shape the play; it also acknowledges the postmodern indeterminacy of the play’s key moments. Martin Butler presents a refreshingly unsentimental reading of the heroine, Innogen.

978-0-521-29694-6 • £8.99

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Edited by T. S. Dorsch

edited by lee bliss

edited by martin butler

THE COMEDY OF ERRORS

CoriolaNuS

CymbeliNe

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Hamlet Second Edition Edited by Philip Edwards, revised and updated by Robert Hapgood This edition aims to bring the reader, playgoer and director of Hamlet into the closest possible contact with Shakespeare’s most famous and perplexing play. Edwards considers the possibility that Shakespeare made important alterations to Hamlet as it neared production, creating differences between the two early texts, quarto and folio. Edwards deals magisterially with the huge volume of commentary the play has provoked. Robert Hapgood brilliantly discusses recent stage, film and critical interpretation.

“The introduction and commentary reveal an author with a lively awareness of the importance of perceiving the play as a theatrical document.”

The Review of English Studies 978-0-521-53252-5 • £8.99

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Julius Caesar Second Edition Edited by Marvin Spevack, revised and updated by Marga Munkelt For this updated edition of Julius Caesar, Marga Munkelt has added a new section and new pictures to the Introduction, surveying stage and critical interpretations since the 1980s of Shakespeare’s most famous Roman play. The reading list has also been brought up to date.

978-0-521-53513-7 • £8.99

King Edward III Edited by Giorgio Melchiori King Edward III is a major addition to the Shakespearean canon, and is published here for the first time in an authoritative edition of Shakespeare’s works. Melchiori claims that Shakespeare is the author of a significant part of the play, the extent of which is discussed in detail.

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edited by philip edwards

edited by marvin Spevack

edited by giorgio melchiori

hamleT,

JuliuS CaeSar

kiNg edward iii

priNCe of deNmark

The Second Part of King Henry IV Second Edition Edited by Giorgio Melchiori, revised and updated by Adam Hansen Melchiori offers a fresh approach to The Second Part of King Henry IV, which he sees as an unplanned sequel to the First Part, itself a ‘remake’ of an old non-Shakespearean play. This updated edition includes a new introductory section by Adam Hansen describing recent stage, film and critical interpretations.

978-0-521-68950-2 • £8.99

King Henry V Second Edition Edited by Andrew Gurr For this updated edition of Shakespeare’s most celebrated war play, Professor Gurr has added a new section to his introduction which considers recent critical and stage interpretations, especially concentrating on the ‘secret’ versus ‘official’ readings of the play. An updated reading list completes the edition.

978-0-521-61264-7 • £8.99

978-0-521-59673-2 • £8.99

The First Part of King Henry IV Second Edition Edited by Herbert Weil and Judith Weil, revised and updated

by Katharine A. Craik This updated edition offers a strongly theatrical perspective on the origins of the play, and the history of its interpretation. The notes provide a thorough commentary on Shakespeare’s transformation of his sources, and suggest alternative stagings. A new introductory section by Katharine Craik describes recent stage, film and critical interpretations.

978-0-521-68743-0 • £8.99

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edited by herbert weil and Judith weil

edited by giorgio melchiori

edited by andrew gurr

The FirST parT oF kiNg heNry iV

The SeCONd parT Of kiNg heNry iV

kiNg heNry V

For further information about titles in this series or tailored packages

King Henry VIII Edited by John Margeson

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The New Ca mbr idge Sh a k e Spe a r e

edited by michael hattaway

edited by michael hattaway

edited by michael hattaway

The FirST parT oF kiNg heNry Vi

The SeCONd parT Of kiNg heNry Vi

The Third parT of kiNg heNry Vi

Professor Margeson considers and illustrates the stage history of the play, and gives a balanced account of the authorship controversy from the mid-nineteenth century. The Introduction considers the political and religious background of the play, its pageant-like structure and visual effects, and its varied ironies. The commentary is detailed but concise, explaining difficult passages and contemporary references, and suggesting how the play might have been staged in an Elizabethan theatre, or might still be staged for a modern audience.

978-0-521-29692-2 • £8.99

The First Part of King Henry VI

King John

Edited by Michael Hattaway

Edited by L. A. Beaurline

This, the first major edition for over twenty-five years, takes account of recent discoveries concerning Shakespeare’s early career. The First Part of King Henry VI, which gives us Shakespeare’s portrait of Joan of Arc, stands revealed both as a successful venture in its own exploratory style, and as a necessary account of key events in the Hundred Years War without which the Wars of the Roses, anatomised in the following two plays, cannot be understood.

