Music 2016

MUSIC cambridge.org/music2016

2016

Welcome to the Music books catalogue 2016.

Here you will find new and forthcoming titles, representing the highest level of academic research from renowned authors. Our highlights this year include the exciting Cambridge Companion to the Singer-Songwriter edited by Katherine Williams and Justin A. Williams and George Frideric Handel’s Collected Documents Volume 3: 1734–1742.

Our publications are available in a variety of formats, including ebooks and print, as well as online collections for institutional purchase via ebooks.cambridge.org.

We also publish a range of leading Music journals, including Cambridge Opera Journal and TEMPO (see back inside page for more information). You can recommend our books, online collections and journals to your librarian by filling in the form at the back of this catalogue.

To see more book listings, product information, preview extracts and reviews, and to find out which conferences we are attending, you can find us online at www.cambridge.org/music2016.

You can also keep up to date with the latest news and author views from our academic blog at www.cambridgeblog.org/category/music-theatre-art.

We hope that you enjoy reading about our latest publications. For queries, suggestions or proposals, you can find a list of useful contacts at the back of this catalogue.

Be the first to hear about the academic products in your area of interest and receive 20% off your first online order

How to order books In the UK, Europe and rest of the world: www.cambridge.org/music2016 +44 (0)1223 325566 internationaltrade2@cambridge.org

Cambridge Alerts

In the Americas: www.cambridge.org/music2016 +1 212 924 3900

www.cambridge.org/alerts

customer_service@cambridge.org

The Cambridge

Contents

Companion to

see page 2

Percussion Edited by

Music criticism 1 Music performance 1 Opera 3 Medieval and Renaissance music 5 Seventeenth-century music 8 Eighteenth-century music 8 Nineteenth-century music 12 Twentieth-century and contemporary music 15 Also of interest 20 Information on related journals Inside back cover

Russell Hartenberger

GeorGe Frideric

H a ndel

see page 9

collected documents Volu me 3 173 4 –174 2

edited by donald Burrows, Helen coffey, John Greenacombe and anthony Hicks

K E N N E T H H . M A RC U S

Schoenberg

see page 15

and Hollywood Modernism

The Cambridge Companion to the

see page 17

Singer-Songwriter Edited by

Katherine Williams and Justin A. Williams

see page 22

Featured authors Russell Hartenberger Editor of The Cambridge Companion to Percussion The Camb

ridge

Companion

This book arises from my interest in percussion and rhythm as important elements in music of the twenty-first century.

To examine this development, I have assembled a collection of essays written by world-class percussionists who are also scholars, composers, conductors, instrument builders, and cognitive scientists. Their collective insights address issues for percussionists in classical music, jazz, popular music, world music, and the evolution of rhythm in humans.

to

Percussion Edited by

Russell Hart

enberger

Katherine Williams, University of Plymouth Justin A. Williams, University of Bristol Editors of The Cambridge Companion to the Singer-Songwriter The Cambridge Companion to the

Singer-Songwriter

The Cambridge Companion to the Singer-Songwriter arises from my involvement in teaching popular music at HEA level. Many music students are budding singer-songwriters themselves, and are faced with a shortage of critical literature when researching the idiom. This edited collection (co-edited with Justin A. Williams) goes beyond the biographies of singersongwriters that exist, by critiquing and analysing singer-songwriter scenes, tropes and movements. The book is an exciting and timely expansion of my own research on the singer-songwriter Rufus Wainwright (forthcoming, Equinox), and the techniques and traditions of writing and performing popular songs (forthcoming, Bloomsbury Academic).

Edited by

Katherine Williams and Justin A. Williams

Visit www.cambridge.org/authorhub for a range of step-by-step guides for authors

Music criticism / Music performance

Music criticism Rethinking Difference in Music Scholarship Edited by Olivia Bloechl University of California, Los Angeles

Melanie Lowe Vanderbilt University, Tennessee

and Jeffrey Kallberg University of Pennsylvania

This major essay collection takes a fresh look at how differences among people matter for music and musical thought.

2015 247 x 174 mm 450pp 23 b/w illus. 49 music examples 978-1-107-02667-4 Hardback £75.00 / US$115.00 For all formats available, see

www.cambridge.org/9781107026674

1

information on such wide-ranging subjects as acoustics, cleaning, climate control, corrosion, disinfestation, conservation ethics, historic stringing practice, measurement and historic metrology, retouching, tuning historic temperaments, varnish and writing reports. There are informative essays on the conservation of each of the major musical instrument groups, the treatment of paper, textiles, wood and metal, as well as historic techniques of wood and metalworking as they apply to musical instrument making and repair.

This is a practical guide that includes equations, formulas, tables and step-bystep instructions.

2015 246 x 189 mm 456pp 62 b/w illus. 12 tables 978-1-107-07780-5 Hardback £89.99 / US$150.00 For all formats available, see

Music performance The Manual of Musical Instrument Conservation Stewart Pollens

This is the first book to combine museum-based conservation techniques with practical instructions on the maintenance, repair, adjustment, and tuning of virtually every type of historical musical instrument. As one of the world’s leading conservators of musical instruments, Stewart Pollens gives practical advice on the handling, storage, display and use of historic musical instruments in museums and other settings, and provides technical

www.cambridge.org/9781107077805

Organising Music Theory, Practice, Performance Edited by Nic Beech University of Dundee

and Charlotte Gilmore University of Edinburgh

This book applies organisation theory to the creative and performance aspects of music, through a dialogue between organisation theorists and practising musicians.

2015 228 x 152 mm 446pp 2 b/w illus. 2 tables 978-1-107-04095-3 Hardback £70.00 / US$115.00 For all formats available, see

www.cambridge.org/9781107040953

eBooks available at www.cambridge.org/ebookstore

2

Music performance The Cambridge Companion to Percussion Edited by Russell Hartenberger University of Toronto

This Companion explores percussion instruments and music from the perspectives of performers, composers, conductors, instrument builders, scholars, and cognitive scientists. It will be a valuable resource for students, percussionists, and all those who want a deeper understanding of percussion music and rhythm.

Performing Civility highlights the sociological tension between combat and civility. A rich, masterful study of performing, judging, and listening.

Bravo!’

Eviatar Zerubavel, Rutgers University, New Jersey Cambridge Cultural Social Studies

2015 228 x 152 mm 299pp 7 b/w illus. 9 tables 978-1-107-10086-2 Hardback £64.99 / US$99.99 For all formats available, see

www.cambridge.org/9781107100862

Cambridge Companions to Music

Highlight

2016 247 x 174 mm 340pp 24 b/w illus. 24 music examples 978-1-107-09345-4 Hardback c. £60.00 / c. US$99.00

Music Sketches

978-1-107-47243-3 Paperback c. £21.99 / c. US$34.99

This introduction provides students and scholars with the information and skills they need when studying composers’ sketches.

Publication March 2016 For all formats available, see

www.cambridge.org/9781107093454

Performing Civility International Competitions in Classical Music Lisa McCormick University of Edinburgh

Lisa McCormick considers the history of classical music competitions and their role in society by examining their highlights and ongoing controversies.

She explains why, despite a widespread belief that performances cannot be ranked, aspiring musicians still enter them, professionals still judge them and audiences still invest emotionally in the results.

