Illuminations and Glory! | Nov. 5, 2023

THE

DEALERSHIP

28TH CONCERT SEASON 2023-2024

SEPT 10, 2023, SUN, 5PM Rudder Theatre *

VAN CLIBURN ‘22 SILVER & BRONZE

A N N A G E N I U S H E N E , piano D M Y T R O C H O N I , piano Piano Solo & Duo

OCT 13, 2023, FRI, 7PM Rudder Theatre *

JAZZ GRAMMY® AWARD-WINNERS

CÉCILE McLORIN SALVANT, voice & visual art

SULLIVAN FORTNER, piano NOV 14, 2023, TUE, 7PM

FRE E

A&M United Methodist Church

PARKER RAMSEY, harp BRANDON PATRICK GEORGE, flute FRE E

FEB 29, 2024, THUR 7PM A&M United Methodist Church

QUARTETTO DI CREMONA APR 8, 2024, MON, 1:39PM Century Square

FRE E

2024 SOLAR ECLIPSE PROJECT APRIL 11, 2024, THUR 7PM Rudder Theatre *

CHANTICLEER

Vocal A Cappella Ensemble

* Tickets at MSC Box Office & fcmtx.org

Contact FCM at info@fcmtx.org Nina Astin Winkler Charitable Trust

Rea Charitable Trust

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2 | YOUR PROFESSIONAL ORCHESTRA

CELEBRATING A SEASON FULL OF

SMILING

OVATIONS!

STEPHEN R. WRIGHT D.D.S. & ANDREW F. NAEGER D.D.S.

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COSMETIC DENTISTRY | GENERAL & PREVENTIVE DENTISTRY | SMILE DENTISTRY

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4 | YOUR PROFESSIONAL ORCHESTRA

OUTSTANDING LIVE PERFORMANCES | 5

6 | YOUR PROFESSIONAL ORCHESTRA

THE 2023-2024

Concert Season

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s g n o S frome th y e n r Jou

-24 2023so Sea n

The Chorale’s 55th Season follows the progression of the folksong from the homeland to the new land while also encapsulating the human experience and journey through song.

7pm Oct 21

Songs from the Homeland highl highlights a variety of folk songs familiar to people of all ages. It begins with Joseph Martin’s, The Awakening, and its powerful text, I dreamed a dream, a silent dream of a land not far away. This sets the stage for a musical review of familiar folk songs from the homeland that, musically, bring us to our new home, setting the stage for our March concert, Songs of the Traveler.

5pm Dec 9

What Sweeter Music Can We Bring is designed to get you and your family in the Christmas spirit! The first half brings some of your favorite traditional and non-traditional Christmas pieces. The second half will feature a guest narrator reading one of your favorite Christmas stories, ‘Twas the Night Before Christmas, with traditional sing-along Christmas carols sprinkled throughout.

Be sure to stick around for the end of the concert with your young ones because we may have a guest visitor all the way from the North Pole!

7pm Feb 24

Songs of the Traveler is a continuation of our first concert and focuses more on the folk songs of America through the lens of Randall Thompson and Aaron Copland. The theme of journey and travel is continued but now through the vantage point of one who has arrived in America. A guest artist will perform the Ralph Vaughan Williams setting of Songs of the Traveler.

5pm Apr 28

The Road Home focuses on the conclusion of one’s journey from the viewpoint of arriving at their new-found home all the way from the homeland, but also the end of one’s journey here on earth. This concept is epitomized through Schubert’s Mass in G and Faure’s Requiem. And we end the season with the beautiful setting of Stephen Paulus’s, The Road Home, the perfect piece to highlight the duality of two different journeys coming to a close.

First Presbyterian Bryan

Holy Cross Lutheran College Station

First Presbyterian Bryan

Holy Cross Lutheran College Station

bvchorale.org/concerts

This program made possible in part through h Hotell Tax Revenue funded from the City of College Station through the Arts Council of Brazos Valley. This project is supported in part by an award from the National Endowment for the Arts, the Texas Commission for the Arts, the Eugene Edge Charitable Trust, and the Plass Arts Foundation. To nd out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

8 | YOUR PROFESSIONAL ORCHESTRA

MUSIC

Director 27 YEARS

Marcelo Bussiki is the music director/conductor of the Brazos Valley Symphony Orchestra.

He is also the Vice-Chancellor of Academic Affairs at Blinn College. He has had a passion for music since his early years.

Born in Cuiaba, capital of Mato Grosso State in Brazil, Bussiki left home at age 14 to study at the Brazilian Conservatory of Music in Rio de Janeiro.

He continued his conducting studies under Maestro Roberto Duarte at Rio de Janeiro Federal University. Upon graduation, he Marcelo Bussiki was named music director of the orchestra of the Federal University of Mato Grosso, a position he held for six years. Bussiki was awarded knighthood in the Ordem de Merito de Mato Grosso in recognition of his pioneering work in cultural expansion and musical education. He received the title of Oficial, the highest honor that the executive power can confer upon an artist in Brazil.

Bussiki came to the United States in 1992 under a scholarship from the Brazilian government and studied at the Moores School of Music at the University of Houston. From 1994-1996, he directed that university’s New Music Ensemble, developing an extensive repertoire of modern and contemporary music. He received a doctorate of musical arts in conducting from the University of Houston in 1998.

During his tenure with the Brazos Valley Symphony, Bussiki has been in demand as a guest conductor in Texas and out of state. In September, 2002, he returned to his native Brazil under sponsorship from the Brazilian National Bank in Rio de Janeiro to conduct 15 performances of Gaetano Donizetti’s opera Viva la Mama, as well as other symphony concerts in Rio de Janeiro and Brasilia. In October 2001, he conducted a premiere performance of the Organ Concerto by vanguard U. S. composer Lou Harrison, featuring organist John Walker and the Carnegie-Mellon Percussion Ensemble, in Pittsburgh, Pennsylvania. Dr. Bussiki conducts several concerts a year at the International Festival Institute at Round Top, Texas. He was conductor for the International Guitar Festival in 2005, 2006, and again in 2016. In 2014, Bussiki was awarded the “Artist of the Year” honor by The Arts Council.

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PROUDLY SUPPORTS THE BRAZOS VALLEY SYMPHONY ORCHESTRA

10 | YOUR PROFESSIONAL ORCHESTRA

CONCERT

Program Concert Sponsor: The Clearfield Family

Illuminations and Glory!

Sunday, November 5, 2023 • 5:00pm Rudder Theatre

Marcelo Bussiki, conductor Bethany Clearfield, soprano Bronwen Forbay, soprano Galina Ivannikova, mezzo-soprano Brazos Valley Chorale / Texas A&M Chamber Singers, Thomas Gerber

Weichet nur betrübte Schatten, BWV 202 “Wedding Cantata”

Bach

I. Weichet nur, betrübte Schatten II. Die Welt wird wieder neu III. Phoebus eilt mit schnellen Pferden IV. Drum sucht auch Amor sein Vergnügen V. Wenn die Frühlingslüfte streichen VI. Und dieses ist das Glücke VII. Sich üben im Lieben VIII. So sei das Band der keuschen Liebe IX. Sehet in Zufriedenheit

Les illuminations, Op. 18 I. Fanfare II. Villes III. Phrase and Antique IV. Royauté V. Marine VI. Interlude VII. Being beauteous VIII. Parade IX. Départ

Gloria in D major, RV 589

Britten

• INTERMISSION •

Vivaldi

I. Gloria II. Et in terra pax III. Laudamus te IV. Gratias agimus tibi V. Propter magnam gloriam VI. Domine Deus VII. Domine, Fili unigenite VIII. Domine Deus, Agnus Dei IX. Qui tollis peccata mundi X. Qui sedes ad dexteram Patris XI. Quoniam tu solus sanctus XII. Cum Sancto Spiritu

This program made possible through the support of the Texas Commission on the Arts and the National Endowment for the Arts

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GUEST

Artist

Bethany Clearfield

With a voice the Chicago Tribune called “gloriously pealing,” and the Chicago Classical Review declared “gleaming shafts of hopeful light,’’ international soprano Bethany Clearfield strives to create magic with every performance.

