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hans overvliet | distant suffering | selection

DISTANT SUFFERING XX | i.d. of a shared cup of tea

Edition Saturday, 17 May 2025

DISTANT SUFFERING II

anatomyofacloud[gaza]

82,2 x 84 cm. - 2014

DISTANT SUFFERING III

i.d.ofasharedrestauration

platters each 60 cm. Ø - 2015 video link

DISTANT SUFFERING VI

i.d.ofasharedkey#1

2015

selection from in total 215 old, cleaned tin cans an imprint of a key, pressed into plaster in the shape of a gold bar

Palestinian refugees whom I met from the early eighties, to the present day, keep up the keys of their homes from which they were expelled from 1948 on by the state of Israel. The current generation Palestinians carries all kinds of keys and key chains as jewellery.

In 1991, for the first time I read the book Pity the Nation, Lebanon at War by Robert Fisk1. The chapter "The Keys of Palestine"2 associating me with my own experiences, I always remembered.

The artwork consists of 215 scoured biscuit tins, of which I removed the enamel and / or paint. Inside the tins are a print of a key, pressed into plaster in the shape of a gold bar.

The can functions also as a container of the memories of my own childhood storing my treasures. It is also the metaphor of the forgotten memory [with forgotten postcards, far forgotten coins from countries visited, etc.] that everybody has tucked away.

Each exhibition image is determined in situ.

1 Pity the Nation | Robert Fisk | Oxford Paperbacks

ISBN 978-0-19-280130-2 | 1990

2 This chapter can be read on http://www.archipelago.org/vol6-3/fisk.htm

Luxfer Open Space | Česká SkaliceCzech Republic photo ©Lukáš Jasanský2021 | courtesy by Luxfer

DISTANT SUFFERING VII-VIII-IX

‘out-lines’ of filing cabinets, each 134 cm. x 49,5 cm. x 71 cm. [ h x w x d ] each filled with 1,000 images, printed on sheet – 2016 a commentary on global warming, war and destruction

Hoto courtesey
of ©2017
| Anne Breel

DISTANT SUFFERING XVIII | defacingpalestine|thenakba 1948- 2018

I spent 40 days - starting April 24, 2018 – charting 417 destroyed Palestinian villages / towns with the name, both in Latin and in Arabic script, the geographical location, the number of inhabitants in 1948 and a photo of the remains of that village / town. I poured that information into 417 obituaries and stored them in a steel archive cabinet. To complete the installation, I made a video of my laptop screen, which shows all the actions I made and which shows all the sources I used that led to each individual obituary.

click here for the catalog

DISTANT SUFFERING XX

[ difference and repetition ] i.d.ofasharedcupoftea

version#1

2021 click here for the catalog

DISTANT

SUFFERING XX1 | [ difference and repetition ] i.d. of a shared assemble game set - 2019

photo ©Lukáš Jasanský | courtesy by Luxfer
photo ©Bo de Jong at SmitsArt | Middelburg

DISTANT SUFFERING XXI

i.d. of a shared bullet a bullet of ice, made using a cartridge from a Kalashnikov A-47 click here for the catalogue

Cultuurcentrum Brugge | Belgium - 2022 Artist-house Slipvillan | Långholmen / Stockholm - 2022

Supermarket | Stockholm | Sweden - 2022 Bahnhof25 | Kleve | Germany - 2023

November 23. 2024 – April 28, 2025

Verbeke Foundation | Kemzeke | Belgium | November 23. 2024 – April 28, 2025

DISTANT SUFFERING XIX0 | dissectionofadisappearingcloud\workinprogress

nine parts

total dimensions work | 287,7 x 192,9 cm. | March 26 - April 26, 2019

Cloud, actually painted with rubble from the spot in Gaza where annihilated Mishal Cultural Center was situated, in extremely diluted East-Indian ink & Arabic gum on Simili Japon, 225 grs. 96,0 x 65,0 cm. in nine wooden frames, each 97,9 x 66,3 x 4,5 cm.

