Dead Serious: A Halloween Concert
November 2, 2025 at 5pm
Rudder Auditorium




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Dead Serious: A Halloween Concert
November 2, 2025 at 5pm
Rudder Auditorium




We strive to provide the best possible listening experience. Please silence all phones and electronic devices before the performance begins. Cough drops, candy wrappers, or other noises can be distracting to musicians and fellow patrons. Out of tradition, applause is usually reserved for the end of a work rather than between movements — but if you are truly moved by the performance, don’t be afraid to show it!
Food and drinks are not permitted inside the auditorium or theatre. Water is allowed, but please avoid plastic bottles that may cause noise during the performance.
Lost items may be claimed through the Rudder Theatre Complex office.
Wheelchair seating and accessibility accommodations are available. Please speak with an usher or contact us prior to the performance if assistance is needed.
Concerts in the Rudder Theatre Complex are general admission by section. Season subscribers receive priority seating placement in the center front sections. Ushers will assist in guiding patrons to appropriate seating areas.
Tickets are non-refundable and nonexchangeable. If you are unable to attend, extra tickets may be left with the MSC Box Office to be given to Texas A&M students.
Patrons may park in the University Center Garage (UCG), located directly across from the Rudder Theatre Complex, free of charge. Take a ticket from the machine upon entry; after the concert, the garage gates will be open for exit. If the gates are closed, press the help button at the exit kiosk, let them know you attended the Symphony, and the gates will be opened for you.
Join us an hour before each Brazos Valley Symphony Orchestra performance at the Rudder Theatre Complex for a complimentary pre-concert reception. Enjoy light refreshments, a cash bar, and the chance to mingle with fellow patrons before the music begins.
For questions or assistance, please contact the Symphony Office at 979-696-6100 or services@bvso.org

BVSS Board President
Howdy and welcome to Season 44 of the Brazos Valley Symphony Orchestra!
Maestro Marcelo Bussiki has put together a wide variety of concerts this season, sure to please all musical tastes. From spooky Halloween numbers, to video game music, to the best of Broadway, this season has it all. Of course, there are also the traditional classical concerts with amazing guest artists, including our own Javier Chaparro and Elizabeth Lee, Bethany Clearfield, and the 2025 Van Cliburn Gold Medalist, Aristo Sham. In addition to the always-popular Holiday Pops Concert, this year, for the first time, the BVSO is joining forces with Ballet Brazos to present The Nutcracker.
A very special thanks to our season sponsors - College Station Hyundai, MercedesBenz of College Station, BMW of College Station, College Station Ford, Aggieland Chevrolet, and College Station Nissan. For the second year, this partnership continues to be a critical part of this season’s success. Thanks also to the Friends of the Symphony Orchestra, the Ham Family, the Rea Charitable Trust, The Plass Arts Foundation, Becky and B. Don Russell, and The Wakefield Foundation for their generous support of individual concerts. The Youth Concerto Competition continues to be endowed by Tracy and Tamara Carter. In addition, the BVSO Endowment enables us to host new and innovative programs like Video Games Live.
We are also very grateful to have our new Executive Director, Renee Knox, on board. Many of you may already know her. Renee has been in Bryan-College Station for almost 20 years and is well connected to the arts community here. I hope you will take the opportunity to meet her at an upcoming concert and welcome her to the BVSO family. Many thanks to Sandra Castañon for keeping a steady hand on the wheel as the Executive Director for the past two years. We wish her nothing but the best in the next chapter of her life.
But most of all, thanks to you, our patrons, for your support of the BVSO. Whether this is your first time to attend a BVSO concert or you are a long-time season ticket holder, we appreciate your investment in this Brazos Valley treasure.
Warmest regards,

Mike Connor
BVSS Board President


Mike Connor President
Benton Cocanougher President Elect
Andrew Wheeler
First Vice President
Sue Lee
Second Vice President
Martha Vilas Secretary
Don Hellriegel Treasurer
Marcelo Bussiki†
Music Director
Sue & J.C. Lee Music Director Chair
Penny Zent
Orchestra Chair
Renee Knox† Executive Director
Ryan Becker
Karen Bonarrigo
Blanche Brick
Mark Browning
Pierce Cantrell
Joe Cook† Communications Director
Letty Fuentes Orchestra Representative
Chuck Hermann
Cameron House
Tai Lee
Cathy Loving
Adam Mikeal
Orchestra Representative
Scott Shafer
Marca Ewers-Shurtleff
Melissa Sibley† Bush Board Fellow
Thomas Teegeman† Bush Board Fellow
Rod Thornton Gaines West
Jennifer Wood FASO President † Ex-Officio