Clearfield earned a jazz studies degree from Roosevelt University in Chicago, followed by a masters in voice from the Royal Scottish Academy of Music and Drama in Glasgow, Scotland. She proudly claims over a decade of experience performing as a soloist and ensemble member of the Grant Park Chorus, Chicago Symphony Chorus, Music of the Baroque, William Ferris Chorale, and Chicago a cappella, and is currently on the professional roster at the American Cathedral in Paris and Ensemble Créations in Marseille. She is featured on numerous choral recordings as well as new music projects, such as John Elmquist’s HardArt Groop, and composes original music for the band Outertown.

Clearfield has been most recently featured with the Chicago Symphony Orchestra to glowing reviews. In Reena Esmail’s See Me, a companion piece to Beethoven’s 9th Symphony, the Chicago Tribune declared her solo performance “nothing short of magical.” She has also recently been featured as soloist with the Grant Park Music Festival in Chicago, in Dvorak’s Stabat Mater with the Open Chamber Orchestra in Paris, in Mendelssohn’s Symphony No. 2 Lobgesang at the esteemed Saint-Eustache, and at 360 Music Factory in Paris and Studio Garlaban in Marseille performing her original compositions.

Passionate about sharing the joy of singing with all, Bethany Clearfield served as an educator with Music of the Baroque’s Strong Voices program and the Chicago Symphony Orchestra Lullaby Project in cooperation with Carnegie Hall. In 2017, Julia Rhoads and Hubbard Street Dance invited Clearfield to collaborate as a vocal coach and arranger for a new work featuring a live soundtrack performed by the dancers themselves. Following this success, Rhoads and Clearfield further developed the work along with Lucky Plush Productions, culminating in the premier of the award-winning Rink Life in November 2019 at Steppenwolf Theater, which toured the United States for the next three years. During the 2021-22 season, Clearfield was awarded Lucky Plush’s Embodied Research grant to develop a recording and composition project centered on the concept of breath.

Clearfield is delighted to rejoin the Brazos Valley Symphony Orchestra and Maestro Bussiki, following a performance of Lutosławski’s Chantefleurs et Chantefables during the 2022-23 season.

She currently resides in Marseille, France where she can most often be found writing music and swimming in the Mediterranean Sea. OUTSTANDING LIVE PERFORMANCES | 13

GUEST

Artist

Bronwen Forbay

Hailed by Opera Magazine as “At once powerful, radiant, timbrally beautiful, and balanced throughout the range, her soprano is that of a singer at the top of her game”, Durban-born South African Fulbrighter DR. BRONWEN FORBAY’S operatic successes include critically acclaimed performances of Mozart’s Queen of the Night (The Magic Flute) with the Wolf Trap Opera Company, Eugene Opera, and Tulsa Opera. Other celebrated roles include Orasia, Queen of Thrace (U. S. premier of Telemann’s Orpheus), Adina (L’Elisir d’amore), Velmyra (Wading Home) by Mary Alice Rich, Violetta (La Traviata), and the title role in Lucia di Lammermoor with the Cape Town Opera. Concert appearances as a soloist include standard and modern works including Bach’s B Minor Mass (Santa Fe), Handel’s Creation (Cincinnati), Mozart’s Requiem (on tour in Northern Italy: Venice, Verona, Vicenza), Mendelssohn’s Elijah (Dallas), Beethoven’s Missa Solemnis (Tulsa), Miller’s ReWind Cantata for Voice, Tape, and Testimony (Royal Festival Hall, London), and Mnomiya’s Ingqai sivele we-Africa (Durban). An avid recitalist, Forbay has performed throughout South Africa, the US, and Europe at notable venues including the American Cathedral in Paris (France) Les Arts Georges V recital series, and with Dr. Stephen Pierce (piano) at the University of Southern California (Los Angeles). Successful in several voice competitions, Forbay was awarded the 2007 Standard Bank Young Artist Award for Music (a prestigious national South African award whose recipients include Pretty Yende). Selected for the renowned NATS Intern Program in 2013, Forbay has presented at DFW NATS, TEXOMA NATS, National NATS, CMS National Conferences, and ICVT. She is a highly sought-after adjudicator and clinician and frequently serves in this capacity for the Schmidt Vocal Arts Organization.

An Associate Professor of Voice at Furman University (Greenville, SC, USA), Dr. Forbay served on faculty at the University of KwaZulu-Natal (Durban, South Africa) while fulfilling her Fulbright two-year homestay requirement. She has taught at the University of Mary-Hardin Baylor (Belton, TX), Sam Houston State University (Huntsville, TX), and the McLennan Community College (Waco, TX).

Dr. Forbay holds degrees from the University of KwaZulu-Natal, Manhattan School of Music, Southern Methodist University, University of Cincinnati, CCM, and is the first South African woman to earn a DMA in Voice Performance. She served as TMTA Voice Contest Chair from 2018-2021, is a member of the NATS International Advisory Committee, is President-elect of Furman’s Black Faculty and Staff Association, and is the Treasurer of the South Africa Chapter, NATS. Forbay’s research interest focuses on illuminating DEI in Afrikaans Art Song Literature and exposing it to a wider audience. Two articles on Afrikaans Lyric Diction co-authored with colleague Dr. Christian Bester were published in the NATS Journal of Singing in 2022. Afrikaans Art Song Literature: Translation and Pronunciation Guide also coauthored with Dr. Bester, will be published by OUP in 2024.

14 | YOUR PROFESSIONAL ORCHESTRA

GUEST

Artist

Galina Ivannikova

“As Ulrica, Galina Ivannikova displayed a glorious voice reminiscent of the Golden Age Tradition.

In “Re dell’abisso”, Ivannikova had such a powerfully, even-toned mezzo voice, that the listener’s only regret was that she sang just one scene. “ Bruce Michael Gelbert of NY Art Ukrainian-American dramatic mezzo-soprano Galina Ivannikova is hailed by critics alike for her rich, lustrous voice aptly gusty, and her emotion pitch-perfect. She possesses a big glorious Verdi voice of Golden Age tradition.”

The 2022-2023 season had Ivannikova portrayed the roles of Madam Flora from Menotti’s The Medium and La Frugola in Puccini’s Il Tabarro with Regina Opera, NY. She successfully performed as a soloist of Beethoven’s 9th Symphony with Brazos Valey Symphony orchestra, TX, as well as many concerts in NYC area.

While keeping busy during the pandemic, she performed online concerts, judged competitions, and recorded several marks by modern composers.

The 2019-2020 season kicked off successfully with performances as Brangäne in Wagner’s Tristan und Isolde with Connecticut Lyric Opera, as well as an acclaimed aria concert with Nothern Art Center, Yellowknife, NT, Canada.

