Senior Interior Design Thesis Booklet

for the unbelievably talented generations of young creative minds to wiser more experienced adults, as well as students from all over around the world who want to change the world with music. Providing a place where creative experiences sprout from the establishment of relationship and advanced technology; this Sound-Breaking movement is designed to help people support each other more effectively while in the musical business, so everyone can enjoy music and have the experience they deserve.

soul strings

empowering creative individuals

ea 800 ft2) nd exposing mall or large m (180 ft2), ; and upper production 80ft2), the booth (225 rectangular center that st floor. The sh, indirect the largest n the indoor and achieve ent sounds.

callie walton FIRST FLOOR

SCALE: 1/16” = 1’-0”

Soul Strings Empowering Creative Individuals in the Journey to Self Expression

Callie Walton, Degree Candidate Albert Marichal, Thesis Advisor Submitted for the requirements of the degree Bachelor of Science in Interior Design Texas Christian University College of Fine Arts Spring 2019

Dedicated to...

I would like to take this opportunity to express my deep sense of graditude to all of those people whom this project could have never been completed. I would like to thank my parents for their unconditional support and allowing me to further my studies. My dad, for giving me the main source of this project’s inspiration that I needed to build a dream and chase after it. My mom, for supporting me with constant encouragement and believing that I have the talent to reach my goals.

I would also like to thank my closest friends for their faith and support throughout this final semester at TCU. Sophie Edwards and Devin Gallemore, especially, have given me an infinite amount of courage and optimism that helped my design become a reality. The support that I kindly received from all of these people has made me understand the goal to success is to surround yourself with uplifting people who inspire and help you believe in yourself.

Table of Contents #11

Thesis

# 14

Precedents

#20

Site & Context

#22

Program

#28

Concept Collage

Process Sketches

#31

Parti Diagrams

#33

Blocking Floor Plans

# 35

Floor Plans

#41

Reflected Ceiling Plan

#42

Interior Elevations

#44

Building Section / Perspective

#45

Interior / Exterior Perspectives

#51

Works Cited

#53

Bio

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Thesis Thesis

Statem ent :

Soul

strings

individuals to exceed their potential in their

embodies a communal laboratory for musi-

compositional journey to self-expression. Soul

cal discovery and artistry, promoting the

Strings, as a global laboratory that promotes

power of music through interactive expe-

the power of music, provides interactive and

riences and real relationships that develop

collaborative experiences that create a new

and transform the current model of colla-

perspective for musical discovery and artistry.

boration, education, and performance.

The biggest single need within the music

D es i g n Narrative: Sound-Breaking:

industry is an affordable business that provides

“breaking” implies innovation — something

an inspiring environment for the unbelievably

new, something iconoclastic, something

talented generations of young creative minds

that hasn’t been done before. “Sound” is a

to wiser more experienced adults, as well as

metaphor for a strong, stable institution.

students from all over around the world who

Sound-Breaking is what recording studios

want to change the world with music. Provid-

hope to be, both literally, with a brand-

ing a place where creative experiences sprout

new building, and metaphorically, with

from the establishment of relationships and

new programs and innovation. Through

advanced technology; this Sound-Breaking

the transformation of the current model

movement is designed to help people support

of higher education, Soul Strings’ estab-

each other more effectively while in the musi-

lishment provides the necessary resources

cal business, so everyone can enjoy music and

within a communal, educational, and uplift-

have the experience they deserve.

ing space to empower

“Music educators strive to produce independent and thoughtful music makers, which can only happen if their students are given ample opportunity to experiment with their own music capabilities in a creative space.”

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12

Soundbreaking: “breaking” im plies interruption — som ething new ,som ething iconoclastic, som ething that hasn’t been done before. and “sound” is w hat recording studios are allabout. but sound is also a m etaphor for a strong, stable institution. soundbreaking is w hat recording studios hope to be,both literally, w ith a brand new building,and m etaphorically,w ith new program s and innovation.

M y recording studio establishm ent w illcreate a globallaboratory for m usical discovery and artistry, prom ote the pow er of m usic to change people’s lives for the better, and transform the current m odelof higher education. the biggest aim is to m ake an affordable business for the unbelievably talented young to older adults and students from around the w orld w ho w ant to change the w orld w ith m usic. this soundbreaking m ovem ent is designed to help people support each other m ore effectively w hile in the m usicalbusiness, so everyone can enjoy m usic and have the experience artists deserve.