Total dimensions 287,7 x 192,9 cm.

Connecting the Said al-Mishal Cultural Center Gaza - obliterated in a bomb strike by the Israel Defence Forces on August 9, 2018 with the Watermans Arts Centre in London. Radical Immersions in parallel with the Digital Research in the Humanities and Arts [ D.R.H.A. ] conference | 2019. The exhibition was curated by Klio Krajewska.

From every exhibition space in which I display work within DISTANT SUFFERING, I collect dust and I paint a picture with that dust mixed with the debris of the Mishal Cultural Center. At the moment 23 works, displayed in 18 art spaces in nine countries.

Gaza City | January 26, 2018 | the rubble in the plastic bag photo’s ©2019 | Mohammed Al hawajri

Gaza City | January 26, 2018

spot 0f the the SAID AL-MISHAL CULTURAL CENTER

photo’s ©2019 | Mohammed Al hawajri

Installation in the studio | 01/06/2023 please click here for the catalogue

Verbeke Foundation | Kemzeke | Belgium | curated by Marie Verboven
Photo courtesy of Dirk NickhoffGermany

DISTANT SUFFERING XXXI

other than joyful peace, no news from the Western Front december 22, 2022 – february 24, 2023 click here for the catalog

DISTANT SUFFERING XXX

i.d. of a shared ceramic bullet | 2022 - 2024

utterly endlessly repurposed naive incantation gesture video portrait by Jochem Weststrate

Verbeke Foundation | Kemzeke | Belgium | November 23. 2024 – April 28, 2025

Click here for the catalogue

Click here for the video

DISTANT SUFFERING XXXIII

i.d. of a deadly pattern

attempts to keep alive the memory of the journalists who were brutally killed while trying to cover the massacres in the Gaza Strip and in Israel in October 2024 – February 2024. With their very lamented deaths, the voices of the victims are also silenced and, at the same time, most of the crimes - in particular those which the Palestinian people endured –are relegated to obscurity.

The website of the Committee to Protect Journalists (CPJ) provided the sad information . . .

Photos courtesy of ©2024 Giel Louws

Photo courtesy

DISTANT SUFFERING LIV

i.d. of a burned future

Leiden 1959 | Gaza 2023 - 2025

Work from our family archive

10 black and white photoprints

9 x 14 cm | 300 grs Plano

plexiglas cube 30 x 30 x 30 cm

wooden console | 30 x 30 x 20 cm

painted matte white

Soap Nablus soap, imported by Zepig from the Nablus Soap Company

Photo

Leiden, 1959 | Wil Freeke

Pieter de la Courtstraat 67 grandparents back garden

Left to right: our niece Annemieke Freeke, me and my brother Marten

Catalogue

Click here for the catalogue

DISTANT

SUFFERING XXXXVII

i.d. of an encased bullet performance | multiple (47 + 7 A.P.’s)

Zeeuwse Art Fair Pop-up the Machine

Vlissingen | October 25 and 26, 2024

Photo’s courtesy of ©2024

Sylvia Hubrouck

Bo de Jong | Giel Louws

DISTANT SUFFERING XXXXV

i.d. of a shared gold-plated bullet

3 WORKS IN PROGRESS

gold plated ceramic bullet, silk roses, blue velver, classic bell jar 50 cm Ø | 22 cm

gold plated ceramic bullet, silk lilies, blue velvet, classic bell jar 50 cm Ø | 22 cm

Art direction: Adolfina de Stefani

DISTANT SUFFERING LI

i.d. of the persistence of the clinique

Work

Triptych

November 2024 – January 2025

Intra-Venous (IV) material

folding mattress BASIC F15 | JYSK

three plexiglas cubes 35 x 35 x 35 cm

wooden console

110 x 105 x 35

painted matte white

Click here for the catalogue

Brass Plate in memoriam Sha’ban al-Dalou (19) burned alive on October 14, 2024 in a tent at al-Aqsa-hospital in Deir-al-Balah | Gaza due to an Israeli airstrike

DISTANT SUFFERING XXXVIII

i.d. of a shared white kite

“If I die / you must live / to tell my story … let it bring hope / let it be a tale.”