King John had a distinguished life on the eighteenth- and nineteenth-century stage, but for most of this century the play has been undervalued. The Introduction in this edition presents the fullest account to date of the stage history, with accompanying illustrations to suggest the dramatic potential of the script. The appendix surveys the arguments about the dating of Shakespeare’s King John and the anonymous Troublesome Reign of King John and presents new evidence for the possibility that Shakespeare’s play was written first.

978-0-521-29634-2 • £8.99

The Second Part of King Henry VI

978-0-521-29387-7 • £8.99

Edited by Michael Hattaway

The Tragedy of King Lear

This edition of The Second Part of King Henry VI takes account of discoveries concerning Shakespeare’s early career, and pays particular attention to recent theatrical history, relating readings generated by modern performances to ideologically positioned accounts of the history and politics of Shakespeare’s age.

978-0-521-37704-1 • £8.99

The Third Part of King Henry VI Edited by Michael Hattaway In The Third Part of King Henry VI, Shakespeare contrasts Henry VI with his rival Edward IV to present a picture of the perils of aristocratic factionalism.

978-0-521-37705-8 • £8.99

Second Edition Edited by Jay L. Halio For this updated critical edition of King Lear, Professor Halio has added a new introductory section on recent stage, film, and critical interpretations of the play. He gives a comprehensive account of Shakespeare’s sources and the literary, political and folkloric influences at work in the play; a detailed reading of the action; and a substantial stage history of major productions. Professor Halio chooses the Folio as the text for this edition. He explains the differences between the quarto and Folio versions and alerts the reader to the rival claims of the quarto by means of a sampling of parallel passages in the Introduction and by an appendix which contains annotated passages unique to the quarto. An updated reading list completes the edition.

978-0-521-61263-0 • £8.99

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edited by John margeson

edited by L. a. beaurline

edited by Jay L. halio

kiNg heNry Viii

kiNg JohN

The Tragedy of kiNg Lear

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King Richard II Second Edition Edited by Andrew Gurr For this updated edition Gurr has added a new section to the Introduction in which he describes the growing interest in rehistoricising and repoliticising the play, surveys a number of important professional theatre productions and guides the reader through the scholarly criticism of recent years.

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edited by andrew gurr

edited by Janis Lull

edited by william C. Carroll

kiNg riChard ii

kiNg riChard iii

Love’S Labour’S LoST

978-0-521-53248-8 • £8.99

King Richard III Second Edition Edited by Janis Lull

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King Richard III is one of Shakespeare’s most popular and frequently performed plays. Janis Lull’s introduction to this new edition, based on the First Folio, emphasises the play’s tragic themes and stresses the importance of women’s roles in the play. It also underscores the special relationship between Richard III and Macbeth. A thorough performance history of stage and film versions of Richard III shows how the text has been reshaped by directors and actors. This updated edition contains a new introductory section covering recent criticism and performances of this perennially popular play.

“Thorough, scholarly and continuously helpful.”

The Times Higher Education Supplement 978-0-521-73556-8 • £8.99

Love’s Labour’s Lost Edited by William C. Carroll This new edition of Shakespeare’s Love’s Labour’s Lost presents a highly readable text of the play based on the first quarto of 1598. A thorough but concise critical commentary and a comprehensive introduction illuminate the significant elements of the play, its remarkable use of language, and its performance history.

978-0-521-29431-7 • £8.99

Macbeth

Measure for Measure Second Edition Edited by Brian Gibbons, revised and updated by Angela Stock Brian Gibbons focuses on the unique tragi-comic experience of watching Measure for Measure, the intensity and excitement offered by its dramatic rhythm, the reversals and surprises which shock the audience even to the end. This updated edition contains a new introductory section by Angela Stock, which describes recent stage, film and critical interpretations, and an updated reading list.

978-0-521-67078-4 • £8.99

The Merchant of Venice Second Edition Edited by M. M. Mahood, revised and updated by Charles Edelman The Merchant of Venice has been performed more often than any other comedy by Shakespeare. Molly Mahood pays special attention to the expectations of the play’s first audience, and to our modern experience of seeing and hearing the play. In a substantial new addition to the Introduction, Charles Edelman focuses on the play’s sexual politics and recent scholarship devoted to the position of Jews in Shakespeare’s time. He surveys the international scope and diversity of theatrical interpretations of The Merchant in the 1980s and 1990s and their different ways of tackling the troubling figure of Shylock.

