CharacteristicsInterpenetrationthetheSumSumDesireIn-n-OutContentsofSleepingofDesiresofSpeedsHiddenGridLineEdgeofReality 1161029076604622021
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In this period that I opened myself up, re-examined myself through the way others saw me, looked carefully at the things around me and accepting all possibilities. I think it's about constantly putting myself in and out, looking back and forth at me and my works. These works are the proof of my existence and at the same time, they define who I really am.
Many sources of these creation are about the question of who I am and where my limits are.
In-n-OutInstructor:
These are the output of a series of self-digging and digestion.
Han-Yu PAO
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The exhibition includes 10,000 words of self-defined writings and toolboxes from all team members. HUANG, CHIA-LE / LIN, JU-YI / YANG,YUN / CHANG,CHI / HUNG,YIN-TUNG / WANG,WEI-TSE / CHANG,CHENG-CHI / HSU, CHIA-WEN / KUAN, CHIA-YING / HUANG, WAN-LING Crossing on the Endless Meadow Medium / paper, nylon rope Size / atrium of 5-7 floors of Shih Chien University, College of Design 5
It can contain three layers of pen holders and a small ink tank. The yarn-covered one-piece handle is for easy carrying. Toolbox Medium / cardboard, yarn Size / 30 x 10 x 12 cm 6
Close-up of my work in the exhibition Details of my dip pens and toolbox. Dip pen Medium / mixed media Size / 2 x 20 cm for each7
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Through a 48 cm red line drawn on my body, from throat to belly, I interact with it in a photographic way and regard it as a section line. Recreated in ink wash painting by lofting on paper. Red Line on Me Medium / ink wash Size / 110 x 80 cm Twisted Red Line Medium / digital print Size / 24 x 16mm APS-C 9
In in
the same position every time, a line drawing aid tool is Throughmade.the material properties of the plaster bandage, it get close to the shape of my skin, so that I can draw the red line in the same position every time. Line Drawing Aid Tool Medium / plaster bandage Size / 60 x 15 x 8 cm 10
order to ensure that the 48 cm red line that appears on the body is
The red line on my body is extended to the red line on the floor of my house, which can be continued as a section line in the space. Red Line on Me on the Ground Medium / red type, photography Size / 280 x 360 cm 11
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Randomly draw a line with an actual length of 4.8 kilometers on the map of Penghu. Take a flight from Taichung to Penghu, find the starting point of the line, walk on foot, and record sceneries along the way.
Memories of Peng Hu Medium / fujifilm c200 Size / 24 x 36 mm 13
Fragmented and collaged Memories of Peng Hu and Twisted Red Line on the wall and covered with tracing paper. Through the pencil, follow the lines that under the tracing paper and create a drwaing with a sense of space. Collage of Memories Medium / pencil sketch Size / 585 x 244 cm 14
Idustias ea acepudis que pre eost il ipsus pa si beatinciet, eum faccum cori dolum de arupta corendi arum erum inullautem nestias volupis eos parupta tiatur? Collage of Memories (close up) Medium / pencil sketch Size / 10 x 12 cm 15
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Limit of 22 x 22 x 6 cm. Each volume is produced according to the previous, it allows the latter to attach. Volumes are tightly clasped to each other and the 66 is inseparable as one. The results of positive or negative spaces that previous volumes made, it may be expected or just by purely accident, but these spaces left more possibilities for the rest of the volumes. By You Medium / Size
Stand
cardboard
/ 22 x 22 x 6 cm17
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Stand By You Hand Drawings Medium / pencil sketch Size / 15 x 30 cm for each19
Since no side is set as the front, it can be called as any side, it is dependind on how the viewer sees. It may have different ideas from various aspects and there is no need to be constrained by the way that we uasually see. Because of the certain rules, the primary body may be limited. Although there is not really a frame, such rules also create a hidden order for the whole and the relationship between each volume is full of imagination.