The 2018-2019 season had Ivannikova portraying the roles of Amneris in Verdi’s Aida with Gateway Classical Opera Society , Eboli in Verdi’s Don Carlo with Connecticut Lyric Opera, the Mezzo Soloist in Mahler’s Das Lied von der Erde, Waltraute in Wagner’s Götterdämmerung with NYWOG, Azucena in Verdi’s Il Trovatore and The Witch in Humperdinck’s Hansel and Gretel with Regina Opera, Ulrica in Verdi’s Un Ballo in Maschera with Amore Opera, plus numerous concert appearances.

The 2017-2018 season included engagements as Carmen in Bize’s Carmen with Lyric Theater D’Europa, Leonora in Donizetti’s La Favorite with NYWSO, and Amneris with both Connecticut Lyric Opera and West Side Opera Society.

In 2016-2017, Ivannikova appeared as La Cieca in Ponchielli’s La Gioconda with NJ Verismo Opera, Amneris with Lyric Theater D’Europa, Innkeeper/Marina Mnishek in Mussorgsky’s Boris Godunov with Commonwealth Opera Theater of Boston, or wich London Opera Magazine said, “Ivannikova has an imposing instrument and passion!”

In previous seasons, she brought critical acclaim to the roles of Amneris in Verdi’s Aida, Azucena in Verdi’s Il Trovatore, Ulrica in Verdi’s Un Ballo in Maschera, Maddalena in Verdi’s Rigoletto, Marta in Tchaikovsky’s Iolanta with VP NYC, Principessa in Cilea’s Adriana Lecouvreur, Nickklasusse/ Muse in Tales of Hoffmann, the title role in Bize’s Carmen, Erda in Wagner’s Die Walküre, Olga/Nurse/Larina in Tchaikovsky’s Eugeny Onegin, the Mezzo Soloist in the Verdi Requiem, Santuzza in Mascagni’s Cavalleria Rusticana, and Fricka in Wagners’ Die Walküre.

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GUEST

Artist

Thomas Gerber

Thomas Gerber is the Assistant Director of Choral Activities at Texas A&M University where he conducts the Women’s Chorus and Century Singers.

Originally from Austin, Minnesota, Thomas Gerber serves as the Assistant Director of Choral Activities at Texas A&M University, where he is honored to direct the Century Singers and Women’s Chorus. Before arriving at Texas A&M, he served as Music Director at Bishop England High School, where he conducted the Mixed Choir, Chorale, and Chamber Choir.

During his tenure, the choirs of Bishop England made their Carnegie Hall debut, performing Lauridsen’s Lux Aeterna and the Carnegie Hall premiere of William Menefields, Prism. In 2016 he was the recipient of the Outstanding New Faculty Member award. During his time at Bishop England, he also taught music history and music theory and was music director for the annual Spring musicals.

Gerber served as the Associate Music Director of the Charleston Symphony Orchestra Chorus from 2018-2020. During this time, he had the pleasure of preparing annual performances of Handel’s Messiah.

Additionally, in 2019 he prepared the chorus for Harry Potter and the Prisoner of Azkaban™ in collaboration with CineConcerts and their Harry Potter™ Film Concert Series.

Gerber received his Bachelor of Arts in Choral and Instrumental Music Education from Luther College in Decorah, IA, under Dr. Allen Hightower and Dr. Edwin Andereck, where he was a section leader of the internationally acclaimed Nordic Choir. Gerber received his Master of Music in Choral Conducting from the University of Cincinnati CollegeConservatory of Music in Cincinnati, OH, under the tutelage of Dr. Earl Rivers and Dr. Brett Scott while also studying voice with David Adams.

While at CCM, Gerber served as a graduate research assistant to Dr. Eva Floyd and also taught the undergraduate voice methods class and voice lessons. Currently, he is finishing up his DMA in Choral Conducting with a related field in Vocal Pedagogy at the University of North Texas, Denton, TX, where he is a student of Dr. Allen Hightower, Dr. Kristina MacMullen, and Dr. Stephen Austin.

Gerber has an extensive background in outdoor ministry and enjoys working with students of all ages and abilities. He has a strong desire to make music available to those who might not have the opportunity or the means. He is passionate about getting as many people involved in a choir as possible, all while creating a sense of community through musical creation. When he’s not performing, Tom can be found jogging or walking his dog, Chloe, and enjoying the outdoors!

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UPCOMING

Event

Holiday Pops!

December 10, 2023 at 5 PM Christ Church

Featuring James Faith, Organist Christ Church Sanctuary Choir and Canticle Bell Ringers College Station Varsity Choir Come enjoy one of the Brazos Valley’s most anticipated holiday season events – the BVSO, the Christ Church Sanctuary Choir and Canticle Bell Ringers, and more performing holiday favorites. What better way to get into the holiday spirit!

Program Holiday Selections for Brass, Organ, and Choir

This concert was generously sponsored by: Becky and B. Don Russell OUTSTANDING LIVE PERFORMANCES | 17

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GRATEFUL

Acknowledgements

THE BRAZOS VALLEY SYMPHONY SOCIETY GRATEFULLY ACKNOWLEDGES GRANT, TRUST, AND COMMUNITY SUPPORT FROM:

The Clearfield Family Eugene Edge, III Charitable Trust The Ham Family Trust Gilbert & Thyra Plass Charitable Trust Plass Arts Foundation Union Pacific Rea Charitable Trust Nina Astin Winkler Charitable Trust

This program made possible in part through Hotel Tax Revenue funded from the City of College Station through The Arts Council. This project is also supported in part by an award from the National Endowment for the Arts.

IN-KIND SUPPORT AND SERVICES FROM:

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PROGRAM

Notes

Weichet nur betrübte Schatten BWV 202 “Wedding Cantata”

Johann Sebastian Bach

Johann Sebastian Bach was born in Germany on March 21, 1685, in Eisenach, Germany, and he died in Leipzig, Germany on July 28, 1750.

The date of the first performance of his “Wedding Cantata” is uncertain; recent scholarship places it sometime before 1717, while Bach was still working in Weimar. Of the hundreds of cantatas that Bach wrote, only a handful are secular in nature. This one was written to celebrate a wedding, perhaps for some of Bach’s friends or relatives. (The idea that it was for his own second wedding to Anna Magdalena in 1721 is sometimes circulated; this supposes a later date of composition, during Bach’s employment in Cöthen.) The cantata is scored for soprano solo, oboe, strings, and continuo, enabling it to be performed in an intimate setting. It consists of nine sections of alternating arias and recitatives. The text, sometimes attributed to Salomon Franck (1659-1725), the court poet at Weimar, describes the coming of spring driving away the shadow of winter, and bringing in the love shared by the happy couple. The tempos and instrumental configurations in the aria accentuate the mood of the texts.

I. Weichet nur, betrubte Schatten (aria)

Weichet nur, betrübte Schatten, Frost und Winde, geht zur Ruh! Florens Lust Will der Brust Nichts als frohes Glück verstatten, Denn sie träget Blumen zu.

Give way now, dismal shadows, Frost and wind, go to rest!

Flora’s delight will grant our hearts nothing but joyful fortune, for she comes bearing flowers.

II. Die Welt wird wieder neu (recitative)

Die Welt wird wieder neu, Auf Bergen und in Gründen Will sich die Anmut doppelt schön verbinden, Der Tag ist von der Kälte frei.