13

Precedent #1: Berklee College of Music 160 Massachusetts Avenue

Project Name: 160 Massachusetts Avenue Owner: Berklee College Of Music Project Location: Boston, Ma Size: 176,000 Sf Completion: Spring 2014 Uses: Freshman Housing, Dining Hall, Music Technology Spaces, Academic Spaces, Ground Floor Retail

Exterior Facade

Community Connections Fronting on Massachusetts avenue, our new multi-use residence hall for Berklee college of music strengthens the college’s multiple connections to the city of Boston. The transparent facade reveals the life of the building while creating an active urban street edge. The building includes: freshman housing, two story dining hall with 4000 seats/performance space overlooking the street, academic spaces, music technology spaces for student activity, gathering spaces, and ground- loor retail.

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Community connections can positively affect students. Students are able to see and interact with the world while developing their own vision for what kind of artist they want to be. It’s about growing as a human being, not just as a musician. Opening the buildings interior to the public allows for more open minds and collaboration within the building.

It is important to nurture students because they are the future leaders. As designers it is important to provide open spaces that inspire students and give them as many opportunities as they can to grow.

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Precedent #2: The Manhattan Center

311 West 34th Street In Midtown Manhattan Events. Performance. Production.

The One Place In New York Where It All Comes Together The Manhattan center is the only venue in New York city that hosts major events, major concerts and major tv and audio productions.

We do that by employing a full-time staff of event account managers, logistical experts, lighting designers plus the industry’s most experienced team of tv and audio engineers.

The Manhattan Center: Black Box Theater

Branding Opportunities The Hammerstein and the grand provide a nearly infinite opportunity for you to leverage your brand. From outdoor pavilions, to illuminated signing, to balcony banners, elevator wraps, and electronic messaging boards, we’ve got your brand covered

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Accomodations Connected to the Manhattan center and just a few steps from Broadway, Penn station, Madison square garden and the Javits center, the New Yorker provides preferred hotel accommodations for guests with rooms designed and finished with period architecture and furnishing.

Performance

The grand artists from around the world looking for offthe-chart acoustics and a more intimate setting for their music, look to the grand to provide both. This 10,000 square-foot space with 40-foot high vaulted ceilings, has hosted performers including Bowie, bon Jovi, Timberlake and crow. And, like the Hammerstein, the grand provides contemporary performers with 21st century entertainment production technology that seamlessly combines live events with in-house tv/audio recording studios and state-of-the-art post-production suites.

Production Services Includes the city’s top audio, lighting, tv and audio engineers under one roof. By working with our newly installed state-of-the-art sound and lighting system, they can manage any event seamlessly from start to finish including: product launches, gala events, trade and fashion shows, meetings, conferences, tv production, and concerts.

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Precedent #3: Belmont University - School of Music Ocean Way Nashville 1200 17th Avenue Nashville, TN

Belmont School of Music Nashville, TN

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Built in the sanctuary of a 100-year-old church, Studio A houses a 38′ x 50′ main room with 30′ ceilings, four large Iso Booths and stained glass windows. The 25′ x 32′ x 16′ Control Room features a custom 80-input + 64-monitor, all discreet neve 8078., the largest of its type in the world.

The large room has ideal acoustic dimensions where you can get that “big rock and roll drum” sound or record an 80-piece orchestra. The Lounge-A is conveniently located directly below the a control room. It is equipped with a full kitchen, entertainment center, billiards table, a large couch and dining table as well as private bathrooms. It’s an ideal space for band meals, catered events, or just relaxing while the other musicians perfect their parts in the studio above.

Materials for Acoustics Tracking room: in order to get a live, organic sound, the room has to work as giant equalizer.

In order to do this you must achieve a good balance between “sonic character” and “acoustical problems.” The room must have an absorbant ceiling and reflective floor (or vis versa).

The Belmont tracking room has wood flooring with reflective qualities.

The tall ceiling is absorbent with the installation of a drop ceiling with acoustical panels.

Stone walls in a live room produce an impressive ambience for acoustic instruments.