‘Offering a peek into the fascinating world of international classical music competitions, Lisa McCormick’s

Friedemann Sallis University of Calgary

Cambridge Introductions to Music

2015 247 x 174 mm 290pp 34 b/w illus. 6 tables 17 music examples 978-0-521-86648-4 Hardback £55.00 / US$85.00 978-0-521-68554-2 Paperback £19.99 / US$29.99 For all formats available, see

www.cambridge.org/9780521866484

Opera

Opera Handel on the Stage David Kimbell University of Edinburgh

For thirty years the opera-house was the principal focus of Handel’s creative work and he composed more than forty operas over this period. In this book, David Kimbell sets Handel’s operas in their biographical and cultural contexts, exploring the librettos and the music and how the operas were performed.

2016 247 x 174 mm 221pp 34 music examples 978-0-521-81841-4 Hardback £64.99 / US$99.99

3

The Cambridge Companion to French Music Edited by Simon Trezise Trinity College, Dublin

This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.

Cambridge Companions to Music

2015 247 x 174 mm 440pp 18 b/w illus. 20 music examples 978-0-521-87794-7 Hardback £60.00 / US$99.00 978-0-521-70176-1 Paperback £19.99 / US$33.00 For all formats available, see

www.cambridge.org/9780521877947

For all formats available, see

www.cambridge.org/9780521818414

Understanding the Leitmotif From Wagner to Hollywood Film Music Matthew Bribitzer-Stull University of Minnesota

Through analysis, Matthew BribitzerStull explores the legacy of the leitmotif, from Wagner’s Ring cycle to present-day Hollywood film music.

2015 247 x 174 mm 356pp 3 tables 176 music examples 978-1-107-09839-8 Hardback £74.99 / US$120.00 For all formats available, see

www.cambridge.org/9781107098398

Dance and Drama in French Baroque Opera A History Rebecca Harris-Warrick Cornell University, New York

In this book Rebecca Harris-Warrick dismantles the prevailing notion that dance in French baroque opera was merely decorative, and presents compelling evidence that the divertissement is essential to understanding the work. Evolving practices in music, librettos, choreography, and staging are brought to bear on sixty years of operatic history.

Cambridge Studies in Opera

2016 247 x 174 mm 558pp 40 b/w illus. 57 music examples 978-1-107-13789-9 Hardback c. £89.99 / c. US$140.00 Publication November 2016 For all formats available, see

www.cambridge.org/9781107137899

For regular email alerts visit www.cambridge.org/alerts

4

Opera Foreign Opera at the London Playhouses From Mozart to Bellini Christina Fuhrmann Ashland University, Ohio

In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses.

This is the first comprehensive study of these adaptations. Christina Fuhrmann reveals how integral these operas are to our understanding of early nineteenthcentury theatre, opera and canon formation.

Opera and Modern Spectatorship in Late NineteenthCentury Italy Alessandra Campana Tufts University, Massachusetts

Alessandra Campana explores how operas and their stage manuals participated in the making of a modern public in late nineteenth-century Italy.

Cambridge Studies in Opera

2015 247 x 174 mm 220pp 22 b/w illus. 19 music examples 978-1-107-05189-8 Hardback £65.00 / US$99.00

Cambridge Studies in Opera

For all formats available, see

2015 247 x 174 mm 272pp 3 b/w illus. 6 tables 40 music examples 978-1-107-02221-8 Hardback £64.99 / US$99.99

www.cambridge.org/9781107051898

For all formats available, see

www.cambridge.org/9781107022218

Opera Acts Singers and Performance in the Late Nineteenth Century Karen Henson University of Miami

Karen Henson explores a wealth of new historical material about singers and opera performance in the late nineteenth century.

Cambridge Studies in Opera

2015 247 x 174 mm 279pp 17 b/w illus. 44 music examples 978-1-107-00426-9 Hardback £65.00 / US$99.00 For all formats available, see

www.cambridge.org/9781107004269

Rounding Wagner’s Mountain Richard Strauss and Modern German Opera Bryan Gilliam Duke University, North Carolina

Bryan Gilliam explores the composer’s response to Wagner in his discussion of Strauss’ stage works and their historical contexts.

Cambridge Studies in Opera

2014 247 x 174 mm 358pp 17 b/w illus. 3 tables 135 music examples 978-0-521-45659-3 Hardback £65.00 / US$99.00 For all formats available, see

www.cambridge.org/9780521456593

Opera / Medieval and Renaissance music The Operas of Maurice Ravel Emily Kilpatrick

In this comprehensive study, Emily Kilpatrick unites musical, literary, documentary and cultural perspectives to shed new light on Ravel’s two operas, his working life and his compositional practice. The first study devoted to Ravel’s operas, this book will be an invaluable resource for anyone who is interested in French music.

Music in Context

2015 247 x 174 mm 283pp 11 b/w illus. 2 tables 92 music examples 978-1-107-11812-6 Hardback £64.99 / US$99.99 For all formats available, see

www.cambridge.org/9781107118126

Medieval and Renaissance music Instrumentalists and Renaissance Culture, 1420–1600 Players of Function and Fantasy Victor Coelho Boston University

and Keith Polk University of New Hampshire

This cultural history of instrumental music in Renaissance cities, courts and homes will appeal to a broad range of disciplines and performers. Victor Coelho and Keith Polk show that a full understanding of the contributions of instrumentalists is essential for any

5

accurate assessment of Renaissance culture.

2016 247 x 174 mm 400pp 28 b/w illus.

978-1-107-14580-1 Hardback £64.99 / US$99.99 Publication April 2016 For all formats available, see

www.cambridge.org/9781107145801

Hildegard of Bingen and Musical Reception The Modern Revival of a Medieval Composer Jennifer Bain Dalhousie University, Nova Scotia

Jennifer Bain contextualizes the revival of Hildegard’s music, engaging with intersections amongst local devotion and political, religious, and intellectual activity.

2015 247 x 174 mm 246pp 18 b/w illus. 7 tables 8 music examples 978-1-107-07666-2 Hardback £64.99 / US$99.99 For all formats available, see

www.cambridge.org/9781107076662

Music and Riddle Culture in the Renaissance Katelijne Schiltz Universität Regensburg, Germany

This is the first book on the theory, practice and cultural context of musical riddles during the Renaissance.

2015 247 x 174 mm 543pp 58 b/w illus. 3 colour illus. 36 music examples 978-1-107-08229-8 Hardback £84.99 / US$135.00 For all formats available, see

www.cambridge.org/9781107082298

Visit our website at www.cambridge.org/academic

6

Medieval and Renaissance music

Tactus, Mensuration and Rhythm in Renaissance Music Ruth I. DeFord Hunter College, City University of New York

Ruth DeFord offers new insights on Renaissance theories of rhythm and their application to the analysis and performance of music.

2015 247 x 174 mm 516pp 27 b/w illus. 14 tables 240 music examples 978-1-107-06472-0 Hardback £80.00 / US$130.00 For all formats available, see

www.cambridge.org/9781107064720

Medieval Music, Legend, and the Cult of St Martin The Local Foundations of a Universal Saint Yossi Maurey Hebrew University of Jerusalem

The first study to explore the music of St Martin’s cult and its influence upon medieval religion, art and politics.

First Prize, Polonsky Prizes, Hebrew University of Jerusalem 2015 – Winner 2014 247 x 174 mm 318pp 11 colour illus. 8 tables 26 music examples 978-1-107-06095-1 Hardback £64.99 / US$99.99 For all formats available, see

www.cambridge.org/9781107060951

The Making of Liturgy in the Ottonian Church Books, Music and Ritual in Mainz, 950–1050 Henry Parkes Yale University, Connecticut

A bold re-examination of the religious and political history of Ottonian Germany through its musical and liturgical books.