The world becomes new again, on hills and in valleys beauty will unite and be doubly fair, the day is free from cold.

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PROGRAM

Notes

III. Phoebus eilt mit schnellen Pferden (aria)

Phoebus hurries with swift horses through the newborn world, Yes, since this delights him so much, he himself wants to become a lover.

Phoebus eilt mit schnellen Pferden Durch die neugeborne Welt.

Ja, weil sie ihm wohlgefällt, Will er selbst ein Buhler werden.

IV. Drum sucht auch Amor sein Vergnugen (recitative)

Therefore Love also seeks his delight, when purple laughs in the meadows, when Flora’s splendour becomes glorious, and when in his kingdom, like the beautiful flowers hearts also are victorious in their ardour.

Drum sucht auch Amor sein Vergnügen, Wenn Purpur in den Wiesen lacht, Wenn Florens Pracht sich herrlich macht, Und wenn in seinem Reich, Den schönen Blumen gleich, Auch Herzen feurig siegen.

V. Wenn die Fruhlingslufte streichen (aria)

When the spring breezes blow and waft through the colourful fields, it is Love’s custom also to sneak out to see what is his own glory -and that, people believe, is this: when one heart kisses another.

Wenn die Frühlingslüfte streichen Und durch bunte Felder wehn, Pflegt auch Amor auszuschleichen, Um nach seinem Schmuck zu sehn, Welcher, glaubt man, dieser ist, Dass ein Herz das andre küsst.

VI. Und dieses ist das Glucke (recitative)

And this is good fortune, when through a lofty gift of fate two souls obtain one jewel, which is resplendent with health and blessing.

Und dieses ist das Glücke, Dass durch ein hohes Gunstgeschicke Zwei Seelen einen Schmuck erlanget, An dem viel Heil und Segen pranget.

VII. Sich uben im Lieben, in Scherzen sich Herzen (aria) Sich üben im Lieben, In Scherzen sich herzen Ist besser als Florens vergängliche Lust.

Hier quellen die Wellen, Hier lachen und wachen Die siegenden Palmen auf Lippen und Brust.

To become adept in love, to jest and caress is better than Flora’s passing pleasure.

Here the waves flow, here laugh and watch the palms of victory on lips and breast.

VIII. So wei das Band der keuschen Liebe (recitative) So sei das Band der keuschen Liebe, Verlobte Zwei, Vom Unbestand des Wechsels frei!

Kein jäher Fall Noch Donnerknall Erschrecke die verliebten Triebe!

May the union of chaste love, beloved couple, be free from the fickleness of change!

May no sudden accident, no thunderclap frighten your amorous desires.

IX. Gavotte : Sehet in Zufriedenheit tausend helle (aria) Sehet in Zufriedenheit Tausend helle Wohlfahrtstage, Dass bald bei der Folgezeit Eure Liebe Blumen trage!

See in contentment a thousand bright and prosperous days, so that soon as time passes your love may bear its flower!

English Translation by Francis Browne (August 2003) From the Bach Cantatas Website https://www.bach-cantatas.com/Texts/BWV202-Eng3P.htm

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PROGRAM

Notes

Les Illuminations Benjamin Britten

Benjamin Britten was born in Lowestoft, Suffolk, England on November 22, 1913, and he died in Aldeburgh, Suffolk, England on December 4, 1976. He composed his song cycle, Les Illuminations, in 1939, for the soprano Sophie Wyss, who was the soloist in its premiere on January 30, 1940 in Aeolian Hall, London. Wyss was a Swiss singer who settled in England; she and Britten were friends. The texts are taken from an eponymous collection by the talented but troubled French poet, Artur Rimbaud (1854-1891), with whom Britten sensed a common bond.

The cycle begins with a sentence from the eighth number, “Parade”: “I alone hold the key to this savage parade.” This utterance reappears as the “Interlude,” and in “Parade” itself, thus serving as a “key” to the entire work. The music is scored for string orchestra; Britten uses many unusual techniques in the strings to imitate other instruments and sounds. Though originally intended for soprano, Les Illuminations is sometimes performed by a tenor. In fact, Britten’s partner, Peter Pears, made a recording of it.

I. Fanfare

J’ai seul la clef de cette parade sauvage.

II. Villes

Ce sont des villes! C’est un peuple pour qui se sont montés ces Alleghanys et ces Libans de rêve! Des chalets de cristal et de bois se meuvent sur des rails et des poulies invisibles. Les vieux cratères ceints de colosses et de palmiers de cuivre rugissent mélodieusement dans les feux. [––] Des cortèges de Mabs en robes rousses, opalines, montent des ravines. Là-haut, les pieds dans la cascade et les ronces, les cerfs tettent Diane. Les Bacchantes des banlieues sanglotent et la lune brûle et hurle. Vénus entre dans les cavernes des forgerons et des ermites. Des groupes de beffrois chantent les idées des peuples. Des châteaux bâtis en os sort la musique inconnue. [––] Le paradis des orages s’effondre. Les sauvages dansent sans cesse la fête de la nuit. [––] Quels bons bras, quelle belle heure me rendront cette région d’où viennent mes sommeils et mes moindres mouvements?

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I alone hold the key to this savage parade.

These are cities! This is a people for whom arose these Alleghenies and Lebanons from dreams! Chalets of crystal and wood move on invisible rails and pulleys. Old craters encircled by colossuses and copper palmtrees, roar melodiously in the fires.[––] Processions of Mabs in russet, opaline gowns climb the ravines. Farther up, with their feet in the waterfall and the brambles, stags suckle Diana. The Bacchantes of the suburbs sob, and the moon burns and howls.

Venus enters into the caverns of blacksmiths and hermits. Groups of belfries sing the ideas of the people. Unknown music pours forth from castles built of bone. [––] The paradise of storms collapses. Savages ceaselessly dance out the festival of the night. [––] What lovely arms, what beautiful hour will give me back that region from where my sleep and my slightest movements come?

PROGRAM

Notes

III a. Phrase

J’ai tendu des cordes de clocher à clocher; des I stretched some cord from steeple to guirlandes de fenêtre à fenêtre; des chaînes steeple; some garlands from window to d’or d’étoile à étoile, et je danse window; some chains of gold from star to star, and I dance.

III b. Antique

Gracieux fils de Pan! Autour de ton front couronné de fleurettes et de baies, tes yeux, des boules précieuses, remuent. Tachées de lies brunes, tes joues se creusent. Tes crocs luisent. Ta poitrine ressemble à une cithare, des tintements circulent dans tes bras blonds. Ton cœur bat dans ce ventre où dort le double sexe. Promène-toi, la nuit en mouvant doucement cette cuisse, cette seconde cuisse et cette jambe de gauche.

Gracious son of Pan! Around your forehead crowned with tiny flowers and berries, your eyes––precious globes––stir. Stained by brown lees, your cheeks grow gaunt. Your fangs gleam. Your bosom resembles a zither, ringing sounds circulate between your blond arms. Your heart beats in that belly where the double sex sleeps. Walk, the night gently moving that thigh, that second thigh, and that left leg.