978-0-521-53251-8 • £8.99

Second Edition Edited by A. R. Braunmuller The most extensively annotated edition of Macbeth currently available, this offers a thorough reconsideration of one of Shakespeare’s most popular plays. An accessible introduction studies the immediate theatrical and political contexts of Macbeth’s composition, especially the Gunpowder Plot and a contemporary account of an early performance at the Globe. A well-illustrated account of the play in performance examines several cinematic versions and a new introductory section on recent performances and adaptations brings the edition up-to-date.

“A superb tool for researchers and students involved in Shakespeare scholarship.”

Year’s Work in English Studies

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edited by a. r. braunmuller

edited by brian gibbons

edited by m. m. mahood

maCbeTh

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The merChaNT of VeNiCe

978-0-521-68098-1 • £8.99

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Much Ado about Nothing Second Edition Edited by F. H. Mares, revised and updated by Angela Stock

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edited by david Crane

edited by F. h. mares

The merry wiveS of wiNdSor

muCh ado abouT NoThiNg

For this updated edition Angela Stock has added a new section to the Introduction in which she reviews both romantic and darker, more cynical aspects of the play in the light of late twentieth-century stage, film and critical interpretations and the play’s interest in sexuality and misogyny, eavesdropping and deception.

978-0-521-53250-1 • £8.99

Othello The Merry Wives of Windsor Second Edition Edited by David Crane Focusing on theatrical aspects of The Merry Wives of Windsor, this new edition includes a response to some current arguments about the dating of the play. Crane also brings the stage history of the play up-to-date, showing how recent productions contribute to our understanding of it.

978-0-521-14681-4 • £8.99

Second Edition Edited by Norman Sanders, revised and updated by Scott McMillin For this updated edition, Scott McMillin has added a new section on the key events in both scholarship and theatre since the 1980s, including political, feminist and postcolonial treatments in various parts of the world, together with a description of performances of the play on stage, film and television.

Pericles

A Midsummer Night’s Dream

Edited by Doreen DelVecchio and Antony Hammond

Second Edition

Over the last two decades there has been a resurgence of theatrical interest in Shakespeare’s Pericles, which has been rescued from comparative neglect and is now frequently performed. The editors reject the current orthodoxies, that the text is seriously corrupt and that the play is of divided authorship, instead showing the play to be a unified aesthetic experience.

Edited by R. A. Foakes A Midsummer Night’s Dream is perhaps Shakespeare’s most popular comedy. The introduction describes the two main traditions in the stage history, one emphasising charm and innocence, the other stressing darker suggestions of violence and sexuality, and relates them to similar traditions in critical interpretation, showing that both are necessary to a full understanding of the play. For this updated edition the editor has added a new section to the introduction which takes account of recent important professional theatre productions and scholarly criticism on the play.

978-0-521-29710-3 • £8.99

The Poems Second Edition Edited by John Roe

“A fine example of judicious editorial writing.”

The Times Higher Education Supplement

This updated edition of Shakespeare’s poems contains a new introductory section on recent critical interpretations. Fully annotated, it includes all the poems which can be confidently assigned to Shakespeare, excluding the Sonnets. An updated reading list completes the edition.

978-0-521-53247-1 • £8.99

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978-0-521-53517-5 • £8.99

978-0-521-67162-0 • £8.99

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edited by doreen delVecchio and antony hammond

edited by John roe

periCleS

The poemS

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Venus and adonis, The rape of Lucrece, The phoenix and the Turtle, The passionate pilgrim, a Lover’s Complaint

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Romeo and Juliet Second Edition Edited by G. Blakemore Evans, revised and updated

by Thomas Moisan

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G. Blakemore Evans helps the reader to visualise the stage action of Romeo and Juliet, a vital element in the play’s significance and useful to students approaching it for the first time. The theatrical history of the play is accompanied by illustrations of notable productions from the eighteenth century onwards. A lucid commentary alerts the reader to the difficulties of language, thought and staging. For this updated edition Thomas Moisan has added a new introductory section which discusses important professional theatre productions and the large output of recent scholarly criticism on the play.

“Beautifully edited … and presented.”