Cambridge Studies in Medieval Life and Thought: Fourth Series, 100

2015 228 x 152 mm 276pp 4 b/w illus. 2 maps 8 tables 978-1-107-08302-8 Hardback £65.00 / US$99.00 For all formats available, see

www.cambridge.org/9781107083028

Manuscripts and Medieval Song Inscription, Performance, Context Edited by Helen Deeming Royal Holloway, University of London

and Elizabeth Eva Leach University of Oxford

This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.

Music in Context

2015 247 x 174 mm 345pp 7 b/w illus. 27 tables 25 music examples 978-1-107-06263-4 Hardback £64.99 / US$99.99 For all formats available, see

www.cambridge.org/9781107062634

Medieval and Renaissance music The Monstrous New Art Divided Forms in the Late Medieval Motet Anna Zayaruznaya Yale University, Connecticut

The Monstrous New Art reveals the depth of medieval composers’ engagement with monstrous and hybrid creatures and ideas.

Music in Context

2015 247 x 174 mm 320pp 25 b/w illus. 6 tables 44 music examples 978-1-107-03966-7 Hardback £64.99 / US$99.99 For all formats available, see

www.cambridge.org/9781107039667

The Guitar in Tudor England A Social and Musical History Christopher Page Sidney Sussex College, Cambridge

The guitar was played everywhere in the age of Elizabeth I and Shakespeare, from the royal court to the tavern.

This groundbreaking book uses new literary and archival material, together with depictions in contemporary art, to explore the social and musical world of the instrument among courtiers, gentlemen and apprentices.

Musical Performance and Reception

2015 247 x 174 mm 266pp 26 b/w illus.

978-1-107-10836-3 Hardback £64.99 / US$99.99 For all formats available, see

www.cambridge.org/9781107108363

7

Key Reference

The Cambridge History of FifteenthCentury Music Edited by Anna Maria Busse Berger University of California, Davis

and Jesse Rodin Stanford University, California

Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers.

Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics.

Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history.

Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.

Contributors: Anna Maria Busse Berger, Jesse Rodin, Michael Long, Klaus Pietschmann, Laurenz Lütteken, Alejandro Enrique Planchart, Lawrence F. Bernstein, Philippe Canguilhem, John Milsom, Julie E. Cumming, Peter Schubert, James Hankins, Reinhard Strohm, Leofranc Holford-Strevens, Blake Wilson, Alison K. Frazier, Deborah Howard, Anthony M. Cummings, Yolanda Plumley, David Fiala, Richard Sherr, Pamela

eBooks available at www.cambridge.org/ebookstore

8

Medieval and Renaissance music / Seventeenth-century music / Eighteenth-century music F. Starr, Bonnie J. Blackburn, Patrick Macey, M. Jennifer Bloxam, David J. Rothenberg, Anne Walters Robertson, Anne Stone, Emily Zazulia, Evan A. MacCarthy, Margaret Bent, Thomas Schmidt-Beste, Andrew Kirkman, Nicole Schwindt, Keith Polk, David Fallows, Honey Meconi, Richard Taruskin

Eighteenthcentury music

The Cambridge History of Music

Bach

2015 228 x 152 mm 909pp 50 b/w illus. 20 tables 97 music examples 978-1-107-01524-1 Hardback £110.00 / US$225.00 For all formats available, see

www.cambridge.org/9781107015241

Seventeenthcentury music The Lure and Legacy of Music at Versailles Louis XIV and the Aix School John Hajdu Heyer

Highlight A Musical Biography Peter Williams University of Edinburgh

J. S. Bach composed some of the bestloved and most moving music in western culture. In this book, Peter Williams, author of the acclaimed J. S. Bach: A Life in Music, revisits Bach’s biography through the lens of his music, especially that for keyboard.

2016 247 x 174 mm 704pp 2 maps 30 music examples 978-1-107-13925-1 Hardback £29.99 / US$49.99 Publication April 2016 For all formats available, see

www.cambridge.org/9781107139251

University of Wisconsin, Whitewater

Taking its departure from King Louis XIV’s 1660 visit to Provence, this book reveals the remarkable musical developments that followed.

2014 247 x 174 mm 299pp 14 b/w illus. 4 tables 23 music examples 978-0-521-51988-5 Hardback £65.00 / US$99.00 For all formats available, see

www.cambridge.org/9780521519885

Mozart’s Music of Friends Social Interplay in the Chamber Works Edward Klorman Queens College, City University of New York and The Juilliard School, New York

Using the metaphor of artful conversation, this study examines chamber music in Mozart’s period as a sociable activity undertaken among friends. Edward Klorman draws on a wide variety of documentary and iconographic sources to analyse selected

Eighteenth-century music musical extracts in terms of social interplay.

Advance praise: ‘Klorman’s love of his subject is truly infectious. Drawing on many contemporary quotes he paints a very vivid and human historical backdrop.

We eavesdrop on composers, players, listeners and commentators puzzling over the composition and performance of classical chamber music from its birth. This is a work of impressive scholarship with a broad and deep awareness of musical theory and commentary through the centuries, but, above all, it makes a persuasive case for a mode of musical analysis that puts at its center the composer’s essential conception of the different parts in chamber music as multiple agents, affecting, surprising and even tussling with each other rhythmically, harmonically, contrapuntally and emotionally. In this way, reading his analyses can remind one of a good quartet rehearsal – a medium Klorman also knows very well from the quartet viola player’s seat.’

Roger Tapping, Juilliard String Quartet 2016 247 x 174 mm 361pp 15 b/w illus. 102 music examples 978-1-107-09365-2 Hardback £74.99 / US$120.00

Key Reference

George Frideric Handel Collected Documents Volume 1: 1609–1725 Edited by Donald Burrows The Open University, Milton Keynes

Helen Coffey The Open University, Milton Keynes

John Greenacombe The Open University, Milton Keynes

and Anthony Hicks The Open University, Milton Keynes

An authoritative multi-volume reference source for information about the life and career of George Frideric Handel.

2014 247 x 174 mm 855pp 20 b/w illus. 10 music examples 978-1-107-01953-9 Hardback £125.00 / US$190.00 For all formats available, see

www.cambridge.org/9781107019539

Key Reference

George Frideric Handel Collected Documents Volume 2: 1725–1734 Edited by Donald Burrows The Open University, Milton Keynes

Helen Coffey The Open University, Milton Keynes

Publication April 2016

John Greenacombe

For all formats available, see

The Open University, Milton Keynes

www.cambridge.org/9781107093652

9

and Anthony Hicks The Open University, Milton Keynes

The life and career of George Frideric Handel, one of the most frequently performed composers from the Baroque period, are copiously and intricately documented through a huge variety of contemporary sources. This major multi-volume publication is the most up-to-date and comprehensive collection of these documents. Presented

Visit our website at www.cambridge.org/academic

10

Eighteenth-century music chronologically in their original languages with English translations and with commentaries incorporating the results of recent research, the documents provide an essential and accessible resource for anyone interested in Handel and his music. In charting his activities in Germany, Italy and Britain, the documents also offer a valuable insight into broader eighteenth-century topics, such as court life, theatrical history, public concerts and competition between music publishers. This volume covers the period of Handel’s London opera career during which he achieved gradual independence from the Royal Academy opera company, but also introduced English theatre oratorios and wrote the music for the 1727 coronation.

2015 247 x 174 mm 872pp 16 b/w illus. 4 colour illus.

978-1-107-01954-6 Hardback £120.00 / US$180.00

of contemporary sources. This major multi-volume publication is the most up-to-date and comprehensive collection of these documents. Presented chronologically in their original languages with English translations and with commentaries incorporating the results of recent research, the documents provide an essential and accessible resource for anyone interested in Handel and his music.