Music Director
Sue & J.C. Lee Music Director Chair
Marcelo Bussiki is the music director/conductor of the Brazos Valley Symphony Orchestra. He is also the Vice-Chancellor of Academic Affairs at Blinn College. He has had a passion for music since his early years. Born in Cuiaba, capital of Mato Grosso State in Brazil, Bussiki left home at age 14 to study at the Brazilian Conservatory of Music in Rio de Janeiro. He continued his conducting studies under Maestro Roberto Duarte at Rio de Janeiro Federal University. Upon graduation, he was named music director of the orchestra of the Federal University of Mato Grosso, a position he held for six years. Bussiki was awarded knighthood in the Ordem de Merito de Mato Grosso in recognition of his pioneering work in cultural expansion and musical education. He received the title of Oficial, the highest honor that the executive power can confer upon an artist in Brazil.
Bussiki came to the United States in 1992 under a scholarship from the Brazilian government and studied at the Moores School of Music at the University of Houston. From 1994-1996, he directed that university’s New Music Ensemble, developing an extensive repertoire of modern and contemporary music. He received a doctorate of musical arts in conducting from the University of Houston in 1998.
During his tenure with the Brazos Valley Symphony, Bussiki has been in demand as a guest conductor in Texas and out of state. In September, 2002, he returned to his native Brazil under sponsorship from the Brazilian National Bank in Rio de Janeiro to conduct 15 performances of Gaetano Donizetti’s opera Viva la Mama, as well as other symphony concerts in Rio de Janeiro and Brasilia. In October 2001, he conducted a premiere performance of the Organ Concerto by vanguard U. S. composer Lou Harrison, featuring organist John Walker and the Carnegie-Mellon Percussion Ensemble, in Pittsburgh, Pennsylvania. Dr. Bussiki conducts several concerts a year at the International Festival Institute at Round Top, Texas. He was conductor for the International Guitar Festival in 2005, 2006, and again in 2016. In 2014, Bussiki was awarded the “Artist of the Year” honor by The Arts Council.





BACH TO TCHAIKOVSKY - SEP 21
A thrilling start to the season featuring virtuosic violin and cello performances across iconic musical eras.


DEAD SERIOUS: A HALLOWEEN CONCERT - NOV 2


A spine-tingling symphonic tale with mysterious narration and haunting orchestral works.


HOLIDAY POPS - DEC 14
A festive concert filled with brass fanfare, choral harmonies, and holiday joy.


VIDEO GAMES LIVE - JAN 25
An immersive journey through legendary video game soundtracks brought to life by a full orchestra.










FRESH VOICES AND IDEAS - FEB 22

An adventurous program spotlighting contemporary works and the premiere of a bold new BVSO commission.






VAN CLIBURN GOLD - MAR 8



A dazzling evening of classical brilliance with award-winning pianist Aristo Sham and a spirited orchestral lineup.

DEFYING GRAVITY: BLOCKBUSTER BROADWAY - APR 26
A high-energy tribute to Broadway’s greatest hits with unforge able songs and stellar Broadway vocals.
Tickets at MSC Box Office 979-845-1234





DEC 05



DEC 06


A Brazos Valley tradition since 2012





Concert Sponsor:
The Plass Arts Foundation
Sunday, November 2, 2025 · 5:00pm Rudder Auditorium
Marcelo Bussiki, conductor
Sue & J.C. Lee Music Director Chair
Mike Wright, narrator
30′ The Composer is Dead Nathaniel Stookey Words by Lemony Snicket
INTERMISSION
5′ “Infernal Dance” from The Firebird Stravinsky (1919 Version)
16′ Symphonie fantastique, Op. 14 (Selections) Berlioz
IV. March to the Scaffold (Allegretto non troppo)
V. Dream of a Witches’ Sabbath (Larghetto—Allegro)
listed are approximate

