Theatre 2016 and Drama www.cambridge.org/theatre2016
Welcome to the Theatre books catalogue 2016. Here you will find new and forthcoming titles, representing the highest level of academic research from renowned authors. Our highlights this year include the exciting Cambridge Introduction to Performance Theatre edited by Simon Shepherd and A History of Japanese Theatre edited by Jonah Salz. Our publications are available in a variety of formats, including ebooks and print, as well as online collections for institutional purchase via ebooks.cambridge.org. We also publish a range of leading Theatre journals, including New Theatre Quarterly and Theatre Survey (see back inside page for more information). You can recommend our books, online collections and journals to your librarian by filling in the form at the back of this catalogue. To see more book listings, product information, preview extracts and reviews, and to find out which conferences we are attending, you can find us online at www.cambridge.org/theatre2016. You can also keep up to date with the latest news and author views from our academic blog at www.cambridgeblog.org/category/music-theatre-art. We hope that you enjoy reading about our latest publications. For queries, suggestions or proposals, you can find a list of useful contacts at the back of this catalogue.
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Contents British theatre 1 European theatre 3 American theatre 5 Classical theatre 6 Shakespeare 8 Theatre (general) 16 Film, cinema 18 Also of interest 20 Information on related journals Inside back cover
George Bernard Shaw in Context e di t e d by br a d k e n t
see page 3
Evolution , Cognition , and PErformanCE Bruce mcConachie
a hi s tory of
Japanese Theatre
see page 16
edited by Jonah Sal z
Simon Shepherd
see page 18
The Cambridge Introduction to
Performance Theory
Michael Y. Bennett
see page 18
The Cambridge Introduction to
Theatre and Literature of the Absurd
Featured authors Jonah Salz Editor of A History of Japanese Theatre I edited this book for my younger self. When I was studying about Japanese theatre in graduate school, there wasn’t a single textbook that included traditional and modern forms. Many other sources repeated perspectives by the same experts. Then when I was seeing theatre in Kyoto and Tokyo, I kept on coming across new genres, or variations on those I hadn’t read about in textbooks. So I decided to edit this book, with a wide group of international experts, covering the vast spectrum of performance in Japan.
a hi s tor
Japanese Theatre
edi ted by
y of
Jon ah Sal
z
Simon Shepherd, Central School of Speech and Drama, London Author of The Cambridge Introduction to Performance Theory The challenge was to think in a new way about a rather over-exposed topic. That rethinking led me to religious and cultural studies, sociology, architecture and folklore; to Situationists, hippies and football fans. And it’s given me an understanding of why the word ‘performance’ has become so globally trendy.
Simon Shepherd
The Cambri dge Introdu
ction to
Performance Theory
Visit www.cambridge.org/authorhub for a range of step-by-step guides for authors
British theatre
British theatre Critical Perspectives on Applied Theatre Edited by Jenny Hughes
1
contribution of comic actors to notions of national identity. 2015 247 x 174 mm 287pp 76 b/w illus. 978-1-107-09885-5 Hardback £64.99 / US$99.99 For all formats available, see
www.cambridge.org/9781107098855
University of Manchester
and Helen Nicholson Royal Holloway, University of London
This collection offers original perspectives on applied theatre relevant to the twenty-first-century performer and researcher. Chapters explore socially engaged theatre from a range of global and historical contexts, and draw on new propositions from cultural and political theory to explore theatre’s responsiveness to current economic and environmental concerns. 2016 228 x 152 mm 294pp 16 b/w illus. 978-1-107-06504-8 Hardback c. £55.00 / c. US$90.00
British Drama of the Industrial Revolution Frederick Burwick University of California, Los Angeles
Frederick Burwick reveals how from the 1790s to 1830s the most volatile developments in British drama took place in the industrial provinces where the melodrama of the wicked villain lusting after his innocent victim was modified to represent the factory owner exploiting his workers with long hours and low wages.
978-1-107-64228-7 Paperback c. £18.99 / c. US$29.99
2015 228 x 152 mm 319pp 5 b/w illus. 978-1-107-11165-3 Hardback £64.99 / US$99.99
Publication April 2016
For all formats available, see
For all formats available, see
www.cambridge.org/9781107111653
www.cambridge.org/9781107065048
Comic Acting and Portraiture in Late-Georgian and Regency England Jim Davis University of Warwick
Jim Davis explores the relationship between comic performance and the visual arts in England c.1780–1830, focussing on the influence of Hogarth and Wilkie on theatre criticism and portraiture, caricature as critique and the
Home on the Stage Domestic Spaces in Modern Drama Nicholas Grene Trinity College, Dublin
Nicholas Grene explores the subject of domestic spaces in modern drama through close readings of nine major plays. Society for Theatre Research Theatre Book Prize 2014 – Short-listed 2014 228 x 152 mm 250pp 14 b/w illus. 978-1-107-07809-3 Hardback £64.99 / US$99.99 For all formats available, see
www.cambridge.org/9781107078093
eBooks available at www.cambridge.org/ebookstore
2
British theatre HIGHLIGHT
Edited by Brad Kent
Jonathan Goldman, Jean Reynolds, John R. Pfeiffer, Christopher Wixson, Gustavo A. Rodríguez Martín, Tony J. Stafford, David Kornhaber, J. P. Wearing, A. M. Gibbs, L. W. Conolly, Julie A. Sparks, John A. Bertolini
Université Laval, Québec
Literature in Context
When Shaw died in 1950, the world lost one of its most well-known authors, a revolutionary who was as renowned for his personality as he was for his humour, humanity, and rebellious thinking. He remains a compelling figure who deserves attention not only for how influential he was in his time, but for how relevant he is to ours. This collection sets Shaw’s life and achievements in context, with 42 scholarly essays devoted to subjects that interested him and defined his work. Contributors explore a wide range of themes, moving from factors that were formative in Shaw’s life, to the artistic work that made him most famous and the institutions with which he worked, to the political and social issues that consumed much of his attention, and, finally, to his influence and reception. Presenting fresh material and arguments, this collection will point to new directions of research for future scholars.
2015 228 x 152 mm 414pp 26 b/w illus. 978-1-107-04745-7 Hardback £74.99 / US$120.00
George Bernard Shaw in Context
Contributors: Peter Gahan, Lauren Arrington, Peter Conolly-Smith, Desmond Harding, Eibhear Walshe, Nicholas Grene, Anthony Roche, Margot Peters, Sos Eltis, J. Ellen Gainor, Kerry Powell, Ellen E. Dolgin, Heidi J. Holder, Jean Chothia, John McInerney, Elizabeth Carolyn Miller, Charles A. Carpenter, Lawrence Switzky, Christopher Innes, Alfred Turco, Jr, Richard Farr Dietrich, Michel W. Pharand, Martin Meisel, Brad Kent, Michael Malouf, D. A. Hadfield, Nelson O’Ceallaigh Ritschel, James Alexander, Matthew Yde, Lagretta Tallent Lenker,
For all formats available, see
www.cambridge.org/9781107047457
New in Paperback Key Reference
The Cambridge History of British Theatre Edited by Jane Milling University of Exeter
Peter Thomson University of Exeter
Joseph Donohue University of Massachusetts, Amherst
and Baz Kershaw University of Bristol
A major illustrated history of British theatre from the earliest times to the present day. The Cambridge History of British Theatre
2015 228 x 152 mm 1738pp 109 b/w illus. 978-1-107-49711-5 3 Volume Paperback Set £74.99 / US$135.00 Also available 978-0-521-82790-4 3 Volume Hardback Set £404.99 / US$679.99 For all formats available, see
www.cambridge.org/9781107497115
British theatre / European theatre New in Paperback
New in Paperback
Key Reference
Key Reference
The Cambridge History of British Theatre
The Cambridge History of British Theatre
Volume 1: Origins to 1660 Edited by Jane Milling
Volume 3: Since 1895 Edited by Baz Kershaw
University of Exeter
University of Bristol
and Peter Thomson
This volume explores the rich and complex histories of English, Scottish and Welsh theatres in the ‘long’ twentieth century since 1895.
