Marlene Dumas in Athens | Zurbarán | The Queen Mary psalter | Halsey Ricardo | Jewish country houses
We are currently seeking articles on contemporary printmaking for an upcoming issue of Burlington Contemporary Journal
Journal article submissions, which should be between 3,000 and 5,000 words, must be based on original, unpublished research. All articles will be subject to peer review.
Before submitting an article, potential contributors should send a 150-word synopsis to the Contemporary Art Editor, Kathryn Lloyd: lloyd@burlington.org.uk
For more information, please visit contemporary.burlington.org.uk/about
CALL FOR ARTICLES
Journal printmaking issue
Deadline: Monday 12th January 2026
Susan Watkins (American, 1875–1913), The 1830 Girl (Portrait of Miss M. P. in Louis Philippe Costume) (detail) 1900, Oil on canvas, Chrysler Museum of Art, Bequest of Goldsborough Serpell, 46.76.147
This exhibition is organized by the Chrysler Museum of Art and was supported, in part, by the National Endowment for the Arts Norfolk, VA | Chrysler.org
SCHOOL OF VALLADOLID, LATE 16TH - EARLY 17 TH CENTURY
SAINT MICHAEL FIGHTING THE DRAGON
AUDAP & ASSOCIÉS, AUCTION ON 29 OCTOBER 2025
15–19 October 2025 | Regent’s Park, London
Bust of Lieutenant-
General Sir Herbert Taylor (1775–1839), by Samuel Joseph (1791–1850). 1830.
White marble, height 78 cm. TOMASSO, LONDON AND LEEDS
Charger. Gujarat, early 17th century. Mother-of-pearl with European silver-gilt mounts. 45 by 7.5 cm. Shown with a 17th-century Deccani brass stem cup.
Height 8.4 cm. FRANCESCA
GALLOWAY, LONDON
FRIEZE MASTERS 2025 opens in London’s Regent’s Park this October with its characteristically ambitious sweep across art history, positioning works from antiquity and the Renaissance alongside modern and post-war masters. The calibre of old-master specialists remains a defining strength of the fair: international dealers present works of exceptional rarity and condition, reinforcing Frieze Masters’ reputation as a forum for art-historical expertise.
This year’s edition also begins a new chapter under the directorship of Emanuela Tarizzo. With academic credentials from the Courtauld Institute of Art and professional experience at both Christie’s and Tomasso, Tarizzo brings an emphasis on scholarship, curatorial nous, and sustained relationships with institutions and collectors.
Compared with previous editions, the 2025 fair appears intent on deepening its curatorial propositions. Newly expanded thematic sections encourage a cross-historical reading of objects; in this way, Frieze Masters continues to probe what it means for art from the past to be seen, valued and reinterpreted in the present.
For more information, please visit frieze.com/fairs/frieze-masters
Bacchanal with satyrs and nymphs, by Alessandro Magnasco (1667–1749). c.1723–25. Oil on canvas, 146 by 121 cm. ROBILANT+VOENA, LONDON, MILAN, PARIS AND NEW YORK
Alexander Beatson (1759–1833), by Katherine Read (1723–78).
Oil on canvas, 73.2 by 57.8 cm.
WEISS GALLERY, LONDON
Master Brownlow Bertie-Mathew (1820–34), by Margaret Sarah Carpenter (1793–1872). 1832. Oil on canvas, 147 by 109 cm.
PHILIP MOULD & CO.
Old Master, 19th Century and Modern Drawings
JOHN MINTON (1917-1957)
The Hop Pickers, Kent
Pen and brown ink and brown wash, pencil and watercolour. Signed and dated John Minton 1945 at the upper right. 635 x 520 mm. (25 x 20½ in.)
Executed in 1945, this large and impressive sheet was executed during a period when Minton often visited ‘Marshalls’, the home of his friends Edie and Newton Lamont in the village of Chart Sutton in Kent. Almost certainly among a number of Minton’s Kent drawings that were included, the same year it was drawn, in an exhibition at the newly-opened Rowland, Browse and Delbanco Gallery in London, this drawing was later reproduced as one of eight colour plates in George Orwell’s The English People (1947), part of the Britain in Pictures series of books published between 1941 and 1950.
15–19 October 2025 | Regent’s Park, London
Study of boy wearing a cloth cap: study for ‘The Costardmongers’, by Eric Kennington (1888–1960). Black chalk and charcoal, with stumping. Laid down. 46 by 30.3 cm.
STEPHEN ONGPIN FINE ART, LONDON
The Brummer Egyptian bronze schist inlay head of cat Saite period, 26th dynasty, c.664–525 BCE. Bronze, 12 cm. Oil on canvas, 66 by 85 cm. KALLOS GALLERY, LONDON
Bust of woman with hat), by Pablo Picasso (1881–1973). 1962.