The Daily Telegraph 978-0-521-53253-2 • £8.99

The Sonnets 8

Second Edition Edited by G. Blakemore Evans, with an introduction

by Stephen Orgel For this edition, Stephen Orgel offers a warmly personal and original introduction to Shakespeare’s best-loved and most widely read poems. The edition retains the text of the Sonnets prepared by Gwynne Evans, together with his detailed notes on each, and a lineby-line commentary.

978-0-521-67837-7 • £8.99

The Taming of the Shrew

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edited by g. blakemore evans

edited by ann Thompson

The SONNeTS

The TamiNg of The Shrew

explores the complex questions this raises about colonisation, racial and gender stereotypes, and the nature of the theatrical experience.

“The best edition on the market and the paperback is a snip.”

Studies in Theatre and Performance 978-1-107-61957-9 • £8.99 • New in 2013

Timon of Athens Edited by Karl Klein Karl Klein introduces Shakespeare’s late play as a complex exploration of a corrupt, moneyed society. He argues that evidence for other authors is inconclusive and shows the play to be neither tragedy, satire nor comedy, but a subtle and complete drama whose main characters contain elements of all three genres.

978-0-521-29404-1 • £8.99

Second Edition

Titus Andronicus

Edited by Ann Thompson

Second Edition

This edition of one of Shakespeare’s most popular yet controversial plays considers its reception in the light of the hostility and embarrassment it often arouses, taking account of both scholarly defences and feminist criticism of the play. For this updated edition Ann Thompson has added new sections to the introduction which describe the ‘deeply problematic’ nature of debates about the play and its reception since the 1980s.

The New Ca mbr idge Sh a k e Spe a r e

Edited by Alan Hughes This updated edition of Titus Andronicus includes a section on recent stage, film and critical interpretations by Sue Hall-Smith. The text is based on the first quarto, supplemented by crucial additions and stage directions from the Folio. An updated reading list completes the edition.

978-0-521-67382-2 • £8.99

“A radically fresh and challenging view of the play.”

The Times Higher Education Supplement 978-0-521-53249-5 • £8.99

The Tempest Second Edition Edited by David Lindley The Tempest is one of the most suggestive, yet most elusive of all Shakespeare’s plays, and has provoked a wide range of critical interpretations. It is a magical romance, yet deeply and problematically embedded in seventeenth-century debates about authority and power. In this updated edition, David Lindley has thoroughly revised the introduction and reading list to take account of the latest directions in criticism and performance. Including a new section on casting in recent productions, Lindley’s introduction

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edited by karl klein

edited by alan hughes

The TempeST TamiNg of The Shrew

TimoN of aTheNS

TiTuS aNdroNiCuS

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The Two Gentlemen of Verona Second Edition 2012 Edited by Kurt Schlueter, revised and updated by Lucy Munro

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Professor Schlueter approaches this early comedy as a parody of two types of Renaissance educational fiction: the love-quest story and the test-of-friendship story. A thoroughly researched, illustrated stage history reveals changing conceptions of the play and this updated edition features a new introductory section on recent stage and critical interpretations.

The New Ca mbr idge Sh a k e Spe a r e

edited by anthony b. dawson

edited by elizabeth Story donno

edited by kurt Schlueter

TroiluS aNd CreSSida

TwelfTh NighT

The Two geNTlemeN of VeroNa

978-0-521-18169-3 • £8.99

The Two Noble Kinsmen

Troilus and Cressida

Edited by Robert Kean and Patricia Tatspaugh

Edited by Anthony B. Dawson Troilus and Cressida, long considered one of Shakespeare’s most problematic plays, is both difficult and fascinating. In this edition, Dawson views the play from a performance perspective – both in the commentary as well as in the detailed section on stage history in the introduction.

With scholarly attention recently focusing on Shakespeare’s late plays, collaboration and sexuality, The Two Noble Kinsmen has become an essential script. Containing a detailed performance history and a lively introduction which surveys contemporary critical responses and addresses Shakespeare’s craftsmanship, this edition argues that the play can no longer be marginalized.

978-0-521-37619-8 • £8.99

978-0-521-68699-0 • £8.99

Twelfth Night

The Winter’s Tale

Second Edition

Edited by Susan Snyder and Deborah T. Curren-Aquino

Edited by Elizabeth Story Donno, revised and updated

by Penny Gay

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The Winter’s Tale is one of Shakespeare’s most varied, theatrically self-conscious, and emotionally wide-ranging plays. This edition provides a newly edited text, a comprehensive introduction that takes into account current critical thinking, and a detailed commentary on the play’s language designed to make it easily accessible to contemporary readers.