University of Exeter
Volume 1 of The Cambridge History of British Theatre begins in Roman Britian and ends with Charles II’s restoration to the throne imminent. The Cambridge History of British Theatre
2015 228 x 152 mm 572pp 40 b/w illus. 978-1-107-49707-8 Paperback £29.99 / US$49.99 Also available 978-0-521-65040-3 Hardback £154.99 / US$274.99
3
The Cambridge History of British Theatre
2015 228 x 152 mm 598pp 35 b/w illus. 978-1-107-49709-2 Paperback £29.99 / US$49.99 Also available 978-0-521-65132-5 Hardback £160.00 / US$265.00 For all formats available, see
www.cambridge.org/9781107497092
For all formats available, see
www.cambridge.org/9781107497078
Key Reference
European theatre
The Cambridge History of British Theatre
HIGHLIGHT
New in Paperback
Volume 2: 1660 to 1895 Edited by Joseph Donohue University of Massachusetts, Amherst
Volume 2 of The Cambridge History of British Theatre covers the long period from the Restoration in 1660 to 1895. The Cambridge History of British Theatre
2015 228 x 152 mm 574pp 34 b/w illus. 978-1-107-49708-5 Paperback £29.99 / US$49.99 Also available 978-0-521-65068-7 Hardback £154.99 / US$264.99
Evolution, Cognition, and Performance Bruce McConachie University of Pittsburgh
Culture and cognition work together dynamically every time a spectator interprets meaning during a performance. In this study, Bruce McConachie examines the biocultural basis of all performance, from its origins and the cognitive processes that
For all formats available, see
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European theatre facilitate it, to what keeps us coming back for more. 2015 228 x 152 mm 225pp 978-1-107-09139-9 Hardback £64.99 / US$99.99 For all formats available, see
www.cambridge.org/9781107091399
French Visual Culture and the Making of Medieval Theater
and practitioners, the book features interviews with actress Nuria Espert, director Lluís Pasqual and playwright Juan Mayorga. 2015 229 x 152 mm 558pp 28 b/w illus. 978-1-107-53366-0 Paperback £24.99 / US$37.99 Also available 978-0-521-11769-2 Hardback £74.99 / US$140.00 For all formats available, see
www.cambridge.org/9781107533660
Laura Weigert Rutgers University, New Jersey
French Visual Culture and the Making of Medieval Theater revives what was unique, strange, and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Weigert brings together a wealth of visual artifacts to explore this tradition of late medieval performance. 2015 253 x 177 mm 305pp 143 b/w illus. 8 colour illus. 978-1-107-04047-2 Hardback £64.99 / US$99.99 For all formats available, see
www.cambridge.org/9781107040472
New in Paperback
A History of Theatre in Spain Edited by Maria M. Delgado Queen Mary University of London
and David T. Gies University of Virginia
From the religious environments of medieval Iberia to the theatre companies established in the aftermath of Franco’s demise, this collection presents a new assessment of Spain’s theatrical history. Written by theatre historians
Ibsen’s Houses Architectural Metaphor and the Modern Uncanny Mark B. Sandberg University of California, Berkeley
Mark B. Sandberg analyses reception materials to explore the architectural metaphors that Ibsen’s plays introduced into mainstream Western thought. 2015 228 x 152 mm 236pp 16 b/w illus. 978-1-107-03392-4 Hardback £64.99 / US$99.99 For all formats available, see
www.cambridge.org/9781107033924
The First Frame Theatre Space in Enlightenment France Pannill Camp Washington University, St Louis
A unique account of the way architects, dramatists, and philosophers transformed theatre space in the eighteenth century. 2014 228 x 152 mm 299pp 30 b/w illus. 978-1-107-07916-8 Hardback £60.00 / US$99.00 For all formats available, see
www.cambridge.org/9781107079168
European theatre / American theatre Popular Musical Theatre in London and Berlin 1890 to 1939 Edited by Len Platt Goldsmiths, University of London
Tobias Becker Freie Universität Berlin
and David Linton Goldsmiths, University of London
This is the first book to reconstruct early popular musical theatre as a transnational and highly cosmopolitan entertainment industry. 2014 228 x 152 mm 227pp 15 b/w illus. 4 music examples 978-1-107-05100-3 Hardback £64.99 / US$99.99 For all formats available, see
www.cambridge.org/9781107051003
A History of the Berliner Ensemble David Barnett University of Sussex
The first study in any language of the Berliner Ensemble, the theatre company co-founded by Bertolt Brecht. Cambridge Studies in Modern Theatre
2015 228 x 152 mm 528pp 21 b/w illus. 978-1-107-05979-5 Hardback £84.99 / US$135.00 For all formats available, see
www.cambridge.org/9781107059795
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American theatre Tennessee Williams and the Theatre of Excess The Strange, the Crazed, the Queer Annette J. Saddik City University of New York
This book explores Williams’ late plays in terms of a ‘theatre of excess’, which seeks liberation through exaggeration, chaos, ambiguity, and laughter. 2015 228 x 152 mm 194pp 5 b/w illus. 978-1-107-07668-6 Hardback £60.00 / US$95.00 For all formats available, see
www.cambridge.org/9781107076686
Performing Anti-Slavery Activist Women on Antebellum Stages Gay Gibson Cima Georgetown University, Washington DC
Performing Anti-Slavery demonstrates how black and white abolitionist women transformed antebellum performance practice into a critique of state violence. Barnard Hewitt Award, American Society for Theatre Research 2015 – Honourable mention 2014 228 x 152 mm 309pp 9 b/w illus. 978-1-107-06089-0 Hardback £64.99 / US$99.99 For all formats available, see
www.cambridge.org/9781107060890
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Classical theatre
Classical theatre Costume in the Comedies of Aristophanes Gwendolyn Compton-Engle John Carroll University
This book interprets the handling of costume in the plays of the ancient Greek comic playwright Aristophanes, using as evidence the surviving plays as well as vase-paintings and terracotta figurines. This book fills a gap in the study of ancient Greek drama, focusing on performance, gender, and the body. 2015 253 x 177 mm 210pp 31 b/w illus. 1 table 978-1-107-08379-0 Hardback £65.00 / US$99.00 For all formats available, see
www.cambridge.org/9781107083790
Pollution and Crisis in Greek Tragedy Fabian Meinel Université d’Aix-Marseille
The first detailed analysis of the important role pollution and its counterparts – purity and purification – play in Greek tragedy.