Iso Booth Room: in order to get a live, organic sound, the room has to work as a giant diffuser. The more acoustic panels are utilized in a room, the higher the cut back will be on the influence within the space. This means there is a higher reduction rate in the amplitude of sound waves from the dissipation of sound energy as heat.

Spatial Structure The overall building adds immersive sound, audio facilities, and audio engineering technology with music business, motion pictures, media studies, songwriting and entertainment industry studies together under one roof. From an educational standpoint, it is important to look at the film and recording systems so that rooms are collaborative with each other so any student can enter the building and truly put their hands on the full production experience in one space.

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Site & Context

In

1957,

St.

Martin’s

occupied

a

made possible its efficiency: it was

neo-Gothic stone-clad concrete struc- built from an off-the-shelf mass-proture that stood out proudly as the most duced Stran-Steel Quonset hut. A good prominent building between the dome overview of the building’s context is that of the State Capitol and the tower of the St. Martin’s Evangelical Lutheran Church University of Texas Main Building. The is an excellent example of the nascent design relates more to the more contem- post-war modernism that sought to porary post-war reconstruction underway reincorporate traditions sharing in its in Germany than the American suburban constituent facts. By balancing distinctly expansion. But rather than reflecting char- modern developments and a commitacteristics of the primitive Christian basil- ment to retaining continuity with tradiica style, the design of St. Martin’s builds tion, the church was able to fully satisfy on its ritual action of processional linearity. the complicated brief of the modern An austere brick planarity juxtaposed with church with its symbolic functions, liturthe retained Gothic altarpiece replaces the gical movements, and social changes. inward focus of the apse with its mosaic depiction of the exterior other of heaven.

The cellular structure of vaulted naves and aisles gives way to a tripartite plate folded into a planar barrel vault crowning the basilica. The geometric purity of the hemispherical vault with its impossible thinness embodied a structural minimalism further accentuated by the slipping past of floating planes. Modern military vernacular reminiscent of so many nomadic dwellings

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606 W 15th St, Austin, TX 78746

Building’s Interior

Existing Building

These windows create a connection between Soul Strings and the traditional preexsting building because they are modern with their symbolic figures that emphasize universally recognizable objects abstracted to their essential geometric form of their use and manufacturer.

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Program

Soul Strings embodies a communal laboratory for musical discovery and artistry, promoting the power of music through interactive experiences and real relationships that develop and transform the current model of collaboration, education, and performance. Soul Strings’ business within the existing building provides its community with new programs and innovation. Through the transformation of the current model of higher education, Soul Strings’ establishment provides the necessary resources within a communal, educational, and uplifting space to empower creative individuals to exceed their potential in their compositional journey to self-expression. Soul Strings, as a global laboratory that promotes the power of music, provides interactive and collaborative experiences that create a new perspective for musical discovery and artistry. The business’s newly established program ultimatley is designed to help people support each other more effectively while enjoying music in everyway possible.

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Program- Business Description

Soul Strings aims to be a crea-

Local musicians at any skill level are encou-

tive space for musicians to learn and

raged to take classes learning instruments,

perform music while also striving to faci-

theory, and other practical skills necessary

litate performances for mainstream and

for effective music training. Students are also

up and coming musicians. Soul Strings

encouraged to write and share their own music

at its core is meant to inspire musicians

for a chance to be the featured amateur of the

by giving them a space to learn, create,

month and to open for a concert being hosted

and perform in front of real people on a

at Soul Strings.

The stage is the crown jewel of Soul

The other important aspect of Soul Strings

Strings and is designed in a way where

is its facilitation of concerts. Soul Strings is able

concerts can be facilitated inside the

to transform into a concert venue because of

building or outside on the lawn. The back

the interior’s modular design. Chairs, desks,

of the building can open up and allow

etc. can be removed from the assembly area in

the stage to be viewed and enjoyed from

order to create the space needed for the crowd

the lawn to allow for a different expe-

to congregate. In addition to this, a bar can also

rience for performers and patrons alike.

be set up to provide refreshments and various

The stage and assembly area inside the

other goods. Soul Strings employs a variety

building are also designed to mirror that

of people who assist in recording, lighting,

of a guitar. The stage is a thrust stage

sound, stage management, and food/beve-

and mirrors how a guitar body and neck

rage service in order to provide patrons with an

look, while seating in the assembly area

enjoyable experience.

is marked on the floor to emulate a fret board.