IV. Royauté

One beautiful morning, in the land of a very Un beau matin, chez un peuple fort doux, un gentle people, a superb man and woman homme et une femme superbes criaient sur cried out in the public square, “Friends, I la place publique: “Mes amis, je veux qu’elle want her to be queen!” “I want to be queen!” soit reine!” “Je veux être reine!” Elle riait et She laughed and trembled. He spoke to his tremblait. Il parlait aux amis de révélation, d’épreuve terminée. Ils se pâmaient l’un contre friends of revelation, of hard trials finished.

They swooned, one against the other. l’autre.

En effet ils furent rois toute une matinée où les In effect, they were kings for a whole morning as crimson hangings were raised tentures carminées se relevèrent sur on the houses, and all afternoon as they les maisons, et tout l’après-midi, où ils advanced towards the gardens of palms. s’avancèrent du côté des jardins de palmes.

IV. Marine

Les chars d’argent et de cuivre Les proues d’acier et d’argent— Battent l’écume,— Soulèvent les souches des ronces.

Les courants de la lande, Et les ornières immenses du reflux, Filent circulairement vers l’est, Vers les piliers de la forêt,–– Vers les fûts de la jetée, Dont l’angle est heurté par des tourbillons de lumière.

VI. Interlude

J’ai seul la clef de cette parade sauvage.

Chariots of silver and copper–– Prows of steel and silver–– Beat the foam–– Heave up the roots of bramble, The currents of the heath, And the immense ruts of the ebb-tide, Flowing in circles towards the east, Towards the pillars of the forest,–– Towards the posts of the jetty, Whose angle is struck by the turbulent whirlpool of light.

I alone have the key to this savage parade.

OUTSTANDING LIVE PERFORMANCES | 23

PROGRAM

Notes

VII. Being beauteous

Devant une neige un Être de Beauté de haute Against snow, a Being of Beauty of taille. Des sifflements de mort et des cercles heightened size. The hissing of death and de musique sourde font monter, s’élargir et circles of muted music make this adored trembler comme un spectre ce corps adoré: body rise, enlarge and tremble like a des blessures écarlates et noires éclatent dans specter: wounds of scarlet and black burst les chaires superbes. Les couleurs propres in the superb flesh. The proper colors of de la vie se foncent, dansent, et se dégagent life darken, dance, and emerge around the autour de la Vision, sur le chantier. Et les Vision, on the site. And shivers rise and frissons s’élèvent et grondent, et la saveur rumble, and the frenetic flavor of these forcenée de ces effets se chargeant avec les effects, charged with the mortal hissing and sifflements mortels et les rauques musiques raucous music that the world, far behind us, que le monde, loin derrière nous, lance sur hurls on our mother of beauty, ––she recoils, notre mère de beauté,––elle recule, elle se she rises up. Oh! Our bones are dressed dresse. O! nos os sont revêtus d’un once more in a new loving body. nouveau corps amoureux. Ô la face cendrée, l’écusson de crin, les bras Oh, the ashen face, the shield of horsehair, de cristal! le canon sur lequel je dois m’abattre the arms of crystal! the cannon on which I à travers la mêlée des arbres et de l’air léger! must strike through the melee of trees and the light air!

VIII. Parade

Des drôles très solides. Plusieurs ont exploité Some very ‘solid’ jesters. Several have vos mondes. Sans besoins, et peu pressés exploited your worlds. Without needs, and de mettre en œuvre leurs brillantes facultés in no hurry to put to work their brilliant et leur expérience de vos consciences. Quels faculties and their experience of your hommes mûrs! Des yeux hébétés à la façon de consciences. What mature men! Eyes la nuit d’été, rouges et noirs, tricolores, d’acier dazed, fashioned like a summer night, red piqué d’étoiles d’or; des faciès déformés, and black, tricolored, steel studded with plombés, blêmis, incendiés; des enrouements golden stars; features deformed, leaden, folâtres! La démarche cruelle des oripeaux!—Il pallid, incendiary; hoarse-throated frolickers! y a quelques jeunes.

The cruel swagger of rags! There are a few [––] young ones. Ô le plus violent Paradis de la grimace [––] enragée !

Oh the most violent paradise of the enraged [––] grimace!

Chinois, Hottentots, bohémiens, niais, hyènes, [––] Molochs, vieilles démences, démons sinistres, Chinese, Hottentots 1, bohemians, naïve ils mêlent les tours populaires, maternels, deniers, hyenas, Molochs, old insanities, avec les poses et les tendresses bestiales. Ils sinister demons, they mingle populist, interpréteraient des pièces nouvelles et des maternal tricks with bestial poses and chansons « bonnes filles ». Maîtres jongleurs, tenderness. They would interpret new pieces ils transforment le lieu et les personnes, et and “nice girl” songs. Master jugglers, usent de la comédie magnétique. they transform places and people and use magnetic comedy....

J’ai seul la clef de cette parade sauvage.

I alone have the key to this wild parade.

IX. Départ

Assez vu. La vision s’est rencontrée à tous les airs. Assez eu. Rumeurs des Villes, le soir, et au soleil, et toujours. Assez connu. Les arrêts de la vie.–– O Rumeurs et Visions! Départ dans l’affection et le bruit neufs!

24 | YOUR PROFESSIONAL ORCHESTRA

Enough seen. The vision has been encountered under all skies. Enough had.

Sounds of cities, at evening, in the sun, and always. Enough known. The stopping of life.–– Oh Sounds and Visions! Departure into new affection and noise.

PROGRAM

Notes

Gloria in D major, RV 589 Antonio Vivaldi

Antonio Vivaldi was born in Venice, Italy, in 1678 and he died in Vienna, Austria in 1741. He composed this setting of the Gloria around 1715 for the Ospedale della Pieta, an orphanage for girls in Venice, where he was music director and composer in residence for many years. The girls received musical training and became accomplished musicians; some of them even adopted the names of their instruments as surnames. “The red-headed priest” (as Vivaldi was known) gave this sacred Latin text its full due in line the Baroque ideas of “affect” (or emotional impact on listeners) and of dramatic contrast. The very opening notes establish a joyful and majestic “affect.” Yet in the next movement, “Et in terra pax,” Vivaldi uses the minor mode and a constant eighthnote pulse to propel a build-up of dissonance as a plea for peace in world so lacking in it. One can imagine two young ladies from the Ospedale singing the sprightly “Laudamus te.” The gentle pastoral “Domine Deus, rex coelestis’, for soprano and oboe (or violin), portrays the King of Heaven as a shepherd. A dance-like dotted rhythm animates “Domine Fili unigenite”, whereas “Domine Deus, Agnus Dei’’ for alto solo and chorus introduces a more penitential “affect”. The opening theme returns in “Quoniam tu solus Sanctus,” providing an appropriate segue to the final chorus, an impressive double fugue, that is, a fugue based on two themes. Interestingly, this movement is Vivaldi’s adaptation of a fugue from a Gloria by Giovanni Maria Ruggeri, a little-known Italian composer. In the 18th century, such borrowing was considered a tribute; even Bach and Handel indulged in it.

OUTSTANDING LIVE PERFORMANCES | 25

PROGRAM

Notes

I. Glória in excélsis Deo (chorus) Glory to God in the highest, II. Et in terra pax homínibus bonæ voluntátis. (chorus) and on earth peace to people of good will.

III. Laudámus te, benedícimus te, adorámus te, glorificámus te (two sopranos) We praise you, we bless you, we adore you, we glorify you, IV. Grátias ágimus tibi ; Propter magnam glóriam tuam (chorus) We give you thanks for your great glory, V. Dómine Deus, Rex cæléstis, Deus Pater omnípotens (soprano) Lord God, heavenly King, O God almighty Father.