New in Paperback
Roman Republican Theatre Gesine Manuwald University College London
A comprehensive history of Roman drama from its beginnings to the end of the Republican period. 2015 229 x 152 mm 404pp 978-1-107-69609-9 Paperback £21.99 / US$32.99 Also available 978-0-521-11016-7 Hardback £74.99 / US$120.00 For all formats available, see
www.cambridge.org/9781107696099
New in Paperback
The Art of Euripides Dramatic Technique and Social Context Donald J. Mastronarde University of California, Berkeley
This book explores key topics in the interpretation of the tragedies of the fifth-century BCE Athenian poet Euripides. 2015 229 x 152 mm 376pp 978-1-107-64661-2 Paperback £20.99 / US$31.99 Also available 978-0-521-76839-9 Hardback £74.99 / US$120.00
2015 228 x 152 mm 290pp 978-1-107-04446-3 Hardback £65.00 / US$99.00
For all formats available, see
For all formats available, see
www.cambridge.org/9781107646612
www.cambridge.org/9781107044463
Classical theatre The Structure and Performance of Euripides’ Helen C. W. Marshall University of British Columbia, Vancouver
In his detailed study of Euripides’ play, Helen, C. W. Marshall expands our understanding of Athenian tragedy and Classical performance. 2014 247 x 174 mm 336pp 7 b/w illus. 4 tables 978-1-107-07375-3 Hardback £60.00 / US$99.00 For all formats available, see
www.cambridge.org/9781107073753
Menander, New Comedy and the Visual Antonis K. Petrides Open University of Cyprus
This book shows how both verbal and visual allusion position the plays of New Comedy within the context of contemporary polis culture. Cambridge Classical Studies
2014 216 x 138 mm 334pp 9 b/w illus. 978-1-107-06843-8 Hardback £65.00 / US$99.00 For all formats available, see
www.cambridge.org/9781107068438
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New in Paperback
Sophocles: Ajax Edited by P. J. Finglass University of Nottingham
Not since 1896 has Sophocles’ Ajax received such a sustained analysis on so many levels: literary, dramatic, textual and metrical. Cambridge Classical Texts and Commentaries, 48
2015 216 x 140 mm 624pp 3 tables 978-1-107-67671-8 Paperback £26.99 / US$39.99 Also available 978-1-107-00307-1 Hardback £125.00 / US$205.00 For all formats available, see
www.cambridge.org/9781107676718
New in Paperback
Oscar Wilde and Ancient Greece Iain Ross Colchester Royal Grammar School
Oscar Wilde’s imagination was haunted by ancient Greece; this book traces its presence in his life and works. Cambridge Studies in Nineteenth-Century Literature and Culture, 82
2015 229 x 152 mm 298pp 4 b/w illus. 978-1-107-47994-4 Paperback £18.99 / US$29.99 Also available 978-1-107-02032-0 Hardback £59.99 / US$104.99 For all formats available, see
www.cambridge.org/9781107479944
eBooks available at www.cambridge.org/ebookstore
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Shakespeare
Shakespeare Shakespeare and Manuscript Drama Canon, Collaboration and Text James Purkis University of Western Ontario
studies, and which will make a significant contribution to the field … There are plenty of Shakespeareans who work practically, and many who work in conversation with professional practitioners, but relatively few who subject this experience to the kind of searching interrogation that is found here … This is a terrifically enjoyable and provocative read, one that suggests new avenues of enquiry and new ways of navigating them.’
This book explores how Shakespeare wrote his plays and how the players revised them by examining manuscripts that have survived from use in early modern theatres. Looking at collaboration, theatre practice and the Shakespeare canon, it will greatly interest researchers and advanced students of Shakespeare studies, manuscript studies, and textual history.
2016 246 x 189 mm 280pp 51 b/w illus. 978-1-107-07299-2 Hardback £64.99 / US$99.99
2016 228 x 152 mm 336pp 14 b/w illus. 978-1-107-11968-0 Hardback £64.99 / US$99.99
Selling Shakespeare
Robert Shaughnessy, University of Kent
Publication March 2016 For all formats available, see
www.cambridge.org/9781107072992
For all formats available, see
Biography, Bibliography, and the Book Trade Adam G. Hooks
www.cambridge.org/9781107119680
University of Iowa
Publication March 2016
Writing Performative Shakespeares New Forms for Performance Criticism Rob Conkie La Trobe University, Victoria
Through a series of highly innovative visual forms, this original volume offers the reader an innovative approach to Shakespeare in performance. It will be of great interest to scholars and students of Shakespeare in performance, theatre studies, and performative writing. Advance praise: ‘This is an ambitious and innovative book, which breaks genuinely new ground in Shakespeare performance
Selling Shakespeare provides a new history of Shakespeare’s life and career in print, showing how the book trade created our modern idea of Shakespeare. It will appeal to scholars and students interested in Shakespeare, Renaissance literature and culture, drama, the history of literary criticism, book history, and readership studies. 2016 228 x 152 mm 220pp 978-1-107-13807-0 Hardback £64.99 / US$99.99 Publication February 2016 For all formats available, see
www.cambridge.org/9781107138070
Shakespeare Shakespeare and the EighteenthCentury Novel Cultures of Quotation from Samuel Richardson to Jane Austen Kate Rumbold University of Birmingham
This study shows that Shakespeare is a very significant presence in major novels of the eighteenth and early-nineteenth centuries, from epigraphs to descriptions of performances of his plays, and from allusions in polite conversation to Shakespearean knowledge as a mark of erudition among men and women alike. 2016 228 x 152 mm 250pp 7 b/w illus. 978-1-107-13240-5 Hardback £64.99 / US$99.99 Publication February 2016 For all formats available, see
www.cambridge.org/9781107132405
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Key Reference
The Cambridge Guide to the Worlds of Shakespeare Edited by Bruce R. Smith University of Southern California
General Editor Katherine Rowe Smith College, Massachusetts
Edited in association with Ton Hoenselaars Universiteit Utrecht, The Netherlands
Akiko Kusunoki Tokyo Women’s Christian University, Japan
Andrew Murphy University of St Andrews, Scotland
and Aimara da Cunha Resende Universidade Federal de Minas Gerais, Brazil
The Cambridge Guide to the Worlds of Shakespeare aims to replicate the expansive reach of Shakespeare’s global reputation. In pursuit of that vision, this work is transhistorical, international and interdisciplinary. Volume 1, Shakespeare’s World, 1500–1660, includes a comprehensive survey of the world in which Shakespeare and his contemporaries lived, while Volume 2, The World’s Shakespeare, 1660– Present, examines what the world has made of Shakespeare as a cultural icon over the past four centuries. For each of the work’s twenty-eight broad subject areas, ranging from translation to popular culture to performing arts, an overview is followed by a series of shorter essays taking up particular aspects of the subject at hand. Richly illustrated with more than three hundred images between the two volumes, this work brings the world, life and afterlife of Shakespeare to readers, from non-academic Shakespeare fans and