Mike Wright is VP/General Manager of ABC affiliate WAAY-31 TV in Huntsville, Alabama and Fox affiliate WCOV-TV in Montgomery, Alabama, joining the stations after many years at CBS affiliates KBTX and KWTX in Bryan-College Station and Waco. For many years, Wright served as radio play–by–play for Texas A&M Women’s Basketball and later for ESPN’s SEC+ network. Prior to his current role, Wright served as the “Voice At Kyle Field” for Texas A&M Football.
He has served local communities through hundreds of civic events and fundraisers, and was honored to be one of four “Educators of the Year” from the George Bush Presidential Library and Museum for his work with former First Lady Barbara Bush’s “Reading Literacy” initiative. He has served as narrator for numerous performances with the Brazos Valley Symphony. Wright has been previously honored by the Texas Association of Broadcasters as Broadcaster of the Year.
Mike and his wife, Bethany, are parents of adult twins, Macy and Mason. A native of Mexia, Wright holds an Associate of Arts from Blinn College and a Bachelor of Arts in Telecommunications from Baylor University.
Marcelo Bussiki
Music Director
Sue & J.C. Lee Music Director Chair
FIRST VIOLIN
Javier Chaparro, Concertmaster
Creighton Miller Concertmaster Chair
Jose Gerardo Flores
Letty Fuentes
Amy Harris
Edward Ji
Eddy Marcano
Steve Merson
Ricardo Montoya
Amanda Schubert
Oscar Vera
SECOND VIOLIN
Adam Mikael, Principal
Penelope Kosztolnyik and Joe Ham
Violin II Chair
Laura Callon
Erika Elder
Misty Elfer
Ethan Lammayot
Luis Osorio-Betancourt
Lucina Reyes
Mario Zelaya
VIOLA
Luis Perez, Principal
Paul Duston
Sam Lee
Gregory Mata
Carlo Mauricio
Alejandro San Miguel
CELLO
Jane McCormick, Principal
Ward and Diane Wells Cello Chair
Cony Knight
Alex Lammayot
Elizabeth Lee
Brady Meyer
Andrew Nguyen
BASS
Gaven Krase, Principal
Alex Collins
Ray Fisher
Steve Martin
Josue Martinez
FLUTE
Penny Zent, Principal
The Hermann Family Flute Chair
Jessica Borski-Owens
OBOE
Rebecca Fairweather Haskins, Principal
Amy Burgess
CLARINET
Jill Stewart, Principal
Wendy and Grant Wolfe Clarinet Chair
In honor of Dr. Arthur Wolfe
Victor Battista
BASSOON
Eric Miller, Principal
Luis De la Garza
Adam Drake
HORN
Mary McNeel, Principal
John Craig Hubbard
Chris Shelburne
Michael Woodard
TRUMPET
Edgar Jaime, Acting Principal
Paul Armitage
Kristofer Hammond
Daniel Venglar
TROMBONE
Austin Richardson, Acting Principal
Steven Vogel
BASS TROMBONE
Michael Johnson
TUBA
Ethyn Evans, Principal
Keith Packman
TIMPANI
Todd Quinlan, Principal
PERCUSSION
Sarah Burke, Principal
Gary Martin Percussion Chair
Zach Edwards
Grant Gould
Patrick Slevin
HARP
Hope Cowan
PIANO
Catherine Schaefer


Music by Nathaniel Stookey and Words by Lemony Snicket (Daniel Handler)
Lemony Snicket is the pen name and alter ego of Daniel Handler, a well-known author of children’s books, including two series, A Series of Unfortunate Events, and All the Wrong Questions. Nathaniel Stookey is an American composer and musician whose numerous orchestral chamber, vocal, and theatrical compositions have won international acclaim. Both men were born in San Francisco, California, in 1970. Their joint endeavor, The Composer is Dead, was commissioned by the San Francisco Symphony Orchestra, and premiered by the same Symphony on July 8, 2006, with Snicket as the narrator. The book and accompanying CD were published in 2009. Stookey also co-authored translations of The Composer is Dead (his best-known composition to date) into Spanish and French. Who killed the composer? Was it the strings, or was it the woodwinds? Where were the brasses last night after the performance? What does the percussion section have to say for itself? As The Inspector (the narrator) interrogates each section, each of the instruments produces an alibi. And yet, the composer’s still dead! This whodunit joins Sergei Prokofiev’s Peter and the Wolf and Benjamin Britten’s Young Person’s Guide to the Orchestra as fun ways for children (and adults) to learn about the instruments of the orchestra.