Linocut, 74.6 by 61.6 cm.
SUSAN SHEEHAN GALLERY, NEW YORK
A garniture of five Augustus Rex vases, attributed to Adam Friedrich von Löwenfinck (1714–54). Meissen, c.1735. Porcelain. TRIAS ART EXPERTS, MUNICH
Shipping in heavy seas, by Ludolf Backhuysen (1630–1708).
Oil on canvas, 44.5 by 58.5 cm.
JOHNNY VAN HAEFTEN, LONDON
A belt buckle with heart-shaped green glass. Visigothic Spain, c.525–60. Copper alloy, glass and garnet, 6 by 13 cm.
SAM FOGG, LONDON
Simon Luttichuys and Willem Kalf. 32⅝ x 32 ins. (85.5 x 81.5 cm)
15–19 October 2025 | Regent’s Park, London
FRIEZE LONDON celebrates the capital as a centre of contemporary culture, and returns in 2025 with an emphasis on bold curatorial innovation and artistic discovery. Curated sections include ‘Artist-toArtist’, which features six solo presentations nominated by another well-established artist; and ‘Echoes in the Present’, which focuses on the connections between artists from Brazil, Africa and their diasporas. Coinciding with the fair and running from 17th September to 2nd November, Frieze Sculpture presents fourteen international artists as part of their free public art initiative, bringing a programme of tours, activations and performances to Regent’s Park.
For more information, visit frieze.com/fairs/frieze-london
HIGHLIGHTS
Open wound: Surface with many holes #7, by Mira Lee (b.1988). 2025. Pigmented methylcellulose on construction netting, 150 by 90 cm. SPRÜTH MAGERS, BERLIN, LONDON, LOS ANGELES AND NEW YORK
Stop Drop Open Up Shop N0924, Outside, by Alvaro Barrington (b.1983). 2025. Yarn, concrete and lock on burlap in steel frame; silkscreen, concrete and wooden stick on canvas in steel rebar frame, steel scaffold pole, 213 by 333 by 10 cm. EMALIN GALLERY, LONDON
Strap, cm:22. 166x15 (9), by June Crespo (b.1982). 2024. Aluminium cast, ceramic coat, steel and textiles. P420, BOLOGNA
Ghost (Substitutes), by Erwin Wurm (b.1954). 2022. Aluminium, paint, 300 by 87 by 56 cm. THADDAEUS ROPAC, LONDON, PARIS, SALZBURG, MILAN AND SEOUL
Piscean Dream IV, by Chioma Ebinama (b.1988). 2024. Watercolour, gouache, sumi ink and coffee on handmade paper, 100 by 140 cm. MAUREEN PALEY, LONDON
CHOSEN BY OUR CONTEMPORARY ART EDITOR, KATHRYN LLOYD
Installation view of Venom Voyage, by Christelle Oyiri (b.1992). 2025. GATHERING, LONDON
Willoughby Gerrish
JEAN-FRANÇOIS MILLET (1814–1875)
Summer – The Gleaners (detail), before March 1853
Stamped, lower right, J.F.M
Pencil on paper, 10 x 7 in (25.4 x 17.8 cm)
PROVENANCE
J. Staats Forbes
Alfred Drury RA
Paul Drury
By direct decent
EXHIBITIONS
London, Leicester Galleries, ‘Staats Forbes Collection of One Hundred Drawings by Jean-Francois Millet’, 1906, no.49
London, Arts Council Gallery, ‘Drawings by Jean-Francois Millet’, 1956, p.29, no.37 (selected and catalogued by K. Clark for The Arts Council of Great Britain)
Minneapolis Institute of Arts, ‘Millet’s Gleaners’, 1978, no.8 (selected by R.L. Herbert), fig.11
LITERATURE
J.M. Cartwright: ‘The Drawings of Jean-François Millet in the Collection of Mr. James Staats-Forbes, Part 1’, The Burlington Magazine, vol. V, 1904, pp.47ff., 55, illus.
E. Moreau-Nelaton: Millet raconté par lui-même, Paris 1921, vol. II, fig.136
R.L. Herbert: Jean-François Millet, exh. cat., Grand Palais, Paris, 1975–76, p.144, and Hayward Gallery, London 1976, p.86
Alexandra Murphy: Jean-François Millet, Drawn into the Light, exh. cat., Sterling and Francine Clark Institute, Williamstown, Mass., 1999, p.77
ASIAN ART IN LONDON
27 October–6 November 2025
Various locations, London
Meguro Chiyogaike (Chiyogaike pond, Meguro), from the series Meisho Edo hya (One hundred famous views of edo), by Utagawa Hiroshige (1797–1858). 1856. Woodblock print, first edition.
