PORTFOLIO CALINA MIRUNA MANISOR
2019
CV
calina miruna manisor I am a dedicated young architect seeking to work in an environment that pushes the current limits of my abilities and provides me with the chance to pursue my career ambitions and architectural beliefs. As a result of my multicultural background, my experience recommends me as an empathetic person, while my personality provides a perpetual resource of energy and ambition.
date of birth: 17/07/1991 address: nørrebrogade 1, 4th, kbv e-mail: calimanisor@gmail.com tel. no.: 0045 / 81 94 10 12 https://designbycm.org
SKILLS 92%
85%
95%
95%
95%
60%
60%
85%
AutoCad
AutoCad Map
Adobe Illustrator
Adobe InDesign
Adobe Photoshop
Be10 BSim
GrassHopper
Model Making
45%
75%
75%
45%
100%
100%
60%
Revit
Rhino
SketchUP
V-Ray
Romanian
English
Danish
WORK EXPERIENCE 2019
FAOD, Copenhagen - Denmark // Board of Representatives Project Typology: Conduct Development Worked With: Logistics, Analysis
2019
SAGA Space Architects, Copenhagen - Denmark // Content Writer Project Typology: Writing, Social Media Worked With: Content Creation, Architectural Research
2017
CREO ARKITEKTER, Copenhagen - Denmark // Architect Project typology: Competition, Local Commissions, Developer Projects Worked with: CAD, Detailed Design, Outline Design
2017
Force4 Arkitekter, Copenhagen - Denmark // Architecture Intern Project typology: Local Commissions, Worked with: CAD, Detailed Design, Outline Design
2016
Polyform Arkitekter, Copenhagen - Denmark // Architecture Intern Project typology: Architecture Competitions in Denmark, Masterplaning in Denmark; Worked with: CAD, Model making, Presentation, Research
2015
Utzon Centre, Aalborg - Denmark // Exhibition Architect Project typology: Exhibition Design; Worked with: Editorial Design, Exhibition Design, Presentation, Survey
2014
Re-Act Now Studio, Bucharest - Romania // Junior Architect Project typology: Architecture Competitions in Romania, Hungary; Local Commissions; Worked with: Acquisitions, Branding; CAD, Furniture Design, Interior Design, Management, Presentation, Site Surveying
2013
PZP Architectura, Bucharest - Romania // Junior Architect Project typology: Architecture Competitions in Romania; Local Commissions; Worked with: CAD, Interior Design; Management, Presentation, Research
2013
CadMaster, Tirgu Mures - Romania // Assistant Land Surveyor Project typology: Local Commissions; Worked with: CAD: Site Survey, AutoCAD, AutoCAD Map, Excel
COMPETITIONS AND RELEVANT EXPERIENCE 2016
House of Grief Memorial for Colectiv Tragedy, Architecture Competition, Bucharest-Romania // Individual Entry Result: HONORABLE MENTION; Worked with: Concept Design, Urban and Architectural Research
2016
Green Space Design for Super High Rise Building, Architecture Competition, Chong Qing-China // Team Entry Result: THIRD PLACE; Worked with: Detail Design, Urban and Architectural Research
2015
Sewing a Small Town, On Site Restoration Project // Junior Architect Worked with: Architecture, Restoration, Urban Design
2014
The Reciprocalizer, Parametric Design Workshop, Aalborg - Denmark // Design Team Worked with: Detailed Design, Innovative Building Techniques
2014
A Place to Ascend, Detail Design Workshop, Aalborg - Denmark // Design Team Worked with: Detailed Design, Carpeting
2011 - 2012
Article 25, Lincoln - United Kingdom // Vice President and Events Officer Research, Architecture and Construction-Related Event Organizing, Fundraising
EDUCATION 2014 - 2016
Aalborg University, Aalborg - Denmark MSc [Cand. Scient. Tech.] Architecture and Design - Graduated
2010 - 2013
University of Lincoln, Lincoln - United Kingdom Ba [Hons] Architecture, RIBA - Graduated with First Class Distinction
2006 - 2010
‘Unirea’ National High School, Targu Mures - Romania Majored in Mathematics, Physics and Programming - Graduated with Baccalaureate Average of 9.55 out of 10
ADDITIONAL TRAINING 2014
Built Heritage Conservation Training_Training // Participant On-Site Construction Experience, Stonemasonry Restoration
2012
Hill Holt Wood Eco Design and Architecture_Short Course // Participant On-Site Construction Experience, Sustainable Construction
TRANSFERABLE SKILLS 2019
TEDx, Copenhagen - Denmark // Head of Logistics Developed skills: Logistics, Organisation, Book Keeping
2018 - Onwards
Design By CM, Copenhagen - Denmark // Owner Developed skills: Branding, Advertising, Graphic Design, Social Media
2017 - 2018
Creative Mornings, Copenhagen - Denmark // Communication Officer Developed skills: Editorial Design, Branding, Advertising
2012 - Onwards 2013 - 2015
Calimanisor.wordpress.com // Blogger Developed skills: Editorial Design, Writing [over 2000 readers] Trick Track Records, Rotterdam - The Netherlands // Design Associate Developed skills: Branding, Illustration
2012
English Language Centre, University of Lincoln, United Kingdom // English Tutor Developed skills: Societal Awareness, Understanding of Different Cultures