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Shakespeare students to theater professionals and Shakespeare scholars. ‘A gigantic achievement! This vast journey through Shakespeare’s works and worlds is constantly fascinating.’ Sir Antony Sher, Honorary Associate Artist, Royal Shakespeare Company
Contributors: P. Whitfield, S. Bennett, G. Hollis, M. Fuller, M. Hulme, I. Munro, G. Egan, T. Betteridge, L. Williamson Ambrose, J. Gillies, A. Gurr, F. Hildy, J. Limon, J. Astington, F. Teague, B. Escolme, F. Karim-Cooper, J. D. Cox, T. Stern, M. Ichikawa, D. Lindley, J. Dillon, W. West, J. MacIntyre, D. Crystal, M. Rissanen, P. Meier, T. Fanego, P. Freedman, T. Hoenselaars, M. Wyatt, L. Oakley-Brown, P. Blank, N. Rhodes, S. F. Crider, W. Elliott, C. Brewer, P. Long, R. D. Chen-Morris, V. Traub, L. Knight, A. Hoefele, M. Hayward, J. Yates, B. Hall, K. Eggert, P. Cahill, J. Jowett, M. Bland, H. Smith, R. Carter Hailey, J.-C. Mayer, A. Stewart, A. Hooks, A. Marr, R. McDonald, M. Jones, C. Moseley, L. Cowen Orlin, P. Henderson, N. Llewellyn, K. Hearn, A. Wells Cole, S. Ffolliott, N. Mander, E. Goldring, J. Archer, M. Swann, M. E. Lamb, S. Newman, D. Bruster, S. Mentz, F. Laroque, M. Ingram, J. Peacey, A. Findlay, M. Smuts, A. Hadfield, H. James, C. Desmet, S. Sleeper, T. Butler, A. Hirota, J. A. Owens, P. E. J. Hammer, C. Perry, J. A. Sharpe, D. Schalkwyk, M. Tratner, D. J. Baker, M. I. Sokol, B. J. Sokol, A. Serras, G. Restivo, E. Hubbard, M. Hendricks, M. Draudt, D. Bevington, L. A. Ferrell, K. Poole, K. Lynch, P. Carlson, B. D. Hirsch, S. Kennedy, A. Ryrie, D. Vitkus, S. Tutino, M. Murray, G. Gertz, M. Fissell, R. Munkhoff, B. Traister, M. Floyd-Wilson, M. Schoenfeldt, R. Sugg, T. Pettigrew, N. Vickers, P. Almond, P. Holland, R. Bearman, L. Enterline, D. Kathman, E. Blake, M. Jackson, S. Wells, S. Chiari, A. Ide, J. Tobin, C. Calvo, N. Johnson, C. Whitworth, F. Guinle, D. Kathman, S. Cerasano, A. Southern, C. A. Henze, S. McEvoy, S. Lewis, M. O’Callaghan, R. Henke, C. Whitney, G. Ioppolo, S. Greenfield, R. Dutton, A. Fleck,
A. Kisery, H. Grady, J. de Vos, M. Fortier, M. Pfister, I. Schwartz-Gastine, J. Leerssen, M. Orkin, N. Walton, Y. J. Ko, A. Huang, A. Modenessi, M. Smialkowska, V. Schandl, B. R. Smith, M. Cavecchi, P. Fagundes, M. Tempera, A. Thompson, S. Orgel, T. Cheesman, P. Edmondson, K. Kobayashi, K. Gregor, K. Kujawinska, J. Singh, N. Das, N. Herold, M. Bristol, N. Bhatia, R. Knowles, S. Olive, D. Johnson, B. Hodgdon, J. Whybrow, A. Oz, B. Boecker, D. Lanier, L. Bradley, A. Scott-Douglass, K. Rumbold, J. Levenson, J. I. Marsden, D. Fischlin, D. Williams, S. Iyengar, S. Schuelting, C. E. Brandão, M. Dobson, L. Silva, I. Prikhodko, A. Resende, N. Zakharov, D. Delabastita, K. Gregor, P. Novak, R. Mooneeram, N. Sanchez, A. Cetera, S. Grandage, S. F. Hanna, D. Abend-David, R. Oya, B. Bistue, S. Kawai, R. Mulryne, S. Carnicke, J. Birkett, K. Dorney, C. Haill, C. Baugh, N. Fraser, R. Brown, T. Cartelli, D. Weingust, L. Newcomb, R. Preiss, E. Anderson, R. Sawyer, M. Buzacott, P. Drabek, M. A. Katritzky, M. Tarnoff, P. Woods, J. Roach, J. Weil, H. Weil, J. Halio, R. Hapgood, J. Loehlin, C. Dymkowski, S. Hall Smith, E. Schafer, M. Munkelt, A. Stock, A. R. Braunmuller, A. Murphy, A. Young, D. S. Kastan, J. Lavagnino, R. Weis, B. Mowatt, G. Ziegler, N. Rhodes, A. J. West, J. Knight, Z. Markus, E. M. Knowles, J. Tronch, D. Goy-Blanquet, F. Sprang, E. Hamana, B. Engler, D. Henderson, P. Franssen, E. Hateley, K. Johanson, L. Engle, M. Rasmussen, J. Joughin, R. Carson, J. Lupton, D. Callaghan, P. Holbrook, E. Gajowski, J. Kearney, K. Steenbergh, S. R. de Oliveira, W. Germano, N. Isenberg, T. Kishi, J. P. E. Harper-Scott, J. O’Brien, S. Shershow, M. Ingham, S. Sillars, C. Haynes, C. Corti, C.
Shakespeare Alexander, S.-A. Myklebost, K. Rowe, E.-M. Oesterlen, O. Terris, W. Folkerth, W. Uricchio, R. Shaughnessy, M. Thornton Burnett, S. Hatchuel, R. Chapman, J. Schiffer, L. Osborne, L. McKernan 2016 279 x 216 mm 2248pp 332 b/w illus. 978-1-107-05725-8 2 Volume Hardback Set £400.00 / US$650.00 For all formats available, see
www.cambridge.org/9781107057258
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2016 228 x 152 mm 280pp 10 b/w illus. 978-1-107-12561-2 Hardback £64.99 / US$99.99 For all formats available, see
www.cambridge.org/9781107125612
Shakespeare and the Natural World Tom MacFaul University of Oxford
Shakespeare’s Literary Lives The Author as Character in Fiction and Film Paul Franssen Universiteit Utrecht, The Netherlands
In this book, Franssen investigates the appearance of Shakespeare as a character in later literary genres, periods and cultures, analysing the political and cultural implications. It will appeal to students of Shakespeare, the novel, film studies, literary reception and creative writing. Taking an international perspective, it will also appeal to readers outside the Anglophone world. ‘Franssen’s meticulous scholarship and his impressive pan-European reach will immediately establish this book as the most important study of Shakespeare’s afterlife as a character since Schoenbaum’s Shakespeare’s Lives and O’Sullivan’s Shakespeare’s Other Lives. It will be as invaluable as a reference work as it will be fascinating to anyone studying the international reception of the Shakespeare canon and his posthumous personal appearances in drama, poetry and fiction.’ Michael Dobson, University of Birmingham
Exploring the rich range of meanings that Shakespeare finds in the natural world, this book fuses ecocritical approaches to Renaissance literature with recent thinking about the significance of religion in Shakespeare’s plays, enabling powerful new readings of a wide range of his works. 2015 228 x 152 mm 214pp 978-1-107-11793-8 Hardback £64.99 / US$99.99 For all formats available, see
www.cambridge.org/9781107117938
Celebrating Shakespeare Commemoration and Cultural Memory Edited by Clara Calvo Universidad de Murcia, Spain
and Coppélia Kahn Brown University, Rhode Island
On the 400th anniversary of Shakespeare’s death, this collection of fifteen new essays written by leading scholars explores the variety and complexity of commemoration that has made Shakespeare a global cultural icon. Using rich visual images, new research and astute analysis, the volume will appeal to scholars and students
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Shakespeare of Shakespeare, literature and cultural history.