For this updated edition of Twelfth Night, Penny Gay has written a wholly new introduction to this well-loved Shakespearean comedy.

She stresses the play’s theatricality, its elaborate linguistic games and its complex use of Ovidian myths. She analyses the play’s delicate balance between romance and realism and its exploration of gender, sexuality and identity. In examining the stage history, she indicates how contemporary critical theory could have much to offer 21st century directors and actors. An updated reading list completes the edition.

978-0-521-29373-0 • £8.99

The New Cambridge Shakespeare 41 Volume Set

978-0-521-53514-4 • £8.99

All 41 titles in the New Cambridge Shakespeare series are now available in a set for library or individual purchase.

978-1-107-65663-5 • £295.00

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edited by robert elizabeth kean Story Turner donno and patricia Tatspaugh

edited by Susan Snyder and deborah T. Curren-aquino

The Two TwelfTh NighT Noble kiNSmeN

The wiNTer’S Tale

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41 Volume Set

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edited by Susan Snyder and deborah T. Curren-aquino

edited by david bevington

edited by william C. Carroll

The wiNTer’S Tale

aNToNy aNd CleopaTra

Love’S Labour’S LoST

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HIGHLIGHTS Shakespeare Beyond Doubt

Shakespeare and the Book Trade

Evidence, Argument, Controversy

Lukas Erne

Edited by Paul Edmondson and Stanley Wells

Following on from the groundbreaking Shakespeare as Literary Dramatist, Lukas Erne examines the publication, constitution, dissemination and reception of Shakespeare’s printed plays and poems in his own time and argues that their popularity in the book trade has been greatly underestimated. He uses evidence to show that ‘Shakespeare’ became a name from which money could be made and argues that Shakespeare, far from indifferent to his popularity in print, was an interested and complicit witness to his rise as a printpublished author.

Did Shakespeare write Shakespeare? The authorship question has been much treated in works of fiction, film and television, provoking interest all over the world. The book explores the issues surrounding the debate in the light of biographical, textual and bibliographical evidence to bring fresh perspectives on an intriguing cultural phenomenon.

“The Shakespeare debate has never been hotter.”

London Evening Standard “This book helpfully pulls together irrefutable evidence that Shakespeare really was Shakespeare.”

New Statesman

Shakespeare as Literary Dramatist Second Edition

978-1-107-60328-8 • Paperback • £18.99 978-1-107-01759-7 • Hardback • £50.00

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978-0-521-76566-4 • Hardback • £27.99

Lukas Erne

Shakespeare Beyond English A Global Experiment Edited by Susan Bennett and Christie Carson The Globe to Globe Festival, held at Shakespeare’s Globe in 2012, was an extraordinary cultural experiment offering the opportunity to see Shakespeare’s plays performed in many languages. This collection of exclusive reviews and discussions from world-wide scholars and theatre professionals explores what it means to perform Shakespeare in translation.

978-1-107-67469-1 • Paperback • £17.99 978-1-107-04055-7 • Hardback • £50.00

This 2003 study argues that Shakespeare was interested in his plays being read as well as performed and that, contrary to a long-standing consensus, he does not seem to have been opposed, nor indifferent, to the publication of his plays, but pursued a policy of trying to get them published.

This revised and updated edition includes a new and substantial preface that reviews and intervenes in the controversy the study has triggered and lists reviews, articles and books which respond to or build on the first edition.

978-1-107-68506-2 • Paperback • £18.99 978-1-107-02965-1 • Hardback • £50.00

Moving Shakespeare Indoors

Shakespeare Survey 66

Performance and Repertoire in the Jacobean Playhouse

Working with Shakespeare

Edited by Andrew Gurr and Farah Karim-Cooper

Peter Holland

2014 witnesses the opening of the Sam Wanamaker Theatre, based on 17th century designs. This volume considers the effects that more intimate staging, lighting, and music, had on performance and repertory. It will find a substantial readership among scholars of Shakespeare and Jacobean theatre history.