2011
European Youth Parliament, Constanta, Romania // Delegate Developed skills: Teamwork, Leadership, Understanding of the International Environment
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SELECTED PROJECTS Ny Grønningen Glostrup Parish Senior Campus Nuuk Art Hub Hatlehol Parish
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NY GRØNNINGEN 2019 // Nursing Home // Tinglev, DENMARK // Competition // Team: Povilas Dumcius[Creo Arkitekter], Sebastian Beinhofer [Creo Arkitekter], Rytis Gelombickas [Creo Arkitekter], Vita Mogensen [Land Plus]
Through the proposal of the new elderly housing development in Tinglev, the municipality wished to insure a continuity in the life of the locals. Therefore, the nursing home will provide the cities’ eldest with a home placed in a familiar setting, providing them with the physical and familiar care. The Concept The location of the site is embedded in the collective memory of the locals through Queen Margarethe’s tree, Therefore, given the heritage of the site, the departing point for the project has been the integration of the park in the morphology of the project. By including the park, the project will offer not only a place for the residents of Ny Grønningen, but also a space for the residents of the city. From Vision to Form The form giving of the project has followed the function of the nursing home together with its technical aspects, as well as the function of the courtyards that which play an important social and psychological role for the residents and the visitors. cosiness clarity of functions nature
Hence, the venue has been divided into three clusters: two housing clusters and a social and administrative cluster. Each of the housing clusters is provided with a comment room in direct connection to the semi-public courtyards.
The social and administrative cluster however, is oriented towards the existing library and City Hall. By positioning the social quarters of the building in direct connection to another public building already existing on site, we create the opportunity of integrating a pedestrian boulevard between the two, a space for social interaction and outdoor activities. By having a contract between public and private spacial opportunities, residents will have the chance to choose the degree to which they want to participate in the social life of the city. Personal Involvement The project has been the result of 6 weeks of intensive labor, between a small group consisting of a partner, two architects and an intern. The delivery material took the form of a booklet and presentation boards, which included technical drawings of the project, renders, as well as an outline of the technical solutions presented in the project. Throughout the project, I have played the role of a project leader, together with the partner in charge. I have maintained the communication with the rendering team, the landscape team and the engineering team, while also conduction the quality control and the scheduling of the project. Nonetheless, I have also played an active role in the project development, from concept contouring to graphic presentation.
NY GRØNNINGEN
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ground floor plan ground floor plan
the morphology of the plan establishes a connection between the existing park with the housing units, as well as a plaza between the city hall and the administrative building
activity pockets have been scattered around the site, in order to create opportunities for different types of activities for both the residents of the city and the residents of the nursing home
parking has been kept outside the site, leaving the grounds of the nursing home open for pedestrian activities
NY GRĂ˜NNINGEN
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As mentioned before, the morphology of the floorplan creates outdoor spaces of different sizes, making room for a variety of outdoor activities and opportunities.
The materiality is moreover used in defining the different function of the buildings comprised in the complex.
The green outdoor environment is brought into the building through large windows facing the inner gardens, as well as green walls placed throughout the common facilities of the nursing home.
Functionally, the nursing home is divided in 2 areas: an administrative building that houses common facilities such as a cafe, a training center and the staff areas, and a housing area comprised of two clusters.
The building takes reference to the surroundings by carrying the geometry of the neighboring buildings. Therefore, the gable roof acts as a connector, grounding the new establishment in the existing environment.
Each of the two clusters contains 12 apartment units with adjacent common facilities. The individual apartments are generous in size, with features that propose and make way for an intimate and personalized environment in the living areas.