“Infernal
Dance” from The Firebird (L’Oiseau de Feu) (1919 Version)
Igor Stravinsky
Igor Fyodorovich Stravinsky was born in Oranienbaum (near Saint Petersburg), Russia on June 17, 1882, and he died in New York City on April 6 1971; he was buried in Venice, Italy. His ballet The Firebird was first performed at the Paris Opera on June 25, 1910, by Sergei Diaghilev’s Ballets Russes, with Gabriel Pierné conducting. Stravinsky arranged the music into concert suites in 1911, 1919, and 1941, which he often conducted himself.
The Firebird was the first of Igor Stravinsky’s collaborations with Sergei Diaghilev, a Russian impresario based in Paris, and his pioneering troupe, the Ballets Russes. In 1909, Diaghilev, having failed at enlisting better-known Russian composers, invited the still young and relatively unknown Stravinsky to compose the score for a ballet based on Russian folklore. In the ballet’s story, Prince Ivan must defeat an evil ogre, Kastchei the Deathless, who has been capturing princesses and turning them into stone. To do so, he enlists the aid of the Firebird, whose beautiful feathers gleamed like fire. This creature had previously given Prince Ivan one of her feathers in return for his having saved her from hunters. In the “Infernal Dance,” the fourth movement of the suite, the Firebird casts a magic spell on Kastchei and his minions, compelling them to dance frenetically to the point of exhaustion. This enables Prince Ivan to destroy the giant egg containing Kastchei’s soul, and thus his power. Stravinsky had studied with Nicolai Rimsky-Korsakov until the latter’s death in 1908, and he emulated his teacher’s colorful orchestration in much of the ballet. But, in the “Infernal Dance,” Stravinsky employed the percussive orchestral effects, driving rhythms and dissonant harmonies that came to represent his style.


Symphonie fantastique (Fantastic Symphony), op. 14
Hector Berlioz
Louis-Hector Berlioz was born in La Côte-Saint-André, France on December 11, 1803, and he died in Paris, France on March 8, 1869. He conducted the first performance of the Symphonie fantastique at the Paris Conservatoire in 1830.
Movement 4: March to the Scaffold
Movement 5: Dream of a Witches’ Sabbath
Hector Berlioz was the archetypal Romantic, a partly self-taught dreamer who composed according to his own concepts and imagination rather than by following established rules or models. Thus, his musical style is highly original and difficult to categorize. A man of letters in his own right (he was an astute music critic), Berlioz received much inspiration from literature. He attended a performance of Shakespeare’s Hamlet and fell passionately in love with the actress who played Ophelia, an Irishwoman named Harriet Smithson. At first Harriet ignored his love letters, but Berlioz was persistent in his pursuit. Three years later, he began to compose a semi-autobiographical work about a forlorn lover driven nearly to suicide by a failed romance. This work is his most famous composition, the Symphonie fantastique: épisode de la vie d’un artiste (episode in the life of an artist). In five movements and requiring a huge orchestra, it was the most monumental symphonic piece up to that time. It is an early example of program music, that is, music that tells a story to a predetermined script (Berlioz wrote his own program notes). Moreover, Berlioz’s use of an “idée fixe” (“fixed idea”), a theme that recurs throughout each movement, was a revolutionary development that led to Richard Wagner’s use of Leitmotifs (recurring themes relating to particular characters, places, or concepts) in opera. In the Symphonie fantastique, the “idée fixe” refers to the Beloved, or Smithson herself. Tonight’s performance begins with the fourth movement, March to the Scaffold. Berlioz wrote in his program: “The Artist, knowing beyond all doubt that his love is not returned, poisons himself with opium. The narcotic plunges him into sleep, accompanied by the most horrible visions.” The Artist has killed his Beloved and is sentenced to be executed by the guillotine. A military band escorts him to the scaffold as the strings cheer. He thinks of his Beloved just as the blade of the

guillotine comes down, causing the “idée fixe” theme to be interrupted as his head rolls and drums roar. In the fifth movement the Artist finds himself in a vision of hell, full of sorcerers, goblins, and witches, one of whom is the Beloved. A church bell tolls, then the low brasses play snatches of the Dies irae, a chant from the Requiem, or Latin Mass of the Dead. There is a fugal section in this movement. Berlioz found the fugue a difficult form to master, and so he considered it an appropriate metaphor for hell. The music becomes more frantic as the soul of the Artist is carried to its damnation, with the Beloved looking on with glee.
Berlioz and Smithson did eventually get together and marry, but the marriage was unhappy; the two separated after less than a decade. Even so, Berlioz continued to support Smithson for the rest of his life.