VI. Dómine Fili Unigénite, Iesu Christe (chorus) Lord Jesus Christ, Only Begotten Son, VII. Dómine Deus, Agnus Dei, Fílius Patris, qui tollis peccata mundi, miserére nobis. (alto with chorus) Lord God, Lamb of God, Son of The Father, you take away the sins of the world, have mercy on us; VIII. Qui tollis peccáta mundi, súscipe deprecatiónem nostram (chorus) you take away the sins of the world, receive our prayer; IX. Qui sedes ad déxteram Patris, miserére nobis. (alto) you are seated at the right hand of the Father, have mercy on us.

X. Quóniam tu solus Sanctus, tu solus Dóminus, tu solus Altíssimus, Iesu Christe (chorus) For you alone are the Holy One, you alone are the Lord, you alone are the Most High, Jesus Christ, XI. Cum Sancto Spíritu:in glória Dei Patris.Amen. (chorus) With the Holy Spirit, in the glory of God the Father. Amen.

English Translation by The United States Conference of Catholic Bishops (USCCB) From the Wikipedia Website https://en.wikipedia.org/wiki/Gloria_in_excelsis_Deo

Notes by Felicia Piscitelli

26 | YOUR PROFESSIONAL ORCHESTRA

UPCOMING

Event

Carmen

January 21, 2024 at 5 PM Rudder Theatre

Featuring Isaac Bustos, Guitar Alejandro Montiel, Guitar Program Manuel de Falla: El sombrero de tres picos, "Three-Cornered Hat": Suite No.1 Joaquin Rodrigo: Concierto Madrigal for Two Guitars Georges Bizet: Carmen Suites No. 1 and 2

This concert was generously sponsored by: Amarillo National Bank The Rea Charitable Trust OUTSTANDING LIVE PERFORMANCES | 27

Notes by Felicia Piscitelli

Dr. Monica D. Brown DDS, PA 979-696-8594 122 Walton Dr College Station, TX 77840 aggiedentist@hotmail.com 28 | YOUR PROFESSIONAL ORCHESTRA

OUTSTANDING LIVE PERFORMANCES | 29

30 | YOUR PROFESSIONAL ORCHESTRA

BRAZOS VALLEY

Symphony Orchestra

Violin I

Javier Chaparro

Cello

Creighton Miller Concertmaster Chair

Alex Caplis Tuttle Erika Elder Darbi Green Amanda Schubert Oscar Vera Yuan Wu

Violin II

Jane McCormick Principal Prudence McDaniel Brady Neyer

Bass

Gaven Krase Principal Christian Harvey

Adam Mikeal Principal Laura Callon Letty Fuentes Natalie Mann Sarah Mukadassi Lucina Reyes

Oboe

Viola

Trumpet

Luis Perez Principal John Holguin Sam Lee Carlo Mauricio

Rebecca Fairweather-Haskins Principal

Bassoon Eric Miller Principal Phil Scoles Principal

Harpsichord Mihai Vatca

OUTSTANDING LIVE PERFORMANCES | 31

32 | YOUR PROFESSIONAL ORCHESTRA

This program made possible in part through Hotel Tax Revenue funded from the City of College Station and the City of Bryan through the Arts Council of Brazos Valley.

@theatrebcs Scan for ticket information

OUTSTANDING LIVE PERFORMANCES | 33

Thank you to our Corporate Sponsors!

34 | YOUR PROFESSIONAL ORCHESTRA

Thank you to our Corporate Sponsors!

Dreamers Land & Minerals, Inc

Please be sure to let all our corporate sponsors know that you value their support of the Brazos Valley Symphony Orchestra.

OUTSTANDING LIVE PERFORMANCES | 35

BVSS

Board 2023-2024 BVSS Board of Directors

Ryan Becker, Secretary John Bohnsack, Past President Blanche Brick Marcelo Bussiki, Music Director Pierce Cantrell Sandra Castanon, Executive Director Benton Cocanougher, 1st Vice President Mike Connor Mildred Davis Blaine Decker, President Elect Sandy Farris, FASO President

Jonathan Griffin, Orchestra Representative Don Hellriegel, Treasurer Chuck Herman Sue Lee, 2nd Vice President Cathy Loving, President Adam Mikeal, Orchestra Representative Elizabeth Natsios Kathy Payne Matt Prochaska Gaines West Penny Zent, Orchestra Chair

36 || YOUR YOUR PROFESSIONAL PROFESSIONAL ORCHESTRA ORCHESTRA 36

FRIENDS ASSOCIATION OF THE

Symphony Orchestra

For the past 39 years, an auxiliary organization called FASO (Friends Association of the Symphony Orchestra) has provided the volunteer hours required to promote and stage the exciting Brazos Valley Symphony Orchestra concerts you enjoy each season.

We invite you to become a member of FASO this year to help increase educational opportunities and appreciation for classical music in the Brazos Valley. Membership applications may be found on the symphony website: bvso.org/faso/ Follow us on Facebook at @faso2021

2023-2024 FASO Officers Sandy Farris - President Becky Hall - President-Elect Sue Lee - Past President Sinead Dunne - 1st Vice President Jennifer Wood - 2nd Vice President Julie Flores - 3rd Vice President Beth Pennebaker - Secretary Anne Prescott - Treasurer Karen Melvin, Julia Beazer, Kathy Brewer - Members-at-Large Alice Hoelscher - TASO Representative OUTSTANDING LIVE PERFORMANCES | 37

PLEASE

Donate

38 | YOUR PROFESSIONAL ORCHESTRA

UPCOMING

Event

February 18, 2024 at 5 PM Rudder Auditorium

Embark on a captivating musical journey with the BVSO as they present an enchanting concert program, featuring Debussy's 'Clair de lune,' Mussorgsky's 'Pictures at an Exhibition,' and unique works by Ravel and Villa-Lobos, promising an unforgettable evening of sublime beauty and captivating storytelling through music.

Program Debussy Ravel Villa Lobos Mussorgsky

Clair de lune Le Tombeau de Couperin Bachianas brasileiras No.2, A247 Pictures at an Exhibition

OUTSTANDING LIVE PERFORMANCES | 39

Jeffrey C. Harris

Board Certified — Estate Planning & Probate Law Texas Board of Legal Specialization 302 Holleman Dr. East College Station, TX 77840

Phone: 979-696-9889 Email: jeff@ellisonlaw.com

Curtis L. Kaiser, D.D.S. 979-696-1121 Family & Cosmetic Dentistry 40 | YOUR PROFESSIONAL ORCHESTRA

Specializing in piano tuning, repair, moving & rentals 979-695-1475 www.pianoplacetexas.com

AUDIOVIDEO

909 UNIVERSITY DR. EAST, COLLEGE STATION, TEXAS 77840 PHONE: 979-268-6010

www.audiovideobcs.com

OUTSTANDING LIVE PERFORMANCES | 41

In late 2015, the Brazos Valley Symphony Society’s Board of Directors created an Endowment Committee and tasked them with the {seemingly} outrageous goal of raising one million dollars!

Once that goal was met in an astonishingly short period of time the Board charged our Endowment Committee to take our permanent endowment funding level to THREE million dollars!

Well guess what? We are closing in on that goal too!

Our Endowment Committee has announced we have just cleared the two-million-dollar mark and the end is in sight!