Refaat Al-Areer

Three kites made from newspapers with articles about the genocide in Gaza and war crimes in the West Bank form a kind of protective canopy.

The tails are made with 106 names of murdered journalists in Gaza, the West Bank, Israel and Lebanon between 07/10/2024 - 14/09/2025.

To be heard is the poem by Refaat Al-Areer (1979 - 2023)

If I must die in Dutch, German, Arabic and English* .

Refaat Alareer was a Palestinian writer, poet, professor, and activist from the Gaza Strip. He taught literature and creative writing at the Islamic University of Gaza. Refaat co-founded the organization We Are Not Numbers, which matched experienced authors with young writers in Gaza, and promoted the power of storytelling as a means of Palestinian resistance against the Israeli occupation.

On 6 December 2023, at 6 P.M. Alareer was deliberately targeted by a surgically Israeli airstrike in northern Gaza.

*Click here for the audio of the poem.

Locations:

Nieuwe Kerk | Middelburg

Supporting an exhibition with artworks of Gazan artists

Grote Kerk | Driebergen

Supporting the ambassadors' meeting of Tent of Nations

National Theatre ’t Spui | Den haag

Supporting Movies Tha Matter

paper collages

1999 – 2012

In 2023, all of my paper collages joined Geert Verbeke’s renowned collection of collages and assemblages.

A selection is on display from November 19, 2023 until April 29, 2024 at the Verbeke Foudation, Westakker 1 in Kemzeke in Belgium in the section Collagemuseum.

Photos courtesy of ©2023 Giel Louws

Acknowledgement

A long-term project like DISTANT SUFFERING is impossible to work out on your own. Apart from all the people living in my library, I also want to thank the people who made the execution and exhibitions possible: Willy van Houtum, Giel Louws, Dani Ploeger, Jorieke Rottier, Peter Steutel, Loek Overvliet, Ingrid Rollema, Robbert Jan Swiers, Rinus Roepman, Jan VerhaegheBE, Chris GreenwoodGB, Suzanne Groothuis, Alina AchenbachLB/DE, Ruben HordijkNL/SE, Anne HordijkBRD, leon riekwell, Loek Grootjans, Hendrik Driessen, Harmen Eijsenga († 2017), jen en Frie GosséBE, Maarten van ’t Hof, Johan de Koning, Leni van den Berge, Ramon de Nennie († 2024), Manuel ZoiaIT , Fred van den Berge († 2017), Martina ButtiglieriIT , Fiek Smitskamp, Frank ÅsnesNO , Margo van der Pool, Rolf van der Mije, Luuk Vulders, Niek Hendriks, Mehreen

HashmiPK, Klio KrajewskaGB, Mohammed Al jawariGaza, Jacob

JühlDK, Ko de Jonge, Klaartje Esch, Roman RejholdCZ, Kees de Valk († 2019), Riet van Gerven, Kate ŠtroblováCZ, Yvette

LardinoisNO , Sasha Rose RichterDK, Christine Veraart, Virginie

Gmelich Meijlingt van Dooren, Lukáš JasanskýCZ , Julia Fidder, Jan Gmelich Meijlingt († 2021), Pamela GrombacherDK, Hans Bommeljé, Jochem Weststrate, Jan-Willem van Rijnberk, Pim

Steinman, Eva Langerak, Sylvia Hubrouck, Kris van der Hart, Cecilie BerntsDK , Huibert-Jan Vader, Hynek ŠnajdarCZ , Masoud ShahsavariSE , Hans EnemanBE, Rikard FåhraeusSE , Laetitia

DeschampsSE, Jannike BrantåsSE , Roel van der LindenNL/CZ (Lípa), Alice MáselníkováSE , Rana AnaniLB, Sebastian BernburgLB, Wilfried Agricola de CologneBRD, Yarina ButkowskaUA , Olga & Oleg KharchenkoUA, Ivan Van de CappelleBE, David