2015 228 x 152 mm 480pp 34 b/w illus. 978-1-107-02374-1 Hardback £74.99 / US$120.00
‘Wide-ranging in both space and time, this richly illustrated volume offers a fascinating, and often entertaining, series of studies of the numerous different ways in which Shakespeare has been celebrated and commemorated over the centuries.’
For all formats available, see
Stanley Wells, The Shakespeare Birthplace Trust 2015 228 x 152 mm 402pp 46 b/w illus. 978-1-107-04277-3 Hardback £74.99 / US$120.00 For all formats available, see
www.cambridge.org/9781107042773
Shakespeare and Textual Studies Edited by Margaret Jane Kidnie University of Western Ontario
and Sonia Massai King’s College London
This cutting-edge and comprehensive collection gathers contributions from the leading specialists in the fields of manuscript and textual studies, book history, editing, and digital humanities to provide a comprehensive reassessment of how manuscript, print and digital practices have shaped the body of works that we now call ‘Shakespeare’. ‘This collection is most insightful – essential reading for editors and textual scholars. Kidnie and Massai assemble the very best Shakespeareans to examine crucial debates about the origins, production and subsequent uses of Shakespeare’s texts.’ Eugene Giddens, Anglia Ruskin University, Cambridge
www.cambridge.org/9781107023741
New in Paperback
Shakespeare and the Book Trade Lukas Erne Université de Genève
Shakespeare and the Book Trade follows on from Lukas Erne’s groundbreaking Shakespeare as Literary Dramatist to examine the publication, constitution, dissemination and reception of Shakespeare’s printed plays and poems in his own time and to argue that their popularity in the book trade has been greatly underestimated. ‘An admirable amount of original research has gone into [this] study, making it of use to a wide array of readers. With Shakespeare and the Book Trade, Lukas Erne manages to do that most coveted of things: he has written another book that everyone must read.’ Patrick Cheney, Pennsylvania State University 2015 228 x 152 mm 316pp 25 b/w illus. 21 tables 978-1-316-50758-2 Paperback £16.99 / US$25.99 Also available 978-0-521-76566-4 Hardback £64.99 / US$99.99 For all formats available, see
www.cambridge.org/9781316507582
Shakespeare The Drama of Memory in Shakespeare’s History Plays Isabel Karremann Julius-Maximilians-Universität Würzburg, Germany
This book offers fresh readings of Shakespeare’s history plays through the development of an innovative vocabulary and methodology for analysing Shakespeare’s dramatic devices. Situated at the intersection of memory studies, performance studies and historical formalism, this book will appeal to researchers and upper-level students in these subjects. 2015 228 x 152 mm 217pp 1 b/w illus. 978-1-107-11758-7 Hardback £64.99 / US$99.99 For all formats available, see
www.cambridge.org/9781107117587
Highlight
The Shakespeare Circle An Alternative Biography Edited by Paul Edmondson The Shakespeare Birthplace Trust
and Stanley Wells The Shakespeare Birthplace Trust
This original and enlightening book casts fresh light on Shakespeare by examining the lives of his relatives, friends, fellow-actors, collaborators and patrons both in their own right and in relation to his life. Well-known figures such as Richard Burbage, Ben Jonson and Thomas Middleton are freshly considered; little-known but relevant lives are brought to the fore, and revisionist views are expressed on such matters as Shakespeare‘s wealth, his family and personal relationships, and his social status. Written by a
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distinguished team, including some of the foremost biographers, writers and Shakespeare scholars of today, this enthralling volume forms an original contribution to Shakespearian biography and Elizabethan and Jacobean social history. It will interest anyone looking to learn something new about the dramatist and the times in which he lived. A supplementary website offers imagined first-person audio accounts from the featured subjects. ‘Wonderfully conceived and executed, and drawing on the expertise of some of the finest literary historians at work today, The Shakespeare Circle offers a richly rewarding alternative to the ‘cradle to grave’ biography, allowing us to see Shakespeare afresh through the lives of his friends, relatives, neighbours, fellow actors and rivals.’ James Shapiro, Columbia University, New York
Contributors: Michael Wood, David Fallow, Catherine Richardson, Cathy Shrank, Katherine Scheil, Lachlan Mackinnon, Greg Wells, Graham Holderness, Germaine Greer, René Weis, Tara Hamling, Stanley Wells, Carol Chillington Rutter, David Kathman, David Riggs, Andrew Hadfield, Susan Brock, Andy Kesson, John H. Astington, Bart Van Es, Alan H. Nelson, Duncan Salkeld, Emma Smith, Lucy Munro, Margaret Drabble 2015 228 x 152 mm 368pp 5 b/w illus. 978-1-107-05432-5 Hardback £54.99 / US$84.99 978-1-107-69909-0 Paperback £18.99 / US$29.99 For all formats available, see
www.cambridge.org/9781107054325
eBooks available at www.cambridge.org/ebookstore
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Shakespeare The Dynamics of Inheritance on the Shakespearean Stage Michelle M. Dowd University of North Carolina, Greensboro
The first full-length study of the ways in which Shakespearean drama influenced and expanded notions of inheritance in early modern England. 2015 228 x 152 mm 300pp 11 b/w illus. 978-1-107-09977-7 Hardback £64.99 / US$99.99 For all formats available, see
www.cambridge.org/9781107099777
Shakespeare and the Idea of Apocrypha Negotiating the Boundaries of the Dramatic Canon Peter Kirwan University of Nottingham
This book explores the methodologies and assumptions governing answers to the question ‘what did Shakespeare actually write?’ 2015 228 x 152 mm 270pp 5 b/w illus. 6 tables 978-1-107-09617-2 Hardback £60.00 / US$95.00 For all formats available, see
www.cambridge.org/9781107096172
New in Paperback
Shakespeare in the Eighteenth Century Edited by Fiona Ritchie McGill University, Montréal
and Peter Sabor McGill University, Montréal
This book examines Shakespeare’s influence and popularity in all aspects of eighteenth-century literature, culture and society. 2015 229 x 152 mm 470pp 17 b/w illus. 978-1-107-47989-0 Paperback £19.99 / US$32.99 Also available 978-0-521-89860-7 Hardback £84.99 / US$135.00 For all formats available, see
www.cambridge.org/9781107479890
New in Paperback
Shakespeare in the Nineteenth Century Edited by Gail Marshall University of Leicester
An illustrated collection of new essays with valuable reference material on the performance and reception of Shakespeare’s plays. 2015 229 x 152 mm 482pp 15 b/w illus. 978-1-107-47988-3 Paperback £19.99 / US$32.99 Also available 978-0-521-51824-6 Hardback £84.99 / US$135.00 For all formats available, see
www.cambridge.org/9781107479883
Shakespeare Shakespeare on the University Stage Edited by Andrew James Hartley University of North Carolina, Charlotte
This collection is the first study of student Shakespeare productions at universities and colleges across the world. 2014 228 x 152 mm 304pp 13 b/w illus. 1 table 978-1-107-04855-3 Hardback £60.00 / US$95.00
Women and Shakespeare in the Eighteenth Century Fiona Ritchie McGill University, Montréal
This book establishes the significance of actresses, female playgoers and women critics in shaping Shakespeare’s burgeoning reputation in the eighteenth century.
