202506.advertising by The Burlington Magazine

Trecento Siena

Prize for Research on South Netherlandish Art 1400–1800

In partnership with the

A new annual prize of £1,000 will be awarded, with publication in The Burlington Magazine’s annual issue dedicated to Northern European Art, plus a subscription to The Burlington Magazine

This annual prize is intended to inspire the development and publication of innovative object-based scholarship on South Netherlandish Art, 1400–1800

Further details are available on the Burlington Magazine website: burlington.org.uk/jobs-noticeboard/academicnoticeboard

We seek previously unpublished essays of 1000–1500 words from early career scholars worldwide. Preference will be given to object-related scholarship such as is published in The Burlington Magazine

Deadline for applications: Monday 1st September 2025

Submissions and queries should be directed to: burlingtonprize@aha.cam.ac.uk

FRANCISCO DE GOYA (1746–1828)

Portrait of Maria Soledad Rocha Fernandez de la Peña, Marquesa de Caballero, 1807

At galleries in Mayfair and St. James’s – Monday 23 June to Friday 4 July 2025

The mausoleum of the necropolis of San Vito, with figures from Goethe’s Der Wanderer, by FranzLudwig Catel (1778–1856). c.1830–40. Oil on canvas, 81 by 108.5 cm.

NONESUCH GALLERY, 6 DUKE STREET, SW1Y 6DB

The opening, by Paul Nash (1889–1946).

1930–31. Oil on canvas, 81.3 by 50.8 cm.

DANIEL KATZ

GALLERY, 6 HILL STREET, W1J 5NF

CELEBR ATING THE CITY’S unique position in the fine art and antique market, Classic Art London (CAL) is a new event that gathers renowned dealers showing museum-quality old and Modern masterworks. Alongside selling exhibitions by participating galleries, CAL will host a series of academic talks at the Society of Antiquaries. The talks, organised in collaboration with The Burlington Magazine and the Society for the History of Collecting, will take place on Monday 30th June and will cover topics such as the 250th anniversary of J.M.W. Turner’s birth, the impact of climate change on art institutions, and shared ownership between public museums and private collections. Contributing to the vibrant summer season dedicated to classic art in London, the event coincides with major auction house sales, the Royal Academy of Arts’ Summer Exhibition, the annual exhibition by Trois Crayons and Treasure House Fair.

Highlights in the presentation of old masters include a rediscovered painting by Titian at Trinity Fine Art, paintings of Venice in the nineteenth century at Charles Beddington, drawings and watercolours by Constance Gordon-Cumming at Karen Taylor Fine Art, miniature portraits at the Limner Company and works on paper by J.M.W. Turner at Guy Peppiatt Fine Art. Representing Modern masters, Daniel Katz Gallery shows significant works by Paul Nash, Ben Elwes Fine Art introduces a global view of early twentieth-century Cubism, while Haynes Fine Art and David Messum display works by important Impressionists.

For more information visit www.classicartlondon.uk

Two dancers, by Edgar Degas (1834–1917). Charcoal and blue pastel on paper, 61 by 40.6 cm.

HAYNES FINE ART, 70 PIMLICO ROAD, SW1W 8LS

A student’s lodgings, by John Absolon (1815–95). c.1837–40. Watercolour and bodycolour on paper, 48.2 by 38.1 cm.

ALEXANDER CLAYTONPAYNE, 6 RYDER STREET, SW1Y 6QB

Head of an Eastern gentleman with a moustache and turban, by Giambattista Tiepolo (1696–1770). c.1755. Oil on canvas, 43.5 by 35.5 cm.