This volume begins with Handel’s move to the Covent Garden theatre, during the period of his competition with the Opera of the Nobility, and ends with his season of oratorio performances in Dublin. These years saw the composition of Italian operas including Ariodante, Alcina and Serse but also of the major English works Alexander’s Feast, Saul and Messiah.

For all formats available, see

2016 247 x 174 mm 780pp 12 b/w illus. 3 music examples 978-1-107-01955-3 Hardback £120.00 / US$180.00

www.cambridge.org/9781107019546

Publication March 2016 For all formats available, see

Key Reference

George Frideric Handel Collected Documents Volume 3: 1734–1742 Edited by Donald Burrows The Open University, Milton Keynes

Helen Coffey The Open University, Milton Keynes

John Greenacombe The Open University, Milton Keynes

and Anthony Hicks The Open University, Milton Keynes

The life and career of George Frideric Handel, one of the most frequently performed composers from the Baroque period, are copiously and intricately documented through a huge variety

www.cambridge.org/9781107019553

Bach’s Numbers Compositional Proportion and Significance Ruth Tatlow

In the eighteenth century the universal harmony of God’s creation and the perfection of the unity (1:1) were philosophically, morally and devotionally significant. Ruth Tatlow employs theoretical evidence and practical demonstrations to explain how and why

Eighteenth-century music Bach used numbers in his published compositions.

Mozart Studies 2

2015 247 x 174 mm 427pp 9 b/w illus. 119 tables 978-1-107-08860-3 Hardback £84.99 / US$135.00

University of Sheffield

Edited by Simon P. Keefe

Music in the Georgian Novel

This volume comprises a series of essays on one of the greatest and most famous musicians of all time, by internationally renowned Mozart scholars. Chapters explore the composer’s life and reception and many of his most popular works, including The Marriage of Figaro and his chamber and orchestral music.

Pierre Dubois

Cambridge Composer Studies

Universite Francois Rabelais, Tours

2015 247 x 174 mm 267pp 2 b/w illus. 13 tables 99 music examples 978-1-107-04423-4 Hardback £64.99 / US$99.99

For all formats available, see

www.cambridge.org/9781107088603

This book investigates the literary representation of music in the Georgian novel. Pierre Dubois analyses the meaning, and highlights the importance, of musical scenes in novels by authors from Richardson to Austen and explores the implicit cultural issues, in particular the way musical instruments were perceived in the collective imagination.

2015 247 x 174 mm 373pp 4 b/w illus.

978-1-107-10850-9 Hardback £74.99 / US$120.00 For all formats available, see

www.cambridge.org/9781107108509

Highlight

Music and the Exotic from the Renaissance to Mozart Ralph P. Locke Eastman School of Music, University of Rochester

Provides fresh insights into Western culture’s increasing awareness of ethnic Otherness during from 1500–1800.

2015 247 x 174 mm 471pp 53 b/w illus. 25 music examples 978-1-107-01237-0 Hardback £84.99 / US$135.00 For all formats available, see

11

For all formats available, see

www.cambridge.org/9781107044234

New in Paperback

Mozart’s Requiem Reception, Work, Completion Simon P. Keefe University of Sheffield

Simon P. Keefe presents a fresh interpretation of one of western music’s most celebrated works. The study focuses on historical and current understandings of Mozart’s Requiem in fiction, drama, film, criticism and performance, paying special attention to legends surrounding the work, and reappraises Mozart’s musical contributions and completions of the score.

‘It is astounding that Keefe opens up new ground in large areas … A farreaching book … All in all, a first-class monograph, outstandingly produced and printed, which will be read cover to cover as well as used for reference.’

Manfred Hermann Schmid, Mozart-Jahrbuch 2013

www.cambridge.org/9781107012370

For regular email alerts visit www.cambridge.org/alerts

12

Eighteenth-century music / Nineteenth-century music Marjorie Weston Emerson Award, Mozart Society of America 2013 – Winner Music in Context

2015 244 x 170 mm 278pp 3 tables 48 music examples 978-1-107-53295-3 Paperback £18.99 / US$32.99 Also available 978-0-521-19837-0 Hardback £59.99 / US$109.99 For all formats available, see

www.cambridge.org/9781107532953

Nineteenthcentury music

Harmony in Beethoven David Damschroder University of Minnesota

David Damschroder’s ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions.

The early chapters guide readers in establishing a broad and penetrating perspective on harmony, while the later chapters extend into the realm of Schenkerian analysis.

2016 247 x 174 mm 304pp 118 music examples 978-1-107-13458-4 Hardback £64.99 / US$99.99 Publication March 2016 For all formats available, see

Schumann’s Music and E. T. A. Hoffmann’s Fiction John MacAuslan

Four of Schumann’s great masterpieces of the 1830s are connected to the fiction of E. T. A. Hoffmann. John MacAuslan explores these works’ musical patterns, stylistic developments and literary connections. Essential reading for musicologists, performers and listeners with an interest in Schumann and early nineteenth-century music.

2016 247 x 174 mm 328pp 6 b/w illus. 80 music examples 978-1-107-14123-0 Hardback £64.99 / US$99.99 Publication May 2016 For all formats available, see

www.cambridge.org/9781107141230

www.cambridge.org/9781107134584

Schubert’s Late Music History, Theory, Style Edited by Lorraine Byrne Bodley National University of Ireland, Maynooth

and Julian Horton University of Durham

This overview of current issues in Schubert studies captures the interdisciplinary diversity of contemporary scholarship on the composer’s late works. Contributions offer a revised exploration of Schubert’s compositional style including a close examination of the topical issue of ‘late’ style.

2016 247 x 174 mm 448pp 5 b/w illus. 18 tables 187 music examples 978-1-107-11129-5 Hardback £74.99 / US$120.00 For all formats available, see

www.cambridge.org/9781107111295

Nineteenth-century music Harmony in Chopin David Damschroder University of Minnesota

Chopin’s oeuvre holds a secure place in the nineteenth-century repertoire, beloved by audiences, performers and aesthetes. In Harmony in Chopin, David Damschroder integrates Schenkerian structural analyses with his innovative perspective on harmony to analyse the composer’s works and provide a new way to examine and understand their compositional style.

2015 247 x 174 mm 310pp 121 music examples 978-1-107-10857-8 Hardback £64.99 / US$99.99 For all formats available, see

www.cambridge.org/9781107108578

Key Reference

The History of the Erard Piano and Harp in Letters and Documents, 1785–1959 Edited by Robert Adelson Musée du Palais Lascaris

Alain Roudier Centre International du Pianoforte

Jenny Nex Musical Instrument Museums Edinburgh

Laure Barthel and Michel Foussard Ministère de la Culture

Sébastien Erard and the firm that carried his name are seminal in the history of musical instruments. Erard’s inventions – especially the double escapement for the piano and the double-action for the harp – have had an enormous impact on instruments and musical life and are still at the foundation of piano and harp building today. The recently discovered

13

archives of the Erard piano and harp building firm are perhaps the largest and most complete record of musical instrument making anywhere, containing never-before-published correspondence from musicians including Mendelssohn, Liszt and Fauré. These volumes present the archive’s records and documents in two parts, the first relating to inventions, business, composers and performers and the second to the Erard family correspondence. In both the original French and with English translations, the documents offer fascinating insights into the musical landscape of Europe from the start of Erard’s career in 1785 to the closure of the firm in 1959.

2015 247 x 174 mm 1174pp 40 b/w illus.