ANASTASIA VON SEIBOLD JAPANESE ART, 4 CROMWELL PLACE, SW7
A CHAMPION OF the UK’s Asian art market for almost three decades, Asian Art in London (AAL) returns to the capital this autumn with a programme of specialist exhibitions and auctions by twenty-eight respected dealers, galleries and auction houses. Its scope is broad: showcasing a variety of objets from the ancient period, through to modern and contemporary works. Visit www.asianartinlondon.com for more details.
HIGHLIGHTS CHOSEN BY OUR EDITORIAL ASSISTANT / PARTNERSHIPS EXECUTIVE, YI TING LEE
Chinese imperial porcelain blue and white handbell form baluster vase. 1662–1722. Height 20.4 cm. MARCHANT, KENSINGTON
CHURCH STREET, LONDON W8
cup
Painted pottery figurine of a female dancer Western Han dynasty, 206 BCE–9 CE. Height 55 cm. LAM & CO. ANTIQUITIES, ONLINE
Rama confronts Surphanaka and her demon army from the series Shangri Ramayana. Bahu or Jammu, India, c.1700–10. Tempera on paper, dimensions. ROB DEAN ART, ONLINE
Blue jar – letting go #2, by Choi Bo-ram (b.1985). 2024. Unglazed hand-built stoneware with cobalt blue, dimensions. LLOYD CHOI GALLERY, SOTHEBY’S NEW BOND STREET, LONDON W1A
Gold
with chased decoration. Xixia. Jin or Yuan dynasty, 12th–13th century. Overall dimensions 11.4 by 2.9 cm, cup diameter 9.4 cm. ESKENAZI, CLIFFORD STREET, LONDON W1S
Guido RENI (1575-1642) David with the head of Goliath Canvas, 227 × 145,5 cm (89½ × 57¼ in.)
Provenance: Bought directly from the painter by the duke Francesco d’Este (1610-1658) ; Prince Eugene of Savoy (1663-1736) in his Palace of the Belvedere, Vienna ; Dukes of Savoy in their Turin palace until 1795 ; General Pierre Dupont de l’Etang (1765-1840) in his Hotel de Beauvau, Paris With his descendants until now.
Estimate: €2,000,000 - 4,000,000
Laurent de La Hyre
The
Banquet of the Lapiths
A major rediscovery of a lost French 17th century masterpiece, Oil on canvas, 204 x 270 cm. Mentionned in the posthumous estate inventory of the artist in 1657.
€ 500,000/800,000
Exceptional Auction in Orléans
Saturday November 15
Giovanni Paolo Panini (Piacenza 1691–1765 Rome), An Offering to Aesculapius on the Isola Tiberina signed and dated lower center: I.P.PANINI/ROMAE/MDCCXXIV, oil on canvas, 102.5 x 92.5 cm €300,000 – 400,000, Auction 23 October 2025
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FINE ART
TRINITY FINE ART
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15 old bond street
london w 1 s 4 ax www.trinityfineart.com
london w 1 s 4 ax www.trinityfineart.com
info @ trinityfineart.com +44 (0)20 7493 4916
@ trinityfineart.com +44 (0)20 7493 4916
Daniel Katz G allery
15 old bond street
FINE ART
from antiquity to the 2oth century
www.katz.art
Daniel Katz G allery from antiquity to the 2oth century www.katz.art
TRINITY FINE ART
15 old bond street
Daniel Katz G allery from antiquity to the 2oth century
london w www.trinityfineart.com trinityfineart.com +44 (0)20 7493 4916
NEW RARITET GALLERY
& 39 DUKE STREET, ST JAMES’S, LONDON +44 2078395666 WWW.PETERFINER.COM uy owse and b Br one-of-a-kind items online ms
Daniel Katz G allery from antiquity to the 2oth century www.katz.art
OLD MASTER PAINTINGS
PAINTINGS
From Renaissance to the 20th Century www.newraritetgallery.com
& faber
11 Duke Street | St James’ | London SW1Y 6BN
From Renaissance to the 20th Century www.newraritetgallery.com day & faber old master drawings www.dayfaber.com m
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OLD MASTER PAINTINGS From Renaissance to the 20th Century www.newraritetgallery.com
Almost certainly the Earls of Pembroke, Wilton House; By descent to Constance Gwladys Robinson (née Herbert) (1859–1917), daughter of the 11th Earl & sister of the 12th Earl; Lady Juliet Duff (née Lowther) (1881–1965), niece of the 13th and 14th Earls; Given to Mary Anna Sibell Elizabeth Marten OBE (1929–2010), Crichel House, Dorset, 1964