Dec. 14, 2025 | 5 PM
Ring in the season with a joyful celebration of holiday favorites, featuring soaring choirs, festive brass, and magical moments the whole family will love.






















The Brazos Valley Symphony Society gratefully acknowledges the individuals whose generous financial commitments and unique forms of support make possible the continued growth of the Symphony’s artists, programs, and services.
Gifts to the BVSO Annual Fund provide the vital operating support that sustains our concerts, guest artists, and community outreach each season. These contributions bridge the gap between ticket sales and the true cost of presenting live symphonic music, ensuring that world-class performances, innovative education programs, and meaningful cultural experiences remain available to our community.
The following list recognizes those who have contributed to the Annual Fund as of October 22, 2025, in support of the Orchestra’s 44th season.
($10,000+)
William & Nancy Benfer Charitable Trust
The Clearfield Family
SOLOIST ($5,000 - $9,999)
Extraco Banks
Cindy & Bruce Hamilton
Friends Association of the Symphony Orchestra
The Ham Family Trust
Don Hellriegel
Becky & B. Don Russell
Sue Lee
CONCERTMASTER ($2,000 - $4,999)
Amarillo National Bank
Jan & Bill Johnson
PRINCIPAL ($1,000 - $1,999)
Dorothy Anderson
Fuller & Gloria Bazer
Ryan & Kari Becker
Paul & Karen Bonarrigo
Pierce Cantrell in Memory of Carol Cantrell
Benton Cocanougher
David & Joanne Claridge
Mike & Sheila Connor
Jane Flaherty
Charles & Lorraine Hermann
Jerry & Cathy Loving
Jo Monroe
John & Carol Nichols
Michael & Karen Pilant
Shirley Smith in Memory of Robert E. Smith
Robert & Katherine Thomas
Ellen & Penrod Thornton
Harvey Tucker in Memory of Sandra Tucker
Dean & Dorothy Wichern
Grant & Wendy Wolfe
David Woodcock in Memory of Valerie Woodcock
Rod and Penny Zent
Robert & Blanche Brick
Marcelo Bussiki
Claude & Joanna Gibson
Janet Higgins
Dr. Michael J. King & Ms. Robin Altholz
Billy & Mary Jo Lay
Joyce Perkins
Susan Perri
Dave & Lou Ellen Ruesink
Mark & Carol Sadoski
Scott & Debe Shafer in Honor of Peggy Shafer
Carl Shafer
Bobby & Nita Smith
Carolyn Adair
Steve & Dorinda Arden
Rhonda Bauer
Mary Blackburn
Mark & Nancy Browning
Sandra da Conturbia
Donna Cote
Kim Feldman
Dr. Stephen Fulling
Howard & Margaret Glueck
Scan here to donate to the Annual Fund
Phil & Zo Granberry
Tom & Linda Henry
Clifford & Alice Hoelscher
William Kennamore
Rodger Koppa
Dr. Roger & Mari Kuhnle
Drs. Laurine & William Marlow
Wener Rose
Ann & Byron Stebbins
Connie Surrency
Martha Vilas
Rand & Doris Watson
Eric & Julie Wilke
Ann Wiatt
Mary Williams
Dick & Linda Witherite
The Estate of Arthur Wolfe
Dean Thompson
Harvey Tucker in Memory of Valerie Woodcock
Tom Vogel & Barbara Gastel
Mary J. Volz
Terry & Marilyn Wade
Shirley Watts
Thomas & Anne Wehrly

You don’t need to be a gamer to love this night of music and visuals. Featuring a full orchestra, massive screen projections, lighting effects, and beloved themes from blockbuster video games. This immersive concert is part symphony, part rock show – and all unforgettable.
Scan here to purchase tickets