TRINITY FINE ART, 15 OLD BOND STREET, W1S 4AX

IMPRESSIONISt PAINTINgS

EUGÈNE BOUDIN

TROUVILLE, LES JETÉES, MARÉE HAUTE, 1896

ART RICHELIEU, AUCTION ON 23 JUNE 2025

AUCTION VENUE SINCE 1852

Lady Betty (Elizabeth) Foster (née Hervey) (later Cavendish) (1757–1824), by George Engleheart (1750–1829). c.1787. Watercolour on ivory, height 5 cm. LIMNER COMPANY, 6 MASONS YARD, SW1Y 6BU

At galleries in Mayfair and St. James’s – Monday 23 June to Friday 4 July 2025

Cuckoo, by Elizabeth Armstrong Forbes (1859–1912). c.1900. Watercolour, 43 by 32 cm. DAVID MESSUM FINE ART, 12 BURY STREET, SW1Y 6AB

View of Belgrave House and Westminster Bridge from a sketch taken in 1811, shortly before it was pulled down, by John Varley (1778–1842). 1824. Watercolour over pencil heightened with bodycolour, stopping out and gum arabic, 20.9 by 29.1 cm.

GUY PEPPIATT FINE ART, 6 MASONS YARD, SW1Y 6BU the burlington magazine | 167 | june 2025

Venice: the Volta di Canal at night with the festivities in honour of Emperor Ferdinand I of Austria, 7th October 1838, by Carlo Grubacs (1802–70). 1838[?]. Oil on canvas, 50.5 by 69.2 cm.

CHARLES BEDDINGTON, 16 SAVILE ROW, W1S 3PL

Vase. Biagio Giustiniani manufactory, Naples. c.1820. Creamware, height approx. 58 cm. JUSTIN RACCANELLO, GALLERY 8, 8 DUKE STREET, SW1Y 6BN

Entrance to the Yosemite Valley, by Constance Gordon-Cumming (1837–1924). 1878. Watercolour over pencil on paper, 49 by 58 cm. KAREN TAYLOR FINE ART, GALLERY 8, 8 DUKE STREET, SW1Y 6BN

KAREN TAYLOR FINE ART

THOMAS JONES (1742 –1803)

Near Naples with a mule on a track

Signed and inscribed l.r. in pencil: near NAPLES./T. JONES ./No XXXV., oil on Italian writing paper, laid down on card

27.7 x 43 cm.; 10⅞ x 16⅞ inches

PROVENANCE

By direct descent from the artist

EXHIBITED

Marble Hill House, London, Thomas Jones, 1970, no. 88; National Museum & Gallery, Cardiff, Whitworth Art Gallery, Manchester and National Gallery, London, Thomas Jones (1742–1803): An Artist Rediscovered, 21 May 2003 – 15 February 2004, no. 125

SUMMER EXHIBITION

Thomas Jones in Italy 8 Duke Street, St James’s, London SW1Y 6BN 24 June – 5 July 2025

karen@karentaylorfineart.com www.karentaylorfineart +44 (0)7881 581275

At Frieze No.9 Cork Street

26th June – 5th July

For more information see troiscrayons.art

Study of a young woman, by Simeon Solomon (1840–1905). 1890. Red chalk on paper, 35.5 by 29 cm.

ALEXANDER

CLAYTON-PAYNE, LONDON

Pine trees before birch trees, by Oskar Bergman (1879–1963).

1908. Watercolour, gouache and gold on paper, 14.5 by 10.8 cm.

BEN ELWES FINE ART, LONDON

Studies of legs and a torso for St John the Baptist, by François Boucher (1703–70).

1755. Black and white chalk, 22.5 by 28.5 cm. DAY & FABER, LONDON

GUIDED BY THE THEME ‘Tracing Time’, 35 participants this year have submitted works on paper for the second iteration of Trois Crayons, a selling exhibition of drawings. Trois Crayons is an innovative platform which aims to increase the awareness, accessibility and visibility of drawings in all their forms; their exhibition will present the finest drawings and masterpieces on paper from renowned galleries and dealers, which span the fifteenth century until the present day. ‘Tracing Time’ will showcase works by artists such as Hans Rottenhammer, Giovanni Domenico Tiepolo, J.M.W. Turner and Jean Cocteau, and present rare-to-market works. A broad spectrum of media, periods and nationalities are represented.

The event at Frieze No.9 Cork Street is larger this year, with more dealers, more works of art and an expanded talks programme. Subjects of the talks programme include John Constable, Jean-Antoine Watteau and historic women artists. The Burlington Magazine will co-host a talk – Dr William Aslet will present his research on James Gibbs’s designs for Burlington House, which was published in the April issue. There will also be off-site visits to the Courtauld Gallery and the print rooms at the Victoria & Albert Museum.