Stand By You (with material) Medium / cardboard, wood, concrete Size / 22 x 22 x 6 cm 20
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Among 66 volumes, firts seven pieces can be called the main subject, the latter seems to be attached to it, just like a city, different systems are generated in order of it. Each volumes generated in an absolute order and it must be untied according to the sequence, it can't be disassembled from the middle. This model has a certain logic, so it is not only necessary to think carefully during this period but the model making must also have logical infer to meet the right size and the absolute order.
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InstructorofDesireSleeping:
Different sleeping postures and angles are reflecting to the shape and the space when they are displayed.
In my opinion, it must reach a balance between physical and mental when sleeping, if which one reaches the maximum but not satisfied, sleep becomes a desire.
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Chao-Ming LU Sometimes people takes lots of preparation trying to find a good posture to sleep, however, people may fall asleep without consciousness even with a uncomfortable one.
The desire of sleeping can be divided into many levels, it is a process of understanding and finding a condition that can fall asleep.Therefore, when the physical needs are low and the mental sleeping desires are high, various body postures can let us fall to sleep with spiritual peace.
This project is made from hard materials, it's not pursuing comfort, but looking for a shape that can balances both physical and Whilemental.changing each posture is the degree of the desire.
While sleeping, the body posture is constantly changing, the stretching during sleeping, the moving boundary between the body and the carrier, this is the expression of sleeping desire.
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Body So that the body can sleep softly, but not affected by the shape of the bed. How to sleep when lying, sitting, bending, leaning. This carrier is the extension of the body, where the body can rely on.
This carrier can be placed in any space, but it's better for someone to sleep on Letit.people in two and three attach to the carrier, sleep and feel exhaustion of the body, finally, dream together.
Prototypes of Sleeping Space
Desire Sleeping. How to find a place to sleep unsteady, disturbed and light. Let sleep not hiding ,but above board.
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The sleeping postures photographed at different locations are converted into model studies, which can be roughly divided into four categories.
Study of Postures
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the Carrier and My Body Analyze the posture relationship between the different units of the carrier and my body, and design appropriate curves, lengths and angles.
1 2 3 32
Unit Size ( cm ) 4 5 6 33
( Units ) Outdoor Wood OilPlywood 36 mm 34
Assembly Parts Diagram 10 mm Threaded Rod 1 to 50 35
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Materials Used 37
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Expansion of the Carrier ( cm ) 39
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Bo-Yang Lin
InstructorofSumDesires:
Between the 1.5 meter limit, the space of different functions has a sequence, the quiet space in the middle is a space between indoors and outdoors, it is a buffer zone for different desires. The dining room and the restroom indirectly contact with outside, they are the most direct source of contact with water, light and air besides the space in the middle.
Each space of different functions replaces the compartment with steps change, enhance the feeling of different spaces through the body movements of the upper and lower steps.
Located at section 2 of Zhongshan North Road and Section of Nanjing East Road, next to the Kangle Park.
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A buffer zone at the junction of Lust (Linsen North Road) and Calm (Recreational Park), a home for who wants to reduce libido, a residence that isolated from the outside world, only the high and low gaps of ceilings to exchange light, air and water. As the width of this house is only 1.5 meters, the body scale seems so important, the different size of the spaces implies the importance of desires except libido.
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Site Analysis 49
shrink 1 full parts heightinterpenetrate light / stepsair1 50
Developing Diagrams half parts entrancesteps2 51
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Site Plan N 1 2 5 m 53
Plan N 10.5 2 mA E BC'D' B'A'CD E' 54
Perspective Section Section and Details A - A' B - B' C - C' E - E' D - D' Detail 2 Detail 3 Detail 1 Detail 2Detail 1 Detail 3 in 55
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Exploded View / Elevation Formwork Plan 57
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Sum of Desires Model Medium / wood, concrete Scale / 1 : 20 Study Models Medium / cardboard Size / multiple sizes 59
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Yu-Chang LIANG
When we shoot long exposure, different size of object or speed cause different trajectories in frame. In this way, we can notice the huge difference between objects and showing the state of differences.