A strong endowment provides lasting support for the Brazos Valley Symphony Orchestra, ensuring world-class performances, music education, and cultural enrichment for generations to come. Endowments grow over time, creating a legacy of artistic excellence while extending the impact of generosity beyond a lifetime.
Contributions to the BVSO Permanent Endowment provide stability for the Orchestra. Chair Endowments help the Symphony engage and support exceptional musicians, sustaining the artistry that defines every performance. A chair may be endowed for a five-year term (starting at $25,000) or in perpetuity (starting at $50,000), and can be named in honor of a family member, friend, or admired individual or organization—making this a meaningful way to invest in the Symphony’s future.
For more information about supporting the Brazos Valley Symphony Orchestra Endowment, whether through a planned or lifetime gift, please contact Renee Knox, Executive Director, at renee@bvso.org or 979-696-6100.
Pledged or received as of October 22, 2025
Ruth Clearfield Memorial Fund
Larry and Mary Koeninger
Bert and Mary Loudon
Sue and J.C. Lee Music Director Chair
Gary and Lynn Martin
Creighton Miller Concertmaster Chair
Creighton and Jeannie Miller
Bookman and Florence Peters
($50,000 - $99,999)
Tracy and Tamara Carter
Taylor and Cindy Craigen
The Hermann Family Flute Chair
Penelope Kosztolnyik and Joe Ham
Violin II Chair
Gary Martin Percussion Chair
Carolyn McDaniel
Ward and Diane Wells Cello Chair
($25,000 - $49,999)
In Memory of Evelyn and Fred Anderholm
GOLD ($10,000 - $24,999)
Maestro Marcelo Bussiki
Carol and Pierce Cantrell
Chrissie and Jay Granberry
Lorraine and Chuck Hermann
The Coulter and Lily Rush Hoppess Foundation, Inc.
Don and Pat Allen Rice
David and Joanne Claridge
Bonnie and Otway Denny
Gary and Judy Hart
Penelope Kosztolnyik and Joe Ham
Stephanie Sale and Jim Singleton
Charles and Cindy Still
Rose P. VanArsdel
Ward and Diane Wells
Wendy and Grant Wolfe
Clarinet Chair in honor of Dr. Arthur Wolfe Anonymous
Susan and Gaines West
Linda and Dick Witherite
Jan and Bill Johnson
Cathy and Jerry Loving
Joann Monroe
John and Carol Nichols
Joyce Nies and Peter Witt
Valerie and David Woodcock
Rodney and Penny Zent
Anonymous (2)
Carolyn McDaniel
Linda and Paul Parrish
Karen and Michael Pilant
Ellen and Penrod Thornton
Elizabeth and Bill Ward
Dorothy and Dean Wichern
($1,000 - $4,999)
Steve and Lisa Aldrich
Bob and Dorothy Anderson
Jennifer and Chandler Arden in Memory of Valerie Woodcock
Alethea Bair-Sutherland
Briaud Financial Advisors
Jo Berg
Robert and Blanche Brick
Taylor and Cindy Craigen
Terrance and Stacy Dill and Family
Cydney Collier Donnell
John and Naomi Fackler
Warren and Mary Finch
Rainer and Tami Fink
Jan Folse
Sara Alpern
Kenneth and Kathi Appelt
Pat and Sarah Ashburn
Karen Bachman
Leonard and Nancy Berry
Carol and Doug Biggs
Brett and Alisa Boatner
Robert C. Borden
Leonard L. Bowden
Scott Ball and Janice Bradshaw
Lorence and Zora Bravenec
Karen Buck and Porscha Buck
Jack and Mary Campbell
Irwin and Claudia Carroll
Dara and Judith Childs
Charlotte Christman
Robert H. Clearfield
Franco and Sandra da Conturbia
Olga and Brett Cooke
Marian and Gus Cothran
The Dangott Family Trust
Mr. David Dellwo and Mrs. Nancy Inglis
Ronald and Barbara Douglas
Norma Dunn in Memory of Cindy Still
Billie Elmendorf
John Fackler in Memory of Jeannie and Creighton Miller
Ann Fancher
Chris and Sandra Farris
Jack and Anita Friedman
Gracie P. Graves
Ivy V. Geiger
Jennifer Fredericks
Stephen A. Fulling
Phil and Zo Granberry
Gary and Judy Hart in Memory of Jeannie Miller
Edward E. and Ruth Anne Hazen
Alice and Clifford Hoelscher
Michael J. King and Robin L. Altholz
Randi and Averyt Knapp
Celebrating Virginia and Russell Mays
Karen Kubena
Sue Lee
Claire and John Lillie
Marti Marberry and Thomas Roraff
John and Leslie Miller
Andrew and Elizabeth Natsios
Carol Parzen
Joyce Perkins in Memory of Richard Perkins
Rhonda Raphael
Sheran Riley
Jami and John Rudinger, Jr.
Dave and Lou Ellen Ruesink
Becky and B. Don Russell
Carol and Mark Sadoski
Thomas Sadoski and Amanda Seyfried in Honor of Carol and Mark Sadoski
Jack Skinner
Don and Rosemary Green
Lisa Halperin and Jonathan Coopersmith
General Joe G. Hanover
W.T. (Bill) Harper
Tom and Linda Henry
Susan and Rodney Hill
Susan Irza
Myong and Pedro Ledesma
Robert and Candace Leslie
Karon and Glenn Mathews
David and Jeanette McMahon in Memory of Tom Roraff
Dr. and Mrs. Glenn Miller
Jane Miller
Jeannie Miller in Memory of Tom Roraff
Leon and Junett Noack in Memory of Tom Roraff
Dr. Ozden Ochoa
Mohsen and Terri Pourahmadi
Matthew and Merrilee Prochaska
The Quackenbush Kids
Thomas and Liana Rike in Memory of Tom Roraff
Larry and Jean Ringer
The Family of Arthur and Rosalie Roraff in Memory of Tom Roraff
Mary Frances Ross
Schade Family
Jay and Barbara Schleppenbach in Memory of Tom Roraff
Timothy Seubert
Mary Sherwood in Memory of Tom Roraff
Matt and Toni Straley in Memory of Tom Roraff
Barbara and Emil Straube
Connie Swing Surrency
Mrs. Dwayne (Carol) Suter
Mrs. Ann W. Thompson
Milton Thompson
Margaret E. Touchstone
Victor and Jo Ann Treat
Harvey and Sandy Tucker
Randy and Mary Ulery
Brad and Pat Vinson
Tom Vogel and Barbara Gastel
Barbara Buffington Walker
Bob Warden and Eva Read-Warden
Doris and Rand Watson
Anne and Thomas Wehrly
Gaines and Susan West in Memory of Lelia Bankston
Gaines and Susan West in Memory of Bonnie Denny
Gaines and Susan West in Memory of Jeannie Miller
Ann Wiatt
Mary Jane Wiggins
Lima and Joe Williams
Dr. Arthur V. Wolfe
Dr. and Mrs. Grant Wolfe
William and Mary Young
Anonymous (4)
For the past 40+ years, an auxiliary organization called FASO (Friends Association of the Symphony Orchestra) has provided the volunteer hours required to promote and stage the exciting Brazos Valley Symphony Orchestra concerts you enjoy each season. We invite you to become a member of FASO this year to help increase educational opportunities and appreciation for classical music in the Brazos Valley. Membership applications may be found on the symphony website: bvso.org/faso
Jennifer Wood
President
Anne Prescott President Elect
Becky Hall Past President
Rebecca Ireland
1st Vice President
Julie Beazer
2nd Vice President – Ambassadors
Meghan Cain
3rd Vice President –Projects
Colleen Holmes Treasurer
Beth Pennebaker Secretary
Alice Hoelscher TASO Representative
Mary Blackburn†
Sandy Farris†
Karen Melvin† † Member at Large