The materiality of the building carries the narrative of the relationship between the existing and the new, while at the same time proposes a new material that contributes to the coziness of the home. Hence, brick is used in order to appeal to the collective memory of the site, while the elements of timber help in bringing a warmth home-like feeling to the living units.
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NY GRĂ˜NNINGEN
Nonetheless, each housing unit opens directly to the outside area through a generous terrace. The floor to ceiling windows bring abundant light into the room, while the overhang provides shelter from the rain.
NY GRØNNINGEN
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GLOSTRUP PARISH 2018 // Church Parish // Glostrup, DENMARK // Competition // Team: Povilas Dumcius[Creo Arkitekter], Jakob Jakobsen [Creo Arkitekter], Jes Johansen [Creo Arkitekter], Katrine Brandt [Thing Brandt Landskab]
In architectural history, the task of designing a church and its parish has been one of the most prestigious project an architect can undertake. Today, this task faces the challenge of a society undergoing fundamental changes in it’s core values. Therefore, society today places the church’s function at the intersection between spiritual life and the community. The Concept Our task for this project was to design the Parish for an existing church in Glostrup, a landmark for the city that dates back to the 11th century. The Parish should at the same house both administrative and gardening functions, but also act as an active meeting space for the local community. From Vision to Form To dwell on the idea of achieving a narrative between the city and the parish, outdoor as well as indoor spaces were considered. In this sense, the entrance to the parish has been oriented towards the city, By doing so, room was made for a space for interaction that joins together the parking, the entrance to the parish, and the entrance to the pathway that leads to the church. Regardless their intention once they reach the site, people will always pass through the plaza, making it an active element for the city. In order to ground the new complex in the collective memory of the locals, the materiality of the Parish is
derived from the materiality found on site. Therefore, the paving in the proposed landscape is a reference to the granite stones found in the cemetery wall. However, the modernity of the copper facades contrast the materiality of the church, but at the same time harmoniously blends into the colour palette of the surroundings. Moving towards the inside of the building, the transition between the inside and outside space is made dragging the granite stones that form the paving of the plazza are inside the foyer. Nonetheless, way finding has been another key element in the design of the parish, as the building houses both public and administrative functions. Therefore, the complex is comprised of two wings: a public and an administrative wing. The public functions are oriented towards the south bound street, taking over the entire public facade. On the other side of the building, the administrative functions have been placed on two floors, having a closer connection to the church both visually and physical. Personal Involvement My responsibilities for this project fell in the categories of concept design, project management and presentation.
GLOSTRUP PARISH
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Total Area
Public and Admin Functions
Orientation Towards the City and the Church
Space for Outdoor Public and Private Space
Atrium Connection
Roof Geometry
The morphology of the parish consists of two longitudinal buildings, slightly titled to follow the line of the church on the north, and that of the street, to the south, making room for a double floor connector space, placed between the two functions. The public wing of the building is a single floor space, with a raised ceiling that resembles the geometry of the church roof. This shape dwells upon the collective memory of society, by referencing a common housing typology for the Danish society: the bitched roof house. By using this geometry, the room will offer a feeling of cosiness and familiarity to the visitor, while at the same time house a potential for multi use due to the heightened centre of the rooms’ ceiling. Therefore, and adaptable space is created,
a space that offers the opportunity to cater to the needs of society. The administrative wing however, is divided in two floors, making maximum use of the space by using the total height of the building.
All together, the buildings stands as a humble yet attractive landmark for the city, providing both the Church and the locals with the spaces they need.
The two wings are tied together by e double height atrium that doubles up as a reception and a cafe. The building’s roof and facade in copper cladding provide a uniform and harmonious building in interaction with the Church, by continuing materiality found on site. The facades are designed to facilitate window openings towards the plaza, the green surroundings or the sky.