Shakespeare Survey is a yearbook of Shakespeare studies and production which has published the best international scholarship in English since 1948. The theme for Volume 66 is Working with Shakespeare. The complete set of Survey volumes is also available online at www.cambridge.org/online/shakespearesurvey

978-1-107-04063-2 • Hardback • c. £60.00 • March 2014

978-1-107-04173-8 • Hardback • £75.00 • October 2013

ShakeSpeare Beyond english A Global Experiment EditEd by

Susan Bennett Christie Carson

For further information please visit

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STUDENT RESOURCES The Cambridge Companion to Shakespearean Tragedy Second Edition Edited by Claire McEachern This updated Companion has been fully revised to reflect the most up-to-date scholarship. With an extensively overhauled bibliography, it also includes four new chapters by leading scholars, discussing Shakespearean form, Shakespeare and philosophy, Shakespeare’s tragedies in performance, and Shakespeare and religion.

978-1-107-64332-1 • Paperback • £19.99 978-1-107-01977-5 • Hardback • £55.00

The Cambridge Companion to Shakespeare and Contemporary Dramatists Edited by Ton Hoenselaars

The Cambridge Shakespeare Guide Emma Smith Perfect for students and theatregoers, this lively and authoritative guide contains key information on Shakespeare. Covering all of Shakespeare’s dramatic and poetic works in compact, alphabetical form, the book provides plot and character summaries, essential background context, information on major themes and descriptions of performance history.

“This admirably lucid and concise guide will both provide essential information and stimulate fresh thought about Shakespeare and his works.”

Stanley Wells 978-0-521-14972-3 • Paperback • £10.99 978-0-521-19523-2 • Hardback • £30.00

The Cambridge Introduction to Early Modern Drama, 1572–1642 Julie Sanders

This Companion introduces the distinctive drama of playwrights from Shakespeare’s time, including Kyd, Marlowe, Middleton, Jonson and Webster. The book also covers Shakespeare as a collaborator and the difficult question of co-authorship.

978-0-521-12874-2 • Paperback • £19.99 978-0-521-76754-5 • Hardback • £50.00

How to Read a Shakespearean Play Text Eugene Giddens This is an invaluable introductory guide for the English student who needs to decipher a page from a play, or a facsimile equivalent, from the Shakespearean period. Giddens guides the reader through bibliography and critical editing, explaining how it works, what the different elements mean, and who created them.

978-0-521-71397-9 • Paperback • £17.99 978-0-521-88640-6 • Hardback • £47.00

Engaging and stimulating, this Introduction provides a fresh vista of the theatrical landscape in the early modern era. Through special focus on commercial playhouses and their repertoires, the book revisits familiar territory from different angles and opens up new areas of investigation alongside the canonical and the known.

978-1-107-64547-9 • Paperback • £17.99 978-1-107-01356-8 • Hardback • £50.00

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• January 2014 • January 2014

Actors and Acting in Shakespeare’s Time John Astington A survey of acting in the Shakespearean period, this book describes and analyses individual performers, styles of performance, theatrical companies, and casting. Perfect for courses, it will be of interest to all students and scholars in the areas of Shakespeare studies, early modern drama and theatre, and theatrical history 978-0-521-14077-5 • Paperback • £16.99 978-0-521-19250-7 • Hardback • £47.00

Julie Sanders THE CAMBRIDGE COMPANION TO

shakespearean tragedy second edition

The Cambridge Introduction to

Edited by Claire McEachern

Early Modern Drama, 1572–1642

For further information please visit

www.cambridge.org/shakespeare13

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Shakespeare criticism Clowning and Authorship in Early Modern Theatre

Archaic Style in English Literature, 1590–1674

Richard Preiss

Lucy Munro

Richard Preiss presents a lively and provocative study of how the early modern stage clown defined – and changed – theatrical experience. Recovering the interactive entertainments with which comedians including Richard Tarlton, Will Kemp and Robert Armin engaged audiences, he draws new conclusions about how early modern theatre negotiated its own textuality.

Lucy Munro presents a wide-ranging study of literary style, exploring the conscious use of archaic language by poets and dramatists including Shakespeare, Spenser, Jonson and Milton. The book provides innovative ways of reading linguistic and poetic style, and assessing early modern attitudes towards the past.

978-1-107-04279-7 • Hardback • £65.00 • November 2013

978-1-107-03657-4 • Hardback • c. £55.00 • February 2014

Shakespeare’s Stage Traffic Imitation, Borrowing and Competition in Renaissance Theatre Janet Clare

The Queen’s Servants at the Red Bull Theatre (c.1605–1619) Eva Griffith

Shakespeare’s Stage Traffic re-visions and re-situates Shakespeare’s dramaturgy within the flourishing theatrical trade of the late sixteenth and early seventeenth centuries. Challenging the traditional notion of Shakespeare as originator, each chapter examines particular plays demonstrating how throughout his career Shakespeare adapted, imitated and borrowed from the work of others.