DelifioraUSA , Dina MattarGaza, Raed IssaGaza, Jörn BurmesterDK ,

Frie J. JacobsBE, Stef Fridael, Robin Weijers, piet

Frie J. JacobsBE, Stef Fridael, Robin Weijers, Harriët Rademakers, Ormira LulaniAL , Beste GürsuTR, Helidon HalitiAL, Galid

Al Kholani Al FakeehYEM , Zake PrelvukajKOS , Jürgen O. OlbrichBRD (NO-INSTITUTE), Geert VerbekeBE (Verbeke Foundation), André Smits, Tineke SchuurmansBE, Marie VerbovenBE (Verbeke Foun-dation), Adam RoussopoulosUSA, Jatun RisbaRS , Franco G. LiveraRS , Issam Al Kholani Al Fakeeh, Bo de Jong, Zeus Hoenderop, Iris Van ’t Bos, Geeske Pluijmers, Tineke Smit, Ulrike E.W. ScholderBRD, Dirk D. KnickhoffBRD , Elisabeth SchinkBRD, Ruggero MaggiITÁRG, Emillio MorandiIT , GordanaSP, Silvio De GraciaBR, Lutz AndersBRD, Luiz Sacilotto&Marcia RosenbergerBR, Sait ToprakTR, Chris Kors, AnneLyke van den Elshout Fé Wielemakers, Floor Zegers and the numerous participants in the poster project I.D. OF INEQUALITY.

exhibitions / art-related activities | selection

2024 – 2025

KemzekeBelgium | Verbeke Foundation (November 17, 2024 – April 2025)

oeuvre retrospective | curator Marie Verboven

VeniceItaly | Visione Altre Galleria (February 1 – February 16)

Art direction: Adolfina de Stefani | Antonello Mantovani

Den Haag | Nationaal Theater aan ’t Spui | during Movies That Matter ( Match 21 - March 29)

Goes | Grote of Maria Magdalenakerk/ Stone&Glass - IT’S IN IT | curator Willy van Megen ( July 8 - August 17 )

Terneuzen | Toonbeeld | Imagination Route 2025 | curator Arjelien van Dijke ( July 5 – September 13 )

LarissaGreece | Open Nights Festival | curator Roula Karaferi ( October 9 – October 19, 2025 )

2024

Middelburg | Roofprintpers | Leporello (November 29, 2024 – January 1, 2025)

curator Leni van den Berge

A selection of my paper collages 1999 – 2012, is published in BALLUSTRADA, idiosyncratic literary magazine since 1986, volume 38 no.1/2, spring 2024

curator Ko de Jonge

İzmirTurkey | Dokuz Eylül Üniversitesi (May 15 – 21, 2024)

curator Güzel Sanatlar Fakültesi

Burgh-Haamstede | Bewaerschole | MIGRATION (August 24 – September 22)

curator Geeske Pluijmers

KemzekeBelgium | Verbeke Foundation | winter exhibition | exhibition collages

curator Marie Verboven

Municipality of Middelburg | Makers Scheme:

Hallways, a study / images of corridors and halls in private homes and (semi-) government buildings in Middelburg.

Vlissingen | ik geef je mijn raam – I give you my window presentation project Sylvia Hubrouck

a selection of poetic videos - LOOKING THROUGH THE EYE OF W. #1, in conjuction with the film festival Film by the Sea

2023

ChaskaU.S.A. | THE ARTISTAMP REVUE | Curator Adam Roussopoulos

StockholmSweden | Slipvillan | Curator team Studio44

Dishoek - Bunker WWII | curator leon riekwell

KemzekeBelgium | Verbeke Foundation | all paper collages 1999 -2012 are included in the collection of collages and assemblages by Geert and Carla Verbeke-Lens selection shown at the winter exhibition collages ’23-‘24 | curator Marie Verboven