For me, in the city, the sense of speed is the most significant of urban perception.
The site is located at the second section of Zhongxiao East Road and the Xinsheng Viaduct, next to Huashan Cultural and Creative Park, in such flow of people and cars, different kind of speed are easily perceived. The extensions inside and outside of the space also leave real and imaginary interlaced, they generate collections, differences, and angles.Combine anyone of them, different speed sensations can be felt. When the scale is as large as the human body, how to arrange the body and visual experience into these spaces becomes a problem. Studying the state of the spatial composition of perception and the sensation of speed is the main goal.
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InstructorofSumSpeeds:
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Medium / digital Size / 24 x 16mm APS-C 63
The flow of speed is especially noticeable at the intersection of the city where heavy traffic meets. This feeling can be amplified by shooting with long exposures.
Flow of Speed
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Concept Models Medium / cardboard Size / mutiple sizes Spatial Model 1: 30 Medium / cardboard, foam board Size / 30 x 30 x 30 cm Spatial Model Drawing (exploded view) Medium / pencil Size / 39.4 x 54.6 cm 65
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Developing Models Medium / cardboard Size / mutiple sizes Sum of Speeds (isometric view) 67
3 Floor Plan 1 Floor Plan 1. black box theater 2. backstage 3. lobby 4. audience seating area 5. exhibition space 6. office 7. restroom 8. information center 9. 13.12.11.10.bookstorecoffeeshopgiftshopdancestudioaudiorecording studio 14. storage room 15. civic square 16. office pantry 17. elevator 18. staircase 1 4 4 3 8 17 14 15 18 18 5 5 12 16 9610 16 17 12 13 7 8 68
2 Floor Plan B1 Floor Plan 4 10 9 172 7 17 11 15 69
1. black box theater 2. backstage 3. lobby 4. audience seating area 5. exhibition space 6. office 7. restroom 8. information center 9. 13.12.11.10.bookstorecoffeeshopgiftshopdancestudioaudiorecording studio 14. storage room 15. civic square 16. office pantry 17. elevator 18. staircase 18 9 16 6 6 12 10 6 5 5 15 3 38 1 44 9 1210 1216 13 70
1 4 1195 10 7 66 4 15 18 1 6 9 10 5 71
squarecivic15. theaterboxblack1. studiodance12.office6. studiodance12. shopcoffee10.studiorecordingaudio13. pantryoffice16. bookstore9. 72
centerinformation8. areaseatingaudience4. areaseatingaudience4.theaterboxblack1.lobby3.spaceexhibition5. elevator17. staircase18. roomstorage14. 6.office centerinformation8. giftshop11.spaceexhibition5. backstage2. restroom7.restroom7. 73
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Sum of Speeds Model Medium / cardboard, pvc Scale / 1 : 150 75
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the InstructorGridHiddenLine:
Albert Ho
The Luye highland to the north is where the hot air balloons released. Tourists will take hot air balloons fly along the moutains in the Huadong Valley and fly all the way to the south.
Since there is no complete facilities for hot air balloon center, most tourists stay over in remote urban areas, thwy must take a ride to the base early in the morning to catch up with the best time for the hot air balloon. An integrated hot air balloon center nearby the base will help develop this industry. It mainly provides a series of service spaces for tourists in hot air balloons, it also provides accommodation for services, workers and maintenance space.
The site is located in Longtian Village, Luye Township, Taitung, south of Luye High Terrace and north of Longtian Lawn.
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Longtian Village was a chessboard-style street planning demonstration during the Japanese occupation. Residents developed along the streets, and this street system has been used till this day. By using the controlled terrain height difference, the matrix design of the buildings and the relationship formed between each other, this kind of experience can be continued since the street to this site.