978-1-107-09291-4 2 Volume Hardback Set £150.00 / US$250.00 For all formats available, see

www.cambridge.org/9781107092914

Gustav Mahler’s Symphonic Landscapes Thomas Peattie Boston University

Thomas Peattie considers the theatrical dimension of Mahler’s reinvention of the symphony at the turn of the twentieth century.

2015 247 x 174 mm 232pp 7 b/w illus.

978-1-107-02708-4 Hardback £64.99 / US$99.99 For all formats available, see

www.cambridge.org/9781107027084

eBooks available at www.cambridge.org/ebookstore

14

Nineteenth-century music The Other Worlds of Hector Berlioz Travels with the Orchestra Inge van Rij Victoria University of Wellington

Inge van Rij’s book demonstrates how Berlioz used the sights and sounds of the orchestra to explore other worlds.

2015 247 x 174 mm 370pp 8 b/w illus. 4 tables 77 music examples 978-0-521-89646-7 Hardback £74.99 / US$118.00 For all formats available, see

Highlight

Program Music Jonathan Kregor University of Cincinnati

This accessible introduction is the first English-language book in a generation to cover program music as idea and repertoire.

Cambridge Introductions to Music

2015 247 x 174 mm 332pp 8 b/w illus. 26 tables 115 music examples 978-1-107-03252-1 Hardback £50.00 / US$85.00

www.cambridge.org/9780521896467

978-1-107-65725-0 Paperback £17.99 / US$27.99

Brahms in the Home and the Concert Hall

For all formats available, see

Between Private and Public Performance Edited by Katy Hamilton Royal College of Music, London

and Natasha Loges

www.cambridge.org/9781107032521

Frauenliebe und Leben Chamisso’s Poems and Schumann’s Songs Rufus Hallmark

Royal College of Music, London

Rutgers University, New Jersey

This collection explores the boundaries between Brahms’ professional identity and his lifelong engagement with private and amateur music-making.

Rufus Hallmark interprets Schumann’s famously controversial song cycle in the social, literary, and musical contexts of contemporary German society.

2014 247 x 174 mm 424pp 27 b/w illus. 6 tables 124 music examples 978-1-107-04270-4 Hardback £74.99 / US$120.00

Music in Context

For all formats available, see

2014 247 x 174 mm 292pp 14 tables 44 music examples 978-1-107-00230-2 Hardback £65.00 / US$99.00

www.cambridge.org/9781107042704

For all formats available, see

www.cambridge.org/9781107002302

Twentieth-century and contemporary music

Twentiethcentury and contemporary music

15

key electroacoustic works from a wide range of genres and sources.

2016 247 x 174 mm 428pp 82 b/w illus. 9 tables 978-1-107-11832-4 Hardback £74.99 / US$120.00 Publication March 2016 For all formats available, see

www.cambridge.org/9781107118324

Understanding Video Game Music Tim Summers St Catherine’s College, Oxford

Music is central to the experience of interacting with video games. In this book Tim Summers explores the functions of music in video games, offers new insights into well-loved game music and provides a wide array of new tools and concepts for its analysis.

2016 247 x 174 mm 235pp 978-1-107-11687-0 Hardback c. £64.99 / c. US$99.99 Publication November 2016 For all formats available, see

www.cambridge.org/9781107116870

Expanding the Horizon of Electroacoustic Music Analysis

Highlight

Schoenberg and Hollywood Modernism Kenneth H. Marcus University of la Verne, California

Schoenberg is often viewed as an isolated composer who was ill-at-ease in exile. Kenneth H. Marcus shows that, contrary to this perception, Schoenberg was deeply involved in the cultural and intellectual environment in which he found himself, and had multiple connections in Hollywood as well as within academia.

2016 247 x 174 mm 419pp 27 b/w illus. 3 maps 1 table 7 music examples 978-1-107-06499-7 Hardback £74.99 / US$120.00 For all formats available, see

www.cambridge.org/9781107064997

Edited by Simon Emmerson De Montfort University, Leicester

and Leigh Landy De Montfort University, Leicester

Innovations in music technology bring with them a new set of challenges for describing and understanding the electroacoustic repertoire. This edited collection presents a state-of-theart overview of analysis methods for electroacoustic music, with analyses of

For regular email alerts visit www.cambridge.org/alerts

16

Twentieth-century and contemporary music Popular Musical Theatre in London and Berlin 1890 to 1939 Edited by Len Platt Goldsmiths, University of London

Tobias Becker Freie Universität Berlin

and David Linton Goldsmiths, University of London

Becoming Heinrich Schenker Music Theory and Ideology Robert P. Morgan Yale University, Connecticut

This book traces the interrelationships of Schenker’s entire theoretical work and ideology while emphasizing fundamental differences between his mature and early theory.

This is the first book to reconstruct early popular musical theatre as a transnational and highly cosmopolitan entertainment industry.

2014 247 x 174 mm 294pp 61 music examples 978-1-107-06769-1 Hardback £64.99 / US$99.99

2014 228 x 152 mm 227pp 15 b/w illus. 4 music examples 978-1-107-05100-3 Hardback £64.99 / US$99.99

www.cambridge.org/9781107067691

For all formats available, see

www.cambridge.org/9781107051003

For all formats available, see

The Cambridge Companion to Film Music

The Musicology of Record Production

Edited by Mervyn Cooke

Simon Zagorski-Thomas

Film music has a rich and fascinating history that covers a diverse range of genres. This Companion explores how film music is made and examines ways in which it can be interpreted and analysed. Contributions are provided by professionals in the industry as well as leading scholars in the field.

London College of Music, Thames Valley University

Simon Zagorski-Thomas sets out a framework for the study of record production using current ideas from psychology and sociology.

Book Prize, International Association for the Study of Popular Music 2015 – Winner 2014 247 x 174 mm 278pp 978-1-107-07564-1 Hardback £64.99 / US$99.99 For all formats available, see

www.cambridge.org/9781107075641

University of Nottingham

and Fiona Ford

Cambridge Companions to Music

2016 247 x 174 mm 345pp 23 b/w illus. 9 tables 26 music examples 978-1-107-09451-2 Hardback c. £55.00 / c. US$99.00 978-1-107-47649-3 Paperback c. £17.99 / c. US$27.99 Publication September 2016 For all formats available, see

www.cambridge.org/9781107094512

Twentieth-century and contemporary music Highlight

Highlight

The Cambridge Companion to the Singer-Songwriter

The Cambridge Companion to Hip-Hop

Edited by Katherine Williams University of Plymouth

and Justin A. Williams University of Bristol

The term singer-songwriter refers to a musician who writes and performs their own music and lyrics. Essential reading for enthusiasts, practitioners, students, and scholars, this Companion explains the historical contexts, musical analyses, and theoretical frameworks of the singer-songwriter tradition, and includes case studies of singer-songwriters from Thomas d’Urfey through to Carole King and Kanye West.

Edited by Justin A. Williams University of Bristol

This Companion covers the hip-hop elements, methods of studying hip-hop, and case studies from Nerdcore to Turkish-German and Japanese hip-hop.

Cambridge Companions to Music

2015 247 x 174 mm 370pp 20 b/w illus. 11 music examples 978-1-107-03746-5 Hardback £54.99 / US$89.99 978-1-107-64386-4 Paperback £19.99 / US$29.99 For all formats available, see

www.cambridge.org/9781107037465

Cambridge Companions to Music

Highlight

2016 247 x 174 mm 416pp 12 b/w illus. 5 tables 32 music examples 978-1-107-06364-8 Hardback £54.99 / US$89.99

The Cambridge Companion to Duke Ellington

978-1-107-68091-3 Paperback £19.99 / US$29.99 For all formats available, see

www.cambridge.org/9781107063648

17

Edited by Edward Green Manhattan School of Music

This comprehensive and accessible Companion is the first collection of essays to provide an in-depth overview of Ellington’s career.