GLOSTRUP PARISH
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the double height of the room, together with the covering flat roof are a physical expression of the public role of the connecting atrium
although having double height, by pitching the roof the public wing of the parish becomes a cosy space suitable for multiple uses
the administrative wing makes use of the full height of the building by lowering the ceiling and introducing a new floor, therefore making distances between the administrative functions shorter
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GLOSTRUP PARISH
SENIOR CAMPUS 2018 // Residential // Copenhagen, DENMARK // Private Developer // Team: Anders KĂŚrgaard [Creo Arkitekter], Camilla Seidel [Creo Arkitekter], Jes Johansen [Creo Arkitekter], Veronika Knor [Creo Arkitekter]
The vision for Senior Campus is to create a habitat suitable for the lifestyle of active seniors. The Concept Our client had a clear vision about the principles that he would like to integrate in the project, both psychologically as well as architecturally. His inspiration were American precedence of similar dwellings. The American precedences took shape in tall residential towers, with a great number of social functions on the lower floors, and a well maintained service staff that attends to the inhabitant’s needs. However, when translating this idea into a Danish context, we needed to be aware not only of the local architectural traditions, but also the lifestyle and life habits of the danes. Thorough modern times, high rise architecture has been oftenly frowned upon by the Danish society. Moreover, the Danes pride themselves as being a community of people that cherish nature, and the outdoor environment. Therefore, key aspects such as: human scale nature light have become essential in shaping the concept. These elements, together with features such as connectivity and easy access have formed to core of the project. From Vision to Form Within the danish environment, the classic solution that solves the problem of connectivity: vertical staking, is not ideal, as keeping to a human scale is preferred.
Therefore we have transposed the vertical connectivity seen in our American references, into a horizontal one by placing all social functions on the ground floors. The connectivity has been maintained through a covered outdoor space, in this way integrating both what the client wanted - connectivity, and what the residents want - nature. Variety of apartment sizes, light orientation and green - natural elements have been main features for the architecture of our project. The variation in apartment sizes - which range from 80 sqm to 200 sqm - has shaped the vertical staking of our building. The bigger apartments have been placed on the ground floors. On these, smaller apartments have been gradually stacked. By using this formula, the geometry gives the opportunity of placing large terraces for each apartment. Moreover, we have taken inspiration in urban walks around Copenhagen, to propose a natural route crossing the rooftop of one of the spiraled buildings. In this way, the building itself has become part of the outdoor experience. During the process of the project, I have not only worked on the project itself, but also maintained the client contact and contact with the landscape team. I have worked with concept development, detailed design as well as the management of the project. Nonetheless, I have developed new skills such as client communication, scheduling and budgeting.
SENIOR CAMPUS
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6th floor plan
SENIOR CAMPUS
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Type VI - 200 m2
Type V - 150 m2
Type IV - 130 m2
Type III - 110 m2
Type II - 100 m2
Type I - 87 m2
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SENIOR CAMPUS
SENIOR CAMPUS
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NUUK ART HUB 2016 //Exhibition Space and Art Hub // Nuuk, GREENLAND // Master Thesis // Group Project // Supervisors: Mads Dines Petersen, Peter Vilhem Nielsen
With its strategic location and the institution it houses, the proposal of the Art Hub triggers the start of a relevant discussion about how the future of the Greenlandic Culture will be shaped, and to what extent will local traditions be embraced in a modern development. ‘By creating ‘a view’, ‘a destination’ and ‘an event’ a platform opens up and reinvents itself as a place for cultural consumption in a novel way’. Therefore, Nuuk Art Hub carries its role in society by responding to the Inuit’s ambition of taking charge of their own future. This intention is achieved by accommodating the means through which the locals express their desire: art. The local artistic movement, as well as the intention of the Municipality to develop a new National Gallery for the city, are therefore brought together under one roof, establishing the function of the new proposal as a cultural event. Situated on the waterfront of the fjord, on raised ground, the topography proposes the site as emblematic for the city. The building is placed on the edge of the cliff, thus being perceived as a landmark not only at a sociocultural level, but also visually when seen from the waterfront. Although having a distinctive identity, the building becomes an integrated part of the natural scene by immersing into the ground and by having a humble composition when approached from the perspective of the street.
Perception of the Place The culminating point of the site’s narrative is materialized in the unique perspective visible from the top of the roof terrace. This vista is also expressed in the interior of the building, where the atrium frames the surrounding landscape and brings it within. A Platform for Knowledge The unique function of the Art Hub promotes knowledge through its three main programmes: the informative [National Gallery], the lucrative [the workshop spaces], as well as the educative [the classrooms]. Informed Building In a discussion with local base engineering and architecture practices, the practice of unsuitable building strategies has been pointed out. This is due to the unavailability of local resources, making it expensive to acquire the necessarily material. However, the building strategy maintained throughout the project has shown that sustainable building in the given context is indeed plausible. Through passive strategies and the implementation of active strategies such as geothermal energy and solar panels, the building meets 2015 goals, and the possibility for reaching Zero Energy Consumption during summer months is a reality. Personal Involvement By working in a two person group, both members have been able to participate in all project related tasks. However, my role has focused on the architectural premise of the project, while my colleague has focused on technical details.