LobbyHotel + Shop + Briefing Room + Dining Room Staff FactoryRecidence+Office + Machine Room 78
Diagrams 79
Front view Back view 15Nm105 15Sm105 80
+ 4.5 m plan + 9 m Plan 15Nm105 15Nm105 1. hotel 2. dining room 3. kitchen 4. briefing room 5. shop 6. office 7. staff residence 8. staff bathroom 9. 10.factorymachine room 11. lobby 12. restroom 13. bedroom 14. livingroom 15. elevator 16. shallow pool 17. stairs 18. parking space 7 7 8 8 1 16 16 17 17 17 17 17 2 3 15 14 1 14 1414141414 1414 14 5 4 5 6 189 1115 10 81
4. briefing room 5. shop 9. factory 2. dining room 6. 10.officemachine room 3. 11.kitchenlobby 82
Sectoin 1 Sectoin 2 5 m 5 m22117. staff14.14.13.residencebedroomlivingroom12.restroom15.elevator12.restroomlivingroom13.bedroom 8. staff bathroom 83
1. hotel 2. dining room 3. kitchen 4. briefing room 5. shop 6. office 7. staff residence 8. staff bathroom 9. 10.factorymachine room 11. lobby 12. restroom 13. bedroom 14. livingroom 15. elevator 16. shallow pool 17. stairs 18. parking space 16 2 4 5 1610 9 7 11 23 13 13 13 13 13 12 12 12 1214 14 14 1414 15 12 8 13 84
16 9 106 7 7 1312 12 14 14 85
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the Hidden Grid Line Model Medium / cardboard, pvc Scale / 1 : 100 87
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the Hidden Grid Line Model Medium / cardboard, pvc Scale / 1 : 100 89
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the Edge of Reality
First, with discussions of shapes, proportions and structures, trying to find a coordinated relationship between four volumes.
1. Structured Form
This project was all begin with what if architecture is a problem and how do we solve it?
4. Program and Ambience
2. Materiality & Connection Through handcrafting, combining different materials, looking for joints that can be used in reality.
Recognizing the difference of model and reality as well as the program and function. Put appropriate programs into the model, reshape it into an architecture and find a suitable site so that it can show its program well.
3. Proportion : Number, Division & Distribution Material boards transformed into volumes and the studying the relationship between each other.
Instructor : Thomas Tilluca Han
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1. Structured Form study Medium / cardboard, wood Size / multiple sizes 92
2. Materiality & Connection study Medium / concrete, metal, wood, acrylic Size / 10 x 10 x X cm 93
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3. Proportion : Number, Division & Distribution study Structure and Transparency Medium / concrete, metal, wood, acrylic Size / 28 x 30 x 36 cm 97
4. Program and Ambience Office Building No. 130, Sec. 4, Minsheng E. Rd., Songshan Dist., Taipei City, Taiwan (R.O.C.) South ElevationNorth Elevation 98
Isometric Top View East ElevationWest Elevation 99
short section + 18.75 m plan long section 1 + 7.5 m plan long section 2 + 2.5 m plan 1. office 2. meeting room 3. reception 4. restroom (male) 5. restroom (female) 6. elevator 7. stairwell 8. nap room 9. pantry 10. machine room 6 4 5 9 3 1 8 6 2 3 6 4 8 8 1 6 7 10 5 1 9 7 2 1 100
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InstructorInterpenetration:
The city is a seemingly balanced but full of dynamic changes, which are mixed with the time axis of people, objects and events. When new things are placed in, the original equilibrium state in the field is disturbed, and the interaction with the existing people and things will inevitably create new dynamic possibilities. In such a spatial field, various states occur at different time stages and affect the molecules in the environment as they occur. If we observe carefully, we can discover the process and appearance of changes through unfolding objects. So how do we establish our foothold in this vast system of cities, and where do we start? A city can be regarded as a constantly changing collection, a certain range is defined in the city, and the influencing factors on it can be observed in the flow of time. We can look for all the intersections in it through inspection, through the temporal evidence, the traces left behind, to study the conditions under which things change. You can simply manipulate dynamic processes, take concepts from them as models, and naming them.