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A Jacobean Company and its Playhouse

978-1-107-04003-8 • Hardback • c. £55.00 • January 2014

Constructing the Canon of Early Modern Drama Jeremy Lopez This book provides the first-ever history of the canon of Renaissance drama as it has evolved since the eighteenth century. Containing dozens of short, provocative readings of unfamiliar plays, this book will benefit professors and postgraduate researchers who seek a broader sense of the period’s dazzling array of forms.

This unique and colourful history tells the story of Thomas Heywood’s playing company, the Queen’s Servants, and their playhouse, The Red Bull. Eva Griffith makes use of extensive research to set the playhouse in the context of Jacobean London, offering new insights into the development of drama during Shakespeare’s age.

978-1-107-04188-2 • Hardback • £60.00 • October 2013

Etymology and the Invention of English in Early Modern Literature Hannah Crawforth How did authors such as Jonson, Donne and Milton think about the past lives of the words they used? Drawing together early modern literature and linguistics, Crawforth argues that the history of English as it was studied in the period radically underpins the writing of its greatest poets.

978-1-107-04176-9 • Hardback • £60.00 • October 2013

978-1-107-03057-2 • Hardback • c. £55.00 • January 2014

Writing Metamorphosis in the English Renaissance 1550–1700 Susan Wiseman Wiseman explores the transformations of fantastic creatures including werewolves and wild children in English Renaissance writing. Analysing a variety of texts, from Shakespeare’s The Tempest to court records, Writing Metamorphosis argues that the seventeenth century is marked by concentration on the potential of the human to change or be changed.

Shakespeare’s Stage Traffic

Susan Wiseman

Imitation, Borrowing and Competition in Renaissance Theatre

Janet Cl are

978-1-107-04165-3 • Hardback • £60.00 • January 2014

Writing Metamorphosis in the English Renaissance 1550–1700

For further information please visit

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Reviewing Shakespeare

Medieval Shakespeare

Journalism and Performance from the Eighteenth Century to the Present

Pasts and Presents

Paul Prescott Ranging from Garrick’s Macbeth in the 1740s to the World Shakespeare Festival in 2012, this is an engaging account of the ways in which theatre critics have responded to Shakespearean performance.

978-1-107-02149-5 • Hardback • £55.00 • October 2013

Edited by Ruth Morse, Helen Cooper and Peter Holland Before Shakespeare is our contemporary he is the contemporary of late-medieval European culture, self-consciously regenerating and transforming earlier ideas of history, art, poetry and the stage. This book gives readers the opportunity to appreciate both Shakespeare and his period from the perspectives of the traditions that fostered and surrounded him.

978-1-107-01627-9 • Hardback • £60.00

Eating and Ethics in Shakespeare’s England David B. Goldstein David B. Goldstein argues for a new understanding of Shakespeare and early modern English writing from the perspective of communal eating. Taking up issues of ecology, gender, book history, philosophy, religious pluralism, colonialism and material culture, this book ultimately forces us to rethink our own relationship to food.

978-1-107-03906-3 • Hardback • £65.00 • November 2013

Occult Knowledge, Science, and Gender on the Shakespearean Stage Mary Floyd-Wilson In this ground-breaking study, Mary Floyd-Wilson explores early modern occult beliefs and their relation to women and scientific knowledge in Renaissance drama, focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All’s Well That Ends Well, The Changeling and The Duchess of Malfi.

978-1-107-03632-1 • Hardback • £55.00

Screening Early Modern Drama Beyond Shakespeare

Shakespearean Sensations Experiencing Literature in Early Modern England Edited by Katharine A. Craik and Tanya Pollard This lively and accessible collection of essays explores the ways Shakespeare and his contemporaries imagined literature’s impact on audiences’ bodies, minds and emotions. Readers and theatregoers have always sought out literature for its emotional power, and this book shows how seriously early modern writers took their relationships with their audiences.

978-1-107-02800-5 • Hardback • £55.00

Environmental Degradation in Jacobean Drama

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Bruce Boehrer Environmental Degradation in Jacobean Drama provides the first general history of the Shakespearean stage to focus primarily on ecological issues. Bruce Boehrer discusses the work of Shakespeare, Jonson, Middleton, Fletcher, Dekker and Heywood, exploring the strategies by which they made sense of radical ecological change in their drama.