These last eight years, since our 2015 Board caught the vision for a permanent endowment fund, have seen unexpected changes we could have never imagined, but the music played on, and we never stopped believing in the treasure that is the BVSO! Preserving that treasure is OUR gift to future generations – and today we are literally on the precipice of reaching that goal.

Join us in our FINAL push forward to the finish line! There are many ways that you can support BVSO’s Endowment campaign. Please contact the BVSO office today to find out which one works best for you!

Gaines West Co-Chair BVSO Endowment Committee

Cindy Craigen Co-Chair BVSO Endowment Committee

For more information on how you can play a crucial role in the future of the BVSO please contact the BVSO Office at: 979-696-6100 or office@bvso.org 42 | YOUR PROFESSIONAL ORCHESTRA

Brazos Valley Symphony Society Permanent Endowment A strong endowment ensures that there is an enduring source of funding for immediate and future needs of this Brazos Valley treasure—the BVSO. Endowments grow over time to create a legacy of education, culture, and artistic development as they extend the impact of the donor’s generosity beyond a lifetime.

The investment income from the BVSO Permanent Endowment will provide a foundation for great symphonic music to continue in the Brazos Valley for the next generation and beyond.

ENDOWMENT FUND COMMITMENT LEVELS FOUNDERS

$100,000+

Diamond $50,000 - $99,999 Platinum $25,000 - $49,999 Gold $10,000 - $24,999 Silver $5,000 - $9,999 Bronze $1,000 - $4,999 Friend up to $999 OUTSTANDING LIVE PERFORMANCES | 43

Endowment Fund Contributors pledged or received as of September 29, 2023

Founders ($100,000+) Ruth Clearfield Memorial Fund Larry & Mary Koeninger Bert & Mary Loudon Gary & Lynn Martin Creighton & Jeannie Miller Bookman & Florence Peters Rose P. VanArsdel

Diamond ($50,000 - $99,999) Anonymous Carolyn McDaniel Ward & Diane Wells

Platinum ($25,000 - $49,999) In Memory of Evelyn & Fred Anderholm Tracy & Tamara Carter Penelope Kosztolnyik & Joe Ham Stephanie Sale & Jim Singleton Susan & Gaines West Linda & Dick Witherite 44 | YOUR PROFESSIONAL ORCHESTRA

Gold ($10,000 - $24,999) Anonymous Nancy E. & Mark Browning Maestro Marcelo Bussiki Carol & Pierce Cantrell Chrissie & Jay Granberry Lorraine & Chuck Hermann The Coulter & Lily Rush Hoppess Foundation, Inc. Jan & Bill Johnson Anonymous Cathy & Jerry Loving Joann Monroe John & Carol Nichols Joyce Nies & Peter Witt Valerie & David Woodcock Rodney & Penny Zent

Silver ($5,000 - $9,999) Don & Pat Allen Rice David & Joanne Claridge Bonnie & Otway Denny Linda & Paul Parrish Ellen & Penrod Thornton Elizabeth & Bill Ward

OUTSTANDING LIVE PERFORMANCES | 45

BRONZE ($1,000 - $4,999) Steven & Lisa Aldrich Bob & Dorothy Anderson

Randi & Averyt Knapp

Celebrating Virginia & Russell Mays

Karen Kubena

Althea Bair-Sutherland

Sue Lee

Briaud Financial Advisors Jo Berg Robert & Blanche Brick Taylor & Cindy Craigen Cydney Collier Donnell

Claire & John Lillie Marti Marberry & Thomas Roraff

John & Leslie Miller Andrew & Elizabeth Natsios

John & Naomi Fackler

Carol Parzen Joyce Perkins

Warren & Mary Finch

in Memory of Richard C. Perkins

Jan Folse

Rhonda Raphael

Jennifer Fredericks Stephen A. Fulling Phil & Zo Granberry Gary & Judy Hart Gary & Judy Hart

In Memory of Jeannie Miller

Sheran Riley Dave & Lou Ellen Ruesink Becky & B. Don Russell Carol & Mark Sadoski Thomas Sadoski & Amanda Seyfried

Edward E. & Ruth Anne Hazen

In Honor of Carol & Mark Sadoski

Alice & Clifford Hoelscher

Jack Skinner

Michael J. King & Robin L. Altholz

46 | YOUR PROFESSIONAL ORCHESTRA

FRIEND (UP TO $999) Sara Alpern Anonymous Kenneth & Kathi Appelt Pat & Sarah Ashburn Karen Bachman Carol & Doug Biggs Brett & Alisa Boatner Robert C. Borden Leonard L. Bowden Scott Ball & Janice Bradshaw Lorence & Zora Bravenec Karen Buck & Porscha Buck Jack & Mary Campbell Irwin & Claudia Carroll Dara & Judith Childs Charlotte Christman Robert H. Clearfield Franco & Sandra da Conturbia Olga & Brett Cooke Marian & Gus Cothran The Dangott Family Trust Mr. David Dellwo & Mrs. Nancy Inglis Ronald & Barbara Douglas Billie Elmendorf John Fackler In Memory of Jeannie & Creighton Miller Ann Fancher Chris & Sandra Farris Anonymous Rainer & Tammy Fink Jack & Anita Friedman Ivy V. Geiger Don & Rosemary Green Lisa Halperin & Jonathan Coopersmith Anonymous General Joe G. Hanover W.T. (Bill) Harper Susan & Rodney Hill Susan Irza Anonymous Myong & Pedro Ledesma Robert & Candace Leslie Karon & Glenn Mathews David & Jeanette McMahon In Memory of Tom Roraff

Dr. & Mrs. Glenn Miller Jane Miller Jeannie Miller In Memory of Tom Roraff Leon & Junett Noack In Memory of Tom Roraff Dr. Ozden Ochoa Mohsen & Terri Pourahmadi Matthew & Merrilee Prochaska The Quackenbush Kids Thomas & Liana Rike In Memory of Tom Roraff Larry & Jean Ringer The Family of Arthur & Rosalie Roraff In Memory of Tom Roraff Mary Frances Ross Schade Family Jay & Barbara Schleppenbach In Memory of Tom Roraff Timothy Seubert Mary Sherwood In Memory of Tom Roraff Matt & Toni Straley In Memory of Tom Roraff Barbara & Emil Straube Connie Swing Surrency Mrs. Dwayne (Carol) Suter Mrs. Ann W. Thompson Milton Thompson Margaret E. Touchstone Victor & Jo Ann Treat Harvey & Sandy Tucker Randy & Mary Ulery Brad & Pat Vinson Tom Vogel & Barbara Gastel Barbara Buffington Walker Bob Warden & Eva Read-Warden Doris & Rand Watson Anne & Thomas Wehrly Ann Wiatt Mary Jane Wiggins Lima & Joe Williams Dr. Arthur V. Wolfe Dr. & Mrs. Grant Wolfe William & Mary Young Gaines & Susan West In Memory of Jeannie Miller

OUTSTANDING LIVE PERFORMANCES | 47

SYMPHONY SOCIETY

Contributors

The Brazos Valley Symphony Society is most grateful to the individuals who, by their monetary commitment or through other unique forms of support, make possible the continued growth of the Brazos Valley Symphony Orchestra’s many outstanding artists, programs and services. Listed below are those individuals that have made gifts or pledges to the Symphony through the ANNUAL FUND DRIVE as of September 29, 2023 for the Orchestra’s 42nd season.