Jian-Da LI / Siong Wang
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Slime mold An amoeba. Protists are single-celled, solitary organisms; the exception is slime molds. They are sometimes grouped together and have no fixed shape. They can find the shortest path in the maze and identify the most nutritious food, which means: slime molds in collective life have animal characteristics. As the environment changes, these units communicate with each other through oscillations, and scientific research suggests that these oscillations can communicate within the slime mold, transmit messages from various parts of the body, and allow the entire organism to move around the environment and obtain food.
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After erosion, a depression surrounded by mountains on three sides is formed. If the ice has disappeared, it is also called a walled valley or a ring valley.
When the snow accumulates too much ice, glaciers will form at the outlet.
The snow melts and freezes repeatedly, the meltwater seeps into the cracks in the rock, freezes and expands, the rocks are disintegrated and fragmented, and the debris is taken away by the meltwater to form a depression. The depression accumulates more and more snow, and the erosion intensifies.
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Cirque Glacier Ice buckets are formed in snow-covered depressions near the snow line.
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Location MapErasure :
Example An Openning Space
Two large stickers are printed and put on the wall to be look like doors.
Migration : Cars and people who patronize haircuts were moving around at this place. 107
Transformation : An old truck was converted into a barber shop. A ruins turned into a parking lot.
People take the quilts out from home to dry. Water molecules evaporate into the atmosphere from theauilt fibers. The hair is cut off from the client's head.
Origination :
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Barber at cabeleireiro 823, using craftsmanship and temperature to promote and preserve the art of traditional men's sophistication. Just get in the car, whether it's a haircut or a beard shave, you can feel the old-school vibe that pervades!
Store self-introduction :
InstagramLocation 108
The birth of Cabeleireiro 823, it is a very simple idea: where are the people, where are the stores. In addition to the ingredients in a man's blood, there is one more kind of cell: wandering. The resulting action barber, carrying a man's romance and freedom and set off. [cabeleireiro] means barber in Portuguese.The setting of the car body is also derived from the most classic tram in Lisbon.This century-old tram connects history and modernity!
site deformed landface clean mass transit traffic line analysis selected spots 109
Jekeen Food Truck Qatar Agent Bldg 5, Marina 50 Tower, Street 315, Lusail, KADA Factory Country/Region No. 11666, Guting Street, Weifang Economic Development District, Weifang City, Shandong Province, China JEKEEN TAIWAN INC. NO. 9, LN. 56, ANKANG RD., NEIHU DIST., TAIPEI CITY 11484, TAIWAN (R.O.C.) 110
Private : House, Office, Recording Studio, etc. Mix : Taiwanese Opera, Pharmacy, Post Office, Foot Truck, etc. Public : Library, Art Museum, Community Activity Cneter, etc. 111
Cabeleireiro 823 as a Community Activity Cneter is located in the empty space beside the viaduct, making this empty space a place for residents to communicate and a secret base for students to gather after school.
Cabeleireiro 823 as a Chinese medicine pharmacy, it is located at the street next to entrance of Xinguang Hospital. A drive-thru for customers easily to acess various medicinal materials. You don't have to enter the hospital, the pharmacist will give you the medicine immediately. 112
The empty space next to the residential is a place for Cabeleireiro 823 as a market. A great place for nearby residents to shop and communicate.
A turf outside the luxury car exhibition center, different folk dramas are staged in Cabeleireiro 823 every day. Let people watch while purchasing in the exhibition center, lying on the turf, waiting for the traffic lights, can't help but take a look, even detour on purpose for this.
Next to the Catholic Church Shilin face clean Street. Cabeleireiro 823 is the operation center for the aunts, a place for supplies, working tools, and rest. 113
The window on the second floor becomes the door. Beside the road, Cabeleireiro 823 is a passage straightly to home, where neighbors gossip and gather.
Cabeleireiro 823 as a fancy bus shelter for people waiting for a bus. The interior is so beautifully decorated so that people can wait for the next bus or take a rest here.