AarhusDenmark | Juxtapose Art Fair | Curated by Cecilie Bernts, Pamela Grombacher, Sasha Rose Richter and Jacob Juhl

Middelburg | ruimteCAESUUR with Gallery Durden and Ray | Curated by Jorieke Rottier

StockholmSweden | Längholmen | KEEP ON BREATHING | Curator Masoud Shahsavari

Los AngelesU.S.A. | with ruimteCAESUUR at Gallery Durden and Ray | Curated by Carlos Beltran Arechiga

Middelburg | Smith Art | Curated by Johan de Koning

KleveGermany | kunstverein bahnhof24

2022

LahorePakistan | In the glare of grey moon | Ranrez art gallery | Curator Mehreen Hashmi

BruggesBelgium | Expect an Occasional Attack … and Flee | CultuurCentrum Brugge | Curator Jan Verhaeghe

Geelong Australia | KART | David Delifiora

PragueCzech Republic | LIPA art collection

Peace letters to Ukrain #2Germany [ no. 38 – video i.d. of a shared bullet ]

BeirutLebanon | Kite project as part of the exhibition Salute to the Prisoners of Freedom Art Exhibition at Institute for Palestinian Studies

Curator Sebastian BernburgU.K., Arts Coordinator London

StockholmSweden | presenting teamCAESUUR with Giel Louws and i.d. of a shared bullet

Supermarket Independent Art Fair | curator Alice Máselníková, Creative Director

StockholmSweden | part of the summer exhibition in Slipvillan | Curator team Studio44

Česká SkaliceCzech Republic | Luxfer Open Space | part of the presentation of the Lípa Art Collection

Curator/collector Roel van der Linden

TiranaAlbania | part of the (first) Tirana Biennial of Graphic Arts - first edition | Art Gallery of Tirana

curators Beste GürsuTurkey, Helidon HalitiAlbania, Zake PrelvukajKosovo

2021 – 2022

StockholmSweden | Studio44 | December 6, 2021 – January 6, 2022

Curator Rikard Fåhraeus

2021

Česká SkaliceCzech Republic | Luxfer Open Space | residency

AarhusDenmark | Juxtapose Art Fair | Curator Sasha Rose Richter

2020

Zeeland | Art Magazine decreet | Also in the public space of Middelburg

MilanItaly | MEN OF (street art) | Independent Artists | Curator Martina Buttiglieri

Tilburg | Steal like an Artist! | Kunstpodium ‘T’

Curated by Lost Painters | Niek Hendrix

2019

KarachiPakistan | Kabutar 1 | Curator Mehreen Hashmi

Milantaly | Kabutar 2 | Manuel Zoia Gallery

Watermans Arts CentreEngland | London | exhibition D.R.H.A.

Curator Klio Krajewska

2018

Willem Twee art space | Den Bosch | DISTORTION |

Curator Loek Grootjans

2014 - 2017

Middelburg | Abby Complex | Iconoclastic Fury | 2017

Amersfoort | Biënnale Foreign Guests | 2016

Gouda | Art Gouda | het Weeshuis | 2016

SYMPOSION | Gorinchem | 2015

Mon Capitaine - Middelburg | 2015 | solo

AntwerpBelgium | (WOOT) | solo | 2015

Vlissingen | Willem3 / Goes | W45 kunstruimte | 2014

1999 – 2014

Le Secet | 2014

CBK Rotterdam | 2013

Veere | SPRING | Grote Kerk Veere | 2012

Kunstuitleen Terneuzen | 2011 | solo

Stadsgehoorzaal Middelburg, Foyer | 2009 | solo

Sanders Geluk: PROJECT ARTIST-IN-CARAVAN | Kunstsuper Rotterdam | 2007

1/1

ALMOST GENUINE | CBK Zeeland Summer Studio | Middelburg | 2006 | duo

Jan van Leeuwen Stichting | Middelburg | 2005 | solo

[LOGO! NO LOGO?] | BrughesBelgium | 2003

VERDER TERUG | Trechter 5, Goes | 2002

Koetshuis van de Groep Planning, BruggeBelgium | Brughes Cultural Capital Europe | 2002 | solo