NUUK ART HUB
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Compact - Energy CompactVolume volume -EnergyEfficiency efficiency
Two Functional Divisions
Two funktional types
Relationship To Housing Blocks and Family Houses Relation to housing blocks and one family houses
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Concealed Terrain - Less Heat Loss Diggedindown - Less heat loss
Tilting of Facade Brings Light Deeper Within Sloped facade - Daylight deeper in to building
Inviting entrance Inviting Entrance
Conceptual Apogee of the Narrative - The View View from roof
Atrium Defining and Facilitating Define two Zones areas in the building Light and let light in Infiltration
Circulation core Through Circulation Core Clear Circulation Defined
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Sloping According to Regulations Roof slope - Prevents too big snow load
Exhibition Spaces oriented Facing North - No Direct Light Exhibition north -no daylight
Windowsonaccording to passive Openings Facade - Passive Heatheat Gaingain
NUUK ART HUB
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NUUK ART HUB
PV
Passive Solar Gain Internal Shading Natural Ventilation
Demand Controlled Ventilation Floor Heating
Ellectricity Grid Connection Mechanical Ventilation + Heat Recovery
Heat Pump
Pipes for Heat Pump
NUUK ART HUB
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Turfed Roof
Public Quarters
Museum Galleries
Art Hub - Classrooms
°C
Classroom Exhibition
Museum Galleries
Hours/year > 26 °C =0
RH
Art Hub - Workshops CO 2
Max CO2 =739
Mean RH =49,2
Hours/year > 27 °C =0 Top mean (°C) =19,9 Hours/year > 26 °C =0
Atrium Walls Max CO2 =746
Mean RH =31,6
Hours/year > 27 °C =0 Top mean (°C) =19,9
Max hours >26 °C =100
Max hours >27 °C
Max CO2 - level = 900 ppm
Rel hum 45-55 % +/-5% per 24 hours
Main Building
=25
KW/m²/Year = 40,2
PV’s Contribut. KW/m²/Year = 8,0
Max energy consomption, Energy frame 2015 = 41,4 KW/m²/Year
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NUUK ART HUB
Heat pump Contribut. KW/m²/Year = 21,4
HATLEHOL PARISH 2014 // Church // Alesund, NORWAY // University Project // Group: David Drazil, Helle Toft, Nadia SkĂŚrgaard, Pavlina Svedlakova// Supervisor: Claus Kristensen, Dario Parigi
By dwelling upon a tectonic approach, the proposal for the Hatlehol Parish, harmoniously merges the construing with the constructed aspect of architecture. The point of departure in the design process has been the formulation of the desired gestures of invitation, safety and ascendance, gestures that strongly influence the architecture of the proposal throughout all design stages. The Concept In an effort to achieve the initial social and architectural goals, a holistic approach was proposed. The approach emphasises on both the technical and the architectural aspects, while experimenting with a great number of analyses regarding statics, acoustics, lighting, as well as human perception have been made. Nordic design has been highly emphasised in all architectural and technical considerations. The Church is desired to work as a landmark, while at the same time relate to the human scale, a key feature of Nordic Architecture. From Form to Function A study of the phenomenological interpretation of various buildings heights and their perception from the human perspective has been an important driver in the initial design stage. Moreover, an analysis of distances between building volumes is considered. Hence, the
volumetric composition is rendered in accordance to the human scale and human perception. Moreover, the proposed structural system is a synthesis between load bearing systems analysed in the preliminary stage. The chosen system consists of two structural parts which cooperate and mutually eliminate their weak features. The problematic of acoustics was taken into consideration in the development of the geometry of the Church Room. During the analysis, various iterations of the wall and roof configurations have been tested, the most efficient proving to be that of the fractured surfaces which help in breaking the continuity of the convex curvature of the outer wall. Conclusively, the end result is a structure which supports the concept and gestures, as well as the dynamic movement through facade fragmentation. This fragmentation permits light infiltration into the church room and positively influences the acoustics of the geometry. Personal Involvement In the project, I have worked with the parametric design of the structural system, and the design of the Church complex. At a delivery level, I have done sections, elevations, diagrams and floorplans.