Sunday, November 16, 2025
3:00 p.m.
First Methodist Church, Bryan, TX
Join us for this free concert and enjoy an afternoon of inspiring performances by some of the finest young musicians in the Brazos Valley as they compete for top honors in this year’s Youth Concerto Competition.
Jacob Goheen, trombone
Misato Koiwa, flute
Gaya Kulatilaka, violin
Sherwin Lo-Kuo, violin
Evelyn Schmeichel, clarinet
Stefan (Leo) Tower, violin
For nearly a quarter of a century, the Brazos Valley Symphony Orchestra and its support guild, the Friends Association of the Symphony Orchestra (FASO), have joined forces to spotlight the extraordinary musical talent thriving in our community. The Brazos Valley Youth Concerto Competition, now in its 24th year, continues to serve as a cornerstone of the Symphony’s educational mission— encouraging young musicians, fostering artistic excellence, and enriching the cultural life of the region.
Launched in 1999 by longtime FASO member and music advocate Linda Rundell, the competition invites schoolaged musicians from across the Brazos Valley to submit a performance of any concerto movement for solo instrument and orchestra. Finalists are chosen through a blind judging process by BVSO Music Director Marcelo Bussiki and a panel of Symphony musicians, ensuring that artistry and musicality shine above all else.
Each year’s finalists are then invited to perform in a live concert before a panel of distinguished judges. The experience provides invaluable performance opportunities for these young artists—and a memorable evening for audience members, who are treated to virtuosic performances and the excitement of live competition.
As part of its mission, FASO coordinates and funds the event entirely through the efforts of its dedicated volunteers. “We invite the public to join us as these finalists compete to become this year’s winner,” said Project Chair Penny Zent. “This is a wonderful opportunity to hear some of the finest young musicians in the Brazos Valley. Plus, admission is free!”
The top three winners receive scholarships from The Tracy and Tamara Carter Youth Concerto Endowed Scholarship Fund, and the first-place winner is invited to perform as soloist with the Brazos Valley Symphony Orchestra during the annual Children’s Concert at Rudder Auditorium—an unforgettable experience that connects youthful promise with the professional stage.
Through the continued collaboration of BVSO and FASO, the Youth Concerto Competition remains a vibrant testament to the Symphony’s commitment to nurturing the next generation of musicians and sharing the joy of music throughout the Brazos Valley.
The Brazos Valley Symphony Orchestra gratefully acknowledges the generous support of our corporate sponsors, foundations, community partners, and in-kind contributors. Their commitment helps sustain our artistic excellence, enrich music education, and ensure that live symphonic music continues to thrive in the Brazos Valley.