www.cambridge.org/9781107048553
Choice Outstanding Academic Title 2015 – Winner Society for Theatre Research Theatre Book Prize 2014 – Short-listed
The Shakespearean Archive
2014 228 x 152 mm 266pp 6 b/w illus. 978-1-107-04630-6 Hardback £64.99 / US$99.99
Experiments in New Media from the Renaissance to Postmodernity Alan Galey
For all formats available, see
For all formats available, see
University of Toronto
Galey explores the entwined histories of Shakespearean texts and archival technologies over the past four centuries. 2014 228 x 152 mm 348pp 21 b/w illus. 978-1-107-04064-9 Hardback £64.99 / US$99.99 For all formats available, see
www.cambridge.org/9781107040649
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www.cambridge.org/9781107046306
New in Paperback
Shakespeare Survey Volume 62: Close Encounters with Shakespeare’s Text Edited by Peter Holland University of Notre Dame, Indiana
Shakespeare Survey is a yearbook of Shakespeare studies and production which has published the best international scholarship in English since 1948. The theme for volume 62 is ‘Close Encounters with Shakespeare’s Text’. The complete set of Survey volumes is also available online at:
For regular email alerts visit www.cambridge.org/alerts
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Shakespeare / Theatre (general) http://www.cambridge.org/online/ shakespearesurvey. Shakespeare Survey
2015 246 x 189 mm 454pp 978-1-107-58939-1 Paperback £35.00 / US$50.00 Also available 978-0-521-11103-4 Hardback £89.99 / US$145.00 For all formats available, see
Mayer, Ruth Morse, Bi-qi Beatrice Lei, Jyotsna G. Singh, Abdulhamit Arvas, Peter Holland, Andrew James Hartley, Kate Flaherty, Michael Dobson, David Kathman, Andrew Murphy, Bettina Boecker, Robert Shaughnessy, Ewan Fernie, Nicholas Crawford, Jelena Marelj, Lynn Forest-Hill, Carol Chillington Rutter, James Shaw, Charlotte Scott, Russell Jackson, Peter Kirwan
www.cambridge.org/9781107589391
Shakespeare Survey, 68
Key Reference
2015 247 x 174 mm 487pp 35 b/w illus. 978-1-107-10884-4 Hardback £74.99 / US$130.00
Shakespeare Survey Volume 68: Shakespeare, Origins and Originality Edited by Peter Holland University of Notre Dame, Indiana
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year’s textual and critical studies and of the year’s major British performances. The theme for Volume 68 is ‘Shakespeare, Origins and Originality’. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/ shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results. Contributors: Margreta de Grazia, Laurie Maguire, Emma Smith, Gary Taylor, John V. Nance, Péter Dávidházi, Catherine Belsey, Alfredo Michel Modenessi, Tom Cheesman, Stanley Wells, Janet Clare, Farah KarimCooper, James Hirsh, Jean-Christophe
For all formats available, see
www.cambridge.org/9781107108844
Theatre (general) HIGHLIGHT Key Reference
A History of Japanese Theatre Edited by Jonah Salz Ryukoku University, Japan
Japan boasts one of the world’s oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their
Theatre (general) historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations. Contributors: James R. Brandon, Rachel Payne, Jonah Salz, Laurence Kominz, Terauchi Naoko, William Lee, Alison Tokita, Shinko Kagaya, Miura Hiroko, Eike Grossmann, Shelley Fenno Quinn, Barbara Geilhorn, Diego Pellecchia, Monica Bethe, Sekiya Toshihiko, Eric C. Rath, Julie Iezzi, Samuel L. Leiter, C. Andrew Gerstle, Katherine Saltzman-Li, Mark Oshima, Paul Griffith, Okada Mariko, Suzuki Masae, Goto Shizuo, Alan Cummings, Matthew W. Shores, Gondo Yoshikazu, Brian Powell, Daniel Gallimore, Christina Nygren, Nakano Masaaki, Yamanashi Makiko, Guohe Zheng, Joel Stocker, Hong Seunyong, Matthew Isaac Cohen, Washitani Hana, Kevin Wetmore, Kan Takayuki, David Jortner, Carol Sorgenfrei, Yukihiro Goto, Bruce Baird, M. Cody Poulton, Mika Eglinton, Iwaki Kyoko, J. Thomas Rimer, Mari Boyd, Shimizu Hiroyuki, Nagai Satoko, Otsuki Atsushi, Barbara E. Thornbury, Minami Ryuta, Ikeuchi Yasuko, Yoshihara Yukari, Eugenio Barba 2016 247 x 174 mm 600pp 69 b/w illus. 4 tables 978-1-107-03424-2 Hardback £99.99 / US$155.00
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Dramaturgy and Dramatic Character A Long View William Storm New Mexico State University
From ancient Greece to the modern theatre, this book delivers a wideranging look at how characters have been conceived for the stage at pivotal moments in history. Topics are highlighted throughout that remain vital and pertinent for practitioners, scholars, teachers, students, and general audiences. 2016 228 x 152 mm 240pp 978-1-107-14575-7 Hardback £64.99 / US$99.99 Publication February 2016 For all formats available, see
www.cambridge.org/9781107145757
Key Reference
The Cambridge Encyclopedia of Stage Actors and Acting Edited by Simon Williams University of California, Santa Barbara
With over one thousand entries, this is the first encyclopedia of stage actors and acting around the world. 2015 247 x 174 mm 710pp 16 b/w illus. 978-0-521-76954-9 Hardback £120.00 / US$190.00 For all formats available, see
www.cambridge.org/9780521769549
Publication April 2016 For all formats available, see
www.cambridge.org/9781107034242
Visit our website at www.cambridge.org/academic
18
Theatre (general) / Film, cinema HIGHLIGHT
The Cambridge Introduction to Performance Theory Simon Shepherd Central School of Speech and Drama, London
This introduction provides a fresh approach to the meaning and origins of performance theory for students, scholars and enthusiasts. Defining the key figures and terms within the field, Simon Shepherd ranges across theories and practices, from folklore studies to performativity to protests against road building. Cambridge Introductions to Literature
2016 228 x 152 mm 265pp 978-1-107-03932-2 Hardback £49.99 / US$79.99 978-1-107-69694-5 Paperback £18.99 / US$29.99 Publication March 2016 For all formats available, see
www.cambridge.org/9781107039322
some of the twentieth century’s most influential works. Cambridge Introductions to Literature
2015 228 x 152 mm 173pp 978-1-107-05392-2 Hardback £54.99 / US$84.99 978-1-107-63551-7 Paperback £17.99 / US$27.99 For all formats available, see
www.cambridge.org/9781107053922
Mao’s Cultural Army Drama Troupes in China’s Rural Revolution Brian James DeMare Tulane University, Louisiana
This study explores the role of drama troupes tasked with roaming the countryside in support of Mao’s communist revolution in China. Cambridge Studies in the History of the People’s Republic of China
2015 228 x 152 mm 272pp 14 b/w illus. 978-1-107-07632-7 Hardback £65.00 / US$99.00 For all formats available, see
HIGHLIGHT
The Cambridge Introduction to Theatre and Literature of the Absurd Michael Y. Bennett University of Wisconsin, Whitewater
This accessible Introduction provides an in-depth overview of absurdism and its key figures in theatre and literature, from Samuel Beckett and Harold Pinter to Tom Stoppard. Essential reading for students, this book provides the necessary tools to develop the study of
www.cambridge.org/9781107076327
Film, cinema Schoenberg and Hollywood Modernism Kenneth H. Marcus University of la Verne, California
Schoenberg is often viewed as an isolated composer who was ill-at-ease in exile. Kenneth H. Marcus shows that, contrary to this perception, Schoenberg was deeply involved in the cultural and intellectual environment in which he found himself, and had multiple
Film, cinema connections in Hollywood as well as within academia.
film protection in an additional thirteen new EU member states.