978-1-107-02315-4 • Hardback • £55.00

Pascale Aebischer Pascale Aebischer’s accessible and groundbreaking study examines film adaptations of early modern plays that challenge the values and conventions of mainstream cinematic Shakespeare. It explains how digital technologies have helped to transform the canon of early modern drama on screen.

978-1-107-02493-9 • Hardback • £60.00

Rethinking Historicism from Shakespeare to Milton Edited by Ann Baynes Coiro and Thomas Fulton This collection of essays reflects on the origins of historicism and its present usefulness as a mode of literary analysis, its limitations and its future. Written by leading voices in the field, the book is designed for scholars and students of early modern English literature (1500–1700).

978-1-107-02751-0 • Hardback • £60.00

REVIEW ING

SHAKESPE ARE Journalism and Performance from the Eighteenth Century to the Present paul prescott

For further information please visit

www.cambridge.org/shakespeare13

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C a m b r i d g e L i b r a r y C o ll e c t i o n The Cambridge Library Collection is the premier imprint for reissues of out-of-copyright scholarly books. It provides top-quality resources for researchers, students and enthusiasts seeking important works from the past.

Double Falshood; or, The Distrest Lovers A Play, as it is Acted at the TheatreRoyal in Drury-Lane, Written Originally by W. Shakespeare Edited by Lewis Theobald Published in 1728, this play is widely accepted as the only surviving version of Shakespeare and Fletcher’s play Cardenio.

Portraits of Shakespeare, The Life of and On the Sonnets of Sir John Falstaff With a Biography of the Knight Shakespeare from Authentic Sources

James Boaden and Abraham Wivell A one-volume reissue of works, published 1824–7, examining portraits of Shakespeare, including an 1837 essay on his sonnets’ dedicatee.

978-1-108-06488-0 • Paperback • £36.00

978-1-108-01952-1 • Paperback • £14.99

Robert Barnabas Brough and George Cruikshank A delightful 1858 fictional biography of that most colourful of Shakespeare’s characters, built around a series of inspired etchings.

978-1-108-05733-2 • Paperback • £18.99

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For a full listing of our Cambridge Library Collection, please visit www.cambridge.org/clc

S h a k e s p e a r e

i n

p r o d u c t i o n

Shakespeare in Production gives readers, students, actors and directors the fullest possible stage histories of individual Shakespearean texts, enabling them to understand the changing appeal of each play to successive generations.

For further information please visit

www.cambridge.org/shakespeareinproduction

Explore Shakespeare

with our new selection of apps for iPad Experience Shakespeare like never before with Explore Shakespeare, a new series of iPad apps from Cambridge University Press and Agant.

Engage with Shakespeare and learn to love the greatest writer in the English language.

1 High quality Cambridge content from The New Cambridge Shakespeare and Cambridge School Shakespeare.

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1 Audio, images and text combined in one app.

1 Full search with highlighting and filtering.

1 Choose the level of enhancement you want – from none to full.

1 Word clouds and theme graphs pull out important quotations and key themes in the play.

1 Read character summaries and see relationships visualized, discovering different views of the story.

1 Use extensive glossaries and notes to get beyond the words and reveal the subtleties of Shakespeare’s writing.

EXPLORE a play’s characters, themes and use of language.

EXPERIENCE a play, with photos, notes, activities and audio.

EXAMINE a play, diving deeper into meaning and context.

For further information please visit

education.cambridge.org/shakespeare

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Online Access to

Cambridge Shakespeare Titles Access Cambridge’s renowned Shakespeare content with unlimited, simultaneous usage across a number of flexible subscription packages

Cambridge Companions Online The new look Cambridge Companions Online offers lively, accessible introductions to Shakespeare. It is an essential resource for any library that supports a literature curriculum.

Visit universitypublishingonline. org/cambridge/companions to find out more.

Shakespeare Survey Online Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism.

Visit universitypublishingonline.org/cambridge/shakespeare to find out more.

How to order: www.cambridge.org/order +44 (0)1223 326050 directcustserve@cambridge.org

For information about our privacy and data protection policy, please visit www.cambridge.org/privacy or email mlist@cambridge.org.

Bibliographic information, prices and publication dates are correct at the time of going to press but are subject to alteration without notice.

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Printed in the United Kingdom on totally chlorine-free paper. 2013.