The Clearfield Family
Eugene Edge, III Charitable Trust
The Ham Family Trust
Gilbert & Thyra Plass Charitable Trust
Plass Arts Foundation
Union Pacific
Rea Charitable Trust
Nina Astin Winkler Charitable Trust
Becky & B. Don Russell
The Wakefield Foundation
This program made possible in part through Hotel Tax Revenue funded from the City of College Station through The Arts Center.
This project is also supported in part by an award from the National Endowment for the Arts.




30th Concert Series | 2025–2026
REACHING


“She had rightly become the world’s most visible organist.”
September 19, 2025 | Fri, 7pm
A&M United Methodist Church
In collaboration with A&M UMC
fiddle, accordion, piano, cittern
October 29, 2025 | Wed, 7pm
Ice House on Main
Nordic folk + your favorite beverage Historic ambiance sponsored by Ice House



“There are simply two kinds of string quartets: the Danish, and the others.”
November 19, 2025 | Wed, 7 pm
First Presbyterian Church
“The world’s most famous brass group”
February 1, 2026 | Sun, 5pm
A&M United Methodist Church
In collaboration with A&M UMC

Low-voice a cappella ensemble
April 17, 2026 | Fri, 7pm
George H.W. Bush Presidential Library & Museum










Brian L Cobb CEPA®, AAMS® Financial Advisor
3002 Texas Avenue South Suite 105
College Station, TX 77845
979-693-0709
EJB-19325-A-E-DA-6 AECSPAD
Elizabeth Cobb-Robles CEPA® Financial Advisor
3002 Texas Avenue South Suite 105
College Station, TX 77845
979-693-0709 > edwardjones.com




Voices in Concert: Celebrating America’s 250th Birthday featuring the Texas A&M University Singing Cadets and Brazos Breeze
5pm, October 19, 2025
First Presbyterian Church, Bryan, TX
A Season of Light
7:30pm, December 15, 2025
First Presbyterian Church, Bryan, TX
Stage and Screen Spectacular includes dinner


Visit
bvchorale.org
6pm, March 14, 2026
First Methodist Church, Bryan, TX
Brahms Ein deutsches Requiem
with the A&M United Methodist Church Choir 5pm, May 3, 2026
Rudder Theatre, College Station, TX