2016 247 x 174 mm 419pp 27 b/w illus. 3 maps 1 table 7 music examples 978-1-107-06499-7 Hardback £74.99 / US$120.00
Cambridge Intellectual Property and Information Law, 33
For all formats available, see
2016 228 x 152 mm 524pp 2 tables 978-1-107-12074-7 Hardback £89.99 / US$140.00
www.cambridge.org/9781107064997
Publication April 2016
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For all formats available, see
The Cambridge Companion to Alfred Hitchcock Edited by Jonathan Freedman
www.cambridge.org/9781107120747
Shakespeare on Screen: Othello
University of Michigan, Ann Arbor
Edited by Sarah Hatchuel
In this Companion, leading film scholars and critics of American culture and imagination trace Hitchcock’s interplay with the Hollywood studio system, the Cold War, and new forms of sexuality, gender and desire over his thirty-year American career.
University of Le Havre
Cambridge Companions to American Studies
2015 228 x 152 mm 282pp 39 b/w illus. 978-1-107-10757-1 Hardback £50.00 / US$90.00 978-1-107-51488-1 Paperback £17.99 / US$29.99 For all formats available, see
www.cambridge.org/9781107107571
Film Copyright in the European Union Second edition Pascal Kamina Université de Franche-Comté
Including a new chapter on copyright enforcement, this second edition details the substantial developments in EU law during the last decade, including major cases for the European Court of Justice, new treaties and new directives. Pascal Kamina also unravels the complexities of
and Nathalie Vienne-Guerrin Université Paul Valéry, Montpellier
This volume offers up-to-date coverage of screen versions of Othello as well as original critical reviews of older, canonical films. Written by an international team of leading scholars, the essays explore productions from around the world. It will be a valuable resource for students, scholars and teachers of Shakespeare and film studies. ‘Shakespeare on Screen: Othello overturns conventional narratives about this play’s life on screen. Hatchuel and Vienne-Guerrin curate a volume that treats Othello as a truly international text, privileging little-known meta-narratives alongside mainstream Western cinema. Essays unpack the adaptations’ engagement with domestic violence, racial prejudice and sexual politics, making this the most vital and thorough treatment available of the play’s contemporary resonance.’ Peter Kirwan, University of Nottingham
eBooks available at www.cambridge.org/ebookstore
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Film, cinema / Also of interest Shakespeare on Screen
2015 228 x 152 mm 258pp 20 b/w illus. 978-1-107-10973-5 Hardback £64.99 / US$99.99 For all formats available, see
www.cambridge.org/9781107109735
The Digital Humanities A Primer for Students and Scholars Eileen Gardiner Italica Press
and Ronald G. Musto Italica Press
Also of interest Monuments and Literary Posterity in Early Modern Drama Brian Chalk Manhattan College, New York
Re-evaluating the relationship between Renaissance dramatists and literary posterity, this book centres on the question of how writers attempted to cope with mortality, with particular focus on drama and the building of monuments. It will interest scholars and upper-level students of Renaissance drama, memory studies, early modern theatre, and print history. ‘This is at once an admirable study of the paradoxes of memorialization in several important Renaissance dramatic texts, and a significant intervention in the contemporary critical conversation.’ Clara Calvo, University of Murcia 2015 228 x 152 mm 231pp 6 b/w illus. 978-1-107-12347-2 Hardback £64.99 / US$99.99 For all formats available, see
www.cambridge.org/9781107123472
This book introduces readers to the impact of the digital on humanities research. Beginning with definitions and a brief historical survey of the humanities, it examines how humanists have been affected by the digital and how, in turn, they shape it to research, organize, analyze and publish their work. ‘Deep scholarship and lively engagement with a vast range of contemporary innovations animate this concise, reliable, indeed almost indispensable book.’ James J. O’Donnell, author of Avatars of the Word 2015 228 x 152 mm 288pp 14 b/w illus. 978-1-107-01319-3 Hardback £64.99 / US$99.99 978-1-107-60102-4 Paperback £19.99 / US$29.99 For all formats available, see
www.cambridge.org/9781107013193
Also of interest
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Available Open Access
Open Access and the Humanities Contexts, Controversies and the Future Martin Paul Eve University of Lincoln
A full account of the changes in scholarly communication in the digital age. This title is also available as open access via Cambridge Books Online. 2014 216 x 138 mm 226pp 6 b/w illus. 1 table 978-1-107-09789-6 Hardback £30.00 / US$50.00 978-1-107-48401-6 Paperback £12.99 / US$19.99 For all formats available, see
www.cambridge.org/9781107097896
Visit our website at www.cambridge.org/academic
22
Index A Art of Euripides, The.................................6
B Barnett, David..........................................5 Becker, Tobias...........................................5 Bennett, Michael Y..................................18 British Drama of the Industrial Revolution.1 Burwick, Frederick....................................1
C Calvo, Clara............................................11 Cambridge Companion to Alfred Hitchcock, The.....................................19 Cambridge Encyclopedia of Stage Actors and Acting, The....................................17 Cambridge Guide to the Worlds of Shakespeare, The.................................10 Cambridge History of British Theatre, The. 2, 3 Cambridge Introduction to Performance Theory, The..........................................18 Cambridge Introduction to Theatre and Literature of the Absurd, The................18 Camp, Pannill...........................................4 Celebrating Shakespeare........................11 Chalk, Brian...........................................20 Cima, Gay Gibson.....................................5 Comic Acting and Portraiture in LateGeorgian and Regency England.............1 Compton-Engle, Gwendolyn.....................6 Conkie, Rob.............................................8 Costume in the Comedies of Aristophanes.6 Critical Perspectives on Applied Theatre....1
D da Cunha Resende, Aimara.....................10 Davis, Jim.................................................1 Delgado, Maria M.....................................4 DeMare, Brian James..............................18 Digital Humanities, The...........................20 Donohue, Joseph.................................. 2, 3 Dowd, Michelle M..................................14
Drama of Memory in Shakespeare’s History Plays, The.................................13 Dramaturgy and Dramatic Character.......17 Dynamics of Inheritance on the Shakespearean Stage, The....................14
E Edmondson, Paul...................................13 Erne, Lukas............................................12 Eve, Martin Paul.....................................21 Evolution, Cognition, and Performance......3
F Film Copyright in the European Union.....19 Finglass, P. J..............................................7 First Frame, The........................................4 Franssen, Paul........................................11 Freedman, Jonathan...............................19 French Visual Culture and the Making of Medieval Theater...................................4
G Galey, Alan.............................................15 Gardiner, Eileen......................................20 George Bernard Shaw in Context..............2 Gies, David T.............................................4 Grene, Nicholas........................................1
H Hartley, Andrew James...........................15 Hatchuel, Sarah......................................19 History of Japanese Theatre, A................16 History of the Berliner Ensemble, A...........5 History of Theatre in Spain, A....................4 Hoenselaars, Ton....................................10 Holland, Peter.................................. 15, 16 Home on the Stage..................................1 Hooks, Adam G.........................................8 Hughes, Jenny..........................................1