HATLEHOL PARISH
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1_three volumes, three functions
2_connection to the peak point
3_gesture of safety
4_sun to the courtyard
5_protection from wind
6_one origin for geometry
7_relation to human scale in courtyard
8_landmark from outside
9_movement towards ascending
10_complex connected through roof
11_framing views from courtyard
12_relationship to points of interest
13_inviting gesture to the complex
14_circulation in the courtyard
15_important functions at high ends
16_ light, acoustic, structure
HATLEHOL PARISH
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Architectural Intention The proposed site has an area of approximately 18770 square meters. To the East, the site opens up towards the cemetery, the North vista frames a view of the surrounding mountains, while from the South-West the complex can be perceived as a small residential area.
complex, therefore better access from the bus stops shall be provided.
stage. The chosen system consists of two structural parts which cooperate and mutually eliminate their weak features.
A main road frames the Northern boundary of the site providing several possibilities for access. Moreover, the boundary towards the West is given by a narrow water stream. The natural landscape of the site proposes a peak point, which has been integrated in the new proposal as will be used as a stage for outdoor ceremonies and events.
Moreover, the Church is desired to work as a landmark, while at the same time relate to the human scale, a key feature of Nordic Architecture. Hence, a study of the phenomenological interpretation of various buildings and their heights is provided in order to understand the relation to the human scale. With consideration to the interior of the Church room, the height is designed to inspire a feeling ascendency towards divinity. This design intention is not only materialized in the interior of the Church room, but also shapes the geometry of the complex.
Therefore, glue laminated timber frames are arrayed along the outline curve of the building. Dwelling upon a honest approach on the structural solution as to reflect Northern traditions, the frames serve as the primary load bearing system.
As a result of the analysis of the given location, as well as taking into consideration the requirements given in the brief, the existing parking lots are not sufficient for the new
Structural System The final proposal for the structural system is a synthesis between load bearing systems analysed in the preliminary
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HATLEHOL PARISH
In addition, rigid joints are designed as a solution for the frame lateral stability in plane. These segments open the facade towards the exterior and emphasize the dynamic ascending movement along the focal point of the complex, hence playing an important role not only in the structure of the building, but also for its architectural intention.
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8 1. Main Chapel 2. Sacristies 3. Church Entrance Hall 4. Children’s Chapel 5. Secondary Chapel
6. Activity Rooms 7. Reception Hall 8. Offices 9. Congregational Hall
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HATLEHOL PARISH
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Geometry - emphasising the feeling of ascendance
Rigid Frames - glue laminated timber simplified model for calculation
Various Sections of Frames static reasons, light infiltration, ascendance
Structural Insulated panels - 3d stability, no buckling, thermal insulation
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HATLEHOL PARISH
HATLEHOL PARISH
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PROJECT LIST A Walk of Remembrance Anemone Billund Amusement Park Vestamager Swimming Hall Paper Island . Halls for the City Generations Campus The Queens Holiday Village RugĂĽrdsvej
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A WALK OF REMEMBRANCE Bucharest, Romania Individual Project // Competition Entry- Honorable Mention
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PROJECT LIST
ANEMONE Chongquing, China Group Project // Competition Entry - 3rd Prize
PROJECT LIST
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BILLUND AMUSEMENT PARK Billund, Denmark Creo Arkitekter // Local Plan // Development Project
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PROJECT LIST
VESTAMAGER SWIMMING HALL Copenhagen, Denmark Creo Arkitekter // Competition Entry - 2nd Prize
PROJECT LIST
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PAPER ISLAND . HALLS FOR THE CITY Copenhagen, Denmark Polyform Arkitekter // Copetition
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PROJECT LIST
GENERATIONS CAMPUS Lyngby, Denmark Creo Arkitekter // Commissioned Project
PROJECT LIST
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THE QUEENS HOLIDAY VILLAGE Grenaa, Denmark Creo Arkitekter // Competition Entry
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PROJECT LIST
RUGÃ…RDSVEJ Odense, Denmark Creo Arkitekter // Built Project // Landscaping
PROJECT LIST
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GRAPHIC DESIGN Nano Pro Construction Third Option Rockha - Sustainable Living Design By CM
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NANO PRO CONSTRUCTION Targu Mures, Romania Land Surveying Company // Branding and Logo Design
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GRAPHIC DESIGN
THIRD OPTION Copenhagen, Denmark Production Company// Logo Design
GRAPHIC DESIGN
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ROCKHA NOTEBOOKS Bucharest, Romania Sustainable Printing Company // Cover Design
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GRAPHIC DESIGN
DESIGN BY CM Copenhagen, Denmark Ownner // Freelance Design
GRAPHIC DESIGN
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