If you want to rent a house close to the MRT station so that you can sleep late to save commuting time, Cabeleireiro 823 at the MRT Exit of Shilin No. 2 Exit Station realizes the dream. You can live in it and control the curtains to decide whether connect to the city.
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Case studies can also be carried out according to the definition of four dynamic processes (EOTM) by means of animal behavior and dynamic geology. After studying the dynamic process of slime molds and Cirque Glacier, the simulated state is developed into an abstract concept in the form of Diagrams, and trying whether it is possible to describe the discussion of the state of the city. According to the expanded Diagram, they are named Interaction (Group, Digest, Generate) and Effacement. This abstract concept is placed in the city as a kind of filter, the scope of action is marked on the map, and the text corresponding to the Diagram is used as a clue. 1. Time-based evidence, traces left by wiping. 2. The transformation of something within a city under certain conditions 3. Due to different conditions and methods, elements of the same nature are different. Sampling in cities looking for evidence of EOTM dynamic processes of the same quality. This interaction may be defined as the effect of a heterogeneous intervention in a homogeneous environment; or the transformation of a homogeneous thing in a heterogeneous environment. Try to put a prototype into the environment, with its special and absurd heterogeneity, super-expand in the space field, catalyze the process of generating dynamic relationships, break the originally calm environment, trigger The dynamic equilibrium process promotes the occurrence of ebb and flow interactions before reaching this state.
The development of Cabeleireiro 823, from the original tram that tourists must visit in Lisbon, Portugal, a tourist route linking monumental attractions, to a carrier of an American barber shop. In such a spatial field, various states occur at different time stages and affect molecules in the environment as they occur. If we carefully observe it and use it as a reference to the prototype, we can see through it the process and appearance of the changes of people and things in the field, and how it contains all kinds of this deformed land. So we can connects these places and create a commemorative tourist route belonging to Wenlin Road in Shilin.
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Tsung-Hsuan HSU
As for the street, there are puddles everywhere, can’t even the sun evaporate. Some of them pop up from the ground, you can never tell where did they come from. The water looks crystal clear, sparkling in blue and green. Far from the black water which the island is soaking. You’ll never see any insects and animals, nor the plants. Somewhere, they might be hiding. Nobody ever asks, nobody ever cares. The seemingly integrated city, was in fact built by the remaining of the catastrophe. There’s only a few people wandering, any other vehicles can hardly be seen. People wandering slowly, and even more slowly, so to say, deadly. The world is not at all that deplorable, so to speak, it’s just……not so vital, at most. Most people wouldn’t consider it as a problem. Emotionless, having a bad day is after all......still a day. Only a few, being different, using different objects while living different lives. Carrying different influences, not so powerful, nor so wide-ranging. Even though they’re not trying to change the world, but after all, the influences always spread gently. These characters, symbolizing different aspects of characteristics. A world of SOMETHING is to be expected, constructing ceaselessly.
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While you look up to the corner of the houses, the edge meanders from the ground to the rooftop. The sky is always dark. Full moon never occurs, and the sun barely shines. It seems to be a distinctive odor diffusing, smelling damp. From the nose all the way to the lungs, as if soaking in water. Everyone’s drowning together, without consciousness.
AdvisorCharacteristics:
After the catastrophe, the world became orderless. There’s chaos everywhere, in other words, a mess. From the houses, the blocks, to the roads. Things seem to be inaccurate.