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Performance

Performance Areas 2065 ft^2 The performance area is a place dedicated to

The stage also has a rectangular

hosting shows to advertise the company while

shape with a circular center that has a

benefitting and exposing young new artists

built-in stage lifting platform connect-

in the community. This area has an indoor/

ing the orchestra pit in the basement

outdoor stage that can be used for small or

to the venue’s first floor. The Perfor-

large concerts. The performance area includes

mance area lighting will consist of

the stage (800 ft2 inside; 800 ft2 outside), the

full the basement to the venue’s first

green room (180 ft2), seating areas configured

floor. The Performance area light-

from the educational / collaborative space (on

ing will consist of full lighting, work

the ground floor: 3487.5ft2; and upper balcony

light,

levels accessed from the first floor: 825ft2), and

wall wash, indirect lighting, and deco-

all technical control rooms (1837ft2), as well as

rative colored lamps for mood and

production control rooms (1045ft2). The tech-

design. The large performance area

nical control rooms within the venue include

will expand into the largest area of the

the general control room (180ft2), the lighting

recording studio with its tall ceiling

and stage manager control room (180 ft2), the

height which benefit any live record-

acoustical control room (120 ft2), the follow spot

ing sessions. Within the indoor perfor-

booth (225 ft2), the sound rack room 80 ft2), and

mance area there are adjustable ceil-

the dimmer room (80 ft2). The general perfor-

ing panels that can be manipulated to

mance area has a rectangular shape with vary-

lower the ceiling height and achieve

ing types of acoustic treatments.

different sounds.

surface

mount,

chandeliers,

There are two main

spaces associated with the Composition section of Soul Strings’ Programming.

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Composition

Recording & Live Rooms: 17,760ft^2

There are two main spaces associated

The second area within Soul Strings’

with the Composition section of Soul

Composition Program is located on the main

Strings’ Programming. The first space is

floor and consists of 12 modules situated

a recording station, located on the base-

along the exteexterior walls of the building on

ment floor, that includes a Live Room

either side. Each module consists of an isola-

(530ft2), Control Room (530ft2), 3 Isola-

tion booth for recording as well as an adja-

tion Booths (each 150ft2), and 3 Sound

cent room dedicated to media and technical

Lock Rooms (each 150ft2). Acoustically

audio editing to apply after recording sessions.

structured windows are installed within

These iso booths include a framing of a 9”

Control Rooms and Isolation Booths

deep absorber and an uncovered absorber as

to make communication easier during

well as diaphragmatic membranes filled well

recording sessions and promote multi-

absorbers. Slats on the face help keep some

track collaborations. The Live Room has

of the high frequency from being absorbed

a large uniform “sweet spot” with the use

and increase efficiency as reflections are

of a variety of absorbers tuned from the

redirected back into the absorber. Individu-

floor all the way to the ceiling along with

als or groups up to 2 or 3 people can reserve

hard reflective paneling and wood slats

a recording module for their own benefit of

to angled splayed walls. On the other

learning how to record and practice within an

hand, the front of the control room has a

isolated space.

six-inch absorbent wall, on top of a ridged

Materials

mass loaded wall. The lighting within the recording space creates can be manipulated for high intensity or dimly lit scenes for the creation of mood lighting that enhances creativity for the aid in visual acuity regarding maintenance needs.

DBA Wall Panels: A tri-functioning acoustical panel that diffuses, blocks, and absorbs sound.

The panels are class A ire retardant, washable, and paintable to match Soul Strings neutral aesthetic with accent pops of red and black.

A 1” thick plush Persian carpet has the same amount of acoustical fiber as a 6” thick sound panel. In addition the manufacturering that goes into making these carpets and rugs is powered by solar energy, making it an architecturally green, environmentally friendly acoustical product.

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Education

Educational and Collaborative Area (5150 ft2)

This area provides educational opportunities to the public such as presentations that reveal techniques and strategies on how to record, compose, and perform music.