Cambridge Companions to Music

2015 247 x 174 mm 318pp 2 b/w illus. 53 music examples 978-0-521-88119-7 Hardback £55.00 / US$90.00 978-0-521-70753-4 Paperback £19.99 / US$29.99 For all formats available, see

www.cambridge.org/9780521881197

Visit our website at www.cambridge.org/academic

18

Twentieth-century and contemporary music Pierre Boulez Studies Edited by Edward Campbell University of Aberdeen

and Peter O’Hagan

Pierre Boulez is considered one of the most important composers in contemporary musical life. This collection explores his influence, legacy, reception, and works, featuring analysis of previously unpublished material, the historical context for Boulez’s music and a final section examining the reception of his music in the United Kingdom.

Cambridge Composer Studies

2016 247 x 174 mm 335pp 9 b/w illus. 23 tables 103 music examples 978-1-107-06265-8 Hardback c. £64.99 / c. US$99.99 Publication November 2016 For all formats available, see

www.cambridge.org/9781107062658

Harrison Birtwistle Studies Edited by David Beard Cardiff University

Kenneth Gloag Cardiff University

and Nicholas Jones Cardiff University

This collection represents current research on Birtwistle’s music, reflecting the diversity of his work through a widerange of perspectives.

Cambridge Composer Studies

2015 247 x 174 mm 334pp 17 b/w illus. 18 tables 81 music examples 978-1-107-09374-4 Hardback £65.00 / US$99.00 For all formats available, see

www.cambridge.org/9781107093744

Performance Practice in the Music of Steve Reich Russell Hartenberger University of Toronto

Russell Hartenberger offers a performer’s perspective on Steve Reich’s compositions, from his iconic minimalist work, Drumming, to Music for 18 Musicians. This study explores the performance issues encountered by musicians in Reich’s original ensemble and reveals the techniques they developed to bring his compositions to life.

Music since 1900

2016 247 x 174 mm 320pp 25 b/w illus. 102 music examples 978-1-107-15150-5 Hardback c. £64.99 / c. US$99.99 Publication September 2016 For all formats available, see

www.cambridge.org/9781107151505

The Graph Music of Morton Feldman David Cline Institute of Musical Research, University of London

David Cline provides a detailed analysis of Morton Feldman’s groundbreaking graph music and its considerable impact upon the development of post-war classical music. This book highlights the influence of contemporary art on Feldman’s works and explores his

Twentieth-century and contemporary music relationships with Earle Brown, John Cage, Christian Wolff and David Tudor.

both its connections to tradition and its contemporary vitality.

Music since 1900

Music since 1900

2016 247 x 174 mm 352pp 15 b/w illus. 14 tables 100 music examples 978-1-107-10923-0 Hardback £74.99 / US$120.00

2015 247 x 174 mm 366pp 50 music examples 978-1-107-12721-0 Hardback £74.99 / US$120.00

Publication April 2016

For all formats available, see

For all formats available, see

19

www.cambridge.org/9781107127210

www.cambridge.org/9781107109230

Luigi Nono A Composer in Context Carola Nielinger-Vakil

The anti-fascist cantata Il canto sospeso, the string-quartet Fragmente – Stille, an Diotima and the ‘Tragedy of Listening’ Prometeo cemented Luigi Nono’s place in music history. In this study, NielingerVakil examines these three major works in the context of related works and the diverging circumstances in Italy and Germany after 1945.

Music since 1900

2016 247 x 174 mm 361pp 20 b/w illus. 18 tables 31 music examples 978-0-521-84534-2 Hardback £74.99 / US$120.00 For all formats available, see

www.cambridge.org/9780521845342

Transformations of Musical Modernism Edited by Erling E. Guldbrandsen Universitetet i Oslo

Highlight

British Musical Modernism The Manchester Group and their Contemporaries Philip Rupprecht Duke University, North Carolina

This panoramic study of musical modernism synthesizes cultural, biographical, and analytic perspectives to provide a group portrait of the leading figures in post-war British art music. Philip Rupprecht explores the music of the Manchester Group and other composers in works spanning sixties theatricality through to seventies pop, electronic and post-minimalist music.

Music since 1900

2015 247 x 174 mm 504pp 13 b/w illus. 93 music examples 978-0-521-84448-2 Hardback £84.99 / US$135.00 For all formats available, see

www.cambridge.org/9780521844482

and Julian Johnson Royal Holloway, University of London

Modernism is key to Western art music yet remains poorly understood.

This book offers new perspectives on transformations in recent composition, performance and musical thought. It recasts modernism as a whole, revealing

eBooks available at www.cambridge.org/ebookstore

20

Twentieth-century and contemporary music / Also of interest Highlight

Musical Witness and Holocaust Representation Amy Lynn Wlodarski Dickinson College, Pennsylvania

Musical Witness and Holocaust Representation explores the historiography of musical Holocaust representations and outlines the genre’s compositional and reception history through a series of analyses. Amy Lynn Wlodarski engages interdisciplinary sources from the fields of musicology, Holocaust and Jewish studies, and philosophy and situates musical representations within a broader discussion about Holocaust aesthetics.

Schoenberg’s Twelve-Tone Music Symmetry and the Musical Idea Jack Boss University of Oregon

Jack Boss presents detailed analyses of Arnold Schoenberg’s twelve-tone pieces, bringing the composer’s ‘musical idea’ – problem, elaboration, solution – to life.

Wallace Berry Award, Society for Music Theory 2015 – Winner Music since 1900

2014 246 x 189 mm 463pp 129 music examples 978-1-107-04686-3 Hardback £70.00 / US$110.00 For all formats available, see

www.cambridge.org/9781107046863

Music since 1900

2015 247 x 174 mm 251pp 7 tables 15 music examples 978-1-107-11647-4 Hardback £64.99 / US$99.99 For all formats available, see

www.cambridge.org/9781107116474

French Music and Jazz in Conversation From Debussy to Brubeck Deborah Mawer Birmingham Conservatoire

This book explores the historicalcultural interactions between French concert music and American jazz across 1900–65, from both perspectives.

Music since 1900

2014 247 x 174 mm 319pp 3 b/w illus. 6 tables 54 music examples 978-1-107-03753-3 Hardback £60.00 / US$99.00 For all formats available, see

www.cambridge.org/9781107037533

Also of interest Porphyry’s Commentary on Ptolemy’s Harmonics A Greek Text and Annotated Translation Edited and translated by Andrew Barker University of Birmingham

Porphyry’s Commentary, the only surviving ancient commentary on a technical text, is not merely a study of Ptolemy’s Harmonics. It includes virtually free-standing philosophical essays on epistemology, metaphysics, scientific methodology, aspects of the Aristotelian categories and the relations between Aristotle’s views and Plato’s, and a host of briefer comments on other matters of wide philosophical interest.

Also of interest For musicologists it is widely recognised as a treasury of quotations from earlier treatises, many of them otherwise unknown; but Porphyry’s own reflections on musical concepts (for instance notes, intervals and their relation to ratios, quantitative and qualitative conceptions of pitch, the continuous and discontinuous forms of vocal movement, and so on) and his snapshots of contemporary music-making have been undeservedly neglected. This volume presents the first English translation and a revised Greek text of the Commentary, with an introduction and notes designed to assist readers in engaging with this important and intricate work.

2015 228 x 152 mm 587pp 30 b/w illus.

978-1-107-00385-9 Hardback £100.00 / US$160.00 For all formats available, see

how, in turn, they shape it to research, organize, analyze and publish their work.