Chaos Medium / pencil sketch on canvas Size / 60 x 45 cm x 2 118
Depression-triptych Medium / pencil sketch on canvas Size / 53 x 41 cm x 3 119
They standing all over the city, next to the intersection or in the crevice. Tiny, quietly but solemnly. Sometimes they want to speak out loud, but after opened their mouth, they swallowed it back. Security Guard Security Guard (painting) Medium / watercolor, pencil sketch on tracing paper, spray paint on acrylic Size / 40 x 55 cm x 3 120
Security Guard (physical model) Medium / concrete Size / 8 x 5 x 14 cm Security Guard (exploded view) 121
Multiple as one, but also exist independently. In order to fit into the environment, their combination change through time. Their forms are presenting the state. By their appearances, deliver informations to you. People mostly ignore, nonetheless, it is occasionally unavoidableto cast compassionates to them. Paperboys Paperboys (painting) Medium / watercolor, pencil sketch on tracing paper, spray paint on acrylic Size / 40 x 55 cm x 3 122
Paperboys (physical model) Medium / wood Size / 17.5 x 10 x 7 cm Paperboys (exploded view) 123
Photographer photographer (painting) Medium / watercolor, pencil sketch on tracing paper, spray paint on acrylic Size / 40 x 55 cm x 3
It sees the world from its own perspective. It just like a sieve, filtering everything it sees from wherever it moves.
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It is the one-sided of time, shaped by leftover fragments. Its personality shaped by occasional sparks of life experiences. Some of the experiences pass through it, some abruptly remain and left different meanings. When he turns its body, it shows a little bit what had happened before.
photographer (physical model) Medium / acrylic Size / 12 x 12 x 8 cm photographer (exploded view) 125
on acrylic Size / 40 x 55 cm x 3 126
It deals with both sides of the edge. Standing here with one foot, standing there with another foot. It is the way for both sides, to come and to go, it remains neutral and let them penetrate. Things trying to stay in the transition spaces, however, there is no way. Things still come and go.
Funeral Director funeral director (painting) Medium / watercolor, pencil sketch on tracing paper, spray paint
funeral director (physical model) Medium / metal Size / 12 x 9.2 x24 cm funeral director (exploded view) 127
x 3 128
It comes in two forms. Sometimes it puts on a stoic appearance, afraid of people approaching. Sometimes with a gentle gesture, inviting you to share your thoughts with him. It often put itself in a dangerous situation, you worry about it and afraid that it might get hurt in any way.
Private Eye private eye (painting) Medium / watercolor, pencil sketch on tracing paper, spray paint on acrylic Size cm
Difficult to get close to. Most of the time, it's alone. Hiding in the dark and rarely appearing in front of people.
/ 40 x 55
private eye (physical model) Medium / concrete, wood Size / 19 x 7 x 24 cm private eye (exploded view) 129
It deftly stays at the top. It likes to be noticed. Thoughts with complex logic. Its positions easily change in different environments. Showing a transparent life, available for people to inspect. However, there is a dead hole in its heart, it's an untouchable area. Politician politician (painting) Medium / watercolor, pencil sketch on tracing paper, spray paint on acrylic Size / 40 x 55 cm x 3 130
politician (physical model) Medium / concrete, acrylic Size / 8 x 8 x 10 cm politician (exploded view) 131
It spans across two places. When people walking by, they can only see it through the window. Although most of the time, it stays at the same place. However, it knows almost everything. People step on the staircases, wanting to ask things. It doesn't seem in the mood to answer all their But,questions.occasionally, it throws a piece of small note from the opening of the house, writing some words on it. You can't see clearly, or even understand. It buried its head back once again. (painting) Medium / watercolor, pencil sketch on tracing paper, spray paint on acrylic
Poet poet
Size / 40 x 55 cm x 3 132
poet (physical model) Medium / concrete, metal Size / 30 x 10 x 25.5 cm poet (exploded view) 133
Through its body signs, you
Fortune Teller fortune teller (painting) Medium / watercolor, pencil sketch on tracing paper, spray paint on acrylic Size / 40 x 55 cm x 3 134
messages to
On the borders between countries and cities, it is the edge of the forest. It looks up at the starry sky and predicts the future. Change different body positions and send all sides. can quietly attach to it and peek into its mysteries.
fortune teller (physical model) Medium / wood, acrylic Size / 10 x 10 x 21 cm fortune teller (exploded view) 135
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When it stands in different spots, its face becomes different. You only notice his face, what is the thing that supported the inside is unnoticed. When you turn the corner, looking to a completely different side. When the gap between the two is too great, it becomes crazy, two sides even scrambling each other's personality.