This area also provides an open space for people to network and collaborate with other people in the community that enjoy music. The area will include a combination of work stations with sufficient lighting and private/ public seating options to accommodate to everyone’s needs for privacy. Acoustical treatments will be implemented throughout the space to prevent any sound from entering recording studios and separate isolation booths. This area can also be identified as a lounge that includes a full kitchen, entertainment center, seating, and access to bathrooms.

Materials

Tandus Stacked Modular (7902) Fiber Type: Ultron; Nylon BCF

J+J Flooring Style Name: Anchor (7066) Fiber Type: Encore; SD Ultima with recycled content

J+J Flooring Style Name: Anchor (1012) Thickness: 5mm Finish/ Coating: Enhanced UV Urethane

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Stacking Chairs: Name: Magis Chair Finish: Wood Veneer Red Stain

Plastic Laminate: Lamin-Art Studio White Consisting of 8 panels to provide an intimate area for groups to easily collaborate, share ideas, and compose music together.

The height and space between the round structure and table strike a balance between intimacy and openness, which encourages engagement by reducing visual and audio distractions.

Administration

Administration Spaces (1045 ft2)

Administration spaces include the reception, all employee offices, and back of house / front of house storage for use of educational or performance services within Soul Strings. The reception has a total of 1440 ft2 and consists of ticket sales, info sessions, access to bathrooms, and seating. Front and Back of house storage provide a total of 1045 ft2 and include housekeeping storage (125 ft2 each) and a janitor’s closet (40 ft2 each). Soul Strings houses 12 offices (each 140 ft2) to provide enough room for multiple tutoring sessions.

Offices are efficiently insulated with 8� thick walls so no matter what is taking place within the venue, employees can concentrate on their work. Offices are located next to each other for convenience when meetings or collaboration among employees are needed.

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Concept Collage

28

Process Sketches

29

Parti Diagram Process

30

Parti Diagrams

Circulation Entry/ Exit

GEOMETRY PARTI I SCALE

1'-0" = 1/16" .

9 FEBRUARY 2019

31

CALLIE WALTON

Geometry

GEOMETRY PARTI I SCALE

1'-0" = 1/16" .

9 FEBRUARY 2019

CALLIE WALTON

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Blocking Floor Plans Basement: Level 0

general Stairs / elevators

Blocking Floor Plans general Basement: Level 0 Stairs / elevators

bathrooms bathrooms

circulation

bathrooms

circulation circulation

general general General Areas Stairs / elevators

performance

Stairs / elevators circulation

Circulation

practice recording bathrooms

education

practice recording general admin bathrooms

bathrooms

education

practice recording admin education performance performance practice recording Performance / Event Space general general stage and auidience seating

collaborative space

collaborative collaborative space space technical control rooms

live room circulation

stage and auidience seating

general general collaborative space

collaborative space

reception reception

practice recording

technical control rooms bathrooms Stairs / elevators bathrooms circulation

iso

live room

sound lock live room

iso

general control room iso

circulation bathrooms circulation

general

technical control rooms

technical control rooms

collaborative space bathrooms

sound lock general control room collaborative space stage and auidience seating

general control room

general control room

educationgeneral general

admin

storage

iso

reception

education

performance

storage

reception

education education

live room

storage

general control room iso

technical control rooms

reception

iso

reception

general control room

offices

sound lock

offices

admin

stage and auidience seating collaborative space

circulation circulation

stage and auidience seating stage and control auidience seating technical rooms

live room live iso room technical control rooms Sound Lock Rooms

technical control rooms technical control rooms stage and auidience seating general control room

iso sound lock live room Sound Lock Rooms general control room

live room

general control room general technicalcontrol controlroom rooms

performance performance

practice recording recording practice general control room

stage and auidience seating

circulation

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storage

storage storage reception

iso

reception

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reception reception offices storage

sound lock

sound lock sound generallock control room iso

offices offices reception

general control room

general control room general control room

offices

stage and auidience seating

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General Control Room sound lock Sound Lock storageRooms

education

general control room storage

practice recording admin Spaces Practice / Recording

collaborative space

admin

offices storage

bathrooms bathrooms

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Stairs / elevators

offices storage

reception

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stage and auidience seating

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practice recording

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technical control rooms

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stage and auidience seatingtechnical control technical control rooms rooms Stairs / elevators sound lock Stairs / elevators bathrooms

education performance general

education storage storage

circulation

live live room room reception Stairs / elevators

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admin

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stage seating iso and auidience Sound Lock Rooms