I Ibsen’s Houses.........................................4
Index K Kahn, Coppélia.......................................11 Kamina, Pascal.......................................19 Karremann, Isabel..................................13 Kent, Brad................................................2 Kershaw, Baz........................................ 2, 3 Kidnie, Margaret Jane.............................12 Kirwan, Peter..........................................14 Kusunoki, Akiko......................................10
L Linton, David............................................5
M MacFaul, Tom.........................................11 Manuwald, Gesine...................................6 Mao’s Cultural Army...............................18 Marcus, Kenneth H.................................18 Marshall, C. W..........................................7 Marshall, Gail.........................................14 Massai, Sonia.........................................12 Mastronarde, Donald J..............................6 McConachie, Bruce...................................3 Meinel, Fabian.........................................6 Menander, New Comedy and the Visual....7 Milling, Jane......................................... 2, 3 Monuments and Literary Posterity in Early Modern Drama............................20 Murphy, Andrew.....................................10 Musto, Ronald G.....................................20
N Nicholson, Helen......................................1
O Open Access and the Humanities............21 Oscar Wilde and Ancient Greece...............7
P Performing Anti-Slavery............................5 Petrides, Antonis K....................................7 Platt, Len.................................................5 Pollution and Crisis in Greek Tragedy.........6
23
Popular Musical Theatre in London and Berlin....................................................5 Purkis, James............................................8
R Ritchie, Fiona................................... 14, 15 Roman Republican Theatre.......................6 Ross, Iain.................................................7 Rowe, Katherine.....................................10 Rumbold, Kate.........................................9
S Sabor, Peter............................................14 Saddik, Annette J......................................5 Salz, Jonah.............................................16 Sandberg, Mark B.....................................4 Schoenberg and Hollywood Modernism..18 Selling Shakespeare..................................8 Shakespeare and Manuscript Drama.........8 Shakespeare and Textual Studies............12 Shakespeare and the Book Trade............12 Shakespeare and the EighteenthCentury Novel.......................................9 Shakespeare and the Idea of Apocrypha.. 14 Shakespeare and the Natural World........11 Shakespeare Circle, The..........................13 Shakespeare in the Eighteenth Century...14 Shakespeare in the Nineteenth Century...14 Shakespeare on Screen: Othello..............19 Shakespeare on the University Stage.......15 Shakespeare Survey.......................... 15, 16 Shakespeare’s Literary Lives....................11 Shakespearean Archive, The....................15 Shepherd, Simon....................................18 Smith, Bruce R........................................10 Sophocles: Ajax........................................7 Storm, William.......................................17 Structure and Performance of Euripides’ Helen, The.............................................7
T Tennessee Williams and the Theatre of Excess...................................................5 Thomson, Peter.................................... 2, 3
For regular email alerts visit www.cambridge.org/alerts
24
Index V Vienne-Guerrin, Nathalie........................19
W Weigert, Laura..........................................4 Wells, Stanley.........................................13
Williams, Simon......................................17 Women and Shakespeare in the Eighteenth Century..............................15 Writing Performative Shakespeares...........8
Notes
25
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Performance Studies from Cambridge University Press
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January 2016 • Cambridge
Volume 40 Number 3 October 2015
Theatre Survey Department of Theatre Northwestern University 70 Arts Circle Evanston, IL 60208-2406
Published for the American Society for Theatre Research
Editor Esther Kim Lee, University of Maryland, USA
Theatre Survey is chartered by the American Society for Theatre Research as a theatre history journal. Published three times a year, Theatre Survey provides rigorous historical and theoretical studies of performance across all periods, cultures, and methodologies; letters to the Editor; book reviews; lists of books received; and essays on new theatrical resources and exhibits. Recent issues have included position-pieces on theatre history and historiography in the New Millennium; and the subjects of other articles have ranged from postmodern Shakespearean production (on stage and in film) to the Kabuki theatre; from medieval performance to the New Orleans Mardi Gras; and from issues of race, class, and colonialism in performance to studies of John Rich’s Covent Garden account books.
Theatre Survey is available online at: http://journals.cambridge.org/tsy
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Theatre Research International
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Cover: A Midsummer Night’s Dream at the Baltic House Festival, St Petersburg. Photo: Stanislas Levshin.
TRAVELLING SHAKESPEARE COMPANIES IN ASIA HACKING AND REHEARSING HAN TAE-SOOK’S LADY MACBETH DEFINING THE SOUBRETTE IN MUSICAL THEATRE POLEMICS OF OPERA: WAGNER VS OFFENBACH THE BALTIC HOUSE FESTIVAL IN ST PETERSBURG ISRAELI AND PALESTINIAN SITE-SPECIFIC PERFORMANCE
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ISSN 0040-2982
Dance Research journal
Forthcoming Articles in DRJ 48/1 (April 2016) VOL.70 NO.275 - JANUARY 2016
A QUARTERLY REVIEW OF NEW MUSIC
EDITORIAL: PERFORMANCE AND PROVOCATION
Special Issue: INDIGENOUS DANCE TODAY Edited by Jacqueline Shea Murphy
Editor’s Note
THE MUSIC OF LAURENCE CRANE AND Articles A POST-EXPERIMENTAL PERFORMANCE PRACTICE PHILIP THOMAS
Doing Indigenous Dance Today Jacqueline Shea Murphy Statements DAYSTAR/Rosalie Jones, Rulan Tangen, Tanya Lukin Linklater, Rosy Simas, Jack Gray and Emily Johnson
Dancing the Pluriverse: Contemporary Indigenous Performance as Contestatory Ontological Praxis María Regina Firmino Castillo
LUKE NICKEL
Dancing Chiax, Dancing Sovereignty: Performing Protocol in Unceded Territories Mique’l Dangeli
OUTSOURCING PROGRESS: ON CONCEPTUAL MUSIC
Gesturing Futurities: “Jumping Scale” Through the Remix Karyn Recollet
DEBATE: COMPOSITION, PERFORMANCE AND RESEARCH
REVIEWS: FIRST PERFORMANCES, CDs & DVDs AND BOOKS
Reflections on Producing Indigenous Dance Today
Culture Creators and Interconnected Individualism: Rulan Tangen and Anne Pesata’s Basket Weaving Dance Tria Blu Wakpa Naadmaagewin... The Art of Working Together in Our Communities: The Creation Story of Walking at the Edge of Water Marrie Mumford A Brief Report on Some Currents of Native American Dance in Northern California Neil MacLean
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December 2015
PROFILE: KEVIN MCFARLAND
journal
47 / 3
INTERVIEW: ANTON LUKOSZEVIEZE
Congress on Research in Dance
Dance Research
Dee(a)r Spine: Dance, Dramaturgy, and the Repatriation of Indigenous Memory Sam Mitchell and Julie Burelle
OCCAM NOTIONS: COLLABORATION AND THE PERFORMER’S PERSPECTIVE IN ÉLIANE RADIGUE’S OCCAM OCEAN
MARTIN IDDON
Dance Research journal
VOL.70 NO.275 - JANUARY 2016
December 2015 47 / 3
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VOLUME 27
NUMBER 3
NOVEMBER 2015
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