It is the endpoint where two roads meet. It leaned against the corner of the house, stands by the intersection. The huge body even blocks the original appearance of the building.
Advertiser advertiser (painting) Medium / watercolor, pencil sketch on tracing paper, spray paint on acrylic Size x 55 cm x
advertiser (physical model) Medium / wood, metal Size / 15 x 15 x 20 cm advertiser (exploded view) 137
Its torso stands upright. Mostly, it spending its time dancing on the rooftops. The body can't stop for a Themoment.dance performed within the frame is its answer to life. You can almost see through the outline of its body. The beauty left by various dance postures, layer upon layer, make you dazzled. You never know where it is, and you can only observe the traces left by its actions. Choreographer choreographer (painting) Medium / watercolor, pencil sketch on tracing paper, spray paint on acrylic Size / 40 x 55 cm x 3 138
choreographer (physical model) Medium / acrylic, metal Size / 15 x 15 x 15 cm choreographer (exploded view) 139
Sometimes you can see it on the side of the road, it occasionally appears. People lined up to talk to it. Squeezing into the ears that separately exist, sharing joys and sorrows with them. When crying, people speak their minds and blurt out all the secrets in their hearts. After all the secrets came out, they walked away without looking back. Afterwards, the next person quickly filled up the place and start talking.
The the receptionist (painting) Medium / watercolor, pencil sketch on tracing paper, spray paint on acrylic Size x 55 cm
Receptionist
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x 3 140
the receptionist (physical model) Medium / concrete, wood, acrylic Size / 23 x 9 x 14 cm the receptionist (exploded view) 141
Seemingly ordinary, calm but somewhat inaccessible. There are staging many small dramas inside of it and some of them are intertwined with complexity and gorgeousness. Within the interweaving of these plays, different parts still maintain a harmonious order. It stands on the side of the street at the intersection. The expression on the face slightly revealing that you might be able to see its inside when you stop focusing on the surface, change an angle, or keep a distance from it. Man mime man (painting) Medium / watercolor, pencil sketch on tracing paper, spray paint on acrylic
Mime
Size / 40 x 55 cm x 3 142
mime man (physical model) Medium / concrete, wood, acrylic Size / 12 x 12 x 13 cm mime man (exploded view) 143
Only between the midnight, when the moonlight shined on him, you can notice his movements. He usually stands at the center of the city, he moves in the cycle of seven days quietly, but people easily pass him. You rarely pay attention to him, however, when you look your head up suddenly, he's always in a different places and tell you when. We barely know what happened during the day.
on
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Size / 40 x 55 cm x 3 144
Timekeeper timekeeper (painting) Medium watercolor, pencil sketch on tracing paper, spray paint acrylic
timekeeper (physical model) Medium / concrete, acrylic, metal Size / 9 x 7.4 x 14 cm timekeeper (exploded view) 145
You can't find it most of the time. Hiding in the open space that surrounded by houses. You can meet it, only after passing through these houses.
146
Psychologist psychologist (painting) Medium / watercolor, pencil sketch on tracing paper, spray paint on acrylic Size / 40 x 55 cm x 3
When people facing it, things that projected are represent the inside mood.
With no scheming, people easily approach to it, talk to it, and finally, facing themselves with it. It has the ability to judge things with objective analysis.
psychologist (physical model) Medium / concrete, acrylic, metal Size / 20 x 18 x 21.5 cm psychologist (exploded view) 147
This is speculation about what I have seen, imagined, or possibly a reflection of this real world. There is only one mood in this place, gloomy, numb, but everything seems normal.
There are some characters with specific personalities. In the beginning, they were placed in the situation and their faces were erased. Over time, their appearances slowly emerged, and they interacted negatively with the world but also Somepositively.characters are projections of myself, and some are meant to respond to the world. These characters, symbolizing different aspects of characteristics.AworldofSOMETHING is to be expected, constructing ceaselessly.
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