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admin

Stairs / elevators

Stairs / elevators circulation Stairs/ Elevators practice recording

performance

admin

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admin

bathrooms Bathrooms

performance general

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education

Main Floor: Level 1

Stairs Stairs // elevators elevators

bathrooms

education

Mai

general

education

offices

general control room

sound lock

general control room

performance

practice recording

collaborative space collaborative space

Basement: Level 0

reception

iso

technical control rooms

offices

admin Administration Spaces

stage and auidience seating stage and auidience seating

live room live room

technical control rooms technical control rooms

iso iso

reception reception Reception

sound lock sound lock

offices Offices

general control room general control room

general control room

storage storage

Storage Rooms reception

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Basement: Level Main0Floor: Level 1

Main Floor: Level 1

general control room general control room

Plans

// elevators elevators

ooms ooms

stage and auidience seating

live room

storage

technical control rooms

iso

reception

sound lock

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general control room

SCALE: 1/8” = 1’-0”

BASEMENT

ation ation

PARTI I

general control room

SCALE

1'-0" = 1/16" .

SCALE: 1/8” = 1’-0”

admin

CALLIE WALTON

SCALE

9 FEBRUARY 2019

1'-0" = 1/16" .

admin

PARTI I

1'-0" = 1/16" .

CALLIE WALTON

SCALE

Stairs / elevators

atorsrecording ctice

9 FEBRUARY 2019

PARTI I

admin

Admin Floor: Level 3

SCALE: 1/8” = 1’-0”

BASEMENT

practice recording general

1ST FLOOR

CALLIE WALTON 9 FEBRUARY 2019

bathrooms

admin ctice recording

storage

ace general

admin circulation

live live room room reception Stairs / elevators

ooms live room

ntrol Rooms bathrooms

iso iso offices

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1ST FLOOR

CALE: 1/8” = 1’-0”

BASEMENT

SCALE: 1/8” SCALE: = 1’-0” 1/8” = 1’-0” PARTI I

BASEMENT

PARTI I

PARTI I

SCALE

SCALE

1'-0" = 1/16" .

1'-0" = 1/16" .

CALLIE WALTON

CALLIE WALTON

9 FEBRUARY 2019

9 FEBRUARY 2019

SCALE

1'-0" = 1/16" .

1ST FLOOR

SCALE: 1/8” SCALE: = 1’-0” 1/8” = 1’-0” PARTI I SCALE

1'-0" = 1/16" .

CALLIE WALTON

CALLIE WALTON

9 FEBRUARY 2019

9 FEBRUARY 2019

1ST FLOOR PARTI I

33

SCALE

1'-0" = 1/16" .