‘Deep scholarship and lively engagement with a vast range of contemporary innovations animate this concise, reliable, indeed almost indispensable book.’

James J. O’Donnell, author of Avatars of the Word 2015 228 x 152 mm 288pp 14 b/w illus.

978-1-107-01319-3 Hardback £64.99 / US$99.99 978-1-107-60102-4 Paperback £19.99 / US$29.99 For all formats available, see

www.cambridge.org/9781107013193

New in Paperback Highlight

www.cambridge.org/9781107003859

Inhumanities

The Digital Humanities

Nazi Interpretations of Western Culture David B. Dennis

A Primer for Students and Scholars Eileen Gardiner Italica Press

and Ronald G. Musto Italica Press

This book introduces readers to the impact of the digital on humanities research. Beginning with definitions and a brief historical survey of the humanities, it examines how humanists have been affected by the digital and

21

Loyola University, Chicago

A revealing account of how Nazi Germany manipulated and mobilized European literature, philosophy, art and music to support its ideological ends.

2015 229 x 152 mm 558pp 50 b/w illus.

978-1-107-52185-8 Paperback £19.99 / US$29.99 Also available 978-1-107-02049-8 Hardback £28.99 / US$39.99 For all formats available, see

www.cambridge.org/9781107521858

Visit our website at www.cambridge.org/academic

22

Also of interest Available Open Access

Open Access and the Humanities Contexts, Controversies and the Future Martin Paul Eve University of Lincoln

A full account of the changes in scholarly communication in the digital age. This title is also available as open access via Cambridge Books Online.

2014 216 x 138 mm 226pp 6 b/w illus. 1 table 978-1-107-09789-6 Hardback £30.00 / US$50.00 978-1-107-48401-6 Paperback £12.99 / US$19.99 For all formats available, see

www.cambridge.org/9781107097896

Highlight

The Cambridge Companion to Jewish Music Edited by Joshua S. Walden The Johns Hopkins University

This Companion is a key resource for students, scholars, and everyone with an interest in the global history of Jewish music. Chapters by international experts offer an accessible overview of key topics from the biblical era to the present day.

Cambridge Companions to Music

2015 247 x 174 mm 306pp 1 b/w illus. 20 music examples 978-1-107-02345-1 Hardback £54.99 / US$89.99 978-1-107-62375-0 Paperback £19.99 / US$29.99 For all formats available, see

www.cambridge.org/9781107023451

Index A

D

Adelson, Robert.....................................13

Damschroder, David.......................... 12, 13 Dance and Drama in French Baroque Opera....................................................3 Deeming, Helen........................................6 DeFord, Ruth I..........................................6 Dennis, David B......................................21 Digital Humanities, The...........................21 Dubois, Pierre.........................................11

B Bach........................................................8 Bach’s Numbers.....................................10 Bain, Jennifer...........................................5 Barker, Andrew.......................................20 Barthel, Laure.........................................13 Beard, David..........................................18 Becker, Tobias.........................................16 Becoming Heinrich Schenker...................16 Beech, Nic................................................1 Bloechl, Olivia..........................................1 Boss, Jack..............................................20 Brahms in the Home and the Concert Hall.....................................................14 Bribitzer-Stull, Matthew............................3 British Musical Modernism.....................19 Burrows, Donald................................. 9, 10 Busse Berger, Anna Maria.........................7 Byrne Bodley, Lorraine............................12

C Cambridge Companion to Duke Ellington, The......................................17 Cambridge Companion to Film Music, The.....................................................16 Cambridge Companion to French Music, The.......................................................3 Cambridge Companion to Hip-Hop, The..17 Cambridge Companion to Jewish Music, The.....................................................22 Cambridge Companion to Percussion, The.2 Cambridge Companion to the SingerSongwriter, The....................................17 Cambridge History of Fifteenth-Century Music, The.............................................7 Campana, Alessandra...............................4 Campbell, Edward..................................18 Cline, David............................................18 Coelho, Victor...........................................5 Coffey, Helen...................................... 9, 10 Cooke, Mervyn.......................................16

23

E Emmerson, Simon..................................15 Eve, Martin Paul.....................................22 Expanding the Horizon of Electroacoustic Music Analysis.............15

F Ford, Fiona.............................................16 Foreign Opera at the London Playhouses...4 Foussard, Michel....................................13 Frauenliebe und Leben...........................14 French Music and Jazz in Conversation...20 Fuhrmann, Christina.................................4

G Gardiner, Eileen......................................21 George Frideric Handel....................... 9, 10 Gilliam, Bryan...........................................4 Gilmore, Charlotte....................................1 Gloag, Kenneth......................................18 Graph Music of Morton Feldman, The.....18 Green, Edward.......................................17 Greenacombe, John............................ 9, 10 Guitar in Tudor England, The.....................7 Guldbrandsen, Erling E...........................19 Gustav Mahler’s Symphonic Landscapes.13

H Hallmark, Rufus......................................14 Hamilton, Katy.......................................14 Handel on the Stage.................................3 Harmony in Beethoven...........................12 Harmony in Chopin................................13 Harris-Warrick, Rebecca............................3

For regular email alerts visit www.cambridge.org/alerts

24

Index Harrison Birtwistle Studies......................18 Hartenberger, Russell.......................... 2, 18 Henson, Karen..........................................4 Heyer, John Hajdu.....................................8 Hicks, Anthony................................... 9, 10 Hildegard of Bingen and Musical Reception..............................................5 History of the Erard Piano and Harp in Letters and Documents, 1785–1959, The.....................................................13 Horton, Julian.........................................12

I Inhumanities..........................................21 Instrumentalists and Renaissance Culture, 1420–1600..............................5

J Johnson, Julian.......................................19 Jones, Nicholas.......................................18

K Kallberg, Jeffrey........................................1 Keefe, Simon P........................................11 Kilpatrick, Emily........................................5 Kimbell, David..........................................3 Klorman, Edward......................................8 Kregor, Jonathan....................................14

L Landy, Leigh...........................................15 Leach, Elizabeth Eva.................................6 Linton, David..........................................16 Locke, Ralph P........................................11 Loges, Natasha.......................................14 Lowe, Melanie..........................................1 Luigi Nono.............................................19 Lure and Legacy of Music at Versailles, The.......................................................8

Making of Liturgy in the Ottonian Church, The...........................................6 Manual of Musical Instrument Conservation, The..................................1 Manuscripts and Medieval Song...............6 Marcus, Kenneth H.................................15 Maurey, Yossi...........................................6 Mawer, Deborah.....................................20 McCormick, Lisa.......................................2 Medieval Music, Legend, and the Cult of St Martin...............................................6 Monstrous New Art, The...........................7 Morgan, Robert P...................................16 Mozart Studies 2....................................11 Mozart’s Music of Friends.........................8 Mozart’s Requiem..................................11 Music and Riddle Culture in the Renaissance..........................................5 Music and the Exotic from the Renaissance to Mozart........................11 Music in the Georgian Novel...................11 Music Sketches.........................................2 Musical Witness and Holocaust Representation....................................20 Musicology of Record Production, The.....16 Musto, Ronald G.....................................21

N Nex, Jenny.............................................13 Nielinger-Vakil, Carola............................19

O O’Hagan, Peter.......................................18 Open Access and the Humanities............22 Opera Acts...............................................4 Opera and Modern Spectatorship in Late Nineteenth-Century Italy........................4 Operas of Maurice Ravel, The....................5 Organising Music.....................................1 Other Worlds of Hector Berlioz, The.........14