HIGHLIGHTS CHOSEN BY CATHERINE WHISTLER, BURLINGTON MAGAZINE TRUSTEE

Self-portrait in threequarter profile to the right, by Julius Hübner (1806–82). 1828. Pencil on thin cardboard, 13 by 10.6 cm.

NICOLAAS

TEEUWISSE OHG, BERLIN

A flying figure and a putto, by Lorenzo de Ferrari (1680–1744).

Red and traces of black chalk on laid paper, 27 by 41.4 cm.

ROMANO FINE ART, FLORENCE

At Frieze No.9 Cork Street 26th June – 5th July

For more information see troiscrayons.art

St Cecilia, by Edward Reginald Frampton (1872–1923).

Watercolour and tempera on board, 73.7 by 120 cm.

THE MAAS GALLERY, LONDON

Self-portrait at the easel, by Franz Hein (1863–1927).

Watercolour and pencil, 100.3 by 66.8 cm.

HÄRB NUTI

MASTER DRAWINGS, LONDON

Costume study, by Antoine Caron (1521–99). Brown wash over black chalk, 33.5 by 23 cm.

GALERIE DUPONCHEL, PARIS

Punchinello and his family spinning flax, by Giovanni Domenico Tiepolo (1727–1804). c.1790–1800. Pen and brown ink and wash, over an underdrawing in black chalk, 34.5 by 46.4 cm.

STEPHEN ONGPIN FINE ART, LONDON

Still life on a pedestal table, by Georges Braque (1882–1963). c.1923–24. Watercolour over pencil on squared paper, 18.7 by 13.3 cm.

WILDENSTEIN & CO., NEW YORK

the burlington magazine | 167 | june 2025 x

Sketch for the Death and Apotheosis of Admiral Nelson, by Pierre Nicolas Legrand de Sérant (1758–1829). c.1805–18. Black chalk and sanguine highlights, 27.5 by 28.3 cm.

GALERIE MICHEL DESCOURS, PARIS

Deadline 14th July 2025

contemporary.burlington.org.uk/writing_prize

LONDON GALLERY WEEKEND

6th–8th June 2025

Summoned and Swept, by Erica Mahinay (b.1986).

2025. Oil on linen, 224 by 200 cm.

JOSH LILLEY, RIDING HOUSE ST, W1W

LONDON GALLERY WEEKEND brings together 126 galleries to showcase the diverse contemporary art landscape in the capital. For maps, guest-curated routes and more information visit londongalleryweekend.art

Community, by Simon Lehner (b.1996).

2024. Mixed media, variable dimensions.

EDEL ASSANTI, LITTLE TITCHFIELD ST, W1W

Quilt 44, by Arrange Whatever Pieces Come Your Way. 2024. Cotton and silk, 93 by 79 cm. SID MOTION GALLERY, HATCHAM RD, SE15

Song of Creation, by Bona de Mandiargues (1926–2000). 1975. Oil on canvas, 163 by 115 cm. ALISON JACQUES GALLERY, CORK ST, W1S

Desert storm, by Emily Kam Kngwarray (1910–96). 1992. Synthetic polymer paint on linen, 138.9 by 304.8 cm. PACE, HANOVER SQUARE, W1S

Bull, by Joe Bradley (b.1975). 2025. Oil on canvas, 175.6 by 231.1 cm. DAVID ZWIRNER, GRAFTON ST, W1S

www.printquarterly.co.uk

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FINE EUROPEAN ART

Signature ® Auction | June 5

Featuring The William A. Glaser Collection of Old Master Drawings

Francesco Fontebasso (Italian, 1707-1769)

Fall of the Rebel Angels, circa 1736 | Ink, wash, and gouache on tan laid paper

Estimate: $4,000 - $6,000

View All Lots and Bid at HA.com/8206

Inquiries: Marianne Berardi, PhD | +1.214.409.1506 | MarianneB@HA.com Heritage Auctions UK, Ltd. | UK@HA.com | +44 (0)207 493 0498 Paul R. Minshull #16591. BP 15-25%; see HA.com. 85426