CALLIE WALTON 9 FEBRUARY 2019

SCA

general

Basement: Level 0

Stairs / elevators

general

bathrooms

Basement: Level 0

Schematic Floor Plans

Stairs / elevators

circulation

bathrooms

general Schematic Floor Plans circulation

education

Stairs / elevators

performance

practice recording

Performance / Eventgeneral Space

admin bathrooms

Stairs / elevators

education

performance general

practice recording

Performance / Event Space

admin

circulation

bathrooms

Stairs / elevators circulation

general collaborative space

bathrooms

Stairs / elevators

circulation

general

bathrooms

collaborative space

bathrooms

reception

education performance Educational Collaborative Space live room

general control room

sound lock

practice recording admin Practice / Recording

live room

Spaces stage and auidience seating

technical control rooms

practice recording

practice recording

technical control rooms

live room

iso

stage and auidience seating

collaborative space

storage general control room

admin Administration Spaces live room

storage sound lock

offices reception

iso general control room sound lock

offices

general control room

storage sound lock

general control room

offices reception

iso

technical control rooms

reception

reception

live room

admin Administration Spaces

stage and auidience seating

performance

storage

iso

technical control rooms

general control room

collaborative space

education

offices

stage and auidience seating

collaborative space

collaborative space

performance

admin

offices

practice recording admin Spaces Practice / Recording

circulation

education

admin

reception

general control room

performance

practice recording

storage

sound lock iso

technical control rooms

general control room

circulation bathrooms

iso

performance

Stairs / elevators

education

storage

technical control rooms

general control room circulation

practice recording

live room

stage and auidience seating

Stairs / elevators

general education

education performance Educational Collaborative Space

stage and auidience seating

general control room collaborative space

stage and auidience seating

live room general control room

stage and auidience seating

collaborative space

sound lock

live room

offices

storage sound lock

general control room

offices reception

iso

technical control rooms

storage

general controlreception room

iso

technical control rooms

general control room sound lock

general control room

offices

general control room

Basement: Level 0 Basement: Level 0

Main Floor: Level Main1Floor: Level 1

Admin Floor:Admin Level 3Floor: Level 3

1ST FLOOR

Basement: Level 0

Main Floor: Level 1

Admin Floor: L

PARTI I

SCALE: 1/8” = 1’-0” SCALE

1'-0" = 1/16" .

1ST FLOOR PARTI I

CALLIE WALTON 9 FEBRUARY 2019

SCALE: 1/8” = 1’-0” SCALE

1'-0" = 1/16" .

CALLIE WALTON 9 FEBRUARY 2019

1ST FLOOR PARTI I

1ST FLOOR

Basement: Level 0 1’-0” 1/8” = 1’-0” SCALE: Main Floor:SCALE: Level 11/8” =

PARTI I

ALE: 1’-0” 1/8” = 1’-0” SCALE: evel 01/8” = SCALE

SCALE

1'-0" = 1/16" .

1'-0" = 1/16" .

CALLIE WALTON

CALLIE WALTON

9 FEBRUARY 2019

9 FEBRUARY 2019

BASEMENT

BASEMENT

PARTI I

PARTI I

SCALE

SCALE

1'-0" = 1/16" .

1'-0" = 1/16" .

CALLIE WALTON

CALLIE WALTON

9 FEBRUARY 2019

9 FEBRUARY 2019

Main Floor: Level 1 1’-0” 1/8” = 1’-0” SCALE: Admin Floor:SCALE: Level 31/8” = 1ST FLOOR PARTI I

1ST FLOOR PARTI I

SCALE: 1/8” = 1’-0” SCALE

1'-0" = 1/16" .

SCALE: 1/8” = 1’-0”

BASEMENT

1ST FLOOR PARTI I

SCALE

SCALE

1'-0" = 1/16" .

1'-0" = 1/16" .

CALLIE WALTON

CALLIE WALTON

9 FEBRUARY 2019

9 FEBRUARY 2019

34

SCALE: 1/8” =

Floor Plans: NTS

Basement Floor 35

Education- Main Floor

Performance- Main Floor

A XI

A

XI

A

B

B

XI

B

2

2

3 3

3

3

3

3

3

3

3

3

3

06

3

3 2

ABD

DA B

3

3 3 3

2

3

06

3 3

3

3

3

3

3

3

3

3 3 3 3 3

D A B 06 3

3 2

2ND FLOOR 2nd Floor 38

2

3

3

3rd Floor 39

4TH FLOOR 4th Floor 40 SCALE

Reflected Ceiling Plan: NTS

41

Interior Elevations

Performance Stage

Recording and Practice Rooms

Exterior Building

42

Soul Sphere

Stage

Performance Stage

Retractable Wall With Windows

INTERIOR ELEVATION 2 PARTI I SCALE

1'-0" = 1/8" CALLIE WALTON 11 APRIL 2019

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Building Section / Perspective

LANDING 2

LANDING 1

GRAPHIC SCALE IN FEET 12345

20

BU SE

PAR

SCA

1'-0

CAL

11 A

44

48

49

Interior / Exterior Perspectives

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48

49

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Works Cited Leitermann, Gene. Theater Planning: Facilities for Performing Arts and Live Entertainment.

Taylor & Francis, 2017.

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Bio I am originally from Charlotte, North Carolina and am a senior at Texas Christian University in Fort Worth, Texas. I am a fourth-year student in the Interior Design Program with a minor in Architectural Lighting Design. Apart from TCU program I am also one of the founders as well as the current treasurer of TCU’s IIDA program.

DESIGN STATEMENT: “I believe that the power of a sustainable, innovative, and nurturing environment comes from the little things; the design details that we, as designers in all fields, can compose to brighten and enhance the human experience, creating a better world through the formation of architecture.”

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