Premier Circle ($10,000+)

The Clearfield Family The Ham Family Trust Friends Association of the Symphony Orchestra Dreamers Land & Minerals, Inc

Maestro’s Circle ($5,000-$9,999) Becky & B. Don Russell

Concertmaster’s Circle ($2,500-$4,999) Gaines* & Susan West Benton Cocanougher*

Orchestra Circle ($1,000-$2,499) Bob & Dorothy Anderson Laura De Asarta Pat & Sarah Ashburn Donnie & Laura Becker Anonymous* Pierce Cantrell* In Memory of Carol Cantrell Mike* & Sheila Connor Blaine* & Hannah Decker Philip & Kay Goodwin Don Hellriegel* 48 | YOUR PROFESSIONAL ORCHESTRA

Chuck Hermann* & Lorraine Eden Sue Lee* Jerry & Cathy Loving* Jo Monroe Andrew & Elizabeth Natsios* John & Carol Nichols Karen & Michael Pilant Joyce Perkins Dean & Dorothy Wichern Grant & Wendy Wolfe Rod & Penny Zent*

SYMPHONY SOCIETY

Contributors

Michael J. King & Robin L. Altholz Paul Boatright Zou & Boyd Cherry Tom & Lynda Henry Jane Flaherty Jan Folse Claude & Joanna Gibson Albert & Mary Loudon

Rand & Doris Watson Peter Witt & Joyce Nies Ann Wiatt David & Valerie Woodcock Ward & Diane Wells Dick & Linda Witherite The Estate of Arthur Wolfe

Fred & Cheryl Anderholm Fuller & Gloria Bazer Ryan* & Kari Becker Robert & Blanche Brick* David & Joanne Claridge Ernest & Billie Elmendorf David Dellwo & Nancy Inglis

Gary & Judy Hart Rodger Koppa Randy & Kathy Payne* Dave & Lou Ellen Ruesink Mark & Carol Sadoski Robert & Katherine Thomas Tom Vogel & Barbara Gastel

Betty Aycock Mark & Nancy Browning Jared Datzman Paul & Kathy de Figueiredo Kim Feldman Clifford & Alice Hoelscher James Kracht Andreas Kronenberg Billy & Mary Jo Lay

John & Claire Lillie In Memory of Bookman Peters Werner Rose Charles & Cindy Still Shirley Watts Thomas & Anne Wehrly Karan Wester George & Jan Woodward In Memory of Victor Treat

Robert LeJeune

Matthew* & Merrilee Prochaska

* Symphony Society Board Member OUTSTANDING LIVE PERFORMANCES | 49

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50 | YOUR PROFESSIONAL ORCHESTRA

DEDICATED

Professionals

OUTSTANDING LIVE PERFORMANCES | 51

ADVERTISER

Index

Academy for the Visual & Performing Arts - TAMU............ 18 Allen Honda...............................................Inside Front Cover Amarillo National Bank....................................................... 59 Audio/Video........................................................................ 41 Ballet Brazos...................................................................... 60 Brazos Valley African American Museum........................... 41 Brazos Valley Chorale.......................................................... 8 Brian L. Cobb, Edward Jones............................................. 50 Concerts on Carter Creek.................................................. 57 Conlee-Garrett Moving & Storage...................................... 30 Daniela Weaver Photography............................................. 28 Decker Financial Group...................................................... 12 Dr. Curtis Kaiser DDS......................................................... 40 Dr. Monica D Brown DDS, PA............................................. 28 Drifting Creatives................................................................ 18 Extraco Wealth and Trust................................................... 55 Friends of Chamber Music................................................... 1 George Bush Presidential Library and Museum................. 56 Integ................................................................................... 50 Jeff Harris, The Ellison Firm............................................... 40 52 | YOUR PROFESSIONAL ORCHESTRA

Jennifer Fredericks, Inhabit Real Estate Group................... 2 Napa Flats.......................................................................... 32 Mark Browning, Extraco Wealth and Trust......................... 59 MSC OPAS................................................ Inside Back Cover Paul Boatright..................................................................... 40 Pilger’s Tire & Auto Center................................................. 40 Postal Plus......................................................................... 58 Readfield Meats & Deli....................................................... 28 St. Thomas Early Learning Center..................................... 41 TCA - License Plates.......................................................... 60 The Amish Barn at Edge...................................................... 4 The Arkitex Studio, Inc....................................................... 57 The Arts Council................................................................. 54 The Eagle........................................................................... 10 The Piano Place................................................................. 41 The Sleep Station............................................................... 58 The Theatre Company........................................................ 33 Twin City Properties............................................................. 6 West, Webb, Albritton & Gentry, P.C..................................... 5 Wright Dentistry.................................................................... 3 OUTSTANDING LIVE PERFORMANCES | 53

54 | YOUR PROFESSIONAL ORCHESTRA

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OUTSTANDING LIVE PERFORMANCES | 55

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56 | YOUR PROFESSIONAL ORCHESTRA

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Concerts on presents 41st Season . . .

SUNDAYS at 5:00pm in the Sanctuary of First Presbyterian Church October 8, 2023 November 12, 2023

D’ACCORD

Dominique McCormick, soprano Keith Weber, piano

HARPBEATS

Harp Ensemble, University of North Texas

March 3, 2024

April 21, 2024

Dr. Sarah Burke & Todd Quinlan, percussion

Chris Hoffman, piano

FREE admission. FREE parking. Reception follows concert.

FIRST PRESBYTERIAN CHURCH

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58 | YOUR PROFESSIONAL ORCHESTRA

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OUTSTANDING LIVE PERFORMANCES | 59

60 | YOUR PROFESSIONAL ORCHESTRA

JUNE 25 & 26, 2024

7:30 PM • Rudder Auditorium SEASON & TICKET INFORMATION

OPAStickets.org

MARTÍN GARCÍA PLAYS EMPEROR

Rudder Auditorium Feb 18, 2024 | 5pm

Concert Sponsor: FASO, in memory of Jeannie Miller Mozart, Beethoven, Tchaikovsky

Debussy, Ravel, Villa Lobos, Mussorgsky

ILLUMINATIONS AND GLORY!

Rudder Theatre Mar 24, 2024 | 5pm

Concert Sponsor: The Clearfield Family

Concert Sponsor: The Ham Family Trust

Bach, Britten, Vivaldi

Brahms, Nino Rota

Christ Church Dec 10, 2023 | 5pm

Concert Sponsor: Becky and B. Don Russell

Your holiday favorites!

What better way to get into the holiday spirit!

Rudder Theatre Jan 21, 2024 | 5pm Concert Sponsor: The Rea Charitable Trust

Manuel de Falla, Joaquin Rodrigo, Georges Bizet brazos valley symphony orchestra

TM

marcelo bussiki

HUNGARIAN DANCES

Rudder Theatre Nov 5, 2023 | 5pm

HOLIDAY POPS!

CARMEN

PICTURES AT AN EXHIBITION

Rudder Theatre Oct 15, 2023 | 5pm

music director

MUSIC OF THE KNIGHTS Rudder Auditorium Apr 27, 2024 | 7pm

Concert Sponsor: Dreamers Land & Minerals, Inc. Celebrating the music of Sir Andrew Lloyd Webber, Sir Elton John, and Sir Paul McCartney

Scan here for more information on these concerts!

979.696.6100 - BVSO.ORG