RAAMWERK | OostendeBelgium | 2001

ENGAGÉ! - West-VlaanderenBelgium, Zeeland, Nord-Pas de CalaisFrance | 2000

Galerij Germinahof | Sterksel | 2000 | duo

Presentatieruimte De Overslag | Eindhoven | 1999 | solo

Financial support

Mondrian Fund

SBKM / Vleeshal Middelburg

Frits Lensvelt Stichting

KulturrådetSweden

Region StockholmSweden

Awards, residencies, commissions and public collections

Winner Global Arts Award 2020 from Red Line Art Works, a UK-based global arts project, category art series

Sea foundation | Tilburg | [ residence ] September – October 2018 / Mondrian Fund

Work in private collections, Independent ArtistsItaly , Ramírez Art GalleryPakistan, LIPACzech Republic ,

VeniceItaly | Visione Altre Galleria, Karpuchina GalleryCzech Republic , The Institute for Palestine Studies

Verbeke Foundation, KemzekeBelgium

Public spaces in Axel and Neeltje Jans

Art-related activities Hans Overvliet as part of his art praxis

2015 - 2021 Co-initiator of Association Art House Zeeland, platform for artists

2012 - Co-creator / co-curator Kunstpark Vlissingen / Landscape Art Park Vlissingen

2009 - 2019 Chairman Foundation Studio Complex KipVis

2009 - 2014 Chairman Foundation decreet / concrete, Art magazine decreet

2005 - 2012 Chairman PLUS MIN Foundation, Renesse, succeeded by IK Foundation, Vlissingen

1995 - Founder, curator and co-director of Art Space ruimteCAESUUR

1995 - Curator / art educational projects / advising governmental institutions on art

hans overvliet

studio address | Dreesstraat 2, Vlissingen

+31 6 282 77 052

www.hansovervliet.com curiositas@zeelandnet.nl

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Hans Overvliet | DISTANT SUFFERING

Since 2013, by means of the ongoing art-series DISTANT SUFFERING, the Dutch artist Hans Overvliet investigates the role of the media in their representation of (military) violence. This, in the context of themes as perception, memory and identity formation. Overvliet uses a various range of media, symbols and codes, bringing together dichotomies like beauty and violence, refinement and brutality, the sublime and the vulgar.

As a reporter, Overvliet was an eyewitness to the events in the Middle East during the 1980s. Of course these experiences resonate in DISTANT SUFFERING. So aspects of power, politics, exclusion, censorship and the connection between artist, artwork and viewer infiltrate his multifaceted conceptual oeuvre.

Martha Jager, curator Vleeshal in Middelburg about the oeuvre: The dedication to art as a relational verb is central to Overvliet's work. On the one hand, the balance between poetry and criticism is special, so that the work never becomes bitter or pedantic, while at the same time the dialogue with the viewer is actively maintained. It is a tender form of activism that moves and urges action and also continuously questions the role of art.

Elements of distant suffering were exhibited in the Netherlands, Belgium, Pakistan, England, France, Italy, the Czech Republic, Denmark, Albania, Germany, Lebanon, the U.S.A., Brasil, Argentina and Sweden.

In 2023, his whole body of paper collages ( 1999 – 2012 ) joined Geert Verbeke’s renowned collection of collages and assemblages.

In 2024 - 2025 the whole oeuvre of DISTANT SUFFERING was exhibited in the museum part of the Verbeke Foundation. All the work will then be included in the permanent collection.

Hans Overvliet was born in Leiden in 1952; he lives in Middelburg and works in Vlissingen, both in the province of Zeeland in the South-West of the Netherlands.

Next to his art-work he is, together with his wife Willy van Houtum, the founder and every day guardian of the 29-year old space for contemporary art: ruimteCAESUUR.

Here you’ll find his extended portfolio.

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