M

P

MacAuslan, John....................................12

Page, Christopher.....................................7 Parkes, Henry...........................................6

Index Peattie, Thomas......................................13 Performance Practice in the Music of Steve Reich.........................................18 Performing Civility....................................2 Pierre Boulez Studies..............................18 Platt, Len...............................................16 Polk, Keith................................................5 Pollens, Stewart........................................1 Popular Musical Theatre in London and Berlin..................................................16 Porphyry’s Commentary on Ptolemy’s Harmonics...........................................20 Program Music.......................................14

R Rethinking Difference in Music Scholarship............................................1 Rodin, Jesse.............................................7 Roudier, Alain.........................................13 Rounding Wagner’s Mountain..................4 Rupprecht, Philip....................................19

S Sallis, Friedemann.....................................2 Schiltz, Katelijne.......................................5 Schoenberg and Hollywood Modernism..15 Schoenberg’s Twelve-Tone Music............20 Schubert’s Late Music.............................12

25

Schumann’s Music and E. T. A. Hoffmann’s Fiction...............................12 Summers, Tim.........................................15

T Tactus, Mensuration and Rhythm in Renaissance Music................................6 Tatlow, Ruth...........................................10 Transformations of Musical Modernism...19 Trezise, Simon..........................................3

U Understanding the Leitmotif.....................3 Understanding Video Game Music..........15

V van Rij, Inge...........................................14

W Walden, Joshua S...................................22 Williams, Justin A...................................17 Williams, Katherine................................17 Williams, Peter.........................................8 Wlodarski, Amy Lynn..............................20

Z Zagorski-Thomas, Simon.........................16 Zayaruznaya, Anna...................................7

eBooks available at www.cambridge.org/ebookstore

26

Notes

FAO: Acquisitions Librarian LIBRARY RECOMMENDATION FORM I would like to recommend the following titles/online products published by Cambridge University Press for the library ISBN

Author

Title

_________________

__________________

_________________________

_________________

__________________

_________________________

_________________

__________________

_________________________

_________________

__________________

_________________________

_________________

__________________

_________________________

_________________

__________________

_________________________

_________________

__________________

_________________________

_________________

__________________

_________________________

_________________

__________________

_________________________

_________________

__________________

_________________________

_________________

__________________

_________________________

_________________

__________________

_________________________

Name

Position

Department

Date

Signature

"

Please pass this form to your librarian

FAO: Acquisitions Librarian

Cambridge University Press Bookshop

Customer Services

Cambridge University Press Bookshop occupies the historic site of 1 Trinity Street, Cambridge CB2 1SZ, where the complete range of titles is on sale.

Bookshop Manager: Cathy Ashbee Phone + 44 (0)1223 333333 Fax + 44 (0)1223 332954 Email bookshop@cambridge.org

Booksellers For customer service, please contact: UK, Europe - internationaltrade2@cambridge.org Middle East, North Africa & Japan - internationaltrade1@cambridge.org North America - customer_service@cambridge.org Central & South America, Caribbean - internationalorders@cambridge.org Asia - asia@cambridge.org Account-holding booksellers can order online at www.PubEasy.com

Cambridge University Press Around the World Cambridge University Press has offices, representatives and distributors in some 60 countries around the world; our publications are available through bookshops in virtually every country.

United Kingdom and Ireland

The Americas

Academic Sales Department Cambridge University Press, University Printing House, Cambridge CB2 8BS, UK Email academicsales@cambridge.org Web www.cambridge.org/emea

North, Central, South America and Caribbean Cambridge University Press 32 Avenue of the Americas, New York, NY 10013-2473, USA Phone + 1 212 924 3900 Fax + 1 212 691 3239 Email customer_service@cambridge.org Web www.cambridge.org

Europe (excluding Iberia), Middle East and North Africa Academic Sales Department Cambridge University Press, University Printing House, Cambridge CB2 8BS, UK Email academicsales@cambridge.org Web www.cambridge.org/emea

Iberia Cambridge University Press Iberian Branch Basílica 17, 1º-, 28020 Madrid, Spain Phone + 34 91 360 46 06 Fax + 34 91 360 45 70 Email iberia@cambridge.org Web www.cambridge.org/emea

Asia 79 Anson Road Unit #06-04/06 Singapore 079906 Phone + 65 6323 2701 Fax + 65 6323 2370 Email singapore@cambridge.org Web www.cambridge.org/asia

Sub-Saharan Africa and English-speaking Caribbean Cambridge University Press African Branch Lower Ground Floor, Nautica Building, The Water Club, Beach Road, Granger Bay – 8005, Cape Town, South Africa Phone + 27 21 412 7800 Fax + 27 21 419 8418 Email information@cambridge.org Web www.cambridge.org/africa

Australia and New Zealand Cambridge University Press Australian Branch 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Phone +61 3 8671 1411 Fax +61 3 9676 9966 Email info@cambridge.edu.au Web www.cambridge.org/aus

Institutional ebook access If you’re interested in institution-wide access to ebooks, or other Cambridge digital publications, please contact online@cambridge.org in the Americas or library.sales@cambridge.org in the rest of the world.

Connect with our Authors

Join in the conversation

Read exclusive articles and interviews

www.cambridgeblog.org How to order books In the UK, Europe and rest of the world:

Further information Please contact information@cambridge.org

www.cambridge.org/music2016

Inspection Copies

+44 (0)1223 325566

Please order your inspection copies by visiting www.cambridge.org/textbooks

internationaltrade2@cambridge.org In the Americas: www.cambridge.org/music2016 +1 212 924 3900 customer_service@cambridge.org

EBooks For individuals: you can find information about ebook availability for Cambridge publications at www.cambridge.org/music2016 For institutions: Cambridge publications are also available for institutional purchase as online collections and packages.

Visit www.universitypublishingonline.org/list

If you experience problems with ordering your inspection copy via our website, or have any questions, please contact our Customer Services team at internationaltrade2@cambridge.org or on +44 (0)1223 325566 Our inspection copy policy • Inspection copies are available to lecturers who regard the textbook as potentially suitable for adoption • We will only supply inspection copies to a campus address • We will only process requests which contain a complete university or college address and course information • Books not yet published will be sent in the month of publication • Inspection copies are sent at the discretion of Cambridge University Press and we reserve the right to decline requests without explanation

Review enquiries For further information please email reviewcopy@cambridge.org

Press and media enquiries For further information please visit www.cambridge.org/academic/journalist

Translation Rights For enquiries regarding translation rights, please contact foreignrights@cambridge.org

Book proposals For information about submitting book proposals, please visit www.cambridge.org/proposals

Pricing and availability Prices are correct at time of going to press but are subject to alteration without notice. Publication dates indicate anticipated first publication date, but are subject to alteration without notice and may differ by country.

A world of learning and research inspired

by Cambridge At Cambridge University Press, our mission is to unlock people’s potential with the best learning and research solutions. Our success is driven by academic pedigree, innovation, unparalleled editorial experience and quality production processes.

Do you want to publish with us?

If you are thinking about getting your research published, we want to hear from you.

• You will join a distinguished group of authors, including over 60 Nobel Prize Laureates, whose work has helped to shape the world we live in today.

• With over 30,000 ebooks available we are proud of our digital publishing, and we can offer you the best combination of print and digital formats for your publication.

• We draw on a range of marketing methods, including social media, e-marketing, author videos, and book trailers to promote titles across the world.

• You will have access to Author Hub, an online resource designed to help you connect with the wider academic community.

To find out more, go to cambridge.org/getpublished

We further the mission of the University of Cambridge by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence.

Printed in the United Kingdom, 2016.